THE RED CROSS GIRLS ON
THE FRENCH FIRING
LINE
Not long after the beginning of the
war in Europe four American girls
set sail from New York City to
aid in the Red Cross nursing.
When they boarded the “Philadelphia”
they were almost strangers to one another.
And never were girls more unlike.
Eugenia Peabody, the oldest of the four,
hailed from Massachusetts and appeared
almost as stern and forbidding as the rock-bound
coasts. Privately the others insisted
in the early part of their acquaintance that
this same Eugenia must have been born an
“old maid.”
Mildred Thornton was the daughter of
a distinguished New York judge and her
mother a prominent society woman. But
Mildred herself cared little for a butterfly
existence. With the call of the suffering
sounding in her ears she had given up a
luxurious existence for the hardships and
perils of a Red Cross nurse.
The youngest of the four girls, Barbara
Meade, was a very small person with a
large store of energy and unexpectedness.
And the last girl, Nona Davis, was a native
of the conservative old city of Charleston,
South Carolina. Although a mystery
shadowed her mother’s history, Nona had
been brought up by her father, a one-time
Confederate general, with all the ideas and
traditions of the old South.
Yet in spite of these contrasts in their
natures and lives, the four American Red
Cross girls had spent more than six months
caring for the wounded British soldiers
in the Sacred Heart Hospital in northern
France.
With the closing of the last story the news
had come that the headquarters of the
hospital must be changed at once. At
any hour the German invaders might swarm
into the countryside.
There had been but little time to remove
the wounded. So, not wishing to add to the
responsibilities and finding themselves more
in the way than of service, the four girls
had escaped together to a small town in
France farther away from the enemy’s line.
Here they concluded to offer their aid
to the Croix de Rouge, or the Red Cross
Society of France.
But this was in the spring, and now
another autumn has come round.
One wonders what the four American
girls are doing and where they are living.
The great square in front of the Grand
Opera House in Paris surged with excited
people.
Automobiles and carriages crowded with
men and women, waving tri-colored flags,
filled the streets. It was a warm October
night with a brilliant canopy of stars overhead.
“Vive la France! Vive l’Armée!” the
throng shouted, swaying backward and
forward in its effort to draw closer to the
great palace.
There must have been between five and
ten thousand persons in the neighborhood,
for tonight France was celebrating her
greatest achievement of the war. At last
the news had come that the victorious
French army had driven the Germans back
across the frontiers of Alsace-Lorraine.
Once again the French flag was planted
within their lost provinces.
“Allons, enfants, de la patrie,
Le jour de gloire est arrivé.”
In the crowd a woman had started the
singing of the Marseillaise. Immediately
thousands of voices joined in the song,
while thousands of feet kept time upon the
paving stones to this greatest of all marching
measures.
Six broad streets in Paris converge into a
triangular square which is known as the
Place de l’Opera. From here one looks
upward to the opera house itself, a splendid
building three stories in height and approached
by a broad flight of stone steps.
Standing within the crowd, a little to the
left of the opera, was a group of five persons,
four of them girls, while the fifth was a young
man whose coat was buttoned in such a
fashion that he appeared to have but one
arm. However, the other arm hung limp
and useless underneath his coat.
Although their appearance and accents
were those of foreigners, two of the girls
in the little party were singing along with
the French crowd. The other two were
silent, although their faces expressed equal
interest and animation.
Suddenly the singing of the street crowd
ceased. The central door of the opera house
had been thrown open and a young woman
came out upon the portico. She was dressed
in a clinging white robe and wore upon her
head a diadem of brilliants, while in her
hands she carried the French flag. So
skilfully had the lights been arranged
behind her that she could be seen for a great
distance. To the onlookers she represented
the symbolic female figure of the great
French Republic, “Liberté, Egalité, Fraternité.”
For a moment after her appearance there
was a breathless silence, then the next even
more enthusiastic shouts resounded:
“Vive Chenel! Vive Chenel!” Hats
were thrown into the air, thousands of flags
waved, while myriads of handkerchiefs
fluttered like white doves.
It was a night to be always remembered
by the people who shared its rapture.
“Aux armes, citoyens, formez vos bataillons!
Marchons! Marchons!”
With the closing of the final verse of the
Marseillaise, in the midst of the wild
applause, the smallest of the four girls in the
little group placed her hand gently upon the
armless sleeve of her young man companion.
“Tonight makes up for a good deal,
doesn’t it, Dick?” she queried a little
wistfully. As she spoke her blue eyes were
shining with excitement, while a warm color
flooded her cheeks.
The young fellow nodded. “It is the
greatest spectacle I ever saw and one we
shall never forget,” he replied. “Yet there
will be a greater night to come when this
war is finally over, though when that night
will be no one can foretell.”
Dick Thornton spoke gravely and seemed
weary from the evening’s excitement. But
then something of what he had passed
through in the last six months showed in
other ways than in his empty coat sleeve.
Without his knowledge, the girl who had
been speaking continued to study him for
another moment. Then she turned to
Mildred Thornton, who was on her other
side, and whispered:
“Mill, Dick is tired, but would rather
die than confess it. Can’t you think of
some way to get us out of this crowd before
the breaking up begins? The jam then
will be awful and we may not be able to
keep together.”
Up to the instant of Barbara Meade’s
suggestion, Mildred had forgotten all personal
matters in her interest in the music
and the vivid beauty of the scene surrounding
them. Now she too glanced toward her
brother.
“Dick,” she suggested at once, “don’t
you think we had best start back toward
our pension? Madame Chenel is to sing an
encore and I’m sorry we must miss it, but I
really think it would be more sensible to
go.”
With the closing of the Marseillaise the
celebrated singer had disappeared. Now
in the midst of Mildred’s remark she
returned to the balcony of the Opera House.
No longer was she wearing her crown of
brilliants, nor carrying the immense French
flag. Instead her head was uncovered,
showing her dark hair and eyes and the flag
she bore was British, not French.
Then she began singing in English, but
with a delicious French accent:
“It’s a long way to Tipperary,
It’s a long way to go.”
The crowd joined in the chorus. There
were soldiers on the street, who had returned
to Paris on leaves of absence, after learning
English from the Tommies in the trenches.
Others had only a faint knowledge of a few
English words. But everybody sang, and
because some of the voices were French and
others English the effect was all the more
thrilling and amusing.
Naturally Dick hesitated for a moment,
then he remembered his own condition.
Certainly he would be powerless to push
their way through the great throng. Then
if by chance rioting should break out from
sheer excitement, it would be impossible
for him to protect four girls. True, the
American Red Cross girls were fairly well
able to look after themselves in most emergencies.
But Dick Thornton did not like
the idea of having them put to the test at
such a time and under the present circumstances.
“I am afraid you are right, Mildred,” he
agreed reluctantly. “Let’s form a single
file; I’ll go first and all of you follow me.
Tell the others.”
Mildred at once put her arm inside a
young woman’s who was standing near her,
apparently oblivious of the past conversation.
Yet one would have expected Eugenia
Peabody to have been first to have made the
sensible suggestion of the past few moments.
Yet it was Barbara Meade with whom it
had actually originated.
But Eugenia too had been swept off her
feet with enthusiasm. Moreover, she could
scarcely make up her mind now to agree
to leave, although plainly appreciating
the situation. Eugenia looked surprisingly
handsome tonight.
In the first place, she wore a new Paris
frock, which after long insistence the other
three girls had persuaded her to buy. It
was an inexpensive dress of dark-blue cloth
and silk, but it was stylishly made and
extremely becoming. Above all, Eugenia
had at last discarded the unattractive hat
in which she had set sail, and which she had
resolutely worn until this day. The new
one had only cost five francs, but one
should see the character of hat that can be
bought in Paris for one dollar!
Eugenia, it is true, had begrudged even
that small amount for her own adornment,
until Nona and Barbara had refused to
appear upon the street with her still in her
ancient “Alpine.” However, although she
rebelled against the unnecessary extravagance,
so far Eugenia had not regretted her
purchases.
At the present moment she was standing
next to Nona Davis and turned to speak to
her.
“Nona, I am sorry when it’s all so
wonderful, but we must start back to the
pension at once. Please come on,” she
insisted authoritatively.
And Eugenia had every reason to believe
that Nona heard her words and agreed with
her. She even thought that Nona moved
on a few paces behind her. Moreover,
this is exactly what she did. Nevertheless,
Nona afterwards insisted that her act must
have been purely involuntary, since she was
not conscious of having heard or obeyed
her companion.
If the little group of five Americans had
been enthralled by the night’s excitement,
it was Nona Davis who was most completely
swept off her feet. Never had she even
dreamed of such beauty and glamour as this
gala night in Paris offered!
So little even of her own land had Nona
seen, nothing save Charleston and the
surrounding neighborhood and the view
from her car window on her way to New
York City.
The few days in London had been overhung
with the thought of the work ahead.
But here in Paris for the past week the four
Red Cross girls had been enjoying a brief
holiday and were completely under the
spell of the fascinating and beautiful city.
Upon persons with a far wider experience
of life and places than Nona Davis, Paris
frequently casts this same spell. Indeed,
it sometimes seems impossible that a city
can be so beautiful and yet suited to the
uses of everyday life. Both in Paris and
in Venice one often expects to wake up
and find the city a dream and not a reality.
Certainly Nona had turned automatically
to do as Eugenia had commanded her. But
unfortunately, at the same moment Madame
Chenel finished her English song and began
at once on another which by an odd chance
had a reminiscent quality for Nona. Instinctively
she paused to listen and remember.
Her impression of the song was one of
long ago. Nona’s mother had once been in
New Orleans. Now the vision came to her
daughter of an old-fashioned spinet at one
end of the drawing room in her home in
Charleston, and of a young woman in a
white dress with blue ribbons sitting there
singing this same French verse.
For the moment everything else was
forgotten. The girl simply stood spellbound
until the great artist finished. Only
when she began bowing her thanks to the
applauding crowd, did Nona turn again
to look for Eugenia and her other friends.
But as more than five minutes had passed
since their warning, and as they had believed
Nona following them, no one of the four
could be seen.
Moreover, at this same moment the great
crowd began to break up. Then, as is
always the case, everybody struggled to get
away at the same moment.
Just at first Nona was not alarmed at
finding herself alone; she was simply
bewildered. However, because she was
endeavoring to stand still while every one
else was moving, she was constantly being
shoved from side to side.
Her first intention was to remain in the
same place for a few moments. Then Dick
or one of the girls would probably return
for her. However, she soon appreciated
that no human being could push their way
back through the thronging multitude.
Moreover, she too must move along or be
trampled upon.
Fortunately, the fact that she was alone
did not seem to have been observed. For
although the people in her neighborhood
were not rough and ugly, as an English or
Teutonic crowd might have been, nevertheless,
Nona knew that for a young girl to be
alone at night in the streets of Paris was
an unheard-of thing. Besides, later on the
crowd might indulge in noisier ways of
celebrating the German defeat than by
listening to the singing of the great prima
donna.
What had she best do? As she was being
pushed along, Nona was also thinking
rapidly, although somewhat confusedly.
She had not been on the street alone since
her arrival. Both Mildred and Dick Thornton
were familiar with Paris and had been
acting as the others’ escorts.
Their little French pension happened to
be over on the other side of Paris. Fortunately,
Nona remembered that she could
find a bus near the Madeleine, the famous
church not more than a dozen blocks away
from the neighborhood of the opera. But
how to reach this destination and what bus
to take after her arrival? These were
problems still to be dealt with. First of all,
she must keep her forlorn condition a secret
from observers in order not to be spoken
to by an impertinent stranger.
Naturally Nona appreciated that it was
impossible for all Frenchmen to be equally
courteous. Therefore, one of them might
misunderstand her present predicament.
However, as there was nothing else to
do she continued moving with the crowd.
In the meantime she kept assuring herself
that it was absurd to be so nervous over an
ordinary adventure. Think what experiences
she had so lately passed through as
a Red Cross nurse!
But if she had only been wearing her
nurse’s uniform, always it served as a
protection! Yet naturally when one was
off duty and merely a holiday visitor in a
city, it was pleasanter to dress like other
persons.
Like Eugenia, Nona was also wearing a
new frock. Hers was of black silk with a
hat of black tulle, making her fair hair and
skin more conspicuous by contrast. Certainly
she would be apt to attract attention
among the darker, more vividly colored
French girls.
But Nona had gone half the distance to
the Madeleine before she was annoyed.
Then just as she was about to cross the
street at one of the corners, an arm was
unexpectedly slipped through hers.
With her heart pounding with terror and
every bit of color drained from her cheeks,
Nona looked up into the eyes of an impertinent
youth.
“La belle Americaine!” he announced
insolently.