The Book of Humorous Verse

Quixotic is his enterprise and hopeless his adventure is,
Who seeks for jocularities that haven't yet been said;
The world has joked incessantly for over fifty centuries,
And every joke that's possible has long ago been made.
I started as a humourist with lots of mental fizziness,
But humour is a drug which it's the fashion to abuse;
For my stock-in-trade, my fixtures and the good-will of the business
No reasonable offer I am likely to refuse.
And if anybody choose
He may circulate the news
That no reasonable offer I am likely to refuse.

Oh, happy was that humourist—the first that made a pun at all—
Who when a joke occurred to him, however poor and mean,
Was absolutely certain that it never had been done at all—
How popular at dinners must that humourist have been!
Oh, the days when some step-father for a query held a handle out,—
The door-mat from the scraper, is it distant very far?
And when no one knew where Moses was when Aaron put the candle out,
And no one had discovered that a door could be a-jar!
But your modern hearers are
In their tastes particular,
And they sneer if you inform them that a door can be a jar!

In search of quip and quiddity I've sat all day alone, apart—
And all that I could hit on as a problem was—to find
Analogy between a scrag of mutton and a Bony-part,
Which offers slight employment to the speculative mind.

For you cannot call it very good, however great your charity—
It's not the sort of humour that is greeted with a shout—
And I've come to the conclusion that my mine of jocularity,
In present Anno Domini is worked completely out!
Though the notion you may scout,
I can prove beyond a doubt
That my mine of jocularity is worked completely out!

W. S. Gilbert.

Oh, what a fund of joy jocund lies hid in harmless hoaxes!

What keen enjoyment springs

From cheap and simple things!

What deep delight from sources trite inventive humour coaxes,

That pain and trouble brew

For every one but you!

Gunpowder placed inside its waist improves a mild Havana,

Its unexpected flash

Burns eyebrows and moustache.

When people dine no kind of wine beats ipecacuanha,

But common sense suggests

You keep it for your guests—

Then naught annoys the organ boys like throwing red hot coppers.

And much amusement bides

In common butter slides;

And stringy snares across the stairs cause unexpected croppers.

Coal scuttles, recollect,

Produce the same effect.

A man possessed

Of common sense

Need not invest

At great expense—

It does not call

For pocket deep,

These jokes are all

Extremely cheap.

If you commence with eighteenpence—it's all you'll have to pay;

You may command a pleasant and a most instructive day.

A good spring gun breeds endless fun, and makes men jump like rockets—

And turnip heads on posts

Make very decent ghosts.

Then hornets sting like anything, when placed in waistcoat pockets—

Burnt cork and walnut juice

Are not without their use.

No fun compares with easy chairs whose seats are stuffed with needles—

Live shrimps their patience tax

When put down people's backs.

Surprising, too, what one can do with a pint of fat black beetles—

And treacle on a chair

Will make a Quaker swear!

Then sharp tin tacks

And pocket squirts—

And cobbler's wax

For ladies' skirts—

And slimy slugs

On bedroom floors—

And water jugs

On open doors—

Prepared with these cheap properties, amusing tricks to play

Upon a friend a man may spend a most delightful day.

W. S. Gilbert.

"Gentle, modest little flower,
Sweet epitome of May,
Love me but for half an hour,
Love me, love me, little fay."
Sentences so fiercely flaming
In your tiny, shell-like ear,
I should always be exclaiming
If I loved you, Phœbe dear.

"Smiles that thrill from any distance
Shed upon me while I sing!
Please ecstaticize existence,
Love me, oh, thou fairy thing!"
Words like these, outpouring sadly,
You'd perpetually hear,
If I loved you fondly, madly;—
But I do not, Phœbe dear.

W. S. Gilbert.

Malbrouck, the prince of commanders,
Is gone to the war in Flanders;
His fame is like Alexander's;
But when will he come home?

Perhaps at Trinity Feast, or
Perhaps he may come at Easter.
Egad! he had better make haste, or
We fear he may never come.

For Trinity Feast is over,
And has brought no news from Dover;
And Easter is past, moreover,
And Malbrouck still delays.

Milady in her watch-tower
Spends many a pensive hour,
Not well knowing why or how her
Dear lord from England stays.

While sitting quite forlorn in
That tower, she spies returning
A page clad in deep mourning,
With fainting steps and slow.

"O page, prithee, come faster!
What news do you bring of your master?
I fear there is some disaster,
Your looks are so full of woe."

"The news I bring, fair lady,"
With sorrowful accent said he,
"Is one you are not ready
So soon, alas! to hear.

"But since to speak I'm hurried,"
Added this page, quite flurried,
"Malbrouck is dead and buried!"
(And here he shed a tear.)

"He's dead! he's dead as a herring!
For I beheld his 'berring,'
And four officers transferring
His corpse away from the field.

"One officer carried his sabre,
And he carried it not without labour,
Much envying his next neighbour,
Who only bore a shield.

"The third was helmet-bearer—
That helmet which on its wearer
Filled all who saw with terror,
And covered a hero's brains.

"Now, having got so far, I
Find that (by the Lord Harry!)
The fourth is left nothing to carry;
So there the thing remains."

Well I recall how first I met
Mark Twain—an infant barely three
Rolling a tiny cigarette
While cooing on his nurse's knee.

Since then in every sort of place
I've met with Mark and heard him joke,
Yet how can I describe his face?
I never saw it for the smoke.

At school he won a smokership,
At Harvard College (Cambridge, Mass.)
His name was soon on every lip,
They made him "smoker" of his class.

Who will forget his smoking bout
With Mount Vesuvius—our cheers—
When Mount Vesuvius went out
And didn't smoke again for years?

The news was flashed to England's King,
Who begged Mark Twain to come and stay,
Offered him dukedoms—anything
To smoke the London fog away.

But Mark was firm. "I bow," said he,
"To no imperial command,
No ducal coronet for me,
My smoke is for my native land!"

For Mark there waits a brighter crown!
When Peter comes his card to read—
He'll take the sign "No Smoking" down,
Then Heaven will be Heaven indeed.

Oliver Herford.

In days of peace my fellow-men
Rightly regarded me as more like
A Bishop than a Major-Gen.,
And nothing since has made me warlike;
But when this age-long struggle ends
And I have seen the Allies dish up
The goose of Hindenburg—oh, friends!
I shall out-bish the mildest Bishop.

When the War is over and the Kaiser's out of print
I'm going to buy some tortoises and watch the beggars sprint;
When the War is over and the sword at last we sheathe
I'm going to keep a jelly-fish and listen to it breathe.

I never really longed for gore,
And any taste for red corpuscles
That lingered with me left before
The German troops had entered Brussels.
In early days the Colonel's "'Shun!"
Froze me; and as the war grew older
The noise of some one else's gun
Left me considerably colder.

When the War is over and the battle has been won
I'm going to buy a barnacle and take it for a run;
When the War is over and the German fleet we sink
I'm going to keep a silkworm's egg and listen to it think.

The Captains and the Kings depart—
It may be so, but not lieutenants;
Dawn after weary dawn I start
The never ending round of penance;
One rock amid the welter stands
On which my gaze is fixed intently:
An after-life in quiet lands
Lived very lazily and gently.

When the War is over and we've done the Belgians proud
I'm going to keep a chrysalis and read to it aloud;
When the War is over and we've finished up the show
I'm going to plant a lemon pip and listen to it grow.

Oh, I'm tired of the noise and turmoil of battle,
And I'm even upset by the lowing of cattle,
And the clang of the bluebells is death to my liver,
And the roar of the dandelion gives me a shiver,
And a glacier, in movement, is much too exciting,
And I'm nervous, when standing on one, of alighting—
Give me Peace; that is all, that is all that I seek....
Say, starting on Saturday week.

A. A. Milne.

I have felt the thrill of passion in the poet's mystic book
And I've lingered in delight to catch the rhythm of the brook;
I've felt the ecstasy that comes when prima donnas reach
For upper C and hold it in a long, melodious screech.
And yet the charm of all these blissful memories fades away
As I think upon the fortune that befell the other day,
As I bring to recollection, with a joyous, wistful sigh,
That I woke and felt the need of extra covers in July.

Oh, eerie hour of drowsiness—'twas like a fairy spell,
That respite from the terrors we have known, alas, so well,
The malevolent mosquito, with a limp and idle bill,
Hung supinely from the ceiling, all exhausted by his chill.
And the early morning sunbeam lost his customary leer
And brought a gracious greeting and a prophecy of cheer;
A generous affability reached up from earth to sky,
When I woke and felt the need of extra covers in July.

In every life there comes a time of happiness supreme,
When joy becomes reality and not a glittering dream.
'Tis less appreciated, but it's worth a great deal more
Than tides which taken at their flood lead on to fortune's shore.
How vain is Art's illusion, and how potent Nature's sway
When once in kindly mood she deigns to waft our woes away!
And the memory will cheer me, though all other pleasures fly,
Of how I woke and needed extra covers in July.

Unknown.

When that old joke was new,
It was not hard to joke,
And puns we now pooh-pooh,
Great laughter would provoke.

True wit was seldom heard,
And humor shown by few,
When reign'd King George the Third,
And that old joke was new.

It passed indeed for wit,
Did this achievement rare,
When down your friend would sit,
To steal away his chair.

You brought him to the floor,
You bruised him black and blue,
And this would cause a roar,
When your old joke was new.

W. M. Thackeray.

When moonlike ore the hazure seas
In soft effulgence swells,
When silver jews and balmy breaze
Bend down the Lily's bells;
When calm and deap, the rosy sleap
Has lapt your soal in dreems,
R Hangeline! R lady mine!
Dost thou remember Jeames?

I mark thee in the Marble all,
Where England's loveliest shine—
I say the fairest of them hall
Is Lady Hangeline.
My soul, in desolate eclipse,
With recollection teems—
And then I hask, with weeping lips,
Dost thou remember Jeames?

Away! I may not tell thee hall
This soughring heart endures—
There is a lonely sperrit-call
That Sorrow never cures;
There is a little, little Star,
That still above me beams;
It is the Star of Hope—but ar!
Dost thou remember Jeames?

W. M. Thackeray.

When the frost is on the punkin and the fodder's in the shock,
And you hear the kyouck and gobble of the struttin' turkey-cock,
And the clackin' of the guineys, and the cluckin' of the hens,
And the rooster's hallylooyer as he tiptoes on the fence;
O it's then's the times a feller is a-feelin' at his best,
With the risin' sun to greet him from a night of peaceful rest,
As he leaves the house, bare-headed, and goes out to feed the stock,
When the frost is on the punkin and the fodder's in the shock.

They's something kindo' hearty-like about the atmosphere,
When the heat of summer's over and the coolin' fall is here—
Of course we miss the flowers, and the blossoms on the trees,
And the mumble of the hummin'-birds and buzzin' of the bees;
But the air's so appetisin'; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur that no painter has the colorin' to mock—
When the frost is on the punkin and the fodder's in the shock.

The husky, rusty rustle of the tossels of the corn,
And the raspin' of the tangled leaves, as golden as the morn;
The stubble in the furries—kindo' lonesome-like, but still
A-preachin' sermons to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below—the clover overhead!—
O, it sets my heart a-clickin' like the tickin' of a clock,
When the frost is on the punkin and the fodder's in the shock!

James Whitcomb Riley.

There be two men of all mankind
That I should like to know about;
But search and question where I will,
I cannot ever find them out.

Melchizedek he praised the Lord,
And gave some wine to Abraham;
But who can tell what else he did
Must be more learned than I am.

Ucalegon he lost his house
When Agamemnon came to Troy;
But who can tell me who he was—
I'll pray the gods to give him joy.

There be two men of all mankind
That I'm forever thinking on;
They chase me everywhere I go,—
Melchizedek, Ucalegon.

Edwin Arlington Robinson.

Yes, write if you want to—there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.

Here's a book full of words: one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!

You can wander at will through its syllabled mazes,
And take all you want—not a copper they cost;
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?

Don't mind if the index of sense is at zero;
Use words that run smoothly, whatever they mean;
Leander and Lillian and Lillibullero
Are much the same thing in the rhyming machine.

There are words so delicious their sweetness will smother
That boarding-school flavour of which we're afraid;
There is "lush" is a good one and "swirl" is another;
Put both in one stanza, its fortune is made.

With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell;
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"

Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.

As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty,
Have filled that great basket with bushels of rhymes.

Let me show you a picture—'tis far from irrelevant—
By a famous old hand in the arts of design;
'Tis only a photographed sketch of an elephant;
The name of the draughtsman was Rembrandt of Rhine.

How easy! no troublesome colours to lay on;
It can't have fatigued him, no, not in the least;
A dash here and there with a haphazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.

Just so with your verse—'tis as easy as sketching;
You can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.

Well, imagine you've printed your volume of verses;
Your forehead is wreathed with the garland of fame;
Your poem the eloquent school-boy rehearses;
Her album the school-girl presents for your name.

Each morning the post brings you autograph letters;
You'll answer them promptly—an hour isn't much
For the honour of sharing a page with your betters,
With magistrates, members of Congress, and such.

Of course you're delighted to serve the committees
That come with requests from the country all round;
You would grace the occasion with poems and ditties
When they've got a new school-house, or poor-house, or pound.

With a hymn for the saints, and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners;
You've a seat on the platform among the grandees.

At length your mere presence becomes a sensation;
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That's him!"

But, remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.

No will of your own, with its puny compulsion,
Can summon the spirit that quickens the lyre;
It comes, if at all, like the sibyl's convulsion,
And touches the brain with a finger of fire.

So, perhaps, after all, it's as well to be quiet,
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.

But it's all of no use, and I'm sorry I've written;
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.

Oliver Wendell Holmes.

I wrote some lines once on a time
In wondrous merry mood,
And thought, as usual, men would say
They were exceeding good.

They were so queer, so very queer,
I laughed as I would die;
Albeit, in the general way,
A sober man am I.

I called my servant, and he came;
How kind it was of him,
To mind a slender man like me,
He of the mighty limb!

"These to the printer," I exclaimed,
And, in my humorous way,
I added (as a trifling jest),
"There'll be the devil to pay."

He took the paper, and I watched,
And saw him peep within;
At the first line he read, his face
Was all upon a grin.

He read the next, the grin grew broad,
And shot from ear to ear;
He read the third, a chuckling noise
I now began to hear.

The fourth, he broke into a roar;
The fifth, his waistband split;
The sixth, he burst five buttons off,
And tumbled in a fit.

Ten days and nights, with sleepless eye,
I watched that wretched man,
And since, I never dare to write
As funny as I can.

Oliver Wendell Holmes.

I

I have a bookcase, which is what
Many much better men have not.
There are no books inside, for books,
I am afraid, might spoil its looks.
But I've three busts, all second-hand,
Upon the top. You understand
I could not put them underneath—
Shake, Mulleary and Go-ethe.

II

Shake was a dramatist of note;
He lived by writing things to quote,
He long ago put on his shroud:
Some of his works are rather loud.
His bald-spot's dusty, I suppose.
I know there's dust upon his nose.
I'll have to give each nose a sheath—
Shake, Mulleary and Go-ethe.

III

Mulleary's line was quite the same;
He has more hair, but far less fame.
I would not from that fame retrench—
But he is foreign, being French.
Yet high his haughty head he heaves,
The only one done up in leaves,
They're rather limited on wreath—
Shake, Mulleary and Go-ethe.

IV

Go-ethe wrote in the German tongue:
He must have learned it very young.
His nose is quite a butt for scoff,
Although an inch of it is off.
He did quite nicely for the Dutch;
But here he doesn't count for much.
They all are off their native heath—
Shake, Mulleary and Go-ethe.

V

They sit there, on their chests, as bland
As if they were not second-hand.
I do not know of what they think,
Nor why they never frown or wink,
But why from smiling they refrain
I think I clearly can explain:
They none of them could show much teeth—
Shake, Mulleary and Go-ethe.

H. C. Bunner.

Man is for woman made,
And woman made for man:
As the spur is for the jade,
As the scabbard for the blade,
As for liquor is the can,
So man's for woman made,
And woman made for man.

As the sceptre to be sway'd,
As to night the serenade,
As for pudding is the pan,
As to cool us is the fan,
So man's for woman made,
And woman made for man.

Be she widow, wife, or maid,
Be she wanton, be she staid,
Be she well or ill array'd,
So man's for woman made,
And woman made for man.

Peter A. Motteux.

The prospect is bare and white,
And the air is crisp and chill;
While the ebon wings of night
Are spread on the distant hill.

The roar of the stormy sea
Seem the dirges shrill and sharp
That winter plays on the tree—
His wild Æolian harp.

In the pool that darkly creeps
In ripples before the gale,
A star like a lily sleeps
And wiggles its silver tail.

R. K. Munkittrick.

My dear young friend, whose shining wit
Sets all the room a-blaze,
Don't think yourself a "happy dog,"
For all your merry ways;
But learn to wear a sober phiz,
Be stupid, if you can,
It's such a very serious thing
To be a funny man!

You're at an evening party, with
A group of pleasant folks,—
You venture quietly to crack
The least of little jokes,—
A lady doesn't catch the point,
And begs you to explain—
Alas for one that drops a jest
And takes it up again!

You're talking deep philosophy
With very special force,
To edify a clergyman
With suitable discourse,—
You think you've got him—when he calls
A friend across the way,
And begs you'll say that funny thing
You said the other day!

You drop a pretty jeu-de-mot
Into a neighbor's ears,
Who likes to give you credit for
The clever thing he hears,
And so he hawks your jest about,
The old authentic one,
Just breaking off the point of it,
And leaving out the pun!

By sudden change in politics,
Or sadder change in Polly,
You, lose your love, or loaves, and fall
A prey to melancholy,
While everybody marvels why
Your mirth is under ban,—
They think your very grief "a joke,"
You're such a funny man!

You follow up a stylish card
That bids you come and dine,
And bring along your freshest wit
(To pay for musty wine),
You're looking very dismal, when
My lady bounces in,
And wonders what you're thinking of
And why you don't begin!

You're telling to a knot of friends
A fancy-tale of woes
That cloud your matrimonial sky,
And banish all repose—
A solemn lady overhears
The story of your strife,
And tells the town the pleasant news:
You quarrel with your wife!

My dear young friend, whose shining wit
Sets all the room a-blaze,
Don't think yourself "a happy dog,"
For all your merry ways;
But learn to wear a sober phiz,
Be stupid, if you can,
It's such a very serious thing
To be a funny man!

John G. Saxe.

"God bless the man who first invented sleep!"
So Sancho Panza said, and so say I:
And bless him, also, that he didn't keep
His great discovery to himself; nor try
To make it—as the lucky fellow might—
A close monopoly by patent-right!

Yes—bless the man who first invented sleep,
(I really can't avoid the iteration;)
But blast the man, with curses loud and deep,
Whate'er the rascal's name, or age, or station,
Who first invented, and went round advising,
That artificial cut-off—Early Rising!

"Rise with the lark, and with the lark to bed,"
Observes some solemn, sentimental owl;
Maxims like these are very cheaply said;
But, ere you make yourself a fool or fowl,
Pray just inquire about his rise and fall,
And whether larks have any beds at all!

The time for honest folks to be a-bed
Is in the morning, if I reason right;
And he who cannot keep his precious head
Upon his pillow till it's fairly light,
And so enjoy his forty morning winks,
Is up to knavery; or else—he drinks!

Thompson, who sung about the "Seasons," said
It was a glorious thing to rise in season;
But then he said it—lying—in his bed,
At ten o'clock A.M.,—the very reason
He wrote so charmingly. The simple fact is
His preaching wasn't sanctioned by his practice.

'Tis, doubtless, well to be sometimes awake,—
Awake to duty, and awake to truth,—
But when, alas! a nice review we take
Of our best deeds and days, we find, in sooth,
The hours that leave the slightest cause to weep
Are those we passed in childhood or asleep!

'Tis beautiful to leave the world awhile
For the soft visions of the gentle night;
And free, at last, from mortal care or guile,
To live as only in the angel's sight,
In sleep's sweet realm so cosily shut in,
Where, at the worst, we only dream of sin!

So let us sleep, and give the Maker praise.
I like the lad who, when his father thought
To clip his morning nap by hackneyed phrase
Of vagrant worm by early songster caught,
Cried, "Served him right!—it's not at all surprising;
The worm was punished, sir, for early rising!"

John G. Saxe.

"Speak, O man less recent!
Fragmentary fossil!
Primal pioneer of pliocene formation,
Hid in lowest drifts below the earliest stratum
Of volcanic tufa!

"Older than the beasts, the oldest Palæotherium;
Older than the trees, the oldest Cryptogami;
Older than the hills, those infantile eruptions
Of earth's epidermis!

"Eo—Mio—Plio—whatsoe'er the 'cene' was
That those vacant sockets filled with awe and wonder,—
Whether shores Devonian or Silurian beaches,—
Tell us thy strange story!

"Or has the professor slightly antedated
By some thousand years thy advent on this planet,
Giving thee an air that's somewhat better fitted
For cold-blooded creatures?

"Wert thou true spectator of that mighty forest
When above thy head the stately Sigillaria
Reared its columned trunks in that remote and distant
Carboniferous epoch?

"Tell us of that scene—the dim and watery woodland,
Songless, silent, hushed, with never bird or insect,
Veiled with spreading fronds and screened with tall club-mosses,
Lycopodiacea,—

"When beside thee walked the solemn Plesiosaurus,
And all around thee crept the festive Ichthyosaurus,
While from time to time above thee flew and circled
Cheerful Pterodactyls;—

"Tell us of thy food,—those half-marine refections,
Crinoids on the shell, and Brachipods au naturel,—
Cuttle-fish to which the pieuvre of Victor Hugo
Seems a periwinkle.

"Speak, thou awful vestige of the Earth's creation—
Solitary fragment of remains organic!
Tell the wondrous secret of thy past existence—
Speak! thou oldest primate!"

Even as I gazed, a thrill of the maxilla,
And a lateral movement of the condyloid process,
With post-pliocene sounds of healthy mastication,
Ground the teeth together.

And, from that imperfect dental exhibition,
Stained with expressed juices of the weed Nicotian,
Came these hollow accents, blent with softer murmurs
Of expectoration:

"Which my name is Bowers, and my crust was busted
Falling down a shaft in Calaveras county,
But I'd take it kindly if you'd send the pieces
Home to old Missouri!"

Bret Harte.

Oh, would that working I might shun,
From labour my connection sever,
That I might do a bit—or none
Whatever!

That I might wander over hills,
Establish friendship with a daisy,
O'er pretty things like daffodils
Go crazy!

That I might at the heavens gaze,
Concern myself with nothing weighty,
Loaf, at a stretch, for seven days—
Or eighty.

Why can't I cease a slave to be,
And taste existence beatific
On some fair island, hid in the
Pacific?

Instead of sitting at a desk
'Mid undone labours, grimly lurking—
Oh, say, what is there picturesque
In working?

But no!—to loaf were misery!—
I love to work! Hang isles of coral!
(To end this otherwise would be
Immoral!)

Thomas R. Ybarra.

If I go to see the play,
Of the story I am certain;
Promptly it gets under way
With the lifting of the curtain.
Builded all that's said and done
On the ancient recipe—
'Tis the same old Two and One:
A and B in love with C.

If I read the latest book,
There's the mossy situation;
One may confidently look
For the trite triangulation.
Old as time, but ever new,
Seemingly, this tale of Three—
Same old yarn of One and Two:
A and C in love with B.

If I cast my eyes around,
Far and near and middle distance,
Still the formula is found
In our everyday existence.
Everywhere I look I see—
Fact or fiction, life or play—
Still the little game of Three:
B and C in love with A.

While the ancient law fulfills,
Myriad moons shall wane and wax.
Jack must have his pair of Jills,
Jill must have her pair of Jacks.

Bert Leston Taylor.

My temples throb, my pulses boil,
I'm sick of Song and Ode and Ballad—
So Thyrsis, take the midnight oil,
And pour it on a lobster salad.

My brain is dull, my sight is foul,
I cannot write a verse, or read—
Then Pallas, take away thine Owl,
And let us have a Lark instead.

Thomas Hood.

Out rode from his wild, dark castle
The terrible Heinz von Stein;
He came to the door of a tavern
And gazed on its swinging sign.

He sat himself down at a table,
And growled for a bottle of wine;
Up came with a flask and a corkscrew
A maiden of beauty divine.

Then, seized with a deep love-longing,
He uttered, "O damosel mine,
Suppose you just give a few kisses
To the valorous Ritter von Stein!"

But she answered, "The kissing business
Is entirely out of my line;
And I certainly will not begin it
On a countenance ugly as thine!"

Oh, then the bold knight was angry,
And cursed both coarse and fine;
And asked, "How much is the swindle
For your sour and nasty wine?"

And fiercely he rode to the castle
And sat himself down to dine;
And this is the dreadful legend
Of the terrible Heinz von Stein.

Charles Godfrey Leland.

It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.

There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;

So they'd squelch the muse caloric,
And to students sophomoric
They'd present as metaphoric
What old Horace meant for facts.

We have always thought 'em lazy;
Now we adjudge 'em crazy!
Why, Horace was a daisy
That was very much alive!
And the wisest of us know him
As his Lydia verses show him,—
Go, read that virile poem,—
It is No. 25.

He was a very owl, sir,
And starting out to prowl, sir,
You bet he made Rome howl, sir,
Until he filled his date;
With a massic-laden ditty
And a classic maiden pretty,
He painted up the city,
And Mæcenas paid the freight!

Eugene Field.

Celestine Silvousplait Justine de Mouton Rosalie,
A coryphée who lived and danced in naughty, gay Paree,
Was every bit as pretty as a French girl e'er can be
(Which isn't saying much).

Maurice Boulanger (there's a name that would adorn a king),
But Morris Baker was the name they called the man I sing.
He lived in New York City in the Street that's labeled Spring
(Chosen because it rhymed).

Now Baker was a lonesome youth and wanted to be wed,
And for a wife, all over town he hunted, it is said;
And up and down Fifth Avenue he ofttimes wanderéd
(He was a peripatetic Baker, he was).

And had he met Celestine, not a doubt but Cupid's darts
Would in a trice have wounded both of their fond, loving hearts;
But he has never left New York to stray in foreign parts
(Because he hasn't the price).

And she has never left Paree and so, of course, you see
There's not the slightest chance at all she'll marry Morris B.
For love to get well started, really needs propinquity
(Hence my title).

Charles Battell Loomis.

Sam Brown was a fellow from way down East,
Who never was "staggered" in the least.
No tale of marvellous beast or bird
Could match the stories he had heard;
No curious place or wondrous view
"Was ekil to Podunk, I tell yu."

If they told him of Italy's sunny clime,
"Maine kin beat it, every time!"
If they marvelled at Ætna's fount of fire,
They roused his ire:
With an injured air
He'd reply, "I swear
I don't think much of a smokin' hill;
We've got a moderate little rill
Kin make yer old volcaner still;
Jes' pour old Kennebec down the crater,
'N' I guess it'll cool her fiery nater!"

They showed him a room where a queen had slept;
"'Twan't up to the tavern daddy kept."
They showed him Lucerne; but he had drunk
From the beautiful Molechunkamunk.
They took him at last to ancient Rome,
And inveigled him into a catacomb:

Here they plied him with draughts of wine,
Though he vowed old cider was twice as fine,
Till the fumes of Falernian filled his head,
And he slept as sound as the silent dead;
They removed a mummy to make him room,
And laid him at length in the rocky tomb.

They piled old skeletons round the stone,
Set a "dip" in a candlestick of bone,
And left him to slumber there alone;
Then watched from a distance the taper's gleam,
Waiting to jeer at his frightened scream,
When he should wake from his drunken dream.

After a time the Yankee woke,
But instantly saw through the flimsy joke;
So never a cry or shout he uttered,
But solemnly rose, and slowly muttered:
"I see how it is. It's the judgment day,
We've all been dead and stowed away;
All these stone furreners sleepin' yet,
An' I'm the fust one up, you bet!
Can't none o' you Romans start, I wonder?
United States ahead, by thunder!"

Harlan Hoge Ballard.

Alone I sit at eventide;
The twilight glory pales,
And o'er the meadows far and wide
I hear the bobolinks—
(We have no nightingales!)

Song-sparrows warble on the tree,
I hear the purling brook,
And from the old manse on the lea
Flies slow the cawing crow—
(In England 'twere a rook!)

The last faint golden beams of day
Still glow on cottage panes,
And on their lingering homeward way
Walk weary laboring men—
(Alas! we have no swains!)

From farmyards, down fair rural glades
Come sounds of tinkling bells,
And songs of merry brown milkmaids
Sweeter than catbird's strains—
(I should say Philomel's!)

I could sit here till morning came,
All through the night hours dark,
Until I saw the sun's bright flame
And heard the oriole—
(Alas! we have no lark!)

We have no leas, no larks, no rooks,
No swains, no nightingales,
No singing milkmaids (save in books)
The poet does his best:—
It is the rhyme that fails.

Nathan Haskell Dole.

"The proper way for a man to pray,"
Said Deacon Lemuel Keyes,
"And the only proper attitude
Is down upon his knees."

"No, I should say the way to pray,"
Said Rev. Doctor Wise,
"Is standing straight with outstretched arms
And rapt and upturned eyes."

"Oh, no; no, no," said Elder Slow,
"Such posture is too proud:
A man should pray with eyes fast closed
And head contritely bowed."

"It seems to me his hands should be
Austerely clasped in front.
With both thumbs pointing toward the ground,"
Said Rev. Doctor Blunt.

"Las' year I fell in Hodgkin's well
Head first," said Cyrus Brown,
"With both my heels a-stickin' up,
My head a-pinting down;

"An' I made a prayer right then an' there—
Best prayer I ever said,
The prayingest prayer I ever prayed,
A-standing on my head."

Sam Walter Foss.

If e'er my rhyming be at fault,
If e'er I chance to scribble dope,
If that my metre ever halt,
I err in company with Pope.

An that my grammar go awry,
An that my English be askew,
Sooth, I can prove an alibi—
The Bard of Avon did it too.

If often toward the bottled grape
My errant fancy fondly turns,
Remember, leering jackanape,
I err in company with Burns.

If now and then I sigh "Mine own!"
Unto another's wedded wife,
Remember, I am not alone—
Hast ever read Lord Byron's Life?

If frequently I fret and fume,
And absolutely will not smile,
I err in company with Hume,
Old Socrates and T. Carlyle.

If e'er I fail in etiquette,
And foozle on The Proper Stuff
Regarding manners, don't forget
A. Tennyson's were pretty tough.

Eke if I err upon the side
Of talking overmuch of Me,
I err, it cannot be denied,
In most illustrious company.

Franklin P. Adams.

Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.

For he shoots with his bow,
And the girl shoots with her eye;
And they both are merry and glad,
And laugh when we do cry.

Then to make Cupid a boy
Was surely a woman's plan,
For a boy never learns so much
Till he has become a man.

And then he's so pierced with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.

William Blake.

Life would be an easy matter
If we didn't have to eat.
If we never had to utter,
"Won't you pass the bread and butter,
Likewise push along that platter
Full of meat?"
Yes, if food were obsolete
Life would be a jolly treat,
If we didn't—shine or shower,
Old or young, 'bout every hour—
Have to eat, eat, eat, eat, eat—
'Twould be jolly if we didn't have to eat.

We could save a lot of money
If we didn't have to eat.
Could we cease our busy buying,
Baking, broiling, brewing, frying,
Life would then be oh, so sunny
And complete;
And we wouldn't fear to greet
Every grocer in the street
If we didn't—man and woman,
Every hungry, helpless human—
Have to eat, eat, eat, eat, eat—
We'd save money if we didn't have to eat.

All our worry would be over
If we didn't have to eat.
Would the butcher, baker, grocer
Get our hard-earned dollars? No, Sir!
We would then be right in clover
Cool and sweet.
Want and hunger we could cheat,
And we'd get there with both feet,
If we didn't—poor or wealthy,
Halt or nimble, sick or healthy—
Have to eat, eat, eat, eat, eat,
We could get there if we didn't have to eat.

Nixon Waterman.

To you, my purse, and to none other wight,
Complain I, for ye be my lady dere;
I am sorry now that ye be light,
For, certes, ye now make me heavy chere;
Me were as lefe be laid upon a bere,
For which unto your mercy thus I crie,
Be heavy againe, or els mote I die.

Now vouchsafe this day or it be night,
That I of you the blissful sowne may here,
Or see your color like the sunne bright,
That of yellowness had never pere;
Ye are my life, ye be my hertes stere,
Queen of comfort and of good companie,
Be heavy againe, or els mote I die.

Now purse, thou art to me my lives light,
And saviour, as downe in this world here,
Out of this towne helpe me by your might,
Sith that you will not be my treasure,
For I am slave as nere as any frere,
But I pray unto your curtesie,
Be heavy againe, or els mote I die.

Geoffrey Chaucer.

On the eighth day of March it was, some people say,
That Saint Pathrick at midnight he first saw the day;
While others declare 'twas the ninth he was born,
And 'twas all a mistake between midnight and morn;
For mistakes will occur in a hurry and shock,
And some blam'd the baby—and some blam'd the clock—
Till with all their cross-questions sure no one could know,
If the child was too fast—or the clock was too slow.

Now the first faction fight in ould Ireland, they say,
Was all on account of Saint Pathrick's birthday,
Some fought for the eighth—for the ninth more would die.
And who wouldn't see right, sure they blacken'd his eye!
At last, both the factions so positive grew,
That each kept a birthday, so Pat then had two,
Till Father Mulcahy, who showed them their sins,
Said, "No one could have two birthdays but a twins."

Says he, "Boys, don't be fightin' for eight or for nine,
Don't be always dividin'—but sometimes combine;
Combine eight with nine, and seventeen is the mark,
So let that be his birthday."—"Amen," says the clerk.
"If he wasn't a twins, sure our hist'ry will show—
That, at least, he's worth any two saints that we know!"
Then they all got blind dhrunk—which complated their bliss,
And we keep up the practice from that day to this.

Samuel Lover.

Her little feet! ... Beneath us ranged the sea,
She sat, from sun and wind umbrella-shaded,
One shoe above the other danglingly,
And lo! a Something exquisitely graded,
Brown rings and white, distracting—to the knee!

The band was loud. A wild waltz melody
Flowed rhythmic forth. The nobodies paraded.
And thro' my dream went pulsing fast and free:
Her little feet.

Till she made room for some one. It was He!
A port-wine flavored He, a He who traded,
Rich, rosy, round, obese to a degree!
A sense of injury overmastered me.
Quite bulbously his ample boots upbraided
Her little feet.

William Ernest Henley.

If there is a vile, pernicious,
Wicked and degraded rule,
Tending to debase the vicious,
And corrupt the harmless fool;
If there is a hateful habit
Making man a senseless tool,
With the feelings of a rabbit
And the wisdom of a mule;
It's the rule which inculcates,
It's the habit which dictates
The wrong and sinful practice of going into school.

If there's anything improving
To an erring sinner's state,
Which is useful in removing
All the ills of human fate;
If there's any glorious custom
Which our faults can dissipate,
And can casually thrust 'em
Out of sight and make us great;
It's the plan by which we shirk
Half our matu-ti-nal work,
The glorious institution of always being late.

James Kenneth Stephen.

As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr'-inform'-ingens-horrendous
Demoniaco-seraphic
Penman's latest piece of graphic.

—Robert Browning.

Will there never come a season
Which shall rid us from the curse
Of a prose which knows no reason
And an unmelodious verse:
When the world shall cease to wonder
At the genius of an Ass,
And a boy's eccentric blunder
Shall not bring success to pass:

When mankind shall be delivered
From the clash of magazines,
And the inkstand shall be shivered
Into countless smithereens:
When there stands a muzzled stripling,
Mute, beside a muzzled bore:
When the Rudyards cease from Kipling
And the Haggards Ride no more?

James Kenneth Stephen.

A speech, both pithy and concise,
Marks a mind acute and wise;
What speech, my friend, say, do you know,
Can stand before "Exactly so?"

I have a dear and witty friend
Who turns this phrase to every end;
None can deny that "Yes" or "No"
Is meant in this "Exactly so."

Or when a bore his ear assails,
Good-humour in his bosom fails,
No response from his lips will flow,
Save, now and then, "Exactly so."

Is there remark on matters grave
That he may wish perchance to waive,
Or thinks perhaps is rather slow,
He stops it by "Exactly so."

It saves the trouble of a thought—
No sour dispute can thence be sought;
It leaves the thing in statu quo,
This beautiful "Exactly so."

It has another charm, this phrase,
For it implies the speaker's praise
Of what has just been said—ergo—
It pleases, this "Exactly so."

Nor need the conscience feel distress,
By answ'ring wrongly "No" or "Yes;"
It 'scapes a falsehood, which is low,
And substitutes "Exactly so."

Each mortal loves to think he's right,
That his opinion, too, is bright;
Then, Christian, you may soothe your foe
By chiming in "Exactly so."

Whoe'er these lines may chance peruse,
Of this famed word will see the use,
And mention where'er he may go,
The praises of "Exactly so."

Of this more could my muse relate,
But you, kind reader, I'll not sate;
For if I did you'd cry "Hallo!
I've heard enough"—"Exactly so."

Lady T. Hastings.

I know not of what we ponder'd
Or made pretty pretence to talk,
As, her hand within mine, we wander'd
Tow'rd the pool by the lime-tree walk,
While the dew fell in showers from the passion flowers
And the blush-rose bent on her stalk.

I cannot recall her figure:
Was it regal as Juno's own?
Or only a trifle bigger
Than the elves who surround the throne
Of the Faëry Queen, and are seen, I ween,
By mortals in dreams alone?

What her eyes were like, I know not:
Perhaps they were blurr'd with tears;
And perhaps in your skies there glow not
(On the contrary) clearer spheres.
No! as to her eyes I am just as wise
As you or the cat, my dears.

Her teeth, I presume, were "pearly":
But which was she, brunette or blonde?
Her hair, was it quaintly curly,
Or as straight as a beadle's wand?
That I fail'd to remark;—it was rather dark
And shadowy round the pond.

Then the hand that reposed so snugly
In mine,—was it plump or spare?
Was the countenance fair or ugly?
Nay, children, you have me there!
My eyes were p'r'aps blurr'd; and besides I'd heard
That it's horribly rude to stare.

And I—was I brusque and surly?
Or oppressively bland and fond?
Was I partial to rising early?
Or why did we twain abscond,
All breakfastless, too, from the public view,
To prowl by a misty pond?

What pass'd, what was felt or spoken—
Whether anything pass'd at all—
And whether the heart was broken
That beat under that shelt'ring shawl—
(If shawl she had on, which I doubt)—has gone,
Yes, gone from me past recall.

Was I haply the lady's suitor?
Or her uncle? I can't make out—
Ask your governess, dears, or tutor.
For myself, I'm in hopeless doubt
As to why we were there, who on earth we were,
And, what this is all about.

Charles Stuart Calverley.

O what harper could worthily harp it,
Mine Edward! this wide-stretching wold
(Look out wold) with its wonderful carpet
Of emerald, purple and gold!
Look well at it—also look sharp, it
Is getting so cold.

The purple is heather (erica);
The yellow, gorse—call'd sometimes "whin."
Cruel boys on its prickles might spike a
Green beetle as if on a pin.
You may roll in it, if you would like a
Few holes in your skin.

You wouldn't? Then think of how kind you
Should be to the insects who crave
Your compassion—and then, look behind you
At yon barley-ears! Don't they look brave
As they undulate—(undulate, mind you,
From unda, a wave).

The noise of those sheep-bells, how faint it
Sounds here—(on account of our height)!
And this hillock itself—who could paint it,
With its changes of shadow and light?
Is it not—(never, Eddy, say "ain't it")—
A marvelous sight?

Then yon desolate eerie morasses.
The haunts of the snipe and the hern—
(I shall question the two upper classes
On aquatiles, when we return)—
Why, I see on them absolute masses
Of filix or fern.

How it interests e'en a beginner
(Or tiro) like dear little Ned!
Is he listening? As I am a sinner
He's asleep—he is wagging his head.
Wake up! I'll go home to my dinner,
And you to your bed.

The boundless ineffable prairie;
The splendor of mountain and lake
With their hues that seem ever to vary;
The mighty pine forests which shake
In the wind, and in which the unwary
May tread on a snake;

And this wold with its heathery garment—
Are themes undeniably great.
But—although there is not any harm in't—
It's perhaps little good to dilate
On their charms to a dull little varmint
Of seven or eight.

Charles Stuart Calverley.

The sextant of the meetinouse, which sweeps
And dusts, or is supposed too! and makes fiers,
And lites the gas and sometimes leaves a screw loose,
in which case it smells orful—worse than lampile;
And wrings the Bel and toles it when men dyes
to the grief of survivin pardners, and sweeps pathes;
And for the servases gits $100 per annum,
Which them that thinks deer, let em try it;
Getting up be foar star-lite in all weathers and
Kindlin-fires when the wether it is cold
As zero, and like as not green wood for kindlers;
I wouldn't be hired to do it for no some—
But o sextant! there are 1 kermoddity
Which's more than gold, wich doant cost nothin,
Worth more than anything exsep the Sole of Man.
i mean pewer Are, sextent, i mean pewer are!
O it is plenty out o dores, so plenty it doant no
What on airth to dew with itself, but flys about
Scaterin levs and bloin of men's hatts;
in short, jest "fre as are" out dores.
But o sextant, in our church its scarce as piety,
scarce as bank bills wen agints beg for mischuns,
Wich some say purty often (taint nothin to me,
Wat I give aint nothin to nobody), but o sextant,
u shut 500 mens wimmen and children,
Speshally the latter, up in a tite place,
Some has bad breths, none aint 2 swete,
some is fevery, some is scrofilus, some has bad teeth,
And some haint none, and some aint over clean;
But every 1 on em breethes in and out and out and in,
Say 50 times a minit, or 1 million and a half breths an our,
Now how long will a church ful of are last at that rate,
I ask you, say 15 minutes, and then wats to be did?
Why then they must brethe it all over agin.
And then agin, and so on, till each has took it down,
At least ten times, and let it up again, and wats more
The same individible don't have the privilege
of brethen his own are, and no one's else;
Each one mus take whatever comes to him,
O sextant, don't you know our lungs is bellusses,
To blo the fier of life, and keep it from
goin out; and how can bellusses blow without wind,
And aint wind are? i put it to your conscens.
Are is the same to us as milk to babes,
Or water to fish, or pendlums to clox—
Or roots and airbs unto an injun Doctor,
Or little pils to an omepath,
Or boys to gurls. Are is for us to brethe,
Wat signifies who preeches if i cant brethe?
Wats Pol? Wats Pollus? to sinners who are ded?
Ded for want of breth? why sextant, when we die
Its only coz we cant brethe no more—that's all.
And now, O sextant, let me beg of you
2 let a little are into our church.
(Pewer are is sertin proper for the pews)
And do it weak days and Sundays tew—
It aint much trouble—only make a hole
And the are will come in itself;
(It luvs to come in whare it can git warm):
And o how it will rouse the people up
And sperrit up the preacher, and stop garbs,
And yawns and figgits as effectooal
As wind on the dry Boans the Profit tells of.

Arabella Willson.

Do not worry if I scurry from the grill room in a hurry,
Dropping hastily my curry and retiring into balk;
Do not let it cause you wonder if, by some mischance or blunder,
We encounter on the Underground and I get out and walk.

If I double as a cub'll when you meet him in the stubble,
Do not think I am in trouble or attempt to make a fuss;
Do not judge me melancholy or attribute it to folly
If I leave the Metropolitan and travel 'n a bus.

Do not quiet your anxiety by giving me a diet,
Or by base resort to vi et armis fold me to your arms,
And let no suspicious tremor violate your wonted phlegm or
Any fear that Harold's memory is faithless to your charms.

For my passion as I dash on in that disconcerting fashion
Is as ardently irrational as when we forged the link
When you gave your little hand away to me, my own Amanda
As we sat 'n the veranda till the stars began to wink.

And I am in such a famine when your beauty I examine
That it lures me as the jam invites a hungry little brat;
But I fancy that, at any rate, I'd rather waste a penny
Then be spitted by the many pins that bristle from your hat.

Unknown.

I've been trying to fashion a wifely ideal,
And find that my tastes are so far from concise
That, to marry completely, no fewer than three'll
Suffice

I've subjected my views to severe atmospheric
Compression, but still, in defiance of force,
They distinctly fall under three heads, like a cleric
Discourse.

My first must be fashion's own fancy-bred daughter,
Proud, peerless, and perfect—in fact, comme il faut;
A waltzer and wit of the very first water—
For show.

But these beauties that serve to make all the men jealous,
Once face them alone in the family cot,
Heaven's angels incarnate (the novelists tell us)
They're not.

But so much for appearances. Now for my second,
My lover, the wife of my home and my heart:
Of all fortune and fate of my life to be reckon'd
A part.

She must know all the needs of a rational being,
Be skilled to keep counsel, to comfort, to coax;
And, above all things else, be accomplished at seeing
My jokes.

I complete the ménage by including the other
With all the domestic prestige of a hen:
As my housekeeper, nurse, or it may be, a mother
Of men.

Total three! and the virtues all well represented;
With fewer than this such a thing can't be done;
Though I've known married men who declare they're contented
With one.

Would you hunt during harvest, or hay-make in winter?
And how can one woman expect to combine
Certain qualifications essentially inter-
necine?

You may say that my prospects are (legally) sunless;
I state that I find them as clear as can be:—
I will marry no wife, since I can't do with one less
Than three.

Owen Seaman.

The Pope he leads a happy life,
He fears not married care nor strife.
He drinks the best of Rhenish wine,—
I would the Pope's gay lot were mine.

But yet all happy's not his life,
He has no maid, nor blooming wife;
No child has he to raise his hope,—
I would not wish to be the Pope.

The Sultan better pleases me,
His is a life of jollity;
He's wives as many as he will,—
I would the Sultan's throne then fill.

But even he's a wretched man,
He must obey the Alcoran;
He dare not drink one drop of wine—
I would not change his lot for mine.

So here I'll take my lowly stand,
I'll drink my own, my native land;
I'll kiss my maiden fair and fine,
And drink the best of Rhenish wine.

And when my maiden kisses me
I'll think that I the Sultan be;
And when my cheery glass I tope,
I'll fancy then I am the Pope.

Charles Lever.

I saw a certain sailorman who sat beside the sea,
And in the manner of his tribe he yawned this yarn to me:
"'Twere back in eighteen-fifty-three, or mebbe fifty-four,
I skipped the farm,—no, 't were the shop,—an' went to Baltimore.
I shipped aboard the Lizzie—or she might ha' bin the Jane;
Them wimmin names are mixey, so I don't remember plain;
But anyhow, she were a craft that carried schooner rig,
(Although Sam Swab, the bo'sun, allus swore she were a brig);
We sailed away from Salem Town,—no, lemme think;—'t were Lynn,—
An' steered a course for Africa (or Greece, it might ha' bin);
But anyway, we tacked an' backed an' weathered many a storm—
Oh, no,—as I recall it now, that week was fine an' warm!
Who did I say the cap'n was? I didn't say at all?
Wa-a-ll now, his name were 'Lijah Bell—or was it Eli Ball?
I kinder guess 't were Eli. He'd a big, red, bushy beard—
No-o-o, come to think, he allus kept his whiskers nicely sheared.

But anyhow, that voyage was the first I'd ever took,
An' all I had to do was cut up cabbage for the cook;
But come to talk o' cabbage just reminds me,—that there trip
Would prob'ly be my third one, on a Hong Kong clipper-ship.

The crew they were a jolly lot, an' used to sing 'Avast,'
I think it were, or else 'Ahoy,' while bailing out the mast.
And as I recollect it now,—"
But here I cut him short,
And said: "It's time to tack again, and bring your wits to port;
I came to get a story both adventurous and true,
And here is how I started out to write the interview:
'I saw a certain sailorman,' but you turn out to be
The most un-certain sailorman that ever sailed the sea!"
He puffed his pipe, and answered, "Wa-a-ll, I thought 'twere mine, but still,
I must ha' told the one belongs to my twin brother Bill!"

Frederick Moxon.

I am an ancient Jest!
Paleolithic man
In his arboreal nest
The sparks of fun would fan;
My outline did he plan,
And laughed like one possessed,
'Twas thus my course began,
I am a Merry Jest.

I am an early Jest!
Man delved and built and span;
Then wandered South and West
The peoples Aryan,
I journeyed in their van;
The Semites, too, confessed,—
From Beersheba to Dan,—
I am a Merry Jest.

I am an ancient Jest,
Through all the human clan,
Red, black, white, free, oppressed,
Hilarious I ran!
I'm found in Lucian,
In Poggio, and the rest,
I'm dear to Moll and Nan!
I am a Merry Jest!

ENVOY:

Prince, you may storm and ban—
Joe Millers are a pest,
Suppress me if you can!
I am a Merry Jest!

Andrew Lang.

These are the things that make me laugh—
Life's a preposterous farce, say I!
And I've missed of too many jokes by half.

The high-heeled antics of colt and calf,
The men who think they can act, and try—
These are the things that make me laugh.

The hard-boiled poses in photograph,
The groom still wearing his wedding tie—
And I've missed of too many jokes by half!

These are the bubbles I gayly quaff
With the rank conceit of the new-born fly—
These are the things that make me laugh!

For, Heaven help me! I needs must chaff,
And people will tickle me till I die—
And I've missed of too many jokes by half!

So write me down in my epitaph
As one too fond of his health to cry—
These are the things that make me laugh,
And I've missed of too many jokes by half!

Gelett Burgess.

When you slice a Georgy melon you mus' know what you is at
An' look out how de knife is gwine in.
Put one-half on dis side er you—de yuther half on dat,
En' den you gits betwixt 'em, en begin!
Oh, melons!
Honey good ter see;
But we'en it comes ter sweetness,
De melon make fer me!

En den you puts yo' knife up, en you sorter licks de blade,
En never stop fer sayin' any grace;
But eat ontell you satisfy—roll over in de shade,
En sleep ontell de sun shine in yo' face!
Oh, melons!
Honey good ter see;
But we'en it comes ter sweetness,
De melon make fer me!

Frank Libby Stanton.

Perchance it was her eyes of blue,
Her cheeks that might the rose have shamed,
Her figure in proportion true
To all the rules by artists framed;
Perhaps it was her mental worth
That made her lover love her so,
Perhaps her name, or wealth, or birth—
I cannot tell—I do not know.

He may have had a rival, who
Did fiercely gage him to a duel,
And, being luckier of the two,
Defeated him with triumph cruel;
Then she may have proved false, and turned
To welcome to her arms his foe,
Left him despairing, conquered, spurned—
I cannot tell—I do not know.

So oft such woes will counteract
The thousand ecstacies of love,
That you may fix on base of fact
The story hinted at above;
But all on earth so doubtful is,
Man knows so little here below,
That, if you ask for proof of this,
I cannot tell—I do not know.

Walter Parke.

He stood on his head by the wild seashore,
And danced on his hands a jig;
In all his emotions, as never before,
A wildly hilarious grig.

And why? In that ship just crossing the bay
His mother-in-law had sailed
For a tropical country far away,
Where tigers and fever prevailed.

Oh, now he might hope for a peaceful life
And even be happy yet,
Though owning no end of neuralgic wife,
And up to his collar in debt.

He had borne the old lady through thick and thin,
And she lectured him out of breath;
And now as he looked at the ship she was in
He howled for her violent death.

He watched as the good ship cut the sea,
And bumpishly up-and-downed,
And thought if already she qualmish might be,
He'd consider his happiness crowned.

He watched till beneath the horizon's edge
The ship was passing from view;
And he sprang to the top of a rocky ledge
And pranced like a kangaroo.

He watched till the vessel became a speck
That was lost in the wandering sea;
And then, at the risk of breaking his neck,
Turned somersaults home to tea.

Walter Parke.

Of all life's plagues I recommend to no man
To hire as a domestic a deaf woman.
I've got one who my orders does not hear,
Mishears them rather, and keeps blundering near.
Thirsty and hot, I asked her for a drink;
She bustled out, and brought me back some ink.
Eating a good rump-steak, I called for mustard;
Away she went, and whipped me up a custard.
I wanted with my chicken to have ham;
Blundering once more, she brought a pot of jam.
I wished in season for a cut of salmon;
And what she brought me was a huge fat gammon.
I can't my voice raise higher and still higher,
As if I were a herald or town-crier.
'T would better be if she were deaf outright;
But anyhow she quits my house this night.

Unknown.

Take a robin's leg
(Mind, the drumstick merely);
Put it in a tub
Filled with water nearly;
Set it out of doors,
In a place that's shady;
Let it stand a week
(Three days if for a lady);
Drop a spoonful of it
In a five-pail kettle,
Which may be made of tin
Or any baser metal;
Fill the kettle up,
Set it on a boiling,
Strain the liquor well,
To prevent its oiling;
One atom add of salt,
For the thickening one rice kernel,
And use to light the fire
"The Homœopathic Journal."
Let the liquor boil
Half an hour, no longer,
(If 'tis for a man
Of course you'll make it stronger).
Should you now desire
That the soup be flavoury,
Stir it once around,
With a stalk of savoury.
When the broth is made,
Nothing can excell it:
Then three times a day
Let the patient smell it.
If he chance to die,
Say 'twas Nature did it:
If he chance to live,
Give the soup the credit.

Unknown.

In these days of indigestion
It is oftentimes a question
As to what to eat and what to leave alone;
For each microbe and bacillus
Has a different way to kill us,
And in time they always claim us for their own.
There are germs of every kind
In any food that you can find
In the market or upon the bill of fare.
Drinking water's just as risky
As the so-called deadly whiskey,
And it's often a mistake to breathe the air.

Some little bug is going to find you some day,
Some little bug will creep behind you some day,
Then he'll send for his bug friends
And all your earthly trouble ends;
Some little bug is going to find you some day.

The inviting green cucumber
Gets most everybody's number,
While the green corn has a system of its own;
Though a radish seems nutritious
Its behaviour is quite vicious,
And a doctor will be coming to your home.
Eating lobster cooked or plain
Is only flirting with ptomaine,
While an oyster sometimes has a lot to say,
But the clams we eat in chowder
Make the angels chant the louder,
For they know that we'll be with them right away.

Take a slice of nice fried onion
And you're fit for Dr. Munyon,
Apple dumplings kill you quicker than a train.
Chew a cheesy midnight "rabbit"
And a grave you'll soon inhabit—
Ah, to eat at all is such a foolish game.
Eating huckleberry pie
Is a pleasing way to die,
While sauerkraut brings on softening of the brain.
When you eat banana fritters
Every undertaker titters,
And the casket makers nearly go insane.

Some little bug is going to find you some day,
Some little bug will creep behind you some day,
With a nervous little quiver
He'll give cirrhosis of the liver;
Some little bug is going to find you some day.

When cold storage vaults I visit
I can only say what is it
Makes poor mortals fill their systems with such stuff?
Now, for breakfast, prunes are dandy
If a stomach pump is handy
And your doctor can be found quite soon enough.
Eat a plate of fine pigs' knuckles
And the headstone cutter chuckles,
While the grave digger makes a note upon his cuff.
Eat that lovely red bologna
And you'll wear a wooden kimona,
As your relatives start scrappin 'bout your stuff.

Some little bug is going to find you some day,
Some little bug will creep behind you some day,
Eating juicy sliced pineapple
Makes the sexton dust the chapel;
Some little bug is going to find you some day.

All those crazy foods they mix
Will float us 'cross the River Styx,
Or they'll start us climbing up the milky way.
And the meals we eat in courses
Mean a hearse and two black horses
So before a meal some people always pray.
Luscious grapes breed 'pendicitis,
And the juice leads to gastritis,
So there's only death to greet us either way;
And fried liver's nice, but, mind you,
Friends will soon ride slow behind you
And the papers then will have nice things to say.

Some little bug is going to find you some day,
Some little bug will creep behind you some day
Eat some sauce, they call it chili,
On your breast they'll place a lily;
Some little bug is going to find you some day.

Roy Atwell.

On the downtown side of an uptown street
Is the home of a girl that I'd like to meet,
But I'm on the uptown,
And she's on the downtown,
On the downtown side of an uptown street.

On the uptown side of the crowded old "L,"
I see her so often I know her quite well,
But I'm on the downtown
When she's on the uptown,
On the uptown side of the crowded old "L."

On the uptown side of a downtown street
This girl is employed that I'd like to meet,
But I work on the downtown
And she on the uptown,
The uptown side of a downtown street.

On a downtown car of the Broadway line
Often I see her for whom I repine,
But when I'm on a uptown
She's on a downtown,
On a downtown car of the Broadway line.

Oh, to be downtown when I am uptown,
Oh, to be uptown when I am downtown,
I work at night time,
She in the daytime,
Never the right time for us to meet,
Uptown or downtown, in "L," car or street.

William Johnston.

If, in the month of dark December,
Leander, who was nightly wont
(What maid will not the tale remember?)
To cross thy stream broad Hellespont.

If, when the wint'ry tempest roar'd,
He sped to Hero nothing loth,
And thus of old thy current pour'd,
Fair Venus! how I pity both!

For me, degenerate, modern wretch,
Though in the genial month of May,
My dripping limbs I faintly stretch,
And think I've done a feat to-day.

But since he crossed the rapid tide,
According to the doubtful story,
To woo—and—Lord knows what beside,
And swam for Love, as I for Glory;

'T were hard to say who fared the best:
Sad mortals! thus the gods still plague you!
He lost his labor, I my jest;
For he was drowned, and I've the ague.

Lord Byron.

Oh, the fisherman is a happy wight!
He dibbles by day, and he sniggles by night.
He trolls for fish, and he trolls his lay—
He sniggles by night, and he dibbles by day.
Oh, who so merry as he!
On the river or the sea!
Sniggling,
Wriggling
Eels, and higgling
Over the price
Of a nice
Slice
Of fish, twice
As much as it ought to be.

Oh, the fisherman is a happy man!
He dibbles, and sniggles, and fills his can!
With a sharpened hook, and a sharper eye,
He sniggles and dibbles for what comes by,
Oh, who so merry as he!
On the river or the sea!
Dibbling
Nibbling
Chub, and quibbling
Over the price
Of a nice
Slice
Of fish, twice
As much as it ought to be.

F. C. Burnand.

Between Nose and Eyes a strange contest arose,
The spectacles set them unhappily wrong;
The point in dispute was, as all the world knows,
To which the said spectacles ought to belong.

So Tongue was the lawyer, and argued the cause
With a great deal of skill, and a wig full of learning;
While chief baron Ear sat to balance the laws,
So famed for his talent in nicely discerning.

In behalf of the Nose it will quickly appear,
And your lordship, he said, will undoubtedly find,
That the Nose has had spectacles always to wear,
Which amounts to possession time out of mind.

Then holding the spectacles up to the court—
Your lordship observes they are made with a straddle
As wide as the ridge of the Nose is; in short,
Designed to sit close to it, just like a saddle.

Again, would your lordship a moment suppose
('Tis a case that has happened, and may be again)
That the visage or countenance had not a nose,
Pray who would, or who could, wear spectacles then!

On the whole it appears, and my argument shows
With a reasoning the court will never condemn,
That the spectacles plainly were made for the Nose,
And the Nose was as plainly intended for them.

Then shifting his side (as a lawyer knows how),
He pleaded again in behalf of the Eyes;
But what were his arguments few people know,
For the court did not think they were equally wise.

So his lordship decreed with a grave solemn tone,
Decisive and clear, without one if or but—
That, whenever the Nose put his spectacles on,
By daylight or candlelight—Eyes should be shut!

William Cowper.

A man sat on a rock and sought
Refreshment from his thumb;
A dinotherium wandered by
And scared him some.

His name was Smith. The kind of rock
He sat upon was shale.
One feature quite distinguished him—
He had a tail.

The danger past, he fell into
A revery austere;
While with his tail he whisked a fly
From off his ear.

"Mankind deteriorates," he said,
"Grows weak and incomplete;
And each new generation seems
Yet more effete.

"Nature abhors imperfect work,
And on it lays her ban;
And all creation must despise
A tailless man.

"But fashion's dictates rule supreme,
Ignoring common sense;
And fashion says, to dock your tail
Is just immense.

"And children now come in the world
With half a tail or less;
Too stumpy to convey a thought,
And meaningless.

"It kills expression. How can one
Set forth, in words that drag,
The best emotions of the soul,
Without a wag?"

Sadly he mused upon the world,
Its follies and its woes;
Then wiped the moisture from his eyes,
And blew his nose.

But clothed in earrings, Mrs. Smith
Came wandering down the dale;
And, smiling, Mr. Smith arose,
And wagged his tail.

David Law Proudfit.

I

Whene'er with haggard eyes I view
This dungeon that I'm rotting in,
I think of those companions true
Who studied with me at the U
niversity of Gottingen,
niversity of Gottingen.

II

Sweet kerchief, check'd with heavenly blue,
Which once my love sat knotting in!—
Alas! Matilda then was true!
At least I thought so at the U
niversity of Gottingen,
niversity of Gottingen.

III

Barbs! Barbs! alas! how swift you flew,
Her neat post-wagon trotting in!
Ye bore Matilda from my view;
Forlorn I languish'd at the U
niversity of Gottingen,
niversity of Gottingen.

IV

This faded form! this pallid hue!
This blood my veins is clotting in,
My years are many—they were few
When first I entered at the U
niversity of Gottingen,
niversity of Gottingen.