The Wit of Women

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TO

G.W.B.
In Grateful Memory.

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THE MELANCHOLY TONE OF WOMEN'S POETRY—PUNS, GOOD AND BAD—EPIGRAMS AND LACONICS—CYNICISM OF FRENCH WOMEN—SENTENCES CRISP AND SPARKLING.

To begin a deliberate search for wit seems almost like trying to be witty: a task quite certain to brush the bloom from even the most fruitful results. But the statement of Richard Grant White, that humor is the "rarest of qualities in woman," roused such a host of brilliant recollections that it was a temptation to try to materialize the ghosts that were haunting me; to lay forever the suspicion that they did not exist. Two articles by Alice Wellington Rollins in the Critic, on "Woman's Sense of Humor" and "The Humor of Women," convinced me that the deliberate task might not be impossible to carry out, although I felt, as she did, that the humor and wit of women are difficult to analyze, and select examples, precisely because they possess in the highest degree that almost essential quality of wit, the unpremeditated glow which exists only with the occasion that calls it forth. Even from the humor of women found in books it is hard to quote—not because there is so little, but because there is so much.

The encouragement to attempt this novel enterprise of proving ("by their fruits ye shall know them") that women are not deficient in either wit or humor has not been great. Wise librarians have, with a smile, regretted the paucity of proper material; literary men have predicted rather a thin volume; in short, the general opinion of men is condensed in the sly question of a peddler who comes to our door, summer and winter, his stock varying with the season: sage-cheese and home-made socks, suspenders and cheap note-paper, early-rose potatoes and the solid pearmain. This shrewd old fellow remarked roguishly "You're gittin' up a book, I see, 'baout women's wit. 'Twon't be no great of an undertakin', will it?" The outlook at first was certainly discouraging. In Parton's "Collection of Humorous Poetry" there was not one woman's name, nor in Dodd's large volume of epigrams of all ages, nor in any of the humorous departments of volumes of selected poetry.

Griswold's "Female Poets of America" was next examined. The general air of gloom—hopeless gloom—was depressing. Such mawkish sentimentality and despair; such inane and mortifying confessions; such longings for a lover to come; such sighings over a lover departed; such cravings for "only"—"only" a grave in some dark, dank solitude. As Mrs. Dodge puts it, "Pegasus generally feels inclined to pace toward a graveyard the moment he feels a side-saddle on his back."

The subjects of their lucubrations suggest Lady Montagu's famous speech: "There was only one reason she was glad she was a woman: she should never have to marry one."

From the "Female Poets" I copy this "Song," representing the average woman's versifying as regards buoyancy and an optimistic view of this "Wale of Tears":

In recalling the witty women of the world, I must surely go back, familiar as is the story, to the Grecian dame who, when given some choice old wine in a tiny glass by her miserly host, who boasted of the years since it had been bottled, inquired, "Isn't it very small of its age?"

This ancient story is too much in the style of the male story-monger—you all know him—who repeats with undiminished gusto for the forty-ninth time a story that was tottering in senile imbecility when Methuselah was teething, and is now in a sad condition of anecdotage.

It is affirmed that "women seldom repeat an anecdote." That is well, and no proof of their lack of wit. The discipline of life would be largely increased if they did insist on being "reminded" constantly of anecdotes as familiar as the hand-organ repertoire of "Captain Jinks" and "Beautiful Spring." Their sense of humor is too keen to allow them to aid these aged wanderers in their endless migrations. It is sufficiently trying to their sense of the ludicrous to be obliged to listen with an admiring, rapt expression to some anecdote heard in childhood, and restrain the laugh until the oft-repeated crisis has been duly reached. Still, I know several women who, as brilliant raconteurs, have fully equalled the efforts of celebrated after-dinner wits.

It is also affirmed that "women cannot make a pun," which, if true, would be greatly to their honor. But, alas! their puns are almost as frequent and quite as execrable as are ever perpetrated. It was Queen Elizabeth who said: "Though ye be burly, my Lord Burleigh, ye make less stir than my Lord Leicester."

Lady Morgan, the Irish novelist, witty and captivating, who wrote "Kate Kearney" and the "Wild Irish Girl," made several good puns. Some one, speaking of the laxity of a certain bishop in regard to Lenten fasting, said: "I believe he would eat a horse on Ash Wednesday." "And very proper diet," said her ladyship, "if it were a fast horse."

Her special enemy, Croker, had declared that Wellington's success at Waterloo was only a fortunate accident, and intimated that he could have done better himself, under similar circumstances. "Oh, yes," exclaimed her ladyship, "he had his secret for winning the battle. He had only to put his notes on Boswell's Johnson in front of the British lines, and all the Bonapartes that ever existed could never get through them!"

"Grace Greenwood" has probably made more puns in print than any other woman, and her conversation is full of them. It was Grace Greenwood who, at a tea-drinking at the Woman's Club in Boston, was begged to tell one more story, but excused herself in this way: "No, I cannot get more than one story high on a cup of tea!"

You see puns are allowed at that rarely intellectual assemblage—indeed, they are sometimes very bad; as when the question was brought up whether better speeches could be made after simple tea and toast, or under the influence of champagne and oysters. Miss Mary Wadsworth replied that it would depend entirely upon whether the oysters were cooked or raw; and seeing all look blank, she explained: "Because, if raw, we should be sure to have a raw-oyster-ing time."

Louisa Alcott's puns deserve "honorable mention." I will quote one. "Query—If steamers are named the Asia, the Russia, and the Scotia, why not call one the Nausea?"

At a Chicago dinner-party a physician received a menu card with the device of a mushroom, and showing it to the lady next him, said: "I hope nothing invidious is intended." "Oh, no," was the answer, "it only alludes to the fact that you spring up in the night."

A gentleman, noticeable on the porch of the sanctuary as the pretty girls came in on Sabbath mornings, but not regarded as a devout attendant on the services within, declared that he was one of the "pillars of the church!" "Pillar-sham, I am inclined to think," was the retort of a lady friend.

To a lady who, in reply to a gentleman's assertion that women sometimes made a good pun, but required time to think about it, had said that she could make a pun as quickly as any man, the gentleman threw down this challenge: "Make a pun, then, on horse-shoe." "If you talk until you're horse-shoe can't convince me," was the instant answer.

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The best punning poem from a woman's pen was written by Miss Caroline B. Le Row, of Brooklyn, N.Y., a teacher of elocution, and the writer of many charming stories and verses. It was suggested by a study in butter of "The Dreaming Iolanthe," moulded by Caroline S. Brooks on a kitchen-table, and exhibited at the Centennial in Philadelphia. I do not remember any other poem in the language that rings so many changes on a single word. It was published first in Baldwin's Monthly, but ran the rounds of the papers all over the country.

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The second and last example is much more common in its form, but is just as good as most of the verses of this style in Parton's "Humorous Poetry." I don't pretend that it is remarkable, but it is equally worthy of presentation with many efforts of this sort from men with a reputation for wit.

BY MAY TAYLOR.

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As to puns in conversation, my only fear is that they are too generally indulged in. Only one of this sort can be allowed, and that from the highest lady in the land, who is distinguished for culture and good sense, as well as wit. A friend said to her as she was leaving Buffalo for Washington: "I hope you will hail from Buffalo."

"Oh, I see you expect me to hail from Buffalo and reign in Washington," said the quick-witted sister of our President.

In epigrams there is little to offer. But as it is stated that "women cannot achieve a well-rounded epigram," a few specimens must be produced.

Jane Austen has left two on record. The first was suggested by reading in a newspaper the marriage of a Mr. Gell to Miss Gill, of Eastborne.

The second is on the marriage of a middle-aged flirt with a Mr. Wake, whom gossips averred she would have scorned in her prime.

It was Lady Townsend who said that the human race was divided into men, women, and Herveys. This epigram has been borrowed in our day, substituting for Herveys the Beecher family.

When some one said of a lady she must be in spirits, for she lives with Mr. Walpole, "Yes," replied Lady Townsend, "spirits of hartshorn."

Walpole, caustic and critical, regarded this lady as undeniably witty.

It was Hannah More who said: "There are but two bad things in this world—sin and bile."

Miss Thackeray quotes several epigrammatic definitions from her friend Miss Evans, as:

"A privileged person: one who is so much a savage when thwarted that civilized persons avoid thwarting him."

"A musical woman: one who has strength enough to make much noise and obtuseness enough not to mind it."

"Ouida" has given us some excellent examples of epigram, as:

"A pipe is a pocket philosopher, a truer one than Socrates, for it never asks questions. Socrates must have been very tiresome, when one thinks of it."

"Dinna ye meddle, Tam; it's niver no good a threshin' other folks' corn; ye allays gits the flail agin' i' yer own eye somehow."

"Epigrams are the salts of life; but they wither up the grasses of foolishness, and naturally the grasses hate to be sprinkled therewith."

"A man never is so honest as when he speaks well of himself. Men are always optimists when they look inward, and pessimists when they look round them."

"Nothing is so pleasant as to display your worldly wisdom in epigram and dissertation, but it is a trifle tedious to hear another person display theirs."

"When you talk yourself you think how witty, how original, how acute you are; but when another does so, you are very apt to think only, 'What a crib from Rochefoucauld!'"

"Boredom is the ill-natured pebble that always will get in the golden slipper of the pilgrim of pleasure."

"It makes all the difference in life whether hope is left or—left out!"

"A frog that dwelt in a ditch spat at a worm that bore a lamp.

"'Why do you do that?' said the glow-worm.

"'Why do you shine?' said the frog."

"Calumny is the homage of our contemporaries, as some South Sea Islanders spit on those they honor."

"Hived bees get sugar because they will give back honey. All existence is a series of equivalents."

"'Men are always like Horace,' said the Princess. 'They admire rural life, but they remain, for all that, with Augustus.'"

"If the Venus de Medici could be animated into life, women would only remark that her waist was large."

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The brilliant Frenchwomen whose very names seem to sparkle as we write them, yet of whose wit so little has been preserved, had an especial facility for condensed cynicism.

Think of Madame du Deffand, sceptical, sarcastic; feared and hated even in her blind old age for her scathing criticisms. When the celebrated work of Helvetius appeared he was blamed in her presence for having made selfishness the great motive of human action.

"Bah!" said she, "he has only revealed every one's secret."

And listen to this trio of laconics, with their saddening knowledge of human frailty and their bitter Voltaireish flavor:

We shall all be perfectly virtuous when there is no longer any flesh on our bones.—Marguerite de Valois.

We like to know the weakness of eminent persons; it consoles us for our inferiority.—Mme. de Lambert.

Women give themselves to God when the devil wants nothing more to do with them.—Sophie Arnould.

Madame de Sévigné's letters present detached thoughts worthy of Rochefoucauld without his cynicism. She writes: "One loves so much to talk of one's self that one never tires of a tête-à-tête with a lover for years. That is the reason that a devotee likes to be with her confessor. It is for the pleasure of talking of one's self—even though speaking evil." And she remarks to a lady who amused her friends by always going into mourning for some prince, or duke, or member of some royal family, and who at last appeared in bright colors, "Madame, I congratulate myself on the health of Europe."

I find, too, many fine aphorisms from "Carmen Sylva" (Queen of Roumania):

"Il vaut mieux avoir pour confesseur un médecin qu'un prêtre. Vous dites au prêtre que vous détestez les hommes, il vous réponds que vous n'êtes pas chrétien. Le médecin vous donne de la rhubarbe, et voilà que vous aimez votre semblable."

"Vous dites au prêtre que vous êtes fatigué de vivre; il vous réponds que le suicide est un crime. Le médecin vous donne un stimulant, et voilà que vous trouvez la vie supportable."

"La contradiction anime la conversation; voilà pourquoi les cours sont si ennuyeuses."

"Quand on veut affirmer quelque chose, on appelle toujours Dieu à témoin, parce qu'il ne contredit jamais."

"On ne peut jamais être fatigué de la vie, on n'est fatigué que de soi-même."

"Il faut être ou très-pieux ou très-philosophe! il faut dire: Seigneur, que ta volonté soit faite! ou: Nature, j'admets tes lois, même lorsqu'elles m'écrasent."

"L'homme est un violon. Ce n'est que lorsque sa dernière corde se brise qu'il devient un morceau de bois."

In the recently published sketch of Madame Mohl there are several sentences which show trenchant wit, as: "Nations squint in looking at one another; we must discount what Germany and France say of each other."

Several Englishwomen can be recalled who were noted for their epigrammatic wit: as Harriet, Lady Ashburton. On some one saying that liars generally speak good-naturedly of others, she replied: "Why, if you don't speak a word of truth, it is not so difficult to speak well of your neighbor."

"Don't speak so hardly of ——," some one said to her; "he lives on your good graces."

"That accounts," she answered, "for his being so thin."

Again: "I don't mind the canvas of a man's mind being good, if only it is completely hidden by the worsted and floss."

Or: "She never speaks to any one, which is, of course, a great advantage to any one."

Mrs. Carlyle was an epigram herself—small, sweet, yet possessing a sting—and her letters give us many sharp and original sayings.

She speaks in one place of "Mrs. ——, an insupportable bore; her neck and arms were as naked as if she had never eaten of the tree of the knowledge of good and evil."

And what a comical phrase is hers when she writes to her "Dearest"—"I take time by the pig-tail and write at night, after post-hours"—that growling, surly "dearest," of whom she said, "The amount of bile that he brings home is awfully grand."

For a veritable epigram from an American woman's pen we must rely on Hannah F. Gould, who wrote many verses that were rather graceful and arch than witty. But her epitaph on her friend, the active and aggressive Caleb Cushing, is as good as any made by Saxe.

Such a hit from a bright woman is refreshing.

Our literary foremothers seemed to prefer to be pedantic, didactic, and tedious on the printed page.

Catharine Sedgwick dealt somewhat in epigram, as when she says: "He was not one of those convenient single people who are used, as we use straw and cotton in packing, to fill up vacant places."

Eliza Leslie (famed for her cook-books and her satiric sketches), when speaking of people silent from stupidity, supposed kindly to be full of reserved power, says: "We cannot help thinking that when a head is full of ideas some of them must involuntarily ooze out."

And is not this epigrammatic advice? "Avoid giving invitations to bores—they will come without."

Some of our later literary women prefer the epigrammatic form in sentences, crisp and laconic; short sayings full of pith, of which I have made a collection.

Gail Hamilton's books fairly bristle with epigrams in condensed style, and Kate Field has many a good thought in this shape, as: "Judge no one by his relations, whatever criticism you pass upon his companions. Relations, like features, are thrust upon us; companions, like clothes, are more or less our own selection."

Miss Jewett's style is less epigrammatic, but just as full of humor. Speaking of a person who was always complaining, she says: "Nothing ever suits her. She ain't had no more troubles to bear than the rest of us; but you never see her that she didn't have a chapter to lay before ye. I've got 's much feelin' as the next one, but when folks drives in their spiggits and wants to draw a bucketful o' compassion every day right straight along, there does come times when it seems as if the bar'l was getting low."

"The captain, whose eyes were not much better than his ears, always refused to go forth after nightfall without his lantern. The old couple steered slowly down the uneven sidewalk toward their cousin's house. The captain walked with a solemn, rolling gait, learned in his many long years at sea, and his wife, who was also short and stout, had caught the habit from him. If they kept step all went well; but on this occasion, as sometimes happened, they did not take the first step out into the world together, so they swayed apart, and then bumped against each other as they went along. To see the lantern coming through the mist you might have thought it the light of a small craft at sea in heavy weather."

"Deaf people hear more things that are worth listening to than people with better ears; one likes to have something worth telling in talking to a person who misses most of the world's talk."

"Emory Ann," a creation of Mrs. Whitney's, often spoke in epigrams, as: "Good looks are a snare; especially to them that haven't got 'em." While Mrs. Walker's creed, "I believe in the total depravity of inanimate things," is more than an epigram—it is an inspiration.

Charlotte Fiske Bates, who compiled the "Cambridge Book of Poetry," and has given us a charming volume of her own verses, which no one runs any "Risk" in buying, in spite of the title of the book, has done a good deal in this direction, and is fond of giving an epigrammatic turn to a bright thought, as in the following couplet:

She also succeeds with the quatrain:

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I recall a charming jeu d'esprit from Mrs. Barrows, the beloved "Aunt Fanny," who writes equally well for children and grown folks, and whose big heart ranges from earnest philanthropy to the perpetration of exquisite nonsense.

It is but a trifle, sent with a couple of peanut-owls to a niece of Bryant's. The aged poet was greatly amused.

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Miss Phelps has given us some sentences which convey an epigram in a keen and delicate fashion, as:

"All forms of self-pity, like Prussian blue, should be sparingly used."

"As a rule, a man can't cultivate his mustache and his talents impartially."

"As happy as a kind-hearted old lady with a funeral to go to."

"No men are so fussy about what they eat as those who think their brains the biggest part of them."

"The professor's sister, a homeless widow, of excellent Vermont intentions and high ideals in cup-cake."

And this longer extract has the same characteristics:

"You know how it is with people, Avis; some take to zoölogy, and some take to religion. That's the way it is with places. It may be the Lancers, and it may be prayer-meetings. Once I went to see my grandmother in the country, and everybody had a candy-pull; there were twenty-five candy-pulls and taffy-bakes in that town that winter. John Rose says, in the Connecticut Valley, where he came from, it was missionary barrels; and I heard of a place where it was cold coffee. In Harmouth it's improving your mind. And so," added Coy, "we run to reading-clubs, and we all go fierce, winter after winter, to see who'll get the 'severest.' There's a set outside of the faculty that descends to charades and music and inconceivably low intellectual depths; and some of our girls sneak off and get in there once in a while, like the little girl that wanted to go from heaven to hell to play Saturday afternoons, just as you and I used to do, Avis, when we dared. But I find I've got too old for that," said Coy, sadly. "When you're fairly past the college-boys, and as far along as the law students—"

"Or the theologues?" interposed Avis.

"Yes, or the theologues, or even the medical department; then there positively is nothing for it but to improve your mind."

Listen to Lavinia, one of Mrs. Rose Terry Cooke's sensible Yankee women:

"Land! if you want to know folks, just hire out to 'em. They take their wigs off afore the help, so to speak, seemingly."

"Marryin' a man ain't like settin' alongside of him nights and hearin' him talk pretty; that's the fust prayer. There's lots an' lots o' meetin' after that!"

And what an amount of sense, as well as wit, in Sam Lawson's sayings in "Old Town Folks." As this book is not to be as large as Worcester's Unabridged Dictionary, I can only give room to one.

"We don't none of us like to have our sins set in order afore us. There was David, now, he was crank as could be when he thought Nathan was a talkin' about other people's sins. Says David: 'The man that did that shall surely die.' But come to set it home and say, 'Thou art the man!' David caved right in. 'Lordy massy, bless your soul and body, Nathan!' says he, 'I don't want to die.'"

And Mrs. A.D.T. Whitney must not be forgotten. "As Emory Ann said once about thoughts: 'You can't hinder 'em any more than you can the birds that fly in the air; but you needn't let 'em light and make a nest in your hair.'"

And what a capital hit on the hypocritical apologies of conceited housekeepers is this bit from Mrs. Whicher ("Widow Bedott"): "A person that didn't know how wimmin always go on at such a place would a thought that Miss Gipson had tried to have everything the miserablest she possibly could, and that the rest on 'em never had anything to hum but what was miserabler yet."

And Marietta Holley, who has caused a tidal-wave of laughter by her "Josiah Allen's Wife" series, shall have her say.

"We, too, are posterity, though mebby we don't realize it as we ort to."

"She didn't seem to sense anything, only ruffles and such like. Her mind all seemed to be narrowed down and puckered up, just like trimmin'."

But I must have convinced the most sceptical of woman's wit in epigrammatic form, and will now return to an older generation, who claim a fair share of attention.

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HUMOR OF LITERARY ENGLISHWOMEN.

In reviewing the bon-mots of Stella, whom Swift pronounced the most witty woman he had ever known, it seems that we are improving. I will give but two of her sayings, which were so carefully preserved by her friend.

When she was extremely ill her physician said, "Madam, you are near the bottom of the hill, but we will endeavor to get you up again;" she answered: "Doctor, I fear I shall be out of breath before I get up to the top."

After she had been eating some sweet thing a little of it happened to stick on her lips. A gentleman told her of it, and offered to lick it off. She said: "No, sir, I thank you; I have a tongue of my own."

Compare these with the wit of George Eliot or the irony of Miss Phelps.

Some of Jane Taylor's stories and poems were formerly regarded as humorous; for instance, the "Discontented Pendulum" and the "Philosopher's Scales." They do not now raise the faintest smile.

Fanny Burney's novels were considered immensely humorous and diverting in their day. Burke complimented her on "her natural vein of humor," and another eminent critic speaks of "her sarcasm, drollery, and humor;" but it would be almost impossible to find a passage for quotation that would now satisfy on these points. Even Jane Austen's novels, which strangely retain their hold on the public taste, are tedious to those who dare to think for themselves and forget Macaulay's verdict.

Mrs. Barbauld, in her poem on "Washing Day," shows a capacity seldom exercised for seeing the humorous side of every-day miseries.

But her style is too stiff and stately for every day.

There were many literary Englishwomen who had undoubted humor. Hannah More did get unendurably poky, narrow, and solemn in her last days, and not a little sanctimonious; and we naturally think of her as an aged spinster with black mitts, corkscrew curls, and a mob cap, always writing or presenting a tedious tract, forgetting her brilliant youth, when she was quite good enough, and lively, too. She was a perennial favorite in London, meeting all the notables; the special pet of Dr. Johnson, Davy Garrick, and Horace Walpole, who called her his "holy Hannah," but admired and honored her, corresponding with her through a long life. She was then full of spirit and humor and versatile talent. An extract from her sister's lively letter shows that Hannah could hold her own with the Ursa Major of literature:

"Tuesday evening we drank tea at Sir Joshua's with Dr. Johnson. Hannah is certainly a great favorite. She was placed next him, and they had the entire conversation to themselves. They were both in remarkably high spirits. It was certainly her lucky night. I never heard her say so many good things. The old genius was extremely jocular, and the young one very pleasant. You would have imagined we had been at some comedy had you heard our peals of laughter. They, indeed, tried which could pepper the highest, and it is not clear to me that the lexicographer was really the highest seasoner."

And how deliciously does she set out the absurdity then prevailing, and seen now in editions of Shakespeare and Chaucer, of writing books, the bulk of which consists of notes, with only a line or two at the top of each page of the original text.

It seems that a merry party at Dr. Kennicott's had each adopted the name of some animal. Dr. K. was the elephant; Mrs. K., dromedary; Miss Adams, antelope; and H. More, rhinoceros.

"Hampton, December 24, 1728.

"Dear Dromy (a): Pray, send word if Ante(b) is come, and also how Ele (c) does, to your very affectionate

Rhyney" (d).

The following notes on the above epistle are by a commentator of the latter end of the nineteenth century. This epistle is all that is come down to us of this voluminous author, and is probably the only thing she ever wrote that was worth preserving, or which might reasonably expect to reach posterity. Her name is only presented to us in some beautiful hendecasyllables written by the best Latin poet of his time (Bishop Lowth):

And so she continues her comments to close of notes.

Mrs. Gaskell's "Cranford" is full of the most delicate but veritable humor, as her allusion to the genteel and cheerful poverty of the lady who, in giving a tea-party, "now sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew; and we knew that she knew that we knew she had been busy all the morning making tea-bread and sponge-cakes."

The humor of Mary Russell Mitford, quiet and delectable, must not be forgotten. We will sympathize with her woes as she describes a visitation from

"Ben Jonson has a play called The Silent Woman, who turns out, as might be expected, to be no woman at all—nothing, as Master Slender said, but 'a great lubberly boy,' thereby, as I apprehend, discourteously presuming that a silent woman is a nonentity. If the learned dramatist, thus happily prepared and predisposed, had happened to fall in with such a specimen of female loquacity as I have just parted with, he might, perhaps, have given us a pendant to his picture in the talking lady. Pity but he had! He would have done her justice, which I could not at any time, least of all now; I am too much stunned, too much like one escaped from a belfry on a coronation day. I am just resting from the fatigue of four days' hard listening—four snowy, sleety, rainy days; days of every variety of falling weather, all of them too bad to admit the possibility that any petticoated thing, were she as hardy as a Scotch fir, should stir out; four days chained by 'sad civility' to that fireside, once so quiet, and again—cheering thought!—again I trust to be so when the echo of that visitor's incessant tongue shall have died away....

"She took us in her way from London to the west of England, and being, as she wrote, 'not quite well, not equal to much company, prayed that no other guest might be admitted, so that she might have the pleasure of our conversation all to herself (ours! as if it were possible for any of us to slide in a word edgewise!), and especially enjoy the gratification of talking over old times with the master of the house, her countryman.'

"Such was the promise of her letter, and to the letter it has been kept. All the news and scandal of a large county forty years ago, and a hundred years before, and ever since; all the marriages, deaths, births, elopements, law-suits, and casualties of her own times, her father's, grandfather's, great-grandfather's, nephews', and grandnephews', has she detailed with a minuteness, an accuracy, a prodigality of learning, a profuseness of proper names, a pedantry of locality, which would excite the envy of a county historian, a king-at-arms, or even a Scotch novelist.

"Her knowledge is most astonishing; but the most astonishing part of all is how she came by that knowledge. It should seem, to listen to her, as if at some time of her life she must have listened herself; and yet her countryman declares that in the forty years he has known her, no such event has occurred; and she knows new news, too! It must be intuition!...

"The very weather is not a safe subject. Her memory is a perpetual register of hard frosts and long droughts, and high winds and terrible storms, with all the evils that followed in their train, and all the personal events connected with them; so that, if you happen to remark that clouds are come up and you fear it may rain, she replies: 'Ay, it is just such a morning as three-and-thirty years ago, when my poor cousin was married—you remember my cousin Barbara; she married so-and-so, the son of so-and-so;' and then comes the whole pedigree of the bridegroom, the amount of the settlements, and the reading and signing them overnight; a description of the wedding-dresses in the style of Sir Charles Grandison, and how much the bride's gown cost per yard; the names, residences, and a short subsequent history of the bridesmaids and men, the gentleman who gave the bride away, and the clergyman who performed the ceremony, with a learned antiquarian digression relative to the church; then the setting out in procession; the marriage, the kissing, the crying, the breakfasting, the drawing the cake through the ring, and, finally, the bridal excursion, which brings us back again, at an hour's end, to the starting-post, the weather, and the whole story of the sopping, the drying, the clothes-spoiling, the cold-catching, and all the small evils of a summer shower. By this time it rains, and she sits down to a pathetic see-saw of conjectures on the chance of Mrs. Smith's having set out for her daily walk, or the possibility that Dr. Brown may have ventured to visit his patients in his gig, and the certainty that Lady Green's new housemaid would come from London on the outside of the coach....

"I wonder, if she had happened to be married, how many husbands she would have talked to death. It is certain that none of her relatives are long-lived, after she comes to reside with them. Father, mother, uncle, sister, brother, two nephews, and one niece, all these have successively passed away, though a healthy race, and with no visible disorder—except—But we must not be uncharitable."

Mary Ferrier, the Scotch novelist, was gifted with genial wit and a quick sense of the ludicrous. Walter Scott admired her greatly, and as a lively guest at Abbotsford she did much to relieve the sadness of his last days. He said of her:

Here is one of her admirably-drawn portraits:

"Miss Jacky, the senior of the trio, was what is reckoned a very sensible woman—which generally means a very disagreeable, obstinate, illiberal director of all men, women, and children—a sort of superintendent of all actions, time, and place, with unquestioned authority to arraign, judge, and condemn upon the statutes of her own supposed sense. Most country parishes have their sensible woman, who lays down the law on all affairs, spiritual and temporal. Miss Jacky stood unrivalled as the sensible woman of Glenfern. She had attained this eminence partly from having a little more understanding than her sisters, but principally from her dictatorial manner, and the pompous, decisive tone in which she delivered the most commonplace truths. At home her supremacy in all matters of sense was perfectly established; and thence the infection, like other superstitions, had spread over the whole neighborhood. As a sensible woman she regulated the family, which she took care to let everybody hear; she was a sort of postmistress-general, a detector of all abuses and impositions, and deemed it her prerogative to be consulted about all the useful and useless things which everybody else could have done as well. She was liberal of her advice to the poor, always enforcing upon them the iniquity of idleness, but doing nothing for them in the way of employment, strict economy being one of the many points in which she was particularly sensible. The consequence was that, while she was lecturing half the poor women in the parish for their idleness, the bread was kept out of their mouths by the incessant carding of wool, and knitting of stockings, and spinning, and reeling, and winding, and pirning, that went on among the ladies themselves. And, by the by, Miss Jacky is not the only sensible woman who thinks she is acting a meritorious part when she converts what ought to be the portion of the poor into the employment of the affluent.

"In short, Min Jacky was all over sense. A skilful physiognomist would at a single glance have detected the sensible woman in the erect head, the compressed lips, square elbows, and firm, judicious step. Even her very garments seemed to partake of the prevailing character of their mistress. Her ruff always looked more sensible than any other body's; her shawl sat most sensibly on her shoulders; her walking-shoes were acknowledged to be very sensible, and she drew on her gloves with an air of sense, as if the one arm had been Seneca, the other Socrates. From what has been said it may easily be inferred that Miss Jacky was, in fact, anything but a sensible woman, as, indeed, no woman can be who bears such visible outward marks of what is in reality the most quiet and unostentatious of all good qualities."

---

Frederika Bremer, the Swedish novelist, whose novels have been translated into English, German, French, and Dutch, had a style peculiarly her own. Her humor reminds me of a bed of mignonette, with its delicate yet permeating fragrance. One paragraph, like one spray of that shy flower, scarcely reveals the dainty flavor.

From the "Neighbors," her best story, and one that still has a moderate sale, I take her description of Franziska's first little lover-like quarrel with her adoring husband, the "Bear." (Let us remember Miss Bremer with appreciation and gratitude, as one of the very few visitors we have entertained who have written kindly of our country and our "Homes.")

"Here I am again sitting with a pen in my hand, impelled by a desire for writing, yet with nothing particular to write about. Everything in the house and in the whole household arrangement is in order. Little patties are baking in the kitchen, the weather is oppressively hot, and every leaf and bird seem as if deprived of motion. The hens lie outside in the sand before the window, the cock stands solitarily on one leg, and looks upon his harem with the countenance of a sleepy sultan. Bear sits in his room writing letters. I hear him yawn; that infects me. Oh! oh! I must go and have a little quarrel with him on purpose to awaken us both.

"I want at this moment a quire of writing-paper on which to drop sugar-cakes. He is terribly miserly of his writing-paper, and on that very account I must have some now.

"Later.—All is done! A complete quarrel, and how completely lively we are after it! You, Maria, must hear all, that you may thus see how it goes on among married people.

"I went to my husband and said quite meekly, 'My Angel Bear, you must be so very good as to give me a quire of your writing-paper to drop sugar-cakes upon.'

"He (in consternation). 'A quire of writing-paper?'

"She. 'Yes, my dear friend, of your very best writing-paper.'

"He. 'Finest writing-paper? Are you mad?'

"She. 'Certainly not; but I believe you are a little out of your senses.'

"He. 'You covetous sea-cat, leave off raging among my papers! You shall not have my paper!'

"She. 'Miserly beast! I shall and will have the paper.'

"He. '"I shall"! Listen a moment. Let's see, now, how you will accomplish your will.' And the rough Bear held both my small hands fast in his great paws.

"She. 'You ugly Bear! You are worse than any of those that walk on four legs. Let me loose! Let me loose, else I shall bite you!' And as he would not let me loose I bit him. Yes, Maria, I bit him really on the hand, at which he only laughed scornfully and said: 'Yes, yes, my little wife, that is always the way of those who are forward without the power to do. Take the paper. Now, take it!'

"She. 'Ah! Let me loose! let me loose!'

"He. 'Ask me prettily.'

"She. 'Dear Bear!'

"He. 'Acknowledge your fault.'

"She. 'I do.'

"He. 'Pray for forgiveness.'

"She. 'Ah, forgiveness!'

"He.. 'Promise amendment.'

"She. 'Oh, yes, amendment!'

"He. 'Nay, I'll pardon you. But now, no sour faces, dear wife, but throw your arms round my neck and kiss me.'

"I gave him a little box on the ear, stole a quire of paper, and ran off with loud exultation. Bear followed into the kitchen growling horribly; but then I turned upon him armed with two delicious little patties, which I aimed at his mouth, and there they vanished. Bear, all at once, was quite still, the paper was forgotten, and reconciliation concluded.

"There is, Maria, no better way of stopping the mouths of these lords of the creation than by putting into them something good to eat."

---

I wish I had room for my favorite Irishwoman, Lady Morgan, and her description of her first rout at the house of the eccentric Lady Cork.

The off-hand songs of her sister, Lady Clarke, are fine illustrations of rollicking Irish wit and badinage.

At one of Lady Morgan's receptions, given in honor of fifty philosophers from England, Lady Clarke sang the following song with "great effect:"

---

From George Eliot, whose humor is seen at its best in "Adam Bede" and "Silas Marner," how much we could quote! How some of her searching comments cling to the memory!

"I've nothing to say again' her piety, my dear; but I know very well I shouldn't like her to cook my victuals. When a man comes in hungry and tired, piety won't feed him, I reckon. Hard carrots 'ull lie heavy on his stomach, piety or no piety. I called in one day when she was dishin' up Mr. Tryan's dinner, an' I could see the potatoes was as watery as watery. It's right enough to be speritial, I'm no enemy to that, but I like my potatoes mealy."

"You're right there, Tookey; there's allays two 'pinions: there's the 'pinion a man has of himsen, and there's the 'pinion other folks have on him. There'd be two 'pinions about a cracked bell if the bell could hear itself."

"You're mighty fond o' Craig; but for my part, I think he's welly like a cock as thinks the sun's rose o' purpose to hear him crow."

"When Mr. Brooke had something painful to tell it was usually his way to introduce it among a number of disjointed particulars, as if it were a medicine that would get a milder flavor by mixing."

"Heaven knows what would become of our sociality if we never visited people we speak ill of; we should live like Egyptian hermits, in crowded solitude."

"No, I ain't one to see the cat walking into the dairy and wonder what she's come after."

"I have nothing to say again' Craig, on'y it is a pity he couldna be hatched o'er again, and hatched different."

"I'm not denyin' the women are foolish; God Almighty made 'em to match the men."

"It's a waste of time to praise people dead whom you maligned while living; for it's but a poor harvest you'll get by watering last year's crop."

"I suppose Dinah's like all the rest of the women, and thinks two and two will come to make five, if she only cries and makes bother enough about it."

"Put a good face on it and don't seem to be looking out for crows, else you'll set other people to watchin' for 'em, too."

"I took pretty good care, before I said 'sniff,' to be sure she would say 'snaff,' and pretty quick, too. I warn't a-goin' to open my mouth like a dog at a fly, and snap it to again wi' nothin' to swaller."

---

FROM ANNE BRADSTREET TO MRS. STOWE.

The same gratifying progress and improvement noticed in the wit of women of other lands is seen in studying the literary annals of our own countrywomen.

Think of Anne Bradstreet, Mercy Warren, and Tabitha Tenney, all extolled to the skies by their contemporaries.

---

Mercy Warren was a satirist quite in the strain of Juvenal, but in cumbrous, artificial fashion.

Hon. John Winthrop consulted her on the proposed suspension of trade with England in all but the necessaries of life, and she playfully gives a list of articles that would be included in that word:

---

Mrs. Sigourney, voluminous and mediocre, is amusing because so absolutely destitute of humor, and her style, a feminine Johnsonese, is absurdly hifalutin and strained.

This is the way in which she alludes to green apples:

"From the time of their first taking on orbicular shape, and when it might be supposed their hardness and acidity would repulse all save elephantine tusks and ostrich stomachs, they were the prey of roaming children."

And in her poem "To a Shred of Linen":

She preserved, however, a long list of the various solicitations sent her to furnish poems for special occasions, and I think this shows that she possessed a sense of humor. Let me quote a few:

"Some verses were desired as an elegy on a pet canary accidentally drowned in a barrel of swine's food.

"A poem requested on the dog-star Sirius.

"To write an ode for the wedding of people in Maine, of whom I had never heard.

"To punctuate a three-volume novel for an author who complained that the work of punctuating always brought on a pain in the small of his back.

"Asked to assist a servant-man not very well able to read in getting his Sunday-school lessons, and to write out all the answers for him clear through the book—to save his time.

"A lady whose husband expects to be absent on a journey for a month or two wishes I would write a poem to testify her joy at his return.

"An elegy on a young man, one of the nine children of a judge of probate."

---

Miss Sedgwick, in her letters, occasionally showed a keen sense of humor, as, when speaking of a certain novel, she said:

"There is too much force for the subject. It is as if a railroad should be built and a locomotive started to transport skeletons, specimens, and one bird of Paradise."

---

Mrs. Caroline Gilman, born in 1794, and still living, author of "Recollections of a Southern Matron," etc., will be represented by one playful poem, which has a veritable New England flavor:

A NEW ENGLAND BALLAD.

---

"Fanny Forrester" and "Fanny Fern" both delighted the public with individual styles of writing, vastly successful when a new thing.

When wanting a new dress and bonnet, as every woman will in the spring (or any time), Fanny Forrester wrote to Willis, of the New Mirror, an appeal which he called "very clever, adroit, and fanciful."

"Fanny Forrester."

Such a note received by an editor of this generation would promptly fall into the waste-basket. But Willis was captivated, and answered:

"Well, we give in! On condition that you are under twenty-five and that you will wear a rose (recognizably) in your bodice the first time you appear in Broadway with the hat and balzarine, we will pay the bills. Write us thereafter a sketch of Bel and yourself as cleverly done as this letter, and you may 'snuggle' down on the sofa and consider us paid, and the public charmed with you."

This style of ingratiating one's self with an editor is as much a bygone as an alliterative pen-name.

---

Fanny Fern (Sarah Willis Parton) also established a style of her own—"a new kind of composition; short, pointed paragraphs, without beginning and without end—one clear, ringing note, and then silence."

Her talent for humorous composition showed itself in her essays at school. I'll give a bit from her "Suggestions on Arithmetic after Cramming for an Examination":

"Every incident, every object of sight seemed to produce an arithmetical result. I once saw a poor wretch evidently intoxicated; thought I, 'That man has overcome three scruples, to say the least, for three scruples make one dram.' Even the Sabbath was no day of rest for me—the psalms, prayers, and sermons were all translated by me into the language of arithmetic. A good man spoke very feelingly upon the manner in which our cares and perplexities were multiplied by riches. Muttered I: 'That, sir, depends upon whether the multiplier is a fraction or a whole number; for if it be a fraction, it makes the product less.' And when another, lamenting the various divisions of the Church, pathetically exclaimed: 'And how shall we unite these several denominations in one?'

"'Why, reduce them to a common denominator,' exclaimed I, half aloud, wondering at his ignorance.

"And when an admiring swain protested his warm 'interest,' he brought only one word that chimed with my train of thought.

"'Interest?' exclaimed I, starting from my reverie. 'What per cent, sir?'

"'Ma'am?' exclaimed my attendant, in the greatest possible amazement.

"'How much per cent, sir?' said I, repeating my question.

"His reply was lost on my ear save: 'Madam, at any rate do not trifle with my feelings.'

"'At any rate, did you say? Then take six per cent; that is the easiest to calculate.'"

Her style, too, has gone out of fashion; but in its day it was thought very amusing.

---

Mrs. Stowe needs no introduction, and she is another of those from whom we quote little, because she could contribute so much, and one does not know where to choose. Her "Sam Lawson" is, perhaps, the most familiar of her odd characters and talkers.

"Well, Sam, what did you think of the sermon?" said Uncle Bill.

"Well," said Sam, leaning over the fire with his long, bony hands alternately raised to catch the warmth, and then dropped with an utter laxness when the warmth became too pronounced, "Parson Simpson's a smart man; but I tell ye, it's kind o' discouragin'. Why, he said our state and condition by natur war just like this: We war clear down in a well fifty feet deep, and the sides all round nothin' but glare ice; but we war under immediate obligations to get out, 'cause we war free, voluntary agents. But nobody ever had got out, and nobody would, unless the Lord reached down and took 'em. And whether he would or not nobody could tell; it was all sovereignty. He said there warn't one in a hundred, not one in a thousand, not one in ten thousand, that would be saved. 'Lordy massy,' says I to myself, 'ef that's so they're any of 'em welcome to my chance.' And so I kind o' ris up and come out, 'cause I'd got a pretty long walk home, and I wanted to go round by South Pond and inquire about Aunt Sally Morse's toothache." ...

"This 'ere Miss Sphyxy Smith's a rich old gal, and 'mazin' smart to work," he began. "Tell you, she holds all she gets. Old Sol, he told me a story 'bout her that was a pretty good un."

"What was it?" said my grandmother.

"Wal, ye see, you 'member old Parson Jeduthun Kendall that lives up in Stonytown; he lost his wife a year ago last Thanksgivin', and he thought 'twar about time he hed another; so he comes down and consults our Parson Lothrop. Says he: 'I want a good, smart, neat, economical woman, with a good property. I don't care nothin' about her bein' handsome. In fact, I ain't particular about anything else,' says he. Wal, Parson Lothrop, says he: 'I think, if that's the case, I know jest the woman to suit ye. She owns a clear, handsome property, and she's neat and economical; but she's no beauty!' 'Oh, beauty is nothin' to me,' says Parson Kendall; and so he took the direction. Wal, one day he hitched up his old one-hoss shay, and kind o' brushed up, and started off a-courtin'. Wal, the parson come to the house, and he war tickled to pieces with the looks o' things outside, 'cause the house is all well shingled and painted, and there ain't a picket loose nor a nail wantin' nowhere.

"'This 'ere's the woman for me,' says Parson Kendall. So he goes up and raps hard on the front door with his whip-handle. Wal, you see, Miss Sphyxy she war jest goin' out to help get in her hay. She had on a pair o' clompin' cowhide boots, and a pitchfork in her hand, jest goin' out, when she heard the rap. So she come jest as she was to the front door. Now, you know Parson Kendall's a little midget of a man, but he stood there on the step kind o' smilin' and genteel, lickin' his lips and lookin' so agreeable! Wal, the front door kind o' stuck—front doors generally do, ye know, 'cause they ain't opened very often—and Miss Sphyxy she had to pull and haul and put to all her strength, and finally it come open with a bang, and she 'peared to the parson, pitchfork and all, sort o' frownin' like.

"'What do you want?' says she; for, you see, Miss Sphyxy ain't no ways tender to the men.

"'I want to see Miss Asphyxia Smith,' says he, very civil, thinking she war the hired gal.

"'I'm Miss Asphyxia Smith,' says she. 'What do you want o' me?'

"Parson Kendall he jest took one good look on her, from top to toe. 'Nothin',' says he, and turned right round and went down the steps like lightnin'."

---

Years ago Mrs. Stowe published some capital stories of New England life, which were collected in a little volume called "The Mayflower," a book which is now seldom seen, and almost unknown to the present generation. From this I take her "Night in a Canal-Boat." Extremely effective when read with enthusiasm and proper variety of tone. I quote it as a boon for the boys and girls who are often looking for something "funny" to read aloud.

BY HARRIET BEECHER STOWE.

Of all the ways of travelling which obtain among our locomotive nation, this said vehicle, the canal-boat, is the most absolutely prosaic and inglorious. There is something picturesque, nay, almost sublime, in the lordly march of your well-built, high-bred steamboat. Go take your stand on some overhanging bluff, where the blue Ohio winds its thread of silver, or the sturdy Mississippi tears its path through unbroken forests, and it will do your heart good to see the gallant boat walking the waters with unbroken and powerful tread, and, like some fabled monster of the wave, breathing fire and making the shores resound with its deep respirations. Then there is something mysterious—even awful—in the power of steam. See it curling up against a blue sky some rosy morning, graceful, floating, intangible, and to all appearance the softest and gentlest of all spiritual things, and then think that it is this fairy spirit that keeps all the world alive and hot with motion; think how excellent a servant it is, doing all sorts of gigantic works, like the genii of old; and yet, if you let slip the talisman only for a moment, what terrible advantage it will take of you! and you will confess that steam has some claims both to the beautiful and the terrible! For our own part, when we are down among the machinery of a steamboat in full play, we conduct ourselves very reverently, for we consider it as a very serious neighborhood, and every time the steam whizzes with such red-hot determination from the escape-valve, we start as if some of the spirits were after us. But in a canal-boat there is no power, no mystery, no danger; one cannot blow up, one cannot be drowned—unless by some special effort; one sees clearly all there is in the case—a horse, a rope, and a muddy strip of water—and that is all.

Did you ever try it, reader? If not, take an imaginary trip with us, just for experiment. "There's the boat!" exclaims a passenger in the omnibus, as we are rolling down from the Pittsburg Mansion House to the canal. "Where?" exclaim a dozen of voices, and forthwith a dozen heads go out of the window. "Why, down there, under that bridge; don't you see those lights?" "What, that little thing!" exclaims an inexperienced traveller; "dear me! we can't half of us get into it!" "We! indeed," says some old hand in the business; "I think you'll find it will hold us and a dozen more loads like us." "Impossible!" say some. "You'll see," say the initiated; and as soon as you get out you do see, and hear, too, what seems like a general breaking loose from the Tower of Babel, amid a perfect hail-storm of trunks, boxes, valises, carpet-bags, and every describable and indescribable form of what a Westerner calls "plunder."

"That's my trunk!" barks out a big, round man. "That's my bandbox!" screams a heart-stricken old lady, in terror for her immaculate Sunday caps. "Where's my little red box? I had two carpet-bags and a—My trunk had a scarle—Halloo! where are you going with that portmanteau? Husband! Husband! do see after the large basket and the little hair-trunk—Oh, and the baby's little chair!" "Go below, go below, for mercy's sake, my dear; I'll see to the baggage." At last the feminine part of creation, perceiving that, in this particular instance, they gain nothing by public speaking, are content to be led quietly under hatches; and amusing is the look of dismay which each new-comer gives to the confined quarters that present themselves. Those who were so ignorant of the power of compression as to suppose the boat scarce large enough to contain them and theirs, find, with dismay, a respectable colony of old ladies, babies, mothers, big baskets, and carpet-bags already established. "Mercy on us!" says one, after surveying the little room, about ten feet long and six feet high, "where are we all to sleep to-night?" "Oh, me, what a sight of children!" says a young lady, in a despairing tone. "Pooh!" says an initiated traveller, "children! scarce any here; let's see: one; the woman in the corner, two; that child with the bread and butter, three; and then there's that other woman with two. Really, it's quite moderate for a canal-boat. However, we can't tell till they have all come."

"All! for mercy's sake, you don't say there are any more coming!" exclaim two or three in a breath; "they can't come; there is not room!"

Notwithstanding the impressive utterance of this sentence the contrary is immediately demonstrated by the appearance of a very corpulent elderly lady with three well-grown daughters, who come down looking about them most complacently, entirely regardless of the unchristian looks of the company. What a mercy it is that fat people are always good-natured!

After this follows an indiscriminate raining down of all shapes, sizes, sexes, and ages—men, women, children, babies, and nurses. The state of feeling becomes perfectly desperate. Darkness gathers on all faces. "We shall be smothered! we shall be crowded to death! we can't stay here!" are heard faintly from one and another; and yet, though the boat grows no wider, the walls no higher, they do live, and do stay there, in spite of repeated protestations to the contrary. Truly, as Sam Slick says, "there's a sight of wear in human natur'!"

But meanwhile the children grow sleepy, and divers interesting little duets and trios arise from one part or another of the cabin.

"Hush, Johnny! be a good boy," says a pale, nursing mamma, to a great, bristling, white-headed phenomenon, who is kicking very much at large in her lap.

"I won't be a good boy, neither," responds Johnny, with interesting explicitness; "I want to go to bed, and so-o-o-o!" and Johnny makes up a mouth as big as a tea-cup, and roars with good courage, and his mamma asks him "if he ever saw pa do so," and tells him that "he is mamma's dear, good little boy, and must not make a noise," with various observations of the kind, which are so strikingly efficacious in such cases. Meanwhile the domestic concert in other quarters proceeds with vigor. "Mamma, I'm tired!" bawls a child. "Where's the baby's nightgown?" calls a nurse. "Do take Peter up in your lap, and keep him still." "Pray get out some biscuits to stop their mouths." Meanwhile sundry babies strike in con spirito, as the music-books have it, and execute various flourishes; the disconsolate mothers sigh, and look as if all was over with them; and the young ladies appear extremely disgusted, and wonder "what business women have to be travelling round with children."

To these troubles succeeds the turning-out scene, when the whole caravan is ejected into the gentlemen's cabin, that the beds may be made. The red curtains are put down, and in solemn silence all the last mysterious preparations begin. At length it is announced that all is ready. Forthwith the whole company rush back, and find the walls embellished by a series of little shelves, about a foot wide, each furnished with a mattress and bedding, and hooked to the ceiling by a very suspiciously slender cord. Direful are the ruminations and exclamations of inexperienced travellers, particularly young ones, as they eye these very equivocal accommodations. "What, sleep up there! I won't sleep on one of those top shelves, I know. The cords will certainly break." The chambermaid here takes up the conversation, and solemnly assures them that such an accident is not to be thought of at all; that it is a natural impossibility—a thing that could not happen without an actual miracle; and since it becomes increasingly evident that thirty ladies cannot all sleep on the lowest shelf, there is some effort made to exercise faith in this doctrine; nevertheless all look on their neighbors with fear and trembling; and when the stout lady talks of taking a shelf, she is most urgently pressed to change places with her alarmed neighbor below. Points of location being after a while adjusted, comes the last struggle. Everybody wants to take off a bonnet, or look for a shawl, to find a cloak, or get a carpet-bag, and all set about it with such zeal that nothing can be done. "Ma'am, you're on my foot!" says one. "Will you please to move, ma'am?" says somebody, who is gasping and struggling behind you. "Move!" you echo. "Indeed, I should be very glad to, but I don't see much prospect of it." "Chambermaid!" calls a lady who is struggling among a heap of carpet-bags and children at one end of the cabin. "Ma'am!" echoes the poor chambermaid, who is wedged fast in a similar situation at the other. "Where's my cloak, chambermaid?" "I'd find it, ma'am, if I could move." "Chambermaid, my basket!" "Chambermaid, my parasol!" "Chambermaid, my carpet-bag!" "Mamma, they push me so!" "Hush, child; crawl under there and lie still till I can undress you." At last, however, the various distresses are over, the babies sink to sleep, and even that much-enduring being, the chambermaid, seeks out some corner for repose. Tired and drowsy, you are just sinking into a doze, when bang! goes the boat against the sides of a lock; ropes scrape, men run and shout; and up fly the heads of all the top-shelfites, who are generally the more juvenile and airy part of the company.

"What's that! what's that!" flies from mouth to mouth; and forthwith they proceed to awaken their respective relations. "Mother! Aunt Hannah! do wake up; what is this awful noise?" "Oh, only a lock." "Pray, be still," groan out the sleepy members from below.

"A lock!" exclaim the vivacious creatures, ever on the alert for information; "and what is a lock, pray?"

"Don't you know what a lock is, you silly creatures. Do lie down and go to sleep."

"But say, there ain't any danger in a lock, is there?" respond the querists. "Danger!" exclaims a deaf old lady, poking up her head. "What's the matter? There hain't nothing burst, has there?" "No, no, no!" exclaim the provoked and despairing opposition party, who find that there is no such thing as going to sleep till they have made the old lady below and the young ladies above understand exactly the philosophy of a lock. After a while the conversation again subsides; again all is still; you hear only the trampling of horses and the rippling of the rope in the water, and sleep again is stealing over you. You doze, you dream, and all of a sudden you are startled by a cry, "Chambermaid! wake up the lady that wants to be set ashore." Up jumps chambermaid, and up jump the lady and two children, and forthwith form a committee of inquiry as to ways and means. "Where's my bonnet?" says the lady, half awake and fumbling among the various articles of that name. "I thought I hung it up behind the door." "Can't you find it?" says the poor chambermaid, yawning and rubbing her eyes. "Oh, yes, here it is," says the lady; and then the cloak, the shawl, the gloves, the shoes, receive each a separate discussion. At last all seems ready, and they begin to move off, when lo! Peter's cap is missing. "Now, where can it be?" soliloquizes the lady. "I put it right here by the table-leg; maybe it got into some of the berths." At this suggestion the chambermaid takes the candle, and goes round deliberately to every berth, poking the light directly in the face of every sleeper. "Here it is," she exclaims, pulling at something black under one pillow. "No, indeed, those are my shoes," says the vexed sleeper. "Maybe it's here," she resumes, darting upon something dark in another berth. "No, that's my bag," responds the occupant. The chambermaid then proceeds to turn over all the children on the floor, to see if it is not under them. In the course of which process they are most agreeably waked up and enlivened; and when everybody is broad awake, and most uncharitably wishing the cap, and Peter too, at the bottom of the canal, the good lady exclaims, "Well, if this isn't lucky; here I had it safe in my basket all the time!" And she departed amid the—what shall I say? execrations!—of the whole company, ladies though they be.

Well, after this follows a hushing up and wiping up among the juvenile population, and a series of remarks commences from the various shelves of a very edifying and instructive tendency. One says that the woman did not seem to know where anything was; another says that she has waked them all up; a third adds that she has waked up all the children, too; and the elderly ladies make moral reflections on the importance of putting your things where you can find them—being always ready; which observations, being delivered in an exceedingly doleful and drowsy tone, form a sort of sub-bass to the lively chattering of the upper-shelfites, who declare that they feel quite awake—that they don't think they shall go to sleep again to-night, and discourse over everything in creation, until you heartily wish you were enough related to them to give them a scolding.

At last, however, voice after voice drops off; you fall into a most refreshing slumber; it seems to you that you sleep about a quarter of an hour, when the chambermaid pulls you by the sleeve. "Will you please to get up, ma'am? We want to make the beds." You start and stare. Sure enough, the night is gone. So much for sleeping on board canal-boats!

Let us not enumerate the manifold perplexities of the morning toilet in a place where every lady realizes most forcibly the condition of the old woman who lived under a broom: "All she wanted was elbow-room." Let us not tell how one glass is made to answer for thirty fair faces, one ewer and vase for thirty lavations; and—tell it not in Gath—one towel for a company! Let us not intimate how ladies' shoes have, in a night, clandestinely slid into the gentlemen's cabin, and gentlemen's boots elbowed, or, rather, toed their way among ladies' gear, nor recite the exclamations after runaway property that are heard.

"I can't find nothing of Johnny's shoe!" "Here's a shoe in the water-pitcher—is this it?" "My side-combs are gone!" exclaims a nymph with dishevelled curls. "Massy! do look at my bonnet!" exclaims an old lady, elevating an article crushed into as many angles as there are pieces in a mince-pie. "I never did sleep so much together in my life," echoes a poor little French lady, whom despair has driven into talking English.

But our shortening paper warns us not to prolong our catalogue of distresses beyond reasonable bounds, and therefore we will close with advising all our friends, who intend to try this way of travelling for pleasure, to take a good stock both of patience and clean towels with them, for we think that they will find abundant need for both.

---

"SAMPLES" HERE AND THERE.

Next comes Mrs. Caroline M. Kirkland with her Western sketches. Many will remember her laughable description of "Borrowing Out West," with its two appropriate mottoes: "Lend me your ears," from Shakespeare, and from Bacon: "Grant graciously what you cannot refuse safely."

"'Mother wants your sifter,' said Miss Ianthe Howard, a young lady of six years' standing, attired in a tattered calico thickened with dirt; her unkempt locks straggling from under that hideous substitute for a bonnet so universal in the Western country—a dirty cotton handkerchief—which is used ad nauseam for all sorts of purposes.

"'Mother wants your sifter, and she says she guesses you can let her have some sugar and tea, 'cause you've got plenty.' This excellent reason, ''cause you've got plenty,' is conclusive as to sharing with neighbors.

"Sieves, smoothing-irons, and churns run about as if they had legs; one brass kettle is enough for a whole neighborhood, and I could point to a cradle which has rocked half the babies in Montacute.

"For my own part, I have lent my broom, my thread, my tape, my spoons, my cat, my thimble, my scissors, my shawl, my shoes, and have been asked for my combs and brushes, and my husband for his shaving apparatus and pantaloons."

Mrs. Whither, whose "Widow Bedott" is a familiar name, resembles Mrs. Kirkland in her comic portraitures, which were especially good of their kind, and never betrayed any malice. The "Bedott Papers" first appeared in 1846, and became popular at once. They are good examples of what they simply profess to be: an amusing series of comicalities.

I shall not quote from them, as every one who enjoys that style of humor knows them by heart. It would be as useless as copying "Now I lay me down to sleep," or "Mary had a little lamb," for a child's collection of verses!

---

There are many authors whom I cannot represent worthily in these brief limits. When, encouraged by the unprecedented popularity of this venture, I prepare an encyclopædia of the "Wit and Humor of American Women," I can do justice to such writers as "Gail Hamilton" and Miss Alcott, whose "Transcendental Wild Oats" cannot be cut. Rose Terry Cooke thinks her "Knoware" the only funny thing she has ever done. She is greatly mistaken, as I can soon prove. "Knoware" ought to be printed by itself to delight thousands, as her "Deacon's Week" has already done. To search for a few good things in the works of my witty friends is searching not for the time-honored needle in a hay-mow, but for two or three needles of just the right size out of a whole paper of needles.

"The Insanity of Cain," by Mrs. Mary Mapes Dodge, an inimitable satire on the feebleness of our jury system and the absurd pretence of "temporary insanity," must wait for that encyclopædia. And her "Miss Molony on the Chinese Question" is known and admired by every one, including the Prince of Wales, who was fairly convulsed by its fun, when brought out by our favorite elocutionist, Miss Sarah Cowell, who had the honor of reading before royalty.

I regretfully omit the "Peterkin Letters," by Lucretia P. Hale, and time famous "William Henry Letters," by Mrs. Abby Morton Diaz. The very best bit from Miss Sallie McLean would be how "Grandma Spicer gets Grandpa Ready for Sunday-school," from the "Cape Cod Folks;" but why not save space for what is not in everybody's mouth and memory? This is equally true of Mrs. Cleaveland's "No Sects in Heaven," which, like Arabella Wilson's "Sextant," goes the rounds of all the papers every other year as a fresh delight.

Marietta Holley, too, must be allowed only a brief quotation. "Samantha" is a family friend from Mexico to Alaska. Mrs. Metta Victoria Victor, who died recently, has written an immense amount of humorous sketches. Her "Miss Slimmens," the boarding-house keeper, is a marked character, and will be remembered by many.

I will select a few "samples," unsatisfactory because there is so much more just as good, and then give room for others less familiar.

BY ROSE TERRY COOKE.

"You don't know of any poor person who'd like to have a pig, do you?" said Miss Lucinda, wistfully.

"Well, the poorer they was, the quicker they'd eat him up, I guess—ef they could eat such a razor-back."

"Oh, I don't like to think of his being eaten! I wish he could be got rid of some other way. Don't you think he might be killed in his sleep, Israel?"

"I think it's likely it would wake him up," said he, demurely. "Killin' 's killin', and a critter can't sleep over it 's though 'twas the stomachache. I guess he'd kick some, ef he was asleep—and screech some, too!"

"Dear me!" said Miss Lucinda, horrified at the idea. "I wish he could be sent out to run in the woods. Are there any good woods near here, Israel?"

"I don't know but what he'd as lieves be slartered to once as to starve an' be hunted down out in the lots. Besides, there ain't nobody as I knows of would like a hog to be a-rootin' round among their turnips and young wheat."

"Well, what I shall do with him I don't know!" despairingly exclaimed Miss Lucinda. "He was such a dear little thing when you bought him, Israel! Do you remember how pink his pretty little nose was—just like a rosebud—and how bright his eyes were, and his cunning legs? And now he's grown so big and fierce! But I can't help liking him, either."

"He's a cute critter, that's sartain; but he does too much rootin' to have a pink nose now, I expect; there's consider'ble on 't, so I guess it looks as well to have it gray. But I don't know no more'n you do what to do abaout it."

"If I could only get rid of him without knowing what became of him!" exclaimed Miss Lucinda, squeezing her forefinger with great earnestness, and looking both puzzled and pained.

"If Mees Lucinda would pairmit?" said a voice behind her.

She turned round to see Monsieur Leclerc on his crutches, just in the parlor-door.

"I shall, mees, myself dispose of piggie, if it please. I can. I shall have no sound; he shall to go away like a silent snow, to trouble you no more, never!"

"Oh, sir, if you could! But I don't see how!"

"If mees was to see, it would not be to save her pain. I shall have him to go by magique to fiery land."

Fairy-land, probably. But Miss Lucinda did not perceive the équivoque.

"Nor yet shall I trouble Meester Israyel. I shall have the aid of myself and one good friend that I have; and some night, when you rise of the morning, he shall not be there."

Miss Lucinda breathed a deep sigh of relief.

"I am greatly obliged—I mean, I shall be," said she.

"Well, I'm glad enough to wash my hands on 't," said Israel. "I shall hanker arter the critter some, but he's a-gettin' too big to be handy; 'n it's one comfort about critters, you ken git rid on 'em somehaow when they're more plague than profit. But folks has got to be let alone, excep' the Lord takes 'em; an' He generally don't see fit."—From Somebody's Neighbors.

BY ROSE TERRY COOKE.

"Well, he no need to ha' done it, Sary. I've told him more'n four times he hadn't ought to pull a gun tow'rds him by the muzzle on't. Now he's up an' did it once for all."

"He won't never have no chance to do it again, Scotty, if you don't hurry up after the doctor," said Sary, wiping her eyes on her dirty calico apron, thereby adding an effective shadow under their redness.

"Well, I'm a-goin', ain't I? But ye know yerself 'twon't do to go so fur on eend, 'thout ye're vittled consider'ble well."

So saying, he fell to at the meal she had interrupted, hot potatoes, cold pork, dried venison, and blueberry pie vanishing down his throat with an alacrity and dispatch that augured well for the thorough "vittling" he intended, while Sary went about folding chunks of boiled ham, thick slices of brown bread, solid rounds of "sody biskit," and slab-sided turnovers in a newspaper, filling a flat bottle with whiskey, and now and then casting a look at the low bed where young Harry McAlister lay, very much whiter than the sheets about him, and quite as unconscious of surroundings, the blood oozing slowly through such bandages as Scott Peck's rude surgery had twisted about a gunshot-wound in his thigh, and brought to close tension by a stick thrust through the folds, turned as tight as could be borne, and strapped into place by a bit of coarse twine.

It was a long journey paddling up the Racquette River, across creek and carry, with the boat on his back, to the lakes, and then from Martin's to "Harri'tstown," where he knew a surgeon of repute from a great city was spending his vacation. It was touch-and-go with Harry before Scott and Dr. Drake got back. Sary had dosed him with venison-broth, hot and greasy, weak whiskey and water, and a little milk (only a little), for their cow was old and pastured chiefly on leaves and twigs, and she only came back to the shanty when she liked or needed to come, so their milk supply was uncertain, and Sary dared not leave her patient long enough to row to the end of Tupper's Lake, where the nearest cow was kept. But youth has a power of recovery that defies circumstance, and Dr. Drake was very skilful. Long weeks went by, and the green woods of July had brightened and faded into October's dim splendor before Harry McAlister could be carried up the river and over to Bartlett's, where his mother had been called to meet him. She was a widow, and he her only child; and, though she was rather silly and altogether unpractical, she had a tender, generous heart, and was ready to do anything possible for Scott and Sarah Peck to show her gratitude for their kindness to her boy. She did not consult Harry at all. He had lost much blood from his accident and recovered strength slowly. She kept everything like thought or trouble out of his way as far as she could, and when the family physician found her heart was set on taking him to Florida for the winter, because he looked pale and her grandmother's aunt had died of consumption, Dr. Peet, like a wise man, rubbed his hands together, bowed, and assured her it would be the very thing. But something must be done for the Pecks before she went away. It occurred to her how difficult it must be for them to row everywhere in a small boat. A horse would be much better. Even if the roads were not good they could ride, Sarah behind Scott. And so useful in farming, too. Her mind was made up at once. She dispatched a check for three hundred dollars to Peter Haas, her old coachman, who had bought a farm in Vermont with his savings, and retired, with the cook for his wife, into the private life of a farmer. Mrs. McAlister had much faith in Peter's knowledge
of horses and his honesty. She wrote him to buy a
strong, steady animal, and convey it to Scott Peck, either sending him word to come up to Bartlett's after it, or taking it down the river; but, at any rate, to make sure he had it. If the check would not pay all expenses, he was to draw on her for more. Peter took the opportunity to get rid of a horse he had no use for in winter; a beast restive as a racer when not in daily use, but strong enough for any work, and steady enough if he had work. Two hundred and fifty dollars was the price now set on his head, though Peter had bought him for seventy-five, and thought him dear at that. The remaining fifty was ample for expenses; but Peter was a prudent German and liked a margin. There was no difficulty in getting the horse as far as Martin's, and by dint of patient insistence Peter contrived to have him conveyed to Bartlett's; but here he rested and sent a messenger down to Scott Peck, while he himself returned to Bridget at the farm, slowly cursing the country and the people as he went his way, for his delays and troubles had been numerous.

"Gosh!" said Scott Peck, when he stepped up to the log-house that served for the guides, unknowing what awaited him, for the messenger had not found him at home, but left word he was to come to Bartlett's for something, and the first thing he saw was this gray horse.

"What fool fetched his hoss up here?"

The guides gathered about the door of their hut, burst into a loud cackle of laughter; even the beautiful hounds in their rough kennel leaped up and bayed.

"W-a-a-l;" drawled lazy Joe Tucker, "the feller 't owns him ain't nobody's fool. Be ye, Scotty?"

"Wha-t!" ejaculated Scott.

"It's your'n, man, sure as shootin'!" laughed Hearty Jack, Joe Tucker's brother.

"Mine? Jehoshaphat! Blaze that air track, will ye? I'm lost, sure."

"Well, Bartlett's gone out Keeseville way, so't kinder was lef' to me to tell ye. 'Member that ar chap that shot hisself in the leg down to your shanty this summer?"

"Well, I expect I do, seein' I ain't more'n a hundred year old," sarcastically answered Scott.

"He's cleared out South-aways some'eres, and his ma consaited she was dredful obleeged to ye; 'n I'm blessed if she didn't send an old Dutch feller up here fur to fetch ye that hoss fur a present. He couldn't noways wait to see ye pus'nally, he sed, fur he mistrusted the' was snows here sometimes 'bout this season. Ho! ho! ho!"

"Good land!" said Scott, sitting down on a log, and putting his hands in his pockets, the image of perplexity, while the men about him roared with fresh laughter. "What be I a-goin' to do with the critter?" he asked of the crowd.

"Blessed if I know," answered Hearty Jack.

"Can't ye get him out to 'Sable Falls or Keeseville 'n sell him fur what he'll fetch?" suggested Joe Tucker.

"I can't go now, noways. Sary's wood-pile's nigh gin out, 'n there was a mighty big sundog yesterday; 'nd moreover I smell snow. It'll be suthin' to git hum as 'tis. Mabbe Bartlett'll keep him a spell."

"No, he won't; you kin bet your head. His fodder's a-runnin' short for the hornid critters. He's bought some up to Martin's, that's a-comin' down dyrect; but 'tain't enough. He's put to't for more. Shouldn't wonder ef he had to draw from North Elby when sleddin' sets in."

"Well, I dono's there's but one thing for to do; fetch him hum somehow or 'nother; 'nd there's my boat over to the carry!"

"You'd better tie the critter on behind an' let him wade down the Racket!"

Another shout of laughter greeted this proposal.

"I s'all take ze boat for you!" quietly said a little brown Canadian—Jean Poiton. "I am go to Tupper to-morrow. I have one hunt to make. I can take her."

"Well said, Gene. I'll owe you a turn. But, fur all, how be I goin' to get that animile 'long the trail?"

"I dono!" answered Joe Tucker. "I expect, if it's got to be did, you'll fetch it somehow. But I'm mighty glad 'tain't my job!"

Scott Peck thought Joe had good reason for joy in that direction before he had gone a mile on his homeward way! The trail was only a trail, rough, devious, crossed with roots of trees, brushed with boughs of fir and pine, and the horse was restive and unruly. By nightfall he had gone only a few miles, and when he had tied the beast to a tree and covered him with a blanket brought from Bartlett's for the purpose, and strapped on his own back all the way, the light of the camp-fire startled the horse so that Scott was forced to blind him with a comforter before he would stand still. Then in the middle of the night, a great owl hooting from the tree-top just above him was a fresh scare, and but that the strap and rope both were new and strong he would have escaped. Scott listened to his rearing, trampling, snorts, and wild neigh with the composure of a sleepy man; but when he awoke at daylight, and found four inches of snow had fallen during the night, he swore.

This was too much. Even to his practised woodcraft it seemed impossible to get the horse safe to his clearing without harm. It was only by dint of the utmost care and patience, the greatest watchfulness of the way, that he got along at all. Every rod or two he stumbled, and all but fell himself. Here and there a loaded hemlock bough, weighed out of its uprightness by the wet snow, snapped in his face and blinded him with its damp burden; and he knew long before nightfall that another night in the woods was inevitable. He could feed the horse on young twigs of beech and birch; fresh moss, and new-peeled bark (fodder the animal would have resented with scorn under any other conditions); but hunger has no law concerning food. Scott himself was famished; but his pipe and tobacco were a refuge whose value he knew before, and his charge was tired enough to be quiet this second night; so the man had an undisturbed sleep by his comfortable fire. It was full noon of the next day when he reached his cabin. Jean Poiton had tied his boat to its stake, and gone on without stopping to speak to Sarah; so her surprise was wonderful when she saw Scott emerge from the forest, leading a gray creature, with drooping head and shambling gait, tired and dispirited.

"Heaven's to Betsey, Scott Peck! What hev you got theer?"

"The devil!" growled Scott.

Sary screamed.

"Do hold your jaw, gal, an' git me su'thin' hot to eat 'n drink. I'm savager'n an Injin. Come, git along." And, tying his horse to a stump, the hungry man followed Sarah into the house and helped himself out of a keg in the corner to a long, reviving draught.

"Du tell!" said Sarah, when the pork began to frizzle in the pan. "What upon airth did you buy a hoss for?" (She had discovered it was a horse.)

"Buy it! I guess not. I ain't no such blamed fool as that comes to. That feller you nussed up here a spell back, he up an' sent it roun' to Bartlett's, for a present to me."

"Well! Did he think you was a-goin' to set up canawl long o' Racket?"

"I expect he calc'lated I'd go racin'," dryly answered Scott.

"But what be ye a-goin' to feed him with?" said Sary, laying venison steaks into the pan.

"Lord knows! I don't. Shut up, Sary! I'm tuckered out with the beast. I'd ruther still-hunt three weeks on eend than fetch him in from Sar'nac, now I tell ye. Ain't them did enough? I could eat a raw bear."

Sary laughed and asked no more questions till the ravenous man had satisfied himself with the savory food; but, if she had asked them, Scott would have had no answer, for his mind was perplexed to the last degree. He fed the beast for a while on potatoes; but that was taking the bread out of his own mouth, though he supplemented it with now and then a boat-load of coarse, frost-killed grass, but the horse grew more and more gaunt and restive. His eyes glared with hunger and fury. He kicked out one side of the cowshed and snapped at Scott whenever he came near him. Want of use and food had restored him to the original savagery of his race. Hitherto Scott had never acknowledged Mrs McAlister's gift; but Sary, who had a vague idea of good manners, caught from the picture papers and occasional dime novels the tribe of Adirondack travellers strew even in such a wilderness, kept pecking at him.

"Ta'n't no more'n civil to say thank ye, to the least," she said, till Scott's temper gave way.

"Stop a-pesterin' of me! I've hed too much. I ain't a speck thankful! I'm mightily t'other thing, whatever 'tis. Write to her yourself, if you're a mind tu. You can make a better fist at it, anyways. Comes as nateral to women to lie as sap to run. I'll be etarnally blessed ef I touch paper for to do it." And he flung out of the door with a bang.

Of course Sary wrote the letter, which one balmy day electrified Harry and his mother as they sat basking in Southern sunshine:

"Good gracious, mother! Did you send them a horse?" ejaculated Harry.

"Why, my dear, I wanted to show my sense of their kindness, and I could not offer these people money. I thought a horse would be so useful!"

"Useful! in the Adirondack woods!" And Harry burst into a fit of laughter that scarcely permitted his mother to go on; but at last she proceeded:

"yours to Command,      Sary Peck."

But long before Mrs. McAlister's permission to "swap" the horse reached Scott Peck, the creature took his destiny into his own hands. Scott had gone away on a desperate errand, to fetch some sort of food for the poor creature, whose bones stared him in the face, and Sary went out one morning to give him her potato-peelings and some scraps of bread, when, suddenly, he jerked his head fiercely, snapped his halter in two, and wheeled round upon the frightened woman, rearing, snorting, and showing his long, yellow teeth. Sary fled at once and barred the door behind her; but neither she nor Scott ever saw their "gift horse" again. For aught I know he still roams the Adirondack forest, and maybe personates the ghostly and ghastly white deer of song and legend. Who can tell? But he was lifted off Scott Peck's shoulders, and all Scott said by way of epitaph on the departed, when he came home to find his white steed gone, was, "Hang presents!"

---

"Samantha Allen" will now have "a brief opportunity for remark."

Admire her graphic description of the excitement Josiah caused by voting, at a meeting of the "Jonesville Creation Searchers," for his own spouse as a delegate from Jonesville to the "Sentinel." She reports thus:

"It was a fearful time, but right where the excitement was raining most fearfully I felt a motion by the side of me, and my companion got up and stood on his feet and says, in pretty firm accents, though some sheepish:

"'I did, and there's where I stand now; I vote for Samantha!'

"And then he sot down again. Oh, the fearful excitement and confusion that rained down again! The president got up and tried to speak; the editor of the Auger talked wildly; Shakespeare Bobbet talked to himself incoherently, but Solomon Cypher's voice drowned 'em all out, as he kep' a-smitin' his breast and a hollerin' that he wasn't goin' to be infringed upon, or come in contract with no woman!

"No female woman needn't think she was the equal of man; and I should go as a woman or stay to home. I was so almost wore out by their talk, that I spoke right out, and, says I, 'Good land! how did you s'pose I was a-goin'?'

"The president then said that he meant, if I went I mustn't look upon things with the eye of a 'Creation Searcher' and a man (here he p'inted his forefinger right up in the air and waved it round in a real free and soarin' way), but look at things with the eye of a private investigator and a woman (here he p'inted his finger firm and stiddy right down into the wood-box and a pan of ashes). It war impressive—VERY."

A Terrible Accident.

BY METTA VICTORIA VICTOR.

"Dora! Dora! Dora! wake up, wake up, I say! Don't you smell something burning? Wake up, child! Don't you smell fire? Good Lord! so do I. I thought I wasn't mistaken. The room's full of smoke. Oh, dear! what'll we do? Don't stop to put on your petticoat. We'll all be burned to death. Fire! fire! fire! fire!

"Yes, there is! I don't know where! It's all over—our room's all in a blaze, and Dora won't come out till she gets her dress on. Mr. Little, you shan't go in—I'll hold you—you'll be killed just to save that chit of a girl, when—I—I—He's gone—rushed right into the flames. Oh, my house! my furniture! all my earnings! Can't anything be done? Fire! fire! fire! Call the fire-engines! ring the dinner-bell! Be quiet! How can I be quiet? Yes, it is all in flames. I saw them myself! Where's my silver spoons? Oh, where's my teeth, and my silver soup-ladle? Let me be! I'm going out in the street before it's too late! Oh, Mr. Grayson! have you got water? have you found the place? are they bringing water?

"Did you say the fire was out? Was that you that spoke, Mr. Little? I thought you were burned up, sure; and there's Dora, too. How did they get it out? My clothes-closet was on fire, and the room, too! We would have been smothered in five minutes more if we hadn't waked up! But it's all out now, and no damage done, but my dresses destroyed and the carpet spoiled. Thank the Lord, if that's the worst! But it ain't the worst. Dora, come along this minute to my room. I don't care if it is cold, and wet, and full of smoke. Don't you see—don't you see I'm in my night-clothes? I never thought of it before. I'm ruined, ruined completely! Go to bed, gentlemen; get out of the way as quick as you can Dora, shut the door. Hand me that candle; I want to look at myself in the glass. To think that all those gentlemen should have seen me in this fix! I'd rather have perished in the flames. It's the very first night I've worn these flannel night-caps, and to be seen in 'em! Good gracious! how old I do look! Not a spear of hair on my head scarcely, and this red nightgown and old petticoat on, and my teeth in the tumbler, and the paint all washed off my face, and scarred besides! It's no use! I never, never can again make any of those men believe that I'm only twenty-five, and I felt so sure of some of them.

"Oh, Dora Adams! you needn't look pale; you've lost nothing. I'll warrant Mr. Little thought you never looked so pretty as in that ruffled gown, and your hair all down over your shoulders. He says you were fainting from the smoke when he dragged you out. You must be a little fool to be afraid to come out looking that way. They say that new boarder is a drawing-master, and I seen some of his pictures yesterday; he had some such ridiculous things. He'll caricature me for the amusement of the young men, I know. Only think how my portrait would look taken to-night! and he'll have it, I'm sure, for I noticed him looking at me—the first that reminded me of my situation after the fire was put out. Well, there's but one thing to be done, and that's to put a bold face on it. I can't sleep any more to-night; besides, the bed's wet, and it's beginning to get daylight. I'll go to work and get myself ready for breakfast, and I'll pretend to something—I don't know just what—to get myself out of this scrape, if I can....

"Good-morning, gentlemen, good-morning! We had quite a fright last night, didn't we? Dora and I came pretty near paying dear for a little frolic. You see, we were dressing up in character to amuse ourselves, and I was all fixed up for to represent an old woman, and had put on a gray wig and an old flannel gown that I found, and we'd set up pretty late, having some fun all to ourselves; and I expect Dora must have been pretty sleepy when she was putting some of the things away, and set fire to a dress in the closet without noticing it. I've lost my whole wardrobe, nigh about, by her carelessness; but it's such a mercy we wasn't burned in our bed that I don't feel to complain so much on that account. Isn't it curious how I got caught dressed up like my grandmother? We didn't suppose we were going to appear before so large an audience when we planned out our little frolic. What character did Dora assume? Really, Mr. Little, I was so scared last night that I disremember. She took off her rigging before she went to bed. Don't you think I'd personify a pretty good old woman, gentlemen—ha! ha!—for a lady of my age? What's that, Mr. Little? You wish I'd make you a present of that nightcap, to remember me by? Of course; I've no further use for it. Of course I haven't. It's one of Bridget's, that I borrowed for the occasion, and I've got to give it back to her. Have some coffee, Mr. Grayson—do! I've got cream for it this morning. Mr. Smith, help yourself to some of the beefsteak. It's a very cold morning—fine weather out of doors. Eat all you can, all of you. Have you any profiles to take yet, Mr. Gamboge? I may make up my mind to set for mine before you leave us; I've always thought I should have it taken some time. In character? He! he! Mr. Little, you're so funny! But you'll excuse me this morning, as I had such a fright last night. I must go and take up that wet carpet."

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A BRACE OF WITTY WOMEN.

By the courtesy of Harper Brothers I am allowed to give you "Aunt Anniky's Teeth," by Sherwood Bonner. The illustrations add much, but the story is good enough without pictures.

BY SHERWOOD BONNER.

Aunt Anniky was an African dame, fifty years old, and of an imposing presence. As a waffle-maker she possessed a gift beyond the common, but her unapproachable talent lay in the province of nursing. She seemed born for the benefit of sick people. She should have been painted with the apple of healing in her hand. For the rest, she was a funny, illiterate old darkey, vain, affable, and neat as a pink.

On one occasion my mother had a dangerous illness. Aunt Anniky nursed her through it, giving herself no rest, night nor day, until her patient had come "back to de walks an' ways ob life," as she expressed the dear mother's recovery. My father, overjoyed and grateful, felt that we owed this result quite as much to Aunt Anniky as to our family doctor, so he announced his intention of making her a handsome present, and, like King Herod, left her free to choose what it should be. I shall never forget how Aunt Anniky looked as she stood there smiling and bowing, and bobbing the funniest little courtesies all the way down to the ground.

And you would never guess what it was the old woman asked for.

"Well, Mars' Charles," said she (she had been one of our old servants, and always called my father 'Mars' Charles'), "to tell you de livin' trufe, my soul an' body is a-yearnin' fur a han'sum chany set o' teef."

"A set of teeth!" said father, surprised enough. "And have you none left of your own?"

"I has gummed it fur a good many ye'rs," said Aunt Anniky, with a sigh; "but not wishin' ter be ongrateful ter my obligations, I owns ter havin' five nateral teef. But dey is po' sogers; dey shirks battle. One ob dem's got a little somethin' in it as lively as a speared worm, an' I tell you when anything teches it, hot or cold, it jest makes me dance! An' anudder is in my top jaw, an' ain't got no match fur it in de bottom one; an' one is broke off nearly to de root; an' de las' two is so yaller dat I's ashamed ter show 'em in company, an' so I lif's my turkey-tail ter my mouf every time I laughs or speaks."

Father turned to mother with a musing air. "The curious student of humanity," he remarked, "traces resemblances where they are not obviously conspicuous. Now, at the first blush, one would not think of any common ground of meeting for our Aunt Anniky and the Empress Josephine. Yet that fine French lady introduced the fashion of handkerchiefs by continually raising delicate lace mouchoirs to her lips to hide her bad teeth. Aunt Anniky lifts her turkey-tail! It really seems that human beings should be classed by strata, as if they were metals in the earth. Instead of dividing by nations, let us class by quality. So we might find Turk, Jew, Christian, fashionable lady and washerwoman, master and slave, hanging together like cats on a clothes-line by some connecting cord of affinity—"

"In the mean time," said my mother, mildly, "Aunt Anniky is waiting to know if she is to have her teeth."

"Oh, surely, surely!" cried father, coming out of the clouds with a start. "I am going to the village to-morrow, Anniky, in the spring wagon. I will take you with me, and we will see what the dentist can do for you."

"Bless yo' heart, Mars' Charles!" said the delighted Anniky; "you're jest as good as yo' blood and yo' name, and mo' I couldn't say."

The morrow came, and with it Aunt Anniky, gorgeously arrayed in a flaming red calico, a bandanna handkerchief, and a string of carved yellow beads that glittered on her bosom like fresh buttercups on a hill-slope.

I had petitioned to go with the party, for, as we lived on a plantation, a visit to the village was something of an event. A brisk drive soon brought us to the centre of "the Square." A glittering sign hung brazenly from a high window on its western side, bearing, in raised black letters, the name, "Doctor Alonzo Babb."

Dr. Babb was the dentist and the odd fish of our village. He beams in my memory as a big, round man, with hair and smiles all over his face, who talked incessantly, and said things to make your blood run cold.

"Do you see this ring?" he said, as he bustled about, polishing his instruments and making his preparations for the sacrifice of Aunt Anniky. He held up his right hand, on the forefinger of which glistened a ring the size of a dog-collar. "Now, what d'ye s'pose that's made of?"

"Brass," suggested father, who was funny when not philosophical.

"Brass!" cried Dr. Babb, with a withering look; "it's virgin gold, that ring is. And where d'ye s'pose I found the gold?"

My father ran his hands into his pockets in a retrospective sort of way.

"In the mouths of my patients, every grain of it," said the dentist, with a perfectly diabolical smack of the lips. "Old fillings—plugs, you know—that I saved, and had made up into this shape. Good deal of sentiment about such a ring as this."

"Sentiment of a mixed nature, I should say," murmured my father, with a grimace.

"Mixed—rather! A speck here, a speck there. Sometimes an eye, oftener a jaw, occasionally a front. More than a hundred men, I s'pose, have helped in the cause."

"Law, doctor! you beats de birds, you does," cries Aunt Anniky, whose head was as flat as the floor, where her reverence should have been. "You know dey snatches de wool from ebery bush to make deir nests."

"Lots of company for me, that ring is," said the doctor, ignoring the pertinent or impertinent interruption. "Often as I sit in the twilight, I twirl it around and around, a-thinking of the wagon-loads of food it has masticated, the blood that has flowed over it, the groans that it has cost! Now, old lady, if you will sit just here."

He motioned Aunt Anniky to the chair, into which she dropped in a limp sort of way, recovering herself immediately, however, and sitting bolt upright in a rigid attitude of defiance. Some moments of persuasion were necessary before she could be induced to lean back and allow Dr. Babb's fingers on her nose while she breathed the laughing-gas; but, once settled, the expression faded from her countenance almost as quickly as a magic-lantern picture vanishes. I watched her nervously, my attention divided between her vacant-looking face and a dreadful picture on the wall. It represented Dr. Babb himself, minus the hair, but with double the number of smiles, standing by a patient from whose mouth he had apparently just extracted a huge molar that he held triumphantly in his forceps. A gray-haired old gentleman regarded the pair with benevolent interest. The photograph was entitled, "His First Tooth."

"Attracted by that picture?" said Dr. Alonzo, affably, his fingers on Aunt Anniky's pulse. "My par had that struck off the first time I ever got a tooth out. That's par with the gray hair and the benediction attitude. Tell you, he was proud of me! I had such an awful tussle with that tooth! Thought the old fellow's jaw was bound to break! But I got it out, and after that my par took me with him round the country—starring the provinces, you know—and I practised on the natives."

By this time Aunt Anniky was well under the influence of the gas, and in an incredibly short space of time her five teeth were out. As she came to herself I am sorry to say she was rather silly, and quite mortified me by winking at Dr. Babb in the most confidential manner, and repeating, over and over again: "Honey, yer ain't harf as smart as yer thinks yer is!"

After a few weeks of sore gums, Aunt Anniky appeared, radiant with her new teeth. The effect was certainly funny. In the first place, blackness itself was not so black as Aunt Anniky. She looked as if she had been dipped in ink and polished off with lamp-black. Her very eyes showed but the faintest rim of white. But those teeth were white enough to make up for everything. She had selected them herself, and the little ridiculous milk-white things were more fitted for the mouth of a Titania than for the great cavern in which Aunt Anniky's tongue moved and had its being. The gums above them were black, and when she spread her wide mouth in a laugh, it always reminded me of a piano-lid opening suddenly and showing all the black and white ivories at a glance. Aunt Anniky laughed a good deal, too, after getting her teeth in, and declared she had never been so happy in her life. It was observed, to her credit, that she put on no airs of pride, but was as sociable as ever, and made nothing of taking out her teeth and handing them around for inspection among her curious and admiring visitors. On that principle of human nature which glories in calling attention to the weakest part, she delighted in tough meats, stale bread, green fruits, and all other eatables that test the biting quality of the teeth. But finally destruction came upon them in a way that no one could have foreseen. Uncle Ned was an old colored man who lived alone in a cabin not very far from Aunt Anniky's, but very different from her in point of cleanliness and order. In fact, Uncle Ned's wealth, apart from a little corn crop, consisted in a lot of fine young pigs, that ran in and out of the house at all times, and were treated by their owner as tenderly as if they had been his children. One fine day the old man fell sick of a fever, and he sent in haste for Aunt Anniky to come and nurse him. He agreed to give her a pig in case she brought him through; should she fail to do so, she was to receive no pay. Well, Uncle Ned got well, and the next thing we heard was that he refused to pay the pig. My father was usually called on to settle all the disputes in the neighborhood; so one morning Anniky and Ned appeared before him, both looking very indignant.

"I'd jes' like ter tell yer, Mars' Charles," began Uncle Ned, "ob de trick dis miser'ble ole nigger played on me."

"Go on, Ned," said my father, with a resigned air.

"Well, it wuz de fift night o' de fever," said Uncle Ned, "an' I wuz a-tossin' an' a-moanin', an' old Anniky jes' lay back in her cheer an' snored as ef a dozen frogs wuz in her throat. I wuz a-perishin' an' a-burnin' wid thirst, an' I hollered to Anniky; but Lor'! I might as well 'a hollered to a tombstone! It wuz ice I wanted; an' I knowed dar wuz a glass somewhar on my table wid cracked ice in it. Lor'! Lor'! how dry I wuz! I neber longed fer whiskey in my born days ez I panted fur dat ice. It wuz powerful dark, fur de grease wuz low in de lamp, an' de wick spluttered wid a dyin' flame. But I felt aroun', feeble like an' slow, till my fingers touched a glass. I pulled it to me, an' I run my han' in an' grabbed de ice, as I s'posed, an' flung it in my mouf, an' crunched, an' crunched—"

Here there was an awful pause. Uncle Ned pointed his thumb at Anniky, looked wildly at my father, and said, in a hollow voice: "It wuz Anniky's teef!"

My father threw back his head and laughed as I had never heard him laugh. Mother from her sofa joined in. I was doubled up like a jack-knife in the corner. But as for the principals in the affair, neither of their faces moved a muscle. They saw no joke. Aunt Anniky, in a dreadful, muffled, squashy sort of voice, took up the tale:

"Nexsh ting I knowed, Marsh Sharles, somebody's sheizin' me by de head, a-jammin' it up 'gin de wall, a-jawin' at me like de Angel Gabriel at de rish ole sinners in de bad plashe—an' dar wash ole Ned a-spittin' like a black cat, an' a-howlin' so dreadful dat I tought he wash de debil; an' when I got de light, dar wash my beautiful chany teef a-flung aroun', like scattered seed-corn, on de flo', an' Ned a-swarin' he'd have de law o' me."

"An' arter all dat," broke in Uncle Ned, "she pretends to lay a claim fur my pig. But I says no, sir; I don't pay nobody nothin' who's played me a trick like dat."

"Trick!" said Aunt Anniky, scornfully, "whar's de trick? Tink I wanted yer ter eat my teef? An' furder-mo', Marsh Sharles, dar's jes' dis about it: when dat night set in dar warn't no mo' hope fur old Ned dan fur a foundered sheep. Laws-a-massy! dat's why I went ter sleep. I wanted ter hev strengt' ter put on his burial clo'es in de mornin'. But don' yer see, Marsh Sharles, dat when he got so mad it brought on a sweat dat broke de fever! It saved him! But, fur all dat, arter munchin' an' manglin' my chany teef, he has de imperdence ob tryin' to 'prive me ob de pig I honestly 'arned."

It was a hard case. Uncle Ned sat there a very image of injured dignity, while Aunt Anniky bound a red handkerchief around her mouth and fanned herself with her turkey-tail.

"I am sure I don't know how to settle the matter," said father, helplessly. "Ned, I don't see but that you'll have to pay up."

"Neber, Mars' Charles, neber."

"Well, suppose you get married?" suggested father, brilliantly. "That will unite your interests, you know."

Aunt Anniky tossed her head. Uncle Ned was old, wizened, wrinkled as a raisin, but he eyed Anniky over with a supercilious gaze, and said with dignity: "Ef I wanted ter marry, I could git a likely young gal."

All the four points of Anniky's turban shook with indignation. "Pay me fur dem chany teef!" she hissed.

Some visitors interrupted the dispute at this time, and the two old darkies went away.

A week later Uncle Ned appeared with rather a sheepish look.

"Well, Mars' Charles," he said, "I's about concluded dat I'll marry Anniky."

"Ah! is that so?"

"'Pears like it's de onliest way I kin save my pigs," said Uncle Ned, with a sigh. "When she's married she boun' ter 'bey me. Women 'bey your husbands; dat's what de good Book says."

"Yes, she will bay you, I don't doubt," said my father, making a pun that Uncle Ned could not appreciate.

"An' ef ever she opens her jaw ter me 'bout dem ar teef," he went on, "I'll mash her."

Uncle Ned tottered on his legs like an unscrewed fruit-stand, and I had my own opinion as to his "mashing" Aunt Anniky. This opinion was confirmed the next day when father offered her his congratulations. "You are old enough to know your own mind," he remarked.

"I's ole, maybe," said Anniky, "but so is a oak-tree, an' it's vigorous, I reckon. I's a purty vigorous sort o' growth myself, an' I reckon I'll have my own way with Ned. I'm gwine ter fatten dem pigs o' hisn, an' you see ef I don't sell 'em nex' Christmas fur money 'nouf ter git a new string o' chany teef."

"Look here, Anniky," said father, with a burst of generosity, "you and Ned will quarrel about those teeth till the day of doom, so I will make you a wedding present of another set, that you may begin married life in harmony."

Aunt Anniky expressed her gratitude. "An' dis time," she said, with sudden fury, "I sleeps wid 'em in."

The teeth were presented, and the wedding preparations began. The expectant bride went over to Ned's cabin and gave it such a clearing up as it had never had. But Ned did not seem happy. He devoted himself entirely to his pigs, and wandered about looking more wizened every day. Finally he came to our gate and beckoned to me mysteriously.

"Come over to my house, honey," he whispered, "an' bring a pen an' ink an' a piece o' paper wid yer. I wants yer ter write me a letter."

I ran into the house for my little writing-desk, and followed Uncle Ned to his cabin.

"Now, honey," he said, after barring the door carefully, "don't you ax me no questions, but jes' put down de words dat comes out o' my mouf on dat ar paper."

"Very well, Uncle Ned, go on."

"Anniky Hobbleston," he began, "dat weddin' ain't a-gwine ter come off. You cleans up too much ter suit me. I ain't used ter so much water splashin' aroun'. Dirt is warmin'. 'Spec I'd freeze dis winter if you wuz here. An' you got too much tongue. Besides, I's got anudder wife over in Tipper. An' I ain't a-gwine ter marry. As fur havin' de law, I's a leavin' dese parts, an' I takes der pigs wid me. Yer can't fin' dem, an' yer can't fin' me. Fur I ain't a-gwine ter marry. I wuz born a bachelor, an' a bachelor will I represent myself befo' de judgment-seat. If you gives yer promise ter say no mo' 'bout dis marryin' business, p'r'aps I'll come back some day. So no mo' at present, from your humble worshipper,

"Ned Cuddy."

"Isn't that last part rather inconsistent?" said I, greatly amused.

"Yes, honey, if yer says so; an' it's kind o' soothin' to de feelin's of a woman, yer know."

I wrote it all down and read it aloud to Uncle Ned.

"Now, my chile," he said, "I'm a-gwine ter git on my mule as soon as der moon rises, an' drive my pigs ter Col' Water Gap, whar I'll stay an' fish. Soon as I am well gone, you take dis letter ter Anniky; but min', don't tell whar I's gone. An' if she takes it all right, an' promises ter let me alone, you write me a letter, an' I'll git de fust Methodis' preacher I run across in der woods ter read it ter me. Den, ef it's all right, I'll come back an' weed yer flower-garden fur yer as purty as preachin'."

I agreed to do all uncle Ned asked, and we parted like conspirators. The next morning Uncle Ned was missing, and, after waiting a reasonable time I explained the matter to my parents, and went over with his letter to Aunt Anniky.

"Powers above!" was her only comment as I got through the remarkable epistle. Then, after a pause to collect her thoughts, she seized me by the shoulder, saying: "Run to yo' pappy, honey, quick, an' ax him ef he's gwine ter stick ter his bargain 'bout de teef. Yer know he pintedly said dey wuz a weddin' gif'."

Of course my father sent word that she must keep the teeth, and my mother added a message of sympathy, with a present of a pocket-handkerchief to dry Aunt Anniky's tears.

"But it's all right," said that sensible old soul, opening her piano-lid with a cheerful laugh. "Bless you, chile, it wuz de teef I wanted, not de man! An', honey, you jes' sen' word to dat shif'less old nigger, ef you know whar he's gone, to come back home and git his crap in de groun'; an', as fur as I'm consarned, yer jes' let him know dat I wouldn't pick him up wid a ten-foot pole, not ef he wuz to beg me on his knees till de millennial day."—From "Dialect Tales," published in 1883 by Harper Brothers.

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It is not easy to tell what satire is, or where it originated. "In Eden," says Dryden, "the husband and wife excused themselves by laying the blame on each other, and gave a beginning to those conjugal dialogues in prose which poets have perfected in verse." Whatever it may be, we know it when it cuts us, and Sherwood Bonner's hit on the Radical Club of Boston was almost inexcusable.

She was admitted as a guest, and her subsequent ridicule was a violation of all good breeding. But like so many wicked things it is captivating, and while you are shocked, you laugh. While I hold up both hands in horror, I intend to give you an idea of it; leaving out the most personal verses.

BY SHERWOOD BONNER.

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Mary Clemmer Hudson has spoken of Phœbe Cary as "the wittiest woman in America." But she truly adds:

"A flash of wit, like a flash of lightning, can only be remembered, it cannot be reproduced. Its very marvel lies in its spontaneity and evanescence; its power is in being struck from the present. Divorced from that, the keenest representation of it seems cold and dead. We read over the few remaining sentences which attempt to embody the repartees and bon mots of the most famous wits of society, such as Beau Nash, Beau Brummel, Madame du Deffand, and Lady Mary Montagu; we wonder at the poverty of these memorials of their fame. Thus it must be with Phœbe Cary. Her most brilliant sallies were perfectly unpremeditated, and by herself never repeated or remembered. When she was in her best moods they came like flashes of heat lightning, like a rush of meteors, so suddenly and constantly you were dazzled while you were delighted, and afterward found it difficult to single out any distinct flash or separate meteor from the multitude.... This most wonderful of her gifts can only be represented by a few stray sentences gleaned here and there from the faithful memories of loving friends....

"One tells how, at a little party, where fun rose to a great height, one quiet person was suddenly attacked by a gay lady with the question: 'Why don't you laugh? You sit there just like a post!'

"'There! she called you a post; why don't you rail at her?' was Phœbe's quick exclamation.

"Mr. Barnum mentioned to her that the skeleton man and the fat woman then on exhibition in his 'greatest show on earth' were married.

"'I suppose they loved through thick and thin,' was her comment.

"'On one occasion, when Phœbe was at the Museum looking about at the curiosities,' says Mr. Barnum, 'I preceded her and had passed down a couple of steps. She, intently watching a big anaconda in a case at the top of the stairs, walked off, not noticing them, and fell. I was just in time to catch her in my arms and save her from a good bruising.'

"'I am more lucky than that first woman was who fell through the influence of the serpent,' said Phœbe, as she recovered herself.

"And when asked by some one at a dinner-party what brand of champagne they kept, she replied: 'Oh, we drink Heidsieck, but we keep Mum.'

"Again, a certain well-known actor, then recently deceased, and more conspicuous for his professional skill than for his private virtues, was discussed. 'We shall never,' remarked some one, 'see —— again.'

"'No,' quietly responded Phœbe, 'not unless we go to the pit.'"

These stray shots may not fairly represent Miss Cary's brilliancy, but we are grateful for what has been preserved, meagre as it would seem to those who had the privilege of knowing her intimately and enjoying those Sunday evening receptions, where, unrestrained and happy, every one was at his best.

Her verses on the subject of Woman's Rights, as discussed in masculine fashion, with masculine logic, by Chanticleer Dorking, are capital, and her parodies, shockingly literal, have been widely copied. Enjoy these as given in her life, written by Mary Clemmer.

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GINGER-SNAPS.

I will now offer you some good things of various degrees of humor. I do not feel it necessary to impress their merits upon you, for they speak for themselves Here is a quaint bit of satire from a bright Boston woman, which those on her side of the vexed Indian question will enjoy:

BY LOUISA HALL.

He was a long, lean man, with a sad expression, as if weighed down by pity for poor humanity. His heart was evidently a great many sizes too large for him. He yearned to enfold all tribes and conditions of men in his encircling arms. He surveyed his audience with such affectionate interest that he seemed to look into the very depths of their pockets.

A few resolute men buttoned their coats, but the majority knew that this artifice would not save them, and they rather enjoyed it as a species of harmless dissipation. They liked to be talked into a state of exhilaration which obliged them to give without thinking much about it, and they felt very good and benevolent afterward. So they cheered the agent enthusiastically, as a signal for him to begin, and he came forward bowing, while the three red brothers who accompanied him remained seated on the platform. He appeared to smile on every one present as he said:

"Friends and Fellow-Citizens, I have the honor to introduce to you these chiefs of the Laughing Dog Nation. Twenty-five years ago this tribe was one of the fiercest on our Western plains. Snarling Bear, the most noted chief of his tribe, was a great warrior. Fifty scalps adorned his wigwam. Some of them had once belonged to his best friends. He was murdered while in the prime of life by a white man whose wife he had accidentally shot at the door of her cabin. He was one of the first to welcome the white men and adopt the improvements they brought with them. When he became sufficiently civilized to understand that polygamy was unlawful, he separated from his oldest wife. Her scalp was carefully preserved among those of the great warriors he had conquered. His son, Flying Deer, who is with us to-day, will address you in his own language, which I shall interpret for you. The last twenty years have made a great change in their condition. These men are not savages, but educated gentlemen. They are all graduates of Tomahawk College, at Bloody Mountain, near the Gray Wolf country. They are chiefs of their tribes, each one holding a position equal to the Governor of our own State. Their influence at the West is great. Last year they sent a small party of missionaries to the highlands of the Wolf country, where the women and children pasture the ponies during the dry season. Not one of these noble men ever returned. Unfortunately for the success of this mission, the Gray Wolf warriors were at home. The medicine man's dreams had been unfavorable, and they dared not set out on their annual hunt. This year they will send a larger party well armed.

"These devoted men have left their Western homes and come here to assure you of their confidence in your affection, and the love and gratitude they feel toward you. They come to ask for churches and schools, that their children may grow up like yours. But these things require money. On account of the great scarcity of stone in the Rocky Mountains, and the necessity of preserving standing timber for the Indian hunting-grounds, all building materials for churches and school-houses must be carried from the East at great expense. The door-steps of the third orthodox Kickapoo church cost one hundred and fifty dollars. But it is money well invested. The gradual decrease of crime at the West has convinced the most sceptical that a great work can be done among these people. The number of murders committed in this country last year was one hundred and twenty-five; this year only one hundred and twenty-three.

"Although a great deal has been done for these people, you will be surprised to learn how much remains to be done. I need not tell you that every dollar intrusted to me will be spent, and I hope you will live to see the result of your generosity.

"I wish to build at least fifteen churches and school-houses before the cold weather sets in. The cost of building has been greatly lessened by employing native workmen, who are capable of designing and erecting simple edifices. The pulpits will be supplied by native preachers, and the expense of light and heat will be paid by the congregation.

"We have at least twenty-five well-qualified native teachers, who will require no salary beyond the necessary expense of food and clothing.

"A few boarding-houses must be built and tastefully furnished. We have a large number of Laughing Dog widows, who would gladly take charge of such establishments.

"The native committee will make a careful selection of such matrons as are most capable of guiding and encouraging young people.

"All money for the benefit of these people has been used with the strictest economy; and will be while I retain the agency. I have secured a slender provision for my declining years, and shall return to spend my days with my adopted people.

"But I will let these men who once owned this great country speak for themselves. Flying Deer, who will now address you, is about forty years of age. He lives with his wife and ten children near the agency, at a place called Humanketchet."

Flying Deer came forward and spoke very distinctly, though rapidly.

"O hoo bree-gutchee, gumme maw choo kibbe showain nemeshin. Dawmasse choochugah goo waugh; kawboo. Nokka brewis goo, honowin nudwag moonoo shugh kawmun menjeis. Babas kwasind waugh muskoday, wawa gessonwon goo. Nahna naskeen oza yenadisse mayben mudjo, kenemoosha. Wawconassee nushka kahgagoo, jossahut, wabenas ogu winemon jabs. Ahmuck wana wayroossen chooponnuk segwan maysen. Opeechee annewayman, kewadoda shenghen kad goo tagamengow."

"He says, my friends, that he has always loved and trusted the white people. He says that since he has seen the great cities and towns of the East, he loves his white brothers more than before. His red brothers, White Crow and the Rock on End, wish him to say that they also love you. He says the savage Gray Wolf tribe threaten to shoot and scalp them if they continue friendly to the whites. He asks for powder, guns, and ponies, that they may defend themselves from their enemies. He wants to convince you that they are rapidly becoming a civilized nation. The assistance you are about to give will only be required for a short time. They will soon become self-supporting, and relieve the Government of a heavy tax. They thank you for the kindness you have shown, and for the generous collection which will now be taken up.

"Will some friend close the doors while we give every one an opportunity to contribute to this good cause? Remember that he who shutteth up his ears to the cry of the poor, he shall also cry himself and shall not be heard. Those who prefer can leave a check with Deacon Meekham at the door, or with me at the hotel. These substantial tokens of your regard will cause the wilderness to blossom as the rose.

"In the name of our red brethren, let me again thank you."

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If one inclines to Irish fun, try this burlesque from Mrs. Lippincott.

BY GRACE GREENWOOD.

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Or the triumphs of a quack, by Miss Amanda T. Jones.

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Or, if one prefers to laugh at the experience of a "culled" brother, what can be found more irresistible than this?

BY JULIA PICKERING.

Brother Simon. I say, Brover Horace, I hearn you give Meriky de terriblest beating las' nite. What you and she hab a fallin'-out about?

Brother Horace. Well, Brover Simon, you knows yourself I never has no dejection to splanifying how I rules my folks at home, and 'stablishes order dar when it's p'intedly needed; and 'fore gracious! I leab you to say dis time ef 'twant needed, and dat pow'ful bad.

You see, I'se allers been a plain, straight-sided nigger, an' hain't never had no use for new fandangles, let it be what it mout; 'ligion, polytix, bisness—don't ker what. Ole Horace say: "De ole way am de bes' way, an' you niggers dat's all runnin' teetotleum crazy 'bout ebery new gimerack dat's started, better jes' stay whar you is and let them things alone." But dey won't do it; no 'mount of preaching won't sarve um. And dat is jes' at this partickeler pint dat Meriky got dat dressin'. She done been off to Richmun town, a-livin' in sarvice dar dis las' winter, and Saturday a week ago she camed home ter make a visit. Course we war all glad to see our darter. But you b'l'eve dat gal hadn't turned stark bodily naked fool? Yes, sir; she wa'n't no more like de Meriky dat went away jes' a few munts ago dan chalk's like cheese. Dar she come in wid her close pinned tight enuff to hinder her from squattin', an' her ha'r a-danglin' right in her eyes, jes' for all de worl' like a ram a-looking fru a brush-pile, and you think dat nigger hain't forgot how to talk! She jes' rolled up her eyes ebery oder word, and fanned and talked like she 'spected to die de nex' breff. She'd toss dat mush-head ob hern and talk proper as two dixunarys. 'Stead ob she call-in' ob me "daddy" and her mudder "mammy," she say: "Par and mar, how can you bear to live in sech a one-hoss town as this? Oh! I think I should die." And right about dar she hab all de actions ob an' old drake in a thunder-storm. I jes' stared at dat gal tell I make her out, an' says I to myself: "It's got to come;" but I don't say nothin' to nobody 'bout it—all de same I knowed it had to come fus' as las'. Well, I jes' let her hab more rope, as de sayin' is, tell she got whar I 'cluded war 'bout de end ob her tedder. Dat was on last Sunday mornin', when she went to meetin' in sich a rig, a-puttin' on airs, tell she couldn't keep a straight track. When she camed home she brung kumpny wid her, and, ob course, I couldn't do nuthin' then; but I jes' kept my ears open, an' ef dat gal didn't disquollify me dat day, you ken hab my hat. Bimeby dey all gits to talkin' 'bout 'ligion and de churches, and den one young buck he step up, an' says he: "Miss Meriky, give us your 'pinion 'bout de matter." Wid dat she flung up her head proud as de Queen Victory, an' says she: "I takes no intelligence in sich matters; dey is all too common for me. Baptisses is a foot or two below my grade. I 'tends de 'Pisclopian Church whar I resides, an' 'specs to jine dat one de nex' anniversary ob de bishop. Oh! dey does eberything so lovely, and in so much style. I declar' nobody but common folks in de city goes to de Babtiss Church. It made me sick 't my stomuck to see so much shoutin' and groanin' dis mornin'; 'tis so ungenteel wid us to make so much sarcumlocutions in meetin'." And thar she went a-giratin' 'bout de preacher a-comin' out in a white shirt, and den a-runnin' back and gittin' on a black one, and de people a-jumpin' up and a-jawin' ob de preacher outen a book, and a-bowin' ob deir heads, and a-saying long rigmaroles o' stuff, tell my head fairly buzzed, and were dat mad at de gal I jes' couldn't see nuffin' in dat room. Well, I jes' waited tell the kumpny riz to go, and den I steps up, and says I: "Young folks, you needn't let what Meriky told you 'bout dat church put no change inter you. She's sorter out ob her right mine now, but de nex' time you comes she'll be all right on dat and seberal oder subjicks;" and den dey stared at Meriky mighty hard and goed away.

Well, I jes' walks up to her, and I says: "Darter," says I, "what chu'ch are dat you say you gwine to jine?" And says she, very prompt like: "De 'Pisclopian, pa." And says I: "Meriky, I'se mighty consarned 'bout you, kase I knows your mine ain't right, and I shall jes' hab to bring you roun' de shortest way possible." So I retch me a fine bunch of hick'ries I done prepared for dat 'casion. And den she jumped up, and says she: "What make you think I loss my senses?" "Bekase, darter, you done forgot how to walk and to talk, and dem is sure signs." And wid dat I jes' let in on her tell I 'stonished her 'siderably. 'Fore I were done wid her she got ober dem dying a'rs, and jumped as high as a hopper-grass. Bimeby she 'gins to holler: "Oh, Lordy, daddy! daddy! don't give me no more."

And says I: "You're improvin', dat's a fac'; done got your natural voice back. What chu'ch does you 'long to, Meriky?" And says she, a-cryin': "I don't 'long to none, par."

Well, I gib her anodder leetle tetch, and says I: "What chu'ch does you 'long to, darter?" And says she, all choked like: "I doesn't 'long to none."

Den I jes' make dem hick'ries ring for 'bout five minutes, and den I say: "What chu'ch you 'longs to now, Meriky?" And says she, fairly shoutin': "Baptiss; I'se a deep-water Baptiss." "Berry good," says I. "You don't 'spect to hab your name tuck offen dem chu'ch books?" And says she: "No, sar; I allus did despise dem stuck-up 'Pisclopians; dey ain't got no 'ligion nohow."

Brover Simon, you never see a gal so holpen by a good genteel thrashin' in all your days. I boun' she won't neber stick her nose in dem new-fandangle chu'ches no more. Why, she jes' walks as straight dis morning, and looks as peart as a sunflower. I'll lay a tenpence she'll be a-singin' before night dat good ole hyme she usened to be so fond ob. You knows, Brover Simon, how de words run:

Brother Simon. Yes, dat she will, I be boun'; ef I does say it, Brover Horace, you beats any man on church guberment an' family displanement ob anybody I ever has seen.

Brother Horace. Well, Brover, I does my bes'. You mus' pray for me, so dat my han's may be strengthened. Dey feels mighty weak after dat conversion I give dat Meriky las' night.—Scribner's Monthly, Bric-à-Brac, 1876.

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If it is unadulterated consolation that you need, try

BY MARY KYLE DALLAS.

How do you do, Cornelia? I heard you were sick, and I stepped in to cheer you up a little. My friends often say: "It's such a comfort to see you, Aunty Doleful. You have such a flow of conversation, and are so lively." Besides, I said to myself, as I came up the stairs: "Perhaps it's the last time I'll ever see Cornelia Jane alive."

You don't mean to die yet, eh? Well, now, how do you know? You can't tell. You think you are getting better, but there was poor Mrs. Jones sitting up, and every one saying how smart she was, and all of a sudden she was taken with spasms in the heart, and went off like a flash. Parthenia is young to bring the baby up by hand. But you must be careful, and not get anxious or excited. Keep quite calm, and don't fret about anything. Of course, things can't go on jest as if you were down-stairs; and I wondered whether you knew your little Billy was sailing about in a tub on the mill-pond, and that your little Sammy was letting your little Jimmy down from the veranda-roof in a clothes-basket.

Gracious goodness, what's the matter? I guess Providence'll take care of 'em. Don't look so. You thought Bridget was watching them? Well, no, she isn't. I saw her talking to a man at the gate. He looked to me like a burglar. No doubt she'll let him take the impression of the door-key in wax, and then he'll get in and murder you all. There was a family at Bobble Hill all killed last week for fifty dollars. Now, don't fidget so; it will be bad for the baby.

Poor, little dear! How singular it is, to be sure, that you can't tell whether a child is blind, or deaf and dumb, or a cripple at that age. It might be all, and you'd never know it.

Most of them that have their senses make bad use of them though; that ought to be your comfort, if it does turn out to have anything dreadful the matter with it. And more don't live a year. I saw a baby's funeral down the street as I came along.

How is Mr. Kobble? Well, but finds it warm in town, eh? Well, I should think he would. They are dropping down by hundreds there with sun-stroke. You must prepare your mind to have him brought home any day. Anyhow, a trip on these railroad trains is just risking your life every time you take one. Back and forth every day as he is, it's just trifling with danger.

Dear! dear! now to think what dreadful things hang over us all the time! Dear! dear!

Scarlet fever has broken out in the village, Cornelia. Little Isaac Potter has it, and I saw your Jimmy playing with him last Saturday.

Well, I must be going now. I've got another sick friend, and I sha'n't think my duty done unless I cheer her up a little before I sleep. Good-by. How pale you look, Cornelia! I don't believe you have a good doctor. Do send him away and try some one else. You don't look so well as you did when I came in. But if anything happens, send for me at once. If I can't do anything else, I can cheer you up a little.

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Mrs. Dallas, who lives in New York City, is a regular correspondent of the New York Ledger, having taken Fanny Fern's place on that widely circulated paper, is a prominent member of "Sorosis," and her Tuesday evening receptions draw about her some of the brightest society of that cosmopolitan centre.

All these selections are prizes for the long-suffering elocutionist who is expected to entertain his friends with something new, laughter-provoking, and fully up to the mark.

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Mrs. Ames, of Brooklyn, known to the public as "Eleanor Kirk," has revealed in her "Thanksgiving Growl" a bit of honest experience, refreshing with its plain Saxon and homely realism, which, when recited with proper spirit, is most effective.

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PROSE, BUT NOT PROSY.

Mrs. Alice Wellington Rollins, in those interesting articles in the Critic which induced me to look further, says:

"We claim high rank for the humor of women because it is almost exclusively of this higher, imaginative type. A woman rarely tells an anecdote, or hoards up a good story, or comes in and describes to you something funny that she has seen. Her humor is like a flash of lightning from a clear sky, coming when you least expect it, when it could not have been premeditated, and when, to the average consciousness, there is not the slightest provocation to humor, possessing thus in the very highest degree that element of surprise which is not only a factor in all humor, but to our mind the most important factor. You tell her that you cannot spend the winter with her because you have promised to spend it with some one else, and she exclaims: 'Oh, Ellen! why were you not born twins!' She has, perhaps, recently built for herself a most charming home, and coming to see yours, which happens to be just a trifle more luxurious and charming, she remarks as she turns away: 'All I can say is, when you want to see squalor, come and visit me in Oxford Street!' She puts down her heavy coffee-cup of stone-china with its untasted coffee at a little country inn, saying, with a sigh: 'It's no use; I can't get at it; it's like trying to drink over a stone wall.' She writes in a letter: 'We parted this morning with mutual satisfaction; that is, I suppose we did; I know my satisfaction was mutual enough for two.' She asks her little restless daughter in the most insinuating tones if she would not like to sit in papa's lap and have him tell her a story; and when the little daughter responds with a most uncompromising 'no!' turns her inducement into a threat, and remarks with severity: 'Well, be a good girl, or you will have to!' She complains, when you have kept her waiting while you were buying undersleeves, that you must have bought 'undersleeves enough for a centipede.' You ask how poor Mr. X—— is—the disconsolate widower who a fortnight ago was completely prostrated by his wife's death, and are told in calm and even tones that he is 'beginning to take notice.' You tell her that one of the best fellows in the class has been unjustly expelled, and that the class are to wear crape on their left arms for thirty days, and that you only hope that the President will meet you in the college-yard and ask why you wear it; to all of which she replies soothingly, 'I wouldn't do that, Henry; for the President might tell you not to mourn, as your friend was not lost, only gone before.' You tell her of your stunned sensation on finding some of your literary work complimented in the Nation, and she exclaims: 'I should think so! It must be like meeting an Indian and seeing him put his hand into his no-pocket to draw out a scented pocket-handkerchief, instead of a tomahawk.' Or she writes that two Sunday-schools are trying to do all the good they can, but that each is determined at any cost to do more good than the other."

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I have selected several specimens of this higher type of humor.

Mrs. Ellen H. Rollins was pre-eminently gifted in this direction. The humor in her exquisite "New England Bygones" is so interwoven with the simple pathos of her memories that it cannot be detached without detriment to both. But I will venture to select three sketches from

BY E.H. ARR.

Betsy had the reddest hair of any girl I ever knew. It was quite short in front, and she had a way of twisting it, on either temple, into two little buttons, which she fastened with pins. The rest of it she brought quite far up on the top of her head, where she kept it in place with a large-sized horn comb. Her face was covered with freckles, and her eyes, in winter, were apt to be inflamed. She always seemed to have a mop in her hand, and she had no respect for paint. She was as neat as old Dame Safford herself, and was continually "straightening things out," as she called it. Her temper, like her hair, was somewhat fiery; and when her work did not suit her, she was prone to a gloomy view of life. If she was to be believed, things were always "going to wrack and ruin" about the house; and she had a queer way of taking time by the forelock. In the morning it was "going on to twelve o'clock," and at noon it was "going on to midnight."

She kept her six kitchen chairs in a row on one side of the room, and as many flatirons in a line on the mantelpiece. Everything where she was had, she said, to "stand just so;" and woe to the child who carried crookedness into her straight lines! Betsy had a manner of her own, and made a wonderful kind of a courtesy, with which her skirts puffed out all around like a cheese. She always courtesied to Parson Meeker when she met him, and said: "I hope to see you well, sir." Once she courtesied in a prayer-meeting to a man who offered her a chair, and told him, in a shrill voice, to "keep his setting," though she was "ever so much obleeged" to him. This was when she was under conviction, and Parson Meeker said he thought she had met with a change of heart. Father Lathem's wife hoped so too, for then "there would be a chance of having some Long-noses and Pudding-sweets left over in the orchard."

It was in time of the long drought, when fire ran over Grayface, and a great comet appeared in the sky. Some of the people of Whitefield thought the world was coming to an end. The comet stayed for weeks, visible even at noon-day, stretching its tail from the zenith far toward the western horizon, and at night staring in at windows with its eye of fire. It was the talk of the people, who pondered over it with a helpless wonder. I recall two Whitefield women as they stood, one morning, bare-armed in a doorway, staring at and chattering about it. One says they "might as well stop work" and "take it easy" while they can. The other thinks the better way is to "keep on a stiddy jog until it comes." They wish they knew "how near it is," and "what the tail means anyway."

Betsy comes along with a pail, which she sets down, and then looks up to the comet. The air is dense with smoke from Grayface, and the dry earth is full of cracks. Betsy declares that it is "going on two months since there has been any rain." Everything is "going to wrack and ruin," and "if that thing up there should burst, there'll be an end to Whitefield."

Then she catches sight of me listening wide-mouthed, and she tells me that I needn't suppose she is "going home to iron my pink muslin," for she thinks the tail of the comet "has started, and is coming right down to whisk it off from the line." I believe her, and distinctly remember the terror that took hold of me as I rushed home and tore the pink muslin from the line, lest it should be whisked off by the comet's tail.

When the drought broke, a single day's rain washed all the smoke from the air. Directly, the tail of the comet began to fade, and all of a sudden its fiery eye went out of the sky.

Some of the villagers thought it had "burst," others that it had "burned out." Betsy said: "Whatever it was, it was a humbug;" and the wisest man in Whitefield could neither tell whence it came nor whither it went. One thing, however, was certain: Farmer Lathem said that never, since his orchard began to bear, had he gathered such a crop of apples as he did, despite the drought, in the year of the great comet.

BY E.H. ARR.

When I read of Roman matrons I always think of Mrs. Meeker. Her features were marked, and her eyes of deepest blue. She wore her hair combed closely down over her ears, so that her forehead seemed to run up in a point high upon her head: Its color was of reddish-brown, and, I am sorry to say, so far as it was seen, it was not her own. It was called a scratch, and Betsy said Mrs. Meeker "would look enough sight better if she would leave it off." Whether any hair at all grew upon Mrs. Meeker's head was a great problem with the village children, and nothing could better illustrate the dignity of this woman than the fact that for more than thirty years the whole neighborhood tried in vain to find out.

BY E.H. ARR.

Every Sunday he preached two long sermons, each with five heads, and each head itself divided. After the fifthly came an application, with an exhortation at its close. The sermons were called very able, or, more often, "strong discourses." I used to think this was because Mrs. Meeker had stitched their leaves fast together. Betsy said they were just like Deacon Saunders's breaking-up plough, "and went tearing right through sin." The parson, when I knew him, was a little slow of speech and dull of sight. He sometimes lost his place on his page. How afraid I used to be lest, not finding it, he should repeat his heads! He always brought himself up with a jerk, however, and sailed safely through to the application.

When that came, Benny almost always gave me a jog with his elbow or foot. Once he stuck a pin into my arm, which made me jump so that Deacon Saunders, who sat behind, waked up with a loud snort. The deacon was always talking about the sermons being "powerful in doctrine." When Benny asked Betsy what doctrines were, she told him to "let doctrines alone;" that they were "pizen things, only fit for hardened old sinners."

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There are many delightful articles which must be merely alluded to in passing, as the "Old Salem Shops," by Eleanor Putnam, so delicate and delicious that, once read, it will ever be a fragrant memory; Louise Stockton's "Woman in the Restaurant" I want to give you, and Mrs. Barrow's "Pennikitty People;" a chapter from Miss Baylor's "On This Side," and the opening chapters of Miss Phelps's "Old Maids' Paradise;" also the description of "Joppa," by Grace Denio Litchfield, in "Only an Incident." There are others from which it is not possible to make extracts. Miss Woolson's admirable "For the Major," though pathetic, almost tragic, in its underlying feeling, is, at the same time, a story of exquisite humor, from which, nevertheless, not a single sentence could be quoted that would be called "funny." Her work, and that of Frances Hodgson Burnett, as well as that of Miss Phelps and Mrs. Spofford, shine with a silver thread of humor, worked too intimately into the whole warp and woof to be extracted without injuring both the solid material and the tinsel. To appreciate the point and delicacy of their finest wit, you must read the whole story and grasp the entire character or situation.

Mrs. E.W. Bellamy, a Southern lady, published in last year's Atlantic Monthly a sketch called "At Bent's Hotel," which ought to have a place in this volume; but my publisher says authoritatively that there must be a limit somewhere; so this gem must be included in—a second series!

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There is so much truth as well as humor in the following article, that it must be included. It gives in prose the agonies which Saxe told so feelingly in verse:

BY ISABEL FRANCES BELLOWS.

I am impelled to write this as an awful warning to young men and women who are just entering upon life and its responsibilities. Years ago I thoughtlessly took a false step, which at the time seemed trivial and of little import, but which has since assumed colossal proportions that threaten to overshadow much of the innocent happiness of my otherwise placid existence. What wonder, then, that I try to avert this danger from young and inexperienced minds who in their gay thoughtlessness rush into the very jaws of the disaster, and before they are well aware find they are entrapped for life, as there is no escape for those who have thus brought their doom upon themselves.

I will try and relate how, like the Lady of Shalott, when I first began to gaze upon the world of realities "the curse" came upon me. It was in this wise:

I lived in my youth an almost cloistral life of seclusion and self-absorption, from which I was suddenly shaken by circumstances, and forced to mingle in the busy world; to which, after the first shock, I was not at all averse, but found very interesting, and also—and there was the weight that pulled me down—tolerably amusing. For I met some curious people, and saw and heard some remarkable things; and as I went among my friends I often used to give an account of my observations, until at last I discovered that wherever I went, and under whatever circumstances (except, of course, at the funeral of a member of the family), I was expected to be amusing! I found myself in the same relation to society that the clown bears to the circus-master who has engaged him—he must either be funny or leave the troupe.

Now, I am unfortunate in having no particular accomplishments. I cannot sing either the old songs or the new; neither am I a performer on divers instruments. I can paint a little, but my paintings do not seem to rouse any enthusiasm in the beholder, nor do they add an inspiring strain to conversation. I can, indeed, make gingerbread and six different kinds of pudding, but I hesitate to mention it, because the cook is far in advance of me in all these particulars, not to mention numerous other ways in which she excels. I have thus but one resource in life; and when I give one or two instances of the humiliation and distress of mind to which I have been subjected on its account I am sure I shall win a sympathizing thought even from those who are more favored by nature, and possibly save a few young spirits from the pain of treading in my footsteps.

In the first place, I am not naturally witty. Epigrams do not rise spontaneously to my lips, and it sometimes takes days and even weeks of consideration after an opportunity of making one has occurred before the appropriate words finally dawn upon me. By that time, of course, the retort is what the Catholics call "a work of supererogation." I perhaps possess a slight "sense of the humorous," which has undoubtedly given rise to the fatal demand upon me, but I do not remember ever having been very funny. There never was any danger of my experiencing difficulties like Dr. Holmes on that famous occasion when he was as funny as he could be. I have often been as funny as I could be, but the smallest of buttons on the slenderest of threads never detached itself on my account. I have never had to restrain my humorous remarks in the slightest degree, but on the contrary have sometimes been driven into making the most atrocious jokes, and even puns, because it was evident something of the sort was expected from me—only, of course, something better.

One occurrence of this kind will remain forever fixed in my memory. I was invited to a picnic, that most ghastly device of the human mind for playing at having a good time. At first I had declined to go, but it was represented to me that no less than three families had company for whose entertainment something must be done; that two young and interesting friends of mine just about to be engaged to each other would be simply inconsolable if the plan were given up; and, in short, that I should show by not going an extremely hateful and unseemly spirit—"besides, it wouldn't do to have it without you, my dear," continued my amiable friend, "because you know you are always the life of the party." So I sighed and consented.

The day arrived, and before nine o'clock in the morning the mercury stood at ninety degrees in the shade. The cook overslept herself, and breakfast was so late that William Henry missed the train into the city, which didn't make it pleasanter for any of us. I had made an especially delicate cake to take with me as my share of the feast, and while we were at breakfast I heard a crash in the direction of the kitchen, and hastening tremblingly to discover the origin of it I found the cake and the plate containing it in one indistinguishable heap on the floor.

"It slipped between me two hands as if it was alive, bad luck to it," said the cook; "and it was meself that saw the heavy crack in the plate before you set the cake onto it, mum!"

I took cookies and boiled eggs to the picnic.

The wreck had hardly been cleared away before my son and heir appeared in the doorway with a hole of unimagined dimensions in his third worst trousers. His second worst were already in the mending basket, so nothing remained for me but to clothe him in his best suit and wonder all day in which part of them I should find the largest hole when I came home.

Lastly, I had just put on my hat, and was preparing to set forth, warm, tired and demoralized, when my youngest, in her anxiety to bid me a sufficiently affectionate farewell, lost her small balance, and came rolling down-stairs after me. No serious harm was done, but it took nearly an hour before I succeeded in soothing and comforting her sufficiently to be able to leave her, with two brown-paper patches on her head and elbow, in the care of the nurse.

When I arrived late, discouraged and with a headache, at the picnic grounds, I found the assembled company sitting vapidly about among mosquitoes and beetles, already looking bored to death, and I soon perceived that it was expected of me to provide amusement and entertainment for the crowd. I tried to rally, therefore, and proposed a few games, which went off in a spiritless manner enough, and apparently in consequence I began to be assailed with questions and remarks of a reproachful character.

"Don't you feel well to-day?" "Has anything happened?" "You don't seem as lively as usual!" No one took the slightest notice of my explanations, until at last, goaded into desperation by one evil-minded old woman, who asked me if it were true that my husband was involved in the failure of Smith, Jones & Co., I launched out and became wildly and disgracefully silly. Nothing seemed too foolish, too senseless to say if it only answered the great purpose of keeping off the attack of personal questions.

Thus the wretched day wore on, until at last it was time to go home, and the first feeling approaching content was stealing into my weary bosom as I gathered up my basket and shawls, when it was rudely dashed by the following conversation, conducted by two ladies to whom I had been introduced that day. They were standing at a little distance from the rest of the company and from me, and evidently thought themselves far enough away to talk quite loud, so that these words were plainly borne to my ears:

"I hate to see people try to make themselves so conspicuous, don't you?"

"Yes, indeed; and to try to be funny when they haven't any fun in them."

"I can't imagine what Maria was thinking about to call her witty!"

"I know it. I should think such people had better keep quiet when they haven't anything to say. I'm glad it's time to go home. Picnics are such stupid things!"

What more was said I do not know, for I left the spot as quickly as possible, making an inward resolution to avoid all picnics in the future till I should arrive at my second childhood.

I cannot refrain from giving one other little instance of my sufferings from this cause. I was again invited out; this time to a lunch party, specially to meet the friend of a friend of mine. The very morning of the day it was to take place I received a telegram stating that my great-aunt had died suddenly in California. Now people don't usually care much about their great-aunts. They can bear to be chastened in this direction very comfortably; but I did care about mine. She had been very kind to me, and though the width of a continent had separated us for the last ten years her memory was still dear to me.

I sat down immediately to write a note excusing myself from my friend's lunch party, when, just as I took the paper, it occurred to me that it was rather a selfish thing to do. My friend's guests were invited, and her arrangements all made; and as the visit of her friend was to be very short the opportunity of our meeting would probably be lost. So I wrote instead a note to the daughter of my great aunt, and when the time came I went to the lunch party with a heavy heart. I had no opportunity of telling my friend of the sad news I had received that morning, and I suppose I may have been quiet; perhaps I even seemed indifferent, though I tried not to be. I could not have been very successful, however, for I was just going up-stairs to put on my "things" to go home, when I heard this little conversation in the dressing-room:

"It's too bad she wasn't more interesting to-day, but you never can tell how it will be. She will do as she likes, and that's the end of it."

"Yes," said another voice, "I think she is rather a moody person anyway; she won't say a word if she doesn't feel like it."

"'Sh—'sh—here she comes," said another, with the tone and look that told me it was I of whom they were talking.

And so I adjure all youthful and hopeful persons, who have a tendency to be funny, to keep it a profound secret from the world. Indulge in your propensities to any extent in your family circle; keep your immediate relatives, if you like, in convulsions of inextinguishable laughter all the time; but when you mingle in society guard your secret with your life. Never make a joke, and, if necessary, never take one; and by so doing you shall peradventure escape that wrath to come to which I have fallen an innocent victim, and which I doubt not will bring me to an untimely end.—The Independent.

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And a few pages from Miss Murfree, who has shown such rare power in her short character sketches.

BY CHARLES EGBERT CRADDOCK.

The pine-knots flamed and glistened under the great wash-kettle. A tree-toad was persistently calling for rain in the dry distance. The girl, gravely impassive, beat the clothes with the heavy paddle. Her mother shortly ceased to prod the white heaps in the boiling water, and presently took up the thread of her discourse.

"An' 'Vander hev got ter be a mighty suddint man. I hearn tell, when I war down ter M'ria's house ter the quiltin', ez how in that sorter fight an' scrimmage they hed at the mill las' month, he war powerful ill-conducted. Nobody hed thought of hevin' much of a fight—thar hed been jes' a few licks passed atwixt the men thar; but the fust finger ez war laid on this boy, he jes' lit out, an' fit like a catamount. Right an' lef' he lay about him with his fists, an' he drawed his huntin'-knife on some of 'em. The men at the mill war in no wise pleased with him."

"'Pears like ter me ez 'Vander air a peaceable boy enough, ef he ain't jawed at an' air lef' be," drawled Cynthia.

Her mother was embarrassed for a moment. Then, with a look both sly and wise, she made an admission—a qualified admission. "Waal, wimmen—ef—ef—ef they air young an' toler'ble hard-headed yit, air likely ter jaw some, ennyhow. An' a gal oughtn't ter marry a man ez hev sot his heart on bein' lef' in peace. He is apt ter be a mighty sour an' disapp'inted critter."

This sudden turn to the conversation invested all that had been said with new meaning, and revealed a subtle diplomatic intention. The girl seemed deliberately to review it as she paused in her work. Then, with a rising flush: "I ain't studyin' 'bout marryin' nobody," she asserted staidly. "I hev laid off ter live single."

Mrs. Ware had overshot the mark, but she retorted, gallantly reckless: "That's what yer Aunt Malviny useter declar' fur gospel sure, when she war a gal. An' she hev got ten chil'ren, an' hev buried two husbands; an' ef all they say air true, she's tollin' in the third man now. She's a mighty spry, good-featured woman, an' a fust-rate manager, yer Aunt Malviny air, an' both her husbands lef' her suthin—cows, or wagons, or land. An' they war quiet men when they war alive, an' stays whar they air put now that they air dead; not like old Parson Hoodenpyle, what his wife hears stumpin' round the house an' preachin' every night, though she air ez deef ez a post, an' he hev been in glory twenty year—twenty year an' better. Yer Aunt Malviny hed luck, so mebbe 'tain't no killin' complaint fur a gal ter git ter talking like a fool about marryin' an' sech. Leastwise I ain't minded ter sorrow."

She looked at her daughter with a gay grin, which, distorted by her toothless gums and the wreathing steam from the kettle, enhanced her witch-like aspect and was spuriously malevolent. She did not notice the stir of an approach through the brambly tangles of the heights above until it was close at hand; as she turned, she thought only of the mountain cattle and to see the red cow's picturesque head and crumpled horns thrust over the sassafras bushes, or to hear the brindle's clanking bell. It was certainly less unexpected to Cynthia when a young mountaineer, clad in brown jean trousers and a checked homespun shirt, emerged upon the rocky slope. He still wore his blacksmith's leather apron, and his powerful corded hammer-arm was bare beneath his tightly-rolled sleeve. He was tall and heavily built; his sunburned face was square, with a strong lower jaw, and his features were accented by fine lines of charcoal, as if the whole were a clever sketch.

His black eyes held fierce intimations, but there was mobility of expression about them that suggested changing impulses, strong but fleeting. He was like his forge-fire; though the heat might be intense for a time, it fluctuated with the breath of the bellows. Just now he was meekly quailing before the old woman, whom he evidently had not thought to find here. It was as apt an illustration as might be, perhaps, of the inferiority of strength to finesse. She seemed an inconsiderable adversary, as, haggard, lean, and prematurely aged, she swayed on her prodding-stick about the huge kettle; but she was as a veritable David to this big young Goliath, though she, too, flung hardly more than a pebble at him.

"Laws-a-me!" she cried, in shrill, toothless glee; "ef hyar ain't 'Vander Price! What brung ye down hyar along o' we-uns, 'Vander?" she continued, with simulated anxiety. "Hev that thar red heifer o' ourn lept over the fence agin, an' got inter Pete's corn? Waal, sir, ef she ain't the headin'est heifer!"

"I hain't seen none o' yer heifer, ez I knows on," replied the young blacksmith, with gruff, drawling deprecation. Then he tried to regain his natural manner. "I kem down hyar," he remarked, in an off-hand way, "ter git a drink o' water." He glanced furtively at the girl, then looked quickly away at the gallant red-bird, still gayly parading among the leaves.

The old woman grinned with delight. "Now, ef that ain't s'prisin'," she declared. "Ef we hed knowed ez Lost Creek war a-goin' dry over yander a-nigh the shop, so ye an' Pete would hev ter kem hyar thirstin' fur water, we-uns would hev brung suthin' down hyar ter drink out'n. We-uns hain't got no gourd hyar, hev we, Cynthy?"

"'Thout it air the little gourd with the saft-soap in it," said Cynthia, confused and blushing. Her mother broke into a high, loud laugh.

"Ye ain't wantin' ter gin 'Vander the soap-gourd ter drink out'n, Cynthy! Leastwise, I ain't goin' ter gin it ter Pete. Fur I s'pose ef ye hev ter kem a haffen mile ter git a drink, 'Vander, ez surely Pete'll hev ter kem, too. Waal, waal, who would hev b'lieved ez Lost Creek would go dry nigh the shop, an' yit be a-scuttlin' along like that hyarabouts!" and she pointed with her bony finger at the swift flow of the water.

He was forced to abandon his clumsy pretence of thirst. "Lost Creek ain't gone dry nowhar, ez I knows on," he admitted, mechanically rolling the sleeve of his hammer-arm up and down as he talked.

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From Miss Woolson's story of "Anne," I give the pen-portrait of the precise

"Codfish balls for breakfast on Sunday morning, of course," said Miss Lois, "and fried hasty-pudding. On Wednesdays, a boiled dinner. Pies on Tuesdays and Saturdays."

The pins stood in straight rows on her pincushion; three times each week every room in the house was swept, and the floors, as well as the furniture, dusted. Beans were baked in an iron pot on Saturday night, and sweet-cake was made on Thursday. Winter or summer, through scarcity or plenty, Miss Lois never varied her established routine, thereby setting an example, she said, to the idle and shiftless. And certainly she was a faithful guide-post, continually pointing out an industrious and systematic way, which, however, to the end of time, no French-blooded, French-hearted person will ever travel, unless dragged by force. The villagers preferred their lake trout to Miss Lois's salt codfish, their tartines to her corn-meal puddings, and their eau-de-vie to her green tea; they loved their disorder and their comfort; her bar soap and scrubbing-brush were a horror to their eyes. They washed the household clothes two or three times a year. Was not that enough? Of what use the endless labor of this sharp-nosed woman, with glasses over her eyes, at the church-house? Were not, perhaps, the glasses the consequence of such toil? And her figure of a long leanness also?

The element of real heroism, however, came into Miss Lois's life in her persistent effort to employ Indian servants. Through long years had she persisted, through long years would she continue to persist. A succession of Chippewa squaws broke, stole, and skirmished their way through her kitchen, with various degrees of success, generally in the end departing suddenly at night with whatever booty they could lay their hands on. It is but justice to add, however, that this was not much, a rigid system of keys and excellent locks prevailing in the well-watched household. Miss Lois's conscience would not allow her to employ half-breeds, who were sometimes endurable servants; duty required, she said, that she should have full-blooded natives. And she had them. She always began to teach them the alphabet within three days after their arrival, and the spectacle of a tearful, freshly-caught Indian girl, very wretched in her calico dress and white apron, worn out with the ways of the kettles and the brasses, dejected over the fish-balls, and appalled by the pudding, standing confronted by a large alphabet on the well-scoured table, and Miss Lois by her side with a pointer, was frequent and even regular in its occurrence, the only change being in the personality of the learners. No one of them had ever gone through the letters, but Miss Lois was not discouraged.

BY SARAH ORNE JEWETT.

I cannot truthfully say that it was a good show; it was somewhat dreary, now that I think of it quietly and without excitement. The creatures looked tired, and as if they had been on the road for a great many years. The animals were all old, and there was a shabby great elephant whose look of general discouragement went to my heart, for it seemed as if he were miserably conscious of a misspent life. He stood dejected and motionless at one side of the tent, and it was hard to believe that there was a spark of vitality left in him. A great number of the people had never seen an elephant before, and we heard a thin, little old man, who stood near us, say delightedly: "There's the old creatur', and no mistake, Ann 'Liza. I wanted to see him most of anything. My sakes alive, ain't he big!"

And Ann 'Liza, who was stout and sleepy-looking, droned out: "Ye-es, there's consider'ble of him; but he looks as if he ain't got no animation."

Kate and I turned away and laughed, while Mrs. Kew said, confidentially, as the couple moved away: "She needn't be a reflectin' on the poor beast. That's Mis' Seth Tanner, and there isn't a woman in Deep Haven nor East Parish to be named the same day with her for laziness. I'm glad she didn't catch sight of me; she'd have talked about nothing for a fortnight." There was a picture of a huge snake in Deep Haven, and I was just wondering where he could be, or if there ever had been one, when we heard a boy ask the same question of the man whose thankless task it was to stir up the lions with a stick to make them roar. "The snake's dead," he answered, good-naturedly. "Didn't you have to dig an awful long grave for him?" asked the boy; but the man said he reckoned they curled him up some, and smiled as he turned to his lions, that looked as if they needed a tonic. Everybody lingered longest before the monkeys, that seemed to be the only lively creatures in the whole collection....

Coming out of the great tent was disagreeable enough, and we seemed to have chosen the worst time, for the crowd pushed fiercely, though I suppose nobody was in the least hurry, and we were all severely jammed, while from somewhere underneath came the wails of a deserted dog. We had not meant to see the side shows; but when we came in sight of the picture of the Kentucky giantess, we noticed that Mrs. Kew looked at it wistfully, and we immediately asked if she cared anything about going to see the wonder, whereupon she confessed that she never heard of such a thing as a woman's weighing six hundred and fifty pounds; so we all three went in. There were only two or three persons inside the tent, beside a little boy who played the hand-organ.

The Kentucky giantess sat in two chairs on a platform, and there was a large cage of monkeys just beyond, toward which Kate and I went at once. "Why, she isn't more than two thirds as big as the picture," said Mrs. Kew, in a regretful whisper; "but I guess she's big enough; doesn't she look discouraged, poor creatur'?" Kate and I felt ashamed of ourselves for being there. No matter if she had consented to be carried round for a show, it must have been horrible to be stared at and joked about day after day; and we gravely looked at the monkeys, and in a few minutes turned to see if Mrs. Kew were not ready to come away, when, to our surprise, we saw that she was talking to the giantess with great interest, and we went nearer.

"I thought your face looked natural the minute I set foot inside the door," said Mrs. Kew; "but you've altered some since I saw you, and I couldn't place you till I heard you speak. Why, you used to be spare. I am amazed, Marilly! Where are your folks?"

"I don't wonder you are surprised," said the giantess. "I was a good ways from this when you knew me, wasn't I? But father, he ran through with every cent he had before he died, and 'he' took to drink, and it killed him after a while; and then I begun to grow worse and worse, till I couldn't do nothing to earn a dollar, and everybody was a-coming to see me, till at last I used to ask 'em ten cents apiece, and I scratched along somehow till this man came round and heard of me; and he offered me my keep and good pay to go along with him. He had another giantess before me, but she had begun to fall away considerable, so he paid her off and let her go. This other giantess was an awful expense to him, she was such an eater; now, I don't have no great of an appetite"—this was said plaintively—"and he's raised my pay since I've been with him because we did so well." ...

"Have you been living in Kentucky long?" asked Mrs. Kew. "I saw it on the picture outside."

"No," said the giantess; "that was a picture the man bought cheap from another show that broke up last year. It says six hundred and fifty pounds, but I don't weigh more than four hundred. I haven't been weighed for some time past. Between you and me, I don't weigh as much as that, but you mustn't mention it, for it would spoil my reputation and might hinder my getting another engagement."

Then they shook hands in a way that meant a great deal, and when Kate and I said good-afternoon, the giantess looked at us gratefully, and said: "I'm very much obliged to you for coming in, young ladies."

"Walk in! Walk in!" the man was shouting as we came away. "Walk in and see the wonder of the world, ladies and gentlemen—the largest woman ever seen in America—the great Kentucky giantess!"

A Trip of Trials.

BY LOUISE CHANDLER MOULTON.

The Jane Moseley was a disappointment—most Janes are. If they had called her Samuel, no doubt she would have behaved better; but they called her Jane, and the natural consequences of our mistakes cannot be averted from ourselves or others. A band was playing wild strains of welcome as we approached. Come and sail with us, it said—it is summer, and the days are long. Care is of the land—here the waves flow, and the winds blow, and captain smiles, and stewardess beguiles, and all is music, music, music. How the wild, exultant strains rose and fell—but everything rose and fell on that boat, as we found out afterward. Just here a spirit of justice falls on me, like the gentle dew from heaven, and forces me to admit that it rained like a young deluge; that it had been raining for two days, and the bosom of the deep was heaving with responsive sympathy; as what bosom would not on which so many tears had been shed? Perhaps responsive sympathy was the secret of the Jane Moseley's behavior; but I would her heart had been less tender. Then, too, the passengers were few; and of course as we had to divide the roll and tumble between us, there was a great deal for each one.

There was a Pretty Girl, and she had a sister who was not pretty. It seemed to me that even the sad sea waves were kinder to the Pretty Girl, such is the influence of youth and beauty. There were various men—heavy swells I should call some of them, only that that would be slang; but heavy swells were the order of the day. Then there was a benevolent old lady who believed in everything—in the music, and the Jane Moseley, and the long days, and the summer. There was another old lady of restless mind, who evidently believed in nothing, hoped for nothing, expected nothing. She tried all the lounges and all the corners, and found each one a separate disappointment. There was a fat, fair one, of friendly face, and beside her her grim guardian, a man so thin that you at once cast him for the part of Starveling in this Midsummer Day's Dream of Delusion.

We put out from shore—quite out of sight of shore, in short—and then the perfidious music ceased. To the people on land it had sung, "Come and make merry with us," but from us, trying in vain to make merry, it withheld its deceitful inspiration. For the exceeding weight of sorrow that presently settled down upon us it had no balm. When you are on a pleasure trip it is unpleasant to be miserable; so I tried hard to shake off the mild melancholy that began to steal over me. I said to myself, I will not affront the great deep with my personal woes. I am but a woman, yet perhaps on this so great occasion magnanimity of soul will be possible even to me. I will consider my neighbors and be wise. At one end of the long saloon a banquet-board was spread. Its hospitality was, like the other attractions of the Jane Moseley, a perfidious pageant. Nobody sought its soup or claimed its clams. One or two sad-eyed young men made their way in that direction from time to time—after their sea-legs, perhaps. From their gait when they came back I inferred they did not find them. The human nature in the saloon became a weariness to me. Even the gentle gambols of the dog Thaddeus, a sportive and spotted pointer in whom I had been interested, failed to soothe my perturbed spirits. De Quincey speaks somewhere of "the awful solitariness of every human soul." No wonder, then, that I should be solitary among the festive few on board the Jane Moseley—no wonder I felt myself darkly, deeply, desperately blue. I thought I would go on deck. I clung to my companion with an ardor which would have been flattering had it been voluntary. My faltering steps were guided to a seat just within the guards. I sat there thinking that I had never nursed a dear gazelle, so I could not be quite sure whether it would have died or not, but I thought it would. I mused on the changing fortunes of this unsteady world, and the ingratitude of man. I thought it would be easier going to the Promised Land if Jordan did not roll between. Rolling had long ceased to be a pleasant figure of speech with me. How frail are all things here below, how false, and yet how fair! My mind is naturally picturesque. In the midst of my sadness the force of nature compelled me to grope after an illustration. I could only think that my own foothold was frail, that the Jane Moseley was false, that the Pretty Girl was fair. A dizziness of brain resulted from this rhetorical effort. I silently confided my sorrows to the sympathizing bosom of the sea. I was soothed by the kindred melancholy of the sad sea waves. If the size of the waves were remarkable, other sighs abounded also, and other things waved—many of them.

True to my purpose of studying my fellow-beings, and learning wisdom by observation, I surveyed the Pretty Girl and her sister, who had by that time come on deck. They were surrounded by a group of audacious male creatures, who surrounded most on the side where the Pretty Girl sat. She did not look feeble. She was like the red, red rose. It was a conundrum to me why so much greater anxiety should be bestowed upon her health than upon her sister's. It needed some moral reflection to make it out; but I concluded that pretty girls were, by some law of nature, more subject to sea-sickness than plain ones; therefore, all these careful cares were quite in order. I saw the two old ladies—the benevolent one who had believed so implicitly in all things, but over whose benign visage doubt had now begun to settle like a cloud; and the other, who had hoped nothing from the first, and therefore over whom no disappointment could prevail—and, seeing, I mildly wondered whether, indeed, 'twere better to have loved and lost, or never to have loved at all.

My thoughts grew solemn. The green shores beyond the swelling flood seemed farther off than ever. The Jane Moseley had promised to land us at Newport pier at seven o'clock. It was already half-past seven; oh, perfidious Jane! Darkness had settled upon the face of the deep. We went inside. The sad-eyed young men had evidently been hunting for their sea-legs again, in the neighborhood of the banqueting-table, where nobody banqueted. Failing to find the secret of correct locomotion, they had laid themselves down to sleep, but in that sleep at sea what dreams did come, and how noisy they were! The dog Thaddeus walked by dejectedly, sniffing at the ghost of some half-forgotten joy. At last there rose a cry—Newport! The sleepers started to their feet. I started to mine, but I discreetly and quietly sat down again. Was it Newport, at last? Not at all. The harbor lights were gleaming from afar; and the cry was of the bandmaster shouting to his emissaries, arousing fiddle and flute and bassoon to their deceitful duty. They had played us out of port—they would play us in again. They had promised us that all should go merry as a marriage-bell, and—I would not be understood to complain, but it had been a sad occasion. Now the deceitful strains rose and fell again upon the salt sea wind. The many lights glowed and twinkled from the near shore. We are all at play, come and play with us, screamed the soft waltz music. It is summer, and the days are long, and trouble is not, and care is banished. If the waves sigh, it is with bliss. Our voyage is ended. It is sad that you did not sail with us, but we will invite you again to-morrow, and the band shall play, and the crowd be gay, and airs beguile, and blue skies smile, and all shall be music, music, music. But I have sailed with you, on a summer day, bland master of a faithless band; and I know how soon your pipes are dumb—I know the tricks and manners of the clouds and the wind, and the swelling sea, and Jane Moseley, the perfidious.

I must, after all, have strong local attachments, for when at last the time came to land I left the ship with lingering reluctance. My feet seemed fastened to the deck where I had made my brief home on the much rolling deep. I had grown used to pain and resigned to fate. I walked the plank unsteadily. I stood on shore amid the rain and the mist. A hackman preyed upon me. I was put into an ancient ark and trundled on through the queer, irresolute, contradictory old streets, beside the lovely bay, all aglow with the lighted yachts, as a Southern swamp is with fire-flies. A torchlight procession met and escorted me. To this hour I am at a loss to know whether this attention was a delicate tribute on the part of the city of Newport to a distinguished guest, or a parting attention from the company who sail the Jane Moseley, and advertise in the Tribune—a final subterfuge to persuade a tortured passenger, by means of this transitory glory, that the sail upon a summer sea had been a pleasure trip.—Letter to New York Tribune.

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HUMOROUS POEMS.

I will next group a score of poems and doggerel rhymes with their various degrees of humor.

BY LUCRETIA P. HALE.

BY JOSEPHINE POLLARD.

BY JOSEPHINE POLLARD.

BY MRS. M.E.W. SKEELS.

BY MAY CROLY ROPER.

BY MARGARET EYTINGE.

BY MARY D. BRINE.

BY MARY D. BRINE.

Feelingly Dedicated to their Discounted Bills.

BY MISS ANNA A. GORDON.

BY METTA VICTORIA VICTOR.

BY METTA VICTORIA VICTOR.

BY E.T. CORBETT.

(Story of an old Woman who knew Washington.)

BY LIZZIE W. CHAMPNEY.

BY CHARLOTTE FISKE BATES.

John Verity's Experience.

BY LUCRETIA DAVIDSON.

BY ARABELLA WILSON.

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GOOD-NATURED SATIRE.

Women show their sense of humor in ridiculing the foibles of their own sex, as Miss Carlotta Perry seeing the danger of "higher education," and Helen Gray Cone laughing over the exaggerated ravings and moanings of a stage-struck girl, or the very one-sided sermon of a sentimental goose.

BY CARLOTTA PERRY.

BY HELEN GRAY CONE.

BY HELEN GRAY CONE.

A dozen others equally good must be reserved for that encyclopædia! This specimen, of vers de société rivals Locker or Baker:

BY ALICE WILLIAMS.

Women are often extremely humorous in their newspaper letters, excelling in that department. As critics they incline to satire. No one who read them at the time will ever forget Mrs. Runkle's review of "St. Elmo," or Gail Hamilton's criticism of "The Story of Avis," while Mrs. Rollins, in the Critic, often uses a scimitar instead of a quill, though a smile always tempers the severity. She thus beheads a poetaster who tells the public that his "solemn song" is

"His 'solemn song' is certainly very solemn for a song with so cheerful a purpose. We have rarely read, indeed, a book with so large a proportion of unhappy words in it. Frozen shrouds, souls a-chill with agony, things wan and gray, icy demons, scourging willow-branches, snow-heaped mounds, black and freezing nights, cups of sorrow drained to the lees, etc., are presented in such profusion that to struggle through the 'dark abyss' in search of the 'ray of hope' is much like taking a cup of poison to learn the sweetness of its antidote. Mr. —— in one of his stanzas invites his soul to 'come and walk abroad' with him. If he ever found it possible to walk abroad without his soul, the fact would have been worth chronicling; but if it is true that he only desires to have his soul with him occasionally, we should advise him to walk abroad alone, and invite his soul to sit beside him in the hours he devotes to composition."

Then humor is displayed in the excellent parodies by women—as Grace Greenwood's imitations of various authors, written in her young days, but quite equal to the "Echo Club" of Bayard Taylor. How perfect her mimicry of Mrs. Sigourney!

BY L.H.S.

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Phœbe Cary's parody on "Maud Muller" I never fancied; it seems almost wicked to burlesque anything so perfect. But so many parodies have been made on Kingsley's "Three Fishers" that now I can enjoy a really good one, like this from Miss Lilian Whiting, of the Boston Daily Traveller, the well-known correspondent of various Western papers:

After Kingsley.

BY LILIAN WHITING.

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The humor of women is constantly seen in their poems for children, such as "The Dead Doll," by Margaret Vandergrift, and the "Motherless Turkeys," by Marian Douglas. Here are some less known:

BY NELLIE K. KELLOGG.

BY GRACE F. COOLIDGE.

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Harriette W. Lothrop, wife of the popular publisher—better known by her pen name of "Margaret Sidney"—has done much in a humorous way to amuse and instruct little folks. She has much quiet humor.

BY MARGARET SIDNEY.

BY ADELAIDE CILLEY WALDRON.

BY GAIL HAMILTON.

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PARODIES—REVIEWS—CHILDREN'S POEMS—COMEDIES BY WOMEN—A DRAMATIC TRIFLE—A STRING OF FIRECRACKERS.

It is surprising that we have so few comedies from women. Dr. Doran mentions five Englishwomen who wrote successful comedies. Of these, three are now forgotten; one, Aphra Behn, is remembered only to be despised for her vulgarity. She was an undoubted wit, and was never dull, but so wicked and coarse that she forfeited all right to fame.

Susanna Centlivre left nineteen plays full of vivacity and fun and lively incident. The Bold Stroke for a Wife is now considered her best. The Basset Table is also a superior comedy, especially interesting because it anticipates the modern blue-stocking in Valeria, a philosophical girl who supports vivisection, and has also a prophecy of exclusive colleges for women.

There is nothing worthy of quotation in any of these comedies. Some sentences from Mrs. Centlivre's plays are given in magazine articles to prove her wit, but we say so much brighter things in these days that they must be considered stale platitudes, as:

"You may cheat widows, orphans, and tradesmen without a blush, but a debt of honor, sir, must be paid."

"Quarrels, like mushrooms, spring up in a moment."

"Woman is the greatest sovereign power in the world."

Hans Andersen in his Autobiography mentions a Madame von Weissenthurn, who was a successful actress and dramatist. Her comedies are published in fourteen volumes. In our country several comedies written by women, but published anonymously, have been decided hits. Mrs. Verplanck's Sealed Instructions was a marked success, and years ago Fashion, by Anna Cora Mowatt, had a remarkable run. By the way, those roaring farces, Belles of the Kitchen and Fun in a Fog, were written for the Vokes family by an aunt of theirs. And I must not forget to state that Gilbert's Palace of Truth was cribbed almost bodily from Madame de Genlis's "Tales of an Old Castle." Mrs. Julia Schayer, of Washington, has given us a domestic drama in one act, entitled Struggling Genius.

Scene I. Nursery.

[Time, eight o'clock A.M. In the background nurse making bed, etc.; Girl of Two amusing herself surreptitiously with pins, buttons, scissors, etc.; Girl of Eight practising piano in adjoining room; Mrs. A. in foreground performing toilet of infant. Having lain awake half the preceding night wrestling with the plot of a new novel for which rival publishers are waiting with outstretched hands (full of checks), Mrs. A. believes she has hit upon an effective scene, and burns to commit it to paper. Washes infant with feverish haste.]

Mrs. A. (soliloquizing). Let me see! How was it? Oh! "Olga raised her eyes with a sweetly serious expression. Harold gazed moodily at her calm face. It was not the expression that he longed to see there. He would have preferred to see—" Good gracious, Maria! That child's mouth is full of buttons! "He would have preferred—preferred—" (Loudly.) Leonora! That F's to be sharped! There, there, mother's sonny boy! Did mamma drop the soap into his mouth instead of the wash-bowl? There, there! (Sings.) "There's a land that is fairer than this," etc.

[Infant quiet.

Mrs. A. (resuming). "He would have preferred—preferred—" Maria, don't you see that child has got the scissors? "He would have—" There now, let mamma put on its little socks. Now it's all dressed so nice and clean. Don'ty ky! No, don'ty! Leonora! Put more accent on the first beat. "Harold gazed moodily into—" His bottle, Maria! Quick! He'll scream himself into fits!

[Exit nurse. Baby having got both fists into his mouth beguiles himself into quiet.

Mrs. A. Let me see! How was it? Oh! "Harold gazed moodily into her calm, sweet face. It was not the expression he would have liked to find there. He would have preferred—" (Shriek from girl of two.) Oh, dear me! She has shut her darling fingers in the drawer! Come to mamma, precious love, and sit on mamma's lap, and we'll sing about little pussy.

Enter nurse with bottle. Curtain falls.

Scene II. Study.

[Three hours later; infant and Girl of Two asleep; house in order; lunch and dinner arranged; buttons sewed on Girl of Eight's boots, string on Girl of Ten's hood, and both dispatched to school, etc. Enter Mrs. A. Draws a long sigh of relief and seats herself at desk. Reads a page of Dickens and a poem or two to attune herself for work. Seizes pen, scribbles erratically a few seconds and begins to write.]

Mrs. A. (after some moments). I think that is good. Let us hear how it reads. (Reads aloud.) "He would have preferred to find more passion in those deep, dark eyes. Had he then no part in the maiden meditations of this fair, innocent girl—he whom proud beauties of society vied with each other to win? He could not guess. A stray breeze laden with violet and hyacinth perfume stole in at the open window, ruffling the soft waves of auburn hair which shaded her alabaster forehead." It seems to me I have read something similar before, but it is good, anyhow. "Harold could not endure this placid, unruffled calm. His own veins were full of molten lava. With a wild and passionate cry he—"

Enter cook bearing a large, dripping piece of corned beef.

Cook. Please, Miss Anastasy, is dis de kin' of a piece ye done wanted? I thought I'd save ye de trouble o' comin' down.

Mrs. A. (desperately). It is!

[Exit cook, staring wildly.

Mrs. A. (resuming). "With a wild, passionate cry, he—"

Re-enter cook.

Cook. Ten cents for de boy what put in de wood, please, ma'am!

[Mrs. A. gives money; exit cook. Mrs. A., sighing, takes up MS. Clock strikes twelve; soon after the lunch-bell rings.]

Voice of Girl of Ten, calling: Mamma, why don't you come to lunch?

Scene III. Dining-room.

Enter Mrs. A.

Girl of Ten. Oh, what a mean lunch! Nothing but bread and ham. I hate bread and ham! All the girls have jelly-cake. Why don't we have jelly-cake? We used to have jelly-cake.

Mrs. A. You can have some pennies to buy ginger-snaps.

Girl of Ten. I hate ginger-snaps! When are you going to make jelly-cake?

Mrs. A. (sternly). When my book is done.

Girl of Ten (with inexpressible meaning): Hm!

Curtain falls.

Scene IV. Study.

Enter Mrs. A. Children, still asleep; girls at school; deck again cleared for action.

Mrs. A. It is one o'clock. If I can be let alone until three I can finish that last chapter.

[Takes up pen; lays it down; reads a poem of Mrs. Browning to take the taste of ham-sandwiches out of her mouth, then resumes pen, and writes with increasing interest for fifteen minutes. Everything is steeped in quiet. Suddenly a faint murmur of voices is heard; it increases, it approaches, mingled with the tread of many feet, and a rumbling as of mighty chariot-wheels. It is only Barnum's steam orchestrion, Barnum's steam chimes, and Barnum's steam calliope, followed by an array of ruff-scruff. They stop exactly opposite the house. The orchestrion blares, the chimes ring a knell to peace and harmony, the calliope shrieks to heaven. The infants wake and shriek likewise. Exit Mrs. A. Curtain falls.]

Scene V. Study.

Enter Mrs. A. Peace restored; children happy with nurse. Seizes pen and writes rapidly. Doorbell rings, cook announces caller; nobody Mrs. A. wants to see, but somebody she MUST see. Exit Mrs. A. in a state of rigid despair.

Scene VI. Hall.

[Visitor gone; Mrs. A. starts for study. Enter Girl of Eight followed by Girl of Ten.]

Duettino.

Girl of Ten. Mamma, please give me my music lesson now, so I can go and skate; and then won't you please make some jelly-cake? And see, my dress is torn, and my slate-frame needs covering.

Girl of Eight. Where are my roller-skates? Where is the strap? Can I have a pickle? Please give me a cent. A girl said her mother wouldn't let her wear darned stockings to school. I'm ashamed of my stockings. You might let me wear my new ones.

[Mrs. A. gives music lesson; mends dress; covers slate-frame; makes jelly-cake and a pudding; goes to nursery and sends nurse down to finish ironing.]

Scene VII. Nursery.

[Mrs. A. with babies on her lap. Enter husband and father with hands full of papers and general air of having finished his day's work.]

Mr. A. Well, how is everything? Children all right, I see. You must have had a nice, quiet day. Written much?

Mrs. A. (faintly). Not very much.

Mr. A. (complacently). Oh, well, you can't force these things. It will be all right in time.

Mrs. A. (in a burst of repressed feeling). We need the money so much, Charles!

Mr. A. (with an air of offended dignity). Oh, bother! You are not expected to support the family.

[Mrs. A., thinking of that dentist's bill, that shoe bill, and the summer outfit for a family of six, says nothing. Exit Mr. A., who re-enters a moment later.]

Mr. A. You—a—haven't fixed my coat, I see.

Mrs. A. (with a guilty start). I—I forgot it!

Gibbering Fiend Conscience. Ha, ha! Ho, ho!

Curtain falls amid chorus of exulting demons.

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I have reserved for the close numerous instances of woman's facility at badinage and repartee. It is there, after all, that she shines perennial and pre-eminent. You will excuse me if I give them to you one after another without comment, like a closing display of fireworks.

And first let me quote from Mrs. Rollins, as an instance of the way in which women often react upon each other in repartee, a little conversation which it was once her privilege to overhear:

"Margaret. I wonder you never have been married, Kate. Of course you've had lots of chances. Won't you tell us how many?

"Kate. No, indeed! I could not so cruelly betray my rejected lovers.

"Helen. Of course you wouldn't tell us exactly; but would you mind giving it to us in round numbers?

"Kate. Certainly not; the roundest number of all exactly expresses the chances I have had.

"Charlotte (with a sigh). Now I know what people mean by Kate's circle of admirers!"

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A lady was discussing the relative merits and demerits of the two sexes with a gentleman of her acquaintance. After much badinage on one side and the other, he said: "Well, you never yet heard of casting seven devils out of a man." "No," was the quick retort, "they've got 'em yet!"

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"What would you do in time of war if you had the suffrage?" said Horace Greeley to Mrs. Stanton.

"Just what you have done, Mr. Greeley," replied the ready lady; "stay at home and urge others to go and fight!"

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It was Margaret Fuller who worsted Mrs. Greeley in a verbal encounter. The latter had a decided aversion to kid gloves, and on meeting Margaret shrank from her extended hand with a shudder, saying: "Ugh! Skin of a beast! skin of a beast!"

"Why," said Miss Fuller, in surprise, "what do you wear?"

"Silk," said Mrs. Greeley, stretching out her palm with satisfaction.

Miss Fuller just touched it, saying, with a disgusted expression, "Ugh! entrails of a worm! entrails of a worm!"

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Mademoiselle de Mars, the former favorite of the Théâtre de Français, had in some way offended the Gardes du Corps. So one night they came in full force to the theatre and tried to hiss her down.

The actress, unabashed, came to the front of the stage, and alluding to the fact that the Gardes du Corps never went to war, said: "What has Mars to do with the Gardes du Corps?"

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Madame Louis de Ségur is daughter of the late Casimir Périer, who was Minister of the Interior during Thiers's administration. When once out of office, but still an influential member of the House, he once tried to form a new Moderate Republican party, meeting with but little success.

Once his daughter, who was sitting in the gallery, saw him entering the House all alone.

"Here comes my father with his party," she said.

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I was greatly amused at the quiet reprimand given by a literary lady of New York to a stranger at her receptions, who, with hands crossed complacently under his coat-tails, was critically examining the various treasures in her room, humming obtrusively as he passed along.

The hostess paused near him, surveyed him critically, and then inquired, in a gentle tone: "Do you play also?"

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A young girl being asked why she had not been more frequently to Lenten services, excused herself in this fashion, severe, but truthful: "Oh, Dr. —— is on such intimate terms with the Almighty that I felt de trop."

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At a reception in Washington this spring an admirable answer was given by a level-headed woman—we are all proud of Miss Cleveland—to a fine-looking army officer, who has been doing guard duty in that magnificent city for the past seventeen years. "Pray," said he, "what do ladies find to think about besides dress and parties?"

"They can think of the heroic deeds of our modern army officers," was her smiling reply.

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Do you remember Lydia Maria Child's reply to her husband when he wished he was as rich as Crœsus: "At any rate, you are King of Lydia;" and Lucretia Mott's humorous comment when she entered a room where her husband and his brother Richard were sitting, both of them remarkable for their taciturnity and reticence: "I thought you must both be here—it was so still!"

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In my own home I recall a sensible old maid of Scotch descent with her cosey cottage and the dear old-fashioned garden where she loved to work. Our physician, a man of infinite humor, who honestly admired her sterling worth, and was attracted by her individuality, leaned over her fence one bright spring morning, with the direct question: "Miss Sharp, why did you never get married?"

She looked up from her weeding, rested on her hoe-handle, and looking steadily at his hair, which was of a sandy hue, answered: "I'll tell you all about it, Doctor. I made up my mind, when I was a girl, that, come what would, I would never marry a red-headed man, and none but men with red hair have ever offered themselves."

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We all know women whose capacity for monologue exhausts all around them. So that the remark will be appreciated of a lady to whom I said, alluding to such a talker: "Have you seen Mrs. —— lately?"

"No, I really had to give up her acquaintance in despair, for I had been trying two years to tell her something in particular."

A lady once told me she could always know when she had taken too much wine at dinner—her husband's jokes began to seem funny!

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Lastly and—finally, there is a reason for our apparent lack of humor, which it may seem ungracious to mention. Women do not find it politic to cultivate or express their wit. No man likes to have his story capped by a better and fresher from a lady's lips. What woman does not risk being called sarcastic and hateful if she throws back the merry dart, or indulges in a little sharp-shooting? No, no, it's dangerous—if not fatal.

Madame de Staël and Madame Récamier are good illustrations of this point. The former, by her fearless expressions of wit, exposed herself to the detestation of the majority of mankind. "She has shafts," said Napoleon, "which would hit a man if he were seated on a rainbow."

But the sweetly fawning, almost servile adulation of the listening beauty brought her a corresponding throng of admirers. It sometimes seems that what is pronounced wit, if uttered by a distinguished man, would be considered commonplace if expressed by a woman.

Parker's illustration of Choate's rare humor never struck me as felicitous. "Thus, a friend meeting him one ten-degrees-below-zero morning in the winter, said: 'How cold it is, Mr. Choate.' 'Well, it is not absolutely tropical,' he replied, with a most mirthful emphasis."

And do you recollect the only time that Wordsworth was really witty? He told the story himself at a dinner. "Gentlemen, I never was really witty but once in my life." Of course there was a general call for the bright but solitary instance. And the contemplative bard continued: "Well, gentlemen, I was standing at the door of my cottage on Rydal Mount, one fine summer morning, and a laborer said to me: 'Sir, have you seen my wife go by this way?' And I replied: 'My good man, I did not know until this moment that you had a wife!'"

He paused; the company waited for the promised witticism, but discovering that he had finished, burst into a long and hearty roar, which the old gentleman accepted complacently as a tribute to his brilliancy.

The wit of women is like the airy froth of champagne, or the witching iridescence of the soap-bubble, blown for a moment's sport. The sparkle, the life, the fascinating foam, the gay tints vanish with the occasion, because there is no listening Boswell with unfailing memory and capacious note-book to preserve them.

Then, unlike men, women do not write out their impromptus beforehand and carefully hoard them for the publisher—and posterity!

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And now, dear friends, a cordial au revoir.

My heartiest thanks to the women who have so generously allowed me to ransack their treasuries, filching here and there as I chose, always modestly declaiming against the existence of wit in what they had written.

To various publishers in New York and Boston, who have been most courteous and liberal, credit is given elsewhere.

Touched by the occasion, I "drop into" doggerel:

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