Is the sweet little cherub who sits smiling aloft and keeps
watch on the life of poor Jack, commissioned to take charge of
Mercantile Jack, as well as Jack of the national navy? If
not, who is? What is the cherub about, and what are we all
about, when poor Mercantile Jack is having his brains slowly
knocked out by penny-weights, aboard the brig Beelzebub, or the
barque Bowie-knife—when he looks his last at that infernal
craft, with the first officer’s iron boot-heel in his
remaining eye, or with his dying body towed overboard in the
ship’s wake, while the cruel wounds in it do ‘the
multitudinous seas incarnadine’?
Is it unreasonable to entertain a belief that if, aboard the
brig Beelzebub or the barque Bowie-knife, the first officer did
half the damage to cotton that he does to men, there would
presently arise from both sides of the Atlantic so vociferous an
invocation of the sweet little cherub who sits calculating aloft,
keeping watch on the markets that pay, that such vigilant cherub
would, with a winged sword, have that gallant officer’s
organ of destructiveness out of his head in the space of a flash
of lightning?
If it be unreasonable, then am I the most unreasonable of men,
for I believe it with all my soul.
This was my thought as I walked the dock-quays at Liverpool,
keeping watch on poor Mercantile Jack. Alas for me! I
have long outgrown the state of sweet little cherub; but there I
was, and there Mercantile Jack was, and very busy he was, and
very cold he was: the snow yet lying in the frozen furrows of the
land, and the north-east winds snipping off the tops of the
little waves in the Mersey, and rolling them into hailstones to
pelt him with. Mercantile Jack was hard at it, in the hard
weather: as he mostly is in all weathers, poor Jack. He was
girded to ships’ masts and funnels of steamers, like a
forester to a great oak, scraping and painting; he was lying out
on yards, furling sails that tried to beat him off; he was dimly
discernible up in a world of giant cobwebs, reefing and splicing;
he was faintly audible down in holds, stowing and unshipping
cargo; he was winding round and round at capstans melodious,
monotonous, and drunk; he was of a diabolical aspect, with
coaling for the Antipodes; he was washing decks barefoot, with
the breast of his red shirt open to the blast, though it was
sharper than the knife in his leathern girdle; he was looking
over bulwarks, all eyes and hair; he was standing by at the shoot
of the Cunard steamer, off to-morrow, as the stocks in trade of
several butchers, poulterers, and fishmongers, poured down into
the ice-house; he was coming aboard of other vessels, with his
kit in a tarpaulin bag, attended by plunderers to the very last
moment of his shore-going existence. As though his senses,
when released from the uproar of the elements, were under
obligation to be confused by other turmoil, there was a rattling
of wheels, a clattering of hoofs, a clashing of iron, a jolting
of cotton and hides and casks and timber, an incessant deafening
disturbance on the quays, that was the very madness of
sound. And as, in the midst of it, he stood swaying about,
with his hair blown all manner of wild ways, rather crazedly
taking leave of his plunderers, all the rigging in the docks was
shrill in the wind, and every little steamer coming and going
across the Mersey was sharp in its blowing off, and every buoy in
the river bobbed spitefully up and down, as if there were a
general taunting chorus of ‘Come along, Mercantile
Jack! Ill-lodged, ill-fed, ill-used, hocussed, entrapped,
anticipated, cleaned out. Come along, Poor Mercantile Jack,
and be tempest-tossed till you are drowned!’
The uncommercial transaction which had brought me and Jack
together, was this:—I had entered the Liverpool police
force, that I might have a look at the various unlawful traps
which are every night set for Jack. As my term of service
in that distinguished corps was short, and as my personal bias in
the capacity of one of its members has ceased, no suspicion will
attach to my evidence that it is an admirable force.
Besides that it is composed, without favour, of the best men that
can be picked, it is directed by an unusual intelligence.
Its organisation against Fires, I take to be much better than the
metropolitan system, and in all respects it tempers its
remarkable vigilance with a still more remarkable discretion.
Jack had knocked off work in the docks some hours, and I had
taken, for purposes of identification, a photograph-likeness of a
thief, in the portrait-room at our head police office (on the
whole, he seemed rather complimented by the proceeding), and I
had been on police parade, and the small hand of the clock was
moving on to ten, when I took up my lantern to follow Mr.
Superintendent to the traps that were set for Jack. In Mr.
Superintendent I saw, as anybody might, a tall, well-looking,
well-set-up man of a soldierly bearing, with a cavalry air, a
good chest, and a resolute but not by any means ungentle
face. He carried in his hand a plain black walking-stick of
hard wood; and whenever and wherever, at any after-time of the
night, he struck it on the pavement with a ringing sound, it
instantly produced a whistle out of the darkness, and a
policeman. To this remarkable stick, I refer an air of
mystery and magic which pervaded the whole of my perquisition
among the traps that were set for Jack.
We began by diving into the obscurest streets and lanes of the
port. Suddenly pausing in a flow of cheerful discourse,
before a dead wall, apparently some ten miles long, Mr.
Superintendent struck upon the ground, and the wall opened and
shot out, with military salute of hand to temple, two
policemen—not in the least surprised themselves, not in the
least surprising Mr. Superintendent.
‘All right, Sharpeye?’
‘All right, sir.’
‘All right, Trampfoot?’
‘All right, sir.’
‘Is Quickear there?’
‘Here am I, sir.’
‘Come with us.’
‘Yes, sir.’
So, Sharpeye went before, and Mr. Superintendent and I went
next, and Trampfoot and Quickear marched as rear-guard.
Sharp-eye, I soon had occasion to remark, had a skilful and quite
professional way of opening doors—touched latches
delicately, as if they were keys of musical
instruments—opened every door he touched, as if he were
perfectly confident that there was stolen property behind
it—instantly insinuated himself, to prevent its being
shut.
Sharpeye opened several doors of traps that were set for Jack,
but Jack did not happen to be in any of them. They were all
such miserable places that really, Jack, if I were you, I would
give them a wider berth. In every trap, somebody was
sitting over a fire, waiting for Jack. Now, it was a
crouching old woman, like the picture of the Norwood Gipsy in the
old sixpenny dream-books; now, it was a crimp of the male sex, in
a checked shirt and without a coat, reading a newspaper; now, it
was a man crimp and a woman crimp, who always introduced
themselves as united in holy matrimony; now, it was Jack’s
delight, his (un)lovely Nan; but they were all waiting for Jack,
and were all frightfully disappointed to see us.
‘Who have you got up-stairs here?’ says Sharpeye,
generally. (In the Move-on tone.)
‘Nobody, surr; sure not a blessed sowl!’
(Irish feminine reply.)
‘What do you mean by nobody? Didn’t I hear a
woman’s step go up-stairs when my hand was on the
latch?’
‘Ah! sure thin you’re right, surr, I forgot
her! ’Tis on’y Betsy White, surr. Ah! you
know Betsy, surr. Come down, Betsy darlin’, and say
the gintlemin.’
Generally, Betsy looks over the banisters (the steep staircase
is in the room) with a forcible expression in her protesting
face, of an intention to compensate herself for the present trial
by grinding Jack finer than usual when he does come.
Generally, Sharpeye turns to Mr. Superintendent, and says, as if
the subjects of his remarks were wax-work:
‘One of the worst, sir, this house is. This woman
has been indicted three times. This man’s a regular
bad one likewise. His real name is Pegg. Gives
himself out as Waterhouse.’
‘Never had sitch a name as Pegg near me back, thin,
since I was in this house, bee the good Lard!’ says the
woman.
Generally, the man says nothing at all, but becomes
exceedingly round-shouldered, and pretends to read his paper with
rapt attention. Generally, Sharpeye directs our observation
with a look, to the prints and pictures that are invariably
numerous on the walls. Always, Trampfoot and Quickear are
taking notice on the doorstep. In default of Sharpeye being
acquainted with the exact individuality of any gentleman
encountered, one of these two is sure to proclaim from the outer
air, like a gruff spectre, that Jackson is not Jackson, but knows
himself to be Fogle; or that Canlon is Walker’s brother,
against whom there was not sufficient evidence; or that the man
who says he never was at sea since he was a boy, came ashore from
a voyage last Thursday, or sails to-morrow morning.
‘And that is a bad class of man, you see,’ says Mr.
Superintendent, when he got out into the dark again, ‘and
very difficult to deal with, who, when he has made this place too
hot to hold him, enters himself for a voyage as steward or cook,
and is out of knowledge for months, and then turns up again worse
than ever.’
When we had gone into many such houses, and had come out
(always leaving everybody relapsing into waiting for Jack), we
started off to a singing-house where Jack was expected to muster
strong.
The vocalisation was taking place in a long low room
up-stairs; at one end, an orchestra of two performers, and a
small platform; across the room, a series of open pews for Jack,
with an aisle down the middle; at the other end a larger pew than
the rest, entitled Snug, and reserved
for mates and similar good company. About the room, some
amazing coffee-coloured pictures varnished an inch deep, and some
stuffed creatures in cases; dotted among the audience, in Snug
and out of Snug, the ‘Professionals;’ among them, the
celebrated comic favourite Mr. Banjo Bones, looking very hideous
with his blackened face and limp sugar-loaf hat; beside him,
sipping rum-and-water, Mrs. Banjo Bones, in her natural
colours—a little heightened.
It was a Friday night, and Friday night was considered not a
good night for Jack. At any rate, Jack did not show in very
great force even here, though the house was one to which he much
resorts, and where a good deal of money is taken. There was
British Jack, a little maudlin and sleepy, lolling over his empty
glass, as if he were trying to read his fortune at the bottom;
there was Loafing Jack of the Stars and Stripes, rather an
unpromising customer, with his long nose, lank cheek, high
cheek-bones, and nothing soft about him but his cabbage-leaf hat;
there was Spanish Jack, with curls of black hair, rings in his
ears, and a knife not far from his hand, if you got into trouble
with him; there were Maltese Jack, and Jack of Sweden, and Jack
the Finn, looming through the smoke of their pipes, and turning
faces that looked as if they were carved out of dark wood,
towards the young lady dancing the hornpipe: who found the
platform so exceedingly small for it, that I had a nervous
expectation of seeing her, in the backward steps, disappear
through the window. Still, if all hands had been got
together, they would not have more than half-filled the
room. Observe, however, said Mr. Licensed Victualler, the
host, that it was Friday night, and, besides, it was getting on
for twelve, and Jack had gone aboard. A sharp and watchful
man, Mr. Licensed Victualler, the host, with tight lips and a
complete edition of Cocker’s arithmetic in each eye.
Attended to his business himself, he said. Always on the
spot. When he heard of talent, trusted nobody’s
account of it, but went off by rail to see it. If true
talent, engaged it. Pounds a week for talent—four
pound—five pound. Banjo Bones was undoubted
talent. Hear this instrument that was going to
play—it was real talent! In truth it was very good; a
kind of piano-accordion, played by a young girl of a delicate
prettiness of face, figure, and dress, that made the audience
look coarser. She sang to the instrument, too; first, a
song about village bells, and how they chimed; then a song about
how I went to sea; winding up with an imitation of the bagpipes,
which Mercantile Jack seemed to understand much the best. A
good girl, said Mr. Licensed Victualler. Kept herself
select. Sat in Snug, not listening to the blandishments of
Mates. Lived with mother. Father dead. Once a
merchant well to do, but over-speculated himself. On
delicate inquiry as to salary paid for item of talent under
consideration, Mr. Victualler’s pounds dropped suddenly to
shillings—still it was a very comfortable thing for a young
person like that, you know; she only went on six times a night,
and was only required to be there from six at night to
twelve. What was more conclusive was, Mr.
Victualler’s assurance that he ‘never allowed any
language, and never suffered any disturbance.’
Sharpeye confirmed the statement, and the order that prevailed
was the best proof of it that could have been cited. So, I
came to the conclusion that poor Mercantile Jack might do (as I
am afraid he does) much worse than trust himself to Mr.
Victualler, and pass his evenings here.
But we had not yet looked, Mr. Superintendent—said
Trampfoot, receiving us in the street again with military
salute—for Dark Jack. True, Trampfoot. Ring the
wonderful stick, rub the wonderful lantern, and cause the spirits
of the stick and lantern to convey us to the Darkies.
There was no disappointment in the matter of Dark Jack;
he was producible. The Genii set us down in the
little first floor of a little public-house, and there, in a
stiflingly close atmosphere, were Dark Jack, and Dark
Jack’s delight, his white unlovely Nan, sitting
against the wall all round the room. More than that: Dark
Jack’s delight was the least unlovely Nan, both morally and
physically, that I saw that night.
As a fiddle and tambourine band were sitting among the
company, Quickear suggested why not strike up? ‘Ah,
la’ads!’ said a negro sitting by the door, ‘gib
the jebblem a darnse. Tak’ yah pardlers, jebblem, for
’um Quad-rill.’
This was the landlord, in a Greek cap, and a dress half Greek
and half English. As master of the ceremonies, he called
all the figures, and occasionally addressed himself
parenthetically—after this manner. When he was very
loud, I use capitals.
‘Now den! Hoy! One. Right and left. (Put a
steam on, gib ’um powder.) La-dies’ chail. Bal-loon say. Lemonade! Two. Ad-warnse and go back (gib ’ell a
breakdown, shake it out o’ yerselbs, keep a movil).
Swing-corners, Bal-loon say, and Lemonade!
(Hoy!) Three. Gent come for’ard with a lady and go
back, hoppersite come for’ard and do what yer can.
(Aeiohoy!) Bal-loon say, and
leetle lemonade. (Dat hair nigger by ’um fireplace
’hind a’ time, shake it out o’ yerselbs, gib
’ell a breakdown.) Now den! Hoy! Four! Lemonade. Bal-loon say, and swing. Four ladies meet in ’um middle, Four gents goes round ’um ladies,
Four gents passes out under ’um
ladies’ arms, swing—and
Lemonade till ’a moosic can’t play no more!
(Hoy, Hoy!)’
The male dancers were all blacks, and one was an unusually
powerful man of six feet three or four. The sound of their
flat feet on the floor was as unlike the sound of white feet as
their faces were unlike white faces. They toed and heeled,
shuffled, double-shuffled, double-double-shuffled, covered the
buckle, and beat the time out, rarely, dancing with a great show
of teeth, and with a childish good-humoured enjoyment that was
very prepossessing. They generally kept together, these
poor fellows, said Mr. Superintendent, because they were at a
disadvantage singly, and liable to slights in the neighbouring
streets. But, if I were Light Jack, I should be very slow
to interfere oppressively with Dark Jack, for, whenever I have
had to do with him I have found him a simple and a gentle
fellow. Bearing this in mind, I asked his friendly
permission to leave him restoration of beer, in wishing him good
night, and thus it fell out that the last words I heard him say
as I blundered down the worn stairs, were, ‘Jebblem’s
elth! Ladies drinks fust!’
The night was now well on into the morning, but, for miles and
hours we explored a strange world, where nobody ever goes to bed,
but everybody is eternally sitting up, waiting for Jack.
This exploration was among a labyrinth of dismal courts and blind
alleys, called Entries, kept in wonderful order by the police,
and in much better order than by the corporation: the want of
gaslight in the most dangerous and infamous of these places being
quite unworthy of so spirited a town. I need describe but
two or three of the houses in which Jack was waited for as
specimens of the rest. Many we attained by noisome passages
so profoundly dark that we felt our way with our hands. Not
one of the whole number we visited, was without its show of
prints and ornamental crockery; the quantity of the latter set
forth on little shelves and in little cases, in otherwise
wretched rooms, indicating that Mercantile Jack must have an
extraordinary fondness for crockery, to necessitate so much of
that bait in his traps.
Among such garniture, in one front parlour in the dead of the
night, four women were sitting by a fire. One of them had a
male child in her arms. On a stool among them was a swarthy
youth with a guitar, who had evidently stopped playing when our
footsteps were heard.
‘Well! how do you do?’ says Mr.
Superintendent, looking about him.
‘Pretty well, sir, and hope you gentlemen are going to
treat us ladies, now you have come to see us.’
‘Order there!’ says Sharpeye.
‘None of that!’ says Quickear.
Trampfoot, outside, is heard to confide to himself,
‘Meggisson’s lot this is. And a bad
’un!’
‘Well!’ says Mr. Superintendent, laying his hand
on the shoulder of the swarthy youth, ‘and who’s
this?’
‘Antonio, sir.’
‘And what does he do here?’
‘Come to give us a bit of music. No harm in that,
I suppose?’
‘A young foreign sailor?’
‘Yes. He’s a Spaniard. You’re a
Spaniard, ain’t you, Antonio?’
‘Me Spanish.’
‘And he don’t know a word you say, not he; not if
you was to talk to him till doomsday.’ (Triumphantly,
as if it redounded to the credit of the house.)
‘Will he play something?’
‘Oh, yes, if you like. Play something,
Antonio. You ain’t ashamed to play something;
are you?’
The cracked guitar raises the feeblest ghost of a tune, and
three of the women keep time to it with their heads, and the
fourth with the child. If Antonio has brought any money in
with him, I am afraid he will never take it out, and it even
strikes me that his jacket and guitar may be in a bad way.
But, the look of the young man and the tinkling of the instrument
so change the place in a moment to a leaf out of Don Quixote,
that I wonder where his mule is stabled, until he leaves off.
I am bound to acknowledge (as it tends rather to my
uncommercial confusion), that I occasioned a difficulty in this
establishment, by having taken the child in my arms. For,
on my offering to restore it to a ferocious joker not
unstimulated by rum, who claimed to be its mother, that unnatural
parent put her hands behind her, and declined to accept it;
backing into the fireplace, and very shrilly declaring,
regardless of remonstrance from her friends, that she knowed it
to be Law, that whoever took a child from its mother of his own
will, was bound to stick to it. The uncommercial sense of
being in a rather ridiculous position with the poor little child
beginning to be frightened, was relieved by my worthy friend and
fellow-constable, Trampfoot; who, laying hands on the article as
if it were a Bottle, passed it on to the nearest woman, and bade
her ‘take hold of that.’ As we came out the
Bottle was passed to the ferocious joker, and they all sat down
as before, including Antonio and the guitar. It was clear
that there was no such thing as a nightcap to this baby’s
head, and that even he never went to bed, but was always kept
up—and would grow up, kept up—waiting for Jack.
Later still in the night, we came (by the court ‘where
the man was murdered,’ and by the other court across the
street, into which his body was dragged) to another parlour in
another Entry, where several people were sitting round a fire in
just the same way. It was a dirty and offensive place, with
some ragged clothes drying in it; but there was a high shelf over
the entrance-door (to be out of the reach of marauding hands,
possibly) with two large white loaves on it, and a great piece of
Cheshire cheese.
‘Well!’ says Mr. Superintendent, with a
comprehensive look all round. ‘How do you
do?’
‘Not much to boast of, sir.’ From the
curtseying woman of the house. ‘This is my good man,
sir.’
‘You are not registered as a common Lodging
House?’
‘No, sir.’
Sharpeye (in the Move-on tone) puts in the pertinent inquiry,
‘Then why ain’t you?’
‘Ain’t got no one here, Mr. Sharpeye,’
rejoin the woman and my good man together, ‘but our own
family.’
‘How many are you in family?’
The woman takes time to count, under pretence of coughing, and
adds, as one scant of breath, ‘Seven, sir.’
But she has missed one, so Sharpeye, who knows all about it,
says:
‘Here’s a young man here makes eight, who
ain’t of your family?’
‘No, Mr. Sharpeye, he’s a weekly
lodger.’
‘What does he do for a living?’
The young man here, takes the reply upon himself, and shortly
answers, ‘Ain’t got nothing to do.’
The young man here, is modestly brooding behind a damp apron
pendent from a clothes-line. As I glance at him I
become—but I don’t know why—vaguely reminded of
Woolwich, Chatham, Portsmouth, and Dover. When we get out,
my respected fellow-constable Sharpeye, addressing Mr.
Superintendent, says:
‘You noticed that young man, sir, in at
Darby’s?’
‘Yes. What is he?’
‘Deserter, sir.’
Mr. Sharpeye further intimates that when we have done with his
services, he will step back and take that young man. Which
in course of time he does: feeling at perfect ease about finding
him, and knowing for a moral certainty that nobody in that region
will be gone to bed.
Later still in the night, we came to another parlour up a step
or two from the street, which was very cleanly, neatly, even
tastefully, kept, and in which, set forth on a draped chest of
drawers masking the staircase, was such a profusion of ornamental
crockery, that it would have furnished forth a handsome
sale-booth at a fair. It backed up a stout old
lady—Hogarth drew her exact
likeness more than once—and a boy who was carefully writing
a copy in a copy-book.
‘Well, ma’am, how do you do?’
Sweetly, she can assure the dear gentlemen, sweetly.
Charmingly, charmingly. And overjoyed to see us!
‘Why, this is a strange time for this boy to be writing
his copy. In the middle of the night!’
‘So it is, dear gentlemen, Heaven bless your welcome
faces and send ye prosperous, but he has been to the Play with a
young friend for his diversion, and he combinates his improvement
with entertainment, by doing his school-writing afterwards, God
be good to ye!’
The copy admonished human nature to subjugate the fire of
every fierce desire. One might have thought it recommended
stirring the fire, the old lady so approved it. There she
sat, rosily beaming at the copy-book and the boy, and invoking
showers of blessings on our heads, when we left her in the middle
of the night, waiting for Jack.
Later still in the night, we came to a nauseous room with an
earth floor, into which the refuse scum of an alley
trickled. The stench of this habitation was abominable; the
seeming poverty of it, diseased and dire. Yet, here again,
was visitor or lodger—a man sitting before the fire, like
the rest of them elsewhere, and apparently not distasteful to the
mistress’s niece, who was also before the fire. The
mistress herself had the misfortune of being in jail.
Three weird old women of transcendent ghastliness, were at
needlework at a table in this room. Says Trampfoot to First
Witch, ‘What are you making?’ Says she,
‘Money-bags.’
‘What are you making?’ retorts Trampfoot, a
little off his balance.
‘Bags to hold your money,’ says the witch, shaking
her head, and setting her teeth; ‘you as has got
it.’
She holds up a common cash-bag, and on the table is a heap of
such bags. Witch Two laughs at us. Witch Three scowls
at us. Witch sisterhood all, stitch, stitch. First
Witch has a circle round each eye. I fancy it like the
beginning of the development of a perverted diabolical halo, and
that when it spreads all round her head, she will die in the
odour of devilry.
Trampfoot wishes to be informed what First Witch has got
behind the table, down by the side of her, there? Witches
Two and Three croak angrily, ‘Show him the
child!’
She drags out a skinny little arm from a brown dustheap on the
ground. Adjured not to disturb the child, she lets it drop
again. Thus we find at last that there is one child in the
world of Entries who goes to bed—if this be bed.
Mr. Superintendent asks how long are they going to work at
those bags?
How long? First Witch repeats. Going to have
supper presently. See the cups and saucers, and the
plates.
‘Late? Ay! But we has to ’arn our
supper afore we eats it!’ Both the other witches
repeat this after First Witch, and take the Uncommercial
measurement with their eyes, as for a charmed
winding-sheet. Some grim discourse ensues, referring to the
mistress of the cave, who will be released from jail
to-morrow. Witches pronounce Trampfoot ‘right
there,’ when he deems it a trying distance for the old lady
to walk; she shall be fetched by niece in a spring-cart.
As I took a parting look at First Witch in turning away, the
red marks round her eyes seemed to have already grown larger, and
she hungrily and thirstily looked out beyond me into the dark
doorway, to see if Jack was there. For, Jack came even
here, and the mistress had got into jail through deluding
Jack.
When I at last ended this night of travel and got to bed, I
failed to keep my mind on comfortable thoughts of Seaman’s
Homes (not overdone with strictness), and improved dock
regulations giving Jack greater benefit of fire and candle aboard
ship, through my mind’s wandering among the vermin I had
seen. Afterwards the same vermin ran all over my
sleep. Evermore, when on a breezy day I see Poor Mercantile
Jack running into port with a fair wind under all sail, I shall
think of the unsleeping host of devourers who never go to bed,
and are always in their set traps waiting for him.