The Works of Aphra Behn, Volume II

About this eBook

Author

Behn, Aphra, 1640-1689

Credits

Produced by Project Gutenberg Distributed Proofreaders

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

English drama -- 17th century

Category

Text

eBook-No.

8885

Project Gutenberg

https://www.gutenberg.org/ebooks/8885

Release Date

September 1, 2005

Copyright

Public domain in the USA.

Contents

1. 1.THE WORKS OF APHRA BEHN — CONTENTS — ABDELAZER; OR, THE MOOR’S REVENGE THE YOUNG KING; OR, THE MISTAKE THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL THE FEIGN’D CURTEZANS; OR, A NIGHT’S INTRIGUE NOTES
2. 2.ABDELAZER; OR, THE MOOR’S REVENGE. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — PROLOGUE. — DRAMATIS PERSONAE. — ACT I. — SCENE I. A rich Chamber . — SONG. — SCENE II. A Room in the Palace . — ACT II. — SCENE I. A Chamber of State . — SCENE II. A Banqueting Hall . — ACT III. — SCENE I. A Gallery in the Palace . — SCENE II. The Queen’s Apartments . — SCENE III. Florella’s Lodgings . — ACT IV. — SCENE I. Abdelazer’s Tent . — SCENE II. Philip’s Tent . — SCENE III. A Grave . — SCENE IV. A Grove . — SCENE V. The Grove . — SCENE VI. Changes to a Tent . — SCENE VII. The Grove . — ACT V. — SCENE I. _A Presence-Chamber, with a Throne and Canopy. — SCENE II. A fine Chamber. A Table and Chair . — SCENE III. A Prison . — EPILOGUE.
3. 3.THE YOUNG KING; OR, THE MISTAKE. — ARGUMENT. — SOURCE. — FOOTNOTES: — THEATRICAL HISTORY. — TO PHILASTER. — PROLOGUE. — DRAMATIS PERSONAE. — ACT I. — SCENE I. A Grove near the Camp . — SCENE II. A Grove of Trees . — ACT II. — SCENE I. A Castle or Prison on the Sea . — SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania. — SCENE III. A Grove . — SCENE IV. A Chamber . — ACT III. — SCENE I. — SCENE II. A Grove near the Camp . — SCENE III. Scythian Tents . — SCENE IV. The Dacian Tents . — SCENE V. Changes to the Wood . — ACT IV. — SCENE I. A Flat Wood . — SCENE II. Between the two Camps . — SCENE III. A Prison . — SCENE IV. The Scythian Tents . — SCENE V. Cleomena’s Apartments . — SCENE VI. A Street . — SCENE VII. Thersander’s Tent . — ACT V. — SCENE I. — SCENE II. The Grove . — SCENE III. A Prison . — SCENE IV. A Tent . — SCENE V. Changes to Thersander’s Tent . — EPILOGUE.
4. 4.THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — PROLOGUE, — DRAMATIS PERSONAE. — ACT I. — SCENE I. The Street . — ACT II. — SCENE I. A Room . — SCENE II. The Street . — SCENE III. Changes to a Chamber . — ACT III. — SCENE I. A Room . — ACT IV. — SCENE I. A Dressing-Room . — SCENE II. Changes . — ACT V. — SCENE I. Sir Timothy’s House . — SCENE II. Changes to Wilding’s Chamber . — SCENE III. Changes to Diana’s Chamber . — SCENE IV. Changes to a Street . — SCENE V. Changes to a Chamber . — EPILOGUE.
5. 5.THE FEIGN’D CURTEZANS; OR, A NIGHT’S INTRIGUE. — ARGUMENT. — SOURCE. — THEATRICAL HISTORY. — TO MRS. ELLEN GUIN. — PROLOGUE, — DRAMATIS PERSONAE. — ACT I. — SCENE I. A Street . — SCENE II. Draws off to a room in Tickletext’s lodging, and discovers Mr . Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face . — ACT II. — ACT III. — SCENE I. The Corso . — ACT IV. — SCENE I. — SCENE II. Changes to a Bed-chamber Alcove . — ACT V. — SCENE I. The Corso . — SCENE II. A Chamber . — SCENE III. Changes to the Street .—Piazo d’.ispagnia. — SCENE IV. Changes to a Chamber . — EPILOGUE.
6. 6.NOTES. — NOTES ON THE TEXT. — ABDELAZER. — THE CITY HEIRESS. — THE FEIGN’D CURTEZANS. — NOTES: CRITICAL AND EXPLANATORY. — ABDELAZER. — FOOTNOTES: — THE YOUNG KING. — THE CITY HEIRESS. — THE FEIGN’D CURTEZANS. — END OF VOL. II

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