1. Sight.—The information acquired by the
mind through the sense of sight is more varied
than that communicated through any other
sense, singly taken; but it is less accurate.
The sense of sight requires education and
assistance, and both are given through the
sense of touch. We have already said, that
light radiates from bodies, and forms a picture
on the retina, (a reversed picture,) conveying
to the mind certain qualities of matter, and,
first—colour. By variations in the shades of
colour, and by contrasts of colour, our eye,
aided by experience from the sense of touch,
determines the form of objects; and the
boundaries of these forms we term outlines.
All that we perceive is the limits of differently
coloured spaces. Where, however, colours
blend gradually into each other, the limits of
each space, and, consequently, its outline, are
indefinite; we do not see matter, but a quality
of matter. There are circumstances under
which the eye is deceived respecting colour,
two or more different colours producing a
similar effect on the retina, and being undistinguishable
from each other. Moreover, when
the retina is fatigued by a prolonged impression
from one colour, its sensibility to colour
is diminished, and we cease to judge accurately;
in these instances, the retina receives
those only which are termed accidental, namely,
which do not enter into the colour steadily
gazed at previously. For example, "if we
look steadily at a white spot, and afterwards
turn the eye towards white bodies, a dark spot
will be perceived by the eye. If we look at a
red spot on a white ground, and then direct
the eye to another part of the white ground, a
green spot approaching to blue will be perceived.
In the first case, the retina was
fatigued by the white colour, and could not be
excited by any other colour having the rays
which constituted it in its composition. The
accidental colour, therefore, was black. In
like manner, after looking at the red spot, the
retina was insensible to the impressions of a
compound colour, having red rays in its composition.
Hence, the accidental colour consisted
of the other rays of the prismatic spectrum,
forming a colour destitute of red."
The eye is subject to deception, or illusion.
Sometimes we mistake the shadow for the substance.
The rays of light, passing through
media of different densities, are refracted at
different angles; hence the direction or nearness
of different bodies becomes apparently
altered, and experience alone corrects the
error. On putting a pole or stick obliquely
into clear water, the submerged portion seems
to be bent at the surface of the water, and to
rise higher in the water than it actually is.
The bottom of a deep, clear river, or pond,
seems to be nearer to the surface than it is in
reality; in other instances, the water deceives
by an apparent shallowness, the truth of which
the inexperienced bather should always test
before venturing in. If a gold or silver coin
be put at the bottom of a basin, and the basin
be then filled with water, and the eye be
obliquely directed, so as not to see the coin,
hidden by the rim of the basin, it will become
apparent when the basin is filled. In spearing
fish, allowance is made by the experienced for
the difference of refraction of the rays of light
in a rare and more dense medium. It is probable
that birds which prey upon fish, by darting
at them while at a certain distance under
the water, as, for example, the fish-hawk, or
osprey, and the gannet, are taught by instinct
to correct an apparent error of sense, or rather,
an illusion, which man corrects by practice
and experience.
The eye is deluded by the mirage. The
mirage (a French word, adopted into our language)
is "the name given to a phenomenon
of unusual attraction, for which we have no
specific appellative, unless it be the sea-term
looming. As a general definition, we may say,
the mirage is an optical illusion, occasioned by
the refraction of light through contiguous masses
of air of different density, such refraction not
unfrequently producing the same sensible effect
as direct reflection.
"The illusions of the mirage differ according
to circumstances, but they may be all arranged
under one or other of the three following
classes: vertical reflection, horizontal or lateral
reflection, and suspension."
In hot, flat regions, as certain portions of
Arabia, Egypt, Persia, the western deserts of
India, etc., the vertical mirage is extremely
common; it presents the illusive appearance of
a wide, clear lake, or sheet of water, in which
trees, buildings, and other objects, seem to be
reflected, and in a reversed position. On approaching
this deceptive lake, it keeps receding
as we advance, the reflected images vanish, to
be succeeded by others, as they come in rotation
into sight. And thus the wayworn and
thirsty traveller across the desert is first cheated
into hope, and at length mocked into despair.
During the French campaign in Egypt, under
Napoleon, the soldiers, who suffered extremely
from the torments of thirst, were cruelly tantalized
by the deceptive mirage. M. Monge, one
of the savans who accompanied the army, thus
comments upon this phenomenon: "The soil
of Lower Egypt," he observes, "is a vast plain,
perfectly horizontal, its uniformity being interrupted
by a few eminences, on which, in order
to secure them from the inundations of the
Nile, the villages are built. In the morning
and the evening the aspect of the country presents
nothing remarkable, all objects appearing
in their natural positions, and at their proper
distances; but after the soil has become heated by
the rays of the sun, the prospect seems bounded
by a general inundation. The villages at a
little distance appear as islands in the midst of
an expansive lake, and the image of each
village is seen invertedly reflected, as if the
water were real. As we advance, the mimic
water retires, still reflecting image after image;"
so that in this illusion the classic fable of Tantalus
is represented; might not the fable have
had its origin in the phenomenon of the
mirage?
It is not, however, exclusively on sandy
plains or in very hot climates, that this
mirage occurs. It has been observed by Biot
over the sandy beach of Dunkirk, and is not
unfrequent along the coast of Calvados. A
strange and beautiful effect of the mirage was
seen by captain Maundy, at the Shallout Pass
in India, and is thus described: "A deep precipitous
valley, at the bottom of which I had
seen one or two miserable villages in the morning,
bore in the evening a complete resemblance
to a beautiful lake. The vapour which played
the part of water, ascended nearly half-way up
the sides of the vale, and on its bright surface
the trees and rocks were distinctly reflected."
How like the vanities and pleasures of earth
is the mirage! Bright, sparkling, illusive—an
appearance without a substance—a mockery
which deceives, attracts, and vanishes away!
He who pursues the pleasures of this world,
and all its tinsel gratifications, resembles the
fevered traveller in the burning desert, who
pursues the mirage, which recedes as he presses
eagerly towards it, till at length, discovering
its nothingness, he perishes.
We may next consider the mirage produced
by horizontal or lateral reflection.
"In the horizontal or lateral reflections, the
mirage represents the reflected image sideways.
Thus, on the 17th of September, 1818, M.
Jurine and Soret observed a lateral mirage on
the lake of Geneva. A bark, about four thousand
toises distant, was seen approaching Geneva
by the left bank of the lake, and at the same
moment there was seen above the water an
image of the sails, which, in place of following
the direction of the bark, receded from it, and
seemed to approach Geneva by the right bank
of the lake, the image sailing from east to west,
while the bark was sailing from north to south.
This lateral mirage is known to the inhabitants
of Meroa, who call it Si-koté, (castle of the cold
season;) by those who live on the plains
watered by the Chumbul and the Jumna, it is
termed Dissaser, (prognostic.)
"In particular situations, both the vertical
and lateral mirage may be observed together.
Thus the late Mr. Blackadder has described
some phenomena, both of vertical and lateral
mirage, as seen at king George's Bastion,
Leith, which are very instructive.
"The phenomenon called suspension, which
is the third kind of mirage, and to which the
term looming is most strictly applied, is the
picturing of an object immediately over it in
the air, frequently without reversion of the
image. Sometimes the objects are merely
raised above the height at which, under ordinary
circumstances, they would appear. Thus
sir R. K. Porter mentions a phenomenon of
suspension, or looming, in the plains near
Bagdad. 'A little before morning,' says he,
'I observed an elevated stream of water,
which, from its situation, must be the Tigris.
Its surface was brilliantly illuminated by the
moon, but the longer I kept my eye fixed on
this noble river of many interests, the more my
surprise became excited at the extraordinary
height of its waters above the level of the
desert, till at length I began to suspect that
some optical illusion from refraction was
assisting the apparent elevation of the stream;
but I had not conceived the extent of the
deception, for as the dawn advanced the phantom
river totally sunk from my sight.' The
phenomenon of looming is most generally observed
at sea, or near the shore. At Reggio,
in Calabria, the Fata Morgana (Fairy Morgana)
is visible, which for many centuries
astonished the vulgar and perplexed philosophers.
"It frequently happens that the phenomenon
of the vertical mirage is combined with
that of suspension, so as to show in the air both
a direct and an inverted image of the subject,
the latter being undermost.
"Now all these phenomena, and their various
modifications, depend on the different density
of the lower strata of the air; and as this difference
of density may be occasioned both by
heat and moisture, and as heat may be reverberated
from the mountain's side as well as
from the horizontal surface of the plains, from
the sea as from the land—and, further, as contiguous
columns of air, as well as horizontal
strata, may be of different densities, it is easy
to conceive why the mirage may be seen in
very different situations, as also why it presents
such varied appearances. It will also be evident
that any cause which re-establishes the
equilibrium of density in the different portions
of the air, must cause the illusions of the
mirage to vanish."[11]
It cannot be doubted that those appearances,
which sailors call Cape Fly-away, the Enchanted
Island, and the Flying Dutchman, etc., are the
effects of the mirage. They are the objects of
superstition, and thus has an illusive appearance
caused many a heart to beat with fear,
which never so beat in the tempest or the sea-fight.
The eye assists us greatly, indeed almost
exclusively, in determining the motions of
bodies; yet in this we require experience, and
after all we are frequently deceived. When a
body moves in a straight line from us, we cannot
tell whether it moves or not, and then only
come to the conclusion that it recedes in consequence
of its becoming more obscure, and from
a change in its relative position to other objects
which we know to be stationary. When we
travel in a railway carriage, the banks, the
hedge-rows, and the fields, seem as if gliding
with extreme velocity away from us. It is only
by a course of reasoning that we know such is
not the fact; it is true that the course of reasoning
is very short and simple, yet still that
reasoning is requisite; indeed, it has been
acknowledged only in modern times that the
sun is stationary, and that the world moves.
Bodies moving with extreme velocity produce a
continuous impression on the eye; thus, for
example, if a stick burning at one end be rapidly
whirled, the burning end produces the appearance
of a fiery circle. The spokes of a coach-wheel,
rolling round very rapidly, present the
appearance of an indistinct expansion. On the
contrary, bodies moving with extreme slowness
appear to casual observation as stationary;
thus the act of growing, in ordinary plants and
animals, is not appreciated, though the result
is demonstrated in due time.
The eye, moreover, may be deceived by artificial
representations, as by painting (take the
Diorama as an example) or by models. We
have seen flowers so truthfully modelled in
wax that, by the eye alone, no distinction
between them and natural flowers could have
been detected.
The same observations apply to magnitude
and distance. Objects of gigantic magnitude, as,
for instance, the pyramids of Egypt, at first
appear less than they are in reality; and it is
only by admeasurement, examination, and comparison,
that the mind becomes impressed with
the idea of their immensity. A building, the
details of which are in just harmony, always
appears to be smaller than it is, because no
discordance betrays the vast preponderance of
certain parts over the littleness of others.
Habit, or, in other words, education, is essentially
requisite to aid the eye in its appreciation
of magnitude.
We may say the same with respect to distance.
An infant does not distinguish between
near and distant objects; its eyes have yet to
become educated, and so have those of adults
placed in circumstances to which they are unaccustomed.
For example, the walls of a city,
reared in a vast level plain, and descried at a
distance, appear to be far nearer than the traveller
will find them to be; again, when standing
on the beach, we look at a ship in the distance,
we are apt to think it closer to the
shore than we should prove it to be were we to
traverse the distance in a boat. A sailor
would judge of the distance accurately.
How much the accuracy and utility of the
eye depend upon practice or education may be
illustrated by the case of a boy, who, as described
by Cheselden, was born quite blind,
but was suddenly restored to sight, at the age
of twelve, by the skilful removal of the cataract.
At first, he was impressed with the idea
that all the objects which he saw around him
touched his eyes, in the same manner as in the
act of touch they came in contact with the skin.
He could neither estimate distance, nor distinguish
one object from another, until he had
applied the test of touch as a corrective and
assistant.
It may here be asked, how the fact is to be
explained that, though images are pictured on
the retina inverted, we do not see them as such,
but in their true position? When we say that
the eye sees, we use popular, but not strictly
correct language; the eyes are the organs or
instruments of vision—that is, for transmitting
certain qualities of matter to the mind; it is
not the image on the retina which the mind
contemplates, for we are utterly unconscious that
such an image exists—it is the object itself.
"To expect that the impression from an inverted
image on the retina should produce the
perception of a similar position in the object
viewed, is to commit the error of mistaking
these images for the real objects of perception,
whereas they are only the means which suggest
the true perceptions. It is not the eye which
sees; it is the mind." "The analogy which
the optical part of the eye bears to a camera
obscura has perhaps contributed to the fallacy
in question; for in using that instrument we
really contemplate the image which is received
on the paper, and reflected from it to our eyes;
but in our own vision nothing of this kind
takes place."
We scarcely know whether we can place
among optical illusions those strange apparitions
of departed persons, of friends at a distance, or
of singular and grotesque faces or figures, of
which we have many authentic narratives.
These we take to be strong impressions on the
mind alone, (for no image can there be on the
retina,) the result of some morbid condition of
the brain and nervous system. Such was the
evil genius which Brutus saw in his tent before
the battle of Philippi, and such the air-drawn
dagger of Macbeth—such also were the phantoms
seen by Nicolai, the philosophic bookseller
of Berlin, who has given an admirable account
of his mental visions, referring them to their
true source, at the very time that the illusions
visited him. In some states of body, we see
grotesque and ludicrous objects, while our eyes
are shut, and, as we can testify, often not before
we have shut our eyes, and thereby closed the
door of access through those organs to the
mind. What horrible phantasms terrify the
unhappy sleeper labouring under night-mare!
What strange things does the delirious sufferer
mentally behold, and through what strange
scenes, real to him, does he pass! We see,
we converse, we laugh, we mourn, we feel
pleasure and anguish, even in our dreams.
These, then, are not optical but mental illusions—no
figure is made upon the retina appealing
to the mind, but the mind itself sees
things which are not, and is delighted or terrified
by its own involuntary creations.[12]
In former times, craft, under the name of
religion, availed herself of these mental illusions,
and extorted gifts of lands and gold from
the terrified, perhaps most guilty sufferer, in
order that his peace with the church (so miscalled)
might be made, and masses said for the
repose of his soul. He was taught to buy his
entrance into heaven—not with the Pearl of
great price—not by presenting before the
Judge of all mankind the merits and the atonement
of the Messiah, but by founding a monastery,
or by adding to its treasures and domains.
His faith was placed, not on the promises of
God in Christ, but on the promises of a mere
mortal at best—yes, a mortal, who knew that
while he promised he was weak as other men;
In concluding our observations upon the sense
of sight, we may refer to a few striking passages
in Scripture, of great force, and well calculated
to excite reflection. "He that formed
the eye, shall he not see?"[13] No secrets are
hidden from God; no, not the secrets of the
heart, for these are written on a tablet which
he, and he alone, can read. May our
prayer be, "Let the meditation of my heart be
acceptable in thy sight, O Lord, my strength,
and my Redeemer!"[14] "Enter not into judgment
with thy servant: for in thy sight
shall no man living be justified."[15] In the
sight of God, we speak figuratively, all men are
sinners, and as sinners condemned; but God
will not enter into judgment with those who,
by faith in the atonement, looking to the
Saviour, as the Israelites looked to the brazen
serpent in the wilderness, turn away from their
wickedness, and become examples "of the
believers, in word, in conversation, in faith, in
purity."
2. Hearing.—What we call sound, noise, or
tone, is a mental appreciation of the effects of the
tremulous or vibratory motions of the particles
of an elastic fluid, such as air or water, on the
auditory or acoustic nerves of the internal ear.
Sonorous vibrations are produced by the concussion
of hard bodies, by the bolt of lightning, by
the vibrations of stringed instruments of music,
by the forcible current of air thrown into the
tubes of wind instruments, and by the air driven
from the lungs through the organs of voice in
reptiles, birds, and mammalia. There are,
indeed, few movements, few collisions, few atmospheric
disturbances, which do not excite those
tremulous wavelets of atmosphere, those oscillations,
which produce in us the sensation of
sound. In fact, during the day, the sense of
hearing is as perpetually employed as is that of
sight; yet, strange to say, from the impressions
made through the medium of both these senses,
we can so far abstract the mind, and throw it
upon its own internal reflections and operations,
as to see without discrimination, and to hear
without attention or notice.
As sound is the result of the tremulous fluctuations
of air, it will not surprise our reader to
know, that no sound is conveyed from the percussion
of bodies in a vacuum. The experiment
of suspending a bell in the exhausted
receiver of the air-pump, and causing the clapper
to strike it as when rung, has been very
often repeated; no sound is communicated
to the listener, although the vibrations of the
bell are clearly perceived; should a little air
be now admitted, a faint tinkling is heard,
which becomes stronger in proportion to the
admission of air, until it is natural; on the
contrary, if the receiver be filled with greatly
condensed air, the tinkling of the bell is louder
than it is when in an atmosphere of the ordinary
degree of density.
Sound, or, rather, the wavelets of the atmosphere
producing this sensation, radiate from
the sound-causing object in all directions;
these wavelets, however, extend only to a certain
distance, according to the violence of the
central agitation; they become gradually
feebler and feebler, and at last die away.
Thunder, the firing of cannon, and the clang of
trumpets, are not heard beyond a certain distance,
and even at that distance, whatever it
may be, the ear only faintly distinguishes the
report, for the vibratory action and reaction on
each other of the atmospheric particles, become
feebler and feebler in proportion to the aërial
distance of the listener.
If we stand on an eminence commanding a
view of a number of cannon, say a mile distant,
which the soldiery are from time to time
firing, a decided difference of time will be perceived
between the flash and the report; the
same observation applies to lightning, a considerable
interval often occurring between the
flash and the thunder. Hence, light is said to
travel faster than sound. Sound travels at the
ratio of about twelve miles and a half in a
minute, but its velocity is greater in a denser
than in a rarer medium, as is also the distance
to which it is propagated. These points are
illustrated by a comparison of water with atmospheric
air. All aquatic animals are not constituted
for hearing; myriads, indeed, have neither
sight nor hearing. By the cuttle-fishes (cephalopoda)
both these senses are enjoyed as well
as by fishes, aquatic reptiles, and we need not
say by such aquatic mammalia as whales, grampuses,
porpoises, etc. To them the water is the
medium of sound, and granting that their auditory
nerves have the same sensibility as those
of man, they will hear sounds not only more
quickly, more distinctly, but at greater distances.
This is accounted for by "the greater
elasticity of the constituent particles of water,
within the minute distance required for their
action in propagating sound. Stones struck
together under water are heard at great distances
by a person under water. Franklin
found, by experiment, that sound, after travelling
above a mile through the water, loses but little
of its intensity. According to Chladini, the velocity
of water is about four thousand nine hundred
feet in a second, or between four and five
times as great as it is in air."
Different bodies conduct sound to the ear
with more or less distinctness, according to
their susceptibility for vibrating, and also with
more or less rapidity. Ice, for example, conveys
sound more speedily than water, and far
more rapidly than air; thus, if a cannon on the
edge of a frozen lake be fired, a person on the
opposite side will find the flash to be followed
by two reports, the first conducted to him by
the ice, the second by the air. If a long steel
rod be applied to the orifice of the ear, the
gentlest jar given to its further extremity, and
which, but for the intervention of the metal,
would not have been audible, produces a strong
and distinct impression. Cotton wool, sheeps'
wool, and soft stuffs, generally are bad conductors
of sound. The frozen earth conducts
sound from great distances; the approach of a
horseman in clear, frosty weather, will be heard
at a far greater distance than when the ground
is moist, or not hardened; in the former case,
indeed, a double sound may sometimes be
heard, one produced by the vibration of the
ice-bound earth, the other, if distance allow, by
that of the air.
The distance to which sound can be conveyed
through the speaking-trumpet is very
surprising. The invention of the modern
speaking-trumpet is generally accorded to sir
Samuel Moreland, (1670,) and some of the
large brass trumpets, made under his direction,
carried the human voice from a mile and a
half to between two and three miles distance.
The efficiency of this instrument has been
attributed to the repeated reflection of the
sound, or waves of air, (like rays of light,)
from side to side along the course of the tube,
their ultimate efflux from the mouth of the
instrument being in such a way, as either to
cause the rays of sound to be collected into a
focus at a distance, or to be projected forward
in parallel lines, instead of allowing them to
diverge in all directions, and on these principles
various modifications in the form of the
speaking-trumpet have been suggested.
The views, however, of professor Leslie do
not coincide with this theory. "The performance
of the speaking-trumpet," he says, "does
certainly not depend upon any supposed repercussion
of sound; repeated echoes might
divide, but could not augment the quantity
of impulse." His idea is, that "the tube,
by its length and narrowness, detains the
efflux of air, and has the same effect as if
it diminished the volubility of that fluid, or
increased its density." "The organs of articulation,"
he adds, "strike with concentrated
force; and the pulses thus so vigorously
excited are, from the reflected form of the
aperture, finally enabled to escape and spread
themselves along the atmosphere." The experiments
of Hassenfratz, a French philosopher,
are cited in support of this theory. He tried
the power of a speaking-trumpet, by measuring
the distance at which the ticking of a
watch could be heard through it, and found
the effect the same, whether the metal tube
were used simply, or wrapped round in such a
way as to prevent vibration. It was also heard
at the same distance when the inner surface
was lined with linen, or woollen cloth, to diminish
reflection; and the range of a cylindrical
trumpet was the same as that of a conical one.
In the ear-trumpet, used by persons partially
deaf, and in the stethoscope, it appears to
us that we have concentrations of sound into a
focus, by repeated reflexions of the aërial
wavelets from side to side of the tube; and
we may ask, does not the murmuring sound
which we hear, when we apply a conch shell
to our ear, arise from the same kind of percussion?
In echoes we have an instance of the reflection
of atmospheric undulations, and this
reflection, as in many natural situations, may
be multiplied till the last faint repetitions die
away; and when a succession of echoes is very
rapid, a loud exclamation of the monosyllable,
Hah! may be thrown back upon the ear like
a boisterous laugh. The echoes of old halls
and galleries, of vaults and dungeons, of
caverns, rocks, and grottoes, have served as
subject-matter for the writers of imaginative
poetry and romance. It is not only to old
romantic halls and galleries that echoes are
confined; they are not uncommon in modern
public buildings, so that the speaker hears
his words repeated. "The distribution of
sound in public edifices, so that the echoes
(or reflections of aërial waves from the walls,
etc.) may be most advantageously brought to
strengthen the original sound, is a subject deserving
of much attention." For some observations
on the errors of architects on this point we
may refer to sir J. Herschel's Treatise on Sound.
When our auditory nerves receive a succession
of uniform impulses at equal intervals of
time, the intervals being at the same time very
small, the impressions become so interblended
with each other as to produce an apparently
continuous sound, even and equal, except as to
variation in loudness. This sound we call a
musical note, produced by the string of the
violin, or piano; if the intervals between the
vibrations be, comparatively speaking, long,
the note is grave; but if within the same given
time the vibrations be very numerous, the
note is in proportion acute. Some notes
harmonize with each, and thereby please the
mind through the ear; others are discords, and
offend. Grave or acute notes depend upon the
length and the tension of the strings of an
instrument, or the length of a wind instrument.
In the piano, the low notes are produced by
long, thick strings, the high notes by slender,
short wires, in which the vibrations are excessively
rapid. In the violin, which has strings
of equal length, the thin strings for producing
the high tones are screwed to a far greater
degree of tension than those of the lower tones;
and each string, as its length (that is, vibratory
length) is shortened by the pressure of the
finger at due intervals, produces high and
higher tones in proportion.
We have here said enough (for we aim not
at a treatise on acoustics) to show what sound
really is, and what are the principal laws by
which it is governed. We have also shown,
that it is our mind alone that takes cognizance
of the impulses given by vibratory wavelets of
the atmosphere to the auditory nerves; consequently,
that as the mind sees, so the mind
alone hears, for vibration cannot in and of
itself be that sensation which we call sound.
What is the knowledge gained through the
ear by the appreciation of sound, or in common
language, by hearing? Let us answer:—We
commonly judge of the distance and position
of objects producing sound by the sense of
hearing, but in these points our accuracy
greatly depends upon our attention and our
experience. Yet are we liable to deception;
we are thoroughly deceived by a skilful ventriloquist,
who can so modulate his voice as to
make it seem distant or near, or to proceed
from one quarter of the room or house, or from
another. The voice of the corn-crake (Crax
pratensis) is, from some cause or other, very
perplexing; sometimes it will appear as if the
bird were only a few yards distant from us,
and the next instant in some far part of the
field. Perhaps instinct leads it to alter the
pitch of its monotonous cry, in order to deceive
the intruder. Again, echoes deceive the ear; not
only may we mistake echo for the actual voice
of the speaker, but it may appear as if close or
distant, faint or loud, and thus in every point
lead to erroneous conclusions.
That the ordinary animals around hear will
not be denied, nor can we blind ourselves as to
the fact, that they acquire a limited share of information,
bearing upon their corporeal necessities,
through this sense. Animals have a
natural language, expressive of pain or pleasure,
of surprise, of fear, of anger; and this
language consists of cries or tones, variously
modulated, each species having its own range
of vocal intonations. Every species understands
the simple instinctive language of its
own species. Some birds, for example, as the
wild geese, have sentinels around the flock while
feeding, and rise en masse at the warning cry of
their guards. Who has not marked the distress
and agitation of the ewe, when she hears
the plaintive tremulous bleat of her lamb,
forcibly separated from her? The warning note
of the cock, his cluck of invitation, his scream of
surprise or fear, his cackle of agitation, his crow
of defiance, are well understood by his train.
Quadrupeds, birds, and even some insects call
to each other, and are answered again—
"Steed answers steed with loud and boastful neighing."
The bird invites his mate by a sweet strain, and
is answered by her low chirp. The call of the
young in their nests is responded to by the
parents; the parents call to each other, as if to
assure themselves of each other's safety, or
to find out where they mutually are, and
what they are doing.
Imitation is an instinct; we see it powerful
in its dominion over children; it is in exercise
before reason assumes a definite sway; it
prompts to the acquisition of the mother-tongue,
till, by repetition, the true pronunciation
is acquired, and the names of all common
articles known: then reason steps in. But
imitation is not confined to the human race;
monkeys imitate, and the grotesqueness of their
imitations renders them ludicrous; they do not
imitate voice, but action. Some birds, however,
imitate the human voice, and are easily
taught to utter words or sentences, (the parrot,
the mino-bird, the magpie, are examples,) nay,
even to sing musical airs with great accuracy.
But, by all this acquisition through the organ
of hearing, they gain no information, nor add
to the limited number of their ideas. The
parrot may be, indeed, made by practice to associate
the sound of a word, say bread, with the
article thus denominated, and to call for it by
name when wanted; but reason steps not in to
give further assistance in the building up of
idea upon idea, without which there can be no
definite language—no real speech. Though
the dog and the horse cannot utter the sound,
they know what bread is quite as well as the
parrot, and, indeed, the ear of the dog is the
inlet to an instinctive mind of no mean order,
for the Almighty created the dog to be man's
assistant and humble friend.
The question has been often mooted, as to
whether song-birds acquire their respective
warble or song by the ear alone, that is, by
listening and imitating, as a child would do, or
whether it is intuitive; the answer is not very
easy. There is an impulse in song-birds to
express their feelings of pleasure or enjoyment,
by giving utterance to modulated sounds, so
pleasing to the human ear, that their song leads
too frequently to their friendly imprisonment.
Young birds, brought up by their parents, and
with a vocal pipe best fitted for the enunciation
of the strain of their parents, (or rather male
parent,) rapidly acquire that strain, and soon
begin to record, or try it over in an under tone,
and bearing it in memory, break out into full
song when leafy spring returns. Nevertheless,
birds, taken early from the nest, and put under
the tuition of other birds, acquire to a certain
extent the song of the latter, often, indeed,
apparently perfect; yet, perhaps, could our ears
catch it, we should find that the bird had much
of the parent accent in its acquired language.
Though birds receive ideas of a simple
character, and express simple feelings, understood
by each other, through the medium of
various sounds, yet nothing from age to age
is thereby added to their knowledge; they remain
what they have been from the commencement
of their creation. Their ears are
far less the inlets to knowledge than their eyes,
and this observation applies generally to the
lower animals.
Now let us turn to man. Setting aside
meaningless sounds and noises, (some of which,
however, through the association of ideas, are
very grateful, as those of the multifarious denizens
of a farm-yard,) man derives both pleasure
and knowledge from a definite succession
of sounds, which appeal to his mind, as sound
cannot appeal to the mind of the lower orders.
How laughable is the fabled contest of the
lutist and the nightingale, and of the death of
the latter disappointed of the victory—the
lutist might have enjoyed the warbling of the
bird, but the bird could not have entered as a
rival into the strains of the lutist. Nevertheless,
from personal observation, and from the
most credible authorities, we fearlessly assert,
that many animals are allured by sweet sounds;
we have seen rats peeping out of their holes,
listening to airs played on a flute; and sir
Walter Scott says,
"Rude Heiskar's seals through surges dark,
Will long pursue the minstrel's bark."
A little lizard (the anolis) in the West Indies,
and snakes in North Africa and India, are
attracted by the notes of a rude pipe; to deny
this is futile; it has been proved in modern
days, and the fact is noticed in Scripture.
Some animals, when certain notes are struck,
or certain keys tried over, are decidedly agitated,
and perhaps feel as we do when some horrid
sound "sets our teeth on edge,"—that is, irritates
by a mysterious sympathy the whole
nervous system. In the same way, perhaps,
are animals pleased with certain sounds; that
is, a sympathetic tranquillity or pleasing excitement
of the nervous system is produced, and
they yield, instinctively, to "the voice of the
charmer."
With regard to ourselves, music (we need
not enter into a learned explanation of what it
is) operates far less upon the reasoning than
the instinctive faculties of man. Tones, modulations,
swellings, and cadences, though no
words be sung, excite all the emotions of which
our animal nature is capable. But when words
are used—when music is married to immortal
verse, and an appeal through language is also
made to the mind, then, indeed, the effect is tremendous.
A song shouted forth in the streets
may overturn an empire. Who knows not what
was the effect of the Jacobite songs in Scotland,
when Charlie came "o'er the water?" Who
knows not the effects resulting from Caira and
the Marseillaise Hymn? Whose bosom has not
beat high when our own national hymn, when
Rule Britannia, and other patriotic airs, have
been energetically and effectively delivered?
In fine, who is there that is not affected by
music? very few; it is and has been a natural
expression of human feeling appealing to human
feeling, since the time of Jubal even unto the
present day; and Miriam's song of triumph, and
the songs (how mournful!) of the daughters of
Judah on the willowy banks of Babel's rivers,
were equally expressive of natural emotions.
Music, then, without words, appeals rather to
our animal feelings than to our reason or
mind; music, with suitable words, appeals both
to our animal feelings and our mind; and music,
with merely recollected words, does the same
by concatenation of ideas; and this also is often
the result of tones, passages, and cadences, to
which we have never heard words applied;
hence, we talk of a lively air, a merry air, a
martial air, a melancholy air; and hence a great
poet wrote—
"That strain again! it had a dying fall.
Oh! it came o'er my ear like the sweet south,
That breathes upon a bank of violets,
Stealing and giving odour."
Some airs, again, are solemn, and tend to fill
the mind with awe, or a feeling of devotion;
deep strains of melody were those which resounded
through the great temple, when the
holy psalms of the shepherd-king were chanted,
and deeply was every heart moved to the worship
and adoration of the living God. Oh,
such should ever be our sacred music! Perhaps
we are wrong, but we confess that the
sweetest air composed for an ordinary song,
(however pure, elegant, or patriotic that song
may be,) when introduced into the house of God
grates upon our feelings. We divide literature
into profane and sacred (meaning nothing
offensive by the term profane)—let, then, music
be as strictly divided, so that the association of
ideas which a popular air will, in spite of ourselves,
engender, shall not creep in to intertwine
with the sacred exercise of praise and thanksgiving
to our Creator and Redeemer, which
alone should engage the full force of our mind.
The power of music in elevating the mind,
in cheering it, or, on the contrary, in depressing
it, has been felt from the earliest ages.
When Saul was troubled in spirit, "David took
an harp, and played with his hand: so Saul
was refreshed, and was well, and the evil spirit
departed from him."[16]
We have said, that animals appeal to each
other through the organs of hearing by cries or
sounds, nor is man destitute of natural cries,
which are universally understood—the shout of
exultation, the scream of terror, the shriek of
agony, the moaning of mental or bodily suffering,
and the sobs of sorrow, speak to every heart.
But, besides these instinctive tones, man acquires
a definite language, more or less extensive, more
or less capable of expressing abstract or complex
ideas, and ever in these points bearing
progress with the advancement of the arts, with
the civilization and with the religion of the
people. There are some savage tribes who
cannot count a hundred, but we can count to
hundreds of millions, till the mind becomes
overwhelmed with the vastness of the numerical
progression, which, let each unit stand for a
million of years, would, after all, infringe not on
eternity. Language is the appeal of definite
sounds, through the organs of hearing, to the
mind; these sounds are arbitrary; they do not
in any way represent things, or the qualities, or
the state of things; for, indeed, language is
based altogether on a system of association—it
has to be acquired; that is, the mind has to be
taught to associate certain sounds with certain
mental perceptions; but these sounds do not
mean the same thing in every language or dialect.
On this point we need not insist, neither need
we give examples, which must suggest themselves
to every reader, if he reflects that there
are other tongues beside that which he speaks.
Though language consists in a system of
sounds uttered by the mouth, appealing through
the sense of hearing to the mind, yet man has
contrived to effect the same purpose through
the eye, and hence is enabled to convey to
others at a distance his thoughts, his observations,
his wishes, and views—to transmit to
posterity the results of his labours and researches,
or the outpourings of his genius. His
plan is to employ certain marks or characters,
drawn or impressed on paper, bark, wood,
metal, or other materials, which characters
shall be understood. These characters, which
we call an alphabet, represent sounds; they are
made up into words, and as our eye runs along
them the varying sounds of the words are suggested,
and with them the meaning; this is
termed reading, and if we utter the words,
reading aloud.
But there are other characters, not alphabetical,
which have been, and still are, in
use, and which are symbols of ideas, and not
of sounds. "While the letters of our alphabet
are mere symbols of sounds, the Chinese
characters or written words are symbols
of ideas, and alike intelligible to the people of
Cochin-China, Japan, Loo-choo, and Corea,
with those of China itself. As the best practical
illustration of a written character, common to
several nations who cannot understand each
other's speech, Mr. Davis adduces the Arabic
numerals, common to all Europe. An Englishman,
who could not understand what an Italian
meant if he said venti-due, could comprehend
him immediately if he wrote down twenty-two.
This advantage, which belongs to our numerals
only, pertains to the whole language of the
Chinese. The uniformity, however, in the
written character, does not prevent the existence
of great diversities in the oral languages of the
neighbouring countries and China, and even of
the separate provinces of the latter country.
These diversities are precisely analogous to the
different pronunciation given to the same numerical
characters in the various countries of
Europe.
"To adduce the foregoing example—the
number 22, which the Italian calls venti-due,
a Frenchman pronounces vingt-deux,
and an Englishman twenty-two, though all
three write them just alike. It is in this manner
that the universality of the Chinese language
extends only to the written character,
and that the natives of the two extremities of
the empire, who read the same books, and
understand each other perfectly on paper, are
all but mutually unintelligible in speech. The
roots, or original characters of the Chinese, are
only two hundred and fourteen in number, and
might, indeed, be reduced to a much smaller
amount by a little dissection and analysis.
These are combined with each other to form
other words, or express other ideas, very much
in the same way that the individual Arabic
numerals are combined to express the infinite
varieties of numbers. By a species of analogy,
they may be called the alphabet of the language,
with the difference that exists between
an alphabet of ideas, and an alphabet of
sounds."[17]
When the Chinese wish to write a European
proper name, they have recourse to a contrivance
which in some respects approaches the phonetic
hieroglyphics of ancient Egypt. The Chinese
characters when thus employed do not become
alphabetic, but represent the entire syllable or
sound which they express in ordinary use.
Thus, if we suppose a, b, c, to stand respectively
in the place of three Chinese characters,
intended to give the name Maria, the mode
would be thus—
| a | Ma | Jasper |
| b | Li | Profit |
| c | Ya | Second in rank.[17] |
In ancient Egypt, two modes of writing were
practised, namely, the common and the hieroglyphic.
There were several kinds of common
characters, and also, as it would appear, of hieroglyphics.
Clemens of Alexandria distinguishes
from both the hieratic, which was used by the
sacred registrars. The ancient Mexicans employed
pictorial writing; and of this nature
we may consider the Bayeux tapestry, representing
the chief incidents of the invasion of
England by William i. Savages often give
information to their friends, or convey their
wishes, by cutting rude figures on the bark
of trees, the meaning of which is at once understood
by every individual of the tribe.
On these points we have sufficiently enlarged.
Our main purpose is now to show how great
an inlet to knowledge the ear is. To the eye
speak the writings of antiquity, the accumulated
wisdom of successive generations, the
experience of sages, and those holy records
which contain the oracles of God, the sacred
truths, and the revelation of the purposes of the
Almighty towards a fallen race. It is by language,
as it appeals to the eye, that we commune
with the mighty dead—that we receive
into our minds the sublime ideas of a Milton,
the learning of a Bacon, or the philosophy of a
Newton. But it is to the ear that the conversation
of ordinary life is directed; the directions,
the requests, the commands that we
continually issue forth or receive—words of
congratulation, consolation, encouragement, or
information—the eloquence of the senate or
the bar—the strenuous admonitions or exhortations
of the preacher. What a wonderful
thing the mind of man is, that a few atmospheric
vibrations on the auditory nerves, or a
few pictures on the retina, should produce
sorrow or joy, hope or fear—should communicate
instruction or pleasure—should excite
sympathy or love, contempt or aversion! And,
again, how wonderfully is the organic frame
constructed, and adapted to the conditions of
our planet, that light and air should communicate
through two of our external senses with
the mind, affording it food for cogitation, stores
of knowledge, and intellectual gratification!
Does this arise in any degree from the superiority
of the organs of sight and hearing in
man? Certainly not. The vulture, soaring in
the upper sky, far excels man in the power of
vision. Yes, and so does every bird that
skims the air, or hovers in quest of prey over
the surface of the great deep. The dog, the
horse, the antelope, and numerous other lower
animals, have quicker ears than man; but
then the mind! it is there that the difference
lies; with a weaker sight than is usual, with a
more imperfect hearing than is ordinary, sages
and philosophers, and historians and poets,
have left to posterity the brightest productions
of mental power. Homer and Milton were
blind.
Through the sense of hearing man communicates
orally with man, and man utters his
prayers and praises orally to God, as if God
heard with ears like those of organic beings.
It is natural that we should thus address ourselves
to the Almighty, because our conceptions
of him are necessarily limited by the
measure of our minds, expansive as regards the
lower creation, but narrow—oh, how narrow!—compared
with the wisdom of the uncreate
Eternal. "He that planted the ear, shall he
not hear!"[18] It matters not whether we murmur
forth with our lips, or silently think them
in our mind—God hears them. He hears the
language of our heart, the aspirations and vows
of our inmost soul: and he knows, too, (and
he alone can know,) whether we be sincere or
the contrary. The tongue of the hypocrite may
deceive men, but not God; nay, we may deceive
ourselves by our own verbiage, but God distinguishes
the prayer inspired by the Spirit of truth,
from the empty declaration of excitement.
Thus, then, is the ear an inlet of a vast
amount of knowledge to the mind; it conveys
what the eye cannot convey, and it assists the
eye, while in turn by the eye it is assisted; and,
indeed, that one sense shall support another,
and be again supported, or corrected, is ordained
by our Creator, who in wisdom has
fashioned our mortal framework, the tenement
of an undying soul.
3. Taste.—The sense of taste conveys to the
mind an impression from objects, very dissimilar
to that which is gained through the
medium of the eye or of the ear; nay,
dissimilar to that conveyed by the sense of
touch.
The sense of taste resides in the mouth;
that is, it pervades the tongue, the palate,
and the pharynx, on which are distributed
fine ramifications of the fifth, eighth, and ninth
pair of nerves.
Taste is the appreciation of the savour of
bodies, or, in other words, of certain chemical
qualities, which, acting on the nerves, give to
our mind an agreeable or disagreeable sensation;
hence the terms sweet, luscious, acid,
vinous, sour, bitter, saline, spicy, aromatic, etc.
Some bodies, however, are tasteless—pure distilled
water is tasteless, and so would a small
globe of glass be, however long it was held in
the mouth; but if we put our tongue to a piece
of brass, or copper, we perceive at once a peculiar
flavour, resulting from the oxydized film
on its surface mingling with the saliva covering
the nervous papillæ of the tongue.
The organs of taste are placed at the commencement
of the apparatus of nutrition, and
their assigned work is to test the quality of the
food received, thereby giving warning lest any
noxious substance be introduced into the
stomach. Man, indeed, employs the sense of
taste far less decidedly in this manner than do
most other animals; he is omnivorous; in the
north he relishes train-oil and blubber, the
blood of seals, and animal food half raw, while,
in tropical regions, he feeds upon boiled rice or
other grain, seasoned with a little spice, and
accounts it a luxury. In both cases, the taste
is in consonance with the requirements of the
system, placed under opposite circumstances.
Man, however, acquires by habit an artificial
taste, and comes at last to relish things which
he at first disliked, and in many instances these
things are more or less injurious. Nor is this
artificial taste confined only to man—we have
seen it in domestic animals—cats, by nature
exclusively carnivorous, will eat boiled cabbage
with relish; the dog will acquire a partiality
for bread and biscuit. On the contrary, some
of our herbivorous animals may be taught to
like animal food. For example, in some parts
of Arabia, flesh, raw as well as cooked, is occasionally
given to the horses, with fragments of
their owner's meals. An inhabitant of Hamah
assured Burckhardt, that he had often given his
horses roasted meat before the commencement
of a fatiguing journey, that they might be the
better able to endure it; this same person, as
we learn from the learned traveller, fearing lest
the governor should take from him his favourite
horse, fed it for a fortnight exclusively upon
roasted pork, which so excited its spirit and
mettle, that it became absolutely unmanageable,
and no longer an object of desire to the
governor.
In the Edinburgh Journal of Natural History
we find the following passage: "We are
assured by M. Yvart, that in Auvergne fat
soups are given to cattle, especially when sick
or enfeebled, for the purpose of invigorating
them. The same practice is observed in some
parts of North America, where the country
people mix, in winter, fat broth with the vegetables
given to their cattle, in order to render
them more capable of resisting the severity of
the weather. These broths have been long
considered efficacious by the veterinary practitioners
of our own country, in restoring horses
which have been enfeebled through long illness.
It is said by Peall to be a common practice in
some parts of India to mix animal substances
with the grain given to feeble horses, and to
boil the mixture into a sort of paste, which
soon brings them into good condition, and restores
their vigour. Pallas tells us, that the
Russian boors make use of the dried flesh of
the hamster, reduced to powder, and mixed
with oats, and that this occasions their horses
to acquire a sudden and extraordinary degree
of embonpoint. Anderson relates, in his History
of Iceland, that the inhabitants feed their horses
with dried fishes when the cold is very intense,
and that these animals are extremely vigorous,
though small. We also know, that in the
Feroë Islands, the Orkneys, the Western
Islands, and in Norway, where the climate is
still very cold, this practice is also adopted;
and it is not uncommon, in some very warm
countries, as in the kingdom of Muskat, in
Arabia Felix, near the Straits of Ormuz, one of
the most fertile parts of Arabia; fish and
other animal substances are there given to the
horses in the cold season, as well as in times
of scarcity."
In Norway, or at least in some districts of
that country, the cattle are housed during the
long winter months, and fed partially upon hay,
but more plentifully on a kind of diet, which,
strange and disgusting as we may think it, is
said to be much relished. This consists of a
thick gelatinous soup, made by boiling the
heads of fish, and mixing horse-dung with the
broth; so that the boat of a Norwegian farmer
supplies not only himself and his family with
the staple portion of winter subsistence, but
his cows also.
We doubt much whether any wild herbivorous
animals will feed upon poisonous plants;
they are constantly in the exercise of their instinctive
faculties, and to these faculties the
organs of taste (and smell) administer. Hence
they constantly reject all that is deleterious.
But this is not the case with domestic animals,
whose instinct is much enfeebled, or curbed,
from the peculiar circumstances in which they
are placed. Hence accidents often happen, to
the great loss of the farmer; for example, both
horses and horned cattle will crop the foliage of
the yew, which offers a temptation to them,
especially if underfed, or fed almost exclusively
on dry fodder; the foliage of the yew is poisonous.
Cattle often perish from eating the long-leaved
water hemlock, or cowbane, (Cicuta
virosa.) "When Linnæus visited Tornea, he
found a terrible malady sweeping away the
cattle of the district, and which he at once
traced to the long-leaved water hemlock.
Scarcely, in fact, had he crossed the river,
and landed from his boat on the meadow,
before he felt convinced of the origin of the
mischief. This deadly plant grew there in
abundance, and it appeared that as soon as the
cattle left off their winter fodder, and returned
to pasturage, they died swollen and convulsed;
as the summer came on the mortality decreased,
and still more so with the advance of
autumn.
"The least attention," says Linnæus, "will
convince us that brutes reject whatever is
hurtful to them, and distinguish poisonous
from salutary plants by natural instinct, so
that this plant is not eaten by them in the
summer and autumn, which is the reason that in
those seasons so few cattle die; namely, such
only as either by accident or pressed by extreme
hunger eat of it. But when they are
let into the pastures in spring, partly from
their greediness after fresh herbs, and partly
from the emptiness and hunger they have
undergone during a long winter, they devour
every green thing which comes in their way.
It happens, moreover, that herbs at this time
are small, and scarcely supply food in sufficient
quantity. They are, besides, more
juicy, and covered with water, and smell less
strong, so that what is noxious is not easily
discerned from what is wholesome. I observed,
likewise, that the radical leaves were
always bitter, the other not, which confirms
what I have just said. I saw this plant in an
adjoining meadow, mowed along with grass for
winter fodder; and, therefore, it is not wonderful
that some cattle, though but a few, should
die of it in winter. After I left Tornea, I
saw no more of this plant till I came to the
vast meadows near Limmingen, where it appeared
along the road, and when I got into the
town I heard the same complaints as at Tornea,
of the annual loss of cattle, with the same
circumstances." Monkshood, meadow-sweet,
hemlock, (Conium maculatum,) meadow-saffron,
foxglove, etc., are occasionally eaten by cows,
and prove fatal.
The sense of taste varies greatly in different
animals; in granivorous birds, in reptiles and
fishes generally, we cannot suppose that the
impressions made on the gustatory nerves are
at all delicate; they swallow their food entire
at a single gulp, and their tongue is covered
with a thick or a horny cuticle. Among
birds, the carnivorous tribes, the parrots, and
the swans, and true ducks, possess the sense
of taste in considerable perfection. Among
reptiles, tortoises and vegetable-feeding lizards,
as the iguana, are, as it would seem, superior
to the others; and among fishes, it is probable
that those which feed on marine or aquatic
vegetables, are endowed with a higher degree
of taste than those which prey upon other
fishes, which they engulph at once. It cannot
be denied that many insects, as bees, wasps,
butterflies, the house-fly, and various others,
enjoy a keen sense of taste, and relish the
sweets which prove so attractive to them.
Among the mollusca, some, at least, are
endowed with the sense of taste in no
low degree; the snail and the slug are examples
in point, as the gardener can readily
testify.
What information do we gain by the sense
of taste? The eye and the ear conduce to our
mental improvement, to our store of knowledge,
to our appreciation of the sublime and beautiful.
Eloquence, music, poetry, painting, sculpture,
architecture, scenery—the glory of the
sun, and the moon, and the stars—these appeal
to our mind through the organs of sight and
hearing; but the sense of taste administers
rather to our animal than to our intellectual
being, and, doubtless, the pleasures of taste
contribute greatly to the enjoyments of our
existence. Taste, then, belongs to us less as
spiritual, intellectual, immortal beings, than
as corporeal, mortal beings; nevertheless, it is
part of our nature, implanted in us by an
all-wise God, in order that we should relish
the provisions for sustaining life, which he has
so bountifully provided. To pretend that we
are indifferent to the pleasure or the disgust
resulting from taste is an untruth—nay, it is to
say that God's gifts to us are not worth our
consideration. Our Lord and Saviour was one
of a party at a marriage feast, and when the
wine was exhausted, he turned water into wine,
which was superior to that previously passed
round. "This beginning of miracles did Jesus
in Cana of Galilee, and manifested forth his
glory."[19] But while, with a healthy appetite
we relish our food, giving thanks to God for
his bounty, let us not be epicures or gluttons;
let our moderation be seen; let us use, not
abuse, the gifts of our heavenly Father.
4. Smell.—On a fine, filmy membrane, which
lines the labyrinth of the nasal cavities, are
distributed the delicate ramifications of the
olfactory nerves, or the nerves of smell. These
nerves are constructed for transmitting to the
mind impressions arising from the floating
exhalations of odoriferous substances. It is
through these nasal cavities, principally, that
man and quadrupeds breathe; hence the respiration
of the air informs us of our proximity
to objects disgusting and noxious, or, on the
contrary, attractive from their fragrance.
Surely we need not adduce instances in proof
of our position. The scent of putrescent
animal or vegetable matters is in itself a
warning to us to retire from the locality of
mortific corruption, and escape from the region
of disease. How loathsome to our sense are
these putrescent effluvia! They nauseate us
even to sickness—nay, sometimes almost to
fainting; indeed, the writer has seen a violent
fit of epilepsy produced by the overpowering
and horribly disgusting odour of the matter
contained in the scent pouch of a small quadruped,
the grison, (Galictis vittata,) which he
was dissecting, the sufferer being a practical
zoologist, accustomed to the dissecting-room.
But when the voice of the nightingale is
heard, and the air is loaded with the perfume
of the hawthorn blossom, and of thousands of
spring flowers, are we not invited, as it were
by a secret call, to walk abroad through woodlands
and meadows, contemplating the works
of God? We are thus lured to beneficial
exercise—to inhale
"The breezy fragrance of the morn"—
to forget the trials of life, and muse upon a
still brighter world, where the flowers perish
not, where storms come not, and where winter
is unknown. Thus, to our bodily health do
our senses administer; and thus the sense of
smell calls us from the close room of the
populous city, into the fresh air of the country—from
the crowded town,
"Where houses thick and sewers annoy the air,"
to issue forth on a summer's morn, and breathe
the pure air redolent of sweetest odours.
When overpoweringly offensive effluvia disgust
us, we endeavour to stop our breath—we
breathe at protracted intervals, take in as little
air as possible, and endeavour to escape from
the infected locality; but do we flee away
from the gale bearing the scent of the honey-suckle,
the bean-field, or the new-mown hay?
It is, indeed, rather to our pleasures, to our
mental enjoyment, to our delight, or to our
disgust and abhorrence, that our sense of smell
administers. We depend little upon it for our discrimination
between things acting as poison, and
things nutritious or wholesome. How pleasant
is the smell of laurel-water or prussic acid—how
dull and insipid the smell of wheaten
flour! We must not, then, always be guided
by our sense of smell, although in general it
serves us as a monitor.
The sense of smell is intimately combined
with that of taste; indeed, it is a powerful
auxiliary to it, for, as a learned writer well
observes, "taste, without the aid of smell, would
be very vague in its indications, and limited in
its range." Nevertheless, savage people, in
whom the sense of smell is far more acute
than in civilized races, do not appear to possess
a greater refinement of taste—indeed, what the
former regard as delicacies would be rejected
by the latter with abhorrence. Most quadrupeds
possess the sense of smell in far greater
perfection than man, and are evidently influenced
by it in their choice or rejection of food.
In the carnivorous tribes this sense is, perhaps,
at its highest ratio, and many pursue their
prey guided by their olfactory organs alone.
Certain odours are agreeable to some few
animals, irrespective of food; but on this point
our range of information is limited. The cat
delights in the scent of valerian, and some
other herbs, although they are not among the
articles of this animal's diet; yet to the cat and
the dog, the odour of the sweetest flowers yields
no pleasure. Birds, in general, are endowed with
the sense of smell in a far lower degree than
quadrupeds, and the olfactory organs are far
less developed. Birds of prey are guided by
their keen powers of vision, and, indeed, if we
are to trust to the experiments of Audubon,
the sense of smell even in the carrion-loving
vulture, contrary to the opinion of the ancients,
as well as of modern naturalists, is at a low
ratio; for, as he asserts, the stuffed skin of an
animal will attract a vulture from its "pride of
place," in the upper regions of the air. It is
true that this assertion has been contradicted
by Mr. Waterton, but it is again confirmed by
the experiments and observations of Mr. Bachman,
which are recorded in Loudon's Magazine
of Natural History, viii. 167; and M. Levuillant
seems to have considered that it is by the
eye chiefly, if not exclusively, that the vulture
obtains its disgusting food. The following
observations from the proceedings of the
Zoological Society will be here, perhaps, not
unacceptable:—
March 14th, 1837.—"A paper was read on
the habits of the Vultur Aura, by Mr. W. Sells,
with notes of the dissections of the heads of
two specimens, by Mr. R. Owen. The writer
states, that this bird is found in great abundance
in the island of Jamaica, where it is
known by the name of John Crow; and so
valuable are its services in the removal of carrion
and animal filth, that the legislature have
imposed a fine of £5 upon any one destroying it
within a stated distance of the principal towns.
Its ordinary food is carrion, but when pressed
hard with hunger, it will seize upon young
fowls, rats, and snakes. After noticing the
highly offensive odour emitted from the eggs of
this bird when broken, Mr. Sells relates the
following instances which have come under his
own personal observation, for the purpose of
proving that the Vultur Aura possesses the
sense of smell in a very acute degree.
"It has been questioned whether the vulture
discovers its food by means of the organ of
smell or that of sight. I apprehend that its
powers of vision are very considerable, and of
most important use; but that it is principally
from highly organized olfactories that it so
speedily receives intelligence of where the
savoury morsel is to be found, will plainly
appear by the following facts. In hot climates,
the burial of the dead commonly takes place in
about twenty-four hours after death, and that
necessarily, so rapidly does decomposition take
place. On one occasion, I had to make a post
mortem examination of a body within twenty
hours after death, in a mill-house completely
concealed, and while so engaged the roof of the
mill-house was thickly studded with these birds.
Another instance was that of an old patient
and much valued friend, who died at midnight;
the family had to send for necessaries for the
funeral to Spanish Town, distant thirty miles,
so that the interment could not take place until
noon of the second day, or thirty-six hours after
his decease, long before which time—and a most
painful sight it was—the ridge of the shingled roof
of his house, a large mansion of but one floor,
had a number of these melancholy heralds of
death perched thereon, beside many more which
had settled in trees in its immediate vicinity.
In these cases, the birds must have been
directed by smell alone, as sight was totally out
of the question.
"In opposition to the above opinion, it has
been stated by Mr. Audubon, that vultures and
other birds of prey possess the sense of smell in
a very inferior degree to carnivorous quadrupeds,
and that, so far from guiding them to their
prey from a distance, it affords them no indication
of its presence even when at hand. In
confirmation of this opinion, he relates, that he
stuffed the skin of a deer full of hay, and placed
it in a field; in a few minutes a vulture lighted
near it, and directly proceeded to attack it, but
finding no eatable food, he at length quitted it.
And he further relates, that a dead dog was
concealed in a narrow ravine, twenty feet
below the surface of the earth around it, and
filled with briers and high canes; that many
vultures were seen sailing over the spot, but
none discovered it. I may remark upon the
above experiments, that, in the first case, the
stag was doubtless seen by the birds, but it does
not follow that they might not also have smelt the
hide, although inodorous to the human nose; in
the second case, the birds had been undoubtedly
attracted by the smell, however embarrassed
they might have been by the concealment of
the object which caused it. I have, in many
hundred instances, seen the vulture feeding
upon small objects under rocks, bushes, and in
other situations, where it was utterly impossible
that the bird could have discovered them but
through the sense of smell; and we are to
recollect, that the habit of the vulture is that of
soaring aloft in the air, and not that of foraging
upon the ground."
To this account are appended the details of a
minute comparison, by professor Owen, of the
olfactory nerves and the olfactory branch of the
fifth pair in the Vultur Aura, with those of the
common turkey and the goose. The learned
anatomist concludes by saying, "the above notes
show that the vulture has a well-developed organ
of smell, but whether he finds his prey by
that sense alone, or in what degree it assists,
anatomy is not so well calculated to explain as
experiment."
It is far from being impossible that Mr.
Waterton and Mr. Wells on one side, and Mr.
Audubon and his party on the other, may be
both correct, for in different species of vulture
the power of smell may greatly differ; we
know that it does among carnivorous quadrupeds,
which seek their prey, some chiefly by
sight, others by their acuteness of scent.
Among reptiles, the sense of smell appears to
be at a low ratio, nor can we suppose that it is
acute in fishes. In fact, in fishes the nasal
cavities are rudimental, and do not communicate
with the organs of respiration. They are
nothing more than blind sacs, placed one on
each side in front of the head, with two external
openings appertaining to each sac. The
principal entrance is valvular, and on a curiously
plaited membrane in the sac itself, or on tufted
or arborescent filaments, are the ramifications of
the olfactory nerves distributed. That fishes
are attracted or repelled by the odorous effluvia
of bodies, diffused either through the water
itself or through the air which the water contains,
is too well ascertained to be denied.
Fishes, in fact, are attracted by certain odoriferous
substances, and anglers often use baits
impregnated with some volatile oil.[20]
We cannot for a moment doubt that insects
smell; that ants and bees are greatly directed
by this sense in their search after food; that
carrion-loving beetles are thereby guided from
a distance to their repast; that the flesh-fly is
led to putrescent animal substances; and we
know that the flesh-fly is sometimes deceived
by the smell of certain plants emitting a cadaverous
odour, and deposits her eggs upon them,
the larvæ perishing for want of proper food.
In what organ the senses of smell in insects are
placed does not appear very plain, and the like
observation applies to the crustacea, as crabs
and lobsters, for which baited traps are set, and
into which they are allured by their sense of
smell.
No distinct organs of smell have been discovered
in the mollusca, yet it is incontestable
that some of these creatures are capable of
appreciating odours. We cannot suppose that
in the highly-organized and savage cuttle-fish
this sense is wanting; and we know that snails
and slugs are attracted from a distance by the
odour of the favourite plants or fruits on which
they feed. The garden slugs are fond of
animal food, as we can testify, and they will
pick bones with relish; we have seen the hollow
of a marrow-bone thrown into the garden filled
the next morning with slugs, which had completely
cleaned it.
Whether the bivalve mollusks, as mussels,
oysters, clams, etc., have any definite sense of
smell, we cannot ascertain, but we conjecture that
they are endowed with the sense of taste, for
they know what to accept and what to refuse.
We have said that man derives pleasure or
disgust from the exercise of the sense of smell,
and is greatly directed thereby what to choose
and what to avoid; yet this sense harmonizes
with those of sight, hearing, and more particularly
of taste, to render this world delightful
to us, if we use God's gifts aright. Has he
not scattered the loveliest flowers in garden and
meadow? Has he not created fruits that gratify
alike the sight, the touch, the taste, and the
smell? Has he not spread the beauties of nature
around us? Was not the garden of Eden
prepared for our first parents? Yes; but sin
has entered the world, and over flower and
fruit has been the "trail of the serpent."
A few passages from the Scriptures, on which
we need not comment, will serve to show the
figurative notice of, or reference to this sense
by the sacred writers, in order to influence the
mind of man through an appeal to his own
sensations. "An odour of a sweet smell, a
sacrifice acceptable, well-pleasing to God,"
Phil. iv. 18. Works pleasing to the Lord,
deeds of charity and mercy, done by the believer
as a testimony of his lively faith, and a
proof to the world that faith engenders good
works; such works, and not those of the
pharisee, are an odour acceptable to God.
"Walk in love, as Christ also hath loved us,
and hath given himself for us an offering and
a sacrifice to God for a sweet-smelling savour,"
Eph. v. 2. Let us, who call ourselves Christians,
so walk, that our conduct before men
may be after the pattern of Him, who, in love
to a fallen race, offered himself as a sacrifice
fragrant unto God the Father, that we might
escape the sword of justice. When Noah
offered burnt-offerings on the altar, "the Lord
smelled a sweet savour," Gen. viii. 21; and to
Him even now, O reader, will be fragrant
true penitence and faith in that Mediator,
of whom the sacrifices under the primitive
dispensation were but types, and in this sense
only did they waft incense to the throne of
the Almighty! The language is altogether
figurative; but how pertinent to our feelings,
and therefore how clear to our understanding,
and how forcible!
5. Touch.—Of all the senses, not one is so
important to us as that of tact or touch. It is
the foundation, as it were, of all our knowledge
of the material world, and according to their
elevation in the scale of being do animals enjoy
this sense in greater perfection, and possess
organs in which it is more especially concentrated.
We here distinguish, between mere
feeling and touch. We consider the wings of
the bat, and the antennæ of insects, rather as
feelers than as organs of exact appreciation.
The sense of feeling is diffused over the whole
surface of our body; but the sense of touch,
so far as man is concerned, resides in the
hand, and especially in the pulpy tips of the
fingers.
It is true that we use the word feel when we
test the qualities of bodies with our hands, and
in this sense our hands are feelers. But we
derive a knowledge from the use of our hands,
which no other animal derives from the exercise
of any organ of tact it may possess. Nor is this
to be wondered at, for in all other animals tact
or touch administers only to their physical necessities.
For example, the sense of touch in
the pulpy end of the beak of the snipe or
woodcock must be exquisite—multitudinous are
the nerves supplying that part—for even the
soft worm or larva in the oozy ground is felt,
and the finger of man would most probably fail
here; but in man the sense of touch appeals to
the mind, and communicates mental pleasure,
mental instruction, or even mental disquietude.
Even as discords in music, or grating sounds,
such as the filing of a saw, or the rubbing of
cork against a wall, excite the nervous system
through the mind, so does the sense of touch
disturb the mind and body when that which is
touched is discordant. A lady of the writer's
acquaintance, by no means timid, and by no
means afraid of snakes, was induced to let a
common snake glide through her hand; she
bore the sensation with firmness, but she nearly
fainted when the snake had crept through her
grasp, and described the working of the reptile's
ribs and abdominal plates as communicating
an indescribable sensation. Yet that
snake was a sort of pet, and she used to stroke
its head, and feel its lambent tongue quiver
against her hand. She was not afraid, but the
sensation jarred like discordant notes.
Were persons to write down their experiences
of the pleasing and unpleasing sensations
derived through the medium of the different
senses, and were those notes collected together,
we should have a mass of most interesting and
instructive information, well worthy the study
of a physiologist. After all, however, the
sense of touch or tact gives less pleasure to
man than that of sight, hearing, taste, or smell;
it appreciates neither colours nor harmony,
nor the flavour of luscious viands, nor the
odour of flowers and perfumes; but it communicates
greatly to his store of information. It
is a "matter of fact" sense, and though an old
poet has said—
"Have you felt the wool of the beaver,
Or swan's down, ever?"
it is not one of the senses which figure on the
page of poetry or romance.
We discriminate, then, between the sense of
touch and that of mere feeling. Most probably
all animals, even the lowest mollusks, feel,—nay,
even animals in which no nerves are to
be discovered, as the acalephæ, or jelly fishes;
but touch is a refinement upon feeling, which
is restricted within certain zoological bounds.
A learned writer says: "The conditions on
which the perfection of the sense of touch depends
are, first, an abundant provision of soft
papillæ, supplied with numerous nerves; secondly,
a certain degree of fineness in the
cuticle; thirdly, a soft cushion of a cellular
substance beneath the skin; fourthly, a hard
resisting basis, such as that which is provided
in the nails of the human fingers; and lastly,
it is requisite that the organ be so constructed
as to be capable of being readily applied, in a
variety of directions, to the unequal surfaces of
bodies, for the closer the contact, the more
accurate will be the perceptions conveyed. In
forming an estimate of the degree of perfection
in which the sense is exercised in any particular
animal, we must accordingly take into
account the mobility, the capability of flexion,
and the figure of the parts employed as organs
of touch."[21]
This is decidedly true as regards the higher
orders of creation; but let us look at insects—do
not bees, and wasps, and flies feel? can we
watch a fly brushing its head and wings, and
rubbing its little paws against each other,
without an assurance that it enjoys the sense
of touch? and what shall we say of the spider,
that feels at each thread, and "lives along its
line?" Surely its sense of touch must be sufficiently
acute; yet it is limited to a certain
given object, and the spider gains only that
information which bears upon its animal necessities.
But the sense of touch gives to man a
number of the properties of matter, which he
retains as abstract ideas, such as dimension,
form, condition of surface, hardness, softness,
elasticity, compressibility, fluidity, quiescence,
motion. In many and most important respects
it assists the eye; and, indeed, the senses of
sight and of touch appear to be correctors and
supporters of each other. As in the case of
every other sense, accuracy is greatly improved
by habit, yet the qualities of matter, under the
dominion of touch, are ascertained in so correct
a manner that we are scarcely ever deceived by
the knowledge thus acquired.
Dr. Fleming, in his "Philosophy of Zoology,"
thus writes: "The sense of touch
appears in man to be able to obtain nearly all
the information, with regard to external objects,
which it is capable of receiving. In a few
instances, the lower animals surpass us in the
delicacy of the sense, as the bat, which is
warned indirectly by its aid of the presence of
bodies previous to coming in contact with
them. The feelers of insects are likewise better
adapted for exploring the condition of the surface
of bodies than any organ which we possess.
But in all these the sensibility of touch is
limited to particular qualities, or confined
within narrow bounds. The human hand, on
the contrary, by its motions, the pliability and
strength of the fingers, and their softness, is the
most extensive and perfect organ of touch possessed
by any animal."
The accuracy of the sense of touch is greatly
improved by habit; and when its resources are
in constant demand, as in the instance of persons
deprived of sight, or born blind, its discriminating
powers are wonderfully increased.
The same observation applies also to the sense
of hearing, which in blind persons generally is
extremely acute and accurate in its perceptions.
In a Monthly Volume, published by the Religious
Tract Society, and entitled "Comparisons
of Structure in Animals: the Hand and the
Arm," the reader will find a general account of
the structure and uses of the anterior limbs of
man and the lower animals, and of the substitutes
for the hand, as an organ of touch and
prehension, with which many of the latter are
provided.
Dr. Fleming regards the "sense of heat" as
distinct from that of touch, and, in fact, as
claiming to be one of the senses. "The sense
of touch," he writes, "is exclusively occupied
with examinations of the conditions of resistance.
Contact, therefore, is indispensably requisite
for enabling the organ to act upon the
object, and muscular exertion to examine its
condition. Neither of these is necessary to
enable the sense of heat to act. Caloric rays
emanate from a heated body, though at a distance;
and in order to ascertain their direction
and intensity no muscular effort is required.
When the heated body happens to be in contact
with us, we in like manner examine its
conditions in reference to temperature without
any muscular exertions, or, rather, we try to
avoid them. Thus, when I lay my hand upon
the table to examine its hardness or smoothness,
I make an obvious muscular effort with
my fingers; but when I lay my hand upon the
table to examine its temperature, I endeavour
to check all motion, so as to keep my hand in
the same position. These qualities of the sense
of heat sufficiently distinguish it from that of
touch, with which it has been confounded, and
justify its establishment as a distinct power of
perception."
It is true that we cannot test caloric by the
touch, but it does not appear to us that an
appreciation of caloric involves any other sense
than that of ordinary cutaneous feeling; the
feeling of heat or cold is a mere sensation, agreeable
or painful as circumstances may be, and it
is natural that we should wish to experience
that temperature which is most congenial to us.
We say that marble is cold and wood warm,
yet both may be of the same temperature; but
the marble produces a sensation of coolness,
because it rapidly abstracts caloric from the part
applied to it; the skin is, in fact, a very imperfect
thermometer, yet sufficient for all ordinary
purposes. It conceals the machinery of our
bodies, giving beauty of outline and appearance,
and being provided with a most minute network
of nerves of sensation, it gives us warning by
the pain experienced of what things are to be
avoided. "A burned child dreads the fire" is an
old saying, and a boy who has been stung by a
nettle will not rashly meddle with the plant
again.
All our senses require training and education;
they are taught, even as we are taught language.
It is some time before the infant sees distinctly,
or forms any idea of size, proportion, or distance;
long before it hears accurately, and understands
a word of speech; longer still before it discriminates
between musical notes; it is long before
delicious odours are relished, and long before
there is much distinction of flavour in food, for
instinct directs the infant to its mother's breast,
and for many a year sweet viands are chiefly
acceptable. Habit, exercise, practice, then
improve the power and acuteness of the senses,
but simple feeling is blunted by habit and
exercise.
It is, we think, Mr. Lane who tells us, that in
Egypt and elsewhere, persons who have hoarded
wealth are in the habit of inflicting the bastinado
on themselves, increasing the number of
strokes by degrees, in order to inure themselves
to a mode of extortion of which they are constantly
in dread. They hope to be able to
weary out their tormentors, or convince them
by endurance of their poverty, and so preserve
their bags of gold and silver. Idolatrous devotees
in India accustom themselves to self-inflicted
torture, and feel much less than we
might suppose; nay, even in our own country,
in times of spiritual darkness, when by mortification
and penance men hoped to merit heaven,
how many have worn a shirt of horsehair till
custom had made it no hardship! The ancient
Britons bore, almost unclothed, the severities of
winter; and we have read a story, but where
we cannot recollect, to the following purport:—A
North American Indian was asked, how,
nearly naked as he was, he bore with such
ease the summer's heat and the winter's
cold; he asked the inquirer, how his face,
exposed to the weather, endured the changes.
My face, said the white man, is hardened to it;
and I, retorted the red man, am face all over.
We have said it is long before an infant is in
the full use of its bodily senses: now with
regard to feeling the infant is acutely sensitive;
but who ever saw a child of a few months old
examine the qualities of objects by the touch?
it cannot even manipulate; it cannot use its
hands; it has to learn the art of touch, and to
improve by practice and the exercise of the
mind. For example, some persons will pass a
piece of silk or cloth between their fingers, and
tell you its quality; and so with respect to
other things; this is the result of attention and
exercise.
No one is born without the organization
necessary for the development of the sense of
touch, for if the arms and hands be deficient,
some other part, as the lips or tongue, will take
up the function, and this alone shows what education
effects; but if a person be born deaf, or
blind, or incapable of taste and smell, (which
latter appears to be very rare, if, indeed, the
case ever occur,) no other part can supply the
loss; but the loss, as far as the sight at least is
concerned, is partly compensated for by the
elevation of the sense of touch; and in this we
see the immediate bearing of these two senses
on each other.
The boy born blind, upon whom Cheselden
so successfully operated, believed, when first he
saw, that the objects touched his eyes, as the
things which he felt touched his skin; consequently
he had no idea of distance. "He did
not know the form of any object, nor could he
distinguish one object from another, however
different their figure or size might be; when
objects were shown to him which he had known
formerly by the touch, he looked at them with
attention, and observed them carefully, in order
to know them again; but as he had too many
objects to retain at once, he forgot the greater
part of them, and when he first learned, as he
said, to see and to know objects, he forgot a
thousand for one that he recollected. It was
two months before he discovered that pictures
represented solid bodies; until that time he had
considered them as planes and surfaces differently
coloured, and diversified by a variety of
shades; but when he began to conceive that
these pictures represented solid bodies, in
touching the canvass of a picture with his hand
he expected to find something in reality solid
upon it, and he was much astonished when, on
touching those parts which seemed round and
unequal, he found them flat and smooth like the
rest. He asked which was the sense that deceived
him—the sight or the touch. There was
shown to him a little portrait of his father,
which was in the case of his mother's watch; he
said that he knew very well that it was the
resemblance of his father, but he asked with
great astonishment how it was possible for so
large a visage to be kept in so small a space, as
that appeared to him as impossible as that a
bushel could be contained in a pint."[22]
In the Philosophical Transactions of 1826 will
be found the account of a case by Mr. Wardrop,
which is very interesting; it is that of an intelligent
female of mature age, who was born
blind; in her infancy, operations were performed
on both of her eyes, but they failed, one eye
being irrecoverably destroyed, and the other
useless from closure of the pupil; on this eye
Mr. Wardrop successfully operated: but it was
not with joy that objects for the first time were
perceived; she was confused by the appearance
of a new world, now for the first time opened to
her sense of sight; hitherto she had known it
only through the sense of touch, and touch and
sight had still to be reconciled. "On the sixth
day, she said that she saw better than she had
done on any preceding day, but I cannot tell
(said she) what I do see; I am quite stupid.
She seemed, indeed, bewildered from not being
able to combine the knowledge acquired by the
senses of sight and touch, and felt disappointed
in not having the power of distinguishing at
once by her eye, objects which she could so
readily distinguish from one another by feeling
them.
"The next day, on examining with the eye the
tea-cups and saucers, and being asked what
they were—I don't know, she replied; they
look very queer to me, but I can tell in a
minute when I touch them. So with an orange
which was lying before her, she could make
nothing of it until she actually touched it.
When the experiment was made of giving her
a silver pencil-case and a large key to examine
with her hands, she discriminated and knew
each distinctly; but when they were placed on
the table side by side, though she distinguished
each with her eye, yet she could not tell which
was the pencil-case and which the key.
"In six weeks after the operation, she returned
home. At this period, she had learned
a great deal; she had acquired a pretty accurate
notion of colours, but with regard to forms
and distance she was still very ignorant. She
had also great difficulty in directing her eye to
an object, so that when she attempted to look
at anything she turned her head in various
directions, until her eye caught the object of
which it was in search. She still entertained,
however, the same hope, which she expressed
soon after the operation, that when she got
home, her knowledge of external things would
be more accurate and intelligible, and that when
she came to look at those objects which had
been so long familiar to her touch, the confusion
which the multiplicity of external objects
now caused would in a great measure subside."
Thus, then, it is from an association between
the senses that correctness and precision in any
one sense are acquired; and especially do the
eye and hand support each other, and supply
each other's deficiencies till both have learned
their perfect lesson. I can stretch my hand
out to any object before me with certainty, so
truly does the eye tell me whether it is within
my reach or not, but the eye first learned that
faculty from the hand, after long discipline and
many trials. Afterwards the eye speaks a
silent language to the hand, and is understood.
Under what merciful circumstances are they
placed that possess all their faculties and
senses! but, alas! how many are there that
never dream of thanking a merciful God for his
unbounded kindness! nay, there are some
atheistical materialists who believe, or rather
pretend to believe, that man's exquisite organization,
and that of animals and plants, is self-developed—how,
they do not condescend to
explain; for, granting them their premises,
namely, that matter is eternal—and what then?
it must be inert, and neither the laws of vitality
nor chemistry, involving electricity and galvanism,
could be taken on by inert particles—all
would be chaotic, did not God govern, arrange,
and order all. It is he who has created man,
and, fallen as man is, he still is an object of
God's care; for he sent his well-beloved Son
into the world for our redemption, and the time
is coming in which all nations shall know the
Lord, and adore him in sincerity and truth.
Like all the organs of our senses, the hands
are the instrument of wickedness to sinful man;
his sense of touch is the inlet of evil. How
refined that sense in the adroit pickpocket,
but to what an ill purpose is it devoted! How
dexterous are the hands of the shoplifter, but to
what a wretched course have they been trained!
The hand grasps the pen; every stroke is
guided by its delicate sense of touch; it obeys
the mind; and, oh! what dictations from the
depraved mind have polluted society! God
has been reviled, Jesus Christ denied, the Holy
Spirit mocked, and in letters written by hands
which the almighty Maker and Preserver had
endowed so supereminently. Their hands are
mouldering; dust has returned to dust; but
where are the immortal spirits which directed
those hands to scatter poison abroad? It is not
for us to inquire or judge. Let us, ourselves,
be watchful, and let our hands be clean in the
sight of God; let us be diligent in business,
serving the Lord; let us fight the good fight of
faith, and lay hold on eternal life!
Though we have described the hand as the
great and main organ of touch, let it be understood
that it is not the first called into operation.
The hand requires rigid discipline; for a long
period it is useless as an organ of tact; yet,
when educated, how perfect, how precise!
But it is made what it is by education. Our
ideas coincide exactly with those of sir Charles
Bell, who thus writes: "The lips and the
tongue are first exercised; the next motion is
to put the hand to the mouth in order to suck
it; and no sooner are the fingers capable of
grasping, than whatever they hold is carried to
the mouth; so that the sensibility to touch in
the lips and tongue, and their motions, are the
first inlets to knowledge, and the use of the
hand is a later acquirement."
Another passage from the same gifted
writer is as follows: "The first office of the
hand, then, is to exercise the sensibility of the
mouth; and the infant as certainly questions
the reality of things by that test, as the dog
does by its acute sense of smelling. In the
infant, the sense of the lips and tongue is
resigned only in favour of the sense of vision,
when that sense has improved, and offers a
greater gratification, and a better means of
judging of the qualities of bodies. The hand
very slowly acquires the sense of touch; and
many ineffectual efforts are seen in the arms
and fingers of the child, before the direction of
objects or their distance is ascertained. Gradually
the length of the arm, and the extent of
its motions, become the measure of distance, of
form, of relation, and perhaps of time."
Throughout life, the sensibility, as it regards
tact, of the tongue and lips continues paramount;
we can feel the slenderest hair with
our tongue, which our hands would not appreciate:
but, on the contrary, size, form,
distance, order, and the general qualities of
matter, can only be gained through the hand,
after a persevering discipline. A blind man
may examine a statue with his hands, and
pronounce upon its excellence; and this fact
suggests to us an idea of sir Charles Bell, who
says: "The knowledge of external bodies, as
distinguished from ourselves, cannot be acquired
until the organs of touch in the hand
have become familiar with our own limbs. We
cannot be supposed capable of exploring anything
by the motion of the hand, or of judging
of the form or tangible qualities of an object
pressed against the skin, before we have a
knowledge of our own body as distinguished
from things external to us." From these
remarks we naturally slide into a dissertation
on a sense, allied to that of touch, but yet
different—we mean muscular sense.
6. Muscular sense.—God in his infinite wisdom
has constructed all living things, and no
doubt there is much yet for the philosopher to
discover in the organization of animal bodies;
there is, moreover, something that he never
will understand, namely, life intrinsically considered,
and the manner in which the immortal
spirit and the dying body communicate with
and influence each other. But though these
points must ever remain a mystery, still there
are those the obscurity of which science has to
a certain degree dispelled, and it was reserved
for a late scientific anatomist to prove to the
world, that the nerves of sensation and the
nerves of motion are essentially distinct, although
interblended together they pervade every muscle.
Hence, as this philosopher observes, (we mean
sir Charles Bell,) we are sensible of the action
of our muscles, because these muscles have two
classes of nerves; and he found that in exciting
one of these the muscle contracted, while on
exciting the other no action took place. The
nerve which had no power to make the muscle
contract was the nerve of sensation.
Continuing his experiments, he proved that
there is a nervous circle connecting the muscles
with the brain, that one nerve is not capable of
transmitting what is called the nervous spirits
in two different directions at one instant of
time, but that for the regulation of muscular
action there is a nerve of sensibility, to convey a
sensation of the condition of the muscles to the
sensorium, as well as a nerve of motion for conveying
the mandate of the will to the muscles.
He also demonstrated, that in their distribution
through the body, the nerves which possess
these two distinct powers of conveying sensation,
and of exciting the muscles to contraction, are
wrapped up, or, as it were, woven together in
the same sheath, and that they present to the
eye the single appearance of one nerve. It
was only by examining the nerves at their roots,
that is, where they arise from different tracts of
the brain and spinal marrow, and before they
coalesce, that this philosophic anatomist succeeded
in demonstrating their distinct functions.
In the face, the nerve of motion passes
by a circuitous route, apart from the nerve of
sensation, to be distributed to the muscles; and,
therefore, the distinct characters of these two
nerves were, as sir C. Bell asserts, more easily
proved by experiment than in any other part of
the body.
The nerves of sensation then feel, or rather
recognise, those actions of the muscles which
are excited through the medium of the nerves
of contraction, and these nerves of contraction,
as far as the voluntary muscles are concerned,
obey the commands of an immaterial being—mind,
spirit, soul; in the lower animals, so far
as we know, this principle is transient, for they
have no ideas of life, or of death, or of futurity;
but in man, the soul is immortal, and for the
future bliss of this immortal essence revelation
affords a certain guide.
Now the sense of touch and the muscular
sense have, by most writers, been confounded
together; hence, we are told that weight is
determined by touch, but this is erroneous; it
is determined by the muscular agency and
sense, under the dictation of the will. The
abbé Nollet says of touch, that "it not only puts
it in our power to judge of what makes an
impression upon us, but also of what resists our
impulsions." Here the sense of touch and the
muscular sense are confounded together. The
agency of touch has nothing to do with weight
or resistance; and herein we differ from Dr.
Fleming, and agree with sir Charles Bell, by
whom, indeed, this muscular sense was first
demonstrated. To feel, or touch, is not to resist
or struggle. Laocoon, striving with the serpents,
resists—his muscular sense is called into
action, as is that of the wrestler when engaged
in a trial of skill or strength; but what has
muscular feeling to do with that tact, which
distinguishes between the texture of tissues, or
the smoothness or roughness of bodies? For
ourselves, we refer the sensations of hardness
and softness rather to a muscular sense than a
simple sense of touch; but, as we have said, the
sense of touch and the muscular sense, or sense
of resistance, inter-amalgamate with each other,
nevertheless, there is a definite muscular sense
of which every one is conscious, and it is by the
education of this sense that the infant learns to
walk, the man to ascend the lofty ladder, or
traverse the ledge of the precipice. It is not
connected with feeling alone, but also with
sight; and, indeed, the senses of sight, feeling
and support, or resistance, are in as close relationship,
as are those of smell and taste. This is
exemplified in the fencer, whose muscular sense
obeys his eye, and in the artist, who strikes out
the bold outline of a figure on the canvass.
This muscular sense is sometimes called the
sense of motion; and rightly, because it is a
feeling of muscular action; not a feeling of
extraneous bodies, but a feeling of what passes
within ourselves, as far as such feeling is permitted
(many internal operations go on without
our consciousness)—a feeling of what we do,
according to our will, and the permission of
God Almighty. Does the uninstructed man,
who looks upon and admires a lovely landscape,
think about the inverted picture on his
retina? No. Does the athlete who lifts a
great weight think of the biceps, or the deltoid,
or the pectoral muscles? No. But does he not
feel, while he strives, while he struggles, while
he runs, an internal consciousness of action
totally distinct from touch?
This perception is termed by sir Charles
Bell the "muscular sense." He thus illustrates
his idea: "When a blind man, or a man with
his eyes shut, stands upright, neither leaning
upon nor touching aught, by what means is it
that he maintains the erect position? The symmetry
of his body is not the cause. The statue
of the finest proportions must be soldered to its
pedestal, or the wind will cast it down. How
is it, then, that a man sustains the perpendicular
posture, or inclines in a due degree towards the
winds that blow upon him? It is obvious, that
he has a sense by which he knows the inclination
of his body, and that he has a ready
aptitude to adjust it, and to correct any deviation
from the perpendicular. What sense, then,
is this? for he touches nothing, and sees
nothing; there is no organ of sense hitherto
observed which can serve him, or in any
degree aid him. Is it not that sense, which is
exhibited so early in the infant in the fear of
falling? Is it not the full development of that
property which was early shown in the struggle
of the infant, while it lay in the nurse's arms?
It can only be by the adjustment of muscles
that the limbs are stiffened, the body firmly
balanced and kept erect. There is no other
source of knowledge but a sense of the degree
of exertion in his muscular frame, by which a
man can know the position of his body and
limbs, while he has no point of vision to direct
his efforts, or the contact of any external body.
In truth, we stand by so fine an exercise of this
power, and the muscles are, from habit, directed
with so much precision and with an effort so
slight, that we do not know how we stand. But
if we attempt to walk on a narrow ledge, or
stand in a situation where we are in danger of
falling, or rest on one foot, we become then
subject to apprehension; the actions of the
muscles are, as it were, magnified, and demonstrative
of the degree in which they are
excited.
"We are sensible of the position of our
limbs; we know that the arms hang by the
sides, or that they are raised and held out,
although we touch nothing and see nothing.
It must be a property internal to the frame by
which we thus know the position of the members
of our body; and what can it be but a
consciousness of the degree of action, and of
the adjustment of the muscles? At one time, I
entertained a doubt whether this proceeded
from a knowledge of the condition of the
muscles, or from a consciousness of the degree
of effort which was directed to them in volition.
It was with a view to elucidate this that I
made the observations which terminated in the
discovery that every muscle had two nerves;
one for sensation, and one to convey the mandate
of the will, and direct its action. I had
reasoned in this manner: we awake with a
knowledge of the position of our limbs; this
cannot be from a recollection of the action
which placed them where they are; it must,
therefore, be a consciousness of their present condition.
When a person in these circumstances
moves, he has a determined object, and he must
be conscious of a previous condition before he
can desire a change, or direct a movement."
In walking, riding, swimming, and other
bodily exercises; in writing, playing on the
piano, or any other instrument of music, the
muscular sense is called into activity, and
co-operates with the senses of sight, touch, etc.
Muscular exertion is in itself pleasurable, when
not pushed too far; and, indeed, the healthy
condition, both of the body and mind, results
from muscular exertion, and the alternations of
activity and repose. The appointment of man,
after the fall, to a life of labour, was a judgment
tempered by mercy. Man is not destined
to lead a life of sloth or supineness, but, urged
on by his natural wants, he cultivates the
ground, he tames the wild beast of the forest
or mountain, he builds houses, he constructs
ships, he clothes himself with fabrics, he surrounds
himself with the comforts, the decencies,
the luxuries of life, and in every work which
his hands find to do his muscular sense is in
requisition; it is this sense which appreciates
resistance, which enables us to balance our
bodies, to move with gracefulness, to run, to
walk, to leap, to throw the shuttle with precision,
or wield the hammer with skill. It is
improved by education; the child learns first
to walk, and then to run and leap, and in due
time to know its own strength, and also the
best mode of employing that strength, without
reflecting upon the laws of mechanics, or any
philosophic theories. It is evident, then, that
we have "a perception of the condition of the
muscles previous to the exercise of the will,"
and that with respect to the hand, "it is not
more the freedom of its action which constitutes
its perfection, than the knowledge which
we have of these motions, and our consequent
ability to direct it with the utmost precision."
That the lower animals are endowed with
this muscular sense cannot be doubted. It
enables the tiger to spring with accuracy upon
his prey, the cat upon the mouse, the greyhound
in pursuit of the hare when to make the fatal
snap, and the horse to leap the fence, which his
eye tells him is within his power; it teaches
the loris to creep upon its victim, as slowly but
as surely as the hand on the clock-face traverses
the dial-plate, and attains the given number;
it is immediately connected with instinct, and
man, when he steps aside to avoid a threatened
stroke, or raises his arm to parry a blow, puts
the muscular sense into exercise.
The muscular sense is, to use a homely expression,
an every-day working sense; touch
and sight are its prime supporters, and to these
in turn it lends its aid. Nevertheless, to a certain
degree it is independent of them; the
infant seeks the breast as it were by an instinctive
impulse, or applies the coral to its mouth;
and in the dark as well as in the light, we
transmit our food directly and precisely to the
organs of mastication and deglutition, without
thinking upon the manner in which the varied
actions are performed, or even transiently noting
them. We will to perform an act within our
power of achievement, and by the complicated
action of muscles, nerves, vessels, and bones,
we accomplish our object, at the same time,
perchance, we know not the origin and insertion
of a single muscle, the direction of a single
nerve, the course of a single artery.
The muscular sense is, in fact, in perpetual
exercise; it is intimately connected with self-consciousness,
for we feel that we corporeally
exist, that other bodies exist around us, that
they resist us, that they lead us to calculate
our own powers, nor will all the arguments of
the school of Berkeley convince us that we
exist only in idea. When Dr. Johnson stamped
upon the ground to disprove Berkeley's idea, he
was right.
So much for the senses with which we are
endowed, and the information which the mind
receives through their respective channels.
They teach us all that we know concerning
the qualities of matter, and they subserve many
of our enjoyments—they are essential to our
comfort, our activity, our usefulness; but we
gain through their medium no abstract truths,
no determinate principles. These are elaborated
in the mind itself by its own self-analysis;
but, then, they do not teach us our own position
as it respects time and eternity. The wisest of
the heathens of Greece or Rome lived in doubt,
entangled in the mazes of a vain system of
philosophy; and though they might believe in a
god, or in gods, deducing their arguments as to
the existence of an all-powerful Being from the
works of nature, and from that internal conviction
which seems common to the human
race—they knew nothing of His attributes, of
his laws, of his requirements, of man's fallen
nature, of the intrinsic sinfulness of the heart,
of the means of grace, of a hope of glory.
They could write noble poems, deep philosophic
treatises, histories of empires, narratives of
events, details of characters, descriptions of
works of art; they could carve statues of matchless
perfection, and build temples of surpassing
splendour. They displayed an intellectual
pre-eminence, which still sheds a lustre over
the civilized world. Who by searching can find
out God? Unless God graciously reveals himself
to us, a true knowledge of him in our fallen
state is impossible; the capabilities of our minds
are, after all, but limited; and though, through
reflection on the evidences of our senses, we
may come to the conclusion that there is an
omnipotent Power, we remain in ignorance as
to what that Power is, and as to our relationship
thereunto. Hence, then, the necessity of
information beyond what the mind can gain
through the senses, or by its own reflex operations;
we are conscious of our position as
respects the lower animals, and we have natural
longings after and hopes of immortality; the
soul whispers to itself, Non omnis moriar, I
shall not all die; but here, were it not for
revelation—a revelation from God, we should
be left in darkness.
God gave a revelation of his will to Adam;
our first parents transgressed, but then in
mercy a promise was given, that the seed of the
woman should bruise the serpent's head. God
gave a further revelation of his will to Moses,
with promises and commands, and elected from
among the nations a peculiar people, of whom
from the line of Jesse after the flesh should
arise the Messiah; in Him are all the promises
and prophecies centred, and through him the
great revelation of God's purposes of mercy to a
fallen world was ordained to be published.
The Messiah came; He of whom Isaiah prophesied;
the despised and rejected of men—God
manifest in the flesh. The prophet's
words were verified, "He was wounded for our
transgressions, he was bruised for our iniquities:
the chastisement of our peace was upon him;
and with his stripes we are healed."[23]
This is the Christian revelation, which, while
it shows us our lost and sinful nature, our
utter unworthiness, and the insufficiency of
good works for salvation—whilst it humbles
our pride, and self-sufficiency, and teaches that
our place before God is in the dust, yet it
speaks of joy and peace, for it points out what
is all-important, the mode of redemption, the
forgiveness of our sins, our adoption as heirs of
the kingdom of heaven. "In this was manifested
the love of God toward us, because that
God sent his only begotten Son into the world,
that we might live through him."[24] God
reveals himself in his works as a God of wisdom
and power; but here he discovers himself as a
God of truth, justice, and mercy. He reveals
himself as the triune Jehovah, the Father, the
Son, and the Spirit, one God for evermore; and
he gives us a revelation of the plan of salvation.
And what is this plan? it is one by which
justice and mercy are reconciled. "Without
shedding of blood is no remission" of sins. The
Son of God, according to the Divine promise,
took upon himself our human nature, dwelt
upon earth, sinless, and offered himself up as a
sacrifice for sin on Calvary. He "who, being
in the form of God, thought it not robbery to be
equal with God: but made himself of no reputation,
and took upon him the form of a servant,
and was made in the likeness of men: and being
found in fashion as a man, he humbled himself,
and became obedient unto death, even the death
of the cross. Wherefore God also hath highly
exalted him, and given him a name which is
above every name: that at the name of Jesus
every knee should bow, of things in heaven,
and things in earth, and things under the
earth; and that every tongue should confess
that Jesus Christ is Lord, to the glory of God
the Father."[25]
Of the sacrifice of Christ, the crowning sacrifice,
those of the Mosaic ritual were types or
emblems. By his sacrifice the claims of the
law were satisfied. What is required of us?
Belief in the atonement. "Jesus said unto
Martha, I am the resurrection and the life: he
that believeth in me, though he were dead, yet
shall he live: and whosoever liveth and believeth
in me shall never die."[26] A true, living,
justifying faith is the gift of the Holy Spirit,
who sanctifies and renews the heart of the
genuine believer. "The carnal mind is enmity
against God: for it is not subject to the law of
God, neither indeed can be;" but when the mind
is enlightened by grace Divine, the awfulness of
sin is perceived and deeply felt, true repentance
is awakened, love and gratitude to God for
every mercy are excited, and the soul is warmed
with adoration. Then does the converted man
become prayerful and watchful; then is he
zealous in God's cause, and anxious for the
conversion of those that live in the darkness of
ignorance, and travel along the broad road that
leadeth to destruction. Then will he be patient
and trustful under trials and affliction, and
justify God's dealings with man.
Such are the truths revealed by God himself,
which through nothing but direct revelation
could have enlightened, cheered, animated, and
guided the human affections and will. Man, as
an immortal being, has not been left to himself.
True it is, that there are many nations still in
darkness, and some in the most degraded ignorance.
To ask why this is so, is to ask the
reasons which determine God in his purposes;
we see as in a glass darkly, and the deep things
of God are hidden from our eyes; but we are
assured that the time will come when all
nations shall know the Lord, and Christ shall
reign in fulness of glory. Let us be thankful
if our trust is in Christ, if he is in us the hope
of glory, for "eye hath not seen, nor ear heard,
neither have entered into the heart of man, the
things which God hath prepared for them that
love him."
We have sufficiently shown the necessity of
a revelation to man relative to things essential
to his eternal interest, but of which he could
gain no knowledge by his own mental exertions.
We know by internal conviction that we are
immortal beings; but unguided by revelation,
we shall look forward to the future with anxiety,
with a sort of vague apprehension, but revelation
dispels anxiety, and fills us with all "joy
and peace in believing."
Dr. Abercrombie, in his work on the Intellectual
Powers, says: "There is thus, in the consciousness
of every man, a deep impression of
continued existence. The casuist may reason
against it till he bewilder himself in his own
sophistries; but a voice within gives the lie to
his vain speculations, and pleads with authority
for a life which is to come. The sincere and
humble inquirer cherishes the impression while
he seeks for further light on a subject so momentous;
and he thus receives with absolute
conviction the truth which beams upon him
from the revelation of God, that the mysterious
part of his being, which thinks, and wills, and
reasons, shall, indeed, survive the wreck of its
mortal tenement, and is destined for immortality."
How mysterious is the union between mind
and matter! how little we know of ourselves!
how shallow is our deepest philosophy! We
know that the mind is that part of our being
which thinks and wills, reasons and remembers,
but we know nothing of it except from these
functions. "By means of the corporeal senses it
holds intercourse with the things of the external
world, and receives impressions from them, but
of this connexion also we know nothing but the
facts; when we attempt to speculate upon its
nature and cause, we wander at once from the
path of philosophical inquiry into conjectures,
which are as far beyond the proper sphere as
they are beyond the reach of human faculties.
The object of true science on such a subject,
therefore, is simply to investigate the facts or
relations of phenomena, respecting the operations
of mind itself, and the intercourse which it
carries on with the external world."
In a philosophic point of view, all our
knowledge of the world around us is referable
to the operations of the mind on the impressions
conveyed to it through the senses, that
is, perception. Nevertheless, in point of fact,
the knowledge which is acquired by an individual
through perception and mental agency,
as reflection, memory, etc., is but a small part
of what he possesses; it is to the perception and
mental labour of others that he owes the great
mass of knowledge he is gifted with. Generation
after generation has contributed to accumulate
a store of facts, a treasury of thoughts
and reflections, to which succeeding generations
have added, leaving them as a legacy to
generations yet to come, who will contribute in
their turn to the stock, and bequeath the treasure
to their successors. Thus are we enriched
by the labour of others, and not altogether by
our own experience.
Herein is a wide hiatus between man and
the most sagacious of brutes. The brute gains
all from personal experience; no generation
can build upon the foundation left by a preceding
generation—but man can; and it is
no objection to allege, that some races remain
in a savage state for ages; they possess the
power, the capability, the mental constitution,
which the brute does not. Besides, they do
improve under favourable circumstances. What
were the Anglo-Saxon marauders, our own
ancestors? Savages. Is England now a savage
country? What were the Celtic British in
Cæsar's time? Savages. Were they savages
when the Romans had held possession of the
island for three hundred years? No; they had
adopted the arts, the manners, the civilization
of their conquerors. How this very fact of the
capability of man to give and receive knowledge
demonstrates his superiority in creation!
It is true that the human intellect is limited,
and that there are mysteries into which he
cannot penetrate; nor is it needful for his
welfare, his improvement, his happiness, his
hopes of a joyful immortality, that he should
be able to do so. Let him rely on the oracles
of God. Mysteries, indeed, surround him.
How fluently does he talk about matter, yet
he knows nothing about it, excepting what he
gains through his senses; and this knowledge
is limited to certain qualities, which may be
termed primary and secondary. The primary
qualities of material bodies are in themselves
essentials, namely, solidity and extension. We
cannot conceive of matter, without an involvement
of these two properties. The secondary
qualities of matter are colour, texture, temperature,
smell, taste, etc., properties which differ
in different bodies, and which are fluctuating,
changeable, uncertain. Of these, and other
properties of matter, as motion, sound, lightness,
or heaviness, etc., our senses are the
external tests, though mind is, in reality, the
discriminator.
"Our first knowledge of the existence and
properties of the material world is evidently of
a complex nature. It seems to arise from the
combined action of several senses, conveying to
us the general notion of certain essences, which
are solid and extended, or possessed of those
properties which characterize material things.
Without this general knowledge previously
acquired, our various senses, acting individually,
could convey to us no definite notion of
the properties of external things. A smell,
that is a mere odour, for example, might be
perceived by us, but would convey nothing
more than the sensation simply. It could not
communicate the impression of this being a
property of an external body, until we had
previously acquired a knowledge of the existence
of that body, and had come by observation
to associate the sensation with the body
from which it proceeds. The same holds true
of the other senses, and we are thus led at the
very first step of our inquiries to a complicated
process of mind, without which our mere
sensations could convey to us no definite
knowledge."[27]
Here, then, we conclude. Let us give thanks
and praise to that God who has made us what
we are—instruments of countless strings, all in
harmony, the music of which reaches the soul,
and in the secret recesses of the mind is there
analyzed, reflected upon, compared, and stored
up as knowledge. We feel, we see, we hear,
we smell, we taste, we resist; we are assured
of our own individuality; we are conscious of
our own existence, and we know that all around
is external to our own individuality. That sense
of individuality is in the mind, and we have
within us the assurance of immortality. Let
us look to Him, who is the Saviour from an
immortality of despair, that at the day of judgment
we may be found clothed in his robe of
righteousness, the garment of salvation.