REV. SIR,
I have read your Dissertation on the principles
of human Eloquence, and shall very
readily, I dare say, be indulged in the liberty,
I am going to take, of giving you my free
thoughts upon it. I shall do it, with all the
regard that is due from one scholar to another;
and even with all the civility which may be
required ONE, who hath his reasons for addressing
you, in this public manner, without
a name.
You entitle your work A Dissertation on
the principles of Eloquence: but the real subject
of it, is an Opinion, or Paradox, as you
chuse to term it, delivered by the Bishop of
Gloucester in his late discourse on Grace.
This opinion, indeed, concerns, or rather, in
your ideas, subverts, the very principles of
Eloquence, which your office, it seems, in a
learned society obliged you to maintain: so that
you cannot be blamed for giving some attention
to the ingenious Prelate’s paradox, which
so incommodiously came in your way. Only
the more intelligent of your hearers might possibly
think it strange that, in a set of rhetorical
lectures, addressed to them, the Controversial
part should so much take the lead of the Didactic:
or rather, that the Didactic part should
stand quite still, while the Controversial keeps
pacing it, with much alacrity, from one end
of your Dissertation to the other.
Yet neither, on second thoughts, can you
be blamed for this conduct, which one way or
other might serve to the instruction of your
young auditory; if not in the principles of
Rhetoric, yet in a better thing, the principles
of Logic. It might, further, serve to another
purpose, not unworthy the regard of a rhetoric
lecturer. The subject of Eloquence has been
so exhausted in the fine writings of antiquity,
and, what is worse, has been so hackneyed in
modern compilations from them, that your
discourse wanted to be enlivened by the poignant
controversial air, you have given to it,
and to be made important, by bringing an
illustrious character into the scene.
All this I am ready to say in your vindication,
if your conduct may be thought to require
any. Having, therefore, nothing to object to
the general design, or mode of your dissertation,
I shall confine myself entirely to the
MATTER of it, after acquainting the reader, in
few words, with the occasion and subject Of
this debate.
The Bishop of Gloucester, in late theological
treatise on the doctrine of Grace, which
required him to speak fully to the subject of
inspiration, found it necessary to obviate an
objection to what he conceived to be the right
notion of inspired scripture, which had been
supported by some ingenious men, and very
lately by Dr. Middleton. The objection is
delivered by the learned Doctor, in these
words.
“If we allow the gift [of inspired languages]
to be lasting, we must conclude that some
at least of the books of scripture were in this
inspired Greek. But we should naturally
expect to find an inspired language to be
such as is worthy of God; that is, pure,
clear, noble and affecting, even beyond the
force of common speech; since nothing can
come from God but what is perfect in its
kind. In short, the purity of Plato, and
the eloquence of Cicero. Now, if we
try the apostolic language by this rule, we
shall be so far from ascribing it to God, that
we shall scarcely think it worthy of man,
that is, of the liberal and polite; it being
utterly rude and barbarous, and abounding
with every fault that can possibly deform
a language. And though some writers,
prompted by a false zeal, have attempted to
defend the purity of the Scripture-Greek,
their labour has been idly employed[130].” Thus
far the learned Doctor.
‘These triumphant observations,’ says the
Bishop, ‘are founded on two propositions, both
of which he takes for granted, and yet neither
of them is true:
‘The one, That an inspired language must
needs be a language of perfect eloquence;
‘The other, That eloquence is something
congenial and essential to human speech[131].’
The Bishop then undertakes to shew the falshood
of these two propositions. You, Sir, contend
for the truth of the latter: and controvert the
principles on which the Bishop would confute
the former. That the reader may be enabled
to judge for himself between you, I shall quote
his Lordship’s own words, paragraph by paragraph,
so far as any thing said by him is controverted
by you; and shall then endeavour,
with all care, to pick up the loose ends of your
argument, as I find them any where come up
in the several chapters of your Dissertation;
intermixing, as I go along, such reflexions of
my own, as the occasion may suggest.
‘With regard to the FIRST proposition (resumes
the Bishop) I will be bold to affirm,
that were the Style of the New Testament
exactly such as his [Dr. Middleton’s] very
exaggerated account of if would persuade us to
believe, namely that it is utterly rude and barbarous,
and abounding with every fault that
can possibly deform a language, this is so far
from proving such language not divinely
inspired, that it is one certain mark of this
original[132].’
By the manner, in which the learned Bishop
introduces this affirmation, one sees that he
foresaw very clearly it would be esteemed a
bold one. Nay, in another place[133], he even
takes to himself the shame, with which some
readers, he well knew, would be forward
enough to cover him, and in one word confesses
his general notion of eloquence to be a
Paradox: which yet, says he, like so many
others, I have had the odd fortune to advance,
will be seen to be only another name,
for Truth. After this concession, it had been
more generous in you to have omitted some
invidious passages; such as that where you
say, the Bishop in his reply to this objection
[of Dr. Middleton] seems to have displayed
that BOLD OPPOSITION TO THE GENERAL OPINIONS
OF MANKIND, by which his learned labours
are distinguished; Intr. p. ii. And again
in p. vii. where you speak of his principles as
paradoxical, and implying AN HARDY OPPOSITION
TO THE GENERAL SENSE OF MANKIND.
But let the boldness of the Bishop’s principles
be what it will, there is small hurt done,
provided they turn out, what he seems persuaded
they will, only truths. Let us attend
his Lordship, then, in the proof of his FIRST
Paradox.
‘I will not pretend, says he, to point out
which books of the N. T. were, or were not,
composed by those who had the Greek tongue
thus miraculously infused into them; but
this I will venture to say, that the style of a
writer so inspired, who had not (as these
writers had not) afterwards cultivated his
knowledge of the language on the principles
of Grecian eloquence, would be precisely
such as we find it in the books of the New
Testament.
‘For, if this only be allowed, which no one,
I think, will contest with me, that a strange
language acquired by illiterate men, in the
ordinary way, would be full of the idioms of
their native tongue, just as the Scripture-Greek
is observed to be full of Syriasms, and
Hebraisms; how can it be pretended, by
those who reflect upon the nature of language,
that a strange tongue divinely infused
into illiterate men, like that at the day of
Pentecost, could have any other properties
and conditions[134]?’
Here, the features of this bold paradox begin
to soften a little. We are something reconciled
to it, 1. by being told, what the rudeness
and barbarity is, which is affirmed to be one
certain mark of an inspired language, namely,
its being full of the idioms of the native
tongue of the inspired writer: And 2. by being
told, that these idioms are equally to be expected
whether the new language be infused
by divine inspiration, or acquired by illiterate
men in the ordinary way. In the latter case,
it is presumed, and surely with reason enough
(because experience uniformly attests the fact),
that a strange language, so learnt, would
abound in the native idioms of the learner:
All that remains is to shew, that the event
would be the same, in the former. The Bishop
then applies himself, in order, to this
task.
‘Let us weigh these cases impartially. Every
language consists of two distinct parts; the
single terms, and the phrases and idioms.
The first, as far as concerns appellatives especially,
is of mere arbitrary imposition, though
on artificial principles common to all men:
The second arises insensibly, but constantly,
from the manners, customs, and tempers of
those to whom the language is vernacular;
and so becomes, though much less arbitrary
(as what the Grammarians call congruity is
more concerned in this part than in the
other), yet various and different as the several
tribes and nations of mankind. The first
therefore is unrelated to every thing but to
the genius of language in general; the second
hath an intimate connexion with the fashions,
notions, and opinions of that people only, to
whom the language is native.
‘Let us consider then the constant way which
illiterate men take to acquire the knowledge
of a foreign tongue. Do they not make it
their principal, and, at first, their only study,
to treasure up in their memory the signification
of the terms? Hence, when they come
to talk or write in the speech thus acquired,
their language is found to be full of their own
native idioms. And thus it will continue, till
by long use of the strange tongue, and especially
by long acquaintance with the owners
of it, they have imbibed the particular genius
of the language.
‘Suppose then this foreign tongue, instead
of being thus gradually introduced into the
minds of these illiterate men, was instantaneously
infused into them; the operation
(though not the very mode of operating)
being the same, must not the effect be the
same, let the cause be never so different?
Without question. The divine impression
must be made either by fixing the terms or
single words only and their signification in
the memory; as for instance, Greek terms
corresponding to the Syriac or Hebrew; or
else, together with that simple impression,
another must be made, to inrich the mind
with all the ideas which go towards the composing
the phrases and idioms of the language
so inspired: But this latter impression seems
to require, or rather indeed implies, a previous
one, of the tempers, fashions, and opinions
of the people to whom the language is
native, upon the minds of them to whom the
language is thus imparted; because the phrase
and idiom arises from, and is dependent on,
those manners: and therefore the force of expression
can be understood only in proportion
to the knowledge of the manners: and understood
they were to be; the Recipients of this
spiritual gift being not organical canals, but
rational Dispensers. So that this would be a
waste of miracles without a sufficient cause;
the Syriac or Hebrew idiom, to which the
Disciples were enabled of themselves to adapt
the words of the Greek, or any other language,
abundantly serving every useful purpose,
all which centered in giving CLEAR
INTELLIGENCE. We conclude, therefore, that
what was thus inspired was the Terms, together
with that grammatic congruity, which is
dependant thereon. In a word, to suppose such
kind of inspired knowledge of strange tongues
as includes all the native peculiarities, which,
if you will, you may call their elegancies;
(for the more a language is coloured by the
character and manners of the native users,
the more elegant it is esteemed) to suppose
this, is, as I have said, an ignorant fancy,
and repugnant to reason and experience.
‘Now, from what has been observed, it follows,
that if the style of the N. T. were indeed
derived from a language divinely infused
as on the day of Pentecost, it must be just
such, with regard to its style, as, in fact, we
find it to be; that is to say, Greek words very
frequently delivered in Syriac and Hebrew
idiom.
‘The conclusion from the whole is this, that
nominal or local barbarity of style (for that
this attribute, when applied to style, is no
more than nominal or local, will be clearly
shewn under our next head) is so far from
being an objection to its miraculous acquisition,
that it is one mark of such extraordinary
original[135].’
I have given this long quotation together,
that the reader may comprehend at one view the
drift and coherence of the Bishop’s argument:
which is so clearly explained that what force it
hath, can receive no addition from any comment
of mine upon it.
It is true, this force appears to you no
mighty matter—“We are told, you say, that,
in order to convey clear intelligence to a foreigner,
nothing more is necessary, than to
use the words of his language adapted to the
idiom of our own. But shall we always find
correspondent words in his language[136]?”
Shall we always find correspondent words?—Not
always, perfectly correspondent. Where
does the Bishop say, we shall? Or, how was
it to his purpose to say it? He does indeed
speak of such a correspondency of terms, and
chiefly of such an adaption of the terms of
one language to the idiom of another, as shall
abundantly serve to give clear intelligence.
And this is all he had occasion to say.
Well, but an exact correspondency of terms
is material. To what? To give clear intelligence?
But if this be true, no clear intelligence
can possibly be given in any translation
from one language into another; for, in all
translations whatever, it is necessary to render
some words by others, that are not perfectly
correspondent. You will scarcely deny that
our English translation of the Gospels conveys,
in general, clear intelligence to the English
reader, though many terms are used in it, and
were of necessity to be used, that do not perfectly
and adequately correspond to the Greek
terms, employed by the sacred writers. Without
doubt it was your purpose to convey clear
intelligence to your English reader in the
elegant translations, they say, you have made
of Demosthenes: and yet doubtless you will
acknowledge that many words of the Athenian
orator are not perfectly correspondent
to those employed by you in your version
of them.
What follows from this? Why, either that
all translations must be exploded and set aside
as insufficient to give clear intelligence, or that
we must accept them, with all their unavoidable
imperfections, as, in general, sufficiently
representative of the sense of their originals,
though in some particulars that sense be inadequately
conveyed to us.
But how then, you will say, shall we gain a
clear and perfect intelligence of such particulars?
Why in the way, which common sense
suggests; by inquiring, if we are able, what
the precise meaning is of those terms of the
original language, to which the translated
terms are thus imperfectly correspondent. And
if this be an inconvenience, ’tis an inconvenience
necessarily attending every translation
in the world, in which a writer would express
the mixed modes denoted by the words of any
other. For supposing the Greek tongue, infused
by divine inspiration into the sacred
writers, to have been that of Plato or Demosthenes
himself, you will hardly pretend
that it could have furnished them with Greek
terms perfectly expressive of such compound
ideas as certain Syriac or Hebrew terms expressed,
and of which their subject obliged
them to give, as far as the nature of the case
would permit, clear intelligence. So that I
cannot for my life comprehend the drift of that
short question, Shall we always find correspondent
terms in a foreign language? or,
the pertinence of your learned comment on
the text of Cicero’s letter to Servius.
I am sensible indeed, that, if the terms only
of the new language were divinely infused,
these, whether perfectly correspondent or not,
would be insufficient of themselves to give clear
intelligence. But the Bishop supposes more
than this to be infused; for, what was inspired,
he tells us, was the terms, TOGETHER with that
grammatic congruity which is dependent
thereon. Now this knowledge of the grammatic
congruity of any tongue, superadded to
a knowledge of its terms, would methinks enable
a writer to express himself in it, for the
most part, intelligibly.
I confess, the Bishop speaks—of fixing the
terms or single words ONLY, and their signification,
in the memory—But then he does
not mean to exclude the grammatic congruity
in the use of them, which, as we have seen, he
expressly requires in the very same paragraph,
but merely to expose the notion of the phrases
and idioms being required, too. His Lordship
speaks of the terms, or single words ONLY, in
opposition to phrases and idioms: you seem
to speak of terms, or single words ONLY, in
opposition to systematic congruity.
I say, you seem so to speak: for, otherwise,
I know not what to make of all you say concerning
the insufficiency of the terms only of
any language to give intelligence. And yet,
in what follows, you seem to do justice to the
Bishop, and to admit that, besides the terms,
a grammatic congruity in the use of them was
divinely inspired. For you go on to observe,
“That the real purport of almost every sentence,
in every language, is not to be learned
from the signification of detached words, and
their grammatical congruity, even where
their signification may be expressed by correspondent
words in another language[137].”
And here, Sir, your learning expatiates
through several pages: the purpose of all which
is to shew, that, if the terms of one language,
though congruously used, be strictly adapted
to the idiom of another, still they would give
no intelligence, or at least a very obscure one;
as you endeavour to prove by a decent instance
taken from your countryman, Swift, in his
dotages; and another, given by yourself in a
literal version of a long passage of a sacred
writer. It is true, in this last instance, you do
not confine yourself to the strict observance of
grammatic congruity. If you had done this,
it would have appeared, from your own instance,
that intelligence might have been given,
and with tolerable clearness too, even in a literal
version.
But be it allowed, that, if the terms of one
language, even though a congruous construction
be observed, be constantly and strictly
adapted to the idioms of another, the expression
will still, many times, be very dark
and obscure: how is this obscurity to be prevented?
Take what language you will for the
conveyance instruction, it will be necessary
for the reader or hearer to gain a competent
knowledge of its idioms and phraseology, before
he can receive the full benefit of it. So that,
unless there had been a language in the world,
native to all nations, and in the strictest sense
of the word universal, I see not how inspiration
itself could remedy this inconvenience. Suppose,
as I said before, that the inspired language
in which the Apostles wrote had been the
purest Greek, still its idiomatic phraseology
had been as strange and obscure to all such to
whom that language was not native, as the
Syriac or Hebrew idioms, by which the Apostolic
Greek is now supposed to be so much
darkened.
I conclude upon the whole, that nothing you
have said overturns, or so much as affects, the
learned Prelate’s notion of divine inspiration,
as conveying only the terms and single words
of one language, corresponding to those of another,
together with that grammatic congruity
in the use of them which is dependant thereon.
This first and grand principle, as you call it,
of the Bishop’s new theory, is such, you say, as
no critic or grammarian can admit[138]. On the
contrary, I must presume to think, because I
have now shewn, that no critic or grammarian,
who deserves the name, can reasonably object
to this principle, as it allows all that is necessary
to be supposed of an inspired language,
its sufficiency to give clear intelligence: so
clear, that, had the idioms of the new language
been inspired too, it could not, in the
general view of Providence, who intended this
intelligence for the use of all people and languages,
have been clearer.
But your unfavourable sentiment of the Bishop’s
principle arises from your misconception
of the circumstances, abilities, and qualifications
of the Apostles, when they addressed
themselves to the work of their ministry, and
especially to the work of composing books for
the instruction of the faithful in this originally
inspired language.
When the Greek language was first infused,
it would, no doubt, be full of their native
phrases, or rather it would be wholly and entirely
adapted to the Hebrew or Syriac idioms.
This would render their expression somewhat
dark and obscure to their Grecian hearers. But
then it would be intelligible enough to those
to whom they first and principally addressed
themselves, the Hellenistic Jews, who, though
they understood Greek best, were generally no
strangers to the Hebrew idiom.
Further still, though this Hebrew-Greek language
was all that was originally infused into
the Apostles, nothing hinders but that they
might, in the ordinary way, improve themselves
in the Greek tongue, and superadd to
their inspired knowledge whatever they could
acquire, besides, by their conversation with the
native Greeks, and the study of their language.
For, though it can hardly be imagined, as the
Bishop says, that the inspired writers had cultivated
their knowledge of the language on the
principles of the Grecian eloquence[139], that is,
had formed and perfected their style by an
anxious and critical attention to the rules and
practice of the Greek rhetors, yet we need not
conclude that they wholly neglected to improve
themselves in the knowledge and use of this
new language. So that, by the time they turned
themselves to the Gentiles, and still more by
the time they applied themselves to pen the
books of the N. T. they might be tolerable
masters even of the peculiar phraseology of the
Greek tongue, and might be able to adapt it, in
good measure, to the Greek idioms.
All this, I say, is very supposeable; because
their turning to the Gentiles was not till near
TEN years after the descent of the Holy Ghost
upon the Apostles and the date of their earliest
writings, penned for the edification of the
Church, was not till near TWENTY years after
that period: In all which time, they had full
leisure and opportunity to acquire a competent
knowledge of the native idiomatic Greek, abundantly
sufficient to answer all ends of clearness
and instruction.
But I go further, and say, It is not only very
supposeable, and perfectly consistent with all
the Bishop has advanced on the subject of inspiration,
that the sacred writers might thus
improve themselves, but it is, likewise, very
clear and certain that they DID. How else are
we to account for that difference of style observable
in the sacred writers, whose expression
is more or less coloured by their native Hebrew
idioms, according as their acquaintance with
the Greek tongue was more or less perfect?
There were still, no doubt, very many of their
own native idioms interspersed in their most
improved Greek: As must ever be the case of
writers who compose in a foreign tongue, whether
acquired in the ordinary way, or supernaturally
infused into them: But these barbarisms,
as they are called, I mean these Syriasms
or Hebraisms, are not so constant and perpetual
as to prevent their writings from giving
clear intelligence. In short, the style of the
inspired writers is JUST that which we should
naturally expect it to be, on this supposition of
its being somewhat improved by use and exercise,
and which the learned Bishop accurately
(and in perfect consistency with his main
principle, of the terms only being inspired,
with the congruous use of them) defines it to
be, “Greek words VERY FREQUENTLY delivered
in Syriac and Hebrew idiom[140].”
Thus, in every view, the Bishop’s grand
principle may be safely admitted. All that we
need suppose, and therefore all that is reasonable
to be supposed, is, That the terms of
the Greek language, and a grammatical congruity
in the use of them, was miraculously infused:
The rest would be competently and sufficiently
obtained by the application of ordinary
means, without a miracle.
After saying so little, or rather after saying
indeed nothing, that affects the Bishop’s principle,
I cannot but think it is with an ill grace
you turn yourself to cavil at the following incidental
observation of his Lordship, which yet
will be found as true and as just as any other
he has made on this subject.
To those who might expect that, besides the
simple impression of the Greek terms only,
and their signification on the minds of the
inspired linguists, another should have been
made to inrich the mind with all the ideas
which go towards the composing the phrases
and idioms of the language so inspired (all
which had been necessary, if the inspired language
had been intended for a perfect model of
Grecian eloquence), the Bishop replies—‘This
latter impression seems to require, or rather
indeed implies, a previous one of the tempers,
fashions, and opinions, of the people to whom
the language is native, upon the minds of
them to whom the language is thus imparted;
because the phrase and idiom arises from, and
is dependent on those manners[141].’ But such
an impression as this, he goes on to shew, was
not to be expected.
It is clear from this passage, that the Bishop
is speaking of an impression necessary to be
made on the minds of the Apostles, if the inspired
language had been so complete as to extend
to all its native phrases and idioms. If
the Apostles were instantly to possess the inspired
Greek in this perfection, it is necessary
to suppose that this last impression must, as
well as that of the terms, be made upon them.
Can any thing, be more certain and undeniable
than this affirmation? Yet, in p. 86. of your
book, you have this strange passage.
After having shewn, as you suppose, that the
Bishop’s grand principle, of the inspiration of
the TERMS only, stands on a very insecure foundation,
“Perhaps,” you say, “it is no less
HAZARDOUS to affirm, that a knowledge of the
idiom or phraseology of any language, always
implies a previous knowledge of the customs
and manners of those to whom it is vernacular.”
You intended, no doubt, in your censure of
this hazardous position, to oppose something
which the Bishop had affirmed. Be pleased
now to cast your eye on the passage you criticize,
and tell me where the Bishop asserts, that
a KNOWLEDGE of the idiom or phraseology of
any language ALWAYS implies a previous knowledge
of the customs and manners of those to
whom it is vernacular. What the Bishop asserts
is, That an IMPRESSION of the phrases and
idioms of an inspired language implies a previous
IMPRESSION of the tempers, fashions, and
opinions of the people to whom the language is
native, upon the minds of them to who the
language is THUS imparted: that is, if a knowledge
of the idioms had been impressed, a
knowledge of the customs and manners from
which those idioms arise, and without a knowledge
of which they could not be understood
(as they were to be, by the recipients of this
spiritual gift), must have been impressed likewise.
No, you say: a knowledge of the idiom
of a language does not always imply a previous
knowledge of the manners. Who says, it does?
We may come to know the idioms of languages,
without a divine impression: and
without such impression, for any thing appears
to the contrary, the Bishop might suppose the
sacred writers came by their knowledge, so far
as they possessed it, of the Greek idioms. But
the impression of such idioms could only come
from another and previous impression of the
customs and manners: because in this case,
without a previous impression of the customs
and manners, the idioms themselves, when
impressed, could not have been understood,
nor consequently put to use, by the persons
on whom this impression was made. They had
no time to recur to Lexicons, Grammars, and
Commentaries to know the meaning of the impressed
idioms. How then were they, on the
instant, to know their meaning at all, but by
a previous impression of the manners, from
which they arose, and which would put them
into a capacity of understanding these impressed
idioms?
In a word, the Bishop is speaking of SUPERNATURAL
IMPRESSION: you, of NATURAL KNOWLEDGE.
No wonder, then, your reasoning and
your learning, in the concluding pages of this
chapter, should look entirely beside the matter
in hand, or, at best, should look so askew on
the Bishop’s hazardous position. It is certain,
you are far enough out of all danger of encountering
it, when you entrench yourself, at length,
behind this distant and secure conclusion—“that
the knowledge of idiom is so far from
requiring, or implying a previous one of
tempers, manners, &c. that the very CONVERSE
of this seems to be the safer principle;
and that tempers and manners are not to be
learned, without some degree of previous acquaintance
with the peculiarities of a language[142]:”
a proposition, which though exceptionable
enough, as you put it, and even
suggesting some pleasant ideas, I am in no
humour, at present, to contest with you.
This, Sir, is the whole of what I find advanced
by you, that hath any shew or appearance
of being intended as a Confutation of the
argument by which the Bishop supports his
first Paradox; in opposition to Dr. Middleton’s
opinion, That an inspired language
must needs be a language of perfect eloquence.
The Bishop has told us in very accurate
terms what he conceives the character of
an inspired language must needs be: and I
have at least shewn, that the character he
gives of it may be a just one, notwithstanding
any thing you have objected to it in your
learned Dissertation.
I now proceed to the Bishop’s second Paradox;
which opposes Dr. Middleton’s second
Proposition, That eloquence is something
congenial and essential to human speech, and
inherent in the constitution of things.
‘This supposes, says the Bishop, ‘that there
is some certain Archetype in nature, to
which that quality refers, and on which it is
formed and modelled. And, indeed, admitting
this to be the case, one should be apt
enough to conclude, that when the Author of
nature condescended to inspire one of these
plastic performances of human art, he would
make it by the exactest pattern of the
Archetype.
‘But the proposition is fanciful and false.
Eloquence is not congenial or essential to human
speech, nor is there any Archetype in
nature to which that quality refers. It is accidental
and arbitrary, and depends on custom
and fashion: it is a mode of human
communication which changes with the
changing climates of the Earth; and is as
various and unstable as the genius, temper,
and manners of its diversified inhabitants.
For what is Purity but the use of such terms,
with their multiplied combinations, as the
interest, the complexion, or the caprice of a
writer or speaker of authority hath preferred
to its equals? What is Elegance but such a
turn of idiom as a fashionable fancy hath
brought into repute? And what is Sublimity
but the application of such images, as arbitrary
or casual connexions, rather than their
own native grandeur, have dignified and ennobled?
Now Eloquence is a compound of
these three qualities of speech, and consequently
must be as nominal and unsubstantial
as its constituent parts. So that, that
mode of composition, which is a model of
perfect eloquence to one nation or people,
must appear extravagant or mean to another.
And thus in fact it was. Indian and Asiatic
eloquence were esteemed hyperbolic, unnatural,
abrupt and puerile to the more phlegmatic
inhabitants of Rome and Athens. And
the Western eloquence, in its turn, appeared
nerveless and effeminate, frigid or insipid, to
the hardy and inflamed imaginations of the
East. Nay, what is more, each species, even
of the most approved genus, changed its nature
with the change of clime and language;
and the same expression, which, in one place,
had the utmost simplicity, had, in another,
the utmost sublime[143].’
The Bishop then proceeds to illustrate this
last observation by a famous instance, taken
from the first chapter of Genesis, and then
recapitulates and enforces his general argument
in the following manner.
‘Apply all this to the books of the N. T. an
authorized collection, professedly designed for
the rule and direction of mankind. Now such
a rule demanded that it should be inspired of
God. But inspired writing, the objectors say,
implies the most perfect eloquence. What
human model then was the Holy Ghost to
follow? And a human model, of arbitrary
construction, it must needs be, because there
was no other: Or, if there were another, it
would never suit the purpose, which was to
make an impression on the minds and affections;
and this impression, such an eloquence
only as that which had gained the popular
ear, could effect. Should therefore the
Eastern eloquence be employed? But this
would be too inflated and gigantic for the
West. Should it be the Western? But this
would be too cold and torpid for the East.
Or, suppose the generic eloquence of the
more polished nations was to be preferred,
which species of it was to be employed? The
rich exuberance of the Asiatic Greeks, or the
dry conciseness of the Spartans? The pure
and poignant ease and flowing sweetness of
the Attic modulation, or the strength and
grave severity of the Roman tone? Or should
all give way to that African torrent, which
arose from the fermented mixture of the dregs
of Greece and Italy, and soon after overflowed
the Church with theological conceits
in a sparkling luxuriancy of thought, and a
sombrous rankness of expression? Thus various
were the species’s! all as much decried
by a different genus, and each as much disliked
by a different species, as the eloquence
of the remotest East and West, by one another[144].’
Thus far the learned Bishop, with the spirit
and energy, as you well observe, of an ancient
orator[145]; and, let me add, with a justness and
force of reasoning, which would have done honour
to the best ancient Philosopher. But here
we separate again. You maintain, with Dr.
Middleton, that eloquence is something
congenial and essential to human speech:
While I, convinced by the Bishop’s reasoning
in these paragraphs, maintain that it assuredly
is not.
The subject, indeed, affords great scope to
your rhetorical faculties; and the cause, you
maintain, being that, as you conceive, of the
antient orators, and even of eloquence itself,
you suffer your enthusiasm to bear you away,
without controul; and, as is the natural effect
of enthusiasm, with so little method and precision
of argument, that a cool examiner of your
work hardly knows how to follow you, or
where to take aim at you, in your aery and
uncertain flight. However, I shall do my best
to reduce your Rhetoric to Reason; I mean,
to represent the substance of what you seem to
intend by way of argument against the Bishop’s
principle, leaving your eloquence to make what
impression on the gentle reader it may.
And, FIRST, in opposition, as you suppose,
to the Bishop’s tenet, “That eloquence is NOT
something congenial and essential to human
speech,” you apply yourself to shew, through
several chapters, that tropes, metaphors, allegories,
and universally what are called by Rhetoricians
figures of speech, are natural and
necessary expressions of the passions, and have
their birth in the very reason and constitution
of things. To make out this important point
is the sole drift of your I, II, III, and IVᵗʰ
Chapters; in which you seem to me to be contending
for that which nobody denies, and to
be disputing without an opponent. At least,
you can hardly believe that the Bishop of
Gloucester is to be told, that metaphors, allegories,
and similitudes are the offspring of nature
and necessity, He, who has, with the utmost
justness and elegance of reasoning, as
you well observe[146], explained this very point,
himself, in the Divine Legation.
What then are we to conclude from these
elaborate chapters? Why, that by some unlucky
mistake or other, let us call it only by
the softer name, of inattention, you have entirely
misrepresented the scope and purpose of
all the Bishop has said on the subject of eloquence.
And that this is no hasty or groundless
charge, but the very truth of the case, will
clearly be seen from a brief examination of the
Bishop’s theory, compared with your reasonings
upon it.
The position, that eloquence is something
congenial and essential to human speech, supposes,
says the Bishop, that there is some certain
Archetype in nature, to which that quality
refers, and on which it is to be formed
and modelled.
The Bishop, you see, requires an Archetype
to be pointed out to him of that consummate
eloquence, which is said to be congenial and
essential to human speech. The demand is
surely reasonable; and not difficult to be complied
with, if such an Archetype do, in fact,
subsist. But do you know of any such? Do
you refer him to any such? Do you specify
that composition? or do you so much as delineate
that sort of composition, which will pass
upon all men under the idea of an Archetype?
Nothing of all this. Permit us then to attend
to the Bishop’s reasoning, by which he undertakes
to prove that no such Archetype does or
can exist.
‘The proposition [that asserts, there is such
an Archetype] is fanciful and false. Eloquence
is not congenial or essential to human
speech, nor is there any Archetype in nature
to which that quality refers. It is accidental
and arbitrary, and depends on custom and
fashion: It is a mode of human communication
which changes with the changing climates
of the earth; and is as various and
unstable as the genius, temper, and manners
of its diversified inhabitants[147].’
The Bishop asserts there is no Archetype,
because eloquence is a variable thing, depending
on custom and fashion; is nothing absolute
in itself; but relative to the fancies and prejudices
of men, and changeable, as the different
climes they inhabit. This general reason seems
convincing: it appeals to fact, to experience, to
the evidence of sense. But the learned Prelate
goes further. He analyzes the complex idea of
eloquence: he examines the qualities of speech,
of which it is made up; and he shews that they
are nominal and unsubstantial. Hence it follows,
again, That there is no Archetype in nature of
perfect eloquence; its very constituent parts, as
they are deemed, having no substance or reality
in them.
But why should the Bishop condescend to this
analysis, when his general argument seemed
decisive of the question? For a good reason.
When the Bishop asked for an Archetype,
though you are shy of producing any, he well
knew that the masters of Eloquence, those I
mean who are accounted such in these parts of
the world, had pretended to give one. He knew
the authority of these masters of human speech
with the sort of men, he had to deal with: he
therefore takes the Archetype, they have given,
and shews, upon their own ideas of eloquence,
it is a mere phantom.
It is not to be supposed that the Bishop, in
touching incidentally the question of Eloquence
in a theological treatise, should follow the Greek
and Latin rhetors through all the niceties and
distinctions of their Art, or should amuse himself
or us with a minute detail of all the particulars
which go to the making up of this mighty
compound, their Archetypal idea of human
eloquence. If he had been so pleased, and had
had no better business on his hands, it is likely
he could have told us news, as you have done,
out of Aristotle, Longinus, and Cicero.
But his manner is to say no more on a subject,
than the occasion makes necessary; which, in
the present case, was no more than to acquaint
his reader, in very general terms, with the constituent
parts of eloquence; which he resolves
into these three, Purity, Elegance, and
Sublimity.
But this you call a most illogical division of
Eloquence; for that the Bishop hath not only
enumerated the constituent parts imperfectly;
but, of the three qualities which he hath exhibited,
the first is included in the second, and
the third is not necessarily and universally a
part of eloquence[148].
The enumeration, you say, is imperfect.
Yet Purity, I think, denotes whatever comes
under the idea of PROPRIETY, that is, of approved
custom, as well as grammatical use, in
any language: Elegance, expresses all those
embellishments of composition, which are the
effect of Art: and I know no fitter term than
Sublimity, to stand for those qualities of eloquence,
which are derived from the efforts of
Genius, or natural Parts. Now what else
can be required to complete the idea of Eloquence,
and what defect of logic can there be
in comprehending the various properties of human
speech under these three generic names?
The division is surely so natural and so intelligible,
that few readers, I believe, will be disposed
to object with you, that the first of the three
qualities is included in the second, and that the
third is not necessarily and universally a part
of eloquence.
But let the Bishop’s enumeration be ever so
logical, you further quarrel with his idea of
these three constituent parts of eloquence, and
his reasoning upon them.
‘What; says his Lordship, is Purity but
the use of such terms with their multiplied
combinations, as the interest, the complexion,
or the caprice of a writer or speaker of authority
hath preferred to its equals?’
This idea of purity in language you think
strange; and yet in the very chapter in which
you set yourself to contemplate and to reprobate
this strange idea, you cannot help resolving
purity, into usage and custom, that is, with
Quintilian, into consensum (eruditorum);
which surely is but saying in other words with
the Bishop, that it consists in the use of such
terms, with their multiplied combinations, as
the interest, the complexion, or the caprice of
a writer or speaker of Authority hath preferred
to its equals—for equals they undoubtedly
were, till that usage or custom took place.
When this consent of the learned is once established,
every writer or speaker, who pretends
to purity of expression, must doubtless conform
to it: but previously to such consent, purity is
a thing arbitrary enough to justify the Bishop’s
conclusion, that this quality is not congenial
and essential to human speech.
Next, the Bishop asks, ‘What is Elegance
but such a turn of idiom as a fashionable fancy
hath brought into repute?’
Here, again, you grow very nice in your inquiries
into the idea of fancy, the idea of
fashion, and I know not what of that sort.
In a word, you go on defining, and distinguishing
to the end of the chapter, in a way
that without doubt would be very edifying to
your young scholars in Trinity College, but,
as levelled against the Bishop, is certainly
unseasonable and out of place. For define elegance
that you will, it finally resolves into something
that is not of the essence of human speech, but
factitious and arbitrary; as depending much
on the taste, the fancy, the caprice (call it what
you please) of such writers or speakers, as have
obtained the popular vogue for this species of
eloquence, and so had the fortune to bring
the turn of idiom and expression, which
they preferred and cultivated, into general
repute.
‘Lastly,’ the Bishop asks, ‘What is Sublimity
but the application of such images, as
arbitrary or casual connexions, rather than
their own native grandeur, have dignified and
ennobled?’
To this question you reply by asking another,
Whether sublimity doth necessarily consist in
the application of images? But, first, if
what is called Sublimity, generally consists
in the application of images, it is abundantly
sufficient to the Bishop’s purpose: Next, I
presume to say, that the sublime of eloquence,
or the impression which a genius makes upon
us by his expression, consists necessarily and
universally in the application of images, that
is, of bright and vivid ideas, which is the true,
that is, the received sense of the word, images,
(however rhetoricians may have distinguished
different kinds of them, and expressed them by
different names) in all rhetorical and critical
works. Lastly, I maintain that these bright
and vivid ideas are rendered interesting to the
reader or hearer from the influence of Association,
rather than of their own native dignity
and grandeur: of which I could give so many
instances, that, for this reason, I will only give
your own, which you lay so much stress upon,
of the famous oath, by the souls of those who
fought at Marathon and Platæa[149]: where the
peculiar ideas of interest, glory, and veneration,
associated to the image or idea of the battle of Marathon
and Platæa, gave a sublime and energy
to this oath of Demosthenes, by the souls of
those that fought there, in the conceptions of
his countrymen, which no other people could
have felt from it, and of which you, Sir, with
all your admiration of it, have certainly a very
faint conception at this time.
I should here have dispatched this article of
Sublimity, but that you will expect me to take
some notice of your objection to what the Bishop
observes, ‘That this species of eloquence
changed its nature, with the change of clime
and language; and that the same expression,
which in one place had the utmost simplicity,
had, in another, the utmost sublime[150]:’ An
observation, which he illustrates and confirms
by the various fortune of the famous passage in
Genesis, God said, Let there be light, and
there was light; so sublime, in the apprehension
of Longinus and Boileau, and so simple,
in that of Huetius and Le Clerc.
To this pertinent illustration, most ingeniously
explained and enforced by the learned
Prelate, you reply with much ease, “That this
might well be, and even in the same place,”
and then proceed to inform him of I know not
what union between simplicity and sublimity;
though you civilly add, “That it is a point
known to every SMATTERER in criticism, that
these two qualities are so far from being inconsistent
with each other, that they are frequently
united by a natural and inseparable
union[151].”
“Simplicity and sublimity may be found
together.” I think the proposition false, in
your sense of it, at least. But be it true, that
these qualities in expression may be found together.
What then? The question is of a
passage, where these qualities, in the apprehension
of great critics, are found separately;
the one side maintaining that it is merely
simple, the other, that it is merely sublime.
Simplicity is, here, plainly opposed to sublimity,
and implies the absence of it: Boileau,
after Longinus, affirming that the expression
is, and his adversaries affirming that it is not,
sublime. Can any thing shew more clearly,
that the sublime of eloquent expression depends
on casual associations, and not on the nature
of things?
But the Bishop goes further and tells us,
what the associations were that occasioned these
different judgments of the passage in question.
The ideas suggested in it were familiar, to the
sacred writer: they were new and admirable,
to the Pagan Critic. Hence the expression
would be of the greatest simplicity in Moses,
though it would be naturally esteemed by Longinus,
infinitely sublime.
Here you cavil a little about the Effect of
familiarity: but, as conscious of the weakness
of this part of your answer, Not to insist, you
say, upon this, How comes it then that Boileau
and many other Christian readers, to whom
the ideas of creation were as familiar as to
Moses himself, were yet affected by the sublime
of this passage? You ask, How this comes
to pass? How? Why in the way, in which
so many other strange things come to pass, by
the influence of authority. Longinus had said,
the expression of this passage was sublime.
And when he had said this, the wonder is to find
two men, such as Huetius and Le Clerc, who
durst, after that, honestly declare their own
feelings, and profess that, to them, the expression
was not sublime.
But more on this head of Authority presently.
You see, Sir, I pass over these chapters on
the qualities of Eloquence, though they make
so large a part of your Dissertation, very rapidly:
and I do it, not to escape from any
force I apprehend there to be in your argument
or observations, but because I am persuaded
that every man, who knows what language is,
and how it is formed, is so convinced that those
qualities of it by which it comes to be denominated
pure, and elegant, and interesting,
are the effects of custom, fashion, and association,
that he would not thank me for employing
many words on so plain a point. Only, as
you conclude this part of your work with an
appeal, which you think sufficiently warranted,
against the most positive decisions of fashion,
custom, or prejudice, to certain general and
established principles of rational criticism,
subversive, as you think, of the Bishop’s whole
theory, I shall be bold to tell you, as I just
now promised, what my opinion is, of these
established rules of RATIONAL CRITICISM: by
which you will understand how little I conceive
the Bishop’s system to be affected by this confident
appeal to such principles.
I hold then, that what you solemnly call the
established principles of rational criticism are
only such principles as criticism hath seen good
to establish on the practice of the Greek and
Roman speakers and writers; the European
eloquence being ultimately the mere product
and result of such practice; and European criticism
being no further rational than as it accords
to it. This is the way, in which ancient
and modern critics have gone to work in forming
their systems: and their systems deserve to
be called rational, because they deliver such
rules as experience has found most conducive
to attain the ends of eloquence in these parts
of the world. Had you attended to this obvious
consideration, it is impossible you should
have alarmed yourself so much, as you seem to
have done, at the Bishop’s bold Paradox, as if
it threatened the downfall of Eloquence itself:
which, you now see, stands exactly as it did,
and is just as secure in all its established rights
and privileges on the Bishop’s system of there
being no Archetype of Eloquence in nature, as
upon your’s, that there is one. The rules of
criticism are just the same on either supposition,
and will continue the same so long as we take
the Greek and Roman writers for our masters
and models; nay, so long as the influence of
their authority, now confirmed and strengthened
by the practice of ages, and struck deep
into the European notions and manners, shall
subsist.
You need, therefore, be in no pain for the
interests of Eloquence, which are so dear to
you; nor for the dignity of your Rhetorical
office in the University of Dublin; which is
surely of importance enough, if you teach your
young hearers how to become eloquent in that
scene where their employment of it is likely to
fall; without pretending to engage them in certain
chimerical projects how they may attain
an essential universal eloquence, or such as
will pass for eloquence in all ages and countries
of the world.
You see, Sir, if this opinion of mine be a
truth, that it overturns at once the whole structure
of your book. We, no doubt, who have
been lectured in Greek and Roman eloquence,
think it preferable to any other; and we think
so, because it conforms to certain rules which
our criticism has established, without considering
that those rules are only established on the
successful practice of European writers and
speakers, and are therefore no rules at all in
such times and places where a different, perhaps
a contrary, practice is followed with the
same success. Let a Spartan, an Asiatic, an
African, a Chinese system of rhetoric be given:
Each of these shall differ from other, yet each
shall be best and most rational, as relative to the
people for whom it is formed. Nay, to see how
groundless all your fancies of a rational essential
eloquence are, do but reflect that even the
European eloquence, though founded on the
same general principles, is yet different in different
places in many respects. I could tell
you of a country, and that at no great distance,
where that which is thought supremely elegant
passes in another country, not less conversant
in the established principles of rational criticism,
for FINICAL; while what, in this country,
is accepted under the idea of sublimity, is derided,
in that other, as no better than BOMBAST.
What follows, now, from this appeal to experience,
against your appeal to the established
rules of criticism? Plainly this: That all the
rhetors of antiquity put together are no authority
against what the Bishop of Gloucester asserts
concerning the nature of eloquence; since
THEY only tell us (and we will take their word
for it) what will please or affect under certain
circumstances, while the Bishop only questions
whether the same rules, under ALL circumstances,
will enable a writer or speaker to
please and affect. Strange! that you should
not see the inconsequence of your own reasoning.
The Bishop says, The rules of eloquence
are for the most part, local and arbitrary: No,
you say, The rules are not local and arbitrary,
FOR they were held reasonable ones at Athens
and Rome. Your very answer shews that they
were local and arbitrary. You see, then, why
I make so slight on this occasion of all your
multiplied citations from the ancient writers,
which, how respectable soever, are no decisive
authority, indeed no authority at all, in the present
case.
Hitherto, the Bishop had been considering
eloquence ONLY SO FAR as it is founded in arbitrary
principles and local prejudices. For,
though his expression had been general, he
knew very well that his thesis admitted some
limitation; having directly affirmed of the various
modes of eloquence, not that they were
altogether and in all respects, but MOSTLY, fantastical
(p. 67), which, though you are pleased
to charge it upon him as an inconsistency[152], the
reader sees is only a necessary qualification of
his general thesis, such as might be expected
in so exact a writer as the learned Bishop. He
now then attends to this limitation, and considers
what effect it would have on his main
theory.
‘It will be said, Are there not some more
substantial principles of eloquence, common to
all the various species that have obtained in
the world?—Without doubt, there are.—Why
then should not these have been employed,
to do credit to the Apostolic inspiration?
For good reasons: respecting both
the speaker and the hearers. For, what is
eloquence but a persuasive turn given to the
elocution to supply that inward, that conscious
persuasion of the speaker, so necessary
to gain a fair hearing? But the first preachers
of the Gospel did not need a succedaneum to
that inward conscious persuasion. And what
is the end of eloquence, even when it extends
no further than to those more general principles,
but to stifle reason and inflame the
passions? But the propagation of Christian
truths indispensably requires the aid of reason,
and requires no other human aid[153].’
Here, again, you are quite scandalized at the
Bishop’s paradoxical assertions concerning the
nature and end of eloquence; and you differ as
widely from him now he argues on the supposition
of there being some more substantial
principles of eloquence, as you did before, when
he contended that most of those we call principles
were arbitrary and capricious things.
You even go so far as to insult him with a
string of questions, addressed ad hominem: for,
having quoted some passages from his book,
truly eloquent and rhetorical, you think you
have him at advantage, and can now confute
him out of his own mouth.
“Can any thing,” you ask, “be more brilliant,
more enlivened, more truly rhetorical,
than these passages? What then are we to
think of the writer and his intentions? Is
he really sincere in his reasoning? or are
these eloquent forms of speech so many marks
of falshood? Were they assumed as a succedaneum
to conscious persuasion? And is
the end and design of them to stifle reason
and inflame the passions[154]?”
To blunt the edge of these sharp and pressing
interrogatories, give me leave to observe that
the main question agitated by the Bishop is,
whether divine inspiration can be reasonably
expected to extend so far as to infuse a perfect
model of eloquence, and to over-rule the inspired
Apostles in such sort, as that all they
write or speak should be according to the rules
of the most consummate rhetoric. He resolves
this question in the negative: first, by shewing
that there is no such thing as what would
be deemed a perfect model of eloquence subsisting
in nature; a great part of what is called
eloquence in all nations being arbitrary and chimerical;
and, secondly, by shewing that even
those principles, which may be justly thought
more substantial, were, for certain reasons, not
deserving the solicitous and over-ruling care of
a divine inspirer. His reasons are these: First,
that eloquence, when most genuine, is but a
persuasive turn given to the elocution to supply
that inward, that conscious persuasion of the
speaker, so necessary to gain a fair hearing,
and which the first preachers of the Gospel
had already, by the influence and impression
of the holy Spirit upon their minds: And, next,
that the end of eloquence, even when it extends
no further than to those more general principles,
is but to stifle reason and inflame the
passions; an end of a suspicious sort, and
which the propagation of Christian truths, the
proper business of the sacred writers or speakers,
did not require.
You see these reasons, in whatever defective,
are both of them founded in one common
principle, which the Bishop every where goes
upon, and the best philosophy warrants, That,
when the Deity interposes in human affairs, he
interposes no further than is necessary to the
end in view, and leaves every thing else to the
intervention and operation of second causes.
The Apostles wanted NO succedaneum to an
inward conscious persuasion, which the observance
of the general principles of eloquence
supplies; they were not, therefore, supernaturally
instructed in them. They wanted NO assistance
from a power that tends to stifle reason
and inflame the passions: it was not, therefore,
miraculously imparted to them. Every
thing here is rational, and closely argued. What
was not necessary was not done. Not a word
about the inconvenience and inutility, in all
cases, of recurring to the rules and practice of
a chaste eloquence: not a word to shew that,
where eloquence is employed, there is nothing
but fraud and falshood, no inward persuasion,
no consciousness of truth: not a word to insinuate
that either you or the Bishop should be
restrained from being as eloquent on occasion
as you might have it in your power to be, or
might think fit: nay, not a word against the
Apostles themselves having recourse to the aids
of human eloquence, if they had access to them,
and found them expedient; only these aids
were not REQUIRED, that is, were not to be
claimed or expected from divine inspiration.
Thus stands the Bishop’s reasoning, perfectly
clear and just. The only room for debate is,
whether his ideas of the nature and end of eloquence
be just, too. Eloquence, he says, is
but a persuasive turn given to the elocution, to
supply that inward, that conscious persuasion
of the speaker, so necessary to gain a fair
hearing. The general affirmation you do not,
indeed cannot, reject or controvert; for, the
great master of eloquence himself confirms it
in express words—Tum optimè dicit orator,
cum VIDETUR vera dicere. Quinctil. l. iv. c. 2.
And, again, Semper ita dicat, TANQUAM de
causâ optimè sentiat. l. v. c. 13; that is, an
inward conscious persuasion is to be supplied
by the speaker’s art. The Bishop’s idea then
of the nature of eloquence is, as far as I can
see, the very same idea which Quinctilian had
of it. Both agree, that eloquence is such a
turn of the elocution as supplies that inward
conscious persuasion so necessary to the speaker’s
success. The Bishop adds, that this supply
the inspired writers did not want. But you
will say, perhaps, that merely human writers
may have this inward conscious persuasion, as
well as the inspired. What then? if human
writers can do without this succedaneum, which
human eloquence supplies to inward persuasion,
who obliges them to have recourse to it? Yes,
but they cannot do so well without it. Who
then forbids them to have recourse to it? For,
neither are the inspired writers barred of this
privilege: only, as being simply UNNECESSARY,
it was not præternaturally supplied. Your perplexity
on this subject arises from not distinguishing
between what is absolutely necessary,
and what is sometimes expedient: Divine inspiration
provides only for the first; the latter
consideration belongs to human prudence.
But it would be, further, a mistake to say,
that merely human writers have their inward
conscious persuasion as well as the divine.
They may have it, indeed, from the conclusions
of their own reason, but have they it in the
same degree of strength and vivacity, have they
the same full assurance of faith, as those who
have truth immediately impressed upon them
by the hand of God? I suppose, not.
But the Bishop’s idea of the END of eloquence
revolts you as much as his idea of its nature.
What, says he, is the END of eloquence, even
when it extends no further than to those more
general principles, but to stifle reason and inflame
the passions? And what other end, I
pray you, can it have? You will say, To adorn,
recommend, and enforce truth. It may be so,
sometimes: this, we will say, is its more legitimate
end. But even this end is not accomplished
but by stifling reason and inflaming
the passions: that is, eloquence prevents reason
from adverting simply to the truth of things,
and to the force of evidence; and it does this
by agitating and disturbing the natural and
calm state of the mind with rhetorical diminutions
or amplifications. Vis oratoris OMNIS,
says Quinctilian, in AUGENDO MINUENDOQUE
consistit. [l. viii. c. 3. sub fin.] Now
what is this but stifling reason? But it goes
further: it inflames the passions, the ultimate
end it has in view from stifling reason, or putting
it of its guard. And for this, again, we
have the authority of Quinctilian, affectibus
perturbandus et ab intentione auferendus orator.
Non enim solum oratoris est docere, sed
plus eloquentia CIRCA MOVENDUM valet. l. iv.
c. 5. Or, would you see a passage from the
great master of rhetoric, where his idea of this
double end of eloquence is given, at once; it
follows in these words—Ubi ANIMIS judicum
VIS afferenda est, et AB IPSA VERI CONTEMPLATIONE
abducenda mens, IBI PROPRIUM ORATORIS
OPUS EST. l. vi. c. 2. That is, where the passions
are to be inflamed, and reason stifled,
there is the proper use and employment of the
rhetorical art. So exactly has the Bishop
traced the footsteps of the great master, when
he gave us his idea of the END of eloquence!
Well, but this end, you say, is IMMORAL. So
much the worse for your system; for such is
the undoubted end of eloquence, even by the
confession of its greatest patrons and advocates
themselves. But what? Is this end immoral
in all cases? And have you never then heared,
that the passions, as wicked things as they are,
may be set on the side of truth? In short,
Eloquence, like Ridicule, which is, indeed, no
mean part of it, may be either well or ill employed;
and though it cannot be truly said
that the end of either is simply immoral, yet it
cannot be denied that what these modes of address
propose to themselves in ALL cases is, to
stifle reason and inflame the passions.
The Bishop’s idea, then, of the end of eloquence,
I presume, is fairly and fully justified.
But your complaint now is, that the Bishop
does not himself abide by this idea. For you
find a contradiction between what his Lordship
says here—that the END of eloquence, even
when it extends no further than to those more
general principles, is but to style reason and
inflame the passions, and what he says elsewhere—that
the PRINCIPAL end of eloquence,
AS IT IS EMPLOYED IN HUMAN AFFAIRS, is to
mislead reason and to cajole the fancy and
affections[155]. But these propositions are perfectly
consistent; nor was the latter introduced
so much as for the purpose of qualifying and
palliating any thing that might be deemed offensive
in the former. For though eloquence,
chastely employed, goes no further than to
stifle reason and inflame the passions (and
the chastest eloquence, if it deserves the name,
goes thus far), yet the principal end of eloquence,
as it is employed in human affairs, is
to mislead reason, which is something more
than stifling it; and to cajole, which is much
worse than to inflame, the passions. Reason
may be STIFLED, and the passions INFLAMED,
when the speaker’s purpose is to inculcate
right and truth: Reason is only in danger of
being MISLED, and the fancy and affections of
being CAJOLED, when wrong and error are enforced
by him. So very inaccurate was your
conception of the Bishop’s expression! which I
should not have explained so minutely, but to
shew you that, when you undertook to expose
such a writer, as the Bishop, you should have
studied his expression with more care, and
should have understood the force of words at
another rate, than you seem to have done in
this instance.
Still you will ask, if the end be so legitimate,
why should not the inspired writers be
trusted with this powerful engine of human
eloquence? The Bishop gives several reasons:
It is a suspicious instrument, p. 57. It was an
improper instrument for heaven-directed men,
whose strength was not to be derived from the
wisdom of men, but from the power of God,
p. 59. But the direct and immediate answer is
contained, as I observed, in these words—The
propagation of Christian truths indispensably
requires the aid of reason, and requires no
other aid. 1. Christianity, which is a reasonable
service, was of necessity to be propagated
by force of reason; in the Bishop’s better expression,
IT INDISPENSABLY REQUIRED THE AID
OF REASON; but Reason, he tells us in the
next words, can never be fairly and vigorously
exerted but in that favourable interval which
precedes the appeal to the passions. 2. The
Propagation of Christianity, which indispensably
required the aid of reason, REQUIRED NO
OTHER HUMAN AID: that is, no other human
means were simply REQUISITE or NECESSARY.
God, therefore, was pleased to leave his inspired
servants to the prudential use and exercise of
their own natural or acquired talents; but
would not supernaturally endow them with this
unnecessary power of eloquent words. The
inspired writers, even the most learned and, by
nature, the most eloquent of them, made a very
sparing use of such talents, proudly sacrificing
them, as the Bishop nobly and eloquently says,
to the glory of the everlasting Gospel. But
as the end was not, so neither was the use of
eloquence, simply immoral or evil in itself.
They were considerations of propriety, prudence,
and piety, which restrained the Apostles
generally, but not always, in the use of
eloquence; which was less decent in their case,
and which they could very well do without.
When the same considerations prompt other
men, under other circumstances, to affect the
way of eloquence, it may safely, and even
commendably, for any thing the Bishop has
said on this subject as it concerns divine inspiration,
be employed.
Admitting then the Bishop’s ideas both of
the nature and end of eloquence, the want of
this character in the sacred writings is only
vindicated, not the thing itself interdicted or
disgraced.
The conclusion from the whole of what the
Bishop has advanced on this argument, follows
in these words:
‘What, therefore, do our ideas of fit and
right tell us is required in the style of an
universal law? Certainly no more than this—To
employ those aids which are common to
all language as such; and to reject what is
peculiar to each, as they are casually circumstanced.
And what are these aids but CLEARNESS
and PRECISION? By these, the mind and
sentiments of the Composer are intelligibly
conveyed to the reader. These qualities are
essential to language, as it is distinguished
from jargon: they are eternally the same, and
independent on custom or fashion. To give
a language clearness was the office of Philosophy;
to give it precision was the office of
Grammar. Definition performs the first service
by a resolution of the ideas which make
up the terms: Syntaxis performs the second
by a combination of the several parts of
speech into a systematic congruity: these are
the very things in language which are least
positive, as being conducted on the principles
of metaphysics and logic. Whereas, all besides,
from the very power of the elements,
and signification of the terms, to the tropes
and figures of composition, are arbitrary;
and, what is more, as these are a deviation
from those principles of metaphysics and
logic, they are frequently vicious. This, the
great master quoted above [Quinctilian]
freely confesseth, where speaking of that ornamented
speech, which he calls σχήματα
λέξεως, he makes the following confession
and apology—esset enim omne schema VITIUM,
si non peteretur, sed accideret. Verum
auctoritate, vetustate, consuetudine, plerumque
defenditur, sæpe etiam RATIONE QUADAM.
Ideoque cum sit a simplici rectoque loquendi
genere deflexa, virtus est, si habet PROBABILE
ALIQUID quod sequatur[156].’
There is no part of your book in which you
exult more than in the confutation of this
obnoxious paragraph. It is to be hoped, you
do it on good grounds—but let us see what
those grounds are.
The Bishop, in the paragraph you criticize
in your vᵗʰ Chapter, had said that tropes and
figures of composition, under certain circumstances,
there expressed, are frequently vicious.
You make a difficulty of understanding this
term, and doubt whether his Lordship means
vice in a critical, or moral sense. I take upon
me to answer roundly for the Bishop, that he
meant vice in the critical sense: for he pronounces
such tropes and figures vicious, ONLY
as they are a deviation from the principles of
METAPHYSICS AND LOGIC; and therefore I presume
he could not mean vice in the other
sense, which is a deviation from the principles
of ETHICS. All you say on this subject, then,
might have been well spared.
This incidental question, or doubt of your’s,
being cleared up, let us now attend to the more
substantial grounds you go upon, in your censure
of the learned Bishop.
He had been speaking of clearness and precision,
as the things in language, which are
least positive. Whereas, all besides, from the
very power of the elements and signification
of the terms, to the tropes and figures of
composition, are arbitrary; and, what is more,
as these are a deviation from the principles of
metaphysics and logic, are frequently vicious.
In the first place, you say, it were to be
wished that his Lordship had pleased to express
himself with a little more precision—Want
of precision is not, I think, a fault with
which the Bishop’s writings are commonly
charged; and I wish it may not appear in this
instance, as it did lately in another, that your
misapprehension of his argument arises from
the very precision of his expression. But in
what does this supposed want of precision
consist? Why, in not qualifying this sentence,
passed on the tropes and figures of
Composition, which, from the general terms,
in which it is delivered, falls indiscriminately
upon ALL writers and speakers; for that “ALL
men, who have ever written and spoken,
have frequently used this mode of elocution,
which is said to be frequently vicious[157].”
Well, but from the word, frequently, which
you make yourself so pleasant with, it appears
that the Bishop had qualified this bold and
dangerous position.—Yes, but this makes the
position still more bold. Indeed! The Bishop
is then singularly unhappy, to have his position,
first, declared bold for want of being
qualified, and, then, bolder still, for being so.
But your reason follows.
“What makes this position still more hardy
is, that, however the conclusion seems confined
and restrained by the addition of that
qualifying word [frequently], yet the premises
are general and unlimited. It is asserted
without any restriction, that figurative
composition is a deviation from the principles
of metaphysics and logic. If then it be
vicious as it is, i. e. because [quatenus] it is
such a deviation, it must be not only frequently
but always vicious; a very severe
censure denounced against almost every
speaker, and every writer, both sacred and
prophane, that ever appeared in the world[158].”
Here your criticism grows very logical; and,
notwithstanding the confidence I owned myself
to have in the precision of the Bishop’s style, I
begin to be in pain how I shall disengage him
from so exact and philosophical an objector.
Yet, as the occasion calls upon me, I shall try
what may be done. As these [tropes and figures
of composition] are a deviation from the
principles of metaphysics and logic, they are
frequently VICIOUS. Since the Attribute of
this proposition is so peculiarly offensive to
you, your first care, methinks, should have
been to gain precise and exact ideas of the subject;
without which it is not possible to judge,
whether what is affirmed of it be exceptionable,
or no.
By tropes and figures of composition, you
seem to understand metaphors, allegories, similitudes,
and whatever else is vulgarly known
under the name of figures of speech. For in
p. 27, you speak of Allegories, Metaphors
and OTHER tropes and figures, which, you
say, are no more than comparisons and similitudes
expressed in another form: And your
concern, throughout this whole chapter, is for
the vindication of such tropes and figures from
the supposed charge of their being a deviation
from the principles of metaphysics and logic.
But now, on the other hand, I dare be confident
that the Bishop meant these terms, not in
this specific, but in their generic sense, as expressing
any kind of change, deflexion, or deviation
from the plain and common forms of
language. I say, I am confident of this, 1.
because the precise sense of the words is such
as I represent it to be; and I have observed,
though, it seems, you have not, that the Bishop
is of all others the most precise in his expression.
2. Because Quinctilian authorizes
this use of those terms, who tells us that—per
tropos verti formas non verborum modo,
sed et sensuum, et compositionis, l. viii. c. 6.
And as to figuram, he defines it to be (as
the word itself, he says, imports) conformatio
quædam orationis, remota à communi et primum
se offerente ratione, l. ix. c. 1. words,
large enough to take in every possible change
and alteration of common language. So that
all manners and forms of language, different
from the common ones, may, according to
Quinctilian, be fitly denominated tropes and
figures of composition. 3. I conclude this to
be the Bishop’s meaning, because the specific
sense of these words was not sufficient to his
purpose, which was to speak of ALL kinds of
tropical and figured speech. Now though allegories,
metaphors and other tropes and figures,
which are no more than comparisons
and similitudes, expressed in another form,
belong indeed to the genus of figured language,
they are by no means the whole of it,
as so great a master of rhetoric, as yourself,
very well knows. 4. I conclude this, from the
peculiar mode of his expression: if the Bishop
had said simply tropes and figures of speech,
I might perhaps (if nothing else had hindered)
have taken him to mean, as you seem to have
done, only metaphors, allegories, and other
tropes and figures, expressing, in another
form, comparisons and similitudes, which, in
vulgar use, come under the name of tropes and
figures of speech: But when he departs from
that common form of expression, and puts it,
tropes and figures of COMPOSITION, I infer
that so exact a writer, as the Bishop, had his
reasons for this change, and that he intended
by it to express more than tropes and figures
of speech usually convey, indeed ALL that can
any way relate to the tropical and figurative
use of words in literary composition.
It is now seen what the SUBJECT of this bold
proposition is: namely, tropical or figured
language, in general. This figured language,
as it is a deviation from the principles of
metaphysics and logic, is frequently vicious; i. e. is
an acknowledged vice or fault in composition,
as such. We now then see the force of the
Predicate.
Well; but if this figured language “be
vicious as it is, i. e. because, quatenus, it is
such a deviation, it must not only be frequently,
but always vicious.” The premises
are general and unlimited: so must, likewise,
be the conclusion. What sense, then, is there
in the word, frequently? or what room, for
that qualification?
See, what it is to be a great proficient in
logic, before one has well learnt one’s Grammar!
As, i. e. because, quatenus, say you.
How exactly and critically the English language
may be studied in Dublin, I pretend not
to say: But we in England understand the
particle as, not only in the sense of because,
quatenus, but also, and, I think, more frequently,
in the sense of in proportion as, according
as, or, if you will needs have a Latin
term to explain an English term, prout, perinde
ac. So that the proposition stands thus:
These tropes and figures, ACCORDING AS they
are a deviation from the principles of metaphysics
and logic, are frequently vicious. The
premises, you now see, are qualified, as well
as the conclusion. Figured language, WHEN it
deviates from the principles of metaphysics and
logic, is—what? always vicious? But the
Bishop did not say, that figured language is
always a deviation from those principles. He
only says, when it so deviates, it is vicious. It
is implied in the expression that figured language
at least sometimes deviates from those
principles, and the Bishop, as appears, is of
opinion that it frequently deviates: He therefore
says, consistently with his premises, and
with his usual accuracy, It is frequently
vicious.
In short, the Bishop’s argument, about which
you make so much noise, if drawn out in mood
and figure, would, I suppose, stand thus—“Tropical
and figured language, WHEN it deviates
from the principles of metaphysics and
logic, is vicious—Tropical and figured language
FREQUENTLY deviates from those principles—Therefore
tropical and figured language
is FREQUENTLY vicious.” And where
is the defect of sense or logic, I want to know,
in this argumentation? But you impatiently
ask, Are metaphors, allegories, and comparisons
then included in this figured language,
which is pronounced vicious? To this question
I can only reply, That I know not whether
metaphors, allegories, and comparisons,
are, in the Bishop’s opinion, deviations from
the principles of metaphysics and logic; for I
cannot find that he says any thing, in particular,
of this kind of tropes and figures. But if
you, or any one for you, will shew clearly, that
metaphors, allegories, and comparisons are
such deviations, the Bishop, for any thing I
know, might affirm, and might be justified in
affirming, that they were in themselves vicious.
But be not too much alarmed for your favourites,
if he should: They would certainly
keep their ground, though convicted of such
vice; at least unless the Rhetoricians of our
time should be so dull as not to be able to find
out what Quinctilian calls probabile aliquid,
some probable pretext to justify or excuse
them.
But, instead of troubling ourselves to guess
what the Bishop might say on a subject on
which he has said nothing, it is to better purpose
to attend to what he has said, on the
subject in question. The Bishop has said,
That tropical and figured language is frequently
vicious. You ask when? He replies,
When it deviates from the principles of metaphysics
and logic. But in what particular
instances does this appear? He tells you this
too. He gives you instances enough, to justify
his affirmation, that tropical and figured language
is frequently vicious; for he exemplifies
his affirmation in ONE WHOLE class of such
figured speech, as deviates from the principles
of metaphysics and logic, and is therefore vicious,
namely, in the class of verbal figures.
‘This, [i. e. the truth of the affirmation, That
figured language, according as it is found to
be a deviation from the principles of metaphysics
and logic, is frequently vicious] the
great master, Quinctilian, freely confesseth,
where, speaking of that ornamented speech,
which he calls σχήματα λέξεως, he makes the
following confession and apology—esset enim
omne schema VITIUM, si non peteretur, sed
accideret. Verum auctoritate, vetustate, consuetudine,
plerumque defenditur, sæpe etiam
RATIONE QUADAM. Ideoque cum sit à simplici
rectoque loquendi genere deflexa, virtus est,
si habet PROBABILE ALIQUID quod sequatur[159].’
The difficulty, I trust, now begins to clear
up. Figured language, is frequently vicious.
Of this we have an instance given in one entire
species of figured or ornamented speech,
namely σχήματα λέξεως, or verbal figures.
Can any thing be clearer and plainer? Yet,
because you had taken it into your head that
by tropes and figures of composition the Bishop
understood, nay could only understand,
metaphors, allegories, and comparisons, you
dreamt of nothing, here, but the same fine
things. And though Quinctilian lay before
the Bishop, when he quoted these words,
though the Bishop’s own express words shew
the contrary, for he speaks not of tropes and
figures in general, much less of such tropes
and figures as you speak of, but solely of that
ornamented speech, called σχήματα λέξεως, you
will needs have him quote Quinctilian in this
place as speaking of Rhetorical figures. But
let us attend to Quinctilian’s words. Esset
omne schema vitium, si non peterentur, sed acciderent.
What! Shall we think the Bishop
could mean to affirm of rhetorical figures, that
they would always be vicious, if they were not
sought for, but occurred of themselves? For
that, I think, is the translation of—si non peterentur,
sed acciderent. Surely one way, and
that the chief, in which rhetorical figures,
metaphors, allegories, and comparisons, become
vicious, is, when they ARE sought for,
sollicitously hunted after, and affectedly
brought in. The very contrary happens with
regard to these verbal figures: they are vicious,
when they are NOT sought for and purposely
affected. I conclude then, that his Lordship,
who surely does not want common sense, and,
I think, understands Latin, did not, and could
not intend to exemplify his observation in the
case of rhetorical figures.
Still you are something puzzled and perplexed
by the Bishop’s observation. Admitting
him to mean, as his author does, verbal figures,
how can these be considered as a deviation
from the principles of metaphysics and logic?
How? Why, has not the Bishop told us, or,
if he had not, is it not certain in itself, that
to give a language clearness is the office of
philosophy; and that Definition, a part of
Logic, performs that service by a resolution
of the ideas, which make up the terms? But
these verbal figures are often a deviation from,
nay a willful defiance of, all logical definition.
Witness the very instance you and Quinctilian
give us, in Virgil’s timidi damæ. Logic defines
Damæ to be the females of that species
of animals called Deer. The figurative Virgil
confounds this distinction by using this term
for the males, as well as females. But, universally,
Grammar itself, whose peculiar office
is to give precision to language, is a part
of logic: the Bishop says, its rules are conducted
on the principles of Logic. But verbal
figures, even when they do not offend against
the strictness of definition, are universally violations,
in some degree or other, of Grammar,
i. e. of Logic. Yet these violations of Logical
Grammar, Quinctilian tells us, may be allowed,
si habent probabile aliquid quod sequantur;
that is, for some fantastical reason
or other, by which the masters of Rhetoric are
pleased to recommend them to us.
And now, Sir, let me ask, what becomes of
your fine comment on Quinctilian’s chapter
concerning verbal figures, and, particularly, of
your nice distinction between these, and rhetorical
figures, which the Bishop, no doubt,
wanted to be informed of? The issue of your
exploits in Logic and Criticism is now seen to
be this, That you have grossly misrepresented
the Bishop; and needlessly, at least, explained
Quinctilian. First, you make the Bishop
talk of rhetorical figures ONLY, in the specific
sense of these terms, when his Lordship was
all the while speaking of figured language, in
general. Next, you make him deliver a bold
position concerning rhetorical figures, as being
frequently vicious, because always deviations
from the principles of metaphysics and logic;
when all he maintains, is, That figured language
is FREQUENTLY vicious, according as it
deviates from those principles; and, in particular,
that that part of figured speech, called
grammatical or verbal figures, is ALWAYS
vicious.
To conclude, if you had shewn any compunction,
or even common respect in exposing
what you took to be the Bishop’s absurdities
on this subject, I should have made a conscience
of laying you open on this head of
Rhetorical and Grammatical figures. As it
is, your unmerciful triumph over the poor Bishop
makes it allowable for me to lay your
dealing with him before the reader in all its
nakedness; and, after what has been said, I
cannot do it better than by letting him see how
the Bishop’s argumentation is represented by
you, as drawn out in your own words, and
that in full mood and figure.
“I should by no means,” say you, “willingly
misrepresent the argument of my Lord Bishop;
but upon repeated examination of the passage
here quoted, I must state it thus:
“Quinctilian declares, that what are called
grammatical figures are really no more than
faulty violations of grammatical rules, unless
when purposely introduced upon some reasonable
or plausible grounds.”
Therefore,
“He confesses that tropes and figures of
composition, as they are a deviation from the
principles of metaphysics and logic, are frequently
vicious.”
You add, “If this be a fair representation, it
were to be wished that the learned author had
so far condescended to men of confined abilities,
as to explain the connexion between these
two propositions[160].”
As the learned author, I guess, may be better
employed than in this unnecessary task, which
you wish to impose upon him, I have taken
upon me to discharge that office, with less able
hands; and, yet, have explained the connexion
between these two propositions in such sort,
that, if I mistake not, we shall never hear more
from you, of any inconsistency between them.
I have NOW, Sir, gone through the several
particulars of your Dissertation, and have
shewn, I think, clearly and invincibly, that
all your objections to the Bishop’s paradoxical
sentiments on the subject of Eloquence are mistaken
and wholly groundless.
The TWO propositions his Lordship took upon
him to confute, 1. That an inspired language
must needs be a language of perfect eloquence;
and, 2. That eloquence is something congenial
and essential to human speech, and inherent in
the constitution of things: These two propositions,
I say, are so thoroughly confuted by the
Bishop, that not one word of all you say in any
degree affects his reasoning, or supports those
two propositions against the force of it. I am
even candid enough to believe that, on further
thoughts, you will not yourself be displeased
with this ill success of your attack on the learned
Prelate’s principles; which are manifestly calculated
for the service of religion and the honour
of inspired scripture. For, though you attempt
to shew us in your two last chapters,
how the honour of inspired scripture may be
saved on other principles, yet allow me to say
that, for certain reasons, I much question the
validity of those principles; at least, that the
persons, most concerned in this controversy,
will by no means subscribe to them. If there
be an Archetype of eloquence in nature, ‘one
should be apt enough, as the Bishop says, to
conclude, that when the Author of nature condescended
to inspire one of these plastic performances
of human art, he would make it by
the exactest pattern of the Archetype[161].’ Or,
whatever you and I and the Bishop might conclude,
assure yourself that the objectors to inspired
scripture will infallibly draw that conclusion.
And, when they do so, and fortify
themselves, besides, with the authority of so
great a master of eloquence, as yourself, it will
be in vain, I doubt, to oppose to them your
ingenious harangues and encomiums on the eloquent
composition of the sacred scriptures. Nay,
it would give you, no doubt, some pain to find
that, though they should accept your authority
for the truth of their favourite principle of there
being an Archetype in nature of perfect eloquence,
they would yet reject your harangues
and encomiums with that disdain which is so
natural to them. The honour of sacred scripture
will then hang on a question of Taste: and unluckily
the objectors are of such authority in
that respect, that there is no appeal from their
decisions of it.
The contemplation of these inconveniencies,
together with the love of truth, determined me
to hazard this address to you. I will not deny,
besides, that the mere justice due to a great
character, whom I found somewhat freely, not
to say injuriously treated by you, was also, one
motive with me. If I add still another, it is
such as I need not disown, and which you, of all
men, will be the last to object to, I mean a
motive of Charity towards yourself.
I am much a stranger to your person, and,
what it may perhaps be scarce decent for me to
profess to you, even to your writings. All I
know of YOURSELF, is, what your book tells me,
that you are distinguished by an honourable
place and office in the University of Dublin:
and what I have heared of your WRITINGS,
makes me think favourably of a private scholar,
who, they say, employs himself in such works
of learning and taste, as are proper to instill a
reverence into young minds for the best models
of ancient eloquence. While you are thus creditably
stationed, and thus usefully employed,
I could not but feel some concern for the hurt
you were likely to do yourself by engaging in so
warm and so unnecessary an opposition to a
writer, as you characterize him, of distinguished
eminence[162]. Time was, when even with us on
this side the water, the novelty of this writer’s
positions, and the envy, which ever attends superior
merit, disposed some warm persons to
open, and prosecute with many hard words,
the unpopular cry against him, of his being a
bold and PARADOXICAL writer. But reflexion
and experience have quieted this alarm. Men
of sense and judgment now consider his Paradoxes
as very harmless, nay as very sober and
certain truths; and even vye with each other in
their zeal of building upon them, as the surest
basis, on which a just and rational vindication
of our common religion can be raised. This is
the present state of things with us, and especially,
they say, in the Universities of this kingdom.
It was, therefore, not without some surprize,
and, as I said, with much real concern, that I
found a gentleman of learning and education revive,
at such a juncture, that stale and worn-out
topic, and disgrace himself by propagating this
clamour, of I know not what paradoxical boldness,
now long out of date, in the much-approved
writings of this great Prelate. Nor was
the dishonour to yourself, the only circumstance
to be lamented. You were striving,
with all your might, to infuse prejudices into
the minds of many ingenious and virtuous young
men; whom you would surely be sorry to mislead;
and who would owe you little thanks for
prepossessing them with unfavourable sentiments
of such a man and writer, as the Bishop
of Gloucester, they will find, is generally
esteemed to be.
These, then, were the considerations, which
induced me to employ an hour or two of leisure
in giving your book a free examination. I have
done it in as few words as possible, and in a
manner which no reasonable and candid man,
I persuade myself, will disapprove. I know
what apologies may be requisite to the learned
Bishop for a stranger’s engaging in this officious
task. But to you, Sir, I make none: It is
enough if any benefits to yourself or others
may be derived from it.
I am, with respect, &c.
Printed by J. Nichols and Son,
Red Lion Passage, Fleet Street, London.