The first time I saw Essie was a few weeks before
her marriage with my brother Ted. I knew
beforehand that she would certainly be very
pretty for the simple reason that Ted would
never have been attracted by a plain woman.
For him plain women did not exist, except as
cooks, governesses, caretakers and charwomen.
Ted is the best fellow in the world, and when
he brought her to see me I instantly realised why
he had chosen her; but I found myself wondering
why she had chosen him—she was charming,
lovely, shy, very young and diffident, and with
the serenest temperament I have ever seen. She
was evidently fond of him, and grateful to him.
Later on I learned—from her, never from him—the
distress and anxiety from which he had
released her and her mother. There was a disreputable
brother, and other entanglements, and
complicated money difficulties.
Ted simply swooped down, and rescued her,
and ordered her to marry him, which she did.
“She is a cut above me, Essie is,” he used to say
rubbing his hands, and looking at her with joyful
pride. It was true. Essie looked among us like
a race horse among cart horses. She belonged,
not by birth, but by breeding to a higher social
plane than that on which we Hopkinses had our
boisterous being. I was resentfully on the alert
to detect the least sign of arrogance on her part.
I expected it. But gradually the sleepless suspicion
of the great middle class to which Ted and
I belonged was lulled to rest. I had to own to
myself that Essie was a simple, humble, and
rather timid creature.
I went to stay with them a few months after
their marriage in their new home in Kensington.
Ted was outrageously happy, and she seemed well
content, amused by him, rather in the same way
that a child is amused by a large dog.
He had actually suggested before he met
Essie that I should keep house for him, but I told
him I preferred to call my soul my own. Essie
apparently did not want to call anything her
own. She let him have his way in everything,
and it was a benevolent and sensible way, but it
had evidently never struck him that she might
have tastes and wishes even if she did not put
them forward. He was absolutely autocratic,
and without imagination.
Before they had been married a month he had
prevailed on her to wear woollen stockings instead
of silk ones, because he always wore woollen
socks himself.
He chose the wallpapers of the house without
any reference to her, though of course she
accompanied him everywhere. He chose the
chintzes for the drawing-room, and the curtains,
and very good useful materials they were, not
ugly, but of a garish cheerfulness. Indeed, he
furnished the whole house without a qualm, and
made it absolutely conventional. It is strange
how very conventional people press towards the
mark, how they struggle to be conventional,
when it is only necessary to drift to become so.
Ted exerted himself, and Essie laughed, and
said she liked what he liked. If she had not been
so very pretty her self-effacement would have
seemed rather insipid, but somehow she was not
insipid. She liked to see him happy in his own
prosaic efficient inartistic way, and I don’t think
she had it in her power to oppose him if she had
wanted to, or indeed anyone. She was by nature
yielding, a quality which men like Ted always
find adorable.
I remember an American once watching Ted
disporting himself on the balcony, pushing aside
all Essie’s tubs of flowering tulips to make room
for a dreadful striped hammock.
“The thing I can’t understand about you English
women,” said the visitor to Essie, “is why
you treat your men as if they were household pets.”
“What an excellent description of an English
husband,” said Essie. “That is just what he is.”
“What’s that? What’s that?” said Ted,
rushing in from the balcony, but as he never
waited for an answer Essie seldom troubled to
give him one.
Perhaps I should never have known Essie if I
had not fallen ill in her house. Ted and she were
kindness itself, but as I slowly climbed the hill of
convalescence I saw less of him and more of her.
He was constantly away, transacting business in
various places, and I must own a blessed calm
fell upon the house when the front door slammed,
and he was creating a lucrative turmoil elsewhere.
The weather was hot, and we sat out evening
after evening in the square garden. Gradually,
very gradually, a suspicion had arisen in my mind
that there was another Essie whose existence
Ted and I had so far never guessed. I saw that
she did—perhaps by instinct—what wise women
sometimes do of set purpose. She gave to others
what they wanted from her, not necessarily the
best she had to give. Ted had received from her
exactly what he hoped and desired, and—he was
happy.
The evening came when I made a sudden
demand on her sympathy. In the quiet darkness of
the square garden I told her of a certain agonising
experience of my own which in one year had
pushed me from youth into middle age, and had
turned me not to stone, but into a rolling stone.
“I imagined it was something of that kind that
was the matter with you,” she said in her gentle
rather toneless voice.
“You guessed it,” I said amazed. I had
thought I was a closed book to the whole world.
“You never spoke of your idea to Ted?”
“Never. Why should I?”
There was a long silence.
The noise of Kensington High Street reached
us like the growl of some tired animal. An owl
came across from Holland Park and alighted in a
tree near us.
“You should have married him,” said Essie at
last.
“Married him!” I exclaimed, “but you don’t
understand.” And I went over the whole
dreadful story again—at full length. Love affairs
are never condensed. If they are told at all they
are recounted in full.
“I don’t see that any of those things matter,”
she said when I had finished, or rather when I
paused.
“Where is he now?”
“In Turkistan, I believe.”
“Why not go to Turkistan?” She spoke as
if it were just round the corner.
“Turkistan!”
“Well, it’s somewhere on the map, I suppose.
What does it matter where it is.”
“And perhaps when I got there I might find
he had set up a harem of Turkistan women.”
“You might.”
“Or that he had long since left for America.”
“Just so.”
“Or that he did not want me.”
“All these things are possible.”
The owl began to call through the dusk, and,
not far away, somewhere in the square a gentle
lady owl’s voice answered him.
“There are things,” said Essie, “which one can
measure, and it is easy to know how to act about
them, and whether it is worth while to act at all.
Most things one can measure, but there are in life
just a few things, a very few, which one cannot
measure, or put a value on, or pay a certain price
for, and no more, because they are on a plane
where foot-rules and weighing machines and
money do not exist. Love is one of these things.
When we begin to weigh how much we will give
to love, what we are willing to sacrifice for it, we
are trying to drag it down to a mercantile basis
and to lay it on the table of the money changers
on which things are bought and sold, and
bartered and equivalent value given.”
“You think I don’t love him,” I said, cut to the
quick.
“I am sure,” said Essie, “that you don’t love
him yet, but I think you are on the road. Who
was it who said
‘The ways of love are harder
Than thoroughfares of stones.’
Whoever it was, he knew what he was talking
about. You have found the thoroughfare stony,
and you rebel and are angry, very angry, and
desert your fellow traveller. He, poor man, did
not make the road. I expect he is just as angry
and foot-sore as you are.”
“He was a year ago. I don’t know what he is
now. It is a year since he wrote.”
Essie knitted in silence.
At last I said desperately:
“I have told you everything. Do you think
it’s possible he still cares for me?”
Essie waited a long minute before answering.
“I don’t know,” she said, and then added,
“but I think you will presently go to Turkistan
and find out.”
Reader, I went to Turkistan, and was married
there, and lived there and in Anatolia for many
happy years. But that is another story. I did
not start on that voyage of discovery till several
months after that conversation. I had battered
myself to pieces against the prison bars of my
misery, and health ruthlessly driven away was
slow to return.
As I lived with Ted and Essie I became aware
that he was becoming enormously successful in
money matters. There were mysterious expeditions,
buyings and sellings of properties, which
necessitated sudden journeys. Immense transactions
passed through his competent hands, and
presently the possibility of a country house was
spoken of. He talked mysteriously of a wonderful
old manor house in Essex, which he had come upon
entirely by chance, which would presently come
into the market, and which might be acquired
much below its value, so anxious was the
owner—a foreign bigwig—to part with it at once.
Ted prosed away about this house from teatime
till bedtime. Essie listened dutifully, but it
was I who asked all the questions.
Ted hurried away next morning, not to return
for several days, one of which he hoped to spend
in Essex.
“You don’t seem much interested about the
country house,” I said at tea time. I was
slightly irritated by the indifference which seemed
to enwrap Essie’s whole existence.
“Don’t you care about it? It must be
beautiful from Ted’s account.”
“If he likes it I shall like it.”
“What a model wife you are. Have you no
wishes of your own, no tastes of your own, Essie?”
She looked at me with tranquil eyes.
“I think Ted is happy,” she said, “and I am so
glad the children are both exactly like him.”
“Yes, but—”
“There is no but in my case. Ted rescued me
from an evil entanglement and eased my mother’s
life. And he set his kind heart on marrying me.
I told him I could not give him much, but he did
not mind. I don’t think men like Ted understand
that there is anything more that—that
might be given; which makes a very wonderful
happiness when it is given. Our marriage was
on the buying and selling plane. We each put
out our wares. I saw very well that he would be
impossible—for me at least—to live with unless
I gave way to him entirely. Dear Ted is a
benevolent tyrant. He would become a bully
if he were opposed, and bullies are generally
miserable. I don’t oppose him. I think he is
content with his bargain, and as fond of me as a
man can be of a lay figure. My impression is
that he regards me as a model wife.”
“He does, he does. He is absolutely, blissfully
happy.”
“He would be just as happy with another
woman,” said Essie, “if she were almost inanimate.
It was a comfort to me to remember
that when I nearly died three years ago.”
“Yes, Ted is all right,” I said, “but how about
you? I used to think you were absolutely
characterless, and humdrum, but I know better
now. Don’t you—miss anything?”
“No,” said Essie, “nothing. You see,” she
added tranquilly with the faintest spice of malice,
“I lead a double life.”
I gasped, staring at her open-mouthed, horror-stricken.
She ignored my crass imbecility, and
went on quietly:
“I don’t know when it began, but I suppose
when I was about five years old. I found my
way to the enchanted forest, and I went there
in my dreams every night.”
“In your dreams!” I stuttered, enormously
reassured, and idiotically hoping that she had
not noticed my hideous lapse.
“In my dreams. I had an unhappy childhood,
but I never was unhappy any more after I learned
the way through the forest. Directly I fell asleep
I saw the track among the tree trunks, and then
after a few minutes I reached the wonderful
glade and the lake, and the little islands. One
of the islands had a temple on it. I fed the
swans upon the lake. I twined garlands of
flowers. I climbed the trees, and looked into the
nests. I swung from tree to tree, and I swam
from island to island. I made a little pipe out of
a reed from the lake, and blew music out of it.
And the rabbits peeped out of their holes to
listen, and the squirrels came hand by hand
along the boughs, and the great kites with their
golden eyes came whirling down. Even the little
moles came up out of the ground to listen.”
I gazed at her, astonished.
“I did not wear any clothes,” said Essie, “and
I used to lie on the moss in the sun. It is
delicious to lie on moss, warm moss in the sun.
Once when I was a small child I asked my
governess when those happy days would come
back when we should wear no clothes, and she
told me I was very naughty. I never spoke to
her of the dream forest again. She did not
understand any more than you did the first
moment. I think the natural instinct of the
British mind if it does not understand is to look
about for a lurking impropriety. I saw other
children sometimes, but never close at hand.
They went to the temple singing, garlanded and
gay, but when I tried to join them I passed
through them. They never took any notice
of me.”
“Were you a ghost?”
“I think not. I imagine I am an old old soul
who has often been in this world before, and by
some strange accident I have torn a corner of the
veil that hides our past lives from us, and in my
dreams I became once more a child as I had
really been once, hundreds and hundreds of
years ago, perhaps in Greece or Italy.”
“And do you still have that dream every
night?”
“Not for many years past. I lost my way to
the forest for several years, until I was again in
great trouble. That was when—then one night
when I had cried myself to sleep I saw the same
track through the thicket, and I found the forest
again. Oh! how I rejoiced! And in the middle
of the forest was a garden and a wonderful old
house, standing on a terrace. And there was no
lake any more. It was a different place altogether,
in England no doubt. And the house
door was open. It was a low arched door with a
coat of arms carved in stone over it. And I
went in. And as I entered all care left me, and I
was happy again, as I was among the islands in
the lake. I can’t tell you why I was so happy.
I have sometimes asked myself, but it is a question
I can’t answer. It seemed my real home.
I have gone back there every night since I was
seventeen, and I know the house by heart. There
is only one room I shrink from, though it is one
of the most beautiful in the house. It is a small
octagonal panelled room leading out of the
banqueting hall where the minstrels gallery is.
It looks on to the bowling green, and one large
picture hangs in it, over the carved mantelpiece.
A Vandyck I think it must be. It is a portrait
of a cavalier with long curls holding his plumed
hat in his hand.”
“Did you meet people in the house?”
“No, not at first, not for several years, but I
did not miss them. I did not want companionship;
I felt that I was with friends, and that was
enough. I wanted the repose, and the beauty
and the peace which I always found there. I
steeped myself in peace, and brought it back with
me to help me through the day. The night was
never long enough for me. And I always came
back, rested, and refreshed, and content, oh! so
deeply content. I am a very lucky person,
Beatrice.”
“It explains you at last,” I said. “You have
always been to me an enigma, during the five
years I have known you.”
“The explanation was too simple for you.”
“Do you call it simple? I don’t. I should
hardly be able to believe it if it were not you who
had told me. And the house was always
empty? You never saw anyone there?”
“It was never empty, but I could not see the
people who lived in it. I could see nothing
clearly, and I had no desire to pry or search. I
was often conscious of someone near me, who
loved me and whom I loved. And I could hear
music sometimes, and sweet voices singing, but
I could never find the room where the music was.
But then I did not try to find it. Sometimes when
I looked out of the windows I could see a dim figure
walking up and down the terrace, but not often.”
“Was it a man or a woman?”
“A man.”
“And you never went out to the bowling green
and spoke to him?”
“I never thought of such a thing. I never
even saw his face till—till that Christmas I was so
ill with pneumonia. Then I fled to the house,
and for the first time I could find no rest in it.
And I went into the octagonal room, and sat
down near the window and leaned my forehead
against the glass. My head was burning hot,
and the glass was hot too. Everything was hot.
And there was a great dreadful noise of music.
And suddenly it seemed as if I went deeper into
the life of the house, where the light was clearer.
It was as if a thin veil were withdrawn from
everything. And the heat and the pain were
withdrawn with the veil. And I was light and
cool, and at ease once more. And the music was
like a rippling brook. And he came into the
room. I saw him quite clearly at last. And oh!
Beatrice, he was the cavalier of the picture,
dressed in blue satin with a sword. And he stood
before me with his plumed hat in his hand.
“And as I looked at him a gentle current infinitely
strong seemed to take me. I floated like
a leaf upon it. I think, Beatrice, it was the
current of death. I felt it was bearing me
nearer and nearer to him and to my real life, and
leaving further and further behind my absurd
little huddled life here in Kensington, which always
has seemed rather like a station waitingroom.
“We neither of us spoke, but we understood each
other, and we loved each other. We had long
loved each other. I saw that. And presently
he knelt down at my feet and kissed my hands.
Doesn’t that sound commonplace, like a cheap
novelette? but it wasn’t. It wasn’t ... and
then as we looked at each other the gentle sustaining
current seemed to fail beneath me. I
struggled, but it was no use. It ebbed slowly
away from me, leaving me stranded on an aching
shore alone, in the dark, where I could not
breathe or move. And I heard our doctor say,
“she is going.” But I wasn’t going. I had
nearly, nearly gone, and I was coming back.
And then there was a great turmoil round me,
and I came back in agony into my own room and
my own bed, and found the doctor and nurse
beside me giving me oxygen, and poor Ted as
white as a sheet standing at the foot of the bed....
They forced me to—to stay. I had to take
up life again.”
And for the first time in all the years I had
known her Essie was shaken with sudden weeping.
“That was three years ago,” she said brokenly.
For a time we sat in silence hand in hand.
“And do you still go back there?”
“Every night.”
“And you meet him?”
“Yes and no. I am sometimes aware of his
presence, but I never see him clearly as I did that
once. I think at that moment I was able to see
him because I was so near death that I was very
close to those on the other side of death. My
spirit had almost freed itself from the body, so I
became visible to him and he to me. I have
studied the pictures of Charles the First’s time,
and his dress was exactly of that date, almost the
same as that well-known picture—I think it is
Charles the First—of a man with his hand on his
hip, standing beside a white horse. Do you think
it is wrong of me to have a ghostly lover, who
must have lived nearly three hundred years ago?”
“Not wrong, but strange. It is a little like
“The Brushwood Boy,” and “Peter Ibbetson,”
and Stella Benson’s “This is the end.” I
suppose we have all been on this earth before,
but the cup of Lethe is well mixed for most of us,
and we have no memory of previous lives. But
you have not drunk the cup to the dregs, and
somehow you have made a hole in the curtain of
oblivion in two places. Through one of those
holes you saw one of your many childhoods,
probably in Greece, a couple of thousand years
ago. Through the other hole you saw, in comparatively
modern times your early womanhood.
Perhaps you married your beautiful cavalier
with the curls.”
“No,” said Essie with decision, “I have never
been married to him, or lived in his house. It is my
home, but I have never lived there. I know nothing
about him except that we love each other, and
that some day we shall really meet, not in a dream.”
“In the Elysian fields?”
“Yes, in the Elysian fields.”
At this moment the front door slammed, and
Ted banged up the stairs, and rushed in. If I had
not known him I should have said he was drunk.
He was wildly excited, he was crimson. He
careered round the room waving his arms, and
then plumped on to the sofa, and stretched out
his short legs in front of him.
“I’ve bought it. I’ve got it,” he shouted.
“Do you hear? I’ve bought it dirt cheap. The
young ass is in such a hurry, and he’s apparently
so wealthy he doesn’t care. And two hundred
acres of timber with it. Such timber. Such
walnut, and chestnut and oak. The timber alone
is worth the money, I’ve got it. It’s mine.”
“The house in Essex?”
“Kenstone Manor, in Essex. It’s a nailer.
It’s a—a—an old world residence. It has no
central heating, no bathrooms, no electric light,
obsolete drainage and the floors are giving way.
I shall have to put in everything, but I shall do
it without spending a penny. I shall do it by
the timber, and it’s nine miles from a station,
that’s partly why no one wanted it. But the
railroad is coming. No one knows that yet
except a few of us, but it will be there in five
years, with a station on the property. Then I
shall sell all the land within easy reach of the
station in small building lots for villas. I shall
make a pile.”
Ted’s round eyes became solemn. He was
gazing into the future, leaning forward, a stout
hand on each stout knee.
“Teddy shall go to Eton,” he said, “and I shall
put him in the Guards.”
A week later Ted took us down by motor to see
Kenstone. It was too far for us to return the
same day, so he engaged rooms for us in the
village inn. His “buyer” was to meet him, and
advise him as to what part of the contents of the
house he should offer to take over by private
treaty before the sale.
On a gleaming day in late September we sped
along the lovely Essex lanes, between the pale
harvested fields.
“There’s the forest,” shouted Ted, leaning
back from his seat in front, and pointing to a long
ridge of trees which seemed to stretch to the low
horizon beyond the open fields.
“When we’re over the bridge we’re on the—the
property,” yelled Ted.
We lurched over the bridge, and presently the
forest came along the water’s edge to meet us,
and we turned sharply through an open gateway
into a private road.
Such trees I had never seen. They stood in
stately groups of birch and oak and pine with
broad glades of grass and yellowing bracken
between them.
“Ancient deer park once,” shouted Ted.
“Shall be again.”
Essie paid little attention to him. We had
made a very early start, and she was tired.
She leaned back in the car with half closed
eyes.
The trees retreated on each side of the road,
and the wonderful old house came suddenly into
sight, standing above its long terrace with its
stone balustrade.
Ted gave a sort of yelp.
“Oh Essie!” I cried. “Look—look! It’s perfect.”
She gazed languidly for a moment, and then
she sat up suddenly, and her face changed. She
stared wildly at the house, and put out her hands
as if to ward it off.
The car sped up to the arched doorway, with its
coat of arms cut in grey stone, and Ted leaped
out and rushed up the low steps to the bell.
“Not here! Not here!” gasped Essie, clinging
to the car. “I can’t live here.” She was
trembling violently.
“Dear Essie,” I said amazed, “we can’t remain
in the car. Pull yourself together, and even if
you don’t like the place don’t hurt Ted’s feelings
by showing it.”
She looked at me like one dazed, and inured to
obedience got out, and we followed Ted into the
house. We found ourselves in a large square
hall. She groaned and leaned against the
wall.
“I can’t bear it,” she whispered to me. “It’s
no use, I can’t bear it.”
“A glass of water, quick,” I said to Ted, who
turned beaming to us expecting a chorus of
admiration. “Essie is overtired.”
“What is the matter?” I said to her as he
hurried away. “What’s wrong with this exquisite
place?”
“It’s the house I come to at night,” she said
brokenly. “The dream house. I knew it directly
I saw it. Look! There’s the minstrels’ gallery.”
I could only stare at her amazed.
Kind Ted hurried back, splashing an overfull
tumbler of water as he came, on the polished oak
floor.
She sipped a little, but her hands shook so
much that I had to hold the glass for her.
“Cheero, old girl,” said Ted, patting her cheek,
but Essie did not cheero.
“The lady ought to lie down,” said the old
woman who had opened the door to us. “There’s
a sofy in the morning-room.”
I supported Essie into an octagonal room
leading out of the great hall, and laid her on a
spacious divan of dim red damask.
“Leave her alone with me for a bit,” I said to
Ted. “She is overwrought. We made a very
early start.”
“I seem to have gone blind,” she whispered
when Ted had departed. “Everything is black.”
“You turned faint. You will be all right in a
few minutes.”
“Shall I? Would you mind telling me,
Beatrice, is there—is there a picture over the
fireplace?”
“Yes.”
“What kind of picture?”
“It is a life-size portrait of a young cavalier
with curls, in blue satin, holding his hat in his
hand.”
“I knew it,” she groaned.
There was a long silence.
“I can’t bear it,” she said. “You may say
that is silly, Beatrice, but all the same I can’t.
My life will break in two. If Ted lives here—I
shall have nowhere to go.”
“I don’t think it silly, dear, but I don’t understand
This is your old home where you lived
nearly three hundred years ago, and to which you
have so often come back in your dreams. Now
you are coming back to it as your home once
more. It seems to me a beautiful and romantic
thing to have happened, and after the first
surprise surely it must seem the same to you.
You have always been so happy here.”
“I can see a little now,” she said. “Where is
the glass of water?”
She sat up and drank a little, and then dabbed
some of the water on her forehead.
“I’m all right now,” she said, pushing back
her wet hair.
“Don’t move. Rest a little; you have had a
shock.”
She did not seem to hear me. She rose slowly
to her feet, and stood in front of the picture.
“Yes,” she said to the cavalier. “It’s you,
only not quite you either. You are not really as
handsome as that you know, and you have a
firmer mouth and darker brows.”
The cavalier smiled at her from the wall: a
somewhat insipid supercilious face I thought, but
a wonderful portrait.
The old caretaker came back.
“The gentleman said you’d be the better for
something to eat,” she said, “and that you would
take it in the hall.”
Through the open door I saw the chauffeur
unstrapping the baskets from Fortnum and
Mason.
“Whose portrait is that?” said Essie.
“Henry Vavasour Kenstone,” said the old
woman in a parrot voice. “Equerry to our
martyred King, by Vandyck. You will observe
the jewelled sword and the gloves sewed with
pearls. The sword and the gloves are preserved
in the banqueting ’all in a glass case.”
Essie turned away from the picture, and sat
down feebly by the window.
The clinking of plates, and Ted’s cheerful
voice reached us, and the drawing of a cork.
“Our Mr. Rupert, the present owner, favours
the picture,” said the woman proudly in her
natural voice, “and when he come of age three
years ago last Christmas there was a grand fancy
ball and ’e was dressed exackerly to match the
picture, with a curled wig and all. And ’e wore
the actual sword, and the very gloves, at least ’e
’eld ’em in ’is ’and. They was too stiff to put on.
’E did look a picture. And ’is mother being
Spanish ’ad a lace shawl on ’er ’ead, a duchess she
was in ’er own right, and she might a been a queen
to look at her. I watched the dancing from the
gallery, me having been nurse in the family,
and a beautiful sight it was.”
Essie’s dark eyes were fixed intently on the
garrulous old servant.
“Three years ago last Christmas,” she said
sharply. “Are you sure of that?”
“And wouldn’t I be sure that took ’im from
the month ma’am, but ’e don’t look so like the
picture when ’e ain’t dressed to match, and without
the yaller wig,” and she wandered out of the
room, evidently more interested in the luncheon
preparations than in us.
Ted hurried in. When was he not in a hurry?
“Luncheon, luncheon,” he said. “Don’t wait
for me, Essie. Rather too long a drive for my
little woman. Give her a glass of port, Beatrice.
I have to see Rodwell about the roof. Shan’t be
half a mo. He’s got to catch his train. Mr.
Kenstone, the Duke, I mean, will be here in
ten minutes. If he turns up before I’m back
give him a snack. They’ve sent enough for
ten.”
We did not go in to luncheon.
Essie sank down on the divan. I sat down by
her, and put my arms round her. She leaned
her head against my shoulder.
“You heard what that woman said,” she
whispered. “You see he did not live hundreds
of years ago as I thought. The dress deceived
me. He’s alive now. He’s twenty-four.”
My heart ached for her, but I could find no
word to comfort her in her mysterious trouble.
As we looked out together through the narrow
latticed windows the lines came into my mind:
“ casements opening on the foam
Of perilous seas, in faery lands forlorn.”
It seemed to me that poor Essie was indeed
a captive in some “faery land forlorn,” and that
invisible perilous seas were foaming round her
casement windows.
She gave a slight shudder, and started up.
A man was walking slowly up and down the
bowling green.
“It is he,” she said. “I’ve seen him walk
there a hundred times.”
She watched the tall dignified figure pace up
and down, and then turned her eyes from him
to me. They were wide, and the pupils dilated.
“Beatrice,” she said solemnly, “I must not
meet that man. He must not see me, for his
sake, and for mine. All his life long he must go
on thinking as he does now, that I am ...
a dream.”
“The old woman says he starts for Spain to-day.”
Ted’s roundabout figure was suddenly seen
trundling out across the grass towards the distant
pacing figure.
“Who is that?” said Essie frowning.
“Who is that? Why, it’s Ted of course.”
“And who is Ted?”
“Who is Ted?” I echoed staring at her.
“What on earth do you mean?”
She seemed to make a great mental effort.
“Yes,” she said. “Yes. It is Ted. My
husband. I forgot. You see I’ve never seen
him here before.”
“You will soon grow accustomed to seeing
him here,” I said cheerfully.
She shook her head.
The two men met, and moved together
towards the house.
Essie looked round her in sudden panic.
“I can’t stay here,” she said. “It’s a trap.
Where can I go?”
Her eyes searched the room. There was no
other door in it. She looked at the narrow
latticed windows. Her eyes came back to me
with sheer terror in them, such as I have seen
in a snared wild animal.
“You must stay here,” I said, “if you don’t
want to meet him. They will reach the open
door into the garden long before you could cross
the hall. Stay quietly where you are, and I
will tell Ted you are unwell, and are resting.”
The two men were already in the hall. I went
out to them, closing the door resolutely behind
me.
Rupert Maria Wenceslao di Soto, Duke of
Urrutia, was a tall grave young man of few
words, with close cropped hair and a lean clean
shaven face.
Ted introduced him to me, and then pressed
him to have some luncheon. The long table
down the banqueting hall shewed an array of
which Fortnum and Mason might justly have
been proud.
The Duke was all courtesy and thanks, but
had already lunched. His car would be here
in ten minutes to take him to London. If
agreeable to Mr. Hopkins he would say one word
on business. He had called to modify his
agent’s letter about the mantelpieces. He was
willing to sell them all as agreed at a valuation,
except one.
“Which one?” asked Ted, instantly changing
from the exuberant host into the cautious business
man.
“The one in the south parlour,” said the Duke,
waving his hand towards the door of the room
in which was Essie. “I desire to make it clear,
as my agent has not done so, that everything
in that room I intend to take with me, so that
in my future home in the Pyrenees there may
be one chamber exactly the same as my late
mother’s room in my old home here.”
The explanation quite bowled over Ted. The
business man gave way to the man of sentiment.
“Most creditable, I’m sure. Filial piety,
most creditable. I don’t recall the mantlepiece
in question, but of course as your Grace wishes
to keep it, I agree at once. Between gentlemen,
no difficulties, everything open to arrangement,
amicable settlement.”
The old woman, dissolved in tears, interrupted
Ted’s eloquence to tell “Mr. Rupert” that his car
was at the door.
The Duke led her gently out of the hall, his
hand on her shoulder, and then came back.
“I will detain you no longer from your luncheon,”
he said. “With your permission I will spend a
few moments in my mother’s chamber. It has
many beautiful associations for me. I should
like to see it once more before I leave for Spain.”
Ted hastened towards the door, but I barred
the way.
“Dear Ted,” I said, “Essie is very ill. No one
must go in.”
“No one go in!” said Ted flushing darkly.
“I am astonished at you, Beatrice. The Duke
wishes to see his mother’s room once more, on
bidding farewell to his ancestral home, and you
take upon yourself to forbid it.”
“My sister-in-law is ill,” I said, addressing the
Duke, “it would distress her if a stranger were
to go in suddenly.”
“I understand perfectly, Madam,” he said
coldly, and made as if to take his leave.
“Stop,” said Ted, purple in the face. “My
wife is unwell. She is overtired, but she is the
kindest, most tender-hearted woman in the
world. It would cut her to the heart if she found
out afterwards she had prevented your Grace’s
seeing this room for the last time. Wait one
moment, while I go in and explain it to her, and
help her to walk a few steps to the settle
here.”
And Ted, with a furious glance at me, pushed
past me, and went into the room.
“It would be a great kindness to my sister,
who is very nervous,” I said to the Duke, “if you
would wait a moment in the garden.”
He instantly went towards the open door into
the garden. Then I darted after Ted. Between
us we would hurry Essie into one of the many
other rooms that opened into the hall.
She was standing by the window frantically
endeavouring to break the lattice of the central
casement, which was a little larger than the others.
There was blood on her hand.
Ted was speaking, but she cut him short.
“Not in here,” she said passionately. “I
won’t have it. He mustn’t come in here.”
“He must come in if I say so,” said Ted. The
colour had left his face. I had seen him angry
before now, but never so angry as this.
“No,” said Essie, “he must not.”
She came and stood before her husband.
“Haven’t I been a good wife to you these five
years past,” she said. “Haven’t I done my
best to make you happy? Haven’t I obeyed
you in everything, everything, everything—till
now?”
He stared at her open-mouthed. She had
never opposed him before.
She fell on her knees before him, and clasped
his feet with her bleeding hands.
“If you love me,” she said, “send him away.
I refuse to see him.”
“You are hysterical,” said Ted, “or else you’re
stark staring mad. I’ve spoilt you and given
way to you till you think you can make any kind
of fool of me. Get up at once, and cease this play
acting, and come into the hall.”
“He’s in the garden,” I broke in. “You can
pass through the hall, Essie.”
She rose to her feet, and her vehemence dropped
from her. Her eyes were rivetted on Ted. She
paid no heed to what I said. She had no attention
to give to anything but her husband.
“I will not come out,” she said, and she sat
down again on the divan.
“Then by—he shall come in,” said Ted, and
before I could stop him he strode to the door,
calling loudly to the Duke to enter.
There was a moment’s pause, in which we
heard a step cross the hall. Then the Duke
came in, and Ted introduced him to Essie. She
bowed slightly, but he did not. He stared at
her, transfixed, overwhelmed.
At that moment the discreet voice of Mr.
Rodwell was heard in the doorway.
“Can I have one last word, Mr. Hopkins? A
matter of some importance.”
“Yes, yes,” said Ted darting to the door,
thankful to escape. As he left the room he said
to me, “Take Essie at once into the hall. At
once, do you hear?”
He might as well have said, “Take her to the
moon.”
The Duke and Essie gazed at each other with
awed intentness. There was sheer amazement
on his face, blank despair on hers. They were
entirely absorbed in each other. As I stood in
the background I felt as if I were a ghost, that no
word of mine could reach their world.
At last he spoke, stammering a little.
“Madam, on the night of my coming of age I
left the dancers, and came in here, and behold!
you were sitting on that divan, all in white.”
“Yes,” said Essie.
“We saw each other for the first time,” he said,
trembling exceedingly.
“Yes.”
“And I knelt at your feet.”
“Yes.”
A suffocating compassion overcame me. It
was unendurable to pry upon them, oblivious as
they were of my presence. I left the room.
“He will go out of her life in five minutes,” I
said to myself, “never to return. Poor souls.
Poor souls. Let them have their say.”
I had never seen Romance before, much less
such a fantastic romance as this, in a faery land
as forlorn as this. My heart ached for them.
Presently I heard Ted’s voice in the distance
shouting a last message to the departing Rodwell,
and I went back to the octagonal room.
He was kneeling at her feet, her pale hands held
in his, and his face bowed down upon them.
“You must go,” she said faintly.
He shuddered.
“You must go,” she repeated. “To me you
can only be a picture. To you I am only a
dream.”
“Yes, it is time to go,” I said suddenly in a
hoarse voice. I obliged them to look at me, to
listen to me.
Slowly he released her hands, and got upon his
feet. He was like a man in a trance.
“Go! Go!” I said sharply. Something
urgent in my voice seemed to reach his shrouded
faculties.
He looked in bewildered despair at Essie.
“Go!” she repeated with agonised entreaty,
paler than I had ever seen a living creature.
Still like a man in a trance he walked slowly
from the room, passing Ted in the doorway
without seeing him. In the silence that followed
we heard his motor start and whirl away.
“He’s gone,” said Essie, and she fainted.
We had considerable difficulty in bringing her
round, and, angry as I was with Ted, I could not
help being sorry for him when for some long
moments it seemed as if Essie had closed her
eyes on this world for good.
But Ted, who always knew what to do in an
emergency, tore her back by sheer force from the
refuge to which she had fled, and presently her
mournful eyes opened and recognised us once
more. We took her back in the motor to the
village inn, and I put her to bed.
Rest, warmth, silence, nourishment, these were
all I could give her. Instinctively I felt that the
presence of the remorseful distressed Ted was
unendurable to her, and I would not allow him to
come into her room, or to sit up with her as he
was anxious to do.
I took his place in an armchair at her bedside,
having administered to her a sedative which I
fortunately had with me, and was profoundly
thankful when her even breathing shewed me
that she was asleep.
I have known—who has not?—interminable
nights, and nights when I dreaded the morning,
but I think the worst of them was easier to bear
than the night I kept watch beside Essie.
She was stricken. I could see no happiness for
her in her future life, and I loved her. And I
loved poor blundering Ted also. I grieved for
them both. And I was sorry for the Duke too.
When the dawn was creeping ghostlike into the
room and the night-light was tottering in its
saucer, Essie stirred and woke. She lay a long
time looking at me, an unfathomable trouble in
her eyes.
“Beatrice,” she said at last, “I could not find
the way back.”
“Where, dearest?”
“To the house. I tried and tried, but it was
no use. It is lost, lost, lost. Everything is lost.”
I did not answer. I tried to put my trust in
Time, and in the thought that she would presently
see her children in its rooms and playing in its
gardens, and would realise that Kenstone was in
a new sense her home, though not in the old one.
I brought her breakfast to her in her room, and
then, in spite of my entreaties, she got up and
dressed and came downstairs. But when a
chastened and humble Ted timidly approached
her to ask whether she would like to see the house
once more before returning to London in a few
hours time, she shook her head and averted her
eyes. It was evident to me that she was determined
never to set foot in it again.
He did not insist, and she was obviously
relieved when he left the room. He signed to
me to follow him and then told me that he had
just received a letter from the Duke asking him to
accept the Vandyck in the octagonal room as a
present, as on second thoughts he felt it belonged
to the house and ought to remain there. The
Duke had not started after all, as his ship had
been delayed one day. He wrote from the house
close at hand where he had been staying till his
departure.
“It’s worth thousands,” said Ted. “Thousands.
These bigwigs are queer customers. What an
awful fool he is to part with it just out of sentiment.
But of course I shall never sell it. It shall
be an heirloom. I’ve told him so,” and Ted
thrust the letter into his pocket and hurried away.
Our rooms were airless, and Essie allowed me
to establish her in a wicker armchair under a
chestnut tree in the old-fashioned inn garden
still brave with Michaelmas daisies and purple
asters. The gleaming autumn morning had a
touch of frost in it. I wrapped her fur motor
cloak round her, and put her little hat on her head.
She remained passive in my hands in a kind of
stupor. Perhaps that might be the effect of the
sedative I told myself. But I knew it was not so.
Essie was drinking her cup of anguish to the
dregs. She did not rebel against it. She
accepted her fate with dumb docility. She was
not bearing it. She was not capable of an effort
of any kind. She underwent it in silence.
I told her to try to sleep again, and she smiled
wanly at me and obediently closed her eyes. As
I went into the house to snatch an hour’s rest and
pack I turned and looked back at her motionless
figure sunk down in her chair, her little grey face,
pinched and thin like a squirrel’s against the
garish hotel cushion, her nerveless hands lying
half open, palm upwards on her knee.
A faint breeze stirred, and from the yellow
tree a few large fronded leaves of amber and
crimson eddied slowly down, and settled, one on
her breast and the others in the grass at her feet.
She saw them not. She heeded them not. She
heeded nothing. Her two worlds had clashed
together, and the impact had broken both. They
lay in ruins round her.
And so I looked for the last time on Essie.
Reader, I thought I could write this story to the
end, but the pen shakes in my hand. The horror
of it rushes back upon me. Ted’s surprise at
hearing that the Duke had gone to Essie in the
garden, and that he had persuaded her to drive
with him to London. Then his growing anxiety
and continually reiterated conviction that we
should find her in London, his uncomprehending
fury when we reached London and—she was not
there. And then at last his tardy realisation and
desolation.
I did what little I could to blunt the edge of his
suffering when the first fever fit of rage was past.
“Dear Ted, she did not like the house. She
told me she could not live in it.”
“But she would have liked it when I had gutted
it. I should have transformed it entirely.
Electric light, bathrooms, central heating, radiators,
dinner lift, luggage lift,” Ted’s voice broke
down, and struggled on in a strangled whisper.
“Inglenooks, cosy corners, speaking tubes, telephone,
large French windows to the floor. She
would not have known it again.”
He hid his face in his hands.
I almost wished the paroxysms of anger back
again.
“Oh! Beatrice, to leave me for another man
when we were so happy together, because of a
house; and an entire stranger, whom she did not
want even to speak to, whom she was positively
rude to. It could not have been our little tiff,
could it? She must have been mad.”
“You have hit on the truth,” I said. “She
was mad, quite mad. And mad people always
turn against those whom they—love best.”
It is all a long time ago. I married a year
later, and a year later still Ted married again, a
sensible good-humoured woman, and was just
as happy as he had been with Essie, happier even.
In time he forgot her, but I did not. She had
sailed away across “perilous seas.” She had
passed beyond my ken. I could only hold her
memory dear. And at last she became to me,
what for so many years she had been to her lover—a
dream.
W. Heffer & Sons Ltd., Cambridge, England.
Transcriber’s
Note
- Footnotes have been renumbered and then moved from bottom of the
relevant page to the end of the text.
- This text has been preserved as in the original, including
archaic and inconsistent spelling, punctuation and grammar,
except as noted below.
- Changes below have been made to the original text. Spelling
changes are shown below within single quotes. Changes regarding
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