Harvard Psychological Studies, Volume 1, Edited

About this eBook

Editor

Münsterberg, Hugo, 1863-1916

Title

Harvard Psychological Studies, Volume 1 Containing Sixteen Experimental Investigations from the Harvard Psychological Laboratory.

Credits

Produced by Gallica ( gallica.bnf.fr/), Clare Boothby, Victoria Woosley and the Online Distributed Proofreading Team at www.pgdp.net.

Language

English

LoC Class

BF: Philosophy, Psychology, Religion: Psychology, Philosophy, Psychoanalysis

Subject

Psychology, Experimental

Category

Text

eBook-No.

16266

Project Gutenberg

https://www.gutenberg.org/ebooks/16266

Release Date

July 12, 2005

Copyright

Public domain in the USA.

Contents

1. 1.The Psychological Review — EDITED BY — Harvard Psychological Studies, — Volume I — CONTAINING
2. 2.Sixteen Experimental Investigations from the Harvard Psychological Laboratory. — EDITED BY — HUGO MÜNSTERBERG.
3. 3.PREFACE.
4. 4.CONTENTS.
5. 5.PLATES. — STUDIES IN PERCEPTION.
6. 6.EYE-MOVEMENT AND CENTRAL ANÆSTHESIA. — BY EDWIN B. HOLT. — I. THE PROBLEM OF ANÆSTHESIA DURING EYE-MOVEMENT. — II. THE PHENOMENON OF 'FALSELY LOCALIZED AFTER-IMAGES.' — III. THE PERIMETER-TEST OF DODGE, AND THE LAW OF THE LOCALIZATION OF AFTER-IMAGES. — IV. THE PENDULUM-TEST FOR ANÆSTHESIA. — V. SUMMARY AND COROLLARIES OF THE EXPERIMENTS, AND A PARTIAL, PHYSIOLOGICAL INTERPRETATION OF THE CENTRAL ANÆSTHESIA.
7. 7.TACTUAL ILLUSIONS. — BY CHARLES H. RIEBER. — I. — II. — III. — IV. — V. — VI. — VII. — VIII. — IX.
8. 8.TACTUAL TIME ESTIMATION. — BY KNIGHT DUNLAP. — I. GENERAL NATURE OF THE WORK. — II. EXPERIMENTAL RESULTS. — III. INTERPRETATION OF RESULTS.
9. 9.PERCEPTION OF NUMBER THROUGH TOUCH. — BY J. FRANKLIN MESSENGER.
10. 10.THE SUBJECTIVE HORIZON. — BY ROBERT MACDOUGALL. — I. — II. — III. — IV. — VI. — VII. — VIII. — IX.
11. 11.THE ILLUSION OF RESOLUTION-STRIPES ON THE COLOR-WHEEL. — BY EDWIN B. HOLT. — I. APPARATUS FOR PRODUCING THE ILLUSION. — II. PREVIOUS DISCUSSION OF THE ILLUSION. — III. OUTLINE OF THE FACTS OBSERVED. — IV. THE GEOMETRICAL RELATIONS BETWEEN THE ROD AND THE SECTORS OF THE DISC. — V. GEOMETRICAL DEDUCTION OF THE BANDS. — VI. APPLICATION OF THE FORMULAS TO THE BANDS OF THE ILLUSION. — VII. FURTHER COMPLICATIONS OF THE ILLUSION. — VIII. SOME CONVENIENT DEVICES FOR EXHIBITING THE ILLUSION. — IX. A STROBOSCOPE WHICH DEPENDS ON THE SAME PRINCIPLE. — STUDIES IN MEMORY.
12. 12.RECALL OF WORDS, OBJECTS AND MOVEMENTS. — BY HARVEY A. PETERSON. — THE A SET. — THE B SET. — THE C SET. — RECALL AFTER NINE AND SIXTEEN DAYS. — THE D SET. — CONCLUSIONS. — MINOR QUESTIONS.
13. 13.MUTUAL INHIBITION OF MEMORY IMAGES. — BY FREDERICK MEAKIN. — RECAPITULATION.
14. 14.CONTROL OF THE MEMORY IMAGE. — BY CHARLES S. MOORE. — I. MOVEMENTS OF A SINGLE IMAGE. — NUMERICAL. — SUBJECTIVE. — II. CHANGES OF COLOR OF A SINGLE IMAGE. — SUBJECTIVE. — III. MOVEMENTS OF TWO IMAGES IN THE SAME AND IN DIFFERENT DIRECTIONS. — NUMERICAL. — SUBJECTIVE. — IV. SUPPRESSION OF ONE OF TWO IMAGES. — SUBJECTIVE. — V. MOVEMENTS OF A SINGLE IMAGE, THE OBJECT HAVING BEEN MOVED DURING THE EXPOSURE. — NUMERICAL. — SUBJECTIVE. — STUDIES IN ÆSTHETIC PROCESSES.
15. 15.THE STRUCTURE OF SIMPLE RHYTHM FORMS. — BY ROBERT MACDOUGALL. — I. PROBLEMS AND METHODS OF EXPERIMENTATION. — II. THE ELEMENTARY CONDITIONS OF THE APPEARANCE OF THE RHYTHM IMPRESSION. — III. THE CHARACTERISTICS OF THE RHYTHMICAL UNIT. — A. The Number of Elements in the Group and its Limits. — B. The Distribution of Elements Within the Group. — IV. THE COMBINATION OF RHYTHMICAL GROUPS IN HIGHER SYNTHESES AND THEIR EQUIVALENCES.
16. 16.RHYTHM AND RHYME. — BY R.H. STETSON. — I. INTRODUCTION. — II. THE PERCEPTION OF A RHYTHMIC SERIES. — 1. Why the Synthesizing Factor Occurs at the Close of the Verse. — 2. The Relation of the Rhyme to the Verse Pause. — 3. The Relation of the Rhyme to the Cyclic Movement of the Unit Group and of the Verse . — III. THE SPEAKING OF A RHYTHMIC SERIES. — I. Methods of Making Speech Records. — 2. The Normal Form of Unrhymed Verse. — 3. Modification of the Normal Form of Verse due to Rhyme. — IV. SUGGESTIONS FOR A MOTOR THEORY OF RHYTHM.
17. 17.STUDIES IN SYMMETRY. 1 — BY ETHEL D. PUFFER. — I. THE PROBLEMS OF SYMMETRY. — II. SYMMETRY IN PRIMITIVE ART. — III. EXPERIMENTS IN SUBSTITUTIONAL SYMMETRY. — A. Method of Experiment. — B. Experiments on Size. — C. Experiments on Movement. — D. Experiments on Interest. — E. Experiments on Depth. — IV. SYMMETRY IN PICTURES. — A. The Balancing Factors. — Altarpieces. — Portraits. — B. Principles of Composition.
18. 18.THE ÆSTHETICS OF UNEQUAL DIVISION. — BY ROSWELL PARKER ANGIER. — PART I. — STUDIES IN ANIMAL PSYCHOLOGY.
19. 19.HABIT FORMATION IN THE CRAWFISH CAMBARUS AFFINIS. 1 — BY ROBERT M. YERKES AND GURRY E. HUGGINS. — SUMMARY.
20. 20.THE INSTINCTS, HABITS, AND REACTIONS OF THE FROG. — BY ROBERT MEARNS YERKES. — PART I. THE ASSOCIATIVE PROCESSES OF THE GREEN FROG. — I. SOME CHARACTERISTICS OF THE GREEN FROG. — II. EXPERIMENTAL STUDY OF HABITS. — III. SUMMARY. — PART II. REACTION TIME OF THE GREEN FROG TO ELECTRICAL AND TACTUAL STIMULI. — IV. THE PROBLEMS AND POSSIBILITIES OF COMPARATIVE REACTION-TIME STUDIES. — V. METHOD OF STUDY. — VI. ELECTRIC REACTION TIME. — VII. TACTUAL REACTION TIME. — VIII. EQUAL VARIABILITY AS A CRITERION OF COMPARABILITY OF REACTION TIME FOR DIFFERENT KINDS OF STIMULI. — IX. SUMMARY. — PART III. AUDITORY REACTIONS OF FROGS. — X. HEARING IN THE FROG. — A. Influences of Sounds in the Laboratory. — B. Influence of Sounds in Nature. — C. Influence of Sounds on Respiration. 16 — XI. THE EFFECTS OF AUDITORY STIMULI ON VISUAL REACTIONS. — XII. THE PAIN-SCREAM OF FROGS. — STUDIES IN PSYCHOLOGICAL THEORY.
21. 21.THE POSITION OF PSYCHOLOGY IN THE SYSTEM OF KNOWLEDGE. — BY HUGO MÜNSTERBERG.

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