On arriving at the landing-place of the European
steamer, Hubert found the passengers filing ashore
from the tug-boat in which they had been transferred
from the ship. He instructed himself, as he took
his place near the gangway, to allow for a certain change
in Nora’s appearance; but even with this allowance none
of the various advancing ladies seemed to be Nora.
Suddenly he found himself confronted with a fair stranger, a
smile, and an outstretched hand. The smile and the
offered hand of course proclaimed the young lady’s
identity. Yet in spite of them, Hubert’s surprise was great;
his allowance had been too small. But the next moment,
“Now you speak,” he said, “I recognize you”; and the
next he had greeted Mrs. Keith, who immediately
followed her companion; after which he ushered the two
ladies, with their servant and their various feminine
impedimenta, into a carriage. Mrs. Keith was to return
directly to her own house, where, hospitable even amid
prospective chaos, she invited Hubert to join them at
dinner. He had, of course, been obliged to inform Nora
offhand of the cause of Roger’s absence, though as yet
he made light of his illness. It was agreed, however, that
Nora should remain with her companion until she had
communicated with her guardian.
Entering Mrs. Keith’s drawing-room a couple of hours
later, Hubert found the young girl on her knees before
the hearth. He sat down near by, and in the glow of the
firelight he noted her altered aspect. A year, somehow,
had made more than a year’s difference. Hubert, in his
intercourse with women, was accustomed to indulge in a
sort of cool contemplation which, as a habit, found favor
according to the sensibility of the ladies touching whom
it was practised. It had been intimated to him more than
once, that, in spite of his cloth, just a certain turn of the
head made this a license. But on this occasion his gaze
was all respectful. He was lost in admiration; for Nora
was beautiful. She had left home a simple maiden of
common gifts, with no greater burden of loveliness than
the slender, angular, neutral grace of youth and freshness;
and here she stood, a mature, consummate, superb
young woman! It was as if she had bloomed into ripeness
in the sunshine of a great contentment; as if, fed by
the sources of æsthetic delight, her nature had risen
calmly to its allotted level. A singular harmony and
serenity seemed to pervade her person. Her beauty lay
in no inordinate perfection of individual features, but in
the deep sweet fellowship that reigned between smile and
step and glance and tone. The total effect was an
impression of the simplest and yet the richest loveliness.
“Pallas Athene,” said Hubert to himself, “sprang
full-armed, we are told, from the brain of Jove. But we
have a Western version of the myth. She was born in
Missouri; for years she wore aprons and carried
lesson-books. Then one fine day she was eighteen, and she
sported a black silk dress of Paris!” Meanwhile Pallas
Athene had been asking about Roger. “Shall I see him
to-morrow, at least?” she demanded.
“I think not; he will not get out for several days.”
“But I can easily go to him. It is very tiresome.
Things never turn out as we arrange them. I had
arranged this meeting of ours to perfection! He was to
dine with us here, and we were to talk, talk, talk, till
midnight; and then I was to go home with him; and
there we were to stand leaning on the banisters at his
room door, and talk, talk; talk till morning.”
“And where was I to be?” asked Hubert.
“I had not arranged for you. But I expected to see
you to-morrow. To-morrow I shall go to Roger.”
“If the doctor allows,” said Hubert.
Nora rose to her feet. “You don’t mean to say, Hubert,
that it is as bad as that?” She frowned a little and
bent her eyes eagerly on his face. Hubert heard Mrs. Keith’s
voice in the hall; in a moment their tête-à-tête
would be at an end. Instead of answering her
question,—“Nora,” he said, in his deepest, lowest voice, “you
are wonderfully beautiful!” He caught her startled,
unsatisfied glance; then he turned and greeted
Mrs. Keith. He had not pleased Nora, evidently; it was
premature. So to efface the solemnity of his speech, he
repeated it aloud: “I tell Nora she is very beautiful!”
“Bah!” said Mrs. Keith: “you needn’t tell her;
she knows it.”
Nora smiled unconfusedly. “O, say it all the same!”
“Was it not the French ambassador, in Rome,”
Mrs. Keith demanded, “who attacked you in that fashion?
He asked to be introduced. There’s an honor!
‘Mademoiselle, vous êtes parfaitement belle.’”
“He was very ugly himself,” said Nora.
Hubert was a lover of the luxuries and splendors of
life. He had no immediate personal need of them; he
could make his terms with narrow circumstances; but
his imagination was a born aristocrat. He liked to be
reminded that certain things were,—ambassadors,
ambassadorial compliments, Old-World drawing-rooms with
duskily moulded ceilings. Nora’s beauty, to his vision,
took a deeper color from this homage of an old starched
and embroidered diplomatist. It was valid, it had passed
the ordeal. He had little need at table to play at discreet
inattention. Mrs. Keith, preoccupied with her housekeeping
and the “dreadful state” in which her freshly
departed tenants had left her rooms, indulged in a tragic
monologue and dispensed with responses. Nora, looking
frankly at Hubert, consoled their hostess with gentle
optimism; and Hubert returned her looks, wondering.
He mused upon the mystery of beauty. What sudden
magic had made her so handsome? She was the same
tender slip of girlhood who had come trembling to hear
him preach a year before; the same, yet how different!
And how sufficient she had grown, withal, to her beauty!
How with the added burden had come an added strength,—with
the greater charm a greater force,—a force subtle,
sensitive, just faintly self-suspecting. Then came the
thought that all this was Roger’s,—Roger’s speculation,
Roger’s property! He pitied the poor fellow, lying
senseless and helpless instead of sitting there
delightedly, drawing her out and showing her off. After
dinner Nora talked little, partly, as he felt, from anxiety
about her friend, and partly because of that natural
reserve of the altered mind when confronted with old
associations. He would have been glad to believe that she
was taking pensive note of his own appearance. He had
made his mark in her mind a twelvemonth before.
Innumerable scenes and figures had since passed over it;
but his figure, Nora now discovered, had not been
obliterated. Fixed there indelibly, it had grown with the
growth of her imagination. She knew that she had
changed, and she had wondered whether Hubert would
have lost favor with difference. Would he suffer by
contrast with people she had seen? Would he seem graceless,
colorless, common? Little by little, as his presence
defined itself, it became plain to her that the Hubert of
the past had a lease of the future. As he rose to take his
leave, she begged him to let her write a line to Roger,
which he might carry.
“He will not be able to read it,” said Hubert.
Nora mused. “I will write it, nevertheless. You
will place it by his bedside, and the moment he is better
he will find it at hand.”
When she had left the room, Mrs. Keith demanded
tribute. “Have not I done well? Have not I made a
charming girl of her?”
“She does you great credit,” said Hubert, with a
mental reservation.
“O, but wait awhile! You have not seen her yet.
She is tired, and anxious about your cousin. Wait till
she comes out. My dear Mr. Lawrence, she is perfect.
She lacks nothing, she has nothing too much. You must
do me justice. I saw it all in the rough, and I knew
just what it wanted. I wish she were my daughter: you
should see great doings! And she’s as good as gold.
It’s her nature. After all, unless your nature is right,
what are you?” But before Hubert could reply to this
little philosophic proposition, Nora reappeared with her
note.
The next morning Mrs. Keith went to call officially
upon her mother-in-law; and Nora, left alone and thinking
much of Roger’s condition, conceived an intense desire
to see him. He had never been so dear to her as now,
and no one’s right to be with him was equal to hers. She
dressed hastily and repaired to the little dwelling they
were to have so happily occupied. She was admitted by
her old friend Lucinda, who, between trouble and wonder,
found a thousand things to say. Nora’s beauty had never
received warmer tribute than the affectionate marvellings
of this old woman who had known her early plainness so
well. She led her into the drawing-room, opened the
windows and turned her about in the light, patted her
braided tresses, and rejoiced with motherly unction in her
tallness and straightness and elegance. Of Roger she
spoke with tearful eyes. “It would be for him to see
you, my dear,” she said: “he would not be disappointed.
You are better than his brightest dreams. O, I know all
about it! He used to talk to me evenings, after you
were in bed. ‘Lucinda, do you think she’s pretty?
Lucinda, do you think she’s plain? Lucinda, do you dress
her warm? Lucinda, have you changed her shoes? And
mind, Lucinda, take good care of her hair; it’s the only
thing we are sure of!’ Yes, my dear, you have me to
thank for these big braids. Would he feel sure of you
now, poor man? You must keep yourself in cotton-wool
till he recovers. You are like a picture; you ought to be
enclosed in a gilt frame and stand against the wall.” Lucinda
begged, however, that Nora would not insist upon
seeing him; and her great reluctance betraying his evil
case, Nora consented to wait. Her own small experience
could avail nothing. “He is flighty,” said Lucinda, “and
I’m afraid he wouldn’t recognize you. If he shouldn’t,
it would do you no good; and if he should, it would do
him none; it would increase his fever. He’s bad, my
dear, he’s bad; but leave him to me! I nursed him as
a baby; I nursed him as a boy; I will nurse him as a
man grown. I have seen him worse than this, with the
scarlet fever at college, when his poor mother was dying
at home. Baby, boy, and man, he has always had the
patience of a saint. I will keep him for you, Miss Nora,
now I have seen you! I shouldn’t dare to meet him in
heaven, if I were to let him miss you!”
When Lucinda had returned to her bedside duties,
Nora wandered about the house with a soundless tread,
taking melancholy note of the preparations Roger had
made for her return. His choice, his taste, his ingenuity,
were everywhere visible. The best beloved of her possessions
from the old house in the country had been transferred
hither and placed in such kindly half-lights as
would temper justice with mercy; others had found
expensive substitutes. Nora went into the drawing-room,
where the blinds were closed and the chairs and sofas
shrouded in brown linen, and sat sadly revolving
possibilities. How, with Roger’s death, loneliness again would
close about her; how he was her world, her strength, her
fate! He had made her life; she needed him still to
watch his work. She seemed to apprehend, as by a sudden
supernatural light, the extent of his affection and his
wisdom. In the perfect stillness of the house she could
almost hear his tread on the stairs, hear his voice utter
her name with that tender adjustment of tone which
conveyed a benediction in a commonplace. Her heart rose
to her throat; she felt a passionate desire to scream. She
buried her head in a cushion to stifle the sound; her silent
tears fell upon the silk. Suddenly she heard a step in the
hall; she had only time to brush them away before
Hubert Lawrence came in. He greeted her with surprise.
“I came to bring your note,” he said: “I did not expect
to find you.’”
“Where better should I be?” she asked, with intensity.
“I can do nothing here, but I should look ill elsewhere.
Give me back my note, please. It does not say
half I feel.” He gave it back, and stood watching her
while she tore it in bits and threw it into the empty
fireplace. “I have been wandering over the house,” she
added. “Everything tells me of poor Roger.” She felt
an indefinable need of protesting of her affection for him.
“I never knew till now,” she said, “how much I loved
him. I am sure you don’t know him, Hubert; not as I
do. I don’t believe any one does. People always speak
of him with a little air of amusement. Even Mrs. Keith
is witty at his expense. But I know him; I grew to
know him in thinking of him while I was away. There
is more of him than the world knows or than the world
would ever know, if it were left to his modesty and the
world’s stupidity!” Hubert began to smile at her
eloquence. “But I mean to put an end to his modesty. I
mean to say, ‘Come, Roger, hold up your head and
speak out your mind and do yourself justice.’ I have
seen people without a quarter of his goodness who had
twenty times his assurance and his success. I shall turn
the tables! People shall have no favor from me, unless
they are good to Roger. If they want me, they must
take him too. They tell me I am a beauty, and I can do
what I please. We shall see. The first thing I shall do
will be to make them show him a great deal of respect.”
“I admire your spirit,” said Hubert. “Dr. Johnson
liked a good hater; I like a good lover. On the whole,
it’s more rarely found. But aren’t you the least bit
Quixotic, with your terrible loyalty? No one denies
that Roger is the best of the best of the best! But do
what you please, Nora, you cannot make virtue entertaining.
As a clergyman, you know, I have had to try it.
But it’s no use; there’s a fatal family likeness between
goodness and dulness. Of course you are fond of Roger.
So am I, so is every one in his heart of hearts. But
what are we to do about it? The kindest thing is to
leave him alone. His virtues are his own affair. You
describe him perfectly when you say that everything in
the house here sings his praise,—already, before he has
been here ten days! The chairs are all straight, the
pictures are admirably hung, the locks are oiled, the winter
fuel is stocked, the bills are paid! Look at the tidies
pinned on the chairs. I will warrant you he pinned them
with his own hands. Such is Roger! Such virtues, in
a household, are priceless. He ought never to marry;
his wife would die for want of occupation. What society
cares for in a man is not his household virtues, but his
worldly ones. I am talking now, of course, as a man of
the world. Society wants to see things by the large end
of the telescope, not by the small. ‘Be as good as you
please,’ it says, ‘but unless you are interesting, I’ll none
of you!’”
“Interesting!” cried Nora, with a rosy flush. “I
have seen some very interesting people who have bored
me to death. But if people don’t care for Roger, it’s
their own loss!” Pausing a moment she fixed Hubert
with the searching candor of her gaze. “You are
unjust,” she said.
This charge was pleasant to the young man’s soul;
he would not, for the world, have summarily rebutted
it. “Explain, dear cousin,” he said, smiling kindly.
“Wherein am I unjust?”
It was the first time he had called her cousin; the
word made a sweet confusion in her thoughts. But
looking at him still while she collected them, “You don’t
care to know!” she cried. “Not when you smile so!
You are laughing at me, at Roger, at every one!” Clever
men had ere this been called dreadfully satirical
by pretty women; but never, surely, with just that
imperious naïveté. She spoke with a kind of joy in her
frankness; the sense of intimacy with the young man
had effaced the sense of difference.
“The scoffing fiend! That’s a pretty character to
give a clergyman!” said Hubert.
“Are you, at heart, a clergyman? I have been wondering.”
“You have heard me preach.”
“Yes, a year ago, when I was a silly little girl. I
want to hear you again.”
“No, I have gained my crown, I propose to keep it.
I would rather not be found out. Besides, I am not
preaching now; I am resting. Some people think me a
clergyman, Nora,” he said, lowering his voice with a hint
of mock humility. “But do you know you are formidable,
with your fierce friendships and your jealous
suspicions? If you doubt of me, well and good. Let me
walk like an Homeric god in a cloud; without my cloud,
I should be sadly ungodlike. Indeed, for that matter, I
doubt of myself. But I don’t really undervalue Roger.
I love him, I admire him, I envy him. I would give the
world to be able to exchange my restless imagination for
his silent, sturdy usefulness. I feel as if I were toiling
in the sun, and he were sitting under green trees resting
from an effort which he has never needed to make. Well,
virtue, I suppose, is welcome to the shade. It’s cool, but
it’s dreadfully obscure! People are free to find out the
best and the worst of me! Here I stand, with all my
imperfections on my head; tricked out with a surplice,
baptized with a reverend, (Heaven save the mark!)
equipped with platform and pulpit and text and
audience,—erected into a mouthpiece of the spiritual aspirations
of mankind. Well, I confess our sins; that’s good
humble-minded work. And I must say, in justice, that when
once I don my surplice (I insist on the surplice, I can do
nothing without it) and mount into the pulpit, I feel
conscious of a certain power. They call it eloquence; I
suppose it is. I don’t know what it’s worth, but they seem
to like it.”
Nora sat speechless, with expanded eyes, hardly knowing
whether his humility or his audacity became him best;
flattered, above all, by what she deemed the recklessness
of his confidence. She had removed her hat, which she
held in her hand, gently curling its great black feather.
Few things in a woman could be prettier than her
uncovered forehead, illumined with her gentle wonder.
The moment, for Hubert, was critical. He knew that a
young girl’s heart stood trembling on the verge of his
influence; he felt, without fatuity, that a glance might
beckon her forward, a word might fix her there. Should
he speak his word? This mystic circle was haunted with
the rustling ghosts of women who had ventured within
and found no rest. But as the innermost meaning of
Nora’s beauty grew vivid before him, it seemed to him
that she, at least, might cleanse it of its sinister
memories and fill it with the sense of peace. He knew that
to such as Nora he was no dispenser of peace; but as
he looked at her she seemed to him as an angel knocking
at his gates. He could not turn her away. Let her
come, at her risk! For angels there is a special
providence. “Don’t think me worse than I am,” he said,
“but don’t think me better! I shall love Roger well
until I begin to fancy that you love him too well. Then,—it’s
absurd, perhaps, but I feel it will be so,—I shall
be jealous.”
The words were lightly uttered, but his eyes and voice
gave them meaning. Nora colored and rose; she went
to the mirror and put on her hat. Then turning round
with a laugh which, to one in the secret, might have
seemed to sound the coming-of-age of her maiden’s fancy,
“If you mean to be jealous,” she said, “now is your
time! I love Roger now with all my heart. I cannot
do more!” She remained but a moment longer.
Roger’s illness baffled the doctors, though the doctors
were clever. For a fortnight it went from bad to worse.
Nora remained constantly at home, and played but a passive
part to the little social drama enacted in Mrs. Keith’s
drawing-room. This lady had already cleared her stage
and rung up her curtain. To the temporary indisposition
of her young performer she resigned herself with that
serene good grace which she had always at command, and
which was so subtle an intermixture of kindness and
shrewdness that it would have taken a wiser head than
Nora’s to discriminate them. She valued the young girl
for her social uses; but she spared her at this trying
hour, just as an impresario, with an eye to the whole
season, spares a prima donna who is threatened with
bronchitis. Between these two, though there was little
natural sympathy, there was a wondrous exchange of
caresses and civilities. They had quietly judged each
other and each sat serenely encamped in her estimate
as in a strategical position. Nevertheless I would have
trusted neither lady’s account of the other. Nora, for
perfect fairness, had too much to learn, and Mrs. Keith
too much to unlearn. With her companion, however, she
had unlearned much of that circumspect jealousy with
which, in the interest of her remnant of youth and
beauty, she taxed her commerce with most of the
fashionable sisterhood. She strove to repair her one
notable grievance against fate by treating Nora as a daughter.
She mused with real maternal ardor upon the young
girl’s matrimonial possibilities, and among them upon
that design of which Roger had dropped her a hint of
old. He held to his purpose of course; if he had
fancied Nora then, he could but fancy her now.
But were his purpose and his fancy to be viewed with
undiminished complacency? What might have been a
great prospect for Nora as a plain homeless child, was a
small prospect for a young lady who was turning out one
of the beauties of the day. Roger would be the best of
husbands; but in Mrs. Keith’s philosophy a very good
husband might represent a very indifferent marriage. She
herself had married a fool, but she had married well.
Her easy, opulent widowhood was there to show it. To
call things by their names, would Nora, in marrying
Roger, marry money? Mrs. Keith desired to appraise
the worldly goods of her rejected suitor. At the time of
his suit she had the matter at her fingers’ ends; but she
suspected that since then he had been lining his pockets.
He puzzled her; he had a way of seeming neither rich
nor poor. When he spent largely, he had the air of a
man straining a point; yet when he abstained, it seemed
rather from taste than from necessity. She had been
surprised more than once, while abroad, by his copious
remittances to Nora. The point was worth making sure
of. The reader will agree with me that her conclusion
warranted her friend either a fool or a hero; for she
graciously assumed that if, financially, Roger should be found
wanting, she could easily prevail upon him to make way
for a millionnaire. She had several millionnaires in her
eye. Never was better evidence that Roger passed
for a good fellow. In any event, however, Mrs. Keith
had no favor to spare for Hubert and his marked and
increasing “attentions.” She had determined to beware
of false alarms; but meanwhile she was vigilant. Hubert
presented himself daily with a report of his cousin’s
condition,—a report most minute and exhaustive,
seemingly, as a couple of hours were needed to make it.
Nora, moreover, went frequently to her friend’s house,
wandered about aimlessly, and talked with Lucinda; and
here Hubert, coming on the same errand, was sure to be
found or to find her. Roger’s malady had defined itself
as virulent typhus fever; strength and reason were at the
lowest ebb. Of course on these occasions Hubert walked
home with the young girl; and as the autumn weather
made walking delightful, they chose the longest way.
They might have been seen at this period perambulating
in deep discourse certain outlying regions, the
connection of which with the main line of travel between
Mrs. Keith’s abode and Roger’s was not immediately
obvious. Apart from her prudent fears, Mrs. Keith had a
scantier kindness for Hubert than for most brilliant
men. “What is he, when you come to the point?” she
impatiently demanded of a friend to whom she had
imparted her fears. “He is neither fish nor flesh, neither
a priest nor a layman. I like a clergyman to bring with
him a little odor of sanctity,—something that rests you,
after all your bother. Nothing is so pleasant, near the
fire, at the sober end of one’s drawing-room. If he
doesn’t fill a certain place, he is in the way. The
Reverend Hubert is in any place and every place. His
manners are neither of this world nor, I hope, of the next.
Last night he let me bring him a cup of tea and sat
lounging in his chair while I put it into his hand. O, he
knows what he’s about. He is pretentious, with all his
nonchalance. He finds the prayer-book rather meagre
fare for week-days; so he consoles himself with his pretty
parishioners. To be a parishioner, you needn’t go to his
church.”
But in spite of Mrs. Keith’s sceptical criticism, these
young persons played their game in their own way, with
wider moves, even, and heavier stakes, than their shrewd
hostess suspected. As Nora, for the present, declined
all invitations, Mrs. Keith in the evening frequently went
out alone, leaving her in the drawing-room to entertain
Hubert Lawrence. Roger’s illness furnished a grave
undercurrent to their talk and gave it a tone of hazardous
melancholy. Nora’s young life had known no such hours
as these. She hardly knew, perhaps, just what made them
what they were. She hardly wished to know; she shrank
from breaking the charm with a question. The scenes of
the past year had gathered into the background like a
huge distant landscape, glowing with color and swarming
with life; she seemed to stand with her friend in the
shadow of a passing cloud, looking off into the mighty
picture, caressing its fine outlines, and lingering where the
haze of regret lay purple in its hollows. Hubert,
meanwhile, told over the legends of town and tower, of hill
and stream. Never, she fondly fancied, had a young
couple conversed with less of narrow exclusiveness; they
took all history, all culture, into their confidence; the
radiant light of an immense horizon seemed to shine
between them. Nora had felt perfectly satisfied; she
seemed to live equally in every need of her being, in soul
and sense, in heart and mind. As for Hubert, he knew
nothing, for the time, save that the angel was within his
gates and must be treated to angelic fare. He had for
the time the conscience, or the no-conscience, of a man
who is feasting in Elysian meadows. He thought no
evil; he designed no harm; the hard face of destiny was
twisted into a smile. If only, for Hubert’s sake, this
had been an irresponsible world, without penalties to pay,
without turnings to the longest lanes! If the peaches
and plums in the garden of pleasure had no cheeks but
ripe ones, and if, when we have eaten the fruit, we had
not to dispose of the stones! Nora’s charm of charms
was a certain maidenly reserve which Hubert both
longed and feared to abolish. While it soothed his
conscience it irritated his ambition. He wished to know in
what depth of water he stood; but there was no telltale
ripple in this tropic calm. Was he drifting in mid-ocean,
or was he cruising idly among the sandy shallows?
As the days elapsed, he found his rest troubled by this
folded rose-leaf of doubt; for he was not used to being
baffled by feminine riddles. He determined to pluck out
the heart of the mystery.
One evening, at Mrs. Keith’s urgent request, Nora had
prepared to go to the opera, as the season was to be very
brief. Mrs. Keith was to dine with some friends and go
thither in their company; one of the ladies was to call
for Nora after dinner, and they were to join the party at
the theatre. In the afternoon there came to Mrs. Keith’s
a young German lady, a pianist of merit who had her way
to make, a niece of Nora’s regular professor, with whom
Nora had an engagement to practise duets twice a week.
It so happened that, owing to a violent rain, Miss
Lilienthal had been unable to depart after their playing;
whereupon Nora had kept her to dinner, and the two,
over their sweetbread, had sworn an eternal friendship.
After dinner Nora went up to dress for the opera, and,
on descending, found Hubert sitting by the fire deep in
German discourse with the musical stranger. “I was
afraid you would be going,” said Hubert: “I saw Der
Freyschütz on the placards. Well, lots of pleasure! Let
me stay here awhile and polish up my German with
Mademoiselle. It is great fun. And when the rain is
over, Fraülein, perhaps you’ll not mind my walking
home with you.”
But Mademoiselle was gazing in mute envy at Nora,
standing before her in festal array. “She can take the
carriage,” said Nora, “when we have used it.” And
then reading the burden of that wistful regard—“Have
you never heard Der Freyschütz?”
“Often!” said the other, with a poignant smile.
Nora reflected a moment, then drew off her gloves.
“You shall go, you shall take my place. I will stay at
home. Your dress will do; you shall wear my shawl.
Let me put this flower into your hair, and here are my
gloves and my fan. So! You are charming. My gloves
are large,—never mind. The others will be delighted
to have you; come to-morrow and tell me all about
it.” Nora’s friend, in her carriage, was already at the door.
The gentle Fraülein, half shrinking, half eager, suffered
herself to be hurried down to the carriage. On the
doorstep she turned and kissed her hostess with a fervent
“Da allerliebste!” Hubert wondered whether Nora’s
purpose had been to please her friend or to please
herself. Was it that she preferred his society to Weber’s
music? He knew that she had a passion for Weber.
“You have lost the opera,” he said, when she
reappeared: “but let us have an opera of our own. Play
something; play Weber.” So she played Weber for
more than an hour; and I doubt whether, among the
singers who filled the theatre with their melody, the
master found that evening a truer interpreter than the young
girl playing in the lamp-lit parlor to the man she loved.
She played herself tired. “You ought to be extremely
grateful,” she said, as she struck the last chord: “I have
never played so well.”
Later they came to speak of a novel which lay on the
table, and which Nora had been reading. “It is very
silly,” she said, “but I go on with it in spite of myself.
I am afraid I am too easily pleased; no novel is so silly
I can’t read it. I recommend you this, by the way. The
hero is a young clergyman, endowed with every charm,
who falls in love with a Roman Catholic. She is rather
a bigot, and though she loves the young man, she loves
her religion better. To win his suit he comes near going
over to Rome; but he pulls up short and determines the
mountain shall come to Mahomet. He sets bravely to
work, converts the young lady, baptizes her one week
and marries her the next.”
“Heaven preserve us, what a hotch-potch!” cried
Hubert. “Is that what they are writing nowadays? I
very seldom read a novel, but when I glance into one,
I am sure to find some such stuff as that! Nothing
irritates me so as the flatness of people’s imagination.
Common life,—I don’t say it’s a vision of bliss, but it’s
better than that. Their stories are like the underside of
a carpet,—nothing but the stringy grain of the tissue,—a
muddle of figures without shape and flowers without
color. When I read a novel my imagination starts off
at a gallop and leaves the narrator hidden in a cloud of
dust; I have to come jogging twenty miles back to the
dénouement. Your clergyman here with his Romish
sweetheart must be a very poor creature. Why didn’t
he marry her first and convert her afterwards? Isn’t a
clergyman after all, before all, a man? I mean to write
a novel about a priest who falls in love with a pretty
Mahometan and swears by Allah to win her.”
“O Hubert!” cried Nora, “would you like a clergyman
to love a pretty Mahometan better than the truth?”
“The truth? A pretty Mahometan may be the truth.
If you can get it in the concrete, after shivering all your
days in the cold abstract, it’s worth a bit of a
compromise. Nora, Nora!” he went on, stretching himself
back on the sofa and flinging one arm over his head, “I
stand up for passion! If a thing can take the shape of
passion, that’s a fact in its favor. The greater passion
is the better cause. If my love wrestles with my faith,
as the angel with Jacob, and if my love stands upper-most,
I will admit it’s a fair game. Faith is faith, under
a hundred forms! Upon my word, I should like to
prove it. What a fraction of my personality is this clerical
title! How little it expresses; how little it covers!
On Sundays, in the pulpit, I stand up and talk to five
hundred people. Does each of them, think you,
appropriate his five hundredth share of my discourse? I can
imagine talking to one person and saying five hundred
times as much, even though she were a pretty Mahometan
or a prepossessing idolatress! I can imagine being
five thousand miles away from this blessed Boston,—in
Turkish trousers, if you please, with a turban on my head
and a chibouque in my mouth, with a great blue ball of
Eastern sky staring in through the round window, high
up; all in perfect indifference to the fact that Boston
was abusing, or, worse still, forgetting me! But, my dear
Nora,” Hubert added, suddenly, “don’t let me introduce
confusion into your ideas.” And he left his sofa and came
and leaned against the mantel-shelf. “This is between
ourselves; I talk to you as I would to no one else.
Understand me and forgive me! There are times when I must
speak out and pay my respects to the possible, the ideal!
I must protest against the vulgar assumption of people
who don’t see beyond their noses; that people who do,
you and I for instance, are living up to the top of our
capacity; that we are contented, satisfied, balanced. I
promise you I am not satisfied, not I! I have room for
more. I only half live; I am like a purse filled at one
end with small coin and empty at the other. Perhaps
the other will never know the golden rattle! The Lord’s
will be done; I can say that with the best of them. But
I shall never pretend that I have known happiness, that
I have known life. On the contrary, I shall maintain I
am a failure. I had the wit to see, but I lacked the
courage to do,—and yet I have been called reckless,
irreverent, audacious. My dear Nora, I am the veriest
coward on earth; pity me, if you don’t despise me.
There are men born to imagine things, others born to
do them. Evidently I am not one of the doers. But I
imagine things, I assure you!”
Nora listened to this flow of sweet unreason without
staying her hand in the work, which, as she perceived
the drift of his talk, she had rapidly caught up, but with
a beating heart and a sense of rising tears. It was a
ravishing mixture of passion and reason, the agony of
a restless soul. Of old, she had thought of Hubert’s
nature as immutably placid and fixed; it gave her the
notion of lucid depth and soundless volume. But of
late, with greater nearness, she had seen the ripples on
its surface and heard it beating its banks. This was not
the first time; but the waves had never yet broken so
high; she had never felt their salt spray on her cheeks.
The touch of it now was delicious. She went on with
her work, mechanically taking her stitches. She felt
Hubert’s intense blue eyes; the little blue flower in
her tapestry grew under her quick needle. A door had
suddenly been opened between their hearts; she passed
through it. “What is it you imagine,” she asked, with
intense curiosity: “what is it you dream of doing?”
“I dream,” he said, “of breaking some law for your
sake!”
The answer frightened her; passion was outstripping
reason. What had she to do with broken laws? She
trembled and rolled up her work. “I dream,” she said,
trying to smile, “of the beauty of keeping laws. I
expect to get a deal of pleasure from it yet.” And she
left her chair. For an instant Hubert was confused.
Was this the last struggle which precedes submission, or
the mere prudence of indifference? Nora’s eyes were on
the clock. It rang out eleven. “To begin with,” she
said, “let me keep the law of going early to bed. Good
night!”
Hubert wondered; he hardly knew whether this was
a rebuke or a challenge. “You will at least shake
hands,” he said reproachfully.
She had meant in self-defence to omit this ceremony,
but she let him take her hand. Hubert gazed at her
a moment and raised it to his lips. She blushed, and
rapidly withdrew it. “There!” cried Hubert, “I have
broken a law!”
“Much good may it do you!” she answered, and
went her way. He stood for a moment, waiting, and
fancying, rather fatuously, that she might come back.
Then, as he took up his hat, he wondered whether she
too was not a bit of a coquette.
Nora wondered on her own side whether this scene
had not been a little pre-arranged. For a day love and
doubt fared in company. Lucinda’s mournful discourse
on the morrow was not of a nature to restore her calmness.
“Last night,” said Roger’s nurse, “he was very bad.
He woke up out of his stupor, but he was none the better
for that. He talked all night about you. If he murmurs
a word, it’s always your name. He asked a dozen
times if you had arrived, and forgot as often as I told
him,—he, dear man, who used to remember the very
hairs of your head. He kept wondering whether anything
had happened to you. Late in the evening, when
the carriages began to pass, he cried out that each of them
was you, and what would you think of him for not coming
to meet you? ‘Don’t tell her how bad I am,’ he says;
‘I must have been in bed two or three days, haven’t I,
Lucinda? Say I shall be out to-morrow; that I have
only a little cold. Hubert will do everything for her,’ he
kept saying. And then when, at midnight, the wind
began to blow, he declared it was a storm, that your ship
was on the coast. God keep you safe, he cried. Then
he asked if you were changed and grown; were you
pretty, were you tall, should he know you? And he took
the hand-glass and looked at himself and wondered if you
would know him. He cried out that he was ugly, he
was horrible, you would hate him. He bade me bring
him his dressing things so that he might make himself look
better, and when I wouldn’t, he began to rage and call me
names, and then he broke down and cried like a child.” Hearing
these things, Nora prayed intently for Roger’s
recovery,—prayed that he might live to see her more
cunningly and lovingly his debtor. She wished to do
something, she hardly knew what, not only to prove, but
forever to commemorate, her devotion. She felt capable
of erecting a monument of self-sacrifice. Her conscience
was perfectly at rest.
For a couple of days she saw nothing of Hubert. On
the third there came excellent news of Roger, who had
taken a marked turn for the better, and had passed the
crisis. She had declined, for the evening, a certain
attractive invitation; but on the receipt of these tidings
she revoked her refusal. Coming down to the drawing-room
with Mrs. Keith, dressed and shawled, she found
Hubert in waiting, with a face which uttered bad news.
Roger’s improvement had been momentary, a relapse had
followed, and he was worse than ever. She tossed off
her shawl with an energy not unnoted by her duenna.
“Of course I cannot go,” she said. “It is neither
possible nor proper.” Mrs. Keith would have given her
biggest bracelet that this thing should not have happened in
just this way; but she submitted with a good grace,—for
a duenna. Hubert went down with her to her carriage.
At the foot of the stairs she stopped, and while
gathering up her skirts, “Mr. Lawrence,” she demanded,
“are you going to remain here?”
“A little while,” said Hubert, with his imperturbable
smile.
“A very little while, I hope.” She had been wondering
whether admonition would serve as a check or a
stimulus. “I need hardly tell you that the young lady
up stairs is not a person to be trifled with.”
“I hardly know what you mean,” said Hubert. “Am
I a person to trifle?”
“Is it serious, then?”
Hubert hesitated a moment. She perceived a sudden
watchful quiver in his eye, like a sword turned edge
outward. She unsheathed one of her own steely beams, and
for the tenth of a second there was a dainty crossing of
blades. “I admire Miss Lambert,” cried Hubert, “with
all my heart.”
“True admiration,” said Mrs. Keith, “is one half
respect and the other half self-denial.”
Hubert laughed, ever so politely. “I will put that
into a sermon,” he said.
“O, I have a sermon to preach you,” she answered.
“Take your hat and go.”
He looked very grave: “I will go up and get my
hat.” Mrs. Keith, catching his eye as he closed the carriage
door, wished to Heaven that she had held her tongue. “I
have done him injustice,” she murmured as she went.
“I have fancied him light, but I see he’s vicious.” Hubert,
however, kept his promise in so far as that he did
take up his hat. Having held it a moment he put it down.
He had reckoned without his hostess! Nora was seated by
the fire, with her bare arms folded, with a downcast brow.
Dressed in pale corn-color, her white throat confined by
a band of blue velvet overstitched with a dozen pearls,
she was not a subject for summary farewells. Meeting
her eyes, he saw they were filled with tears. “You must
not take this thing too hard,” he said.
For a moment she answered nothing; then she bent
her face into her hands and her tears flowed. “O poor,
poor Roger!” she cried.
Hubert watched her weeping in her ball-dress those
primitive tears. “I have not given him up,” he said at
last. “But suppose I had—” She raised her head and
looked at him. “O,” he cried, “I should have a hundred
things to say! Both as a clergyman and as a man, I
should preach resignation. In this crisis, let me speak
my mind. Roger is part of your childhood; your childhood’s
at an end. Possibly, with it he too is to go! At
all events you are not to feel that in losing him you lose
everything. I protest! As you sit here he belongs to
your past. Ask yourself what part he may play in your
future. Believe me, you will have to settle it, you will
have to choose. Here, in any case, your life begins.
Your tears are for the dead past; this is the future, with
its living needs. Roger’s fate is only one of them.”
She rose with her tears replaced by a passionate gravity.
“Ah, you don’t know what you say!” she cried. “Talk
of my future if you like, but not of my past! No one
can speak of it, no one knows it! Such as you see me
here, bedecked and bedizened, I am a penniless, homeless,
friendless creature! But for Roger, I might be in
the streets! Do you think I have forgotten it, that I ever
can forget it? There are things that color one’s life,
memories that last forever. I have my share! What am I
to settle, between whom am I to choose? My love for
Roger is no choice, it is part and parcel of my being!”
Hubert was inspired; he forgot everything but that she
was lovely. “I wish to Heaven,” he cried, “that you
had never ceased to be penniless and friendless! I wish
Roger had left you alone and not smothered you beneath
this terrible burden of gratitude! Give him back his
gifts! Take all I have! In the streets? In the streets
I should have found you, as lovely in your poverty as you
are now in your finery, and a thousand times more free!” He
seized her hand and met her eyes with irresistible
ardor. Pain and pleasure, at once, possessed Nora’s heart.
It was as if joy, bursting in, had trampled certain tender
flowers that bloomed on the threshold. But Hubert had
cried, “I love you! I love you!” and joy had taken
up the words. She was unable to speak audibly; but in
an instant she was spared the effort. The servant hastily
came in with a note superscribed with her name. She
motioned to Hubert to open it. He read it aloud.
“Mr. Lawrence is sinking. You had better come. I send my
carriage.” Nora’s voice came to her with a cry,—“He
is dying, he is dying!”
In a minute’s time she found herself wrapped in her
shawl and seated with Hubert in the doctor’s coupé. A
few moments more and the doctor received them at the
door of Roger’s room. They passed in, and Nora went
straight to the bed. Hubert stood an instant and saw her
drop on her knees beside the pillow. She flung back her
shawl with vehemence, as if to release her arms; she
was throwing them round her friend. Hubert went on
into the adjoining chamber, of which the door stood
open. The room was dark, the other lit by a night-lamp.
He stood listening awhile, but heard nothing; then he
began to walk slowly to and fro, past the doorway. He
could see nothing but the shining train of Nora’s dress
lying on the carpet beyond the angle of the bed. He
wanted terribly to see more, but he feared to see too
much. At moments he thought he heard whispers. This
lasted some time; then the doctor came in, with what
seemed to him an odd, unprofessional smile. “The
young lady knows a few remedies not taught in the
schools,” he whispered. “He has recognized her. He
is good for to-night, at least. Half an hour ago he had
no pulse at all, but this has started it. I will come back
in an hour.” After he had gone Lucinda came, self-commissioned,
and shut the door in Hubert’s face. He stood
a moment, with an unreasoned sense of insult and defeat.
Then he walked straight out of the house. But the next
morning, after breakfast, a more generous sentiment
moved him to return. The doctor was just coming away.
“It was a Daniel come to judgment,” the doctor
declared. “I verily believe she saved him. He will be
sitting up in a fortnight.” Hubert learned that, having
achieved her miracle, Nora had returned to Mrs. Keith’s.
What arts she had used he was left to imagine. He had
still a sore feeling of having just missed a crowning joy;
but there might yet be time to grasp it. He felt, too, an
urgent need of catching a glimpse of the afterglow of
Nora’s mystical effluence. He repaired to Mrs. Keith’s,
hoping to find the young girl alone. But the elder lady,
as luck would have it, was established in the drawing-room,
and she made haste to inform him that Nora, fatigued
by her “watching,” had not yet left her room. But
if Hubert was sombre, Mrs. Keith was radiant. Now was
her chance to preach her promised sermon; she had just
come into possession of facts that furnished a capital text.
“I suppose you will call me a meddling busybody,”
she said. “I confess I seem to myself a model of
forbearance. Be so good as to tell me in three words
whether you are in love with Nora.”
Taken thus abruptly to task, Hubert, after a moment’s
trepidation, kept his balance. He measured the situation
at a glance, and pronounced it bad. But if heroic urbanity
would save it, he would be urbane. “It is hardly a
question to answer in two words,” he answered, with an
ingenuous smile. “I wish you could tell me!”
“Really,” said Mrs. Keith, “it seems to me that by
this time you might know. Tell me at least whether you
are prepared to marry her?”
Hubert hesitated just an instant. “Of course not,—so
long as I am not sure I am in love with her!”
“And pray when will you make up your mind? And
what is to become of poor Nora meanwhile?”
“Why, Mrs. Keith, if Nora can wait, surely you can.” The
urbanity need not be all on his side.
“Nora can wait? That’s easily said. Is a young
girl a thing to be tried like a piano,—to be strummed
on for a pretty tune? O Mr. Lawrence, if I had ever
doubted of the selfishness of men! What this matter has
been for you, you know best yourself; but I may tell
you that for Nora it has been serious.” At these words
Hubert passed his hand nervously through his hair and
walked to the window. “The miserable fop!” said Mrs. Keith,
privately. “His vanity is the only thing that has
ears. It is very true they are long ones! If you are
not able to make Nora a handsome offer of marriage,” she
proceeded, “you have no business here. Retire, quietly,
expeditiously, humbly. Leave Nora to me. I will heal
her bruises. They shall have been wholesome ones.”
Hubert felt that these peremptory accents implied a
menace, and that the lady spoke by book. His vanity
rankled, but discretion drew a long breath. For a
fortnight it had been shut up in a closet. He thanked his
stars they had no witnesses; from Mrs. Keith, for once,
he could afford to take a lesson. He remained silent for
a moment, with his brow bent in meditation. Then turning
suddenly, he faced the music. “Mrs. Keith,” he
said, “you have done me a service. I thank you
sincerely. I have gone further than I meant; I admit it.
I am selfish, I am vain, I am anything you please. My
only excuse is Nora’s loveliness. It had made an ass of
me; I had forgotten that this is a life of logic.” And he
bravely took up his hat.
Mrs. Keith was prepared for a “scene”; she was
annoyed at missing it, and her easy triumph led her on.
She thought, too, of the young girl up stairs, combing
out her golden hair, and seeing no logic in her
looking-glass. She had dragged a heavy gun to the front; she
determined to fire her shot. So much virtue had never
inspired her with so little respect. She played a moment
with the bow on her morning dress. “Let me thank
you for your great humility,” she said. “Do you know
I was going to be afraid of you, so that I had
intrenched myself behind a great big preposterous fact?
I met, last evening, Mrs. Chatterton of New York. You
know she’s a great talker, but she talks to the point.
She mentioned your engagement to a certain young
lady, a dark-eyed person,—need I repeat the
name?” There was no need of her repeating names; Hubert
stood before her, flushing crimson, with his blue eyes
flashing cold wrath. He remained silent a moment,
shaking a scornful finger at her. “For shame, madam,”
he cried. “That’s in shocking taste! You might have
been generous; it seems to me I deserve it.” And with
a summary bow he departed.
Mrs. Keith repented of this extra touch of zeal; the
more so as she found that, practically, Nora was to be
the victim of the young man’s displeasure. For four
days he gave no sign; Nora was left to explain his
absence as she might. Even Roger’s amendment failed to
console her. At last, as the two ladies were sitting at
lunch, his card was brought in, superscribed P.P.C.
Nora read it in silence, and for a moment rested her
eyes on her companion with a piteous look which seemed
to ask, “Is it you I have to thank for this?” A torrent
of remonstrances rose to Nora’s lips, but they were
sealed by the reflection that, though her friend might
have been concerned in Hubert’s desertion, its peculiar
abruptness had a peculiar motive. She pretended to
occupy herself with her plate; but her self-control was
rapidly ebbing. She silently rose and retreated to her
own room, leaving Mrs. Keith moralizing, over her
mutton-chop, upon the miseries of young-ladyhood and the
immeasurable egotism of the man who would rather
produce a cruel effect than none at all. For a week after
this Nora was seriously ill. On the day she left her room
she received a short note from Hubert.
NEW YORK.
DEAR NORA: You have, I suppose, been expecting to
hear from me; but I have not written, because I am unable to
write as I wish and unwilling to write as—other people would
wish! I left Boston suddenly, but not unadvisedly. I shall
for the present be occupied here. The last month I spent
there will remain one of the best memories of my life. But it
was time it should end! Remember me a little—what do I
say?—forget me! Farewell. I received this morning from
the doctor the best accounts of Roger.
Nora handled this letter somewhat as one may imagine
a pious maiden of the antique world to have treated a
messenger from the Delphic oracle. It was obscure, it
was even sinister; but deep in its sacred dimness there
seemed to glow a fiery particle of truth. She locked it up
in her dressing-case and wondered and waited. Shortly
after came a missive of a different cast. It was from her
cousin, George Fenton, and also dated New York.
DEAR NORA,—You have left me to find out your return
in the papers. I saw your name a month ago in the steamer’s
list. But I hope the fine people and things you have been
seeing haven’t driven me quite out of your heart,—that you
remember at least who I am. I received your answer to my
letter of last February; after which I immediately wrote again,
but in vain! Perhaps you never got my letter; I could
scarcely decipher your Italian address. Excuse my want of
learning! Your photograph is a joy forever. Are you really
as handsome as that? It taxes even the credulity of one who
knows how pretty you used to be; how good you must be still.
When I last wrote I told you of my having taken stock in an
enterprise for working over refuse iron. But what do you
care for refuse iron? It’s awfully dirty, and not fit to be
talked of to a fine lady like you. Still, if you have any odd
bits,—old keys, old nails,—the smallest contributions
thankfully received! We think there is money in it; if there isn’t,
I’m afloat again. If this fails, I think of going to Texas. I
wish I might see you first. Get Mr. Lawrence to bring you
to New York for a week. I suppose it wouldn’t do for me to
call on you in the light of day; but I might hang round your
hotel and see you going in and out. Does he love me as much
as ever, Mr. Lawrence? Poor man, tell him to take it easy;
I shall never trouble him again. Are you ever lonely in the
midst of your grandeur? Do you ever feel that, after all, these
people are not of your blood and bone? I should like you to
quarrel with them, to know a day’s friendlessness or a day’s
freedom, so that you might remember that here in New York, in a
dusty iron-yard, there is a poor devil who is your natural
protector.