When I set out on the long excursion that finally led to California I wandered
afoot and alone, from Indiana to the Gulf of Mexico, with a plant-press on my
back, holding a generally southward course, like the birds when they are going
from summer to winter. From the west coast of Florida I crossed the gulf to
Cuba, enjoyed the rich tropical flora there for a few months, intending to go
thence to the north end of South America, make my way through the woods to the
headwaters of the Amazon, and float down that grand river to the ocean. But I
was unable to find a ship bound for South America—fortunately perhaps,
for I had incredibly little money for so long a trip and had not yet fully
recovered from a fever caught in the Florida swamps. Therefore I decided to
visit California for a year or two to see its wonderful flora and the famous
Yosemite Valley. All the world was before me and every day was a holiday, so it
did not seem important to which one of the world’s wildernesses I first
should wander.
Arriving by the Panama steamer, I stopped one day in San Francisco and then
inquired for the nearest way out of town. “But where do you want to
go?” asked the man to whom I had applied for this important information.
“To any place that is wild,” I said. This reply startled him. He
seemed to fear I might be crazy and therefore the sooner I was out of town the
better, so he directed me to the Oakland ferry.
So on the first of April, 1868, I set out afoot for Yosemite. It was the
bloom-time of the year over the lowlands and coast ranges the landscapes of the
Santa Clara Valley were fairly drenched with sunshine, all the air was
quivering with the songs of the meadow-larks, and the hills were so covered
with flowers that they seemed to be painted. Slow indeed was my progress
through these glorious gardens, the first of the California flora I had seen.
Cattle and cultivation were making few scars as yet, and I wandered enchanted
in long wavering curves, knowing by my pocket map that Yosemite Valley lay to
the east and that I should surely find it.
Looking eastward from the summit of the Pacheco Pass one shining morning, a
landscape was displayed that after all my wanderings still appears as the most
beautiful I have ever beheld. At my feet lay the Great Central Valley of
California, level and flowery, like a lake of pure sunshine, forty or fifty
miles wide, five hundred miles long, one rich furred garden of yellow
Compositœ. And from the eastern boundary of this vast golden
flower-bed rose the mighty Sierra, miles in height, and so gloriously colored
and so radiant, it seemed not clothed with light, but wholly composed of it,
like the wall of some celestial city. Along the top and extending a good way
down, was a rich pearl-gray belt of snow; below it a belt of blue and dark
purple, marking the extension of the forests; and stretching along the base of
the range a broad belt of rose-purple; all these colors, from the blue sky to
the yellow valley smoothly blending as they do in a rainbow, making a wall of
light ineffably fine. Then it seemed to me that the Sierra should be called,
not the Nevada or Snowy Range, but the Range of Light. And after ten years of
wandering and wondering in the heart of it, rejoicing in its glorious floods of
light, the white beams of the morning streaming through the passes, the noonday
radiance on the crystal rocks, the flush of the alpenglow, and the irised spray
of countless waterfalls, it still seems above all others the Range of Light.
In general views no mark of man is visible upon it, nor any thing to suggest
the wonderful depth and grandeur of its sculpture. None of its magnificent
forest-crowned ridges seems to rise much above the general level to publish its
wealth. No great valley or river is seen, or group of well-marked features of
any kind standing out as distinct pictures. Even the summit peaks, marshaled in
glorious array so high in the sky, seem comparatively regular in form.
Nevertheless the whole range five hundred miles long is furrowed with cañons
2000 to 5000 feet deep, in which once flowed majestic glaciers, and in which
now flow and sing the bright rejoicing rivers.
Though of such stupendous depth, these cañons are not gloom gorges, savage and
inaccessible. With rough passages here and there they are flowery pathways
conducting to the snowy, icy fountains; mountain streets full of life and
light, graded and sculptured by the ancient glaciers, and presenting throughout
all their course a rich variety of novel and attractive scenery—the most
attractive that has yet been discovered in the mountain ranges of the world. In
many places, especially in the middle region of the western flank, the main
cañons widen into spacious valleys or parks diversified like landscape gardens
with meadows and groves and thickets of blooming bushes, while the lofty walls,
infinitely varied in form are fringed with ferns, flowering plants, shrubs of
many species and tall evergreens and oaks that find footholds on small benches
and tables, all enlivened and made glorious with rejoicing stream that come
chanting in chorus over the cliffs and through side cañons in falls of every
conceivable form, to join the river that flow in tranquil, shining beauty down
the middle of each one of them.
The most famous and accessible of these cañon valleys, and also the one that
presents their most striking and sublime features on the grandest scale, is the
Yosemite, situated in the basin of the Merced River at an elevation of 4000
feet above the level of the sea. It is about seven miles long, half a mile to a
mile wide, and nearly a mile deep in the solid granite flank of the range. The
walls are made up of rocks, mountains in size, partly separated from each other
by side cañons, and they are so sheer in front, and so compactly and
harmoniously arranged on a level floor, that the Valley, comprehensively seen,
looks like an immense hall or temple lighted from above.
But no temple made with hands can compare with Yosemite. Every rock in its
walls seems to glow with life. Some lean back in majestic repose; others,
absolutely sheer or nearly so for thousands of feet, advance beyond their
companions in thoughtful attitudes, giving welcome to storms and calms alike,
seemingly aware, yet heedless, of everything going on about them. Awful in
stern, immovable majesty, how softly these rocks are adorned, and how fine and
reassuring the company they keep: their feet among beautiful groves and
meadows, their brows in the sky, a thousand flowers leaning confidingly against
their feet, bathed in floods of water, floods of light, while the snow and
waterfalls, the winds and avalanches and clouds shine and sing and wreathe
about them as the years go by, and myriads of small winged creatures birds,
bees, butterflies—give glad animation and help to make all the air into
music. Down through the middle of the Valley flows the crystal Merced, River of
Mercy, peacefully quiet, reflecting lilies and trees and the onlooking rocks;
things frail and fleeting and types of endurance meeting here and blending in
countless forms, as if into this one mountain mansion Nature had gathered her
choicest treasures, to draw her lovers into close and confiding communion with
her.
Sauntering up the foothills to Yosemite by any of the old trails or roads in
use before the railway was built from the town of Merced up the river to the
boundary of Yosemite Park, richer and wilder become the forests and streams. At
an elevation of 6000 feet above the level of the sea the silver firs are 200
feet high, with branches whorled around the colossal shafts in regular order,
and every branch beautifully pinnate like a fern frond. The Douglas spruce, the
yellow and sugar pines and brown-barked Libocedrus here reach their finest
developments of beauty and grandeur. The majestic Sequoia is here, too, the
king of conifers, the noblest of all the noble race. These colossal trees are
as wonderful in fineness of beauty and proportion as in stature—an
assemblage of conifers surpassing all that have ever yet been discovered in the
forests of the world. Here indeed is the tree-lover’s paradise; the
woods, dry and wholesome, letting in the light in shimmering masses of half
sunshine, half shade; the night air as well as the day air indescribably spicy
and exhilarating; plushy fir-boughs for campers’ beds and cascades to
sing us to sleep. On the highest ridges, over which these old Yosemite ways
passed, the silver fir (Abies magnifica) forms the bulk of the woods,
pressing forward in glorious array to the very brink of the Valley walls on
both sides, and beyond the Valley to a height of from 8000 to 9000 feet above
the level of the sea. Thus it appears that Yosemite, presenting such stupendous
faces of bare granite, is nevertheless imbedded in magnificent forests, and the
main species of pine, fir, spruce and libocedrus are also found in the Valley
itself, but there are no “big trees” (Sequoia gigantea) in
the Valley or about the rim of it. The nearest are about ten and twenty miles
beyond the lower end of the valley on small tributaries of the Merced and
Tuolumne Rivers.
From the margin of these glorious forests the first general view of the Valley
used to be gained—a revelation in landscape affairs that enriches
one’s life forever. Entering the Valley, gazing overwhelmed with the
multitude of grand objects about us, perhaps the first to fix our attention
will be the Bridal Veil, a beautiful waterfall on our right. Its brow, where it
first leaps free from the cliff, is about 900 feet above us; and as it sways
and sings in the wind, clad in gauzy, sun-sifted spray, half falling, half
floating, it seems infinitely gentle and fine; but the hymns it sings tell the
solemn fateful power hidden beneath its soft clothing.
The Bridal Veil shoots free from the upper edge of the cliff by the velocity
the stream has acquired in descending a long slope above the head of the fall.
Looking from the top of the rock-avalanche talus on the west side, about one
hundred feet above the foot of the fall, the under surface of the water arch is
seen to be finely grooved and striated; and the sky is seen through the arch
between rock and water, making a novel and beautiful effect.
Under ordinary weather conditions the fall strikes on flat-topped slabs,
forming a kind of ledge about two-thirds of the way down from the top, and as
the fall sways back and forth with great variety of motions among these
flat-topped pillars, kissing and plashing notes as well as thunder-like
detonations are produced, like those of the Yosemite Fall, though on a smaller
scale.
The rainbows of the Veil, or rather the spray- and foam-bows, are superb,
because the waters are dashed among angular blocks of granite at the foot,
producing abundance of spray of the best quality for iris effects, and also for
a luxuriant growth of grass and maiden-hair on the side of the talus, which
lower down is planted with oak, laurel and willows.
On the other side of the Valley, almost immediately opposite the Bridal Veil,
there is another fine fall, considerably wider than the Veil when the snow is
melting fast and more than 1000 feet in height, measured from the brow of the
cliff where it first springs out into the air to the head of the rocky talus on
which it strikes and is broken up into ragged cascades. It is called the Ribbon
Fall or Virgin’s Tears. During the spring floods it is a magnificent
object, but the suffocating blasts of spray that fill the recess in the wall
which it occupies prevent a near approach. In autumn, however when its feeble
current falls in a shower, it may then pass for tears with the sentimental
onlooker fresh from a visit to the Bridal Veil.
Just beyond this glorious flood the El Capitan Rock, regarded by many as the
most sublime feature of the Valley, is seen through the pine groves, standing
forward beyond the general line of the wall in most imposing grandeur, a type
of permanence. It is 3300 feet high, a plain, severely simple,
glacier-sculptured face of granite, the end of one of the most compact and
enduring of the mountain ridges, unrivaled in height and breadth and flawless
strength.
Across the Valley from here, next to the Bridal Veil, are the picturesque
Cathedral Rocks, nearly 2700 feet high, making a noble display of fine yet
massive sculpture. They are closely related to El Capitan, having been eroded
from the same mountain ridge by the great Yosemite Glacier when the Valley was
in process of formation.
Next to the Cathedral Rocks on the south side towers the Sentinel Rock to a
height of more than 3000 feet, a telling monument of the glacial period.
Almost immediately opposite the Sentinel are the Three Brothers, an immense
mountain mass with three gables fronting the Valley, one above another, the
topmost gable nearly 4000 feet high. They were named for three brothers, sons
of old Tenaya, the Yosemite chief, captured here during the Indian War, at the
time of the discovery of the Valley in 1852.
Sauntering up the Valley through meadow and grove, in the company of these
majestic rocks, which seem to follow us as we advance, gazing, admiring,
looking for new wonders ahead where all about us is so wonderful, the thunder
of the Yosemite Fall is heard, and when we arrive in front of the Sentinel Rock
it is revealed in all its glory from base to summit, half a mile in height, and
seeming to spring out into the Valley sunshine direct from the sky. But even
this fall, perhaps the most wonderful of its kind in the world, cannot at first
hold our attention, for now the wide upper portion of the Valley is displayed
to view, with the finely modeled North Dome, the Royal Arches and Washington
Column on our left; Glacier Point, with its massive, magnificent sculpture on
the right; and in the middle, directly in front, looms Tissiack or Half Dome,
the most beautiful and most sublime of all the wonderful Yosemite rocks, rising
in serene majesty from flowery groves and meadows to a height of 4750 feet.
Here the Valley divides into three branches, the Tenaya, Nevada, and
Illilouette Cañons, extending back into the fountains of the High Sierra, with
scenery every way worthy the relation they bear to Yosemite.
In the south branch, a mile or two from the main Valley, is the Illilouette
Fall, 600 feet high, one of the most beautiful of all the Yosemite choir, but
to most people inaccessible as yet on account of its rough, steep,
boulder-choked cañon. Its principal fountains of ice and snow lie in the
beautiful and interesting mountains of the Merced group, while its broad open
basin between its fountain mountains and cañon is noted for the beauty of its
lakes and forests and magnificent moraines.
Returning to the Valley, and going up the north branch of Tenaya Cañon, we pass
between the North Dome and Half Dome, and in less than an hour come to Mirror
Lake, the Dome Cascade and Tenaya Fall. Beyond the Fall, on the north side of
the cañon is the sublime Ed Capitan-like rock called Mount Watkins; on the
south the vast granite wave of Clouds’ Rest, a mile in height; and
between them the fine Tenaya Cascade with silvery plumes outspread on smooth
glacier-polished folds of granite, making a vertical descent in all of about
700 feet.
Just beyond the Dome Cascades, on the shoulder of Mount Watkins, there is an
old trail once used by Indians on their way across the range to Mono, but in
the cañon above this point there is no trail of any sort. Between Mount Watkins
and Clouds’ Rest the cañon is accessible only to mountaineers, and it is
so dangerous that I hesitate to advise even good climbers, anxious to test
their nerve and skill, to attempt to pass through it. Beyond the Cascades no
great difficulty will be encountered. A succession of charming lily gardens and
meadows occurs in filled-up lake basins among the rock-waves in the bottom of
the cañon, and everywhere the surface of the granite has a smooth-wiped
appearance, and in many places reflects the sunbeams like glass, a phenomenon
due to glacial action, the cañon having been the channel of one of the main
tributaries of the ancient Yosemite Glacier.
About ten miles above the Valley we come to the beautiful Tenaya Lake, and here
the cañon terminates. A mile or two above the lake stands the grand Sierra
Cathedral, a building of one stone, sewn from the living rock, with sides,
roof, gable, spire and ornamental pinnacles, fashioned and finished
symmetrically like a work of art, and set on a well-graded plateau about 9000
feet high, as if Nature in making so fine a building had also been careful that
it should be finely seen. From every direction its peculiar form and graceful,
majestic beauty of expression never fail to charm. Its height from its base to
the ridge of the roof is about 2500 feet, and among the pinnacles that adorn
the front grand views may be gained of the upper basins of the Merced and
Tuolumne Rivers.
Passing the Cathedral we descend into the delightful, spacious Tuolumne Valley,
from which excursions may be made to Mounts Dana, Lyell, Ritter, Conness, and
Mono Lake, and to the many curious peaks that rise above the meadows on the
south, and to the Big Tuolumne Cañon, with its glorious abundance of rock and
falling, gliding, tossing water. For all these the beautiful meadows near the
Soda Springs form a delightful center.
Returning now to Yosemite and ascending the middle or Nevada branch of the
Valley, occupied by the main Merced River, we come within a few miles to the
Vernal and Nevada Falls, 400 and 600 feet high, pouring their white, rejoicing
waters in the midst of the most novel and sublime rock scenery to be found in
all the World. Tracing the river beyond the head of the Nevada Fall we are lead
into the Little Yosemite, a valley like the great Yosemite in form, sculpture
and vegetation. It is about three miles long, with walls 1500 to 2000 feet
high, cascades coming over them, and the ever flowing through the meadows and
groves of the level bottom in tranquil, richly-embowered reaches.
Beyond this Little Yosemite in the main cañon, there are three other little
yosemites, the highest situated a few miles below the base of Mount Lyell, at
an elevation of about 7800 feet above the sea. To describe these, with all
their wealth of Yosemite furniture, and the wilderness of lofty peaks above
them, the home of the avalanche and treasury of the fountain snow, would take
us far beyond the bounds of a single book. Nor can we here consider the
formation of these mountain landscapes—how the crystal rock were brought
to light by glaciers made up of crystal snow, making beauty whose influence is
so mysterious on every one who sees it.
Of the small glacier lakes so characteristic of these upper regions, there are
no fewer than sixty-seven in the basin of the main middle branch, besides
countless smaller pools. In the basin of the Illilouette there are sixteen, in
the Tenaya basin and its branches thirteen, in the Yosemite Creek basin
fourteen, and in the Pohono or Bridal Veil one, making a grand total of one
hundred and eleven lakes whose waters come to sing at Yosemite. So glorious is
the background of the great Valley, so harmonious its relations to its
widespreading fountains.
The same harmony prevails in all the other features of the adjacent landscapes.
Climbing out of the Valley by the subordinate cañons, we find the ground rising
from the brink of the walls: on the south side to the fountains of the Bridal
Veil Creek, the basin of which is noted for the beauty of its meadows and its
superb forests of silver fir; on the north side through the basin of the
Yosemite Creek to the dividing ridge along the Tuolumne Cañon and the fountains
of the Hoffman Range.
In general views the Yosemite Creek basin seems to be paved with domes and
smooth, whaleback masses of granite in every stage of development—some
showing only their crowns; others rising high and free above the girdling
forests, singly or in groups. Others are developed only on one side, forming
bold outstanding bosses usually well fringed with shrubs and trees, and
presenting the polished surfaces given them by the glacier that brought them
into relief. On the upper portion of the basin broad moraine beds have been
deposited and on these fine, thrifty forests are growing. Lakes and meadows and
small spongy bogs may be found hiding here and there in the woods or back in
the fountain recesses of Mount Hoffman, while a thousand gardens are planted
along the banks of the streams.
All the wide, fan-shaped upper portion of the basin is covered with a network
of small rills that go cheerily on their way to their grand fall in the Valley,
now flowing on smooth pavements in sheets thin as glass, now diving under
willows and laving their red roots, oozing through green, plushy bogs, plashing
over small falls and dancing down slanting cascades, calming again, gliding
through patches of smooth glacier meadows with sod of alpine agrostis mixed
with blue and white violets and daisies, breaking, tossing among rough boulders
and fallen trees, resting in calm pools, flowing together until, all united,
they go to their fate with stately, tranquil gestures like a full-grown river.
At the crossing of the Mono Trail, about two miles above the head of the
Yosemite Fall, the stream is nearly forty feet wide, and when the snow is
melting rapidly in the spring it is about four feet deep, with a current of two
and a half miles an hour. This is about the volume of water that forms the Fall
in May and June when there had been much snow the preceding winter; but it
varies greatly from month to month. The snow rapidly vanishes from the open
portion of the basin, which faces southward, and only a few of the tributaries
reach back to perennial snow and ice fountains in the shadowy amphitheaters on
the precipitous northern slopes of Mount Hoffman. The total descent made by the
stream from its highest sources to its confluence with the Merced in the Valley
is about 6000 feet, while the distance is only about ten miles, an average fall
of 600 feet per mile. The last mile of its course lies between the sides of
sunken domes and swelling folds of the granite that are clustered and pressed
together like a mass of bossy cumulus clouds. Through this shining way Yosemite
Creek goes to its fate, swaying and swirling with easy, graceful gestures and
singing the last of its mountain songs before it reaches the dizzy edge of
Yosemite to fall 2600 feet into another world, where climate, vegetation,
inhabitants, all are different. Emerging from this last cañon the stream
glides, in flat lace-like folds, down a smooth incline into a small pool where
it seems to rest and compose itself before taking the grand plunge. Then
calmly, as if leaving a lake, it slips over the polished lip of the pool down
another incline and out over the brow of the precipice in a magnificent curve
thick-sown with rainbow spray.
Long ago before I had traced this fine stream to its head back of Mount
Hoffman, I was eager to reach the extreme verge to see how it behaved in flying
so far through the air; but after enjoying this view and getting safely away I
have never advised any one to follow my steps. The last incline down which the
stream journeys so gracefully is so steep and smooth one must slip cautiously
forward on hands and feet alongside the rushing water, which so near
one’s head is very exciting. But to gain a perfect view one must go yet
farther, over a curving brow to a slight shelf on the extreme brink. This
shelf, formed by the flaking off of a fold of granite, is about three inches
wide, just wide enough for a safe rest for one’s heels. To me it seemed
nerve-trying to slip to this narrow foothold and poise on the edge of such
precipice so close to the confusing whirl of the waters; and after casting
longing glances over the shining brow of the fall and listening to its sublime
psalm, I concluded not to attempt to go nearer, but, nevertheless, against
reasonable judgment, I did. Noticing some tufts of artemisia in a cleft of
rock, I filled my mouth with the leaves, hoping their bitter taste might help
to keep caution keen and prevent giddiness. In spite of myself I reached the
little ledge, got my heels well set, and worked sidewise twenty or thirty feet
to a point close to the out-plunging current. Here the view is perfectly free
down into the heart of the bright irised throng of comet-like streamers into
which the whole ponderous volume of the fall separates, two or three hundred
feet below the brow. So glorious a display of pure wildness, acting at close
range while cut off from all the world beside, is terribly impressive. A less
nerve-trying view may be obtained from a fissured portion of the edge of the
cliff about forty yards to the eastward of the fall. Seen from this point
towards noon, in the spring, the rainbow on its brow seems to be broken up and
mingled with the rushing comets until all the fall is stained with iris colors,
leaving no white water visible. This is the best of the safe views from above,
the huge steadfast rocks, the flying waters, and the rainbow light forming one
of the most glorious pictures conceivable.
The Yosemite Fall is separated into an upper and a lower fall with a series of
falls and cascades between them, but when viewed in front from the bottom of
the Valley they all appear as one.
So grandly does this magnificent fall display itself from the floor of the
Valley, few visitors take the trouble to climb the walls to gain nearer views,
unable to realize how vastly more impressive it is near by than at a distance
of one or two miles.
The views developed in a walk up the zigzags of the trail leading to the foot
of the Upper Fall are about as varied and impressive as those displayed along
the favorite Glacier Point Trail. One rises as if on wings. The groves,
meadows, fern-flats and reaches of the river gain new interest, as if never
seen before; all the views changing in a most striking manner as we go higher
from point to point. The foreground also changes every few rods in the most
surprising manner, although the earthquake talus and the level bench on the
face of the wall over which the trail passes seem monotonous and commonplace as
seen from the bottom of the Valley. Up we climb with glad exhilaration, through
shaggy fringes of laurel, ceanothus, glossy-leaved manzanita and live-oak, from
shadow to shadow across bars and patches of sunshine, the leafy openings making
charming frames for the Valley pictures beheld through gem, and for the
glimpses of the high peaks that appear in the distance. The higher we go the
farther we seem to be from the summit of the vast granite wall. Here we pass a
projecting buttress hose grooved and rounded surface tells a plain story of the
time when the Valley, now filled with sunshine, was filled with ice, when the
grand old Yosemite Glacier, flowing river-like from its distant fountains,
swept through it, crushing, grinding, wearing its way ever deeper, developing
and fashioning these sublime rocks. Again we cross a white, battered gully, the
pathway of rock avalanches or snow avalanches. Farther on we come to a gentle
stream slipping down the face of the Cliff in lace-like strips, and dropping
from ledge to ledge—too small to be called a fall—trickling,
dripping, oozing, a pathless wanderer from one of the upland meadow lying a
little way back of the Valley rim, seeking a way century after century to the
depths of the Valley without any appreciable channel. Every morning after a
cool night, evaporation being checked, it gathers strength and sings like a
bird, but as the day advances and the sun strikes its thin currents outspread
on the heated precipices, most of its waters vanish ere the bottom of the
Valley is reached. Many a fine, hanging-garden aloft on breezy inaccessible
heights owes to it its freshness and fullness of beauty; ferneries in shady
nooks, filled with Adiantum, Woodwardia, Woodsia, Aspidium, Pellaea, and
Cheilanthes, rosetted and tufted and ranged in lines, daintily overlapping,
thatching the stupendous cliffs with softest beauty, some of the delicate
fronds seeming to float on the warm moist air, without any connection with rock
or stream. Nor is there any lack of colored plants wherever they can find a
place to cling to; lilies and mints, the showy cardinal mimulus, and glowing
cushions of the golden bahia, enlivened with butterflies and bees and all the
other small, happy humming creatures that belong to them.
After the highest point on the lower division of the trail is gained it leads
up into the deep recess occupied by the great fall, the noblest display of
falling water to be found in the Valley, or perhaps in the world. When it first
comes in sight it seems almost within reach of one’s hand, so great in
the spring is its volume and velocity, yet it is still nearly a third of a mile
away and appears to recede as we advance. The sculpture of the walls about it
is on a scale of grandeur, according nobly with the fall plain and massive,
though elaborately finished, like all the other cliffs about the Valley.
In the afternoon an immense shadow is cast athwart the plateau in front of the
fall, and over the chaparral bushes that clothe the slopes and benches of the
walls to the eastward, creeping upward until the fall is wholly overcast, the
contrast between the shaded and illumined sections being very striking in these
near views.
Under this shadow, during the cool centuries immediately following the
breaking-up of the Glacial Period, dwelt a small residual glacier, one of the
few that lingered on this sun-beaten side of the Valley after the main trunk
glacier had vanished. It sent down a long winding current through the narrow
cañon on the west side of the fall, and must have formed a striking feature of
the ancient scenery of the Valley; the lofty fall of ice and fall of water side
by side, yet separate and distinct.
The coolness of the afternoon shadow and the abundant dewy spray make a fine
climate for the plateau ferns and grasses, and for the beautiful azalea bushes
that grow here in profusion and bloom in September, long after the warmer
thickets down on the floor of the Valley have withered and gone to seed. Even
close to the fall, and behind it at the base of the cliff, a few venturesome
plants may be found undisturbed by the rock-shaking torrent.
The basin at the foot of the fall into which the current directly pours, when
it is not swayed by the wind, is about ten feet deep and fifteen to twenty feet
in diameter. That it is not much deeper is surprising, when the great height
and force of the fall is considered. But the rock where the water strikes
probably suffers less erosion than it would were the descent less than half as
great, since the current is outspread, and much of its force is spent ere it
reaches the bottom—being received on the air as upon an elastic cushion,
and borne outward and dissipated over a surface more than fifty yards wide.
This surface, easily examined when the water is low, is intensely clean and
fresh looking. It is the raw, quick flesh of the mountain wholly untouched by
the weather. In summer droughts when the snowfall of the preceding winter has
been light, the fall is reduced to a mere shower of separate drops without any
obscuring spray. Then we may safely go back of it and view the crystal shower
from beneath, each drop wavering and pulsing as it makes its way through the
air, and flashing off jets of colored light of ravishing beauty. But all this
is invisible from the bottom of the Valley, like a thousand other interesting
things. One must labor for beauty as for bread, here as elsewhere.
During the time of the spring floods the best near view of the fall is obtained
from Fern Ledge on the east side above the blinding spray at a height of about
400 feet above the base of the fall. A climb of about 1400 feet from the Valley
has to be made, and there is no trail, but to any one fond of climbing this
will make the ascent all the more delightful. A narrow part of the ledge
extends to the side of the fall and back of it, enabling us to approach it as
closely as we wish. When the afternoon sunshine is streaming through the throng
of comets, ever wasting, ever renewed, fineness, firmness and variety of their
forms are beautifully revealed. At the top of the fall they seem to burst forth
in irregular spurts from some grand, throbbing mountain heart. Now and then one
mighty throb sends forth a mass of solid water into the free air far beyond the
others which rushes alone to the bottom of the fall with long streaming tail,
like combed silk, while the others, descending in clusters, gradually mingle
and lose their identity. But they all rush past us with amazing velocity and
display of power though apparently drowsy and deliberate in their movements
when observed from a distance of a mile or two. The heads of these comet-like
masses are composed of nearly solid water, and are dense white in color like
pressed snow, from the friction they suffer in rushing through the air, the
portion worn off forming the tail between the white lustrous threads and films
of which faint, grayish pencilings appear, while the outer, finer sprays of
water-dust, whirling in sunny eddies, are pearly gray throughout. At the bottom
of the fall there is but little distinction of form visible. It is mostly a
hissing, clashing, seething, upwhirling mass of scud and spray, through which
the light sifts in gray and purple tones while at times when the sun strikes at
the required angle, the whole wild and apparently lawless, stormy, striving
mass is changed to brilliant rainbow hues, manifesting finest harmony. The
middle portion of the fall is the most openly beautiful; lower, the various
forms into which the waters are wrought are more closely and voluminously
veiled, while higher, towards the head, the current is comparatively simple and
undivided. But even at the bottom, in the boiling clouds of spray, there is no
confusion, while the rainbow light makes all divine, adding glorious beauty and
peace to glorious power. This noble fall has far the richest, as well as the
most powerful, voice of all the falls of the Valley, its tones varying from the
sharp hiss and rustle of the wind in the glossy leaves of the live-oak and the
soft, sifting, hushing tones of the pines, to the loudest rush and roar of
storm winds and thunder among the crags of the summit peaks. The low bass,
booming, reverberating tones, heard under favorable circumstances five or six
miles away are formed by the dashing and exploding of heavy masses mixed with
air upon two projecting ledges on the face of the cliff, the one on which we
are standing and another about 200 feet above it. The torrent of massive comets
is continuous at time of high water, while the explosive, booming notes are
wildly intermittent, because, unless influenced by the wind, most of the
heavier masses shoot out from the face of the precipice, and pass the ledges
upon which at other times they are exploded. Occasionally the whole fall is
swayed away from the front of the cliff, then suddenly dashed flat against it,
or vibrated from side to side like a pendulum, giving rise to endless variety
of forms and sounds.
The Nevada Fall is 600 feet high and is usually ranked next to the Yosemite in
general interest among the five main falls of the Valley. Coming through the
Little Yosemite in tranquil reaches, the river is first broken into rapids on a
moraine boulder-bar that crosses the lower end of the Valley. Thence it pursues
its way to the head of the fall in a rough, solid rock channel, dashing on side
angles, heaving in heavy surging masses against elbow knobs, and swirling and
swashing in pot-holes without a moment’s rest. Thus, already chafed and
dashed to foam, overfolded and twisted, it plunges over the brink of the
precipice as if glad to escape into the open air. But before it reaches the
bottom it is pulverized yet finer by impinging upon a sloping portion of the
cliff about half-way down, thus making it the whitest of all the falls of the
Valley, and altogether one of the most wonderful in the world.
On the north side, close to its head, a slab of granite projects over the
brink, forming a fine point for a view, over its throng of streamers and wild
plunging, into its intensely white bosom, and through the broad drifts of
spray, to the river far below, gathering its spent waters and rushing on again
down the cañon in glad exultation into Emerald Pool, where at length it grows
calm and gets rest for what still lies before it. All the features of the view
correspond with the waters in grandeur and wildness. The glacier sculptured
walls of the cañon on either hand, with the sublime mass of the Glacier Point
Ridge in front, form a huge triangular pit-like basin, which, filled with the
roaring of the falling river seems as if it might be the hopper of one of the
mills of the gods in which the mountains were being ground.
The Vernal, about a mile below the Nevada, is 400 feet high, a staid, orderly,
graceful, easy-going fall, proper and exact in every movement and gesture, with
scarce a hint of the passionate enthusiasm of the Yosemite or of the impetuous
Nevada, whose chafed and twisted waters hurrying over the cliff seem glad to
escape into the open air, while its deep, booming, thunder-tones reverberate
over the listening landscape. Nevertheless it is a favorite with most visitors,
doubtless because it is more accessible than any other, more closely approached
and better seen and heard. A good stairway ascends the cliff beside it and the
level plateau at the head enables one to saunter safely along the edge of the
river as it comes from Emerald Pool and to watch its waters, calmly bending
over the brow of the precipice, in a sheet eighty feet wide, changing in color
from green to purplish gray and white until dashed on a boulder talus. Thence
issuing from beneath its fine broad spray-clouds we see the tremendously
adventurous river still unspent, beating its way down the wildest and deepest
of all its cañons in gray roaring rapids, dear to the ouzel, and below the
confluence of the Illilouette, sweeping around the shoulder of the Half Dome on
its approach to the head of the tranquil levels of the Valley.
The Illilouette in general appearance most resembles the Nevada. The volume of
water is less than half as great, but it is about the same height (600 feet)
and its waters receive the same kind of preliminary tossing in a rocky,
irregular channel. Therefore it is a very white and fine-grained fall. When it
is in full springtime bloom it is partly divided by rocks that roughen the lip
of the precipice, but this division amounts only to a kind of fluting and
grooving of the column, which has a beautiful effect. It is not nearly so grand
a fall as the upper Yosemite, or so symmetrical as the Vernal, or so airily
graceful and simple as the Bridal Veil, nor does it ever display so tremendous
an outgush of snowy magnificence as the Nevada; but in the exquisite fineness
and richness of texture of its flowing folds it surpasses them all.
One of the finest effects of sunlight on falling water I ever saw in Yosemite
or elsewhere I found on the brow of this beautiful fall. It was in the Indian
summer, when the leaf colors were ripe and the great cliffs and domes were
transfigured in the hazy golden air. I had scrambled up its rugged talus-dammed
cañon, oftentimes stopping to take breath and look back to admire the wonderful
views to be had there of the great Half Dome, and to enjoy the extreme purity
of the water, which in the motionless pools on this stream is almost perfectly
invisible; the colored foliage of the maples, dogwoods, Rubus tangles,
etc., and the late goldenrods and asters. The voice of the fall was now low,
and the grand spring and summer floods had waned to sifting, drifting gauze and
thin-broidered folds of linked and arrowy lace-work. When I reached the foot of
the fall sunbeams were glinting across its head, leaving all the rest of it in
shadow; and on its illumined brow a group of yellow spangles of singular form
and beauty were playing, flashing up and dancing in large flame-shaped masses,
wavering at times, then steadying, rising and falling in accord with the
shifting forms of the water. But the color of the dancing spangles changed not
at all. Nothing in clouds or flowers, on bird-wings or the lips of shells,
could rival it in fineness. It was the most divinely beautiful mass of
rejoicing yellow light I ever beheld—one of Nature’s precious gifts
that perchance may come to us but once in a lifetime.
There are many other comparatively small falls and cascades in the Valley. The
most notable are the Yosemite Gorge Fall and Cascades, Tenaya Fall and
Cascades, Royal Arch Falls, the two Sentinel Cascades and the falls of Cascade
and Tamarack Creeks, a mile or two below the lower end of the Valley. These
last are often visited. The others are seldom noticed or mentioned; although in
almost any other country they would be visited and described as wonders.
The six intermediate falls in the gorge between the head of the Lower and the
base of the Upper Yosemite Falls, separated by a few deep pools and strips of
rapids, and three slender, tributary cascades on the west side form a series
more strikingly varied and combined than any other in the Valley, yet very few
of all the Valley visitors ever see them or hear of them. No available
standpoint commands a view of them all. The best general view is obtained from
the mouth of the gorge near the head of the Lower Fall. The two lowest of the
series, together with one of the three tributary cascades, are visible from
this standpoint, but in reaching it the last twenty or thirty feet of the
descent is rather dangerous in time of high water, the shelving rocks being
then slippery on account of spray, but if one should chance to slip when the
water is low, only a bump or two and a harmless plash would be the penalty. No
part of the gorge, however, is safe to any but cautious climbers.
Though the dark gorge hall of these rejoicing waters is never flushed by the
purple light of morning or evening, it is warmed and cheered by the white light
of noonday, which, falling into so much foam and and spray of varying degrees
of fineness, makes marvelous displays of rainbow colors. So filled, indeed, is
it with this precious light, at favorable times it seems to take the place of
common air. Laurel bushes shed fragrance into it from above and live-oaks,
those fearless mountaineers, hold fast to angular seams and lean out over it
with their fringing sprays and bright mirror leaves.
One bird, the ouzel, loves this gorge and flies through it merrily, or
cheerily, rather, stopping to sing on foam-washed bosses where other birds
could find no rest for their feet. I have even seen a gray squirrel down in the
heart of it beside the wild rejoicing water.
One of my favorite night walks was along the rim of this wild gorge in times of
high water when the moon was full, to see the lunar bows in the spray.
For about a mile above Mirror Lake the Tenaya Cañon is level, and richly
planted with fir, Douglas spruce and libocedrus, forming a remarkably fine
grove, at the head of which is the Tenaya Fall. Though seldom seen or
described, this is, I think, the most picturesque of all the small falls. A
considerable distance above it, Tenaya Creek comes hurrying down, white and
foamy, over a flat pavement inclined at an angle of about eighteen degrees. In
time of high water this sheet of rapids is nearly seventy feet wide, and is
varied in a very striking way by three parallel furrows that extend in the
direction of its flow. These furrows, worn by the action of the stream upon
cleavage joints, vary in width, are slightly sinuous, and have large boulders
firmly wedged in them here and there in narrow places, giving rise, of course,
to a complicated series of wild dashes, doublings, and upleaping arches in the
swift torrent. Just before it reaches the head of the fall the current is
divided, the left division making a vertical drop of about eighty feet in a
romantic, leafy, flowery, mossy nook, while the other forms a rugged cascade.
The Royal Arch Fall in time of high water is a magnificent object, forming a
broad ornamental sheet in front of the arches. The two Sentinel Cascades, 3000
feet high, are also grand spectacles when the snow is melting fast in the
spring, but by the middle of summer they have diminished to mere streaks scarce
noticeable amid their sublime surroundings.
The Bridal Veil and Vernal Falls are famous for their rainbows; and special
visits to them are often made when the sun shines into the spray at the most
favorable angle. But amid the spray and foam and fine-ground mist ever rising
from the various falls and cataracts there is an affluence and variety of iris
bows scarcely known to visitors who stay only a day or two. Both day and night,
winter and summer, this divine light may be seen wherever water is falling
dancing, singing; telling the heart-peace of Nature amid the wildest displays
of her power. In the bright spring mornings the black-walled recess at the foot
of the Lower Yosemite Fall is lavishly fine with irised spray; and not simply
does this span the dashing foam, but the foam itself, the whole mass of it,
beheld at a certain distance, seems to be colored, and drips and wavers from
color to color, mingling with the foliage of the adjacent trees, without
suggesting any relationship to the ordinary rainbow. This is perhaps the
largest and most reservoir-like fountain of iris colors to be found in the
Valley.
Lunar rainbows or spray-bows also abound in the glorious affluence of dashing,
rejoicing, hurrahing, enthusiastic spring floods, their colors as distinct as
those of the sun and regularly and obviously banded, though less vivid. Fine
specimens may be found any night at the foot of the Upper Yosemite Fall,
glowing gloriously amid the gloomy shadows and thundering waters, whenever
there is plenty of moonlight and spray. Even the secondary bow is at times
distinctly visible.
The best point from which to observe them is on Fern Ledge. For some time after
moonrise, at time of high water, the arc has a span of about five hundred feet,
and is set upright; one end planted in the boiling spray at the bottom, the
other in the edge of the fall, creeping lower, of course, and becoming less
upright as the moon rises higher. This grand arc of color, glowing in mild,
shapely beauty in so weird and huge a chamber of night shadows, and amid the
rush and roar and tumultuous dashing of this thunder-voiced fall, is one of the
most impressive and most cheering of all the blessed mountain evangels.
Smaller bows may be seen in the gorge on the plateau between the Upper and
Lower Falls. Once toward midnight, after spending a few hours with the wild
beauty of the Upper Fall, I sauntered along the edge of the gorge, looking in
here and there, wherever the footing felt safe, to see what I could learn of
the night aspects of the smaller falls that dwell there. And down in an
exceedingly black, pit-like portion of the gorge, at the foot of the highest of
the intermediate falls, into which the moonbeams were pouring through a narrow
opening, I saw a well-defined spray-bow, beautifully distinct in colors,
spanning the pit from side to side, while pure white foam-waves beneath the
beautiful bow were constantly springing up out of the dark into the moonlight
like dancing ghosts.
A wild scene, but not a safe one, is made by the moon as it appears through the
edge of the Yosemite Fall when one is behind it. Once, after enjoying the
night-song of the waters and watching the formation of the colored bow as the
moon came round the domes and sent her beams into the wild uproar, I ventured
out on the narrow bench that extends back of the fall from Fern Ledge and began
to admire the dim-veiled grandeur of the view. I could see the fine gauzy
threads of the fall’s filmy border by having the light in front; and
wishing to look at the moon through the meshes of some of the denser portions
of the fall, I ventured to creep farther behind it while it was gently
wind-swayed, without taking sufficient thought about the consequences of its
swaying back to its natural position after the wind-pressure should be removed.
The effect was enchanting: fine, savage music sounding above, beneath, around
me; while the moon, apparently in the very midst of the rushing waters, seemed
to be struggling to keep her place, on account of the ever-varying form and
density of the water masses through which she was seen, now darkly veiled or
eclipsed by a rush of thick-headed comets, now flashing out through openings
between their tails. I was in fairyland between the dark wall and the wild
throng of illumined waters, but suffered sudden disenchantment; for, like the
witch-scene in Alloway Kirk, “in an instant all was dark.” Down
came a dash of spent comets, thin and harmless-looking in the distance, but
they felt desperately solid and stony when they struck my shoulders, like a
mixture of choking spray and gravel and big hailstones. Instinctively dropping
on my knees, I gripped an angle of the rock, curled up like a young fern frond
with my face pressed against my breast, and in this attitude submitted as best
I could to my thundering bath. The heavier masses seemed to strike like
cobblestones, and there was a confused noise of many waters about my
ears—hissing, gurgling, clashing sounds that were not heard as music. The
situation was quickly realized. How fast one’s thoughts burn in such
times of stress! I was weighing chances of escape. Would the column be swayed a
few inches away from the wall, or would it come yet closer? The fall was in
flood and not so lightly would its ponderous mass be swayed. My fate seemed to
depend on a breath of the “idle wind.” It was moved gently forward,
the pounding ceased, and I was once more visited by glimpses of the moon. But
fearing I might be caught at a disadvantage in making too hasty a retreat, I
moved only a few feet along the bench to where a block of ice lay. I wedged
myself between the ice and the wall and lay face downwards, until the
steadiness of the light gave encouragement to rise and get away. Somewhat
nerve-shaken, drenched, and benumbed, I made out to build a fire, warmed
myself, ran home, reached my cabin before daylight, got an hour or two of
sleep, and awoke sound and comfortable, better, not worse for my hard midnight
bath.
Owing to the westerly trend of the Valley and its vast depth there is a great
difference between the climates of the north and south sides—greater than
between many countries far apart; for the south wall is in shadow during the
winter months, while the north is bathed in sunshine every clear day. Thus
there is mild spring weather on one side of the Valley while winter rules the
other. Far up the north-side cliffs many a nook may be found closely embraced
by sun-beaten rock-bosses in which flowers bloom every month of the year. Even
butterflies may be seen in these high winter gardens except when snow-storms
are falling and a few days after they have ceased. Near the head of the lower
Yosemite Fall in January I found the ant lions lying in wait in their warm
sand-cups, rock ferns being unrolled, club mosses covered with fresh-growing
plants, the flowers of the laurel nearly open, and the honeysuckle rosetted
with bright young leaves; every plant seemed to be thinking about summer. Even
on the shadow-side of the Valley the frost is never very sharp. The lowest
temperature I ever observed during four winters was 7° Fahrenheit. The
first twenty-four days of January had an average temperature at 9 A.M. of
32°, minimum 22°; at 3 P.M. the average was 40° 30′, the
minimum 32°. Along the top of the walls, 7000 and 8000 feet high, the
temperature was, of course, much lower. But the difference in temperature
between the north and south sides is due not so much to the winter sunshine as
to the heat of the preceding summer, stored up in the rocks, which rapidly
melts the snow in contact with them. For though summer sun-heat is stored in
the rocks of the south side also, the amount is much less because the rays fall
obliquely on the south wall even in summer and almost vertically on the north.
The upper branches of the Yosemite streams are buried every winter beneath a
heavy mantle of snow, and set free in the spring in magnificent floods. Then,
all the fountains, full and overflowing, every living thing breaks forth into
singing, and the glad exulting streams shining and falling in the warm sunny
weather, shake everything into music making all the mountain-world a song.
The great annual spring thaw usually begins in May in the forest region, and in
June and July on the high Sierra, varying somewhat both in time and fullness
with the weather and the depth of the snow. Toward the end of summer the
streams are at their lowest ebb, few even of the strongest singing much above a
whisper they slip and ripple through gravel and boulder-beds from pool to pool
in the hollows of their channels, and drop in pattering showers like rain, and
slip down precipices and fall in sheets of embroidery, fold over fold. But,
however low their singing, it is always ineffably fine in tone, in harmony with
the restful time of the year.
The first snow of the season that comes to the help of the streams usually
falls in September or October, sometimes even is the latter part of August, in
the midst of yellow Indian summer when the goldenrods and gentians of the
glacier meadows are in their prime. This Indian-summer snow, however, soon
melts, the chilled flowers spread their petals to the sun, and the gardens as
well as the streams are refreshed as if only a warm shower had fallen. The
snow-storms that load the mountains to form the main fountain supply for the
year seldom set in before the middle or end of November.
When the first heavy storms stopped work on the high mountains, I made haste
down to my Yosemite den, not to “hole up” and sleep the white
months away; I was out every day, and often all night, sleeping but little,
studying the so-called wonders and common things ever on show, wading,
climbing, sauntering among the blessed storms and calms, rejoicing in almost
everything alike that I could see or hear: the glorious brightness of frosty
mornings; the sunbeams pouring over the white domes and crags into the groves
end waterfalls, kindling marvelous iris fires in the hoarfrost and spray; the
great forests and mountains in their deep noon sleep; the good-night alpenglow;
the stars; the solemn gazing moon, drawing the huge domes and headlands one by
one glowing white out of the shadows hushed and breathless like an audience in
awful enthusiasm, while the meadows at their feet sparkle with frost-stars like
the sky; the sublime darkness of storm-nights, when all the lights are out; the
clouds in whose depths the frail snow-flowers grow; the behavior and many
voices of the different kinds of storms, trees, birds, waterfalls, and
snow-avalanches in the ever-changing weather.
Every clear, frosty morning loud sounds are heard booming and reverberating
from side to side of the Valley at intervals of a few minutes, beginning soon
after sunrise and continuing an hour or two like a thunder-storm. In my first
winter in the Valley I could not make out the source of this noise. I thought
of falling boulders, rock-blasting, etc. Not till I saw what looked like
hoarfrost dropping from the side of the Fall was the problem explained. The
strange thunder is made by the fall of sections of ice formed of spray that is
frozen on the face of the cliff along the sides of the Upper Yosemite
Fan—a sort of crystal plaster, a foot or two thick, racked off by the
sunbeams, awakening all the Valley like cock-crowing, announcing the finest
weather, shouting aloud Nature’s infinite industry and love of hard work
in creating beauty.
This frozen spray gives rise to one of the most interesting winter features of
the Valley—a cone of ice at the foot of the fall, four or five hundred
feet high. From the Fern Ledge standpoint its crater-like throat is seen, down
which the fall plunges with deep, gasping explosions of compressed air, and,
after being well churned in the wormy interior, the water bursts forth through
arched openings at its base, apparently scourged and weary and glad to escape,
while belching spray, spouted up out of the throat past the descending current,
is wafted away in irised drifts to the adjacent rocks and groves. It is built
during the night and early hours of the morning; only in spells of
exceptionally cold and cloudy weather is the work continued through the day.
The greater part of the spray material falls in crystalline showers direct to
its place, something like a small local snow-storm; but a considerable portion
is first frozen on the face of the cliff along the sides of the fall and stays
there until expanded and cracked off in irregular masses, some of them tons in
weight, to be built into the walls of the cone; while in windy, frosty weather,
when the fall is swayed from side to side, the cone is well drenched and the
loose ice masses and spray-dust are all firmly welded and frozen together. Thus
the finest of the downy wafts and curls of spray-dust, which in mild nights
fall about as silently as dew, are held back until sunrise to make a store of
heavy ice to reinforce the waterfall’s thunder-tones.
While the cone is in process of formation, growing higher and wider in the
frosty weather, it looks like a beautiful smooth, pure-white hill; but when it
is wasting and breaking up in the spring its surface is strewn with leaves,
pine branches, stones, sand, etc., that have been brought over the fall, making
it look like a heap of avalanche detritus.
Anxious to learn what I could about the structure of this curious hill I often
approached it in calm weather and tried to climb it, carrying an ax to cut
steps. Once I nearly succeeded in gaining the summit. At the base I was met by
a current of spray and wind that made seeing and breathing difficult. I pushed
on backward however, and soon gained the slope of the hill, where by creeping
close to the surface most of the choking blast passed over me and I managed to
crawl up with but little difficulty. Thus I made my way nearly to the summit,
halting at times to peer up through the wild whirls of spray at the veiled
grandeur of the fall, or to listen to the thunder beneath me; the whole hill
was sounding as if it were a huge, bellowing drum. I hoped that by waiting
until the fall was blown aslant I should be able to climb to the lip of the
crater and get a view of the interior; but a suffocating blast, half air, half
water, followed by the fall of an enormous mass of frozen spray from a spot
high up on the wall, quickly discouraged me. The whole cone was jarred by the
blow and some fragments of the mass sped past me dangerously near; so I beat a
hasty retreat, chilled and drenched, and lay down on a sunny rock to dry.
Once during a wind-storm when I saw that the fall was frequently blown
westward, leaving the cone dry, I ran up to Fern Ledge hoping to gain a clear
view of the interior. I set out at noon. All the way up the storm notes were so
loud about me that the voice of the fall was almost drowned by them.
Notwithstanding the rocks and bushes everywhere were drenched by the
wind-driven spray, I approached the brink of the precipice overlooking the
mouth of the ice cone, but I was almost suffocated by the drenching, gusty
spray, and was compelled to seek shelter. I searched for some hiding-place in
the wall from whence I might run out at some opportune moment when the fall
with its whirling spray and torn shreds of comet tails and trailing, tattered
skirts was borne westward, as I had seen it carried several times before,
leaving the cliffs on the east side and the ice hill bare in the sunlight. I
had not long to wait, for, as if ordered so for my special accommodation, the
mighty downrush of comets with their whirling drapery swung westward and
remained aslant for nearly half an hour. The cone was admirably lighted and
deserted by the water, which fell most of the time on the rocky western slopes
mostly outside of the cone. The mouth into which the fall pours was, as near as
I could guess, about one hundred feet in diameter north and south and about two
hundred feet east and west, which is about the shape and size of the fall at
its best in its normal condition at this season.
The crater-like opening was not a true oval, but more like a huge coarse mouth.
I could see down the throat about one hundred feet or perhaps farther.
The fall precipice overhangs from a height of 400 feet above the base;
therefore the water strikes some distance from the base off the cliff, allowing
space for the accumulation of a considerable mass of ice between the fall and
the wall.