Photography in the Studio and in the Field

About this eBook

Author

Estabrooke, Edward M., 1838-1903

Title

Photography in the studio and in the field : a practical manual designed as a companion alike to the professional and the amateur photographer

Credits

Produced by Albert László, RichardW, P. G. Máté and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Language

English

LoC Class

TR: Technology: Photography

Subject

Photography

Category

Text

eBook-No.

42982

Project Gutenberg

https://www.gutenberg.org/ebooks/42982

Release Date

June 18, 2013

Copyright

Public domain in the USA.

Contents

1. 1.Photography in the Studio and in the Field, by E. M. Estabrooke
2. 2.CONTENTS.
3. 3.INTRODUCTION. — GLASS. — QUALITY OF GLASS SUITABLE FOR PHOTOGRAPHIC PURPOSES AND HOW TO PREPARE IT. — TO PREPARE THE GLASS FOR USE. — ALBUMENIZING THE GLASS. — COLLODION. — THE POSITIVE COLLODION PROCESS. — COLLODION FOR POSITIVES. — HOW TO COAT PLATES. — EXPOSURE OF THE PLATE. — DEVELOPER AND DEVELOPMENT. — DEVELOPER. — FIXING SOLUTION. — ARGENTIC DRY PLATES FOR POSITIVES. — DEVELOPER. — FIXING SOLUTION. — THE COLLODION PROCESS FOR NEGATIVES. — NEGATIVE COLLODION. — NEGATIVE COLLODION. A. — NEGATIVE COLLODION. B. — NEGATIVE COLLODION. C. — FORMULA FOR MAKING COLLODION COTTON. — COLLODION WITH ABOVE. — THE NEGATIVE BATH. — THE NEGATIVE DEVELOPER. — DEVELOPING SOLUTION — FIXING SOLUTION — INTENSIFYING THE NEGATIVE. — THE BROMO ARGENTIC DRY PLATE PROCESS. — GELATINE EMULSION. — GELATINE EMULSION. A. — GELATINE EMULSION. B. — GELATINE EMULSION. C. — GELATINE EMULSION. D. — DESCRIPTION OF APPARATUS USED IN MAKING AND WASHING EMULSIONS. — THE DARK CHAMBER. — TO PREPARE THE GLASS. — COATING THE PLATES. — THE COOLING TABLE. — THE DRYING ROOM. — DEVELOPING ROOM FOR DRY PLATES. — DEVELOPMENT OF DRY PLATES. — DRY PLATE DEVELOPER, A. — FIXING SOLUTION. — CLEARING SOLUTION. — FERROUS OXALATE DEVELOPER. — AMMONIA PYRO DEVELOPER. — INTENSIFICATION OF DRY PLATE NEGATIVES. — INTENSIFYING SOLUTION. A. — ROCHE'S INTENSIFIER. B. — PRACTICALITIES. — RETOUCHING, OR STIPPLING THE NEGATIVE. — SILVER PRINTING. — THE PRINTING ROOM. — THE SILVERING ROOM. — THE SILVER SOLUTION FOR PAPER. — TO SILVER THE PAPER. — FUMING THE PAPER. — TONING THE PRINTS. — THE TONING SOLUTION. — FIXING THE PRINTS. — MOUNTING THE PRINTS. — SPOTTING THE PRINTS. — LUBRICATING THE PRINTS. — THE PHOTOGRAPHIC STUDIO. — CAMERA LENSES. — THE OPTICS OF PHOTOGRAPHY. — CAMERA BOXES. — THE CAMERA BOX FOR POSITIVES AND THE MULTIPLIER. — THE CAMERA FOR NEGATIVES, WET OR DRY. CLIMAX IMPERIAL CAMERAS. — THE "BENSTER" PLATE-HOLDER. — CAMERA BOXES — THE COPYING AND ENLARGING AND REDUCING CAMERA. — THE CAMERA FOR VIEWING AND OUT-DOOR WORK. — THE NOVEL VIEW CAMERA . — THE KLAUBER CAMERA. — CAMERA STANDS. — THE LEVER STAND. — SCREW STAND, — THE BALANCE STAND. — THE BOWDISH STAND. — FIG. 24.—THE AUTOMATIC STAND. — FIG. 25.—THE GEM CITY STAND . — FIG. 26.—THE HANDY CAMERA STAND . — FIG. 27.— MAGIC CAMERA STAND . — FIG. 28.— IRON CENTRE STAND . — THE PNEUMATIC SHUTTER FOR THE CAMERA. — CADETT'S PATENT PNEUMATIC PHOTOGRAPHIC SHUTTER. — PROSCH'S "DUPLEX" PHOTOGRAPHIC SHUTTER. — HEAD-RESTS. — SUCCESS HEAD-REST. — THE RIGID HEAD-REST . — SPENCER HEAD-REST . — POSING CHAIRS. — THE BOWDISH CHAIR .
4. 4.PART SECOND. — FIELD PHOTOGRAPHY. — THE AMATEUR OUTFIT. — THE VIEWING OUTFIT CONSISTS OF: — DRY PLATES. — ANTHONY'S PATENT PERFECT DOUBLE DRY PLATE HOLDERS OR SHIELDS. — THE VIEW CAMERA FOR AMATEURS. — DETECTIVE CAMERA. — THE PATENT BIJOU CAMERA. — ANTHONY'S PATENT SATCHEL DETECTIVE CAMERA. — AMATEUR EQUIPMENTS FOR FIELD WORK. — EQUIPMENT NO. 1 . — THE FAIRY CAMERA. — THE NOVEL CAMERA WITH DOUBLE SWING BACK IN THE ACT OF BEING REVERSED. — THE VIEW LENS. ( See article on lenses in Part First. ) — THE DOUBLE COMBINATION — THE PLATYSCOPE LENS — WIDE ANGLE LENSES. — THE TRIPOD OR CAMERA STAND. — THE INSTANTANEOUS SHUTTER. — THE DROP SHUTTER, — THE CARRYING BOX. — THE DEVELOPING OUTFIT FOR AMATEURS. — THE WASHING BOX. — NEGATIVE RACKS, — CHEMICAL COMPONENTS OF THE DEVELOPER. — THE AMATEUR DARK ROOM. — FERROUS OXALATE DEVELOPMENT OF DRY PLATES. (ROCHE.) — COOPER'S SODA DEVELOPER. — FERRO-CYANIDE OF POTASSIUM DEVELOPER. — CLEARING SOLUTION. — EASTMAN'S IMPROVED NEGATIVE PAPER. — HOW TO USE THE EASTMAN-WALKER ROLL-HOLDER. — THE ROCHE FILM. — ENLARGING AND DUPLICATING SMALL NEGATIVES. — THE COPYING AND DUPLICATING CAMERA. — DUPLICATE NEGATIVES BY CONTACT. — PRINTING PROCESSES. — PRINTING ON ANTHONY'S GELATINO BROMIDE PAPER. — THE MAGIC LANTERN AND ITS USE — LANTERN SLIDES. — PRINTING BY ANTHONY'S COLLODIO CHLORIDE. — FORMULA FOR COLLODIO CHLORIDE. — THE ENLARGING CAMERA — TO ENLARGE NEGATIVES BY THE REVERSING ACTION OF LIGHT. — PRINTING WITHOUT SALTS OF SILVER, FROM THE "SILVER SUNBEAM." — THE FERRO-PRUSSIATE, OR BLUE PROCESS. — ANOTHER PROCESS FOR BLUE PRINTS. — ANOTHER PROCESS—THE CYANOTYPE. — PROCESS WITH SALTS OF URANIUM. — NITRATE OF SILVER DEVELOPER. — CHLORIDE OF GOLD DEVELOPER. — PROCESS FOR RED PICTURES. — PROCESS FOR GREEN PICTURES. — PROCESS FOR VIOLET PICTURES. — TRANSPARENCIES ON GLASS AND OPAL. — FORMULA FOR DEVELOPING DRY PLATE TRANSPARENCIES. — FERROUS OXALATE DEVELOPER FOR TRANSPARENCIES. — PORCELAIN AND OPAL TRANSPARENCIES — TRANSPARENCIES BY WET COLLODION. From the Photographic Times. — ANTHONY'S BICYCLE CAMERA. — PHOTO MICROGRAPHY. — THE CAMERA. — PRACTICAL SUGGESTIONS.

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