The Works of Aphra Behn, Volume III

About this eBook

Author

Behn, Aphra, 1640-1689

Credits

Produced by Jonathan Ingram, Tapio Riikonen and PG Distributed Proofreaders

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

English drama -- 17th century

Category

Text

eBook-No.

10039

Project Gutenberg

https://www.gutenberg.org/ebooks/10039

Release Date

November 1, 2003

Copyright

Public domain in the USA.

Contents

1. 1.EDITED BY MONTAGUE SUMMERS — MCMXV — CONTENTS: — THE TOWN-FOP; OR, SIR TIMOTHY TAWDREY. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — PROLOGUE. — DRAMATIS PERSONAE. — MEN. — WOMEN.
2. 2.ACT I. — SCENE II. A Chamber .
3. 3.ACT II. — SCENE II. A Chamber . — SCENE III. Sir Timothy’s House . — SCENE IV. Lord Plotwell’s House. — SCENE V. The Street .
4. 4.ACT III. — SCENE II_. A Bed Chamber_. — SCENE III. A Street .
5. 5.ACT IV. — SCENE II. A Baudy House . — SCENE III. Another Chamber in the Brothel, a Table with Box and Dice .
6. 6.ACT V. — SCENE II. Lord Plotwell’s House . — SCENE III. A Street . — SCENE IV. Changes to the Inside of Friendlove’s Lodgings . — EPILOGUE. — THE FALSE COUNT. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — PROLOGUE. — DRAMATIS PERSONAE. — MEN. — WOMEN.
7. 7.ACT I. — SCENE II. A Chamber .
8. 8.ACT II. — SCENE II. Changes to the Street . — SCENE III. The inside of the House .
9. 9.ACT III. — SCENE II. Francisco’s house .
10. 10.ACT IV. — SCENE II. A Garden .
11. 11.ACT V. — EPILOGUE. — THE LUCKY CHANCE; OR, AN ALDERMAN’S BARGAIN. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — PREFACE.
12. 12.THE LUCKY CHANCE; — PROLOGUE, — DRAMATIS PERSONAE — MEN.
13. 13.ACT I. — SCENE II. Sir Cautious Fulbank’s House . — SCENE III. The House of Sir Feeble.
14. 14.ACT II. — SCENE II. Sir Feeble’s House .
15. 15.ACT III. — SCENE II. _Changes to the Bed-chamber; Leticia in an undressing by the Women at the Table_. — SCENE III. Changes to a Wash-house, or Out-House . — SCENE IV. _A Chamber in the Apartments of L. _Fulbank. — SCENE V. In the same House. The flat Scene of the Hall . — SCENE VI. The Street .
16. 16.ACT IV.
17. 17.ACT V. — SCENE II. A Bed-chamber . — SCENE III. Sir Cautious his Garden . — SCENE IV. Lady Fulbank’s Anti-chamber . — SCENE V. Changes to a Bed-chamber . — SCENE VI. Draws over, and represents another Room in the same House . — SCENE VII. Changes to the Anti-chamber . — EPILOGUE. — THE FORC’D MARRIAGE; OR, THE JEALOUS BRIDEGROOM. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — THE FORC’D MARRIAGE; — PROLOGUE. — DRAMATIS PERSONAE. — MEN.
18. 18.ACT I. — SCENE II. Galatea’s Apartments . — SCENE III. A room in the house of Orgulius. — SCENE IV. Philander’s Apartments .
19. 19.ACT II. — THE REPRESENTATION OF THE WEDDING. — SCENE I. The Palace . — SCENE II. The Court Gallery . — SCENE III. — SCENE IV. Philander’s Bed-chamber . — SCENE V. The Court Gallery . — SCENE VI. Draws off, discovers Philander_ and_ Alcander with Musick at the Chamber-door of Erminia; to them Pisaro, who listens whilst the Song is sung . — SCENE VII. The Court Gallery.
20. 20.ACT III. — SCENE II. The Palace . — SCENE III. Galatea’s Apartments .
21. 21.ACT IV. — SCENE II. The Apartments of Alcippus. — SCENE III. The Court Gallery . — SCENE IV. — SCENE V. The Court Gallery . — SCENE VI. A Bed-chamber. — SCENE VII. The Palace . — SCENE VIII. The Gallery . — SCENE IX. Philander’s Apartments .
22. 22.ACT V. — SCENE II. The Bedchamber of Alcippus. — SCENE III. The King’s Chamber . — SCENE IV. The Court Gallery . — SCENE V. — EPILOGUE, — THE EMPEROR OF THE MOON. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY.
23. 23.THE EMPEROR OF THE MOON. — PROLOGUE, — DRAMATIS PERSONAE. — MEN.
24. 24.ACT I. — SCENE II. A Garden . — SCENE III. The Chamber of Bellemante.
25. 25.ACT II. — SCENE II. Changes to the Street . — SCENE III. Changes to the Inside of the House. The Front of the Scene is only a Curtain or Hangings, to be drawn up at Pleasure . — SCENE IV. Draws off to Bellemante’s Chamber, discovers Elaria, Bellemante and Mopsophil in Night-Gowns . — SCENE V. The Garden .
26. 26.ACT III. — SCENE II. Changes to the Doctor’s House. The Hall . — SCENE III. The Last. The Gallery richly adorn’d with Scenes and Lights . — EPILOGUE, — NOTES ON THE TEXT. — THE TOWN FOP. — THE FALSE COUNT. — THE LUCKY CHANCE. — THE FORC’D MARRIAGE. — THE EMPEROR OF THE MOON.
27. 27.NOTES: CRITICAL AND EXPLANATORY. — THE TOWN FOP. — THE FALSE COUNT. — THE LUCKY CHANCE. — THE FORC’D MARRIAGE. — THE EMPEROR OF THE MOON.

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