SUNDAY EVENING—URSULA—ACTION AT
LAW—MERIDIANA—MARRIED ALREADY
I took tea that evening with Mr. and Mrs. Petulengro and
Ursula, outside of their tent. Tawno was not present, being
engaged with his wife in his own tabernacle; Sylvester was there,
however, lolling listlessly upon the ground. As I looked
upon this man, I thought him one of the most disagreeable fellows
I had ever seen. His features were ugly, and,
moreover, as dark as pepper; and, besides being dark, his skin
was dirty. As for his dress, it was torn and sordid.
His chest was broad, and his arms seemed powerful; but, upon the
whole, he looked a very caitiff. ‘I am sorry that man
has lost his wife,’ thought I; ‘for I am sure he will
never get another.’ What surprises me is, that he
ever found a woman disposed to unite her lot with his!
After tea I got up and strolled about the field. My
thoughts were upon Isopel Berners. I wondered where she
was, and how long she would stay away. At length becoming
tired and listless, I determined to return to the dingle, and
resume the reading of the Bible at the place where I had left
off. ‘What better could I do,’ methought,
‘on a Sunday evening?’ I was then near the wood
which surrounded the dingle, but at that side which was farthest
from the encampment, which stood near the entrance.
Suddenly, on turning round the southern corner of the copse,
which surrounded the dingle, I perceived Ursula seated under a
thorn-bush. I thought I never saw her look prettier than
then, dressed as she was, in her Sunday’s best.
‘Good-evening, Ursula,’ said I; ‘I little
thought to have the pleasure of seeing you here.’
‘Nor would you, brother,’ said Ursula, ‘had
not Jasper told me that you had been talking about me, and wanted
to speak to me under a hedge; so, hearing that, I watched your
motions, and came here and sat down.’
‘I was thinking of going to my quarters in the dingle,
to read the Bible, Ursula, but—’
‘Oh, pray then, go to your quarters, brother, and read
the Miduveleskoe lil; [64] you can speak to me
under a hedge some other time.’
‘I think I will sit down with you, Ursula; for, after
all, reading godly books in dingles at eve, is rather sombre
work. Yes, I think I will sit down with you;’ and I
sat down by her side.
‘Well, brother, now you have sat down with me under the
hedge, what have you to say to me?’
‘Why, I hardly know, Ursula.’
‘Not know, brother; a pretty fellow you to ask young
women to come and sit with you under hedges, and, when they come,
not know what to say to them.’
‘Oh! ah! I remember; do you know, Ursula,
that I take a great interest in you?’
‘Thank ye, brother; kind of you, at any rate.’
‘You must be exposed to a great many temptations,
Ursula.’
‘A great many indeed, brother. It is hard to see
fine things, such as shawls, gold watches, and chains in the
shops, behind the big glasses, and to know that they are not
intended for one. Many’s the time I have been tempted
to make a dash at them; but I bethought myself that by so doing I
should cut my hands, besides being almost certain of being
grabbed and sent across the gull’s bath to the foreign
country.’
‘Then you think gold and fine things temptations,
Ursula?’
‘Of course, brother, very great temptations; don’t
you think them so?’
‘Can’t say I do, Ursula.’
‘Then more fool you, brother; but have the kindness to
tell me what you would call a temptation?’
‘Why, for example, the hope of honour and renown,
Ursula.’
‘The hope of honour and renown! very good, brother; but
I tell you one thing, that unless you have money in your pocket,
and good broadcloth on your back, you are not likely to obtain
much honour and—what do you call it? amongst the gorgios,
to say nothing of the Romany chals.’
‘I should have thought, Ursula, that the Romany chals,
roaming about the world as they do, free and independent, were
above being led by such trifles.’
‘Then you know nothing of the gypsies, brother; no
people on earth are fonder of those trifles, as you call them,
than the Romany chals, and more disposed to respect those who
have them.’
‘Then money and fine clothes would induce you to do
anything, Ursula?’
‘Ay, ay; brother, anything.’
‘To chore, [65a] Ursula?’
‘Like enough, brother; gypsies have been transported
before now for choring.’
‘To hokkawar?’ [65b]
‘Ay, ay, I was telling dukkerin only yesterday,
brother.’
‘In fact, to break the law in everything?’
‘Who knows, brother, who knows? as I said before, gold
and fine clothes are great temptations.’
‘Well, Ursula, I am sorry for it, I should never have
thought you so depraved.’
‘Indeed, brother.’
‘To think that I am seated by one who is willing
to—to—’
‘Go on, brother.’
‘To play the thief.’
‘Go on, brother.’
‘The liar.’
‘Go on, brother.’
‘The—the—’
‘Go on, brother.’
‘The—the lubbeny.’ [66]
‘The what, brother?’ said Ursula, starting from
her seat.
‘Why, the lubbeny; don’t you—’
‘I tell you what, brother,’ said Ursula, looking
somewhat pale, and speaking very low, ‘if I had only
something in my hand, I would do you a mischief.’
‘Why, what is the matter, Ursula?’ said I;
‘how have I offended you?’
‘How have you offended me? Why, didn’t you
insinivate just now that I was ready to play
the—the—’
‘Go on, Ursula.’
‘The—the—I’ll not say it; but I only
wish I had something in my hand.’
‘If I have offended, Ursula, I am very sorry for it; any
offence I may have given you was from want of understanding
you. Come, pray be seated, I have much to question you
about—to talk to you about.’
‘Seated, not I! It was only just now that you gave
me to understand that you was ashamed to be seated by me, a
thief, a liar.’
‘Well, did you not almost give me to understand that you
were both, Ursula?’
‘I don’t much care being called a thief and a
liar,’ said Ursula, ‘a person may be a liar and a
thief, and yet a very honest woman, but—’
‘Well, Ursula.’
‘I tell you what, brother, if you ever sinivate again
that I could be the third thing, so help me duvel! [67] I’ll do you a mischief. By
my God I will!’
‘Well, Ursula, I assure you that I shall sinivate, as
you call it, nothing of the kind about you. I have no
doubt, from what you have said, that you are a very paragon of
virtue—a perfect Lucretia; but—’
‘My name is Ursula, brother, and not Lucretia: Lucretia
is not of our family, but one of the Bucklands; she travels about
Oxfordshire; yet I am as good as she any day.’
‘Lucretia! how odd! Where could she have got that
name? Well, I make no doubt, Ursula, that you are quite as
good as she, and she as her namesake of ancient Rome; but there
is a mystery in this same virtue, Ursula, which I cannot fathom;
how a thief and a liar should be able, or indeed willing, to
preserve her virtue is what I don’t understand. You
confess that you are very fond of gold. Now, how is it that
you don’t barter your virtue for gold sometimes? I am
a philosopher, Ursula, and like to know everything. You
must be every now and then exposed to great temptation, Ursula;
for you are of a beauty calculated to captivate all hearts.
Come, sit down and tell me how you are enabled to resist such a
temptation as gold and fine clothes?’
‘Well, brother,’ said Ursula, ‘as you say
you mean no harm, I will sit down beside you, and enter into
discourse with you; but I will uphold that you are the coolest
hand that I ever came nigh, and say the coolest
things.’
And thereupon Ursula sat down by my side.
‘Well, Ursula, we will, if you please, discourse on the
subject of your temptations. I suppose that you travel very
much about, and show yourself in all kinds of places?’
‘In all kinds, brother; I travels, as you say, very much
about, attends fairs and races, and enters booths and
public-houses, where I tells fortunes, and sometimes dances and
sings.’
‘And do not people often address you in a very free
manner?’
‘Frequently, brother; and I give them tolerably free
answers.’
‘Do people ever offer to make you presents?
I mean presents of value, such as—’
‘Silk handkerchiefs, shawls, and trinkets; very
frequently, brother.’
‘And what do you do, Ursula?’
‘I take what people offers me, brother, and stows it
away as soon as I can.’
‘Well, but don’t people expect something for their
presents? I don’t mean dukkerin, dancing, and the
like; but such a moderate and innocent thing as a choomer, [68a] Ursula?’
‘Innocent thing, do you call it, brother?’
‘The world calls it so, Ursula. Well, do the
people who give you the fine things never expect a choomer in
return?’
‘Very frequently, brother.’
‘And do you ever grant it?’
‘Never, brother.’
‘How do you avoid it?’
‘I gets away as soon as possible, brother. If they
follows me, I tries to baffle them, by means of jests and
laughter; and if they persist, I uses bad and terrible language,
of which I have plenty in store.’
‘But if your terrible language has no effect?’
‘Then I screams for the constable, and if he comes not,
I uses my teeth and nails.’
‘And are they always sufficient?’
‘I have only had to use them twice, brother; but then I
found them sufficient.’
‘But suppose the person who followed you was highly
agreeable, Ursula? A handsome young officer of local
militia, for example, all dressed in Lincoln green, would you
still refuse him the choomer?’
‘We makes no difference, brother; the daughters of the
gypsy-father makes no difference; and, what’s more, sees
none.’
‘Well, Ursula, the world will hardly give you credit for
such indifference.’
‘What cares we for the world, brother! we are not of the
world.’
‘But your fathers, brothers, and uncles, give you credit
I suppose, Ursula.’
‘Ay, ay, brother, our fathers, brothers, and cokos [68b] gives us all
manner of credit; for example, I am telling lies and dukkerin in
a public-house where my batu [69] or
coko—perhaps both—are playing on the fiddle; well, my
batu and my coko beholds me amongst the public-house crew,
talking nonsense and hearing nonsense; but they are under no
apprehension; and presently they sees the good-looking officer of
militia, in his greens and Lincolns, get up and give me a wink,
and I go out with him abroad, into the dark night perhaps; well,
my batu and my coko goes on fiddling, just as if I were six miles
off asleep in the tent, and not out in the dark street with the
local officer, with his Lincolns and his greens.’
‘They know they can trust you, Ursula?’
‘Ay, ay, brother; and, what’s more, I knows I can
trust myself.’
‘So you would merely go out to make a fool of him,
Ursula?’
‘Merely go out to make a fool of him, brother, I assure
you.’
‘But such proceedings really have an odd look,
Ursula.’
‘Amongst gorgios, very so, brother.’
‘Well, it must be rather unpleasant to lose one’s
character even amongst gorgios, Ursula; and suppose the officer,
out of revenge for being tricked and duped by you, were to say of
you the thing that is not, were to meet you on the race-course
the next day, and boast of receiving favours which he never had,
amidst a knot of jeering militia-men, how would you proceed,
Ursula? would you not be abashed?’
‘By no means, brother; I should bring my action of law
against him.’
‘Your action at law, Ursula?’
‘Yes, brother; I should give a whistle, whereupon all
one’s cokos and batus, and all my near and distant
relations, would leave their fiddling, dukkerin, and
horse-dealing, and come flocking about me.
“What’s the matter, Ursula?” says my
coko. “Nothing at all,” I replies, “save
and except that gorgio, in his greens and his Lincolns, says that
I have played the --- with him.” “Oho, he does,
Ursula,” says my coko, “try your action of law
against him, my lamb,” and he puts something privily into
my hands; whereupon I goes close up to the grinning
gorgio, and staring him in the face, with my head pushed forward,
I cries out: “You say I did what was wrong with you last
night when I was out with you abroad?”
“Yes,” says the local officer, “I says you
did,” looking down all the time. “You are a
liar,” says I, and forthwith I breaks his head with the
stick which I holds behind me, and which my coko has conveyed
privily into my hand.’
‘And this is your action at law, Ursula?’
‘Yes, brother, this is my action at club-law.’
‘And would your breaking the fellow’s head quite
clear you of all suspicion in the eyes of your batus, cokos, and
what not?’
‘They would never suspect me at all, brother, because
they would know that I would never condescend to be over intimate
with a gorgio; the breaking the head would be merely intended to
justify Ursula in the eyes of the gorgios.’
‘And would it clear you in their eyes?’
‘Would it not, brother? When they saw the blood
running down from the fellow’s cracked poll on his greens
and Lincolns, they would be quite satisfied; why the fellow would
not be able to show his face at fair or merry-making for a year
and three-quarters.’
‘Did you ever try it, Ursula?’
‘Can’t say I ever did, brother, but it would
do.’
‘And how did you ever learn such a method of
proceeding?’
‘Why ’t is advised by gypsy liri, [70] brother. It’s part of our
way of settling difficulties amongst ourselves; for example, if a
young Roman were to say the thing which is not respecting Ursula
and himself, Ursula would call a great meeting of the people, who
would all sit down in a ring, the young fellow amongst them; a
coko would then put a stick in Ursula’s hand, who would
then get up and go to the young fellow, and say, “Did I
play the --- with you?” and were he to say
“Yes,” she would crack his head before the eyes of
all.’
‘Well,’ said I, ‘Ursula, I was bred an
apprentice to gorgio law, and of course ought to stand up for it,
whenever I conscientiously can, but I must say the gypsy manner
of bringing an action for defamation is much less tedious, and
far more satisfactory than the gorgiko one. I
wish you now to clear up a certain point which is rather
mysterious to me. You say that for a Romany chi to do what
is unseemly with a gorgio, is quite out of the question, yet only
the other day I heard you singing a song in which a Romany chi
confesses herself to be cambri [71a] by a grand
gorgious gentleman.’
‘A sad let down,’ said Ursula.
‘Well,’ said I, ‘sad or not, there’s
the song that speaks of the thing, which you give me to
understand is not.’
‘Well, if the thing ever was,’ said Ursula,
‘it was a long time ago, and perhaps after all not
true.’
‘Then why do you sing the song?’
‘I’ll tell you, brother; we sings the song now and
then to be a warning to ourselves to have as little to do as
possible in the way of acquaintance with the gorgios; and a
warning it is; you see how the young woman in the song was driven
out of her tent by her mother, with all kind of disgrace and bad
language; but you don’t know that she was afterwards buried
alive by her cokos and pals [71b] in an uninhabited
place; the song doesn’t say it, but the story says it, for
there is a story about it, though, as I said before, it was a
long time ago, and perhaps, after all, wasn’t
true.’
‘But if such a thing were to happen at present, would
the cokos and pals bury the girl alive?’
‘I can’t say what they would do,’ said
Ursula; ‘I suppose they are not so strict as they were long
ago; at any rate she would be driven from the tan, [71c] and avoided by all her family and
relations as a gorgio’s acquaintance, so that, perhaps, at
last, she would be glad if they would bury her alive.’
‘Well, I can conceive that there would be an objection
on the part of the cokos and batus that a Romany chi should form
an improper acquaintance with a gorgio, but I should think that
the batus and cokos could hardly object to the chi’s
entering into the honourable estate of wedlock with a
gorgio.’
Ursula was silent.
‘Marriage is an honourable estate, Ursula.’
‘Well, brother, suppose it be?’
‘I don’t see why a Romany chi should object to
enter into the honourable estate of wedlock with a
gorgio.’
‘You don’t, brother; don’t
you?’
‘No,’ said I, ‘and, moreover, I am aware,
notwithstanding your evasion, Ursula, that marriages and
connections now and then occur between gorgios and Romany chies;
the result of which is the mixed breed called half-and-half,
which is at present travelling about England, and to which the
Flaming Tinman belongs, otherwise called Anselo Herne.’
‘As for the half-and-halfs,’ said Ursula,
‘they are a bad set; and there is not a worse blackguard in
England than Anselo Herne.’ [72]
‘All what you say may be very true, Ursula, but you
admit that there are half-and-halfs.’
‘The more’s the pity, brother.’
‘Pity or not, you admit the fact; but how do you account
for it?’
‘How do I account for it? Why, I will tell you, by
the break up of a Roman family, brother—the father of a
small family dies, and perhaps the mother, and the poor children
are left behind, sometimes they are gathered up by their
relations, and sometimes, if they have none, by charitable
Romans, who bring them up in the observance of gypsy law; but
sometimes they are not so lucky, and falls into the company of
gorgios, trampers, and basket-makers, who live in caravans, with
whom they take up, and so—I hate to talk of the matter,
brother, but so comes this race of the half-and-halfs.’
‘Then you mean to say, Ursula, that no Romany chi,
unless compelled by hard necessity, would have anything to do
with a gorgio?’
‘We are not over fond of gorgios, brother, and we hates
basket-makers, and folks that live in caravans.’
‘Well,’ said I, ‘suppose a gorgio, who is
not a basket-maker, a fine handsome gorgious gentleman, who lives
in a fine house—’
‘We are not fond of houses, brother, I never slept in a
house in my life.’
‘But would not plenty of money induce you?’
‘I hate houses, brother, and those who live in
them.’
‘Well, suppose such a person were willing to resign his
fine house, and for love of you to adopt gypsy law, speak Romany,
and live in a tan, would you have nothing to say to
him?’
‘Bringing plenty of money with him,
brother?’
‘Well, bringing plenty of money with him,
Ursula.’
‘Well, brother, suppose you produce your man; where is
he?’
‘I was merely supposing such a person,
Ursula.’
‘Then you don’t know of such a person,
brother?’
‘Why, no, Ursula; why do you ask?’
‘Because, brother, I was almost beginning to think that
you meant yourself.’
‘Myself! Ursula; I have no fine house to resign; nor
have I money. Moreover, Ursula, though I have a great
regard for you, and though I consider you very handsome, quite as
handsome, indeed, as Meridiana in—’
‘Meridiana! where did you meet with her?’ said
Ursula, with a toss of her head.
‘Why in old Pulci’s—’
‘At old Fulcher’s! that’s not true,
brother. Meridiana is a Borzlam, [73a] and travels with her own people, and
not with old Fulcher, [73b] who is a gorgio,
and a basket-maker.’
‘I was not speaking of old Fulcher, but Pulci, a great
Italian writer, who lived many hundred years ago, and who, in his
poem called the “Morgante Maggiore,” speaks of
Meridiana, the daughter of—’
‘Old Carus Borzlam,’ said Ursula; ‘but if
the fellow you mention lived so many hundred years ago, how, in
the name of wonder, could he know anything of
Meridiana?’
‘The wonder, Ursula, is, how your people could ever have
got hold of that name, and similar ones. The Meridiana of
Pulci was not the daughter of old Carus Borzlam, but of Caradoro,
a great pagan king of the East, who, being besieged in his
capital by Manfredonio, another mighty pagan king, who wished to
obtain possession of his daughter, who had refused him, was
relieved in his distress by certain paladins of Charlemagne, with
one of whom, Oliver, his daughter Meridiana fell in
love.’
‘I see,’ said Ursula, ‘that it must have
been altogether a different person, for I am sure that Meridiana
Borzlam would never have fallen in love with Oliver.
Oliver! why that is the name of the curo-mengro, [73c] who lost the fight near
the chong gav, [74a] the day of the great tempest, when I
got wet through. [74b] No, no! Meridiana Borzlam
would never have so far forgot her blood as to take up with Tom
Oliver.’
‘I was not talking of that Oliver, Ursula, but of
Oliver, peer of France, and paladin of Charlemagne, with whom
Meridiana, daughter of Caradoro, fell in love, and for whose sake
she renounced her religion and became a Christian, and finally
ingravidata, or cambri, by him:
‘“E nacquene un figliuol, dice la
storia,
Che dette a Carlo-man poi gran vittoria:”
which means—’
‘I don’t want to know what it means,’ said
Ursula; ‘no good, I’m sure. Well, if the
Meridiana of Charles’s wain’s pal was no handsomer
than Meridiana Borzlam, she was no great catch, brother; for
though I am by no means given to vanity, I think myself better to
look at than she, though I will say she is no lubbeny, and would
scorn—’
‘I make no doubt she would, Ursula, and I make no doubt
that you are much handsomer than she, or even the Meridiana of
Oliver. What I was about to say, before you interrupted me,
is this, that though I have a great regard for you, and highly
admire you, it is only in a brotherly way, and—’
‘And you had nothing better to say to me,’ said
Ursula, ‘when you wanted to talk to me beneath a hedge,
than that you liked me in a brotherly way! well, I
declare—’
‘You seem disappointed, Ursula.’
‘Disappointed, brother! not I.’
‘You were just now saying that you disliked gorgios, so,
of course, could only wish that I, who am a gorgio, should like
you in a brotherly way; I wished to have a conversation with you
beneath a hedge, but only with the view of procuring from you
some information respecting the song which you sung the other
day, and the conduct of Roman females, which has always struck me
as being highly unaccountable, so, if you thought anything
else—’
‘What else should I expect from a picker-up of old words, brother? Bah! I dislike a picker-up
of old words worse than a picker-up of old rags.’
‘Don’t be angry, Ursula, I feel a great interest
in you; you are very handsome, and very clever; indeed, with your
beauty and cleverness, I only wonder that you have not long since
been married.’
‘You do, do you, brother?’
‘Yes. However, keep up your spirits, Ursula, you
are not much past the prime of youth, so—’
‘Not much past the prime of youth! Don’t be
uncivil, brother, I was only twenty-two last month.’
‘Don’t be offended, Ursula, but twenty-two is
twenty-two, or, I should rather say, that twenty-two, in a woman
is more than twenty-six in a man. You are still very
beautiful, but I advise you to accept the first offer
that’s made to you.’
‘Thank you, brother, but your advice comes rather late;
I accepted the first offer that was made me five years
ago.’
‘You married five years ago, Ursula! is it
possible?’
‘Quite possible, brother, I assure you.’
‘And how came I to know nothing about it?’
‘How comes it that you don’t know many thousand
things about the Romans, brother? Do you think they tell
you all their affairs?’
‘Married Ursula! married! Well, I
declare!’
‘You seem disappointed, brother.’
‘Disappointed! Oh! no, not at all; but Jasper,
only a few weeks ago, told me that you were not married; and,
indeed, almost gave me to understand that you would be very glad
to get a husband.’
‘And you believed him? I’ll tell you,
brother, for your instruction, that there is not in the whole
world a greater liar than Jasper Petulengro.’
‘I am sorry to hear it, Ursula; but with respect to him
you married—who might he be? A gorgio, or a Romany
chal?’
‘Gorgio, or Romany chal? Do you think I would ever
condescend to a gorgio? It was a Camomescro, [75] brother, a Lovell, a distant relation
of my own.’
‘And where is he, and what became of him? Have you
any family?’
‘Don’t think I am going to tell you all my
history, brother; and, to tell you the truth,
I am tired of sitting under hedges with you, talking
nonsense. I shall go to my house.’
‘Do sit a little longer, sister Ursula. I most
heartily congratulate you on your marriage. But where is
this same Lovell? I have never seen him: I should wish to
congratulate him, too. You are quite as handsome as the
Meridiana of Pulci, Ursula, ay, or the Despina of
Riciardetto. Riciardetto, Ursula, is a poem written by one
Fortiguerra, about ninety years ago, in imitation of the Morgante
of Pulci. It treats of the wars of Charlemagne and his
Paladins with various barbarous nations, who came to besiege
Paris. Despina was the daughter and heiress of Scricca,
King of Cafria; she was the beloved of Riciardetto, and was
beautiful as an angel; but I make no doubt you are quite as
handsome as she.’
‘Brother,’ said Ursula—but the reply of
Ursula I reserve for another chapter, the present having attained
to rather an uncommon length, for which, however, the importance
of the matter discussed is a sufficient apology.