There was a carriage at the door. West-end people,
after late nights, managing to keep nine o’clock
appointments—in a north wind. Miriam pressed the bell
urgently. The scrubbed chalky mosaic and the busy bright
brass plate reproached her for her lateness during the long
moment before the door was opened.... It must be
someone for Mr. Orly; an appointment made since last
night; that was the worst of his living in the house. He
was in his surgery now, with the patient. The nine-fifteen
patient would come almost at once. He would discover
that his charts were not out before there was any chance
of getting at his appointment book.... As the great door
swung open she saw Mr. Hancock turn the corner of the
street walking very rapidly before the north wind....
Mr. Orly’s voice was sounding impatiently from the back
of the hall.... “Where’s Miss Hends.... Oh—here
y’are Miss Hends, I say call up Chalk for me will ya, get
him to come at once, I’ve got the patient waiting.” His
huge frock-coated form swung round into his surgery without
waiting for an answer. Miriam scurried through the hall
past Mr. Leyton’s open surgery door and into her room. Mr.
Leyton plunged out of his room as she was flinging down her
things and came in briskly. “Morning, Pater got a gas case?”
“Mm”; said Miriam. “I’ve got to call up Chalk
and I haven’t a second to do it.”
“Why Chalk?”
“Oh I don’t know. He said Chalk” said Miriam angrily,
seizing the directory.
“I’ll call him up if you like.”
“You are a saint. Tell him to come at once—sooner,”
said Miriam dabbing at her hair as she ran back through
the hall and upstairs. As she passed the turn of the staircase
Mr. Hancock was let in at the front door. She found
his kettle furiously boiling on its wrought-iron stand near
the chair. The stained glass window just behind it was
dim with steam. She lowered the gas, put a tumbler in
the socket of the spittoon, lit the gas burner on the bracket
table and swiftly pulled open its drawers one by one. The
instruments were all right ... the bottles—no chloroform,
the carbolic bottle nearly empty and its label soaked
and defaced. Gathering the two bottles in her hand she
turned to the instrument cabinet, no serviettes, no rubber
dam, clamps not up from the workshop. The top of the
cabinet still to be dusted. Dust and scraps of amalgam
were visible about the surfaces of the paper lining the
instrument drawers. No saliva tubes in the basin. She
swung round to the bureau and hurriedly read through
the names of the morning’s patients. Mr. Hancock came
quietly in as she was dusting the top of the instrument
cabinet by pushing the boxes and bottles of materials that
littered its surface to the backmost edge. They were all
lightly coated with dust. It was everlasting and the long
tubes and metal body of the little furnace were dull again.
“Good morning,” they said simultaneously, in even tones.
There were sounds of letters being opened and the turning
of the pages of the appointment book. The chain of Mr.
Hancock’s gold pencil case rattled softly as he made notes
on the corners of the letters.
“Did you have a pleasant week-end?”
“Very” said Miriam emphatically.
There was a squeak at the side of the cabinet. “Yes”
said Miriam down the speaking tube.... “Thank you.
Will you please bring up some tubes and serviettes.”
“Mr. Wontner.”
“Thank you.” ... “Mrs. Hermann is ‘frightfully
shocked’ at the amount of her account. What did we send
it in for?”
“Seventy guineas. It’s a reduction, and it’s two years’
work for the whole family.” The bell sounded again....
“Lady Cazalet has bad toothache and can you see her
at once.”
“Confound.... Will you go down and talk to her and
see if you can get one of the others to see her.”
“She won’t.”
“Well then she must wait. I’ll have Mr. Wontner up.”
Miriam rang. Mr. Hancock began busily washing his
hands. The patient came in. He greeted him over his
shoulder. Miriam gathered up the sheaf of annotated
letters and the appointment book and ran down-stairs.
“Has Mr. Leyton a patient Emma?” “Miss Jones just
gone in, Miss.” “Oh, Emma, will you ask the workshop
for Mr. Hancock’s rubber and clamps?” She rang through
to Mr. Leyton’s room. “There’s a patient of Mr. Hancock’s
in pain, can you see them if I can persuade them?”
she murmured. “Right, in ten minutes” came the answering
murmur. Mr. Hancock’s bell sounded from her room.
She went to his tube in the hall. “Can I have my charts?”
Running into her room she hunted out the first chart from
a case full and ran upstairs with it. Mr. Hancock’s patient
was sitting forward in the chair urging the adoption of the
decimal system. Running down again she went into the
waiting room. The dark Turkey carpeted oak furnished
length seemed full of seated forms. Miriam peered and
Lady Cazalet, with her hat already off rose from the deep
arm-chair at her side. “Can he see me?” she said in a
clear trembling undertone, her dark eyes wide upon
Miriam’s. Miriam gazed deep into the limpid fear. What
a privilege. How often Captain Cazalet must be beside
himself with unworthiness. “Yes, if you can wait a little”
she said dropping her eyes and standing with arms restrained.
“I think it won’t be very long” she added lingering a
moment as the little form relapsed into the chair.
“Lady Cazalet will wait until you can see her” she
tubed up to Mr. Hancock.
“Can’t you make her see one of the others?”
“I’m afraid it’s impossible; I’ll tell you later.”
“Well I’ll see her as soon as I can. I’m afraid she’ll
have to wait.”
Miriam went back to her room to sort out the remaining
charts. On her table lay a broken denture in a faded morocco
case; a strip of paper directed “five-thirty sharp” in Mr.
Orly’s handwriting. Mr. Leyton’s door burst open. He
came with flying coat-tails.
“Vi got to see that patient of Mr. Hancock’s” he asked
breathlessly.
“No” said Miriam “she won’t.”
“Right” he said swinging back. “I’ll keep Miss Jones
on.”
Mr. Hancock’s bell sounded again. Miriam flew to the
tube.
“My clamps please.”
“Oh yes” she answered shocked, and hurried back to
her room.
Gathering up the broken denture she ran down the stone
steps leading to the basement. Her cheap unyielding shoes
clattered on the unyielding stones. The gas was on in the
lunch room, Mrs. Willis scrubbing the floor. The voices
of the servants came from the kitchens in the unknown
background. She passed the lunch room and the cellar
and clamped on across the stone hall to the open door of
the workshop.
Winthrop was standing at the small furnace in the box-lined
passage way. It was roaring its loudest. Through
its open door the red light fell sharply on his pink-flushed
face and drooping fair moustache and poured down over
his white apron. “Good ph-morning” he said pleasantly,
his eye on the heart of the furnace, his foot briskly pumping
the blower. From the body of the room came sounds
of tapping and whistling ... the noise of the furnace
prevented their knowing that anyone had come in....
Miriam drew near to the furnace, relieved at the shortness
of her excursion. She stared at the tiny shape blazing
red-gold at the heart of the glare. Winthrop gathered up
a pair of tongs and drew the mould from the little square
of light. The air hissed from the bellows and the roaring
of the flames died down. In a moment he was standing
free with hot face and hot patient ironic eyes, gently taking
the denture from her hands. “Good morning” said
Miriam, “Oh, Mr. Winthrop, it’s a repair for Mr. Orly.
It’s urgent. Can you manage it?” “It’s ph—ph—sure
to be urgent” said Winthrop examining the denture with
a short-sighted frown. Miriam waited anxiously. The
hammering and whistling had ceased. “It’ll be all right,
Miss Ph-Henderson” said Winthrop encouragingly. She
turned to the door. The clamps.... Gathering herself
together she went down the passage and stood at the
head of the two stone steps leading down into the body of
the room. A swift scrubbing of emery paper on metal
was going on at the end of the long bench, lit by a long
sky-light, from which the four faces looked up at her with
a chorus of good mornings in response to her greeting.
“Are Mr. Hancock’s clamps ready?” she asked diffidently.
“Jimmy ...” The figure nearest to her glanced down the
row of seated forms. The small bullet-headed boy at the
end of the bench scrubbed vigorously and ironically with
his emery stick. “He won’t be a minute, Miss Henderson”
said the near pupil comfortingly.
Miriam observed his spruce grey suit curiously masked
by the mechanic’s apron, the quiet controlled amused face,
and felt the burden of her little attack as part of the patient
prolonged boredom of his pupillage. The second pupil,
sitting next to him kept dog-like sympathetic eyes on her
face, waiting for a glance. She passed him by, smiling
gently in response without looking at him while her eyes
rested upon the form of the junior mechanic whose head
was turned in the direction of the scrubbing boy. The
head was refined, thin and clear cut, thatched with glossy
curls. Its expression was servile—the brain eagerly seeking
some flowery phrase—something to decorate at once the
occasion and the speaker, and to give relief to the mouth
strained in an arrested obsequious smile. Nothing came
and the clever meticulous hands were idle on the board.
It seemed absurd to say that Mr. Hancock was waiting for
the clamps while Jimmy was scrubbing so busily. But they
had obviously been forgotten. She fidgeted.
“Will somebody send them up when they’re done?”
“Jimmy, you’re a miserable sinner, hurry up” said the
senior pupil.
“They’re done” said Jimmy in a cracked bass voice.
“Thank goodness” breathed Miriam, dimpling. Jimmy
came round and scattered the clamps carefully into her
outstretched hand, with down-cast eyes and a crisp dimpling
smile.
“Rule Britannia,” remarked the junior pupil, resuming
his work as Miriam turned away and hurried along the
passage and through the door held open for her by Winthrop.
She flew up to Mr. Hancock’s room three steps at a time,
tapped gently at the door and went in. He came forward
across the soft grey green carpet to take the clamps and
murmured gently “Have you got my carbolic?”
Miriam looked out the remainder of the charts and went
anxiously through the little pile of letters she had brought
down from Mr. Hancock’s room. All but three were
straight-forward appointments to be sent. One bore besides
the pencilled day and date the word “Tape” ... she
glanced through it—it was from a University settlement
worker, asking for an appointment for the filling of two
front teeth.... She would understand increasing by one
thickness per day until there were five, to be completed
two days before the appointment falls due so that any
tenderness may have passed off. Mrs. Hermann’s letter
bore no mark. She could make a rough summary in Mr.
Hancock’s phraseology. The third letter enclosed a printed
card of appointment with Mr. Hancock which she had sent
without filling in the day and hour. She flushed. Mr.
Hancock had pencilled in the missing words. Gathering
the letters together she put them as far away as her hand
would reach, leaving a space of shabby ink-stained morocco
clear under her hands. She looked blindly out of the
window; hand-painted, they are hand-painted, forget-me-nots
and gold tendrils softly painted, not shining, on an
unusual shape, a merry Christmas. Melly Klismas. In
this countree heapee lain, chiney man lun home again,
under a red and green paper umbrella in the pouring rain,
that was not a hand-painted one, but better, in some strange
way, close bright colours drawing everything in; a shock.
I stayed in there. There was something. Chinee man
lun home again. Her eye roamed over the table; everything
but the newly-arrived letters shabby under the high
wide uncurtained window. The table fitted the width
of the window. There was something to be done before
anything could be done. Everything would look different
if something were done. The fresh letters could lie neatly
on the centre of the table in the midst of something. They
were on the address books, spoiled by them. It would take
years to check the addresses one by one till the old books could
be put away. If the day books were entered up to date,
there would still be those, disfiguring everything. If everything
were absolutely up to date, and all the cupboards in
perfect order and the discounts and decimals always done
in the depot-books to time there would be time to do
something. She replaced the letters in the centre of the
table and put them back again on the address books. His
nine-forty-five patient was being let in at the front door.
In a moment his bell would ring and something must be
said about the appointment card. “Mr. Orly?” A big
booming elderly voice, going on heavily murmuring into
the waiting-room. She listened tensely to the movements
of the servant. Was Mr. Orly in “the den” or in his
surgery? She heard the maid ring through to the surgery
and wait. No sound. The maid came through her room
and tapped at the door leading from it. Come in sang a
voice from within and Miriam heard the sound of a hammer
on metal as the maid opened the door. She flew to the
surgery. Amidst the stillness of heavy oak furniture and
dark Turkey carpet floated the confirming smell. There
it was all about the spittoon and the red velvet covered
chair and the bracket table, a horrible confusion—and blood
stains, blood blotted serviettes, forceps that made her feel
sick and faint. Summoning up her strength she gathered
up the serviettes and flung them into a basket behind the
instrument cabinet. She was dabbing at the stains on the
American cloth cover of the bracket when Mr. Orly came
swinging in, putting on his grey frock-coat and humming
Gunga Din as he came. “Regular field day” he said cheerfully.
“I shan’t want those things—just pop ’em out of
sight.” He turned up the cupboard gas and in a moment
a stream of boiling water hissed down into the basin filling
the room with steam. “I say, has this man got a chart?
Don’t throw away those teeth. Just look at this—how’s
that for twisted? Just look here.” He took up an object
to which Miriam forced reluctant eyes, grotesquely formed
fangs protruding from the enclosing blades of a huge
forceps. “How’s that eh?” Miriam made a sympathetic
sound. Gathering the many forceps he detached their
contents putting the relic into a bottle of spirit and the
rest into the hidden basket. The forceps went head first
into a jar of carbolic and Miriam breathed more freely.
“I’ll see to those. I say has this man got a chart?” “I’ll
see” said Miriam eagerly making off with the appointment
book. She returned with the chart. Mr. Orly hummed
and looked. “Right. Tell ’em to send him in. I say,
vi got any gold and tin?” Miriam consulted the box in
a drawer in the cabinet. It was empty. “I’m afraid you
haven’t” she said guiltily. “All right, I’ll let y’know.
Send ’im in,” and he resumed Gunga Din over the wash-hand
basin. Mr. Hancock’s bell was ringing in her room
and she hurried off with a sign to the little maid waiting
with raised eyebrows in the hall. Darting into her room
she took the foils from the safe, laid them on a clean
serviette amongst the litter on her table and ran upstairs.
Mr. Leyton opened his door as she passed “I say, can you
feed for me” he asked breathlessly, putting out an anxious
head. “I’ll come down in a minute” promised Miriam
from the stairs. Mr. Hancock was drying his hands. He
sounded his bell as she came in. The maid answered.
“I’m so sorry” began Miriam. “Show up Mr. Green”
said Mr. Hancock down the speaking tube. “You remember
there’s Lady Cazalet?” said Miriam relieved and feeling
she was making good her carelessness in the matter of the
appointment card.
“Oh confound.” He rang again hurriedly. “Show up
Lady Cazalet.” Miriam swept from the bracket table
the litter of used instruments and materials, disposing them
rapidly on the cabinet, into the sterilising tray, the waste
basket and the wash-hand basin, tore the uppermost leaf
from the headrest pad, and detached the handpiece from the
arm of the motor drill while the patient was being shown
upstairs. Mr. Hancock had cleared the spittoon, set a fresh
tumbler, filled the kettle and whisked the debris of amalgam
and cement from the bracket table before he began the
scrubbing and cleansing of his hands, and when the patient
came in Miriam was in her corner reluctantly handling the
instruments, wet with the solution that crinkled her fingertips
and made her skin brittle and dry. Everything was in
its worst state. The business of drying and cleansing, freeing
fine points from minute closely adhering fragments,
polishing instruments on the leather pad, repolishing them
with the leather, scraping the many little burs with the
fine wire brush, scraping the clamps, clearing the obstinate
amalgam from slab and spatula, brought across her the ever-recurring
circle. The things were begun, they were getting
on, she had half-done ... the exasperating tediousness
of holding herself to the long series of tiny careful attention-demanding
movements ... the punctual emergence
when the end was in sight of the hovering reflection,
nagging and questioning, that another set of things was
already getting ready for another cleansing process; the
endless series to last as long as she stayed at Wimpole
Street ... were there any sort of people who could do this
kind of thing patiently, without minding? ... the evolution
of dentistry was wonderful, but the more perfect
it became the more and more of this sort of thing there
would be ... the more drudgery workers, at fixed salaries
... it was only possible for people who were fine and nice
... there must be, everywhere, women doing this work
for people who were not nice. They could not do it for
the work’s sake. Did some of them do it cheerfully, as
unto God. It was wrong to work unto man. But could
God approve of this kind of thing ... was it right to spend
life cleaning instruments ... the blank moment again
of gazing about in vain for an alternative ... all work
has drudgery. That is not the answer.... Blessèd be
Drudgery, but that was housekeeping, not someone else’s
drudgery.... As she put the things back in the drawers,
every drawer offered tasks of tidying, replenishing, and
repapering of small boxes and grooves and sections. She
had remembered to bring up Lady Cazalet’s chart. It
looked at her propped against the small furnace. Behind
it were the other charts for the day complete. The drug
bottles were full, there was plenty of amadou pulled soft
and cut ready for use, a fair supply of both kinds of Japanese
paper. None of the bottles and boxes of stopping materials
were anywhere near running short and the gold drawer
was filled. She examined the drawers that held the less
frequently used fittings and materials, conducting her
operations noiselessly without impeding Mr. Hancock’s
perpetual movements to and fro between the chair and the
instrument cabinet. Meanwhile the dressing of Lady
Cazalet’s painful tooth went quietly on and Mr. Leyton
was waiting, hoping for her assistance downstairs. There
was no excuse for waiting upstairs any longer. She went
to the writing table and hung over the appointment book.
It was a busy day. He would hardly have half an hour
for lunch.... She examined the names carefully, one
by one, and wrote against one “ask address,” underlined
and against another “enquire for brother—ill.” Lady
Cazalet drew a deep sigh ... she had been to other
dentists. But perhaps they were good ones. Perhaps she
was about thirty ... had she ever gone through a green
baize door and seen a fat common little man with smooth
sly eyes standing waiting for her in a dark stuffy room
smelling of creosote? Even if she had always been to good
ones they were not Mr. Hancock. They were dentists.
Cheerful ordinary men with ordinary voices and laughs,
thinking about all manner of things. Or apparently bland,
with ingratiating manners. Perhaps a few of them, some
of his friends and some of the young men he had trained
were something like him. Interested in dentistry and the
way it was all developing, some of them more enthusiastic
and interested in certain special things than he was. But
no one could be quite like him. No other patients had the
lot of his patients. No other dentist was so completely
conscious of the patient all the time, as if he were in the chair
himself. No other dentist went on year after year remaining
sensitive to everything the patient had to endure. No
one else was so unsparing of himself ... children coming
eagerly in for their dentistry, sitting in the chair with slack
limbs and wide open mouths and tranquil eyes ... small
bodies braced and tense, fat hands splayed out tightly on
the too-big arms of the chair in determination to bear the
moment of pain bravely for him.... She wandered to
the corner cupboard and opened it and gazed idly in. But
none of them knew what it cost.... “I think you won’t
have any more pain with that; I’ll just put in a dressing
for the present”—she was Lady Cazalet again, without
tooth-ache, and that awful feeling that you know your
body won’t last ... they did not know what it cost. What
always doing the best for the patient meant. Perhaps they
knew in a way; or knew something and did not know
what it was ... there would be something different in Mr.
Hancock’s expression, especially in the three quarters view
when his face was turned away towards the instrument
cabinet, if he saved his nerves and energy and money by
doing things less considerately, not perpetually having the
instruments sharpened and perpetually buying fresh outfits
of sharp burs. The patient would suffer more pain
... a dentist at his best ought to be more delicately strong
and fine than a doctor ... like a fine engraving ... a surgeon
working amongst live nerves ... and he would look different
himself. It was in him. It was keeping to that, all day,
and every day, choosing the best difficult tiresome way in
everything that kept that radiance about him when he was
quietly at work ... I mustn’t stay here thinking these
thoughts ... it’s that evil thing in me, keeping on and on,
always thinking thoughts, nothing getting done ... going
through life like—a stuck pig. If I went straight on things
would come like that just the same in flashes—bang, bang,
in your heart, everything breaking into light just in front
of you, making you almost fall off the edge into the expanse
coming up before you, flowers and light stretching out.
Then you shut it down, letting it go through you with a
leap that carries you to the moon—the sun, and makes you
bump with life like the little boy bursting out of his too
small clothes and go on choking with song to do the next
thing deftly. That’s right. Perhaps that is what they all
do? Perhaps that’s why they won’t stop to remember.
Do you realise? Do you realise you’re in Brussels? Just
look at the white houses there with the bright green trees
against them in the light. It’s the air, the clearness. Sh—If
they hear you, they’ll put up the rent. They were just
Portsmouth and Gosport people, staying in Brussels and
fussing about Portsmouth and Gosport and Aunt this and
Mr. that.... I shan’t realise Brussels and Belgium for
years because of that. They hated and killed me because
I was like that.... I must be like that ... something
comes along, golden, and presently there is a thought. I
can’t be easy till I’ve said it in my mind, and I’m sad
till I have said it somehow ... and sadder when I have
said it. But nothing gets done. I must stop thinking,
from now, and be fearfully efficient. Then people will understand
and like me. They will hate me too, because I shall
be absurd, I shan’t be really in it. Perhaps I shall. Perhaps
I shall get in. The wonder is they don’t hate me more.
There was a stirring in the chair and a gushing of fresh
water into the tumbler. Why do I meet such nice people?
One after another. “There” said Mr. Hancock, “I don’t
think that will trouble you any more. We will make another
appointment.” Miriam took the appointment book and a
card to the chair-side and stayed upstairs to clear up.
When she reached the hall Mr. Orly’s door was standing
wide. Going into the surgery she found the head parlourmaid
rapidly wiping instruments with a soiled serviette. “Is it all
right, James?” she said vaguely, glancing round the room.
“Yes miss,” answered James briskly emptying the half-filled
tumbler and going on to dry and polish it with the
soiled serviette ... the housemaid spirit ... the dry corner
of a used serviette probably appeared to James much too
good to wipe anything with. Telling her would not be any
good. She would think it waste of time.... Besides,
Mr. Orly himself would not really mind; and the things
were “mechanikly clean” ... that was a good phrase
of Mr. Leyton’s ... with his own things always soaking
even his mallets, until there was no polish left on the
handles; and his nailbrush in a bath of alcohol.... Mr.
Orly came in, large and spruce. He looked at his hands
and began combing his beard, standing before the overmantel.
“Hancock busy?”
“Frightfully busy.”
Miriam looked judicially round the room. James hovered.
The north wind howled. The little strip of sky above the
outside wall that obscured the heavily stained glass of the
window seemed hardly to light the room and the little light
there was was absorbed by the heavy dull oak furniture and
the dark heavy Turkey carpet and dado of dull red and tarnished
gold.
“It is dark for April” murmured Miriam. “I’ll take
away your gold and tin box if I may.”
“Thank ye” said Mr. Orly nervously, wheeling about
with a harsh sigh to scan the chair and bracket-table;
straightening his waistcoat and settling his tie. “I got
through without it—used some of that new patent silicate
stuff of Leyton’s. All right—show in the Countess.”
James disappeared. Miriam secured the little box and
made off. On her table was a fresh pile of letters, annotated
in Mr. Orly’s clear stiff upright rounded characters. She
went hurriedly through them. Extricating her blotter she
sat down and examined the inkstand. Of course one of her
pens had been used and flung down still wet with its nib
resting against the handle of the other pens.... Mr.
Leyton ... his gold filling; she ought to go in and see
if she could help ... perhaps he had finished by now. She
wiped away the ink from the nib and the pen-handles.
Tapping at Mr. Leyton’s door she entered. He quickly
turned a flushed face his feet scrabbling noisily against the
bevelled base of the chair with the movement of his head.
“Sawl right Miss Henderson. I’ve finished. ’V’you got
any emery strips—mine are all worn out.”
Back once more in her room she heard two voices talking
both at once excitedly in the den. Mrs. Orly had a morning
visitor. She would probably stay to lunch. She peered
into the little folding mirror hanging by the side of the
small mantelpiece and saw a face flushed and animated so
far. Her hair was as unsatisfactory as usual. As she looked
she became conscious of its uncomfortable weight pinned
to the back of her head and the unpleasant warm feeling
of her thick fringe. By lunch-time her face would be
strained and yellow with sitting at work in the cold room
with her feet on the oil-cloth under the window. She
glanced at the oil lamp standing in the little fireplace, its
single flame glaring nakedly against the red-painted radiator.
The telephone bell rang. Through the uproar of mechanical
sounds that came to her ear from the receiver she heard
a far off faint angry voice in incoherent reiteration. “Hullo,
hullo” she answered encouragingly. The voice faded but
the sounds went on punctuated by a sharp angry popping.
Mr. Orly’s door opened and his swift heavy tread came
through the hall. Miriam looked up apprehensively, saying
“Hullo” at intervals into the angry din of the telephone.
He came swiftly on humming in a soft light baritone, his
broad forehead, bald rounded crown and bright fair beard
shining in the gloom of the hall. A crumpled serviette
swung with his right hand. Perhaps he was going to the
workshop. The door of the den opened. Mrs. Orly
appeared and made an inarticulate remark abstractedly
and disappeared. “Hullo, hullo” repeated Miriam busily
into the telephone. There was a loud report and the thin
angry voice came clear from a surrounding silence. Mr.
Orly came in on tiptoe, sighed impatiently and stood near
her drumming noiselessly on the table at her side. “Wrong
number” said Miriam, “will you please ring off?”
“What a lot of trouble they givya” said Mr. Orly.
“I say, what’s the name of the American chap Hancock
was talking about at lunch yesterday?”
Miriam frowned.
“Can y’remember? About sea-power.”
“Oh” said Miriam relieved. “Mahan.”
“Eh?”
“Mahan. May-ann.”
“That’s it. You’ve got it. Wonderful. Don’t forget
to send off Major Moke’s case sharp will ye?”
Miriam’s eyes scanned the table and caught sight of a
half hidden tin-box.
“No. I’ll get it off.”
“Right. It’s in a filthy state, but there’s no time to
clean it.”
He strode back through the hall murmuring Mahan.
Miriam drew the tin from its place of concealment. It
contained a mass of dirty cotton-wool upon which lay a
double denture coated with tartar and joined by tarnished
gold springs. “Eleven thirty sharp” ran the instruction
on an accompanying scrap of paper. No address. The
name of the patient was unfamiliar. Mrs. Orly put her
head through the door of the den.
“What did Ro want?”
Miriam turned towards the small sallow eager face and
met the kind sweet intent blue glint of the eyes. She
explained and Mrs. Orly’s anxious little face broke into a
smile that dispelled the lines on the broad strip of low
forehead leaving it smooth and sallow under the smoothly
brushed brown hair.
“How funny” said Mrs. Orly hurriedly. “I was just
comin’ out to ask you the name of that singer. You know.
Mark something. Marksy....”
“Mar-kaysie” said Miriam.
“That’s it. I can’t think how you remember.” Mrs.
Orly disappeared and the two voices broke out again in
eager chorus. Miriam returned to her tin. Mastering her
disgust she removed the plate from the box, shook the
cotton-wool out into the paper-basket collected fresh wool,
packing paper, sealing wax, candle and matches and set
to work to make up the parcel. She would have to attack
the workshop again and get them to take it out. Perhaps
they would know the address. When the case was half
packed she looked up the patient’s name in the ledger.
Five entries in about as many years—either repairs or springs—how
simple dentistry became when people had lost all
their teeth. There were two addresses, a town and a
country one written in a long time ago in ink; above them
were two in pencil, one crossed out. The newest of the
address books showed these two addresses, one in ink, neither
crossed out. What had become of the card and letter that
came with the case? In the den with Mrs. Orly and her
guest....
Footsteps were coming neatly and heavily up the basement
stairs. Winthrop. He came in smiling, still holding
his long apron gathered up to free his knees. “Ph—Ph—Major
Moke’s case ready?” he whispered cheerfully.
“Almost—but I don’t know the address.”
“It’s the ph—ph—Buckinam Palace Otel. It’s to go
by hand.”
“Oh, thank goodness” laughed Miriam sweeping the
scissors round the uneven edge of the wrapping paper.
“My word” said Winthrop, “What an eye you’ve got
I couldn’t do that to ph-save melife and I’m supposed to be
a ph-mechanic.”
“Have I,” said Miriam surprised, “I shan’t be two
minutes; it’ll be ready by the time anybody’s ready to go.
But the letters aren’t.”
“All right. I’ll send up for them when we go out to
lunch,” said Winthrop consolingly, disappearing.
Miriam found a piece of fine glazed green twine in her
string box and tied up the neat packet—sealing the ends
of the string with a neat blob on the upper side of the
packet and the folded paper at each end. She admired
the two firmly flattened ends of string close together. Their
free ends united by the firm red blob were a decorative
substitute for a stamp on the white surface of the paper.
She wrote in the address in an upright rounded hand with
firm rotund little embellishments. Poring over the result
she examined it at various distances. It was delightful.
She wanted to show it to someone. It would be lost on
Major Moke. He would tear open the paper to get at his
dreadful teeth. Putting the stamps on the label, she
regretfully resigned the packet and took up Mr. Orly’s
day-book. It was in arrears—three, four days not entered
in the ledger. Major Moke repair—one guinea, she wrote.
Mr. Hancock’s showing out bell rang. She took up her
packet and surveyed it upside down. The address looked like
Chinese. It was really beautiful ... but handwriting
was doomed ... short-hand and typewriting ... she ought
to know them if she were ever to make more than a pound
a week as a secretary ... awful. What a good thing Mr.
Hancock thought them unprofessional ... yet there were
already men in Wimpole Street who had their correspondence
typed. What did he mean by saying that the art of
conversation was doomed? He did not like conversation.
Jimmy came in for the parcel and scuttled downstairs
with it. Mr. Hancock’s patient was going out through
the hall. He had not rung for her to go up. Perhaps there
was very little to clear and he was doing it himself.
He was coming downstairs. Her hands went to the pile
of letters and busily sorted them. Through the hall. In
here. Leisurely. How are you getting on? Half amused.
Half solicitous. The first weeks. The first day. She had
only just come. Perhaps there would be the hand on the
back of the chair again as before he discovered the stiffness
like his own stiffness. He was coming right round to the
side of the chair into the light, waiting, without having
said anything. She seemed to sit through a long space
waiting for him to speak, in a radiance that shaped and
smoothed her face as she turned slowly and considered
the blunted grave features, their curious light, and met
the smiling grey eyes. They were not observing the confusion
on the table. He had something to say that had
nothing to do with the work. She waited startled into an
overflowing of the curious radiance, deepening the light in
which they were grouped. “Are you busy?” “No,”
said Miriam in quiet abandonment. “I want your advice
on a question of decoration” he pursued smiling down at
her with the expression of a truant schoolboy and standing
aside as she rose. “My patient’s put off” he added confidentially,
holding the door wide for her. Miriam trotted
incredulously upstairs in front of him and in at the open
surgery door and stood contemplating the room from the
middle of the great square of soft thick grey green carpet
with her back to the great triple window and the littered
remains of a long sitting.
Perhaps a question of decoration meant altering the positions
of some of the pictures. She glanced about at them,
enclosed in her daily unchanging unsatisfying impressions—the
green landscape plumy with meadow-sweet, but not letting
you through to wander in fields, the little soft bright
coloury painting of the doorway of St. Mark’s—San Marco,
painted by an Englishman, with a procession going in at the
door and beggars round the doorway, blobby and shapeless
like English peasants in Italian clothes ... bad ... and the
man had worked and studied and gone to Italy and had a
name and still worked and people bought his things ...
an engraving very fine and small of a low bridge in a little
town, quiet sharp cheering lines; and above it another
engraving, a tiresome troubled girl, all a sharp film of fine
woven lines and lights and shadows in a rich dark liny
filmy interior, neither letting you through nor holding
you up, the girl worrying there in the middle of the picture,
not moving, an obstruction.... Maris ... the two little
water colours of Devonshire, a boat with a brown sail and
a small narrow piece of a street zig-zagging sharply up
between crooked houses, by a Londoner—just to say how
crooked everything was ... that thing in this month’s
Studio was better than any of these ... her heart throbbed
suddenly as she thought of it ... a narrow sandy pathway
going off, frilled with sharp greenery, far into a green wood....
Had he seen it? The studios lay safely there on the
polished table in the corner, the disturbing bowl of flowers
from the country, the great pieces of pottery, friends,
warm and sympathetic to touch, never letting you grow
tired of their colour and design ... standing out against
the soft dull gold of the dado and the bold soft green
and buff of the wall paper. The oil painting of the cousin
was looking on a little superciliously ... centuries of
“fastidious refinement” looking forth from her child’s
face. If she were here it would be she would be consulted
about the decoration; but she was away somewhere in
some house, moving about in a dignified way under her
mass of gold hair, saying things when speech became a
necessity in the refined fastidious half-contemptuous tone,
hiding her sensitive desire for companionship, contemptuous
of most things and most people. To-day she had an
interested look, she was half jealously setting standards
for him all the time.... Miriam set her aside. The
Chinese figures staring down ferociously from the narrow
shelf running along the base of the high white frieze were
more real to her. They belonged to the daily life here,
secure from censure.
From the brown paper wrappings emerged a large plaque
of Oriental pottery. Mr. Hancock manœuvred it upright,
holding it opposite to her on the floor, supported against his
knees. “There—what do you think of that?” he murmured
bending over it. Miriam’s eyes went from the
veinings on his flushed forehead to the violent soft rich
red and blue and dull green covering the huge concave disc
from side to side. It appeared to represent a close thicket
of palm fronds, thin flat fingers, superimposed and splaying
out in all directions over the deep blue background. In
the centre appeared the head and shoulders of an enormous
tiger, coming sinuously forward, one great paw planted on
the greenery near the foremost middle edge of the plaque.
“M’m,” said Miriam staring.
Mr. Hancock rubbed the surface of the plaque with his
forefinger. Miriam came near and ran her finger down
across the rich smooth reliefs.
“Where shall I put it?” said Mr. Hancock.
“I should have it somewhere on that side of the room,
where the light falls on it.”
Mr. Hancock raised the plaque in his arms and walked
with it to the wall raising it just above his head and holding
it in place between the two pictures of Devonshire. They
faded to a small muddled dinginess, and the buff and green
patterning of the wall-paper showed shabby and dim.
“It looks somehow too big or too small or something....
I should have it down level with the eyes, so that
you can look straight into it.”
Mr. Hancock carefully lowered it.
“Let me come and hold it so that you can look” said
Miriam advancing.
“It’s too heavy for you” said Mr. Hancock straining his
head back and moving it from side to side.
“I believe it would look best” said Miriam “across the
corner of the room as you come in—where the corner
cupboard is—I’m sure it would” she said eagerly and went
back to the centre of the carpet.
Mr. Hancock smiled towards the small oak cupboard
fixed low in the angle of the wall.
“We should have to move the cupboard,” he said dubiously
and carried the heavy plate to the indicated place.
“That’s simply lovely” said Miriam in delight as he held
the plaque in front of the long narrow façade of black oak.
Mr. Hancock lowered the plaque to the floor and propped
it crosswise against the angle.
“It would be no end of a business fixing it up” he
murmured crossing to her side. They stood looking at the
beautiful surface blurred a little in the light by its backward
tilt. They gazed fascinated as the plaque slid gently
forward and fell heavily breaking into two pieces.
They regarded one another quietly and went forward
to gather up the fragments. The broken sides gritted
together as Miriam held hers steady for the other to be fitted
to it. When they were joined the crack was hardly visible.
“That’ll be a nice piece of work for Messrs. Nikkoo”
said Mr. Hancock with a little laugh, “we’d better get it
in back behind the sofa for the present.” They spread
the brown paper over the brilliant surfaces and stood up.
Miriam’s perceptions raced happily along. How had he
known that she cared for things? She was not sure that she
did ... not in the way that he did.... How did he know
that she had noticed any of his things? Because she had
blurted out “Oh what a perfectly lovely picture” when he
showed her the painting of his cousin? But that was because
he admired his cousin and her brother had painted the
picture and he admired them both and she had not known
about this when she spoke.
“Did you see this month’s Studio?” she asked shyly.
He turned to the table and took up the uppermost of the
pile.
“There’s a lovely green picture” said Miriam, “at
least I like it.”
Mr. Hancock turned pages ruminatively.
“Those are good things” he said flattening the open
page.
“Japanese flower Decorations” read Miriam looking at
the reproduced squares of flowering branches arranged with
a curious naturalness in strange flat dishes. They fascinated
her at once—stiff and real, shooting straight up from the
earth and branching out. They seemed coloured. She
turned pages and gazed.
“How nice and queer.”
Mr. Hancock bent smiling. “They’ve got a whole science
of this you know” he said; “it takes them years to learn
it; they apprentice themselves and study for years....”
Miriam looked incredulously at the simple effects—just
branches placed “artistically” in flat dishes and fixed somehow
at the base amongst little heaps of stones.
“It looks easy enough.”
Mr. Hancock laughed. “Well—you try. We’ll get some
broom or something, and you shall try your hand. You’d
better read the article. Look here—they’ve got names
for all the angles.... ‘Shin’—he read with amused
admiring delight, ‘sho-shin’ ... there’s no end of it.”
Miriam fired and hesitated. “It’s like a sort of mathematics....
I’m no good at mathematics.”
“I expect you could get very good results ... we’ll try.
They carry it to such extraordinary lengths because there’s all
sorts of social etiquette mixed up with it—you can’t have a
branch pointing at a guest for instance—it would be rude.”
“No wonder it takes them years” said Miriam.
They laughed together, moving vaguely about the room.
Mr. Hancock looked thoughtfully at the celluloid tray of
hairpins on the mantelshelf, and blew the dust from it ...
there was something she remembered in some paper, very
forcibly written, about the falsity of introducing single
specimens of Japanese art, the last results of centuries of an
artistic discipline, that was it, that had grown from the life
of a secluded people living isolated in a particular spot under
certain social and natural conditions, into English household
decoration.... “Gleanings in Buddha Fields” the
sun on rice-fields ... and Fujiama—Fuji-no-San in the
distance ... but he did not like Hearn—“there’s something
in the chap that puts me off” ... puts off—what a
good phrase ... “something sensuous in him” ... but
you could never forget Buddha Fields. It made you know
you were in Japan, in the picture of Japan ... and somebody
had said that all good art, all great art, had a sensuous
element ... it was dreadful, but probably true ... because
the man had observed it and was not an artist, but somebody
looking carefully on. Mr. Hancock, Englishman, was “put
off” by sensuousness, by anybody taking a delight in the
sun on rice fields and the gay colours of Japan ... perhaps
one ought to be “put off” by Hearn ... but Mr. Hancock
liked Japanese things and bought them and put them in
with his English things, that looked funny and tame beside
them. What he did not like was the expression of delight.
It was queer and annoying somehow ... especially as he said
that the way English women were trained to suppress their
feelings was bad. He had theories and fixed preferences
and yet always seemed to be puzzled about so many things.
“D’you think it right to try to introduce single pieces
of Japanese art into English surroundings?” she said tartly,
beginning on the instruments.
“East is East and West is West and never the twain can
meet?”
“That’s a dreadful idea—I don’t believe it a bit.”
Mr. Hancock laughed. He believed in those awful final
dreary-weary things ... some species are so widely differentiated
that they cannot amalgamate—awful ... but
if one said that he would laugh and say it was beyond him
... and he liked and disliked without understanding the
curious differences between people—did not know why they
were different—they put him off or did not put him off
and he was just. He liked and reverenced Japanese art and
there was an artist in his family. That was strange and fine.
“I suppose we ought to have some face-powder here,”
mused Mr. Hancock.
“They’ll take longer than ever if we do.”
“I know—that’s the worst of it; but I commit such
fearful depredations ... we want a dressing room ...
if I had my way we’d have a proper dressing room downstairs.
But I think we must get some powder and a puff....
Do you think you could get some...?” Miriam
shrank. Once in a chemist’s shop, in a strong Burlington
Arcade west-end mood buying some scent, she had seized
and bought a little box.... La Dorine de Poche ...
Dorin, Paris ... but that was different to asking openly
for powder and a puff ... la Dorine de Dorin Paris was
secret and wonderful.... “I’ll try” she said bravely
and heard the familiar little sympathetic laugh.
Lunch would be ready in a few minutes and none of the
letters were done. She glanced distastefully at the bold
handwritings scrawling, under impressive stamped addresses
with telephone numbers, and names of stations and telegraphic
addresses, across the well-shaped sheets of expensive
note-paper, to ask in long, fussy, badly-put sentences for
expensive appointments. Several of the signatures were
unfamiliar to her and must be looked up in the ledger in
case titles might be attached. She glanced at the dates
of the appointments—they could all go by the evening post.
What a good thing Mr. Hancock had given up overlooking
the correspondence. Mrs. Hermann’s letter he should see
... but that could not anyhow have been answered by
return. The lunch-bell rang.... Mr. Orly’s letters!
There was probably a telegram or some dreadful urgent
thing about one or other of them that ought to have been
dealt with. With beating heart she fumbled them through—each
one bore the word answered in Mrs. Orly’s fine pointed
hand. Thank goodness. Opening a drawer she crammed
them into a crowded clip ... at least a week’s addresses
to be checked or entered.... Mr. Hancock’s unanswered
letters went into the same drawer, leaving her table fairly
clear. Mr. Leyton’s door burst open, he clattered down
the basement stairs. Miriam went into his room and
washed her hands in the corner basin under the patent
unleaking taps. Everything was splashed over with permanganate
of potash. The smell of the room combined
all the dental drugs with the odour of leather—a volunteer
officer’s accoutrements lay in confusion all over on the
secretaire. Beside them stood an open pot of leather
polish. Mr. and Mrs. Orly passed the open door and went
downstairs. They were alone. The guest had gone.
“Come and share the remains of the banquet Miss
Hens’n.”
“Do have just a bit of somethin’, Ro darling, a bit of
chicking or somethin’.”
“Feeling the effects?” remarked Mr. Leyton cheerfully
munching, “I’ve got a patient at half past” he added
nervously glancing up as if to justify his existence as well
as his remark. Miriam hoped he would go on; perhaps
it would occur to Mrs. Orly to ask him about the patient.
“You’d feel the effects my boy if you hadn’t had a wink
the whole blessed night.”
“Hancock busy Miss Hens’?” Miriam glanced at the
flushed forehead and hoped that Mr. Orly would remain
with his elbows on the table and his face hidden in his hands.
She was hungry and there would be no peace for anybody
if he were roused.
“Too many whiskies?” enquired Mr. Leyton cheerfully,
shovelling salad on to his plate.
“Too much whisking and frisking altogether sergeant,”
said Mr. Orly incisively, raising his head.
Mrs. Orly flushed and frowned at Mr. Orly.
“Don’t be silly Ley—you know how father hates dinner
parties.”
Mr. Orly sighed harshly, pulling himself up as Miriam
began a dissertation on Mr. Hancock’s crowded day.
“Ze got someone with him now?” put in Mrs. Orly
perfunctorily.
“Wonderful man” sighed Mr. Orly harshly, glancing
at his son.
“Have a bit of chicking Ro.”
“No my love no not all the perfumes of Araby—not
all the chickens of Cheshire. Have some paté Miss Hens’—No?
You despise paté?”
A maid came briskly in and looked helpfully round.
“Who’s your half past one patient Ley?” asked Mrs.
Orly nervously.
“Buck” rapped Mr. Leyton. “We going to wait for
Mr. Hancock, Mater?”
“No, of course not. Keep some things hot Emma and
bring in the sweets.”
“Have some more chicken Miss Hens’—Emma!” he
indicated his son with a flourish of his serviette. “Wait
upon Mr. Leyton, serve him speedily.”
Emma arrested looked helpfully about, smiled in brisk
amusement, seized some dishes and went out.
Mrs. Orly’s pinched face expanded. “Silly you are,
Ro.” Miriam grinned, watching dreamily. Mr. Leyton’s
flushed face rose and dipped spasmodically over the remains
of his salad.
“Bucking for Buck”—laughed Mr. Orly in a soft
falsetto.
“Ro, you are silly, who’s Buck, Ley?”
“Don’t question the officer Nelly.”
“Ro, you are absurd,” laughed Mrs. Orly.
“Help the jellies dearest” shouted Mr. Orly in a frowning
whisper. “Have some jelly, Miss Hens’. It’s all right
Ley ... glad you so busy, my son. How many did you have
this morning?” Mopping his brow and whisking his
person with his serviette he glanced sidelong.
“Two” said Mr. Leyton, noisily spooning up jelly,
“any more of that stuff mater, how about Hancock?”
“There’s plenty here” said Mrs. Orly helping him.
Miriam laboured with her jelly and glanced at the dish.
People wolfed their food. It would seem so conspicuous
to begin again when the fuss had died down; with Mr.
Orly watching as if feeding were a contemptible self-indulgence.
“Had a beastly gold case half the morning” rapped Mr.
Leyton and drank, with a gulp.
“Get any help?” said Mr. Orly glancing at Miriam.
“No” said Mr. Leyton in a non-committal tone, reaching
across the table for the cheese.
“Hancock too busy?” asked Mr. Orly. “Have some
more jelly, Miss Hens’n.”
“No thank you” said Miriam.
“A bit of cheese; a fragment of giddy Gorgonzola.”
“No thanks.”
Mrs. Orly brushed busily at her bodice, peering down
with indrawn chin. The room was close with gas. If Mr.
Hancock would only come down and give her the excuse
of attending to his room.
“What you doing s’aafnoon?” asked Mr. Leyton.
“I, my boy, I don’t know,” said Mr. Orly with a heavy
sigh, “string myself up, I think.”
“You’d much better string yourself round the Outer
Circle and take Lennard’s advice.”
“Good advice my boy—if we all took good advice ...
eh Miss Hens’n? I’ve taken twenty grains of phenacetin
this morning.”
“Well, you go and get a good walk,” said Mr. Leyton
clattering to his feet. “S’cuse me, Mater.”
“Right my boy! Excellent! A Daniel come to judgment!
All right Ley—get on with you. Buck up and see
Buck. Oh-h-h my blooming head. Excuse my language
Miss Hens’n. Ah! Here’s the great man. Good morning
Hancock. How are you? D’they know you’re
down?”
Mr. Hancock murmured his greetings and sat down
opposite Miriam with a grave preoccupied air.
“Busy?” asked Mr. Orly turning to face his partner.
“Yes—fairly” said Mr. Hancock pleasantly.
“Wonderful man.... Ley’s gone off like a bee in a
gale. D’they know Hancock’s down Nelly?”
Miriam glanced at Mr. Hancock wishing he could lunch
in peace. He was tired. Did he too feel oppressed with
the gas and the pale madder store cupboards? ... glaring
muddy hot pink?
“I’ve got a blasted head on ... excuse my language.
Twenty of ’em, twenty to dinner.”
“Oh yes?” said Mr. Hancock shifting in his chair and
glancing about.
“Nelly! D’they know he’s down? Start on a paté,
Hancock. The remains of the banquet.”
“Oh ... well, thanks.”
“You never get heads do ye?”
Mr. Hancock smiled and began a murmuring response
as he busied himself with his paté.
“Poor Ro he’s got a most awful head.... How’s your
uncle Mr. Hancock?”
“Oh—thank you.... I’m afraid he’s not very flourishing.”
“He’s better than he used to be, isn’t he?”
“Well—yes, I think perhaps on the whole he is.”
“You ought to have been there, Hancock. Cleave came.
He was in no end of form. Told us some fine ones. Have a
biscuit and butter Miss Hens’n.”
Miriam refused and excused herself.
On her way upstairs she strolled into Mr. Leyton’s
room. He greeted her with a smile—polishing instruments
busily.
“Mr. Hancock busy?” he asked briskly.
“M’m.”
“You busy? I say if I have Buck in will you finish up
these things?”
“All right, if you like” said Miriam, regretting her
sociable impulse. “Is Mr. Buck here?” She glanced at
the appointment book.
“Yes, he’s waiting.”
“You haven’t got anybody else this afternoon” observed
Miriam.
“I know. But I want to be down at Headquarters by
five in full kit if I possibly can. Has the Pater got anybody?”
“No. The afternoon’s marked off—he’s going out, I
think. Look here, I’ll clear up your things afterwards if
you want to go out. Will you want all these for Mr.
Buck?”
“Oh—all right, thanks; I dunno. I’ve got to finish
him off this afternoon and make him pay up.”
“Why pay up? Isn’t he trustworthy?”
“Trustworthy? A man who’s just won three hundred
pounds on a horse and chucked his job on the strength
of it.”
“What a fearfully insane thing to do.”
“Lost his head.”
“Is he very young?”
“Oo—’bout twenty-five.”
“H’m. I spose he’ll begin the rake’s progress.”
“That’s about it. You’ve just about hit it” said Mr.
Leyton with heavy significance.
Miriam lingered.
“I boil every blessed thing after he’s been ... if that’s
any indication to you.”
“Boil them!” said Miriam vaguely distressed and pondering
over Mr. Leyton standing active and aseptic between
her and some horror ... something infectious ... it must
be that awful mysterious thing ... how awful for Mr.
Leyton to have to stop his teeth.
“Boil ’em” he chuckled knowingly.
“Why on earth?” she asked.
“Well—there you are” said Mr. Leyton—“that’s all
I can tell you. I boil ’em.”
“Crikey” said Miriam half in response and half in
comment on his falsetto laugh, as she made for the door.
“Oh, but I say, I don’t understand your boiling apparatus,
Mr. Leyton.”
“All right, don’t you worry. I’ll set it all going and
shove the things in. You’ve only to turn off the gas and
wipe ’em. I daresay I shall have time to do them myself.”
When she had prepared for Mr. Hancock’s first afternoon
patient Miriam sat down at her crowded table in a
heavy drowse. No sound came from the house or from
the den. The strip of sky above the blank wall opposite
her window was an even cold grey. There was nothing
to mark the movement of the noisy wind. The room was
cold and stuffy. Shivering as she moved, she glanced round
at the lamp. It was well trimmed. The yellow flame was
at its broadest. The radiator glared. The warmth did not
reach her. She was cold to the waist, her feet without
feeling on the strip of linoleum; her knees protruding into
the window space felt as if they were in cold water. Her
arms crept and flushed with cold at every movement, strips
of cold wrist disgusted her, showing beyond her skimpy
sleeves and leading to the hopelessness of her purplish red
hands swollen and clammy with cold. Her hot head and
flushed cheeks begged for fresh air. Warm rooms, with
carpets and fires; an even, airy warmth.... There were
people who could be in this sort of cold and be active,
with cool faces and warm hands, even just after lunch.
If Mr. Leyton were here he would be briskly entering up
the books—perhaps with a red nose; but very brisk. He
was finishing Buck off; briskly, not even talking. Mr.
Hancock would be working swiftly at well up-to-date
accounts, without making a single mistake. Where had he
sat doing all those pages of beautiful spidery book-keeping?
Mr. Orly would be rushing things through. What a drama.
He knew it. He knew he had earned his rest by the fire
... doing everything, making and building the practice
... people waiting outside the surgery with basins for him
to rush out and be sick. Her sweet inaccurate help in the
fine pointed writing on cheap paper ... the two cheap
rooms they started in.... The Wreck of the Mary
Gloucester ... “and never a doctor’s brougham to help
the missis unload.” They had been through everything
together ... it was all there with them now ... rushing
down the street in the snow without an overcoat to get
her the doctor. They were wise and sweet; in life and
wise and sweet. They had gone out and would be back
for tea. Perhaps they had gone out. Everything was so
quiet. Two hours of cold before tea. Putting in order
the materials for the gold and tin she propped her elbows
on the table and rested her head against her hands and
closed her eyes. There was a delicious drowsiness in her head
but her back was tired. She rose and wandered through
the deserted hall into the empty waiting room. The clear
blaze of a coal fire greeted her at the doorway and her cold
feet hurried in on to the warm Turkey carpet. The dark
oak furniture and the copper bowls and jugs stood in a
glow of comfort. From the centre of the great littered
table a bowl of daffodils asserted the movement of the
winter and pointed forward and away from the winter
stillness of the old room. The long faded rich crimson
rep curtains obscured half the width of each high window
and the London light screened by the high opposing houses
fell dimly on the dingy books and periodicals scattered
about the table. Miriam stood by the mantelpiece her
feet deep in the black sheepskin rug and held out her hands
towards the fire. They felt cold again the instant she withdrew
them from the blaze. The hall clock gonged softly
twice. The legal afternoon had begun. Anyone finding
her in here now would think she was idling. She glanced
at the deep dark shabby leather armchair near by and
imagined the relief that would come to her whole frame,
if she could relax into it for five undisturbed minutes.
The ringing of the front door bell sent her hurrying back
to her room.
The sound of reading came from the den—a word-mouthing
word-slurring monotonous drawl—thurrah-thurrah-thurrah;
thurrah thurrah ... a single beat, on
and on, the words looped and forced into it without any
discrimination, the voice dropping uniformly at the end
of each sentence ... thrah.... An Early Victorian voice
giving reproachful instruction to a child ... a class of
board school children reciting.... Perhaps they had
changed their minds about going out.... Miriam sat
with her hands tucked between her knees musing with her
eyes fixed on the thin sheets of tin and gold ... extraordinary
to read any sort of text like that ... but there was
something in it, something nice and good ... listening
carefully you would get most of the words. It would be
better to listen to than a person who read with intelligent
modulations, as if they had written the thing themselves;
like some men read ... and irritatingly intelligent women
... who knew they were intelligent. But there ought
to be clear ... enunciation. Not expression—that was
like commenting as you read; getting at the person you
were reading to ... who might not want to comment
in the same way. Reading, with expression, really hadn’t
any expression. How wonderful—of course. Mrs. Orly’s
reading had an expression; a shape. It was exactly like
the way they looked at things; exactly; everything was
there; all the things they agreed about, and the things
he admired in her ... things that by this time she knew
he admired.... She was conscious of these things ...
that was the difference between her and her sister, who
had exactly the same things but had never been admired
... standing side by side exactly alike, the sister like a
child—clear with a sharp fresh edge; Mrs. Orly with a
different wisdom ... softened and warm and blurred
... conscious, and always busy distracting your attention,
but with clear eyes like a child, too.
Presently the door opened quietly and Mrs. Orly appeared
in the doorway. “Miss Hens’n” she whispered urgently.
Miriam turned to meet her flushed face. “Oh Miss Hens’n”
she pursued absently, “if Mudie’s send d’you mind lookin’
and choosin’ us something nice?”
“Oh” said Miriam provisionally with a smile.
Mrs. Orly closed the door quietly and advanced confidently
with deprecating bright wheedling eyes. “Isn’t it
tahsome” she said conversationally. “Ro’s asleep and the
carriage is comin’ round at half past. Isn’t it tahsome?”
“Can’t you send it back?”
“I want him to go out; I think the drive will do him
good. I say, d’you mind just lookin’—at the books?”
“No, I will; but how shall I know what to keep? Is
there a list?”
Mrs. Orly looked embarrassed. “I’ve got a list somewhere”
she said hurriedly, “but I can’t find it.”
“I’ll do my best” said Miriam.
“You know—anythin’ historical ... there’s one I put
down ‘The Sorrows of a Young Queen.’ Keep that if
they send it and anything else you think.”
“Is there anything to go back?”
“Yes, I’ll bring them out. We’ve been reading an awful
one—awful.”
Miriam began fingering her gold foil. Mrs. Orly was
going to expect her to be shocked....
“By that awful man Zola....”
“Oh yes” said Miriam, dryly.
“Have you read any of his?”
“Yes” said Miriam carefully.
“Have you? Aren’t they shockin’?”
“Well I don’t know. I thought ‘Lourdes’ was simply
wonderful.”
“Is that a nice one—what’s it about?”
“Oh you know—it’s about the Madonna of Lourdes,
the miracles, in the south of France. It begins with a
crowded trainload of sick people going down through
France on a very hot day ... it’s simply stupendous ...
you feel you’re in the train, you go through it all”—she
turned away and looked through the window overcome
... “and there’s a thing called ‘La Rêve’” she went on
incoherently with a break in her voice “about an embroideress
and a man called Felicien—it’s simply the most
lovely thing.”
Mrs. Orly came near to the table.
“You understand about books don’t you,” she said wistfully.
“Oh no” said Miriam. “I’ve hardly read anything.”
“I wish you’d put those two down.”
“I don’t know the names of the translations,” announced
Miriam with conceited solicitude.
A long loud yawn resounded through the door.
“Better, boysie?” asked Mrs. Orly turning anxiously
towards the open door.
“Yes, my love,” said Mr. Orly cheerfully.
“I am glad, boy—I’ll get my things on—the carriage’ll
be here in a minute.”
She departed at a run and Mr. Orly came in and sat
heavily down in a chair set against the slope of the wall
close by and facing Miriam.
“Phoo” he puffed, “I’ve been taking phenacetin all
day; you don’t get heads do you?”
Miriam smiled and began preparing a reply.
“How’s it coming in? Totting up, eh?”
“I think so” said Miriam uneasily.
“What’s it totting up to this month? Any idea?”
“No; I can see if you like.”
“Never mind, never mind.... Mrs. O’s been reading
... phew! You’re a lit’ry young lady—d’you know that
French chap—Zola—Emmil Zola——” Mr. Orly glanced
suspiciously.
“Yes” said Miriam.
“Like ’im?”
“Yes” said Miriam firmly.
“Well—it’s a matter of taste and fancy” sighed Mr.
Orly heavily. “Chacun à son goût—shake an ass and go,
as they say. One’s enough for me. I can’t think why they
do it myself—sheer well to call a spade a spade sheer bestiality
those French writers—don’t ye think so, eh?”
“Well no. I don’t think I can accept that as a summary
of French literature.”
“Eh well, it’s beyond me. I suppose I’m not up to it.
Behind the times. Not cultured enough. Not cultured
enough I guess. Ready dearest?” he said addressing his
wife and getting to his feet with a groan. “Miss Hens’n’s
a great admirer of Emmil Zola.”
“She says some of his books are pretty, didn’t you, Miss
Hens’n. It isn’t fair to judge from one book, Ro.”
“No my love no. Quite right. Quite right. I’m wrong—no
doubt. Getting old and soft. Things go on too fast
for me.”
“Don’t be so silly, Ro.”
Drowsily and automatically Miriam went on rolling tin
and gold—sliding a crisp thick foil of tin from the pink
tissue paper leaved book on to the serviette ... a firm
metallic crackle ... then a silent layer of thin gold ...
then more tin ... adjusting the three slippery leaves in
perfect superposition without touching them with her
hands, cutting the final square into three strips, with the
long sharp straight bladed scissors—the edges of the metal
adhering to each other as the scissors went along—thinking
again with vague distant dreamy amusement of the boy
who cut the rubber tyre to mend it—rolling the flat strips
with a fold of the serviette, deftly until they turned into
neat little twisted crinkled rolls—wondering how she had
acquired the knack. She went on and on lazily, unable to
stop, sitting back in her chair and working with outstretched
arms, until a small fancy soap box was filled with the twists—enough
to last the practice for a month or two. The
sight filled her with a sense of achievement and zeal. Putting
on its lid she placed the soap box on the second chair. Lazily,
stupidly, longing for tea—all the important clerical work
left undone, Mr. Orly’s surgery to clear up for the day—still
she was working in the practice. She glanced approvingly
at the soap box ... but there were ages to pass before
tea. She did not dare to look at her clock. Had the hall
clock struck three? Bending to a drawer she drew out a
strip of amadou—offended at the sight of her red wrist
coming out of the harsh cheap black sleeve and the fingers
bloated by cold. They looked lifeless; no one else’s hands
looked so lifeless. Part of the amadou was soft and warm
to her touch, part hard and stringy. Cutting out a soft
square she cut it rapidly into tiny cubes collecting them
in a pleasant flummery heap on the blotting paper—Mr.
Hancock should have those; they belonged to his perfect
treatment of his patients; it was quite just. Cutting a
strip of the harsher part, she pulled and teased it into comparative
softness and cut it up into a second pile of fragments.
Amadou, gold and tin ... Japanese paper? A
horrible torpor possessed her. Why did one’s head get into
such a hot fearful state before tea? ... grey stone wall
and the side of the projecting glass roofed peak of Mr.
Leyton’s surgery ... grey stone wall ... wall ... railings
at the top of it ... cold—a cold sky ... it was their time—nine
to six—no doubt those people did best who thought
of nothing during hours but the work—cheerfully—but
they were always pretending—in and out of work hours
they pretended. There was something wrong in them and
something wrong in the people who shirked. La—te—ta—te—te—ta,
she hummed searching her table for relief.
Mr. Hancock’s bell sounded and she fled up to the warmth
of his room. In a moment Mudie’s cart came and the maid
summoned her. There was a pile of books in the hall....
She glanced curiously at the titles worried with the responsibility—’The
Sorrows’—that was all right. ‘Secrets of a
Stormy Court’ ... that was the sort of thing ... “you
can’t make a silk purse out of a sow’s ear” ... one day
she must explain to Mr. Orly that that was really
“sousière” a thing to hold halfpence. ‘My Reminiscences’
by Count de Something. Perhaps that was one
they had put down. The maid presented the volumes
to be returned. Taking them Miriam asked her to ask
Mr. Hancock if he had anything to change. ‘Cock Lane
and Common Sense’ she read ... there was some sort
of argument in that ... the ‘facts’ of some case ... it
would sneer at something, some popular idea ... it was
probably by some doctor or scientific man ... but that
was not the book.... ‘The Earth’ ... Emile Zola. She
flapped the book open and hurriedly read a few phrases.
The hall pulsated curiously. She flushed all over her body.
“There’s nothing for Mr. Hancock, miss.” “All right;
these can go and these are to be kept,” she said indistinctly.
Wandering back to her room she repeated the phrases in
her mind in French. They seemed to clear up and take
shelter—somehow they were terse and acceptable and they
were secret and secure—but English people ought not to
read them; in English. It was—outrageous. English men.
The French man had written them simply ... French
logic ... English men were shy and suggestive about these
things—either that or breezy ... “filth” which was almost
worse. The Orlys ought not to read them at all ... it was
a good thing the book was out of the house ... they would
forget. But she would not forget. Her empty room
glanced with a strange confused sadness; the clearing up
upstairs was not quite done; but she could not go upstairs
again yet. Three-fifteen; the afternoon had turned;
her clock was a little slow too. The warm quiet empty
den was waiting for the tea-tray. Clearing the remnants
from her table she sat down again. The heavy stillness
of the house closed in.... She opened the drawer of
stationery. Various kinds of notepaper lay slid together
in confusion; someone had been fumbling there. The
correspondence cards propped against the side of the drawer
would never stay in their proper places. With comatose
meticulousness she put the whole drawer in order, replenishing
it from a drawer of reserve packets, until it was so full
that nothing could slide. She surveyed the result with
satisfaction; and shut the drawer. She would tidy one
drawer every afternoon.... She opened the drawer once
more and looked again. To keep it like that would mean
never using the undermost cards and notepaper. That
would not do ... change them all round sometimes. She
sat for a while inertly and presently lazily roused herself
with the idea of going upstairs. Pausing in front of a long
three-shelved whatnot filling the space between the door
and the narrow many drawered specimen case that stood
next her table she idly surveyed its contents. Nothing
but piles of British Dental Journals, Proceedings of the
Odontological Society, circulars from the Dental Manufacturing
Companies. Propping her elbows on the upper
shelf of the what-not she stood turning leaves.
“Tea up?”
“Don’t know” said Miriam irritably, passing the open
door. He could see she had only just come down and could
not possibly know. The soft jingling of the cups shaken
together on a tray by labouring footsteps came from the
basement stairs. Mr. Leyton’s hurried clattering increased.
Miriam waited impatiently by her table. The maid padded
heavily through swinging the door of the den wide with
her elbow. When she had retired, Miriam sauntered warm
and happy almost before she was inside the door into the
den. With her eyes on the tea-tray she felt the afternoon
expand.... “There’s a Burma girl a settin’ and I know
she thinks of me.” ... “Come you back you British soldier,
come you back to Mandalay.” Godfrey’s tune was much
the best; stiff, like the words, the other was only sing-song.
Pushing off the distraction she sat down near the
gently roaring blaze of the gas fire in a low little chair,
upholstered in cretonne almost patternless with age. The
glow of the fire went through and through her. If she
had tea at once, everything would be richer and richer,
but things would move on, and if they came back she
would have finished and would have to go. The face of
the railway clock fixed against the frontage of the gallery
at the far end of the room said four-fifteen. They had
evidently ordered tea to be a quarter of an hour late and
might be in any minute ... this curious feeling that the
room belonged to her more than to the people who owned
it, so that they were always intruders.... Leaving with
difficulty the little feast untouched ... a Dundee cake
from Buszards ... she browsed rapidly, her eyes roaming
from thing to thing ... the shields and assegais grouped
upon the raised dull gold papering of the high opposite
wall, the bright beautiful coloured bead skirts spread out
amongst curious carved tusks and weapons, the large cool
placid gold Buddha reclining below them with his chin
on his hand and his elbow on a red velvet cushion, on the
Japanese cabinet; the Japanese cupboard fixed above Mrs.
Orly’s writing table, the fine firm carved ivory on its panels;
the tall vase of Cape gooseberries flaring on the top of the
cottage piano under the shadow of the gallery; the gallery
with its upper mystery, the happy clock fastened against
its lower edge, always at something after four, the door
set back in the wall, leading into her far-away midday room,
the light falling from the long high frosted window along
the confusion of Mr. Orly’s bench, noisy as she looked at it
with the sound of metal tools falling with a rattle, the
drone and rattle of the motor lathe, Mr. Orly’s cheerful
hummings and whistlings, the bench swept down the length
of the room to her side ... the movable shaded electric
lamp; Mr. Orly’s African tobacco pouch bunched underneath
it on the edge of the bench near the old leather armchair
near to the fire, facing the assegais; the glass-doored
bookcase on either side of the fireplace, the strange smooth
gold on the strips of Burmese wood fastened along the
shelves, the clear brown light of the room on the gold,
the curious lettering sweeping across the gold.
“Tea? Good.”
Mr. Leyton pulled up a chair and plumped into it digging
at his person and dragging out the tails of his coat with one
hand, holding a rumpled newspaper at reading length.
When his coat-tails were free he scratched his head and
scrubbed vigorously at his short brown beard.
“You had tea?” he said to Miriam’s motionlessness,
without looking up.
“No—let’s have tea,” said Miriam. Why should he
assume that she should pour out the tea....
“I say that’s a nasty one” said Mr. Leyton hysterically
and began reading in a high hysterical falsetto.
Miriam began pouring out. Mr. Leyton finished his
passage with a little giggling shriek of laughter and fumbled
for bread and butter with his eyes still on the newspaper.
Miriam sipped her hot tea. The room darkled in the silence.
Everything intensified. She glanced impatiently at Mr.
Leyton’s bent unconscious form. His shirt and the long
straight narrow ends of his tie made a bulging curve above
his low-cut waistcoat. The collar of his coat stood away
from his bent neck and its tails were bunched up round his
hips. His trousers were so hitched up that his bent knees
strained against the harsh crude Rope Brothers cloth. The
ends of his trousers peaked up in front, displaying loose
rolls of black sock and the whole of his anatomical walking-shoes.
Miriam heard his busily masticating jaws and dreaded
his operations with his tea-cup. A wavering hand came out
and found the cup and clasped it by the rim, holding it at
the edge of the lifted newspaper. She busied herself with
cutting stout little wedges of cake. Mr. Leyton sipped,
gasping after each loud quilting gulp; a gasp, and the sound
of a moustache being sucked. Mr. Hancock’s showing out
bell rang. Mr. Leyton plunged busily round, finishing his
cup in a series of rapid gulps. “Kike?” he said.
“M” said Miriam, “jolly kike—did you finish Mr.
Buck?”
“More or less——”
“Did you boil the remains?”
“Boiled every blessed thing—and put the serviette in
k’bolic.”
Miriam hid her relief and poured him out another cup.
Mr. Hancock came in through the open door and quickly
up to the tea-tray. Pouring out a cup he held the teapot
suspended, “another cup?”
“No thanks, not just at present” said Miriam getting
to her feet with a morsel of cake in her fingers.
“Plenty of time for my things” said Mr. Hancock sitting
down in Mr. Orly’s chair with his tea, his flat compact
slightly wrinkled and square-toed patent leather shoes
gleamed from under the rims of his soft dark grey beautifully
cut trousers with a pleasant shine as he sat back comfortable
and unlounging, with crossed knees in the deep chair.
Mr. Leyton had got to his feet.
“Busy?” he said rapidly munching. “I say I’ve had
that man Buck this afternoon.”
“Oh yes” said Mr. Hancock brushing a crumb from
his knee.
“You know—that case I told you about.”
“Oh yes?” said Mr. Hancock with a clear glance and a
slight tightening of the face.
Miriam made for the door. Mr. Hancock was not
encouraging the topic. Mr. Leyton’s cup came down with
a clatter. “I’m fearfully rushed” he said. “I must be
off.” He caught Miriam up in the hall. “I say tea must
have been fearfully late. I’ve got to get down to headquarters
by five sharp.”
“You go on first” said Miriam standing aside.
Mr. Leyton fled up through the house three steps at a
time.
When she came down again intent on her second cup of
tea in the empty brown den a light had been switched on,
driving the dark afternoon away. The crayon drawings
behind the piano shone out on the walls of the dark square
space under the gallery as she hesitated in the doorway.
There was someone in the dim brightness of the room.
She turned noiselessly towards her table.
“Come and have some more tea Miss Hens’n.”
Miriam went in with alacrity. The light was on in the
octagonal brass framed lantern that hung from the skylight
and shed a soft dim radiance through its old glass.
Mrs. Orly still in her bonnet and fur-lined cape was sitting
drinking tea in the little old cretonne chair. She raised a
tired flushed face and smiled brightly at Miriam as she came
down the room.
“I’m dying for another cup; I had to fly off and clear
up Mr. Hancock’s things.”
“Mr. Hancock busy? Have some cake, it’s rather a
nice one.” Mrs. Orly cut a stout little wedge.
Clearing away the newspaper Miriam took possession of
Mr. Leyton’s chair.
Mr. Orly swung in shutting the door behind him and
down the room peeling off his frock coat as he came.
“Tea darling?”
“Well m’love, since you’re so pressing.”
Mr. Orly switched on the lamp on the corner of the
bench and subsided into his chair his huge bulk poised
lightly and alertly, one vast leg across the other knee.
“’Scuse my shirt-sleeves Miss Hens’n. I say I’ve got a
new song—like to try it presently or are ye too busy?”
Poised between the competing interests of many worlds
Miriam basked in the friendly tones.
“Well I have got rather a fearful lot of things to do.”
“Come and try it now, d’ye mind?”
“Have your tea Ro, darling.”
“Right my love, right, right, always right—Hancock
busy?”
“Yes; he has two more patients after this one.”
“Marvellous man.”
“Mr. Hancock never gets rushed or flurried does he?
He’s always been the same ever since we’ve known him.”
“He’s very even and steady outwardly” said Miriam
indifferently.
“You think it’s only outward?”
“Well I mean he’s really frightfully sensitive.”
“Just so; it’s his coolness carries him through, self-command,
I wish I’d got it.”
“You’d miss other things boysie; you can’t have it both
ways.”
“Right m’love—right. I don’t understand him. D’you
think anyone does, Miss Hens’n—really—I mean. D’you
understand him?”
“Well you see I haven’t known him very long——”
“No—but you come from the same district and know
his relatives.”
“The same Berkshire valley and his cousins happened to
be my people’s oldest friends.”
“Well don’t ye see, that makes all the difference—I say
I heard a splendid one this afternoon. D’you think I could
tell Miss Hens’n that one Nelly?—you’re not easily shocked,
are you?”
“I’ve never been shocked in my life” said Miriam
getting to her feet.
“Must ye go? Shall we just try this over?”
“Well if it isn’t too long.”
“Stop and have a bit of dinner with us can ye?”
Miriam made her excuse, pleading an engagement and sat
down to the piano. The song was a modern ballad with an
easy impressive accompaniment, following the air. The
performance went off easily and well, Mr. Orly’s clear
trained baritone ringing out persuasively into the large
room. Weathering a second invitation to spend the evening
she got away to her room.
Her mind was alight with the sense of her many beckoning
interests, aglow with fulness of life. The thin piercing
light cast upon her table by the single five candle power
bulb, drawn low and screened by a green glass shade was
warm and friendly. She attacked her letters, despatching
the appointments swiftly and easily in a bold convincing
hand and drafted a letter to Mrs. Hermann that she carried
with a glow of satisfaction to Mr. Hancock’s room. When
his room was cleared in preparation for his last patient it
was nearly six o’clock. She began entering his day-book in
the ledger. The boy coming up for the letters brought two
dentures to be packed and despatched by registered post
from Vere Street before six o’clock. “They’ll be ready
by the time you’ve got your boots on” said Miriam and
packed her cases brilliantly in a mood of deft-handed
concentration. Jimmy clattered up the stairs as she was
stamping the labels. When he fled with them she gave a
general sigh and surveyed the balance of her day with a
responsible cheerful wicked desperation; her mind leaping
forward to her evening. The day books would not be done,
even Mr. Hancock’s would have to go up unentered; she
had not the courage to investigate the state of the cash
book; Mr. Leyton’s room was ready for the morning;
she ran through to Mr. Orly’s room and performed a rapid
perfunctory tidying up; many little things were left;
his depleted stores must be refilled in the morning; she
glanced at his appointment book, no patient so far until
ten. She left the room with her everyday guilty consciousness
that hardly anything in it was up to the level of Mr.
Hancock’s room ... look after Hancock, I’m used to
fending for myself ... but he knew she did not do her
utmost to keep the room going. There were times when
he ran short of stores in the midst of a sitting. That could
be avoided.
When Miriam entered his room at half past six Mr.
Hancock was switching off the lights about the chair. A
single light shone over his desk. The fire was nearly out.
“Still here?”
“Yes” said Miriam switching on a light over the instrument
cabinet.
“I should leave those things tonight if I were you.”
“It isn’t very late.”
She could go on, indefinitely, in this confident silence,
preparing for the next day. He sat making up his day-book
and would presently come upon Mrs. Hermann’s
letter. As long as he was there the day lingered. Its light
had left the room. The room was colourless and dark
except where the two little brilliant circles of light made
bright patches of winter evening. Their two figures quietly
at work meant the quiet and peace of the practice; the
full, ended day, to begin again to-morrow in broad daylight
in this same room. The room was full of their quiet continuous
companionship. It was getting very cold. He
would be going soon.
He stood up, switching off his light. “That will do
excellently” he said with an amused smile, placing Mrs.
Hermann’s letter on the flap of the instrument cabinet
and wandering into the gloomy spaces.
“Well. I’ll say good night.”
“Good night” murmured Miriam.
Leaving the dried instruments in a heap with a wash
leather flung over them she gathered up the books switched
the room into darkness, felt its promise of welcome and
trotted downstairs through the quiet house. The front
door shut quietly on Mr. Hancock as she reached the hall.
She flew to get away. In five minutes the books were in
the safe and everything locked up. The little mirror on
the wall, scarcely lit by the single globe over the desk just
directed the angle of her hat and showed the dim strange
eager outline of her unknown face. She fled down the hall
past Mr. Leyton’s room and the opening to the forgotten
basement, between the heavy closed door of Mr. Orly’s
room and the quiet scrolled end of the balustrade and past
the angle of the high dark clock staring with its unlit face
down the length of the hall, between the high oak chest
and the flat oak coffer confronting each other in the glooms
thrown by Mrs. Orly’s tall narrow striped Oriental curtains;
she saw them standing in straight folds, the beautiful
height and straightness of their many coloured stripes, as
they must have been before the outside stripe of each had
been cut and used as a tie-up; and was out beyond the
curtains in the brightly lit square facing the door. The
light fell on the rich edge of the Turkey carpet and the
groove of the bicycle stand. In the corner stood the blue
and white pipe, empty of umbrellas. Her hand grasped the
machine-turned edge of the small flat circular knob that
released the door ... brahma; that was the word, at
last.... The door opened and closed with its familiar
heavy wooden firmness, neatly, with a little rattle of its
chain. Her day scrolled up behind her. She halted,
trusted and responsible, for a long second in the light flooding
the steps from behind the door.
The pavement was under her feet and the sparsely
lamplit night all round her. She restrained her eager steps
to a walk. The dark houses and the blackness between the
lamps were elastic about her.