Motion Picture Directing
by Peter Milne
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Language: English
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About this eBook
- Author
- Milne, Peter, 1896-1968
- Title
- Motion Picture Directing: The Facts and Theories of the Newest Art
- Credits
- Produced by Richard Tonsing and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
- Language
- English
- LoC Class
- PN: Language and Literatures: Literature: General, Criticism, Collections
- Subject
- Motion pictures -- Production and direction
- Category
- Text
- Project Gutenberg
- eBook-No. 53117
- Release Date
- September 22, 2016
- Copyright
- Public domain in the USA.
Contents
- 1.MOTION PICTURE DIRECTING THE FACTS AND THEORIES OF THE NEWEST ART
- 2.CONTENTS
- 3.PREFACE
- 4.Chapter I THE GREAT AND THE LESS GREAT
- 5.Chapter II THE PICTURE SENSE
- 6.Chapter III PREPARATION FOR PRODUCTION
- 7.Chapter IV THE METHOD OF WILLIAM DE MILLE
- 8.Chapter V CECIL DE MILLE ALSO SPEAKS
- 9.Chapter VI WHEN ACTING ABILITY HELPS
- 10.Chapter VII REX INGRAM ON “ATMOSPHERE”
- 11.Chapter VIII MAINLY ABOUT D. W. GRIFFITH
- 12.Chapter IX MOUNTAINS AND MOLEHILLS
- 13.Chapter X SOME OF THE ARTS OF SLAPSTICK COMEDY
- 14.Chapter XI OTHER TRICKS UP DIRECTORS' SLEEVES
- 15.Chapter XII SOME WORDS FROM FRANK BORZAGE
- 16.Chapter XIII WHAT TEMPO MEANS IN DIRECTING
- 17.Chapter XIV “OVERSHOOTING”—AND THE SERIAL
- 18.Chapter XV THE METHOD OF THOMAS H. INCE
- 19.Chapter XVI DIRECTORS SCHOOLED BY INCE
- 20.Chapter XVII WHO CREATES A PICTURE?
- 21.Chapter XVIII MUSIC IN PICTURE PRODUCTION
- 22.Chapter XIX JUST SUPPOSE
- 23.Chapter XX “STEALING” AN EXTERIOR
- 24.Chapter XXI THE IMPORTANCE OF THE ART DIRECTOR
- 25.Chapter XXII DIRECTORIAL CONVENTIONS
- 26.Chapter XXIII ERNST LUBITSCH: GERMAN DIRECTOR
- 27.Chapter XXIV JOE MAY: GERMAN DIRECTOR
- 28.Chapter XXV ILLUSTRATING THE USE OF DETAIL
- 29.Chapter XXVI MARSHALL NEILAN SUMMARIZES
- 30.Chapter XXVII “BEST DIRECTED” PICTURES
- 31.TRANSCRIBER'S NOTES
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