Views and Reviews
by William Ernest Henley
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Language: English
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About this eBook
- Author
- Henley, William Ernest, 1849-1903
- Title
- Views and Reviews: Essays in appreciation: Literature
- Credits
- Transcribed from the 1892 David Nutt edition by David Price
- Language
- English
- LoC Class
- PR: Language and Literatures: English literature
- Subject
- English literature -- History and criticism
- Category
- Text
- eBook-No.
- 22280
- Project Gutenberg
- https://www.gutenberg.org/ebooks/22280
- Release Date
- August 8, 2007
- Copyright
- Public domain in the USA.
Contents
- 1.VIEWS AND REVIEWS
- 2.PREFATORY
- 3.DICKENS — A ‘Frightful Minus’ — His Method. — His Development. — His Results. — Ave atque Vale.
- 4.THACKERAY — His Worshippers. — His Critics. — Which is Right? — His Style. — His Mission.
- 5.DISRAELI — His Novels. — A Contrast. — His Backgrounds. — His Men and Women. — His Style. — His Oratory. — His Speeches as Literature. — The Great Earl.
- 6.ALEXANDRE DUMAS — His Components. — Himself. — At Least. — His Monument.
- 7.GEORGE MEREDITH — His Qualities. — His Defects. — Another Way. — Rhoda Fleming. — The Tragic Comedians. — The Egoist. — In Metre. — The Fashion of Art.
- 8.BYRON — Byron and the World. — Byron and Wordsworth.
- 9.HUGO — His Critics. — Some Causes and Effects. — Environment. — Equipment and Achievement. — His Diary. — For and Against. — What Lives of Him.
- 10.HEINE — The Villainy Translation. — The Proof of It.
- 11.MATTHEW ARNOLD — His Verse. — His Failure. — His Triumphs. — His Prose.
- 12.HOMER AND THEOCRITUS — The Odyssey. — The Idylls. — Old Lamps and New.
- 13.RABELAIS — His Essence. — His Secret.
- 14.SHAKESPEARE — A Parallel.
- 15.SIDNEY — His Expression of Life. — His Fame.
- 16.TOURNEUR — His Style. — His Matter.
- 17.WALTON — The Compleat Angler. — Master Piscator.
- 18.HERRICK — His Muse. — His Moral. — His Piety.
- 19.LOCKER — His Qualities. — His Effect.
- 20.BANVILLE — His Nature. — His Art.
- 21.DOBSON — Method and Effect.
- 22.BERLIOZ — The Critic. — A Prototype. — His Theory of Autobiography.
- 23.GEORGE ELIOT — The Ideal. — The Real. — Appreciations.
- 24.BORROW — His Vocation. — Ideals and Achievements. — Himself.
- 25.BALZAC — Under which King? — The Fact.
- 26.LABICHE — Teniers or Daumier? — Labiche.
- 27.CHAMPFLEURY — The Man. — The Writer.
- 28.LONGFELLOW — Sea Poets. — Longfellow.
- 29.TENNYSON — St. Agnes’ Eve. — Indian Summer. — His Mastership.
- 30.GORDON HAKE — Aim and Equipment.
- 31.LANDOR — Anti-Landor. — His Drama.
- 32.HOOD — How Much of Him? — Death’s Jest-Book. — His Immortal Part.
- 33.LEVER — How He Lived. — What He Was. — How He Wrote.
- 34.JEFFERIES — His Virtue. — His Limitation. — The General. — Last Words.
- 35.GAY — The Fabulist. — The Moralist. — After All.
- 36.ESSAYS AND ESSAYISTS — The Good of Them. — Generalities. — In Particular.
- 37.BOSWELL — His Destiny. — His Critic. — Himself.
- 38.CONGREVE — His Biographers and Critics. — The Real Congreve. — The Dramatist. — The Writer.
- 39.ARABIAN NIGHTS ENTERTAINMENTS — Its Romance. — Its Comedy. — Sacer Vates.
- 40.RICHARDSON — His Fortune. — Pamela. — Grandison. — Clarissa.
- 41.TOLSTOÏ — The Man and the Artist. — Ivan Iliitch. — War and Peace.
- 42.FIELDING — Illusions. — Facts. — The Worst of It.
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