DRAMATIS PERSONAE — SCENE: Verona; Milan; the frontiers of Mantua — ACT 1. SCENE I. Verona. An open place
*******************************************************************
THIS EBOOK WAS ONE OF PROJECT GUTENBERG'S EARLY FILES PRODUCED AT A TIME WHEN PROOFING METHODS AND TOOLS WERE NOT WELL DEVELOPED. THERE IS AN IMPROVED EDITION OF THIS TITLE WHICH MAY BE VIEWED AS EBOOK (#23043) at https://www.gutenberg.org/ebooks/23043 *******************************************************************
This Etext file is presented by Project Gutenberg, in
cooperation with World Library, Inc., from their Library of the
Future and Shakespeare CDROMS. Project Gutenberg often releases
Etexts that are NOT placed in the Public Domain!!
*This Etext has certain copyright implications you should read!*
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS
PROVIDED BY PROJECT GUTENBERG WITH PERMISSION. ELECTRONIC AND
MACHINE READABLE COPIES MAY BE DISTRIBUTED SO LONG AS SUCH COPIES
(1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT
DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL
DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD
TIME OR FOR MEMBERSHIP.>>
*Project Gutenberg is proud to cooperate with The World Library* in the presentation of The Complete Works of William Shakespeare for your reading for education and entertainment. HOWEVER, THIS IS NEITHER SHAREWARE NOR PUBLIC DOMAIN. . .AND UNDER THE LIBRARY OF THE FUTURE CONDITIONS OF THIS PRESENTATION. . .NO CHARGES MAY BE MADE FOR *ANY* ACCESS TO THIS MATERIAL. YOU ARE ENCOURAGED!! TO GIVE IT AWAY TO ANYONE YOU LIKE, BUT NO CHARGES ARE ALLOWED!!
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*These Etexts Prepared By Hundreds of Volunteers and Donations*
Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations.
The Complete Works of William Shakespeare
Two Gentlemen of Verona
June, 1999 [Etext #1773]
The Library of the Future Complete Works of William Shakespeare
Library of the Future is a TradeMark (TM) of World Library Inc.
******This file should be named 1773.txt or 1773.zip*****
The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar, then we produce 2 million dollars per hour this year we, will have to do four text files per month: thus upping our productivity from one million. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is 10% of the expected number of computer users by the end of the year 2001.
We need your donations more than ever!
All donations should be made to "Project Gutenberg/CMU", and are tax deductible to the extent allowable by law ("CMU" is Carnegie Mellon University).
Please mail to:
Project Gutenberg
P. O. Box 2782
Champaign, IL 61825
You can visit our web site at promo.net for complete information about Project Gutenberg.
When all other else fails try our Executive Director: dircompg@pobox.com or hart@pobox.com
******
**Information prepared by the Project Gutenberg legal advisor**
***** SMALL PRINT! for COMPLETE SHAKESPEARE *****
THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY WITH PERMISSION.
Since unlike many other Project Gutenberg-tm etexts, this etext is copyright protected, and since the materials and methods you use will effect the Project's reputation, your right to copy and distribute it is limited by the copyright and other laws, and by the conditions of this "Small Print!" statement.
1. LICENSE
A) YOU MAY (AND ARE ENCOURAGED) TO DISTRIBUTE ELECTRONIC AND MACHINE READABLE COPIES OF THIS ETEXT, SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.
B) This license is subject to the conditions that you honor the refund and replacement provisions of this "small print!" statement; and that you distribute exact copies of this etext, including this Small Print statement. Such copies can be compressed or any proprietary form (including any form resulting from word processing or hypertext software), so long as *EITHER*:
(1) The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
(2) The etext is readily convertible by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
(3) You provide or agree to provide on request at no additional cost, fee or expense, a copy of the etext in plain ASCII.
2. LIMITED WARRANTY; DISCLAIMER OF DAMAGES
This etext may contain a "Defect" in the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other infringement, a defective or damaged disk, computer virus, or codes that damage or cannot be read by your equipment. But for the "Right of Replacement or Refund" described below, the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of receiv- ing it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequen- tial damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
3. INDEMNITY: You will indemnify and hold the Project, its directors, officers, members and agents harmless from all lia- bility, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [A] distribution of this etext, [B] alteration, modification, or addition to the etext, or [C] any Defect.
4. WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form. The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and whatever else you can think of. Money should be paid to "Pro- ject Gutenberg Association / Carnegie Mellon University".
WRITE TO US! We can be reached at:
Internet: hart@pobox.com
Mail: Prof. Michael Hart
P.O. Box 2782
Champaign, IL 61825
This "Small Print!" by Charles B. Kramer, Attorney
Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
**** SMALL PRINT! FOR __ COMPLETE SHAKESPEARE ****
["Small Print" V.12.08.93]
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>>
If you would like further information about World Library, Inc.
Please call them at 1-800-443-0238 or email julianc@netcom.com
Please give them our thanks for their Shakespeare cooperation!
——————————————
1595
THE TWO GENTLEMEN OF VERONA
by William Shakespeare
DUKE OF MILAN, father to Silvia
VALENTINE, one of the two gentlemen
PROTEUS, " " " " "
ANTONIO, father to Proteus
THURIO, a foolish rival to Valentine
EGLAMOUR, agent for Silvia in her escape
SPEED, a clownish servant to Valentine
LAUNCE, the like to Proteus
PANTHINO, servant to Antonio
HOST, where Julia lodges in Milan
OUTLAWS, with Valentine
JULIA, a lady of Verona, beloved of Proteus
SILVIA, the Duke's daughter, beloved of Valentine
LUCETTA, waiting-woman to Julia
SERVANTS MUSICIANS
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>>
Enter VALENTINE and PROTEUS
VALENTINE. Cease to persuade, my loving Proteus:
Home-keeping youth have ever homely wits.
Were't not affection chains thy tender days
To the sweet glances of thy honour'd love,
I rather would entreat thy company
To see the wonders of the world abroad,
Than, living dully sluggardiz'd at home,
Wear out thy youth with shapeless idleness.
But since thou lov'st, love still, and thrive therein,
Even as I would, when I to love begin.
PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!
Think on thy Proteus, when thou haply seest
Some rare noteworthy object in thy travel.
Wish me partaker in thy happiness
When thou dost meet good hap; and in thy danger,
If ever danger do environ thee,
Commend thy grievance to my holy prayers,
For I will be thy headsman, Valentine.
VALENTINE. And on a love-book pray for my success?
PROTEUS. Upon some book I love I'll pray for thee.
VALENTINE. That's on some shallow story of deep love:
How young Leander cross'd the Hellespont.
PROTEUS. That's a deep story of a deeper love;
For he was more than over shoes in love.
VALENTINE. 'Tis true; for you are over boots in love,
And yet you never swum the Hellespont.
PROTEUS. Over the boots! Nay, give me not the boots.
VALENTINE. No, I will not, for it boots thee not.
PROTEUS. What?
VALENTINE. To be in love- where scorn is bought with groans,
Coy looks with heart-sore sighs, one fading moment's mirth
With twenty watchful, weary, tedious nights;
If haply won, perhaps a hapless gain;
If lost, why then a grievous labour won;
However, but a folly bought with wit,
Or else a wit by folly vanquished.
PROTEUS. So, by your circumstance, you call me fool.
VALENTINE. So, by your circumstance, I fear you'll prove.
PROTEUS. 'Tis love you cavil at; I am not Love.
VALENTINE. Love is your master, for he masters you;
And he that is so yoked by a fool,
Methinks, should not be chronicled for wise.
PROTEUS. Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all.
VALENTINE. And writers say, as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly, blasting in the bud,
Losing his verdure even in the prime,
And all the fair effects of future hopes.
But wherefore waste I time to counsel the
That art a votary to fond desire?
Once more adieu. My father at the road
Expects my coming, there to see me shipp'd.
PROTEUS. And thither will I bring thee, Valentine.
VALENTINE. Sweet Proteus, no; now let us take our leave.
To Milan let me hear from thee by letters
Of thy success in love, and what news else
Betideth here in absence of thy friend;
And I likewise will visit thee with mine.
PROTEUS. All happiness bechance to thee in Milan!
VALENTINE. As much to you at home; and so farewell!
Exit VALENTINE
PROTEUS. He after honour hunts, I after love;
He leaves his friends to dignify them more:
I leave myself, my friends, and all for love.
Thou, Julia, thou hast metamorphis'd me,
Made me neglect my studies, lose my time,
War with good counsel, set the world at nought;
Made wit with musing weak, heart sick with thought.
Enter SPEED
SPEED. Sir Proteus, save you! Saw you my master?
PROTEUS. But now he parted hence to embark for Milan.
SPEED. Twenty to one then he is shipp'd already,
And I have play'd the sheep in losing him.
PROTEUS. Indeed a sheep doth very often stray,
An if the shepherd be awhile away.
SPEED. You conclude that my master is a shepherd then, and
I a sheep?
PROTEUS. I do.
SPEED. Why then, my horns are his horns, whether I wake or
sleep.
PROTEUS. A silly answer, and fitting well a sheep.
SPEED. This proves me still a sheep.
PROTEUS. True; and thy master a shepherd.
SPEED. Nay, that I can deny by a circumstance.
PROTEUS. It shall go hard but I'll prove it by another.
SPEED. The shepherd seeks the sheep, and not the sheep the
shepherd; but I seek my master, and my master seeks not me;
therefore, I am no sheep.
PROTEUS. The sheep for fodder follow the shepherd; the shepherd
for
food follows not the sheep: thou for wages followest thy
master;
thy master for wages follows not thee. Therefore, thou art a
sheep.
SPEED. Such another proof will make me cry 'baa.'
PROTEUS. But dost thou hear? Gav'st thou my letter to Julia?
SPEED. Ay, sir; I, a lost mutton, gave your letter to her, a
lac'd
mutton; and she, a lac'd mutton, gave me, a lost mutton,
nothing
for my labour.
PROTEUS. Here's too small a pasture for such store of muttons.
SPEED. If the ground be overcharg'd, you were best stick her.
PROTEUS. Nay, in that you are astray: 'twere best pound you.
SPEED. Nay, sir, less than a pound shall serve me for carrying
your
letter.
PROTEUS. You mistake; I mean the pound- a pinfold.
SPEED. From a pound to a pin? Fold it over and over,
'Tis threefold too little for carrying a letter to your
lover.
PROTEUS. But what said she?
SPEED. [Nodding] Ay.
PROTEUS. Nod- ay. Why, that's 'noddy.'
SPEED. You mistook, sir; I say she did nod; and you ask me if
she
did nod; and I say 'Ay.'
PROTEUS. And that set together is 'noddy.'
SPEED. Now you have taken the pains to set it together, take it
for
your pains.
PROTEUS. No, no; you shall have it for bearing the letter.
SPEED. Well, I perceive I must be fain to bear with you.
PROTEUS. Why, sir, how do you bear with me?
SPEED. Marry, sir, the letter, very orderly; having nothing but
the
word 'noddy' for my pains.
PROTEUS. Beshrew me, but you have a quick wit.
SPEED. And yet it cannot overtake your slow purse.
PROTEUS. Come, come, open the matter; in brief, what said she?
SPEED. Open your purse, that the money and the matter may be
both
at once delivered.
PROTEUS. Well, sir, here is for your pains. What said she?
SPEED. Truly, sir, I think you'll hardly win her.
PROTEUS. Why, couldst thou perceive so much from her?
SPEED. Sir, I could perceive nothing at all from her; no, not
so
much as a ducat for delivering your letter; and being so hard
to
me that brought your mind, I fear she'll prove as hard to you
in
telling your mind. Give her no token but stones, for she's as
hard as steel.
PROTEUS. What said she? Nothing?
SPEED. No, not so much as 'Take this for thy pains.' To testify
your bounty, I thank you, you have testern'd me; in requital
whereof, henceforth carry your letters yourself; and so, sir,
I'll commend you to my master.
PROTEUS. Go, go, be gone, to save your ship from wreck,
Which cannot perish, having thee aboard,
Being destin'd to a drier death on shore. Exit SPEED
I must go send some better messenger.
I fear my Julia would not deign my lines,
Receiving them from such a worthless post. Exit