The hour before dawn, when "deep sleep falls upon
men," found the whole household wrapped in that
slumber which was the natural outcome of an anxious
and exciting day. But the quick loud bark of an
angry dog, subsiding into a sustained suspicious growl,
and joined to a woman's scream from the camp of
their native adherents, told Cyril Summers that the
enemy was at hand. A confused murmur of voices,
the trampling of feet, with the ordinary indefinable
accompaniments of a body of men, aroused the sleepers
with startling suddenness.
Mrs. Summers and Hypatia, like women on a
sinking ship, displayed unwonted courage. Dressing
themselves and the wondering children in haste, they
joined Mr. Summers in the living-room of the cottage
at the same moment that it was filled by an excited
crowd of the wildest natives which any of the party
had ever seen.
The leader, a ferocious-looking Maori, whom Mr.
Summers had no difficulty in recognizing as Kereopa,
advanced with threatening air towards him; but, seeing
that the missionary had no weapon, nor apparently
the wish or means to defend himself, he halted
abruptly. Behind him stood a crowd of natives, the
greater part of whom had advanced into the room,
while others could be seen through the open door
between the cottage and the outbuildings. Looking
more closely in order to discover if by chance
there were among them any of his former servants,
Mr. Summers saw, to his horror and disgust, a white
man. This renegade, dead to every feeling of manhood,
a deserter from his regiment, was one of those
abandoned wretches to be found in all new countries,
who, associating with savages, encourage them in
outrage and rapine. Outcasts from their race, aware
that a speedy death by bullet or halter awaits them
on capture, they have always been noted as the most
remorseless foes of their own people.
Feeling, however, that by interrogating the man
he might procure more accurate information than from
the dangerously excited chief and his followers, he
addressed him.
"What is the meaning of this intrusion at this hour?
Ask Kereopa if he has not made some mistake."
The renegade, apparently pleased at being civilly
addressed, translated the question, and repeated it to
the chief, who in a loud and threatening voice replied—
"Tell the Mikonaree that I, a prophet of the
Pai Marire, have received authority from the angel
Gabriel to kill or take into captivity all the pakehas,
with their wives and daughters, as did the Israelites
with the Amalekites."
"Have I ever done you harm? Have I not taught
your people to grow the bread-grain, the potato, the
vegetables on which they grow strong and healthy?"
"What have you done—what have the white men
done?" shouted the wild-eyed chief, now working
himself into an insane fury. "You have taught us
your prayers and stolen our lands. You have given
us the grain and taken the fields. Where are our
brothers, our sons, our chiefs? Slain by your soldiers,
after robbing them of their lands—even Waitara and
Tataraimaka. They are cold in the ground on which
they planted and feasted, but which now only serves
them for graves."
"Surely you would not kill people with no arms
in their hands. Which of our missionaries has ever
fired a gun even in defence of his life?"
"The priests of your people do not fight, but
they act as spies; they have betrayed our plans to
the pakeha general. They will all be killed, like
Volkner, to show the world that we shall have no
spies, no false prophets, no priests of Baal, amongst
us. Prepare to die, even as Volkner died, whose
head, with that of the pakeha Boyd, is with us. Let
their hands be tied."
At once several eager warriors sprang forward, by
whom the women and the missionary were seized.
Their hands were bound behind them with strips of
the native flax, which effectively rendered them
helpless captives.
"You will die when the sun goes down," he said,
indicating Cyril Summers. "Call on your God to
help you. The rope is ready, and the tree on which
you will hang, as did Volkner. But all are not here.
Where is the wounded pakeha, and the Ngapuhi girl
Erena?"
"They have gone; they went yesterday."
"Which path was theirs? If you deceive me, great
suffering will be yours before you die."
"They went into the forest; that is all I can say.
The God in whom I trust will save me from cruelty
at your hands."
A native at this time said some words in the
Maori tongue which seemed for the time to allay the
wrath of the raging wild beast into which Kereopa
was transformed.
"It is well. Their tracks will be found; Ngarara
is a keen hunter when the prey is near. He is
pursuing the Ngapuhi girl Erena, whose heart the
pakeha soldier has stolen from him. He will cut his
heart out of his breast and eat it before her eyes. I
will give her to him for a slave. All the pakeha
women shall be slaves to the men of the Pai Marire
when the day of deliverance shall come. Hau-Hau,
Hau-Hau, Hau-Hau!"
Here the countenance of the half-insane savage
became changed into the likeness of a ferocious beast,
as he yelled out the war-cry of the sect, which was
immediately caught up and re-echoed, dog-like, by
every individual in the maniacal crowd. With eyes
almost reversed in their sockets, with tongue protruding,
with the foam flying from his lips, and every
human feature lost in the bestial transformation, he
resembled less a human being than a monstrous
demon from the lowest pit of Acheron.
Mrs. Summers fainted, the children screamed
piteously, and Cyril made one step forward, as if,
even with his fettered hands, he essayed to do battle
with the destroying fiend. He was immediately seized
by two powerful natives, who had been standing near
him, and forced back to his former position. Realizing
his utter helplessness, he groaned aloud as he
saw Hypatia bending over his wife's drooping form,
while she adjured her to preserve her presence of
mind for the sake of the terrified children and her
unhappy husband.
"We shall need all our strength to carry us through
this ordeal," she said. "We need it for prayer and
faith, which, even in this dark hour, will save us."
As she spoke, the brave spirit of the devoted wife
and mother recalled her to life and consciousness. She
gazed on the strange surroundings of their once peaceful
home, and after giving vent to her emotions in one
wild burst of tears, resumed her efforts at composure.
Fortunately for the overwrought feelings of the
captives, a diversion at this critical moment was
effected through an unusual noise beginning among
the natives clustered beyond and around the open
door. A cry, whether of warning or triumph, came
from the forest path; gradually it swelled into greater
distinctness, until it resolved itself into the well-known
shout of triumph which proclaimed the capture of an
enemy of note. It was then seen, by the full dawn
light now breaking through the masses of gloom, to
proceed from a body of men emerging from the
forest. The leaders of the party were dancing and
singing with an exuberance which betokened victory
and triumph. When the whole body debouched from
the wood, it was seen to have in its midst a litter
borne by four men, beside whom walked a girl with
haughty and defiant mien. She looked more like a
barbaric queen than a captive taken in war, as her
fettered wrists showed her to be. Her attendants had
been similarly treated, with the exception of the
bearers, who were so closely surrounded that their
escape had been considered improbable. By the time
they had reached the open space behind the cottage,
the whole party, including Kereopa, had quitted
the room, and joined in the tremendous volume of
triumphant yells and cries which rent the air.
"Let the pakeha wahine come forth and look upon
their friends," said Kereopa, with devilish malice.
"They will see how the prophets of the Pai Marire
obey the message of the angels, how the sword of the
Lord and Gideon is made sharp for the evil-doer, and
how the convert from the Ngapuhi is rewarded in the
hour of victory."
Fearful of further violence, Cyril Summers had
partially supported his wife, followed by the shuddering
children, to the porch, around which in happier days
he had pleased himself with training a clematis.
Hypatia stepped forward with wide eyes, as expectant
of instant tragedy. Almost unheeding of her own
danger, and the fearful position in which all were
placed, she could not repress her interest in Massinger,
as with almost equal eagerness she looked at Erena.
He lay back on the rude pillow which had been
placed below his head, deathly pale, and only exhibiting
consciousness through his heaving breast and
the movements of his eyes. But when she turned her
gaze upon the dauntless form of Erena Mannering,
all womanly jealousy was obliterated by the glow of
admiration which the girl's regal bearing and fearless
spirit evoked in her. She moved among the fierce
crowd of half-doubtful, half-bloodthirsty Hau-Haus
with the air of a princess among pariahs. Upon those
who pressed closely to her side she from time to time
bestowed a glance of scorn and menace, accompanied
by a few words in their own tongue, from which they
shrank as from a missile. Her eyes blazed as they
were turned upon Kereopa, who with sneering smile
approached her, pointing to the half-inanimate form
of Massinger.
"The pakeha is sick; the pakeha is tired," he
said with affected regret. "It is wrong that he was
carried so far. His wound must be unhealed. The
Pai Marire grieve. He will not stand the fire well,
tomorrow. There will be a haka too, in honour of
Ngarara's marriage, which he must first witness."
"Dog of the Hau-Haus!" said the indignant
maiden, with all the scorn and wrath of a line of
chiefs shining from her storm-litten eyes. "Speak
you to a war-chief's daughter of the Ngapuhi as to a
slave-woman? What false tohunga have ye, that
thy doom and that of thy herd of swine is concealed
from thee? See thy future fate, as in that darkening
cloud, coming nearer and yet nearer!" As she
spoke, she pointed to a thunder-cloud which, after the
mists of the morning, had gathered size and volume,
and was now moving with the course of the dawn-wind
towards them. Such was the majesty of her
mien, such the tragic earnestness of her tones, as she
stood, like a priestess of old, denouncing wrong and
oppression, that the crowd, deeply superstitious as is
the race, turned instinctively towards the approaching
phenomenon; and when the thunder rolled, and the
jagged fire-stream issued from the ebon, a shuddering
sound was audible, which showed how deeply fear of
the supernatural was rooted in the native mind.
"Behold!" said the fearless, inspired maiden, as she
raised her hand and pointed to the sky, "the Atua
of the Storm has spoken! Beware how you touch a
hair of our heads. Shed the blood of these pakehas,
who have never done your nation aught but good, who
are now helpless in your hands—torture this sick
soldier—and not a man here will be alive when the
moon is dark!"
As Erena uttered the words of doom, she paused
for a moment, while the audience gazed around, as if
waiting for some physical manifestation in answer to
her words. Kereopa preserved his expression of
malicious unbelief, as though willing to torment his
captives with all the dreadful uncertainty which might
comport with a treacherous delay. Glancing at him
for a moment with unutterable scorn, she left her
position, and, moving to the side of the litter, gazed
into the face of the sick man with anxious tenderness.
But it was evident that the natives generally had
attached more meaning to her words than could have
been expected. She had stirred their blood and
aroused their superstitious fears. This killing of
pakehas, except in fair fight, had always been regarded
as unlucky. Terrible penalties had been exacted,
even when the offence in war-time had seemed to
them trifling and unimportant. Then, this Erena
Mannering was the daughter of a man more fierce
and implacable even than their own warriors—a war-chief
of the Ngapuhi, and as such likely to exact a
memorable revenge. The Pai Marire was only of
recent date. There were even now rival seers and
prophets, as in the case of Parata, who withstood
Kereopa, and had bitterly reproached him for the
barbarous murder of the missionary Volkner. There
was a movement of doubt and opposition afoot, which
was evidently strengthened, as an aged warrior came
forward and addressed the natives.
"Men of the Pai Marire," he said, "let us beware
of going too far in this matter, lest we offend a more
powerful Atua than those of the Hau-Haus, whom we
knew of but a short while since. If we kill the
soldiers of the pakehas, who have killed our sons and
brothers"—here the old man's features worked convulsively—"taken
our lands, and burned our kaingas,
that is just, that is utu. But to kill the Mikonaree,
who fights not with guns or swords, who teaches the
children the pukapuka, who heals the sick and
feeds the hungry, that is not tika. The Atua of the
Storm has spoken." Here another volley of heaven's
artillery shook the air, as the lightning played in
menacing proximity to the disturbed and upturned
faces of his hearers. "Beware lest worse things than
the slaughter of chiefs at Te Ranga happen to us."
A strong feeling of indecision was now apparent in
the excited crowd, who but an hour since were eager
for blood and flames, the death of the men, the leading
into captivity of the women and children. It is
possible that the mass vote of the Hau-Haus would
have gone against Kereopa, who was not an hereditary
chief of importance, only an obscure individual,
lifted by superior cunning and energy to power in
disturbed times. But at that moment the malignant
face of Ngarara was seen to emerge from among the
last arrivals, and his voice was heard.
"Men of the Pai Marire, listen not to the words
of age and fear! He speaks the words of the pakehas
and their lying priests. The prophets of the Pai Marire
have foretold that the Hau-Haus are to rule the land,
to drive the pakeha into the sea, whence in an evil
hour they came, to inhabit their towns, and to take their
wives and daughters as slaves. Even now, the Ngatitoa
are marching to Omata, whence they will capture
Taranaki with all the pakeha's treasure. It has been
foretold that the Pai Marire shall increase as the sands
of the sea, that all the tribes shall join from the
Hokianga to Korararika. I have left the Ngapuhi
to follow the Pai Marire, and I know that the tribe,
except a few old men, have resolved to abandon Waka
Nene and his pakeha friends, and to give the young
chiefs authority to lead. You have but to join the march
to Waikato, and the land of Maui is yours again."
"You have well spoken," shouted Kereopa, whose
fierce visage was now aflame with wrath, and the half-insane
gleam of whose eyes told of that fanatical
ecstasy which is akin to demoniacal possession. "The
land will be ours, the pakeha's treasures shall be
ours; his women shall work in our fields and carry
burdens, even as the women of the South were wont
to do after our raids. Place the head on the niu,
and let the war-dance begin. The angel has again
spoken to me, and I am commanded to cause the
sword of the Lord and Gideon to be reddened with
the blood of the Amorites."
Then commenced a scene of savage triumph,
appalling, revolting, almost beyond the power of words
to describe. The fury of the excited natives appeared
to have transformed them into the brutish presentments
of the herd of animals which surrounded the
fabled enchantress. The head of the unfortunate
Captain Boyd, raised on a pole planted in the ground,
was surrounded by a yelling mass dancing around it,
with fiendish gestures of rage and derision. All
likeness of manhood seemed obliterated, and the
ancient world would seem to have been reproduced,
with a company of anthropoids devoid of human
speech, and capable only of the purely animal expression
of the baser passions.
What the feelings of the forlorn captives were,
thus delivered into the hands of the most remorseless
foes of their race, can scarcely be imagined or described.
They deemed themselves at that moment
to be abandoned by man, forgotten of God. A
dreadful death, horrors unspeakable, degradation
irrevocable, awaited them. Like a fated crew awaiting
their doom upon a sinking ship, all sensation was
perhaps deadened, absorbed in despairing expectation
of the last agony immediately preceding death.
The Christians summoned from their cells to the
arena in the reign of Nero must have had like
experiences. Alike the agony of despair, the doubt
of Eternal Justice, the shrinking of the frail flesh
about to be delivered to the hungry beasts of prey, the
torturing flame, the gloating regard of the pitiless populace.
All these were apparently to be their portion
in this so-called civilized century, this boasted age of
light, of freedom, of art, and intellectual environment.
Similar thoughts may have passed through the
mind of Hypatia Tollemache, as she recalled her
classical studies, and saw the blood-soaked arena of the
Roman amphitheatre before her, of which the essential
features were now in rude and grotesque presentment.
And had it all come to this? Was all the labour,
the self-denial, the toilsome day, the weary night, the
exile, the home-sickness, but to end thus? Not for
herself did she mourn, perhaps, so much; not for the
warrior maid, whose high courage and inherited traditions
enabled her to defy insult and brave death.
They had courted the danger and must now pay the
price. With Massinger, too, his chief regret would be
that he could not stand in the ranks as at Rangariri
and Orakau, dealing death around, and fighting breast
to breast with the ruthless foe. And though death
by tortures, dreadful and protracted, such as all had
heard of in old Maori wars (and it was whispered around
camp-fires was not wholly obsolete), was gruesome and
unnatural, still it was, in a rude sense, the payment
lawfully exacted by the victors. But for these mild
and gentle teachers of the Word, who had, for nearly
a decade, wearied every faculty of mind and body in
the service of their heathen destroyers, it was indeed a
hard and cruel fate. She saw, in imagination, Cyril
Summers dragged to the fatal tree, with the rope
around his neck, as was that steadfast servant of the
Lord, Carl Volkner. She saw the ashen face and
stricken limbs of Mary Summers, as, all-expectant of
her own and her children's fate, she would witness the
death and mutilation of her beloved partner. What
was the mercy, the justice, of that Supreme Being to
whom they had bowed the knee in prayer since infancy,
where was an overruling Providence, if this tragedy was
permitted to be played out to the last dreadful scene?
Where, alas! could one turn for aid or consolation?
Such thoughts went coursing through her brain,
mingled with such curious and even trifling observation,
unconsciously made, as during the fast-fleeting
moments of life have often been noted to occupy the
mind. She looked mechanically at the war-dance
still being performed by the exulting savages, varied
by the devilish rites, if such they could be called,
performed around the dead officer's head, which with
awful eyes appeared to stare down upon the unholy
crew. Cyril Summers and his wife were kneeling in
prayer; the children, having exhausted themselves in
weeping, were examining the débris of their household
gods. Hypatia herself, with her masses of bright hair
thrown back from her face, and carelessly tied in a
knot behind her head, was leaning against the doorsill,
in position not unlike the Christian maiden in a
great picture, where each martyr is bound to a pillar
in the amphitheatre, when she saw Erena move more
closely to Massinger's couch and whisper in his ear.
The Maori guard was temporarily occupied, as an
expert, in noting the evolutions of the war-dance, and
had relaxed his watch. The sick man lay motionless,
but the languid eyes opened; a gleam of hope—or was
it the fire of despair?—was visible, with a slight change
of expression.
"She knows something; she has told him," thought
Hypatia, as she moved cautiously but slowly, and very
warily, within hearing.
At this time the supreme saltatory expression of
triumph was being enacted. The noise was deafening, so
that the clear tones of Erena's rich voice were audible.
"This is nearly the end of the war-dance; then
the murders and the torture will commence. The
torture will last all night; they will take out Roland
and tie him to a stake, cutting pieces of flesh from his
body. Poor fellow! there is not much on his bones. As
for us, we shall be carried away to the Uriwera country."
"You want to frighten me to death," said Hypatia.
"What dreadful things even to speak of! Can we
not kill ourselves? I never thought I should wish to
do that. I can now feel for others who have done so."
"They have prevented it. Our hands are tied.
There is no river here; no precipice, or we could
throw ourselves over, as our women have often done."
"You seem strangely indifferent, Erena. I cannot
think you heartless; but on the verge of death, or a
captivity infinitely worse, surely you cannot jest about
our position?"
"Far from it. My whole heart is quivering with
excitement and anxiety; for his life, which I value a
thousand times more than my own, is trembling in the
balance. But, after all, I do not really think these
dreadful things will come to pass."
"Why? What reason have you?"
"You remember that I came in late, the day after
our arrival—on the day when I wished to go on with
our journey?"
"Now I do remember. You looked as though you
had been a long way."
"I had indeed. I went back on our tracks very
nearly as far as the cave where Roland lay concealed,
when we brought him away from the Gate Pah. I
thought I might meet some of my father's people, who
would have made short work of these bloodthirsty
Hau-Haus. But he had gone off towards Opotiki, as
a report had come of another rising. But luckily I
met some one, and it will go far to save our lives."
"Who was it?" asked Hypatia, breathlessly.
"It was Winiata. He had heard of these Hau-Haus
being on the march, and that Ngarara had
persuaded Kereopa to follow us up."
"And what aid did he give you?"
"Merely this—that a body of Ngatiporu were
following up this taua, led by the most dreaded
warrior in all New Zealand, Ropata Waha Waha."
At the mention of this name, so well known
throughout the length and breadth of New Zealand—
"In close fight a champion grim,
In camps a leader sage"—
Hypatia could hardly repress a cry of joy.
"Then perhaps we may be saved, after all."
"If he comes in time; and God grant he may. He
should be very close now. And I know Winiata will
travel without rest or food till he strikes his trail.
And yet I have a foreboding that one of us will die.
So said the tohunga, whose words never failed yet. I
cannot shake off the feeling."
"You have overworked yourself," said Hypatia.
"You can have had little rest, food, or sleep since you
left yesterday. It is the result of fatigue and anxiety."
"Anxiety has too often been my lot," said the girl,
with a deep accent of sadness. "But fatigue I never
felt yet. These wretches are spinning out their dance.
They had better make the most of it. If all goes
well, it is the last some of them will ever join in.
Now, listen! Do you hear nothing?"
Hypatia bent her ear towards the forest, and
listened with all the eagerness which the situation
demanded. A faint murmur once, and once only,
made itself audible.
"It is the sound of the breeze among the pines,"
said she at length.
"Listen again! Do you hear nothing?"
"Only a far-off sound like the rippling of the river.
Once I thought I heard the trampling of feet; but it
must be a mistake."
"It is no mistake," said Erena. "I hear the steady
tramp of a large body of men; and so would these
fools, if they were not too much occupied with their
absurd dance, which they intend to finish up with
blood. And so it will; but not as they think."
The war-dance, with its stamps and roars, its
shuddering hisses and accurate evolutions as if of one
man, was drawing to a close. Already one of the
foremost warriors, at a sign from Kereopa, had placed
a rope round the neck of Cyril Summers, who had
commenced in a final prayer to commend his soul
and his loved ones to the protection of their Maker,
when a shout from a number of unknown voices made
the forest ring, and caused the crowd of Hau-Haus
to turn their faces in that direction. At the same
moment a close and well-directed volley was poured
in, which laid fully one-half of them low, and wounded
a much larger number. Then a man stalked calmly
forward, sword in hand, whose sudden apparition
created as much consternation among the Hau-Haus
as if he had been a Destroying Angel specially
commissioned for their extirpation. One look at the
stern features and martial form of him who stood
calm and unmoved amid the pattering hail of bullets,
with which the Hau-Haus strove to return the fire,
was sufficient for most of the Pai Marire. With a
wild cry of "Ropata Waha Waha!" which came
tremulously from their lips, they fled in all directions
in a state of the most abject terror. And well might
they or other rebels take panic at the sight of him who
stood exposed to danger, both from friends and foes,
as though the thick-flying bullets were thistledown.
The hostile tribes were fully of opinion that he
bore a charmed life, that no shot had power to harm
him, probably in consequence of Satanic influence.
Hence his sobriquet of Waha Waha was strangely
suggestive of an unholy alliance between the Prince
of Darkness and the cool strategist and remorseless
warrior, to whom fear and mercy were alike unknown.
A target for the best marksmen in a hundred fights,
himself chiefly unarmed, he had never received a
wound or spared an enemy. As he stood there, with
an expression of scorn and concentrated rage upon
his expressive features, with dripping sword and
blazing eyes, he might well have stood for a portrait
of an avenging angel, or indeed Azrael, the minister
of Death, in all his lurid majesty.
Kereopa and his principal followers, who had fled
at the first onset, probably thought that they had a
fair chance of escape. But Ropata, with his usual
astuteness, had formed a cordon around the Hau-Hau
band, into which the surprised natives ran, only
to find themselves shot down or captured. Among
the latter were eleven members of his own tribe, the
Aowera. Of these he proceeded to make an example
upon the spot. Calling them out of the group of
captives by name, he thus addressed them—
"You are about to die. I do not kill you because
you are found in arms against the pakehas. But I
forbade you to join the Hau-Haus. You have disobeyed
me; you must now pay the penalty."
Having revolvers handed to him, he then shot
every man with his own hand.
"Bring forward the deserter."
The soldier, a man of the 57th, bound and helpless,
was then led up.
"You," he said, addressing the renegade, "are a
disgrace to your regiment and to your country. You
are said to have shot two of your own officers in
battle. You have helped these natives to commit
crimes which are a thousand times worse than open
war. You will kill no pakehas or natives after today."
With the instinct of a born leader, Ropata had
taken in the various points of the situation at a glance,
and issued his orders with the promptitude which
the crucial moment demanded.
"Release the pakehas. Kill that Hau-Hau dog
holding the rope, and hang up the deserter with it;
he is not worthy of a soldier's death. Bind that
Ngapuhi; he shall answer to his own chief."
These orders, coming from a man who rarely had
occasion to speak twice, were obeyed on the instant.
The amateur executioner was tomahawked before his
surprise permitted him to drop the rope. Cyril
Summers was freed, and the deserter was run up to
the branch of the willow tree destined for his martyrdom.
The cords which bound Erena and her attendants
were loosed by willing hands, the men and even the
women promptly possessing themselves of weapons
from their dead captors.
Ngarara's countenance, when he saw himself at once
baulked of his revenge and cheated of his prey, was
a study of all the evil passions which degrade the
human race to the level of the brute. Such is the
phrase, unfair indeed to the animal creation, which,
however unsparing in its allotted course of action, is
never guilty of the calculated cruelty of la bête
humaine. For one moment he stood indifferent to
his coming fate as Ropata himself; then, drawing his
revolver, fired point-blank at Massinger, who had raised
himself to a sitting posture with Erena's assistance, and
was watching the conflict with an eagerness which
betokened a partial renewal of strength. As he raised
the weapon Erena flung herself before her lover, with
an instinctive movement of protection. Passing her
right arm around his neck, she lowered him to his
pillow, with all the heroic tenderness which from time
immemorial has characterized the woman as nurse and
ministering angel. With a grin of fiendish malice
Ngarara parried the tomahawk blow aimed at him by
a blood-bespattered Aowera, and, eluding his clutch,
dashed into the forest and disappeared.
The fray was over. The Hau-Hau prisoners were
securely bound. Sullen and despairing, they stood
in a circle on the spot where their war-dance and the
Pai Marire rites had been performed. The derision
of their captors was openly expressed. The bodies
of their comrades and relations lay around in all the
hideous abandon of the death-agony. From the tall
pole the head of the ill-fated soldier still stared with
eyeless sockets and bared teeth on the ghastly scene—it
might have been fancied with grim triumph and
exultation; while from the willow tree dangled the
corpse of the deserter, an unconscious witness, where
he had so lately posed as an actor.
As if the dreadful spectacle had a fascination
which they could not resist, or that their miraculous
deliverance had rendered them incapable of connected
thought, the destined victims had remained almost in
their positions taken up previous to the arrival of
Ropata and his contingent.
Mrs. Summers had sunk down on a sofa which
had been dislodged from its position, with her children,
wondering and tearful, beside her. The female attendants
of Erena were clustered around their mistress.
Cyril Summers, over whom the bitterness of death
had passed, stood by his wife, gazing with awe-struck
eyes into the distance, while his moving lips from
time to time gave token that he was returning thanks
to that Almighty Being to whom he had appealed
in his darkest hour. While Hypatia, wrapped in a
world of strange and awful phantasy, still stood by
the outer entrance of the porch, looking straight in
front of her, at this weird melodrama of human life,
in which the reality so often transcends the unrealities
of the "fantastic realm."
Erena and Roland Massinger had preserved their
position unaltered, except that, from one of support,
the girl gradually sank forward, until her head rested
on her lover's breast. A cry from one of the Maori
girls arrested the attention of all. Hypatia, roused
from her trance, rushed over to find two of them
raising Erena from her reclining position, with looks
of alarm, while the arterial blood which welled up
from her bosom told of a mortal wound. Massinger's
death-pale countenance, stained with blood, as were
the coverings of his couch, seemed to denote that
these lovers, thrown together by such fortuitous circumstances
in life, were fated to be undivided in death.
Though Massinger was unwounded by the bullet
which, aimed with fatal accuracy, had pierced the
bosom of Erena, his situation was most critical. For
her there was no hope. The lung had been perforated;
the laboured breathing showed but too truly that
death was imminent. In Massinger's case the appearances
were hardly more promising. The rude treatment
to which he had been subjected after his capture
had caused the partly healed wound to break out
afresh. He was rapidly approaching the state of
mortal weakness to which Erena was succumbing.
Such was only too probable; but Cyril Summers,
who had gone through a course of instruction in
surgery, was enabled to stop his bleeding, and to
afford temporary relief to Erena.
Massinger at first resented the proffered aid.
"Why trouble me?" he said resentfully. "She has
given her life to save mine; it were base of me to
survive her at such a cost. Let us die together. My life
belongs to her, who has now saved it for the third time."
"Then it is mine to dispose of," came the answer,
in her low rich tones. "I die happy, since you are
saved. If the bullet of Ngarara had found your
breast instead of mine, I would have followed you to
the spirit-land. You do not doubt that—oh, my
darling—my own beloved! The sun would not have
gone down before I should have commenced my
journey to the reinga."
"Erena," said Massinger, "have I ever doubted
your love, true alike in life and the dark realm, to
which we are hastening?"
"Raise me," she said, "that I may see his face
once more. My eyes are darkening. Oh, my beloved!"—and
her soft voice faltered, and became hollow and
inexpressibly mournful—"I have loved you with every
fibre of my being, with every motion of my heart!
The pakeha girl loves you also, though she cared not
to own it, in her own land. She will live for you in
the days that are to come—days of peace and happiness,
now that the war is over. Would she die for
you as I have done? Yes; for she is noble, she is
true. She would have scorned to take your love from
poor Erena, even had you offered it. Her soul lay open
to me—and yours. You were true to your word. She
was too proud to steal your heart from the poor Maori
girl. And now, farewell—farewell for ever—oh, my
loved one! I die happy. I have given my life for yours—what
does a daughter of the Ngapuhi wish more?"
She leaned forward and hid her head on the
breast of her lover, while her long black tresses flowed
over his pillow, as her arms strained him to that
faithful bosom, still warm with the heart's purest feelings.
Reverently the little group of spectators gazed
on the dying girl. Sobs and lamentations came from
the women of her own race, while tears flowed fast
from the eyes of Mary Summers and Hypatia.
Raising herself for a moment, she motioned to
Hypatia to come nearer. Her dark eyes glowed with
transient light as she kissed her hand; then laying it
in that of Massinger, she whispered—
"He is yours now. May all happiness befall you!
Yet forget not—oh! forget not—poor Erena."
A deep sigh followed the last words. Her head
fell back; the hand which Massinger and Hypatia
held was pulseless. The faithful spirit of the nymph
of the wood and stream, the fabled Oread of the old-world
poets, had passed away.
The tragedy at Oropi, so nearly completed, might
have been averted, but for an unlucky accidental
circumstance, the occurrence of which embittered the
remainder of Allister Mannering's life. And yet he
could not wholly abandon himself to self-accusation
and ceaseless regrets, inasmuch as he had quitted
the trail on which, as the avenger of blood, he was
pursuing the Hau-Hau band, in order to save the
lives of innocent and helpless people.
He, indeed, with his contingent, would have
arrived at Oropi on the same day as Ropata, or,
perhaps, earlier. He would then have been able to
prevent the preliminary sufferings of the missionary
household, and could have ensured the safety of his
beloved daughter and only child. The cause of his
leaving the direct track to the mission station of Cyril
Summers was sufficiently imperative—such as, indeed,
no man of ordinary humanity could disregard.
A panting messenger, speeding along the track from
Whakatane, arrived with the news that another band
of Hau-Haus had killed the crew of the Jane schooner
at Opotiki, had murdered Mr. Fulloon, and captured
the Reverend Mr. Grace, whom there was every reason
to believe they intended to murder.
It was not known to Mannering at this time that
there was any likelihood of Kereopa's band being in
near proximity to Erena and her wounded charge.
By ordinary computation she should have reached
Tauranga several days before that bloodthirsty fanatic
could have overtaken her party. Cyril Summers and
his household, having been warned by the bishop, would
probably have moved into one of the coast settlements.
Thus one danger was contingent, the other was a
pressing and instant summons. Life and death were
in the decision. Murder and outrage, perhaps, even
now, had taken place. The full complement of horrors
could only be averted by a forced march and the
sudden appearance of his hapu upon the scene.
"Angel of God was there none" to whisper that
loved daughter's name, darling of his heart, apple of
his eye, that she was? Was there no mysterious spirit-warning
such as, if tales be true, has often, through
invisible sympathetic chords, eliminated time and
space? Did not the traditional second sight, inherited
from Highland ancestors, and of which he and Erena
claimed their portion, prove faithful in that dread
hour? Long afterwards—in years when he could talk
calmly of his loss, dwell upon her courage, her beauty,
and extol her intellectual range—he confessed to his
closest friend and comrade that he had felt, from the
time he turned aside to Opotiki, an overshadowing,
inexplicable gloom and despondency. He was convinced
in his own mind that (as he said) some dreadful
deed had taken place, or was even then about to
happen. Therefore he was hardly surprised, after
hours of feverishly fast travelling, to find Mr. Volkner's
mutilated corse beneath the willow tree which he had
himself planted. Mr. Grace, after being in hourly expectation
of a violent death, had been rescued by Captain
Levy, one of the survivors of the crew of the Jane,
and put on board H.M.S. Eclipse, Captain Fremantle.
Burning with wrath, and maddened with the doubt
as to whether Erena and Massinger might not even
yet be within the region traversed by the Hau-Hau
scouts, Mannering made a forced march, halting
neither by day nor night, rendered still more furious
and despairing by the freshness of the trail, leading
straight for the Oropi mission station. Kereopa had
sworn, as rumour had it, that he would kill the third
Mikonaree pakeha and carry off his wife and children
as a prey, before proceeding to join the Kingites in
the sack and plunder of Auckland.
It was midnight when the mission was reached.
An unwonted stillness reigned; no dog barked, no
voice was heard from the native camp—an unusual
state of things within his experience, the wakeful
Maori being always ready for converse at any hour
of the night. The mission house itself was partially
closed only, but silent and deserted. The trim garden
was trampled over. The shrubs and fruit trees had
been broken down. The keen eyes of the Maoris
discerned a spot where the ground had been disturbed.
A short search exhumed more than one body, on
which bullet and tomahawk had written the history
of the engagement. The furniture in some rooms
was intact, in others recklessly broken up. A handkerchief,
a shoe, a neck-ribbon, told of recent occupation.
One article of female Maori headgear, a plume
of the beautiful huia, the distracted parent recognized
as an ornament of Erena's.
Meanwhile, like questing hounds, the Ngapuhi
warriors traversed the surrounding thickets with all the
keenness of a savage race. Imprints and signs, so faint
as to be almost invisible to the white man, told all too
plainly to them the history of the occupation of the
Hau-Haus, the arrival of Ropata and his men, the fight
(if such it could be called) and finally the departure of
the whole party, including the family, the victorious contingent,
and the prisoners, in full march for Tauranga.
Hoping against hope, yet with a cruel doubt
eating at his heart, Mannering sat with his head
between his hands for a stricken hour, before he
gave orders for his troop to be in readiness to march,
when the Southern Cross pointed towards dawn.
Long before the stars had paled, he strode fast and
eagerly at the head of his faithful band, on the well-marked
Tauranga track.
It was past midday when they arrived. The place
was astir, the streets were filled. There was murmur
of voices, and that indescribable feeling in the air
as of woe, or death imminent. Such was the conviction
which smote the strong soul of Allister Mannering
as, with his warriors ranked in battle line, he
joined the throng, evidently converging towards a
lofty cliff, which reared itself above the harbour.
An enclosure in which shrubs were in luxuriant
growth now came into view, and marble columns
showed themselves amid the dark green foliage. It
was the cemetery.
The truth flashed across him. He had been afraid
to ask. Was it, could it be, the funeral procession
of his darling daughter—of Erena, the bright, beautiful,
fearless maiden, whom he had so lately seen in the
pride of her stately maidenhood and joyous youth?
Lovely and beloved, was it possible that she could
be now, even now, before his haggard eyes, borne
to her tomb? He gazed on the little band of
mourning girls who carried the flower-decked coffin.
The native attendants of the missionary family walked
behind with Mrs. Summers and Hypatia, while Cyril
Summers, in full canonicals, with another clergyman,
the army chaplain, preceded the cortége.
Behind them, again, came a company of the 43rd
with their officers, another of the 68th, and the Forest
Rangers, with Von Tempsky at their head. Also
Messrs. Slyde and Warwick, who had been granted
special leave for that day only by the army surgeon,
looking weak and pale after their enforced seclusion.
Then came the native allies, the Arawa, the
Ngapuhi, the Ngatiporu, all stern and warlike of
appearance, proud to do honour to the maiden whose
mother was of their race, with the blood of chiefs in
her veins, whose descent could be traced back to the
migration from Hawaiki.
Those who knew of the love, so deep, so passionate,
which subsisted between the daughter and the sire,
could partly realize the dull despair, the agonizing
grief, which filled his heart at the moment. But none
of the ordinary signs of sorrow betrayed the storm of
anguish, the volcanic wrath and stifled fury, which
raged within. His stern countenance preserved a
rigid and awful calm. His voice faltered not as, walking
forward when the cortége halted, he respectfully
made request that the coffin-lid should be raised.
"Let me look upon the face once more," he said,
"even in death, that I shall never see again on earth."
His request was granted. He stooped, and raising
the cerecloth, gazed long and fixedly on the face of
the dead girl. Then moving forward, he signed to the
clergyman to proceed with the service, remaining
uncovered until the last sad words were, with deepest
feeling, solemnly pronounced.
As the irrevocable words were spoken, and the
clay-cold form, which had held the fiery yet tender
soul of Erena Mannering, was lowered into the grave,
a tempest of sobs, cries, and wailing lamentation,
until then repressed, burst forth from the Maoris in
the great gathering. Then Mannering slowly turned
away, and after dismissing his following, accompanied
Mr. Summers. From him he learned the full particulars
of the Hau-Hau invasion—of their captivity,
their fearful anticipation of death by torture, the
sudden appearance of Ropata and his warriors, their
miraculous escape, and the death of Erena in the very
moment of deliverance.
"She gave her life to save that of the man she
loved," said Mannering. "Her mother, long years
since, did the same in my case. She is her true
daughter. It was her fate, and could not be evaded.
She had the foreknowledge, of which she spoke to me
more than once."
Roland Massinger, on the way to recovery, but too
weak for independent action, still lay in the military
hospital.
Mannering, as he stood beside his couch, and gazed
on his wasted features, looked, with his vast form and
foreign air, like some fabled genie of the Arabian tale.
"She is gone," said the sick man, as he raised himself
and held out the trembling fingers, which feebly
grasped the iron hand of his visitor—"she is gone; she
died in shielding me. I feel ashamed to be alive. I
cannot ask your pardon. I was the cause of her death."
The rigid features of the father relaxed, as he
watched the grief-worn countenance of the younger
man, and noted the sincerity and depth of his despairing
words.
"My boy," he said, "you have played your part
nobly, as did she; and you have, by a hair's breadth,
escaped being buried beside her this day. She died
for the man she loved, as only a daughter of her race
can love. There must be no feeling but affection and
respect between us. I mourned her mother as do you
her daughter. Poor darling Erena! Oh, my child—my
child!"
Mannering's freedom from ordinary human weakness
deserted him here. He threw himself on his
knees by the side of Massinger's bed, who then
witnessed a sight unseen before by living eyes—the
strong man's tears as he abandoned himself to unrestrained
grief. Sobs and muffled cries, groans and
lamentations of terrible intensity, shook his powerful
frame. Weakened by his wound, and compelled to
thus relieve his intolerable anguish, Roland Massinger's
tears flowed fast in unison, as for a brief interval they
mingled their sorrow. Then raising himself, and regaining
the impassive expression which his features, save in
familiar converse, ordinarily wore, the war-chief of the
Ngapuhi bade adieu to the man whom he had looked
forward to acknowledging with pride as the husband
of the darling of his heart, the idol of his latter years.
"Fate has willed it otherwise," he said. "You
may have happy years before you in your own land,
with perhaps a wife and children to perpetuate your
name and inherit your lands. I wish you such happiness
as I know she would have done. Her generous
heart would so will it, if she could speak its promptings
from 'the undiscovered country.' In her name,
and with her authority, knowing her inmost thoughts,
I say—May God bless you and prosper you in the
future path! In this life we shall meet no more."
Kereopa and Ngarara had escaped; but Ropata,
who had started as soon as he delivered up his Hau-Hau
prisoners, was hot on their trail. Kereopa, in
spite of his keen and eager pursuit, fled to the Uriwera
country, where he found shelter for a time, but led the
hunted life of the outcast until it suited his protectors
to betray him. Forwarded to Auckland, he was duly
tried, convicted, and hanged.
Ngarara had a shorter term of comparative freedom.
One morning, shortly after the attack on the mission,
a small party of the Aowera appeared at Whakarewarewa,
the main body of the tribe being encamped
on Lake Rotorua. A bound prisoner was in their
midst, on whose movements they kept watchful guard.
It was Ngarara! A sub-chief, having been apprised
of the capture, arrived with leading warriors. One
glance at his stern features assured the captive that
he had no mercy to expect. Contrary to Maori usage,
he did not disdain to beg for it.
"I tried to kill the pakeha," he said. "What
harm was there in that? He stole the heart of the
girl I loved; who, but for him and his cunning ways,
might have loved me. I would have given my life for
her. Other men have killed pakehas—Rewi, Rawiri,
even Te Oriori; why should I be the sacrifice?"
The chief listened with an air of disgust, but did
not deign to reply. Meanwhile an order had been
given, and the party marched on, taking the prisoner
with them, preserving a strict silence, which evidently
impressed him more deeply than any other treatment.
In about three hours they arrived at the mission
station of Ngae. Here a feeling of misgiving appeared
to arise in the captive's mind, and he muttered the
word "Tikitere" with an accent of inquiry. But no
man answered or took notice of his speech.
But when they reached that desolate and awful
valley, and saw the mud volcanoes and steaming springs
in furious motion, his courage failed him. He saw the
hissing, bubbling lakes separated by a narrow ridge,
aptly named the Gate of Hell, standing on which
the traveller shudders, while breathing sulphuretted
hydrogen and beholding the turbid waves on either
side—the while the tremulous soil suggests the
enormous power of the central fires, which at any time
might rend and ruin all around with earthquake shock
and suddenness.
He knew also, none better, of the dread blackness
of the inferno, in which the sombre billows of a tormented
sea of boiling mud are heaving and seething
continually.
As with careful steps his guards half dragged, half
carried him across the treacherous flat, seamed with
fissures, where death lay in wait for the heedless
stranger, he appeared to comprehend fully the fate
that awaited him. He yelled aloud and struggled so
wildly, even despite his bonds, that, at a motion of
Ropata's arm, two stalwart natives stepped forward to
the aid of their comrades as he neared the fatal abyss.
"Dog of a murderer, coward and slave besides," said
the chief, as, halting on the brink, the guards awaited
his signal—"a disgrace to the tribe which never was
known to flee! Did Erena show fear when the bullet
pierced her breast? Did the pakeha soldier shriek like
the night owl when thy traitor's bullet struck his back—his
back, I say, and he with thee in the same battle
against the Ngaiterangi at Peke-hina? Did the
pakeha girl, the white Rangatira, or the Mikonaree cry
for mercy when Kereopa was ready to commence the
torture? It is not fitting for thee to die the death of
a warrior or a soldier. A coward's death, a slave's, a
cur's, is thy only fitting end. Such, and no other, shalt
thou have." He motioned with his hand.
A yell which made the deeps and hollows resound
came from the unhappy wretch, as his captors lifted
him on high and raised him for a moment above the
Dantean abyss. As the miserable traitor fell from
their grasp, he seized in his teeth the mat (purere)
of the nearest man, who, but for the prompt action
of his comrade, might have been dragged with him
into the inferno. But that wary warrior, with lightning
quickness, struck such a blow on the nape of
his neck with the back of the tomahawk hanging to
his wrist with a leather thong, that he fell forward,
nerveless and quivering, into the hell cauldron
beneath. For one moment he emerged, with a face
expressive of unutterable anguish, madness, and
despair, then raising his fettered arms to the level of
his head, fell backward into the depths of the raging
and impure weaves.
"Tutua-kuri-mokai!" said the chief, as he gave
the signal for return, and sauntered carelessly homeward.
"He will cost nothing for burial. There are
others that are fitting themselves for the same place."
Cyril Summers with his family returned to England,
rightly judging that, in the present state of Maori
feeling, it was unfair to expose his wife to the risk of
a repetition of the horrors from which they had escaped.
Hypatia accompanied them, unwilling to forsake her
friend, whose state of health, weakened by their terrible
experiences, rendered her companionship indispensable.
On reaching England the Reverend Cyril was offered
an incumbency in the diocese of his beloved bishop,
now of Lichfield, in the peaceful performance of the
duties of which he has found rest for his troubled
spirit. His wife's health was completely re-established.
Without in any way derogating from the importance
of his work among the heathen, which, after having
reached so encouraging a stage, had been ruthlessly
arrested, he arrived at the conclusion that he had a
worthy and hardly less difficult task to perform in
the conversion of the heathen in the Black Country.
His bishop acknowledged privately with regret that
their savages, though not less truculent, were devoid of
many of the redeeming qualities of the Maori heathen.
Roland Massinger remained in New Zealand until
his health was thoroughly re-established, when, having
received the welcome intelligence that Mr. Hamon de
Massinger, an old bachelor and a distant relation, had
left him a very large fortune, he so far modified his
thirst for adventure and heroic colonization as to take
his passage to England, where his lawyers advised
that his presence was absolutely necessary.
Upon his arrival, he lost no time in visiting his
county and looking up his friends, who made a
tremendous hero of him, and would by no means
allow him to deny astonishing feats of valour performed
during the Maori war. He also discovered
that his Australian successor, though most popular
in the county, had become tired of the unrelieved
comfort and too pronounced absence of adventure
in English country life. The sport, the society, the
farming even, so restricted as to be minute in his eyes,
all had become uninteresting to the ex-pioneer, not
yet old enough to fall out of the ranks of England's
empire-makers. These considerations, coupled with
a fall in wool, and the rumour of a drought, widespread
and unprecedented in severity, decided Mr.
Lexington to return to the land of his birth.
His elder daughter had married satisfactorily, and
settled in the county. "She had," she averred, "no
ultra-patriotic longings. England, with an annual trip
to the Continent, was good enough for her. She doubted
whether George would care for Australia. Then there
was the dear baby, who was too young to travel. She
was truly sorry to part from her family, but as the
voyage was now only a matter of five weeks by the
P. and O. or the Messageries boats, she could come
out and see them every other year, at any rate."
As for the younger girl, she began to pine for the
plains and forests amid which her childhood had been
passed. England was a sort of fairyland, no doubt.
Climate lovely and cool, and the people kind and
charming; but somehow the old country—that is, the
new country—where they had been born and bred,
seemed to have prior claims. She would not be sorry
to see the South Head Lighthouse again and Sydney
Harbour.
The eldest son had gone more than a year ago.
He was very glad, he wrote, that he had done
so. One manager had become extravagant; another
had taken to drinking. Everybody seemed to think
that they (the family) had left Australia for good.
There was such a thing as the master's eye, without
doubt. Such had been his experience. He would
tell them more when he saw them.
One of the reasons which actuated Mr. Lexington,
a shrewd though liberal man in business matters, was
a dislike to paying the income-tax in two countries at
the same time. He could afford it, certainly, but it
struck him as wasteful, and in a measure unfair, to
make an Australian pay extravagantly for desiring to
live in the mother-land. Then, after assisting to enlarge
the empire abroad, the price of landed estates in
England had gone down seriously—was, indeed, going
down still. With a probability of a serious fall in values
in both hemispheres, it was better to part with his English
investment while he could get a purchaser for it, who,
like himself, was not disposed to stand upon trifles.
So it came to pass that, after a conference between
his own and the Massinger solicitors, Mr. Lexington
accepted the proposal to sell Massinger Court, with
the Hereford herd of high-bred cattle, hacks, hunters,
carriage-horses, vehicles, saddlery—indeed, everything
just as it stood. All these adjuncts to be taken at a
valuation, and added to the price of the estate, the
re-purchase of which by a member of the family was
what most probably, though his solicitor declined to
say, old Mr. Hamon de Massinger, the testator, had
in view all along.
The county was ridiculously overjoyed, as some
acidulated person said, that the rightful heir, so to
speak, was come to his own again. Independently
of such feeling, nowhere stronger than in English
county society, few localities but would feel a certain
satisfaction at the return of a county magnate—rich,
unmarried, and distinguished, as a man must always
be who has fought England's battles abroad, and shed
his blood in upholding her honour. Thus, although
the free-handed and unaffected Australian family was
heartily regretted, and "farewelled" with suitable
honours, the sentimental corner in all hearts responded
fervently to the news that the young squire had
returned to the home of his ancestors, and would
henceforth, as he declared at the tenants' enthusiastically
joyous reception, live among his own people.
Of course, all sorts of exaggerated versions of his
life in the far South prevailed. These comprised
prowess in war, hairbreadth escapes, wounds, and
captivity, the whole rounded off with a legend of
a beautiful native princess, who had brought him as
her dower a principality beneath the Southern Cross.
To these romantic rumours he paid no attention
whatever, refusing to be drawn, and giving the most
cursory answers to direct questions. But when, after
spending a quiet year on his estate, in the management
of which he took great interest, it was announced
that he was about to be married to the beautiful,
distinguished, fascinating, eccentric Hypatia Tollemache,
all the county was wildly excited. When the
event took place, the particulars of the quiet wedding
were read and re-read by every one in his own and
the adjacent counties.
Fresh tales and legends, however, continued to
be circulated. His first wife—for he had married
a beautiful Maori princess; at any rate, a chief's
daughter—was killed fighting by his side in a tribal
war. She was jealous of Miss Tollemache, and
had committed suicide. Not at all. Her father,
a great war-chief, disapproved of the union, and,
carrying her off, had immured her in his stronghold,
surrounded by a lake, which her despairing husband
could not cross. So she pined away and died. That
was the reason for his occasional fits of depression,
and his insensibility to the charms of the local belles.
He was obdurate with respect to giving information
as to the truth or otherwise of these interesting
narratives; indeed, so obviously unwilling to gratify
even the most natural curiosity, that at length even the
most hardened inquisitor gave up the task in despair.
The county had more reason for complaint when
it was further announced that Sir Roland and his
bride had left for the Continent immediately after the
wedding, whence they did not propose returning until
the near approach of Christmas-tide. Then such old-world
festivities as were still remembered by the
villagers in connection with former lords of the manor
would be conscientiously kept up, while the largesse
to the poor, which under the new régime had not by
any means fallen into disuse, would be disbursed with
exceptional profusion.
After the sale Mr. Lexington had been besought
to consult his own convenience, absolutely and unreservedly,
as to the time and manner of his departure.
The purchase-money having been received, and all
legal forms completed, he was to consider the house
and all things appertaining thereto at his service.
Messrs. Nourse and Lympett had instructions to take
delivery of the estate whenever it suited him to vacate
it. The Australian gentleman, having had much experience
in the sale and taking over of "stations" in
Australia—always regarded as a crucial test of liberality—was
heard to declare that never in his life had he
purchased and resold so extensive a property with so
little trouble, or concluded so considerable a transaction
with less friction or misunderstanding on either side.
And so, when the leaves in the woods around the
Chase had fallen, and the ancient oaks and elms were
arrayed in all their frost and snow jewellery, word
came that the squire with his bride were returning
from their extended tour. They would arrive on a
certain day, prepared to inhabit the old hall which
had sheltered in pride and power so many generations
of the race. Then the whole county went off its head,
and prepared for his home-coming. Such a demonstration
had not been heard of since Sir Hugo de
Massinger, constable of Chester, came home from the
wars in Wales after the death of Gwenwyn.
When the train drew up to the platform, such
a crowd was there that Hypatia looked forth with
amazement, wondering whether there was a contested
election, with the chairing of the successful candidate
imminent. Every man of note in the county was
there, from the Duke of Dunstanburgh to the last
created knight. Every tenant, every villager, with
their wives and daughters, sons and visitors; every
tradesman—in fact, every soul within walking, riding,
or driving distance—had turned up to do honour to
Sir Roland of the Court, who, after adventures by sea
and land, through war and bloodshed, had been
suffered, doubtless by the direct interposition of
Providence, to come to his own again.
As Sir Roland and his fair dame passed through
the crowd towards their chariot, it was quickly understood
what was to be the order of the day. The
horses were taken out, and a dozen willing hands
grasped the pole, preparatory to setting forth for the
Court, some three miles distant. Waving his hand
to request silence, the bridegroom said—
"My lord duke, ladies and gentlemen, and you
my good friends, who have known me from childhood,
I thank you from the bottom of my heart for the
welcome which you have given to me and my dear
wife on our return to our native country and the home
of my ancestors. My wife would thank you on her
part, if her heart was not too full. We trust that in
the future we may show by our lives, lived among
you, how deeply, how intensely, we appreciate your
generous welcome. At present I can say nothing
more, than to invite you, one and all, to accompany
us to the Court, to do us the honour to accept the
first hospitality we have been in a position to offer
since I left England."
Due notice had been given. Preparations had
been made on a scale of unprecedented magnitude.
A partial surprise awaited the wedded pair as the
carriage passed through the massive gates, above
which the triumphal arch seemed to have levied contributions
on half the evergreens in the park. The
heraldic beasts, each "a demi-Pegasus quarterly or in
gules," on the moss-grown pillars, were garlanded
with hot-house flowers, as also with the holly-bush and
berries appropriate to the season. Marquees had
been erected on the lawns, where all manner of meats,
from the lordly baron of beef to the humbler flitch of
bacon, were exhibited in such profusion as might lead
to the inference that a regiment had been billeted on
the village. It would not have been for the first time.
Cromwell's Ironsides had, indeed, tried demi-saker,
arblast, and culverin on the massive walls of the old
hall, without, however, much decisive effect. Hogsheads
of ale were there more than sufficient to wash down
the solid fare, for which the keen bright atmosphere
furnished suitable appetites.
The nobility and gentry were entertained in the
great dining-hall, where a déjeuner had been prepared,
thoroughly up to date, abounding in all modern
requirements. Champagne and claret flowed in
perennial abundance. The plate, both silver and
gold, heirlooms of the ancient house, had been brought
back from their resting-places. It was evident that
the whole thing—the cuisinerie, the decorations, the
waiters, the fruit, and flowers—had been sent down
from London days before; and as Sir Roland and
Hypatia took their places at the head of the table,
mirth and joyous converse commenced to ripple and
flow ceaselessly. Even the ancestral portraits seemed to
have acquired a glow of gratification as the lovely and
the brave, the gallant courtiers or the grim warriors,
looked down upon their descendant and his bride; on
those fortunate ones so lately restored to the pride and
power of their position—so lately in peril of losing these
historic possessions, and their lives at the same time.
Did Hypatia, as an expression of thoughtful retrospection
shaded her countenance momentarily, recall
another scene, scarcely two years since, when the
bridegroom, now rejoicing in the pride of manhood, lay
wounded, and a captive, helplessly awaiting an agonizing
death; herself in the power of maddened savages,
as was Cyril Summers with his wife and children?
Then the miraculous interposition—the fierce Ropata
sweeping away the rebel fanatics, with the fire of his
wrath! And she—alas! the faithful, the devoted
Erena, but for whose sacrificial tenderness Sir Roland
would not have been by her side today! What was
she, Hypatia, more than others, that such things should
have been done for her? The tears would rise to her
eyes, in spite of her efforts to compose her countenance,
as she looked on the joyous faces around. Mary
Summers and her husband sat in calm enjoyment of
the scene. Then, with a heartfelt inward prayer to
Him who had so disposed their fortunes to this happy
ending, she strove to mould her feelings to a mood
more in accordance with her present surroundings.
A change in the proceedings was at hand. The
Duke of Dunstanburgh, rising, besought his good
friends and neighbours to charge their glasses, and
to bear with him for a few moments, while he proposed
a toast which doubtless they had all anticipated.
His young friend, as he was proud to call him,
whose father he had known and loved, had this day
been restored to the seat of his ancestors, to the
ancient home of the De Massingers in their county.
He would but touch lightly on his adventures, by
flood and field, in that far land, to which he had
elected to find—er—an—outlet for his energy.
Danger had there been, as they all knew. Blood
had been shed. The lives of himself and his lovely
bride, who now shed lustre upon their gathering,
had trembled in the balance, when by an almost
miraculous interposition succour arrived. He would
not pursue the subject, with which painful memories
were interwoven. Enough to state that under all
circumstances, even the most desperate, Sir Roland
had maintained the honour of England, and had shed
his blood freely in defence of her time-honoured institutions.
(Tremendous cheering.) He had returned,
thank God! he would say in all sincerity, and was
now, with his bride, a lady who in all respects would
do honour to the county and the kingdom, placed in
possession of the hall of his ancestors. He was come—they
had his assurance—prepared to live and die
among them; among the friends of his youth, and
those older neighbours who, like the speaker, had
hunted and fished and shot with his father before
him. He was proud this day to give them the
toast of Sir Roland and Lady de Massinger—to
wish them long life and prosperity—and he was sure
he might add, in the name of the whole county, to
welcome them most heartily to their home.
When the cheering had subsided, taken up again
and again, as it was from the outer hall and even
from the lawn, by the tenants and villagers, who, if they
could not see, could at least judge by the storm of
voices as to the nature of the address which had called
it forth, Sir Roland stood up and faced the crowd of
guests, who cheered again and again as though they
never intended to stop. He commenced with studied
calmness, thanking them all, his good friends and
neighbours, the old friends of the house, and those
among whom he had lived so long in friendship, he
might say affectionate intimacy, until circumstances,
apparently, made it necessary for him to leave the
home of his childhood. They would doubtless appreciate
the greatness of the sacrifice, the bitterness of
feeling, with which he quitted the home of his race.
He resolved to go as far as was possible from home
and its memories, and had, in fact, gone so far South
that the Pole only would have been the next abiding-place.
It was a British outpost, however, well
deserving the name of the Britain of the South;
destined in years to come to be the home, the
prosperous home, of millions of the men of our race,
and one of the brightest jewels in the Imperial crown.
Difficulties had arisen with the Maori nation, a proud,
a brave, a highly intelligent people, who had made
the best defence in war against British regulars by
an aboriginal race since the days when the stubborn
valour of the ancient Britons scarce yielded to
the legionaries of Rome. (Tremendous cheering.)
That war, fraught with disastrous losses in men and
officers to Britain's bravest regiments, was now over,
he was rejoiced to say. There might be irregular
fighting from time to time, but the high chiefs had
surrendered, and vast areas of the most fertile land
in the world had now become the property of the
Crown. He himself held what might be considered
an incredibly large domain, which must prove of
great value in time to come. He would not mention
the number of acres. He was not going back there.
(Redoubled cheering.) He could assure them of that
fact, though in days to come another Massinger
Court might arise beneath the Southern Cross.
(Renewed cheering.) He was as fixed here, under
Providence (he told them now), as the "King's Oak"
in the Chase. (Loud and prolonged cheering.) He
and his wife had experienced a sufficiency of adventure,
by land and sea, to last them for their natural
lives. They desired, in all humility, to return heartfelt
thanks to Almighty God for their restoration to this
pleasant home, and those dear friends whom at one
time they never thought to see again. They hoped
to prove their gratitude, by lives of usefulness in
their day and generation.
The adventures of Sir Roland de Massinger and
Hypatia his wife, insomuch as regards peril and
uncertainty of war or peace, travel by land and sea,
or even the stormy politics of a new nation, must be
said now to have lost much of their interest. Henceforth
Sir Roland was contented to pursue the ordinary
course of the country gentleman of England, which,
if not exciting or adventurous, is surely one of the
happiest lives in the world. He was contented to
manage his New Zealand property through an agent.
Indeed, after Mr. Slyde's appearance in England—that
gentleman having received a year's leave of absence,
on account of his wound and eminent services in the
war—he was pleased to place the whole management
of Waikato Court and Chase, near the flourishing
township of Chesterfield, in his hands. Mr. Slyde
was about to relinquish his connection with the New
Zealand Land Company, having, as he said with his
customary cynicism, been fool enough to encumber
himself with a picturesque and fertile block of land,
on the same river, and also to commit the crowning
folly of matrimony with a young lady to whom he
had become engaged just after the war. New Zealand
was bad enough, he averred, but for a man who had
been born without the proverbial silver spoon, England
was the worst country in the civilized world. Therefore,
if his comrade, Sir Roland, had sufficient faith
in his intelligence and honesty—rather rare endowments
in a colony—he supposed he could manage
both properties with much the same outlay of cash
and industry as his own.
The arrangement was completed, and worked so
satisfactorily, that for many a year Sir Roland had
no duties connected with the antipodean estates
beyond supervising the sale of wool, frozen mutton,
butter, cheese, cocksfoot grass seed, and other annual
products, which so excited the admiration of his
neighbours and tenants that they could hardly be
made to believe that such satisfactory samples could
be produced out of England, his frozen lamb, equal
to "prime Canterbury," notwithstanding.
Hypatia is truly happy in her home—blessed with
a growing family, contented with her duties as the
wife of a county member, and, above all, firmly
convinced that Roland was the only man she had
ever loved. She is almost convinced, as her outspoken
friend Mrs. Merivale (née Branksome) often
assured her, that it served her right for her absurdly
altruistic notions and general perversity that she so
nearly lost him. The days are only too short for her
employments and enjoyments. Nor did she abandon
the philanthropical obligation, but as the kindly,
generous, and capable Lady Bountiful of the estate,
is "earthlier happy as the rose distilled" than in any
imaginable state of "single blessedness," however
advanced and politically eminent.
THE END
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED.
STAMFORD STREET AND CHARING CROSS.
ONE OF THE GRENVILLES
By SYDNEY ROYSE LYSAGHT
AUTHOR OF "THE MARPLOT"
GUARDIAN.—"We shall tell no more of Mr. Lysaght's clever and
original tale, contenting ourselves with heartily recommending it to
any on the look-out for a really good and absorbing story."
SATURDAY REVIEW.—"Mr. Sydney Lysaght should have a
future before him among writers of fiction. One of the Grenvilles is full
of interest."
BOOKMAN.—"Is so high above the average of novels that its
readers will want to urge on the writer a more frequent exercise of his
powers."
ACADEMY.—"There is freshness and distinction about One of the
Grenvilles.... Both for its characters and setting, and for its author's
pleasant wit, this is a novel to read."
SPEAKER.—"Let no man or woman who enjoys a good story,
excellently told, recoil from One of the Grenvilles because of length.
From first to last there is hardly a page in the book the reader would
willingly skip.... We expected much from him after his admirable
story of The Marplot. Our expectations are more than fulfilled by
One of the Grenvilles."
DAILY TELEGRAPH.—"Since he wrote The Marplot, Mr. Lysaght
has degenerated neither in freshness, originality, nor sense of humour."
SPECTATOR.—"It has proved a welcome oasis in the progress of
at least one reviewer through the never-ending Sahara of modern
fiction."
PUNCH.—"His characters, and his brief analysis of them individually
in various phases of their career, are as amusing as his story is
interesting.... 'One of the best.'"
LITERATURE.—"Displaying qualities all too rare in the bulk of
modern fiction.... Mr. Lysaght is fortunate in his characters, who
are many in number and excellently well chosen to illustrate his view
of life. They are well drawn, too, with humorous perception and
a keen insight into human conduct.... A good novel—one of the best
we have seen for a considerable time. It comes near to being a great
novel."
LITERARY WORLD.—"A volume to be read in a leisurely manner,
for it is far too good to repay the reader who only skims through a
book."
RHODA BROUGHTON'S NEW NOVEL
THE GAME
AND THE CANDLE
OBSERVER.—"The story is an excellent one.... Miss Rhoda
Broughton well maintains her place among our novelists as one capable
of telling a quiet yet deeply interesting story of human passions."
SPECTATOR.—"The book is extremely clever."
Crown 8vo. 6s.
THE
TREASURY OFFICER'S WOOING
By CECIL LOWIS
GUARDIAN.—"An exceedingly well-written, pleasant volume....
Entirely enjoyable."
LITERATURE.—"A capital picture of official life in Burma."
DAILY TELEGRAPH.—"Emphatically of a nature to make us ask
for more from the same source.... Those who appreciate a story
without any sensational incidents, and written with keen observation
and great distinction of style, will find it delightful reading.... Cannot
fail to please its readers."
SPECTATOR.—"Mr. Lowis's story is pleasant to read in more
senses than one. It is not only clever and wholesome, but printed in
a type so large and clear as to reconcile us to the thickness of the
volume."
ATHENÆUM.—"The author writes in a clear, attractive style, and
succeeds in maintaining the reader's interest from the first page to the
last."
WORLD.—"One of the best stories that we have recently read.
The touches of Burmese ways and character are excellent. The local
colour is sufficient, and the little group which plays the skilful comedy
has rare variety and lifelikeness."
DAILY NEWS.—"We are grateful to it no less for its large and
clear type, than for its merits as a novel."
ACADEMY.—"The life of the station is admirably drawn by
Mr. Lowis, and the love-story holds, without exciting, the reader.
A most readable novel."
LITERARY WORLD.—"Charming.... The reader may be assured
of entertainment who trusts himself to Mr. Lowis's care."
SCOTSMAN.—"So much has been made of Anglo-Indian society in
recent fiction that it must be doubly difficult for a novelist to excel in
this field. But in this pleasant and refreshing story Mr. Lowis fairly
does so, and his book deserves to be widely read."
OFF THE HIGH ROAD
By ELEANOR C. PRICE.
AUTHOR OF "YOUNG DENYS," "IN THE LION'S MOUTH," ETC.
ATHENÆUM.—"A pleasant tale."
SPEAKER.—"A charming bit of social comedy, tinged with just
a suspicion of melodrama.... The atmosphere of the story is so
bright and genial that we part from it with regret."
DAILY TELEGRAPH.—"At once ingenious, symmetrical, and
entertaining.... Miss Price's fascinating romance."
LITERATURE.—"A simple, but very pleasant story."
SPECTATOR.—"The notion of an orphan heiress, the daughter of
an Earl, and the cynosure of two London seasons, flying precipitately
from her guardians, who are endeavouring to force her into a match
with a man she detests, and hiding herself under an assumed name in
a remote rural district of the Midlands, is an excellent motive in itself,
and gains greatly from the charm and delicacy of Miss Price's handling."
ACADEMY.—"A quiet country book in the main, with more
emotion than action, and continuous interest."
DAILY MAIL.—"One of the sweetest and most satisfying love
stories that we have read for many weeks past. To read Off the High
Road is as mentally bracing as an actual holiday among the rural delights
of the farm, the orchard, and the spinney, in which the scenes of the
novel are so refreshingly set."
GUARDIAN.—"Is the story of a summer in the life of a high-spirited
and very charming heiress.... The book has a fresh open-air
atmosphere that is decidedly restful."
BLACK AND WHITE.—"An admirable specimen of the genus
'light story.' Miss Eleanor C. Price tells her story with a gay good
humour which is infectious. We are not asked to think, only to allow
ourselves to be interested and amused.... We feel grateful to
Miss Price for her bright well-written book. The girl of the mysterious
advertisement is a charming character."
MANCHESTER GUARDIAN.—"A decidedly attractive little book,
with a pleasing atmosphere of green fields, orchards, and wild-rose
hedges."
Forty-third Thousand
THE DAY'S WORK
By RUDYARD KIPLING
CONTENTS
The Bridgebuilders—A Walking Delegate—The Ship
that Found Herself—The Tomb of his Ancestors—-The
Devil and the Deep Sea—William the Conqueror—007—The
Maltese Cat—Bread upon the
Waters—An Error of the Fourth Dimension—My
Sunday at Home—The Brushwood Boy
ST. JAMES'S GAZETTE.—"This new batch of Mr. Kipling's short
stories is splendid work. Among the thirteen there are included at least
five of his very finest.... Speaking for ourselves, we have read The
Day's Work with more pleasure than we have derived from anything of
Mr. Kipling's since the Jungle Book.... It is in the Findlaysons, and
the Scotts, and the Cottars, and the 'Williams,' that Mr. Kipling's true
greatness lies. These are creations that make one feel pleased and
proud that we are also English. What greater honour could there be
to an English writer?"
TIMES.—"The book, take it altogether, will add to Mr. Kipling's
high reputation both on land and by sea."
DAILY NEWS.—"They have all his strength."
DAILY TELEGRAPH.—"If The Day's Work will not add to the author's
reputation in this kind of work, which, indeed, might be difficult,
it at all events will not detract from it. There is no lack of spirit
and power; the same easy mastery of technical details; the same broad
sympathy with the English-speaking race, wherever their life-tasks
may lie. The style is throughout Kipling's own—terse, nervous, often
rugged, always direct and workmanlike, the true reflection of Mr.
Kipling's own genius."
MORNING POST.—"The book is so varied, so full of colour and
life from end to end, that few who read the first two or three stories
will lay it down till they have read the last."
PALL MALL GAZETTE.—"There are the same masterful grip
and wielding of words that are almost surprised to find themselves
meaning so much; the same buoyant joy in men who 'do' things."
ACADEMY.—"With sure instinct he labels the volume The Day's
Work. That is just what these tales are—the day's work of a great
imaginative and observant writer, of a master craftsman who, when he
has no magnum opus on hand, rummages in drawers, peers into cupboards,
for notions noted and not forgotten, for beginnings laid aside to
be finished in their proper season."
SCOTSMAN.—"A fine book, one that even a dull man will rejoice
to read."
A DRAMA IN SUNSHINE
By HORACE ANNESLEY VACHELL
CONTENTS
The Prologue
| Chapter |
I. |
—Sausages and Palaver |
| " |
II. |
—Illumination |
| " |
III. |
—William Chillingworth |
| " |
IV. |
—Calamity Cañon |
| " |
V. |
—Speculations |
| " |
VI. |
—Which contains a Moral |
| " |
VII. |
—Of Blood and Water |
| " |
VIII. |
—Which ends in Flames |
| " |
IX. |
—"Is Writ in Moods and Frowns |
| |
|
and Wrinkles Strange" |
| " |
X. |
—The Daughters of Themis |
LITERATURE.—"It has the joy of life in it, sparkle, humour,
charm.... All the characters, in their contrasts and developments,
are drawn with fine delicacy; and the book is one of those few which one
reads again with increased pleasure."
DAILY TELEGRAPH.—"A story of extraordinary interest.... Mr.
Vachell's enthralling story, the dénouement of which worthily crowns a
literary achievement of no little merit."
PALL MALL GAZETTE.—"The tale is well told. Besides more
than one scene of vividly dramatic force, there is some really excellent
drawing of American character."
WORLD.—"Curious and engrossing.... The wife of the man
chiefly concerned is a finely presented character, and at the close the
author achieves the beautiful and the true."
ACADEMY.—"A virile and varied novel of free life on the Pacific
Coast of America."
ATHENÆUM.—"It is a story which the English reader will greet
with pleasure.... The book is good reading to the end."
SPECTATOR.—"Full of colour, incident, and human interest, while
its terse yet vivid style greatly enhances the impressiveness of the
whole."
SCOTSMAN.—"Showing the grasp of a powerful hand on every
page.... It is impossible in a brief sketch to give a grasp of all the
threads in this complicated story, but they are unravelled with so much
skill that the reader feels that everything happens because it must. The
characterization, generally speaking, is masterly, and the dialogue is
clever. The story increases in power and pathos from chapter to
chapter."
DAILY MAIL.—"Full of spirit as well as of all-round literary
excellence.... The scenes are vivid, the passions are strong, the
persons who move in the pages have life and warmth, and the interest
they arouse is often acutely eager. The book grips."
MANCHESTER GUARDIAN.—"A particularly clever and readable
story."
Second Edition. Crown 8vo. 6s.
THE PRIDE OF JENNICO
BEING A MEMOIR OF
CAPTAIN BASIL JENNICO
By EGERTON CASTLE
ACADEMY.—"A capital romance."
COUNTRY LIFE.—"This story of the later years of the eighteenth
century will rank high in literature. It is a fine and spirited romance
set in a slight but elegant and accurate frame of history. The book
itself has a peculiar and individual charm by virtue of the stately
language in which it is written.... It is stately, polished, and full of
imaginative force."
LIVERPOOL DAILY MERCURY.—"The book is written in a
strong and terse style of diction with a swift and vivid descriptive touch.
In its grasp of character and the dramatic nature of its plot it is one of
the best novels of its kind since Stevenson's Prince Otto."
COSMOPOLIS.—"A capital story, well constructed and well written.
The style deserves praise for a distinction only too rare in the present
day."
STORIES FROM AMERICAN HISTORY
BUCCANEERS AND PIRATES
OF OUR COASTS
By FRANK R. STOCKTON
AUTHOR OF "RUDDER GRANGE"
WITH ILLUSTRATIONS BY
GEORGE VARIAN and B. WEST CLINEDINST
PALL MALL GAZETTE.—"A fine book.... They are exciting
reading.... Eminently informing."
ACADEMY.—"Mr. Frank R. Stockton is always interesting, whether
he writes for young or old."
SCOTSMAN.—"In these stirring romances of the sea he does not
profess to give anything fresh; he merely puts into bright, crisp, modern
language, the tales that were told in the seventeenth and eighteenth
centuries by the recognized chroniclers of the deeds of the freebooters
who disported themselves on the American coasts in those picturesque
times.... The book is very finely illustrated."
INDEPENDENT (NEW YORK).—"This book of buccaneers will
stir the blood of young people who care for stories that tell of wild
fighting on pirate ships and lawless riots ashore in the time when the
ocean was not at command of steam's civilizing power.... Mr.
Stockton has given the charm of his genius to the book."
THE
TREASURY OFFICER'S WOOING
By CECIL LOWIS
BRITISH WEEKLY.—"The scene is laid in India, and to our
mind it is quite as good as Mrs. Steel."
WHITEHALL REVIEW.—"A clever tale."
SPECTATOR.—"It is plain that the writer may yet be a formidable
rival to Mrs. Steel."
Crown 8vo. 6s.
BISMILLAH
By A. J. DAWSON
AUTHOR OF "MERE SENTIMENT," "GOD'S FOUNDLING," ETC.
A romantic story of Moorish life in the Rift Country and in Tangier
by Mr. A. J. Dawson, whose last novel, God's Foundling, was well
received in the beginning of the year, and whose West African and
Australian Bush stories will be familiar to most readers of fiction.
Bismillah is the title chosen for Mr. Dawson's new book, which may
be regarded as the outcome of his somewhat adventurous experiences
in Morocco last year.
ACADEMY.—"Romantic and dramatic, and full of colour."
GUARDIAN.—"Decidedly clever and original.... Its excellent
local colouring, and its story, as a whole interesting and often dramatic,
make it a book more worth reading and enjoyable than is at all
common."
SPEAKER.—"A stirring tale of love and adventure.... There is
enough of exciting incident, of fighting, intrigue, and love-making in
Bismillah to satisfy the most exacting reader."
MANCHESTER GUARDIAN.—"An interesting and pleasing tale."
SCOTSMAN.—"Mr. Dawson sustains the interest of his readers to
the end. The characters are well defined, the situations are frequently
dramatic, the descriptive passages are clear and animated, and a rich
vein of genuine human nature runs through the narrative."
DUNDEE ADVERTISER.—"Mr. Dawson has caught the spirit of
the country, and his romance has the Moorish glamour about it delicious
as a memory of Tangiers in sunset."
HER MEMORY
By MAARTEN MAARTENS
AUTHOR OF "MY LADY NOBODY," ETC.
DAILY TELEGRAPH.—"Full of the quiet grace and literary
excellence which we have now learnt to associate with the author."
DAILY NEWS.—"An interesting and characteristic example of
this writer's manner. It possesses his sobriety of tone and treatment,
his limpidity and minuteness of touch, his keenness of observation.... The
book abounds in clever character sketches.... It is very
good."
ST. JAMES'S GAZETTE.—There is something peculiarly fascinating
in Mr. Maarten Maartens's new story. It is one of those
exquisitely told tales, not unhappy, nor tragic, yet not exactly 'happy,'
but full of the pain—as a philosopher has put it—that one prefers, which
are read, when the reader is in the right mood, with, at least, a subdued
sense of tears, tears of pleasure."
ATHENÆUM.—"Maarten Maartens has never written a brighter
social story, and it has higher qualities than brightness."
PALL MALL GAZETTE.—" It is a most delicate bit of workmanship,
and the sentiment of it is as exquisite as it is true. All the
characters are drawn with rare skill: there is not one that is not an
admirable portrait.'
LITERATURE.—"A powerful and sometimes painful study, softened
by many touches of pathos and flashes of humour—occasionally of
sheer fun. On the whole, it will stand comparison with any of its
predecessors for dramatic effect and strength of style."
TRUTH.—"Mr. Maarten Maartens' latest and, perhaps, finest
novel."
SCOTSMAN.—"The book is one of singular power and interest,
original and unique."
LEEDS MERCURY.—"Her Memory is a book which only a man of genius
could write, and as a study of character it is fascinating.... The
prevailing impression left by Her Memory is that of beauty and
strength. Unlike the majority of contemporary novels, the story before
us is one which arrests thought, as well as touches some of the deepest
problems of life."
THE ADVENTURES OF
FRANCOIS
Foundling, Thief, Juggler, and Fencing Master during
the French Revolution
By S. WEIR MITCHELL, M.D.
AUTHOR OF "HUGH WYNNE," ETC.
DAILY TELEGRAPH.—"It is delightfully entertaining throughout,
and throws much instructive light upon certain subordinate phases of
the great popular upheaval that convulsed France between 1788 and
1794.... Recounted with unflagging vivacity and inexhaustible good
humour."
DAILY MAIL.—"This lively piece of imagination is animated
throughout by strong human interest and novel incident."
LITERATURE.—"It is a charming book, this historical romance
of Dr. Weir Mitchell's; in narrative power, in dramatic effect, in vivid
movement, and in mordant and singularly effective style.... No
novelist of whom we know, not even Felix Gras, has so vividly brought
before us the life of lower Paris in the awful days of the Terror. A
dozen or so admirable reproductions of the drawings specially made by
A. Castaigne for 'François,' during its serial appearance, add attraction
to a romance as notable as it is delightful."
MANCHESTER GUARDIAN.—"The author meets with a master's
ease every call that is made upon his resources, and the calls are neither
few nor light. The design, bold though it is, lies so well within his
compass as to suggest a reserve of strength rather than limitations. And
a style that is versatile but always distinguished, delicate but always
virile, terse but never obscure, is in a strong hand an instrument for
strong work. The pictures by A. Castaigne are worthy of the text."
GLASGOW HERALD.—"Dr. Weir Mitchell's story deserves
nothing but praise."
SHEFFIELD DAILY TELEGRAPH.—"There is plenty of movement,
and the interest culminates but never flags. It is quite the best
picaresque novel we have come across for a long time past.... The
story could hardly be bettered."
GLASGOW DAILY MAIL.—"It is altogether a most entertaining
narrative, witty and humorous in its dialogue, exciting in its incidents,
and not without its pathetic side."
DAILY CHRONICLE.—"Dr. Weir Mitchell is certainly to be
congratulated on the whole volume."
Second Impression Now Ready
Extra Crown 8vo. 6s.
ELIZABETH AND HER
GERMAN GARDEN
LITERATURE.—"A charming book.... If the delightful wilderness
which eventually develops into a garden occupies the foreground,
there is still room for much else—for children, husbands, guests,
gardeners, and governesses, all of which are treated in a very entertaining
manner."
TIMES.—"A very bright little book—genial, humorous, perhaps a
little fantastic and wayward here and there, but full of bright glimpses
of nature and sprightly criticisms of life. Elizabeth is the English
wife of a German husband, who finds and makes for herself a delightful
retreat from the banalities of life in a German provincial town by
occupying and beautifying a deserted convent."
SCOTSMAN.—"The garden in question is somewhere in Germany.... Its
owner found it a wilderness, has made it a paradise, and tells
the reader how. The book is charmingly written.... The people that
appear in it are almost as interesting as the flowers.... Altogether it
is a delightful book, of a quiet but strong interest, which no one who
loves plants and flowers ought to miss reading."
ACADEMY.—"'I love my garden'—that is the first sentence, and
reading on, we find ourselves in the presence of a whimsical, humorous,
cultured, and very womanly woman, with a pleasant, old-fashioned
liking for homeliness and simplicity; with a wise husband, three merry
babes, aged five, four, and three, a few friends, a gardener, an old
German house to repose in, a garden to be happy in, an agreeable
literary gift, and a slight touch of cynicism. Such is Elizabeth. The
book is a quiet record of her life in her old world retreat, her adventures
among bulbs and seeds, the sayings of her babies, and the
discomfiture and rout of a New Woman visitor.... It is a charming
book, and we should like to dally with it."
GLASGOW HERALD.—"This book has to do with more than a
German garden, for the imaginary diary which it contains is really a
description, and a very charming and picturesque one, of life in a north
German country house."
MANCHESTER GUARDIAN.—"No mere extracts could do justice
to this entirely delightful garden book."
ATHENÆUM.—"We hope that Elizabeth will write more rambling
and delightful books."
SPEAKER.—"Entirely delightful."
OUTLOOK.—"The book is refreshingly good. It has a good deal
of stuff in it, and a great deal of affable and witty writing; and it will
bear reading more than once, which, in these days, is saying much."
THE LOVES
OF THE
LADY ARABELLA
By M. E. SEAWELL
SPEAKER.—"A story told with so much spirit that the reader
tingles with suspense until the end is reached.... A very pleasant tale
of more than common merit."
PALL MALL GAZETTE.—"It is short and excellent reading.... Old
Peter Hawkshaw, the Admiral, is a valuable creation, sometimes
quite 'My Uncle Toby'.... The scene, when the narrator dines with
him in the cabin for the first time, is one of the most humorous in the
language, and stamps Lady Hawkshaw—albeit, she is not there—as one
of the wives of fiction in the category of Mrs. Proudie herself.... The
interest is thoroughly sustained to the end.... Thoroughly healthy
and amusing."
WORLD.—"Brisk and amusing throughout."
SATURDAY REVIEW.—"A spirited romance.... It is the brightest
tale of the kind that we have read for a long time."
DAILY MAIL.—"A robust and engaging eighteenth century romance."
SCOTSMAN.—"The story possesses all the elements of a good-going love
romance, in which the wooing is not confined to the sterner sex; while
its flavour of the sea will secure it favour in novel-reading quarters
where anything approaching sentimentality or sermonizing does not meet
with much appreciation."
MORNING POST.—"There is a spirit and evident enjoyment in
the telling of the story which is refreshing."
ACADEMY.—"A brisk story of old naval days."
SPECTATOR.—"Pleasant reading is furnished in The Loves of the
Lady Arabella."
A
ROMANCE OF CANVAS TOWN
AND OTHER STORIES
By ROLF BOLDREWOOD
CONTENTS
A Romance of Canvas Town
The Fencing of Wandaroona: A Riverina Reminiscence
The Governess of the Poets
Our New Cook: A Tale of the Times
Angels Unawares
DAILY TELEGRAPH.—"Eminently readable, being written in the
breezy, happy-go-lucky style which characterizes the more recent fictional
works of the author of that singularly earnest and impressive
romance, Robbery under Arms."
DAILY MAIL.—"As pleasant as ever."
GLASGOW HERALD.—"They will repay perusal."
SCOTSMAN.—"A volume of five short stories by Mr. Rolf Boldrewood
is heartily welcome.... All are about Australia, and all are
excellent.... His shorter stories will enhance his popularity."
THAT LITTLE CUTTY
DR. BARRÈRE, ISABEL DYSART
By MRS. OLIPHANT
AUTHOR OF "THE CHRONICLES OF CARLINGFORD," ETC., ETC.
SATURDAY REVIEW.—"It has all her tenderness and homely
humour, and in the case of all three stories there is a good idea well
worked out."
LITERATURE.—"To come across a work of Mrs. Oliphant's is to
come across a pleasant, little green oasis in the arid desert of minor
novels.... In these the author's refinement, tenderness, and charm of
manner are as well exemplified as in any of her earlier works.... The
book is one that we can most cordially recommend."
DAILY NEWS.—"Each story that comes to us from the hand of
Mrs. Oliphant moves us to admiration for its delicate craftsmanship, the
keen appreciation it displays of the resources of situation and character.
The posthumous volume, 'That Little Cutty, and other Stories,' is an
excellent example of Mrs. Oliphant's power of telling a story swiftly
and with dramatic insight. Every touch tells.... The little volume is
worthy of its author's high and well-deserved reputation."
DAILY CHRONICLE.—"All three are admirably written in that
easy, simple narrative style to which the author had so thoroughly
accustomed us. It will be for many of Mrs. Oliphant's friends a wholly
unexpected pleasure to have a new volume of fiction with her name on
the title-page."
PALL MALL GAZETTE.—"They are models of what such stories
should be."
SHEFFIELD DAILY TELEGRAPH.—"Excellent examples of
Mrs. Oliphant's work."
SCOTSMAN.—"All three stories have a fine literary flavour and an
artistic finish, and within their limited scope present some subtle
analyses of character."
NORTHERN WHIG.—"Anything from the pen of the late
Mrs. Oliphant will always be welcome to a large number of readers,
who will therefore note with pleasant interest the publication by
Messrs. Macmillan of a neat volume containing three tales, 'That
Little Cutty,' 'Dr. Barrère,' and 'Isabel Dysart.' Of the three,
although all are most readable, the most skilfully constructed is the
second named, the plot and climax of which are decidedly dramatic.
The last story deals with the still unforgotten period of the horrible
Burke and Hare revelations in Edinburgh."
THE FOREST LOVERS
A ROMANCE
By MAURICE HEWLETT
SPECTATOR.—"The Forest Lovers is no mere literary tour de force,
but an uncommonly attractive romance, the charm of which is greatly
enhanced by the author's excellent style."
DAILY TELEGRAPH.—"Mr. Maurice Hewlett's Forest Lovers
stands out with conspicuous success.... He has compassed a very
remarkable achievement.... For nearly four hundred pages he carries
us along with him with unfailing resource and artistic skill, while he
unrolls for us the course of thrilling adventures, ending, after many
tribulations, in that ideal happiness towards which every romancer
ought to wend his tortuous way.... There are few books of this
season which achieve their aim so simply and whole-heartedly as
Mr. Hewlett's ingenious and enthralling romance."
WORLD.—"If there are any romance-lovers left in this matter-of-fact
end of the century, The Forest Lovers, by Mr. Maurice Hewlett,
should receive a cordial welcome. It is one of those charming books
which, instead of analyzing the morbid emotions of which we are all
too weary, opens a door out of this workaday world and lets us escape
into fresh air. A very fresh and breezy air it is which blows in
Mr. Hewlett's forest, and vigorous are the deeds enacted there.... There
is throughout the book that deeper and less easily defined charm
which lifts true romance above mere story-telling—a genuine touch of
poetic feeling which beautifies the whole."
DAILY MAIL.—"It is all very quaintly and pleasingly done, with
plenty of mad work, and blood-spilling, and surprising adventure."
James Lane Allen, Author of The Choir Invisible, writes of
The Forest Lovers: "This work, for any one of several solid reasons,
must be regarded as of very unusual interest. In the matter of style
alone, it is an achievement, an extraordinary achievement. Such a
piece of English prose, saturated and racy with idiom, compact and
warm throughout as living human tissues, well deserves to be set apart
for grateful study and express appreciation.... In the matter of
interpreting nature there are passages in this book that I have never
seen surpassed in prose fiction."
THE
GOSPEL OF FREEDOM
By ROBERT HERRICK
AUTHOR OF "THE MAN WHO WINS," "LITERARY LOVE LETTERS, AND
OTHER STORIES"
DAILY MAIL.—"Distinctly enjoyable and suggestive of much
profitable thought."
SCOTSMAN.—"The book has a deal of literary merit, and is well
furnished with clever phrases."
ATHENÆUM.—"Remarkably clever.... The writing throughout
is clear, and the story is well constructed."
W. D. Howells in LITERATURE.—"A very clever new novel."
GUARDIAN.—"The novel is well written, and full of complex
interests and personalities. It touches on many questions and problems
clearly and skilfully."
DAILY CHRONICLE.—"A book which entirely interested us for
the whole of a blazing afternoon. He writes uncommonly well."
BOOKMAN.—"The excellence of Mr. Herrick's book lies not in the
solution of any problem, nor in the promulgation of any theory, nor
indeed in any form of docketing and setting apart of would-be final
answers to the enigmas of existence. He simply tells a story and leaves
us to draw what conclusion we like. The admirable thing is that his
story is a particularly interesting one, and that he tells it remarkably
well.... There are some delightful minor characters."
MANCHESTER GUARDIAN.—"The characters, all American,
have originality and life. The self-engrossed Adela is so cleverly drawn
that we are hardly ever out of sympathy with her aspirations, and
Molly Parker, the 'womanly' foil, is delightful."
THE
GENERAL MANAGER'S
STORY
By HERBERT ELLICOTT HAMBLEN
ILLUSTRATED
PALL MALL GAZETTE.—"Remarkable for the fulness of its
author's knowledge.... Nor does the interest of Mr. Hamblen's
volume depend solely on its vivid account of sensational escapes and
dramatic accidents, though there is no lack of exciting incidents of this
kind in his story.... What charmed us chiefly in the story was the close
and exact account of the everyday working of a great railroad.... There
was not a page that we did not find full of interest and instruction.
It was all real, and most of it new, while Mr. Hamblen's vivid and
straightforward style does much to enhance the intrinsic merits of his
narrative.... We venture to think that no one will be able to leave
the breathless and realistic account of such an episode as the chase of
the runaway engine—not a figment of the imagination, but a sober and
hideous fact, accounted for and explained by the most intelligible of
mechanical reasons—without a thrill of genuine excitement."
SCOTSMAN.—"Mr. Hamblen shows a mastery of detail, and is easy
and fluent in American railwaymen's jargon, much of it more expressive
than polite. His book is well written, instructive, and of thrilling
interest. There are almost a score of capital illustrations."
DAILY MAIL.—"The pages are full of rough, but attractive,
characters, forcible language, brakemen, locomotives, valves, throttles,
levers, and fire-scoops; and the whole dashing record is casually
humorous amid its inevitable brutalities, and is of its kind excellent."
ATHENÆUM.—"The story is vividly told, and decidedly well kept
up with tales of hairbreadth escapes and collisions commendable for
vigour and naturalness.... A book which holds the interest."
WORLD.—"Better worth reading than half the romances published,
for it contains matter that is as interesting as it is absolutely novel."
ACADEMY.—"A monstrous entertaining little book. Open it
anywhere and your luck will hardly fail you. And for real gripping
adventure you begin to doubt whether any career is worthy to show
itself in the same caboose with that of an 'engineer.'... His life is as
full of adventure as a pirate's.... A valuable contribution to the
literature that is growing around the Romance of Steam."
WESTMINSTER GAZETTE.—"Singularly fascinating. It is just
crammed with moving episodes and hair-raising adventures, all set
down with a vivid and unadorned vigour that is a perfect example of
the art of narration. The pulses quicken, the heart bounds, as we
read."
DAILY CHRONICLE.—"A most interesting volume."
100,000 copies of this work have been sold
Fcap. 8vo. 6s.
THE CHOIR INVISIBLE
By JAMES LANE ALLEN
AUTHOR OF "SUMMER IN ARCADY," "A KENTUCKY CARDINAL," ETC.
ACADEMY.—"A book to read, and a book to keep after reading.
Mr. Allen's gifts are many—a style pellucid and picturesque, a vivid and
disciplined power of characterization, and an intimate knowledge of a
striking epoch and an alluring country.... So magical is the wilderness
environment, so fresh the characters, so buoyant the life they lead,
so companionable, so well balanced, and so touched with humanity, the
author's personality, that I hereby send him greeting and thanks for a
brave book.... The Choir Invisible is a fine achievement."
PALL MALL GAZETTE.—Mr. Allen's power of character drawing
invests the old, old story with renewed and absorbing interest.... The
fascination of the story lies in great part in Mr. Allen's graceful
and vivid style."
DAILY MAIL.—"The Choir Invisible is one of those very few books
which help one to live. And hereby it is beautiful even more than by
reason of its absolute purity of style, its splendid descriptions of
nature, and the level grandeur of its severe, yet warm and passionate
atmosphere."
BRITISH WEEKLY.—"Certainly this is no commonplace book,
and I have failed to do justice to its beauty, its picturesqueness, its
style, its frequent nobility of feeling, and its large, patient charity."
SPEAKER.—"We trust that there are few who read it who will fail to
regard its perusal as one of the new pleasures of their lives.... One
of those rare stories which make a direct appeal alike to the taste and
feeling of most men and women, and which afford a gratification that
is far greater than that of mere critical approval. It is, in plain
English, a beautiful book—beautiful in language and in sentiments,
in design and in execution. Its chief merit lies in the fact that
Mr. Allen has grasped the true spirit of historical romance, and has
shown how fully he understands both the links which unite, and the
time-spaces which divide, the different generations of man."
SATURDAY REVIEW.—"Mr. James Lane Allen is a writer who
cannot well put pen to paper without revealing how finely sensitive he
is to beauty."
BOOKMAN.—"The main interest is not the revival of old times, but
a love-story which might be of today, or any day, a story which
reminds one very pleasantly of Harry Esmond and Lady Castlewood."
ATLANTIC MONTHLY.—"We think he will be a novelist, perhaps
even a great novelist—one of the few who hold large powers of divers
sort in solution to be precipitated in some new unexpected form."
GUARDIAN.—"One of those rare books that will bear reading
many times."
DAILY NEWS.—"Mr. J. L. Allen shows himself a delicate observer,
and a fine literary artist in The Choir Invisible."
ST. JAMES'S GAZETTE.—"A book that should be read by all
those who ask for something besides sensationalism in their fiction."
SPECTATOR.—"Marked by beauty of conception, reticence of treatment,
and it has an atmosphere all its own."
DAILY CHRONICLE.—"It is written with singular delicacy and
has an old-world fragrance which seems to come from the classics we
keep in lavender.... There are few who can approach his delicate
execution in the painting of ideal tenderness and fleeting moods."
Transcriber's Notes.
1. Every effort has been made to replicate this text as faithfully as
possible.
2. Obvious punctuation, simple spelling, grammar, and typographical
errors have been silently corrected.
3. The spelling of some Maori words have been corrected.