THE WORKS OF THOMAS MIDDLETON.
Footnotes have been collected at the end of each play, and are linked for ease of reference.
In Volume 1 of this work, the editor provided a section of ‘Addendum and Corrigiendum’, with errata of the following volumes, including this. The errata for Volume 4 have been copied from that volume for straightfoward reference, and are included in the transcribers’s endnotes. Key words in the text which are annotated by the Errata are highlighted, and serve as links to the relevant note.
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- A CHASTE MAID IN CHEAPSIDE.
- THE SPANISH GIPSY.
- THE CHANGELING.
- A GAME AT CHESS.
- ANY THING FOR A QUIET LIFE.
- WOMEN BEWARE WOMEN.
[Illustration: To face Title to Vol. 4. Eng’d by F. W. Fairholt. ]
A CHASTE MAID IN CHEAPSIDE. — ACT I. SCENE I. — SCENE II. — ACT II. SCENE I. — SCENE II. — SCENE III. — SCENE IV. — ACT III. SCENE I. — SCENE II. — SCENE III. — ACT IV. SCENE I. — SCENE II. — SCENE III. — ACT V. SCENE I. — SCENE II. — SCENE III. — SCENE IV.
3A Chast Mayd in Cheape-side. A Pleasant conceited Comedy neuer before printed. As it hath beene often acted at the Swan on the Banke-side, by the Lady Elizabeth her Seruants. By Thomas Midelton Gent. London, Printed for Francis Constable dwelling at the signe of the Crane in Pauls Church-yard. 1630. 4to.
- Sir Walter Whorehound.
- Sir Oliver Kix.[1]
- Touchwood senior.
- Touchwood junior.
- Allwit.
- Yellowhammer, a goldsmith.
- Tim, his son.
- Tutor to Tim.
- Davy Dahanna,[2] Sir Walter’s poor kinsman and attendant.
- Parson.
- Wat,
Nick
sons to Sir Walter by mistress Allwit.
- Two Promoters.
- Porter, Watermen, &c.
- Lady Kix.
- Mistress Touchwood, wife to Touchwood senior.
- Mistress Allwit.
- Maudlin, wife to Yellowhammer.
- Moll, her daughter.
- Welshwoman, mistress to Sir W. Whorehound.
- Country Girl.
- Susan, Maid, Midwife, Nurses, Puritans and other gossips, &c.
Maud. Have you played over all your old lessons o' the virginals?[3]
Moll. Yes.
Maud. Yes? you are[4] a dull maid a' late; methinks you had need have somewhat to quicken your green sickness—do you weep?—a husband: had not such a piece of flesh been ordained, what had us wives been good for? to make salads, or else cried up and down for samphire. To see the difference of these seasons! when I was of your youth, I was lightsome and quick two years before I was married. You fit for a knight’s bed! drowsy-browed, dull-eyed, drossy-spirited! I hold my life you have forgot your dancing: when was the dancer with you?
Moll. The last week.
Maud. Pray, let me see it; I was wont to understand him. [Reads] Amantissimis carissimis, he has sent the carrier’s man, he says; ambobus parentibus, for a pair of boots; patri et matri, pay the porter, or it makes no matter.
Por. Yes, by my faith, mistress; there’s no true construction in that: I have took a great deal of pains, and come from the Bell[9] sweating. Let me come to’t, for I was a scholar forty years ago; ’tis thus, I warrant you: [reads] Matri, it makes no matter; ambobus parentibus, for a pair of boots; patri, pay the porter; amantissimis carissimis, he’s the carrier’s man, and his name is Sims; and there he says true, forsooth, my name is Sims indeed; I have not forgot all my learning: a money-matter, I thought I should hit on’t.
Yel. Go, thou’rt an old fox; there’s a tester[10] for thee.
Por. If I see your worship at Goose-fair, I have a dish of birds for you.
Yel. Why, dost dwell at Bow?
9Por. All my lifetime, sir; I could ever say bo to a goose. Farewell to your worship. [Exit.
Yel. A merry porter!
Yel. What’s here? maximus diligo; faith, I must to my learned counsel with this gear,[11] ’twill ne’er be discerned else.
Moll. Sir——
Touch. jun. Turn[17] not to me till thou mayst lawfully; it but whets my stomach, which is too sharp-set already. Read that note carefully [giving letter to Moll]; keep me from suspicion still, nor know my zeal but in thy heart:
[Exeunt Maudlin, Sir W. Whorehound, Welchwoman, and Davy.
Sir Wal. O, Wat—how dost, Nick? go to school, ply your books, boys, ha?
Allwit. True, and if she bear a male child, there’s the man in the moon, sir.
Enter from the house[62] Midwife with the child, Lady Kix and other Gossips, who exeunt; then Maudlin, Puritans, and other Gossips.
A bed-chamber:[67] Mistress Allwit discovered in bed.
Enter Midwife with the child, Lady Kix, Maudlin, Puritans, and other Gossips.
Tim. Negatur argumentum, tutor.
Tutor. Probo tibi, pupil, stultus non est animal rationale.
Tim. Falleris sane.
Tutor. Quæso ut taceas,—probo tibi——
Tim. Quomodo probas, domine?
Tutor. Stultus non habet rationem, ergo non est animal rationale.
Tim. Sic argumentaris, domine; stultus non habet rationem, ergo non est animal rationale: negatur argumentum again, tutor.
63Tutor. Argumentum iterum probo tibi, domine; qui non participat de ratione, nullo modo potest vocari rationalis;[104] but stultus non participat de ratione, ergo stultus nullo modo potest dici[105] rationalis.
Tim. Participat.
Tutor. Sic disputas; qui participat, quomodo participat?
Tim. Ut homo, probabo tibi in syllogismo.
Tutor. Hunc proba.
Tim. Sic probo, domine; stultus est homo, sicut tu et ego sum[us]; homo est animal rationale, sicut stultus est animal rationale.
Maud. Here’s nothing but disputing all the day long with ’em!
Tutor. Sic disputas; stultus est homo, sicut tu et ego sum[us]; homo est animal rationale, sicut stultus est animal rationale.
Tim. ’Tis pretty, i’faith, and well guessed of a woman never brought up at the university; but 64bring forth what fool you will, mother, I'll prove him to be as reasonable a creature as myself or my tutor here.
Tim. Pish, I made haberdines[106] of ’em in church-porches.
Tutor. I give great approbation to your conclusion.
Salve tu quoque, puella pulcherrima; quid vis nescio nec sane curo,—
Tim. Fertur, mehercule, tu virgo,[112] Walliâ ut opibus abundas maximis.
Iterum dico, opibus abundas maximis, montibus, et fontibus, et ut ita dicam rontibus; attamen vero homunculus ego sum natura, simul et arte baccalaureus, lecto profecto non parato.[113]
Tim. Cog foggin? I scorn to cog[114] with her; I'll tell her so too in a word near her own language.—Ego non cogo.
Tim. As well as a man might do, mother, in modest Latin.
Recorders[153] dolefully playing, enter at one door the coffin of Touchwood junior, solemnly decked, his sword upon it, attended by many gentlemen in black, among whom are Sir Oliver Kix, Allwit, and Parson, Touchwood senior being the chief mourner: at the other door the coffin of Moll, adorned with a garland of flowers, and epitaphs pinned on it,[154] attended by many matrons and maids, among whom are Lady Kix, Mistress Allwit, and Susan: the coffins are set down, one right over against the other; and while all the company seem to weep and mourn, there is a sad song in the music-room.[155]
THE SPANISH GIPSY. — ACT I. SCENE I. — SCENE II. — SCENE III. — SCENE IV. — SCENE V. — ACT II. SCENE I. — SCENE II. — ACT III. SCENE I. — SCENE II. — SCENE III. — ACT IV. SCENE I. — SCENE II. — SCENE III. — ACT V. SCENE I. — SCENE II. — SCENE III.
The Spanish Gipsie. As it was Acted (with great Applause) at the Privat House in Drury-Lane, and Salisbury Court.
Written by
Thomas Midleton
and
William Rowley
Gent.
Never Printed before. London, Printed by J. G. for Richard Marriot in St. Dunstans Church-yard, Fleetstreet, 1653. 4to.
Another ed. appeared in 1661. 4to.
The Spanish Gipsy has been reprinted in the 4th vol. of A Continuation of Dodsley’s Old Plays, 1816.
I have met with no earlier mention of it than that which occurs under a “Note of such playes as were acted at court in 1623 and 1624,” in Sir Henry Herbert’s office-book; “Upon the fifth of November att Whitehall, the prince being there only, The Gipsye, by the Cockpitt company.” Malone’s Shakespeare (by Boswell), vol. iii. p. 227.
“The Story of Roderigo and Clara,” says Langbaine, “has a near resemblance with (if it be not borrow’d from) a Spanish Novel, writ by Miguel de Cervantes, call’d The Force of Blood.” Acc. of Engl. Dram. Poets, p. 373. The editor of 1816 chooses to “think it not improbable that the other plot was suggested to our writers by the Beggar’s Bush of Fletcher, and the play-scene by the similar one in the Hamlet of Shakespeare.”
- Fernando de Azevida, corregidor of Madrid.
- Pedro de Cortes.
- Francisco de Carcomo.
- Roderigo, son to Fernando.
- Louis de Castro.
- Diego, his friend.
- John, son to Francisco.
- Sancho, ward to Pedro.
- Soto, his man.
- Alvarez de Castilla, disguised as the father of the gipsies.
- Carlo
Antonio
and others,
disguised as gipsies.
- Servants.
- Maria, wife to Pedro.
- Clara, their daughter.
- Guiamara, wife to Alvarez and sister to Fernando, disguised as the mother of the gipsies, and called by the name of Eugenia.
- Constanza, daughter to Fernando, disguised as a gipsy, and called by the name of Pretiosa.
- Christiana, disguised as a gipsy.
- Cardochia, hostess to Alvarez and his companions.
Louis. Roderigo!
Diego. Art mad?
Rod. Yes, not so much with wine: it’s as rare to see a Spaniard a drunkard as a German sober, an Italian no whoremonger, an Englishman to pay his debts. I am no borachio;[170] sack, malaga, nor canary, breeds the calenture in my brains; mine eye mads me, not my cups.
Louis. What wouldst have us do?
Rod. Do?
Diego. So far as ’tis fit for gentlemen[171] we’ll venture.
Rod. I ask no more. I ha' seen a thing has bewitched me; a delicate body, but this in the waist [shewing the size by a sign]; foot and leg tempting; the face I had [only] a glimpse of, but the fruit must needs be delicious, the tree being so beautiful.
Louis. Prithee, to the point.
Rod. Here ’tis: an old gentleman—no matter 104who he is—an old gentlewoman—I ha' nothing to do with her—but a young creature that follows them, daughter or servant, or whatsoever she be, her I must have: they are coming this way; shall I have her? I must have her.
Diego. How, how?
Louis. Thou speakest impossibilities.
Rod. Easy, easy, easy! I'll seize the young girl; stop you the old man; stay you the old woman.
Louis. How then?
Rod. I'll fly off with the young bird, that’s all; many of our Spanish gallants act these merry parts every night. They are weak and old, we young and sprightly: will you assist me?
Louis. Troth, Roderigo, any thing in the way of honour.
Rod. For a wench, man, any course is honourable.
Louis. Nay, not any; her father, if he be[172] her father, may be noble.
Rod. I am as noble.
Louis. Would the adventure were so!
Rod. Stand close, they come.
Alv. Come, my brave boys! the tailor’s shears has cut us into shapes fitting our trades.
Car. A trade free as a mason’s.
Ant. A trade brave as a courtier’s; for some of them do but shark, and so do we.
Alv. Gipsies, but no tanned ones; no red-ochre 118rascals umbered with soot and bacon as the English gipsies are, that sally out upon pullen,[191] lie in ambuscado for a rope of onions, as if they were Welsh freebooters; no, our stile has higher steps to climb over, Spanish gipsies, noble gipsies.
Car. I never knew nobility in baseness.
Alv. Baseness? the arts of Cocoquismo and Germania,[192] used by our Spanish pickaroes[193]—I mean filching, foisting,[194] nimming, jilting—we defy;[195] none in our college shall study ’em; such graduates we degrade.
Ant. Who but you?
Alv. So then: now being entered Madrill,[197] the enchanted circle of Spain, have a care to your new lessons.
Car.
Ant.
We listen.
Alv. Plough deep furrows, to catch deep root in th' opinion of the best, grandees,[198] dukes, marquesses, condes, and other titulados; shew your sports to none but them: what can you do with three or four fools in a dish, and a blockhead cut into sippets?
Ant. Scurvy meat!
Alv. The Lacedemonians threw their beards over their shoulders, to observe what men did behind them as well as before; you must do['t].
Car. We shall never do’t.
Ant. Our muzzles are too short.[199]
Alv. Be not English gipsies, in whose company a man’s not sure of the ears of his head, they so pilfer! no such angling; what you pull to land catch fair: there is no iron so foul but may be gilded; and our gipsy profession, how base soever in show, may acquire commendations.
Car. Gipsies, and yet pick no pockets?
Alv. Infamous and roguy! so handle your webs, that they never come to be woven in the loom of justice: take any thing that’s given you, purses, knives, handkerchers, rosaries, tweezes,[200] any toy, any money; refuse not a marvedi,[201] a blank:[202] feather 120by feather birds build nests, grain pecked up after grain makes pullen[203] fat.
Ant. The best is, we Spaniards are no great feeders.
Alv. If one city cannot maintain us, away to another! our horses must have wings. Does Madrill yield no money? Seville shall; is Seville close-fisted? Valladolid is open; so Cordova,[204] so Toledo. Do not our Spanish wines please us? Italian can then, French can. Preferment’s bow is hard to draw, set all your strengths to it; what you get, keep; all the world is a second Rochelle;[205] make all sure, for you must not look to have your dinner served in with trumpets.
Car. No, no, sack-buts[206] shall serve us.
Alv. When you have money, hide it; sell all our horses but one.
Ant. Why one?
Alv. ’Tis enough to carry our apparel and trinkets, and the less our ambler eats, our cheer is the better. None be sluttish, none thievish, none lazy; all bees, no drones, and our hives shall yield us honey.
Alv. No chamber-comedies: hostess, ply you your tide; flow let ’em to a full sea, but we’ll shew no pastime till after dinner, and that in a full ring of good people, the best, the noblest; no closet-sweetmeats, pray tell ’em so.
Card. I shall. [Exit.
Alv. How old is Pretiosa?
Gui. Twelve and upwards.
Const. I am in my teens, assure you, mother; as little as I am, I have been taken for an elephant; castles and lordships offered to be set upon me, if I would bear ’em: why, your smallest clocks are the prettiest things to carry about gentlemen.
Gui. Nay, child, thou wilt be tempted.
Const. Tempted? though I am no mark in respect of a huge butt, yet I can tell you great bubbers[208] have shot at me, and shot golden arrows, but 122I myself gave aim,[209] thus,—wide, four bows; short, three and a half: they that crack me shall find me as hard as a nut of Galicia; a parrot I am, but my teeth too tender to crack a wanton’s almond.[210]
Card. Here’s gentlemen swear all the oaths in Spain they have seen you, must see you, and will see you.
Alv. To drown this noise let ’em enter.
San. Is your playhouse an inn, a gentleman cannot see you without crumpling his taffeta cloak?
Soto. Nay, more than a gentleman, his man being a diminutive don too.
San. Is this the little ape does the fine tricks?
Const. Come aloft,[218] Jack little ape!
San. Would my jack might come aloft! please you to set the watermill with the ivory cogs[219] in’t a-grinding my handful of purging comfits. [Offers comfits.
Soto. My master desires to have you loose from your company.
Const. Am I a pigeon, think you, to be caught with cummin-seeds?[220] a fly to glue my wings to sweetmeats, and so be ta’en?
San. When do your gambols begin?
Alv. Not till we ha' dined.
San. ’Foot, then your bellies will be so full, you’ll be able to do nothing.—Soto, prithee, set a 124good face on’t, for I cannot, and give the little monkey that letter.
Soto. Walk off and hum to yourself. [Sancho retires.]—I dedicate, sweet Destiny, into whose hand every Spaniard desires to put a distaff, these lines of love. [Offering a paper to Constanza.
Gui. What love? what’s the matter?
Soto. Grave mother Bumby,[221] the mark’s out a' your mouth.
Alv. What’s the paper? from whom comes it?
Soto. The commodity wrapped up in the paper are verses; the warming-pan that puts heat into 'em, yon[222] fire-brained bastard of Helicon.
San. Hum, hum.[223]
Alv. What’s your master’s name?
Soto. His name is Don Tomazo Portacareco, nuncle[224] to young Don Hortado de Mendonza, cousin-german to the Conde de Tindilla, and natural brother to Francisco de Bavadilla, one of the commendadors of Alcantara, a gentleman of long standing.
Alv. And of as long a style.[225]
Const. Verses? I love good ones; let me see ’em.
San. [advancing] Good ones? if they were not good ones, they should not come from me; at the name of verses I can stand on no ground.
125Const. Here’s gold too! whose is this?
San. Whose but yours? If there be[226] any fault in the verses, I can mend it extempore; for a stitch in a man’s stocking not taken up in time, ravels out all the rest.
Soto. Botcherly poetry, botcherly! [Aside.
San. Had every verse a pearl in the eye, it should be thine.
Const. A pearl in mine eye! I thank you for that; do you wish me blind?[227]
San. Ay, by this light do I, that you may look upon nobody’s rhymes[228] but mine.
Const. I should be blind indeed then.[229]
Alv. Pray, sir, read your verses.
San. Shall I sing ’em or say ’em?
Alv. Which you can best.
Soto. Both scurvily. [Aside.
San. I'll set out a throat then.
Soto. Do, master, and I'll run division behind your back.[230]
San. [sings]
Soto. [sings] He maunders.[231]
126San. [sings]
Soto. [sings] And ganders.
San. [sings] O that I were your needle’s eye! How through your linen would I fly, And never leave one stitch awry!
Soto. [sings] He’ll touse ye.
San. [sings] O would I were one of your hairs, That you might comb out all my cares, And kill the nits of my despairs!
Soto. [sings] O lousy!
San. How? lousy? can rhymes be lousy?
Const. } Car., &c.[232] } No, no, they’re excellent.
Alv. But are these all your own?
San. Mine own? would I might never see ink drop out of the nose of any goose-quill more, if velvet cloaks have not clapped me for ’em! Do you like ’em?
San. Would both those were in thy[233] pretty little body, sweet gipsy!
Const. A pistolet[234] and this paper? ’twould choke me.
127Soto. No more than a bribe does a constable: the verses will easily into your head, then buy what you like with the gold, and put it into your belly. I hope I ha' chawed a good reason for you.
San. Will you chaw my jennet ready, sir?
Soto. And eat him down, if you say the word. [Exit.
San. Now the coxcomb my man is gone, because you’re but a country company of strolls, I think your stock is threadbare; here mend it with this cloak.
Alv. What do you mean, sir?
San. This scarf, this feather, and this hat.
Alv.
Car., &c.[235]
Dear signor!——
San. If they be never so dear:—pox o' this hot ruff! little gipsy, wear thou that. [Giving his ruff.
Alv. Your meaning, sir?
San. My meaning is, not to be an ass, to carry a burden when I need not. If you shew your gambols forty leagues hence, I'll gallop to ’em.—Farewell, old greybeard;—adieu, mother mumble-crust;—morrow, my little wart of beauty. [Exit.
Another MS. addition.]
[Exeunt. Alvarez, Christiana, Carlo, and Antonio; and as Guiamara and Constanza are going out, John pulls the latter back.
128Const. Mother! grandmother!
John. Two rows of kindred in one mouth?
Gui. Be not uncivil, sir; thus have you used her thrice.
John. Thrice? three thousand more: may I not use mine own?
Const. Your own! by what tenure?
John. Cupid entails this land upon me; I have wooed thee, thou art coy: by this air, I am a bull of Tarifa, wild, mad for thee! you told[236] I was some copper coin; I am a knight of Spain; Don Francisco de Carcomo my father, I Don John his son; this paper tells you more. [Gives paper.]—Grumble not, old granam; here’s gold [gives money]; for I must, by this white hand, marry this cherry-lipped, sweet-mouthed villain.
Const. There’s a thing called quando.
John. Instantly.
Gui. Art thou so willing?
John. Peace, threescore and five!
Const. Marry me? eat a chicken ere it be out o' th' shell? I'll wear no shackles; liberty is sweet; that I have, that I'll hold. Marry me? can gold and lead mix together? a diamond and a button of crystal fit one ring? You are too high for me, I am too low; you too great, I too little.
Gui. I pray, leave her, sir, and take your gold again.
Const. Or if you doat, as you say, let me try you do this.
John. Any thing; kill the great Turk, pluck out the Mogul’s eye-teeth; in earnest, Pretiosa, any thing!
Const. Your task[237] is soon set down; turn 129gipsy[238] for two years, be one of us; if in that time you mislike not me nor I you, here’s my hand: farewell. [Exit.
Gui. There’s enough for your gold.—Witty child!
How[245] now? from whence come you, sir?
San. From flaying myself, sir.
Soto. From playing with fencers, sir; and they have beat him out of his clothes, sir.
Ped. Cloak, band, rapier, all lost at dice?
San. Nor cards neither.
Soto. This was one of my master’s dog-days, and he would not sweat too much.
San. It was mine own goose, and I laid the giblets upon another coxcomb’s trencher: you are my guardian, best beg me for a fool[246] now.
Soto. He that begs one begs t’other. [Aside.
Ped. Does any gentleman give away his things thus?
San. Yes, and gentlewomen give away their things too.
Soto. To gulls sometimes, and are cony-catched[247] for their labour.
Ped. Wilt thou ever play the coxcomb?
135San. If no other parts be given me, what would you have me do?
San. Put me in clothes, I'll be as brave[249] as he.
San. I'll make ’em up ten, because I'll be even with you.
Soto. To be well hung is all our desire.
Ped. And what course take you next?
San. What course? why, my man Soto and I will go make some maps.
Ped. What maps?
Soto. Not such maps[251] as you wash houses with, but maps of countries.
San. I have an uncle in Seville, I'll go see him; an aunt in Siena in Italy, I['ll] go see her.
Soto. A cousin of mine in Rome, I['ll] go to him with a mortar.[252]
136San. There’s a courtesan in Venice, I'll go tickle her.
Soto. Another in England, I'll go tackle her.
Ped. So, so! and where’s the money to do all this?
San. If my woods,[253] being cut down, cannot fill this pocket, cut ’em into trapsticks.
Soto. And if his acres, being sold for a marvedi[254] a turf, for larks[255] in cages, cannot fill this pocket, give ’em to gold-finders.
San. And be hanged you! new clothes, you’d best.
Soto. Four cloaks, that you may give away three, and keep one.
San. We’ll live as merrily as beggars; let’s both turn gipsies.
Soto. By any means; if they cog,[256] we’ll lie, if they toss, we’ll tumble.
San. Both in a belly, rather than fail.
Soto. Come then, we’ll be gipsified.
San. And tipsified too.
San. Soto, how do I shew?
Soto. Like a rusty armour new scoured; but, master, how shew I?
San. Like an ass with a new piebald saddle on his back.
Soto. If the devil were a tailor, he would scarce know us in these gaberdines.[262]
San. If a tailor were the devil, I'd not give a louse for him, if he should bring up this fashion amongst gentlemen, and make it common.
Rod. The freshness of the morning be upon you both!
San. The saltness of the evening be upon you single!
Soto. Our like? no, we should be sorry we or our clothes should be like fish, new, stale, and stinking in three days.
San. If you ask whence we are, we are Egyptian 139Spaniards; if what we are, ut, re, mi, fa, sol, jugglers, tumblers, any thing, any where, every where.
San. A player! a brother of the tiring-house![263]
Soto. A bird of the same feather!
San. Welcome! wu’t turn gipsy?
Soto. A calf’s head and brains were better for my stomach.
San. A rib of poetry!
Soto. A modicum of the Muses! a horse-shoe of Helicon!
San. A magpie of Parnassus! welcome again! I am a firebrand of Phœbus myself; we’ll invoke together, so you will not steal my plot.
Rod. ’Tis not my fashion.
San. But now-a-days ’tis all the fashion.
Soto. What was the last thing you writ? a comedy?
San. See, here comes our company; do our tops[264] spin as you would have ’em?
Soto. If not, whip us round.
140Enter Alvarez, Guiamara, Constanza, Christiana, Carlo, Antonio, and others, disguised as before.
San. I sent you a letter to tell you we were upon a march.
Gui. Rich fools shall buy our trouble.
San. Hang lands! it’s nothing but trees, stones, and dirt. Old father, I have gold to keep up our stock. Precious Pretiosa, for whose sake I have thus transformed myself out of a gentleman into a gipsy, thou shalt not want sweet rhymes, my little musk-cat; for besides myself, here’s an Italian poet, on whom I pray throw your welcomes.
Alv.
Gui., &c.[265]
He’s welcome!
San. [sings[267]]
Enter Fernando, Francisco, John, Pedro, Maria, Louis and Diego.
Fran.
Ped., &c.
So wish we all.
Fran.
Ped., &c.
’Tis done nobly!
Fran.
Ped., &c.
And that’s enough.
Fer.
Fran., &c.
What would you more?
Fran.
Ped., &c.
O, you must woo hard!
Fer.
Ped. &c.
Ay, ay, by any means.
Fran. But, fellow, bring you music along with you too?
Soto. Yes, my lord, both loud music and still music; the loud is that which you have heard, and the still is that which no man can hear. [Exit.
146Enter Alvarez, Guiamara, Constanza, Christiana, Carlo, Antonio, Roderigo, Sancho, Soto, and others, disguised as before, with the following
Fer. A very dainty thing!
Fran. A handsome creature!
Ped.[284] Look what a pretty pit there’s in her chin!
John. Pit? ’tis a grave to bury lovers in.
Rod. My father?[285] disguise guard me! [Aside.
San. Soto, there’s De Cortes my guardian, but he smells not us.
Soto. Peace, brother gipsy.—Would any one here know his fortune?
Fer.
Fran., &c.
Good fortunes all of us!
Ped. ’Tis I, sir, need[286] a good one: come, sir, what’s mine?
San. I, I; hold up, madam; fear not your pocket, for I ha' but two hands. [Examining her hands.
Soto. So long! do you think good fortunes are fresh herrings, to come in shoals? bad fortunes are like mackerel at midsummer: you have had a sore loss of late.
Ped. I have indeed; what is’t?
Ped. I am now so; go, silly fool.
Soto. I ha' gi’n't him. [Aside.
San. O Soto, that ass and foal fattens me!
Fer. The mother of the gipsies, what can she do? I'll have a bout with her.
John. I with the gipsy daughter.
Fran. To her, boy!
149Fer. Thou art a lying witch; I'll hear no more.
San. If you be so hot, sir, we can cool you with a song.
Soto. And when that song’s done, we’ll heat you again with a dance.
Gui.
Car., &c.[288]
More than all we!
Louis. [while Alvarez examines his hand] What worms pick you out there now?
San. They give us nothing; we’d[290] best put on a bold face and ask it. [Sings.
Alv. [sings.]
151Alv. [sings.]
[Exeunt. Alvarez, Guiamara, Constanza, Christiana, Carlo, Antonio, Roderigo, Sancho, Soto, and others, dancing.
Alvarez, Guiamara, Constanza, Christiana, Sancho, Soto, Antonio, Carlo, Roderigo, and others discovered, disguised as before. A shout within. Enter John.
Alv.
Gui., &c.[308]
Welcome, welcome, welcome!
Soto. More sacks to the mill.
San. More thieves to the sacks.
Alv. Peace!
John. ’Tis music to me. [Offering to kiss Const.
Alv.
Gui., &c.
O Sir!
San. You must not be in your mutton[309] before we are out of our veal.
Soto. Stay for vinegar to your oysters; no opening till then.
Gui. No kissing till you’re sworn.
San. I brought all my teeth, two are struck out; them I count lost, so must you.
Soto. I brought all my wits; half I count lost, so must you.
161San. A beast? is’t a mule? send him to Muly Crag a whee[310] in Barbary.
Soto. Is’t an ass? give it to a lawyer, for in Spain they ride upon none else.
Soto. He’s a beast betrays any man.
San. Except a bailiff to be pumped.
John. Pray, bury the carcass and the furniture.
San. Do, do; bury the ass’s household stuff, and in his skin sew any man that’s mad for a woman.
Alv. Do so then, bury it: now to your oath.
Gui. All things are ready.
Alv. [sings[311]]
San. [sings] And drink like a lord.
Alv. [sings]
John. [sings]
All. A gipsy! a gipsy! a gipsy!
Gui. [sings]
John. [sings] Here then fix I my fate.
San. Again fall to before you ha' washed?
Soto. Your nose in the manger before the oats are measured, jade so hungry?
Alv. [sings]
Car.[315] [sings]
John. Most willingly.
Alv. All ceremonies end here: welcome, brother gipsy!
San. And the better to instruct thee, mark what a brave life ’tis all the year long. [Sings.
Come now, what shall his name be?
Diego. [within] Away! away! the corregidor has sent for you.
172Enter Alvarez, Guiamara, Constanza, Christiana, John, Roderigo, Antonio, Carlo, Sancho, and Soto, disguised as before.
San. The figure of nine casts us all up, my lord.
Fer. Nine? let me see—you are ten, sure.
Soto. That’s our poet, he stands for a cipher.
Fer. Ciphers make numbers:—what plays have you?
Alv. Five or six, my lord.
Fer. It’s well so many already.
Soto. We are promised a very merry tragedy, if all hit right, of Cobby Nobby.
San. Yourself, my lord? you were but a poor company then.
San. My lord, what part play I?
Fer. What parts dost use to play?
San. If your lordship has ever a coxcomb, I think I could fit you.
Fer. I thank your coxcombship.
Soto. Put a coxcomb upon a lord!
San. One of the foolish knaves give me; I'll be Hialdo.
Soto. And I, Lollio.
San. Is there a banquet in the play? we may call for what we will.
Rod. Yes, here is a banquet.
San. I'll go, then, and bespeak an ocean of sweet-meats, marmalade, and custards.
Alv. Make haste to know what you must do.
San. Do? call for enough; and when my belly is full, fill my pockets.
Soto. To a banquet there must be wine; fortune’s a scurvy whore, if she makes not my head sound like a rattle, and my heels dance the canaries.[340]
San. [within] Presently, my lord; we want but a cold capon for a property.[343]
Fer. Call, call for one.
Alv. Slave, where’s my son Lorenzo?
Soto. I have sought him, my lord, in all four elements: in earth, my shoes are full of gravel; in water, I drop at nose with sweating; in air, wheresoever I heard noise of fiddlers, or the wide mouths 176of gallon-pots roaring; and in fire, what chimney soever I saw smoking with good cheer, for my master’s dinner, as I was in hope.
Soto. At your sister’s.
Alv. At my wife’s father’s?
Soto. At your uncle’s mother’s: no such sheep has broke through their hedge; no such calf as your son sucks or bleats in their ground.
Fer. Well done, old fellow! is’t not?
Fran.
Ped., &c.
Yes, yes, my lord.
Soto. Here comes his man Hialdo.
Alv. Where’s the prodigal your master, sirrah?
San. Eating acorns amongst swine, draff amongst hogs, and gnawing bones amongst dogs; has lost all his money at dice, his wits with his money, and his honesty with both; for he bum-fiddles me, makes the drawers curvet, pitches the plate over the bar, scores up the vintner’s name in the Ram-head, flirts his wife under the nose, and bids you with a pox send him more money.
San. Here comes Bucephalus my prancing master; nail me now who dares.
Rod. I sit like an owl[345] in the ivy-bush of a tavern; Hialdo, I have drawn red wine from the vintner’s own hogshead.
San. Here’s two more, pierce them too.
Rod. Old don, whom I call father, am I thy son? if I be, flesh me with gold, fat me with silver; had I Spain in this hand, and Portugal in this, puff it should fly: where’s the money I sent for?—I'll tickle you for a rake-hell! [Aside.
San. Not a marvedi.[346]
Alv. Thou shalt have none of me.
Soto. Hold his nose[347] to the grin’stone, my lord.
Rod. I shall have none?
Rod. Hialdo, carbonado thou the old rogue my father.
San. Whilst you slice into collops the rusty gammon his man there.
Rod. No money? Can taverns stand without anon, anon?[349] fiddlers live without scraping? taffeta girls look plump without pampering? If you will 178not lard me with money, give me a ship, furnish me to sea.
Alv. To have thee hanged for piracy?
San. Trim, tram, hang master, hang man!
Rod. Then send me to the West Indies, buy me some office there.
Alv. To have thy throat cut for thy quarrelling?
Rod. Else send me and my ningle[350] Hialdo to the wars.
San. A match; we’ll fight dog, fight bear.
Rod. A wife! is she handsome? is she rich? is she fair? is she witty? is she honest? hang honesty! has she a sweet face, cherry-cheek, strawberry-lip, white skin, dainty eye, pretty foot, delicate legs, as there’s a girl now?
Rod. That! that! most ladies in these days are but very fine pictures.
Consti. A good wife fate send him!
Gui. One staid may settle him.
Rod. Fly to the mark, sir; shew me the wench, or her face, or any thing I may know ’tis a woman fit for me.
Fer. My lord De Carcomo, pray, observe this.
Fran. I do, attentively.—Don Pedro, mark it.
Soto. [to John] If you ha' done your part, yonder’s a wench would ha' a bout with you. [Exit.
John. Me? Exit.
Diego. A wench! [Exit.
Rod. I am not so hungry after flesh to make the devil a cuckold.
Rod. Set fire on the tenement!
Alv. She’s rich; nobly descended.
Rod. Did ever nobility look so scurvily?
Alv. I'm sunk in fortunes, she may raise us both.
Rod. Sink let her to her granam! marry a witch? have you fetched a wife for me out of Lapland? an old midwife in a velvet hat were a goddess to this: that a red lip?
Consti. There’s a red nose.
Rod. That a yellow hair?
Gui. Why, her teeth may be yellow.
Rod. Where’s the full eye?
Chris. She has full blabber-cheeks.
Alv. Set up thy rest, her marriest thou or none.
Rod. None then: were all the water in the world one sea, all kingdoms one mountain, I would climb on all four up to the top of that hill, and headlong hurl myself into that abyss of waves, ere I would touch the skin of such rough haberdine,[355] for the breath of her picture stinks hither.
A noise within. Re-enter, in a hurry, John, Diego, Sancho, and Soto, with Cardochia.
Fer. What tumult’s this?
San. Murder, murder, murder!
Soto. One of our gipsies is in danger of hanging, hanging!
Ped. Who is hurt?
181Diego. ’Tis I, my lord, stabbed by this gipsy.
Ped. Are you so brave?
Fer. Break up your play; lock all the doors.
Diego. I faint, my lord.
Fran. Have him to a surgeon.—
Soto. Would I could make some, and leave this trade!
[Exeunt. John in custody of servants, Alvarez, Guiamara, Constanza, Christiana, Antonio, Carlo, and Cardochia.
Soto. Prick him with a pin, or pinch him by the elbow; any thing.
San. My lord Don Pedro, I am your ward; we have spent a little money to get a horrible deal of wit, and now I am weary of it.
Soto. No great fortunes.
Fer. To prison with ’em both: a gentleman play the ass!
San. If all gentlemen that play the ass should to prison, you must widen your jails.—Come, Soto, I scorn to beg, set thy foot to mine, and kick at shackles.
Fer. So, so; away with ’em!
Soto. Send all our company after, and we’ll play there, and be as merry as you here.
Fran.
Ped., &c.
Well, my lord, your pleasure.
Fernando, Francisco, Pedro, Roderigo, Clara, and Maria, pass over the stage from church: as the others exeunt, Fernando stays Roderigo.
Fer.
Ped.
Mar.
Our blessings dwell on ye!
Card. Now shall I be reveng’d!
[Exeunt. Fernando, Maria, Pedro, Clara, Roderigo, Guiamara, and Constanza: Alvarez stays Louis.
Enter Francisco, Pedro, Maria, Roderigo, and Clara.
Enter Alvarez, Louis, John, Diego, Sancho, Soto, and Cardochia.
Fran.
Ped., &c.[382]
My noble lord, most welcome!
Fran.
Rod., &c.[384]
And heaven crown your happiness!
San. We’ll shake our hands, and our heels, if you’ll give us leave. [A dance.
THE CHANGELING. — ACT I. SCENE I. — SCENE II. — ACT II. SCENE I. — SCENE II. — ACT III. SCENE I. — SCENE II. — SCENE III. — SCENE IV. — ACT IV. — SCENE I. — SCENE II. — SCENE III. — ACT V. SCENE I. — SCENE II. — SCENE III.
205The Changeling: As it was Acted (with great Applause) at the Privat house in Drury-Lane, and Salisbury Court.
Written by
Thomas Midleton
and
William Rowley
Gent.
Never Printed before. London, Printed for Humphrey Moseley, and are to be sold at his shop at the sign of the Princes-Arms in St Pauls Church-yard, 1653. 4to. The edition just described was put forth with a new title-page in 1668,—The Changeling: As it was Acted (with great Applause) by the Servants of His Royal Highness the Duke of York, at the Theatre in Lincolns-Inn Fields, &c.
The Changeling has been reprinted in the 4th vol. of A Continuation of Dodsley’s Old Plays, 1816.
“The foundation of the Play,” says Langbaine, “may be found in Reynold[s]’s Gods Revenge against Murther. See the Story of Alsemero and Beatrice Joanna, Book I. Hist. 4.” Acc. of Engl. Dram. Poets, p. 371. To the story in Reynolds’s work the following Argument is prefixed: “Beatrice-Joana, to marry Alsemero, causeth De Flores to murther Alfonso Piracquo, who was a Suiter to her. Alsemero marries her,f and finding De Flores and her in adultery, kills them both. Thomaso Piracquo challengeth Alsemero for his Brothers death. Alsemero kills him treacherously in the field, and is beheaded for the same, and his body thrown into the Sea. At his Execution he confesseth that his Wife and De Flores murthered Alfonso Piracquo: their bodies are taken up out of their graves, then burnt, and their Ashes thrown into the Air.” The authors of The Changeling, as the reader will perceive, have deviated in some important points from the prose narrative of Reynolds; nor are they indebted to that source for the characters of Jasperino, Alibius, Lollio, Pedro, Antonio, Franciscus, and Isabella.
An edition (I believe, the earliest) of the First Book of The Triumphs of Gods Revenge against Murther, was printed in 1621: see Cat. Bibl. Bodlei.
A “Note of such playes as were acted at court in 1623 and 1624,” in Sir Henry Herbert’s Office-book, records: “Upon the Sonday after, beinge the 4 of January 1623, by the Queene 206of Bohemias company, The Changelinge, the prince only being there. Att Whitehall.” Malone’s Shakespeare (by Boswell), vol. iii. p. 227.
The part of Antonio, from which this once-popular drama has its name (Changeling—i. e. idiot, fool), appears to have been much relished by the audience: the last comic performer before the Civil Wars who obtained reputation in it was Robins: see Collier’s Hist. of Engl. Dram. Poetry, vol. ii. p. 107. Downes mentions that Betterton, when about twenty-two years of age, was highly applauded in the character of De Flores, and that Sheppy gave great satisfaction in that of Antonio: see Roscius Anglicanus, p. 26, ed. Waldron. Pepys has noted, under date of 23d Feb. 1660-1, “To the Playhouse, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly.” Diary, vol. i. p. 179, ed. 8vo.
- Vermandero, governor of the castle of Alicant.
- Alonzo de Piracquo,
Tomaso de Piracquo
brothers.
- Alsemero.
- Jasperino, his friend.
- Alibius, a doctor, who undertakes the cure of fools and madmen.
- Lollio, his man.
- Antonio, a pretended changeling.
- Pedro, his friend.
- Franciscus, a counterfeit madman.
- De Flores, an attendant on Vermandero.
- Madmen.
- Servants.
- Beatrice-Joanna, daughter to Vermandero.
- Diaphanta, her waiting-woman.
- Isabella, wife to Alibius.
First Ser. The seamen call; shall we board your trunks?
Als. No, not to-day.
Jas. ’Tis the critical day, it seems, and the sign in Aquarius.
Sec. Ser. We must not to sea to-day; this smoke will bring forth fire.
First Ser. Well, your pleasure.
Sec. Ser. Let him e’en take his leisure too; we are safer on land. [Exeunt Servants.
Enter Beatrice, Diaphanta, and Servants: Alsemero accosts Beatrice and then kisses her.
Jas. How now? the laws of the Medes are changed sure; salute a woman! he kisses too; wonderful! where learnt he this? and does it perfectly too; in my conscience, he ne’er rehearsed it 212before. Nay, go on; this will be stranger and better news at Valencia than if he had ransomed half Greece from the Turk. [Aside.
Beat. You are a scholar, sir?
Als. A weak one, lady.
Jas. We might have come by the carriers from Valencia, I see, and saved all our sea-provision; 213we are at farthest sure: methinks I should do something too;
Jas. I am a mad wag, wench.
Dia. So methinks; but, for your comfort, I can 215tell you, we have a doctor in the city that undertakes the cure of such.
Jas. Tush, I know what physic is best for the state of mine own body.
Dia. ’Tis scarce a well-governed state, I believe.
Jas. I could shew thee such a thing with an ingredience[394] that we two would compound together, and if it did not tame the maddest blood i' th' town for two hours after, I'll ne’er profess physic again.
Dia. A little poppy, sir, were good to cause you sleep.
Jas. Poppy? I'll give thee a pop i' th' lips for that first, and begin there: poppy is one simple indeed, and cuckoo-what-you-call’t another: I'll discover no more now; another time I'll shew thee all. [Exit.
Beat. My father, sir.
Take ’em, and draw thine own skin off with ’em!
Lol. Fie, sir, ’tis too late to keep her secret; she’s known to be married all the town and country over.
220Lol. Well, sir, let us handle that between you and I.
Lol. So much the worse to be kept secret, sir.
Lol. No, sir, ’tis I am old Lollio.
Lol. Ay, sir, but the old trees raise themselves higher and broader than the young plants.
Lol. You must keep it on still then; if it but lie by, one or other will be thrusting into ’t.
Lol. I dare swear you cannot.
Alib. I must look out.
Lol. I know’t, you must look out, ’tis every man’s case.
221Lol. I'll do my best, sir; yet surely I cannot see who you should have cause to be jealous of.
Lol. We have but two sorts of people in the house, and both under the whip, that’s fools and madmen; the one has not wit enough to be knaves, and the other not knavery enough to be fools.
Lol. They may be easily answered, sir; if they come to see the fools and madmen, you and I may serve the turn, and let my mistress alone, she’s of neither sort.
Lol. And I'm sure she’s no madman.
Lol. Towards belly-hour, sir.
Alib. Dinner-time? thou mean’st twelve a’clock?
Lol. Yes, sir, for every part has his hour: we wake at six and look about us, that’s eye-hour; at 222seven we should pray, that’s knee-hour; at eight walk, that’s leg-hour; at nine gather flowers and pluck a rose,[410] that’s nose-hour; at ten we drink, that’s mouth-hour; at eleven lay about us for victuals, that’s hand-hour; at twelve go to dinner, that’s belly-hour.
Ped. And if your pains prove but commodious, to give but some little strength to the[411] sick and weak part of nature in him, these are [gives him money] but patterns to shew you of the whole pieces that will follow to you, beside the charge of diet, washing, and other necessaries, fully defrayed.
Lol. Sir, an officer in this place may deserve something, the trouble will pass through my hands.
Ped. ’Tis fit something should come to your hands then, sir. [Gives him money.
Lol. Yes, sir, ’tis I must keep him sweet, and read to him: what is his name?
Ped. His name is Antonio; marry, we use but half to him, only Tony.
Lol. Tony, Tony, ’tis enough, and a very good name for a fool.—What’s your name, Tony?
223Ant. He, he, he! well, I thank you, cousin; he, he, he!
Lol. Good boy! hold up your head.—He can laugh; I perceive by that he is no beast.
Lol. Nay, there’s nobody doubted that; at first sight I knew him for a gentleman, he looks no other yet.
Lol. As good as my mistress lies in, sir; and as you allow us time and means, we can raise him to the higher degree of discretion.
Ped. Nay, there shall no cost want, sir.
Lol. He will hardly be stretched up to the wit of a magnifico.
Ped. O no, that’s not to be expected; far shorter will be enough.
Lol. I'll warrant you [I'll] make him fit to bear office in five weeks; I'll undertake to wind him up to the wit of constable.
Ped. If it be lower than that, it might serve turn.
Lol. No, fie; to level him with a headborough, beadle, or watchman, were but little better than he is: constable I'll able[412] him; if he do come to be a 224justice afterwards, let him thank the keeper: or I'll go further with you; say I do bring him up to my own pitch, say I make him as wise as myself.
Ped. Why, there I would have it.
Lol. Well, go to; either I'll be as arrant a fool as he, or he shall be as wise as I, and then I think 'twill serve his turn.
Ped. Nay, I do like thy wit passing well.
Lol. Yes, you may; yet if I had not been a fool, I had had more wit than I have too: remember what state[413] you find me in.
Ped. I will, and so leave you: your best cares, I beseech you.
Ant. O, my cousin’s gone! cousin, cousin, O!
Lol. Peace, peace, Tony; you must not cry, child, you must be whipped if you do; your cousin is here still; I am your cousin, Tony.
Ant. He, he! then I'll not cry, if thou be’st my cousin; he, he, he!
Lol. I were best try his wit a little, that I may know what form to place him in.
Alib. Ay, do, Lollio, do.
Lol. I must ask him easy questions at first.—Tony, how many true[414] fingers has a tailor on his right hand?
Ant. As many as on his left, cousin.
Lol. Good: and how many on both?
Ant. Two less than a deuce, cousin.
Lol. Very well answered: I come to you again, cousin Tony; how many fools go[415] to a wise man?
225Ant. Forty in a day sometimes, cousin.
Lol. Forty in a day? how prove you that?
Ant. All that fall out amongst themselves, and go to a lawyer to be made friends.
Lol. A parlous[416] fool! he must sit in the fourth form at least, I perceive that.—I come again, Tony; how many knaves make an honest man?
Ant. I know not that, cousin.
Lol. No, the question is too hard for you: I'll tell you, cousin; there’s three knaves may make an honest man, a sergeant, a jailor, and a beadle; the sergeant catches him, the jailor holds him, and the beadle lashes him; and if he be not honest then, the hangman must cure him.
Ant. Ha, ha, ha! that’s fine sport, cousin.
Alib. This was too deep a question for the fool, Lollio.
Lol. Yes, this might have served yourself, though I say’t.—Once more, and you shall go play, Tony.
Ant. Ay, play at push-pin, cousin; ha, he!
Lol. So thou shalt: say how many fools are here——
Ant. Two, cousin; thou and I.
Lol. Nay, you’re too forward there, Tony: mark my question; how many fools and knaves are here? a fool before a knave, a fool behind a knave, between every two fools a knave; how many fools, how many knaves?
Ant. I never learnt so far, cousin.
Lol. I'll make him understand it easily.—Cousin, stand there.
Ant. Ay, cousin.
Lol. Master, stand you next the fool.
226Alib. Well, Lollio.
Lol. Here’s my place: mark now, Tony, there'[s] a fool before a knave.
Ant. That’s I, cousin.
Lol. Here’s a fool behind a knave, that’s I; and between us two fools there is a knave, that’s my master; ’tis but we three, that’s all.
Ant. We three, we three,[417] cousin.
First Mad. [within] Put’s head i' th' pillory, the bread’s too little.
Sec. Mad. [within] Fly, fly, and he catches the swallow.
Third Mad. [within] Give her more onion, or the devil put the rope about her crag.[418]
Lol. You may hear what time of day it is, the chimes of Bedlam go.[419]
Alib. Peace, peace, or the wire[420] comes!
Third Mad. [within] Cat whore, cat whore! her parmasant, her parmasant![421]
Alib. Peace, I say!—Their hour’s come, they must be fed, Lollio.
Lol. There’s no hope of recovery of that Welsh madman; was undone by a mouse that spoiled him a parmasant; lost his wits for’t.
Alib. Go to your charge, Lollio, I'll to mine.
Lol. Go you to your madmen’s ward, let me alone with your fools.
Alib. And remember my last charge, Lollio. [Exit.
227Lol. Of which your patients do you think I am?—Come, Tony, you must amongst your schoolfellows now; there’s pretty scholars amongst ’em, I can tell you; there’s some of ’em at stultus, stulta, stultum.
Ant. I would see the madmen, cousin, if they would not bite me.
Lol. No, they shall not bite thee, Tony.
Ant. They bite when they are at dinner, do they not, coz?
Lol. They bite at dinner indeed, Tony. Well, I hope to get credit by thee; I like thee the best of all the scholars that ever I brought up, and thou shalt prove a wise man, or I'll prove a fool myself. [Exeunt.
Tom. Alonzo.
Alon. Brother?
Tom. In troth I see small welcome in her eye.
Enter Alonzo and De Flores. (In the act-time[436] De Flores hides a naked rapier behind a door.
Lol. You shall be doing, if it please you; I'll whistle to you, if you’ll pipe after.
Lol. ’Tis for my master’s pleasure, lest being taken in another man’s corn, you might be pounded in another place.
Lol. He says you have company enough in the house, if you please to be sociable, of all sorts of people.
Lol. Very well: and where will you find any other, if you should go abroad? there’s my master, and I to boot too.
Lol. I would even participate of both then if I were as you; I know you’re half mad already, be half foolish too.
Lol. If I do not shew you the handsomest, discreetest madman, one that I may call the understanding madman, then say I am a fool.
Lol. When you have [had] a taste of the madman, you shall, if you please, see Fools' College, o' th' [other] side; I seldom lock there; ’tis but shooting a bolt or two, and you are amongst ’em. [Exit, and brings in Franciscus.]—Come on, sir; let me see how handsomely you’ll behave yourself now.
Fran. How sweetly she looks! O, but there’s a wrinkle in her brow as deep as philosophy. Anacreon, drink to my mistress' health, I'll pledge it; stay, stay, there’s a spider in the cup! no, ’tis but a grape-stone; swallow it, fear nothing, poet; so, so, lift higher.
Lol. For love, mistress: he was a pretty poet too, and that set him forwards first: the Muses then forsook him; he ran mad for a chambermaid, yet she was but a dwarf neither.
Lol. [holding up a whip] Not too near! you see your danger.
Lol. You see how I awe my flock; a shepherd has not his dog at more obedience.
Fran. Come hither, Æsculapius; hide the poison.
Lol. Yes, that kept tame wild geese.
Fran. That’s he; I am the man.
Lol. No?
Lol. A stripling, I think, you might.
Fran. Now I'm a woman, all feminine.
Lol. I would I might see that!
Fran. Juno struck me blind.
Lol. I'll ne’er believe that; for a woman, they say, has an eye more than a man.
Fran. I say she struck me blind.
Lol. And Luna made you mad; you have two trades to beg with.
Lol. Is’t come to this? nay, then, my poison comes forth again [shewing the whip]: mad slave, indeed, abuse your keeper!
Lol. No, I'll see you wiser first: to your own kennel!
Lol. I would you would get into your hole! [Exit Franciscus.]—Now, mistress, I will bring you another sort; you shall be fooled another while. [Exit, and brings in Antonio.]—Tony, come hither, Tony: look who’s yonder, Tony.
Ant. Cousin, is it not my aunt?
Lol. Yes, ’tis one of ’em,[445] Tony.
Ant. He, he! how do you, uncle?
Lol. Fear him not, mistress, ’tis a gentle nigget;[446] you may play with him, as safely with him as with his bauble.[447]
248Isa. How long hast thou been a fool?
Ant. Ever since I came hither, cousin.
Isa. Cousin? I'm none of thy cousins, fool.
Lol. O, mistress, fools have always so much wit as to claim their kindred.
Madman [within]. Bounce, bounce! he falls, he falls!
Lol. Must I come amongst you there?—Keep you the fool, mistress; I'll go up and play left-handed Orlando amongst the madmen. [Exit.
Lol. Ay, thank a good tutor: you may put him to’t; he begins to answer pretty hard questions.—Tony, how many is five times six?
Ant. Five times six is six times five.
Lol. What arithmetician could have answered better? How many is one hundred and seven?
Ant. One hundred and seven is seven hundred and one, cousin.
250Lol. This is no wit to speak on!—Will you be rid of the fool now?
Isa. By no means; let him stay a little.
Madman [within]. Catch there, catch the last couple in hell![450]
Lol. Again! must I come amongst you? Would my master were come home! I am not able to govern both these wards together. [Exit.
[Cries of madmen are heard within, like those of birds and beasts.
Lol. Cuckoo, cuckoo! [Exit above.
Ant. Ha, he! that’s fine sport indeed, cousin.
Lol. I would my master were come home! ’tis too much for one shepherd to govern two of these flocks; nor can I believe that one churchman can instruct two benefices at once; there will be some incurable mad of the one side, and very fools on the other.—Come, Tony.
Ant. Prithee, cousin, let me stay here still.
Lol. No, you must to your book now; you have played sufficiently.
Isa. Your fool is grown wondrous witty.
Lol. Well, I'll say nothing; but I do not think but he will put you down one of these days.
Lol. How dost thou, sweet rogue?
Isa. How now?
Lol. Come, there are degrees; one fool may be better than another.
Isa. What’s the matter?
Lol. Nay, if thou givest thy mind to fool’s flesh, have at thee!
Isa. You bold slave, you!
and so as it follows: but is not this the more foolish way? Come, sweet rogue; kiss me, my little Lacedæmonian; let me feel how thy pulses beat; thou hast a thing about thee would do a man pleasure, I'll lay my hand on’t.
Lol. This is easy, sir, I'll warrant you: you have about you fools and madmen that can dance very well; and ’tis no wonder, your best dancers are not 254the wisest men; the reason is, with often jumping they jolt their brains down into their feet, that their wits lie more in their heels than in their heads.
Enter Vermandero, Beatrice, Alsemero, and Jasperino.
Enter Gentlemen, Vermandero meeting them with action of wonderment at the disappearance of Piracquo. Enter Alsemero, with Jasperino and gallants: Vermandero points to him, the gentlemen seeming to applaud the choice. Alsemero, Vermandero, Jasperino, and the others, pass over the stage with much pomp, Beatrice as bride following in great state, attended by Diaphanta, Isabella, and other gentlewomen; De Flores after all, smiling at the accident:[462] Alonzo’s ghost appears to him in the midst of his smile, and startles him, shewing the hand whose finger he had cut off.
[reads] The Book of Experiment, called Secrets in Nature:[464]
[reads] How to know whether a woman be with child or no:
[reads] If you would know whether a woman be with child or not, give her two spoonfuls of the white water in glass C—
[reads] and if she be with child, she sleeps full twelve hours after; if not, not:
[reads] How to know whether a woman be a maid or not:
[reads] A merry slight,[465] but true experiment; the author Antonius Mizaldus. Give the party you suspect the quantity of a spoonful of the water in the glass M, which, upon her that is a maid, makes three several effects; twill make her incontinently[466] gape, then fall into a sudden sneezing, last into a violent laughing; else, dull, heavy, and lumpish.
Ser. Some ten days since, sir; the one intending to Briamata,[469] th' other for Valencia.
Lol. The out’s mad, I'm sure of that; I had a taste on’t.
Isa. [reads letter] To the bright[480] Andromeda, chief chambermaid to the Knight of the Sun, at the sign of Scorpio, in the middle region, sent by the bellows-mender of Æolus. Pay the post.
Lol. This is stark madness!
Isa. Now mark the inside.
[reads] Sweet lady, having now cast off this counterfeit cover of a madman, I appear to your best judgment a true and faithful lover of your beauty.
Lol. He is mad still!
Isa. [reads] If any fault you find, chide those perfections in you which have made me imperfect; ’tis the same sun that causeth to grow and enforceth to wither——
Lol. O rogue!
Isa. [reads] Shapes and transhapes, destroys and builds again: I come in winter to you, dismantled of my proper ornaments; by the sweet splendour of your cheerful smiles, I spring and live a lover.
Lol. Mad rascal still!
Isa. [reads] Tread him not under foot, that shall appear an honour to your bounties. I remain—mad till I speak with you, from whom I expect my cure, yours all, or one beside himself, Franciscus.
Lol. You are like to have a fine time on’t; my master and I may give over our professions; I do not think but you can cure fools and madmen faster than we, with little pains too.
275Isa. Very likely.
Lol. One thing I must tell you, mistress; you perceive that I am privy to your skill; if I find you minister once, and set up the trade, I put in for my thirds; I shall be mad or fool else.
Lol. Abuse ’em! that’s the way to mad the fool, and make a fool of the madman, and then you use ’em kindly.
Lol. Not an inch [Exit Isabella]; I'll put you to the inside.
Lol. I mistrust the madmen most; the fools will do well enough, I have taken pains with them.
Lol. You need not fear, sir; so long as we are there with our commanding pizzles, they’ll be as tame as the ladies themselves.
Lol. I was about it, sir: look you to the madmen’s morris, and let me alone with the other: there is one or two that I mistrust their fooling; I'll instruct them, and then they shall rehearse the whole measure.
Lol. So, so; she takes some pleasure in the house, she would abroad else; you must allow her a little more length, she’s kept too short.
Lol. What’s that on your face, sir?
Lol. Cry you mercy, sir, ’tis your nose; it shewed like the trunk of a young elephant.
Ant. Here, cousin; where art thou?
Lol. Come, Tony, the footmanship I taught you.
277Ant. I had rather ride, cousin.
Lol. Ay, a whip take you! but I'll keep you out; vault in: look you, Tony; fa, la, la, la, la.
Ant. Fa, la, la, la, la. [Sings and dances.
Lol. There, an honour.
Ant. Is this an honour, coz?
Lol. Yes, and[483] it please your worship.
Ant. Does honour bend in the hams, coz?
Lol. Marry does it, as low as worship, squireship, nay, yeomanry itself sometimes, from whence it first stiffened: there rise, a caper.
Ant. Caper after an honour, coz?
Lol. Very proper, for honour is but a caper, rise[s] as fast and high, has a knee or two, and falls to th' ground again: you can remember your figure, Tony?
Ant. Yes, cousin; when I see thy figure, I can remember mine. [Exit Lollio.
Isa. Hey, how he[484] treads the air! shough, shough, t’other way! he burns his wings else: here’s wax enough below, Icarus, more than will be cancelled these eighteen moons: he’s down, he’s down! what a terrible fall he had!
Lol. Do not, do not; I shall not forbear the gentleman under the fool, if you do: alas, I saw through your fox-skin before now! Come, I can give you comfort, my mistress loves you; and there is as arrant a madman i' th' house as you are a fool, your rival, whom she loves not: if after the masque we can rid her of him, you earn her love, she says, and the fool shall ride her.
Ant. May I believe thee?
Lol. Yes, or you may choose whether you will or no.
Lol. Well, keep your old station yet, and be quiet.
Lol. And you are like to have your desire.[486]
Lol. This is t’other counterfeit; I'll put him out of his humour. [Aside. Takes out a letter and reads] Sweet lady, having now cast [off][487] this counterfeit cover of a madman, I appear to your best judgment a true and faithful lover of your beauty. This is pretty well for a madman.
Fran. Ha! what’s that?
Lol. [reads] Chide those perfections in you which [have] made me imperfect.
Fran. I am discover’d to the fool.
280Lol. I hope to discover the fool in you ere I have done with you. [Reads] Yours all, or one beside himself, Franciscus. This madman will mend sure.
Fran. What do you read, sirrah?
Lol. Your destiny, sir; you’ll be hanged for this trick, and another that I know.
Fran. Art thou of counsel with thy mistress?
Lol. Next her apron-strings.
Fran. Give me thy hand.
Lol. Stay, let me put yours in my pocket first [putting letter into his pocket]: your hand is true,[488] is it not? it will not pick? I partly fear it, because I think it does lie.
Fran. Not in a syllable.
Lol. So; if you love my mistress so well as you have handled the matter here, you are like to be cured of your madness.
Fran. And none but she can cure it.
Lol. Well, I'll give you over then, and she shall cast your water next.
Lol. I shall deserve more, sir, I hope: my mistress loves you, but must have some proof of your love to her.
Fran. There I meet my wishes.
Lol. That will not serve, you must meet her enemy and yours.
Fran. He’s dead already.
Lol. Will you tell me that, and I parted but now with him?
Fran. Shew me the man.
Lol. Ay, that’s a right course now; see him before you kill him, in any case; and yet it needs not 281go so far neither, ’tis but a fool that haunts the house and my mistress in the shape of an idiot; bang but his fool’s coat well-favouredly, and ’tis well.
Fran. Soundly, soundly!
Lol. Only reserve him till the masque be past; and if you find him not now in the dance yourself, I'll shew you. In, in! my master! [Dancing.
Fran. He handles him like a feather. Hey! [Exit.
Re-enter Isabella: then re-enter Lollio with the madmen and fools, who dance.
Enter Vermandero, Tomaso, Alibius, Isabella, Franciscus, and Antonio.
Re-enter De Flores, dragging in Beatrice wounded.
A GAME AT CHESS. — PROLOGUE. — INDUCTION. — ACT I. SCENE I. — ACT II. SCENE I. — ACT III. SCENE I. — SCENE II. — ACT IV. SCENE I. — SCENE II. — SCENE III. — SCENE IV. — ACT V. SCENE I. — SCENE II. — SCENE III. — EPILOGUE
303Of A Game at Chess I have seen three different editions, all 4to, n. d. To two of them, abounding in the grossest errors, is prefixed the engraved title-page, of which a fac-simile is given in the present work. The other edition, which is comparatively very correct, and which I have therefore made the basis of my text (designating it in the notes as Quarto C.), has also an engraved title-page, but less curious and containing fewer figures than that above mentioned.[506]
Mr. J. P. Collier possesses a letter-press title-page of the play, “Printed 1625,” belonging to some edition of which, I believe, no copies are known to exist.
A MS. of A Game at Chess, dated 1624, is in the British Museum (Lansdown, 690); and another, imperfect, in the library at Bridgewater House: I have collated both for the present edition.
This allegorical and political drama was brought on the stage in 1624; and its production forms a memorable incident in the author’s life: see Account of Middleton and his Writings.
Two of the most important characters in the play are the Black-Knight, that is, Gondonmar the Spanish ambassador, and the Fat Bishop, that is, Antonio de Dominis. The story of the latter is thus concisely related by Hume: “The famous Antonio di Dominis, Archbishop of Spalato, no despicable philosopher, came likewise into England [in 1616], and afforded great triumph to the nation by their gaining so considerable a proselyte from the papists. But the mortification followed soon after. For the Archbishop, though advanced to some ecclesiastical preferments, received not encouragement sufficient to satisfy his ambition, and he made his escape into Italy [in 1622], where soon after he died in confinement.” Hist. of England, vol. vi. p. 136, ed. 1763. Such particulars concerning Antonio as were necessary for the illustration 304of the text will be found in my notes. That he was a man of a restless spirit, vain, ambitious, and avaricious, is no more to be doubted than that his talents and acquirements were of a superior order.
The White King and the Black King represent, I presume, the respective monarchs of England and Spain (see Secretary Conway’s letter in Account of Middleton and his Writings); and the White Queen’s Pawn seems intended to stand for the Church of England.
| White King. | Black King. | |
| White Knight. | Black Knight. | |
| White Duke. | Black Duke. | |
| White Bishop. | Black Bishop. | |
| Pawns. | Pawns. | |
| Fat Bishop. | ||
| His Pawn. | ||
| White Queen. | Black Queen. | |
| Her Pawn. | Her Pawn. |
Music: enter severally, in order of the game, the White and Black Houses.
[Reads] Pawn sufficiently holy, but unmeasurably politic; we had late intelligence from our most industrious servant, famous in all parts of Europe, our Knight of the Black House, that you have at this instant in chase the White Queen’s Pawn, and very likely, by the carriage of your game, to entrap and take her: these are therefore to require you, by the burning affection I bear to the rape of devotion, that speedily, upon the surprisal of her, by all watchful advantage you make some attempt upon the White Queen’s person, whose fall or prostitution our lust most violently rages for.
Enter on one side, White King, White Queen, White Knight, White Duke, White Bishop, White King’s Pawn, and White Bishop’s Pawn; on the other, Black King, Black Queen, Black Duke, and Black Knight’s Pawn.
[Exit B. Kt.'s Pawn, who presently returns with papers.
[Exeunt W. King, W. Queen, W. Bishop, and W. Kg.'s Pawn; F. Bishop and F. B. Pawn.
F. Bishop. [reads] Right reverend and noble,—meaning me,—our true[648] kinsman in blood, but alienated in affection, your unkind disobedience to the mother cause proves at this time the only cause of your ill fortune: my present remove by general election to the papal dignity had now auspiciously settled you in my sede vacante—how! had it so?—which at my next remove by death might have proved your step to supremacy.
F. Bishop. [reads] Think on’t seriously; it is not yet too late, through the submiss acknowledgment of your disobedience, to be lovingly received into the brotherly bosom of the conclave.
Enter on one side White King, White Queen, White Knight, White Duke, White Bishop, Fat Bishop, and White King’s Pawn; on the other, Black King, Black Queen, Black Duke, and Black Bishop.
[The upper garment of W. Kg’s Pawn being taken off, he appears black underneath.
[Exeunt W. King, W. Queen, W. Knight, W. Duke, and W. Bishop.
[Exeunt B. King, B. Queen, B. Duke, B. Bishop, and F. Bishop.
Music: enter Black Bishop’s Pawn, richly attired, like an apparition, and stands before the glass; then exit.
Enter severally Black Knight’s Pawn, and Black Bishop’s Pawn in his gallant habit.[721]
B. Knight. What’s here, sir? [reads] Two old precedents of encouragement——
F. Bishop. Ay, those are ancient notes.
B. Knight. [reads] Given, as a gratuity, for the killing of an heretical prince with a poisoned knife, ducats five thousand.[761]
F. Bishop. True, sir; that was paid.
B. Knight. [reads] Promised also to doctor Lopez[762] for poisoning the maiden queen of the White Kingdom, 385ducats twenty thousand; which said sum was afterwards given as a meritorious alms to the nunnery at Lisbon, having at this present ten thousand pounds more at use in the town-house of Antwerp.
Recorders. Enter Black Queen’s Pawn with a taper in her hand; she conducts White Queen’s Pawn, in her night-attire,[768] into one chamber, and then conveys Black Bishop’s Pawn, in his night-habit, into another chamber, and putting out the light, follows him.
Loud music.[786] Black Bishop’s Pawn discovered above: enter Black Knight in his litter,[787] as passing in haste over the stage.
Hautboys again.[791] Enter Black King, Black Queen, Black Duke, with Pawns, meeting White Knight and White Duke: Black Bishop’s Pawn from above entertains him[792] with this Latin oration:[793]
B. B. Pawn. Si quid mortalibus unquam oculis 394hilarem et gratum aperuit diem, si quid peramantibus amicorum animis gaudium attulit peperitve lætitiam, Eques Candidissime, prælucentissime, felicem profecto tuum a Domo Candoris ad Domum Nigritudinis accessum promisisse, peperisse, attulisse fatemur: omnes adventus tui conflagrantissimi, omni qua possumus lætitia, gaudio, congratulatione, acclamatione, animis observantissimis, affectibus devotissimis, obsequiis venerabundis, te sospitem congratulamur!
[Music. An altar is discovered with tapers unlit, and divers images about it.
[Flames rise from the altar, the tapers take fire, and the images move in a dance.
Enter Black King, Black Queen, Black Knight, Black Duke, Black Bishop, White Knight, and White Duke.
409Enter White King, White Queen, White Bishop, White Queen’s Pawn, and other White Pawns.
[The bag opens,[847] and the Fat Bishop and the Black lost Pawns appear in it.
ANY THING FOR A QUIET LIFE. — PROLOGUE. — DRAMATIS PERSONÆ. — ACT I. SCENE I. — ACT II. SCENE I. — SCENE II. — SCENE III. — SCENE IV. — ACT III. SCENE I. — SCENE II. — ACT IV. SCENE I. — SCENE II. [950] — SCENE III. — ACT V. SCENE I. — SCENE III. — EPILOGUE.
415Any Thing For A Quiet Life. A Comedy, Formerly Acted at Black-Fryers, by His late Majesties Servants. Never before Printed. Written by Tho. Middleton, Gent. London: Printed by Tho. Johnson for Francis Kirkman, and Henry Marsh, and are to be sold at the Princes Arms in Chancery-Lane, 1662. 4to.
In the old ed. the whole play, with the exception of a few lines here and there, is printed as prose; and there is every reason to believe that the text is greatly corrupted.
- Lord Beaufort.
- Sir Francis Cressingham.
- George Cressingham,
Edward, a child,
his sons.
- Franklin senior.
- Franklin junior, his son.
- Knavesby, a lawyer.
- Saunder, steward to Sir Francis Cressingham.
- Water-Camlet, a mercer.
- George,
Ralph
his apprentices.
- Sweet-ball, a barber.
- Flesh-hook.
- Counterbuff.
- Surveyor, Barber’s Boy, &c.
- Lady Cressingham, wife to Sir Francis.
- Mistress George Cressingham, disguised as Selenger, a page to Lord Beaufort.
- Mistress Knavesby.
- Mistress Water-Camlet.
- Maria, a child, daughter to Sir Francis Cressingham.
- Margarita, a French bawd.
L. Beau. O, that’s a monument your wives take great delight in: I do hear you are grown a mighty purchaser; I hope shortly to find you a continual resident upon the north aisle of the Exchange.
422W.-Cam. This winter my wife has removed them home to a fair chamber, where divers courtiers use to come and see them, and my wife carries them up: I think shortly, what with the store of visitants, they’ll prove as chargeable to me as the morrow after Simon and Jude, only excepting the taking down and setting up again of my glass-windows.
L. Beau. That a man of your estate should be so gripple-minded and repining at his wife’s bounty!
Sir F. Cres. There are no such ridiculous things i' the world as those love money better than themselves; for though they have understanding to know riches, and a mind to seek them, and a wit to find them, and policy to keep them, and long life to possess them; yet, commonly, they have withal such a false sight, such bleared eyes, all their wealth, when it lies before them, does seem poverty; and such a one are you.
W.-Cam. Good sir Francis, you have had sore eyes too, you have been a gamester, but you have given it o’er; and to redeem the vice belonged to’t, now you entertain certain farcels[863] of silenced ministers, which, I think, will equally undo you; yet should these waste you but lenitively, your devising new water-mill[s] for recovery of drowned land, and certain dreams you have in alchemy to find the philosopher’s stone, will certainly draw you to the bottom. I speak freely, sir, and would not have you angry, for I love you.
Sir F. Cres. I am deeply in your books for furnishing my late wedding; have you brought a note of the particulars?
W.-Cam. No, sir; at more leisure.
423Sir F. Cres. What comes the sum to?
W.-Cam. For tissue, cloth-of-gold, velvets, and silks, about fifteen hundred pounds.
Sir F. Cres. Your money is ready.
W.-Cam. Sir, I thank you.
Sir F. Cres. And how do[864] my two young children, whom I have put to board with you?
L. Beau. Have you put forth two of your children already?
Sir F. Cres. ’Twas my wife’s discretion to have it so.
L. Beau. Come, ’tis the first principle in a mother-in-law’s chop-logic to divide the family, to remove from forth your sight the object[s] that her cunning knows would dull her insinuation. Had you been a kind father, it would have been your practice every day to have preached to these two young ones carefully your late wife’s funeral-sermon. 'Las, poor souls, are they turn’d so soon a-grazing?
W.-Cam. My lord, they are placed where they shall be respected as mine own.
as, item, such a day I was got foxed[866] with foolish metheglin, in the company of certain Welsh chapmen: item, such a day, being at the Artillery Garden,[867] 425one of my neighbours, in courtesy to salute me with his musket, set a-fire my fustian and apes breeches:[868] such a day I lost fifty pound in hugger-mugger at dice, at the Quest-house:[869] item, I lent money to a sea-captain on his bare Confound him he would pay me again the next morning: and such like:
Kna. O, my lord, I remember you and I were students together at Cambridge; but, believe me, you went far beyond me.
L. Beau. When I studied there, I had so fantastical a brain, that like a felfare[880] frighted in winter by a birding-piece, I could settle no where; here and there a little of every several art, and away.
Kna. Now, my wit, though it were more dull, yet I went slowly on; and as divers others, when I 430could not prove an excellent scholar, by a plodding patience I attained to be a petty lawyer; and I thank my dulness for’t: you may stamp in lead any figure, but in oil or quicksilver nothing can be imprinted, for they keep no certain station.
L. Beau. O, you tax me well of irresolution: but say, worthy friend, how thrives my weighty suit which I have trusted to your friendly bosom? is there any hope to make me happy?
Kna. ’Tis yet questionable, for I have not broke the ice to her: an hour hence come to my house; and if it lie in man, be sure, as the law-phrase says, I will create you lord-paramount of your wishes.
L. Beau. O my best friend! and one that takes the hardest course i' the world to make himself so. [Exit Knavesby.]—Sir, now I'll take my leave.
Sir F. Cres. Nay, good my lord, my wife is coming down.
L. Beau. Pray, pardon me; I have business so importunes me o' the sudden, I cannot stay: deliver mine excuse; and in your ear this,—let not a fair woman make you forget your children. [Exit.
L. Cres. What, are you taking leave too?
W.-Cam. Yes, good madam.
L. Cres. The rich stuff[s] which my husband bought of you, the works of them are too common; I have got a Dutch painter to draw patterns, which I'll have sent to your factors, as in Italy, at Florence, and Ragusa, where these stuffs are woven, to have pieces made for mine own wearing, of a new invention.
W.-Cam. You may, lady; but ’twill be somewhat chargeable.
L. Cres. Chargeable! what of that? if I live 431another year, I'll have my agents shall lie for me at Paris, and at Venice, and at Valladolid in Spain, for intelligence of all new fashions.
Sir F. Cres. Do, sweetest; thou deservest to be exquisite in all things.
W.-Cam. The two children, to which you are mother-in-law, would be repaired too; ’tis time they had new clothing.
L. Cres. I pray, sir, do not trouble me with them; they have a father indulgent and careful of them.
Sir F. Cres. I am sorry you made the motion to her.
L. Cres. Good friend, I have a suit to you.
Sir F. Cres. Dearest self, you most powerfully sway me.—
L. Cres. That you would give o’er this fruitless, if I may not say this idle, study of alchemy; why, half your house looks like a glass-house.
Saun. And the smoke you make is a worse enemy to good housekeeping than tobacco.
L. Cres. Should one of your glasses break, it might bring you to a dead palsy.
Saun. My lord, your quicksilver has made all your more solid gold and silver fly in fume.
Sir F. Cres. I'll be ruled by you in any thing.
L. Cres. Go, Saunder, break all the glasses.
Saun. I fly to’t. [Exit.
L. Cres. Why, noble friend, would you find the true philosopher’s stone indeed, my good housewifery 432should do it: you understand I was bred up with a great courtly lady; do not think all women mind gay clothes and riot; there are some widows living have improved both their own fortunes and their children’s: would you take my counsel, I'd advise you to sell your land.
Sir F. Cres. My land!
L. Cres. Yes; and the manor-house upon’t, ’tis rotten: O the new-fashioned buildings brought from the Hague! ’tis stately. I have intelligence of a purchase, and the title sound, will for half the money you may sell yours for, bring you in more rent than yours now yields you.
Sir F. Cres. If it be so good a pennyworth, I need not sell my land to purchase it; I'll procure money to do it.
L. Cres. Where, sir?
Sir F. Cres. Why, I'll take it up at interest.
L. Cres. Never did any man thrive that purchased with use-money.
Sir F. Cres. How come you to know these thrifty principles?
L. Cres. How? why, my father was a lawyer, and died in the commission; and may not I, by a natural instinct, have a reaching that way? there are, on mine own knowledge, some divines' daughters infinitely affected with reading controversies; and that, some think, has been a means to bring so many suits into the spiritual court. Pray, be advised; sell your land, and purchase more: I knew a pedlar, by being merchant this way, is become lord of many manors: we should look to lengthen our estates, as we do our lives;
Kna. Have you drunk[882] the eggs and muscadine I sent you?
Mis. Kna. No, they are too fulsome.
Kna. Away! you’re a fool!—How shall I begin to break the matter to her? [Aside.]—I do long, wife.
Mis. Kna. Long, sir?
Kna. Long infinitely: sit down; there is a penitential motion in me, which if thou wilt but second, I shall be one of the happiest men in Europe.
Mis. Kna. What might that be?
Kna. Let me see: your father was a captain; demand of me how many dead pays[884] I am to answer for in the muster-book of wedlock, by the martial fault of borrowing from my neighbours.
Mis. Kna. Troth, I can ask no such foolish questions.
Kna. Why, then, open confession, I hope, dear wife, will merit freer pardon: I sinned twice with my laundress; and last circuit there was at Banbury 435a she-chamberlain that had a spice of purity, but at last I prevailed over her.
Mis. Kna. O, you are an ungracious husband!
Kna. I have made a vow never to ride abroad but in thy company: O, a little drink makes me clamber like a monkey! Now, sweet wife, you have been an out-lier too; which is best feed, in the forest or in the purlieus?
Mis. Kna. A foolish mind of you i' this.
Kna. Nay, sweet love, confess freely; I have given you the example.
Mis. Kna. Why, you know I went last year to Stourbridge fair.
Kna. Yes.
Mis. Kna. And being in Cambridge, a handsome scholar, one of Emmanuel College, fell in love with me.
Kna. O you sweet-breathed monkey!
Mis. Kna. Go hang; you are so boisterous.
Kna. But did this scholar shew thee his chamber?
Mis. Kna. Yes.
Kna. And didst thou like him?
Mis. Kna. Like him? O, he had the most enticingest straw-coloured beard, a woman with black eyes would have loved him like jet: he was the finest man, with a formal wit; and he had a fine dog, that sure was whelped i' the college, for he understood Latin.
Kna. Pooh waw! this is nothing, till I know what he did in’s chamber.
Mis. Kna. He burnt wormwood in’t, to kill the fleas i' the rushes.[885]
Kna. But what did he to thee there?
Mis. Kna. Some five-and-twenty years hence I 436may chance tell you: fie upon you; what tricks, what crotchets are these? have you placed any body behind the arras to hear my confession? I heard one in England got a divorce from ’s wife by such a trick: were I disposed now, I would make you as mad: you shall see me play the changeling.[886]
Kna. No, no, wife, you shall see me play the changeling: hadst thou confessed, this other suit I'll now prefer to thee would have been despatched in a trice.
Mis. Kna. And what’s that, sir?
Kna. Thou wilt wonder at it four-and-twenty years longer than nine days.
Mis. Kna. I would very fain hear it.
Kna. There is a lord o' the court, upon my credit, a most dear, honourable friend of mine, that must lie with thee: do you laugh? ’tis not come to that; you’ll laugh when you know who ’tis.
Mis. Kna. Are you stark mad?
Mis. Kna. Do you mean seriously?
Kna. As I hope for preferment.
Mis. Kna. And can you lose me thus?
Kna. Lose you? I shall love you the better: why, what’s the viewing any wardrobe or jewel-house, without a companion to confer their likings? yet, now I view thee well, methinks thou art a rare monopoly, and great pity one man should enjoy thee.
437Mis. Kna. This is pretty!
Kna. Let’s divorce ourselves so long, or think I am gone to th' Indies, or lie with him when I am asleep; for some Familists[887] of Amsterdam will tell you [it] may be done with a safe conscience: come, you wanton, what hurt can this do to you? I protest, nothing so much as to keep company with an old woman has sore eyes; no more wrong than I do my beaver when I try it thus; look, this is all; smooth, and keeps fashion still.
Mis. Kna. You’re one of the basest fellows!
Mis. Kna. Possible?
Kna. And my preferment comes along with him: be wise, mind your good; and to confute all reason in the world which thou canst urge against it, when ’tis done, we will be married again, wife, which some say is the only supersedeas about Limehouse to remove cuckoldry.
L. Beau. Come, are you ready to attend me to the court?
438Kna. Yes, my lord.
L. Beau. Is this fair one your wife?
Kna. At your lordship’s service. I will look up some writings, and return presently. [Exit.
Mis. Kna. To see and[890] the base fellow do not leave ’s alone too! [Aside.
L. Beau. ’Tis an excellent habit this: where were you born, sweet?
Mis. Kna. I am a Suffolk woman, my lord.
L. Beau. Believe it, every country you breathe on is the sweeter for you: let me see your hand; the case is loath to part with the jewel [drawing off her glove]: fairest one, I have skill in palmistry.
Mis. Kna. Good my lord, what do you find there?
L. Beau. In good earnest, I do find written here, all my good fortune lies in your hand.
Mis. Kna. You’ll keep a very bad house then; you may see by the smallness of the table.[891]
L. Beau. Who is your sweetheart?
Mis. Kna. Sweetheart?
L. Beau. Yes; come, I must sift you to know it.
Mis. Kna. I am a sieve too coarse for your lordship’s manchet.[892]
L. Beau. Nay, pray you, tell me; for I see your husband is an unhandsome fellow.
Mis. Kna. O, my lord, I took him by weight, not fashion; goldsmiths' wives taught me that way of bargain, and some ladies swerve not to follow the example.
L. Beau. But will you not tell me who is your private friend?
Mis. Kna. Yes, and[890] you’ll tell me who is yours.
439L. Beau. Shall I shew you her?
Mis. Kna. Yes; when will you?
L. Beau. Instantly: look you, there you may see her.
Mis. Kna. I'll break the glass, ’tis now worth nothing.
L. Beau. Why?
Mis. Kna. You have made it a flattering one.
L. Beau. I have a summer-house for you, a fine place to flatter solitariness; will you come and lie there?
Mis. Kna. No, my lord.
L. Beau. Your husband has promised me; will you not?
Mis. Kna. I must wink, I tell you, or say nothing.
L. Beau. So, I'll kiss you and wink too [kisses her]; midnight is Cupid’s holyday.
Kna. By this time ’tis concluded.—Will you go, my lord?
L. Beau. I leave with you my best wishes till I see you.
Kna. This now, if I may borrow our lawyer’s phrase, is my wife’s imparlance; at her next appearance she must answer your declaration.
L. Beau. You follow it well, sir.
Mis. W.-Cam. I do lack content, sir, content I lack; have you or your worshipful master here any content to sell?
Geo. If content be a stuff to be sold by the yard, you may have content at home, and never go abroad for’t.
Mis. W.-Cam. Do, cut me three yards; I'll pay for ’em.
Geo. There’s all we have i' the shop; we must know what you’ll give for ’em first.
Geo. Shall I not follow my trade? I'm bound to’t, and my master bound to bring me up in’t.
Geo. Give her not an inch, master, she’ll take two ells if you do.
Geo. Yes indeed, forsooth, she spoke to us, but chiefly to Ralph, because she knows he has but one stone.
Ral. No more of that, if you love me, George; this is not the way to keep a quiet house.
Edw. Why did you not speak for me with you then, and said we could not have done so?
W.-Cam. No more, sweet cousins, now.—Speak, George, customers approach.
G. Cres. Is the barber prepared?
Frank. jun. With ignorance enough to go through with it; so near I am to him, we must call cousins; would thou wert as sure to hit the tailor!
G. Cres. If I do not steal away handsomely, let me never play the tailor again.
Geo. What is’t you lack? &c.
Frank. jun. Good satins, sir.
Geo. The best in Europe, sir; here’s a piece worth a piece every yard of him; the king of Naples wears no better silk; mark his gloss, he dazzles the eye to look upon him.
Frank. jun. Is he not gummed?[904]
444Geo. Gummed! he has neither mouth nor tooth, how can he be gummed?
Frank. jun. Very pretty.
W.-Cam. An especial good piece of silk; the worm never spun a finer thread, believe it, sir.
Frank. jun. Gascoyn, you have some skill in it.
W.-Cam. Your tailor, sir?
Frank. jun. Yes, sir.
G. Cres. A good piece, sir; but let’s see more choice.
Ral. Tailor, drive thorough; you know your bribes.
G. Cres. Mum: he bestows forty pounds, if I say the word.
Ral. Strike through; there’s poundage for you then.
Frank. jun. Ay, marry, I like this better.—What sayst thou, Gascoyn?
G. Cres. A good piece indeed, sir.
Geo. The great Turk has worse satin at’s elbow than this, sir.
Frank. jun. The price?
W.-Cam. Look on the mark, George.
Geo. O, Souse and P, by my facks, sir.
W.-Cam. The best sort then; sixteen a yard, nothing to be bated.
445Frank. jun. Fie, sir, fifteen’s too high, yet so.—How[905] many yards will serve for my suit, sirrah?
G. Cres. Nine yards, you can have no less, sir Andrew.
Frank. jun. But I can, sir, if you please to steal less; I had but eight in my last suit.
G. Cres. You pinch us too near, in faith, sir Andrew.
Frank. jun. Yet can you pinch out a false pair of sleeves to a friezado doublet.
Geo. No, sir; some purses and pin-pillows perhaps: a tailor pays for his kissing that ways.
Frank. jun. Well, sir, eight yards; eight fifteens I give, and cut it.
W.-Cam. I cannot, truly, sir.
Geo. My master must be no subsidy-man, sir, if he take such fifteens.
Frank. jun. I am at highest, sir, if you can take money.
W.-Cam. Well, sir, I'll give you the buying once; I hope to gain it in your custom: want you nothing else, sir?
Frank. jun. Not at this time, sir.
G. Cres. Indeed but you do, sir Andrew; I must needs deliver my lady’s message to you, she enjoined me by oath to do it; she commanded me to move you for a new gown.
Frank. jun. Sirrah, I'll break your head, if you motion it again.
G. Cres. I must endanger myself for my lady, sir: you know she’s to go to my lady Trenchmore’s wedding; and to be seen there without a new gown! she’ll have ne’er an eye to be seen there, for her fingers in ’em: nay, by my fack, sir, I do not think 446she’ll go; and then, the cause known, what a discredit 'twill be to you!
Frank. jun. Not a word more, goodman snip-snapper, for your ears.—What comes this to, sir?
W.-Cam. Six pound, sir.
Frank. jun. There’s your money. [Gives money.]—Will you take this, and be gone and about your business presently?
G. Cres. Troth, sir, I'll see some stuffs for my lady first; I'll tell her, at least, I did my good will.—A fair piece of cloth-of-silver, pray you, now.
Geo. Or cloth-of-gold, if you please, sir, as rich as ever the Sophy wore.
Frank. jun. You are the arrantest villain of a tailor that ever sat cross-legged; what do you think a gown of this stuff will come to?
G. Cres. Why, say it be forty pound, sir, what’s that to you? three thousand a-year I hope will maintain it.
Frank. jun. It will, sir; very good, you were best be my overseer: say I be not furnished with money, how then?
G. Cres. A very fine excuse in you! which place of ten now will you send me for a hundred pound, to bring it presently?
W.-Cam. Sir, sir, your tailor persuades you well; ’tis for your credit and the great content of your lady.
Frank. jun. ’Tis for your content, sir, and my charges.—Never think, goodman false-stitch, to come to the mercer’s with me again: pray, will you see if my cousin Sweetball the barber—he’s nearest hand—be furnished, and bring me word instantly.
G. Cres. I fly, sir. [Exit.
Frank. jun. You may fly, sir, you have clipt somebody’s wings for it, to piece out your own; an arrant thief you are!
447W.-Cam. Indeed he speaks honestly and justly, sir.
Frank. jun. You expect some gain, sir, there’s your cause of love.
W.-Cam. Surely I do a little, sir.
Frank. jun. And what might be the price of this?
W.-Cam. This is thirty a yard; but if you’ll go to forty, here’s a nonpareil.
Frank. jun. So, there’s a matter of forty pound for a gown-cloth?
W.-Cam. Thereabouts, sir: why, sir, there are far short of your means that wear the like.
Frank. jun. Do you know my means, sir?
Geo. By overhearing your tailor, sir,—three thousand a-year; but if you’d have a petticoat for your lady, here’s a stuff.
Frank. jun. Are you another tailor, sirrah? here’s a knave! what are you?
Geo. You are such another gentleman! but for the stuff, sir, ’tis L.SS. and K, for the turn stript[906] a' purpose; a yard and a quarter broad too, which is the just depth of a woman’s petticoat.
Frank. jun. And why stript for a petticoat?
Geo. Because if they abuse their petticoats, there are abuses stript; then ’tis taking them up, and they may be stript and whipt too.[907]
Frank. jun. Very ingenious!
Geo. Then it is likewise stript standing, between which is discovered the open part, which is now called the placket.[908]
Frank. jun. Why, was it ever called otherwise?
448Geo. Yes; while the word remained pure in his original, the Latin tongue, who have no K's, it was called the placet; a placendo, a thing or place to please.
Frank. jun. Better and worse still.— Now, sir, you come in haste; what says my cousin?
G. Cres. Protest, sir, he’s half angry, that either you should think him unfurnished, or not furnished for your use; there’s a hundred pound ready for you: he desires you to pardon his coming; his folks are busy, and his wife trimming a gentleman; but at your first approach the money wants but telling.
Frank. jun. He would not trust you with it—I con him thanks[909]—for that he knows what trade you are of.—Well, sir, pray, cut him patterns; he may in the meantime know my lady’s liking: let your man take the pieces whole, with the lowest prices, and walk with me to my cousin’s.
W.-Cam. With all my heart, sir.—Ralph, your cloak, and go with the gentleman: look you give good measure.
G. Cres. Look you carry a good yard with you.
Ral. The best i' the shop, sir; yet we have none bad.—You’ll have the stuff for the petticoat too?
Frank. jun. No, sir, the gown only.
G. Cres. By all means, sir: not the petticoat? that were holy-day upon working-day, i’faith.
Frank. jun. You are so forward for a knave,[910] sir!
449G. Cres. ’Tis for your credit and my lady’s both I do it, sir.
Frank. jun. Your man is trusty, sir?
W.-Cam. O sir, we keep none but those we dare trust, sir.—Ralph, have a care of light gold.
Ral. I warrant you, sir, I'll take none.
Frank. jun. Come, sirrah.—Fare you well, sir.
W.-Cam. Pray, know my shop another time, sir.
Frank. jun. That I shall, sir, from all the shops i' the town; ’tis the Lamb in Lombard Street.
[Exent Franklin jun., G. Cressingham, and Ralph carrying the stuffs and a yard-measure.
Geo. A good morning’s work, sir; if this custom would but last long, you might shut up your shop and live privately.
W.-Cam. O George, but here’s a grief that takes away all the gains and joy of all my thrift.
Geo. What’s that, sir?
W.-Cam. Thy mistress, George; her frowardness sours all my comfort.
Geo. Alas, sir, they are but squibs and crackers, they’ll soon die; you know her flashes of old.
Geo. She has discharged herself now, sir; you need not fear her.
W.-Cam. No man can love without his affliction, George.
Geo. As you cannot without my mistress.
W.-Cam. Right, right;[911] there’s harmony in discords: this lamp of love, while any oil is left, can never be extinct; it may, like a snuff, wink and 450seem to die, but up he will again and shew his head: I cannot be quiet, George, without my wife at home.
Geo. And when she’s at home you’re never quiet, I'm sure; a fine life you have on’t! Well, sir, I'll do my best to find her, and bring her back, if I can.
Enter Franklin jun. and George Cressingham disguised as before, Ralph carrying the stuffs and a yard-measure, Sweetball, and Boy.
Sweet. Were it of greater moment than you speak of, noble sir, I hope you think me sufficient, and it shall be effectually performed.
Frank. jun. I could wish your wife did not know it, coz; women’s tongues are not always tuneable; I may many ways requite it.
Sweet. Believe me, she shall not, sir; which will be the hardest thing of all.
Frank. jun. Pray you, despatch him then.
Sweet. With the celerity a man tells gold to him.
Frank. jun. He hits a good comparison. [Aside.]—Give my waste-good your stuffs, and go with my cousin, sir; he’ll presently despatch you.
Ral. Yes, sir. [Gives stuffs to G. Cressingham.
451Sweet. Come with me, youth, I am ready for you in my more private chamber.
Frank. jun. Sirrah, go you shew your lady the stuffs, and let her choose her colour; away, you know whither.—Boy, prithee, lend me a brush i' the meantime.—Do you tarry all day now?
G. Cres. That I will, sir, and all night too, ere I come again. [Exit with the stuffs.
Boy. Here’s a brush, sir. [Gives brush.
Frank. jun. A good child.
Sweet. [within] What, Toby!
Boy. Anon, sir.
Sweet. [within] Why, when,[912] goodman picklock?
Boy. I must attend my master, sir.—I come.
Sweet. So, friend; I'll now despatch you presently.—Boy, reach me my dismembering instrument, and let my cauterizer[915] be ready; and, hark you, snip-snap——
Boy. Ay, sir.
Sweet. See if my luxinium,[916] my fomentation, be 452provided first; and get my rollers, bolsters,[917] and pledgets armed. [Exit Boy.
Ral. Nay, good sir, despatch my business first; I should not stay from my shop.
Sweet. You must have a little patience, sir, when you are a patient: if præputium be not too much perished, you shall lose but little by it, believe my art for that.
Ral. What’s that, sir?
Sweet. Marry, if there be exulceration between præputium and glans, by my faith, the whole penis may be endangered as far as os pubis.
Ral. What’s this you talk on, sir?
Sweet. If they be gangrened once, testiculi, vesica, and all may run to mortification.
Ral. What a pox does this barber talk on?
Sweet. O fie, youth! pox is no word of art; morbus Gallicus, or Neapolitanus, had been well: come, friend, you must not be nice; open your griefs freely to me.
Ral. Why, sir, I open my grief to you, I want my money.
Sweet. Take you no care for that; your worthy cousin has given me part in hand, and the rest I know he will upon your recovery, and I dare take his word.
Ral. ’Sdeath, where’s my ware?
Sweet. Ware! that was well; the word is cleanly, though not artful; your ware it is that I must see.
Ral. My tabine[918] and cloth-of-tissue!
Sweet. You will neither have tissue nor issue, if you linger in your malady; better a member cut off than endanger the whole microcosm.
453Ral. Barber, you are not mad?
Sweet. I do begin to fear you are subject to subeth,[919] unkindly sleeps, which have bred oppilations in your brain; take heed, the symptoma will follow, and this may come to frenzy: begin with the first cause, which is the pain of your member.
Ral. Do you see my yard, barber?
Sweet. Now you come to the purpose; ’tis that I must see indeed.
Ral. You shall feel it, sir: death, give me my fifty pounds or my ware again, or I'll measure out your anatomy by the yard!
Sweet. Boy, my cauterizing iron red hot!
Boy. ’Tis here, sir.
Sweet. If you go further, I take my dismembering knife.
Ral. Where’s the knight, your cousin? the thief and the tailor, with my cloth-of-gold and tissue?
Boy. The gentleman that sent away his man with the stuffs is gone a pretty while since; he has carried away our new brush.
Sweet. O that brush hurts my heart’s side! Cheated, cheated! he told me that your virga had a burning fever.
Ral. Pox on your virga, barber!
Sweet. And that you would be bashful, and ashamed to shew your head.
Ral. I shall so hereafter; but here it is, you see, yet, my head, my hair, and my wit; and here are my heels that I must shew to my master, if the cheaters be not found: and, barber, provide thee 454plasters, I will break thy head with every basin under the pole. [Exit.
Enter Mistress George Cressingham disguised as a page, and Mistress Knavesby.
Mis. G. Cres. My attendance you should have, 455mistress, but that my lord expects it, and ’tis his due.
Mis. Kna. And must be paid upon the hour? that’s too strict; any time of the day will serve.
Mis. G. Cres. Alas, ’tis due every minute! and paid, ’tis due again, or else I forfeit my recognisance, the cloth I wear of his.
Mis. Kna. Come, come; pay it double at another time, and ’twill be quitted; I have a little use of you.
Mis. G. Cres. Of me, forsooth? small use can be made of me: if you have suit to my lord, none can speak better for you than you may yourself.
Mis. Kna. O, but I am bashful.
Mis. G. Cres. So am I, in troth, mistress.
Mis. Kna. Now I remember me, I have a toy to deliver your lord that’s yet unfinished, and you may further me: pray you, your hands, while I unwind this skein of gold from you; ’twill not detain you long.
Mis. G. Cres. You wind me into your service prettily: with all the haste you can, I beseech you.
Mis. Kna. If it tangle not, I shall soon have done.
Mis. G. Cres. No, it shall not tangle, if I can help it, forsooth.
Mis. Kna. If it do, I can help it; fear not: this thing of long length you shall see I can bring you to a bottom.
Mis. G. Cres. I think so too; if it be not bottomless, this length will reach it.
Mis. Kna. It becomes you finely; but I forewarn you, and remember it, your enemy gain not this advantage of you; you are his prisoner then; 456for, look you, you are mine now, my captive manacled, I have your hands in bondage.[922]
Mis. G. Cres. ’Tis a good lesson, mistress, and I am perfect in it; another time I'll take out this, and learn another: pray you, release me now.
Mis. Kna. I could kiss you now, spite of your teeth, if it please me.
Mis. G. Cres. But you could not, for I could bite you with the spite of my teeth, if it pleases me.
Mis. Kna. Well, I'll not tempt you so far, I shew it but for rudiment.
Mis. G. Cres. When I go a-wooing, I'll think on’t again.
Mis. G. Cres. ’Twere pity but the hangman did enfranchise both.
L. Beau. Selenger, where are you?
Mis. G. Cres. E'en here, my lord.—Mistress, pray you, my liberty; you hinder my duty to my lord.
Mis. G. Cres. You must pardon me, my lord; you see I am entangled here.—Mistress, I protest I'll break prison, if you free me not: take you no notice?
Mis. Kna. O, cry your honour mercy!—You are now at liberty, sir. [Releasing her hands.
Mis. G. Cres. And I'm glad on’t; I'll ne’er give both my hands at once again to a woman’s command; I'll put one finger in a hole rather.
L. Beau. Leave us.
Mis. G. Cres. Free leave have you, my lord, so 458I think you may have.—Filthy beauty, what a white witch thou art! [Exit.
Sweet. Now, Flesh-hook, use thy talon, set upon his right shoulder; thy sergeant, Counterbuff, at the left; grasp in his jugulars; and then let me alone to tickle his diaphragma.
Flesh. You are sure he has no protection, sir?
Sweet. A protection to cheat and cozen! there was never any granted to that purpose.
Flesh. I grant you that too, sir; but that use has been made of ’em.
Coun. Marry has there, sir; how could else so many broken bankrupts play up and down by their creditors' noses, and we dare not touch ’em?
Sweet. That’s another case, Counterbuff; there’s privilege to cozen, but here cozenage went before, and there’s no privilege for that: to him boldly, I will spend all the scissors in my shop, but I'll have him snapt.
Coun. Well, sir, if he come within the length of large mace once, we’ll teach him to cozen.
Sweet. Marry, hang him! teach him no more cozenage, he’s too perfect in’t already; go gingerly about it; lay your mace on gingerly, and spice him soundly.
Coun. He’s at the tavern, you say?
Sweet. At the Man in the Moon, above stairs; so soon as he comes down, and the bush[930] left at his back, Ralph is the dog behind him; he watches to give us notice: be ready then, my dear bloodhounds; you shall deliver him to Newgate, from 462thence to the hangman: his body I will beg of the sheriffs, for at the next lecture I am likely to be the master of my anatomy; then will I vex every vein about him; I will find where his disease of cozenage lay, whether in the vertebræ or in os coxendix;[931] but I guess I shall find it descend from humore, through the thorax, and lie just at his fingers'-ends.
Ral. Be in readiness, for he’s coming this way, alone too; stand to’t like gentlemen and yeomen: so soon as he is in sight, I'll go fetch my master.
Sweet. I have had a conquassation in my cerebrum ever since the disaster, and now it takes me again; if it turn to a megrim, I shall hardly abide the sight of him.
Ral. My action of defamation shall be clapt on him too; I will make him appear to’t in the shape of a white sheet, all embroidered over with peccavis: look about, I'll go fetch my master. [Exit.
Coun. I arrest you, sir.
Frank. jun. Ha! qui va là? que pensez-vous faire, messieurs? me voulez-vous dérober? je n’ai point d’argent; je suis un pauvre gentilhomme François.
Sweet. Whoop! pray you, sir, speak English; you did when you bought cloth-of-gold at six nihils a-yard, when Ralph’s præputium was exulcerated.
Frank. jun. Que voulez-vous? me voulez-vous tuer? les François ne sont point ennemis: voilà ma bourse; que voulez-vous d’avantage?
Coun. Is not your name Franklin, sir?
Frank. jun. Je n’ai point de joyaux que cestui-ci, 463et c’est à monsieur l’ambassadeur; il m’envoie à ses affaires, et vous empêchez mon service.
Coun. Sir, we are mistaken, for ought I perceive.
W.-Cam. So, so; you have caught him, that’s well.—How do you, sir?
Frank. jun. Vous semblez être un homme courtois, je vous prie entendez mes affaires; il y a ici deux ou trois canailles qui m’ont assiégé, un pauvre étranger, qui ne leur ai fait nul mal; ni donné mauvaise parole, ni tiré mon épée; l’un me prend par une épaule, et me frappe deux livres pesant; l’autre me tire par le bras, il parle je ne sais quoi: je leur ai donné ma bourse, et s’ils ne me veulent point laisser aller, que ferai-je, monsieur?
W.-Cam. This is a Frenchman, it seems, sirs.
Coun. We can find no other in him, sir; and what that is we know not.
W.-Cam. He’s very like the man we seek for, else my lights go false.
Sweet. In your shop[932] they may, sir, but here they go true; this is he.
Ral. The very same, sir; as sure as I am Ralph, this is the rascal.
Coun. Sir, unless you will absolutely challenge him the man, we dare not proceed further.
Flesh. I fear we are too far already.
W.-Cam. I know not what to say to’t.
Mar. Bon jour, bon jour, gentilhommes.
Sweet. How now? more news from France?
Frank. jun. Cette femme ici est de mon pays.—Madame, 464je vous prie leur dire mon pays; ils m’ont retargé,[933] je ne sais pourquoi.
Mar. Etes-vous de France, monsieur?
Frank. jun. Madame, vrai est, que je les ai trompés, et suis arrêté, et n’ai nul moyen d'échapper qu’en changeant mon langage: aidez-moi en cette affaire; je vous connois bien, où vous tenez un bordeau; vous et les votres en serez de mieux.
Mar. Laissez faire à moi. Etes-vous de Lyons, dites-vous?
Frank. jun. De Lyon, ma chère dame.
Mar. Mon cousin! je suis bien aise de vous voir en bonne disposition. [Re-enter
Frank. jun. Ma cousine!
W.-Cam. This is a Frenchman sure.
Sweet. If he be, ’tis the likest an Englishman that ever I saw, all his dimensions, proportions; had I but the dissecting of his heart, in capsula cordis could I find it now; for a Frenchman’s heart is more quassative and subject to tremor than an Englishman’s.
W.-Cam. Stay, we’ll further inquire of this gentlewoman.—Mistress, if you have so much English to help us with—as I think you have, for I have long seen you about London—pray, tell us, and truly tell us, is this gentleman a natural Frenchman or no?
Mar. Ey, begar, de Frenchman, born à Lyons, my cozin.
W.-Cam. Your cousin? if he be not your cousin, he’s my cousin, sure.
Mar. Ey connosh his père, what you call his fadre; he sell poissons.
Sweet. Sell poisons? his father was a ’pothecary then.
465Mar. No, no, poissons,—what you call fish, fish.
Sweet. O, he was a fishmonger.
Mar. Oui, oui.
W.-Cam. Well, well, we are mistaken, I see; pray you, so tell him, and request him not to be offended; an honest man may look like a knave, and be ne’er the worse for’t: the error was in our eyes, and now we find it in his tongue.
Mar. J'essayerai encore une fois, monsieur cousin, pour votre sauveté; allez-vous en; votre liberté est suffisante: je gagnerai le reste pour mon devoir, et vous aurez votre part à mon école; j’ai une fille qui parle un peu François; elle conversera avec vous à la Fleur-de-Lis en Turnbull Street.[934] Mon cousin, ayez soin de vous-même, et trompez ces ignorans.
Frank. jun. Cousin, pour l’amour de vous, et principalement pour moi, je suis content de m’en aller: je trouverai votre école; et si vos écoliers me sont agréables, je tirerai à l'épée seule; et si d’aventure je la rompe, je payerai dix sous; et pour ce vieux fol, et ces deux canailles, ce poulain snip-snap, et l’autre bonnet rond, je les verrai pendre premier que je les vois. [Exit.
W.-Cam. So, so, she has got him off, but I perceive much anger in his countenance still.—And what says he, madam?
Mar. Moosh, moosh anger; but ey connosh heer lodging shall cool him very well; dere is a kinswomans can moosh allay heer heat and heer spleen; she shall do for my saka, and he no trobla you.
W.-Cam. [giving money] Look, there is earnest, but thy reward’s behind; come to my shop, the Holy Lamb in Lombard Street: thou hast one friend more than e’er thou hadst.
466Mar. Tank u, monsieur, shall visit u; ey make all pacifie: à votre service très humblement,—tree, four, five fool of u. [Aside, and exit.
W.-Cam. What’s to be done now?
Coun. To pay us for our pains, sir; and better reward us, that we may be provided against further danger that may come upon ’s for false imprisonment.
W.-Cam. All goes false, I think. What do you, neighbour Sweetball?
Sweet. I must phlebotomise, sir, but my almanac says the sign is in Taurus; I dare not cut my own throat; but if I find any precedent that ever barber hanged himself, I'll be the second example.
Ral. This was your ill luxinium,[935] barber, to cause all to be cheated.
Coun. What say you to us, sir?
Coun. Well, sir, for this time we’ll leave you.
Sweet. I will go with you, officers; I will walk with you in the open street, though it be a scandal to me; for now I have no care of my credit, a cacokenny[936] is run all over me.
[Exeunt. Sweetball, Flesh-hook, and Counterbuff.
W.-Cam. What shall we do now, Ralph?
Ral. Faith, I know not, sir: here comes George, it may be he can tell you.
Ralph, home to the shop; leave George and I together.
Ral. I am gone, sir. [Exit.
W.-Cam. Now, George, what better news eastward? all goes ill t’other way.
Geo. I bring you the best news that ever came about your ears in your life, sir.
W.-Cam. Thou puttest me in good comfort, George.
Geo. My mistress, your wife, will never trouble you more.
W.-Cam. Ha! never trouble me more? of this, George, may be made a sad construction; that phrase we sometimes use when death makes the separation; I hope it is not so with her, George?
Geo. No, sir, but she vows she’ll never come home again to you; so you shall live quietly; and this I took to be very good news, sir.
Geo. Ay, but this is a principal, sir: the truth is, she will be divorced, she says, and is labouring with her cousin Knave—what do you call him? I have forgotten the latter end of his name.
W.-Cam. Knavesby, George.
Geo. Ay, Knave, or Knavesby, one I took it to be.
W.-Cam. Why, neither rage nor envy can make a cause, George.
468Geo. Yes, sir; not only at your person, but she shoots at your shop too; she says you vent ware that is not warrantable, braided ware, and that you give not London measure; women, you know, look for more than a bare yard: and then you keep children in the name of your own, which she suspects came not in at the right door.
Geo. Ay, but if she will, she will; she’s a woman, sir.
The children shall home again, and thou shalt conduct 'em, George.
Geo. That done, I'll be bold to venture once more for her recovery, since you cannot live at liberty, but because you are a rich citizen, you will have your chain about your neck: I think I have a device will bring you together by th' ears again, and then look to ’em as well as you can.
Sur. Where’s master steward?
Sir F. Cres. Within: what are you, sir?
Sur. A surveyor, sir.
Sir F. Cres. And an almanac-maker, I take it: can you tell me what foul weather is toward?[939]
Sur. Marry, the foulest weather is, that your land is flying away. [Exit.
Sir F. Cres. A most terrible prognostication! All the resort, all the business to my house is to my lady and master steward, whilst sir Francis stands for a cipher; I have made away myself and my power, as if I had done it by deed of gift: here comes the comptroller of the game.
Saun. What, are you yet resolved to translate this unnecessary land into ready money?
Sir F. Cres. Translate it!
Saun. The conveyances are drawn, and the money ready: my lady sent me to you to know directly if you meant to go through in the sale; if not, she resolves of another course.
Sir F. Cres. Thou speakest this cheerfully, methinks; whereas faithful servants were wont to mourn when they beheld the lord that fed and cherished them, as[940] by cursed enchantment, removed 470into another blood. Cressingham of Cressingham has continued many years, and must the name sink now?
Saun. All this is nothing to my lady’s resolution; it must be done, or she’ll not stay in England: she would know whether your son be sent for, that must likewise set his hand to the sale; for otherwise the lawyers say there cannot be a sure conveyance made to the buyer.
Sir F. Cres. Yes, I have sent for him; but, I pray thee, think what a hard task ’twill be for a father to persuade his son and heir to make away his inheritance.
Saun. Nay, for that, use your own logic; I have heard you talk at the sessions terribly against deer-stealers, and that kept you from being put out of the commission. [Exit.
Sir F. Cres. I do live to see two miseries; one to be commanded by my wife, the other to be censured by my slave.
G. Cres. That which I have wanted long, and has been cause of my irregular courses, I beseech you let raise me from the ground. [Kneels.
Sir F. Cres. [raising him and giving money] Rise, George; there’s a hundred pounds for you, and my blessing, with these your mother’s favour: but I hear your studies are become too licentious of late.
G. Cres. Has heard of my cozenage. [Aside.
Sir F. Cres. What’s that you are writing?
G. Cres. Sir, not any thing.
Sir F. Cres. Come, I hear there’s something coming forth of yours will be your undoing.
G. Cres. Of mine?
Sir F. Cres. Yes, of your writing; somewhat 471you should write will be dangerous to you. I have a suit to you.
G. Cres. Sir, my obedience makes you commander in all things.
Sir F. Cres. I pray, suppose I had committed some fault, for which my life and sole estate were forfeit to the law, and that some great man near the king should labour to get my pardon, on condition he might enjoy my lordship, could you prize your father’s life above the grievous loss of your inheritance?
G. Cres. Yes, and my own life at stake too.
Sir F. Cres. You promise fair; I come now to make trial of it. You know I have married one whom I hold so dear, that my whole life is nothing but a mere estate depending upon her will and her affections to me; she deserves so well, I cannot longer merit than durante bene placita: ’tis her pleasure, and her wisdom moves in’t too, of which I'll give you ample satisfaction hereafter, that I sell the land my father left me: you change colour! I have promised her to do’t; and should I fail, I must expect the remainder of my life as full of trouble and vexation as the suit for a divorce: it lies in you, by setting of your hand unto the sale, to add length to his life that gave you yours.
G. Cres. Sir, I do now[941] ingeniously perceive why you said lately somewhat I should write would be my undoing, meaning, as I take it, setting my hand to this assurance. O, good sir, shall I pass away my birthright? O, remember there is a malediction denounced against it in holy writ! Will you, for her pleasure, the inheritance of desolation leave to 472your posterity? think how compassionate the creatures of the field, that only live on the wild benefits of nature,[942] are unto their young ones; think likewise you may have more children by this woman, and by this act you undo them too. ’Tis a strange precedent this, to see an obedient son labouring good counsel to the father; but know, sir, that the spirits of my great-grandfather and your father move[943] at this present in me, and what they bequeathed you on their[944] deathbed, they charge you not to give away in the dalliance of a woman’s bed. Good sir, let it not be thought presumption in me that I have continued my speech unto this length; the cause, sir, is urgent, and, believe it, you shall find her beauty as malevolent unto you as a red morning, that doth still foretell a foul day to follow. O, sir, keep your land! keep that to keep your name immortal, and you shall see
Sir F. Cres. O, I am distracted, and my very soul sends blushes into my cheeks!
G. Cres. See here an object to beget more compassion.
Geo. O, sir Francis, we have a most lamentable house at home! nothing to be heard in’t but separation and divorces, and such a noise of the spiritual court, as if it were a tenement upon London Bridge, and built upon the arches.
473Sir F. Cres. What’s the matter?
Geo. All about boarding your children: my mistress is departed.
Sir F. Cres. Dead!
Geo. In a sort she is, and laid out too, for she is run away from my master.
Sir F. Cres. Whither?
Geo. Seven miles off, into Essex; she vowed never to leave Barking while she lived, till these were brought home again.
Sir F. Cres. O, they shall not offend her: I am sorry for’t.
Maria.[945] I am glad we are come home, sir; for we lived in the unquietest house!
Edw. The angry woman, methought, grutched[946] us our victuals; our new mother is a good soul, and loves us, and does not frown so like a vixen as she does.
Maria. I am at home now, and in heaven, methinks: what a comfort ’tis to be under your wing!
Edw. Indeed, my mother was wont to call me your nestle-cock, and I love you as well as she did.
Sir F. Cres. You are my pretty souls!
G. Cres. Does not the prattle of these move you?
Saun. Look you, sir, here’s the conveyance and my lady’s solicitor; pray resolve what to do, my lady is coming down.—How now, George? how does thy mistress, that sits in a wainscot-gown,[947] like 474a citizen’s lure to draw in customers? O, she’s a pretty mouse-trap!
Geo. She’s ill baited though to take a Welshman, she cannot away with[948] cheese.
Sir F. Cres. And what must I do now?
Kna. Acknowledge a fine and recovery of the land; then for possession the course is common.
Sir F. Cres. Carry back the writings, sir; my mind is changed.
Saun. Changed! do not you mean to seal?
Sir F. Cres. No, sir, the tide’s turned.
Saun. You must temper him like wax, or he’ll not seal.
L. Cres. Are you come back again?—How now, have you done?
Maria. How do you, lady mother?
L. Cres. You are good children.—Bid my woman give them some sweetmeats.
Maria. Indeed, I thank you:—is not this a kind mother?
G. Cres. Poor fools, you know not how dear you shall pay for this sugar!
Kna. [shewing map] Look you, sir; here is Clangibbon, a fruitful country, and well wooded.
Sir F. Cres. What’s this? marsh ground?
Kna. No, these are bogs, but a little cost will drain them: this upper part, that runs by the black water, is the Cossack’s land,—a spacious country, and yields excellent profit by the salmon and fishing for herring; here runs the Kernesdale, admirable feed for cattle; and hereabout is St. Patrick’s Purgatory.[949]
G. Cres. Sir, were it my death, were’t to the loss of my estate, I vow to obey you in all things; yet with it remember there are two young ones living 476that may curse you; I pray dispose part of the money on their generous educations.
L. Cres. Fear no[t] you, sir.—The caroach there!—When you have despatched, you shall find me at the scrivener’s, where I shall receive the money.
G. Cres. She’ll devour that mass too.
L. Cres. How likest thou my power over him?
Saun. Excellent.
Kna. Not yet, Sib? my lord keeps thee so long, thou’rt welcome, I see then, and pays sweetly too: a good wench, Sib, thou’rt, to obey thy husband. She’s come: a hundred mark[951] a-year, how fine and easy it comes into mine arms now!—
Welcome home! what says my lord, Sib?
Mis. Kna. My lord says you are a cuckold!
Kna. Ha, ha, ha, ha! I thank him for that bob, i’faith; I'll afford it him again at the same price a month hence, and let the commodity grow as scarce as it will. Cuckold, says his lordship? ha, ha! I 477shall burst my sides with laughing, that’s the worst; name not a hundred [a]-year, for then I burst.[952] It smarts not so much as a fillip on the forehead by five parts: what has his dalliance taken from thy lips? ’tis as sweet as e’er’twas; let me try else; buss me, sugar-candy.
Mis. Kna. Forbear! you presume to a lord’s pleasure!
Kna. How’s that? not I, Sib.
Kna. But, with your patience, madam, who was it that preferred you to this ladyship?
Mis. Kna. ’Tis for mine own credit if I forbear, not thine, thou bugle-browed[955] beast thou!
Geo. Bidden, bidden, bidden, bidden: so, all these are past, but here’s as large a walk to come: if I do not get it up at the feast, I shall be leaner for bidding the guests, I'm sure.
Kna. How now? who’s this?
Geo. [reads] Doctor Glister et—what word’s this? fuxor—O, uxor—the doctor and his wife—Master Body et uxor of Bow Lane, Master Knavesby et uxor.
Kna. Ha! we are in, whatsoever the matter is.
Geo. Here’s forty couple more in this quarter; but there, the provision bringing in, that puzzles me most. [Reads] One ox,—that will hardly serve for beef too;—five muttons, ten lambs,—poor innocents, they’ll be devoured too!—three gross of capons——
Kna. Mercy upon us! what a slaughter-house is here!
Geo. [reads] Two bushels of small birds, plovers, snipes, woodcocks, partridge[s], larks;—then for baked meats——
Kna. George, George, what feast is this? ’tis not for St. George’s day?
Geo. Cry you mercy, sir; you and your wife 479are in my roll: my master invites you his guests to-morrow dinner.
Kna. Dinner, say’st thou? he means to feast a month sure.
Geo. Nay, sir, you make up but a hundred couple.
Kna. Why, what ship has brought an India home to him, that he’s so bountiful? or what friend dead—unknown to us—has so much left to him of arable land, that he means to turn to pasture thus?
Geo. Nay,’tis a vessel, sir; a good estate comes all in one bottom to him, and ’tis a question whether ever he find the bottom or no; a thousand a-year, that’s the uppermost.
Kna. A thousand a-year!
Geo. To go no further about the bush, sir, now the bird is caught, my master is to-morrow to be married, and, amongst the rest, invites you a guest at his wedding-dinner the second.
Kna. Married!
Geo. There is no other remedy for flesh and blood, that will have leave to play, whether we will or no, or wander into forbidden pastures.
Kna. Married! why, he is married, man; his wife is in my house now; thy mistress is alive, George.
Geo. She that was, it may be, sir, but dead to him; she played a little too rough with him, and he has discarded her; he’s divorced, sir.
Kna. He divorced! then is her labour saved, for she was labouring a divorce from him.
Geo. They are well parted then, sir.
Kna. But wilt thou not speak with her? i’faith, invite her to’t.
Geo. ’Tis not in my commission, I dare not. Fare you well, sir; I have much business in hand, and the time is short.
480Kna. Nay, but, George, I prithee, stay; may I report this to her for a certain truth?
Geo. Wherefore am I employed in this invitation, sir?
Kna. Prithee, what is she his second choice?
Geo. Truly, a goodly presence, likely to bear great children, and great store; she never saw five-and-thirty summers together in her life by her appearance, and comes in her French hood; by my fecks, a great match ’tis like to be: I am sorry for my old mistress, but cannot help it. Pray you, excuse me now, sir; for all the business goes through my hands, none employed but myself. [Exit.
Kna. Why, here is news that no man will believe but he that sees.
Mis. Kna. This and your cuckoldry will be digestion throughout the city-dinners and suppers for a month together; there will need no cheese.
Kna. No more of that, Sib: I'll call my cousin Camlet, and make her partaker of this sport.
She’s come already.—Cousin, take’t at once, you’re a free woman; your late husband’s to be married to-morrow.
Mis. W.-Cam. Married! to whom?
Kna. To a French hood, byrlakins,[956] as I understand; great cheer prepared, and great guests invited; so far I know.
Mis. W.-Cam. What a cursed wretch was I to pare my nails to-day! a Friday too; I looked for some mischief.
Kna. Why, I did think this had accorded with 481your best liking; you sought for him what he has sought for you, a separation, and by divorce too.[957]
Mis. W.-Cam. I'll divorce ’em! is he to be married to a French hood? I'll dress it the English fashion: ne’er a coach to be had with six horses to strike fire i' the streets as we go?
Kna. Will you go home then?
Mis. W.-Cam. Good cousin, help me to whet one of my knives, while I sharp the other;[958] give me a sour apple to set my teeth a’n edge; I would give five pound for the paring of my nails again! have you e’er a bird-spit i' the house? I'll dress one dish to the wedding.
Kna. This violence hurts yourself the most.
Mis. W.-Cam. I care not who I hurt: O my heart, how it beats a' both sides! Will you run with me for a wager into Lombard Street now?
Kna. I'll walk with you, cousin, a sufficient pace; Sib shall come softly after; I'll bring you thorough Bearbinder Lane.
Mis. W.-Cam. Bearbinder Lane cannot hold me, I'll the nearest way over St. Mildred’s church: if I meet any French hoods by the way, I'll make black patches enow for the rheum.
Geo. Madam, but stay here a little, my master comes instantly; I heard him say he did owe you a good turn, and now’s the time to take it; I'll warrant you a sound reward ere you go.
Mar. Ey tank u de bon cœur, monsieur.
Geo. Look, he’s here already.—Now would a skilful navigator take in his sails, for sure there is a storm towards.[959] [Aside, and exit.
Mar. All quiet, goor frendsheep; ey mooch a do, ey strive wid him; give goor worda for you, no more speak a de matra; all es undonne, u no more trobla.
Mis. W.-Cam. O, O, O! my heart’s broke out of my ribs!
Kna. Nay, a little patience.
Mar. By tank u artely; shall no bestow en gloves, shall put moosh more to dees, an bestow your shop: regarde dees stofa, my petticote, u no soosh anodre; shall deal wid u for moosh; take in your hand.
483W.-Cam. I see it, mistress, ’tis good stuff indeed, It is a silk rash; I can pattern it.
Mis. W.-Cam. Shall he take up her coats before my face? O beastly creature! [Coming forward] French hood, French hood, I will make your hair grow thorough![961]
Mis. W.-Cam. I forbid the banes,[962] lecher!—and, strumpet, thou shalt bear children without noses!
Mar. O, pardonnez-moi; by my trat, ey mean u no hurta: wat u meant by dees?
Mis. W.-Cam. I will have thine eyes out, and thy bastards shall be as blind as puppies!
Mis. W.-Cam. I forbid the banes, adulterer!
W.-Cam. What means she by that, sir?
Kna. Good cousin, forbid your rage awhile; unless you hear, by what sense will you receive satisfaction? [Restraining her.
Mis. W.-Cam. By my hands and my teeth, sir; give me leave! will you bind me whiles mine enemy kills me?
W.-Cam. Here all are your friends, sweet wife.
Mis. W.-Cam. Wilt have two wives? do, and be[963] hanged, fornicator! I forbid the banes: give me the French hood, I'll tread it under feet in a pair of pantofles.[964]
484Mar. Begar, shall save hood, head, and all; shall come no more heer, ey warran u. [Exit.
W.-Cam. Whose report was it?
Kna. Your man George’s, who invited me to the wedding.
W.-Cam. George! and was he sober? good sir, call him.
Enter George.
Geo. It needs not, sir, I am here already.
W.-Cam. Did you report this, George?
Geo. Yes, sir, I did.
W.-Cam. And wherefore did you so?
Geo. For a new suit that you promised me, sir, if I could bring home my mistress; and I think she’s come, with a mischief.
Mis. W.-Cam. Give me that villain’s ears!
Geo. I would give ear, if I could hear you talk wisely.
Mis. W.-Cam. Let me cut off his ears!
Geo. I shall hear worse of you hereafter then; limb for limb, one of my ears for one of your tongues, and I'll lay out for my master.
Enter Franklin senior in mourning, George Cressingham, and Franklin junior disguised as an old Serving-man.
O, this fellow was born near me, and his trading here i' the city may bring me to the knowledge of the men my son ought[968] money to.
Geo. Your worship’s welcome to London; and I pray, how do[969] all our good friends i' the country?
Frank. sen. They are well, George: how thou art shot up since I saw thee! what, I think thou art almost out of thy time?
Geo. I am out of my wits, sir; I have lived in a kind of bedlam these four years; how can I be mine own man then?
Frank. sen. Why, what’s the matter?
Geo. I may turn soap-boiler, I have a loose body: I am turned away from my master.
Frank. sen. How! turned away?
488Geo. I am gone, sir, not in drink, and yet you may behold my indentures [shewing indenture]. O the wicked wit of woman! for the good turn I did bringing her home, she ne’er left sucking my master’s breath, like a cat, kissing him, I mean, till I was turned away.
Frank. sen. I have heard she’s a terrible woman.
Geo. Yes, and the miserablest! her sparing in housekeeping has cost him somewhat—the Dagger-pies[970] can testify: she has stood in’s light most miserably, like your fasting days before red letters in the almanac; saying the pinching of our bellies would be a mean to make him wear scarlet the sooner. She had once persuaded him to have bought spectacles for all his servants, that they might have worn ’em dinner and supper.
Frank. sen. To what purpose?
Geo. Marry, to have made our victuals seem bigger than ’t was: she shews from whence she came, that my wind-colic can witness.
Frank. sen. Why, whence came she?
Geo. Marry, from a courtier, and an officer too, that was up and down I know not how often.
Frank. sen. Had he any great place?
Geo. Yes, and a very high one, but he got little by it; he was one that blew the organ in the court chapel; our Puritans,[971] especially your Puritans in Scotland, could ne’er away with[972] him.
489Frank. sen. Is she one of the sect?
Geo. Faith, I think not, for I am certain she denies her husband the supremacy.
Frank. sen. Well, George, your difference may be reconciled. I am now to use your help in a business that concerns me; here’s a note of men’s names here i' the city unto whom my son ought[973] money, but I do not know their dwelling.
Geo. [taking note from Frank. sen.] Let me see, sir: [reads] Fifty pound ta’en up at use of Master Waterthin the brewer.
Frank. sen. What’s he?
Geo. An obstinate fellow, and one that denied payment of the groats till he lay by the heels for’t; I know him: [reads] Item, fourscore pair of provant breeches,[974] a' the new fashion, to Pinchbuttock, a hosier in Birchen Lane, so much.
Frank. sen. What the devil did he with so many pair of breeches?
Frank. jun. Supply a captain, sir; a friend of his went over to the Palatinate.
Geo. [reads] Item, to my tailor, master Weatherwise, by St. Clement’s church.
G. Cres. Who should that be? it may be ’tis the new prophet, the astrological tailor.
Frank. jun. No, no, no, sir, we have nothing to do with him.
Geo. Well, I'll read no further; leave the note 490to my discretion, do not fear but I'll inquire them all.
Frank. sen. Why, I thank thee, George.[975]—Sir, rest assured I shall in all your business be faithful to you, and at better leisure find time to imprint deeply in your father the wrong he has done you.
G. Cres. You are worthy in all things.—
Is my father stirring?
Saun. Yes, sir: my lady wonders you are thus chargeable to your father, and will not direct yourself unto some gainful study, may quit him of your dependance.
G. Cres. What study?
Saun. Why, the law; that law that takes up most a' the wits i' the kingdom, not for most good but most gain; or divinity, I have heard you talk well, and I do not think but you’d prove a singular fine churchman.
G. Cres. I should prove a plural better, if I could attain to fine benefices.
Saun. My lady, now she has money, is studying to do good works; she talked last night what a goodly act it was of a countess[977]—Northamptonshire 491breed belike, or thereabouts—that to make Coventry a corporation, rode through the city naked, and by daylight.
G. Cres. I do not think but you have ladies living would discover as much in private, to advance but some member of a corporation.
Saun. Well, sir, your wit is still goring at my lady’s projects: here’s your father.
Sir F. Cres. Thou comest to chide me, hearing how like a ward I am handled since the sale of my land.
G. Cres. No, sir, but to turn your eyes into your own bosom.
Sir F. Cres. Why, I am become my wife’s pensioner; am confined to a hundred mark[978] a-year, t' one suit, and one man to attend me.
Saun. And is not that enough for a private gentleman?
Sir F. Cres. Peace, sirrah, there is nothing but knave speaks in thee:—and my two poor children must be put forth to ’prentice!
G. Cres. Ha! to ’prentice? sir, I do not come to grieve you, but to shew how wretched your estate was, that you could not come to see order until foul disorder pointed the way to’t;
Sir F. Cres. Surely I am nothing, and desire[980] to be so.—Pray thee, fellow, entreat her only to be 492quiet; I have given her all my estate on that condition.
Sir F. Cres. O, most natural for lightning to go before the thunder.
L. Cres. What! are you in council? are ye levying faction against us?
Sir F. Cres. Good friend——
L. Cres. Sir, sir, pray, come hither; there is winter in your looks, a latter winter; do you complain to your kindred? I'll make you fear extremely, to shew you have any cause to fear.—Are the bonds sealed for the six thousand pounds I put forth to use?
Saun. Yes, madam.
493L. Cres. The bonds were made in my uncle’s name?
Saun. Yes.
L. Cres. ’Tis well.
Sir F. Cres. ’Tis strange though.
L. Cres. Nothing strange; you’ll think the allowance I have put you to as strange, but your judgment cannot reach the aim I have in’t: you were pricked last year to be high sheriff, and what it would have cost you I understand now; all this charge, and the other by the sale of your land, and the money at my dispose, and your pension so small, will settle you in quiet, make you master of a retired life; and our great ones may think you a politic man, and that you are aiming at some strange business, having made all over.
Sir F. Cres. I must leave you: man is never truly awake till he be dead!
G. Cres. What a dream have you made of my father!
L. Cres. Let him be so, and keep the proper place of dreams, his bed, until I raise him.
G. Cres. Raise him! not unlikely; ’tis you have ruined him.
L. Cres. You do not come to quarrel?
G. Cres. No, certain, but to persuade you to a thing, that, in the virtue of it, nobly carries its own commendation, and you shall gain much honour by it, which is the recompence of all virtuous actions,—to use my father kindly.
L. Cres. Why, does he complain to you, sir?
G. Cres. Complain? why should a king complain for any thing, but for his sins to heaven? the prerogative of husband is like to his over his wife.
G. Cres. I must not leave you thus; I tell you, mother, ’tis dangerous to a woman when her mind raises her to such height, it makes her only capable of her own merit, nothing of duty. O, ’twas a strange, unfortunate o’erprizing your beauty, brought him, otherwise discreet, into the fatal neglect of his poor children! What will you give us of the late sum you received?
L. Cres. Not a penny; away, you are troublesome and saucy.
G. Cres. You are too cruel: denials even from princes, who may do what they list, should be supplied with a gracious verbal usage, that, though they do not cure the sore, they may abate the sense of’t: the wealth you seem to command over is his, and he, I hope, will dispose of’t to our use.
L. Cres. When he can command my will.
G. Cres. Have you made him so miserable, that he must take a law from his wife?
L. Cres. Have you not had some lawyers forced to groan under the burden?
G. Cres. O, but the greater the women, the more visible are their vices!
G. Cres. Good madam, please you, pity the distress 495of a poor gentleman, that is undone by a cruel mother-in-law; you do not know her, nor does she deserve the knowledge of any good one, for she does not know herself; you would sigh for her that e’er she took you[r] sex, if you but heard her qualities.
L. Cres. This is a fine crotchet.
G. Cres. Envy and pride flow in her painted breasts, she gives no other suck; all her attendants do not belong to her husband; his money is hers, marry, his debts are his own: she bears such sway, she will not suffer his religion be his own, but what she please to turn it to.
L. Cres. And all this while I am the woman you libel against.
G. Cres. I remember, ere the land was sold, you talked of going to Ireland; but should you touch there, you would die presently.
L. Cres. Why, man?
Enter Franklin senior, Franklin junior disguised as before, George, and several Creditors.
Frank. sen. Good health to your lordship!
L. Beau. Master Franklin, I heard of your arrival, and the cause of this your sad appearance.
Frank. sen. And ’tis no more than as your honour says, indeed, appearance; it has more form than feeling sorrow, sir, I must confess: there’s none of these gentlemen, though aliens in blood, but have as large cause of grief as I.
First C. No, by your favour, sir, we are well satisfied; there was in his life a greater hope, but less assurance.
498Sec. C. Sir, I wish all my debts of no better promise to pay me thus; fifty in the hundred comes fairly homewards.
Frank. jun. Considering hard bargains and dead commodities, sir.
Sec. C. Thou sayest true, friend—and from a dead debtor, too.
L. Beau. And so you have compounded and agreed all your son’s riotous debts?
Frank. sen. There’s behind but one cause of worse condition; that done, he may sleep quietly.
First C. Yes, sure, my lord, this gentleman is come a wonder to us all, that so fairly, with half a loss, could satisfy those debts were dead, even with his son, and from whom we could have nothing claimed.
Frank. sen. I shewed my reason; I would have a good name live after him, because he bore my name.
Sec. C. May his tongue perish first—and that will spoil his trade—that first gives him a syllable of ill!
L. Beau. Why, this is friendly.
Geo. Will you have mine too, sir?
W.-Cam. Yes, thy two hands, George, and, I 499think, two honest hands of a tradesman, George, as any between Cornhill and Lombard Street.
Geo. Take heed what you say, sir, there’s Birchin Lane between ’em.
L. Beau. But what’s the cause of this, master Camlet?
W.-Cam. I have the cause in handling now, my lord; George, honest George, is the cause, yet no cause of George’s; George is turned away one way, and I must go another.
L. Beau. And whither is your way, sir?
W.-Cam. E'en to seek out a quiet life, my lord: I do hear of a fine peaceable island.
L. Beau. Why, ’tis the same you live in.
L. Beau. This is a little wild, methinks.
W.-Cam. Gentlemen, fare you well, I am for the Bermudas.
L. Beau. Nay, good sir, stay: and is that your only cause, the loss of George?
W.-Cam. The loss of George, my lord? make you that no cause? why, but examine, would it not break the stout heart of a nobleman to lose his george,[989] much more the tender bosom of a citizen?
L. Beau. Fie, fie, I'm sorry your gravity should 500run back to lightness thus: you go to the Bermothes![990]
Frank. sen. Better to Ireland, sir.
W.-Cam. The land of Ire? that’s too near home; my wife will be heard from Hellbree to Divelin.[991]
Frank. sen. Sir, I must of necessity a while detain you: I must acquaint you with a benefit that’s coming towards you; you were cheated of some goods of late—come, I'm a cunning man, and will help you to the most part again, or some reasonable satisfaction.
W.-Cam. That’s another cause of my unquiet life, sir; can you do that, I may chance stay another tide or two.
My wife! I must speak more private with you—by forty foot, pain of death, I dare not reach her! no words of me, sweet gentlemen. [Slips behind the arras.
Geo. I had need hide too. [Follows W.-Camlet.
Mis. W.-Cam. O, my lord, I have scarce tongue enough yet to tell you—my husband, my husband’s gone from me! your warrant, good my lord! I never had such need of your warrant; my husband’s gone from me!
L. Beau. Going he is, ’tis true, has ta’en his leave of me and all these gentlemen, and ’tis your sharp tongue that whips him forwards.
Mis. W.-Cam. A warrant, good my lord!
L. Beau. You turn away his servants, such on whom his estate depends, he says, who know his books, his debts, his customers; the form and order of all his affairs you make orderless—chiefly, his George you have banished from him.
501Mis. W.-Cam. My lord, I will call George again.
Geo. [behind the arras] Call George again!
L. Beau. Why, hark you, how high-voiced you are, that raise an echo from my cellarage, which we with modest loudness cannot!
Mis. W.-Cam. My lord, do you think I speak too loud?
Geo. [behind the arras] Too loud!
L. Beau. Why, hark, your own tongue answers you, and reverberates your words into your teeth!
Mis. W.-Cam. I will speak lower all the days of my life; I never found the fault in myself till now: your warrant, good my lord, to stay my husband!
L. Beau. Well, well, it shall o’ertake him ere he pass Gravesend, provided that he meet his quietness at home, else he’s gone again.
Frank. sen. And withal to call George again.
Mis. W.-Cam. I will call George again.
Geo. [behind the arras] Call George again!
Mis. W.-Cam. I did forget myself indeed, my lord; this is my last fault: I will go make a silent inquiry after George, I will whisper half a score porters in the ear, that shall run softly up and down the city to seek him. Be wi' ye, my lord- bye all, gentlemen. [Exit.
L. Beau. George, your way lies before you now [George comes from behind the arras]; cross the street, and come into her eyes; your master’s journey will be stayed.
Geo. I'll warrant you bring it to better subjection yet.
L. Beau. These are fine flashes! [Water-Camlet comes from behind the arras.]—How now, master Camlet?
L. Beau. How now? what new object’s here?
Sweet. The next man we meet shall judge us.
Kna. Content, though he be but a common councilman.
L. Beau. The one’s a knave, I could know him at twelve score distance.
Frank. sen. And t’other’s a barber-surgeon, my lord.
Kna. I'll go no further; here is the honourable lord that I know will grant my request. My lord—
Sweet. Peace; I will make it plain to his lordship. My lord, a covenant by jus jurandum is between us; he is to suffocate my respiration by his capistrum, and I to make incision so far as mortification by his jugulars.
L. Beau. This is not altogether so plain neither, sir.
Sweet. I can speak no plainer, my lord, unless I wrong mine art.
Kna. I can, my lord, I know some part of the law: I am to take him in this place where I find him, and lead him from hence to the place of execution, and there to hang him till he dies; he in equal courtesy is to cut my throat with his razor, and there’s an end of both on’s.
503Sweet. There is the end, my lord, but we want the beginning: I stand upon it to be strangled first, before I touch either his gula or cervix.
Kna. I am against it, for how shall I be sure to have my throat cut after he’s hanged?
L. Beau. Is this a condition betwixt you?
Kna. A firm covenant, signed and sealed by oath and handfast, and wants nothing but agreement.
L. Beau. A little pause: what might be the cause on either part?
Sweet. My passions are grown to putrefaction, and my griefs are gangrened; master Camlet has scarified me all over, besides the loss of my new brush.
Kna. I am kept out of mine own castle, my wife keeps the hold against me; your page, my lord, is her champion: I summoned a parle[993] at the window, was answered with defiance: they confess they have lain together, but what they have done else, I know not.
L. Beau. Thou canst have no wrong that deserves pity, thou art thyself so bad.
Kna. I thank your honour for that; let me have my throat cut then.
W.-Cam. Sir, I can give you a better remedy than his capistrum;—your ear a little.
Enter Mistress Knavesby, and Mistress George Cressingham in female attire.
Enter Lady Cressingham in civil[999] habit, Maria and Edward very gallant, and Saunder.
L. Cres. Your state[1000] is not abated, what was yours is still your own; and take the cause withal of my harsh-seeming usage,—it was to reclaim faults in yourself, the swift consumption of many large revenues, gaming; that of not much less speed, burning up house and land, not casual, but cunning fire, which, though it keeps the chimney, and outward shews like hospitality, is only devourer on’t, consuming chemistry,—there I have made you a flat banquerout,[1001] all your stillatories and labouring minerals are demolished—that part of hell in your house is extinct;
L. Beau. That shall be private penance, sir; we’ll all joy in public with you.
Geo. On the conditions I tell you, not else.
Mis. W.-Cam. Sweet George, dear George, any conditions.
W.-Cam. My wife!
507Frank. sen. Peace; George is bringing her to conditions.
W.-Cam. Good ones, good George!
Geo. You shall never talk your voice above the key sol, sol, sol.
Mis. W.-Cam. Sol, sol, sol—ay, George.
Geo. Say, Welcome home, honest George, in that pitch.
Mis. W.-Cam. Welcome home, honest George!
Geo. Why, this is well now.
W.-Cam. That’s well indeed, George.
Geo. Rogue nor rascal must never come out of your mouth.
Mis. W.-Cam. They shall never come in, honest George.
Geo. Nor I will not have you call my master plain husband, that’s too coarse; but as your gentlewomen in the country use, and your parsons' wives in the town,—’tis comely, and shall be customed in the city,—call him master Camlet at every word.
Mis. W.-Cam. At every word, honest George.
Geo. Look you, there he is, salute him then.
Mis. W.-Cam. Welcome home, good master Camlet!
W.-Cam. Thanks, and a thousand,[1003] sweet—wife, I may say, honest George?
Geo. Yes, sir, or bird, or chuck, or heart’s-ease, or plain Rachel; but call her Rac no more, so long as she is quiet.
W.-Cam. God-a-mercy, sha’t have thy new suit a' Sunday, George.
Mis. W.-Cam. George shall have two new suits, master Camlet.
508W.-Cam. God-a-mercy, i’faith, chuck.
Sweet. Master Camlet, you and I are friends, all even betwixt us?
W.-Cam. I do acquit thee, neighbour Sweetball.
Sweet. I will not be hanged then—Knavesby, do thy worst; nor I will not cut thy throat.
Kna. I must do’t myself.
Sweet. If thou comest to my shop, and usurpest my chair of maintenance, I will go as near as I can, but I will not do’t.
G. Cres. No, ’tis I must cut Knavesby’s throat, for slandering a modest gentlewoman and my wife, in shape of your page, my lord; in her own I durst not place her so near your lordship.
L. Beau. No more of that, sir; if your ends have acquired their own events, crown ’em with your own joy.
G. Cres. Down a' your knees, Knavesby, to your wife; she’s too honest for you.
Sweet. Down, down, before you are hanged, 'twill be too late afterwards, and long thou canst not ’scape it.
Mis. Kna. You’ll play the pander no more, will you?
Kna. O, that’s an inch into my throat!
Mis. Kna. And let out your wife for hire?[1004]
Kna. O, sweet wife, go no deeper!
Mis. Kna. Dare any be bail for your better behaviour?
L. Beau. Yes, yes, I dare; he will mend one day.
Mis. Kna. And be worse the next.
L. Beau. All then is reconciled?
Frank. sen. I will help you to satisfaction for that too, sir.
Sweet. O spermaceti! I feel it heal already.
Frank. sen. Gentlemen, I have fully satisfied my dead son’s debts?
Creditors. All pleased, all paid, sir.
Creditors. You have beguiled us honestly, sir.
Frank. jun. And you shall have your brush again.
Sweet. My basins shall all ring for joy.
WOMEN BEWARE WOMEN. — DRAMATIS PERSONÆ. — ACT I. SCENE I. — SCENE II. — SCENE III. — ACT II. SCENE I. — SCENE II. — ACT III. SCENE I. — SCENE II. — SCENE III. — ACT IV. SCENE I. — SCENE II. — SCENE III. — ACT V. SCENE I. — A CHASTE MAID IN CHEAPSIDE. — THE SPANISH GIPSY. — A GAME AT CHESS. — ANY THING FOR A QUIET LIFE.
513Women Beware Women. A Tragedy, By Tho. Middleton, Gent. London: Printed for Humphrey Moseley, 1657—is the second of Two New Playes, originally published together in 8vo: see vol. iii. p. 553.
It has been reprinted in the 5th vol. of A Continuation of Dodsley’s Old Plays, 1816.
“The Foundation of this Play,” says Langbaine, “is borrow’d from a Romance called Hyppolito and Isabella, octavo.” Acc. of Engl. Dram. Poets, p. 374.
ACQUAINTANCE, THO. MIDDLETON.
- Duke of Florence.
- Lord Cardinal, brother to the duke.
- Fabricio, father to Isabella.
- Hippolito, brother to Fabricio.
- Guardiano, uncle to the Ward.
- The Ward, a rich young heir.
- Leantio, a factor, husband to Bianca.
- Sordido, servant to the Ward.
- Cardinals, Knights, States of Florence, Citizens, &c.
- Livia, sister to Fabricio and Hippolito.
- Isabella, daughter to Fabricio.
- Bianca,[1009] wife to Leantio.
- Mother to Leantio.
- Ladies.
Enter six knights bare-headed, then two cardinals, then the lord Cardinal, then the Duke; after him the states of Florence by two and two, with variety 537of music and song. They pass over the stage in great pomp, and exeunt.
rj [Aside.
Sor. I have a plaguy guess; let me alone to see what she is: if I but look upon her—'way! I know all the faults to a hair that you may refuse her for.
Enter the Duke leading in Bianca, Fabricio, Hippolito, Livia, Mother, Isabella, Gentlemen, and Attendants.
[Music. Hippolito and Isabella dance, making obeisance to the Duke, and to each other, both before and after the dance.
[The Ward and Isabella dance; he ridiculously imitating Hippolito.
[Cornets flourishing, exeunt all but Leantio and Livia.
Sor. How? all the faults? have you so little reason to think so much paper will lie in my breeches? why, ten carts will not carry it, if you set down but the bawds. All the faults? pray, let’s be content with a few of ’em; and if they were less, you would find ’em enough, I warrant you: look you, sir.
Sor. O, ever at a woman’s lip, while you live, sir: do you ask that question?
Ward. Methinks, Sordido, sh’as but a crabbed face to begin with.
Sor. A crabbed face? that will save money.
596Ward. How? save money, Sordido?
Sor. Ay, sir; for, having a crabbed face of her own, she’ll eat the less verjuice with her mutton; 'twill save verjuice at year’s end, sir.
Ward. Nay, and[1082] your jests begin to be saucy once, I'll make you eat your meat without mustard.
Sor. And that in some kind is a punishment.
Ward. Gentlewoman, they say ’tis your pleasure to be my wife, and you shall know shortly whether it be mine or no to be your husband; and thereupon thus I first enter upon you. [Kisses her.]—O most delicious scent! methinks it tasted as if a man had stept into a comfit-maker’s shop to let a cart go by, all the while I kissed her.—It is reported, gentlewoman, you’ll run mad for me, if you have me not.
Ward. ’Tis a good hearing; I shall have the less to pay when I have married you.—Look, do[1083] her eyes stand well?
Sor. They cannot stand better than in her head, I think; where would you have them? and for her nose, ’tis of a very good last.
Ward. I have known as good as that has not lasted a year though.
Sor. That’s in the using of a thing; will not any strong bridge fall down in time, if we do nothing but beat at the bottom? a nose of buff would not last always, sir, especially if it came into the camp once.
597Ward. But, Sordido, how shall we do to make her laugh, that I may see what teeth she has? for I'll not bate her a tooth, nor take a black one into the bargain.
Sor. Why, do but you fall in talk with her, you cannot choose but, one time or other, make her laugh, sir.
Ward. It shall go hard but I will.—Pray, what qualities have you beside singing and dancing? can you play at shittlecock, forsooth?
[Sordido yawns, Isabella yawns also, but covers her mouth with a handkerchief.
Ward. I'd fain mark how she goes, and then I have all; for of all creatures I cannot abide a splay-footed woman; she’s an unlucky thing to meet in a morning; her heels keep together so, as if she were beginning an Irish dance still, and [t]he wriggling of her bum playing the tune to’t: but I have bethought a cleanly shift to find it; dab down as you see me, and peep of one side when her back’s toward you—I'll shew you the way.
Ward. One of the wicked; dost not see’t? a cuckold, a plain reprobate cuckold!
Sor. Nay, and[1101] you be damned for that, be of good cheer, sir, you’ve gallant company of all professions; I'll have a wife next Sunday too, because I'll along with you myself.
Ward. That will be some comfort yet.
Ward. Nay, there’s a worse name belongs to this fruit yet, and[1101] you could hit on’t, a more open one; 615for he that marries a whore looks like a fellow bound all his lifetime to a medlar-tree, and that’s good stuff; ’tis no sooner ripe, but it looks rotten, and so do some queans at nineteen. A pox on’t! I thought there was some knavery a-broach, for something stirred in her belly the first night I lay with her.
Sor. What, what, sir?
Ward. This is she brought up so courtly, can sing, and dance!—and tumble too, methinks: I'll never marry wife again that has so many qualities.
Sor. Indeed, they are seldom good, master; for likely when they are taught so many, they will have one trick more of their own finding out. Well, give me a wench but with one good quality, to lie with none but her husband, and that’s bringing up enough for any woman breathing.
Ward. This was the fault when she was tendered to me; you never looked to this.
Sor. Alas, how would you have me see through a great farthingale, sir? I cannot peep through a mill-stone, or in the going, to see what’s done i' the bottom.
Ward. Her father praised her breast;[1102] sh’ad the voice, forsooth! I marvelled she sung so small indeed, being no maid: now I perceive there’s a young quirister in her belly, this breeds a singing in my head, I'm sure.
Sor. ’Tis but the tune of your wife’s sinquapace[1103] danced in a feather-bed: faith, go lie down, master; but take heed your horns do not make holes in the pillowbeers.[1104]—I would not batter 616brows with him for a hogshead of angels;[1105] he would prick my skull as full of holes as a scrivener’s sand-box.
Hautboys. Enter the Duke and Bianca richly attired, attended by Lords, Cardinals, Ladies, and others: as they are passing in great state over the stage, enter the Cardinal meeting them.
Ward. I know’t of old, uncle, since the last triumph;[1111] here rose up a devil with one eye, I remember, with a company of fireworks at’s tail.
Ward. If I miss you, hang me: I love to catch a villain, and your stamp[1112] shall go current, I warrant you. But how shall I rise up and let him down too all at one hole? that will be a horrible puzzle. You know I have a part in’t, I play Slander.
Guar. True, but never make you ready for’t.
Ward. No? my clothes are bought and all, and a foul fiend’s head, with a long, contumelious tongue 624i' the chaps on’t, a very fit shape for Slander i' th' out-parishes.
Ward. Stamp my horns in a mortar, if I miss you, and give the powder in white wine to sick cuckolds, a very present remedy for the headach. [Exit.
Flourish. Enter above[1113] Duke, Bianca, Lord Cardinal, Fabricio, other Cardinals, and Lords and Ladies in state.
Enter Hymen in a yellow robe, Ganymede in a blue robe powdered with stars, and Hebe in a white robe with golden stars, each bearing a covered cup: they dance a short dance, and then make obeisance to the Duke, &c.
[Ganymede and Hebe respectively offer their cups to the Duke and Cardinal, who drink.
Enter two Nymphs, bearing tapers lighted; then Isabella as a Nymph, dressed with flowers and garlands, carrying a censer with fire in it: they set the censer and tapers on Juno’s altar with much reverence, singing this ditty in parts:
Hip.
Guar.
We all implore it!
[Livia descends, as Juno, attended by pages as Cupids.
[Guardiano stamps, and falls through a trap-door.
[The Guard remove the bodies of Isabella, Livia, and Hippolito.
1. Kix] Or kex is a dry stalk, properly of hemlock. Why this name (which Middleton has used in another play, see vol. ii. p. 4) is given to Sir Oliver, the reader will presently discover.
2. Dahanna] Old ed. in Dram. Pers., and more than once in the text, “Dahumma.”
4. Yes? you are, &c.] Was not this speech originally verse, though the present state of the text will not admit of its being arranged as such?
5. board] Old ed. “bord”—perhaps a misprint.
7. bracks] i. e. breaks.
8. Hobson’s porters] Hobson was the celebrated Cambridge-carrier, on whose death, in Jan. 1630-1, Milton, while a student at that university, composed a copy of verses. There are three epitaphs on Hobson in Wit’s Recreations, p. 249, reprint 1817; and his will, dated Dec. 1630, is printed in the Coll. of Pieces appended to Peck’s Memoirs of Cromwell, p. 44. A tract, published in 1617, 4to, is called, from him, Hobson’s Horse-load of Letters, or a President for Epistles; and he is said (see The Spectator, No. 509,) to have given rise to the expression Hobson’s choice.
9. the Bell] Qy. “the Bull?”
“This memorable man [Hobson] stands drawn in fresco, at an inn, which he used in Bishopsgate-Street, with an hundred pound bag under his arm, with this inscription upon the said bag:
11. gear] i. e. matter.
13. marks] A mark was 13s. 4d.
14. wound] Qy. “sound?”
15. serve] Old ed. “serues.”
16. pick] i. e. peak—grow meagre.
17. Turn not, &c.] Corrupted text, I believe; the whole speech having been originally verse.
18. O turn, sir, turn There appears to be some grievous corruption here. Perhaps for “turn” we ought to read “Tim,”—of whom Yellowhammer proceeds to speak: the hopeful youth is certainly not present; he does not arrive from Cambridge till act iii. sc. 2.
20. rules] i. e. sports, games: compare in vol. ii. p. 124, “how go the squares?” and see Steevens’s note on the word “night-rule,” Shakespeare’s Mid.'s Night’s Dream, act iii. sc. 2, and Douce’s Illust. of Shak., vol. i. p. 192.
21. _wittol_] i. e. tame cuckold.
22. gaudy-shops] i. e. shops where they sell gauds, finery.
23. Gresham’s Burse] i. e. the Royal Exchange, built by Sir Thomas Gresham.
24. think’s] i.e. think these things is mine—an expression which, on account of the metre, cannot be altered.
25. where] i. e. whereas.
26. string] Old ed. “strings.”
27. meet] Old ed. “meets.”
28. and] i. e. if.
29. Put on] i. e. put on your hat.
30. God-den] A corruption of Good even.
31. Thus do I rid myself of fear, &c.] An imperfect couplet: compare vol. i. p. 424, vol. ii. p. 7, vol. iii. p. 52, &c.
32. will] Old ed. “willes”—but a rhyme is intended here.
33. gear] i. e. stuff.
34. progress] i. e. the travelling of the sovereign and court to different parts of the kingdom.
35. snaphance] “A spring-lock to a gun or pistol; a fire-lock, which term, as snaphance sometimes was, is since given to the gun itself.” Nares, Gloss. in v., where see more concerning the word. The metaphorical sense in which the lady uses it is sufficiently obvious.
37. have] Old ed. “has.”
39. passion] i. e. sorrow.
40. Touch. jun.] Old ed. “Lady.”
42. I cannot do withal] i. e. I cannot help it: see Gifford’s note on Ben Jonson’s Works, vol. iii. p. 470, and my note on Webster’s Works, vol. iii. p. 215.
43. kersten] A corruption of Christian.
44. And that’s worth, &c.] Thus in old ed.;
45. Before Allwit’s house] If the reader, during the earlier part of this scene, should wonder why I have not placed it within the house, he will presently see the reason. Perhaps, indeed, as there was no painted moveable scenery when the play was written, the author might have meant the audience to suppose that the stage represented a chamber, until the entrance of the Promoters, when it was suddenly to be taken for a street. See notes, vol. ii. pp. 142, 147.
46. o’erthrows] Qy. “o’ergrows?”
48. Promoters] “Be those which in popular and penall actions do deferre the names, or complaine of offenders, having part of the profit for their reward.” Cowell’s Interpreter, ed. 1637, in v.—But the Promoters in our play do more than inform,—they execute the law.
49. corps] A plural: compare vol. ii. p. 135, l. 6, and p. 162, (note 310).
50. golls] A cant term for hands,—fists, paws.
51. colon] i. e. hunger—properly, the largest of the intestines.
52. a foutra for] Equivalent to—a fig for: the expression is used by Pistol in Shakespeare’s Henry IV. P. Sec. act v. sc. 3.
53. Turnbull Street] A corruption of Turnmill Street, near Clerkenwell: repeatedly mentioned in our early dramas as the residence of dissolute persons of both sexes.
54. band] Not a misprint for hand.—Old ed. “Band.”
55. Queenhive] A corruption of Queenhithe.
56. Branford] Or Brainford—an old and corrupt form of Brentford.
58. kursning-day] i. e. christening-day.
59. and] i. e. if.
60. come] Old ed. “comes.”
61. beholding] i. e. beholden—a form common in old writers.
62. Enter from the house, &c.] The direction in old ed. is, “Enter Midwife with the Child, and the Gossips to the Kursning.” That the christening did not take place at home appears from the opening of the second scene of the next act.
63. it] i. e. the precedence.
64. And] i.e. if.
67. A bed-chamber, &c.] Old ed. “A Bed thrust out vpon the Stage, Allwit’s wife in it, Enter all the Gossips.”
68. kursen] i.e. christened.
70. Ey’d] Old ed. “Ey’s.”
71. spiny] i.e. slender.
72. 'postle-spoons] i. e. apostle-spoons,—the usual gift of sponsors at christenings—spoons of silver, sometimes gilt, the handle of each ending in the figure of an apostle.
73. Judas with the red beard] Judas Iscariot, according to the common notion, had red hair and beard, and was so represented in tapestries and pictures: see note, vol. i. p. 259.
74. come] Old ed. “comes.”
75. go] Old ed. “goes.”
76. and] i. e. if.
77. mar’l] i. e. marvel.
78. fitters] i. e. pieces,—small fragments.
79. Bucklersbury] When this play was written, was chiefly occupied by druggists; at whose shops, it appears, sweetmeats were to be purchased. “Go into Bucklersbury and fetch me two ounces of preserved melons.” Westward Ho,—Webster’s Works, vol. iii. p. 19.
80. and] i. e. if.
81. Lady Kix] Old ed. has merely “Lady:” but such is the prefix to all the speeches of Lady Kix throughout the play; and see p. 27, l. 13.
82. towards] i. e. in preparation.
83. cattle] i. e. the Welsh runts, of which we hear more afterwards.
84. fresh-woman] A term invented by Tim,—corresponding to freshman, one lately come to the university, and unacquainted with its customs.
85. lin] i. e. cease.
86. Dunces] i.e. the schoolmen,—properly the disciples of Duns Scotus: see Todd’s Johnson’s Dict. in v. Dunce.
88. Pissing-conduit] A little conduit, which ran a small stream, near the Royal Exchange.
89. rushes] With which, previous to the introduction of carpets, the floors were strewed.
90. shittle-cork] The proper form of the word—now corrupted to shittle-cock.
91. bankrout] i. e. bankrupt.
92. And lay him level, &c.
Get but his wife, &c.] I may just notice, that by “him” is meant Sir Walter Whorehound—by “his wife,” Sir Oliver Kix’s wife.
93. and] i. e. if.
94. common-place] i. e. common-pleas: compare vol. ii. p. 336, and note.
95. go] Old ed. “goes.”
96. out-cry] i. e. an auction (announced by the common crier).
97. pranking up] i. e. decking out.
98. her] Old ed. “their.”
99. And] i. e. if.
100. ———] So old ed.
101. figient] i.e. fidging, fidgetty.
102. this] A table or chair, perhaps.
103. wife] Old ed. “wifes.”
104. rationalis] Old ed. “rationalibus.”
105. dici] Old ed. “dicere”—Middleton, I fear, having written “diceri.”
106. haberdines] Perhaps Tim alludes to some childish sport: a kind of cod, generally salted, was called haberdine.
108. mar’l] i. e. marvel.—I have deviated but slightly from the old ed. in arranging the lines of this speech. The probability is, that the genuine text has not come down to us.
109. kiff nor kin] A not uncommon corruption of kith nor kin.
110. runts] i. e. cattle of a small size.
111. Rider’s Dictionary] A Dict. Engl. and Lat., and Lat. and Engl., by John Rider, first printed 1589, was a work once in great repute at Oxford.
112. tu virgo, &c.] Old ed. “abundis:” as, in the next speech of Tim, the old ed. has “abundat,” I should have supposed, but for the lady’s reply “abundandis,” and what has been previously said of her wealth, that Middleton wrote here, “tua, virgo, Wallia ut opibus abundat maximis.”
113. simul et ... parato] Old ed. “simule ... parata.” I am by no means satisfied with my alterations; indeed, I do not quite understand the drift of Tim’s oration.
114. cog] i.e. lie, deceive, wheedle.
115. proceeded] i. e. taken a degree.
116. and] i. e. if.
117. Welsh. [sings] Old ed. “Musicke and Welch Song,”—the words probably being adapted to some Welsh air.
118. Cupid is Venus', &c.
. . . . . . . .
To keep a lady’s lips in play] This portion of the song,
with two additional lines, occurs in our author’s More Dissemblers
besides Women, vol. iii. p. 574.
120. lose it] Qy. “lost is?”
121. I can do somewhat] Here, it would seem, from what Yellowhammer says on entering, that Tim either kisses the Welshwoman, or proceeds to sing.
122. a' life] i. e. as my life, extremely.
123. Resolve] i. e. satisfy, inform.
124. ——] So old ed.
125. ——] So old ed.
126. Poulters ... conies] i.e. Poulterers ... rabbits.
127. wittol’s] i.e. tame cuckold’s.
128. Cato] i.e. the Disticha de Moribus, to which the name of Cato is prefixed.
129. Corderius] Old ed. “Cordelius.”
130. kursen’d] i. e. christen’d.
132. anno——] The player, perhaps, was to fill up the date.
134. Blackfriars] i. e. Blackfriars' Theatre.
135. gill] i. e. wanton.
136. up on] Old ed. “vp vpon.”
137. tongue] i. e. perhaps, suit—if it be not a misprint.
138. first] Old ed. “at first.”
139. she smiles] Qy. “she smiles [on you],” for the measure?
140. darken] Old ed. “darkens.”
141. stand] Old ed. “stands.”
142. O too] I can make nothing else of the “ho to” of old ed.
143. have] Old ed. “hath.”
144. seven] i. e. the seven children: see p. 73, l. 6 from bottom.
145. wittol] i. e. tame cuckold.
146. with part] Qy. “any part”—for the measure?
147. wittols] i. e. tame cuckolds.
149. you taught me, &c.] Does he allude to the foolish game called A thing done, &c.? See B. Jonson’s Cynthia’s Revels—Works, vol. ii. p. 306, ed. Giff.
150. Ovid] Qy. “Ovidius”—for the measure?
151. joy] Old ed. “ioyes.”
152. cast] i. e. contrived.
153. Recorders] i. e. flageolets.
154. epitaphs pinned on it] According to the custom of the time.
155. music-room] On the present stage-direction Mr. J. P. Collier (Hist. of Engl. Dram. Poetry, vol. iii. p. 447) founds a conjecture, which, to me at least, is not quite satisfactory—viz. that as in our early theatres the boxes were called rooms, one of them was probably appropriated to the musicians.
156. What nature could there shine] i. e., perhaps, what good qualities, &c.—A friend conjectures “shrine.”
157. First Mour.] Old ed. prefixes “All” to the speeches which I have assigned to different mourners.
158. Touch. jun.] Old. ed. “T. S.”
159. First Mour.] Old ed. “All” (see note in preceding page): but as Mistress Allwit spoke last, the speech perhaps belongs to her husband, though in this scene old ed. gives the abbreviation of his name “Allw.”
160. prevent] i. e. anticipate.
162. and] i. e. if.
163. saw] Old ed. “say.”
166. Flectere, &c.] Virg. Æn. vii. 312.
167. falleris] Old ed. “falacis.” Compare p. 62, where Tim says “falleris sane.”
168. ——] So old ed.
169. Scene, Madrid, &c.] Old eds. “The Scene, Allegant” [i. e. Alicant].
170. borachio] i. e. drunkard. “A borachio is a vessel made of skins, in which wine is kept in Spain.” Editor of 1816.
171. for gentlemen] First ed. “for a gentlemen.” Ed. 1661, “for a’ gentleman.”
172. be] So ed. 1661. Not in first ed.
173. Madrill] i. e. Madrid—a form of the word repeatedly found in our early writers.
175. is] Old eds. “are.”
176. penance] i. e. penitence.
177. Live Is one of several important corrections made with a pen in a copy of the first 4to, by some early possessor, who, as he has also inserted some additions to the text, had, in all probability, seen a manuscript of the piece.—Both eds. “Lay,” which, before the copy just mentioned came into my hands, I had altered to “Play.”
178. lodgings] Must mean his apartments in Fernando’s house: see p. 106, l. 1.
179. Exit Louis, &c.] At p. 115, Diego tells Louis,
but I cannot help suspecting (as there was no painted moveable scenery when this drama was written: see notes, vol. ii. pp. 142, 147, and p. 29 of the present vol.), that as soon as Diego had said, “I this way,” the audience was to imagine a change in the place of action; and, perhaps, after these words, he made his exit “at one door,” and “entered presently at the other:” see note on the commencement of the 2d sc. of act v.
180. reading] By this direction we are to understand, perhaps, that John is looking on a paper which he afterwards gives to Constanza (“this paper tells you more,” p. 128); for, surely, the rhyming lines now spoken by him are a soliloquy.
181. ennoble] Old eds. “enable.”
182. keep] Old eds. “keeps.”
183. float] i. e. flow, flood.
184. conjure] Old eds. “conjures.”
185. temption] Altered by the editor of 1816 to “temptation;” and, I believe, with similar inconsiderateness, by myself, in a prose passage of one of the preceding plays, though I cannot recollect where.
186. and] Qy. “of?”
187. fegary] i. e. vagary.
188. Of the sweet voyage, &c.] Here the editor of 1816, “to complete the measure,” prints,
and a little after,
but I apprehend that the speeches of Roderigo, “You’re pleasant,” and “Not I,” make up the lines.
189. lin’d] Qy. “lim’d?”
190. I have, &c.] The editor of 1816, boldly deviating from the old eds., gives,
which, as he thinks, “improves the measure without affecting the sense.”
191. pullen] i. e. poultry.
192. the arts of Cocoquismo and Germania, &c.] Alvarez proceeds to explain his meaning; but I may just observe that Cocoquismo should perhaps be Cacoquismo, formed from the Spanish caco, a pickpocket (unless indeed it has some affinity with the phrase hacer cocos, to wheedle), and that Germania signifies, in that language, the jargon of the gipsies: see Neuman’s Span. and Engl. Dict. in vv.
193. pickaroes] i. e. rogues.—“Picaro, knavish, roguish,” &c. Neuman’s Span. and Engl. Dict. in v.
195. defy] i. e. reject, renounce.
196. teniente] “Teniente de una compania, lieutenant of a company.” Neuman’s Span. and Engl. Dict. in v.
198. grandees] Old eds. “grandos,” which, perhaps, the author wrote.
199. We shall ... short] One speech in old eds., with the prefix “Both.”
200. tweezes] i. e. tweezers.
201. marvedi] Or maravedi—“an extremely small [copper] Spanish coin.” Editor of 1816.
202. blank “Blanquilla, doit, a very small coin.”coin.” Neuman’s Span. and Engl. Dict. in v.—Blanks “are said to be coins struck by Henry V. in France, of baser alloy than sterling [silver], and running for eightpence. They were called Blanks or Whites from their colour.” Ruding’s Ann. of the Coinage, vol. ii. p. 8, ed. 4to.
203. pullen] i. e. poultry.
204. Valladolid ... Cordova] Old eds. “Vallidoly ... Cordica.”
205. Rochelle] “In the time of our poets, seems to have been a general asylum for those persecuted Protestants who knew not where to go; and Alvarez intimates that the whole world was equally open to people of their description, who had no settled home.” Editor of 1816,—whether rightly or not, I cannot determine.
206. sack-buts] See the same play on the meanings of the word—musical instruments and buts of sack—in vol. i. p. 177.
207. the] Editor of 1816, “thee.”
208. bubbers] Which Nares (Gloss. in v.) would alter to “lubbers”—is (see Grose’s Class. Dict. of Vulg. Tongue, in v.) a vulgarised form of bibbers, Constanza having used the word butt in the double sense of mark and liquor-vessel.
209. gave aim] See note, vol. ii. p. 335. The editor of 1816 wrongly follows the reading of ed. 1661, “give.”
211. woman’s] Old eds. “womens.”
212. try that conclusion] i. e. make that experiment.
213. alcumy] Or alchemy—a sort of base mixed metal (supposed originally to have been formed by the alchemist). Compare vol. ii. p. 249, “here be the tavern beakers, and here peep out the fine alchemy knaves.”
214. in musses] “i. e. to make a scramble of.” Editor of 1816.
215. sakers] “A species of hawk.” Editor of 1816.
217. None but myself, &c.] Here the editor of 1816 thinks that “perhaps the performer who personated Pretiosa [Constanza] had before met with applause in Antonio, the character in The Changeling that gives name to the piece.”
219. cogs] i. e. teeth of the wheels.
220. cummin-seeds] Were used for luring pigeons to a dove-cote.
221. mother Bumby] Or Bomby—was a wise or cunning woman of great celebrity, who told fortunes, cast waters, &c. Lilly wrote a comedy called Mother Bombie (first ed. 1594), in which she figures.
222. yon] Old eds. “you.”
224. nuncle] i. e. uncle—contracted from mine uncle.
226. be] Old eds. “been.”
227. do you wish me blind] “The whitish spots in the eye, arising from the small pox or other causes, and occasioning blindness, are still frequently called pearls.” Editor of 1816.
229. then] A MS. addition, ibid.
230. Soto. Do, master, and I'll run division behind your back
231. maunders] “i. e. speaks obscurely [rather,—whines], as beggars do. [See note, vol. ii. p. 536.]” Editor of 1816.
232. Const., Car., &c.] Old eds. “Omnes.”
233. thy] Old eds. “thee.”
234. a pistolet] A play on the word—which meant both a small coin and a small pistol.
235. Alv., Car., &c.] Old eds. “Omnes.”
236. told] Qy. “trowed?”
237. task] Old eds. “taste” and “tast.”
238. turn gipsy] “Vincent and Hilliard are required by Rachel and Meriel, in the Jovial Crew of Brome, to give a similar proof of their affection.” Editor of 1816. If there be any imitation in the case, it is on the part of Brome.
239. [heaven with] So the editor of 1816. There is certainly some imperfection in the line.
240. Mar.] Old eds. “Ped.”
241. Here comes, &c.] To this line old eds. prefix Die., which in copy of the first 4to (see note, p. 109) is rightly drawn through with a pen.
242. when] The editor of 1816 follows the reading of ed. 1661, “then.”
243. cast] i. e. couple: see Gifford’s note on B. Jonson’s Works, vol. iii. p. 447, and my note on Webster’s Works, vol. iv. p. 295.
245. How, &c.] Given to “Soto” in old eds.
248. haut] i. e. high, lofty: “to brave his enemy in the rich and lofty Castilian [tongue].” Dekker’s English Villanies, &c. sig. M 4, ed. 1632.
249. brave] A play on the word—fine.
250. cloth] Improperly altered by the editor of 1816 to “clothes.”
251. maps] i. e. mops.
252. in Rome, I'll go to him with a mortar “The clown in Fletcher’s Fair Maid of the Inn, act v. sc. 2, makes use of a similar expression: ‘He did measure the stars with a false yard, and may now travel to Rome with a mortar on’s head, to see if he can recover his money.’ On this Mason observes, ‘One class of presidents in the parliament of Paris were styled présidents à mortier, for a cap they wore resembling in shape a mortar.’” Editor of 1816. See also Cotgrave’s Fr. Engl. Dict. in v. mortier; but in this expression, which seems to have been proverbial, does mortar mean a cap? “So that methinkes I could flye to Rome (at least hop to Rome, as the olde Prouerb is) with a morter on my head.” Dedicatory Epistle to Kemps nine daies wonder, 1600.
253. woods] Old eds. “wookes.”
255. larks] So editor of 1816. Old eds. “markes.”
257. the elephant and camels] The writer thought only of London, where such shows were much followed: see Gifford’s notes on B. Jonson’s Works, vol. ii. pp. 149, 152; and Chalmers’s Suppl. Apol., p. 208.
258. vild] i. e. vile—a form common in our old authors.
259. about] Qy. “above?”
261. Who are] A MS. addition in copy of the first 4to: see note, p. 109. The editor of 1816 supplied “But who are.”
262. gaberdines] i. e. coarse loose frocks.
263. tiring-house] i. e. the dressing-room—in theatrical language.
264. do our tops, &c.] Qy. ought Alvarez and his companions to enter before these words?
265. Alv. Gui., &c.] Old eds. “Omnes.”
267. San. [sings] I suspect that only a portion of this song should be assigned to Sancho.
268. threading-needles] “Thread my needle is yet a common sport; and to this, probably, the song alludes.” Editor of 1816.
270. Mull-sack] A familiar contraction: so “mull-wines,” vol. i. p. 391.
272. noul] i. e. noddle, head.
273. fox] “i. e. intoxicate.” Editor of 1816.
275. quarrels] Old eds. “families.”—“I have no doubt the printer caught the word from the preceding lines.” Editor of 1816.
276. his] Old eds. “he.”
277. Mar.] Old ed. “Al.”
278. in your t’other hose]—hose, i. e. breeches—a sort of proverbial expression: compare vol. i. p. 262, and B. Jonson’s Tale of a Tub;
279. report] Ed. 1661, “a report.”
281. trow] i. e. think you.
282. Yes, sure, &c.] To this line, which in old eds. forms part of Francisco’s speech, the prefix “Joh.” is added with a pen in copy of the first 4to: see note, p. 109.
283. As hotly, &c.] To this line in old eds. is prefixed “Ans.” i. e., perhaps, the Answer of those who form the rear.
284. Ped.] Old eds. “Ro.”
285. father] Old eds. “fathers.”
286. need] Old eds. “needs.”
287. have] Old eds. “hath.”
288. Gui. Car., &c.] Old eds. “Omnes.”
289. and] i. e. if.
290. we’d] Old eds. “hee’d.”
291. your] Qy. “you?” compare p. 145, 3d line from bottom.
292. [straightway] Inserted by the editor of 1816.
293. Sir] A MS. correction in copy of the first 4to: see note, p. 109. Old eds. “For.” The editor of 1816 makes “For she’s past the worst” the conclusion of Louis’s speech.
294. You shall not part, &c.] The audience, it seems, was to suppose that, after Francisco (p. 152) had said,
the scene had changed to the neighbourhood of Fernando’s house!
296. Thy griefs grow wild] So editor of 1816. Old eds. “The griefs grow wide.”
299. a wife, young lady] The editor of 1816 strangely follows the reading of ed. 1661, “a wise young lady.”
300. style] Old eds. “stiles.”
302. one] Qy. “son?”
303. What I have suffer’d, what thou ought’st to do] “I cannot but believe that the line that should follow this has been lost.” Editor of 1816.—I see no reason for believing so.
304. Sir] Qy. “Sit?”
305. gules] i. e., in heraldic language, red.
306. This] The editor of 1816 prints “Thy.”
307. Night] Old eds. “Might.”
308. Alv., Gui., &c.] Old ed. here and afterwards, “All.”
310. Muly Crag a whee] A corrupted name probably, used with a quibble.
311. [sings] Had there not been a “Chorus” (in old eds. “Omnes”), I should have supposed that the rhyming lines in this initiation-scene were spoken, not sung.
312. best] Qy. “left?”
313. leman] i. e. mistress.
314. Now mark, &c.] Before these words in the old eds. is a direction (printed as part of the verse), “Teach him how,” merely intended for the actor who played Alvarez,—not, as the editor of 1816 thinks, “a direction to the other gipsies to instruct Don John how he is to perform the directions of their chief.”
315. Car.] Old eds. “Cla.”
316. hey-de-guize] A kind of rural dance—a word variously spelt, and of doubtful etymology.
317. lopes] i. e. leaps.
318. wench] Qy. “wrench?” Compare Sir John Davies’s Orchestra, or a Poeme of Dauncing;
319. growt] a corruption of great.
320. because the beast is corn-fed] “This seems so odd a reason why the elephant could not go, that I believe we should read, ‘is not fed.’” Editor of 1816.—But does not corn-fed mean, even in the present day, fattened up? and, perhaps, there is a quibble—cornified (having corns).
321. Jack[s]-in-boxes I have to regret that the following passage does not well admit of abridgment: “This Jacke in a Boxe, or this Diuell in mans shape, wearing (like a player on a stage, good clothes on his backe) comes to a Goldsmiths Stall, to a Drapers, a Habberdashers, or into any other shoppe, where he knowes good store of siluer faces are to be seene. And there drawing foorth a faire new boxe, hammered all out of Siluer plate, he opens it, and powres forth twenty or forty Twenty-shillings pieces in new Gold. To which heape of worldly temptation thus much hee addes in words, that either he himselfe, or such a Gentleman (to whom he belongs) hath an occasion for foure or fiue dayes to vse forty pound. But because he is very shortly (nay he knowes not how suddenly) to trauaile to Venice, to Jerusalem or so, and would not willingly bee disfurnished of Gold, he doth therefore request the Citizen to lend (vpon those Forty Twenty-shilling pieces) so much in white money (but for foure, or fiue, or sixe dayes at the most) and for his good will he shall receiue any reasonable satisfaction. The Citizen (knowing the pawne to be better then a Bond) powreth downe forty pound in siluer: the other drawes it, and hauing so much gold in hostage, marcheth away with Bag and Baggage. Fiue dayes being expired, Jacke in a Boxe (according to his bargaine) beeing a man of his word, comes againe to the shop or stall, (at which he Angles for fresh Fish) and there casting out his line with a siluer hooke, that is to say, powring out the forty pound which he borrowed. The Citizen sends in, or steppes himselfe for the Boxe with the Golden Deuill in it: it is opened, and the army of Angels being mustered together, they are all found to be there. The Boxe is shut againe and set on the stall whilest the Citizen is telling of his mony: But whilest the musicke is sounding, Jacke in a Boxe actes his part in a dumbe shew thus; he shifts out of his fingers another Boxe of the same mettall and making that the former beares, which second Boxe is filled only with shillings, and being poized in the hand, shall seeme to carry the weight of the former, and is clap’d downe in place of the first. The Citizen in the meane time (whilest this Pitfall is made for him) telling the forty pounds, misseth thirty or forty shillings in the whole summe, at which the Jacke in a Boxe starting backe (as if it were a matter strange vnto him) at last (making a gathering within himselfe for his wits) he remembers, he sayes, that he layd by so much money as is wanting (of the forty pounds) to dispatch some businesse or other, and forgot to put it into the bag againe; notwithstanding, he intreats the Citizen to keepe his Gold still, he will take the white money home to fetch the rest and make vp the summe, his absence shall not bee aboue an houre or two: before which time hee shall bee sure to heare of him, and with this the little Deuil vanisheth carrying that away with him which in the end will send him to the Gallowes, (that is to say, his owne Gold) and forty pound besides of the Shop-keepers which he borrowed, the other being glad to take forty shillings for the whole debt, and yet is soundly boxt for his labor.” English Villanies, &c., sig. H, ed. 1632.
322. cozen fools with gilt rings “You haue another kind of Lifter, or more properly a cunning night shifter, and it is thus: You shall haue a fellow that in an euening or night time, or some time at noone dayes, as hee likes the company and sorts his opportunity, that will wilfully drop sometime a spoone, other while a ring or else some peece of coyned money, as the likenes of gold and siluer, and so spurning it afore them in the view of others, to the end they should cry halfe part; which he taking hold of, sayth, nay by my troth, what will you giue me and take it all? and so some greedy fooles offer thus much, thinking it gold, which the Lifter takes as knowing it counterfeit, and so are they cunny-caught.” Dekker’s Belman of London, sig. G 4, ed. 1608.
323. Not] Ed. of 1816, “Rot,” mistaking for an r the broken n of ed. 1661.
325. black] May be the right reading: but qy. “back?”
326. Car.] Old eds. “Cla.”
327. mall’d] So written for the rhyme.
328. all to-be-dabbled A writer in the additions to Boucher’s Gloss. (new ed. in v. All) has well observed, that in such expressions as this it is a mistake to suppose that all is coupled with to, and that it becomes equivalent to omnino from being thus conjoined: the to is connected with the following participle as a prefix.
329. dill] i. e., perhaps, darling: see Nares’s Gloss. in v. Dilling, and Moor’s Suff. Words in v. Dills; or, perhaps, another form of dell—see note, vol. ii. p. 538.
330. Jet] i. e. strut.
331. bravery] i. e. finery.
332. like] i. e. please.
333. young] A MS. correction in copy of the first 4to, see note, p. 109, and so the editor of 1816. Old eds. “younger.”
334. reals] “Real, a Spanish sixpGuide into Tongues in v.—“A coin worth forty maravedis.” Neuman’s Span. and Engl. Dict. in v.
335. since] A MS. correction ubi sup., and so the editor of 1816. Old eds. “sinne,” and “sin.”
336. a striker] A quibble:
The word is more frequently applied to the dissolute of the other sex: note, vol. ii. p. 454.
337. arm] A MS. correction ubi sup. Old eds. “army,” which the editor of 1816 vainly endeavoured to explain.
338. See they, &c.] Given to “Al.” in first ed. by a mistake, which is corrected in ed. 1661.
339. not like a pantaloon] “i. e. represent him in the full possession of his strength and mental faculties, and not like a feeble old man. ‘The lean and slipper’d pantaloon’ of Shakespeare will occur to every reader.” Editor of 1816.
341. jet] i. e. strut.
342. [pleasures] Compare p. 172, last line; but I am by no means confident that I have supplied the right word.
343. property] i. e. in theatrical language, a thing necessary for the scene.
344. Take you pepper in the nose] “i. e. if you be captious and ready to take offence.” Editor of 1816.
345. like an owl, &c.] “To look like an owl in an ivy-bush” is a proverbial expression: see Ray’s Proverbs, p. 61, ed. 1768. A tuft or bush of ivy was formerly hung out at the door of a vintner.
347. Hold his nose, &c.] i. e. “confine him to a short allowance.” Editor of 1816.
348. case] i. e. pair.
349. anon, anon] “Was the reply of the waiters [drawers] when called, as sufficiently appears in act ii. sc. iv. of the First Part of Henry IV.” Editor of 1816.
351. Alv.] Old eds. “An.”
352. visitation] Ed. 1661, “visitations.”
354. Exit Sancho] So the editor of 1816: but I suspect a misprint in the words “Away you.” It is necessary, however, that Sancho should quit the stage: see p. 180.
359. she] A MS. correction ubi sup. Old eds. “how.”
360. lannard] “Or laner, is a species of hawk.” Editor of 1816.
361. sin] Old eds. “sins.”
362. stamp] So ed. 1661. First ed. “stamps.”
363. fall] Old eds. “full.”
364. flow] Old eds. “flew.”
365. storm] Ed. 1661, “storms.”
366. Sir, I am, &c.] Qy.
Six lines after, the metre is imperfect.
368. sweet] A MS. correction ubi sup. Old eds. “sir.”
369. here sit they] A MS. correction ubi sup. First ed. “he sit they.” Ed. 1661 has only “they sit.”
370. white] Qy. for the metre, “whiter”? The double comp. was common: “his more braver daughter.” Shakespeare’s Tempest, act ii. sc. 1.
371. it] Old eds. “it is.”
372. sometimes heard] A MS. correction ubi sup., which the editor of 1816 had anticipated. Old eds. “something hard.”
373. friends] Qy. “friend”?
374. First promise, &c.] The editor of 1816 gives the line thus:
but the preceding “Despatch!” makes up the measure.
376. Scene II. A field] Old eds. have only “Ex. at one dore, Enter presently at the other” (a stage-direction which occurs again in The Changeling]: as there was no moveable painted scenery (see notes, vol. ii. pp. 142, 147, and pp. 29, 111, 154, of this vol.), the audience was to suppose that, on the re-entrance of Alvarez and Louis, the stage represented a field.
378. age] A MS. correction ubi sup. Old eds. “rage;” which the editor of 1816 altered to “rags.” Compare The Old Law;
“Take hence that pile of years.” Vol. i. p. 31.
379. transform] Old eds. “transforms.”
380. disgest] Frequently used for digest by our old writers.
381. assur’d] i. e. affianced.
382. Fran., Ped., &c.] Old eds. “Omnes.”
383. Me thine] For these words the editor of 1816 rashly substituted “And me,” observing, in a note, “‘Me thine’ is the reading of the quartos; but as Francisco and Fernando both address Don John, the change was, I think, necessary to make sense of the passage.” Fernando evidently addresses Constanza, and taking her hand, gives it to John.
384. Fran., Rod., &c.] Old eds. “Omnes.”
385. you be] Qy. “be you.”
386. bent knees] Here, of course, the performers were to kneel—perhaps, to pray, according to the old custom: see note, vol. ii. p. 418.
387. Malta “Yet his [Alsemero’s] thoughts ran still on the Wars, in which Heroick and Illustrious profession he conceived his chiefest delight and felicity; and so taking order for his Lands and affairs, he resolves to see Malta, that inexpugnable Rampier of Mars, the glory of Christendome and the terrour of Turkey, to see if he could gain any place of command and honour either in that Island or in their Gallies ... and so building many Castles in the air, he comes to Alicant, hoping to find passage there for Naples, and from thence to ship himself upon the Neapolitan Gallies for Malta.” Reynolds’s Triumphs of God’s Revenge against Murther, p. 34, ed. 1726.—See note, p. 205.
388. buy a gale, &c.] “It has been observed by Steevens, in a note on Macbeth, act i. sc. 3, that the selling of winds was an usual practice amongst the witches,” &c. &c. Editor of 1816.
389. inclination to travel] Old ed. “inclinations to travels.”
390. There’s one, &c.] So editor of 1816: old ed.;
“Oh there’s one above me, sir, for five dayes past.”
391. you must stale] “The quartos [there is but one 4to: see note, p. 205] read ‘you must stall,’ and it may be understood for forestall; I have no doubt, however, that the right word is restored. So Montaigne, in the Unnatural Combat of Massinger, act iv. sc. ii.:
[i. e. “render flat, deprive it of zest by previous intimation.” Gifford ad loc.] And many other places.” Editor of 1816.
392. of] Old ed. “or.”
393. What] Old ed. “And what.”
394. ingredience] Compare p. 88, 1. 14. Old ed. “ingredian.”
397. your castle] “He [Vermandero] being Captain of the castle of that City [Alicant].” Reynolds’s Triumphs of God’s Revenge against Murther, p. 34, ed. 1726.—See note, p. 205.
398. promonts] i. e. promontories.
399. iulan down] i. e. the first tender down (Gr. ἴουλος)—a somewhat pedantic expression. Old ed. has “Julan;” and the editor of 1816, thinking that the word was a dissyllable, and that it contained an allusion to the beard of the emperor Julian, printed “[the] Julan,” &c.
400. Whose death I had reveng’d, &c. “Boyling thus in the heat of his youthful blood, and contemplating often on the death of his father, he [Alsemero] resolves to go to Validolyd, and to imploy some Grandee either to the King or the Duke of Lerma his great favourit, to procure him a Captains place and a Company under the Arch-Duke Albertus, who at that time made bloody Wars against the Netherlands, thereby to draw them to obedience: But as he began this sute, a general truce of both sides laid aside Arms, which (by the mediation of England and France) was shortly followed by a peace, as a Mother by the Daughter; which was concluded at the Hague by his Excellency of Nassaw and Marquess Spinold, being chief Commissioners of either party.” Reynolds’s Triumphs of God’s Revenge against Murther, p. 34, ed. 1726.—See note, p. 205.
401. this] Qy. “his.”
402. toy] i. e. trifle.
405. pelt] i.e. skin.
406. Assure] Old ed. “Assures.”
407. these] Old ed. “this.”
408. Shrewd application] “The ‘shrewd application’ meant is, I conceive, to that perpetual jest of the age, the cuckold’s horns; which Lollio supposes might raise Alibius’s head above his wife’s.” Editor of 1816.
409. ward] i. e. guard—(in fencing).
410. pluck a rose] See Grose’s Class. Dict. of Vulgar Tongue, in v. Pluck.
411. the] Old ed. “his.”
412. able] i. e. warrant, answer for.
413. what state] “i. e. as a keeper of fools and madmen.” Editor of 1816.
414. true] “i. e. honest.” Editor of 1816.
415. go] Old ed. “goes.”
416. parlous] A corruption of perilous,—dangerously shrewd.
417. we three] “Antonio probably alludes to the old sign of two idiots' heads, with an inscription,
Perhaps the allusion is to some song.
418. crag] i. e. neck.
419. go] Old ed. “goes.”
420. wire] i. e. whip.
421. parmasant] i. e. Parmesan cheese: compare Ford’s Works, vol. i. p. 148, ed. Giff.
422. plucks] Old ed. “pluckt”
423. Garden-bull] The allusion is to Paris Garden in Southwark, where both bears and bulls were baited.
424. their] So the editor of 1816. Old ed. “his.”
425. She helps, &c.] “The reading of the quartos [there is but one 4to: see note, p. 205]—
not only destroys the measure, but obscures the sense.” Editor of 1816.—See notes 241 and 244, vol. ii. p. 134.
426. and] i. e. if.
427. bring] Old ed. “brings.”
428. condition] i. e. quality.
429. prun’d yourself] i. e. beautified yourself, improved your looks. Birds (hawks especially) are said to prune themselves when they pick, oil, and set in order their feathers.
430. so amorously] i. e. so much an object of love. Compare Epigrams and Satyres, by Richard Middleton, 1608;
“Longato amorous in his Maias eie,” &c. P. 3.
431. amber] i.e. ambergris.
432. [hands] So the editor of 1816: but, perhaps, the author considered “cure” as a dissyllable.
433.
the editor of 1816: but, perhaps, the following disposition of the lines is preferable;
434. There’s no excuse, &c.] The editor of 1816, by the insertion of a syllable, has given a perhaps more musical arrangement of this speech: but he did not perceive that the conclusion of it, “beat at your bosom,” was evidently intended to make up a line with “Would creation.”
435. [De Flores] So the editor of 1816.
436. In the act-time, &c.] i. e. while the music plays before the commencement of the act, &c. This circumstance is taken from the “history,” where the murder of Alonzo (there called Alfonso) is thus narrated: “Whiles Piracquo is at dinner with Vermandero, De Flores is providing of a bloody banquet in the East Casemate; where of purpose he goes and hides a naked Sword and Ponyard behind the door. Now dinner being ended, Piracquo finds out De Flores, and summons him of his promise; who tells him he is ready to wait on him: so away they go from the Walls to the Ravelins, Sconces, and Bulwarks, and from thence by a Postern to the Ditches; and so, in again to the Casemates, whereof they have already viewed three, and are now going to the last, which is the Theater whereon we shall presently see acted a mournful and bloody Tragedy. At the descent hereof De Flores puts off his Rapier, and leaves it behind him; treacherously informing Piracquo that the descent is narrow and craggy. See here the Policy and Villany of this devillish and treacherous Miscreant. Piracquo, not doubting nor dreaming of any Treason, follows his example, and so casts off his Rapier: De Flores leads the way, and he follows him; but alas! poor Gentleman, he shall never return with his life. They enter the Vault of the Casemate, De Flores opens the door, and throws it back, thereby to hide his Sword and Ponyard: he stoops and looks thorow a Port-hole, and tells him that that Peece doth thorowly scour the Ditch. Piracquo stoops likewise down to view it, when (O grief to think thereon) De Flores steps for his Weapons, and with his Ponyard stabs him thorow the back, and swiftly redoubling blow upon blow kills him dead at his feet, and without going farther, buries him there, right under the ruins of an old wall, whereof that Casemate was built.” Reynolds’s Triumphs of God’s Revenge against Murther, p. 40, ed. 1726.
437. Scene II. A vault] Old ed. has only (after the words “Lead, I'll follow thee,”) “Ex. at one door and enter at the other.” See note, p. 195.
438. approve] i.e. prove the performance of.
439. proper] i. e. handsome.
441. prophet] Old ed. “poet.”
442. we’ll beat the bush, and kick the dog] “The quartos [there is but one 4to: see note, p. 205] read, 'we’ll kick the dog, and beat the bush:' the transposition will, I think, be approved.” Editor of 1816.
443. lycanthropi] i. e. frenzied persons labouring under the delusion that they are turned into wolves: see the description in Webster’s Duchess of Malfi—Works, vol. i. p. 290, and my note there.
444. walk] Old ed. “walks.”
446. nigget] Nidget, or nigeot—i. e. idiot.
447. bauble] The sceptre of the licensed fool: see Douce’s Illust. of Shak., vol, ii. p. 318, and plates.
449. he] Old ed. “she.”
450. the last couple in hell] “The allusion here is to the game of barley-break.” Editor of 1816.—See note, vol. iii. p. 114.
451. Lipsius] Is it necessary to notice that the name of this great scholar is introduced merely for the sake of its first syllable?
452. way] Old ed. “wayes.”
453. statue] Qy. “statua”?—a form which repeatedly occurs in our old writers.
454. the ring] Qy. “the ring and the finger”?
455. golden florens] Pieces first coined by the Florentines: the floren of Spain (according to the Dictionaries) is 4s. 4-1/2d.—Does Beatrice offer here a paper to De Flores?
456. [slept at ease] Supplied by the editor of 1816.
458. have] Old ed. “has.”
459. the] Old ed. “thy.”
460. love’s] Old ed. “lovers.”—I suspect the author wrote;
461. Dumb Show] “These dumb shows are common enough in the dramas of our poets' age.” Editor of 1816.—They had fallen much into disrepute when the present play was written.
462. smiling at the accident] So old ed. The editor of 1816 gives “smiling scornfully at the ceremony;” but I doubt if that be the meaning of the original words.
463. who’s] So editor of 1816. Old ed. “both.”
464. Secrets in Nature] In Antonii Mizaldi Monluciani De Arcanis Naturæ, Libelli quatuor, ed. tertia, 1558, 12mo, I find no passages resembling those which are read by Beatrice.
465. slight] i. e. artifice, contrivance.
466. incontinently] i. e. immediately.
467. ow’d ’em not] i. e. owned them not,—they were not hers.
468. I'd] Old ed. “I will.”
469. Briamata] “Briamata, a fair house of his [Vermandero’s] ten leagues from Alicant.” Reynolds’s Triumphs of God’s Revenge against Murther, p. 36, ed. 1726; see note, p. 205.
470. An] Old ed. “One.”
471. round-pack’d] Qy. “round-pac’d”?
472. sins and vices] Surely the right reading is “chins and noses.”
473. 'Twill] Old ed. “I will.”
474. pretend] i. e. offer.
475. prevent] i. e. anticipate.
476. touch’d] i. e. infected, stained.
477. resolv’d] i. e. satisfied.
479. waning] Old ed. “waiting.” “I am inclined to read,
480. To the bright ... Pay the post] Given to Lollio in old ed.
481. Why] Old ed. “We.”
482. Nay, the fair, &c.] “i. e. Nay, understand my speeches in the fair and modest sense in which they are uttered.” Editor of 1816.
483. and] i. e. if.
484. he] Old ed. “she.”
485. straits] Old ed. “streets.”
486. desire] Qy. “desert”?
492. harsh] Qy. “rash”?
494. And] i. e. if.
495. [I threw] Compare ninth line preceding.
497. Alsemero’s apartment] So, on account of what follows, it is necessary to mark this scene; but as Jasperino presently says, “She meets you opportunely from that walk,” I suspect that Middleton intended the audience to imagine that the earlier part of the scene did not pass where the latter part certainly does, in Alsemero’s apartment: see notes, pp. 28, 154, 195, 242.
498. garden has shew’d] The editor of 1816 prints “garden [must] have shew’d;” but, probably, “garden” was used here as a trisyllable.
499. Clip] i. e. embrace.
500. hung] Old ed. “hang.”
501. I ne’er, &c.] The editor of 1816 gives the passage thus:
503. hence] Old ed. “thence.”
504. innocence] A play on the word,—idiotcy.
505. All we can do, &c.] These lines in old ed. are printed on a page by themselves, with the prefix Als., and headed Epilogue.
506. Gifford, misled by a MS. note of Oldys on Langbaine, says that A Game at Chess “was embellished with an engraved frontispiece, where Gondomar was introduced in propria persona in no very friendly conversation with Loyola.” Note on B. Jonson’s Works, vol. v. p. 248. There is no figure of Ignatius in either of the engraved title-pages.
507. States] i. e. personages of high rank.
508. angle] i. e. corner.
509. taste] So two eds. Quarto C. “cast.”
510. Roch] St. Roch “was honoured, especially in France and Italy, amongst the most illustrious saints in the fourteenth century.... Many cities have been speedily delivered from the plague by imploring his intercession,” &c.! Butler’s Lives of the Saints, vol. viii. p. 206, sec. ed.
511. Main] St. Main, an abbot; who appears to have been of no great eminence. Id. vol. i. p. 172.
512. Petronill] i. e. Petronilla, a holy virgin, according to some the daughter, or, as seems to be more generally supposed, only the spiritual daughter of the apostle St. Peter. Id. vol. v. p. 439.
513. Your abbess Aldegund] Or Aldegundes—“daughter of Walbert of the royal blood of France,” &c. Id. vol. i. p. 451.
514. Cunegund] i. e. the Empress Cunegundes, wife of St. Henry duke of Bavaria, afterwards king of the Romans: she and her husband received the imperial crown at Rome, &c. Id. vol. iii. p. 17.
515. the widow Marcell] i. e. Marcella, the Roman lady celebrated by St. Jerome. Id. vol. i. p. 459.—So two eds. Quarto C. “Alarcell.”
516. parson Polycarp] The famous bishop of Smyrna. Id. vol. i. p. 289.
517. Cecily] See account of St. Cecily. Id. vol. xi. p. 395.
518. Ursula] See account of “St. Ursula and her Companions.” Id. vol. x. p. 463.
519. a lame soldier] Ignatius had his leg broken by a cannon-shot at the siege of Pampeluna, where he displayed great valour. Id. vol. vii. p. 405.
520. mastery] i. e. masterly operation (a sense of the word common in our earliest poetry).
521. I behold] So two eds. Quarto C. “I could behold.”
522. Le roc, &c.] “In modern times,” says Strutt, “the roc is corruptedly called a rook, but formerly it signified a rock or fortress, or rather, perhaps, the keeper of the fortress.” Sports, &c., p. 233.
523. custode] “A guardian, keeper.” Cotgrave in v.—Two eds. “custodie”—better for the metre, but contrary to the sense.
524. daughter] So two eds. Quarto C. “daughters.”
525. Black] So two eds. Quarto C. “the.”
526. performents] i. e. performances. So two eds. Quarto C. “preferments.”
527. one] So two eds. Quarto C. “me.”
528. weep] So two eds. Quarto C. “wept.”
529. firmer] So two eds. Quarto C. “firme.”
530. Disarms] So two eds. Quarto C. “This-Armes.”
531. the] So two eds. Not in Quarto C.
532. Can] So two eds. Quarto C. “Will.”
533. Jesuitess] So two eds. Quarto C. “Jesuite.”
534. worth] So two eds. Quarto C. “wealth.”
535. the] So two eds. Quarto C. “their.”
536. by] So two eds. Quarto C. “by’th.”
537. important] So both MSS. Eds. “importune” and “importinant.”
538. Dost] So two eds. Quarto C. “Doe you.”
539. made] So two eds. Not in Quarto C.
540. the opening eyelids of the morn] Adopted by Milton;
541. discovering] So Bridge. MS. Eds. “disclosing.”
542. that] So two eds. Quarto C. “the.”
543. your night-counsels] Two eds. and MS. Bridge, have “yours might counsell neerer;” but that the reading of Quarto C., which I have followed, is the right one, appears from the second line of the next speech, “Guilty of that black time.” MS. Lansd. differs only from Quarto C. in having “counsell.”
544. fond] i. e. foolish. So both MSS. Quarto C. “sound.” Other eds. have “some sinful, some sound.”
545. Clad] So two eds. Quarto C. “Cal’d.”
546. competitor] So two eds. Quarto C. “competitors.”
547. fond] See note in preceding page.
548. I] So two eds. Quarto C. “Il’d.”
549. Have I] So two eds. Quarto C. “I haue.”
550. of it] So two eds. Quarto C. “of.”
551. destroy fruit] “The leaues of Sauin boyled in Wine and drunke ... expell the dead childe, and kill the quick.” Gerarde’s Herball, p. 1378, ed. 1633.
552. resolved] i. e. satisfied.
553. An] So two eds. Quarto C. “And.”
554. casible] Or chesible: “Fyrst do on the amys, than the albe, than the gyrdell, than the manyple, than the stoole, than the chesyble.” Hormanni Vulgaria, sig. E iiii. ed. 1530.
555. great] So two eds. Not in Quarto C.
556. diviner] So two eds. Quarto C. “diuine.”
557. have] So two eds. Quarto C. “I haue.”
558. And what I've done, &c.] “Gondomar was at this time the Spanish Ambassador in England; a man whose flattery was the more artful, because covered with the appearance of frankness and sincerity; whose politics were the more dangerous, because disguised under the masque of mirth and pleasantry.” Hume’s Hist. of England, vol. vi. p. 40, ed. 1763.
559. these] So two eds. Quarto C. “this.”
560. guitonens] A word of reproach, I suppose, formed from the Spanish guiton, vagrant, vagabond. Quarto C. and MS. Lansd. “Guytinens.” MS. Bridge. “Guitenens.” Two eds. “great ones.”
561. pusills] So Quarto C. and both MSS. Two eds. “pupills.”—Pusill, written variously, puzzel, &c., meant a drab: see notes of the commentators on the line “Pucelle or puzzel,” &c., in Shakespeare’s Henry VI. Part First, act i. sc. 4.
562. the great work, the main existence] So MS. Bridge. Eds. “the maine worke, the great existence.”
563. fame] So two eds. Quarto C. “name.”
564. jealious] A trisyllable, for the metre.
565. heard] So two eds. Quarto C. “read.”
566. gently] So two eds. Quarto C. “lately.”
567. what have we here] So MS. Lansd. Not in eds.
568. Strange! &c.] So two eds. The line not in Quarto C.
569. what] So two eds. Quarto C. “that.”
570. Well here set down] So both MSS. Quarto C. “Well, here I set downe.” Other eds. “Well set her downe.”
571. in] So two eds. Quarto C. “and.”
572. much] So two eds. Quarto C. “most.”
573. stir] So both MSS. Quarto C. “spread.” Other eds. “flye.”
574. never was] So two eds. Quarto C. “was neuer.”
575. safety] MS. Bridge. “faith.”
576. Yours] So two eds. and MS. Bridge. Quarto C. and MS. Lansd. “Yon’d.”
577. offerer] So both MSS. Quarto C. “Officer.” Other eds. “offerors.”
578. thy] So two eds. Quarto C. “the.”
579. deep] So two eds. Quarto C. “great.”
580. my love] Qy. “my loss”? MS. Lansd. “thy loue.”
581. make] So both MSS. Eds. “make me.”
582. But by, &c.] So two eds. Quarto C. “But thine Honors losse, that Act must arme thee.”
583. thou] So MS. Bridge. Not in eds.
584. resist] So two eds. and both MSS. Quarto C. “reiect.”
585. confound] Eds. and MSS. “confound noise.”
586. that] So two eds. Quarto C. “the.”
587. pliant] So two eds. Quarto C. “pleasant.”
588. cautelous] i. e. artfully cautious.
590. B. Bishop] So two eds. Quarto C. “Bl. Kin.”
591. hath] To this word here and in the two following lines Quarto C. prefixes “he;” but two eds. omit it.
592. trow?] i. e. think you?
593. an] So two eds. Quarto C. “one.”
594. able] i. e. warrant, answer for.
595. me ’em] So MS. Bridge. Quarto C. “’em me.” In two eds. “me” omitted.
596. all] So two eds. and both MSS. Omitted in Quarto C.
597. in] So two eds. Omitted in Quarto C.
598. Fat Bishop] “He [Antonio] was of a comely personage, tall stature, gray beard, graue countenance, fair language, fluent expression, somewhat abdominous, and corpulent in his body.” Fuller’s Church History, B. x. p. 100, ed. 1655. “Allowing Spalato diligent in writing, his expression was a notorious hyperbole, when saying, In reading, meditation, and writing I am almost pined away; otherwise his fat cheeks did confute his false tongue in that expression.” Id. B. x. p. 95.
599. my books] “He [Antonio] falls now [after receiving his preferments in England] to perfect his Books. For his Works were not now composed, but corrected; not compiled, but completed; as being, though of English birth, of Italian conception. For formerly the Collections were made by him at Spalato, but he durst not make them publick for fear of the Inquisition. His Works (being three fair Folios, De Republica Ecclesiastica) give ample testimony of his sufficiency. Indeed he had a controversial head, with a strong and clear stile, nor doth an hair hang at the neb of his pen to blurre his writings with obscurity: but, first understanding himself, he could make others understand him. His writings are of great use for the Protestant cause.” Fuller’s Church History, B. x. p. 95, ed. 1655.—When Bedell was at Venice (as chaplain to Sir Henry Wotton, then ambassador there), Antonio “discovered his secret to him, and shewed him his ten Books De Republica Ecclesiastica, which he afterwards printed at London: Bedell took the freedom which he allowed him, and corrected many ill applications of Texts of Scripture and Quotations of Fathers. For that Prelate being utterly ignorant of the Greek Tongue, could not but be guilty of many mistakes both in the one and the other.” Burnet’s Life of Bedell, p. 10, ed. 1692.
600. drink] So two eds. Quarto C. “feede.”
602. master of the beds] i. e. master of the Hospital of the Savoy. On his first arrival in England Antonio resided with the Archbishop of Canterbury; “and having lived long at Lambeth House, they grew even weary of him, for he was somewhat an unquiet man, and not of that fair, quiet, civil carriage as would give contentment. This he perceiving made bold to write unto the king, desiring him that he might not live always at another man’s table, but that he might have some subsistence of his own: whereupon the King so contrived it, that although the mastership of the Savoy had been given to another, yet was it resigned and conferred upon him.” Goodman’s Court of King James, vol. i. p. 339—an interesting work, now at press under the editorship of the Rev. J. S. Brewer.
603. shut and open] Eds. “shuts and opens.”
604. the fistula, &c.] Gondomar, as various writers mention, was troubled with that disease.
605. prescrib’d] So MS. Lansd. Eds. “prouided.”
606. provided] So MS. Lansd. Eds. “inuented.”
607. what a most uncatholic jest, &c.] “Amongst other of his ill qualities, he [Antonio] delighted in jeering, and would spare none who came in his way. One of his sarcasmes he unhappily bestowed on Count Gondomar, the Spanish Ambassador, telling him, That three turns at Tiburne was the onely way to cure his Fistula. The Don, highly offended hereat (pained for the present more with this flout than his fistula) meditates revenge, and repairs to King James. He told His Majesty, that His charity (an errour common in good Princes) abused His judgment, in conceiving Spalato a true convert, who still in heart remained a Roman Catholick. Indeed, His Majesty had a rare felicity in discovering the falsity of Witches and forgery of such who pretended themselves possessed: but, under favour, was deluded with this mans false spirit, and, by His Majesties leave, he would detect unto Him this his hypocrisie. The King cheerfully embraced his motion, and left him to the liberty of his own undertakings. The Ambassadour writeth to His Catholick Majesty; He to his Holinesse Gregory the fifteenth, that Spalato might be pardoned, and preferred in the Church of Rome, which was easily obtained. Letters are sent from Rome to Count Gondomar, written by the Cardinal Millin, to impart them to Spalato, informing him that the Pope had forgiven and forgotten all which he had done or written against the Catholick Religion; and upon his return, would preferre him to the Bishoprick of Salerno in Naples, worth twelve thousand crowns by the year. A Cardinal’s Hat also should be bestowed upon him. And if Spalato, with his hand subscribed to this Letter, would renounce and disclaim what formerly he had printed, an Apostolical Breve, with pardon, should solemnly be sent him to Bruxels. Spalato embraceth the motion, likes the pardon well, the preferment better, accepts both, recants his opinions largely, subscribes solemnly, and thanks his Holinesse affectionately for his favour. Gondomar carries his subscription to King James, who is glad to behold the Hypocrite unmasked, appearing in his own colours; yet the discovery was concealed and lay dormant some daies in the deck [i. e. pack—of cards], which was in due time to be awakened.” Fuller’s Church History, B. x. p. 95, ed. 1655. The circumstances which led to Antonio’s departure from England are differently related, and without any mention of Gondomar, in Goodman’s Court of King James, vol. i. p. 345.
608. balloon-ball] i. e. a large inflated ball of leather. The game of balloon, in which the player strikes the ball with a flat piece of wood fastened to the arm, is still (as Gifford observes,—note on B. Jonson’s Works, vol. iii. p. 216) very common on the continent.
609. bishop absent] So Quarto C. and MS. Lansd. Two eds. “bishops dead.” MS. Bridge. deficient here, and to the end of the act.—Neither reading agrees well with what follows: see p. 353.
610. blindness] So two eds. Quarto C. “boldnesse.”
611. I must confess] So two eds. and MS. Lansd. Not in Quarto C.
612. W. Bish.] So two eds. Quarto C. “Wh. P.”
613. Have] Eds. “Hath” and “Has.”
614. terrors] So two eds. Quarto C. “terrour.”
615. Quit] Eds. “Quits.”
616. wonder] So two eds. Quarto C. “wounds.”
617. scar’d] So two eds. Quarto C. “seiz’d.”
618. his] So two eds. Quarto C. “this.”
619. B. Bish.] So two eds. Quarto C. “Bl. Bi. P.”
620. after] So two eds. Quarto C. “following.”
621. or] So two eds. Quarto C. “&.”
622. quit] i. e. acquit.
623. remove] So two eds. Quarto C. “roome.”
624. Craft] So MS. Lansd. Quarto C. “Crafts.” Other eds. “Trust” (misprint for “Lust”).
625. more unclean] So two eds. Quarto C. “vncleaner.”
627. more] So MS. Lansd. Quarto C. “most.” Not in other eds.
628. Yesterday’s] So two eds. Quarto C. “Yesterday.”
629. Ruin] Eds. and MS. Lansd. “Ruin enough.”
630. W. King] So MS. Lansd. Eds. “Wh. Kni.”
631. W. King] So two eds. Quarto C. “Wh. Kni.”
632. W. Kg.'s Pawn] So MS. Lansd. Quarto C. “Wh. Q. P.” Two eds. “W. Kt. p.” That the White King’s Pawn is the speaker appears from the next speech; and compare p. 326.
633. W. King] So two eds. Quarto C. “Wh. Kni.”
634. strong] So two eds. Quarto C. “wrong.”
635. W. Kg.'s Pawn] So MS. Lansd. Quarto C. “W. Qu. P.” Two eds. “W. Kt. p.”
636. endear’d] Two eds. “indeede.” But compare p. 325, last line.
637. W. King] So two eds. here and at next speech but one. Quarto C. “Wh. Kni.”
638. that] So MS. Lansd. Not in eds.
639. thou left] So two eds. and MS. Lansd. Quarto C. “thou so left.”
640. flight] Meant, in archery, a long, light-feathered, straight-flying arrow.
641. niceness] i. e. squeamishness, scrupulousness.
642. B. King] So two eds. and MS. Lansd. Quarto C. “Bl. Bish.”
643. luxury] i. e. lust.
644. diseas’d bed-rid] So both MSS. Quarto C. “disea’d Bed-rid.” Other eds. “disease-bred.”
645.
Or dean of the poor alms-knights that wear badges] See note, p. 339. The poor alms-knights—i. e. the Poor Knights of Windsor.—“About half a year after [his appointment to the Mastership of the Savoy, Antonio received] the deanery of Windsor; both which preferments might amount to four hundred and thirty pounds per annum, or thereabout.” Goodman’s Court of King James, vol. i. p. 340. According to Hacket, “these together were worth to him 800l. per Annum. They brought in no less, and he would not loose a Peny of his Due; but studied to exact more than ever by Custom had been received by any of those Dignitaries. Of which Sharking, his Majesty once admonished him: Yet his Veins were not full, but he got himself presented by the Church of Windsor to a good Benefice, says Mr. Ri. Montagu, West Ilsly in Barkshire, where he made a shift to read the Articles of 1562 in English, pro more Clericali, and subscribed to them.” Life of Archb. Williams, P. i. p. 98, ed. 1693.
646. other titles] “Now it happened a false rumour was spread that Tobie Matthew, Archbishop of Yorke (who died yearly in report) was certainly deceased. Presently posts Spalato to Theobalds; becomes an importunate Petitioner to the King for the vacant Archbishoprick, and is as flatly denied; the King conceiving, He had given enough already to him if gratefull, too much if ungratefull. Besides the King would never bestow an Episcopal charge in England on a forraigner, no not on His own Countrey-men; some Scotish-men being preferred to Deanries, none to Bishopricks. Spalato offended at this repulse (for he had rather had Yorke than Salerno [see quotation from Fuller, note, p. 341], as equal in wealth, higher in dignity, neerer in place) requests His Majesty by his Letter to grant His good leave to depart the Kingdome, and to return into Italy.” Fuller’s Church History, B. x. p. 96, ed. 1655. See also Hacket’s Life of Archb. Williams, P. i. p. 98. ed. 1693.
647. skip] So both MSS. Eds. “slip.”
648. true] So two eds. and both MSS. Omitted in Quarto C.
649.
650. And let forth, &c.] So two eds. and MS. Bridge. The line not in Quarto C. or MS. Lansd.
651. With] So two eds. Quarto C. “In.”
652. gallant fleet] So two eds. and both MSS. Quarto C. “pretious safe-guard.”—“By his Artifices and Negotiations (having been time enough Ambassador in England to gain credit with the King) he [Gondomar] got Sir Robert Mansell (the Vice-Admirall) to go into the Mediterranean sea, with a Fleet of Ships to fight against the Turks at Algier, who were grown too strong and formidable for the Spaniard (most of the King of Spains Gallions attending the Indian Trade, as Convoys for his Treasures, which he wanted to supply his Armies) and he transported Ordnance and other Warlike Provisions to furnish the Spanish Arsenalls, even while the Armies of Spain were battering the English in the Palatinate.” Wilson’s Life and Reign of James, p. 145, ed. 1653.
653. jails fly open, &c.] “Count Gondomar was the active Instrument to advance this Match [of Prince Charles with the Infanta], who so carried himself in the twilight of jest-earnest, that with his jests he pleased His Majesty of England, and with his earnest he pleasured his Master of Spaine. Having found out the length of King James’s foot, he fitted Him with so easie a shooe, which pained Him not (no, not when he was troubled with the gout), this cunning Don being able to please Him in His greatest passion. And although the Match was never effected, yet Gondomar whilst negotiating the same, in favour to the Catholick cause, procured of his Majesty the enlargment of all Priests and Jesuits through the English Dominions.... These Jesuits, when at liberty, did not gratefully ascribe their freedome to his Majestie’s mercy, but onely to His willingnesse to rid and clear His gaoles over-pestered with prisoners.” Fuller’s Church History, B. x. p. 100, ed. 1655. See also Wilson’s Life and Reign of James, p. 145, ed. 1653.
654. there’s] So both MSS. Eds. “their.”
655. a silenc’d muzzle] “The Pulpits were the most bold Opposers, but if they toucht any thing upon the Spanish policie, or the intended Treaties (for the Restitution of the Palatinate was included in the Mariage before it was the Spaniards to give) their mouthes must be stopt by Gondamar ... and (it may be) confined, or imprisoned for it.” Wilson’s Life and Reign of James, p. 151, ed. 1653.
656. angle] i. e. corner.
657. too] So two eds. and both MSS. Not in Quarto C.
658. state-] So two eds. Not in Quarto C.
659. pick] So two eds. Quarto C. “pricke.”
660. every] So two eds. Quarto C. “the.”
661. The White Bishop’s Pawn] So two eds. and MS. Bridge. Quarto C. and MS. Lansd., more metrically, “The Bishops White Pawne.”
663. Enough of them in all parts] So both MSS. Not in Quarto C. Two eds. “There’s enough,” &c.
664. that] So two eds. Quarto C. “the.”
665. that] So two eds. Quarto C. “the.”
666. fames] So MS. Lansd. Eds. and MS. Bridge. “fame.”
667. Duke] So two eds. and both MSS. Quarto C. “Piece.”
668. munificence] So both MSS. Quarto C. “Magnificence.” Two eds. “munificency.”
669. that’s] So two eds. Quarto C. “’tis.”
670. I've maz’d ’em] So two eds. Quarto C. “amaz’d.”
671. ships] So two eds. Quarto C. “ship.”
672.
673. W. King] So two eds. and both MSS. Quarto C. “Wh. Kni.”
674. attempter] So two eds. Quarto C. “attempt.”
675. impudent] So two eds. and both MSS. Quarto C. “impudence.”
676. piece] So both MSS. Quarto C. “price.” Two eds. “prize.”
677. value] i. e. equal in value.
678. This] So two eds. Quarto C. “The.”
679. however] So two eds. Quarto C. and both MSS. “How any.”
680. W. King] So two eds. and both MSS. Quarto C. “Wh. Kni.”
681. stand] So both MSS. Quarto C. “stood.” Two eds. “stands.”
682. W. King] So two eds. and both MSS. Quarto C. “Wh. Kni.”
683. B. King] So two eds. and both MSS. Quarto C. “W. Kni.”
684. beside] So both MSS. Eds. “besides.”
685. B. King] So two eds. and both MSS. here and at next speech but three. Quarto C. “B. D.”
686. Do’t] So two eds. Quarto C. “Doe.”
687. lock] So two eds. and both MSS. Quarto C. “tooke.”
688. W. King] MS. Lansd. “W. Knight”—rightly, perhaps.
689. this] Both MSS. “their”—rightly, perhaps.
690. B. Knight] So two eds. and both MSS. Quarto C. “W. Kni.”
691. W. King] MS. Lansd. “W. Knight”—rightly, perhaps.
692. B. King] So two eds. and both MSS. Quarto C. “Fat B.”
693. Spalato] So the word Spalatro was generally written.—Eds. and MSS. “Spolletta,” “Spolleta,” “Spallato.”
694. water] Two eds. “water-gate.”
695. of] So two eds. and both MSS. Quarto C. “to.”
696. mazzard] i. e. head.
697. know me] Here, perhaps, the Black Knight thrust the White King’s Pawn into the bag on the stage: compare the concluding scene of the play.
698. my] So two eds. Quarto C. “many.”
699. That] So two eds. Quarto C. “Thus.”
700. us] So MS. Lansd. Quarto C. “vs all.”
701. handsome] So two eds. Quarto C. “honest.”
702. in] So MS. Lansd. Eds. “for.”
703. person] So two eds. Quarto C. “persons.”
704. the] So two eds. Quarto C. “our.”
705. nor] So two eds. Quarto C. “or.”
706. So ... prance it] So two eds. Quarto C. “I’d ... praunc’d.”
707. A pox on you] So two eds. and MS. Bridge. Not in Quarto C. MS. Lansd. omits the whole of this scene between the Black Jesting Pawn and the other two Pawns.
708. snapt] So two eds. Quarto C. “scap’d.”
709. a monkey’s ordinary] Compare Brome’s City Wit; “Knavery is restoratiue to me, as spiders to monkeys.” Sig. F V. (Fiue New Playes, 1653.)
710. firk] i. e. beat.
711. Mass] So two eds. Not in Quarto C.
712. old] i. e. abundant: compare vol. ii. p. 538.
713. for] So two eds. Not in Quarto C.
714. Exeunt.] Not in eds. Perhaps they went into the bag on the stage: compare the concluding scene of the play.
715. your] So two eds. Not in Quarto C.
716. With stay] So all the eds. and both MSS. The meaning is far from clear. Qy. “Withstay”?
717. kind] i. e. nature.
718. are] So two eds. Quarto C. “is.”
719. passion] i. e. sorrow, lament.
720. merely] i. e. wholly.
721. In his gallant habit] Not in Quarto C. nor MSS.: found in two eds., printed as the first line of the opening speech of the scene, thus;
722. with] So two eds. Quarto C. “by.”
723. feather] So two eds. Quarto C. “father.”
724. highly] So two eds. Quarto C. “mightie.”
725. trim] So two eds. Quarto C. “trane.”
726. catholical] So two eds. Quarto C. “catholicke.”
727. Suffices] So two eds. Quarto C. “Suffice.”
728. ’tis he] In MS. Lansd. only.
729. A most regardless] So two eds. Quarto C. “A most strange reguardles.”
730. Merely] i. e. wholly.
731. now] So two eds. Not in Quarto C.
732. unclose] Quarto C. “vncloses.” Other eds. “incloses.”
733. Put] Eds. “Puts.”
734. mark’d] So two eds. and both MSS. Quarto C. “work’d.”
735. irrevocable] So two eds. Quarto C. “irrecouerable.”
736. shame] So two eds. and both MSS. Quarto C. “chance.”
737. be man] So two eds. Quarto C. “be both man.”
738. grieves] So two eds. Quarto C. “giues.”
739. marry] So two eds. Quarto C. “be married.”
740. a' life] i. e. as my life—exceedingly. So two eds. Quarto C. has the more unusual form “of life.”
742. treacher] i. e. deceiver, cozener, cheater.
743. gull’d] i. e. swallowed.
744. rear] i. e. under-dressed.
745. poach’d] So two eds. (where the line in other respects is different). Quarto C. “pouch’d.”
746. Unjointed, &c.] So two eds. The line not in Quarto C.
747. stares] i. e. starlings.
748. lightly] So two eds. Quarto C. “titelie.”
749. three] So two eds. Quarto C. “thee.”
750. turn] So two eds. Quarto C. “turned.”
751. chares] i. e. works, jobs.
752. learn’d] So two eds. Quarto C. “and learn’d.”
754. breast] So both MSS. Eds. “best.”
756. into] So two eds. Quarto C. “in.”
757. Mass] So two eds. Not in Quarto C.
758. or] So two eds. Quarto C. “and.”
759. and] So two eds. Not in Quarto C.
760. sums] So two eds. Quarto C. “sinnes.”
761. thousand] So two eds. Quarto C. “thousands.”
762. doctor Lopez, &c.] Lopez, domestic physician to Queen Elizabeth, was executed for having accepted a bribe from Spain to destroy her. Taylor, the water-poet, in the 13th stanza (or sonnet) of The Churches Deliuerances, tells, in his own homely and facetious manner, the story of Lopez, p. 145—Workes, 1630. Dekker introduces him actually making an attempt on the queen’s life, in the following passage of The Whore of Babylon, 1607:
In the above passage the old ed. has, by a misprint, “Ropus” instead of “Lupus:” when he appears in an earlier scene he is called “Lupus,” which a marginal note explains to mean “Lopes.” Sig. F.
763. estate] So two eds. Quarto C. “state.”
764. B. King] So two eds. Quarto C. “Bl. Kni.”
765. Bishop] So two eds. Quarto C. “Bishops.”
766. snapt] So two eds. Quarto C. “snatch’d.”
767. next] So MS. Bridge. Eds. “at next.”
768. her night-attire ... his night-habit] So MS. Lansd. only.
769. virtue’s] So two eds. Quarto C. “vertue.”
770. prevent] i. e. anticipate.
771. eighty-eight] i. e. 1588—the year of the Spanish armada.
772. glittering’st] So both MSS. Eds. “glittering.”
773. sit] Eds. “sits.”
774. face] So two eds. Quarto C. “falce.”
775. your] So two eds. Quarto C. “you.”
776. sire] So both MSS. Eds. “sir” and “sice.”
777. could] Two eds. “would:” but see the third line following.
778. Rumbant’s] So all the eds. and both MSS. The right reading, I have little doubt, is “Rumbold’s,” or rather “Rumold’s.”—“A great and sumptuous church was built at Mechlin to receive his [St. Rumold’s] precious relicks, which is still possessed of that treasure, and bears the name of this saint.” Butler’s Lives of the Saints, vol. vii. p. 2, sec. ed. In the title-page of his Life, 1662, written in Latin by Ward, he is termed “advocati sterilium conjugum.”
779. hose] i. e. breeches.
780. deliverance] So MS. Bridge. Eds. “deliuer” and “deliuerer.”
781. luxury] i. e. lust.
782. O] So two eds. Not in Quarto C.
783. live] Eds. “liues.”
784. were never] So two eds. Quarto C. “neuer were.”
785. strong] So two eds. Quarto C. “good.”
786. Loud music] So MS. Bridge. only.
787. in his litter, &c.] So two eds. Not in Quarto C.—“As he [Gondomar] was carried in his Litter or bottomless Chair (the easiest seat for his Fistula),” &c. Wilson’s Life and Reign of James, p. 146, ed. 1653.
788. concise oration] So both MSS. Quarto C. “course oration.” Other eds. “consecration.”
789. triumphantis] Eds. and MSS. “triumphanti.”
790. snapt] So two eds. Quarto C. “snap.”
791. Hautboys again] So MS. Bridge. only.
792. him] i. e. the White Knight.
793. Enter Black King ... Latin oration] So two eds. Quarto C. has only “Enter Bl. K. Q. D. K. and Wh. Kni. and D.”
794. fix] So two eds. Quarto C. “fixed.”
795. W. Duke. Th' erroneous relish] So two eds. Not in Quarto C.
796. the fair] So both MSS. Eds. “thee the faire.”
797. approve] i. e. prove.
798. B. King] So two eds. Quarto C. “Bl. K. P.”
799. more] So two eds. Quarto C. “most.”
800. much has wrong’d] So MS. Bridge. Eds. “ill hath (and “has”) vs’d.”
801. judgments] So two eds. Quarto C. “judgement.”
802. when] So MS. Bridge. Eds. “if.”
803. cast] So two eds. Quarto C. “last.”
804. by] So MS. Bridge. Eds. “aside.”
805. You’ll] So MSS. Eds. “Youl’d.”
806. luxury] i. e. lust, incontinence.
807. cunning] So two eds. Quarto C. “cunnings.”
808. Thou] Eds. and both MSS. “That.”
809. some] So two eds. Quarto C. “a.”
810. ears] So two eds. Quarto C. “eare.”
811. W. Queen] So both MSS. Eds. “W. Q. P.”
812. cockatrice] A cant term for a harlot.
813. Death] So two eds. Quarto C. “How.”
814. royal] So two eds. Quarto C. “noble.”
815. Ebusus] Quarto C. and both MSS. “Eleusis.” Two eds. “Ebusis.”—“Circa Ebusum [i. e. Ivica] salpa.” Plin. Hist. Nat. l. ix. c. 18. t. i. p. 511, ed. Hard. 1723.
816. frank’d] i. e. stuft, crammed. (A frank meant a place to fatten hogs and other animals in).
817. far and sapa] The remainder of the line is an explanation of these words; yet it may be necessary to add that cocted is boiled.
818. Epicurean] So two eds. Quarto C. “Epicidean.”
819. Orata] Eds. and both MSS. “Crata.”—Sergius was so called from the fish orata or aurata: see Macr. (Sat. l. ii. c. xi. p. 361, ed. 1670), Pliny, Festus, &c.—Middleton, perhaps, intended only one of the names—“Sergius” or “Orata”—to stand in the line.
820. his successor Julian] Did Middleton confound Didius Julianus (who purchased the empire on the murder of Pertinax,) with Julian the apostate?
821. often] So both MSS. Eds. “after.”
822. triumphs] i. e. public shows.
823. the hogs which Scaliger cites] An allusion, perhaps, to the following passage: “Pinguescit autem longe magis sus: adeoque pinguescit, ut pene totus immobilis reddatur. Neque enim fabulosum est, in eorum clunibus excavare sibi mures foveas; non equidem ut nidificent, sed ut saginentur.” J. C. Scaliger De Subtilitate ad Cardanum, Exer.. cxcix. 2. p. 610, ed. 1634.
824. needle] i. e. nestle.
825. Cyrene’s governor] i. e. Magas: see Athenæus, l. xii. c. 12, t. iv. p. 544, ed. Schw.
826. Sanctius] So two eds. Quarto C. “Sauetius.”—Wanley states that Sanctius, “by the advice of Garsia King of Navarre, made peace with Miramoline King of Corduba, went over to him, was honourably receiv’d, and in his Court was cured by an herb prescribed by the Physicians of that King.” Wonders, &c., p. 47, ed. 1678. See also Grimeston’s (translation of Turquet’s) Historie of Spaine, p. 205, ed. 1612.
827. stunk] So both MSS. Eds. “strucke” and “stung.”
828. sure] So both MSS. Eds. “sir.”
829. kid, cabrito, calf, and tons] “Kid” and “cabrito,”—the latter a Spanish word—are, I believe, synonymous; tons means, perhaps, tunny-fish.
831. resolv’d] i. e. satisfied.
832. manchet] i. e. small loaf or roll of fine white bread.
834. voider] i. e. basket or tray, into which the trenchers, broken meat, &c., were swept from the table with a wooden knife.
835. in] So two eds. Quarto C. “on.”
836. faith] So two eds. Quarto C. “faiths.”
837. her] So two eds. Quarto C. “their.”
838. whom] So two eds. Quarto C. “which.”
839. there] So two eds. Quarto C. “within ’em.”
841. a] So two eds. Quarto C. “the.”
842. Epistle to Nicholas the first] B. Udalrici, Episcopi Augustani, pro conjugio clericorum ad Nicolaum primum, Romanum Pontificem, epistola, contains the following passage: “Sunt vero aliqui, qui sanctum Gregorium suæ sectæ sumunt adjutorium: quorum quidem temeritatem rideo, ignorantiam doleo. Ignorant enim, quod periculosum hujus hæresis decretum, a sancto Gregorio factum, condigno pœnitentiæ fructu postmodum ab eodem sit purgatum. Quippe quum die quadem in vivarium suum propter pisces misisset, et allata inde plus quam sex millia infantum capita videret; intima mox ductus pœnitentia ingemuit, et factum a se de abstinentia decretum, tantæ cædis caussam confessus, condigno illud, ut dixi, pœnitentiæ fructu purgavit, suoque decreto prorsus damnato, Apostolicum illud (1 Cor. 9. 7.) laudavit consilium: Melius est nubere, quam uri, addens ex sua parte, Melius est nubere, quam mortis occasionem præbere.” Appendix to Calixti de Conjugio Clericorum Liber, Pars ii. p. 550, ed. Henke.
843. B. Knight] One ed. and MS. Lansd. “B. K.[ing],” which may be right; B. B. Pawn presently says, “King taken.”
844. B. King] Two eds. and MS. Lansd. “B. Kt.”
845. We] So MS. Bridge. Eds. “I.”—Compare l. 25 of preceding page.
846. the bag, like hell-mouth] So MS. Bridge. Eds. “the bags mouth like hell.”
847. The bag opens, &c.] So MS. Lansd., except that it makes no mention of the Fat Bishop. Quarto C. “The Bagge opens the Bl. Side in it.” Two eds. “The Bag opens, the B. B. slides in it.”—The bag, probably, was either on one side, or at the back, of the stage, during the whole of the play: see notes pp. 366, 370.
848. King] So two eds. Quarto C. “King’s.”
849. given us the bag] i. e. cheated, or rather, put a trick on us: a colloquial phrase, common in our old writers.
850. 'Sfoot, this Fat Bishop] Quarto C. “This Blacke Bishop.” Other eds. “Sfoot this blacke Bishop.” MS. Lansd. “This Fat Black Bishop.” MS. Bridge. “Slid this fat Bishop.”
851. squelch’d] i. e. crushed. So two eds. Quarto C. “quelch’d.”
853. so] So MS. Bridge. Not in eds.
854. But I shall] So MS. Bridge. Eds. “I’em (and “I’me”) sure to.”
855. greatness ever] After these words MS. Bridge. has,
which does not connect well with the rest of the speech.
856. Room for, &c.] I have not ventured to insert a stage-direction here, being doubtful which character is meant by the “olive-coloured Ganymede.”
857. cease] Though there is no corresponding rhyme to this word, it does not appear that a line has dropt out, the sense being complete.
858. yield] Old ed. “yields.”
859. improve] i. e. prove.
860. Nothing new there] My attempt to restore the prose speeches in this scene to the blank verse in which they appear to have been originally written, proved on the whole so unsuccessful, that I now give them as exhibited in the 4to. The text of the play is, I believe, corrupted throughout: and perhaps the reader, when he meets with sundry passages which are scarcely metrical, will be of opinion that I ought more frequently to have left the prose of the old edition undisturbed.
861. the Standard] See note, vol. i. p. 438; but I find nothing in Stow to illustrate the present passage.
862. brave] i. e. finely dressed.
863. farcels] Is, perhaps, a word formed from the verb farce (to stuff), though I have not elsewhere met with it.
864. do] Old ed. “does.”
865. George] Old ed. “Franck.”
866. foxed] i. e. drunk.
867. Artillery Garden] “A field enclosed with a bricke wall, without Bishopsgate.” Stow’s Annales, p. 1084, ed. 1631: see, too, his account of “The practise in the Artillery Garden reuiued [in 161O],” ibid. p. 995. At a later period, “the practice” was generally held in Moorfields: vide Stow’s Survey, b. iii. p. 70, ed. 1720.
868. fustian and apes breeches] May be right, though I cannot explain it: but qy. “Naples breeches”? In The Rates of Marchandizes (reign of James I.) various sorts of “Naples Fustians” are mentioned.
869. the Quest-house] Was generally the chief watch-house in a parish: to it those were brought who were taken up by the common watchmen; and there, I believe, about Christmas, the aldermen and citizens of the ward used to hold a quest, to inquire concerning misdemeanours and annoyances. Some parishes in London still have Quest-houses; St. Giles, Cripplegate, for instance. From the present passage it would seem that gambling was sometimes carried on there.
870. voyage to Guiana] i. e., I presume, the first voyage, under Raleigh, in 1595: there were three voyages to Guiana; see Southey’s excellent Lives of Brit. Admirals, vol. iv. pp. 257, 317, 324.
873. bevers] i. e. potations—(the word generally means—refreshments between meals.)
875. reclaim] i. e. tame.
876. set up my rest for] i. e. stand upon, take my chance with: a metaphor from the game of primero: see the long article in Nares’s Gloss. (Rest, to set up.)
877. and] i. e. if.
878. sumner] i. e. apparitor.
880. felfare] A corruption of fieldfare.
881. even there] Old. ed. “ever there.” Qy. “even then”?
882. Have you drunk, &c.] After arranging the whole of this scene as blank verse, I found it so intolerably rugged and halting, that, with the exception of a few speeches, I have thrown it again into prose.
883. And] i. e. if.
884. dead pays] i. e. pay continued to soldiers who were dead, taken by dishonest officers for themselves.
885. rushes] With which the floor was strewed.
886. changeling] i. e. fool.
888. and] i. e. if.
889. resolve] i. e. inform, satisfy.
890. and] i. e. if.
891. table] i. e. palm of the hand.
893. brave] i. e. fine.
896. carnadine] Or carnardine—“Is,” says Steevens, who quotes the present passage, “the old term for carnation.” Note on Shakespeare’s Macbeth, act ii. sc. 2.
897. tabine] A sort of wrought silk: see in v. The Rates of Marchandizes, &c. in the reign of James I. Old ed. “Tobine.”
898. eyne] i. e. eyes.
900. And] i. e. if.
901. vent] i. e. vend.
904. gummed] “Velvet and taffeta,” says Nares, “were sometimes stiffened with gum, to make them sit better.” Gloss. (in Gumm’d velvet.)—Brathwait gives another reason for the use of gum;
905. How] Old ed. “for how.”
906. stript] i. e. striped: why I have not altered the old spelling will appear from what follows.
907. stript and whipt too] An allusion, perhaps, to the celebrated poetical work of Wither, entitled Abuses Stript and Whipt.
908. the open part, which is now called the placket] Another passage which disproves the assertion of Nares: see notes, vol. ii. p. 497, vol. iii. p. 241.
909. con him thanks] i. e. feel thankful to him: see Richardson’s Dict. in v. Con.—Tyrwhitt thinks the expression equivalent to the French sçavoir gré. Gloss. to Chaucer’s Cant. Tales.
912. Why, when] A frequent expression of impatience: see notes, vol. i. pp. 289, 362.
914. innocent] i. e. foolish, silly.
915. cauterizer] So old ed. afterwards (p. 454): here “cauterize.”
916. luxinium] Occurs twice afterwards; and (p. 466) Ralph plays on the word: but qy. “lixivium”?
917. bolsters] In Vigon’s Workes of Chirurgerie, 1571, various kinds of bolsters are described, that “must be applyed in hollowe vlcers,” &c. fol. cxiii.
919. subeth] “Subée: espèce d’apoplexie.” Roquefort, Gloss. de la Lang. Rom. in v.
921. If it please you, &c.] I suspect that the whole of this scene was originally written in blank verse: see note, p. 421.
922. bondage] Here old ed. has a stage-direction “Grasps the skain between his hands”—i. e. the feigned page was to hold it so that his hands might seem to be fettered.
923. condition] i. e. disposition, nature.
924. next your leisure] Old ed. “your leisure next.”
925. believe] Qy. “receive”?—See first line of this scene.
926. yield] Old ed. “yields.”
927. fancy] i. e. love.
928. corrupt a] Old ed. “a corrupt.”
929. the body not] Old ed. “not the body.”
930. bush] An allusion both to the bush carried by the man in the moon, and to the tavern-bush: see note, p. 177.
931. os coxendix] Comes nearest to the reading of old ed. “Oscox-Index:” but qy. “os coccygis”?
932. In your shop, &c.] Compare p. 442 of this vol., and p. 482 of vol. i.
933. retargé] i. e. retardé: see Cotgrave in v.
935. luxinium] See note, p. 451.
936. cacokenny] Qy. “cacochymy”“cacochymy”
937. United] Old ed. “the united.”
938. wife] There can be no doubt that this speech was originally verse, however awkwardly, in the present state of the text, it may read as such: the answer of George is intended to rhyme with the second line.
939. toward] i. e. at hand.
940. as] Old ed. “is.”
941. Sir, I do now, &c.] Were not this speech, and the two preceding speeches of sir F. Cressingham, originally blank verse? see note, p. 421.
942. wild benefits of nature] This expression occurs in Webster’s Dutchess of Malfi; see my edition of his Works, vol. i. p. 253: but it may be traced to Sir P. Sidney; “to have for food the wild benefits of nature.” Arcadia, b. iv. p. 426, ed. 1633.
943. move] Old ed. “moves.”
944. their] Old ed. “your.”
945. Maria ... Edw.] Old ed. “1 Childe” ... “2 Childe.” We learn their names from an earlier scene, p. 442.
946. grutched] i. e. grudged.
947. wainscot-gown] If there be no misprint here, means, perhaps, a gown with a waving pattern: see Richardson’s Dict. in v. Wainscot: but qy. “waistcoat-gown”?
948. cannot away with] i. e. cannot endure.
950. Scene II] Here, instead of marking a new scene, the old ed. has “Exeunt. manet Knaves-bee”; and the audience were to imagine that, when the others had gone out, the stage represented the interior of Knavesby’s house: see note, p. 291.
952. burst] Perhaps a couplet was intended here.
953. new] Qy. “new thoughts”?
955. bugle-brow’d] i. e. horned: bugle meant several kinds of horned cattle,—the bull, buffalo, &c.
956. byrlakins] i. e. by our lady-kin (the diminutive of lady.)
958. the other] Old ed. “the t’other.”
959. towards] i. e. at hand.
961. grow thorough] An allusion to a proverbial saying;
Ray gives “His hair grows through his hood—He is very poor, his hood is full of holes.” Proverbs, p. 57, ed. 1768.
963. be] Old ed. “by.”
964. pantofles] i. e. a sort of slippers.
965. grutch] i. e. grudge.
966. dearest] i. e. most hurtful, most injurious (from the old verb dere, to hurt). So also in Shakespeare’s Hamlet, (act i. sc. 2, “dearest foe”), though Steevens explains it “most immediate, consequential, important.”
967. defeat] Qy. “deceit”?
968. ought] i. e. owed.
969. do] Old ed. “does.”
970. Dagger-pies] i. e. pies made at The Dagger, a low ordinary and public-house in Holborn; they were in great repute, as well as its ale.
971. our Puritans, &c.] Compare vol. ii. p. 153, and note; also the following passage of the Latin comedy Cornelianum Dolium, 1638; “imo membra sua vix tolerare queunt quia Organa appellata sunt,” p. 6: though the play just cited has on its title-page “auctore T. R.” (i. e., as commonly explained, Thomas Randolph), I have little doubt that it was written by Brathwait.
972. away with] i. e. endure.
973. ought] i. e. owed.
974. provant breeches] i. e. such breeches as were supplied to the soldiers from the magazines of the army: see Gifford’s note on B. Jonson’s Works, vol. i. p. 70.—Provant meant provision: “put in apposition with any other thing,” says Nares, it “implied that such an article was supplied for mere provision; as we say ammunition bread, &c., meaning a common sort.” Gloss. in v.
975. George] Is printed in old ed. as the prefix to “Sir, rest assured,” &c.
976. Scene changes, &c.] There can be no doubt, I think, that, on the departure of the two Franklins and George, the poet intended the audience to suppose that a change of scene took place as I have marked it. See notes, pp. 291, 476.
977. countess, &c.] i. e. Godeva: see Dugdale’s Warwickshire, p. 86, ed. 1656.
979. So inconsiderate, &c.] Two lines, evidently, of blank verse—in which, probably, more of this scene was originally written than I have been able to arrange as such: see note, p. 421.
982. a room] Intent mainly on bringing together nearly the whole of the dramatis personæ, Middleton appears to have left the location of this scene to the imagination of the audience. Soon after Water-Camlet and George have been concealing themselves “behind the arras,” Sweetball and Knavesby enter, and agree (as if they were walking out of doors), that “the next man they meet shall judge them.”
983. means] i. e. tenor.
984. is but fiddling] Old ed. “his but sidling.”
985. wittol] i. e. tame cuckold.
986. macrio] i. e. pander, pimp.
988. The place I speak of, &c.] See Malone’s Essay on the Origin of The Tempest, reprinted in vol. xv. of his Shakespeare (by Boswell). At p. 425 of the Appendix to that tract, Malone, having occasion to notice the present passage, says, that Any Thing for a Quiet Life “appears from internal evidence to have been written about the year 1619.”
989. george] i. e. the insignia of St. George.
990. Bermothes] Or Bermoothes—an old form of Bermudas.
991. Divelin] i. e. Dublin.
992. other] Old ed. here and next line but one, “to’ther.”
993. parle] i. e. parley.
994. Make] Old ed. “makes.”
995. already come] Old ed. “come already.”
996. bravely] i. e. finely (in fine apparel).
997. the best I ever saw you at] Old ed. “at the best I ever saw you.”
998. came] Old ed. “can.”
999. civil] i. e. sober, grave, plain—opposed to “gallant,” which follows.
1000. Your state, &c.] A speech the whole of which seems to have been originally verse: see note, p. 421.
1001. banquerout] i. e. bankrupt.
1002. knew] Old. ed. “know.”
1004. hire] Old ed. “her.”
1006. aton’d] i. e. reconciled.
1007. censure] i. e. judgment.
1008. Nath. Richards] According to the Biogr. Dram., “was of Caius College, Cambridge, where, in 1634, he took the degree of LL.B.” He was author of Messalina the Roman Empress, a tragedy, 1640, and Poems Sacred and Satyricall, 1641.
1009. Bianca] Old ed., both in the list of characters and throughout the play, “Brancha.” The violation of metre which the latter name occasions would alone be sufficient to prove it a misprint: e. g.:
Her family name, as we learn from act iii. sc. 1, was Capello.—Most readers will recollect the celebrated Bianca Capello, second wife of Francis de Medici, grand duke of Tuscany: the earlier events in her history, and in that of the Bianca of the tragedy, have a sort of resemblance; both fled from Venice to Florence, &c.
1010. unvalu’dst] i. e. invaluablest.
1011. spoke] Old ed. “spake.”
1012. Guar. Light her now, brother] Here, I apprehend, is some corruption of the text, and something wrong in the assignment of the speeches; but feeling dissatisfied with the alterations which I attempted, I leave the passage as it stands in the old ed.
1013. jacks] i. e. fellows.
1014. cat and cat-stick] “Tip-cat, or perhaps more properly, the game of Cat, is a rustic pastime well known in many parts of the kingdom. Its denomination is derived from a piece of wood called a cat, with which it is played; the cat is about six inches in length, and an inch and a half or two inches in diameter, and diminished from the middle to both the ends, in the shape of a double cone; by this curious contrivance the places of the trap and of the ball are at once supplied, for when the cat is laid upon the ground, the player with his cudgel [or cat-stick] strikes it smartly, it matters not at which end, and it will rise with a rotatory motion, high enough for him to beat it away as it falls, in the same manner as he would a ball.” Sports, &c. (p. 86), by Strutt, who describes two of the various ways in which the game is played.—The “trap-stick” with which the Ward enters is, of course, the same as cat-stick; and “tippings” is a term of the game.
1015. mar’l] i. e. marvel.
1016. thy] Old ed. “that.”
1017. Byrlady] i. e. By our lady.
1018. make] Old ed. “makes.”
1019. Walk’d] Altered by the editor of 1816 to “Wak’d:” but compare p. 526, “they walk out their sleeps,” &c.
1020. revel] Old ed. “revels.”
1021. make] Old ed. “makes.”
1022. and] i. e. if.
1023. to] i. e. compared with.
1024. And] i. e. if.
1025. summ’d] Old ed. “sow’d.”
1026. bless you.—Simple, lead, &c.] Qy. “bless you simply.—Lead”? &c. Old ed. thus, “bless; you simple, lead,” &c.
1027. towards] i. e. in preparation.
1028. likes] i. e. pleases.
1029. passage] “It is a game at dice, to be played at but by two, and it is performed with three dice. The caster throws continually till he hath thrown doublets under ten, and then he is out and loseth; or doublets above ten, and then he passeth and wins. Complete Gamester.” Editor of 1816.
1030. trow] i. e. think you.
1033. It may take handsomely] After this speech the editor of 1816 puts a stage-direction, “Guard. goes out and returns almost immediately,” and follows the old ed. in marking the subsequent entrance thus, “Enter Mother.”
1034. merrily] Old ed. “meerly.”
1035. Attend the gentlewoman] Part of the present scene,—from the entrance of the Mother to these words,—is given, with a few omissions, in Specimens of Engl. Dram. Poets, by Lamb, who observes, “This is one of those scenes which has the air of being an immediate transcript from life. Livia, the ’good neighbour,' is as real a creature as one of Chaucer’s characters. She is such another jolly Housewife as the Wife of Bath.” P. 155.
1038. above] The upper-stage (see note, vol. ii. p. 125) was probably intended to represent “for the nonce” a gallery.
1039. Draws a curtain, &c.] The upper-stage was furnished with curtains. Old ed. has merely “Duke above.”
1040. here] Old ed. “here’s.”
1041. make] Old ed. “makes.”
1042. why] Old ed. “who.”
1044. cutted] i. e. “cross, querulous.” Editor of 1816.
1045. of] Qy. “or”?
1047. likes] i. e. pleases.
1049. white boys] There is a play on words here: “white boy” was often used as a term of endearment;
1050. is] Old ed. “as.”
1051. dislik’d] i. e. displeased.
1052. ’tis] Old ed. “’till.”
1054. sucket] i. e. sweetmeat.
1056. Livia’s house] See pp. 573, 576, 593. She and Guardiano, it appears, were inhabiting the same mansion.
1057. deft] i. e. neat, spruce.
1058. wine and sweetmeats] Of which a banquet consisted: see note, vol. iii. p. 252.
1059. Rouans’] A misprint, I presume; but qy. for what?
1060. barren] i. e. dull, stupid.
1061. trow] i. e. think you.
1062. cat and trap] See note, p. 527.
1063. breast] i. e. voice. Compare vol. iii. p. 576.
1064. pricksong] See note, vol. iii. p. 626.
1065. of] Old ed. “of a.”
1066. Aside] “I think there is every reason to believe Brancha’s [Bianca’s] speech and the Duke’s spoken, as I have marked them, the one aside, and the other to Brancha; they were certainly not intended to be generally heard.” Editor of 1816.—Perhaps Bianca’s speech is addressed to the Duke.
1067. unvalu’d] i. e. invaluable.
1071. hay] Or hey—according to some, an abbreviation of hey-de-guize (see note, p. 163): is “gay” formed from the same variously-spelt word?
1074. passion] i. e. sorrow.
1076. hearse] “In imitation of which [cenotaph] our hearses here in England are set up in churches, during the continuance of a yeare, or the space of certaine monthes.” Weever—cited in Todd’s Johnson’s Dict. v. Hearse.
1077. have] Old ed. “has.”
1080. cried] i. e. proclaimed as lost by the public crier.
1081. cater’s] i. e. caterer’s.
1082. and] i. e. if.
1083. do] Old ed. “does.”
1084. stool-ball] So called from being played with a stool (or stools) and a ball: see Sports, &c., by Strutt, who says, “it seems to have been a game more properly appropriated to the women than to the men.” P. 77.
1085. rushes] With which the floors were strewed.
1086. breed ’em all in your teeth] “In allusion to a superstitious idea, that an affectionate husband had the toothache while his wife was breeding.” Editor of 1816.
1087. wait] Old ed. “waits.”
1088. go] Old ed. “goes.”
1089. in sadness] i. e. in seriousness—seriously.
1090. three legs] i. e. “three bows.” Editor of 1816.
1091. brave] i. e. finely dressed.
1092. Will you, &c.] I give these speeches as they stand in old ed. In whatever way the lines are divided, the metre will not run regularly.
1093. know] Old ed. “knew.”
1094. cure’s] Qy. “care’s”?
1095. low] Old ed. “love.”
1096. set] Old ed. “sets.”
1097. Sung for a hymn in heaven] “It is needless to say that our poet here alludes to a passage in the 15th chapter of St. Luke.” Editor of 1816.
1098. and] i. e. if.
1099. Break] Old ed. “Breaks.”
1100. wilful murder] After these words the editor of 1816 inserts a stage-direction “They seize Hip.” But if they lay hands on him now, it is plain, from what follows, that they presently leave him at liberty.
1101. and] i. e. if.
1104. pillowbeers] i. e. pillow-cases.
1105. angels] i. e. gold coins worth about ten shillings.
1106. all’s] So old ed.—for “all as.”
1107. resolv’d] i. e. satisfied, convinced.
1108. thus] Altered, unnecessarily I think, to “that’s,” by the editor of 1816.
1109. And sets ’em all in order] “Brancha [Bianca] here evidently alludes to the 13th chapter of St. Paul’s first Epistle to the Corinthians.” Editor of 1816.
1110. caltrop] “A Caltrop; or iron engine of warre, made with foure pricks, or sharp points, whereof one, howsoeuer it is cast, euer stands upward.” Cotgrave’s Dict. in v. Chaussetrape.
1111. triumph] i. e. show, masque.
1114. sake ... part] As the rest of the dialogue is in rhyme, I suspect that something has dropt out here.
1115. antimasque] i. e. an interlude introduced during the masque, “something directly opposed to the principal masque:” see Gifford’s note on B. Jonson’s Works, vol. vii. p. 251.
1116. Ay, and makes love—take that] The editor of 1816 follows the pointing of the old ed., “Ay, and makes love take that,” remarking, in a note, “I confess I have no very clear understanding of this passage.” The difficulty lies in knowing what “that” is by which Livia destroys Isabella.
1117. have] Old ed. “has.”
1118. Runs on a sword, &c.] i. e. perhaps on a sword carried by one of the guard. The editor of 1816 gives “Falls on his sword;” but see the preceding speech of Hippolito.
1119. Drinks, &c.] Here the editor of 1816 gives “Stabs herself,” observing in a note, “I have added this stage-direction, without which I cannot otherwise understand the following speech of the Lord Cardinal’s.” But it is evident, I think, from the last words of Bianca,—
“Tasting the same death in a cup of love,”—
that she drains off the poisoned cup which she had prepared for the Cardinal, and which Ganymede had by mistake presented to the Duke.
1120. no enemy] Old ed. “no Enemy, no Enemy.”
Stage directions, except for entrances, can be:
- in-line
- in the middle of a line and delimited with ‘[ ]’,
- end of line
- right-justified on the same line (where there is room), with only the leading ‘[’,
- next line
- right-justified on the following line, where there is insufficent room, with a hanging indent, if necessary.
The same convention is followed here. Since this version is wider than the original, most directions are on the same line as the speech.
Entrances were centered and separated slightly from lines above and below. This is rendered here as a full blank line.
The footnote scheme used lettered references, repeating a-z. On numerous occasions, letters were repeated, and sometimes skipped. The numeric resequencing of notes here resolves those lapses. Footnotes are sometimes referred to directly in a footnote by its letter designation. The few direct references to a lettered note use the new numeric value.
Note 891 regarding “Familists” of Amsterdam, refers the reader to a note on p. 104 of Volume 1. No relevant note appears there, but it is likely that the reference should be to the introductory note to “The Family of Love” in Volume 2, beginning on p. 103.
The cross-reference in note 194 for the term ‘foisting’ refers to p. 544 of vol. iii. The reference is to note 1186 in vol. ii.
Errors deemed most likely to be the printer’s have been corrected, and are noted here. The references are to the page and line in the original.
| 26.33 | Thou[l’/’l]t make me play | Transposed. |
| 118.33 | foisting] See note, vol. ii[i]., p. 544. | Removed |
| 119.33 | a very small coin.[”] | Added. |
| 193.34 | [“]First, promise me | Added. |
| 466.36 | cacokenny] Qy. [“]cacochymy” | Added. |
board] The spelling of the old ed. is right—“bord,” i. e. size. So in Beaumont and Fletcher’s Knight of the Burning Pestle;
where, says M. Mason, “bord means rim or circumference.”
corps] So the word is used as a plural in Epigrams and Satyres, by Richard Middleton, 1608;
“111 Rider’s Dictionary] A Dict. Engl. and Lat. and Lat. and Engl., by John Rider, first printed at Oxford, 1589, was a work once in great repute.”
“this she, trow;”
Read
“this she, trow?”
Roch, Main, and Petronill, itch and ague curers] Compare Taylor the water-poet: “he must be content with his office, 635as ... Saint Roch with scabbes and scurfes ... Saint Petronella the Ague or any Feuer.” A Bawd, p. 93—Workes, 1630.
Epistle to Nicholas the first, &c.] Since writing the note on these words, I have found in the Κειμηλια Literaria of Colomesius what he calls a confirmation of the absurd story of the six thousand infants’ heads. “Simile quid narratur a Joscelino, in Episcoporum Cantuariensium Vitis, p. 210. editionis Hanovianæ. Anno 1309, inquit, Radulphus Bourn Augustinensis Ecclesiæ Abbas electus, cum ad Papam Avinioni agentem confirmandus accessisset, reversus domum, testatur se vidisse in itinere piscinam in quadam Monialium Abbatia, quæ Provines dicebatur; in qua, cum educta aqua luto purgaretur, multa parvulorum ossa, ipsaque corpora adhuc integra reperiebantur. Unde ad criminalia judicia subeunda viginti septem Moniales Parisios ductæ et carceribus mancipatæ fuerunt, de quibus quid actum fuerit, nescivit.” Col. Opera, p. 301, ed. Fabr.
the new prophet, the astrological tailor] Perhaps Ball, who is thus mentioned by Osborn: “And, if common Fame did not outstrip Truth, King James was by Fear led into this extreme; finding his Son Henry not only averse to any Popish Match, but saluted by the Puritans as one prefigured in the Apocalyps for Rome’s destruction. And to parallel this, one Ball, a Taylor, was inspired with a like Lunacy, tho’ something more chargeable; for not only he, but Ramsay his Majesty’s Watch-maker, put out Money and Clocks, to be paid (but with small Advantage, considering the Improbability) when King James should be crowned in the Pope’s chair.” Trad. Memor. on the Reign of K. James—Works, vol. ii. p. 153, ed. 1722; see also B. Jonson’s Works by Gifford, vol. v. p. 242.
To take out] i. e. to copy—a not uncommon expression in our old writers.
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