"Love-letters are the paper-currency for kisses, after
all. So imagine having to write another girl's
love-letters! Imagine an engaged girl who commissioned
another girl to kiss her fiancé for her! Really, it wouldn't
be much more extraordinary than what she wants me to
do!"
And Rosamond Fayre, the secretary-girl (who was
incidentally a golden-blonde, goddess built) sat back in
the Sheraton chair before the drawing-room of Urquhart's
Court, Kent, and gasped again.
"I write to her young man for her? A girl's courtship
letter? The sort of live, intimate personal thing
that oughtn't to have the trace of a third person's touch
about it? It's not my job at all," Rosamond told
herself, indignantly. "No one would have thought of
giving me such a thing to do—except Eleanor!"
Now the "Eleanor" in question was Miss Urquhart
of Urquhart's Court. She was a small olive-skinned
brunette, with dark conscientious eyes, a tiny,
tight-lipped mouth, and a spare brown hand. That hand
wasn't the kind of hand upon which one expects to see
the blaze of the sapphire-set-with-diamond engagement
ring that Miss Urquhart wore. She was immersed in
"good works" of every description.
And because "good works" bring in their train an
endless string of business-letters—because Eleanor
Urquhart, though she possessed a fine head for figures,
lacked the pen of a readier writer, she usually employed
the readier click of the typewriter belonging to a lady
secretary (who lived at the Court with herself and her
father) to cope with her correspondence....
Really reliable secretary-girls are about as plentiful
as really Heaven-born cooks, or artists.
The arrangement had been rather reminiscent of the
tragedy of those ten little niggers!
For one secretary-girl had contradicted Miss
Urquhart. She, of course, went. The next had kept a
charitable duchess waiting in the ante-room. The next
had appropriated blouses, sent for the Jumble Sale, for
her own use. The next had had a South London accent
that had jarred too painfully on old Mr. Urquhart's
sensitive, scholarly nerves. The next secretary-girl had
done worse than all; she had got up a flirtation with
the Public-School-educated and handsome young chauffeur
at Urquhart's Court! Yea; after dinner she had
slipped out into the rose-garden to meet him. This
sort of thing Miss Urquhart simply did not understand,
did not wish to understand,—and did not mean
to have. That secretary-girl left at a moment's
notice.
And it was the day after Miss Urquhart had been
forced to dismiss her fifth amanuensis in two months
that she discovered the favourite of her old school,
Rosamond Fayre, the Army Doctor's daughter, now
orphaned and penniless except for what she could earn,
fainting from over-fatigue in a cash desk at the Hotel
Midas, London.
Miss Fayre possessed a clerical training that Miss
Urquhart lacked. She possessed also an appearance
and a voice that were invaluable in interviews with
snobbish subscribers. Lastly she possessed a clear
handwriting that Eleanor had admired even to mimicry while
the girls were still at school together.
To Miss Fayre, pale and lovely in her black,
cotton-backed satin business-frock, Eleanor had offered the
vacant post.
Rosamond had wept with delight as she had accepted
it. Then and there she had arranged to undertake that
endless writing to the President of the Guild of
Mothercraft and to the eleven thousand odd members of the
Working Girls' Holiday Hostel Club.
Little dreaming of the other letters that she would
presently be called upon to write!
Still dazed at the thought of this task, she stared
out of the long French window at the grey stone
Terrace with steps leading down to the sun-washed lawn,
at the famous lime-tree avenue beyond that, and, far
beyond that again, the glimpse of flat, blue Kentish
Weald, in the midst of which this old house seemed to
bask and doze, padded with ivy to its red chimney-stacks.
In the late May, before the War, it nestled
under the very wing of the Angel of Peace.
Urquhart's Court! A lovely place!
Rosamond was lucky to be there, instead of at the
Midas.
But she forgot her "luck" as she remembered the
quick, authoritative young voice of Eleanor Urquhart,
half an hour ago, giving her instructions in the walled
garden where both girls had been gathering flowers to
send to a Hospital.
"It's mail-day, the day for Ted's letter, and I
haven't a minute now," she had said, standing by the
green door. "So, Rosamond, you'll put it together for
me, please."
Rosamond had opened her pansy eyes so wide that
one would have expected to see blue petals fall out upon
her cheeks. She had gasped, "Put it together? You
can't mean in my own handwriting?"
"Well—'our' writing! They're so very much alike,
Rosamond."
"But you won't want that copy sent?"
"Of course. There isn't t-t-t-time to make another,"
from Eleanor Urquhart, who, when she was flurried,
uncertain, or vexed, showed a danger-signal in the form
of a tiny stutter. "Y-y-yes!"
"D'you mean it, Eleanor?"
Apparently Eleanor had meant it. And Rosamond,
walking beside her, flower-laden, up the lawn, had said
in turn what she meant.
"My darling employerette! I'll do 'anything in
reason' to earn my position in this lap of luxury, but it's
not in reason to want me to write to an engaged young
man and tell him that his sweetheart hasn't got time!"
Fastidious Eleanor had frowned a little. Sometimes
Rosamond, in her laughing, careless way, used expressions
that made her, Eleanor, feel shy and cold. She
disliked the old English word "sweetheart" that came
without a thought to Rosamond's lips. "Sweetheart"—How
Club-girlish! Why, it was almost as bad as
"followers"! It would be "walking out with" next!
In a girl like Rosamond, all this was "a pity." However,
Eleanor was otherwise satisfied with the Secretary
who had proved so efficient, up to now. So, as they
reached the Terrace, she explained gravely:
"I don't want you to tell him that. I hate hurting
people's feelings, and Ted might not understand why
I was so busy. Men don't understand! But I promised
he should have a weekly letter, and I never break
promises. So I want you to write, Rosamond, as if you
were me. Sign it with my name."
"But—my dear!" from the freshly aghast Rosamond.
"That's impossible! Can't you understand?
Heavens! It—it would be a kind of forgery!"
"No, it wouldn't. Not if I tell—ask you to do it.
You wrote and signed for me those dinner-invitations."
"Dinner-invitations, yes. But a girl's l—her
personal letter to a man—no! I simply couldn't."
"Why not, Rosamond? You've known more men
than I have. You do sometimes write——"
"To admirers?" The secretary stopped. In
Eleanor's little dark "shut" face she had observed that
this too was a disapproved-of expression. "Men-friends
of my own, perhaps! But never ... never a
real love-letter; sheets and sheets, tiny handwriting, five
postscripts, snapshots and pressed pansy enclosed and
fourpence extra to pay for postage! I've never yet
achieved one of those!"
"Well, n-n-n-nor have I," from the young fiancée,
with a new coldness that had chilled the girl who lived
on her salary. "You have written my letters before
from dictation. You know what I should wish to have
said. And you know as well as I do what has been
happening here for the last few weeks. It won't take
you long, Rosamond."
"No, but—"
"I will give you his last letter to me, so that you
may answer any question he puts."
"And what about ... him? ... Mr. Ted Urquhart?
Is he supposed to notice no difference——?"
"Why need he notice?" from the girl "he" was to
marry. "Those dinner-party people didn't."
"No! But——"
As they reached the ivy-draped front of the house
Rosamond was remembering another, a very young man,
who, then in College rooms with her brother, had once
written to her, "When the postman brings letters for
Fayre, I know when there is one from you! It seems to
make a sound of its own, as it's pushed through the
letter-box. It's different! I swear this isn't
imagination! Won't you ever write to me?"
Eleanor knew nothing about letters of this sort! She
was saying, "It is only so that my fiancé does not miss
a mail. That seems to mean so much to a man—Abroad.
And I am—as you see—prevented. Come and write in
the drawing-room," concluded Miss Urquhart less stiffly,
as she passed through the huge open French windows,
"it's so cool."
"Not as 'cool' as what she proposes to let me do
there!" thought the reluctant Rosamond, following the
small, composed figure of her girlish employer.
"Writing forged letters to a young man-in-the-air! An
engaged man! A man I've never seen!"
"Here you are," Eleanor had said, drawing out the
topmost foreign envelope of a neat pile in a right-hand
drawer of her escritoire. "This is his last. You've got
a pen and plenty of ink?—blotting paper.... It's
a twopenny-ha'penny stamp. There are some in the
little red leather box on the left there; and the foreign
note-paper is here.... Now you've got everything
you want."
"Stop—Oh, wait a minute! How do I begin?"
urged Miss Fayre, with a vague "Dearest" balancing
a "My own Boy" at the back of her mind. Surely the
"edited" editions of those dictated letters held
Eleanor's own expressions before they were sent off? "If
you don't mind telling me——"
"Begin? Why, 'My dear Ted.' That's all, isn't it?
G-G-Good-bye!"
And the secretary-girl had been left alone to her
grotesque and unthinkable and impossible new duty!
Sitting there at Eleanor's desk, staring at Eleanor's
blotter and biting the end of her pen, it was long
before Rosamond so much as dipped that pen in the
ink.
"Oh, I can't do this," was her first decision. "Can't!
Anybody but that benighted little philanthropic innocent
of an Eleanor would realise that it was quite impossible.
She really is—'Handwritings so alike,' she said! As if
that were all there was in a letter! As if the young man
mightn't suspect from a dozen things that it wasn't the
usual letter. He'd be hideously annoyed with her—oh,
with both of us, but I don't matter, I'm just 'the
pen.' Perhaps she wouldn't mind his annoyance? But she
must learn to mind! After all, she's going to be a very
different sort of girl presently, one hopes. When the
young man comes home, that will be the crisis! Then,
she'll grow to mind. Then she'll be precious sorry she
ever deputed a mere salaried menial like me to do such
a crazy thing! I shall refuse."
Her blue eyes strayed about the stately old room,
from lustre chandelier to Adams fireplace, its grate
hidden by a cataract of fern. They rested, scarcely
seeing it, on a gilt-framed Baxter print of "The Lover's
Letter-box," the picture that shows a pretty Victorian
in a soap-bubble of white muslin skirts, who is slipping
a sealed note into the fork of a hollow tree. How unlike
Eleanor's methods!
Presently came the grim thought: "Eleanor has had
secretaries who 'refused' one thing or another. They
went!"
And then, "Oh, but I can't go! Not back to all those
horrors that I've only, by good luck and Eleanor's job,
just escaped! Orders, in Cockney accents, from men
who ought by rights to be calling me 'Madam'!
Compliments, from the same—and worse——
"And what about London in this heat? And the
stuffiness? and the smells? and washing one's own hankies
in the bath-room? and the shop eggs for breakfast? and
no room to put one's things? (even supposing one had
'things' to put!), and how about losing your looks,
Rosamond, my child?" she addressed herself. "How
about getting 'washed-out' with tiredness and
round-shouldered with work, and old and out of mischief before
your time?
"No! ... I won't! ... I will, I mean!" And she
drew her chair a little nearer the desk.
"I shall have to pay for the other. Pay by writing
letters from Eleanor to 'her dear Ted.' Very well!"
decided the secretary-girl with a little reckless laugh.
"It's not as if he or she were the 'usual' type of engaged
people. It's not as if the whole engagement
weren't—well! rum in the extreme!"
For Eleanor Urquhart's engagement to her cousin
Ted was a thing that never failed to amuse, puzzle and
even exasperate her friend, Rosamond Fayre.
In one way, it was "so business-like."
For what could be more business-like than the action
of the young man? Here he was, left heir to the beautiful
old Kentish estate out of which—unless some better
arrangement could be made—he would have to turn the
uncle and the girl-cousin who had always lived there.
And his idea of a "better arrangement" had been to
propose to marry the girl-cousin, who could then
continue to live in the place as if she were the heiress and
the mistress thereof—merely keeping house for one extra
in the family, a husband as well as her father.
Satisfactory enough.
Only, how un-business-like in another way! That was
how it appeared to Rosamond.
Fancy being prepared to marry and to spend the rest
of your life with—a person whom you have never even
seen!
For, thanks to one accident after another, the Urquhart
cousins had never happened to meet. Eleanor had
found it impossible to leave her College the last time that
Ted Urquhart had stayed with his Uncle at Urquhart's
Court, three years ago. And it was two years after this
visit that General Urquhart, Ted's father, had died
where he had always preferred to live, abroad. The
beautiful Kentish mansion, which had always seemed to
belong to the bookish, stay-at-home brother, had passed
by right of entail to that rolling-stone, young Ted, then
prospecting in Mexico; for he was a born traveller,
adventurer, ranger, even as his soldier father had
been.
It had been by letter that the curious arrangement
of the Urquhart engagement had been made. And by
letter—for Ted, deep in schemes that were Greek to
the home-keeping Urquharts, had remained abroad
from that day to this—the courtship had been carried
on.
"If you can call it a courtship!" Rosamond Fayre
had laughed when she had first heard of it. But
Eleanor had refused to see anything "odd" about this
contract.
"Why, it's the best possible solution." This was
Miss Urquhart's view. "There's this Court; it's Ted's
only home when he isn't wandering all over the earth.
And I must have it for my drawing-room meetings and
for the Working Girls' Garden Parties. And there's the
library for father. He'd never get accustomed to
another study. Ted couldn't turn us out! He said so."
"And is there no happy medium between brutally
turning a young woman out of house and home, and
... marrying her?"
Not in this case, Eleanor had pointed out. How could
she be the mistress of Urquhart's Court unless she were
either the daughter or the wife of the owner?
And the owner himself? Rosamond had put amused,
eager questions as to what he could be like?
Eleanor was not vivid in description. She'd informed
Rosamond that "Father had seemed to like him as much
as he ever did like young men." He had seemed to think
Ted Urquhart "nice"—though all his interests were
"out-of-doors" and "crude." He'd said he would have
been a soldier himself but for considering that there
"wasn't enough going on, nowadays," for a man in the
Service. Level-headed enough, Eleanor's father had
thought. Then Eleanor had fetched a letter from this
Ted and read aloud:
"I don't know when you're likely to get this. You
ask me how I got to this place; well, it's in a steamer
from Southampton—then a three days' journey by
train up-country to where the line runs out, then three
more days up a river in canoes. Then mules. This last
journey we couldn't even use mules, because of our
machinery. We had to take the castings of it in big
pieces, so somehow we managed to cart along the pieces
ourselves over the roughest parts; don't ask what we
wore, or looked like at this job"——
Here Rosamond had lifted her bright head.
"My dear! Do you know, he sounds rather a ripper
to me. Why does this type of young man always live
Abroad, where one doesn't see him? Why don't they
raise a splendid great Army of them, for Home? Do
read me some more, Eleanor!"
Eleanor's incongruously precise little voice had read
out scraps about runaway mustangs, tornadoes, the
mild excitement of an earthquake, of a ride in front of
a runaway bull.
"And he always seems to be getting among people
with knives and revolvers 'going for' each other. Or
else nearly breaking his neck somewhere——"
Rosamond's eyes had danced over this description.
"I say, what a lovely man! Good-looking?"
"I've no photograph; I lost the snapshots he sent,"
Eleanor had said. "Father said not."
"Fathers are the worst possible judges of looks in
young men. I do like him for hoisting about those great
hulking castings! So different from anything we ever
have to do!" the secretary-girl had sighed whimsically.
"And his being so keen on concessions for that oil
they're prospecting about! What's the oil for,
Eleanor?"
"Lamps, I expect,"
"Ah! You've never written to ask! You can't be
really fearfully interested in this man!"
"Rosamond, no girl would be 'fearfully interested'
in a man she hadn't seen."
"Oh, wouldn't she? Not when she'd promised to
marry him? Not when he was going to be all that in
her life? A fiancé! Well, if he's nothing else, he is at
least the man who keeps the other men out!"
Eleanor had said nothing. Extraordinary, the interest
that Rosamond showed in this subject! Rosamond
had continued:
"And you've all his letters to piece him together out
of! To keep guessing about! I could imagine a girl
being perfectly thrilled over a fiancé of that sort. Much
more so than over an ordinary young man with a bowler
and a walking-stick, say, that she had seen!"
"Yes, but you're romantic. I am not. I'm so
practical," Eleanor had gravely explained. "And I think
that it'll make me a very good wife for a man who
will probably spend three-quarters of his time carrying
those castings and things up and down precipices at the
other end of the earth. He's his interests; I've mine.
And when we meet, we've this place in common. I am
sure we shall be quite good friends."
"Friends!" Rosamond had echoed, pityingly.
"Some married people who begin by—by adoring
each other," Eleanor had remarked, "end by being
n-n-n-not even friends."
"M'm. But then they've had something out of it,"
her friend and secretary had said, thinking—"like going
to a music-hall show with one ripping 'turn' in it,
and all the rest feeble. Better than sitting out a whole
long dull play without one redeeming laugh!" Rosamond
Fayre had decided. "I'd risk being bored for the
rest of my married life, to pay for a really thrilling
courtship!"
"Well, he's practical, too," Eleanor had concluded
before she took up her Club accounts again. "At least
from his letters. That's all I really know about him!"
The letter which Rosamond Fayre had just been given
to answer was certainly "practical" enough.
It was written in the particularly small masculine
handwriting which is so often guided by a particularly
large masculine hand, and the crackling foreign sheet of
it had arrived from some out-of-the-way No-Man's Land
beyond the Andes, where Ted Urquhart with a party of
other men had been sinking wells for that precious, that
coveted oil. The rough, open-air camp-life, the bonfires,
the tea-tins, the scraps of men's talk and laughter, the
blue, up-curling cloud of tobacco-smoke, the jingling of
horse's harness—a whiff of this unfamiliar atmosphere
seemed brought right over the seas to that secluded
English drawing-room by the few terse sentences of
Urquhart's—well, it certainly could not be called a
love-letter, Rosamond decided, with stars of amusement
shining in her larkspur-blue eyes. It began, "My dear
Eleanor," and ended, "Yours ever affectionately,
T.U." Like a brother and sister!
There was a post-script which merely said, "It will be
nearly June, I suppose, by the time this letter gets to
the dear old Court. Write and tell me what is out in
the garden, and if those last roses which Uncle Henry
was so keen on have turned out any good. The place
ought to be looking lovely."
"The place looking lovely!" commented Rosamond.
"Not even one question about how the girl is looking!
I wonder if he doesn't even want to know? How sick
I shall be if the man I marry—when that fortunate
individual turns up—ever writes like this! He won't,
though. Rosamond's lover won't be 'level-headed'—at
any rate, not as far as anything to do with Rosamond
is concerned," decided that young woman, with a
toss of her own beautiful head. "But to work!"
She dipped her pen in the ink and primmed her rather
large red begonia of a mouth into an imitation of
Eleanor's small one as she wrote:—
"My dear Ted,
"Thank you for your letter of April the First.
I was very glad to hear that you were quite well, and
that you had arrived safely at your destination."
("Not that she—Eleanor—really cares a capital Dee
how you are, or where you've arrived," interpolated
Eleanor's new secretary, aside. "It's a matter of life
and death to her that five hundred factory girls should
have a rise of a shilling a week in wages, but as to what
happens to a mere prospective husband—Well, but what
ought she to say to him? It's always 'ought' with her.
I wonder if she'll get any better—worse, I mean—when
Ted comes home and tries to teach her—other things,
I do hope so. Well——")
She took up her pen again.
"Yes!—The place——"
("Better put a capital P there to show how
all-important.")
—"The Place looks delightful. It's a great pity that
you can't see it, since you've missed every June here for
so many years. I hope that you may contrive to come
home, as you suggest some time next summer——"
("That's not too eager and forward, I trust,"
thought Rosamond.)
—"and that you will not be disappointed in——"
("your reception as a lover.—No, I mean, of
course——")
—"the alterations that there are—such as the new
fish-pond, and the continuation of the hedge beyond the
cherry-orchard at The Court."
She leant back.
("Now what had I better put? He's not wildly
interested in her crêches and clubs and girls, I can tell.
I'll just sum it up vaguely.")
"I have been very busy lately. We had a garden-party
here last week. Need I add that there was a
thunderstorm in the middle of it? The purple dahlias
in Mrs. Bishop's toque got drenched and dripped in
mauve streaks down her face. It looked as if her
complexion had run very badly."
("Steady! Eleanor wouldn't have written that.
She never makes fun of people," said Rosamond. "I
shall have to make a fair copy—a Rosamond Fayre
copy—of all this. I'll begin again from
'thunder-storm.'")
"and on Wednesday we had a dinner-party. A friend
of mine is staying here now. She has trained as a clerk,
and I am keeping her to help me with my business
correspondence——"
("This very letter, for example.")
—"and her name is Rosamond Fayre."
("Hope you think it's a pretty one, Sir.")
—"Father is quite well now, and sends his love. The
roses that you ask after have done splendidly——"
("Flowers are safe, so I suppose I can say what I
like here.")
—"They will trail in heavenly, scenty garlands and
festoons of pink and white round the grey stone balustrades
of the Terrace, just like decorations for a visit
from Royalty. Also the 'Blue Border' is planned out.
At the back stand the tallest larkspurs and delphiniums,
then the clumps of deep blue borage; then come the blue
Canterbury bells, then the corn-flowers; then blue pansies,
then forget-me-nots, and lastly a thick blue row of
lobelia, 'underlining' it, I think this is all. So
believe me, dear Ted," wrote the girl, demurely, in the
handwriting that was as like her school-friend's as the
voices of some twins are alike,
"Yours ever affectionately,
"R——"
"Oh, how silly," she broke off impatiently, to
scribble a thick "E" over the "R" which she had
inadvertently written. Very nearly she had signed, in spite
of everything, her own name. But it didn't show. No;
it read quite evenly and naturally
"Yours ever affectionately,
"Eleanor Urquhart."
She must practise that signature. She began to do
so on a loose sheet of paper. Then she must make that
fair copy of this epistle. But there was no particular
hurry.... "To think that another girl—not
Eleanor—might, instead of deputing the job to a paid
clerk, be getting quite a lot of fun out of writing
love-letters to a fiancé who'd never set eyes on her!"
she reflected as her pen traced curly "E's" and
"U's."
"For instance, I—if I were Eleanor—should make
quite a good game out of interesting the man, making
him keener to see me every letter I wrote. (She crosses
the 't' in Urquhart more like this.) One or two should
be as brief and brisk and business-like as if they came
from the Manager of his Bank. The next should ask
him what colours he liked a girl—his girl—to wear?
Then I'd write rather a piteous one, as if I were begging,
between the lines, to be set free from an arrangement
that was spoiling my life, standing in the way of
my possible happiness with somebody else!"
Rosamond, taking out a fresh sheet of paper to make
her fair copy, laughed enjoyingly over this immemorial
scheme.
"That would be a good one! But the same mail
should bring him another note asking him whether he did
not think that it might not sometimes seem a tiny bit
dull for a girl all alone in this great Convent of a Court?
I should wait until he replied to that, I think."
She tucked the rose she wore into greater security at
her breast.
"Then," she told herself, "I'd begin to flirt a little;
on paper. There might even be a pet name or so tucked
into a postscript—so——"
She began scribbling idly on the rough draft.
—"and crossed out again—not that a man couldn't
read it, if he tried. So!"
She made a charming picture as she sat there, this
royally built, golden-haired girl smiling at the desk,
playing this "game" with a phantom-lover of her own,
for at the moment Eleanor and Eleanor's fiancé—probably
a milk-sop, and surely a stick!—were forgotten.
Rosamond Fayre, lost in a very silly, very common, and
very natural form of day-dream, was away with the
Prince Charming whose elusive face smiles back into
every girlish face that has ever bent over a wishing-well.
"Of all the over-worked words in the English language,
the strangest seems to be 'Darling,'" Rosamond
Fayre told herself and her dream-sweetheart of the
moment. "You say it to a girl, but it wouldn't sound
silly and out of place to a man—provided it were the
right man. 'My darling!' Everybody uses it—yet it
isn't hackneyed. Jokes and comic-paper stories and
music-hall songs are cram-full of it—and still it's never,
never vulgar——"
Her thoughts broke off, as from the tall white mantel-piece
the clock, held up between two gilded nymphs,
chimed twice.
"Half-past four!" she exclaimed. "Mercy! I must
take this up for Eleanor to pass.... H'm. I suppose
Eleanor has never written to her young man in that
way in her life. Well, you can't very well dash off
'darlings' per pro. I'll copy this tidily."
She did so. She tore up one letter; then she carried
the other to the big, airy lavender-breathing linen-room
where Miss Urquhart, among the imposing piles
of sheets, looked small and dark and busy as an ant in
a snow-drift.
"Eleanor, do you mind looking over this? Will it do?"
"'Do'—oh, yes, dear, I am sure it will do beautifully,"
said Eleanor, with the merest perfunctory glance
above an armful of pillow-cases marked URQUHART.
HOSTEL. 1914. "Thanks so much, Rosamond. Will
you see that it goes off?"
"What!—As it is?" suggested Rosamond, mischievously.
"No postscripts?"
"Postscripts? What about?" said Eleanor the
practical.
"Oh, I don't know," murmured Rosamond.
She herself could have thought of half a dozen tiny
written messages that would have been as a hand waved,
a glance thrown, to any young man who had received
them.
"It's really a waste that I haven't any one to write
to on my own account! Except Cecil—No, I'm not
going to write to him or to any one unless it's for the
one and only real right reason," decided Rosamond,
even while her employer, holding back that note
to her secretary, decreed, "This says all that's
needed."
Rosamond took back that note with a small,
half-humourous shrug.
The gesture shook the rose that Rosamond wore in
the breast of her white crêpe shirt into shedding a
shower of pink petals upon the open sheet.
"Ah, I tell you what," said Rosamond, upon one of
her sudden impulses. "Those had better be sent in the
letter! Won't you?"
"What? Those loose petals?" said Eleanor over
her shoulder. "Why? Those aren't from the new
roses Ted was asking about, are they?"
"Never mind. They're English rose-leaves from an
English garden—ah, think of that, in a foreign
country! Don't you think they'd please any Englishman,
far from his home? I know they would," pleaded Rosamond,
in a voice still soft from that day-dream of hers.
"Put them in, Eleanor!"
"Very well, if you like." And the other girl, kind
and untouched as any child, slipped into the crisp grey
foreign envelope a dozen sweetly scented pink petals.
"Those," said Rosamond Fayre, with a smile, "will
do instead of a postscript!"
She did not think again of the saying that the
post-script is the part which contains all that is most
interesting in a woman's letter.
"Many thanks, my dear Eleanor, for the last three
letters which have just arrived together—especially for
the one all about the Blue Border, and the Roses."
"Nothing about the petals," thought Rosamond, to
whom this letter had been handed as a matter of course
for the Secretary to answer by Eleanor.
"By the way," the letter went on, "were you in the
least little bit of a temper when you wrote? Or is
that my mistake? Don't you think people's moods show
in their handwriting? Your writing this time seemed
to have got more dashing and determined," wrote
Mr. Ted Urquhart. "Thank you for hoping I may come
home next summer, but I don't know if I shall do that
after all. The man I'm with has determined to—" Here
followed a catalogue of the man's plans—very
level-headed ones they seemed to Rosamond. Then came—
"Don't be offended, will you, about my having said
that about a temper. A girl ought to have a gleam of
a temper of her own, just to show a man she's not
"'Too bright and good
For human nature's daily food.'
You know the rest of that ancient verse."
Rosamond did; she laughed. Then she blushed a
little.
"I never read verse; one really hasn't time," Eleanor
excused herself. "What is the quotation, Rosamond?"
"Oh, it's from Wordsworth. I will look it up for
you—something about 'human nature's daily
food—'Praise, blame, tears'—and er—those sort of
things."
And she continued to herself, "Somehow one can't
quote even the milkiest sort of love poetry right through
to Eleanor! One can't say 'Praise, blame, tears,
kisses'—'Kisses' wouldn't ever be 'daily food' to
her——"
She checked herself.
"But they'll have to be, some day! She is engaged,
and after all he will come back, I presume, in the course
of time, this weird young man? Then there'll be a
difference, surely? For instance, she'll begin 'minding'
what she puts on—instead of not seeming to see what's
becoming and what isn't. When she begins to want to
please him, she'll drop those District-visiting blouses
and those virtuous little hats of hers. Oh, he'll teach
her.... His last letter was comparatively personal!
It seemed to be taking quite an interest in her temper
and her handwriting—mine, by the way. I'm glad he
liked the bit about the Blue Border."
She laughed again. What did it matter to
Rosamond what another girl's fiancé had liked in the letter
that had been written by her secretary?
"Anyhow," she reminded herself, "it didn't seem to
make him want to come home and see her any sooner!
Interesting sort of affair—and here am I allowed to
peep at both sides of it!"
Her interest was not much more than this kind of
curiosity. For the next three weeks it—and things in
general—remained just the same.
Then something happened.
In the June of Nineteen Fourteen, when it still seemed
as if Peace would never spread her dove's wings to fly
from this country, when red English roses were ablaze
on the Terrace of The Court, and bees noisy in the
borders of mignonette and in the tall towers of sweet-peas,
there arrived at Urquhart's Court, unheralded, a
visitor; a tall, lithe, abnormally sun-burnt young man,
in clothes that spoke—first of hard weather and harder
wear, and next of the first-rate Bond Street outfitters
that had known them new. This stranger, ignoring the
new butler's pompous "What name, Sir?" strode gaily
into the great hall as if the house were his by right,
and called in a big, boyish voice—
"Uncle!"
The study-door opened, and Eleanor's father looked
out. He was a half-dreamy, half-fretful looking old
gentleman, with a silvery beard like the portraits of
Lord Tennyson, to whose period Mr. Henry Urquhart
belonged far more than to the present hustling
Twentieth Century.
"What's happened—who's this? Why, my—my
dear boy,—Ted!" he cried, incredulously, with his
faded, grey scholar's eyes blinking under his white locks
at the splendidly vital figure of the young man before
him—"It is Ted, isn't it? Bless me—and nobody was
sent to meet you! Now, how was that, how was that?"
rather querulously—"Eleanor never told me you were
coming. Nobody ever tells me anything. Most
unfortunate! Nobody to meet—— My dear boy, if you'll
believe me, I—I never even heard that you'd written to
say you were coming!"
He put out a hand like a pale and chilly root, and
laid it on the young man's hard shoulder.
"I never said so, Uncle Henry, I meant to turn up
unannounced. I meant to take you all by surprise!"
declared the traveller hurriedly. "Now, will you be
very kind and excuse me for the present, Uncle? I
want to introduce myself to Eleanor, and——"
The pale, chilly hand was lifted again.
"Wait a bit, wait a bit. Come into my study and
sit down for a few minutes. Dear me! I was never
so startled in my life. Take us by surprise—— Yes,
but I wish you'd said you were going to," protested the
elder Urquhart, as he led the way into his own room.
It was overshadowed by those great yews at the back
of The Court; and, with its four walls lined with brown
books, its wide table littered with manuscript, seemed
as chilly as a cellar, as sunless as a vault, as void of life
and homeliness as a museum. Young Urquhart of the
impatient eyes involuntarily shivered a little as he
looked about it. She—Eleanor—wouldn't spend too
much time in this family mausoleum, surely—He didn't
want to see her, even for the first time, here!
"Won't you sit down, boy? Bless my soul, you're
very like my brother Clive, your poor father. He didn't
seem able to sit still for a minute...." said
the old man. "It'll be luncheon in a quarter of an
hour——"
The young man laughed, springing up from his chair
again.
"Yes, I know that, Uncle. That's why I wanted to
pay my respects to her—to Eleanor at once."
"Dear me!—the unrest—the hurry of this generation——"
"Hurry? I'm afraid I've scarcely hurried as much
as I might," said Ted Urquhart, with a flash of very
white teeth in that very brown face. "I've waited three
years before...."
The old man blinked at him. Years did not convey
much to him. But he said, "Then I don't quite
understand why you've rushed back without any warning
now?"
"Er—no; it seems queer," said Eleanor's fiancé, who
didn't quite understand it himself. Why had the
interest he'd felt about the nice little girl at home whom
he was, for such excellent reasons, to marry—all in good
time, and when more important things had been attended
to—why had this very mild interest flamed up all of a
sudden, and for the first time, into a blazing curiosity
to see, after all, what she was like? Why had there
seemed some subtle hint of the girl's atmosphere, her
charm, her lure, conveyed for the very first time
between the even lines of her very last letter to him? Why
had he felt that a handful of once pink, still sweet
rose-petals, pressed in the envelope, had brought with them
the message—"Come home and seek me. Come and
court in person the girl who picked this rose"? It was
irrational—fantastic. Still—there it was—Yes! This
was what had happened to him!
"I had to come over sometime!" he laughed, fidgeting.
"So now I'm here, the sooner the better. Will
you do me a favour, Uncle? Don't send for Eleanor,
let me go to her myself. Where am I likely to find her?
Where will she be? In the lily-garden, near that new
fish-pond she tells me of, or——"
He was at the door, ready to search the grounds,
before his uncle put in——
"My dear boy, I am very sorry, but really, you have
only yourself to blame. Why didn't you give us due
warning? For your own sake you ought to have written—or
even if you'd sent a wire! The fact is—most
unfortunate!—that you won't find Eleanor anywhere
about," announced Eleanor's father, fussily regretful,
"she isn't here."
The sun-burnt face fell.
"Not here!" echoed Eleanor's fiancé, very blankly.
"Why, where is she, then?"
"She's in France. It's a little fishing-village near
Boulogne, where she has one of her undertakings. She's
up to her eyes in work over it, inaugurating this Holiday
Hostel for her 'girls.' You know her girls, Ted;
she cares for them more than for anything else in the
world," said the old man, "always will, I'm afraid."
Ted Urquhart smiled again. He was not "afraid."
If it had been not just fifty girls, but one young man who
occupied all Eleanor's time and thought, things would
have looked black. But a couple of hundred other girls.
Well! The thought, of them weighed lighter than a
dozen dry rose-petals.
"Yes; she's over there now, with her friend, Miss
Fayre," her father was explaining, "and it's very little
I hear from them beyond a line or so on a postcard with
a view of the harbour or a girl in a Boulogne fish-wife's
cap on it. They were to stay a month. However, as
you are here, Eleanor shall be sent for——"
"No, no, she shan't," said young Ted, impetuously.
"I shall go on over there to her, at once."
"You will? Bless me, how you fly about, you young
fellows, nowadays!" murmured Mr. Urquhart. "It's
a long way to France, Clive—Ted, I mean."
Ted laughed. From Urquhart's Court, via the
South-Eastern Railway, Charing Cross, and Boulogne,
across to this little village where Eleanor was putting in
her time before marriage, seemed no more of a "trek"
to him after his journeyings, than a stroll across the
mint-sauce lawn at the Court.
"At least you'll write and tell her that you are coming?
We'll both write, Ted," said the old man, turning
to that littered table.
"If you don't mind, Sir, we'll do nothing of the sort,"
put in the young man. "I've just been struck by an
idea."
He had. It was one of those ideas which seem at first
so eminently satisfactory—and sane. Afterwards they
appear so fatuously silly. And, later still, what would
one not give to recall them, these tragically ill-fated
"ideas"?
"I shall go over there and see if I can't get to know
her without letting her guess who I am!" declared the
young man who was engaged to Eleanor Urquhart.
"If, after all these years, we have a sort of prepared
meeting, each of us trying to say and do the correct
thing and to make it pleasant and easy for the other
party, it'll be—quite simply—a frost! We shall be
desperately self-conscious, and hard-boiled stiff with
shyness. At least that's how it would take me, Sir!
Enough to put any girl off at once. I want her to see
me first without her having any idea that I'm the man
she's pledged herself to marry."
"I don't see," said old Mr. Urquhart, mildly, "what
difference this idea of yours will make."
"It'll make all the difference in the world," said Ted
Urquhart, speaking more truly than he knew.
And so it was that he would only stay at the Court
for luncheon, and then left that rose-garlanded earthly
paradise, which somehow seemed more desirable to him
now even than in his dreams as a wanderer, for the
express up to Charing Cross, the boat-train to Folkestone,
the boat across to Boulogne, and the cart that
took him a jolting ten miles further to the sleepy village
that was then just a cluster of fishermen's cottages, two
hotels, a post-office and Debit Tabac and—Eleanor's
Hostel.
Ted, carrying a walking-stick and a kit-bag patterned
with a score of different coloured luggage-labels,
made the whole journey in under eleven hours from the
moment that he had set foot in the hall of the Court.
Such was his hurry, after a dilatory year, to face his
Fate at last.
And the very next morning he did meet his Fate—with
a vengeance.
Of all the duties which Rosamond Fayre had so far
performed in her capacity as secretary and right-hand
woman to her friend Eleanor Urquhart, she most
enjoyed accompanying her on that trip to the Holiday
Hostel in the little fishing-village on the still so peaceful
French coast.
Rosamond adored France, the land known to Sir
Philip Sidney as "that sweet Enemy!" the country
that even in the June before the War was friendly
ground to an Englishwoman.
She loved to wake up to find people—different in look
and dress from people at home—doing unusual things
at unusual times. She loved that unfamiliar atmosphere
of roasting coffee, combined with the smell of
sun-on-seaweed. She loved the clack of a foreign tongue. She
loved to feel that higher tide of gaiety and vitality
which seems to sweep the other side of the Channel only.
She loved the little village with its busy "door-step"
life; she loved to see the fisher-women, in their little
white sun-bonnets, sitting mending their nets in the
cobbled yards; the children, with their burnt-straw-coloured
hair cropped to the bone, shrimping for
"crevettes" in the rock-pools; the smart French
visitors—little girls dressed as sailor-boys, plump mammas
who appeared at their hotel doors at eleven o'clock in
the morning dressed in white bed-jackets, over bright
satin tango-petticoats; and she particularly enjoyed all
these details in the society of Eleanor's girls, upon whom
they were dawning for the first time.
"Eleanor's girls," for whom the house built by an
artist at the other end of the village had been converted
into a Hostel, were to be brought over, six at a time,
during the summer months. There were at present,
however, only five of them. The sixth candidate was an
English milliner's assistant who worked in a Paris
hat-shop, and, as Eleanor had only heard of her by letter,
and as she (who had accepted a husband by letter only)
preferred to select her "girls" by a personal
interview, she had judged it better to make a short trip
to Paris, combining a commission of her father's
with regard to some rare Rosicrucian documents
with some personal enquiries as to the young shop-girl.
Thus it was that, for a whole week, Rosamond was
left in charge of the Hostel and of the five girls.
Now, these girls, who were any age from nineteen to
thirty, and who were treated by strict little Eleanor
Urquhart as if they were children, treated her in turn
as if each one of them were her devoted nurse. They
admired her—immensely; but not for the qualities on
which she prided herself; not for her managing powers,
not because she could arrange with railway companies
and steamship authorities to give them trips abroad on
money which they could not have made go further than
a week-end at Clacton, but because that sort of
child-like, incomprehensible innocence of hers seemed to set
her apart from them and above them. Instinctively
they checked any "rowdiness," they "censored"
conversation, expressions, risky songs, when Miss Urquhart
was near. For in the three great divisions of girlhood
one finds, in nine cases out of ten, the Potential
Mother and the Potential Coquette alike ready to pay
homage to the Potential Nun.
Yes; Miss Urquhart they revered—and obeyed.
Rosamond they loved; Rosamond, who could trim hats
for them, and play tango-music, and tell fortunes, and
advise them with regard to that question of perennial
poignancy—their young men.
"Miss Fayre knows all right," as one of the girls
declared one day through a mouthful of liqueur chocolates
bought at the Debit Tabac. This girl was a Jam-Hand,
who worked at that Corner of Charing Cross
Road that always smells of hot strawberries and pickles,
and her costume, no matter how warm the weather, was
always completed by a long black velvet coat, heavily
trimmed with braid, a wide black hat with an ostrich-plume,
and a stole of black fox. She gave the furs a
toss as she continued, still munching—"Somehow you
can't see any one—except p'raps Pansy, out of
cheek—talking about fellows to Miss Urquhart!"
"Yet," murmured the girl who was sitting on the
sands with her in the patch of shadow cast by an
upturned boat, "Miss Urquhart's got off herself."
"She has and she hasn't. Her chap's always away!"
"Anyhow—here, greedy, greedy! Have you finished
the lot? I never!—she ought to understand——"
"Well, she does and she doesn't, if you know what I
mean," said the Jam-Hand. The other girl, pale,
slender, and wearing glasses, was one of the young ladies
who work a model typewriter in a big plate-glassed
shop-front under the eyes of the passer-by down a
crowded City thoroughfare.
For they were of all sorts and conditions, Eleanor's
protegées! With the Jam-Hand and the Typist there
stayed the Salvation Army Lassie, a scrap of big-eyed,
sweet-voiced nervousness, who nevertheless took the solo
in street meetings, the red-haired, rather "superior"
Blouse-finisher, and, last but not least of Eleanor's
responsibilities, a young woman of opulent figure and with
a pair of eyes that were even saucier than her voice and
manner, who had played "Principal Boy" in a
provincial Christmas pantomime, and who at other
times was "on with the crowd" in a sketch at the
"Halls."
She was at present what she described as "resting"—but
this did not mean that she was ever weary in her
work of causing Miss Urquhart constant anxiety on the
score of the Hostel Rules. They were few, necessary,
and judicious, but to the Principal Boy they seemed to
act as a spur rather than a curb.
"Pansy, my dear!" Miss Urquhart would say, quite
gently, as that buxom, yawning beauty sat down to the
breakfast-table with her hair, curling riotously over a
dressing-jacket of flimsiest muslin and lace, down to her
sumptuous hips. "I think you have forgotten your
hair."
"Why! Miss Urquhart, I never get the chance! I'm
never left long enough alone about it!" with a twisting
of a tress that shaded from tangerine-colour at the tip
to burnt-sienna at the root round two plump fingers.
"Oh, if there's a thing that the boys admire, it's a nice
head of hair! Now, Miss Fayre! You back me up
about that, eh?"
Rosamond, primming her mouth, would look another
way, while the skirmish between her employer and the
Terror of the Hostel would shift ground to the subject
of another regulation. No girl was to appear with
powder or paint upon her face.
"But a soup song of powder, Miss Urquhart! Why,
whatever's wrong with that? Why, they use it for the
little babies! They do, straight! Turn 'em up after
they come out of their little tubsies and powder 'em all
over lovely! Haven't you seen 'em, Miss Urquhart?
You know, at your mothers' meetin's?"
Then Eleanor, a little more stiffly: "That is different.
That is not the same as your face——"
"Oh, come! Give us a chance! I know that, Miss
Urquhart!" with a burst of rollicking laughter.
"Still—! Oh, I do think a quite little baby is ser-sweet
(sometimes). Don't you? I could eat 'em! But
if you don't keep their poor little skins nice and
soft—"
"I explained the—the—the rules to you before you
came," Eleanor would go on manfully, to this young
person, her senior by five years in age, and by a century
according to other reckonings. "P-P-P-paint——"
"No paint on me, Miss Urquhart!" virtuously
from the Principal Boy. "Haven't brought a stick of
it with me——"
"B-But your mouth——"
The mouth in question, large and moist and curly,
opened as if to sudden enlightenment.
"Oh! Lip-salve! Two-and-a-half-Rose! You can't
call a touch of that paint? It's doctor's orders"—from
the unabashed Pansy. "Keeps the chaps off. No,
I don't mean what you mean, Miss Urquhart——"
And so on.
Before lunch-time, however, the Principal Boy would
have removed the abhorred make-up, and would be
having a competition for the quickest and brownest coat
of sunburn with Annie the Salvation Lassie and Miss
Beading the Blouse-finisher.
It says much for Eleanor's authority and influence
that she kept the reins in her own hands, and caused
these varying elements to live in comparative peace
and charity with each other while they were under her
charge. She was always the head of them—even of
rebellious Pansy! while Rosamond, as she herself would
have frankly told you, was one of themselves, even
though they did call her "Miss, dear," and allow her
to go first into a room.
"I do hope I shall be able to keep even that vestige
of authority while Eleanor's away," thought Rosamond
to herself, doubtfully, at half-past seven in the morning
of the day after Ted Urquhart had turned up unexpectedly
in search of his fiancée at The Court. "Here
are four whole more days of my viceregency to run; if
only I manage to keep the dear, bubbling-over things
out of mischief so long! Heaven send that they don't
get cut off by the tide, or drowned with cramp, or that
they don't make clandestine expeditions into
Boulogne"—going into Boulogne unaccompanied by Eleanor or
her second-in-command was contrary to Hostel rules—"as
long as I'm in charge! Girls are always breaking
out in some fresh place! Pansy, having promised me
as a personal favour to leave off that mask of powder,
takes to liquid white! One comfort about them all is,
that quite a nice large slice of the day's over before
they roll out of their little beds, and I have that to the
good." So she finished her café complet early and
alone, and then strolled out of the Hostel, along the
green downs where the courses of tiny rivulets were
marked by meandering strips of tall mint that hid the
water. She skirted a tall cliff of crumbling red earth,
and passed along to the great stretches of sand bordering
a greeny-blue belt of sea. Rosamond followed the
creamy tide-mark of it towards Le Touquet.
As it was still so early in the morning, her hair was
down, long past the belt of her white skirt, not that
she shared the preference of the girls for breakfasting
in uncoiffed hair, not because it was wet from bathing.
Rosamond Fayre had far too much respect for her
beautiful hair to ruin it with sea-water. When bathing,
it was always protected by a rubber cap, the crudeness
of which was concealed by the swathing of a long silk
sash. But the early morning sunshine seemed to bring
out all the light in that great mane, and Rosamond gave
it a sun-bath as often as possible. She shook it well
over her cheeks, however, so that the sun which brought
lights to her hair need not bring freckles to her
face.
Presently she turned, and followed the track of her
own white sand-shoes back again along the water's
edge. Even as she walked, she became conscious, very
gradually, of a feeling of something impending,
something going to happen. Whether it was a pleasant or
a tragic happening she did not know; part of the
feeling was that something, some one strange had been
following her, even as she walked. She was going to turn
round. Then something else happened which rooted
her to the sand where she stood.
Her face was still shielded by that falling golden
shower, but the little pink ears under the hair caught
a sound which for the moment froze Rosamond's warm
young blood. The sound of a scream! A shrill, girlish
voice—two voices—screaming in terror.
It came from the direction of the cliff.
Flinging back her hair, Rosamond looked up.
There, half-way between the sands at the bottom and
the thymy turf at the top of the cliff, she saw what
seemed for an instant like one splash of dark-blue paint,
and another splash of vivid cherry-colour against the
dark-red wall of earth. Two figures on a ledge that was
as far above her head as it was below the cliff-edge—two
girls—two of Eleanor's—of her own charges!
For that brilliant-cherry-coloured frieze coat,
belonged to the Principal Boy; that slender shape in blue
was the Salvation Army Lassie. Yes! They had
"broken out in a fresh place" after all! And this
before eight in the morning!
They'd climbed up, somehow, and now they'd turned
giddy and could not take another step one way or the
other. Clinging like drowning insects to the side of
a cistern, flattening themselves to the rock, shrinking
as far as possible from that dizzy edge, they could do
nothing but scream, panic-stricken, for help.
They had lost their heads completely. Catching
sight of Rosamond hurrying along the sea-margin, the
Salvation Army Lassie shrieked again:
"Miss, dear! Miss!"
Now, the correct thing for Rosamond to have done
would have been to call back, composedly, for the girls
to stay as they were, without moving or looking down,
while she fetched help from the nearest fishermen, then
set off immediately—a matter of a few minutes only.
This is what she should have done.
The unfortunate and humiliating fact is, however,
that at this juncture Rosamond also lost her
head.
For a second more she stood rooted where she was.
Then she took an aimless run forward; then another
backward, like those pedestrians so dreaded by drivers
of motor-buses, who complicate London's traffic by their
highly nervous attempts to cross the streets. Then she
cried out, as helpless with terror as the girls above her,
"Oh, what shall I do? They'll fall and break their
necks—I know they will— Oh——"
Then she whirled round again, almost into the arms
of some one who had come quickly up from behind a
jutting-out rock, a tall some one in a blue blazer and
white flannel trousers and with a rough bathing-towel
cast muffler-wise about his neck.
"What, is it?" asked a quick, very pleasant masculine
voice. "Can I help——!"
It was with these six words that the situation—and
incidentally the life-history of Rosamond Fayre—were
broken into by Ted Urquhart.
Who—what he was, she had no time to think. Here
in this solitary spot, dropped down by some special
dispensation of Providence upon the sands, appeared at this
awful moment a man—she scarcely realised at the
moment the added advantages of his being an Englishman
and a gentleman—to the rescue!
"Look!" she gasped, and pointed upwards at the
cliff—at the girls perched like a couple of alien birds
upon that ledge.
This man took in the situation with less than a look.
Then he spoke quickly, but unhurriedly.
"It is quite all right. There's no danger. But you
must— No! Don't look up there. Look at me.
Listen!" He had caught her arm, and, holding it, gave
it a short, authoritative, and very heartening shake.
"Now! You have to go up to the village by the
short-cut. There. Call at the nearest cottage for a rope.
You understand? A rope. 'Ficelle' in French, I
believe. Anyhow that's near enough. Make them let it
down over the top of the cliff, so that I can hang on to
it while I'm getting those girls down by the way they
came. Cliff; falaise—It's all right. But be quick."
Without a backward glance Rosamond fled
stumblingly up the short-cut.
The young man in the blue blazer began making his
way, with the same unhurried quickness, up the cliff
that became only gradually very steep.
After the precipices to which young Urquhart was
accustomed, precipices up which men crawled like
black-beetles scaling a kitchen-wall, and down which mules
felt their way as if they were descending the roof of a
house, this cliff of crumbling French earth seemed
nothing at all. But the two London girls above there—they
were in terror of their lives. Their terror was the
danger—for if they lost what remained to them of
their heads—looked down—let go—slid—there would
be at the very least a nasty fall and broken limbs.
There was room on the narrow ledge for three.
Presently Ted Urquhart was standing beside the slight
form in navy-blue, which immediately clutched him as
a midge will clutch at the grass that fishes it out of a
picnic tea-cup.
"It's quite all right," Ted Urquhart said, again
distinctly, slowly, and cheerily. "There is absolutely
nothing to be afraid of. You could get down quite all
right by yourselves."
"Oh, no," gasped the blue-clad girl, clutching more
wildly, while the young woman beyond her added in a
tense voice, "I couldn't take a step down for love nor
gold!—and I shall begin to scream again in a minute!"
"Why not?" said Ted Urquhart briskly, "screaming's
free. Only—it doesn't help you one scrap. Still,
if you want to, do."
This checked any further outcry on the part of the
Principal Boy. Her eyes clung to the rescuer even as
her companion's hands clutched him. He went on.
"The young lady who was down there has gone to
fetch a rope; it will be let down from the top."
"Oh, I'm not going to hang on to no rope, like a
spider! Rope-dancing's not my particular line!"
protested the Principal Boy, hoarsely, but with a touch
of bravado now that she was fortified by something of
an audience. "I'd as soon come up through the
star-trap—that is, if I ever get down again alive!"
"Pooh!" Urquhart laughed, encouragingly. Then,
shifting his position a little, he freed one arm from the
Lassie's clutch and put it out towards the theatrical
girl.
"If you don't mind," he said to Pansy, "I'm going
to borrow that very pretty sash-arrangement you've got
round your waist. What is it, a sports-scarf? Jolly
things, aren't they? Girls hadn't begun to wear those
when I was last at home."
The Principal Boy shifted her scared gaze to the
scarf he had drawn from about her. "Whatever d'you
want it for?"
"To blindfold your friend here," explained the
self-possessed stranger. And, almost before she knew what
he was doing, the Salvation Army Lassie found that the
woven, petunia-coloured scarf was being tied firmly
about her terrified eyes, while the stranger went on
without a break in that soothing tone of encouragement.
"Don't you know that firemen do this if they have
to bring people down from a height where they aren't
quite comfy? Or, if a steeplejack gets up to the top
of a high chimney and thinks he can't come down—as
they do, sometimes, you know,—very foolish, because
they always can come down," said Urquhart, authoritatively.
He ran on, outwardly careless, until presently—
"Ah!—here's the rope!" he exclaimed, as there were
shouts from above, and the firm rough loop dangled a
couple of feet above his head. "That young lady's been
jolly quick, and now I am going to be quick too. You
see I take firm hold of this,"—he did so—"so that I
can't possibly fall. If I slip, it doesn't matter; and
if you've got firm hold of me, you can't fall either. I
shall take you down first," he added quietly to the
blindfolded, clutching Salvation Army Lassie, "and
come back for your friend. Being a dancer, she's firm
on her feet."
But the handsome face of the Principal Boy paled
suddenly to the sickly, greeny-white of a guelder-rose,
on which the liquid powder and the pink salve stood out
in ghastly relief.
"No! for God's sake—don't leave me!" she gasped
out hoarsely, shrinking back against the wall of the
ledge. "Don't leave me again! I can't stay up here
all by myself. I'm shaking now. I shall look down
and chuck myself over. I know I shall——"
"You'll do nothing so silly!" broke in the man's
voice sharply. "Stop it!"
Then, with that peculiarly reassuring laugh of his,
Ted added, "My dear girl, you're too young to die,
and the stage can't spare you. I'll tell you what you're
going to do. Give me your hand." He took it. "Now
here's this thistle growing out of a cleft. Clutch it.
Pull on that as hard as you like. They're tough beggars.
And here!—in your other hand, take my watch." He
had drawn it out of the pocket of his broad,
foreign leather waist-belt. "Keep your eyes fixed on the
hands of that," he ordered, firmly and cheerfully. "By
the time they've moved on five minutes I shall be back
again to fetch you. Be plucky—I know you are plucky
enough to stick it out for five more minutes!" He
forced the conviction upon her, too, with voice and look.
"Now" (he turned to the slighter, frailer girl, who,
as he had rightly judged, it would have been more
dangerous to leave), "if you will put both your arms
round my neck I can carry you down—yes, of
course I can take your weight. The rope's got
mine."
And, holding on to that rope, step by step, Ted
Urquhart, with his trembling burden, made his way
down to a less dizzy height.
"There! Now it's only a yard or two down to the
sands," he said at last, "you can do that yourself, can't
you, while I fetch the other girl?"
Like a cat he was up again to where the Principal
Boy, with one plump damp hand grasping the thistle,
stood desperately waiting, her brown eyes on the watch
that he had slipped into the other hand. "Only four
minutes, you see!" said the rescuer briskly, "so I'm
before my time—a good fault, isn't it?—especially in
an appointment with a lady. Now let that thing go—I
hope you haven't got many prickles in your hands—and
clasp them both firmly behind my neck."
"Ho! yes; that's a jolly good game, played slow,
isn't it!" retorted Pansy, with an unsteady brightness.
"All very fine for young Annie—she's got no one to
worry her life out with his jealousy—don't matter
whose neck she fastens herself round! Me with
my—with my two dozen best boys, I've got to be careful.
As for you, young man," she babbled on, "you give me
your arm. I shall be right enough with that."
"Splendid!" said Ted Urquhart. "Hang on tight.
Don't have the sleeve out of my blazer. There! That's
better. Now. Don't look down. Look at me——"
"I s'pose you—you consider you're easy enough to
look at? Not but what some girls mightn't think
so— Ow——" (A pebble had rattled downwards.)
"All right, all right! Feel for the niches with your
feet," he ordered. "That's it——"
And as they also made the journey down, he
continued to speak on, brightly, complimenting the still
shaking girl on her sureness of foot, questioning her
about her stage-work—anything to take her thoughts
off that drop below the ledge.
"Why, the other young lady," he concluded a
compliment, "was much more frightened, you know, than
either of you——"
"I daresay she was, bless her!" agreed the Principal
Boy, laughing a little more naturally now that safety
and the sands were coming so much nearer up towards
her. "She didn't want to have to arrange for no
funerals from the Hostel, she being there in charge of
us and all!"
"She was in charge, was she?" said Ted Urquhart
evenly, as he let go the now unneeded rope and the
Principal Boy dropped his arm. And now their feet were
set on the blessedly hard sand. "In charge of you. Of
course."
To himself he said, "It was she! It was she!" His
pulses leapt.
"I thought so," he told himself. "I knew it, when
I saw her swinging along by the water's-edge. And it
was!"
Then, with a bow to the two girls, he turned quickly
away; partly because he felt badly in need of a drink,
partly because the Salvation Army Lassie, who had
collapsed on to a seaweedy boulder, was sobbing hysterically
in a way with which a Principal Boy might cope,
but with which he felt he really couldn't; and, chiefly!
because every fibre of his being was tensely strung with
eager curiosity for another, longer, more soul-satisfying
look at that girl, with the frightened perfect face
under the golden rain of hair;—the girl who was "in
charge" of these other girls at the Hostel—the girl
whom he took to be none other them his own fiancée.
"She's beautiful. By Jove, she is beautiful!" was
his only thought for some minutes as he strode back up
the white, hedgeless road towards his Hotel. "I never
imagined her so lovely—— That hair!" Then——
"Yet I always imagined her fair, the girl I would
marry. Just a boy's fancy, I suppose ... she isn't
much like Uncle Henry! ... What a golden mane! Of
course Helen of Troy was golden, and Ninon, and Fair
Rosamond. I am glad Eleanor's so fair. Eleanor....
It doesn't sound like her ... Helen ... That's
nearer. I shall call her Helen, perhaps.... So now
I've really seen her——"
Then, exultantly, "I couldn't have hoped for a better
first meeting! Bucketed head-first into an adventure,
by George! Into helping her, without her ever guessing
who I am! That gives us a flying start. That's luck;
incredible luck!"
He turned to glance downwards and back at the
sweep of sunny, wind-swept shore set between cliffs and
laughing sea; the scene of that encounter.
"And," he thought, "it might have had to happen
in Uncle's musty-fusty, dark old study, full of books
and the smell of mildew and the general atmosphere of
a contract! A formal introduction—Uncle bringing
her in, like a sheep to the slaughter, poor child! 'This
is Eleanor.' 'Ah, how do you do?' As bald as the
presentation-cup speech in that old joke—'Well, here's
the jug'—'Oh, is that the mug?' Rotten for both of
us! It would have taken Heaven knows how long to
wipe out a first impression like that! And, hang it all,
a girl wants a touch of Romance in her courtship. I
ought to have thought of that long ago. What I've
been about all this time I don't know," thought Eleanor's
fiancé. "I must make up for it now. That girl—waiting
for me—sending that letter—those rose-leaves—She's
romantic. Or isn't she? A coquette? Unconsciously,
perhaps, or—What is she like, besides being
lovely to look at? How soon shall I begin to find out?
How soon can I decently see her again?"
In spite of much lying-in-wait about the sands and the
wide French roads, Ted Urquhart didn't, for the rest
of the morning, catch another glimpse of his golden
Enigma. Disappointed, but nursing an increasing
determination that the afternoon should be less of a blank,
he went in to the table d'hôte déjeuner at the Hotel de
la Plage. One fish course succeeded another. Then, in
the midst of a dessert of tiny black grapes (grown on
the white backyard wall of the Hotel), and of little
sponge biscuits which it appeared to be the custom of
the country to dip into one's glass of very thin red
wine and then suck, there appeared before Ted Urquhart
the "Madame" of the hotel in her tight black
gown and architectural hair, who smilingly informed
him that these English demoiselles from the Atelier were
all in the hall, desirous of speaking to the English
Monsieur.
"Ah!—Good," said Ted Urquhart eagerly.
He strode out into the bare, shady, stone-paved hall,
where a knot of girlish figures, in heterogeneous seaside
"get-up," were clustered, like bees on a head of teazle,
in one corner. A buzzing chorus of talk stopped on
a staccato note as the young man appeared in the
doorway. For a second he hesitated, glancing from the
one black coat with furs to the coloured blouses.
Then one figure, the tallest, dressed in white, separated
itself from the others, and came sedately towards
him.
"Oh," she began demurely, in a voice very different
from the whispering, giggling voices of the other girls,
"good-afternoon, Mr.——"
And she—the girl of this morning; "his" girl!—paused.
It was to give him an opportunity to slip in
the name by which she must thank him.
Ted Urquhart, realising this well enough, didn't
give any.
"Not yet; no, not yet!" he was saying to himself.
And he forced himself away from the growing
temptation to stare.
He noticed how her hair, the wonderful blonde hair
that had rippled down far below her waist, and had
been so hastily shaken back from her face, was well out
of the way now,—plaited into a rope thicker than that
which had been let down over the cliff's edge, wound
round her head, and hidden away under a very
wide-brimmed hat of exquisitely-woven white.
In his quick glance at the girl, Ted Urquhart did not
overlook that Panama hat.
For he knew it.
"I come on behalf of these young ladies," the pretty
voice was saying, half-deprecatingly, half-mischievously.
"We—they all want to thank you so much for your
... well, I don't know quite what to call it——!"
"Heroism, Miss, dear!" prompted the voice of the
funereally-clad Jam-Hand. "Like the Surrey," she
added.
"Well," went on the girl in charge, "may we say
'heroism'—like the Surrey?"
She met the young man's eyes, and they laughed
together.
"Oh, please don't say anything of the kind!" Ted
Urquhart implored her, still laughing; his eyes, full of
well-leashed admiration, again upon the face under the
Panama hat which he had sent, weeks ago, to Eleanor.
The girl had trimmed his gift with a silken scarf,
now faded to a tender browny-pink not unlike the colour
of those rose-leaves in that letter which had brought
him home on an impulse,—but he knew that was the
hat.
He knew that he had written in the accompanying
letter a description of how these fine hats were made,
not of straw, but of the young fronds of spreading
palm-leaves, and how they are plaited under water to
keep them flexible, and how the little square piece in
the crown is the feature of the more elaborate of them.
All this he knew: he could almost see his own
handwriting in that letter.
But what he did not know was, that Eleanor
Urquhart, when she had received that packet at The Court,
had said, "Oh, look what a queer sort of garden-hat
Ted has sent me from South America! So kind of him,
but it's much too large for me—I never wear these
immense shady things. Rosamond, do you care to have
it?"
"Oh, rather, my dear! Any contributions thankfully
received for the pauper's wardrobe!" Rosamond Fayre
had laughed; "besides, this is a lovely hat for the
grounds, and I shall be able to wear it all the time when
we are by the sea."
And that was how it happened that she was wearing
it now.
"Please don't dream of thanking me—I'm only so
glad I happened to turn up," Ted Urquhart was saying.
And then the girl in charge, prompted by another
murmur from the group of—"About this afternoon,
Miss—you know!—you ask him!" went on sedately:
"Oh, yes! and I am deputed to ask you whether you
can spare time to come this afternoon and have tea
with us all? We are at the Hostel, that white house
with the brilliant green shutters and the studio in the
garden. It's on the right of the road to Boulogne, at
the other end of the village from here, if you will
come——"
If, indeed!
"Thanks most awfully," said Urquhart promptly,
turning to the group by the door and smiling again as
he met the unabashed gaze of the Principal Boy. "I
shall be delighted to come!"
He meant it.
His plan, his excellent plan, was continuing to work
out even better than he had dreamed.
First the flying start of this morning's adventure.
Now the entrée to Eleanor's hospitality—and under
such favourable circumstances! Holiday-time; a jolly
little holiday place without any stiffness or formality
about it. A foreign village, too; that meant an added
excuse for compatriots to be very friendly. Except
for a couple of Americans on their honeymoon at his
Hotel, there seemed to be only French people and the
Hostel party in the village. Naturally the only
Englishman would soon find himself attached to the Hostel
party—they were genial, sympathetic souls, these
Cockney girls. And soon, the "party" also would
split up into the immemorial grouping. They—he and
she—would grow to be friends—more than friends, as
quickly here as on board ship or on a desert-island.
Everything was conspiring to help on the courtship
that was now about to begin.
He congratulated himself——
Meanwhile, Rosamond Fayre also was thinking:
"Well, I suppose this quite pleasant but slightly
unconventional young man will now proceed to introduce
himself by name?"
Not he.
All he said was, "How soon—I mean when may I
come?"
"Tea is at five," he was told. "Good-bye until then—er——"
Again a little pause into which Miss Fayre not
unwarrantably imagined that he might have slipped his
name.
Ted Urquhart merely echoed courteously, "Until then!"
The bevy of English girls, with a bobbing of small,
bright hats, a swing of skirts, and a toss of one set of
black furs, moved away from the Hotel in a cloud of
white French dust.
Then a clatter of tongues broke out.
"Miss, dear, isn't he handsome?"
"Tall, isn't he?"
"Talk about sun-burnt!"
"Funny kind of belt he'd got on; sort of cowboy-looking,
wasn't it? Isn't he like Lewis Waller in—"
"Oh, go on, Mabel Beading! It's always Lewis
Waller, with her. Not a bit like an actor, to my mind.
More like a soldier!"
"Well, he couldn't look like anything better," said
Miss Fayre, whose motto from childhood had been,
"Ah, que j'aime les militaires."
"I wonder what he does for a living?"
"I wonder how old he is? Twenty-seven, twenty-eight?"
"I wonder," contributed the Salvation Army Lassie,
"if he's married?"
"Not him," declared the Principal Boy definitely.
"Now, Pansy, whatever's the good of saying that,
when you don't know?" retorted the Blouse-finisher
rather pettishly. "How can you possibly tell, with
gentlemen? They aren't like us! They don't have to
give the game away with a wedding-ring——"
"And a 'Keep-off-the-grass' expression," added the
Jam-Hand, "and a new name! Now, when a young
girl's still single, she's——"
"Talking of names," said Pansy, quickly, "what's
his? Anybody catch it?"
No; nobody seemed to have caught it.
"Miss, dear," from the Jam-Hand, "didn't he say,
when he was talking to you?"
"No," said Rosamond Fayre; meditatively, perhaps.
"He did not."
"Funny of him," complained the Typist. "You'd
think it was the first thing he'd mention!"
"Well, I wonder what it is? Shouldn't be surprised
if it was 'Captain' Something," said the Blouse-finisher,
"he'd got his hair cut that way, and that little
short military moustache. It'll be in the book in the
Hotel, anyway—we could always find out——"
"My dear Mabel! indeed we couldn't!" remonstrated
the vice-Head of the Hostel, aghast. "If this—well,
if he didn't choose to tell it to us, we couldn't very well
go looking it up as if——"
"As if we was after him!" the Jam-Hand came
to the rescue. "Miss is quite right. What's in a
name?"
The Blouse-finisher persisted that it was queer, not
knowing what name you could so much as pass him a
cup of tea by.
"And besides, I do want to know it. What am I to
call him," asked the Salvation Lassie simply, "in my
prayers?"
"Probably he'll send in his card," suggested Miss
Fayre, "when he calls this afternoon."
Ted Urquhart, needless to say, did nothing of the
kind.
Still full of the excellence of his schemes, he arrived
just before five, at the latticed porch of his unsuspecting
fiancée's Hostel.
About the base of that porch were planted clumps of
ribbon-grass and tuffets of golden-feather and straggles
of canary-creeper; and the lattice was gay with the
monthly roses that grew from a big plaster vase placed
at one side of the entrance. The vase was held up by
three laughing Cupids, which had been modelled by the
artist who had owned the house. Miss Urquhart, when
she transformed it into her Hostel, would have had
"those not very appropriate little statuettes" removed.
But Rosamond, fearing that the flowers might not bear
transplanting, had pleaded that the little, unabashed
Loves should stay as they were.
Urquhart's ring at the bell was answered by the old
mahogany-faced, snowy-capped Frenchwoman who
cooked and cleaned and did the work of three English
servants about the place.
But before she could request Monsieur to enter, the
slight figure of Annie, the Salvation Lassie, slipped,
greatly daring, before her.
Annie also had a scheme respecting names.
"Good-afternoon, Sir. I'm parlour-maid to-day,"
she informed the tall visitor with a little giggle of
nervousness; "so—what name, Sir?"
Mr. Ted Urquhart was not to be caught out thus.
What? Held up at the door? Requested to stand and
deliver?
He smiled down at the ingenuous little highway-woman.
"You don't remember me?" he said. "I am expected,
I think."
Then he let her lead the way into what had been the
artist's studio, now transformed by Eleanor into the
Girls' Refectory.
The place was long and cool and coloured like a blade
of the ribbon-grass outside. Green and white
casement-cloth curtained the tall windows, the floor was
carpeted with green straw matting, the white
distempered walls were bare save for a framed copy of the
Hostel Rules and an Arundel print of S. Ursula with
her Eleven Thousand Virgins. (Rosamond considered
that the small austere face of the S. Ursula was not
unlike that of Eleanor herself, and she sometimes
amused herself privately by seeking for likenesses in
the Eleven Thousand, to the factory-hands or
music-hall supers under Miss Urquhart's care.) A large
green Brittany crock full of white Bride-lilies with
streamers of ribbon-grass stood in the centre of the
long table now laid for tea. At the head of it stood that
supple girl in white, with the big Panama hat hiding her
glorious hair.
"So this is to be our first meal together," thought
the visitor. "Well, with luck! it won't be long before
I shall contrive to get her to come out to tea with me,
somewhere; away from all these rather alarming young
women. Ah, Eleanor! Helen—Nell—Yes, that's your
name—my name for you. Nell, you little think that
I'm the person you'll have to be pouring out tea for
every day, presently. Presently you will be sitting at
a table for two, perhaps calling me by some name of
your own, and——"
"Will you come and sit here," suggested his unconscious
hostess, thinking "if he prefers 'you' to any
other form of address for the present, so be it!"
And he sat down at her right hand, between her and
the Principal Boy, who immediately took most of the
burden of entertaining the guest upon her own plump
shoulders. And she certainly broke the ice of a
situation where a young, well-bred, and good-looking
(but curiously nameless) man, the only representative
of his sex, was being mutely worshipped as a hero by
a bevy of rather self-conscious girls.
"I'll look after him," Pansy chattered, heaping
Urquhart's plate, putting the sugar into his cup of tea
with her own fingers, all but guiding the cup to his
lips. "Oh, doesn't it begin to feel more sort of natural
with a man about the house again, instead of the
ever-lastin' hen-party? Pass those little cakes along,
Mabel; they're sort of tipsyfied. Babies-in-rum they
called 'em, but I daresay their bark's worse than their
bite. Same as mine. He'll like those.... Not at all!
You never find me backward in coming forward when
there's boys—er—a gentleman to look after.... I
don't," she concluded pointedly, "know what else to
call him?"
Ted Urquhart chose to take this question as a mere
statement of fact. He helped himself to a baba-au-rhum,
smiled at his neighbour, and asked her, pleasantly,
if she felt quite recovered after her little fright
of this morning.
"'Little fright'?" echoed Pansy, dramatically.
"Oh, girls! Oh, Miss, dear! If you'd only known my
feelings-not-to-mention-my-sensations, when me and
young Annie was hanging there on that cliff like the two
Balancinis in that Trapeze Act! 'What had we found
wrong with the ground,' eh? Oh! Doesn't it show you
what's the fruits of getting up early because it's such
a lovely morning? Never again! 'Such a thing as
early risin' I—Don't—See!'" she sang. "Getting up?
Well! Just as I was thinking the 'bus-conductor would
be passing some rude remark about me ankles——"
The Typist blushed; the Blouse-finisher murmured
something about not the slightest use taking any
notice—and the Pantomime Boy, devouring
criss-cross-patterned French cream-cakes, babbled on:
"Just as I was wondering who'd break the news to
Mother, up comes Lieutenant Daring the Cliffclimber,
that is to say Mister——"
She broke off abruptly. There was a pause; the
longest yet. Surely, thought Rosamond Fayre behind
the teapot, surely this nameless knight-errant would
proclaim his title now? No. The indefatigable Pansy
was forced to go on.
"Mister—Who? Myster—ee, I suppose. I believe
he's Royalty, travelling incog.—Alphonso! Lobengula!
Oh, fancy having me life saved by a Prince! Look well
on the bills, won't it? Better than having me jewels
pinched! Oh, when he was grabbing on to that rope
with one hand and begging me to throw my arms round
him, I said, 'Can a duck swim?'"
At this revised version of what had happened on the
cliff-ledge Ted Urquhart put back his brown head and
laughed infectiously.
Rosamond joined in with the other girls; she laughed,
but she was feeling thankful that Eleanor, safe in Paris,
did not behold her theatrical protegée in her present
mood. Pansy, who had been budding out of the Hostel
etiquette all the week, seemed about to burst into full
bloom this afternoon.
It was at the second addition of hot water to the
teapot that Pansy protested that all she wanted to
make her perfectly happy again in this God-forsaken
spot, where they seemed to make their tobacco out o'
those bits of dry black seaweed that blew about the
beach, was a decent cigarette!
Smoking, in the Hostel, was strictly against rules,
but ignorant of this regulation of his betrothed's, Ted
Urquhart, with some relief that the name-motif
appeared to be dying out of the conversation, drew out
his case—a thing of finely plaited straw something like
that of the Panama hat—and passed it, with a quick
glance of inquiry, to his hostess.
"I don't smoke, thanks," said Rosamond. Then,
firmly, "Nobody smokes."
A mutinous pout from Pansy. "Miss, dear, couldn't
you look the other way? Anyhow——"
With the word she took the cigarette-case and turned
it upside down beside her plate. A dozen or so of
"Egyptians" rolled out on to the table-cloth.
"Ow! Is that all you keep in it? Sold again!"
disappointedly from the Principal Boy. "No cards, by
request! All right. Is there a spot more tea in the
pot, Miss, dear, for his Royal Highness Prince
Mumm?"
Here Urquhart began to realise that the joke of a
withheld name was wearing a trifle thin. Why couldn't
this rattle of a girl drop it now? It was beginning to
make him almost embarrassed before his hostess, it
would mean more awkwardness than he intended, when
he came, say, in a couple of days or so, to announcing
himself by name. He had thought one could slide more
easily than that over the situation.... It was the
fault of these girls! She—Nell—hadn't shown any
curiosity. But all her charges—the little thing who'd
opened the door, the girl in glasses, the red-haired, and
the coster-y looking ones; they were asking now, with
all their eyes, what that impertinent theatrical minx
presently put into so many words.
"Haven't you got a name, Mr. Man?"
"Come, Pansy, Pansy!" from the hostess.
"Well, there you are, you see! He's allowed to hear
mine," complained the Principal Boy, loudly. "He
knows I'm Pansy——"
"Yes; but Miss Pansy What?" fenced young Urquhart.
"I haven't been allowed to hear your surname,
after all."
"Want to hear it?"' retorted the girl petulantly.
"Not," said the young man quickly, "if you don't
want to tell it to me."
"Ah, that's meant for a nasty one, but our family
don't take hints. I don't mind telling you," the
Principal Boy announced. She finished her cup of tea,
glanced quickly at the disposal of the tea-leaves at the
bottom, muttered to herself, "A short journey across
the sea, a quarrel, the wedding of a friend," and then
vouchsafed, defiantly, "My name is Hawkins."
"Oh, hark at her!" burst hoarsely from the
Jam-Hand. "Oh, Pansy, you're worse than awful!
Where d'you think you'll go to? Hawkins! Oh!" (An
explosive giggle.) "Whatever next? Miss Hawkins!"
"It's not her name at all," explained the
Blouse-finisher, bridling, and the Typist added,
"Her name is Miss Vansittart."
"Yes," from the Jam-Hand. "And that's only her
stage-name!"
The Lassie ventured apologetically, "Her reel name
is very pretty, I think; Pansy Price."
"Oh, then, you've got altogether too many names,
you know. I couldn't compete with you," said Ted
Urquhart, smiling at the handsome rebellious face of the
girl beside him, and determined, as Rosamond Fayre
realised, to keep this skirmish in the enemy's own
country. "Besides," he said, "a lady's name isn't the same
as a man's——"
"How d'you mean, Mr.—Er——?"
"I mean that you'll all change yours very shortly, I
expect. I shall stick to mine—whatever it is."
"Evident!" said the flushed Pansy. "But—straight
now"—she dropped her voice to an insinuating
aside—"What is it?"
"Don't tell her!" It was his hostess herself who
intervened, turning, half-annoyed, half-smiling, to the
guest. "No; don't tell her now. Leave it at that.
They've been very rude to tease you about it. Don't
tell—anybody your name."
"You see? I am forbidden to tell you!" took up the
anonymous knight, with a little nod. "I'm sorry, but
it's——"
"Your score. Chalk it up and I'll be round with
the money in the morning, Mr. Nought-nought-double-O-Dot,"
retorted the Principal Boy quite good-naturedly.
"Change the subject—seems to be the only
change a girl can get out of you!" Then she began to
rattle on again, this time about that bouquet of flowers
on the table.
"Smell a treat, don't they? Whatever's that stripey
stuff you've stuck in with them, Annie?"
"That's ribbon-grass," the Lassie timidly showed
off her knowledge from the other side of the table. "At
home they used to call it 'Match-Me' and play a game
with it—seeing who could get two blades striped just
alike——"
"Oh, yes, we know those games!—If it isn't
Match-Me it's Shy Widow (I don't think!) or Postman's
Knock," from Pansy. "Always end the same way!
Always finish in your finding yourself let in for a kiss
to the wrong young man!"
And she concluded audaciously to the only young man
present, "Is this where we start playing it now?"
"Isn't this where we all go down to the shore?"
parried Urquhart, smiling pleasantly at her, "and see
if there's any phosphorescence on the waves this fine
evening?"
His quickness was rewarded by a quicker glance of
half-amused gratitude from the blue eyes of the girl at
the head of the now rifled tea-table—and then, with a
pushing aside of chairs, and a babble of—"while I
get my new ta-ta on"—"Miss, dear, can I come out
as I am?"—"is it cowld?"—"no, you can't have my
furs! Leave off!" the girls disappeared out of the
Refectory, where, in spite of wide-thrown windows, the
air seemed close and still vibrating with clatter, to the
upper rooms of the Hostel.
Ted Urquhart was left to wait for them in the cool
garden outside, where the round-limbed plaster Loves
laughed under their burden of roses, to smoke his
deferred cigarette and to revise his impressions of the
girl who would soon, he found, be settling down very
naturally and rapidly to her appropriate place in her
fiancé's heart.
"Mischievous, though. Just brimful of mischief,"
he decided. "Every bit as much so as the other hussy!
Only hers—Nell's—isn't allowed to bubble over. It's
all tucked away—takes cover under that hat, I suppose.
Watch that mouth of hers when the girls she's
shepherding say something that she's simply got to
appear shocked at——"
He gave a short laugh as he turned up the path again
and flicked a bit of ash off on to the broken shell that
served for gravel. "Mischief! It was all part of
it—her writing to me, long ago, that she hadn't a
photograph, didn't bother to have herself taken, as she always
came out so badly. Badly? She was hoarding up her
looks, deliberately. Meant to spring a mine upon me,
when I did come home, with her beauty and—and herself!"
He glanced, as he walked past, at the striped cascade
of Match-Me grass beside the porch.
"And her little prunes-and-primsy letters! Jove?
The first one of all—'My dear Ted—Father and I both
think that it will be the best thing for me to accept your
kind offer' (of marriage, forsooth), and then the
others, the seedsman's catalogue and the list of fixtures
at The Court, and the—she must have been laughing to
herself as she wrote that letter! Now, I wonder what
on earth sort of a young-man-not-in-a-hurry she
thought she was writing to? I wonder what she
thinks—whether she thinks anything at all yet, that is, of
me?"
Rosamond Fayre was at that moment in her bedroom,
changing her house-slippers (always to be worn indoors
at the Hostel, Rule 8) for her white canvas beach-shoes,
and thinking quite busily about the guest of the
afternoon.
And her first impression of him was, frankly, that she
liked him very much indeed. Yes. For a number of
reasons she considered him (in the bald, but
comprehensive summing-up of girlhood) "nice."
To begin with, of course, his looks. His build and
make, his alert movements, his graceful height, the
breadth of his flat shoulders and the way his rather
small head was set upon them—these things pleased
Rosamond's eyes, and through them, her sense of what
a man should be as well as look. He was active and fit
and hard as nails. Now he looked the sort of young
man, she thought, to rush up and down the Andes,
making no more of the castings upon his shoulder than
a porter carting a kit-bag upstairs, like that weird sort
of a fiancé of Eleanor's—to whom, by the way, another
letter would have to be sent off in a couple of days.
Only, keen as he seemed over his engineering and his
camp-life, Eleanor's fiancé was obviously a laggard in
love. This young man, Rosamond decided, would not
be that. She liked the quick grey glance of his
impatient eyes—patience in a man being one of the quite
numerous virtues which Woman respects and loathes.
She liked the "Service crop" of his brown hair and the
tan of his face and the short moustache that was
scarcely darker than that tan, and that hid nothing of
the firm line of his lips. Decidedly good to look at.
Such a nice voice, too, thought Rosamond, tying the
white strings of her shoe.
The right sort of clothes, too. As old as the hills,
but built. He'd changed the blue blazer and waist-belt
and white flannel bags of this morning for grey tweed
things with an unstiffened white collar fastened by a
plain gold safety-pin under a tie of deep-blue knitted
silk.
"I wonder if ... anybody ... knitted it?" she
broke off.
And she liked the way he wore the clothes, also that
leather strap about his wrist, and the very old silk
handkerchief that had faded to the brown of an autumn
leaf, and—several more of the little details, the omission
or achievement of which young women were noticing at
the time that young men fondly dreamt that they—the
girls—were being profoundly interested in what happened
at the seventh hole, or in Ulster; what a man like
Lloyd George was actually driving at, or what had been
the policy of their particular firm, up to now—
If the youth had but known!
It doesn't matter now, of course, since there is now
always the one topic, the War, for maid and man....
This young man, besides being agreeable to look at
and to listen to, possessed that Something to which girls
who are sisters pay tribute. (In a two-edged remark
which sometimes also means that they, personally, find
a young man hopelessly uninspiring!)
"The boys would like him."
Rosamond Fayre, remembering the brother dead in
his early twenties, thought, "Yes. My dear old boy
would have liked him!"
How nice he—the visitor—had been at tea! Some
young men might have "taken advantage" in some
tiny, imperceptible way of Pansy, who was rather
appalling when she let her high spirits run away with
her like that. Rosamond was almost as grateful to
him for his behaviour this afternoon as for that of
this morning.
How ripping and "on the spot" and dependable
he'd been this morning!
Rosamond found that she utterly approved of everything
she'd noticed, so far, about—his name? What
about that name of his? M—m, well!
Well, he'd missed his opportunity of getting it in
at once, of course. Afterwards, of course he wasn't
going to give away the name at which such a dead set
had been made by the girls! Serve them right that he'd
faced round and begun to tease them!
Rosamond was glad she'd interrupted, when he was
just going to give in. She was glad she'd said "Don't
tell anybody your name!"
"Because he'll know," she reflected, as she closed her
bedroom door, and ran downstairs to join the group in
the porch, "he'll know that when I said 'anybody' I
meant 'anybody except me.' He'll have to tell me when
we get down to the shore, of course!"
Grouped in the hostel porch, the other girls were
chaffing, in whispers, the Principal Boy.
"Well, you had all the luck! Not a word or a look
for any of us!" they complained. "You were the one,
Pansy!"
"Me? Nit," declared Pansy, winking in a fashion
for which she had been more than once gently taken to
task by Miss Eleanor Urquhart. It was a wink
epitomising the experience of five crowded years upon the
boards. "Me indeed!"
"Now, just hark at you again!" protested the
Jam-Hand, huskily. "You weren't half getting
off with your Lieutenant Daring the Cliff-climber,
oh, no!"
"Getting off? Scored off, you mean," scoffed Pansy.
"Played off, more like!"
"Played off?" queried the Typist, hopefully.
"Played off against who?"
"Oh, you get the call-boy to wake you up when it's
time for you to come on!" laughed the Principal Boy,
under her breath. "D'you mean to say you weren't on
to that inside of half-a-minute at the Hotel this
afternoon? Who d'you s'pose he's here for? Don't strain
yourselves guessing. I'll show you presently."
What she showed them presently (when, taking the
slim Annie by one arm and Mabel Beading by the other,
she drove the Jam-Hand and the Typist, also arm-in-arm
ahead of them, along the stretch of beach below the
sandhills) was Miss Rosamond Fayre, with the young
man who had been their guest of the afternoon, walking
along (but not arm-in-arm) some distance behind.
Perhaps they walked more slowly than they knew.
And for perhaps the sixth time since their first
breathless encounter of the morning that now seemed such
ages away, now in the soft gathering dusk above the
sands that had been so dazzlingly sunny, Rosamond
found herself thinking, "Now!"
She waited for him to speak.
He spoke. He said, "Don't you think it's a bit too
cold for it?"
"Cold," repeated Rosamond, "too cold for what?"
"Why, for the phosphorescence," he explained,
turning his eyes to the water's edge where the waves
came tumbling in, nearer and nearer to the last
tide-mark. Now one ran up in advance, filling with water
the hollowed tracks left by the girls ahead; then swirled
back, leaving a stretch of smooth brown mirror in which
gleamed the reflections of a pearl and apricot sky, a
towering sunset cloud, the point of light from a single
star. "I don't think we shall see any to-night."
"There was some a night or two ago."
"Ah, yes," said Urquhart. "But I only came over
last night."
This, thought Rosamond, was the opening. But he
didn't go on. Very well! To return, while he sought for
another opening, to the subject of the phosphorescence.
"It looked like summer-lightning on the waves," she
told him. "All pale green—wonderful——"
"Ah, but you don't really get enough of it just in
the shallow waters here, and in these cool climates. The
French coast in August is no place for the real thing,"
returned the young man. "Right out at sea—in the
Tropics at night—that's when it's 'wonderful.' The
wake of a ship, where it looks as if she'd turned up
a furrow of silver fire as the plough turns up earth.
That's where you ought to see it from," he told her,
thinking, "and so you shall, and soon! Wait until
I carry you off on a honeymoon-cruise round the world,
Nell! What would you say to that?"
The girl whom his increasingly venturesome thoughts
were addressing as "Nell" said, composedly, "Yes, it
must be rather delightful to be able to travel, like that."
"It would be, you darling," responded Mr. Ted Urquhart
promptly—but not aloud. So that she still waited
for him to say something.
His next remark was more or less an excuse to check
their advance for a moment, while the others—their
chattering young voices raised from time to time in
snatches of musical comedy song—swung on further
ahead. Young Urquhart, standing still on the sand,
pointed out to the apricot-shading-to-pearl sweep of
sky above the tumbling waves and said, "Hullo! The
new moon."
"Oh, yes," said Rosamond politely, following his
glance at the curve of thin silver over the rim of an
indigo cloud. "So it is."
"Doesn't that mean that one ought to curtsey, or
bow seven times, or touch gold, or something?" asked
Ted Urquhart. And in spite of his care to keep his
voice as well under control as his eyes, a shade of
difference crept into his tone with the words, "Isn't one
supposed to get a new moon wish?"
A shade of difference of another sort was to be
detected in the tone of Miss Fayre's "I believe there is
some old superstition of the kind. It begins to grow
dark quite soon now, doesn't it!"
"Ah, putting me in what you consider my place,
Nell?" This was her companion's mental comment.
His spoken one was, "Yes, and yet it seems only a few
days since we were at the longest day."
To-day had seemed sufficiently long and crowded to
Rosamond Fayre. Yet this young man didn't appear
to find time in it to remember the most rudimentary
beginnings of his manners. After all her "of courses"
he was not seizing this opportunity to let her know his
name! Here he was strolling by the lacey hem of the
waves on the sand and at her side, and the most
obvious thing to say remained unspoken. He merely asked
if those were the Boulogne harbour-lights that one saw
down there to the left?
"Yes." (Did he imagine they were the Lights o' London?)
"And it's not so much further along to Wimereux?"
"No," said Rosamond Fayre.
Here two white-clad figures that had been walking
along the sands behind them overtook them, with a
cheery "Good-evening!" to Urquhart, who lifted his
straw hat. They were the Americans, the honeymoon
couple from his hotel, and the little bride gave the
swiftest glance of sympathetic interest at the other
couple as they passed.
"Why, Lucius, if it isn't that perfectly lovely girl
from the Hostel with the nice-looking Englishman from
the de la Plage that asked you for matches," she
murmured to her own escort. "Now, how thrilling!
Don't they just look fine together, with their reflections
in that wet sand below them and the new moon just over
their heads; isn't it a picture! May their own moon
rise soon," concluded the just married girl, happily,
"for it's easy to see what's doing there!"
She might not have come to this conclusion—or,
again, she might—if she had overheard the dialogue at
that moment halting along between this likely-looking
couple.
"I believe there are good links at Wimereux," Ted
Urquhart said. "Do you play golf?"
"No," said Rosamond Fayre.
"Do you go into Boulogne much?"
"No," said Rosamond.
"I expect you find quite enough to do in this place?"
"Yes," said Rosamond.
"Baggage! I recognise the style of your letters in
all this. There's an end coming to this kind of thing
though, the very first time I manage to get you to
myself—really to myself—for an afternoon," said
Urquhart—but not aloud. Aloud he said, "Ripping
places for picnics, I should think, all about here."
"Yes, I should think so," agreed Rosamond politely.
"I think we ought—as our old lady likes getting our
supper over early—I think we ought to be going in
now."
It seemed to him that he was allowed only another
second of walking beside her, stealing sideway glances
at her through the silver-blue gloaming, before she had
recalled and collected her chattering flock—before they
were again gathered about the entrance to the Hostel,
gleaming ghostly-white in the dusk. The light through
the Refectory windows pointed a bright, mocking
finger across the shrubs, across the shelly path to the
provoked and eager and impatient face of that young
man outside the gate of twisted iron-work, holding his
hat with his walking-stick in his left hand.
Rosamond had only bowed as she said (still as
politely) "Good-evening!"
"Good-night," said Ted Urquhart shortly.
But whatever else he had chosen to say as he turned
away, he could scarcely have made Rosamond Fayre
feel very much angrier with him, than she was already
feeling at that moment.
Rude young man!
Horribly rude!
What earthly reason could he have for keeping his
absurd name (whatever it was) to himself? It made
her feel so ridiculous!
For instance, when she told Eleanor—as she was, of
course, bound to tell Eleanor—about that escapade of
Annie's and Pansy's on the cliff, and how they owed
their foolhardy necks to a young Englishman
who had—et cetera, what could she reply to Eleanor's
natural first question of "Who was he?"
"Oh, he didn't tell us who he was. He came to tea
with us afterwards, and he went for a walk on the shore
with us, but he didn't give any name——" "Really?" Rosamond
could imagine the little line between
Eleanor's brows at this. "How very odd!"
Precisely!
Well, she (Rosamond) couldn't help it. It had
nothing more to do with her. The young man with the
deep cleft in his firm chin had rescued two of the girls;
he'd been thanked, he had been asked to tea and had
been entertained (by Pansy). Everybody had said
"Good-bye" to him quite nicely just now, he'd gone,
and there was no reason why Rosamond should think
any more about him.
Thinking of him as she presided over the girls'
supper of cocoa and charcuterie and bread and butter
cut from yard-long French loaves, Rosamond admitted
to herself that the young man with those very white
teeth had at least one saving grace. He hadn't tried
to worm himself into their society under an assumed
name! Rosamond had heard of people on holidays who
had tried to do this. Really horrid young men, of
course. Not the sort of young man that one could
feel at home with in every other sort of way, as, to do
him justice, one might have done with—but he'd gone.
Probably he was off to Wimereux to play golf on those
links to-morrow. Why waste another thought on him?
Another thing about that young man with the frank
and laughing eyes, thought Rosamond after supper,
when the Refectory table had been cleared and the girls
had gathered round the piano to sing to the accompaniments
that Miss Fayre could play without notes, he had
seemed to wish to be friendly and sociable in every other
way. He might—if he'd only been sensible—have had
quite a jolly time, picnicing and going for excursions
with them all; with the girls, with Eleanor when she
returned in four days' time, and with herself. He'd
only himself to thank that he wasn't going to see anything
more of the English contingent while he was here,
and that they weren't thinking of inviting him again—or
thinking of him anyhow!
The thought with which Rosamond Fayre amused
herself as she unwound the golden rope of her hair that
night and brushed it into a shining shawl over her
nightgown was "supposing the reason was that his
name was so hideous or so funny that he didn't like
me—us to know it!"
She laughed and mentally ran over all the ugly or
ludicrously sounding surnames that she had ever heard.
"Hogg ... Dolittle ... Mr. Prate ... Carrotts
... Gotobed ... Tombs! And there was that new
butler at The Court whose name Mr. Urquhart simply
had to change to Beeton. His real one was 'Beetles.' Heavens!
Fancy marrying a man called Mr. Beetles.
Still, it wasn't his fault (the butler's, I mean). It was
only his affliction. The type of mind that would make
fun of a man because of his surname," concluded
Rosamond Fayre, dividing the gold on either side of her
face, "is the type that would laugh at a little child in
irons. And as I shall never know what his is, why
worry about it any more?"
Going back to the subject as she nestled her pretty
head down into the pillow with Eleanor's clear marking
of "URQUHART. HOSTEL. 1914," it struck Rosamond
that it was rather a pity that there was to be no
further opportunity for snubbing that nameless young
man. Hadn't he rather put on "side" here and there?
Hadn't he been just a tiny bit "superior"? About
that phosphorescence, for instance? "In the Tropics
at night ... that's where it's so wonderful!" As
much as telling her, Rosamond Fayre, that nothing
she'd ever seen could compare with a man's wider
experience. She was glad she'd been so very distant about
the New Moon.
That moon had set hours ago; only starlight
watched the flat Normandy lands, the leafy garden
outside her window. Every evening now the moon would
grow, though. How glorious when it was full moon
over the sea here! "Silver fire" of phosphorescence
in the tropic seas through which the good ship ploughed
her way—Pooh!
Thinking of him and——
But here Rosamond Fayre fell off to sleep.
Upon a morning that was bright as a diamond, bracing
as a sea-dip, blue-and-white as Canterbury bells in the
Hotel garden, Mr. Ted Urquhart told himself again
that this golden weather was sent by a kind and
match-making Providence for the special purpose of speeding
his courtship.
To-day should not be wasted, as he had had to waste,
through no wish of his own, yesterday and the day
before.
For he had seen nothing further of "that perfectly
lovely girl from the Hostel" since the evening when she
had not even vouchsafed him a handshake for good-night.
The day after he had caught just a glimpse of the whole
party packed into some French vehicle that passed for
a wagonette, leaving a wake of shrieks and chatter and
laughter along the white road to Boulogne. In Boulogne
itself he hadn't managed to run across them for
all his search in patisseries and cinemas and the
galéries where you buy—or did buy in the dim ages
before the War—scent and soap and silk stockings.
The following day all he had seen of the party had
been another fleeting glimpse, this time of a vision of
hats—a black, feathery cart-wheel, a small
petunia-coloured helmet of satin, and a shady Panama—below
sandhills. A few yards further on were a white straw
"shape" with a gaily flowered band, a Saxe-blue linen
sun-hood, and a Salvation bonnet with its lettered
ribbon. All those other young women, confound them!
She was forever surrounded by them! Yet another
hat! a chic, Watteau shepherdess affair, massed with
blush roses—close to another, a man's straw hat. A
man's? Who the dickens—Ah! Urquhart had felt
distinctly relieved when he realised that the two last hats
also belonged to people he'd met; to the honeymooning
Americans from his Hotel. They'd been picnicing with
the Hostel party. Urquhart couldn't very well join
them.... It would have looked too much like forcing
himself upon those girls! Yes. The young honeymoon
couple—strangers to her—were allowed to make
themselves at home in that sheltered corner below the
sand-hills with her. And he—who'd every right and reason
to be at her side, he, her lawful fiancé, so to speak, he
couldn't claim a look-in!
A pretty Lenten sort of engagement his had been so
far!
But never mind. To-day he meant to take the bull
by the horns. He meant to walk straight up to the
Hostel, and, no matter who opened the door to him,
demand to see Miss Eleanor Urquhart for one moment
alone.
He wouldn't go until he'd achieved that moment.
And then—then he'd plunge for it without any more
of this infernal beating about the bush! He would
hold out his hand and look her straight in the face, that
sedately-provoking, mischievously proper, flower of a
face of hers. He'd say, "How do you do, Eleanor?" ("Nell"
could be kept for later on.) He'd say, "I
ought to have told you before. I'm Ted. Now don't
pretend you can't imagine who that is" (she'd be
certain to make the attempt), "and don't ask 'what
Ted?'" (This would be just like her.) "You know
perfectly well.—Your Ted."
Then, no doubt, his fiancée-in-spite-of-herself would
proceed to make his life a burden by her demure gibes
at his behaviour of two days ago. She would—well,
never mind. The ice would be broken. There'd be an
end of that insolently formal small-talk about the
longest day and the weather. He would know where
he was—that is, he amended, as he grasped his walking-stick
as if it were the hilt of a fencing-foil, she would
know who he was; and here he felt, as one turns to a
friend, for his tobacco.
Hereupon he realised a diurnal tragedy of Man's life;
the ever-recurring catastrophe in two words—"No
matches!" He'd long come to the end of the one box
of English ones that is allowed to the traveller by an
Argus-eyed Customs-house System—to the end, also, of
the other six that he'd managed to smuggle over, and he
hadn't brought with him out of the Hotel a box of those
beastly spluttering foreign things....
This was why he turned into the little low-roofed,
double-doored Debit Tabac. And here he found another
customer, twirling the revolving stand of picture
postcards under the hanging clusters of string-soled shoes,
and endeavouring to make the French youth in charge
understand by shouts and gestures her resonant
Cockney English. She wore her gaudy petunia-pink coat
and the small helmet hat that was itself rather like
something of a picture postcard. For under the hat
there beamed a welcome, the shrewd and powdered face
of that pride of pantomime, Pansy.
"Hullo, N. or M.," she said, spinning round on her
heel. "Quite a stranger!"
"Hullo!" said Urquhart. "Good-morning."
"Nothing wrong with the morning," admitted Pansy.
"Now, young man—you other one, I mean, in French!
I'll have this of The Plage, and these two of the
landing-stage," waving the cards in his face, "and you
might get me out this one—No, no! Not that. Want
to get me into trouble with my pal the English
Postmaster-General? This other one! Here! This with
the forget-me-nots and the heart, and the hand, writing.
That's it—Are you coming along?" she added to Urquhart,
when the cards, enclosed in a flimsy grey envelope,
were handed to her by the young Frenchman with the
invariably courteous bow, which she acknowledged by
carrying her hand to her satin casque in a military
salute. "Coming along with me?"
"Er—yes," said Ted Urquhart. "I think I am
walking up a bit of the way with you."
The Principal Boy, swinging along at his side up the
cobbled, coffee-scented street, turned suddenly upon
him and remarked, "No luck, had you?"
"I beg your pardon?"
"Ow! As man to man, now!" Pansy mocked him with
another toss of that hat and that tangerine-tinted hair.
"You know what I mean! Didn't meet our Miss Anybody
early on the beach this morning, did you?"
Ted Urquhart, surprised and amused, paused a
moment to debate within himself whether to treat this
remark as a joke or to pretend that he didn't know
what this astute young Cockney was driving at. He
glanced at her again. No. Not worth while to put up
pretences against the snap of those brown eyes.
Besides, presently she and the others would know that he
was, definitely and officially, engaged to be married to
their Miss Anybody, their young Lady Warden.
So he said, as frankly as if quite a long conversation
on the subject had already passed between him and
the Pantomime Boy, "Meet 'anybody'? No. I
didn't."
"Had a good look, I suppose?"
He laughed.
"Had you?"
"Well, as a matter of fact," admitted Ted Urquhart,
still laughing, "I had."
"Good!" said the Principal Boy. "I do like
anyone who'll come straight to the point. Too many
fellows just won't. To keep to the point, I dessay
you're fairly bursting yourself to see her again
to-day?"
"Well?" said Urquhart, defensive, but smiling.
"Well, you don't want all the others nosin' round
and gaping and taking in every remark that's
passed——"
"I do not," agreed Ted Urquhart fervently, with another
frank glance at the face she turned up. At the
back of that broad crimson-and-ivory smile he
recognised a real wish to help.... Well! Why not make
use of that invaluable asset to courtship, the feminine
ally?
"Look here, Miss Pansy," he began. "If you'd
really—I'd be jolly grateful—If you'd only——"
"Anything, Mr. Never-mention-it——"
"If you mean my wretched name," he said quickly,
"give me another half-day, will you?"
"Why, if that's part of it——"
"It is," said Ted Urquhart truthfully. "It is part
of it."
"Right-O, mate. Then you listen to me," his new
ally went on quickly as they came to the end of the
street where the last cottage was an overturned
fishing-boat on a patch of common ground. "This is our
Leading Lady's afternoon for writing letters. She'll
be in the house from two till five o'clock about. We
shan't."
"Where shall you be, then?" asked Ted Urquhart,
falling without further ado into this scheme for his
welfare. "Which side of the beach?"
"Hardelot," planned the Pantomime Boy. "I'll
cart young Annie and those other two off there, and
keep 'em out for tea, even if we have to pull through on
that black-currant vinegar they bring you with a fancy
cake. Must have a bit o' fun sometimes. The coast
then being clear, Captain Swift decides to march up to
the Hostel to ask for his handsome silver-mounted
walking-stick which he was careless enough (ahem!) to leave
behind him when he called."
"But I'm afraid I wasn't," objected Ted Urquhart,
vexed that he had not remembered this good old rule,
this simple plan, for himself. "Afraid I've got it
here——"
"Oh, well, if you will have it!" flounced the young
woman who'd addressed him as mate. "Oh, some people
do take a lot of helping! You'd come off pretty
badly at a stage-door, you would. Here! Oh, give it
to me!"
And the plump hand of the Principal Boy snatched
the walking-stick away from him, whisking it inside the
cherry-coloured coat, where she carried it off as a
poacher carries a short gun. Ten minutes later that
silver-mounted walking-stick of yew-tree wood was
reposing among the stack of umbrellas, shrimping-nets,
and gay Japanese parasols in the hat-stand of that
shaded convent-like hall at the Holiday Hostel; waiting
to play the small, but not unimportant part for which
it had been cast in the drama of an August afternoon.
Rosamond Fayre, having waved a rather envious
farewell to the merry party setting off across the downs
to Hardelot, sat down at the window of the little room
beside the porch, and turned with a sigh to her
correspondence. The morning's post had brought from Miss
Urquhart in Paris a sheet of notes of instructions for
her clerk. Rosamond, sitting at the bureau, looked
them over again.
(1) Write back to the C.O.S. saying I cannot
entertain their proposal.
(2) Find out if Nellie Clark, under-bodice hand
at Shoddy and Frillings, is taking her holiday
the last week in August or the first in September.
(3) Ask Lady M. about clothes for that Jumble
Sale in October.
Over the fourth item Rosamond had, as usual, smiled
a little.
(4) Write to Mr. T. Urquhart for me. Same
address as last time. Tell him what we have
been doing in France, but that he'd better
write to me as usual at The Court. I shall
have to be at The Court off and on, and
am returning to take Father those MSS. after
I bring Edith Winter to the Hostel,
either to-morrow or day after. Shall
come back to the Hostel again on the
16th.
(5) Write for that estimate for re-painting and
decorating the Canning Town Crêche.
Five letters to write; actually six. For there was
another letter of which the envelope was scrawled over
with several addresses, the first one being to the Hotel
Midas, London. It was in the cash-desk of the Midas
that Rosamond had been found so providentially by her
present employer. The Midas people had sent the letter
on to her old lodgings, who had forwarded it on to
The Court, whence Mr. Beeton, the butler, had sent it
on to France. And Rosamond had recognised the handwriting
inside with a not altogether unaffectionate touch
of contempt.... Still? He still remembered her?
"He" was the lad who had shared College rooms with
her brother, who had begged her to write to him, who
had afterwards implored her to marry him. Even if
he had been five years older than he was, Rosamond
would still as soon have thought of engaging herself to
an infant out of one of Eleanor's crêches. He was
rather a sweet boy, but he was of the type that remains
to the end of Time some woman's unrewarded and
devoted dog.
He wrote:
"My dear Miss Fayre,
"This is my second letter to you. One was
sent back to me at Oxford. I heard that you were
working at the Midas. You ought not to be working.
I was horribly upset. I went there and they told me
you had left. Will you please tell me where you are
and what doing? Mayn't I come and see you? I
won't bother you. I swear I won't. Please won't you
let me come?
"With kindest regards,
"Ever yours,
"CECIL BRAY."
"Do please say I may come and how soon."
It was a pity, Rosamond thought, that men didn't
seem able to strike a happy mean between opening out
their whole hearts like a pedlar's wallet on the ground
before you, like poor dear Cecil,—and adopting the
attitude of the Male Aloof, too lofty or absorbed,
or—er—something—to have anything to tell you about
themselves, like——
Here the bell rang and Rosamond glanced up from
her bureau, out of the window.
"Good gracious, he's come back," thought Rosamond
Fayre, swiftly at the sight of the figure standing on the
path. "And there's Madame Topp gone to the fair at
Portel, and I shall have to go to the door—in this
blouse. It's always the way. Whenever one tries to
be truly economical and to wear out one's old clothes in
private life, somebody not entirely uninteresting is
absolutely certain to call!" And bitterly resenting that
blouse, she went to the door.
Upon Ted Urquhart the facts that her blouse was a
very ancient "has been," with marks of iron-mould
upon it, and that her skirt had been a friend of that
blouse's youth, were entirely lost. He only realised
that the girl framed in the doorway looked daintier in
the flesh, than she had done in his dreams of two days;
with a deeper rose-colour than he remembered in her
soft cheeks; and that his heart seemed to take a leap
forward at the sight of her.
Rosamond, for her part, frankly admitted to herself
that she was very glad to see him. She hadn't really
snubbed him properly the other evening—and he was
the sort of uppish young man who really calls for
snubbing.
He had called, it seemed, about a walking-stick.
"I am always forgetting something," he told her.
"Thank you, so much. Yes. That's the one, with
the rather fat knob. Thanks so awfully much!"
"Not at all," said Miss Fayre, looking "Good-bye."
But apparently he had just been struck by an
afterthought.
"Oh, look here; I say! I wanted very much to—er—to
give some sort of a return little party," he began,
"after that tea with you on Tuesday. I—you do have
tea out-of-doors sometimes, don't you? Think I caught
sight of you with some people from my Hotel yesterday."
A non-committal "Oh, yes?" from Rosamond.
He went on.
"So, if you wouldn't be too awfully bored. That
is! Do you think you—and all the others could come
and have a picnic tea of sorts with me under the rocks
below le Portel this afternoon? I've got a Thermos,
and sandwiches and things. And as it's such a ripping
day, I—I do hope that you won't refuse me——"
"I am afraid—What a pity!" said Rosamond Fayre
sedately. "All the girls are out. They went twenty
minutes ago. They are having tea out."
"I say, how unfortunate!" he said. "Have they
gone into Boulogne again?"
"Boulogne—without me—is out of bounds," Rosamond
told him. "So they've gone to see what sort of
'pictures' there are at Hardelot." She gave him the
conventional smile that is the unmistakable paraphrase
of "Good-afternoon."
But Ted Urquhart had laid plans that were proof
against hints and snubs and cold-shouldering on the
part of this young lady. She was going to come out
with him. She was going to be taken to the nearest
sheltered corner under the rocks, that was out of the
way of the everlasting fisher-children with their
maddening demand for "un p'tit sou!" Then he was going
to break it to her who it was she was going to pour out
tea for that afternoon. Also to-morrow afternoon.
Likewise on Sunday. Similarly on Monday. And
presently for good. Then, perhaps, then she'd have the
grace to look a trifle less provocatively self-possessed.
He went on conversationally. "Oh, they've gone to the
Cinema? Imagine spending an afternoon like this
nipped in to red plush chairs in a stuffy tunnel, making
one's eyes ache with staring at moving pictures of
'Fool's Head Looping the Loop,' when one might be
enjoying oneself."
"They are enjoying themselves," Rosamond corrected
him. "People have different ideas of enjoyment."
"I know. Mine, to-day, is out-of-doors; even if the
breeze does blow sand into the butter," smiled Urquhart,
without troubling any longer to keep the
"do-let-us-be-friends-now" tone out of his voice. "And I think
we shall have the best of it."
Rosamond Fayre, speaking without meaning to do so,
demanded, "Who are 'we'?"
"Why—why, you and I, since we are the only— What?"
took up the young man, ingenuously, as if a
sudden thought had struck him with dismay. "Do you
mean—You'll come and be the picnic, won't you?"
"I?" said Rosamond Fayre. "Oh, I don't think
so. No."
Ted Urquhart, blunt as a boy, but in a way at which
no one, she realised half-resentfully, could take offence,
demanded, "Why not?"
Now there were so many obvious reasons why she
should not think of going, that Rosamond Fayre could
not, at that moment, remember them. So she looked up
at the presumptuous young man who had coolly
demanded the afternoon of her. And she protested,
"I—I have too much to do before post-time. Fix or six
business-letters to write!"
"Half a dozen letters won't take you two hours,"
he persisted. "Look here! It's only half-past two.
I'm certain you can get all those business people,
whoever they are, written to by four o'clock. Now, can't
you?"
"Well—er——" she hesitated. "Really!"
"And my picnic was to have been at half-past four.
Now, look here——"
(Here he nearly slipped out a "Nell.")
"I'll call for you again," he concluded, firmly, "at
four o'clock."
Rosamond Fayre shook her bright head.
"That—wouldn't do," she said, but she smiled a
little, and with each syllable resolution dropped from
her. Involuntarily she glanced over his shoulder at the
road to the shore. Never had sunlight and sands seemed
so golden, or sea and sky so sapphire-blue, or the air
so headily fresh, or she herself in such perfect tune for
an outing. If her work were done, she would in the
natural order of things go down afterwards to the sea's
edge. Why not with this young man who had, after all,
rendered an unthinkable service to the employer, in
whose place she, Rosamond, now stood? Suddenly she
remembered something. That predecessor to Miss
Fayre, the secretary who had been dismissed because
she had slipped out in the evening to meet the chauffeur
in the rose-garden! But what had that to do with it?
That was so entirely different. So different that it
made up her mind for her. So she added, brightly and
conventionally, "Four would be too early. But—if
you really don't want to give up the idea of the picnic,
come at a quarter past."
"Good!" said Ted Urquhart briskly, and went.
He went back to the Hotel where, in the Hall, he
exchanged greetings with the little Dresden shepherdess
of an American bride, who was sitting on the wooden
settle busily arranging her tea-basket for two; a case
of handy, expensive-looking toys, all silver tops and
Bond Street leather.
"Jolly basket you've got," said Urquhart.
The little bride glanced at him over it.
"Do you want to borrow it?" she suggested with
a sudden roguish twinkle under her Watteau posy of a
hat, "for the afternoon?"
"Why—how do you mean?" said this bachelor,
nonplussed. "Borrow it——?"
"To take ... Anybody out to tea with," she concluded
with a dimple. "We'd be real glad to lend it!"
"Here's another," thought the disconcerted Urquhart.
"Two of 'em in one day talking about Anybody.
I shall have to be more careful."
"Won't you have it? Now, do!" said the just-married
girl, kindly and simply, and held the basket out to
him with both hands.
"Hang it, then, I will!" he thought, and took it
with a laugh and a "Well—Thanks awfully!"
The dainty American gave him a smile that was a
wedding-present in itself, and fluttered off to her
Lucius; while Urquhart, kicking his heels against the
white-washed wall opposite the Hotel, took out his
cigarette-case—and his watch. It seemed several hours
before those hands crawled up to a quarter to four.
"I couldn't have stood much more of all this," he
decided presently. "Now, I wonder if she's going to
give me a very bad time—first? In a way, after all,
I've been practically spying on her. Pretty rotten way
of behaving to a girl, in any other circumstances. But
she's my own sweetheart, when all's said, and she's going
to know that now. I shall be thundering glad—only
five minutes to four?—when it's off my chest."
He studied the handle of that very new tea-basket.
"Besides," he thought, "what about my privilege as
an engaged man?"
(It was not the first time that the thought had struck
him since he set eyes on Rosamond Fayre.)
Pie thought, as he started off down the road, "I
shall have to beg for it and let her take her time about
all that." He found himself hurrying ridiculously, and
checked his pace. "Yes, I shall be all the more humble
because, actually, I have the right to take that girl of
mine into my arms and to kiss her as I choose!"
At five minutes past four he was back again at that
white-walled, green-shuttered Hostel, that, seemed now
as familiar as if he'd spent years of his youth
there.
Upon the broad sill of the open window beside the
porch, a still damp bathing-costume of scarlet silk was
spread out like a "DANGER" flag. Inside, that girl
of his was still sitting at her bureau, writing. He was
about to apologise for being a little early, when she
raised her small, burnished head on its creamy neck and
said, quietly, "Oh, you have come back. I am very
sorry, but I am afraid I am not coming out with you
this afternoon, after all."
What?
"Not coming?" He stared blankly at her. She
was putting a letter into an envelope; to her hand lay
two or three other letters, addressed and stamped;
also, his quick glance took in, that the envelope of a
newly-torn-open telegram lay upon the bureau.
He said quickly, "I say, I hope nothing has
happened? I mean, I do hope you haven't had any bad
news——"
"Oh dear no," broke in Rosamond Fayre, quickly
and lightly. "Nothing of the kind."
"Then why—— You said you'd come. You
promised."
"I know," she said, and a coldness seemed wrapped
about her, hiding the sweetness and colour of her like
a suddenly-risen sea-mist. "But I am not coming."
"But——!" He stood there dumfounded against
that background of pink roses and plaster-white laughing
Cupids with the blue blink of the sea beyond the
garden. "If I may ask, why not?"
"Oh! I changed my mind," she said.
Urquhart for a moment did not trust himself to
speak. He thought, "Talk about those refractory
mules we had such a fearful to-do with, that time in
Montana! Tractable and reasonable and sweet-tempered,
compared to a woman! All right!"
He picked up his walking-stick.
"Good-afternoon, then," he said, and wasted no time
in further leave-taking.
"Please!" added the girl, raising her voice a trifle
as he turned. "Do you mind posting these letters for
me as you pass the box by the crossroads?"
"Not at all." He took the three or four letters, of
which she had laid one rather carefully on the top of
the others.
"Thank you."
He was out of the gate without even a look.
Tingling with disappointment, astonishment and
rage, Ted Urquhart tramped back to the crossroads
where he had parted that morning from that resourceful
match-maker, Pansy.
Not much of a success—her plan!
What on earth was the meaning of all this?
Nell's look at him! Her tone! That curt snub!
After her promise!
"Changed my mind——!"
What had happened to change it between his leaving
her, at half-past two, and his reappearance just now?
Was it that wire?
She said there was nothing, though.
Changed her mind!
Sent him to the right-about, carrying this dashed
tea-basket, and her letters to post.
Pretty cool, that last touch!
Her letters, indeed! He scowled down at them.
Then his brows rose. The address in the curly, clear
handwriting upon that topmost envelope, forced itself
upon, his recognition. He had seen it so many times
already.
"To
E. Urquhart, Esqre."
To himself!
Nell had been writing to him. That very afternoon.
While the man to whom she wrote was perhaps within a
stone's throw of her!
He stood still in the road, staring at that envelope....
With a hoot of derision, a big touring-car went
scorching softly by him on the way to Hardelot; tossing
a dazzle of brass into his eyes, a smother of white dust
all over him. He merely blinked, and stared at that
envelope.... A couple of fisher-girls passed him, their
voluminous stuff petticoats swinging like kilts, their
high, stiff corsets, covered in corn-flower blue cloth,
clipping them over their white bodices. They called a
friendly "Bon jour!" to Urquhart.
He stared at that envelope addressed to him....
"Now what's inside?" he thought. So familiar was
each letter of the writing that he could make for
himself a mental copy of the sheet within, as far as the
date, and the Hostel address and the "My dear Ted."
And then what?
Anything that would explain her behaviour just now?
If he thought that—It was almost enough to tempt a
man to open—A letter addressed to him, meant for
him to read!
Yes, but not now. No, dash it. A man couldn't.
She'd given it to him to post. The thing, whatever it
was about, would have to be posted and reach him after
much wandering and many days. He made a rough
calculation.
"Eight weeks, perhaps," he thought. "It'll turn
up, readdressed, at The Court. Ah! With luck it will
have to be readdressed from The Court again, and sent
on somewhere else, supposing I was—supposing we were
off by that time, on our honeymoon. After all, we're
engaged——"
The sun-tanned face cleared. He started off again,
and presently smiled down with increasing cheerfulness
at that unbetraying grey envelope.
"Probably this is a description of the scenery of this
place, and about how the phosphorescence on the high
tide in the evening is like summer lightning on the
waves!" he reflected. "Telling me what is to be found
flourishing in the Hostel garden.... H'm ... Cupids
and 'Match-Me'! Possibly some ultra-meek version of
those girls and their cliff-adventure, and of the young
man—some stranger—who.... Or wouldn't she?
Wouldn't Nell mention him?"
He had reached the black-and-white post-box in the
wall which the facteur, even in that tiny hamlet, visited
thrice daily.
He dropped in the three other letters, held his own
in his hand for another moment.
"It'll be something to smile over when we do get
it," he told himself with a half-amused, impatient sigh.
"Well! So long!"
And, with a "final" sounding little click of the iron
flap, he dropped into the box his letter from Nell.
Her fair face, proud, withheld and lovely, rose above
every other image in his mind. Again he saw her, sitting
there at that window writing; her supple white hand on
the green cloth of that bureau....
Suddenly, irrelevantly, he remembered something else
about her. The first thing any woman would have
looked for. He—an engaged man—had only subconsciously
noticed it, and had then forgotten all about it.
He remembered now.
For though Eleanor had written back to him at the
beginning of their betrothal that she had decided upon
no new stones, but that she would wear an old Urquhart
heirloom of a sapphire with brilliants for her
engagement-ring, he was sure that the girl, sitting writing
to the fiancé whom she believed far away—the girl wore
no ring at all.
Forty-eight hours after that check to his courtship,
Ted Urquhart was speeding back to The Court, fetched
over from France by a message of two words—
"Eleanor here."
It found him only too anxious to believe that it had
been sent off by that enchanting tease, Nell herself.
He hadn't had another glimpse of her since the
afternoon that he had planned to spend in making himself
known to her—and that he'd actually spent in finding
himself put further away from her than ever.
Now she'd sent for him.
Oh, the interminable homeward journey!
Centuries, it seemed to him, were spent in pacing a
stone quay, waiting, waiting until that never-ending
luggage and those motor-cars were got aboard. Other
ages in watching, from the steamer-rail, how slowly the
tall hotels of Boulogne began to slide away as the boat
lifted to the Channel waves. Further æons of time in
tramping a short deck cumbered with long chairs and
with other passengers—who grumbled, perhaps, at the
idiotic restlessness of that young fellow in the brown
Burberry, striding up and down as if that could bring
him any sooner to his destination, with a pipe between
his teeth and that unmeaning smile coming and going
on his face.
For all the way home he was thinking of her....
"Why," he wondered, "did she take it into her head
to be off, when she was to have stayed at that Hostel
for a month? By this time, of course, Uncle Henry
will have told her that I've been there, too—when I
went—and why I went. The chances are that she knows
now who it was she snubbed and sent away like that.
She knows it's the man she's got to meet this afternoon
as her fiancé!"
Pictures of his waiting sweetheart rose between him
and the foam-veined jade of the water sliding past the
boat. He saw her—not, as before, on the plage of a
foreign country, with waves at her feet and a young
moon above her head—but in another setting
altogether, adding her beauty to the beauty of his old
home—(her home—ah, theirs). Coming slowly down
the grey stone steps of the—(their) Terrace. He
would make her take him round her—(and his) gardens.
Then, as she stood reflected among the other lilies in the
still waters of that new fish-pond of hers (and theirs)
her lover, close beside her, would proceed to teach her
a lesson or so about a thing or two.
These were the anticipations that kept that smile
flickering on the young man's face.
"Now then! I have a crow to pluck with you—several
crows, in fact. A whole row of 'em," Ted Urquhart
imagined himself saying peremptorily to that girl
of his. "Look here! To begin with—Where's your
engagement-ring? You promised you'd wear one," he'd
say. "And you don't. What's become of that
sapphire you said you'd chosen? (Matches your eyes,
I expect.) Where is it?"
She'd have some impertinence ready. Then—
"Certainly I want you always to wear it," Urquhart
would go on (if this dashed sea-slug of a boat ever
got to the other side). "Yes. If you fetch it I will
wish it on to your finger, and you need not take it off
again. No! You needn't run away for it this minute,
thanks. Presently will do," he'd say. "After I've
plucked another crow with you first, please. Crow
Number Two:—What did you mean by promising to
spend the whole afternoon tête-à-tête by the sea with a
strange young man?"
Here, of course (thought Urquhart), Nell would
protest that he could scarcely have the assurance to call
himself a strange young man?
"Yes! You didn't know, at the time, that I was
anything else," he would insist. It would do her good
to be bullied about it. Didn't they say that women
preferred a man who could bully them? "The crime
remains the same," he'd say, "as if I had been a perfect
stranger. A stranger who saw no ring on your finger!
An unfortunate chap who'd absolutely no idea that you
were an engaged girl! Nothing to warn him! Disgraceful.
Aren't you ashamed of yourself, Nell? Why,
you death-trap! Think of the mischief that you might
(might, mark you!) have been doing all the time," he'd
say. "Think of the possible damage to that wretched
young man. He couldn't guess that the pretty,
unattached-looking young woman who said she'd come out
to tea was already booked to make a marriage of
convenience!" Yes, he could say it then; Nell would be
perfectly aware what sort of a match theirs was turning
out! And her lover would go on severely——
"Supposing this ignorant stranger had taken it into
his head to fall in love with you at first sight?
Some—young lunatics might be capable of that. Supposing
that, in all good faith, he'd proposed to you?" he'd
say. "No thanks to you, Miss, that that catastrophe
happened to be out of the question. But here's Crow
Number Three:—Having given your word to the man,
what made you break it? Why didn't you keep that
appointment?"
Here, he thought, he'd have Nell in a cleft stick!
For already he'd pieced out what he thought the
reason for that sudden coldness of hers to the strange
young man. The remembrance of one Ted Urquhart,
whom she was to marry, had hinted that it wasn't wise
to encourage this sort of thing—picnics and so on with
young men who couldn't, perhaps, keep their admiration
entirely out of their eyes. She'd have to own her duty
towards her fiancé—which meant owning that "the
strange young man" was at least important enough to
count! She wouldn't say that, Urquhart would drive
it home with——
"Crow Number Four:—Why did you give him your
letter to me to post? Wasn't it so that he might see
you'd got a man of your own to write to—Yes, well, of
course he wouldn't necessarily see that it was to a
fiancé. Of course it might have been to a father or a
brother. Leave that crow for the present, then. Still,
you did stick that letter on the top of the others for him
to notice the address," he'd say. "Now, didn't
you? ... Didn't you, Dear?"
Here her lover pictured Nell's first gesture of
hesitation. He imagined the first undecided sidewards turn of
the small head (soon to be drawn down to its proper
place on his shoulder), bright as a golden bud against
the treillage of the old rose-temple!—their rose-temple!—to
which he would be slowly strolling along beside her,
a lovely girl in a lovely place!
What did the place matter, though? All that
mattered was summed up in the two words of her
message——
"Eleanor here."
Still he was not disappointed that, after a fuming
wait at Folkestone and a journey through Kent in a
Victorian railway-train that had, as Urquhart
expressed it, "two speeds, dead-slow and stop," he found
at the tiny station for The Court no Nell to meet him.
He had not wished or expected that.
Only he commandeered the wheel from a morose and
public-school-voiced chauffeur and tore his Uncle's car
along homewards at a pace that made white avenue and
green lime-trees whizz past in strips of white-and-green,
like blades of that ribbon-grass.
And now they'd rushed up the drive; they'd turned
by the huge beech to the Terrace with the shallow-worn
steps between grey Court and green lawns. Now!
Here was Home! Their home! He'd arrived——
One glance at the steps—No! She wasn't there——
Well, of course not——
Much more like her to withhold herself until the last
minute! Possibly she thought that he had to be taught
a lesson? That it was she who had crows to pluck
with him? And that he must wait on her, first?
Right!
She'd be in the house——
Impetuously he dashed up those steps, out of the late
afternoon sunlight, into the gloom and the cool of the
old Hall, nearly knocking that officious butler into the
glass case with General Urquhart's giant tarpon that
stood beside the study-door.
In the study he found his Uncle, craning as ever over
those books of his, difficult as ever to uproot from that
printed Past and awaken to the Present—embodied in
a hurrying lover.
"Ah, Ted! You have come back," the old man informed
him, vaguely, pulling a lock of his own white
hair back with groping fingers. "You got my telegram."
"Oh, yes, Uncle—Thanks!"
H'm. So the wire was from him? Nell wouldn't send it?
"Still, she might have dictated it," thought the
younger Urquhart, his eyes turning to the door that he
had left ajar.
The old man shut it carefully.
"Always a draught from that hall! The worst of an
old house! Yes, I wired as soon as Eleanor came back
from France. She wasn't able to secure those
documents. Only the least important of them. If one
wants a thing properly done, Ted, one has to be on the
spot oneself. It isn't always possible, I know. But
writing—sit down, sit down—writing about a thing
is seldom satisfactory. The delay—the waste of
time——"
"I know—I know—three years!" said Ted Urquhart.
"Ah, you've found it so, too? I verily believe that
everyone says the same thing. But I thought—I
thought that you always transacted whatever you had
had to do yourself, my boy, in those out-of-the-way
places? I suppose you've had to write home for things,
though, and that you'd have managed better if you
could have chosen in person——"
"Not I! I should never have chosen differently,
Uncle," declared Ted Urquhart quickly, his mind gay
with images of the golden-haired girl he called his. "If
Eleanor——"
"Ah, yes. Perhaps you would like to see Eleanor
now——"
"Perhaps!" the young man laughed, flushing a little.
The elder Urquhart rose stiffly from his desk-chair.
"She said she would come down here as soon as she
heard you had arrived, my boy," he said, slowly, and
put that hand like a branch of pale coral out to the
bell. "She was to be in her office all the afternoon.
That little room off the drawing-room: she calls it her
office. She has so many people to see on business; she
has to have an office of sorts, Ted——"
"Of course, of course——"
A nerve-racking pause, during which an old man and
a young one sat silent in the old room with its
book-lined walls, arrassed with velvety glooms. Outside a
rose flattened itself against a mullioned pane. Inside
brooded a church-like hush.
Young Urquhart felt that the thumping of his heart
must presently be heard through it.
"Crow Number Five to pluck with her presently,"
he thought resentfully. "Why did you keep me waiting
on thorns when I know you must have heard the car
drive up?"
"Dear me, I think that bell cannot have rung," said
Eleanor's maddening father, presently. He rang again.
After what was possibly only the usual lapse of time,
the butler appeared.
"Beeton, go—go to the little morning-room, will you,
and let Miss Urquhart know that Mr. Ted Urquhart has
come and that he is waiting in here."
"Yes, Sir."
Another stage-wait.
Mr. Ted Urquhart, with every nerve a-fret within
him, remembered that a married man he knew once told
him how nearly he had "bolted" from the altar and
the bride who had let him in for the ordeal of waiting
there for fifteen minutes....
This was a bad quarter of an hour that Nell was
giving her man....
How long? How much longer? ...
Ah! At last! Steps across the hall.
Urquhart sprang up again at the sound of them.
Light, composed-sounding steps; not loitering, not
hurrying, coming steadily across to the study-door.
It opened.
As it did so, young Urquhart stood tense, just ready
to step forward to greet the girl who should enter....
But he did not step forward.
For, he saw, this was not Nell who came in.
She, in her dainty insolence, had sent somebody.
This would mean the plucking of Crow Number Six.
She had sent a small, dark, prim-faced little person,
rather dowdily-dressed, a companion, a lady-secretary
or something of that sort, to say that Miss Urquhart
would be here presently, he supposed. Nell was keeping
it up until the very last moment——
But in that moment old Mr. Urquhart's vague, soft
voice was speaking; uttering incredible words.
"Ted, my dear boy," he said, "this is Eleanor."
"This——?" The startled, crude exclamation all
but broke from young Urquhart's lips. All the blood
that had just been surging, warm and eager, through his
heart, seemed to have ebbed away, leaving him deathly
cold. He was aghast as any ivy-wreathed lover of
Mythology, who for a day had chased some laughing and
elusive maid in hot pursuit—no more eagerly than this
Twentieth Century engineer in his tweeds and brown
boots and close-cut hair—and with no better luck! For
at the end of the chase, what, in those old legends, was
the hunter's reward? That disconcerting miracle of
Metamorphosis! The glowing sweetheart vanished;
transformed into a chilling splash of brook-water across
his face—an armful of fleshless reeds against his
breast——
Young Urquhart stared. A voice within him seemed
to be clamouring furiously:—"But, look here! This
isn't Nell! It can't be! This isn't the girl I'm here for,
at all! This is the wrong one! The wrong girl, I say!"
Unconscious of all this, the strange dark girl came
sedately towards him, holding out a small hand, spare
and brown as the stone of a date. Upon the other she
wore a noticeably fine ring.
"How do you do, Ted?" she said, composedly. And
she offered to him the edge of an olive cheek—this girl
upon whom he'd never set eyes before now.
This was Eleanor!
"How am I to get out of it? What excuse am I to
make? How on earth am I going to break off the
engagement?"
This was Ted Urquhart's first preoccupation after
he had dismissed Mr. Beeton's offer of help and had
begun to unpack his own traps in the lavender-scented
quarters which had always been his bedroom when as a
little boy he had stayed with his father at The Court.
He could still hardly realise that The Court was his
own property; that it would be his and that of the
girl-cousin whom he had arranged to marry.
No! He couldn't marry her!
Now that he had seen her, he knew, he knew that he
could never marry Eleanor Urquhart!
The small and naughty boy that lurks in every grown-up
young man seemed to come out from his ambush at
the back of his mind, grimacing and shrieking rebellion
at the mere thought of it.—"Don't want to! Don't
like it! Shan't! Won't!"
However more gently he put it, it was a rotten thing
to have to tell a girl! What reason could he possibly
give her? The young man pondered as he moved in his
shirt-sleeves between the towering tallboys and the
latticed casement darkened by ivy, unpacking and
disposing his things neatly and quickly after the order
of the old campaigner; the row of boots here—best light
for shaving here—and here the spirit-lamp arrangement
for getting himself a cup of tea in the morning at an
hour before any lazy English servant was stirring!—and
as he pondered, there sounded clearer and clearer
in his mind the unwelcome answer to his question.
"How am I to break off this senseless engagement?"
"It can't be broken off!"
For he couldn't tell that matter-of-fact-looking young
woman that he found he'd been mistaken in his feelings!
In the whole question of their engagement, "feelings"
had not been mentioned.
Why should they? Between a girl and a man who'd
never met? They were engaged for quite another
motive—and that motive—the sharing of The Court—remained;
common sense as ever. He would, if he broke
it off, be turning out the girl and the old man—after
having deluded them for a whole year into making sure
they were there for good! He'd be wasting a year of
his cousin's chances of marrying somebody else.
Somebody else might have wanted to marry her—a curate,
say, or some kind of professional pal of Uncle
Henry's....
So here was he—Ted Urquhart—with his whole
Future mortgaged!
And only himself to thank for that! Asking for
trouble! Asking!
Fool that he'd been!
Didn't it just show the insensate folly of getting
one's self engaged for any but the one right reason?
Men did it, of course, and it seemed to work out all
right.... There'd been a young French mechanician
in Urquhart's last camp, married to a girl in Arles for
whom he seemed constantly homesick—yet he'd never
seen this bride to speak to, alone, until after the wedding.
Those "arranged" marriages for family reasons, on
the idea that one well-brought-up girl made a man the
same sort of wife as another well-brought-up girl,
panned out well in France, presumably. One young
Englishman was finding it a fairly infernal sort of
failure. To be tied for life to a girl who—Well! She
was a nice little thing enough. Rather fine eyes—for
dark eyes....
But—he summed up a vague set of impressions by ruefully
telling himself that she didn't seem able to make you
feel she was a girl!—Pretty hopeless kind of start, that!
A rose without scent—that was a girl without the
allurement of sex. It wasn't a matter of good looks
alone, either. Some girls—not always the best-looking
ones!—had something about them that could surely
make a man conscious of their attraction even a mile
away, even on a pitch-dark night, say. They'd this
"something" that called and called—inaudibly. It
beckoned and beckoned—without any visible sign that
could be shown. It was the undying miracle of
womanhood; the appeal of the Eternal Feminine. He, Ted,
had seen it again and again in the dark eyes of South
American girls, in the less languorous glance of French
lassies. That theatrical girl, now Pansy Vansittart, she
possessed it in every movement of her sumptuous person.
And it was incarnate, and a transfigured thing, in yet
another girl——
He wheeled sharply as if the thought had stung him.
He told himself that men could marry, and did marry,
"without much of that sort of thing." Yes, and were
quite reasonably happy, too, without it! thought this
Empire-maker a little defiantly.
A man needn't miss it. He mightn't ever miss it
unless—Until, too late, he happened to meet the other sort
of girl!
Here Urquhart sat down heavily on the edge of his
bed—one of those countless mausoleums in which Queen
Elizabeth is reported to have slept,—and he thumped a
brown fist softly and viciously against the carved black
garland of the bed-post.
As if defending himself to some one, he muttered
aloud—"It would have been all right! It wouldn't
have mattered if I hadn't seen Nell first!"
He knew now who it was that he had been calling
"Nell" all this while in his heart.
For during a nightmare of afternoon-tea just now in
the great drawing-room with his Uncle and the girl
whom Ted had condemned himself to marry, Eleanor
Urquhart's staid little voice had broken through her
fiancé's daze of consternation with questions, obviously
meant to be friendly, about that anonymous, that
disastrous trip of his to France.
"And so you went to my Hostel, and found that you
had had a journey for nothing, after all? Oh, dear,
what a pity. I should like to have shown you the place
myself," Eleanor had said, pouring out tea with those
little, competent, rather uncaressable-looking hands.
She was doing her best, he saw, to be what she
considered "nice" to this visitor who was also a prospective
husband. "Sugar? Two lumps? (I must remember.) Don't
you think it was a good idea to start it abroad,
Ted? Such a complete change, you know——"
"Quite a change," poor Ted had absently agreed.
"Yes, to give those girls even a glimpse of another
country, another sort of life from their own—Oh! I
am sure it widens their minds," Eleanor had said
earnestly. "It is sometimes so disheartening, the
narrowness of the outlook of those girls! Some of them
seem to care for nothing but just the tiny pleasures of
the moment. Or what they look like. Or what one of
their dreadful 'young men' says; their Tube lift-men
and tram-conductors and shop-assistants! As I
sometimes try to tell them—(Won't you have some more
bread-and-butter? You are eating nothing.)—as I tell
them, 'These young m-m-men are, in nine cases out of
ten, on a lower mental plane than you are yourselves!
They haven't read as much; they haven't associated as
much with another class; they haven't thought as much.
Why, why be swayed by their opinions? Form your
own judgments!' I tell them. 'For the honour of your
sex, be yourselves, not things that just talk, and dress'
(as they do, Ted), and behave in a way that they think
will please their quite uncultivated young men!"
"But these young men," Urquhart had suggested,
diffidently enough, "are, I suppose, all those girls have
to marry."
"Why should that decide everything?" Eleanor had
argued, as energetically, as unembarrassedly as if she
were discussing any other subject—say half-day
closing—that affected her girls. "Why should not
they—instead of descending to the level of the young man's
intelligence—try to raise him? I beg them to do that.
Isn't that a better standard to set?"
"Oh—quite——" Urquhart had said, with an irrelevant
echo of the talk of Pansy ringing in his mind
as he had listened to this other young woman.
"And you saw my girls, of course? Five of them
there now. They wouldn't know who you were, Ted, I
suppose?"
"Er—no. They didn't know."
"Not even Miss Fayre?"
"Miss Fayre," Urquhart had repeated with a boding
flash of enlightenment. "Now, which was she?"
"Rosamond Fayre; a very tall girl with a great deal
of fair hair; nice-looking—my secretary. I left her in
charge of the place while I went to Paris."
"Ah, your second-in-command. Yes, I saw her, of
course," Eleanor's fiancé had forced himself to say
quietly, "but without catching her name."
"Then you will have to be properly introduced when
she comes back," Eleanor had said, pleasantly precise,
"on Thursday."
"She's—to come back here?" Ted Urquhart had
heard himself ask. "And are you going back to France,
then, yourself?"
"No. I've another most excellent person to send
over to take on the Hostel until the end of this month.
A Lady Miriam Settlement worker, whose holiday has
fallen through in the nick of time," Eleanor had
explained busily. "A Miss Wadsworth—a great-niece of
The Wadsworth, you know, the Minority Report man—a
most charming and cultured woman. She will be
glad to take charge—especially as the more difficult of
the girls are due back now—and that allows me to have
Rosamond Fayre free for the Amalgamated Girls'
Garden Party."
"'Rosamond Fayre!' Rosamond Fayre," Ted had
echoed silently. "She was more like a 'Nell'! And
so she's this girl's secretary? What on earth sort of
a—Rather a bad one, I should say! What's she secretarying
for, at all? Is she one of that 'intelligent' lot?
Surely she doesn't go in for thinking a girl ought to
be mugging up books all day about how to be 'herself,'
instead of playing up to a mere man?"
But as he asked himself the question he knew that to
that girl being "herself" and living to delight her
lover would some day mean just one and the same
thing....
Eleanor, putting her cup down, had chatted briskly
on, so interested in this garden-party, whatever it was,
that it preserved her from any self-consciousness before
this stranger-fiancé. She had been quite ready to accept
him as a matter of fact! She'd behaved as a well-brought
up docile child behaves when there is ushered
into her nursery "the new Nana"! She had been treating
her prospective husband with the same unruffled
friendliness with which she had then turned to his Uncle.
"I knew you'd resign yourself to the inevitable,
Father! As soon as we heard that there was scarlatina
at Park, and that the Duchess had to put the whole
place into quarantine, I knew you'd say we might have
the party here——"
"Very well, my dear, very well—I'll go out for the
whole day," Mr. Urquhart's fatigued voice had replied.
"I'll take the car over to Little Merton and have a look
at that parish register I heard of the other day. No,
no, I'll not stay here, Eleanor. I—I can't cope with
these young ladies. I—I haven't forgotten that last
reunion you had. Ladies who lost their way down the
corridors—invaded my study—lectured me on the
Marriage Laws. They alarmed me," the old gentleman had
confessed, "with their views—They—Ah, I shall be
gravely anxious, Eleanor, until they have come and gone.
The pictures, Ted!—The Romney! At least we ought
to have the Holbein room locked up!"
"But these are not the Suffrage-people, Father, this
time," Eleanor had explained, patiently. "These are
just my working girls! All the Clubs in London,
amalgamated. They are bringing down——"
"Female hooligans, my dear Ted," concluded his
Uncle with a deploring shake of his white head.
"Mænads who hold orgies and Saturnalian gambols on
these lawns——"
"Father, they only dance! Dancing is their great
outlet," Eleanor had explained. "I shall have a band
for them on the Terrace. I shall tell Rosamond to write
to one of those ladies' orchestras——"
"More ladies!" old Mr. Urquhart had groaned.
"Ted, my dear boy, you and I will be well out of it on
that day. We will decamp, and leave the Bacchæ to
Eleanor and Miss Fayre."
That miserable night, as Urquhart went to sleep, his
last thought was that he would see Miss Fayre—since
that was Nell's true name—in two days' time....
It seemed to Ted that only that thought kept him
going at all during this ghastly sojourn in this house
as a man engaged—to the wrong girl. It seemed to him,
as he walked through those grounds and stood beside
that new fish-pond, and explored the rose-temple, always
with that sedate and authoritative little courier of a
cousin of his—as he touched her cool olive cheek in
morning or evening greeting—and listened politely to her
talk of her plans and of her secretary's duties, it seemed
to Ted that Life could hold nothing worse in store for
him.
Here he was mistaken.
To be with the wrong girl is bad enough; but its
Purgatory is peaceful enjoyment compared with what
it immediately becomes with the entrance upon the scene
of the right girl herself.
Rosamond Fayre, secretary, returned to her employer's
house on Friday evening.
It was just as Beeton was preparing to sound the
dressing-bell that the tall girl, coated and veiled from
the motor, came running lightly up the steps and into
the hall to be met by Eleanor, over whose compact little
shoulder a masculine figure might be seen lurking none
too happily, in the background.
"Ah, Rosamond, you are late," Eleanor greeted
her pleasantly. The girls never attempted a kiss;
Eleanor, because she would not have considered it business-like
to be on those terms with a salaried clerk, however
much of a friend she was; Rosamond, because, like
many girls of a generous temperament, she was sparing
of indiscriminate caresses. (In dreams her kisses might
be many ... in real life she waited for—a dream....)
They shook hands, and then Eleanor made a little
summoning movement of her dusky head. The young
man behind her straightened himself and came forward
to that long-evaded, now inevitable introduction.
"A surprise for you, Rosamond," said Eleanor,
smiling placidly. "You two have met, I hear, but
without either of you knowing who the other was. This is
my fiancé, Mr. Ted Urquhart."
The young man—rather wooden-faced—bowed to
Miss Fayre, who, without displaying too much astonishment,
gave the lightest laugh of conventional amusement
as she nodded.
"How funny this is," she said brightly, "isn't it?
How do you do, Mr. Urquhart? (We entertained your
fiancé unawares, Eleanor, that he was wishing us all at
the bottom of the sea because we could not produce the
rightful mistress of the Hostel to talk to him.) Yes, a
perfect crossing, thanks. What, a parcel in my room?
How nice! I always like to find something unexpected
waiting for me, don't you?"
She stood a little aside to let her employer precede
her upstairs, then she went off to her own room, smiling.
That smile deepened as Rosamond opened her white
door and stepped across the pretty room to the open
latticed casement. The sunset was misty golden beyond
the dove-coloured sweep of Kentish Weald with here
and there a church-spire holding up a slim blue finger;
the lime-trees of the Court Avenue made a dark frame
for the picture. It was all utterly, unsuspectingly
peaceful; and very English. After all, Rosamond found
it was rather pleasant to be back again in England.
That was not why she smiled, though.
"So that's Mr. Ted Urquhart! He little knows that
I have known that for nearly a week now! He shall
never know how I found out, either," decided Rosamond
with a little laugh.
And as she slipped off her travel-dusty costume and
splashed in freshening hot water, she laughed once or
twice over the pictures in her mind. A picture of the
hall at the Hostel and of the walking-stick that a young
man had dropped there while he went off post-haste to
fetch a tea-basket, and that a young woman had,
suspecting nothing, picked up. A tell-tale walking-stick
with a big silver knob engraved with initials, and a crest
for all the world to see. Not the sort of stick a young
man ought to carry who's set his mind upon travelling
incognito!
Then the picture of Ted Urquhart's straight back as
seen from the Hostel window, marching off with indignation
expressed in every line of it! The picture of his
face just now!
"So, that is the young man of the Camp, and the
runaway bulls, and the revolver fights, is it? That's
'my dear Ted,' in fact, to whom Eleanor—or I—used
to send off those extremely interesting letters every
mail? What a grotesque plan that was." She laughed
as she unwove her plaits and twisted them again into
the Clytie knot on the back of her neck.
"And how I used to wonder what he looked like, this
unseen young man to whom I signed myself 'His
affectionately.' Well, I know now. And he doesn't know
I've seen most of his—er—love-letters." She laughed
again. "How furious he would be! He is furious
enough with me now," thought Rosamond Fayre. "I
saw that. Furious because I had to hear his name at
last. Furious because a third person knows of that silly,
silly trick he played—tried to play off on his fiancée!
She doesn't seem to be particularly angry," reflected
Rosamond. "I shouldn't have spoken to him for weeks,
if he'd been anything to do with me. As it was, I was
rather annoyed with him for the moment. Not now.
Oh, no! Now I'm only interested to watch him—and
Eleanor. They've had a week, now, to find out each
other's tastes, and so on.... I suppose he likes her?
I expect he'll loathe me cordially henceforward."
She hummed lightly a scrap of an old song as she
finished doing her hair:
"My father's a hedger and ditcher—
"It's getting late in the summer to dress for dinner
without turning on the lights——"
Catching together her blue crêpe kimono, she stepped
across to the window again. With a little jingle of
brass rings she drew the cream-coloured casement curtains,
catching, as she did so, the sound of a crunching
step on the gravel outside, the whiff of a cigarette.
"Alone. I wonder what he's thinking about. Waiting
for Eleanor to come down, of course," said Rosamond
Fayre as she stepped back.
Behind those drawn curtains she snapped on the
lights. They shone on that waiting parcel, a square
white carton box with a dressmaker's name ("Madame
Cora") splashed in scarlet letters across it, containing
a new evening frock for Miss Fayre, who spent what
Eleanor privately considered an utterly disproportionate
amount of her salary upon clothes.
"I wonder what Eleanor is going to put on 'for
Him'?" mused Rosamond as she sat down on the bed
and cut the scarlet strings of the box. "Surely she'll
stop having a soul above dressing to please a man now?
Lots of girls could take Eleanor's looks and make them
rather Spanish and piquante. But will she?"
Layer after layer of tissue paper rustled at her feet
with the sound of drifted autumn leaves.
Rosamond took out the frock.
It was of three-tiered pink, fading from the deep blush
of the lowest flounce to the creamy heart of the corsage,
and but for the shot-weighed hems it would have seemed
light as a silken scarf across her arm.
"Now there's something really mysterious about a
woman's pretty frock that's not been put on yet,"
thought Rosamond. Her eyes drank in the dainty
colour. "She doesn't yet know what will happen to her
while she's wearing it. How can Eleanor call clothes
'so inessential'? A frock? Why, it's a fateful thing!
Now, this——"
She stepped into the pink sheath.
"Will it be an unlucky frock? A hoodoo? Some
are!" She drew it up about her pliant column of a
body. "Or will it be a 'frock of fascination' that
brings a good time whenever or wherever it's worn?
Perhaps!" She slipped sculptured arms into those short
transparent sleeves. "Oh! Feels like crisp butterfly's
wings against one! Yes! Surely Eleanor will learn to
enjoy clothes for his sake? Surely he'll teach her that?
Though I don't think much of him, even if he does romp
up and down the Andes with castings on his back.
(Obstinate-looking back.) Now, which is the—ah,
here——"
She joined the silken waist-belt, humming her old
song:
"My father's a hedger and ditcher—
My mother must card and spin—
Fancy when they spun all their own frocks!"
With busy enjoyment she fastened silver snaps down
the front, still humming——
"But I'm a poor little critcher—
That's it——"
She coaxed a tiny hook into a silken loop,
"And money comes slowly in!
Now!"
She turned to the long glass of her wardrobe a glance
of triumphant enquiry.
Yes!
It was a success.
Ah, blessed fashions of Nineteen Fourteen, that
revived all the frilly, feminine vanity and charm, with
none of the rigidity of the Crinoline Period! That
corolla of petal shapes spreading below the hips as the
girl that lent it movement turned slowly, lifted an arm,
took a step aside and back again! Why, this garment
was just a flower made into a frock! She smiled with
frankest pleasure at her own white-framed reflection.
And the last cunning touch was to overlay it with
that film of misty-blue chiffon which softened all that
warmer colour with just the quality of pink rose-leaves!
"My frock; distinctly mine!" murmured the girl.
"I've never looked so nice in anything. I'll write and
tell Mrs. Core that. Clever little woman! Worth double
what she charges. It is nice! M—m!"
She pursed her mouth into the shape of a kiss wafted
to that preening, radiant image of gold-and-white-and-rose.
"Rather a darling! The frock, I mean, of course.
Oh, I shall be happy in this, I know. Is it too idiotically
silly and frivolous, after all, to think it matters so
much? It's not looked upon as frivolous to enjoy a
good picture? No! That's artistic interest. Then
why isn't it 'artistic' to enjoy actually being the
delightful colouring and the graceful 'line,' and all that?
It gives such pleasure, and not only to oneself," mused
Rosamond. "Now, shall I, or not, wear just a bud
fastened into the lace here?"
She had chosen that bud from the bowl of roses set
on her corner writing-table; she was pinning it in when
a sudden thought checked her.
"Why——"
The smile faded from her face. A little, unreasonable
chill seemed to pass over her.
Why, she had forgotten. This brand-new frock was
not for wearing at dinner to-night! This was for
"special" occasions; parties. She'd only been trying
it on to see if it needed to be sent back for any
alteration. It wasn't as if her sweetheart had just come home.
She'd nobody—nothing to dress for, to make herself into
charming pictures for, to-night. Yet here she was
prinking, tittivating and taking thought of her
appearance, just as if she were, say, in Eleanor's place!
The lace at her breast stirred over a little sigh.
"Rather a pity, Rosamond, that you haven't
got—somebody nice of your own to admire you just now,"
she thought. "This frock simply calls for it! ... Well,
some day, perhaps, before it's quite worn out——!
But I had better make haste and get out of it, now——"
Rather slowly she began to unfasten those snaps,—"since
it does fit all right."
She coaxed that tiny hook out of that silken noose.
Then, with a jerk, she stepped out of the frock, and
gave a little laugh. Her face cleared into gaiety again.
Briskly she began putting the new vanity away,
humming as she did so, the end of her old song:
"Last night the dogs did bark.
(I hope dinner won't be long. I'm quite hungry.)
And I went out to see—
(Better stuff this tissue-paper back into the sleeves.)
And every lass had a spark,
But there's nobody comes for me!"
She turned back to the wardrobe.
"The old black ninon rag, I suppose——"
That old black ninon rag flattered her neck and
shoulders as even the rose-pink lisse had not
done.—"And perhaps my one and only remaining piece of
modest jewellery——"
This was a tiny antique paste slide and clasp on a
velvet ribbon. Another girl might wear black, to show
up the contrast with her throat, but Rosamond's neck-band
was of velvet insolently white, inviting comparison
with the skin against which it could scarcely be seen.
She was fastening the clasp as the purr of the gong
through the house rose into a growl and died down
again to a mutter.
"Good.... There is dinner. I wonder if Mr. Ted
Urquhart thinks that the secretary ought to be having
it in the housekeeper's room, with a frock right up to
her chin, and a neat little white turn-over collar?"
meditated the secretary as she came downstairs. "Of
course I shall have to show him, now, that I do know
'my place,' and that I realise I'm merely a menial in
this house. No part of my duty to dress for the young
master of the house, even if I did have to write
love-letters to him! His house. What a pity I don't wear
an apron," she concluded with an inward chuckle as she
walked demurely into the oak-panelled dining-room of
which the long table below the chandelier was unused
except for a large party.
The family dined at a small oval table set in one of
the windows.
Old Mr. Urquhart, with Charles II. gold buttons on
his dress-waistcoat, faced his daughter, who wore an
all-white lace dress that made her look as dark as a creole
without a Creole's warmth. Eleanor was invariably neat,
but always her neatness looked as if it had been achieved
without the aid of a mirror. Surely, if she'd glanced at
her "effect" in the glass, that little brunette would
never have chosen a necklace of silver with sapphires,
the special stone of a fair-skinned woman?
Rosamond found herself opposite to Mr. Ted
Urquhart—whom Eleanor's girls, no doubt, would have
considered better-looking than ever in evening dress.
"Amusing to think what a much larger party we
were last time I sat down to table with Eleanor's dear
Ted," reflected Miss Fayre. "Yes; there's no reason
why I shouldn't get what amusement I can out of the
whole thing?"
The amusement, she found, could begin at once.
It began with what was evidently a discussion by
Eleanor of some features of the party arranged for next
Saturday, and what was as obviously a repetition of
old Mr. Urquhart's sentiments thereupon.
"Well, Eleanor, I wash my hands of it. It's Ted's
turf, actually."
"But we've agreed not to ruin the turf! We'll have
the dancing on the smaller lawn behind the walled garden
instead! I've told Marrow he can't object to that,"
decreed Eleanor. "After all, this whole place doesn't
belong to the g-g-gardener! He behaves as if it did!
So like a man! No sense of p-p-proportion at all. We
should do far better to have one of those Horticultural
Hostesses here, with two or three girls from the
Gardening College at Glynde under her——"
"Oh, heaven! Yet more girls," mourned old
Mr. Urquhart, crumbling his bread.
And Rosamond Fayre, now taking up the attitude
that she decided would bring her in the most harmless
amusement, looked deprecatingly timid above her soup.
"Well, my dear, you will have the field to yourself this
time. You and Miss Fayre"—the old gentleman was,
by the way, a great admirer of Miss Fayre's—"will
have the field to yourselves. Let me know at what hour
you think it will be—ah—safe to return."
"There is to be a special train back to Charing Cross,
Father, to take the girls up. They'll be gone by seven,
won't they, Rosamond?"
"Oh, yes," murmured Rosamond Fayre.
All the "apron" that she had regretted being unable
to tie on over her black dress sounded in her meek voice.
Every note of it was calculated to impress upon her
neighbour opposite that she, Miss Fayre, was now not
the young lady-in-charge of that Holiday Hostel in
France. Oh, no! but the humblest of secretaries. The
most unassuming of hired menials at Urquhart's
Court—Mr. Ted Urquhart's Court. She hoped he saw that.
He hadn't looked at her—of course.
"Are you feeling a little tired?" Eleanor asked.
"Oh, no, thanks," uttered the secretary, mildly. "Why?"
"You seem so quiet to-night."
"Perhaps Miss Fayre also," pronounced old Mr. Urquhart,
"is trembling at the thought of the invading
hordes."
"No, really I'm not," protested Miss Fayre, shyly.
"Anyhow, Father, you needn't tremble! You'll be
off before they come," his daughter told him, "and
you'll be going with him, Ted, of course."
"Oh, will he be going too?" thought Rosamond.
"Yes, I suppose he's sure to. He won't care to be one
of a 'horde' surrounding her." Without looking at
him, she saw the young engineer glance up as he said
quietly—
"Oh, no, Eleanor. You're not going to shut me out
of these festivities. I'll stay and see the fun."
"Fun—oh, it wouldn't be any fun for you, Ted," the
young mistress of the house said absently. "I'm afraid
I shouldn't be able to attend to you at all. You see,
it's a regular gathering of the Clans. Not only the two
hundred Club girls, but several of the workers that I
don't seem to get a chance of talking to at any other
time. I really shan't have a minute; that shall I, Rosamond?"
"I am afraid you won't," agreed her secretary
politely, the while she thought, "That will choke him off,
surely. Knowing that Eleanor won't have time for him.
He won't want her Two Hundred. He'll go."
"I think I'll stay, all the same," said the quiet, easy
voice of the young man who hadn't looked at Rosamond,
"unless Uncle Henry wants somebody with him?"
"Ah," thought Rosamond, "will Mr. Urquhart think
he wants him?" She must have been rather counting,
she found, on the added amusement of watching
Eleanor's dear Ted ousted for an afternoon by Eleanor's
beloved girls. For it was with quite a little thrill of
gladness that she heard old Mr. Urquhart tell the young
man to do just what he liked.
"Then that's all right. I shall stop and lend a hand,
Eleanor. Never thought of doing anything else."
"He must like her very much, after all—I mean he
must like her," was Rosamond's thought, followed by,
"Why, of course he likes her! He'll put up with the
whole of the hen-party for her."
"And if I'm talking to these people all the time,
Ted," she heard the engaged girl say later on during
dinner, "you'll have to get Miss Fayre to show you
what to do——"
"If—she'll be so kind," said young Urquhart.
Miss Fayre gave him a polite half-glance. It was not
one of the secretary's duties to smile at him, after all.
Sitting there eating his dinner as stodgily as if—well,
as if he weren't capable of saving a girl's life, for
instance. But perhaps he was so fond of the society of
girls that he preferred them in hundreds?
"There was one young man of the Classics who insisted
on looking on at the Bacchanalian Orgies," old
Mr. Urquhart was intoning presently. "Remember
his fate, Ted. He was torn to pieces, was he
not?"
"I'm not looking on, though," announced the young
man, "I'm helping you." And he raised his close-cropped
brown head and looked across the centrepiece,
a white china basket full of peaches held up by three
white china Cupids—looked for the first time directly
at Rosamond Fayre.
And this time it was she who did not look.
"Very well; you go to Mr. Ted Urquhart, then,
Rosamond," said Eleanor, in her "settling" voice,
"when anything's wanted."
Rosamond, intent upon the little silver-handled knife
in her hand, said, deferentially, "Yes. Thank you.
Only—I don't think Mr. Ted Urquhart quite realises
what he has let himself in for!"
It was the afternoon of the great Hen-party at
Urquhart's Court.
Imagine a giantess's piece-box of scraps of every-coloured
silk, muslin, and stuff,—blue, yellow, orange,
and a pervading, blasting shade of pink—tumbled out
haphazard over a giant's green billiard-table, and stirred
by a freakish breeze into never-ceasing movement. This
was the first impression of Eleanor's invading army of
guests upon the eye.
Upon the ear smote the indistinguishable unending din
of their voices. It filled all the air above the grave old
basking house, and the stately lawns. Not actually loud,
but high-pitched, shrill....
That clatter of feminine voices without a steadying
bass among them! That acre-wide flutter of feminine
garments with never a jacket-suit to give them value!
That pinky-white speckle of feminine faces——
There appeared to be nothing but women, women,
women at The Court to-day. For Eleanor, with so
many women-volunteers, never engaged waiters for these
occasions.
Even Mr. Beeton, the butler, was lying low in his
pantry, sulking indignantly to think that a gentleman's
country-house—a house where Mr. Beeton was in
service! had been turned topsy-turvy into something
more like Hampstead Heath on a Whit-Monday than
anything he'd ever come across in the whole course of
his experience—not that he knew anything about that
neighbourhood except by hearsay. (He was an old
sailor.) Mr. Marrow, the gardener, broken-hearted to
think what those regular hooligans of young women
might be up to on his lawns and in his gardens, had also
taken the afternoon off—while those lawns and gardens
hummed and buzzed and twittered with the
invaders.
Rosamond Fayre, wide-hatted and cool in her white
gown, paused for one moment on the Terrace where rows
of tables and benches were set out, before she turned
into the house on her next errand.
And out of the ivy-draped entrance of the house there
came out to meet her the one and only man left about
the place that day.
Ted Urquhart, nut-brown against his flannels, carried
a large glass pitcher in either hand. All the afternoon
he'd been carrying something: pyramids of cut cake,
dishes of cucumber-sandwiches, relays of jugs of hot
water; and all the afternoon he had worn the ultra-sweet
and restrained look of one who longs to hurl at the
nearest head that which he carries.
This time it was iced lemonade.
"Where do I take this to, Miss Fayre?" he asked,
quietly.
"To Nurse Agatha's Invalid Girls' table. The
furthest, under the lime-trees," Rosamond instructed
him, a little shortly, pointing.
And as she turned into the house she thought, "This
time I shall give him the slip. Really, Eleanor's dear
Ted is too absurd this afternoon! Just because Eleanor
told him he was to take his orders from me he elects to
take them this way! Puts on that deadly-docile manner
which always means that a man is smouldering with
rage, and makes himself into Eleanor's secretary's
shadow!"
For that many-coloured pool of girls on the lawn
might swirl and surge and re-form, but all the afternoon
it had been navigated by two figures in white never far
apart; the tall fair girl so closely followed by the taller
sun-burnt man.
"Just because Eleanor can't attend to him. Silly of
him to show he minds! Fancy his minding so much....
Eleanor must have managed to make him very fond of
her somehow. That's a mercy! Curious that you never
can tell what will attract any given kind of man,"
reflected Rosamond Fayre, as she looked into old
Mr. Urquhart's usually hushed study, now delivered over
to the Ladies' Orchestra, white-clad, with blue velvet
Zouave jackets, who were giggling joyously over an
unduly prolonged feast of Mr. Marrow's peaches and
lemonade. "So sorry to uproot you, but when you've
finished, would you mind playing for some more dancing
on the smaller lawn?" suggested Rosamond Fayre,
sympathetically.
As she came out into the corridor again she was again
confronted by that suppressed, that meek figure in
nut-brown and white.
In a voice as mild as Rosamond's own voice when she
was very much "the Secretary," Ted Urquhart said,
"All the parties have had tea now, Miss Fayre. And
lemonade. And ice-cream. Can't I bring you
some——"
"Oh, I had some tea with the United Laundry Girls,
thank you," said Rosamond Fayre.
"Then what," persisted Ted Urquhart smoothly,
"can I do for you now?"
"Well! Perhaps you might take Miss Newnham and
her friends—those ladies who brought down the
Kennington Road Group—and show them the grounds, and
the fish-pond——"
"Is that the Stinor-Wrangler Lady and her party?"
asked young Urquhart. For one second his face
expressed a wish to show that party into the fish-pond and
leave them there. But he only said, "I'd rather do
something for the girls themselves if I might?"
"Play games with them, then?" suggested Rosamond,
not without mischief, as she walked away from him into
the Hall. For here they were met by a nearer sound
against that background of incessant treble clamour—the
sound that drifted in of a singing game, played on
the cleared portion of the Terrace by one of the
"nursery-parties."
These girls still wore their befrizzled hair bobbing
against their backs and their skirts swinging up to their
knees as their light heels kicked up Mr. Marrow's gravel
as they sang in chorus:—
"We're waitin' for a part-ner!
Waitin' for a part-ner!
Open the ring! And choose your Queen
(A sound of scuffling here)
And kiss her when you've got her in."
Then, more loudly as Rosamond Fayre and the one
man left at Urquhart's Court appeared framed in the
doorway under the old red-brick shield, the little
Cockneys sang:—
"On the carpet you shall meet
As the grass grows in the wheat;
Stand up now upon your feet,
And kiss the one you love so sweet!
We're waitin'——"
"Are you coming to play this game?" the young
man in the doorway rather brusquely asked Rosamond
Fayre.
"I? No time!" she said, blushing a little for no reason
except that she found herself for no reason blushing
a little.
She left Mr. Ted Urquhart to watch that game or
play it as he chose, and descended the Terrace steps
to the lawn again.
The dabs of moving colour seen from above became
moving figures, most of whom Rosamond knew by sight....
She walked beset by greetings from Eleanor's girls,
smiling to herself as the pervading buzz disentangled
itself into tags of sentences.
"Hoo! Talk about lar-arf! If you'd 'a' seen me
and her gittin' it done, ready to come, at four this
mornin'——"
"Why, in the train comin' along——"
"I says to 'im, well, if I don't go to-day, I says,
there may never be a next time, I says, very well, 'e says;
Gow! and I—"
"Miss, dear! Trailin' a twig on your skirt! Yer
sweetheart's thinkin' of you!"
"'Ilder!"
"'Ere, young Dais! You've got a cheek, to——"
"Seller! Seller!"
Then, in a very different sort of dialect——
"Has anyone seen Miss Newnham? Ah, Hypatia;
there you are.... Impossible, in this mêlée.... But
of course I shall come to the Meeting afterwards, if
only I can hale these young barbarians back to their
native wilds of Kentish Town in time——"
"Whey-ah is Eleanor Urquhart? Yes, I know! she
sent some sort of a myrmidon of hers, a typist-individual,
I think, to——"
Rosamond primmed her mouth. She did not greatly
care for those specially-looked-up-to friends of
Eleanor's who had degrees after their names and who wore
hand-wrought silver Suffrage-brooches and who made
little "cultured" jokes about the girls....
The enjoying girls themselves were all right. So
were their other guardians. Those Hospital Nurses, for
instance, cheery and crisp and trim in the mauve-and-white
uniform that one of them had not taken off, as
she smilingly admitted, for the last thirty-six
hours—coming straight on, off duty——
"Wouldn't you like a little more to eat, Nurse——"
"My dear, I'd like a little less, if possible!"
They were dears, Rosamond thought. So were the
Sisters of Mercy, who, for all their black robes and
veils and twisted girdles, were the gayest of the gay;
their white-linen-bound faces bright as their own
silver crosses, free from all care that was not for
others.
"Sister! Have you had anything yourself? You
haven't, I know," said Rosamond Fayre. "I'll
send——" She turned—to meet the usual resigned and
following figure. "Oh, Mr. Urquhart! Would you
mind going up to the house and making them bring
some fresh tea here—a little tray——"
It was young Urquhart himself who brought that
little tray. He carried it, without the loss of a drop,
over the crowded lawn, to the garden-seat under the
trees, to that Sister-in-Charge.
But this did not check him for long from this obviously
deliberate and idiotic plan of dogging the footsteps
of Miss Urquhart's second-in-command.
Surely, surely he could see for himself what to do?
He could choose which girls to show round the place
(his own place) on his own initiative, couldn't he?
Apparently not!
Rosamond, shepherding a Guild of Girl Needleworkers
past the walled gardens to the other lawn where
the tuning-up of three fiddles and a 'cello grew louder
as they approached, found that Mr. Ted Urquhart was
practically upon her heels once more.
Once more, she supposed, he'd bring out that
monotonous, restrained, but temper-struck "What can
I do for you now?"
No!
For at the further side of the lawn from the white
and blue wooden stand where the blue-and-white-clad
Ladies' Orchestra were tuning up she perceived at last
Mr. Ted Urquhart's fiancée.
Eleanor, wearing her most "responsible"-looking
costume of stone-grey, and too absorbed to notice her
fiancé's approach, was pacing that further path beside
an enlightened-looking young woman in pince-nez and
brown patterned Liberty delaine, who conversed in
earnest gasps, something about——
"Such a futile Committee, though! Narrow-minded
Bishops! Silly old retired militarist Colonels! ... What
can you expect, my dear Miss Urquhart, from
imbecile survivals of that type? ... How can they
hope to realise that We of To-day are not, not as
women were forced to be in our grandmothers' time? ... As
I say, the New Spirit has percolated even to
the strata of these poor Guild-girls here! ... Even
they read Wells and Galsworthy! even they are growing
to probe into things for themselves! To learn to live
with their Brains instead of merely——"
Here, as if in soft denial of all she had been saying,
the band broke into the alluring drawl of an
old-fashioned waltz-tune, played rather slowly.
Three bars of the unspoilable Eton Boating Song
filled the lawn with girls in smoothly revolving couples.
They waltzed; their young bodies turning as one, their
cheaply-shod feet scarcely leaving the turf, their faces
set, grave and happy and hypnotised by the rhythm of
music and movement....
It was all strikingly unlike that Saturnalian gambol
that old Mr. Urquhart had prophesied!
These girlish toilers, set free for one summer afternoon
from sweltering labour in pickle-factory and
hand-laundry and underground eating-house—dressed in
cheap finery—of "pink and Saxe and sky and helio"—for
which they would pay by a shilling at a time,
danced on the grass with a stateliness lost to the
ball-rooms of their rulers. They danced, slum-bred and
born into drudgery as they were; and they made of
Byron's waltz a measure as decorous as the Pavane
itself.
"Row—Row to-gether," hummed Urquhart, as the
insistent melody that will surely live when the last echo
of tango and rag-time has died away, throbbed in his
blood and set his foot tapping in time upon the turf.
Rosamond, without turning her head, realised that this
young man was yearning, as she yearned, to dance. He
raised his voice a little.
"I say, Eleanor! D'you care to——"
Eleanor, as Rosamond to her amusement noticed, did
not hear the voice of the young man at her elbow.
He spoke again.
"I say, Eleanor. It's rather jolly. Come and have
a turn, won't you?"
Eleanor Urquhart looked round absently at last.
"Er—Oh, you want to dance, Ted? Do you very
much mind if I don't?" said the engaged girl. "I have
so much to ask my friend, Miss Fabian. I shan't get
her to myself again, I know.... Dance with somebody
else. Miss Fayre will dance with you, I'm sure, if you
ask her. Rosamond dear," she turned to her secretary
with that little "settling" voice of hers. "You'll dance
with Mr. Urquhart, won't you?"
Rosamond Fayre became conscious of an unexpected
thrill of sudden and warm and young and undeniable
delight....
She adored dancing.
The Eton Boat Song remained her favourite waltz.
An eye used to summing up partners at a glance told
her that this lithe-limbed engineer-man of Eleanor's
would dance as well as he fetched-and-carried or helped
to pitch refreshment tents. Yes! By the way he moved
you could see that he belonged to those ideal and
flawless partners of whom every woman can recall perhaps
six during the whole of her dancing-days; forgetting
names and faces but remembering always "that gorgeous
waltz I had with that man at the So-and-so dance."
He took a quick, eager step forward; put out a long
arm, muttered a hasty "Oh, may I——"
And at that moment Rosamond Fayre herself could
not have explained why she said—what she did say.
Which was: "Oh! Do you mind if I don't dance
either? Waltzing always makes me so—so giddy. I'll
find you a good partner instead, though, Mr. Urquhart."
She turned to a couple who had just fallen aside out
of the throng. A girl in a long black velvet coat was
panting under a black fur stole and gasping huskily,
"'Ere! 'Arf-time, Pan!" to the other girl, who wore
the most ambitious gown to be seen at Urquhart's Court
that day. Satin of the colour of fruit-juice poured over
a silver spoon set off her opulent figure, and she turned
a laughing, boldly-handsome face under a halo of frilled
and crimson tulle as Miss Fayre called "Pansy!"
Another moment and Ted Urquhart found himself
twirled into that turning, turning throng, his arm about
the crimson-satin-swathed waist of his old acquaintance
the Principal Boy.
"Well! Fancy meeting Mister You! Brings back
the dear old days, don't it?" beamed the resplendent
and perfumed Pansy as they swung into step. "Quite
a treat for me not having to dance gentleman for once!
I s'pose you're such a rarity this afternoon, you've got
to be handed round—like the other ices, eh? Thought
I wasn't mistaken on the front just now. I said to
young Annie, 'See who that is playing comic butler with
the little tray?' (Oh, come on, High-Jinkski, you can
Bos'!) 'He's too proud to look our way,' I said.
'Still, if it isn't him all right! It's Miss Fayre's boy,'
I said——"
"Please! Please don't say it," her partner cut her
short, in a tone that made her stare quickly up into his
set, sun-burnt face. "Er—There's been a mistake here,
Miss Pansy. You don't know my name, I think——"
"'Think' is good!" laughed the Principal Boy, her
brown eyes gleaming, evidently with a memory of that
sparring-match a propos of names over the Hostel
tea-table in France.
But her partner finished curtly. "My name is
Urquhart."
"Urq—— Why! Fancy! I never knew our Miss
Urquhart had got a brother?"
"She hasn't. I'm not. I am——"
It seemed to stick in his throat. He could not say
it. He said, "I am her cousin."
"Brother to the other cousin?"' enquired Pansy
interestedly. "Brother to the one Miss Urquhart's goin'
to marry?"
So he had to say it, after all.
"I am engaged to be married to Miss Urquhart."
"What?" cried the Principal Boy very sharply.
"Go on?"
She fell out of step, bumped against the next couple,
recovered herself with a short "Go where you're
lookin'!" She did not speak again until they had
waltzed twice round the lawn, from which Miss Fayre
had vanished now.
Then, still waltzing, Pansy asked steadily, "Straight?
It's true?"
"Yes."
"Then, if it's not a rude question, what's the meaning
of——"
"There is no 'meaning,'" said Ted Urquhart distinctly,
as the sky-blue-jacketed First Violin, erect in
the middle of her platform, tapped her bow against her
music-stand as a signal. The tune was allowed to
languish to its close. "Thank you, so much," said
Urquhart. "It has been—er—delightful seeing you again
like this. May I bring you some lemonade?"
"All right, if there's nothing to drink," murmured
the Pantomime Boy, absently. Her face was a
bewildered blank as her partner strode off down the path
towards the refreshment tent.
And to herself she muttered, "Now, wot's all this?"
She could not be expected to guess that "all this"
meant a very special form of Purgatory for the only
man present at this afternoon's hen-party.
Tossed about like a shuttle-cock between the girl he
was pledged to marry and the other girl who—who
grudged him one glance, dash it, one turn of a waltz!
"Miss Fayre's boy," forsooth—a sort of District
Messenger Boy, that was how she treated him! Sent him
off airily here, there, and everywhere——
Anywhere, except where he'd meant to stay; namely,
near her!
Well, at all events this infernal party would soon be
over, Urquhart reflected as he finished handing round
the last of the lemonade. Nearly half-past five. He
was surely at an end of his trials for to-day at least?
No!
Two more trials were in store for him.
The first of these announced itself in an alien Voice
which smote upon Urquhart's ear from behind one of
the clipped box hedges. A Voice that emitted squib-like
cries of "Now, isn't this just Old Eng—land? Say,
Amanda! Isn't this just the most typical yet?" And
then there came into sight Miss Fayre escorting two
ladies in long coats and small veiled hats, carrying
binoculars and guide-books. Hurriedly Rosamond
explained that these ladies wished to be taken over
Urquhart's Court. They had heard that it was "an
exhibition-place"—which by the way it wasn't. But Ted
Urquhart found himself adding to the many odd jobs
of the afternoon that of taking these American tourists
over his domain; and of listening to their unsolicited
testimonials upon those charming; old-world; delightful;
fas'natingly delicious; harmonious-looking house and
gardens!
For after each adjective the Voice seemed to pause for
a semi-colon of appreciation. It dwelt upon that
beautiful; priceless; exquisite Romney portrait of
"Mrs. Edward Urquhart," and at the priest's hole it
vociferated, "Say, Amanda! doesn't the mere sight of this
carry us way, way, way back into the days of Cramwell?"
Young Urquhart wished it could....
Why did this type of American insist upon leaving
nothing, nothing unsaid?
These women were very different from that Dresden
china figurine of an American bride he'd met over in
France, that friendly little lady who—but he mustn't
think of what she'd said....
He turned his thoughts resolutely away, tried to think
of the awful English tourists, in America, who must give
the more charming American class an appalling idea of
what our own nation is really like.
These Americans here were their revenge for it all!
This dreadful "Amanda" and her companion!
In the hall at the end of the tour, Miss Fayre, who
was fetching a mislaid wrap for one of the University
Settlement workers, came in for a share of the thanks
poured upon the wretched and fidgeting host. The
Lady with the Voice grasped both the secretary-girl's
hands and held them as she announced that she just
couldn't go until she'd told this beautiful; charming;
graceful; tender; womanly; delightful-looking young
English lady the impression she'd made upon two
strangers that day.
"Soon as we saw you," effused the Voice, "in that
simple; fas'nating white gown on the green lawn! with
the glorious; genuine; Anglo-Saxon fair hair! And
that lovely; reel; milk-and-peach blow; English
complexion! Like a young Queen, I guess! Among all your
humble guests! I said, 'Why! If she! Isn't the very
unmistakable; absolute Image and Ideal of what the
beautiful young mistress of an old English
country-house ought! To be!' I tell you, my dear young
lady——"
"Oh! Please don't!" gasped Miss Urquhart's paid
secretary, standing beside Miss Urquhart's fiancé, as if
they were both hypnotised by these relentless compliments.
That Voice went on to thank her, Rosamond Fayre,
for providing strangers with a memory that they guessed
they would never; never forget! The memory of a
perfect; wonderful; Picture that they reckoned couldn't
be beaten by all those miles and miles of galleries they'd
done in Europe! It was a pity that Mr. Sargent didn't
take and paint it right there!—"the old hall with the
oak-beams and the carving, and you, my dear, in the
doorway of your adorable; English home! standing
beside this fine; tall; manly; real English-looking; devoted
young husband of yours——"
Here Mr. Ted Urquhart literally turned tail and fled.
Rosamond Fayre, crimson to the roots of her admired
hair, saw his white-clad figure speed helter-skelter down
the Terrace steps, thread the maze of colour on the lawn,
and plunge into the green depths of the lime-tree Avenue.
Every movement, she fancied, conveyed the young man's
last word:
"I won't stand any more. All these cackling women!
This finishes it! Here's where I knock off!"
It was, indeed, a fairly accurate version of young
Urquhart's feelings as he paused on the Avenue at
last, lighted up a pipe, and told himself that he'd give
a fiver to have a man to talk to.
Even as he tossed the match into the hedge he saw
the figure of a man in grey, appearing round the bend
of the drive, who walked briskly towards him.
"Good-afternoon!" began this stranger, who seemed
very young, with a fresh-coloured pleasant face, blonde
as a biscuit. "This is Urquhart's Court, isn't it?"
"Yes," said Ted, welcomingly. "Come up to the
house, will you? I'm afraid you may have to wait a
bit if you've come to see my Uncle. My name's Urquhart."
"My name's Bray; Cecil Bray," the younger man
introduced himself.
Then he introduced the second of those two last trials
that had been in store for Mr. Ted Urquhart that
afternoon.
For this pleasant-voiced, very decent-seeming sort of
young fellow called Bray added, "I'm afraid your uncle
doesn't know me; I've come, as a matter of fact, to see
Miss Fayre."
Rosamond Fayre told herself that it was just like
Cecil Bray to carry out his written intention to come
and look her up at Urquhart's Court, on the very
afternoon of that hen-party.
Poor dear boy! He simply couldn't have chosen a
worse time for his visit!
To begin with, he must needs make his appearance in
the middle of that vortex of getting the assorted flocks
of girls off in the brakes that were to carry them,
laughing, chattering and calling like homing rooks, to the
station and the London-bound special train.
Then it was such an age before Rosamond could find
and disentangle Eleanor and introduce this old friend
of her brother's to her employer.
And then Eleanor, instead of doing it herself, must
turn to her dear Ted (who'd come up with the other
man) to ask him to ask Mr. Bray to stay to dinner.
Dinner, too, seemed a disorganised, spiritless,
after-the-party sort of meal!
Nobody dressed. Everybody was tired, dull with
reaction. The whole air still seemed a-twitter with the
treble clamour of the lately-departed hen-party.
Nobody appeared to wish to talk; with the exception of
old Mr. Urquhart, who had returned from his motor-expedition
in what was for him quite a sociable mood.
He discovered that he had been up at Magdalen with
this young Mr. Bray's father—no, grandfather; indeed,
he had corresponded with him for several years
afterwards, on the subject of some manuscripts that had
been found appertaining to some marriage settlements
of a Dame Urquhart who had married a de Braye or
Braie in the reign of....
Presently he was saying that there would scarcely
be time to go into all those very interesting old letters
in just one evening. The best plan would be for his
young friend, Mr. Bray, to stay the night—to stay the
week-end, if he would, at the Court—would it not?
"Awfully kind of you, Sir," murmured the young
man fervently. His china-blue eyes lighted up.
Evidently he asked for nothing better than to stay the
week-end. He glanced round the oval table expecting
the conventional "Yes, do," and "That would be very
nice," from the rest of the party.
The rest of the party remained almost forbiddingly
mute.
Poor Cecil Bray, a sensitive youth, felt thereby obliged
to decline the invitation with a rueful "But I'm awfully
sorry, I'm afraid I really have to get back to-night,"
without knowing why no one but the old gentleman had
made any attempt to keep him.
The reason was——
As far as Eleanor was concerned, she hardly heard
what was going on at the table. Her striving, earnest
little mind was still with the party of the afternoon.
Had it been a success? Had no one been offended or
overlooked? Would it have been better to have had
Votes of Thanks proposed to those University Group
Ladies? Besides these problems, there was another more
disquieting memory of the afternoon. Something Miss
Fabian had just been beginning to tell Eleanor about
a friend of hers, a lady rent-collector in Brixton. This
friend seemed to know "something" about one of Miss
Urquhart's protegées, something "not very creditable"
about the theatrical girl, Pansy Vansittart. About
Pansy? A Club girl who had enjoyed the special privilege
of being one of those who were taken into Eleanor's
Normandy Hostel? What could this be? Someone had
called Miss Fabian away before she said more. But
she had promised to make enquiries of that friend, to
write to Miss Urquhart later. What could it be? pondered
Eleanor uneasily. No wonder her attention had
wandered leagues away from this young man who'd come
to call on Rosamond!
As for Rosamond—Well! She couldn't press Cecil
Bray to stay at Urquhart's Court.
It wasn't her house.
It was the house of Eleanor's fiancé.
Rosamond was only one of the staff!
Besides, even had it been otherwise, he didn't want
Cecil there. She knew what would happen if he stayed
for a week-end where she was. He'd promised not to
"bother" her again. But she knew what became of
that sort of promise made by that sort of young man.
Of course he'd propose again. She saw every symptom
of it threatening in every line of his fair, fifth-form-room
face. She could prophesy, verbatim, the old familiar,
futile, ever-recurring dialogue between man and maid
that must presently ensue.
He (gabbling with earnestness): "I would do anything,
Miss Fayre, anything to make you happy. Can't
you try and——"
She: "I am most frightfully sorry, but it's no good.
No man can 'make' a woman happy. Either she is
happy with him or she isn't. And I know I couldn't
be with you. Not in that way, Cecil."
He (clearing his throat for a fresh start): "You
don't care for me yet, I know. But look here, give me
a chance, just a chance! If you saw more of me you'd
grow to care——"
She (miserably): "No, no. People may 'grow' to
like other people. But nobody ever, ever yet 'grew' to
love anybody.... Please, please don't go on like
this.... I'm so sorry. I like you so. Very well then, I
won't say I feel like your sister.... But there are
other girls——"
He (gruffly): "Not for me!"
She (strenuously persuasive): "If you only knew,
one girl is much the same as another. Some are prettier.
But otherwise they don't vary. Honestly! It's you
men who vary so——"
And so on. Again Rosamond repeated to herself
ruefully and gently what she was fated to be saying
presently aloud: "Oh, Cecil! I am so sorry!"
Even if she were the mistress of the Court, she would
not ask Cecil Bray to stay.
As for the master of that Court, well! He was very
well aware that this guest opposite couldn't take his
eyes from the girl he'd come to see. He, Ted Urquhart,
could give a very good guess at what had brought the
young beggar down. And he wasn't going to have
him staying under his roof for one moment longer than
he could help. The sooner he packed off, out of the
place, the better.
There was a jolly good train up to town at eight-forty....
But it struck eight as they finished dinner; and
confound him, the young beggar made no sign of packing
off. He would have to be put up with, then, until the
last train that night.
Not longer!
In the drawing-room, Eleanor looked up over the
coffee-cups, murmured to her father that she must
see him about something, drew him away into the little
morning-room, and shut the door.
Ted Urquhart, left with the other two, knew what
Eleanor meant. She meant to rescue this Mr. Bray
from old Mr. Urquhart's conversational clutches. After
all, it was Rosamond he'd come down to see. He must
be allowed a little talk with her.
For a second Urquhart found himself hesitating.
Must he go?
Well, he could hardly stay!
He was the host.
Common politeness .... Yes! He'd have to go.
He'd have to leave the coast clear for this young
cub with that unfair advantage of being an old
acquaintance. He'd go.
A nice situation for any man. Forced, in his own
house, to take himself off while another man proposed,
as likely as not, to——
The girl who wasn't supposed to be anything at all
to the master of the house.
That was the maddening part of it.
Raging silently, Urquhart went.
And he met the only girl whose doings Ted Urquhart
had any right to resent or arrange, in the hall.
Eleanor's small face—sallow with tiredness—was
turned up to his in the ivy-softened frame of the
door-way, just where that other girl—the secretary-girl in
whom he hadn't any right—had stood this afternoon,
blushing like a rose to hear that ironic mistake blared
abroad by that American lady with the voice.
"Oh, Ted——"
"Hullo, Eleanor, I haven't had a word with you all
day," said her fiancé, outwardly pleasantly civil,
inwardly savage because he had no valid right to feel
savage at all.
"Oh, Ted, I was just going to ask you if you'd mind
if I didn't come out for my little walk with you to-night.
There's something I do so want to finish," said the
engaged girl. "I am never really happy unless I can
check all the caterers' accounts the very day they——"
"Oh, all right," agreed her betrothed, quickly. "Not
if you've anything more important to do."
More important! Accounts, visitors, anything at
Urquhart's Court was reckoned of more importance
than Ted Urquhart himself to-night, thought the young
man bitterly as he strode out.
Precious little consideration he got from either of
these girls!
A rum idea of the position of an engaged girl his
cousin seemed to have! Pretty unsatisfactory for him,
if he'd happened to be madly in love with her. And
even if he wasn't in love with her, he was engaged to
her. Yes. A curious notion she had of playing the
game. She treated her lawful fiancé a good deal more
off-handedly than that other young fellow was treated.
Young Bray, now, was to have a solid couple of hours
tête-à-tête and the whole drawing-room to himself with
the girl—the other girl....
Or they'd go out for a stroll together, thought
Urquhart angrily, as his long legs carried him over the
wide and empty lawn in the golden, slowly-gathering
dusk. He clenched his brown hands in his jacket-pocket
as he pictured that other fellow picking up a
wrap out of the hall, putting it, reverently as he might
have put his own arm, about the supple shoulders of—— "My
girl," exclaimed Ted Urquhart aloud and violently
to the lime-trees. "My girl——"
The sound of his own voice and the preposterous thing
it said checked him.
More slowly he struck into the Avenue. He walked
along between those late-blossoming lime-trees with their
scent of thyme-and-white-currants-mixed. And as he
walked, he thought, seriously and deliberately, over the
whole complicated situation that had just condensed
itself into two words.
Two simple words that may be said to sum up the
problem of life so often, and to so many a
worried-to-death young man!
His girl....
It was now perfectly clear to Ted Urquhart that he
could never think of Eleanor's secretary as anything
else. No getting out of it. Every atom of him had
recognised her, from the first moment that he'd come
upon her, swinging along by the waters' edge in France
with the happy sea-wind making free with that hair of
hers.
His!
Yes; he'd recognised his love, his mate. He'd tell
her——
But stop. He'd no right to tell her anything of the
sort while he was still pledged to marry somebody else.
He lighted his pipe; then strode on smoking, thinking
doggedly over a problem that seems each time too
ghastly to be hackneyed.
This couldn't go on. Not this Hades of a life in the
same house with the wrong girl to whom he was bound,
while the right girl was dangled incessantly before his
tantalised eyes. He couldn't stand another day of it.
No!
Well, there were two ways of putting a stop to it.
One—Marry Eleanor and clear out.
Two—Break off his engagement with the wrong girl.
That was the dickens!
That was about the most unpleasant job a man is
ever called upon to face. Lord, how it would make him
wish himself back in the Andes; under 'em!
Messing up a girl's life——
Still, wasn't it far, far more of a mess if, instead
of breaking with, a man married the wrong girl?
Common sense said yes. Common sense said it was making
the mistake of a lifetime, and with one's eyes open.
Involving two people ... perhaps three ... sometimes
four! Ruining all chance of future happiness, just
to save a present wrench. Just because one felt a cur
not to go on.
Breaking it off was the only possible solution. Yes!
Even after a year. Even at the eleventh hour. That
must be done. It remained "the dickens," all the
same....
Here the brooding Ted came to the wrought-iron
lodge-gates. He pushed them aside.
The very Deuce and All!
He went on down the lane between tall hedges, where
coloured flowers were darkening to black blots while
white blossoms were gleaming whiter in the gradual
dusk.
Eleanor. She was the difficulty. Of his own making!
Yes, he'd got himself into it. Ass! Ass that he'd
been!
Now he'd got to get himself out—and to feel, as well
as feeling an ass, a cad about it all....
Here a gap in the hedge showed a cornfield where
men, evidently mistrusting the holding-up of the dry
weather, were still working, late as it was, carting the
early-ripened sheaves.
Ted Urquhart leant over the gate, watching mechanically
the big, galleon-like shape of the waggon against
the open, lilac sky, the steady movements of the men
in the fading light. At another time he would have
offed with his coat, vaulted that gate into the field,
and offered to lend a hand. This evening he'd something
else to do.
He'd got to consider, definitely, how he was going to
put it to Eleanor.
To tell her he'd thought better of marrying her—after
this whole year of having it peacefully and
satisfactorily settled that he was going to do so.
What on earth would she say? She'd have every
right to say she thought he'd behaved—most
extraordinarily. (He had.) Would she ask, "Is it that you
are disappointed in me?"
What could a chap say to that?
He wasn't "disappointed." That didn't even enter
into it at all.
Supposing she said, "Have you met somebody else,
then?"
Whew!
The shaded lane behind him was growing darker,
darker. But over the cornfield in front of him the
moon was slowly rising, the bright, coppery, shield of
a full moon that had looked a mere silver trifle to
ornament a girl's gold hair on the evening of the first
day that he'd met——
Never mind that yet. Eleanor.
Supposing she said, "If there's somebody else, why
didn't you write and tell me? You have been here for
days. Why didn't you tell me directly you came?"
Well, why hadn't he? He wished to Heaven he had,
instead of procrastinating to make sure of—what he'd
been as certain of as if it had been going on from the
beginning of all things.
Supposing Eleanor went on, "Who is it?"
Or, "Do I know her?"
Would he have to set forth the whole embarrassing
story to the poor little soul? Inflict upon her
something that would offend and wound the heart of any
girl alive, whether or not she had ever cared passionately
for the wretched man who was practically explaining
to her that she (whom he'd found excellent reasons
for asking to become his wife) was now considered
inadequate, shoved out of existence in his mind by one
glance from—No! Not even from, but at the girl she
employed!
And then, what about that arrangement about the
Court?
Damn that old house, thought the young owner of it.
He was in a mood to contemplate rushing up to his
lawyers' on Monday morning about drawing up a deed-of-gift
to his Uncle. Couldn't he hand it over bodily
like that? Or refuse to take anything but a quit-rent
of say a basket of Kentish cherries or a pink rose at
Midsummer ... anything!
He knew he'd never live in the place himself. These
last few infernal days had about fed him up with a
peaceful—as they called it—English country-life. Let
Eleanor and the old man stay on. And even if they
insisted that now they'd have to turn out, it needn't come
to that. That part of it could be allowed to drift until
something happened. Or, as is more frequent in such
a programme, until nothing happened. He, Ted, would
clear. He'd sink some other property and buy a
steam-yacht. Then he'd be off with his wife to——
H'm. Here he was thinking of her as his wife now,
this girl whose hand he had never touched, and to whom
he hadn't, when he came to examine it, actually said a
word of anything but the merest commonplaces.
What did words matter—in a miracle?
He'd take the shortest cut. She'd got to have him.
Surely she had the sense to see that she was made
for him?
She might have the sense; but, Urquhart thought with
a memory of that demure stare of hers, that meek,
pretty, mocking voice, she might not choose to admit
it all at once.
He'd make her.
However, all that was for afterwards....
With a jerk he took his arms from the gate, turned
his back on the cornfield in the moonlight, and
began to make his way back towards the lodge—and
Eleanor.
For now his mind was made up. To break off his
idiotic "engagement" first. Then try his luck with
... his own girl.
He'd tell Eleanor, he decided, to-night. He'd go
in and get that perfectly rotten interview over as soon
as possible.
He'd trust to luck and the first words—remorseful
but unmistakable—that came into his head when he
stood before her.
It was quite dark under the lime-trees now. Later
than he'd thought. Still, Eleanor would be in the little
office where she sometimes sat balancing books after
she'd come in from the every-evening stroll which she
was now accustomed to take with her fiancé....
Yesterday had meant the last of those flavourless
walks, then. There was a flicker of comfort in the
thought. Still there was the Old Harry to pay for it!
Through the darkness Urquhart heard the stable-clock
slowly striking ten.
That Bray boy—he was only a youngster, after all!—would
probably have gone, thought Urquhart, hurrying
doggedly along to his perfectly rotten interview; to
the Old Harry. Yes: that lad would be off by this
time....
The sounds of steps and voices, approaching on the
lawn on the other side of the lime-trees, told Urquhart
that he was wrong. The Bray boy was only going now.
He was making his way down to the drive by the shortcut
across the lawn. And "She" was seeing him off.
That meant nothing, of course. But——
There followed something that suddenly held up Ted
Urquhart in his stride just as if a barbed barricade
had crashed down across his path.
In that blankly horrible moment of revelation he
could not move.
For without premeditation or warning he caught the
sound of Miss Fayre's voice, which was speaking to
young Bray in a tone that Urquhart, who thought he
knew by heart every one of its pretty mocking cadences,
had never heard. No. He had not been privileged
to hear that note in the voice that seemed to utter a
whole volume of gentle wistful tenderness in just two
words. Yes; for the second time that evening a couple
of words gave the whole of a situation. This time they
were these:—
"Oh, Cecil!"
That alone was enough to smash a dream!
And then worse followed. Another, an unmistakable
sound that struck a sledge-hammer blow full on the
heart of the young man who heard it. Yet, such a soft
little whisper of a sound; not louder than the chirp of
a sleepy thrush on the bough above him.... This
sound, though, was not to be confused with the noise
that might be made by any bird, or by any rustling of
the lime-branches that separated young Urquhart from
those two standing there in the darkness. There are
not two sounds like it.
It was the sound of a kiss.
"Got a sweetheart already, has she," thought Ted
Urquhart grimly.
It was his first clear thought as he jerked himself at
last out of the stupor into which he'd been plunged by
a blow dealt in the dark.
Slowly and heavily he walked up the rest of that
darkened scented corridor of an avenue into the lighted
hall of his house.
And there slipped into the hall behind him the girl
who was not his. The girl who'd murmured, "Oh,
Cecil," in a tone as soft as the sound of that good-bye
kiss which had been overheard by another man.
Ted Urquhart stood aside for her to pass. A black
transparent scarf that she'd put on trailed away from
her white dress. He picked it up and handed it to her.
"Oh, thanks," she said a little wearily, as she passed
upstairs. "Good-night!"
"Good-night."
He had not meant to look at her. But for one instant,
his eyes strayed to her face—not lighted up by any
mischief now. That mouth of hers was grave. And
was it a wet gleam on her eye-lashes?—Yes.
Of course.
She'd been crying because that young—that young
Bray had had to go. "Oh, Cecil," she'd sighed. He
called her "Miss Fayre," Urquhart had noticed, before
people. For some reason or other it was not announced
yet. But they were sweethearts all right.
That soft exclamation, that other soft sound, were no
further business of Ted Urquhart's. For a moment he
stood, however, torturing himself with the remembrance
of them, and gripping the balustrade on which his hand
rested.
Then he let it go with a little jerk.
Yes. That ended it. Very well.
It was a very tight-lipped young man who took his
peg of whisky rather brown, Mr. Beeton noticed, before
preparing to go off early to his room.
"I beg your pardon, sir, I think you overlooked
this," said the butler. "This letter came for you by
the last post, sir."
Ted Urquhart took that letter upstairs with him.
In his room he glanced at it. A thin foreign envelope,
the address of the Court scrawled over that of his Camp.
It had been forwarded from South America. Then he
saw, above the hasty re-direction, his name in a clear
pretty writing he knew very well.
Eleanor's. This was a letter of hers that had reached
the Camp just after he'd left it, and it had been sent
on to follow him here. It must be weeks old by now.
And he might expect now to have these re-directed
letters from her turning up every week, for she would
have written her duty-letter to her fiancé for three
mail-days in succession, not knowing that even as she wrote
he was already on his way home to take her by surprise.
A pretty collection of surprises it had turned out
to be from the first moment that he'd seen, not Eleanor,
but her lovely Second-in-command——
"Here! None of that." Urquhart peremptorily
called off his own thoughts as if they'd been straying
spaniels. He'd got, somehow or other, to keep his mind
off that savagely rankling memory of what he'd just
heard in the lime-walk. "Better read the letter."
He tore it open. He set it down before him on the
dressing-table, beginning listlessly enough to read it
while he undressed.
He began listlessly. But presently he lifted his head
with a little movement that was reflected in the Sheraton
mirror; he stood for a moment alert, a graceful,
wide-shouldered figure of a man in shirt-sleeves, his braces
dangling about his narrow loins, while he read again.
"My dear Ted——
"Of course I am not offended that your plans
do not allow you to come over this year to see me,
I quite understand. I am such a busy person
Myself"——
Here followed the catalogue of Miss Urquhart's
activities for the summer. Her fiancé could imagine the
little brown head conscientiously writing them all down;
the dusky head bent over the paper. Then came the
phrases which—he didn't know why—had arrested
him.
"In fact, I must break off now to attend to the Head
of one of my Clubs. (This sounds rather like golf,
doesn't it? She might quite well be described as 'The
Driver' too!)"
Ted Urquhart's eyes left the letter and turned towards
the closed white door of his room almost as though
he thought he had heard a call. Yet there had been
no sound. Then they returned to that last paragraph.
Then he found himself looking away again, and staring,
without any reason, at the long serried row of his
boots—foot-gear of every make and material and several
nationalities. What was there about this part of the
letter that had given him a sense of being puzzled over
something? He read it again.
Then it dawned upon him.
He thought, "How unlike Eleanor to write that!"
A couple of hours later the young man, tossing and
turning between his blankets in the dark, clutched at
that thought again. He would have clutched at any
idea that would distract him even for a moment from
the black jealousy and despair caused by that memory
of a man's name murmured in a girl's voice——
"Oh, Cecil!"
—and the other sound ... the other death-knell to
his hope.... This brooding would not do. He fixed
his mind resolutely on that letter of Eleanor's.
Yes, by Jove. How oddly unlike Eleanor that last
paragraph had read!
He simply couldn't imagine Eleanor writing so
primly, so characteristically up to that point, and then
"letting herself go" in a sentence that seemed almost
to be laughing at her own solemnity. That gay little
gibe! From a girl who took everything with such a
deadly seriousness! All her other letters to him had
been so consistently typical of her. None of them had
shown a gleam of that sort——
"Stop a bit, though. There was the other letter with
that unaccountable Thing in it," young Urquhart
reminded himself, sitting up suddenly in bed an hour or so
later. "By Jove, yes. Supposing to-night's letter
proves to be a sort of sidelight upon that other one?
I say! I'll have a look at it now."
He slipped out of bed and snapped on the lights.
He went to the dressing-table. Here, beside pipe, pouch
and matches, lay a worn and favourite pig-skin pocket-book.
He picked it up and took out of it——
First, his receipted bill from that little French hotel.
Next, a little sheaf of visiting cards with addresses;
home-people he'd promised to "look up" for some of
his pals at the Camp.
Then, some letters. No! It wasn't this one, or this
one.... Here it was, at last, in one of the well-known
grey envelopes. He shook out of the envelope a handful
of once-pink rose-petals, and laid them carefully aside
on the open pocket-book. He scarcely looked at them
now; he'd looked at them often enough already. It was
the letter at which he now stared. The only other one of
Eleanor's letters which was uncharacteristic of the girl
as he knew her. The one he'd received to-night seemed
to have a girl's laugh rippling between the lines. But
this first one held something more betraying.
Something which, because it was incomprehensible, Ted
Urquhart had "given up." Well, here it was for him
to puzzle over once again. The letter that had brought
him home!
In his lighted room, orderly and deathly silent, it
seemed for a moment as if something were holding its
breath behind the shoulder of that young man in
pyjamas. There was nothing specially striking in the
actual contents of that letter. "And she ends up so
precisely," he mused for the hundredth time, "with her
'There seems to be nothing else that would interest
you'——
And then, by George, over the page"——
He turned it.
—"there's this!"
The sight of "This" would have been a petrifying
shock to the girl who'd written it.
For Rosamond Fayre, secretary, prided herself on
her neatness and accuracy. She boasted that she'd
never made the mistakes that every writer of letters
is said to make once in a life-time. Namely, to slip
A.'s letter into an envelope addressed to B., or to tear
up the fair copy of a note while sending off the rough
draft.
But it was a compromisingly rough draft that Ted
Urquhart held now in his hand.
He held it up to the light, as if he hadn't already
held it so many a time, to examine that scribbled—
"Darling. My darling!"
That was on it. It was all scrawled over with a
pen-drawn spiral that looked like "the smoke from the
engine" of a child's drawing. There were one or two
beginnings of it, a copper-plate "Dar—" "My
darl——"
"My darling!"
From Eleanor, if you please. Yes, from Eleanor,
who never by any chance called him anything but his
name.
And so much had been packed into the time since
that sunny morning in France when he'd met—No!
None of that again—since the day he'd met Eleanor
that he'd forgotten to notice the contrast between
herself and that one letter of hers.
And now, in this second letter that he'd received, he
seemed to trace the possibility of some clue to the
mystery, of the astonishing difference between the Eleanor
who wrote and the Eleanor who spoke.
He put down the letter with the "Darling" post-script,
enclosing those rose-leaves. Again he took up
the letter that had arrived this evening.
Perhaps he might find in it something he had
overlooked? He examined it minutely, from the "My dear
Ted" at the beginning to the little flourish under the
"Eleanor Urquhart" at the end.
Ah! Wait a bit! There! Could it be? Was it——
Yes. Tucked away, all but hidden in the loop of
the flourish, his eye, now that it was on the look-out
for it, detected something. Two almost imperceptible
hieroglyphics; the marks of two crosses.
Cupid, his mark! For all the world over that stands,
in a letter, for one thing only.
Kisses.
From Eleanor? From the unawakened girl whose
only notion of a caress seemed to be that twice-daily
cousinly peck on the cheek? She had sent half-concealed
love-messages to the man to whom she was, by contract,
engaged?
Of course it might amuse a girl to do that, reflected
Ted Urquhart, lighting his pipe. But surely not that
girl? Wasn't she as chilly and youthfully hard as the
unripest of the green apples in the Court Orchard?
Or—here he knit his brows and stared into the puff
of smoke—had he been mistaken from the very beginning
in his fiancée Eleanor?
The clocks all over the house chimed One and Two
and Half-past Two while Ted Urquhart, tramping
barefoot up and down his bedroom and smoking hard, went
on wondering (still resolutely) over this question.
A moth flew in, with a whirr and drone as of a tiny
biplane, and circled about under the ceiling. His own
were the only lights on, of course. Everybody else
fast asleep hours ago. He wondered if She had cried
any more over the departure of "Cecil" after she'd
gone up— Stop there! Think of something else.
Was Eleanor, whom he thought he got "summed up,"
a girl he'd never really understood?
The rising wind outside dashed a cold spatter of
drops against the young man's cheek as he passed the
open casement. He looked out. Those farmer-fellows
had been wise to get in their corn while they could.
Out there in the indigo darkness it was coming on to
rain like blazes; the light from his room gleamed on the
lines of it as on the strings of a harp. He half closed
the window and took up those letters once more. And
he was conscious of the oddest feeling about them; this
young man who'd never "bothered" much about
feelings until—fairly recently.
But it was with a little, sudden, warm thrill of
positive tenderness that he handled these messages from a
girl for whom he'd never had any tenderness ... so
far.
But supposing that came? Supposing Eleanor did
turn out to be this utterly unknown quantity?
He'd heard of people who could be delightful, charming,
and warmly friendly while they talked to you, but
who, on paper, seemed cold and repellently stiff.
Simply, they couldn't write letters. Perhaps, then, there
were other people who could express themselves in
letters, but who simply couldn't talk? Became cold,
self-conscious, too shy to be themselves? Perhaps
Eleanor's real self was the bashful, passionate little
soul who, greatly daring, sent furtive "darlings" and
kisses and rose-leaves to the lover she'd never seen?
If that were Eleanor, he must meet her. He must
know her. He must get her to declare herself. The
very thought of the quest seemed to bring hope with
it....
He heard the clocks striking Three, and stretched
himself wearily....
Then suddenly checked himself, with long sinewy
arms above his head. Ah! Another idea had just
occurred to him.
There were those other belated letters already written
by Eleanor that would be coming on, forwarded from
the Camp. He might expect to receive these here, one
at a time! They were already on their way to "Edward
Urquhart, Esqre.," at this moment. One just sent on
from the Camp; probably, one at the port of embarkation;
one crossing the South Atlantic....
Would any of them throw fresh light upon the subject
of their writer?
Would they be entirely formal and flavourless? Mere
Club reports? Minutes of meeting?
Or might they hold just a dash of the other thing?
The dab of jam in the otherwise so very doughy nut?
That remained to be seen. How soon, though? Each
week he'd get one....
He dropped his arms. He turned to the ivory-leaved
calendar that stood on the writing-table beside the
leather-framed, faded photograph of his father in the
uniform of a Woolwich cadet; he ran his finger down
until it reached a date.
What an infernal while to wait until he got another
letter from this new Eleanor!
Her letters were all he had to help him to find her.
A regular paper-chase!
Find her he must; would——
Here at last he found himself yawning.
He turned off the lights, and the velvet darkness of
the window-square was transformed to weeping grey
as he rolled over in his blankets again.
He was dog-tired. Rain pattered loudly on the lime-trees
of that Avenue where, half a life-time ago, he'd
heard ... what left him still aching with misery,
frustration, hopelessness.
No. No! Not that. He was not going to think
of it. He'd got something to think of. The hope of
this new Eleanor. Getting on to the track of the girl
who'd slipped hints of such a different personality into
two of her letters.
Eleanor had thought of sending him those petals; had
smuggled in crosses for him to find....
Rose-leaves....
And kisses, of all things....
Here Ted Urquhart rolled over for the last time and
slept.
Long afterwards it seemed to Ted Urquhart as if for
many summer days he lived at Urquhart's Court two
distinct and separate lives.
The Ted Urquhart of one life made himself interestedly
busy about his estate. He listened patiently
enough to the conversation of his Uncle on cyphers,
ancient parish registers, and the Impossibility of War
between civilised nations then of that present date (of
June, Nineteen Fourteen). He took his fiancée out in
the car, to pay a round of calls, as an engaged couple
should, upon people in the neighbourhood who "had
always known the Urquharts" (and a deadly bar to
conversation he found it). He suggested to Eleanor
that, as an antidote, he and she might do another round,
of London theatres, music-halls, Opera.
"Oh, that's very kind of you, Ted," he was told,
"but I'm afraid I couldn't possibly spare the time."
"Not even for a few evenings and afternoons?"
"Oh, I'm afraid not."
(What a fiancée! What an engagement! All this
must be altered!)
"I think, then," he said, "that I shall go up alone
for a couple of days."
He did so. He looked up and haled forth to dinners
and lunches such old schoolfellows of his as he could
find. He beheld a youth who had been his fag make
a century at Lord's. He took pilgrimages into the
dullest suburbs to visit the faded, patient women-folk of
some of his mates whom he had left, bronzed and keen
and jolly and disreputable, at the South American
Camp. He gave "the latest news" (publishable) of
these young men, and received worshipping hospitality
in return. He asked other men down to The Court for
lazy days. He persuaded himself, quite often, that he
was having a very good time at home. This was the
first of his two lives.
But in his second life he was far more occupied.
Those other surface things were trifling compared to
what he was really doing. He was for ever keeping a
look-out for that girl of his; not Miss Fayre, who was
engaged to that other fellow, nor the Eleanor he saw,
up to her eyes in good works he could not follow; but
that new Eleanor of the letters.
It exasperated him to find how skilfully she managed
to keep herself hidden away!
His fiancée was always the same to him; matter-of-fact,
dutifully pleasant.
He ransacked his brains for some opportunity to
bring up the subject of those letters. Stupid—her own
letters! How could he say to Eleanor, "I say, do you
know what you wrote—?"
It couldn't be supposed that the girl didn't know
what she'd written herself, could it? Yet it looked
very like it!
In fact, young Urquhart was beginning to wonder
whether he hadn't imagined the whole thing, when something
happened to set him off on the trail again, keener
and more curious than ever.
He received another of those belated letters from his
fiancée.
The post arrived while they were at breakfast, which
Miss Urquhart "liked early." Her father breakfasted
an hour later in his room. So the young owner of The
Court sat at the oval table, bright with the glitter of
morning sunshine on Mr. Beeton's wonderful silver and
Mr. Marrow's freshest sweet-peas, opposite to his
fiancée and to the right of his fiancée's secretary. As
usual, Eleanor's plate was snowed under with correspondence;
begging letters, circulars, estimates. As it
happened, he and Miss Fayre had only one letter apiece
that morning. (He didn't allow himself to wonder who
hers was from.) He tore open his travelled-looking
envelope and began to read.
The crisp bacon on his plate was allowed to grow
cold as he read. For it was a long letter. More, it
was an interesting letter. That is, it possessed the
factor which renders any letter, any conversation
interesting to a young man.
Namely, it was all about himself.
Yes! For the first time, his fiancée's weekly letter
held direct questions about his work, his life out there,
his thoughts.
These were interspersed, certainly, with more familiar
phrases about the weather for the time of year and the
people who had been to call. But this was the smooth
surface; underneath was the unmistakable bubbling of
curiosity. Those questions kept cropping up. They
made him feel that a girl in Kent was saying to an
unknown young man in South America, "I will know you!
I will find out what sort of a creature you are!" It
was just as he himself was grimly determined to find
out "what sort of a creature" this Eleanor of his really
was under all her reserves and preoccupations and
fussinesses.
One paragraph at the end mentioned a name now
familiar to Ted. But it mentioned it in such an
unfamiliar spirit!
"A very clever Collegy sort of woman was here to
lunch; a Miss Fabian, who had a tremendous argument
with father. She said she was sure that the Antagonism
of Sex was far stronger to-day—though perhaps more
hidden—than its usual attraction. She said that the
'hideous handicap' of being a woman was removed. I
wondered."
The girl who wrote that had surely never found that
being a woman was any handicap? It sounded as if
she had been demurely revelling in its glorious
advantage, thought the young man.
He lifted his head to give a long and very direct look
above the table at Eleanor. Absently she put out the
hand that wore his ring. The other held a sheaf of
papers. She said, vaguely in his direction, "Some more
coffee?"
"Thanks, I've still got some," he said resignedly.
He re-read the end of the letter that was so
uncharacteristic.
"Wishing that I could see exactly where you would
be and what you would be doing and looking like when
you get this
from
ELEANOR."
Well! Here he was, and she could see for herself,
exactly, if she took the trouble to look across the table
at him!
But no; there she was, deep in her blessed circulars!
Absorbed in anything that had nothing to do with the
man she had arranged to marry! Or was she merely
pretending to be absorbed? Which?
Ted Urquhart determined to spring a mine upon her
there and then. Up to then he hadn't said a word to
his fiancée about these letters forwarded on. He was
keeping that for a convenient and useful occasion. This,
he thought, was the occasion.
He made a little rustling with the thin sheet in his
bronzed hand, then sat back and looked straight at her
again. Then he said, perhaps a trifle more loudly and
emphatically than he usually spoke, "Well, Eleanor!—I
have to thank you for a rather specially nice
letter."
Eleanor looked up from her circulars behind the
French, glass-globed coffee-machine.
"Letter?"' she echoed, puzzled. "I haven't written
you any letter, Ted."
"Not lately, I know," said Ted Urquhart blandly.
"This one"—he folded it into its envelope and laid
it on the table beside him almost with the movement
of a man who is playing a card in some game—"this
one must have reached the Camp after I'd left. One
of those fellows forwarded it on here from South
America. It's weeks old now. I'm glad I got it back
safely, though."
He was watching Eleanor, hard, as he spoke.
It never occurred to him to watch the tall, golden-haired
secretary-girl who made the third at this bright
breakfast-party of young people.
But if at this moment he had happened to look at
her, he would have seen quite a startling change come
over the attractive face of Miss Rosamond Fayre.
It was gone as quickly as it came. The next moment
she was apparently deep in the one letter that had come
for her. But in reality she was keenly on the alert.
A sudden fright had taken her. For what the
secretary-girl was thinking was——
"Now! I see what's happened! Eleanor's dear Ted
has just got one of the letters that I wrote to him, for
her! And he suspects something! He knows that
Eleanor never wrote it! He knows! She's
caught—that is, we're caught! Oh——"
She would have given her month's salary to know
even which one of those proxy-letters it was. If only
Eleanor's dear Ted would (but of course he wouldn't)
give some hint now about which phrase it was that he
found so "specially nice!"
With perfect outward composure Miss Fayre helped
herself to a piece of toast and began to butter it.
Anyhow, he had said he was "glad he'd got it,"
That ought to apply to any letter from one's fiancée,
though.
The question was, did Eleanor realise what had just
happened? No! She didn't seem to, thought Eleanor's
secretary, with her eyes fixed on her own share of the
morning's post. It was nothing much (a mere note
about some alterations to be made in Miss Fayre's
costume by that obscure but clever little dressmaker
who had created that still unworn pink frock), but
Miss Fayre studied the sheet as if it came from a
declared lover, whilst her ears were pricked up to catch
what Eleanor was going to say next.
Eleanor said casually, "Ah, one of my letters come
back again? How quick that seems!"
The next moment Rosamond's trepidation over this
proxy-letter affair had become absolute panic. For
she'd heard Mr. Ted Urquhart's quiet reply:
"Oh, I've had more than one."
He'd had more than one? thought the quailing
Rosamond. Then it didn't matter which of them he'd got
this morning. He'd guessed something. He'd received
letters here, from Eleanor, and this apparently was
the first time that he mentioned them. Of course that
meant that he suspected something about them!
Rosamond Fayre's blue eyes stole up, from her
dressmaker's note, to the every-coloured bank of
sweet-peas and above it, for one quick covert glance at the
brown face of the young man.
Absolutely exasperatingly calm; inscrutable. A sort
of irritatingly good-looking male Sphinx.
"Looking just as he did that afternoon at the Hostel
when nothing on earth would induce him to give away
his name," thought Rosamond resentfully. "He's not
the sort of young man who will give anything away,
ever, until he chooses!"
And the thought of the Hostel brought another; a
thought of terror. Yes; to complete her own rout
there broke over her the overwhelming recollection of
the last letter that she had written to the address of
"E. Urquhart, Esqr." That letter she'd handed
through the Hostel window for E. Urquhart, Esqre., to
post to himself, just after she'd refused to come out
to tea with him. H'm! He thought this morning's
letter was "rather specially nice," did he? What would
he think of that Hostel one? Heavens! That letter
would be enough to blow the three of them, breakfast-table
and all, through the ceiling as a bomb would have
blown them!
That letter was on its way to Urquhart's Court, to
complicate matters, even worse....
And matters were quite complicated enough as they
stood. That probably suspecting young man was the
master of the situation, thought Rosamond ruefully.
She and Eleanor were something like fellow-conspirators.
It wasn't her—Rosamond's—fault! She'd jibbed;
she'd said what she could! She'd done it under protest,
to save her post. Still, she had helped his fiancée to
play what now suddenly seemed like a very shabby trick
on the young man!
And when that trick all came out, as it might?
Well, it might conceivably mean that Miss Urquhart's
highly convenient engagement would be broken off, and
that Miss Fayre's quite desirable post would be lost
after all!
But this state of affairs didn't seem to dawn upon
the other girl.
Obviously, Rosamond must have a talk over the whole
thing, now, as soon as possible, with Eleanor.
Half-an-hour later Rosamond Fayre tried to open
the subject in Miss Urquhart's office.
"Eleanor, I wanted to speak to you——"
"I'm just coming, with the letters."
"It's not about the letters. Not the business-letters,
I mean——"
"Then I'm afraid it will have to wait, Rosamond.
We must get these done first."
The impatient Rosamond "took down" and typed
as if during an examination for speed, but it was twelve
o'clock before the morning's correspondence was out
of the way. Fortunately Miss Urquhart's fiancé was
also out of the way in the motor-pit with the chauffeur,
strenuously busy over some hitch in the mechanism
which was causing Her Ladyship (the car) to "get very
sarcastic coming up the hills." Rosamond hoped the
job would keep him nice and late for lunch while she
had her consultation with Eleanor.
This took place on the smaller lawn beyond the
gardens.
Here, on the warm turf where the Club girls had
waltzed on the afternoon of the Hen-party, Eleanor
had now laid down sheets and sheets of newspaper.
Upon these she and her secretary were going to spread
out rose-leaves to dry for pot-pourri, that would be sent
up to a London depôt and sold in perforated vases for
the benefit of some Guild.
The two girls walked up to the lawn together, looking
the queerest contrast to one another; dark Eleanor,
whose "good" coat-and-skirt of one of the more trying
shades of shantung seemed specially chosen to conceal
every line of her stiff, affairée little figure; fair
Rosamond, tall and dainty and loose-limbed, lending all her
own shapeliness to one of those ready-made voile frocks,
rose-sprigged, with a belted and befrilled tunic—of
which a thousand duplicates had been sold in the
summer sales, and which would look cheap and common
enough on many of its wearers. It seemed impossible
that they should have a single interest, a single
occupation in common—this pair of girls whose handwritings
alone were alike! Both girls now carried shallow, large
wicker baskets full of the scented petals that seemed
all ready to strew upon the path of a bride. They knelt
down close together on the turf as they proceeded to
spread the rose-leaves on the paper.
"Just like conspirators ... down to the attitude! ... On
all-fours, just as if we were taking cover,"
thought Rosamond, ruefully amused.
Then, with a "Now-for-it!" expression on her face,
she cleared her throat. She began to explain, hurriedly
and softly and almost as if she were afraid of being
overheard, that she "had been made to feel rather
uneasy, this morning...."
Her difficulty, she found, was to make Eleanor Urquhart
see that there could be anything to feel uneasy
about.
Eleanor only said in mild surprise, "How do you
mean, you 'think Mr. Ted Urquhart has got an idea
that I didn't write my letters to him myself'?" She
was sorting out long leaves of lemon-verbena, grey-blue
heads of lavender, jagged carnation-petals to mix with
the roses, as she talked. "How can he guess you wrote
for me, Rosamond? It isn't very likely that he's noticed
anything about our having the same sort of handwriting——"
"Ah, it's nothing at all to do with handwritings!
It's not come to that yet. It hasn't come to his thinking
I've anything to do with the letters. But I'm sure that
he's noticing that there's something different about the
letters themselves," declared Rosamond emphatically, as
she smoothed that confetti of pink-and-white-and-damask
petals into a thinner layer on her sheet. "I
know he is."
"It must be your imagination," came Eleanor's concise
little voice. "What 'something' has there been
for him to notice? You wrote exactly as if you were
me——"
"Can anybody write exactly as if they were somebody
else? I've always known they couldn't! A letter's
bound to 'catch' something characteristic of the writer!
Something creeps in, like the tone of one's own voice,
speaking! One can't help that, Eleanor——"
"But you did. I saw!" said the other girl reassuringly.
"I passed all the letters myself. Except two
or three, perhaps. There was that afternoon I motored
Miss Fabian back to her rooms and I couldn't get back
before post-time, or something else happened. But I'm
sure they would be all right—these little white roses are
the sweetest of all—they were just the usual thing,
weren't they? I know how careful you are with all my
correspondence."
"I've tried. Yes, I have tried to be careful," said
the secretary-girl uneasily. "But——"
She paused. Here was something of which she had
to make a clean breast. "In one of those letters to
Mr. Ted Urquhart I'm afraid I wasn't quite careful,
Eleanor," she admitted. "I must have been in a
mood——"
She stopped again. "Moods" were things Eleanor
rather despised, as Rosamond knew. All this was
embarrassingly difficult! It's so much easier to own up
to wrong-doing than to having done something silly!
She took another handful of petals out of her basket
and began again.
"Just for fun, I suppose, I sent something ... as
from you. I put——"
Eleanor's dark head turned a little impatiently.
"Well? You put what?"
With a suspicion of bravado in her pretty voice
Rosamond Fayre confessed to the ultimate folly of what
she'd put. "Kisses."
"What!" ejaculated Eleanor. And she moved still
kneeling, so suddenly that she upset her basket. The
rest of the rose-leaves spilled softly out into a fragrant
stack before her. Above it she stared with dark,
incredulous eyes at her secretary. "Kisses?"
Rosamond Fayre, feeling more than foolish, put
forward an historic excuse. "They were only very
little ones!"
"But you actually wrote that I—I sent kisses
to——"
"No! I didn't write that!" Rosamond broke in
still more quickly, bending over the overturned heap
of rose-leaves as she spoke. "It was at the very end
of one letter; hidden away in the twirly thing you do
under your name. I think I wanted to see if you'd
notice when you passed the letter; and you didn't. So
Mr. Ted Urquhart probably wouldn't see them at
all—unless he was looking for them. Two quite tiny ones
I put; like this——"
She took up the small pencil-case she wore dangling
from a silver chain, and on the margin of the
newspaper-sheet before her she drew a couple of those
hieroglyphics over which a sleepless young man had
pored and pondered more than a week ago....
Mr. Ted Urquhart's fiancée contemplated those
hieroglyphics silently and as if they were noisome insects
that had just crawled out of the rose-leaves.
"I know," said Rosamond Fayre, abashed. "I
know I oughtn't to have put those, Eleanor. You
wouldn't have."
Eleanor, in her austerest tone, answered at last. "I
shouldn't have thought anybody would put anything so
vulgar. Except, perhaps, g-girls like P-P-P-Pansy!"
Rosamond flushed deeply. She felt that Eleanor's
reproof was just. She often felt (as girls surcharged
with any warmth of temperament are so frequently
forced to feel) "I can't be a very 'nice' girl. Really
nice girls are rather shocked at me." And she regretted
that she seemed sometimes more akin to Pansy than to
what "a lady" should be in emotions and thoughts....
Nevertheless she longed at that instant for the
presence of the Principal Boy. Pansy could have
"stood up to" Miss Urquhart in a way that Miss
Urquhart's secretary couldn't.
Miss Urquhart was so "difficult" these days! Far
more forbidding than the Eleanor of Rosamond's
school-time, the dark-eyed monitress who had always been
helpful and kind, almost motherly to the younger girls!
"They say being engaged 'softens' a girl," Rosamond
thought. "All I can say is that it—or
something—'hardens' this one! I ought to have known
how she'd take this——"
She said aloud, meekly, "I was afraid you'd think it
very dreadful, Eleanor."
"A little vulgar, as I say; that is all. Still, it can't
be helped now," said Eleanor Urquhart, with that line
of displeasure dividing her brows. "And it doesn't
matter—particularly."
"Eleanor," persisted Rosamond, still warmly flushed,
"I'm afraid it—or more likely something else—must
have 'mattered'—Made all the difference in your
letters——"
"How? Were there any more of—those?" Miss
Urquhart asked with a gesture of distaste towards the
two crosses marked on the paper. "Larger ones?"
"No. Oh, no!"
"Or anything else of the same kind?" suggested
Eleanor, rising to her feet and moving along the line of
spread newspapers. Her secretary said, truthfully as
she thought, "No."
"Very well, then. There's nothing to make him
'suspect.' He can't."
"But—He is! Look at him!" broke out Rosamond,
rising also and giving a sweep of her long arm, as if
she were indicating the young man who was at that
moment engaged at the other end of the grounds;
shirt-sleeved and sweating and grunting over—or rather,
under—machinery that seemed to him such a simple
thing compared with the motives and mind of a woman.
"Do you look at him? Do you ever look at him?"
And she thought impatiently, "How impossible it is
to discuss anything with the kind of girl who's too
reserved to say a word about her lover! How much easier
it would be if Eleanor were even the exhausting type
who brought her hair-brushes into my room every night
to gush over what he's like. I don't even get a hint of
what he is like to her!" And she persisted, urgently,
aloud—"Did you watch him at breakfast? He was
watching you, Eleanor, as a cat watches a mouse-hole!
He was waiting with all his ears to hear what you'd
say when he suddenly burst it upon us—upon
you—that your letters were coming home to roost!"
"Have you any other reason," Eleanor enquired,
"for thinking he's thought anything of the kind?"
"No, I haven't. But one can't help feeling things
like that, in one's bones," persisted Rosamond. "The
whole air at breakfast-time was quivering with
something being 'up.' I saw Mr. Ted Urquhart looking it,
I tell you!"
"Oh, you fancied it."
"I wish I had! No," said Rosamond gloomily.
"Either he's caught us out, or he will soon."
"Nonsense," said Eleanor, a little uneasily, a little
shortly.
More shortly Rosamond took her up. "Well, do
you care to ask him if he's noticed——"
"I? Ask him anything at all about it? Certainly
not."
"Very well. Then we—you won't know anything
until he chooses," prophesied Rosamond, kneeling again.
"I mean until he's definitely got to the bottom of the
whole trick we played upon him."
"Er—Did you get me a few sp-p-p-prigs of rosemary
to put in with the rest? Thank you," said the
restrained little voice of Eleanor as she stood over her.
It added with less restraint, "I don't like your calling
that a 'trick.'"
"I'm sorry. But I think you'll find he'll call it one,"
returned her secretary, stripping the sprigs of
rosemary with fingers that shook a little from temper,
though her voice was quiet. She was thinking, "If
there's any truth in the old proverb 'Where Rosemary
grows the Mistress is Master' the bush I picked this
from will be withered up by next year."
She continued to speak quite quietly. "Surely,
Eleanor, you see that he isn't the sort of man to stand
it? I mean what man would put up with having a
stranger's letters palmed off on him, under the pretence
that they came from his fiancée? Imagine a man like
Mr.—Any man, I mean! When he finds out that's what's
been done—well, I'm afraid of what will happen!"
"You are afraid?"
"Yes. Do you think I've nothing to lose? I've my
living!" said Rosamond, sitting back on her heels and
looking up at her girlish employer. "The reason I
gave in to you about writing to him at all was because
I didn't want to lose my post here! That's what I'm
afraid of now!"
"But—I haven't been thinking of your going!" said
Eleanor.
"You may have to think of it!" said Rosamond
relentlessly. "Supposing you can't afford to keep on a
secretary any longer? Supposing you leave The
Court? Supposing your engagement—suddenly
ends?"
Still Eleanor didn't understand.
"Why should it suddenly end?"
"Your fiancé," said Rosamond, "might think that
trick was reason enough!"
"What!"
"Well, I think so—now," said Rosamond, lifting
those drying rose-leaves and letting them slip through
her white fingers again.
Eleanor's face, looking down at her, at last began
to show a dawning anxiety. She protested, "But I was
so busy!"
"Well!" The secretary-girl gave a short laugh.
"Tell him that!"
"I—see," said Eleanor, slowly. She was silent for
a moment as she stood, backed by the clipped box-hedge,
looking down at the green turf and at the flower-strewn
paper and at the easy movements of the kneeling girl
at her feet. "You mean—that might seem so odd
to Ted. Now I've seen him——"
"It seemed impossible enough to me before I saw
him! But now you've seen him," said Rosamond,
tossing her petals, "you don't want him to break off the
engagement, do you?"
"Oh, Rosamond! No! Of course I don't!" agreed
the other girl with a sudden fervour that made her
secretary glance quickly at her. A new note of trepidation
shook that little trite arranging voice of Eleanor's
as she gasped, "Don't you see what it would mean to
me?"
Rosamond nearly exclaimed, "Does he, then, mean
so much after all?" But Ted Urquhart's fiancée went
on, "How could I carry on my Club-work if we didn't
live at The Court? You know, Father would lose all
the estate money that Ted wishes him to use; and he
has very little of his own, I've only three hundred a year
of my own, from my mother. As it is at present, I
am able to put aside more than a hundred a year of
that towards the Hostel, and I can hand over fifty to
Miss Fabian's Guild. And then there's the use of The
Court for——"
The ruling passion again; the good works and the
girls! Rosamond Fayre listened in speechless
amazement; and, humbly enough, she reflected, "Yes.
Eleanor is a much better sort of girl than I am. She's
marrying money—but it's all for other people!
Her only fear is for those Clubs and that they might
lose what she can do to help them. She's willing to
sacrifice even herself. Oh, I'm afraid I could never
sacrifice myself. Not even for money! It must be my
Pansyishness and vulgarity that makes me think only
of the kind of sweetheart I'd like!"
Then came the wonder, "What about him? What
about Eleanor's dear Ted?"
Judging from his attention to Eleanor, he was
devoted to her, Rosamond thought. He evidently didn't
mind the—the aloofness of his fiancée. He perhaps
admired her all the more for it; thought it part of her
unselfishness and sincerity. But when he found out that
the sincerity had failed in one particular, towards
himself? Wasn't the devotion more than likely to fail
also?
But here was Eleanor saying in a brightening tone,
"Well, there are only two or three more letters to
come now. And even if Ted did think there might
have been something odd about those, the whole question
of letter-writing will soon blow over——"
"Oh, will it!" thought her secretary. "Not after
he gets that letter I wrote at the Hostel!"
It was on the tip of her tongue to say so.
But, after all, that Hostel-letter, which loomed
incessantly at the back of Rosamond's mind, had nothing
to do with Eleanor. It was not signed with Eleanor's
name. Rosamond was in no way bound to talk about it.
So she merely shook her bright head and said
ruefully, "I'm not counting on anything 'blowing
over.' I'm only sure that we both stand to lose a good
deal!"
Now Eleanor was really troubled. She fidgeted with
the handle of her empty basket. She, usually so prompt
with what was to be done next in all her affairs, asked
quite helplessly, "What are we to do if it turns out
that you are right?"
"What can we do?" rejoined Rosamond, looking up
again. "You don't think he can be spoken to about
what happened?"
"I can't speak to him. N-N-No, of course I can't,"
decided Miss Urquhart. "Could you?"
"D'you mean if I were in your place?" rejoined her
secretary. "But if I were, you see, I shouldn't have
got myself into this particular fix. If I'd been engaged
to—to anybody, I'd have written my own love-letters!"
"I d-d-don't mean that at all. I mean, could you
go now and tell Ted,—you, Rosamond, yourself,—what
I got you to do for me?"
"No," said Rosamond, firmly. "No."
"Then nobody will tell him," said Eleanor.
"Then we shall have to wait and see if he elects to
tell us. Very well. There seems nothing else to be
done."
"And then what?" demanded Rosamond, again
rising from her knees. "For then—especially after we
don't tell him!—there's still the question whether he
breaks off the engagement."
"Oh, it can't come to that!" demurred Eleanor,
petulant with anxiety.
"It can come to whatever he wishes. What we did
was, after all, forgery!"
"Oh, it was n-n-nothing of the kind!"
"The penalty's the same!"
"'Penalty'? You've a most unpleasant way of
putting things!" said Eleanor, facing her.
But it was not Eleanor's annoyance that made her
secretary tremble for her post. Rosamond answered
without hesitation, "I mean the broken engagement."
"If it is broken, it will be your fault," Eleanor
retorted quite hotly. "You will have done it, with—"
again she pointed down to the coded kisses on the
paper—"with those two—things!"
"No; I shan't. You'll have done it yourself," Rosamond
insisted, "with your whole senseless idea of dragging
a third person into it at all. Always a mistake,
in any engagement! Always——"
She paused. Both girls were flushed now. They
looked into each other's faces with hostile eyes. Then
both at once seemed to realise that hostility cannot be
allowed between allies making common cause against an
enemy.
Eleanor smiled deprecatingly, though still on her
dignity, and began again, "Well, we need not quarrel."
Rosamond said ruefully—
"I'm sorry I called your idea 'senseless'——"
"I'm sorry I said what I did about those—about
your message," admitted Eleanor. "I daresay plenty
of—other girls might put that sort of thing in a
letter——"
Rosamond's blue eyes fell—upon the strewn rose-petals
that reminded her of something. She murmured:
"That—message wasn't very much worse, I thought,
than the handful of rose-leaves you sent him, another
time. You did send those!"
"Yes, but you told me to!" protested Eleanor.
"Don't you remember? That was one of your ideas!"
"Oh! dear!" sighed Rosamond, "so it was——"
"Anyhow," said Eleanor, "those didn't count."
(English rose-leaves—in a South American camp!
Worn at a woman's breast—carrying their message a
thousand miles and more—treasured in a man's
pocketbook even now—They didn't count?)
"The question is," repeated Eleanor, "what are we
to do now? Can we settle what we are to say if Ted
does ask anything?"
"If he asks, 'Why are some of your letters so
different?' had you better say that you, personally,
don't consider they are different——" mused Rosamond.
"Shall I have to ask to see them all (if he's kept
them) and then go over them with him and explain
them?" suggested the engaged girl dolefully. "I
don't believe I shall even remember which are my
own!"
"He'll soon tell you which he thinks are not!"
"Oh, Rosamond! Oh, why did I ever ask you to
help me over the wretched letters? Oh! How I wish
I hadn't even promised I'd write every mail-day! Shall
I say that to him? Or had I better——"
The discussion prolonged itself until the two girls
were even later for lunch than was the young man
against whom they plotted.
And in the end, all the decision to which these
fellow-conspirators came was the time-honoured decision that
closes so many even weightier discussions:
—Namely, "For the present to let things drift!"
Miss Urquhart's secretary was not the only person at
Urquhart's Court who thought of "that Hostel-letter."
For presently the young man to whom it had been
written, the young man who had been forced into
posting it to himself in that French pillar-box at the
crossroads, yes, Mr. Ted Urquhart himself,
remembered that last letter that was to come.
And he'd realised that there was something odder
than all the rest of it about the posting of that letter.
Hadn't it been handed to him to post, by Eleanor's
secretary, through the window of Eleanor's Hostel?
But Eleanor herself had been at that moment in Paris.
Now what was the meaning of that? thought Urquhart.
Why hadn't his fiancée written direct from Paris,
where she had put in a whole week?
Why, in the name of all that was mysterious, had she
left that letter behind her?
Was Eleanor in the habit of writing letters and
addressing envelopes for him at odd times, and then
deputing them to be posted, one by one, at the right
time—or what?
Young Ted Urquhart, brooding over these questions
in that second inner life of his, had a presentiment that
perhaps that Hostel-letter might prove the key to a
situation.
Once before he had reckoned up how long it would
be before that letter reached him. This had been as he
stood on the dusty, white French road, weighing in his
hand the letter which he then imagined had been written
to him by that goddess-built, golden blonde whom his
thoughts had called "Nell"——
Never mind that now. Here he was walking along
an English road that wound between English hop-fields,
and reckoning up how long it would be before he
received the last of Eleanor's letters that she had ever
written before she met him in the flesh.
He remembered—and he laid his plans accordingly.
These were his plans.
He determined to say nothing to Eleanor on the subject
of letters. To wait at The Court until that last
letter arrived. Then—well, there was an open invitation
to the house of an old schoolfellow in Wales, for
some fishing. He'd fit that in. He'd go away, first
making Eleanor promise to write to him. Then he'd
have letters to compare. With luck he'd have some
definite excuse to speak out his mind to Eleanor upon
his return.
It was a little thing that nipped Ted Urquhart's
plans in the bud.
The old schoolfellow wrote to him from Wales
begging him to try and fit in his week at once if he
possibly could.
Ted Urquhart was obliged to go two days before
he intended. Before the arrival of that Hostel-letter.
It is not necessary to describe in detail that Welsh
visit, or how young Urquhart fished without very much
luck.
Wales, with its jagged skylines and rich crazy-work
colours should have been a change to him after those
flat miles of dove-coloured weald about The Court; but
the fact is that Ted Urquhart didn't seem to care what
sort of country he was in just then. For the first time
in his whole life he was more interested in things that
were going on inside his own mind. He had moods, like
a girl....
Also he found the people amazingly dull....
He never knew how dull the people found him, or
what strictures the girls of the house passed upon
the stodginess and the apathy of engaged young men.
Only, he overheard a remark of his hostess's that set
him wondering again.
—"hope they'll be happy! But I am afraid the
man who marries Eleanor Urquhart will find that he's
let himself in for marrying S. Ursula's eleven
thousand——"
Here a door had shut.
What could his hostess mean?
Did she mean that his Eleanor was such a many-sided
little creature that the man who got her found eleven
thousand different types of wife rolled into one? He
wished he could have catechised his hostess....
Every day he received a note from Eleanor. An
absolutely deadly one. Dutiful, short, and in the style
of all her first letters from The Court.
But the Hostel-letter wasn't forwarded on.
Yet he'd thought he'd made sure of the date when
that Hostel-letter ought to have arrived.
It didn't come.
Odd!
Now that Hostel-letter, with the French stamp and
postmark under the South American scrawl had arrived
at The Court.
Weeks ago that unbetraying grey envelope had been
stared at resentfully, in a passion of curiosity, by
some one who, standing on a road in France, longed
to open the letter, but knew that he mustn't. And now
it was being eyed as if it were a bomb timed to go off
at a given hour, by two girls standing in the hall of
an English country-house.
Young Urquhart had held the letter, weighing it in
his hand. Eleanor Urquhart and Rosamond Fayre
gazed at it as it lay on the oaken hall-table, on the
top of a boot-maker's catalogue, and an advertisement
for fishing-rods addressed to E. Urquhart, Esq.
"Here's this letter of mine—of ours to Ted. And
goodness knows if there may not be something in it
that'll give us away worse than the others did, if we
could only go over it and see," exclaimed Ted's fiancée
to her secretary in low, dismayed tones. "Oh! To
think that it's practically mine—and yet I can't touch
it, Rosamond!"
Rosamond knowing all too well that this particular
letter was not Eleanor's, returned, "Well! I can't touch
it, either!"
In Eleanor's dark eyes she read the unuttered longing
that it were possible to suppress that possibly tell-tale
letter; to burn it without saying a word. The engaged
girl heaved a big sigh, turning away from the hall-table
almost as if from a temptation. She murmured
ruefully, "Well, it will have to be forwarded on to him
in Wales. Re-address it with the other two, Rosamond,
please."
"I?" remonstrated Rosamond.
"Of course! My dear! We c-c-can't have both our
handwritings on the same envelope. That really might
show something. You've the Welsh address, haven't
you? With all those double Ls——"
"Yes, but—it does seem such an irony to have to
forward it with one's own hand. Sort of signing one's
own dismissal! And to tell you the truth," broke from
the secretary-girl, "I hate thinking of his getting it
behind our backs, so to speak, and of our not
knowing what he may be planning against us until he
comes!"
"Wait till he comes then, if you think it's better,"
suggested Eleanor Urquhart, turning a flurried,
irritable little face. "He'll be back in four days.
Don't send the letter on. Only, if it stays down here,
Beeton has such a c-c-c-conscientious way of
re-addressing letters he thinks we've forgotten." She
turned away again towards her office. "It had better
be put up on Ted's dressing-table, Rosamond."
Rosamond took a step after her, speaking in the
conspiratorial murmur which now seemed to be growing
upon both girls.
"Eleanor, the servants know your fiancé isn't coming
home till Monday. Mightn't they think it odd if they
were told to keep the letter for him——"
"Yes, I suppose they might. Oh, dear, what a lot
of things there are to be careful about now," complained
Eleanor. "I suppose you'd better p-p-put the letter
into Mr. Ted Urquhart's room."
Rosamond straightened her back.
She felt like using the phraseology of a rebellious
housemaid, and saying, "That's not my place." Eleanor
was growing more impossible nowadays; her salary
certainly had to be worked for, thought Rosamond.
She said aloud, rather shortly, "It wouldn't 'show,'
on the envelope, which of us put the letter into his
room."
"No," said Eleanor, also shortly. "But I hate going
into other people's rooms."
Rosamond suppressed a Pansy-like inclination to
think, "Well, it'll be your room soon; that is if we're
lucky, and if your engagement isn't broken off."
She took that letter, written by herself on an impulse
now bitterly regretted. She went upstairs with it; and
then, stepping almost as softly as if she were a thief
who might be stopped by an enquiry of "What business
have you in here?" she entered the young man's
deserted room.
How that faint pleasant smell of
leather-mixed-with-cigarettes seemed to pervade the place!
The tall fair girl stood for a second hesitating with
the letter in her hand. She sent the swiftest glance
about her, then gave one touch to her burnished hair
before the glass on Mr. Ted Urquhart's dressing-table....
Then, a sudden quick sound made her start
violently, flushed to the brow.... Oh! It was only a
starling, whirring out of the ivy that framed the window
outside. This dressing-table—here—was the conventional
place to put a note. Rosamond put it down and
dashed out of the room.
On the stairs again she thought, "I'd like to see his
face when he reads that! Well, he'll get it the minute
he comes back."
Ted Urquhart came back late on Monday afternoon
to find his uncle, his fiancée and Miss Fayre, the
secretary, grouped in the bay about the tea-table listening
to the conversation of an elderly man, some friend of
his Uncle's. Young Urquhart dropped into a chair
beside Eleanor, who bestowed upon him a cup of tea
and a half-deprecating, half-absent-minded little smile.
"Just when the only thing to do in the circumstances
would be to keep her hold on her fiancé by being nicer
and more on-coming than usual to him," thought Rosamond
from the other side of the tea-table. As tactics,
she bitterly resented Eleanor's manner to young
Mr. Urquhart. "Of course a girl should make herself so
indispensable to the man that he'd think, 'Oh, be hanged
to letters! They're only stop-gaps anyhow. I don't
care how many other people she got to write to me for
her, provided I keep her within speaking distance of me
now, until the finish!' But Eleanor hasn't a notion of
that sort in her head!"
And Rosamond turned her own golden head away
from the unrewarding view of that engaged couple and
began again idly to listen to what the elderly
Professor-person had to say to old Mr. Urquhart.
It was a haze of words and phrases that Rosamond's
acquisitive feminine mind "let through," as her shallow
wicker-work basket, made to hold rose-leaves, would let
through heavier grain. It seemed to be all about
"literary criticism" and "style"—things that had far less
interest for Miss Fayre than the slope on the shoulders
of a blouse she'd been cutting out before tea.
Suddenly, however, her mind leapt to attention.
The old Dryasdust-man was violently tapping his
palm with his forefinger and almost shouting at
Mr. Urquhart, who looked intensely irritated, "but, my
dear sir, the personal elements of style can never be
eliminated! The plagiarist may imitate the writing, the
general trend of argument may arrive at the same
conclusions, but the unconscious elements of style
remain." This Rosamond thought she grasped.
"Unconscious elements"—Those were not rose-leaves,
or the little "plus" signs that stood for kisses,
but the give-away tone as of a voice speaking between
the lines, the things in writing that the writer can't
help!
Good Heavens!
And men recognised the fact? These literary
people called Bently, and Boyle, and—was it Faleris?—had
had arguments about it all before Rosamond was
born! There might be some pitfall here that she and
Eleanor had never dreamt of; and they didn't know
enough about it to avoid it; how dreadful!
Desperately the secretary-girl turned to the
expounding Professor. "That's very interesting," she
said, as old Mr. Urquhart was silent; his gray elf-locks
seemed almost to bristle with annoyance at being
worsted in whatever this argument was. "But please
do explain it a little more; does it mean that if you had
two letters, typewritten say, by different people, and
unsigned, that you could be certain to find out which of
them was written by the——"
Here her pretty, interested voice trailed suddenly off
into an appalled silence.
She'd met the eyes of Mr. Ted Urquhart full and
square upon her. And he was listening, intently. He
was looking as if this subject of the identification of a
style of writing held some arresting interest for
himself!
Instantly she looked away again, but not before the
blush that rose so easily to her soft cheeks had flooded
them with the deepest, most betraying pink.
"He saw that. Oh, why must I turn colour like a
mid-Victorian missy always? He'll put two and two
together now," Rosamond raged at herself as that
scorching, lovely blush faded slowly. "As soon as he
reads my letter that's in his room he'll guess why I
turned so idiotically red and why Eleanor's letters had
the wrong sort of 'unconscious elements' and everything!
There! He's going!" she thought in an added
flurry as the young man set down his cup and rose.
"In two minutes he'll find that fatal, fatal Hostel-letter
on his dressing-table. And he's bound to say whatever
he means to say directly! This evening, for
certain——"
But that evening passed without event.
Several days passed. And still two girls in an English
country-house waited anxiously, while a young man
in whose sun-burnt and restrained mask of a face the
impatient eyes seemed on the look-out for something
far away, said absolutely nothing further on the subject
of letters.
"There you are, you see, Rosamond! You were
wrong, and it is quite all right," Eleanor reassured her
secretary in the trite little voice to which all the
self-assurance had returned. "Ted hasn't said a word, in
spite of getting another letter that you'd written!"
"It's almost enough to make one think he hasn't got
the wretched letter," thought Rosamond. "Yet I left
it staring him in the face on his dressing-table! If he
insisted on 'having it out' with me about the odious
letter it would be horrid enough of him. But if he isn't
going to have anything out, ever, it's—it's—unpardonable!"
The fact was that Miss Rosamond Fayre's first surmise
had been right. Ted Urquhart had not found the
letter that she had left on his dressing-table. It was
lying hidden where he would not readily see it.
For as Rosamond was closing the door behind her
that morning, a chance breeze from the open window,
stirred into a strong draught, had lifted the light,
foreign-papered letter as it lay and had swept it off the
table and down towards that serried row of young
Urquhart's so varied footwear; brown brogues, black
boots, soft moccasins, shooting-, fishing-, and
riding-boots....
It was at the bottom of one of Ted's tall riding-boots
that Rosamond's Hostel-letter had found a hiding-place!
And the days went by—days fraught with fate for
England, nodding over her sheathed sword.