On The Processes For The Production Of Ex Libris
by John Vinycomb
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Language: English
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About this eBook
- Author
- Vinycomb, John
- Title
- On the Processes for the Production of Ex Libris (Book-Plates)
- Credits
- Produced by deaurider, Paul Marshall and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
- Language
- English
- LoC Class
- Z: Bibliography, Library science
- Subject
- Engraving -- Technique
- Category
- Text
- Project Gutenberg
- eBook-No. 62127
- Release Date
- May 14, 2020
- Copyright
- Public domain in the USA.
Contents
- 1.ON THE PROCESSES FOR THE PRODUCTION OF EX LIBRIS (BOOK-PLATES)
- 2.PREFACE.
- 3.CONTENTS.
- 4.ON THE PROCESSES FOR THE PRODUCTION OF EX LIBRIS. — Introductory.
- 5.WOOD ENGRAVING. — WOOD ENGRAVING AND COPPER-PLATE ENGRAVING—THE DIFFERENCE. — EARLY METHOD OF ENGRAVING ON THE SIDE OF THE WOOD WITH KNIVES. — MODERN WOOD ENGRAVING. — MATERIALS AND MODE OF PROCEEDING.
- 6.ENGRAVING ON COPPER AND STEEL. — THE VARIOUS MODES OF ENGRAVING ON COPPER AND STEEL-PLATE. — 1.—LINE ENGRAVING. — 2.—ETCHING. — 3.—SOFT-GROUND ETCHING. — 4.—AQUATINT ENGRAVING. — 5.—MEZZOTINT ENGRAVING. — 6.—STIPPLE ENGRAVING.
- 7.LITHOGRAPHY. — CHROMO-LITHOGRAPHY. — PHOTO-LITHOGRAPHY. — DRAWING FOR PHOTO-LITHO, AND FOR PROCESS LINE-BLOCKS.
- 8.PROCESS BLOCKS. — LINE WORK. — HALF-TONE PROCESS BLOCKS. — PEN AND INK DRAWING.
- 9.HINTS TO COLLECTORS OF EX LIBRIS. — To distinguish how a book-plate may have been produced. — THE DIFFERENCE IN ENGRAVED OR CUT LINES, AND ETCHED LINES. — TO DISTINGUISH AN IMPRESSION FROM PLATE. — TO DISTINGUISH A WOODCUT, OR LINE PROCESS BLOCK. — TO DISTINGUISH A LITHOGRAPH.
- 10.“AU REVOIR.”
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