HINDUISM (CONTINUED).—VISHNU AND ÇIVA.
In the epic the later union of the sectarian gods is still a novelty.
The two characters remain distinct enough. Vishnu and Çiva are
different gods. But each in turn represents the All-god, and
consequently each represents the other. The Vishnu-worship which grew
about Krish[n.]a, originally a friend of one of the epic characters,
was probably at first an attempt to foist upon Vedic believers a
sectarian god, by identifying the latter with a Vedic divinity. But,
whatever the origin, Krishna as Vishnu is revered as the All-god in
the epic. And, on the other hand, Çiva of many names has kept the
marks of Rudra. Sometimes one, sometimes another, is taken as the
All-god. At times they are compared, and then each sect reduces the
god of the other to an inferior position. Again they are united and
regarded as one. The Vishnu side has left the best literary
representation of this religion, which has permeated the epic. It is
pantheism, but not an impersonal pantheism. The Blessed Lord is the
All. This is the simple base and crown of its speculation. It is like
the personal development of Vedantic philosophy, only it is here
degraded by the personality of the man-god, who is made the incarnate
All-god. The Krishna of the epic as a man is a sly, unscrupulous
fellow, continually suggesting and executing acts that are at variance
with the knightly code of honor. He is king of Dv[=a]rak[=a] and ally
of the epic heroes. But again, he is divine, the highest divinity, the
avatar of the All-god Vishnu. The sectaries that see in Çiva rather
than in Vishnu the one and only god, have no such representative to
which to refer. For Çiva, as the historical descendant of the Vedic
Rudra,—although even in his case there is an intrusion of local
worship upon an older Vedic belief,—represents a terror-god, either
the lightning, the fairest of the gods, or, when he appears on earth,
a divine horror, or, again, "a very handsome young man."[1] These two
religions, of Vishnu as Krishna and of Çiva alone, are not so much
united in the epic as they are super-imposed upon the older worship of
Brahm[=a], and indeed, in such a way that Çiva-worship, in a
pantheistic sense, appears to be the latest of the three beliefs that
have influenced the story.[2]
The personal pantheism of the older Vishnuism has in its form and
teachings so close a resemblance to the Christian religion that it has
always had a great attraction for occidental readers; while the real
power of its "Divine Song" gives the latter a charm possessed by few
of the scriptures of India. This Divine Song (or Song of the Blessed
One) is at present a Krishnaite version of an older Vishnuite poem,
and this in turn was at first an unsectarian work, perhaps a late
Upanishad. It is accepted by Vishnuites as a kind of New Testament;
and with the New Testament it has in truth much in common. It must be
pointed out at the outset that there is here the closest connection
with the later Upanishads. The verse, like that of the Katha Upanishad
(quoted above), which stands almost at the beginning of the Song, is
typical of the relation of the Song to the Upanishad. It will be
noticed how the impersonal 'That,' i.e., absolute being, brahma,
changes almost at once to the personal He ([=a]tm[=a] as Lord). As
shows the whole Song, brahma throughout is understood to be
personal.[3] The caste-position of the priest in the Git[=a] is owing
to the religious exaltation of the poem; and the precedence of
S[=a]man is not unusual in the latest portions of the epic (see
below).]
To understand the religion which reaches its culmination in the epic
no better course could be pursued than to study the whole of the
Divine Song. It is, however, too long a production to be introduced
here in its entirety; but the following extracts give the chief
features of the work, than which nothing in Hindu literature is more
characteristic, in its sublimity as in its puerilities, in its logic
as in its want of it. It has shared the fate of most Hindu works in
being interpolated injudiciously, so that many of the puzzling
anomalies, which astound no less the reader than the hero to whom it
was revealed, are probably later additions. It is a medley of beliefs
as to the relation of spirit and matter, and other secondary matters;
it is uncertain in its tone in regard to the comparative efficacy of
action and inaction, and in regard to the practical man's means of
salvation; but it is at one with itself in its fundamental thesis,
that all things are each a part of One Lord, that men and gods are but
manifestations of the One Divine Spirit, which, or rather whom, the
Vishnuite re-writer identifies with Krishna, as Vishnu's present form.
The Divine Song, as it is revealed in the epic by Vishnu (-Krishna) to
his favorite knight, Arjuna, begins thus: "Know that the 'That' in
which is comprised the 'This' is indestructible. These bodies of the
indestructible Eternal One have an end: but whoso knows Him as slayer,
and whoso thinks Him to be slain, these two have not true wisdom. He
slays not and is not slain. He is not born, he does not die at any
time; nor will He, having been born, cease to be. Unborn, everlasting,
eternal, He, the Ancient One, is not slain when the body is slain. As
one puts away an old garment and puts on another that is new, so He,
the embodied (Spirit), puts away the old body and assumes one that is
new. Everlasting, omnipresent, firm, unchanging is He, the Eternal;
indiscernible is He called, inconceivable, unchangeable."[4]
The Song now turns into a plea that the warrior who is hearing it
should, as one born to be a soldier, be brave and fight, lest his
sorrow for the slain be taken for fear; since "nothing is better for a
warrior than a just fight," and "loss of fame is worse than death."
Then follows (with the usual inconsequential 'heaven') "If thou art
slain thou wilt obtain heaven, and if thou art victorious thou shalt
enjoy earth; therefore, careless of pleasure and pain, get ready for
the fight, and so thou wilt not incur sin. This is the knowledge
declared in the S[=a]nkhya; hear now that of the Yoga," and the Divine
Lord proceeds:
"Some are pleased with Vedic words and think that there is nothing
else; their souls are full of desires; and they think that going to
heaven is the chief thing. Yet have the Vedas reference only to the
three qualities (of which all things partake). Be free from the three
qualities (do not care for rewards). In action, not in fruit, is the
chief thing. Do thy work, abiding by serene devotion (Yoga), rejecting
every tie; be indifferent to success and failure. Serene devotion is
called indifference (to such things). Action is lower than devotion of
mind. Devotion is happiness. Do thou, wise in devotion, abandon the
fruit that is sprung from action, and, freed from the bonds of birth,
attain a perfect state."
S[=a]nkhya here means the philosophy of religion; Yoga is the
philosophical state of mind, serene indifference, religious
sang-froid the practical result of a belief in the S[=a]nkhya
doctrine of the indestructibility of the spirit. In the following
there is Vedantic teaching, as well as Sankhyan in the stricter sense.
On the warrior's asking for an explanation of this state of equipoise,
the Deity gives illustrations of the balanced mind that is free from
all attachments, serene, emancipated from desires, self-controlled,
and perfectly tranquil. As the knight is astonished and confused at
the contradiction, action and inactivity both being urged upon him,
the Deity replies that there is a twofold law, that of S[=a]nkhyas
consisting in knowledge-devotion, and that of Yogis in
action-devotion. Idleness is not freedom from action. Freedom from
attachment must be united with the accomplishment of such acts as
should be performed. The deluded think that they themselves perform
acts, but acts are not done by the spirit (self); they are done only
by nature's qualities (this is S[=a]nkhya doctrine). "One should know
the relation between the individual and Supreme Spirit, and with
tranquil mind perform good acts. Let the deluded ones be, who are
erroneously attached to action. The wise man should not cause those of
imperfect knowledge to be unsettled in their faith, but he should
himself not be attached to action. Each man should perform his own
(caste) duties. One's own duty ill done is better than doing well
another man's work."
The knight now asks what causes one to sin. The Deity answers: "Love
and hate; for from love is born hate; and from anger, ignorance in
regard to right and wrong; whence comes lack of reason, and
consequently destruction. The knowledge of a man is enwrapped with
desire as is fire with smoke. Great are the senses; greater, the mind;
greater still, the understanding; greatest of all is 'That'"
(brahma; as above in the Ch[=a]ndogya). The Deity begins again:[5]
"This system of devotion I declared to Vivasvant (the sun); Vivasvant
declared it to Manu, and Manu to kingly seers." (The same origin is
claimed for itself in Manu's lawbook.) The knight objects, not yet
knowing that Krishna is the All-god: "How did'st thou declare it
first? thy birth is later than the sun's." To whom the Deity: "Many
are my births, and I know them all; many too are thine, but thou
knowest them not; unborn and Lord of all creatures I assume phenomena,
and am born by the illusion of the spirit. Whenever there is lack of
righteousness, and wrong arises, then I emit (create) myself.[6] I am
born age after age for the protection of the good, for the destruction
of the wicked, and for the sake of establishing righteousness. Whoso
really believes in this my divine birth and work, he, when he has
abandoned his body, enters no second birth, but enters Me. Many there
are who, from Me arising, on Me relying, purified by the penance of
knowledge, with all affections, fear, and anger gone, enter into my
being. As they approach Me so I serve them.[7] Men in all ways follow
after my path. Some desire the success that is of action, and worship
gods; for success that is born of action is speedy in the world of
men. Know Me as the maker of the four castes, know Me as the unending
one and not the maker. Action stains Me not, for in the fruit of
action I have no desire. He that thus knows Me is not bound by
acts.[8] So he that has no attachment is not bound by acts. His acts
become naught. Brahma is the oblation, and with brahma is it
offered; brahma is in the fire, and by brahma is the oblation
made. Sacrifices are of many kinds, but he that sacrifices with
knowledge offers the best sacrifice. He that has faith has knowledge;
he that has knowledge obtains peace. He that has no knowledge and no
faith, whose soul is one of doubt, is destroyed. Action does not
destroy him that has renounced action by means of indifference. Of the
two, renunciation of action and indifference, though both give bliss,
indifference in action is better than renunciation of action.
Children, not Pundits, proclaim S[=a]nkhya and Yoga to be distinct. He
that is devoted to either alone finds the reward of both. Renunciation
without Yoga is a thing hard to get; united with Yoga the seer enters
brahma. … He is the renouncer and the devotee who does the acts
that ought to be done without relying on the reward of action, not he
that performs no acts and builds no sacrificial fires. Through his
self (spirit) let one raise one's self. Conquer self by self (spirit).
He is the best man who is indifferent to external things, who with
equal mind sees (his spirit) self in everything and everything in self
(God as the Spirit). Such an one obtains the highest bliss, brahma.
Whoso sees Me in all and all in Me I am not destroyed for him, and he
is not destroyed for Me."
The knight now asks how it fares with a good man who is not equal to
the discipline of Yoga, and cannot free himself entirely from
attachment. Does he go to destruction like a cloud that is rent,
failing on the path that leads to brahma? The Deity replies:
"Neither in this world nor in the beyond is he destroyed. He that acts
virtuously does not enter an evil state. He obtains the heaven that
belongs to the doers of good, and after living there countless summers
is reborn on earth in the family of pure and renowned men, or of pious
devotees. There he receives the knowledge he had in a former body, and
then strives further for perfection. After many births he reaches
perfection and the highest course (union with brahma). There are but
few that strive for perfection, and of them only one here and there
truly knows Me. Earth, water, fire, air, space, mind, understanding,
and egoism (self-consciousness)—so is my nature divided into eight
parts.[9] But learn now my higher nature, for this is my lower one. My
higher nature is alive, and by it this world is supported. I am the
creator and destroyer of all the world. Higher than I is nothing. On
Me the universe is woven like pearls upon a thread. Taste am I, light
am I of moon and sun, the mystic syllable [=O]m ([)a][)u]m), sound
in space, manliness in men; I am smell and radiance; I am life and
heat. Know Me as the eternal seed of all beings. I am the
understanding of them that have understanding, the radiance of the
radiant ones. Of the strong I am the force, devoid of love and
passion; and I am love, not opposed to virtue. Know all beings to be
from Me alone, whether they have the quality of goodness, of passion,
or of darkness (the three 'qualities' or conditions of all things). I
am not in them; but they are in Me. Me, the inexhaustible, beyond
them, the world knows not, for it is confused by these three qualities
(conditions); and hard to overcome is the divine illusion which
envelops Me, while it arises from the qualities. Only they pass
through this illusion who come to Me alone. Wicked men, whose
knowledge is taken away by illusion, relying on a devilish (demoniac)
condition, do not come to Me. They that have not the highest knowledge
worship various divinities; but whatever be the form that any one
worships with faith I make his faith steady. He obtains his desires in
worshipping that divinity, although they are really bestowed upon him
by Me.[10] But the fruit of these men, in that they have little
wisdom, has its end. He that sacrifices to (lesser) gods goes to those
gods; but they that worship Me come to Me. I know the things that
were, that are, and are to be; but Me no one knoweth, for I am
enveloped in illusion. I am the supreme being, the supreme godhead,
the supreme sacrifice, the Supreme Spirit, brahma."
The knight asks "What is brahma, the Supreme Spirit, the supreme
being, the supreme sacrifice?" The Deity: "The supreme, the
indestructible, is called brahma. Its personal existence is Supreme
Spirit (self). Destructible existence is supreme being (all except
[=a]tm[=a]). The Person is the supreme godhead. I myself am the
supreme sacrifice in this body."
Then follow statements like those in the Upanishads and in Manu,
describing a day of brahma as a thousand ages; worlds are renewed;
they that go to the gods find an end of their happiness with the end
of their world; but they that go to the indestructible brahma, the
Deity, the entity that is not destroyed when all else is destroyed,
never again return. There are two roads (as in the Upanishads above),
one, the northern road leading to brahma; one, the southern road to
the moon, leading back to earth. At the end of a period of time all
beings reënter the divine nature (Prakriti[11]), and at the beginning
of the next period the Deity emits them again and again (they being
without volition) by the volition of his nature. "Through Me, who am
the superintendent, nature gives birth to all things, and for that
cause the world turns about. They of demoniac nature recognize me not;
they of god-like nature, knowing Me as the inexhaustible source,
worship Me. I am the universal Father, the Vedas, the goal, the
upholder, the Lord, the superintendent, the home, the asylum, the
friend. I am the inexhaustible seed. I am immortality and death. I am
being and not-being. I am the sacrifice and he that offers it. Even
they that, with faith, sacrifice to other gods, even they (really)
sacrifice to Me. To them that ever are devout and worship Me with love
(faith), I give the attainment of the knowledge by which they come to
Me" (again the doctrine of special grace). "I am the beginning, the
middle, and the end of all created things. I am Vishnu among sun-gods;
the moon among the stars; Indra among the (Vedic) gods; the S[=a]man
among the Vedas; among the senses, mind; among created beings,
consciousness; among the Rudras I am Çiva (Çankara); among
army-leaders I am Skanda; among the great sages I am Bhrigu (who
reveals Manu's code); among the Siddhas[12] I am Kapila the Muni…. I
am the love that begets; I am the chief (V[=a]suki and Ananta) among
the serpents; and among them that live in water I am Varuna; among the
Manes I am Aryaman; and I am Yama among controllers;[13] among demons
I am Prahl[=a]da …; I am R[=a]ma; I am the Ganges. I am among all
sciences the highest science (that in regard to the Supreme Spirit); I
am the word of the speakers; I am the letter A among the letters, and
the compound of union among the compounds.[14] I am indestructible
time and I am the Creator. I am the death that seizes all and I am the
origin of things to be. I am glory, fortune, speech, memory, wisdom,
constancy, and mercy…. I am the punishment of the punisher and the
polity of them that would win victory. I am silence. I am knowledge.
There is no end of my divine manifestations."
The knight now asks to see the real form of the deity, which was
revealed to him. "If in heaven the glory of a thousand suns should
appear at once, such would be his glory."
After this comes the real animus of the Divine Song in its present
shape. The believer that has faith in this Vishnu is even better than
the devotee who finds brahma by knowledge.
The philosophy of knowledge (which here is anything but Vedantic) is
now communicated to the knight, in the course of which the distinction
between nature and spirit is explained: "Nature, Prakriti, and spirit,
Purusha (person), are both without beginning. All changes and
qualities spring from nature. Nature is said to be the cause of the
body's and the senses' activity. Spirit is the cause of enjoyment
(appreciation) of pleasure and pain; for the Spirit, standing in
nature, appreciates the nature-born qualities. The cause of the
Spirit's re-birth is its connection with the qualities, (This is
S[=a]nkhya doctrine, and the same with that propounded above in regard
to activity.) The Supreme Spirit is the Support and great Lord of all,
the [=a]tm[=a], while brahma (=prakriti) is the womb in which I
place My seed, and from that is the origin of all things. The great
brahma is the womb, and I am the seed-giving father of all the forms
which come into being. The three 'qualities' (conditions, attributes),
goodness, passion, and darkness, are born of nature and bind the
inexhaustible incorporate (Spirit) in the body. The quality (or
attribute) of goodness binds the soul with pleasure and knowledge;
that of passion (activity), with desire and action; that of darkness
(dulness), with ignorance. One that has the attribute of goodness
chiefly goes after death to the highest heaven; one that has chiefly
passion is born again among men of action; one that has chiefly
darkness is born among the ignorant. One that sees that these
attributes are the only agents, one that knows what is higher than the
attributes, enters into my being. The incorporate spirit that has
passed above the three attributes (the origin of bodies), being
released from birth, death, age, and pain, obtains immortality. To
pass above these attributes one must become indifferent to all change,
be undisturbed by anything, and worship Me with devotion…. I am to
be learned from all the Vedas; I made the Ved[=a]nta; I alone know the
Vedas. There are two persons in the world, one destructible and one
indestructible; the destructible one is all created things; the
indestructible one is called the Unchanging one. But there is still a
third highest person, called the Supreme Spirit, who, pervading the
three worlds, supports them, the inexhaustible Lord. Inasmuch as I
surpass the destructible and am higher than the indestructible,
therefore am I known in the world and in the Veda as the Highest
Person."
The references to the S[=a]nkhyas, or S[=a]nkhya-Yogas, are not yet
exhausted. There is another in a following chapter (vi. 18. 13) which
some scholiasts say refers to the Ved[=a]nta-system, though this is in
direct contradiction to the text. But the extracts already given
suffice to show how vague and uncertain are, on the whole, the
philosophical views on which depends the Divine Song. Until the end of
these citations one hears only of nature and spirit, the two that have
no beginning, but here one finds the Supreme Spirit, which is as
distinct from the indestructible one as from the destructible.
Moreover, 'nature' is in one place represented as from the beginning
distinct from spirit and entirely apart from it, and in another it is
only a transient phase. The delusion (illusion) which in one passage
is all that exists apart from the Supreme Spirit is itself given up in
favor of the S[=a]nkhya Prakriti, with which one must imagine it to be
identified, although from the text itself it cannot be identical. In a
word, exactly as in Manu, there are different philosophical
conceptions, united without any logical basis for their union. The
'system' is in general that of the S[=a]nkhya-Yogas, but there is much
which is purely Ved[=a]nta. The S[=a]nkhya system is taught elsewhere
as a means of salvation, perhaps always as the deistic Yoga (i. 75. 7:
"He taught them the Sankhya-knowledge as salvation"). It is further
noticeable that although Krishna (Vishnu) is the ostensible speaker,
there is scarcely anything to indicate that the poem was originally
composed even for Vishnu. The Divine Song was probably, as we have
said, a late Upanishad, which afterwards was expanded and put into
Vishnu's mouth. The S[=a]nkhya portions have been redressed as far as
possible and to the illusion doctrine is given the chief place. But
the Song remains, like the Upanishads themselves, and like Manu, an
ill-assorted cabinet of primitive philosophical opinions. On the
religious side it is a matter of comparative indifference whether that
which is not the spirit is a delusive output of the spirit or
indestructible matter. In either case the Spirit is the goal of the
spirit. In this personal pantheism absorption is taught but not death.
Immortality is still the reward that is offered to the believer that
is wise, to the wise that believes. Knowledge and faith are the means
of obtaining this immortality; but, whereas in the older Upanishads
only wisdom is necessary (wisdom that implies morality), here as much
stress, if not more, is laid upon faith, the natural mark of all
sectarian pantheism.
Despite its occasional power and mystic exaltation, the Divine Song in
its present state as a poetical production is unsatisfactory. The same
thing is said over and over again, and the contradictions in
phraseology and in meaning are as numerous as the repetitions, so that
one is not surprised to find it described as "the wonderful song,
which causes the hair to stand on end." The different meanings given
to the same words are indicative of its patchwork origin, which again
would help to explain its philosophical inconsistencies. It was
probably composed, as it stands, before there was any formal
Ved[=a]nta system; and in its original shape without doubt it precedes
the formal S[=a]nkhya; though both philosophies existed long before
they were systematized or reduced to Sutra form. One has not to
imagine them as systems originally distinct and opposed. They rather
grew out of a gradual intensification of the opposition involved in
the conception of Prakriti (nature) and M[=a]y[=a] (illusion), some
regarding these as identical, others insisting that the latter was not
sufficient to explain nature. The first philosophy (and philosophical
religion) concerned itself less with the relation of matter to mind
(in modern parlance) than with the relation of the individual self
(spirit) to the Supreme Spirit. Different explanations of the relation
of matter to this Supreme Spirit were long held tentatively by
philosophers, who would probably have said that either the S[=a]nkhya
or Ved[=a]nta might be true, but that this was not the chief question.
Later came the differentiation of the schools, based mainly on a
question that was at first one of secondary importance. In another
part of the epic Krishna himself is represented as the victim of
'illusion' (iii. 21. 30) on the field of battle.
The doctrine of the Bhagavad G[=i]t[=a], the Divine Song, is by no
means isolated. It is found in many other passages of the epic,
besides being imitated in the Anug[=i]t[=a] of the pseudo-epic. To one
of these passages it is worth while to turn, because of the form in
which this wisdom is enunciated. The passage immediately following
this teaching is also of great interest. Of the few Vedic deities that
receive hymnal homage chief is the sun, or, in his other form, Agni.
The special form of Agni has been spoken of above. He is identified
with the All in some late passages, and gives aid to his followers,
although not in battle. It will have been noticed in the Divine Song
that Vishnu asserts that the Song was proclaimed to the sun, who in
turn delivers it through Manu to the king-seers, the sun being
especially the kingly god.[15] In the third book there is an hymn to
the sun, in which this god is addressed almost in the terms of the
Divine Song, and immediately preceding is the doctrine just alluded
to. After the explanation is given that re-birth affects creatures and
causes them to be born in earth, air, or water, the changes of
metempsychosis here including the vegetable world as well as the
animal and divine worlds,[16] the very essence of the Divine Song is
given as "Vedic word," viz., kuru karma tyajeti ca, "Perform and
quit acts," i.e., do what you ought to do, but without regard to the
reward of action (iii. 2. 72, 74). There is an eightfold path of duty,
as in Buddhism, but here it consists in sacrifice, study, liberality,
and penance; truth, mercy, self-control, and lack of greed. As the
result of practicing the first four, one goes on the course that leads
to the Manes; as the result of practicing the last four, one goes on
the course that leads to the gods. But in practicing any virtues one
should practice them without expectation of reward (abhim[=a]na,
arrière pensée). The Yogi, the devotee, who renounces the fruit of
everything, is the greatest man; his powers are miraculous.
There follows (with the same light inconsistency to be found in the
Divine Song) the appeal for action and the exhortation to pray to the
sun for success in what is desired. For it is explained that the sun
is the father of all creation. The sun draws up clouds with his heat,
and his energy, being transmuted into water, with the help of the
moon, is distilled into plants as rain, and in this way the food that
man eats is full of solar energy, and man and all that live by food
must regard the sun as their father. Preliminary to the hymn to the
sun is given a list of his hundred and eight names,[17] among which
are to be noticed: Aryaman, Soma, Indra, Yama, Brahm[=a], Vishnu,
Çiva, Death, Time, Creator, the Endless One, Kapila, the Unborn One,
the Person (Purusha; with which are to be compared the names of Vishnu
in the Divine Song), the All-maker, Varuna, the Grandfather, the Door
of Heaven, etc. And then the Hymn to the Sun (iii. 3. 36 ff.):[18]
"Thou, O Sun, of creatures art the eye; the spirit of all that have
embodied form; thou art the source of all created things; thou art the
custom of them that make sacrifice; thou art the goal of the
S[=a]nkhyas and the hope of the Yogis; the course of all that seek
deliverance … Thou art worshipped by all; the three and thirty
gods(!) worship thee, etc…. I think that in all the seven worlds[19]
and all the brahma-worlds there is nothing which is superior to the
sun. Other beings there are, both powerful and great, but they have no
such glory as the sun's. Father of light, all beings rest in thee; O
Lord of light, all things, all elements are in thee. The disc of
Vishnu was fashioned by the All-maker (one of the sun's names!) with
thy glory. Over all the earth, with its thirteen islands, thou shinest
with thy kine (rays)….[20] Thou art the beginning and the end of a
day of Brahm[=a]…. They call thee Indra; thou art Rudra, Vishnu, the
Father-god, Fire, the subtile mind; thou art the Lord, and thou,
eternal brahma."
There is here also a very significant admixture of Vedic and
Upanishadic religion.
In Krishna, who in the Upanishads is known already by his own and his
mother's name, pantheism is made personal according to the teaching of
one sect. But while the whole epic is in evidence for the spuriousness
of the claim of Krishna to be regarded as incarnate Vishnu (God),
there is scarcely a trace in the original epic of the older view in
regard to Vishnu himself. Thus in one passage he is called "the
younger brother of Indra" (iii. 12. 25). But, since Indra is at no
time the chief god of the epic, and the chapter in which occurs this
expression is devoted to extolling Krishna-Vishnu as the All-god, the
words appear to be intended rather to identify Krishna with Vishnu,
who in the Rig Veda is inferior to Indra, than to detract from
Vishnu's glory. The passage is cited below.
What now is the relation of Vishnu-Krishna to the other divinities?
Vishnuite and Çivaite, each cries out that his god includes the other,
but there is no current identity of Brahm[=a], Vishnu, Çiva as three
co-equal representations of one God. For example, in iii. 189. 5, one
reads: "I am Vishnu, I am Brahm[=a], and I am Çiva," but one cannot
read into this any trinitarian doctrine whatever, for in context the
passage reads as a whole: "I am N[=a]r[=a]yana, I am Creator and
Destroyer,
I am Vishnu, I am Brahm[=a], I am Indra, the master-god, I am king
Kubera, Yama, Çiva, Soma, Kaçyapa, and also the Father-god." Again,
Vishnu says that the Father-god, or grandparent of the gods, is
'one-half of my body," and does not mention Çiva (iii. 189. 39). Thus,
also, the hymn to Çiva in iii. 39. 76 ff. is addressed "to Çiva having
the form of Vishnu, to Vishnu having the form of Çiva, to the
three-eyed god, to Çarva, the trident-holder, the sun, Ganeça," but
with no mention of Brahm[=a]. The three gods, Brahm[=a], Vishnu, Çiva,
however, are sometimes grouped together (but not as a trinity) in late
passages, in contrast to Indra, e.g., ix. 53. 26. There are many
hymns to Vishnu and Çiva, where each is without beginning, the God,
the uncreated Creator. It is only when the later period, looking back
on the respective claims of the sects, identifies each god with the
other, and both with their predecessor, that one gets even the notion
of a trinity. Even for this later view of the pseudo-epic only one
passage will be found (cited below).
The part of Brahm[=a] in the epic is most distinctly in process of
subordination to the sectarian gods. He is holy and eternal, but not
omniscient, though wise. As was shown above, he works at the will of
Vishnu. He is one with Vishnu only in the sense that all is one with
the All-god. When Vishnu 'raises the earth' as a boar, Brahm[=a] tells
the gods to go to him.[21] He councils the gods. His heaven is above
Indra's, but he is really only an intermediary divinity, a passive
activity, if the paradox may be allowed. Not like Indra (to whom he is
superior) does he fight with All-gods, or do any great act of his own
will. He is a shadowy, fatherly, beneficent advisor to the gods, his
children; but all his activity is due to Vishnu. This, of course, is
from the point of view of the Vishnuite.
But there is no Brahm[=a]ite to modify the impression. There existed
no strong Brahm[=a] sect as there were Vishnu and Çiva sects.
Brahm[=a] is in his place merely because to the preceding age he was
the highest god; for the epic regards Creator, Praj[=a]pati,
Pit[=a]maha, Brahm[=a] as synonymous.[22] The abstract brahma, which
in the Upanishads is the same with the Supreme Spirit, was called
personally Brahm[=a], and this Brahm[=a] is now the Brahmanic
Father-god. The sects could never get rid of a god whose being was
rooted alike in the preceding philosophy and in the popular conception
of a Father-god. Each age of thought takes the most advanced views of
the preceding age as its axioms. The Veda taught gods; the
Br[=a]hmanas taught a Father-god above the gods; the Upanishads taught
a Supreme Godhead of which this Father-god was the active
manifestation. The sects taught that their heroes were incarnations of
this Supreme, but they carried with them the older pantheon as well,
and, with the pantheon, its earlier and later heads, Indra and
Brahm[=a]. Consequently each sect admits that Brahm[=a] is greater
than the older Vedic gods, but, while naturally it identifies its
special incarnation first with its most powerful opponent, and thus,
so to speak, absorbs its rival, it identifies this incarnation with
Brahm[=a] only as being chief of lesser divinities, not as being a
rival. One may represent the attitude of a Krishna-worshipper in the
epic somewhat in this way: "Krishna is a modern incarnation of Vishnu,
the form which is taken in this age by the Supreme Lord. You who
worship Çiva should know that your Çiva is really my Krishna, and
the chief point is to recognize my Krishna as the Supreme Lord. The
man Krishna is the Supreme Lord in human form. Of course, as such,
being the One God in whom are all things and beings, he is also all
the gods known by names which designate his special functions. Thus he
is the head of the gods, the Father-god, as our ancestors called him,
Brahm[=a]; and he is all the gods known by still older names, who are
the children of the secondary creator, Brahm[=a], viz., Agni, Indra,
S[=u]rya, etc. All gods are active manifestations of the Supreme God
called Vishnu, who is born on earth to-day as Krishna." And the
Çivaite says: "Çiva is the manifestation of the All-god," and repeats
what the Vishnuite says, substituting Çiva for Vishnu,[23] but with
the difference already explained, namely, that the Çiva-sect has no
incarnation to which to point, as has the Vishnuite. Çiva is modified
Rudra, and both are old god-names. Later, however, the Çivaite has
also his incarnate god. As an example of later Çiva-worship may be
taken Vishnu's own hymn to this god in vii. 80. 54 ff.: "Reverence to
Bhava, Çarva, Rudra (Çiva), the bestower of gifts, the lord of cattle,
the terrible, great, fearful, god of three wives;[24] to him who is
peace, the Lord, the slayer of sacrifices (makhaghna)[25] … to the
blue-necked god; to the inventor (or author) … to truth; to the red
god, to the snake, to the unconquerable one, to the blue-haired one,
to the trident-holder; … to the inconceivable one … to him whose
sign is the bull; … to the creator of all, who pervades all, who is
worshipped by all, Lord of all, Çarva, Çankara, Çiva, … who has a
thousand heads a thousand arms, and death, a thousand eyes and legs,
whose acts are innumerable." In vii. 201. 71, Çiva is the unborn Lord,
inconceivable, the soul of action, the unmoved one; and he that knows
Çiva as the self of self, as the unknowable one, goes to
brahma-bliss. This also is late Çivaism in pantheistic form. In
other words, everything said of Vishnu must be repeated for Çiva.[26]
As an example of the position of the lowest member of the later
trinity and his very subordinate place, may be cited a passage from
the preceding book of the epic. According to the story in vi. 65. 42
ff., the seers were all engaged in worshipping Brahm[=a], as the
highest divinity they knew, when he suddenly began to worship "the
Person (Spirit), the highest Lord"; and Brahm[=a] then lauds Vishnu as
such: "Thou art the god of the universe, the All-god, V[=a]sudeva
(Krishna). Therefore I worship thee as the divinity; thou, whose soul
is devotion. Victory to thee, great god of all; thou takest
satisfaction in that which benefits the world…. Lord of lords of
all, thou out of whose navel springs the lotus, and whose eyes are
large; Lord of the things that were, that are, that are to be; O dear
one, self-born of the self-born … O great snake, O boar,[27] O thou
the first one, thou who dwellest in all, endless one, known as
brahma, everlasting origin of all beings … destroyer of the
worlds! Thy feet are the earth … heaven is thy head … I,
Brahm[=a], am thy form … Sun and moon are thy eyes … Gods and all
beings were by me created on earth, but they owe their origin to thy
goodness." Then the creation of Vishnu through Pradyumna as a form of
the deity is described, "and Vishnu (Aniruddha) created me, Brahm[=a],
the upholder of the worlds; so am I made of Vishnu; I am caused only
by thee."
While Brahm[=a] is represented here as identical with Vishnu he is at
the same time a distinctly inferior personality, created by Vishnu for
the purpose of creating worlds, a factor of inferior godliness to that
of the World-Spirit, Krishna-Vishnu.
It had been stated by Holtzmann[28] that Brahm[=a] sometimes appears
in the epic as a god superior to Vishnu, and on the strength of this
L. von Schroeder has put the date of the early epic between the
seventh and fourth centuries B.C, because at that time Brahm[=a] was
the chief god.[29] von Schroeder rather exaggerates Holtzmann's
results, and asserts that "in the original form of the poem Brahm[=a]
appears throughout as the highest and most revered god, while the
worship of Vishnu and Çiva as great gods is apparently a later
intrusion" (loc. cit.). This asseveration will have to be taken cum
grano. Had von Schroeder said 'pantheistic gods' he would have been
correct in this regard, but we think that both Vishnu and Çiva were
great gods, equal, if not superior to Brahm[=a], when the epic proper
began. And, moreover, when one speaks of the original form of the poem
he cannot mean the pseudo-epic or the ancient legends which have been
woven into the epic, themselves of earlier date. No one means by the
'early epic' the tales of Agastya, of the creation of Death, of the
making of ambrosia, but the story of the war in its earliest shape;
for the epic poem must have begun with its own subject-matter. Now it
is not true that Brahm[=a] is regarded 'throughout' the early poem as
a chief god at all. If one investigate the cases where Vishnu or Çiva
appears 'below' Brahm[=a] he will see, in almost every case that
Holtzmann has registered, that this condition of affairs is recorded
not in the epic proper but in the Brahmanic portions of the
pseudo-epic, or in ancient legends alone. Thus in the story of the
winning of ambrosia, of Agastya drinking ocean, and of R[=a]ma,
Brahm[=a] appears to be above Vishnu, and also in some extracts from
the pseudo-epic. For the real epic we know of but two cases that can
be put into this category, and neither is sufficient to support the
hypothesis built upon it.
For Krishna, when he ingeniously plots to have Bh[=i]ma slay
Jar[=a]sandha, is said to have renounced killing Jar[=a]sandha
himself, 'putting Brahm[=a]'s injunction before him' (ii. 22. 36),
i.e. recalling Brahm[=a]'s admonition that only Bh[=i]ima was fated
to slay the foe. And when Krishna and S[=a]tyaki salute Krishna's
elder brother they do so (for being an elder brother Baladeva is
Krishna's Guru) respectfully, 'just as Indra and Upendra salute
Brahm[=a] the lord of devas' (ix. 34. 18). Upendra is Indra's
younger brother, i.e., Vishnu (above). But these passages are scanty
proof for the statement that Brahm[=a] appears throughout the early
epic as the highest god;[30] nor is there even so much evidence as
this in the case of Çiva. Here, too, it is in the tale of the churning
of ocean, of Sunda and Upasunda, of the creation of the death-power,
and in late didactic (Brahmanic) passages, where Brahm[=a] makes Çiva
to destroy earth and Çiva is born of Brahm[=a], and only in such
tales, or extracts from the Book of Peace, etc, that Brahm[=a] appears
as superior. In all other cases, in the real action of the epic, he is
subordinate to Vishnu and Çiva whenever he is compared with them. When
he is not compared he appears, of course, as the great old Father-god
who creates and foresees, but even here he is not untouched by
passion, he is not all-knowing, and his rôle as Creator is one that,
with the allotment of duties among the gods, does not make him the
highest god. All the old gods are great till greater appear on the
scene. There is scarcely a supreme Brahm[=a] in the epic itself, but
there is a great Brahm[=a], and a greater (older) than the sectarian
gods in the old Brahmanic legends, while the old Brahmanhood reasserts
itself sporadically in the Ç[=a]nti, etc, and tells how the sectarian
gods became supreme, how they quarrelled and laid the strife.
Since the adjustment of the relations between the persons of the later
trinity is one of the most important questions in the theology of the
completed epic, it will be necessary to go a little further afield and
see what the latest books, which hitherto we have refrained as much as
possible from citing, have to say on the subject. As it seems to be
true that it was felt necessary by the Çivaite to offset the laud of
Vishnu by antithetic laud of Çiva,[31] so after the completion of the
Book of Peace, itself a late addition to the epic, and one that is
markedly Vishnuitic, there was, before the Genealogy of Vishnu, an
antithetic Book of Law, which is as markedly Çivaitic. In these books
one finds the climax of sectarianism, in so far as it is represented
by the epic; although in earlier books isolated passages of late
addition are sporadically to be found which have much the same nature.
Everywhere in these last additions Brahm[=a] is on a plane which is as
much lower than that of the Supreme God as it is higher than that of
Indra. Thus in viii. 33. 45, Indra takes refuge with Brahm[=a], but
Brahm[=a] turns for help to Çiva (Bhava, Sth[=a]nu, Jishnu, etc.) with
a hymn sung by the gods and seers. Then comes a description of
Çankara's[32] (Çiva's) war-car, with its metaphorical arms, where
Vishnu is the point of Civa's arrow (which consists of Vishnu, Soma,
Agni), and of this war-car Brahm[=a] himself is the charioteer (ib.
34. 76). With customary inconsistency, however, when Çiva wishes his
son to be exalted he prostrates himself before Brahm[=a], who then
gives this youth (kum[=a]ra), called K[=a]rtikeya, the 'generalship'
over all beings (s[=a]in[=a]patyam, ix. 44. 43-49). There is even a
'celebration of Brahm[=a],' a sort of harvest festival, shared, as the
text tells, by all the castes; and it must have been something like
the religious games of the Greeks, for it was celebrated by athletic
contests.[33] Brahm[=a], as the old independent creator, sometimes
keeps his place, transmitting posterity through his 'seven mind-born
sons,' the great seers (iii. 133; xii. 166. 11 ff.). But Brahm[=a]
himself is born either in the golden egg, as a secondary growth (as in
xii. 312. 1-7), or, as is usually the case, he is born in the lotus
which springs from the navel of musing[34] Vishnu (iii. 203. 14). In
this passage Brahm[=a] has four faces (Vedas) and four forms,
caturm[=u]rtis (15), and this epithet in other sections is transferred
to Vishnu. Thus in vii. 29. 26, Vishnu(Vishu in the original) says
caturm[=u]rtir aham, "I have four forms," but he never says
trim[=u]rtir aham ('I have three forms'). There is one passage,
however, that makes for a belief in a trinity. It stands in contrast
to the various Vishnuite hymns, one of which may well be reviewed as
an example of the regular Vishnuite laudation affected by the Krishna
sect (iii. 12. 21 ff.): "Krishna is Vishnu, Brahm[=a], Soma, the Sun,
Right, the Creator ('founder'), Yama, Fire, Wind, Çiva, Time, Space,
Earth, and the cardinal points. Thou, Krishna, art the Creator
('emitter'); thou, chief of gods, didst worship the highest; thou,
Vishnu called, becamest Indra's younger brother, entering into sonship
with Aditi; as a child with three steps thou didst fill the sky,
space, and earth, and pass in glory…. At the end of the age thou
returnest all things into thyself. At the beginning of the age
Brahm[=a] was born from thy lotus-navel as the venerable preceptor of
all things (the same epithet is in vs. 22 applied to Vishnu himself);
and Çiva sprang from thy angry forehead when the demons would kill him
(Brahm[=a]); both are born of thee, in whom is the universe." The
following verses (45 ff.) are like those of the Divine Song: "Thou,
Knight Arjuna, art the soul of Krishna; thou art mine alone and thine
alone am I; they that are mine are thine; he that hates thee hates Me,
and he that is for thee, is for Me; thou art Nara ('man') and I am
N[=a]r[=a]yana ('whose home is on the waters,' god);[35] we are the
same, there is no difference between us." Again, like the Divine Song
in the following verses (51-54) is the expression 'the sacrifice and
he that sacrifices,' etc, together with the statement that Vishnu
plays 'like a boy with playthings,' with the crowds of gods,
Brahm[=a], Çiva, Indra, etc. The passage opposed to this, and to other
identifications of Vishnu with many gods, is one of the most flagrant
interpolations in the epic. If there be anything that the Supreme God
in Çivaite or Vishnuite form does not do it is to extol at length,
without obvious reason, his rivals' acts and incarnations, Yet in this
clumsy passage just such an extended laudation of Vishnu is put into
the mouth of Çiva. In fact, iii. 272, from 30 to 76, is an
interpretation of the most naïve sort, and it is here that we find the
approach to the later trim[=u]rti (trinity): "Having the form of
Brahm[=a] he creates; having a human body (as Krishna) he protects, in
the nature of Çiva he would destroy—these are the three appearances
or conditions (avasth[=a]s) of the Father-god". (Praj[=a]pati).[36]
This comes after an account of the four-faced lotus-born Brahm[=a],
who, seeing the world a void, emitted his sons, the seers, mind-born,
like to himself (now nine in number), who in turn begot all beings,
including men (vss. 44-47). If, on the other hand, one take the later
sectarian account of Vishnu (for the above is more in honor of Krishna
the man-god than of Vishnu, the form of the Supreme God), he will see
that even in the pseudo-epic the summit of the theological conceptions
is the emphasis not of trinity or of multifariousness but of unity.
According to the text the P[=a]ñcak[=a]lajñas are the same with the
Vishnuite sect called P[=a]ñcar[=a]tras, and these are most
emphatically ek[=a]ntinas, i.e., Unitarians (xii. 336; 337. 46; 339.
66-67).[37] In this same passage 341. 106, Vishnu is again
caturm[=u]rtidh[r.]t, 'the bearer of four forms,' an entirely
different conception of him (below). So that even in this most
advanced sectarian literature there is no real threefoldness of the
Supreme as one in three. In the following chapter (xii. 335. 1 ff.)
there is a passage like the great Ka hymn of the Rig Veda, 'whom as
god shall one worship?' The sages say to Vishnu: "All men worship
thee; to whom dost thou offer worship?" and he says, 'to the Eternal
Spirit.' The conception of the functions of Brahm[=a] and Çiva in
relation to Vishnu is plainly shown in xii. 342. 19: "Brahm[=a] and
Çiva create and destroy at the will of Vishnu; they are born of his
grace and his anger." In regard to Çiva himself, his nature and place
in Vishnuism have been sufficiently explained. The worship of this god
is referred to 'Vedic texts' (the çata-rudriyam, vii. 202. 120);[38]
Vishnu is made to adore the terrible god (ib. 201. 69) who appears
as a mad ascetic, a wild rover, a monster, a satire on man and gods,
though he piously carries a rosary, and has other late traits in his
personal appearance.[39] The strength of Çivaism lay in the eumenidean
(Çiva is 'prospering,' 'kindly') euphemism and fear alike, which
shrank in speech and mind from the object of fear. But this religion
in the epic had a firmer hold than that of fear. It was essentially
phallic in its outward form (VII. 201. 93-96), and as such was deeply
rooted in the religious conscience of a people to whom one may venture
perhaps to ascribe such a form of worship even in the time of the Rig
Veda, although the signs thereof in great part have been suppressed.
This may be doubted,[40] indeed, for the earlier age; but there is no
question that epic Çivaism, like Çivaism to-day, is dependent wholly
on phallic worship (XIII. 14. 230 ff.). It is the parallel of Bacchic
rites and orgies, as well as of the worship of the demons in
distinction from that of good powers. Çiva represents the ascetic,
dark, awful, bloody side of religion: Vishnu, the gracious, calm,
hopeful, loving side; the former is fearful, mysterious, demoniac; the
latter is joyful, erotic, divine. In their later developments it is
not surprising to see that Vishnuism, in the form of Krishnaism,
becomes more and more erotic, while Çivaism becomes more and more
ghastly and ghoulish. Wild and varied as are the beliefs of the epic,
there is space but to show a few more characteristic sides of its
theology—a phase that may seem questionable, yet, since the devout
Hindu believes the teachings of the epic, they must all to him
constitute one theology, although it was gradually amalgamated out of
different creeds.
In connection with Çiva stands, closely united, his son, Ganeça,
"leader of troops," still worshipped as one of the popular gods, and
the battle-god, Skanda, the son first of Agni then of Çiva, the
conqueror of the demons, d[=a]navas, and later representative of
Indra, with whom the epic identifies him. For it is Skanda that is the
real battle-god of the later epic; though in its original form Indra
was still the warrior's refuge, as attests the stereotyped
phraseology. In III. 225-232 honor and praise are ascribed to Skanda
in much the same language with that used to portray his father, Çiva.
"The god of a thousand arms, the Lord of all, the creator of gods and
demons" are phrases used in his eulogy. He too has a list of names;
his nurse is the "maiden of the red (bloody) sea," called
Loh[=i]t[=a]yan[=i]. His terrible appearance and fearful acts make him
the equal of Çiva.[41] His sign is a kukku[t.]a, cock; ib. 229.
33.
Associated, again, with Skanda are the spirits or 'mothers,' which
afflict people. The belief in mother-gods is old, but its epic form is
new. The exactness and detail in regard to these beautiful monsters
show at least a real belief, which, as one on a lower plane besides
the higher religion, cannot be passed over without notice. As in other
lands, people are 'possessed' by evil spirits, called possessors or
seizers (grahas). These are Skanda's demons,[42] and are both male
and female. Until one reaches the age of sixteen he is liable to be
possessed by one group of 'seizers,' who must be worshipped in proper
form that their wrath may be averted. Others menace mortals from the
age of sixteen to seventy. After that only the fever-demon is to be
feared. Imps of this sort are of three kinds. One kind indulge only in
mischievous sport: another kind lead one to gluttony; the third kind
are devoted to lust. They are known as Piç[=a]cas, Yakshas, etc., and
when they seize a person he goes mad. They are to be kept at bay by
self-restraint and moderation (III. 230. 43-56). In IX. 46 and III.
226 the 'mothers' are described. They are witches, and live in
cross-roads, cemeteries, and mountains. They may be of Dravidian
origin, and in their epic form, at any rate, are a late intrusion.[43]
Just before the Divine Song begins, the knight who is about to become,
illuminated or 'disillusioned' offers a prayer to the terrible goddess
Durg[=a], also one of the new, popular, and horrible forms of divine
manifestation. In this hymn, VI. 23, Durg[=a] (Um[=a], P[=a]rvat[=i],
K[=a]li, etc.) is addressed as "leader of the armies of the blessed,
the dweller in Mandara, the youthful woman, K[=a]li, wife of Çiva, she
who is red, black, variegated; the savior, the giver of gifts,
K[=a]ty[=a]yan[=i], the great benefactress, the terrible one, the
victorious one, victory itself … Um[=a], the slayer of demons,"[44]
and the usual identification and theft of epithets then follows: "O
thou who art the Vedas, who art Revelation, who art virtue,
J[=a]tavedasi, … thou art brahma among the sciences, thou art the
sleep of incorporate beings, the mother of Skanda, the blessed one,
Durg[=a] … thou art the mother of the Vedas and Ved[=a]nta … thou
art sleep, illusion, modesty, happiness … thou art satisfaction,
growth, contentment, light, the increaser of moon and sun."
Turning from these later parasites,[45] which live on their parent
gods and yet tend to reduce them, we now revert to that happiness
hereafter to which looks forward the epic knight that has not been
tempted to 'renounce' desire. In pantheistic passages he is what the
later remodeller makes him. But enough of old belief remains to show
that the warrior really cared a great deal more for heaven than he did
for absorption. As to the cause of events, as was said above, it is
Fate. Repeatedly is heard the lament, "Fate (impersonal) is the
highest thing, fie on vain human effort." The knight confesses with
his lips to a belief in the new doctrine of absorption, but at heart
he is a fatalist. And his aim is to die on the field of battle, that
he may go thence directly to the heaven that awaits the good and the
brave.[46] Out of a long description of this heaven a few extracts
here selected will show what the good knight anticipates:
"Upward goes the path that leads to gods; it is inhabited by
them that have sacrificed and have done penance. Unbelieving
persons and untruthful persons do not enter there; only they
that have duteous souls, that have conquered self, and
heroes that bear the marks of battle. There sit the seers
and gods, there are shining, self-illumined worlds, made of
light, resplendent. And in this heaven there is neither
hunger, nor thirst, nor weariness, nor cold, nor heat, nor
fear; nothing that is terrible is there, nothing unclean;
but pleasing sights, and sounds, and smells. There is no
care there, nor age, nor work, nor sorrow. Such is the
heaven that is the reward of good acts. Above this is
Brahm[=a]'s world, where sit the seers and the three and
thirty gods," etc.
Over against this array of advantages stands the one great "fault of
heaven," which is stated almost in the words of "nessun maggior
dolore," "the thought (when one lives again on the lower plane) of
former happiness in the higher life is terrible grief" (vs. 30),
i.e., this heaven will pass away at the end of the world-period,
when the Eternal draws all in to himself again (iii. 261); and the
thought that one has been in heaven, while now he is (re-born) on
earth, is a sorrow greater than the joy given by heaven.[47]
One is reminded by the epic description of heaven of that poet of the
Upanishads who describes his heavenly bliss as consisting in the fact
that in that world "there is neither snow nor sorrow." The later
version is only an amplification. Even with the assurance that the
"fault of heaven" is the disappointment of being dropped to earth
again in a new birth, the ordinary mortal is more averse from the
bliss of absorption than from the pleasure of heaven. And in truth,
except to one very weary of his lot in life, it must be confessed that
the religion here shown in all its bearings is one eminently pleasant
to believe. Its gist, in a word, is this: "If you feel able to endure
it, the best thing to do is to study the plan of the universe, and
then conform to it. By severe mental discipline you can attain to this
knowledge, and for reward you will be immortally united with God." To
this the sectarian adds: "Or believe in my god and the result will be
the same." But both philosopher and sectarian continue: "If, however,
you do not want to be united with the Supreme Spirit so soon as this,
then be virtuous and devout, or simply be brave if you are a warrior;
do whatever the rules of morality and caste-custom bid you do, and you
will go to heaven for thousands of ages; at the end of which time you
will be re-born in a fine family on earth, and may again decide
whether to repeat the process of gaining heaven or to join God and
become absorbed into the World-Spirit at once." There were probably
many that chose rather to repeat their agreeable earthly experience,
with an interlude of heaven after each death, than to make the
renunciation of earth and heaven, and be absorbed once for all into
the All-god.
The doctrine of 'the ages'[48] is so necessary to a true understanding
of the rotative immortality offered as a substitute for the higher
bliss of absorption (that is, genuine immortality), that an account of
the teaching in this regard will not be out of place. The somewhat
puzzling distinction between the happy life of them that fail to
desire absorption, and yet are religious men, and the blissful life of
those people that do attain absorption, is at once explained by a
clear understanding of the duration of the time of the gods' own life
and of the divine heaven. Whereas the Greek notion of four ages
includes within the four all time, all the four ages of the Hindu are
only a fraction of time. Starting at any one point of eternity, there
is, according to the Hindu belief, a preliminary 'dawn' of a new cycle
of ages. This dawn lasts four hundred years, and is then followed by
the real age (the first of four), which lasts four thousand years, and
has again a twilight ending of four hundred years in addition. This
first is the Krita age, corresponding to the classical Golden Age. Its
characteristics are, that in it everything is perfect; right eternal
now exists in full power. In this age there are neither gods nor
demons (D[=a]navas, Gandharvas, Yakshas, R[=a]kshas, Serpents),
neither buying nor selling. By a lucus a non the derivation of the
name Krita is k[r.]tam eva na kartavyam, i.e., with a pun, it is
called the 'sacred age' because there are no sacrifices in that
age. No S[=a]ma Veda, Rig Yeda, or Yajur Veda exist as distinct
Vedas.[49] There is no mortal work. Fruit comes by meditation; the
only duty is renunciation. Disease, lack of mental power, moral
defects (such as pride and hate) do not exist; the highest course of
the ascetic Yogis is universally brahma (paramakam). In this age
come into existence the Brahman, Kshatriya, V[=a]içya, Ç[=u]dra,
i.e., the distinct castes of priest, warrior, husbandman, and slave;
all with their special marks, and all delighted with their proper
occupations. Yet have all the castes like occupations, like refuge,
practice, and knowledge. They are joined to the one god (eka deva),
and have but one mantra in their religious rites. Their duties are
distinct, but they follow only one Veda and one rule. The four orders
(of the time of life) are duly observed; men do not desire the fruit
of their action, and so they obtain the highest course, i.e.,
salvation by absorption into brahma. In this age the 'three
attributes' (or qualities) are unknown. After this age follows the
dawn of the second age, called Tret[=a], lasting three hundred years,
then the real age of Tret[=a], three thousand years, followed by the
twilight of three hundred years. The characteristics of this age are,
that men are devout; that great sacrifices begin (sattram
pravartate); that Virtue decreases by one quarter; that all the
various rites are produced, together with the attainment of salvation
through working for that end, by means of sacrifice and generosity;
that every one does his duty and performs asceticism. The next age,
Dv[=a]para, is introduced by a dawn of two hundred years, being itself
two thousand years in duration, and it closes with a twilight of two
hundred years. Half of Virtue fails to appear in this age, that is,
the general virtue of the world is diminished by a half ('the Bull of
Justice stands on two legs'). The Veda is now subdivided into four.
Instead of every one having one Veda, four Vedas exist, but some
people know only three, or two, or one, or are even Veda-less
(an[r.]cas). Ceremonies become manifold, because the treatises on
duty are subdivided(!). The attribute of passion influences people,
and it is with this that they perform asceticism and are generous (not
with disinterestedness). Few (kaçcit) are settled in truth;
ignorance of the one Veda causes a multiplication of Vedas (i.e., as
Veda means 'knowledge,' the Vedas result from ignorance of the
essential knowledge). Disease and sin make penance necessary. People
sacrifice only to gain heaven. After this age and its twilight
are past begins the Kali, last of the four ages, with a dawn of one
hundred, a course of one thousand, and a subsequent twilight of one
hundred years. This is the present sinful age, when there is no real
religion, when the Vedas are ignored, and the castes are confused,
when itis (distresses of every form) are rife; when Virtue has only
one leg left to stand upon. The believer in Krishna as Vishnu, besides
this universal description, says that the Supreme Lord in the Krita
age is 'white' (pure); in the Tret[=a] age, 'red'; in the Dv[=a]para
age, 'yellow'; in the Kali age, 'black, i.e., Vishnu is Krishna,
which means 'black.'[50] This cycle of ages always repeats itself
anew. Now, since the twelve thousand years of these ages, with their
dawns and twilights, are but one of countless cycles, when the Kali
age and its twilight have brought all things into a miserable state,
the universe is re-absorbed into the Supreme Spirit. There is then a
universal (apparent) destruction, pralaya, of everything, first by
fire and then by a general flood. Seven suns appear in heaven, and
what they fail to burn is consumed by the great fire called Samvartaka
(really a manifestation of Vishnu), which sweeps the world and leaves
only ashes; then follows a flood which completes the annihilation.
Thereafter follows a period equal to one thousand cycles (of twelve
thousand years each), which is called 'Brahm[=a]'s night,' for during
these twelve million years Brahm[=a] sleeps; and the new Krita age
begins again "when Brahm[=a] wakes up" (iii. 188. 29, 69; 189.
42).[51] All the gods are destroyed in the universal destruction, that
is, re-absorbed into the All-god, for there is no such thing as
annihilation, either of spirit or of matter (which is illusion).
Consequently the gods' heaven and the spirits of good men in that
heaven are also re-absorbed into that Supreme, to be re-born in the
new age. This is what is meant by the constant harping on
quasi-immortality. Righteousness, sacrifice, bravery, will bring man
to heaven, but, though he joins the gods, with them he is destroyed.
They and he, after millions of years, will be re-born in the new
heaven and the new earth. To escape this eventual re-birth one must
desire absorption into the Supreme, not annihilation, but unity with
God, so that one remains untouched by the new order at the end of
Brahm[=a]'s 'day.' There are, of course, not lacking views of them
that, taking the precept grossly, give a less dignified appearance to
the teaching, and, in fact, upset its real intent. Thus, in the very
same Puranic passage from which is taken the description above (III.
188), it is said that a seer, who miraculously outlived the universal
destruction of one cycle, was kindly swallowed by Vishnu, and that, on
entering his stomach (the absorption idea in Puranic coarseness), he
saw everything which had been destroyed, mountains, rivers, cities,
the four castes engaged in their duties, etc. In other words, only
transference of locality has taken place. But this account reads
almost like a satire.
One of the most striking features of the Hindu religions, as they have
been traced thus far, is the identification of right with light, and
wrong with darkness. We have referred to it several times already. In
the Vedic age the deities are luminous, while the demons and the abode
of the wicked generally are of darkness. This view, usually considered
Iranian and Zoroastrian, is as radically, if not so emphatically,
Indic. It might be said, indeed, that it is more deeply implanted in
the worship of the Hindus than in that of the Iranians, inasmuch as
the latter religion enunciates and promulgates the doctrine, while the
former assumes it. All deeds of sin are deeds of darkness, tamas.
The devils live underground in darkness; the hells are below earth and
are gloom lighted only by torture-flames.
The development of devil-worship (the side-scenes in the theatre of
Çivaism) introduces devils of another sort, but the general effect
remains. The fire-priest Bhrigu says: "Untruth is a form of darkness,
and by darkness one is brought to hell (downwards); veiled in darkness
one sees not the light. Light is heaven, they say, and darkness is
hell," xii. 190. 2-3. This antithesis of evil as darkness, good as
light, is too native to India to admit of the suggestion that it might
have been borrowed. But an isolated and curious Puranic chapter of the
epic appears to have direct reference to the Persian religion. All
Hindu gods have sacrifices, even Çiva the 'destroyer of sacrifice.'
Now in iii. 220, after a preliminary account of the p[a]ñcajanya
fire (vs. 5 ff.) there is given a list of 'gods that destroy
sacrifice,' dev[=a]s yajñamu[s.]as, fifteen in number, who 'stand
here' on earth and 'steal' the sacrifice. They extend over the five
peoples in three divisions of five each. The first and third group
contain names compounded with Bh[=i]ma and S[=u]ra respectively; while
the third group is that of Sumitra, Mitravan, Mitrajña, Mitravardhana,
Mitradharman. There are others without the mitra (vs. 10). The
appellation dev[=a]s seems to take them out of connection with
Çiva's demoniac troops, and the persistency of mitra would look as
if these 'gods' were of Iranian origin. There may have been (as are
possibly the modern S[=a]uras) believers in the Persian religion
already long established among the Hindus.
The question will naturally present itself whether in the religious
olla podrida known as the Mah[=a]bh[=a]rata there are distinct
allusions to Buddhism, and, if so, in how far the doctrines of this
sect may have influenced the orthodox religion. Buddhism does not
appear to have attacked or to have attracted the 'holy land,' whence,
indeed, according to law, heretics are 'banished.' But its influence
of course must have embraced this country, and it is only a question
of in how far epic Brahmanism has accepted it. At a later period
Hinduism, as has been observed, calmly accepts Buddha as an avatar
of Vishnu. Holtzmann, who is inclined to attribute a good deal to
Buddhism, sees signs of it even in the personal characteristics of the
epic heroes, and believes the whole poem to have been more or less
affected by anti-Buddhistic feeling. If this were so one would have to
give over to Buddhism much also of the humanitarianism to be found in
the moral precepts that are so thickly strewn through the various
books. In our opinion these signs-manual of Buddhism are not
sufficiently evident to support Holtzmann's opinion for the whole
poem, and it is to be noted that the most taking evidence is drawn
from the latest parts of the work. It is just here that we think it
necessary to draw the line, for while much of late date has been added
in earlier books, yet in the books which one may call wholly late
additions appear the strongest indications of Buddhistic
influence.[52] A great deal of the Book of Peace is Puranic, the book
as a whole is a Vishnuite addition further enlarged by Çivaite
interpolation. The following book is, again, an offset to the Book of
Peace, and is as distinctly Çivaite in its conception as is the Book
of Peace Vishnuite.[53] It is here, in these latest additions, which
scarcely deserve to be ranked with the real epic, that are found the
most palpable touches of Buddhism. They stand to the epic proper as
stands to them the Genealogy of Vishnu, a further addition which has
almost as much claim to be called 'part of the epic' as have the books
just mentioned, only that it is more evidently the product of a later
age, and represents the Krishna-Vishnu sect in its glory after the
epic was completed. Nevertheless, even in these books much that is
suspected of being Buddhistic may be Brahmanic; and in any concrete
case a decision, one way or the other, is scarcely to be made on
objective grounds. Still more is this the case in earlier books. Thus,
for instance, Holtzmann is sure that a conversation of a slave and a
priest in the third book is Buddhistic because the man of low caste
would not venture to instruct a Brahman.[54] But it is a command
emphasized throughout the later Brahmanism that one must take refuge
in the ship that saves; and in passages not suspected of Buddhistic
tendency Bh[=i]shma takes up this point, and lays down the rule that,
no matter to which caste a man belongs, his teaching if salutary is to
be accepted. It is even said in one passage of the Book of Peace that
one ought to learn of a slave, and in another that all the four castes
ought to hear the Veda read:[55] "Let him get instruction even from a
Ç[=u]dra if he can thereby attain to salvation"; and again: "Putting
the Brahman first, let the four castes hear (the Veda); for this
(giving first place to the priest) is (the rule in) reading the
Veda."[56] And in many places are found instructions given by
low-caste men. It may be claimed that every case which resembles
Buddhistic teaching is drawn from Buddhism, but this would be to claim
more than could be established. Moreover, just as the non-injury
doctrine is prior to Buddhism and yet is a mark of Buddhistic
teaching, so between the two religions there are many points of
similarity which may be admitted without compromising the genuineness
of the Brahmanic teaching. For Buddhism in its morality is anything
but original.[57]
Another bit of instruction from the Book of Peace illustrates the
attitude of the slave just referred to. In sharp contrast to what one
would expect from a Buddhist, this slave, who is a hunter, claims that
he is justified in keeping on with his murderous occupation because it
is his caste-occupation; whereas, as a Buddhist he ought to have
renounced it if he thought it sinful, without regard to the
caste-rule. The Book of Peace lays it down as a rule that the giving
up of caste-occupation is meritorious if the occupation in itself is
iniquitous, but it hedges on the question to the extent of saying
that, no matter whether the occupation be sinful or not, if it is an
inherited occupation a man does not do wrong to adhere to it. This is
liberal Brahmanism. The rule reads as follows: "Actors,
liquor-dealers, butchers, and other such sinners are not justified in
following such occupations, if they are not born to the profession
(i.e., if they are born to it they are justified in following their
inherited occupation). Yet if one has inherited such a profession it
is a noble thing to renounce it."[58]
The marks of Buddhistic influence on which we would lay greater stress
are found not in the fact that Mudgala refuses heaven (iii. 261. 43),
or other incidents that may be due as well to Brahmanism as to
Buddhism, but in such passages of the pseudo-epical Book of Peace as
for example the dharmyas panth[=a]s of xii. 322. 10-13; the
conversation of the female beggar, bhikshuk[=i], with the king in
321. 7, 168; the buddha of 289. 45; the Buddhistic phraseology of
167. 46; the remark of the harlot Pingal[=a] in 174. 60:
pratibuddh[=a] 'smi j[=a]g[r.]mi (I am 'awakened' to a sense of sin
and knowledge of holiness), and the like phrase in 177. 22:
pratibuddho 'smi.[59] Of especial importance is the shibboleth
Nirv[=a]na which is often used in the epic. There seems, indeed, to be
a subtile connection between Çivaism and Buddhism. Buddhism rejects
pantheism, Çivaism is essentially monotheism. Both were really
religions of the lower classes. It is true that the latter was
affected and practiced by those of high rank, but its strength lay
with the masses. Thus while Vishnuism appealed to the contemplative
and philosophical (R[=a]maism), as well as to the easy-going middle
classes (Krishinaism), Çivaism with its dirty asceticism, its orgies
and Bacchanalian revels, its devils and horrors generally, although
combined with a more ancient philosophy, appealed chiefly to the
magic-monger and the vulgar. So it is that one finds, as one of his
titles in the thirteenth book, that Çiva is 'the giver of Nirv[=a]na,'
(xiii. 16. 15). But if one examines the use of this word in other
parts of the epic he will see that it has not the true Buddhistic
sense except in its literal physical application as when the
nirv[=a][n.]a (extinguishing) of a lamp, iv. 22. 22, is spoken of;
or the nirv[=a][n.]a of duties (in the Pañcar[=a]tra 'Upanishad,'
xii. 340. 67). On the other hand, in sections where the context shows
that this must be the case, Nirv[=a]na is the equivalent of 'highest
bliss' or 'highest brahma,' the same with the felicity thus named in
older works. This, for instance, is the case in xii. 21. 17; 26. 16,
where Nirv[=a]na cannot mean extinction but absorption, i.e., the
'blowing out' of the individual flame (spirit) of life, only that it
may become one with the universal spirit. In another passage it is
directly equated with sukham brahma in the same way (ib. 189. 17).
If now one turn to the employment of this word in the third book he
will find the case to be the same. When the king reproaches his queen
for her atheistic opinions in iii. 31. 26 he says that if there were
no reward for good deeds hereafter "people would not seek Nirv[=a]na,"
just as he speaks of heaven ('immortality') and hell, ib. 20 and 19,
not meaning thereby extinction but absorption. So after a description
of that third heaven wherein is Vishnu, when one reads that Mudgala
"attained that highest eternal bliss the sign of which is Nirv[=a]na"
(iii. 261. 47), he can only suppose that the word means here
absorption into brahma or union with Vishnu. In fact Nirv[=a]na is
already a word of which the sense has been subjected to attrition
enough to make it synonymous with 'bliss.' Thus "the gods attained
Nirv[=a]na by means of Vishnu's greatness" (iii. 201. 22); and a
thirsty man "after drinking water attained Nirv[=a]na," i.e., the
drink made him happy (ib. 126. 16). One may best compare the Jain
Nirv[=a]na of happiness.
While, therefore, Buddhism seems to have left many manifest traces[60]
in the later epic the weight of its influence on the early epic may
well be questioned. The moral harangues of the earlier books show
nothing more than is consistent with that Brahmanism which has made
its way unaided through the greater humanitarianism of the earlier
Upanishads. At the same time it is right to say that since the poem is
composed after Buddha's time there is no historical certainty in
regard to the inner connection of belief and morality (as expounded in
the epic) with Buddhism. Buddhism, though at a distance, environed
epic Brahmanism, and may well have influenced it. The objective proofs
for or against this are not, however, decisive.
Whether Christianity has affected the epic is another question that
can be answered (and then doubtfully) only by drawing a line between
epic and pseudo-epic. And in this regard the Harivança legends of
Krishna are to be grouped with the pseudo-epic, of which they are the
legitimate if late continuation. Again one must separate teaching from
legend. To the Divine Song belong sentiments and phrases that have
been ascribed to Christian influence. Definitive assurance in this
regard is an impossibility. When Vishnu says (as is said also in the
Upanishads) "I am the letter A," one may, and probably will, decide
that this is or is not an imitation of "I am alpha," strictly in
accordance with his preconceived opinions. There are absolutely no
historical data to go upon. One may say with tolerable certainty that
the Divine Song as a whole is antique, prior to Christianity. But it
is as unmistakably interpolated and altered. The doctrine of bhakti,
faithful love as a means of salvation, cannot be much older than the
Song, for it is found only in the latest Upanishads (as shown by
comparing them with those undoubtedly old). But on the other hand the
pras[=a]da doctrine (of special grace) belongs to a much earlier
literature, and there is no reason why the whole theory with its
startling resemblance to the doctrine of grace, and its insistence on
personal affection for the Lord should not have been self-evolved. The
old omnipotence of inherited knowledge stops with the Upanishads, To
their authors the Vedas are but a means. They desired wisdom, not
knowledge. They postulated the desire for the Supreme Spirit as the
true wisdom. From this it is but a step to yearning and love for the
Supreme. That step is made in the Divine Song. It is recognized by
early Buddhism as a Brahmanic trait. Is it necessarily imported from
Christianity? The proof is certainly lacking. Nor, to one accustomed
to the middle literature of Hindu religion, is the phraseology so
strikingly unique as would appear to be the case. Taken all in all,
the teaching of Christianity certainly may be suspected, but it cannot
be shown to exist in the Divine Song.
Quite different is the case with the miraculous matter that grew up
about the infant Krishna. But here one is out of the epic and dealing
with the latest literature in regard to the man-god. This distinction
cannot be too much insisted upon, for to point first to the teaching
of the Divine Song and then to the Krishna legends as equally
reflecting Christianity is to mix up two periods as distinct as
periods can be established in Hindu literature. And the result of the
whole investigation shows that the proofs of borrowing are as
different as these
periods. The inner Christianity thought to be copied by the re-writer
of the Divine Song is doubtful in the last degree. The outer
Christianity reflected in the Puranic legends of Krishna is as
palpable as it is shocking. Shocking, for here not only are miracles
treated grotesquely, but everything that is meant spiritually in the
Occident is interpreted physically and carnally. The love of the
Bridegroom is sensual; the brides of God are drunken dancing girls.
The 'coincidences,' as some scholars marvellously regard them, between
the legends of Christ and Krishna are too extraordinary to be accepted
as such. They are direct importations, not accidental coincidences.
Whatever is most marvellous in the accounts of Christianity finds
itself here reproduced in Krishnaism. It is not in the doctrine of
avatars, which resembles the doctrine of the Incarnation,[61] it is
in the totality of legends connected with Krishna that one is forced
to see Christian influence. The scenes of the nativity, the adoration
of the magi, the miracles during the Saviour's childhood, the
transfiguration, and other stories of Christ are reproduced with
astonishing similarity. One may add to this the Christmas festival,
where Krishna is born in a stable, and the use of certain
church-utensils in the temple-service. Weber has proved by collecting
and explaining these 'coincidences,'[62] that there must be identity
of origin. It remains only to ask from which side is the borrowing?
Considering how late are these Krishna legends in India[63] there can
be no doubt that the
Hindu borrowed the tales, but not the name; for the last assumption is
quite improbable because Krishna (=Christ?) is native enough, and
Vishnu is as old as the Rig Veda. That these tales are of secondary
importance, as they are of late origin, is a matter of course. They
are excrescences upon real Vishnuism (Krishnaism) and the result of
anthropomorphizing in its fullest extent the image of the man-god, who
is represented in the epic as the incarnation of the Supreme Spirit.
The doctrine of the incarnation is thoroughly Indic. It is Buddhistic
as well as Brahmanic, and precedes Vishnuism as it does Christianity.
The legends are another matter. Here one has to assume direct contact
with the Occident.[64] But while agreeing with Weber and disagreeing
with Barth in the determination of the relation of this secondary
matter, we are unable to agree with Weber in his conclusions in regard
to the one passage in the pseudo-epic that is supposed by him[65] to
refer to a visit to a Christian church in Alexandria. This is the
famous episode of the White Island, which, to be sure, occurs in so
late a portion of the Book of Peace (xii. 337. 20 ff) that it might
well be what Weber describes it as being. But to us it appears to
contain no allusion at all to Christianity. The account in brief is as
follows: Three priests with the insignificant names "First, Second,
Third,"[66] go to the far North (diç uttar[=a]) where, in the "Sea
of Milk," they find an Albion called 'White Island,' perhaps regarded
as one of the seven or thirteen 'islands,' of which earth consists;
and there Vishnu is worshipped as the one god by white men of
extraordinary physical characteristics.
The fact that the 'one god' is already a hackneyed phrase of
philosophy; that there is no resemblance to a trinitarian god; that
the hymn sung to this one god contains no trace of Christian
influence, but is on the other hand thoroughly native in tone and
phraseology, being as follows: "Victory to thee, thou god with
lotus-eyes; Reverence to thee, thou creator of all things; Reverence
be to thee, O Vishnu;[67] thou Great Person; first-born one"; all
these facts indicate that if the White-islanders are indeed to be
regarded as foreigners worshipping a strange god, that god is strictly
monotheistic and not trinitarian. Weber lays stress on the expression
'first-born,' which he thinks refers to Christ; but the epithet is old
(Vedic), and is common, and means no more than 'primal deity.'
There is much that appears to be foreign in the epic. This passage
seems rather to be a recollection of some shrine where monotheism
without Christianity was acknowledged. On the other hand, even in the
pseudo-epic, there is much apparently borrowed which yet is altogether
native to Brahmanic land and sect. It is not in any passage which is
proved to be of foreign origin that one reads of the boy of twelve
years who entered among the wise men and confuted their reasoning
(above, p. 382). It is not of course due to Christian influence that
the great 'saint of the stake' is taken by the 'king's men,' is
crucified (or literally impaled) among thieves, and lives so long that
the guard go and tell the king of the miracle;[68] nor is it necessary
to assume that everything elevated is borrowed. "When I revile, I
revile not again," sounds indeed like an echo of Christian teaching,
but how thoroughly Hindu is the reason. "For I know that self-control
is the door of immortality." And in the same breath, with a connection
of meaning patent only when one regards the whole not as borrowed but
as native, follow the words that we have ventured to put upon the
title-page of this volume, as the highest and at the same time the
truest expression of a religion that in bringing the gods to men
raised man to equally with God—"This is a holy mystery which I
declare unto you: There is nothing nobler than humanity."[69]
* * * * *
[Footnote 1: He appears in different complete
manifestations, while Vishnu appears only in part, as a
'descent,' avatar, i.e., Vishnu is incarnate, Çiva appears
whole.]
[Footnote 2: The original story perhaps antedates the
Brahmanic Brahm[=a]. But, for all one knows, when the poem
was first written Brahm[=a] was already decadent as chief
god. In that case two strata of religious belief have been
formally super-imposed, Vishnuism and Çivaism.]
[Footnote 3: While agreeing with Telang that the original
G[=i]t[=a] is an old poem, we cannot subscribe to his
argument (SBE. VIII. p. 19) that the priority of the
S[=a]man over the Rig Veda is evidence of antiquity; still
less to the argument, p. 21, from the castes.]
[Footnote 4: Compare Manu, i. 7: "He the subtile,
indiscernible, eternal, inconceivable One, who makes all
creatures."]
[Footnote 5: Possibly the original opening of another poem.]
[Footnote 6: The avatars of Vishnu are meant. The very
knight to whom he speaks is later regarded (in South India)
as incarnate god, and today is worshipped as an avatar of
Vishnu. The idea of the 'birth-stories' of the Buddhists is
thought by some scholars to have been connected historically
with the avatars of Vishnu.]
[Footnote 7: This is one of the notes struck in the later
Upanishads, the doctrine of 'special grace,' originating
perhaps still earlier in the V[=a]c hymn (see above).]
[Footnote 8: That is, one that also has no desires may act
(without desiring the fruit of action.)]
[Footnote 9: This is a S[=a]nkhya division.]
[Footnote 10: This cleverly contrived or profound
universality of Vishnuism is one of the greatest obstacles
to missionary effort. The Vishnuite will accept Christ, but
as a form of Vishnu, as here explained. Compare below: "Even
they that sacrifice to other gods really sacrifice to Me."]
[Footnote 11: Prakriti (prak[r.]t[=i]), nature; the term
belongs to the S[=a]nkhya philosophy, which recognizes
nature as distinct from spirit, a duality, opposed to
adv[=a]ita, the non-duality of the Ved[=a]nta system,
where the S[=a]nkhya 'nature' is represented by
m[=a]y[=a], 'illusion.' Otherwise the word Prakrit is the
'natural,' vulgar dialect, opposed to Sanskrit, the refined,
'put-together' language.]
[Footnote 12: Saints, literally 'the successful ones.']
[Footnote 13: Alluding to the later derivation of Yama from
yam, control.]
[Footnote 14: "The letter A," as in the Upanishads (see
above, p. 226).]
[Footnote 15: Compare a parallel list of diadochoi in xii.
349. 51.]
[Footnote 16: One of the Jaina traits of the epic,
brahm[=a]di[s.]u t[r.]u[=a]nte[s.]u bh[=u]te[s.]u
parivartate, in distinction from the Buddhistic
metempsychosis, which stops short of plants. But perhaps it
is rather borrowed from the B[.r]ahman by the Jain, for
there is a formal acknowledgment that sth[=a]var[=a]s
'stationary things,' have part in metempsychosis, Manu, xii.
42, although in the distribution that follows this is almost
ignored (vs. 58).]
[Footnote 17: It is rather difficult to compress the list
into this number. Some of the names are perhaps later
additions.]
[Footnote 18: In contrast one may note the frequent boast
that a king 'fears not even the gods,' e.g., i. 199. 1.]
[Footnote 19: Later there are twenty-one worlds analogous lo
the twenty-one hells.]
[Footnote 20: Elsewhere, oh the other hand, the islands are
four or seven, the earlier view.]
[Footnote 21: iii. 142. The boar-shape of Vishnu is a
favorite one, as is the dwarf-incarnation. Compare
V[=a]mana, V[=a]manaka, Vishnupada, in the list of holy
watering-places (iii. 83). Many of Vishnu's acts are simply
transferred from Brahm[=a], to whom they belonged in older
tales. Compare above, p.215.]
[Footnote 22: In i. 197, Praj[=a]pati the Father-god, is the
highest god, to whom Indra, as usual, runs for help. Çiva
appears as a higher god, and drives Indra into a hole, where
he sees five former Indras; and finally Vishnu comes on to
the stage as the highest of all, "the infinite,
inconceivable, eternal, the All in endless forms." Brahm[=a]
is invoked now and then in a perfunctory way, but no one
really expects him to do anything. He has done his work,
made the castes, the sacrifice, and (occasionally)
everything. And he will do this again when the new aeon
begins. But for this aeon his work is accomplished.]
[Footnote 23: Thus in XII. 785. 165: "Neither Brahm[=a] nor
Vishnu is capable of understanding the greatness of Çiva."]
[Footnote 24: Or "three eyes."]
[Footnote 25: Compare III. 39. 77: "The destroyer of
Daksha's sacrifice." Compare the same epithet in the hymn to
Çiva, X. 7. 3, after which appear the devils who serve Çiva.
Such devils, in the following, feast on the dead upon the
field of battle, though, when left to themselves, 'midnight
is the hour when the demons swarm,' III. 11. 4 and 33. In X.
18 and XIII. 161 Çiva's act is described in full.]
[Footnote 26: Çiva, called Bhava, Çarva, the trident-holder,
the Lord ([=I]ç[=a]na), Çankara, the Great God, etc.,
generally appears at his best where the epic is at its
worst, the interpolations being more flagrant than in the
case of Vishnuite eulogies. The most devout worshipper of
Vishnu is represented as an adherent of Çiva, as invoking
him for help after fighting with him. He is "invincible
before the three worlds." He is the sun; his blood is ashes.
All the gods, with Brahm[=a] at their head, revere him. He
has three heads, three faces, six arms (compare iii. 39. 74
ff.; 83. 125); though other passages give him more.]
[Footnote 27: Çiva has as sign the bull: Vishnu, the boar.]
[Footnote 28: ZDMG. xxxviii. pp. 197, 200.]
[Footnote 29: Lit. u. Cultur, p. 461.]
[Footnote 30: Holtzmann now says (in Neunzehn Bücher, p.
198) that the whole episode which terminates with Baladeva's
visit an addition to the original. Holtzmann's monograph on
Brahm[=a] is in ZDMG. xxxviii. 167.]
[Footnote 31: A good example is that of the two visions of
Arjuna, first the vision of Vishnu, then another vision of
Çiva, whom Arjuna and Vishnu visit (vii. 80).]
[Footnote 32: Çankara and Çiva mean almost the same; 'giver
of blessings' and 'prospering' (or 'kindly'), respectively.]
[Footnote 33: Brahma[n.]as sumahotsavas (compare the
commentator). The sam[=a]ja of Brahm[=a] may be explained
by that of Çiva mentioned in the same place and described
elsewhere (iv. 13. 14 ff.; i. 164. 20).]
[Footnote 34: Not sleeping, Vishnu, despite svapimi,
does not slumber; he only muses.]
[Footnote 35: Man (divine) and god human, but N[=a]r[=a]yana
is a new name of Vishnu, and the two are reckoned as two
inseparable seers (divinities).]
[Footnote 36: This is the only really trinitarian passage in
the epic. In i. 1. 32; xiii. 16. 15, the belief may be
indicated, but not certainly, as it is in Hariv. 10,662. See
on this point Holtzroann, ZDMG. xxxviii. p. 204. In xiv. 54.
14 the form is V[=i]shnu, Brahm[=a], Indra.]
[Footnote 37: Compare 339. 114, "thou art
pañcamah[=a]kalpa." The commentator gives the names of
five sects, S[=a]ura, Ç[=a]kta, G[=a]neça, Ç[=a]iva,
Vaishnava. The 'five times,' implied in Pañcak[=a]ta, he
says are day, night, month, seasons, and year (ib. 66). In
340. 117 (which chapter is Pancar[=a]tric), Brahm[=a] "knows
that Vishnu is superior."]
[Footnote 38: V[=a]j. S. xvi. 1-66; T[=a]itt. S. iv. 5.
1-11.]
[Footnote 39: Çiva has no ordinary sacrifice: he is (as
above) in general a destroyer of sacrifice, i.e., of Vedic
sacrifice; but as Paçupati, "Lord of beasts," he claims the
bloody sacrifice of the first beast, man.]
[Footnote 40: The usual opinion is that phallic worship was
a trait of southern tribes foisted upon northern Çivaism.
Philosophically Çivaism is first monotheistic and then
pantheistic, To-day it is nominally pantheistic but really
it is dualistic.]
[Footnote 41: There are indications in this passage of some
sectarian feeling, and the fear of partisan warfare (229);
in regard to which we add from Muir and Holtzmann the
passage XII. 343. 121, where is symbolized a peaceful issue
of war between Vishnuism and Çivaism.]
[Footnote 42: Grahas are also planets, but in this cult they
are not astrological, as show their names.]
[Footnote 43: They are possibly old, as Weber thinks, but
they seem to have nothing in common with the ancient female
divinities.]
[Footnote 44: Compare another hymn to Durg[=a] in IV. 6. 5
ff. (late). Durgi was probably an independent local deity,
subsequently regarded as Çiva's female side. She plays a
great rôle, under various names, in the 'revived'
literature, as do the love-god and Ganeça. In both hymns she
is 'Vishnu's sister,' and in IV. 6 a 'pure virgin.']
[Footnote 45: One comparatively new god deserves a passing
mention, Dharma's son, K[=a]ma, the (Grecian?) love-god,
'the mind-shaker,' 'the limbless one,' whose arrows are like
those of Cupid (I. 66. 32; 171. 34; III. 46. 2). He is an
adventitious addition to the epic. His later name of Ananga
occurs in XII. 59. 91. In I. 71. 41 and 171. 40 he is
Manmatha. The Atharvan god also has darts, III. 25, a mark
of this latest Veda.]
[Footnote 46: Compare ii. 22. 18: "Great holiness, great
glory, penance, death in battle, these are each respectively
productive of heaven; the last alone is a sure cause."]
[Footnote 47: This description and the sentiments are quite
late. The same sort of heaven (without the philosophical
bitterness, with which compare above, p. 229) is, however,
found in other passages, somewhat augmented with nymphs and
facile goddesses.]
[Footnote 48: This doctrine is supposed by some scholars to
be due to outside influence, but the doubt is not
substantiated, and even in the Rig Veda one passage appears
to refer to it. Doubtless, however, the later expanded view,
with its complicated reckonings, may have been touched by
foreign influence.]
[Footnote 49: Na [=a]san s[=a]ma-[r.]g-yajur-varn[=a]s. In
xii. 342. 8 the order is Rik-Yajus-Atharvan-S[=a]man. The
habit of putting S[=a]man instead of Rik at the head of the
Vedas is still kept in the late litany to Çiva, who is "the
S[=a]man among the Vedas" meaning, of course, the first and
best. In the same place, "Çiva is the Itih[=a]sa" epic
(xiii. 14. 323; and ib. 17. 78, 91), for the epic
outweighs all the Vedas in its own estimation.]
[Footnote 50: iii. 149. 14; 188. 22; 189. 32; probably with
a recollection of the colors of the four castes, white, red,
yellow, black. According to xii. 233. 32, there is no
sacrifice in the Krita age, but, beginning with the Tret[=a]
age, there is a general diffusion of sacrifice in the
Dv[=a]para age. In another passage of the same book it is
said that marriage laws arose in the Dv[=a]para age (207. 38
ff.).]
[Footnote 51: The teaching varies somewhat in the allotment
of years. See Manu, I. 67.]
[Footnote 52: Weber thinks, on the other hand, that the
parties represent respectively, Çiva and Vishuu worship,
Ind. St. i. 206.]
[Footnote 53: This book also is closely in touch with the
later Pur[=a]nas. For instance, Citragupta, Yama's
secretary, is known only to the books of the pseudo-epic,
the Vishnu Pur[=a]na, the Padma Pur[=a]na, etc.]
[Footnote 54: Neunzehn Bücher, p. 86.]
[Footnote 55: The epic does not care much for castes in some
passages. In one such it is said that members of all castes
become priests when they go across the Gomal, iii. 84. 48.]
[Footnote 56: xii. 319. 87 ff. (pr[=a]pya j[=n][=a]nam …
ç[=u]dr[=a]d api); xii. 328. 49 (çr[=a]vayee caturo
var[n.][=a]n). The epic regards itself as more than
equivalent (adhikam) to the four Vedas, i. 1. 272.]
[Footnote 57: Some ascribe the sams[=a]ra doctrine to
Buddhistic influence—a thesis supported only by the fact
that this occurs in late Brahmanic passages and Upanishads.
But the assumption that Upanishads do not precede Buddha is
scarcely tenable. The Katha, according to Weber (Sits.
Berl. Ak. 1890, p. 930), is late (Christian!): according to
Oldenberg and Whitney, early (Buddha, p. 56; Proc. AOS.
May, 1886).]
[Footnote 58: xii. 295. 5-6.]
[Footnote 59: Noteworthy is the fact that parts of the
Çivaite thirteenth book seem to be most Buddhistic (ch. i.;
143. 48, etc.), and monotheistic (16. 12 ff.): though the
White Islanders are made Vishnuite in the twelfth. Compare
Holtzmann, ad. loc.]
[Footnote 60: Nirv[=a]na, loosely used; termini technici;
possibly the evils of the fourth age; the mention of
(Buddhist) temples, etc.]
[Footnote 61: On this point we agree neither with Weber, who
regards the avatars as an imitation of the Incarnation
(Ind. St. ii. p. 169), nor with Schroeder, who (Literatur
und Cultur, p. 330) would derive the notion from the
birth-stories of Buddha. In our opinion the avatar-theory
is older than either and is often only an assimilation of
outlying totem-gods to the Brahman's god, or as in the case
of the flood-story the necessary belief that the 'fish' must
have been the god of the race. Some of these avatars are
Brahmanic, presumably pre-Buddhistic.]
[Footnote 62: Krishna's Geburtsfest (janm[=a][s.]tam[=i]),
1867.]
[Footnote 63: Since they do not appear till after the real
epic we date them tentatively as arising after 600 A.D. Most
of them are in still later Pur[=a]nas.]
[Footnote 64: Incidental rapport with the Greeks has been
pointed out in other instances; the surang[=a], a mine, of
the late tale in i. 148. 12, etc (Ind. St. ii. p. 395),
has been equated with syrinx; Skanda with Alexander, etc. It
is needless to say that each of these is only a guess in
etymology. But Greek influence is perceptible in the Greek
soldiers and names of (Greek) kings that are found in the
epic.]
[Footnote 65: Ind. St. i. 423; ii. 169. Weber believes
that little is native to India which resembles Christianity
in the way of theology; lore of God, special grace,
monotheism, all to him are stolen. We regret that we must
disagree with him in these instances.]
[Footnote 66: Ekata, Dvita, Trita. A Dvita appears as early
as the Rig Veda. Ekata is an analogous formation and is old
also.]
[Footnote 67: Hrish[=i]keça is 'lord of senses,' a common
epithet of Vishnu (Krishna).]
[Footnote 68: i. 107. 1 ff. The spirits of the dead come to
him and comfort him in the shape of birds—an old trait,
compare B[=a]udh. Dh. Ç[=a]st. ii. 8. 14. 10; Çat. Br. vi.
1. 1. 2.]
[Footnote 69: xii. 300. 20.]
* * * * *
THE PUR[=A]NAS.—EARLY SECTS, FESTIVALS, THE TRINITY.
Archaeologia, 'ancient lore,' is the meaning of Pur[=a]na
(pur[=a]na, 'old'). The religious period represented by the extant
writings of this class is that which immediately follows the
completion of the epic.[1] These works, although they contain no real
history, yet reflect history very plainly, and since the advent and
initial progress of Puranic Hinduism, with its various cults, is
contemporary with important political changes, it will be necessary
briefly to consider the circumstances in which arose these new creeds,
for they were destined to become in the future the controlling force
in the development of Hindu religion.
In speaking of the extension of Buddhism we showed that its growth was
influenced in no small degree by the fact that this caste-less and,
therefore, democratic religion was adopted by post-Alexandrine rulers
in the Graeco-Bactrian period. At this time the Aryans were surrounded
with foreigners and pagans. To North and South spread savage or half
Hinduized native tribes, while soldiers of Greece and Bactria encamped
in the valley of the Ganges. Barbarians had long been active in the
North, and some scholars have even claimed that Buddha's own family
was of Turanian origin. The Brahmans then as now retained their
prestige only as being repositories of ancient wisdom; and outside of
their own 'holy land' their influence was reduced to a minimum by the
social and political tendencies that accompanied the growth of
Buddhism. After the fourth century B.C. the heart of India, the
'middle district,' between the Him[=a]laya and Vindhya mountains from
Delhi to Benares,[2] was trampled upon by one Graeco-Bactrian horde
after another. The principal effect of this rude dominion was
eventually to give political equality to the two great rival
religions. The Buddhist and the Brahman lived at last if not
harmoniously, at least pacifically, side by side. Members of the same
reigning family would profess Buddhism or Brahmanism indifferently.
One king would sometimes patronize both religions. And this continued
to be the case till Buddhism faded out, replaced by that Hinduism
which owed its origin partly to native un-Aryan influence (paganism),
partly to this century-long fusion of the two state religions.
To review these events: In the first decades of the fourth century
(320 or 315-291 B.C.) Candragupta, Sandrocottos, had built up a
monarchy in Beh[=a]r[3] on the ruins left by the Greek invasion,
sharing his power with Seleucus in the Northwest, and had thus
prepared the way for his grandson, Açoka, the great patron of Buddhism
(264 or 259). This native power fell before the hosts of Northern
barbarians, which, after irruptions into India in the second century,
got a permanent foothold there in the first century B.C. These
Northern barbarians (their nationality is uncertain), whose greatest
king was Kanishka, 78 A.D., ruled for centuries the land they had
seized; but they were vanquished at last in the sixth century,
probably by Vikram[=a]ditya,[4] and were driven out. The
breathing-space between Northern barbarian and Mohammedan was
nominally not a long one, but since the first Moslem conquests had no
definitive result the new invaders did not quite overthrow Hindu rule
till the end of the tenth century. During this period the native
un-Aryan tribes, with their Hinduizing effect, were more destructive
as regards the maintenance of the old Brahmanic cult than were
outsiders.[5]
When Tamerlane invaded India his was the fourth invasion after the
conquest of the Punj[=a]b by the Moslem in 664.[6] In 1525 the fifth
conqueror, Baber, fifth too in descent from Tamerlane, founded the
Mogul empire that lasted till the fall of this dynasty (nominally till
1857). But it must be remembered that each new conqueror from 997 till
1525 merely conquered old Mohammedan dynasties with new invasions. It
was all one to the Hindu. He had the Mohammedan with him all this time
only each new rival's success made his lot the harder, But Baber's
grandson, the Great Mogul, Akbar (who reigned from 1556 to 1605), gave
the land not only peace but kindness; and under him Jew, Christian,
Hindu, and Mohammedan at last forgot to fear or fight. After this
there is only the overthrow of the Mohammedan power to record; and the
rise of the Mahratta native kingdoms. A new faith resulted from the
amalgamation of Hinduism with Mohammedism (after 1500), as will be
shown hereafter. [8] In the pauses before the first Mohammedan
invasion, and between the first defeat of the Mohammedans and their
successful second conquest, the barbarians being now expelled and
Buddhism being decadent, Brahmanism rallied. In the sixth century
there was toleration for all faiths. In the seventh century
Kum[=a]rila renewed the strength of Brahmanism on the ritualistic side
with attacks on Buddhism, and in the ninth century Çankara placed the
philosophy of unsectarian pantheism on a firm basis by his commentary
on the Ved[=a]nta S[=u]tra.[7] These two men are the re-makers of
ancient Brahmanism, which from this time on continued in its
stereotyped form, adopting Hindu gods very coyly, and only as spirits
of small importance, while relying on the laws as well as the gods of
old, on holy [=a]c[=a]ra or 'custom,' and the now systematized
exposition of its old (Upanishad) philosophy.[8] Its creative force
was already spent. Buddhism, on the other hand, was dying a natural
death. The time was ripe for Hinduism, which had been gathering
strength for centuries. After the sixth century, and perhaps even as
late as 1500, or later, were written the modern Pur[=a]nas, which
embody the new belief.[9] They cannot, on account of the distinct
advance in their cult, have appeared before the end of the epic age.
The breathing spell (between barbarian and complete Mohammedan
conquest) which gave opportunity to Kum[=a]rila to take a high hand
with Buddhism, was an opportunity also for the codification of the new
creeds. It is, therefore, to this era that one has probably to refer
the first of the modern sectarian Pur[=a]nas, though the ritualistic
Tantras and [=A]gamas of the lower Çivaite sects doubtless belong
rather to the end than to the beginning of the period. We are
strengthened in this belief by the fact that the oldest of these works
do not pretend to antedate Kum[=a]rila's century, though the sects
mentioned in the epic are known in the first centuries of the
Christian era. The time from the first to the seventh centuries one
may accordingly suppose to have been the era during which was
developing the Brahmanized form of the early Hindu sects, the
literature of these and subsequent sects being composed in the
centuries succeeding the latter term. These sects again divide into
many subdivisions, of which we shall speak below. At present we take
up the character of the Pur[=a]nas and their most important points of
difference as compared with the sectarian parts of the earlier
pseudo-epic, examining especially the trinitarian doctrine, which they
inculcate, and its history.
Save in details, even the special 'faith-scriptures' called Tantras go
no further than go the Pur[=a]nas in advocating the cult of their
particular divinities. And to this advocacy of special gods all else
in this class of writings is subordinated. The ideal Pur[=a]na is
divided into five parts, cosmogony, new creations, genealogies of gods
and heroes, manvantaras (descriptions of periodic 'ages,' past and
future), and dynasties of kings. But no extant Pur[=a]na is divided
thus. In the epic the doctrine of trinitarianism is barely formulated.
Even in the Harivança, or Genealogy, va[.n]ça, of Vishnu, there is
no more than an inverted triunity, 'one form, three gods,' where, in
reality, all that is insisted upon is the identity of Vishnu and Çiva,
Brahm[=a] being, as it were, perfunctorily added.[10] In the
Pur[=a]nas, on the other hand, while the trinity is acknowledged,
religion is resolved again into a sort of sectarian monotheism, where
the devotee seems to be in the midst of a squabbling horde of
temple-priests, each fighting for his own idol. In the calmer aspects
of religion, apart from sectarian schism, these writings offer,
indeed, much that is of second-rate interest, but little that is of
real value. The idle speculations in regard to former divinities are
here made cobweb thin. The philosophy is not new, nor is the spirit of
religion raised, even in the most inspired passages, to the level
which it has reached in the Divine Song. Some of these Pur[=a]nas, of
which eighteen chief are cited, but with an unknown number of
subordinate works,[11] may claim a respectable age; many of them are
the most wretched stuff imaginable, bearing about the same literary
and historical relation to earlier models as do the later legal
Smritis. In fact, save for their religious (sectarian) purport, the
Pur[=a]nas for sections together do not differ much in content from
legal Smritis, out of which some may have been evolved, though,
probably, they were from their inception legendary rather than
didactic. It is more probable, therefore, that they appropriated
Smriti material just as they did epic material; and though it is now
received opinion that legal Smritis are evolved out of S[=u]tras, this
yet can be the case only with the oldest, even if the statement then
can be accepted in an unqualified form. In our own opinion it is
highly probable that Pur[=a]nas and later legal Smritis are divergent
developments from the same source.[12] One gives an account of
creation, and proceeds to tell about the social side; the other sticks
to the accounts of creation, goes on to theology, takes up tales of
heroes, introduces speculation, is finally wrenched over to and
amplified by sectarian writers, and so presents a composite that
resembles epic and law, and yet is generally religious and
speculative.
A striking instance of this may be seen in the law-book of 'Vishnu.'
Here there is an old base of legal lore, S[=u]tra, interlarded with
Puranic material, and built up with sectarianism. The writer is a
Vishnuite, and while recognizing the trinity, does not hesitate to
make his law command offerings to Krishna V[=a]sudeva, and his family
(Pradyumna, Aniruddha), along with the regular Brahmanic oblations to
older spirits.[13] Brahmanism recognized Hindu deities as subordinate
powers at an early date, at least as early as the end of the S[=u]tra
period; while Manu not only recognizes Vishnu and Çiva (Hara), but
recommends an oblation to Çr[=i] and K[=a]l[=i] (Bhadrak[=a]li, here,
as elsewhere, is Durg[=a]).[14]
In their original form the Pur[=a]nas were probably Hesiodic in a
great extent, and doubtless contained much that was afterwards
specially developed in more prolix form in the epic itself. But the
works that are come down as Pur[=a]nas are in general of later
sectarian character, and the epic language, phraseology, and
descriptions of battles are more likely taken straight from the epic
than preserved from ante-epic times. Properly speaking one ought to
give first place to the Pur[=a]nas that are incorporated into the
epic. The epic M[=a]rkandeya Pur[=a]na, for instance, is probably a
good type of one of the earlier works that went by this name. That the
present Pur[=a]nas are imitations of the epic, in so far as they treat
of epic topics, may be presumed from the fact that although they often
have the formulae intact of the battlefield,[15] yet do they not
remain by epic descriptions but add weapons, etc., of more modern date
than are employed in the original.[16]
The sectarian monotheism of the Pur[=a]nas never resulted in
dispensing with the pantheon. The Hindu monotheist is a pantheist, and
whether sectarian or philosophical, he kept and added to his
pantheon.[17] Indra is still for warriors, Maruts for husbandmen,
although old views shift somewhat. So for example, in the K[=u]rma
Pur[=a]na the Gandharvas are added for the Ç[=u]dras.[18] The
fourfoldness, which we have shown in the epic to be characteristic of
Vishnu, is now represented by the military epithet caturvy[=u]has
(agmen quadratum), in that the god represents peace, wisdom, support,
and renunciation; though, as a matter of fact, he is avy[=u]ha,
i.e., without any of these.[19] Starting with the physical 'god of
the four quarters,' one gets even in the epic the 'controller of
four,' or perfect person, conceived like [Greek: anêr tetragônos].
Tennyson's 'four-square to all the winds that blow' is a good
connecting link in the thought. The Pur[=a]nas are a mine of legend,
although most of the stories seem to be but epic tales, more or less
distorted. Nala 'the great-great-grandson of R[=a]ma' is described
after the history of R[=a]ma himself; the installation of P[=u]ru,
when his father had passed over his eldest son, and such reminiscences
of the epic are the stock in trade of the legendary writers.[20]
The origin of the four castes;[21] the descriptions of hell,
somewhat embellished,[22] where the 'sinful are cooked in fire';[23] the
exaltation of Vishnu as Krishna or K[=a]ma in one, and that of Çiva in
another—these and similar aspects are reflections of epic matter,
spirit, tone, and language, only the faith is still fiercer in
religious matters, and the stories are fainter in historical
references. According to the Pur[=a]na last cited: "There is no
expiation for one that bows to a phallic emblem," i.e., Çivaite, and
"all the B[=a]uddhas are heretics";[24] and according to the K[=u]rma
Pur[=a]na: "Vishnu is the divinity of the gods; Çiva, of the devils,"
although the preceding verses teach, in the spirit of the Divine Song,
that each man's divinity is that which he conceives to be the
divinity. Such is the concluding remark made by Vasistha in
adjudicating the strife between the Vishnuite and Çivaite sectaries of
the epic heroes.[25] The relation that the Puranic literature bears to
religion in the minds of its authors is illustrated by the remark of
the N[=a]rad[=i]ya to the effect that the god is to be honored "by
song, by music, by dance, and by recounting the Pur[=a]nas" (xvii. 9).
Some of the epic religious ceremonies which there are barely alluded
to are here described with almost the detail of a technical handbook.
So the N[=a]nd[=i]ya (xix.) gives an elaborate account of the raising
of a dhvaja or standard as a religious ceremony.[26] The legal rules
affecting morality and especially caste-intercourse[27] show a laxity
in regard to the rules as formerly preached. Even the old Puranic form
of the epic is reproduced, as when M[=a]rkandeya converses again with
Yudhistris, exactly as he does in the epic.[28] The duration of the
ages; the fruit of sacrifices, among which are still mentioned the
r[=a]jas[=u]ya, açvamedha, and other ancient rites;[29] the virtue
of holy-places;[30] the admixture of pure pantheism with the idea of a
personal creation[31]—these traits are again just those which have
been seen already in the epic, nor is the addition of sections on
temple-service, or other more minute details of the cult, of
particular importance in a history of religious ideas.
The Pur[=a]nas for our present purpose may all be grouped with the
remark that what is ancient in them is a more or less fugitive
resemblance to the epic style and matter;[32] what is new is the more
pronounced sectarianism with its adventitious growth of subordinate
spiritualities and exaggerated miracles. Thus for instance in the
Var[=a]ha Pur[=a]na there are eleven, in the Bh[=a]gavat Pur[=a]na
twenty (instead of the older ten) avatars of Vishnu. So too the god
of love—although K[=a]ma and his dart are recognized in the late
Atharvan—as a petty spirit receives homage only in the latest
S[=u]tra (as Cupid, [=A]pastamba, ii, 2. 4. 1), and in late additions
to the epic he is a little god; whereas in the drama he is prominent,
and in the Pur[=a]nas his cult is described at length (though to-day
he has no temple). The 'mother'-fiend P[=u]tan[=a], who suckles babes
to slay them, is scarcely known to the early epic, but she is a very
real personality in the late epic and Pur[=a]nas.
The addition to the trinity of the peculiar inferior godhead that is
advocated in any one Pur[=a]na, virtually making four divinities, is
characteristic of the period.
In proportion as sectarian ardor is heightened religious tone is
lowered. The Puranic votary clinging to his one idea of god curses all
them that believe in other aspects of the divinity. Blind bigotry
fills the worshipper's soul. Religion becomes mere fanaticism. But
there is also tolerance. Sometimes in one and the same Pur[=a]na rival
forms are honored. The modern Hindu sects are in part the direct
development of Puranic doctrine. But most of the sects of to-day are
of very recent date, though their principles are often of respectable
antiquity, as are too their sectarian signs, as well as the animals of
their gods, some of which appear to be totems of the wild tribes,
while others are merely objects of reverence among certain tribes.
Thus the ram and the elephant are respectively the ancient beasts of
Agni and Indra. Çiva has the bull; his spouse, the tiger. Earth and
Skanda have appropriated the peacock, Skanda having the cock also.
Yama has the buffalo (compare the Khond, wild-tribe, substitution of a
buffalo for a man in sacrifice). Love has the parrot, etc; while the
boar and all Vishnu's animals in avatars are holy, being his chosen
beasts.[33]
A classification of older sects (the unorthodox) than those of the
present remains to us from the works of Çankara's reputed disciple,
[=A]nanda Giri, and of M[=a]dhava [=A]c[=a]rya, the former a writer of
the ninth, the latter of the fourteenth century. According to the
statements made by these writers there were a great number of sects,
regarded as partly heterodox or wholly so, and it is interesting in
examining the list of these to see that some of the epic sects (their
names at least) are still in full force, while on the other hand the
most important factions of to-day are not known at all; and that many
sects then existed which must have been at that time of great
antiquity, although now they have wholly passed away.[34] These last
are indeed to the author of the critique of the sects not wholly
heterodox. They are only too emphatic, in worshipping their peculiar
divinity, to suit the more modern conceptions of the Hindu reviewer.
But such sects are of the highest importance, for they show that
despite all the bizarre bigotry of the Pur[=a]nas the old Vedic gods
(as in the epic) still continue to hold their own, and had their own
idols and temples apart from other newer gods. The Vedic divinities,
the later additions in the shape of the god of love, the god of
wealth, Kubera,[35] the heavenly bird, Garuda, the world-snake, Çesha,
together with countless genii, spirits, ghosts, the Manes, the
heavenly bodies, stars, etc., all these were revered, though of less
importance than the gods of Vishnuite and Çivaite sects. Among these
latter the Çivaite sects are decidedly of less interest than the
corresponding Vishnuite heresies, while the votaries of Brahm[=a]
(exclusively) are indeed mentioned, but they cannot be compared with
those of the other two great gods.[36] To-day there is scarcely any
homage paid to Brahm[=a], and it is not probable that there ever was
the same devotion or like popularity in his case as in the case of his
rivals. Other interesting sects of this period are the
Sun-worshippers, who still exist but in no such numbers as when
[=A]nand[=a] Giri counted six formal divisions of them. The votaries
of these sub-sects worshipped some, the rising sun, some, the setting
sun, while some again worshipped the noonday sun, and others, all
three as a tri-m[=u]rti. Another division worshipped the sun in
anthropomorphic shape, while the last awakens the wrath of the
orthodox narrator by branding themselves with hot irons.[37]
Ganeça,[38] the lord of Çiva's hosts, had also six classes of
worshippers; but he has not now as he then had a special and peculiar
cult, though he has many temples in Benares and elsewhere. Of the
declared Çivaite sects of that day, six are mentioned, but of these
only one survives, the 'wandering' Jangamas of South India, the
Çivaite R[=a]udras, Ugras, Bh[=a]ktas, and P[=a]çupatis having yielded
to more modern sectaries.
Some at least among the six sects of the Vishnuite sects, which are
described by the old writers, appear to have been more ancient. Here
too one finds Bh[=a]ktas, and with them the Bh[=a]gavatas, the old
P[=a]ñcar[=a]tras, the 'hermit' V[=a]ikh[=a]nasas, and Karmah[=i]nas,
the latter "having no rites." Concerning these sects one gets scanty
but direct information. They all worshipped Vishnu under one form or
another, the Bh[=a]ktas as V[=a]sudeva, the Bh[=a]gavatas[39] as
Bhagavat. The latter resembled the modern disciples of R[=a]m[=a]nuja
and revered the holy-stone, appealing for authority to the Upanishads
and to the Bhagavad Git[=a], the Divine Song. Some too worshipped
Vishnu exclusively
as N[=a]r[=a]yana, and believed in a heaven of sensual
delights. The other sects, now extinct, offer no special forms of
worship. What is historically most important is that in this list of
sects are found none that particularly worship the popular divinities
of to-day, no peculiar cult of Krishna as an infant and no
monkey-service.
Infidel sects are numerous in this period, of which sects the worst in
the old writers' opinion is the sensual C[=a]rv[=a]ka. Then follow the
(Buddhist) Ç[=u]nyav[=a]ds, who believe in 'void,' and S[=a]ugatas,
who believe that religion consists only in kindness, the Kshapanakas,
and the Jains. The infamous 'left-hand' sectaries are also well known.
To one side of the Puranic religions, from the earlier time of which
comes this account of heresies, reference has been made above: the
development of the fables in regard to the infant Krishna. That the
cult is well known in the later Pur[=a]nas and is not mentioned in
this list of wrong beliefs seems to show that the whole cult is of
modern growth, even if one does not follow Weber in all his signs of
modification of the older practice.
For the history of the cult there is in these works much to interest
one in the description and determination of popular festivals in honor
of the great sectarian gods. Further details of more specific nature
are given in other works which need not here be regarded. By far the
most important of these festivals are those that seem to have been
absorbed by the sectarian cults, although they were originally more
popular. Weber in the paper on the r[=a]jas[=u]ya, to which we have
had occasion several times to refer, has shown that a popular element
abided long in the formal celebrations of the Brahmanic ritual.[40]
is soundly beaten; that gaming creeps into the ceremony as a popular
aspect; that there was a special ceremony to care katsenjammer
caused by over-drinking; and that the whole ceremony was a popular
spring festival, such as is found to-day (but without the royal part
in the play).
Undoubtedly the original celebration was a popular one. Today the most
interesting of these popular fêtes is in all respects the New Year's
Festival and the Spring Festival. The latter has been cut up into
several parts, and to show the whole intent of the original ceremonial
it is necessary to take up the disjecta membra and place them side
by side, as has been done by Wilson, whose sketch of these two
festivals, together with that by Gover of the New Year's Feast called
Pongol, we give in abstract, premising that, however close be the
comparison with European festivals of like nature, we doubt
whether there is any historical connection between them and the Hindu
celebrations.
We begin with the more popular New Year's, the Pongol:[41] The
interesting feature of this South India festival is that the Hindus
have done their best to alter its divinities and failed. They have,
indeed, for Indra and Agni got Krishna formally accepted as the god in
whose honor it is supposed to be held, but the feast remains a native
festival, and no one really thinks of the Puranic gods in connection
with it. Europe also has seen such dynamic alterations of divinities
in cases where feasts would insist till patrons of an orthodox kind
were foisted upon them to give an air of propriety to that which
remained heathenish.[42] The Pongol is a New Year's festival lasting
for three days. The first day is for Indra; the second, for (Agni)
S[=u]rya;[43] the third (to which is added, as a wind-up, a fourth
day), for cattle. The whole feast is a harvest-home and celebration of
cattle. The chief ceremony is the cooking of rice, which is put to
boil with great solemnity, and luck for the next year is argued from
its boiling well. If it does so a universal shout arises,[44] all rush
about, congratulate, and give presents to each other, and merry-making
follows. On the cattle-days the beasts are led about with painted
horns and decorated with ribbons, and are then chased and robbed by
the boys. The image of Ganeça is the only one seen, and his worship is
rather perfunctory. On the evening of the last day the women have a
party, paying obeisance to a peacock, and indulging in a family
reunion of very simple character. On this occasion the girl-wife may
return for a few hours to her mother. It is the only general fête for
women during the year.
Not unlike this festival of the extreme south is the New Year's
celebration at the mouth of the Ganges. Here there is a grand fair and
jewels are cast into the river as propitiation to the river-goddess.
Not long ago it was quite customary to fling children also into the
river, but this usage has now been abolished.[45] Offerings are made
to the Manes, general and particular, and to the All-gods. As with the
Pongol, the feast is one of good-fellowship where presents are
distributed, and its limit is the end of the third day. After this the
festivities have no religious character. Thousands of pilgrims
assemble for this fête. Wilson, who gives an account of this
celebration, compares the ancient Roman New Year's, with the mutui
amoris pignora which were sent at that season. The gifts in India are
sweetmeats and other delicacies, ominous of good for the next
year.[46]
On the 2d of February occurs a feast to Çr[=i], or Lakshm[=i],
Vishnu's bride, patroness of all prosperity to her worshippers. At
present it is a literary festival on which all books, inkstands, pens,
etc., are cleaned and worshipped, as adjuncts to Sarasvat[=i], the
goddess of learning. This is rather significant, for Sarasvat[=i] is
properly the wife of Brahm[=a], but the Vishnuites of Bengal have made
her the wife of Vishnu, and identified her with Çr[=i]. It is to be
noticed that in this sole celebration of abstract learning and
literature there is no recognition of Çiva, but rather of his rival.
Çiva and Ganeça are revered because they might impede, not because, as
does Sarasvat[=i], they further literary accomplishment. Sarasvat[=i]
is almost the only fair goddess. She is represented not as a horror,
but as a beautiful woman sitting on a lotus, graceful in shape, a
crescent on her brow.[47] The boys, too, celebrate the day with games,
bat and ball, prisoner's base, and others "of a very European
character." The admixture of sectarian cults is shown by the
transference to this Vishnuite feast of the Çivaite (Durg[=a])
practice of casting into the river the images of the goddess.[48] When
applied distinctly to Sarasvat[=i] the feast is observed in
August-September; when to Lakshm[=i], in October-November, or in
February. There is, however, another feast, celebrated in the North
and South, which comes on the exact date fixed by the Romans for the
beginning of spring, and as an ending to this there is a feast to
K[=a]ma, Cupid, and his bride Rati ('Enjoyment'). This is the Vasanta,
or spring festival of prosperity and love, which probably was the
first form of the Lakshm[=i]-Sarasvat[=i] feast.
Another traditional feast of this month is the 10th[49] (the eleventh
lunar day of the light half of M[=a]gha). The eleventh lunar day is
particularly holy with the Vishnuites, as is said in the Brahma
Pur[=a]na, and this is a Vishnuite festival. It is a day of fasting
and prayer, with presents to priests.[50] It appears to be a mixture
of Vedic prayers and domestic Vishnu-worship. On the 11th of February
the fast is continued, and in both the object is expiation of sin. The
latter is called the feast of 'six sesamum acts,' for sesamum is a
holy plant, and in each act of this rite it plays a part. Other rites
of this month are to the Manes on the 14th, 22d, and 24th of February.
Bathing and oblation are requisite, and all are of a lustral and
expiatory nature. Wilson remarks on the fact that it is the same time
of year in which the Romans gave oblations to the Manes, and
that Februus is the god of purification. "There can be no reasonable
doubt that the Feralia of the Romans and the Çr[=a]ddha (feast to the
Manes) of the Hindus, the worship of the Pitris and of the Manes, have
a common character, and had a common origin."[51]
The 27th of February is the greatest Çivaite day in the year. It
celebrates Çiva's first manifestation of himself in phallic form. To
keep this day holy expiates from all sin, and secures bliss hereafter.
The worshipper must fast and revere the Linga. Offerings are made to
the Linga. It is, of course, a celebration formed of unmeaning
repetitions of syllables and the invocation of female Çaktis, snapping
the fingers, gesticulating, and performing all the humbug called for
by Çivaite worship. The Linga is bathed in milk, decorated, wrapped in
bilva leaves, and prayed to; which ceremony is repeated at intervals
with slight changes. All castes, even the lowest, join in the
exercises. Even women may use the mantras.[52] Vigil and fasting are
the essentials of this worship.[53]
The next festival closes these great spring celebrations. It bears two
names, and originally was a double feast, the first part being the
Dol[=a] Y[=a]tr[=a], or 'Swing-procession,' the second part being the
execrable Holi. They are still kept distinct in some places, and when
this occurs the Dolotsava, or Dol[=a] Y[=a]tr[=a], follows the Holi.
They are both spring festivals, and answer roughly to May-day, though
in India they come at the full moon of March. We have followed
Wilson's enumeration of all the minor spring feasts, that they may be
seen in their entirety. But in ancient times there was probably one
long Vasantotsava (spring-festival), which lasted for weeks, beginning
with a joyous celebration (2d of February) and continuing with lustral
ceremonies, as indicated by the now detached feast days already
referred to. The original cult, in Wilson's opinion, has been changed,
and the Dol[=a] Y[=a]tr[=a] is now given over to the Krishna-cult,
while the Hol[=i] divinity is a hobgoblin. The Dol[=a] Yatr[=a] begins
with fasting and ends (as Hol[=i]) with fire-worship. An image of
Krishna is sprinkled with red powder (ab[=i]r), and after this
(religious) ceremony a bonfire[54] is made, and an effigy, Holik[=a],
is put upon it and burned. The figure is carried to the fire in a
religious procession headed by Vishnuite or Brahman priests, of course
accompanied with music and song. After seven circumambulations of the
fire the figure is burned. This is the united observance of the first
day. At dawn on the morning of the second day the image of Krishna is
placed in a swing, dol[=a], and swung back and forth a few times,
which ceremony is repeated at noon and at sunset. During the day,
wherever a swing is put up, and in the vicinity, it is the common
privilege to sprinkle one's friend with the red powder or red
rose-water. Boys and common people run about the streets sprinkling
red water or red powder over all passengers, and using abusive
(obscene) language. The cow-herd caste is conspicuous at this
ceremony. The cow-boys, collecting in parties under a koryphaios,
hold, as it were, a komos, leaping, singing, and dancing[55] through
the streets, striking together the wands which they carry. These
cow-boys not only dress (as do others) in new clothes on this
occasion,[56] but they give their cattle new equipments, and regard
the whole frolic as part of a religious rite in honor of Krishna, the
cow-herd. But all sects take part in the performance (that is to say,
in the Hol[=i] portion), both Çivaites and Vishnuites. When the moon
is full the celebration is at its height. Hol[=i] songs are sung, the
crowd throws ab[=i]r the chiefs feast, and an all-night orgy ends
the long carousal.[57] In the south the Dol[=a] takes place later, and
is distinct from the Hol[=i]. The burning here is of K[=a]ma,
commemorating the love-god's death by the fire of Çiva's eye, when the
former pierced the latter's heart, and inflamed him with love. For
this reason the bonfire is made before a temple of Çiva. K[=a]ma is
gone from the northern cult, and in upper India only a hobgoblin,
Hol[=i], a foul she-devil, is associated with the rite. The whole
performance is described and prescribed in one of the late
Pur[=a]nas.[58] In some parts of the country the bonfire of the
Hol[=i] is made about a tree, to which offerings are made, and
afterwards the whole is set on fire. For a luminous account of the
Hol[=i], which is perhaps the worst open rite of Hinduism,
participated in by all sects and classes, we may cite the words of the
author of Ante-Brahmanical Religions: "It has been termed the
Saturnalia or Carnival of the Hindus. Verses the most obscene
imaginable are ordered to be read on the occasion. Figures of men and
women, in the most indecent and disgusting attitudes, are in many
places openly paraded through the streets; the most filthy words are
uttered by persons who, on other occasions, would think themselves
disgraced by the use of them; bands of men parade the street with
their clothes all bespattered with a reddish dye; dirt and filth are
thrown upon all that are seen passing along the road; all business is
at a stand, all gives way to license and riot."[59]
Besides these the most brilliant festivals are the R[=a]s Y[=a]tr[=a]
in Bengal (September-October), commemorating the dance of Krishna
with the gop[=i]s or milk-maids, and the 'Lamp-festival'
(D[=i]p[=a]l[=a]), also an autumnal celebration.
The festivals that we have reviewed cover but a part of the year, but
they will suffice to show the nature of such fêtes as are enjoined in
the Pur[=a]nas. There are others, such as the eightfold[60]
temple-worship of Krishna as a child, in July or August; the marriage
of Krishna's idol to the Tulasi plant; the Awakening of Vishnu, in
October, and so forth. But no others compare in importance with the
New Year's and Spring festivals, except the Bengal idol-display of
Jagann[=a]th, the Rath Y[=a]tr[=a] of 'Juggernaut'; and some others of
local celebrity, such as the D[=u]rg[=a]-p[=u]j[=a].[61] The temples,
to which reference has often been made, have this in common with the
great Çivaite festivals, that to describe them in detail would be but
to translate into words images and wall-paintings, the obscenity of
which is better left undescribed. This, of course, is particularly
true of the Çiva temples, where the actual Linga is perhaps, as Barth
has said, the least objectionable of the sights presented to the eye
of the devout worshipper. But the Vishnu temples are as bad.
Architecturally admirable, and even wonderful, the interior is but a
display of sensual immorality.[62]
In closing the Puranic period (which name we employ loosely to cover
such sects as are not clearly modern) we pause for a moment to cast a
glance backwards over the long development of the trinity, to the
units of which are devoted the individual Pur[=a]nas. We have shown
that the childhood-tales of Krishna are of late (Puranic) origin, and
that most of the cow-boy exploits are post-epic. Some are referred to
in the story of Çiçup[=a]la in the second book of the
Mah[=a]bh[=a]rata, but this scene has been touched up by a late hand.
The Vishnu Pur[=a]na, typical of the best of the Pur[=a]nas, as in
many respects it is the most important and interesting, represents
Krishnaite Vishnuism as its height. Here is described the birth of the
man-god as a black, k[r.][s.][n.]a, baby, son of Nanda, and his real
title is here Govinda, the cow-boy.[63] 'Cow-boy' corresponds to the
more poetical, religious shepherd; and the milk-maids, gopis with
whom Govinda dallies as he grows up, may, perhaps, better be rendered
shepherdesses for the same reason. The idyllic effect is what is aimed
at in these descriptions. Here Krishna plays his rude and rustic
tricks, upsetting wagons, overthrowing trees and washermen,
occasionally killing them he dislikes, and acting altogether much like
a cow-boy of another sort. Here he puts a stop to Indra-worship,
over-powers Çiva, rescues Aniruddha, marries sixteen thousand
princesses, burns Benares, and finally is killed himself, he the one
born of a hair of Vishnu, he that is Vishnu himself, who in 'goodness'
creates, in 'darkness' destroys,[64] under the forms of Brahm[=a] and
Çiva.[65]
In Vishnu, as a development of the Vedic Vishnu; in Çiva, as
affiliated to Rudra; in Brahm[=a], as the Brahmanic third to these
sectarian developments, the trinity has a real if remote connection
with the triune fire of the Rig Veda, a two-thirds connection, filled
out with the addition of the later Brahmanic head of the gods.
To ignore the fact that Vishnu and Rudra-Çiva developed inside the
Brahmanic circle and increased in glory before the rise of sectaries,
and to asseverate, as have some, that the two chief characters of the
later trinity are an unmeaning revival of decadent gods, whose names
are used craftily to veil the modernness of Krishnaism and
Çivaism,—this is to miscalculate the waxing dignity of these gods in
earlier Brahmanic literature. To say with Burnouf that the Vishnu of
the Veda is not at all the Vishnu of the mythologists, is a statement
far too sweeping. The Vishnu of the Veda is not only the same god with
the Vishnu of the next era, but in that next era he has become greatly
magnified. The Puranic All-god Vishnu stands in as close a relation to
his Vedic prototype as does Milton's Satan to the snaky slanderer of
an age more primitive.
Çiva-worship appears to have been adapted from a local cult in the
mountainous West, and at an early date to have been amalgamated with
that of his next resemblance, the Vedic Rudra; while Krishna-worship
flourished along the Ganges. These are those Dionysos and Herakles of
whom speak the old Greek authorities. One cult is possibly as
venerable as the other, but while Çivaism became Brahmanized early,
Krishnaism was adopted much later, and it is for this reason, amongst
others, that despite its modern iniquities Çiva has appealed more to
the Brahman than has Krishna.
Megasthenes tells us a good deal about these Hindu representatives of
Herakles and Dionysos. According to him there were Dionysiac festivals
in honor of the latter god (Çiva),[66] who belongs where flourishes
the wine, in the Açvaka district, north of the Kabul river. From this
place Çiva's worship extended into the East, M[=a]gadha (Beh[=a]r),
around Gokarna in the West, and even to the Kalinga country in the
extreme Southeast. But it was especially native to the mountainous
Northwest, about the 'Gate of Ganges' (north of Delhi, near
Saharampur), and still further north in Kashmeer. In the epic, Çiva
has his throne on K[=a]il[=a]sa,[67] the Northern mountain, in the
Him[=a]layas, and Ganges descend from the sky upon his head.
On the other hand, Herakles, of the Ganges land, where grows no wine,
is plainly Krishna, who carries club, discus, and conch. The Greek
cities Methora and Kleisobora are Mathur[=a] and Krishna-pur,
'Krishna-town'; the latter on the Jumna, the former near it on the
same river, capital of the clan which venerated Krishna as its chief
hero and god, the Y[=a]davas. Megasthenes says, also, that Herakles'
daughter is Pandaie, and this agrees with the P[=a]ndya, a southern
development of the epic Gangetic P[=a]ndavas, who especially worship
Krishna in conjunction with the Y[=a]davas. Their South-Indic town,
Mathur[=a], still attests their origin.
In speaking of the relative antiquity of Vishnuism and Çivaism one
must distinguish the pantheistic form of these gods from the single
forms. While Çivaism,per se, that is, the worship of Çiva as a great
and terrible god, preceded the same exaltation of Krishna, as is shown
by their respective literary appearance, and even by Megasthenes'
remark that the worship of Dionysos preceded that of Herakles by
fifteen generations, yet did Krishnaism, as a popular pantheism, come
before Çivaism as such. Although in the late Çvet[=a]çvatara Upanishad
Çiva is pantheistic, yet is he not so in the epic till some of the
latest passages make him the All, in imitation of Krishna as All-god.
Probably Çivaism remained by the first philosophy, Sankhyan dualism,
and was forced into Krishna's Vedantic pantheism, as this became
popular. At first neither was more than a single great god without any
philosophy.[68]
In one of the early exegetical works, which is occupied somewhat with
philosophical matter, there is evidence that a triad existed between
the Vedic triad of fires and the Puranic triad. Fire, Wind (or Indra),
and the Sun (S[=u]rya), are stated in a famous passage to be the only
real gods, all the others being but names of these. But, although in
form this triad (Nirukta, vii. 4, 5) is like the Vedic triad,[69] it
is essentially a triad in a pantheistic system like that of the epic
and Pur[=a]nas, for it is added that "all the gods are parts of one
soul." In explanation it is said: "Fire is the earth-god, Wind, or
Indra, is the god of the atmosphere, and the sun is the god of the
sky." Now in the Rig Veda Indra is closely united not only with Agni
but with Vishnu, albeit in this period Vishnu is his subordinate. The
nearest approach of this Vishnu to his classical descendant is in one
of the latest hymns of the Rig Veda, where it is said that the seven
seeds of creation are Vishnu's, as in later times he comprises seven
males. In the philosophy of the T[=a]ittir[=i]ya Samhit[=a] the three
places of Vishnu are not, as in the Rig Veda, the two points of the
horizon (where the sun sets) and the zenith, but 'earth, air, and
sky.'[70] That is to say, in the Brahmanic period Vishnu is already a
greater god than he had been. Nay, more, he is explicitly declared to
be
"the best of the gods."[71] That best means greatest may be shown from
the same work, where in savage fable it is recited that all the gods,
including Indra, ran up to him to get his strength.[72] But especially
in the Upanishads is Vishnu the one great god left from the Rig Veda.
And it is with the philosophical (not with the ritualistic) Vishnu
that Krishna is equated.
Of Çiva, on the other hand, the prototype is Rudra ('red'), his
constant sobriquet. In the Rig Veda he is the god of red lightning,
who is the father of the Maruts, the storm-gods. His attributes of a
fulgurant god are never lost. Even as Çiva the All-god he is still the
god of the blue neck, whose three-forked trident and home among the
mountains remind us of his physical origin. He is always the fairest
of the gods, and both early and late he is terrible, to be averted by
prayer, even where his magic 'medicines' are asked for. To him are
addressed the most suppliant cries: "O Rudra, spare us, strike not the
men, slay not the kine." In the Atharva Veda at every step one finds
characteristics which on the one hand are but exaggerations of the
type formulated in the Rig Veda, and on the other precursors of the
signs of the later god. In Çivaism, in contradistinction to Vishnuism,
there is not a trace of the euhemerism which has been suspected in the
Krishna-Vishnu cult. The Rudra of the Rig Veda already begins to be
identified with the triune fire, for he bears the standing epithet of
fire, "he of three mothers."[73] And this name he keeps, whether as
Rudra, who is "brilliant as the sun" (RV. i. 43. 5), whose weapon is
"the shining one that is emitted from the sky and passes along the
earth" (ib. vii. 46. 3); or again, as the "red boar of the sky,"
the "holder of the bolt" (ib. ii. 33. 3), and, above all gods, "the
terrible" (x. 126. 5).
Coming to the Brahmanic period one finds him a dweller in the mountain
tops, of a red color, with a blue neck, the especial lord of the
mountains, and so of robbers; while he is also the 'incantation-god,'
the 'god of low people.' Some of these are Rudra's attributes; but
here his name is already Çiva, so that one may trace the changes down
the centuries till he finds again in the epic that Çiva is the lord of
mountains, the patron of thieves (Hara, robber?), and endowed with the
trident, the blue neck,[74] and the three mothers of old. In the
middle period he has so many titles that one probably has to accept in
the subsequent Çiva not only the lineal descendant of the Vedic Rudra,
but also a combination of other local cults, where clan gods,
originally diverse, were worshipped as one in consequence of their
mutual likeness. One of the god's especial names is here Bhava, while
in the earlier period Bhava and Rudra are distinct, but they are
invoked as a pair (AV).[75] What gives Çiva his later tremendous
popularity, however, is the feature to which we have alluded in the
chapter on the epic. In the epic, all the strength of Çiva lies in the
Linga.[76] Both Bhava and Rudra, as Çarva, the archer—his local
eastern name—are represented as hurling the lightning, and it is
simply from identity of attributes that they have become identified in
person (AV. x. i. 23). Rudra's title of Paçupati, or 'lord of
cattle'[77] goes back to the Vedic age: "Be kind to the kine of him
who believes in the gods" is a prayer of the Atharva Veda (xi. 2. 28).
Agni and Rudra, in the Rig-Veda, are both called 'cattle-guarding,'
but not for the same reason. Agni represents a fire-stockade, while
Rudra in kindness does not strike with his lightning-bolt. The two
ideas, with the identification of Rudra and Agni, may have merged
together. Then too, Rudra has healing medicines (his magical side),
and Agni is kindest to men. All Agni's names are handed over in the
Br[=a]hmanas to Rudra-Çiva, just as Rudra previously had taken the
epithets of P[=u]shan (above), true to his robber-name. To ignore the
height to which at this period is raised the form of Rudra-Çiva is
surely unhistorical; so much so that we deem it doubtful whether
Çiva-invocations elsewhere, as in the S[=u]tra referred to above,
should be looked upon as interpolations. In the M[=a]itr[=a]yan[=i]
Collection, the Rudrajapas, the invocations to Rudra as the greatest
god, the highest spirit, the lord of beings (Bhava), are expressly to
Çiva Giriça, the mountain-lord (2. 9; Schroeder, p. 346). In the
[=A]itareya Br[=a]hmana it evidently is Rudra-Çiva, the god of ghastly
forms (made by the gods, it is said, as a composite of all the 'most
horrible parts' of all the gods), who is deputed to slay the
Father-god (when the latter, as a beast, commits incest with his
daughter), and chooses as his reward for the act the office of 'lord
of cattle.'[78] This is shown clearly by the fact that the fearsome
Rudra is changed to the innocuous Rudriya in the next paragraph. As an
example of how in the Br[=a]hmanas Rudra-Çiva has taken to himself
already the powers of Agni, the great god of the purely sacrificial
period, may be cited Çat. Br. vi. 1. 3. 10 and 2. 1. 12. Here Agni is
Kum[=a]ra, Rudra, Çarva (Sarva)[79], Paçupati (lord of beasts),
Bh[=a]irava (terrible), Açani (lightning), Bhava (lord of beings),
Mah[=a]deva (great god), the Lord—his 'thrice three names.' But where
the Br[=a]hmana assumes that these are names of Agni it is plain that
one has Rudra-Çiva in process of absorbing Agni's honors.
The third element in the Pur[=a]nic trinity,[80] identified with the
Father-god, genealogically deserves his lower position. His rivals are
of older lineage. The reason for his inferior position is,
practically, that he has little to do with man. Being already created,
man takes more interest in the gods that preserve and destroy.[81]
Even Brahm[=a]'s old exploits are, as we have shown, stolen from him
and given over to Vishnu. The famous (totemistic) tortoise legend was
originally Brahm[=a]'s, and so with others of the ten 'forms' of
Vishnu, for instance the boar-shape, in which Vishnu manifests
himself, and the fish-shape of Brahm[=a] (epic) in the flood-story.
The formal trim[=u]rti or tr[=a]ipurusha ('three persons') is a
late figure. It would seem that a Harihara (Vishnu and Çiva as one)
preceded the trinity, though the dual name is not found till quite
late.[82] But, as we showed above, the epic practically identifies
Vishnu and Çiva as equals, before it unites with these Brahm[=a] as an
equal third.
There arises now the further question whether sectarian Vishnuism be
the foisting of Krishnaism upon a dummy Vishnu. We think that, stated
in this way, such scarcely can have been the case. Neither of the
great sects is professedly of priestly origin, but each, like other
sects, claims Vedic authority, and finds Brahmanical support. We have
said that Vishnu is raised to his position without ictic suddenness.
He is always a god of mystic character, in short, a god for philosophy
to work upon. He is recognized as the highest god in one of the oldest
Upanishads. And it is with the philosopher's Vishnu that Krishna is
identified. Krishna, the real V[=a]sudeva (for a false V[=a]sudeva is
known also in the epic), is the god of a local cult. How did he
originate? The king of serpents is called Krishna, 'the black,' and
Vishnu reposes upon Çesha Ananta, the world-snake; but a more
historical character than this can be claimed for Krishna. This
god-man must be the same with the character mentioned in the
Ch[=a]ndogya Upanishad, 3. 17. 6. One may notice the similarities
between this Krishna and him of the epic cult. Krishna, son of
Devak[=i], was taught by his teacher, Ghora [=A]ngirasa, that
sacrifice may be performed without objective means; that generosity,
kindness, and other moral traits are the real signs of sacrifice; and
it is then said: "The priest Ghora [=A]ngirasa having said this to
Krishna, the son of Devak[=i]—and the latter was thereby freed from
(thirst) desire—said: "When a man is about to die let him resort to
this triad: 'the imperishable art thou,' 'the unmoved art thou,'
'breath's firmness art thou'; in regard to which are these two verses
in the Rig-Veda:[83] 'till they see the light of the old seed which is
kindled in the sky,' and 'perceiving above the darkness the higher
light, the sun, god among gods, we come to the highest light.'"
Krishna thus learned the abolition of sacrifice, and the worship of
the sun, the highest light (Vishnu), as true being—for this is the
meaning of the philosophical passage taken with its context. Kings and
priests discuss philosophy together in this period,[84] and it would
conform to later tradition to see in the pupil the son of a king. It
is, moreover, significant that the priest, Ghora [=A]ngirasà, is named
specially as priest of the sun-god elsewhere (K[=a]ush. Br. 30. 6), as
well as that Krishna [=A]ngirasa is also the name of a teacher. It is
said in this same Upanishad (3. 1. 1) that the sun is the honey,
delight, of the gods; and this chapter is a meditation on the sun,[85]
of which the dark (k[r.][s.][n.]a) form is that which comes from the
Itih[=a]sas and Pur[=a]nas, the fore-runners of the epic (3. 4. 3).
This is taught as a brahma-upanishad, a teaching of the absolute,
and it is interesting to see that it is handed down through Brahm[=a],
Praj[=a]pati, and Manu, exactly as Krishna says in the Divine Song
that his own doctrine has been promulgated; while (it is said further)
for him that knows the doctrine 'there is day,' his sun never sets (3.
11. 3-4). It is a doctrine to be communicated only to the eldest son
or a good student, and to no one else (ib. 5), i.e., it was new,
esoteric, and of vital importance. Here, too, one finds
Sanatkum[=a]ra, the 'ever young,' as Skanda,[86] yet as an earthly
student also (7. 1; 26. 2), just like Krishna.
It cannot be imagined, however, that the cult of the Gangetic Krishna
originated with that vague personage whose pupilage is described in
the Upanishad. But this account may still be connected with the epic
Krishna. The epic describes the overthrow of an old Brahmanic Aryan
race at the hands of the P[=a]ndavas, an unknown folk, whose king's
polyandrous marriage (his wife is the spouse of his four brothers as
well as of himself) is an historical trait, connecting the tribe
closely with the polyandrous wild tribes located north of the Ganges.
This tribe attacked the stronghold of Brahmanism in the holy land
about the present Delhi; and their patron god is the Gangetic Krishna.
In the course of the narrative a very few tales are told of Krishna's
early life, but the simple original view of Krishna is that he is a
god, the son of Devak[=i]. The few other tales are late and
adventitious additions, but this is a consistent trait. Modern writers
are fain to see in the antithesis presented by the god Krishna and by
the human hero Krishna, late and early phases. They forget that the
lower side of Krishna is one especially Puranic. In short, they read
history backwards, for theirs is not the Indic way of dealing with
gods. In Krishna's case the tricky, vulgar, human side is a later
aspect, which comes to light most prominently in the Genealogy of
Vishnu and in the Vishnu Pur[=a]na, modern works which in this regard
contrast strongly with the older epic, where Krishna, however he
tricks, is always first the god. It is not till he becomes a very
great, if not the greatest, god that tales about his youthful
performances, when he condescended to be born in low life, begin to
rise. An exact parallel may be seen in the case of Çiva, who at first
is a divine character, assuming a more or less grotesque likeness to a
man; but subsequently he becomes anthropomorphized, and is fitted out
with a sheaf of legends which describe his earthly acts.[87] And so
with Krishna. As the chief god, identified with the All-god, he is
later made the object of encomiums which degrade while they are meant
to exalt him. He becomes a cow-boy and acts like one, a god in a mask.
But in the epic he is the invading tribe's chief god, in process of
becoming identified with that god in the Brahmanic pantheon who most
resembles him. For this tribe, the (Yadavas) P[=a]ndavas, succeeded in
overthrowing the Brahmanic stronghold and became absorbed into the
Brahmanic circle. Their god, who, like most of the supreme gods of
this region among the wild tribes, was the tribal hero as sun-god,
became recognized by the priests as one with Vishnu. In the Upanishad
the priest-philosopher identifies Krishna with the sun as the 'dark
side' (k[r.][s.][n.]a, 'dark') of Vishnu, the native name probably
being near enough to the Sanskrit word to be represented by it. The
statement that this clan-god Krishna once learned the great truth that
the sun is the All-god, at the mouth of a Brahman, is what might be
expected. 'Krishna, the son of Devaki,' is not only the god, but he is
also the progenitor of the clan, the mystic forefather, who as usual
is deified as the sun. To the priest he is merely an avatar of
Vishnu. The identity of Krishna with the Gangetic god described by
Megasthenes can scarcely be disputed. The latter as represented by the
Greek is too great a god to have passed away without a sign except for
a foreigner's account. And there is no figure like his except that of
Krishna.
The numerous avatars[88] of Vishnu are first given as ten, then as
twenty, then as twenty-two,[89] and at last become innumerable. The
ten, which are those usually referred to, are as follows: First come
the oldest, the beast-avatars, viz., as a fish; as a tortoise;[90]
as a boar (rescuing earth from a flood); and as a man-lion (slaying a
demon). Next comes the dwarf-avatar, where Vishnu cheats Bali of
earth by asking, as a dwarf, for three steps of it, and then stepping
out over all of it (the 'three strides' of the Rig Veda). Then come
the human avatars, that of Paraçu-R[=a]ma (R[=a]ma with the axe),
Krishna, R[=a]ma[91] (hero of the R[=a]m[=a]yana epic), Buddha, and
Kalki (who is still to come).
The parallels between the latest Krishna cult and the Biblical
narrative are found only in the Pur[=a]nas and other late works, and
undoubtedly, as we have said in the last chapter, are borrowed from
Christian sources. Krishna is here born in a stable, his father, like
Joseph, going with his virgin spouse to pay taxes. His restoring of a
believing woman's son is narrated only in the modern J[=a]imini
Bh[=a]rata, These tales might have been received through the first
distant Christian mission in the South in the sixth century, but it is
more likely that they were brought directly to the North in the
seventh century; for at that time a Northern king of the V[=a]içya
caste, Çil[=a]ditya (in whose reign the Chinese pilgrim, Hiouen
Thsang, visited India), made Syrian Christians welcome to his court
(639 A.D.).[92] The date of the annual Krishna festival, which is a
reflex of Christmastide, is variously fixed by the Pur[=a]nas as
coming in July or August.[93]
As Krishna is an avatar of Vishnu[94] in the Bh[=a]rata, and as the
axe-R[=a]ma is another avatar in legend (here Vishnu in the form of
Paraçu-R[=a]ma raises up the priestly caste, and destroys the
warrior-caste), so in the R[=a]m[=a]yana the hero R[=a]ma (not
Paraçu-R[=a]ma) is made an avatar of Vishnu. He is a mythical prince
of Oude (hence a close connection between the R[=a]m[=a]yana
and Buddhism), who is identified with Vishnu. Vishnu wished to
rid earth of the giant R[=a]vana,[95] and to do so took the form of
R[=a]ma. As Krishnaism has given rise to a number of sects that
worship Krishna as Vishnu, so Ramaism is the modern cult of R[=a]ma as
Vishnu. Both of these sects oppose the Vishnuite that is not inclined
to be sectarian; all three oppose the Çivaite; and all four of these
oppose the orthodox Brahman, who assigns supreme godship to Çiva or
Vishnu as little as does the devotee of these gods in unsectarian form
to Krishna or R[=a]ma.
Çiva is on all sides opposed to Vishnu. The Greek account of the third
century B.C. says that he taught the Hindus to dance the kordax, but
at this time there appears to have been no such phallic worship in his
honor as is recorded in the pseudo-epic. Çiva is known in early
Brahmanic and in Buddhistic writings, and even as the
bearer-of-the-moon, Candraçekhara, he contrasts with Vishnu, as his
lightning-form and mountain-habitat differ from the sun-form and
valley-home of his rival. This dire god is conceived of as ascetic
partly because he is gruesome, partly because he is magical in power.
Hence he is the true type of the awful magical Yogi, and as such
appealed to the Brahman. Originally he is only a fearful magical god,
great, and even all-pervading, but, as seen in the Brahmanic
Çatarudriya hymn, he is at first in no sense a pantheistic deity. In
this hymn there is a significant addition made to the earlier version.
In the first form of the hymn it is said that Rudra, who is here Çiva,
is the god of bucolic people; but the new version adds 'and of all
people.' Here Çiva appears as a wild, diabolical figure, 'the god of
incantations,' whose dart is death; and half of the hymn is taken up
with entreaties to the god to spare the speaker. He is praised, in
conjunction with trees, of which he is the lord, as the one 'clad in
skins,' the 'lord of cattle,' the 'lord of paths,' the 'cheater,' the
'deceiver.' When he is next clearly seen, in the epic, he is the god
to whom are offered human sacrifices, and his special claim to worship
is the phallus; while the intermediate literature shows glimpses of
him only in his simple Brahmanic form of terror. It has long been
known that Çivaite phallic worship was not borrowed from the
Southerners, as was once imagined, and we venture with some scholars
to believe that it was due rather to late Greek influence than to that
of any native wild tribe.[96]
* * * * *
[Footnote 1: Parts of the epic are called Pur[=a]nas, as
other parts are called Upanishads. These are the forerunners
of the extant Pur[=a]nas. The name, indeed, is even older
than the epic, belonging to the late Vedic period, where are
grouped together Pur[=a]nas and Itih[=a]sas, 'Ancient
History' and 'Stories'; to which are added 'Eulogies.' Weber
has long since pointed out that even when the 'deeds of
kings' were sung at a ceremony they were wont to be so
embroidered as to be dubbed 'fiction' by the Hindus
themselves. India has neither literary history (save what
can be gleaned from genealogies of doubtful worth), nor very
early inscriptions. The 'archaeology' of the Pur[=a]nas was
probably always what it is in the extant specimens,
legendary material of no direct historical value.]
[Footnote 2: Strictly speaking to the present
Allah[=a]b[=a]d, where is the Pray[=a]ga, or confluence of
Yamun[=a] and Gang[=a] (Jumna and Ganges).]
[Footnote 3: M[=a]gadha; called Beh[=a]r from its many
monasteries, vih[=a]ras, in Açoka's time.]
[Footnote 4: So, plausibly, Müller, loc. cit. below.]
[Footnote 5: The tribes became Hinduized, their chiefs became
R[=a]jputs; their religions doubtless affected the ritual
and creed of the civilized as much as the religion of the
latter colored their own. Some of these un-Aryan peoples
were probably part native, part barbaric. There is much
doubt in regard to the dates that depend on accepted eras.
It is not certain, for instance, that, as Müller claims,
Kanishka's inauguration coincides with the Çaka era, 78 A.D.
A great Buddhist council was held under him. Some
distinguished scholars still think with Bühler that
Vikram[=a]ditya's inauguration was 57 B.C. (this date that
used to be assigned to him). From our present point of view
it is of little consequence when this king himself lived. He
is renowned as patron of arts and as a conqueror of the
barbarians. If he lived in the first century B.C. his
conquest amounted to nothing permanent. What is important,
however, is that all Vikram[=a]ditya stands for in legend
must have been in the sixth century A.D. For the drama, of
which he is said to have been patron, represents a religion
distinctly later than that of the body of the epic
(completed in the sixth or seventh century, Bühler, Indian
Studies, No. ii.). The dramatic and astronomical era was
but introductory to Kum[=a]rila's reassertion of Brahmanism
in the seventh century, when the Northern barbarian was
gone, and the Mohammedan was not yet rampant. In the rest of
Northern India there were several native dynasties in
different quarters, with different eras; one in Sur[=a]shtra
(Gujar[=a]t), one again in the 'middle district' or 'North
Western Provinces,' one in Kutch; overthrown by Northern
barbarians (in the fifth century) and by the Mohammedans (in
the seventh and eighth centuries), respectively. Of these
the Guptas of the 'middle district,' and the Valabh[=i]s of
Kutch, had neither of the eras just mentioned. The former
dated from 320-321 (perhaps 319), the latter from 190
(A.D.). The word samvat, 'year,' indicates that the time
is dated from either the Çaka or Vikram[=a]ditya era. See
IA. xvii. 362; Fergusson, JRAS. xii. 259; Müller, India,
What Can It Teach Us? p. 282; Kielhorn, IA. xix. 24;
xxii. 111. The Northern barbarians are called Scythians, or
Huns, or Turanians, according to fancy. No one really knows
what they were.]
[Footnote 6: The first host was expelled by the Hindus in
750. After a period of rest Mahmud was crowned in 997, who
overran India more than a dozen times. In the following
centuries the land was conquered and the people crushed by
the second great Mohammedan, Ghori, who died in 1206,
leaving his kingdom to a vassal, Kutab, the 'slave sultan'
of Delhi. In 1294, thus slave dynasty having been recently
supplanted, the new successor to the throne was slain by his
own nephew, Allah-ud-din, who is reckoned as the third
Mohammedan conqueror of India. His successor swept even the
Dekhan of all its Hindu (temple) wealth; but his empire
finally broke down under its own size; preparing the way for
Timur (Tamerlane), who entered India in 1398.]
[Footnote 7: Çankara himself was not a pure Brahman. Both
Vishnuites and Çivaites lay claim to him.]
[Footnote 8: Coy as was the Brahman in the adoption of the
new gods he was wise enough to give them some place in his
pantheon, or he would have offended his laity. Thus he
recognizes K[=a]l[=i] as well as Çr[=i]; in fact he prefers
to recognize the female divinities of the sects, for they
offer less rivalry.]
[Footnote 9: There was a general revival of letters
antedating the Brahmanic theological revival. The drama,
which reflects equally Hinduism and Brahmanism, is now the
favorite light literature of the cultured. In the sixth
century the first astronomical works are written
(Var[=a]hamihira, who wrote the B[r.]hat Sa[.m]hit[=a]),
and the group of writers called the Nine Gems (reckoned of
Vikram[=a]ditya's court) are to be referred to this time.
The best known among them is K[=a]lid[=a]sa, author of the
Çakuntal[=a]. An account of this Renaissance, as he calls
it, will be found in Müller's India, What Can It Teach Us?
The learned author is perhaps a little too sweeping in his
conclusions. It is, for instance, tolerably certain that the
Bh[=a]rata was completed by the time the 'Renaissance'
began; so that there is no such complete blank as he assumes
prior to Vikram[=a]ditya. But the general state of affairs
is such as is depicted in the ingenious article referred to.
The sixth and seventh centuries were eras that introduced
modern literature under liberal native princes, who were
sometimes not R[=a]jputs at all. Roughly speaking, one may
reckon from 500 B.C. to the Christian era as a period of
Buddhistic control, Graeco-Bactrian invasion, and Brahmanic
decline. The first five centuries after the Christian see
the two religions in a state of equilibrium, under Scythian
control, and the Mah[=a]-Bh[=a]rata, the expanded
Bh[=a]rata, is written. From 500 to 1000 is an era of native
rulers, Brahmanic revival in its pure form, and Hindu
growth, with little trouble from the Mohammedans. Then for
five centuries the horrors of Moslem conquest.]
[Footnote 10: Har. 10,662. Compare the laudation of 'the two
gods' in the same section.]
[Footnote 11: As the Jains have Angas and Up[=a]ngas, and as
the pseudo-epic distinguishes Nishads and Upanishads, so the
Brahman has Pur[=a]nas and Upapur[=a]nas (K[=u]rma
Pur[=a]na, i. p. 3). Some of the sects acknowledge only six
Pur[=a]nas as orthodox.]
[Footnote 12: As an example of a Puranic Smriti (legal) we
may cite the trash published as the
V[r.]ddha-H[=a]rita-Sa[.m]hit[=a]. Here there is polemic
against Çiva; one must worship Jagann[=a]th with flowers,
and every one must be branded with the Vishnu disc
(cakra). Even women and slaves are to use mantras, etc.]
[Footnote 13: The lateness of this law-book is evident from
its advocacy of suttee (XXV. 14), its preference for
female ancestors (see below), etc.]
[Footnote 14: Manu, III. 89; XII. 121.]
[Footnote 15: As, for example, in K[=u]rma Pur[=a]na, XVI.
p. 186, where is found a common epic verse description of
battle.]
[Footnote 16: A good instance of this is found in Brihan
N[=a]rad[=i]ya Pur[=a]na, X., where the churik[=a] and
drugha[n.]a (24) appear in an imitative scene of this
sort; one of these being later, the other earlier, than the
epic vocabulary.]
[Footnote 17: Perhaps the most striking distinction between
Vedic and Puranic, or one may say, Indic Aryan and Hindu
religions, is the emphasis laid in the former upon Right; in
the latter, upon idols. The Vedic religion insists upon the
law of right (order), that is, the sacrifice; but it insists
also upon right as rectitude, truth, holiness. Puranic
Hinduism insists upon its idols; only incidentally does it
recommend rectitude, truth, abstract holiness.]
[Footnote 18: KP. i. p. 29.]
[Footnote 19: K[=u]rma, xii. p. 102. Contrast ib. xxii. p.
245, caturvy[=u]hadhara Vishnur avy[=u]has procyate
(elsewhere navavy[=u]ha). Philosophically, in the doctrine
of the epic P[=a]ñcar[=a]tras (still held by some
sectaries), Vishnu is to be revered as Krishna, Balar[=a]ma,
Pradymana, Aniruddha (Krishna's brother, son, and grandson),
representing, respectively, [=a]tm[=a], j[=i]va, supreme
and individual spirit, perception, and consciousness.
Compare Mbh[=a]. xii. 340. 8, 72.]
[Footnote 20: KP. xxi. p. 236; xxii. p. 238, etc.]
[Footnote 21: ib. I, p. 23.]
[Footnote 22: Compare Brihan N[=a]radiya Pur[=a]na, xiv. 10,
bah[=u]ni k[=a][s.][t.]hay[=a]ntr[=a][n.]i (torture
machines) in hell. The old tale of N[=a]çiketas is retold at
great length in the Var[=a]ha Pur[a=]na. The oldest
Pur[=a]na, the M[=a]rkandeya, has but seven hells, a
conception older than Manu's twenty-one (compare on MP. x.
80 ff., Scherman, loc. cit. p. 33), or the later lists of
thousands. The Padma Pur[=a]na, with celebrates R[=a]ma, has
also seven hells, and is in part old, for it especially
extols Pushkara (Brahm[=a]'s lone shrine); but it recommends
the taptamudra, or branding with hot iron.]
[Footnote 23: Nar. xiv. 2.]
[Footnote 24: xiv. 54 and 70.]
[Footnote 25: KP. xxii. pp, 239-241.]
[Footnote 26: As will be shown below, it is possible that
this may be a ceremony first taken from the wild tribes. See
the 'pole' rite described above in the epic.]
[Footnote 27: Compare for instance ib. xxviii. 68, on the
strange connection of a Ç[=u]dr[=a] wife of a Guru.]
[Footnote 28: KP. xxxvi. It is of course impossible to say
how much epic materials come from the literary epic and how
much is drawn from popular poetry, for the vulgar had their
own epoidic songs which may have treated of the same topics.
Thus even a wild tribe (Gonds) is credited with an 'epic.'
But such stuff was probably as worthless as are the popular
songs of today.]
[Footnote 29: KP. xxx. p. 305; xxxvii. p. 352.]
[Footnote 30: ib. p. 355.]
[Footnote 31: Compare N[=a]rad[=i]ya, xi. 23,27,31 'the one
whom no one knows,' 'he that rests in the heart,' 'he that
seems to be far off because we do not know,' 'he whose form
is Çiva, lauded by Vishnu,' xiii. 201.]
[Footnote 32: Even Vishnu as a part of a part of the Supreme
Spirit in VP. is indicated by Vishnu's adoration of
[=a]tm[=a] in the epic (see above).]
[Footnote 33: Compare Williams' Brahmanism and Hinduism.]
[Footnote 34: Çankara's adherents are chiefly Çivaite, but
he himself was not a sectary. Williams says that at the
present day few worship Çiva exclusively, but he has more
partial adherents than has Vishnu. Religious Thought and
Life, pp. 59, 62.]
[Footnote 35: The two last are just recognized in Brahmanic
legal works.]
[Footnote 36: See Wilson's sketch of Hindu sects. The author
says that there were in his day two shrines to Brahm[=a],
one in [=A]jm[=i]r (compare Pushkara in the epic), and one
on the Ganges at Bithur. The Brahma Pur[=a]na is known also
as S[=a]ura (sun). This is the first in the list; in its
present state it is Vishnuite.]
[Footnote 37: Sun-worship (Iranian?) is especially
pronounced in the Bhav[=i]shya(t) Pur[=a]na. Of the other
Pur[=a]nas the L[=i]nga is especially Çivaite (linga is
phallus), as are the Matsya and older V[=a]yu. Sometimes
Çiva is androgynous, ardhan[=a]r[=i]çvara, 'half-female.'
But most of the Pur[=a]nas are Vishnuite.]
[Footnote 38: On the Ganeça Pur[=a]na see JRAS. 1846, p.
319.]
[Footnote 39: The worshippers of Bhagavat were originally
distinct from the P[=a]ñcar[=a]tras, but what was the
difference between them is unknown. The sect of this name in
the pseudo-epic is not Ç[=a]kta in expression but only
monotheistic. Probably the names of many sects are retained
with altered beliefs and practices. The Vishnu Pur[=a]na, i.
11. 54, gives a model prayer which may be taken once for all
as the attitude of the Vishnuite: "Glory to V[=a]sudeva, him
of perfected wisdom, whose unrevealed form is (known as)
Brahm[=a], Vishnu, and Çiva" (Hira[n.]yagarbha, Purusha,
Pradh[=a]na).]
[Footnote 40: Weber shows for instance, loc. cit., that
Indra takes the place of older Varuna; that the house-priest
yields to the Brahm[=a]; that in this feast in honor of the
king he]
[Footnote 41: Gover, JRAS. v. 91; IA. xx. 430.]
[Footnote 42: In Hinduism itself there is a striking example
of this. The Jagann[=a]th ('Juggernaut') temple was once
dedicated to Buddha as loka-n[=a]th or jagan-n[=a]th,
'saviour of the world' Name, temple, and idol-car are now
all Vishnu's!]
[Footnote 43: That is, Rain and Sun, for all Indra's warlike
qualities are forgotten, absorbed into those of Çiva and his
son, the battle-god. The sun crosses the equator at noon of
the second day, the 'Mah[=a] Pongol.']
[Footnote 44: "Now every neck is bent, for the surface of
the waters disturbed. Then with a heave, a hiss, and a surge
of bubbles, the seething milk mounts to the top of the
vessel. Before it has had time to run down the blackened
sides, the air resounds with the sudden joyous cry of
'Pongol, oh Pongol, S[=u]rya, S[=u]rya, oh Pongol,' The word
Pongol means "boiling," from the Tamil word pongu, to
boil; so that the joyous shout is, 'It boils, oh S[=u]rya,
it boils.' In a moment a convulsion of greetings animates
the assembly. Every one seizes his neighbor and asks, 'Has
it boiled?' Both faces gleam with delight as the answer
comes—'It has boiled.' Then both shout at the top of their
voices—'Oh Pongol, Pongol, oh S[=u]rya, oh Indra, Pongol,
Pongol.'" Gorer, loc. cit.]
[Footnote 45: The Crocodile, makara, like the parrot, is
sacred to K[=a]madeva, Love. But as Ganges also is holy it
is difficult to say for which divinity the offering was
intended. Some, indeed, interpret makara as dolphin.]
[Footnote 46: A feast now neglected, though kept up by
strict Brahmans, occurs on or about the 20th January. The
orthodox adherents of the Çivaite sects and Ç[=a]ktas also
observe it. It is a Çr[=a]ddha, or funeral feast to the
Manes. Also on the 26th and 30th January there are rites
nearly obsolete, the first being signalized by offerings to
Yama; the second, a Çivaite feast (to his spouse, as 'giver
of bridegrooms'). The list is more celebrated in the South
than in the North. It is interesting chiefly as a parallel
to St. Valentine's day, or, as Wilson says, the nearer feast
of St. Agnes (21st January) on the eve of which divination
is practiced to discover future husbands. It is this time
also that the Greeks call 'marriage-month' (Gamelion); and
the fourth day from the new moon (which gives the name to
this Hindu festival, caturth[=i], "fourth day") is the day
when Hesiod recommends the bringing home of the bride.]
[Footnote 47: In case any writing has to be done on this day
it is done with chalk, not with the pens, "which have a
complete holiday" (Wilson).]
[Footnote 48: The invocations show very well how the worship
of Brahm[=a] has been driven out in honor of his more
powerful rivals. For Sarasvat[=i] is invoked first as "Thou
without whom Brahm[=a] never lives"; but again as "Thou of
eight forms, Lakshm[=i], Medh[=a], Dhav[=a], Pusht[=i],
G[=a]ur[=i], Tusht[=i], Prabh[=a], Dhriti, O Sarasvat[=i]."
The great festivals, like the great temples, are not very
stricly sectarian. Williams says that in Çiva's temple in
Benares are kept monkeys (sacred to Vishnu).]
[Footnote 49: Between this and the last occur minor
holidays, one to avert small-pox; one (February the 4th)
sacred to the sun (Sunday, the seventh day of each lunar
fortnight, is strictly observed); and one to the Manes.]
[Footnote 50: Fasting is not necessarily a part of civilized
religion alone. It is found in the Brahmanic and Hindu
cults, but it obtains also among the American Indians. Thus
the Dacotahs fast for two or three days at the worship of
sun and moon. Schoolcraft, Histor. and Statist., iii.
227.]
[Footnote 51: The last clause (meaning 'common historical
origin') were better omitted.]
[Footnote 52: Except the mystic syllable [=O]m, supposed
to represent the trinity ([=O]m is a, u, m), though
probably it was originally only an exclamation.]
[Footnote 53: A small Vishnu festival in honor of Vishnu as
'man-lion' (one of his ten avatars) is celebrated on the
13th of March; but in Bengal in honor of the same god as a
cow-boy. On the 15th of March there is another minor
festival in Bengal, but it is to Çiva, or rather to one of
his hosts, under the form of a water pot (that is to
preserve from disease).]
[Footnote 54: The bonfire is made of fences, door posts,
furniture, etc. Nothing once seized and devoted to the fire
may be reclaimed, but the owner may defend his property if
he can. Part of the horse-play at this time consists in
leaping over the fire, which is also ritualistic with same
of the hill-tribes.]
[Footnote 55: Compare the Nautch dances on R[=a]macandra's
birthday. Religious dances, generally indecent, are also a
prominent feature of the religions of the wild tribes (as
among American and African savages, Greeks, etc., etc.).]
[Footnote 56: The 'Easter bonnet' in Indic form.]
[Footnote 57: In sober contrast stands the yearly orthodox
Çráddha celebration (August-September), though Brahmans join
in sectarian fêtes.]
[Footnote 58: Wilson draws an elaborate parallel between the
Hol[=i] and the Lupercalia, etc. (Carnival). But the points
of contact are obvious. One of the customs of the Hol[=i]
celebration is an exact reproduction of April-Fool's day.
Making "Hol[=i] fools" is to send people on useless errands,
etc. (Festum Stultorum, at the Vernal Equinos, transferred
by the Church to the first of November, "Innocents' Day").]
[Footnote 59: Stevenson, JRAS. 1841, p. 239; Williams,
loc. cit.; Wilkins, Modern Hinduism, ch. III.]
[Footnote 60: The daily service consists in dressing,
bathing, feeding, etc It is divided into eight ridiculous
ceremonies, which prolong the worship through the day.]
[Footnote 61: The brilliant displays attracted the notice of
the Greeks, who speak of the tame tigers and panthers, the
artificial trees carried in wagons, the singing,
instrumental music, and noise, which signalized a fête
procession. See Williams, loc. cit.]
[Footnote 62: Such, for instance, is the most holy temple of
South India, the great temple of Çr[=i]rangam at
Trichinopoly. The idol car, gilded and gaudy, is carved with
obscenity; the walls and ceilings are frescoed with
bestiality. It represents Vishnu's heaven.]
[Footnote 63: From this name or title comes the Gita
Govinda, a mystic erotic poem (in praise of the cow-boy god)
exaltedly religious as it is sensual (twelfth century).]
[Footnote 64: VP.l. 2. 63. The 'qualities' or 'conditions'
of God's being are referred to by 'goodness' and
'darkness.']
[Footnote 65: All this erotic vulgarity is typical of the
common poetry of the people, and is in marked contrast to
the chivalrous, but not love-sick, Bh[=a]rata.]
[Footnote 66: Compare Duncker, LII^5. p. 327, More doubtful
is the identification of Nysian and Nish[=a]dan, ib. note.
Compare, also, Schroeder, loc. cit. p. 361. Arrian calls
(Çiva) Dionysos the [Greek: oitou dotêra Iudêis]
(Schwanbeck, Fig. 1.).]
[Footnote 67: This remains always as Çiva's heaven in
distinction from Goloka or V[=a]ikuntha, Vishnu's heaven.
Nowadays Benares is the chief seat of Çivaism.]
[Footnote 68: The doctrine of the immaculate conception,
common to Vishnuism and Buddhism (above, p.431), can have no
exact parallel in Çivaism, for Çiva is not born as a child;
but it seems to be reflected in the laughable ascription of
virginity to Um[=a] (Civa's wife), when she is revered as
the emblem of motherhood.]
[Footnote 69: In RV. v. 41. 4, the Vedic triad is Fire,
Wind, and (Tr[=i]ta of the sky) Indra; elsewhere Fire, Wind,
and Sun (above, p. 42), distinct from the triune fire.]
[Footnote 70: In the Rig Veda the three steps are never thus
described, but in the later age this view is common. It is,
in fact, only on the 'three steps' that the identity with
the sun is established. In RV. 1. 156. 4, Vishnu is already
above Varuna.]
[Footnote 71: Çat. Br. xiv. 1. 1. 5.]
[Footnote 72: For other versions see Mulr, Original
Sanskrit Texts, iv. p. 127 ff.]
[Footnote 73: Later interpreted as wives or eyes.]
[Footnote 74: For an epic guess at the significance of the
title n[=i]laka[n.][t.]ha, 'blue-throated,' see Mbh[=a] i.
18. 43.]
[Footnote 75: AV. iv. 28; viii. 2; xi. 2. Thus even in the
Rig Veda pairs of gods are frequently besung as one, as if
they were divinities not only homogeneous but even
monothelous.]
[Footnote 76: Brahm[=a]'s mark in the lotus; Vishnu's, the
discus (sun); Çiva's, the Linga, phallic emblem.]
[Footnote 77: The grim interpretation of later times makes
the cattle (to be sacrificed) men. The theological
interpretation is that Çiva is the lord of the spirit, which
is bound like a beast.]
[Footnote 78: The commenter, horrified by the murder of the
Father-god, makes Rudra kill 'the sin'; but the original
shows that it is the Father-god who was shot by this god,
who chose as his reward the lordship over kine; and such
exaltation is not improbable (moreover, it is historical!).
The hunting of the Father-god by Rudra is pictured in the
stars (Orion), Ait. Br. iii. 33.]
[Footnote 79: See Weber. Ind. St. ii. 37; Muir, iv. 403.
Çarva (Çaurva) is Avestan, but at the same time it is his
'eastern' name, while Bhava is his western name. Çat. Br. i.
7. 3. 8.]
[Footnote 80: The epic (loc. cit. above), the Pur[=a]nas,
and the very late Atharva Çiras Upanishad and M[=a]itr. Up.
(much interpolated). Compare Muir, loc. cit. pp. 362-3.]
[Footnote 81: According to the epic, men honor gods that
kill, Indra, Rudra, and so forth; not gods that are passive,
such as Brahm[=a], the Creator, and P[=u]shan (xii. 15. 18),
ya eva dev[=a] hant[=a]ras t[=a]l loko 'rcayate
bh[=r.]ça[=.m], na Brahm[=a][n.]am.]
[Footnote 82: Barth seems to imply that Harihara (the name)
is later than the trim[=u]rti (p. 185), but he has to
reject the passage in the Hari-va[.n]ça to prove this. On
Ayen[=a]r, a southern god said to be Hari-Hara
(Vishnu-Çiva), see Williams, loc. cit.]
[Footnote 83: RV. viii. 6. 30; 1. 50. 10. Weber refers
Krishna further back to a priestly Vedic poet of that name,
to whom are attributed hymns of the eighth and tenth books
of the Rig Veda (Janm[=a][s.][t.]am[=i], p. 316). He
interprets Krishna's mother's name, Devak[=i], as 'player'
(ib) But the change of name in a Vedic hymn has no special
significance. The name Devak[=i] is found applied to other
persons, and its etymology is rather deva, divine, as
Weber now admits (Berl. Ak. 1890, p. 931).]
[Footnote 84: In the epic, also, kings become hermits, and
perform great penance just as do the ascetic priests.
Compare the heroes themselves, and i. 42. 23 raja
mah[=a]tap[=a]s; also ii. 19, where a king renounces his
throne, and with his two wives becomes a hermit in the
woods. In i. 41. 31 a king is said to be equal to ten
priests!]
[Footnote 85: In fact, the daily repetition of the
S[=a]vitr[=i] is a tacit admission of the sun god as the
highest type of the divine; and Vishnu is the most
spiritualized form of the sun-god, representing even in the
Rig-Veda the goal of the departing spirit.]
[Footnote 86: Skanda (Subrahmanya) and Ganeça are Çiva's two
sons, corresponding to Krishna and R[=a]ma. Skanda's own son
is Viç[=a]kha, a graha (above, p. 415).]
[Footnote 87: Çiva at the present day, for instance, is
represented now and then as a man, and he is incarnate as
V[=i]rabhadra. But all this is modern, and contrasts with
the older conception. It is only in recent times, in the
South, that he is provided with an earthly history. Compare
Williams, Thought and Life, p. 47.]
[Footnote 88: Ava-t[=a]ra, 'descent,' from ava, 'down,'
and tar, 'pass' (as in Latin in-trare).]
[Footnote 89: In the Bh[=a]gavata Pur[=a]na.]
[Footnote 90: The tortoise avatar had a famous temple two
centuries ago, where a stone tortoise received prayer. How
much totemism lies in these avatars it is guess-work to
say.]
[Footnote 91: Balar[=a]ma (or Baladeva), Krishna's elder
brother, is to be distinguished from R[=a]ma. The former is
a late addition to the Krishna-cult, and belongs with Nanda,
his reputed father. Like Krishna, the name is also that of a
snake, Naga, and it is not impossible that Naga worship may
be the foundation of the Krishna-cult, but it would be hard
to reconcile this with tradition. In the sixth century
Var[=a]hamihira recognizes both the brothers.]
[Footnote 92: Edkins, cited by Müller, India, p. 286.]
[Footnote 93: Weber, Janm[=a][s.][t.]am[=i], pp. 259, 318.
Weber describes in full the cult of the "Madonna with the
Child," according to the Pur[=a]nas.]
[Footnote 94: On the subsequent deification of the Pandus
themselves see 1A. VII. 127.]
[Footnote 95: Hence the similarity with Herakles, with whom
Megasthenes identifies him. The man-lion and hero-forms are
taken to rid earth of monsters.]
[Footnote 96: Greek influence is clearly reflected in
India's architecture. Hellenic bas-reliefs representing
Bacchic scenes and the love-god are occasionally found.
Compare the description of Çiva's temple in Orissa, Weber,
Literature, p. 368; Berl. Ak., 1890, p, 912. Çiva is
here associated with the Greek cult of Eros and Aphrodite.]
* * * * *