Bk. x. l. 101-106 (Hom. x. l. 81-86).—It is held now that this passage
should be explained by the supposition that the Homeric bards had heard
tales of northern latitudes, where, in summer-time, the darkness was so
short that evening was followed almost at once by morning. Thus the
herdsman coming home in the twilight at one day’s close might meet and
hail the shepherd who was starting betimes for the next day’s work.
Line 86 in the Greek ought probably to be translated, “For the paths of
night and day are close together,” i.e., the entrance of day follows
hard on the entrance of night.
Bk. xi. l. 162, 163 (Hom. xi. l. 134, 135).—
θάνατος δέ τοι ἐξ ἁλὸς αὐτῷ
ἀβληχρὸς μάλα τοῖος ἐλεύσεται.
Others translate, “And from the sea shall thy own death come,” suggesting
that Ulysses after all was lost at sea. This is the rendering followed by
Tennyson in his poem “Ulysses” (and see Dante, Inferno, Canto xxvi.).
It is a more natural translation of the Greek, and gives a far more
wonderful vista for the close of the Wanderer’s life.
Bk. xix. l. 712 (Hom. xix. l. 573).—The word πελέκεας, for which Cowper
gives as a paraphrase “spikes, crested with a ring,” elsewhere means
axes, and ought so to be translated here. For since Cowper’s day an
axe-head of the Mycenæan period has been discovered with the blade
pierced so as to form a hole through which an arrow could pass. (See
Tsountas and Manatt, The Mycenæan Age.) Axes of this type were not
known to Cowper, and hence the hypothesis in his text. He realised
correctly the essential conditions of the feat proposed: the axes must
have been set up, one behind the other, in the way he suggested for his
ringed stakes.
Bk. xxii. l. 139-162 (Hom. xxii. l. 126-143).—How Melanthius got out of
the hall remains a puzzle. Cowper assumes a second postern, but there is
no evidence for this, and l. 139 ff. (l. 126 ff. in the Greek)
suggest rather strongly that there was only one. Unfortunately, the crucial
word ῥῶγες which occurs in the line describing Melanthius’ exit is not
found elsewhere. “He went up,” the poet says, “through the ῥῶγες of the
hall.” Merry suggests that “he scrambled up to the loopholes that were
pierced in the wall.” Others suppose that there was a ladder at the inner
end of the hall leading to the upper story, and on through passages to
the armoury.
In l. 141 (l. 128 in the Greek) the word translated “street” by Cowper is
usually rendered “corridor.”
F. M. S.
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