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The Mirror Of Taste, Volume 1, No. 4, April 1810

The Mirror Of Taste, Volume 1, No. 4, April 1810

by S. C. Carpenter

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Language: English

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About this eBook

Editor
Carpenter, S. C. (Stephen Cullen), -1820?
Title
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810
Credits
Produced by Barbara Tozier, Bill Tozier, Josephine Paolucci and the Online Distributed Proofreading Team at www.pgdp.net.
Language
English
LoC Class
AP: General Works: Periodicals
Subject
Drama -- Periodicals
Category
Text
eBook-No.
26954
Project Gutenberg
https://www.gutenberg.org/ebooks/26954
Release Date
October 18, 2008
Copyright
Public domain in the USA.

Contents

  1. 1.THE MIRROR OF TASTE, — AND — DRAMATIC CENSOR.
  2. 2.Vol. I APRIL 1810. No. 4.
  3. 3.Contents
  4. 4.HISTORY OF THE STAGE. — CHAPTER IV. — ORIGIN OF COMEDY—ARISTOPHANES—DEATH OF SOCRATES.
  5. 5.BIOGRAPHY—FOR THE MIRROR. — SKETCH OF THE LIFE OF THE LATE MR. HODGKINSON. — ( Continued from page 212. ) — ( To be continued. ) — FOOTNOTES:
  6. 6.BARRY, THE PLAYER. — Antony in Julius Cæsar. — Varanes in Theodosius, or the Force of Love. — In Altamont in The Fair Penitent. — Othello. — FOOTNOTES:
  7. 7.MISCELLANY. — THEOBALDUS SECUNDUS, OR SHAKSPEARE AS HE SHOULD BE. — NO. III. — Hamlet, Prince of Denmark, continued. — Coffee and Chocolate. — MONUMENT IN HONOUR OF THE LATE DUKE OF BEDFORD. ERECTED IN RUSSELL SQUARE, BY R. WESTMACOTT, ASSOCIATE OF THE ROYAL ACADEMY. — O! NEVER LET US MARRY. — TO ROSA. — THE SABLE APPARITION, OR MYSTERIOUS BELL ROPE. — An extract from a Manuscript Novel.
  8. 8.COMMUNICATIONS. — TO THE EDITOR OF THE DRAMATIC MISCELLANY. — Every One has his Fault. — Prostitution of the Theatre. — Samuel Foote. — A spirited manager. — Moody. — Theatrical Licenses. — Mrs. Centlivre. The Busy Body. — Gay.——Beggar's opera. — A Wine merchant. — Garrick once more. — As it was damned. — Vindication of Lord Rochester. — An elegant translation. — Beware of a too free use of the bottle. — FOOTNOTES:
  9. 9.DRAMATIC CENSOR. — DOMESTIC CRITICISM. — The Foundling of the Forest.
  10. 10.NEW WAY TO PAY OLD DEBTS, — A COMEDY, — IN FIVE ACTS. — BY PHILIP MASSINGER, ESQ.
  11. 11.A NEW WAY TO PAY OLD DEBTS. — DRAMATIS PERSONAE.
  12. 12.ACT I. — SCENE I.— The Outside of a Village Alehouse. — Enter Wellborn, Tapwell, and Froth, from the House. — SCENE II.— A Chamber in Lady Allworth's House. — Enter Furnace, Amble, Order, and Watchall. — SCENE III.— A Hall in Lady Allworth's House. — Enter Overreach, Greedy, Order, Amble, Furnace, Watchall, and Marall.
  13. 13.ACT II. — SCENE I.—Sir Giles's House . — Enter Sir Giles Overreach and Marall. — SCENE II.— A Hall in Lady Allworth's House . — Enter Allworth, Order, Amble, and Watchall. — SCENE III.— The Country. — Enter Wellborn and Marall.
  14. 14.ACT. III. — SCENE I.— The Country. — Enter Lovell and Allworth. — SCENE II.— A Hall in Sir Giles's house. — Enter Sir Giles Overreach, Greedy and Marall.
  15. 15.ACT IV. — SCENE I— A Chamber in Lady Allworth's House . — Lovell and Allworth discovered . — SCENE II.— A Landscape before Tapwell's House . — Enter Tapwell and Froth. — SCENE III.— A Chamber in Sir Giles's House . — Enter Allworth and Margaret.
  16. 16.ACT. V. — SCENE I.— A Chamber in Lady Allworth's House . — Enter Lovell and Lady Allworth.

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