"The architectural spirit which has arisen in London since the
late peace, and ramified from thence to every city and town of the
empire, will present an era in our domestic history." Such is the
opinion of an intelligent writer in a recent number of Brande's
"Quarterly Journal;" and he goes on to describe the new erections
in the Regent's Park as the "dawning of a new and better taste, and
in comparison with that which preceded it, a just subject of
national exultation;" in illustration of which fact we have
selected the subjoined view of Hanover Terrace, being the
last group on the left of the York-gate entrance, and that next
beyond Sussex-place, distinguishable by its cupola tops.
Hanover Terrace, unlike Cornwall and other terraces of the
Regent's Park, is somewhat raised from the level of the road, and
fronted by a shrubbery, through which is a carriage-drive. The
general effect of the terrace is pleasing; and the pediments,
supported on an arched rustic basement by fluted Doric columns, are
full of richness and chaste design; the centre representing an
emblematical group of the arts and sciences, the two ends being
occupied with antique devices; and the three surmounted with
figures of the Muses. The frieze is also light and simply elegant.
The architect is Mr. Nash, to whose classic taste the Regent's Park
is likewise indebted for other interesting architectural
groups.
Altogether, Hanover Terrace may be considered as one of the most
splendid works of the neighbourhood, and it is alike characteristic
of British opulence, and of the progressive improvement of national
taste. On the general merits of these erections we shall avail
ourselves of the author already quoted, inasmuch as his remarks are
uniformly distinguished by moderation and good taste.
"Regent's Park, and its circumjacent buildings, promise, in few
years, to afford something like an equipoise to the boasted
Palace-group of Paris. If the plan already acted upon is
steadily pursued, it will present a union of rural and
architectural beauty on a scale of greater magnificence than can be
found in any other place. The variety is here in the detached
groups, and not as formerly in the individual dwellings, by which
all unity and grandeur of effect was, of course, annihilated. These
groups, undoubtedly, will not always bear the eye of a severe
critic, but altogether they exhibit, perhaps, as much beauty as can
easily be introduced into a collection of dwelling-houses of
moderate size. Great care has been, taken to give something of a
classical air to every composition; and with this object, the
deformity of door-cases has been in most cases excluded, and
the entrances made from behind. The Doric and Ionic orders have
been chiefly employed; but the Corinthian, and even the Tuscan, are
occasionally introduced. One of these groups is finished with
domes; but this is an attempt at magnificence which, on so small a
scale, is not deserving of imitation."
SIR,—Under the Arcana of Science, in your last
Number, I observed an account of the inroads made by the sea on the
Isle of Sheppey, together with the exhumation there of numerous
animal and vegetable remains. As an additional fact I inform you,
that, at about three hundred feet below the surface of the
sand-bank, (of which the island is composed,) there is a vast
prostrate antediluvian forest, masses of which are being
continually developed by the influence of marine agency, and
exhibit highly singular appearances. When the workmen were employed
some years back in sinking a well to supply the garrison with
water, the aid of gunpowder was required to blast the fossil
timber, it having attained, by elementary action and the repose of
ages, the hard compactness of rock or granite stone. Aquatic
productions also appear to observation in their natural shape and
proportion, with the advantage of high preservation, to facilitate
the study of the inquiring philosopher. I have seen entire
lobsters, eels, crabs, &c. all transformed into perfect
lapidifications. Many of these interesting bodies have been
selected, and at the present time tend to enrich the elaborate
collections of the Museum of London and the Institute of France.
During the winter of 1825, in examining a piece of petrified wood,
which I had picked up on the shore, we discovered a very minute
aperture, barely the size of a pin-hole, and on breaking the
substance by means of a large hammer, to our surprise and regret we
crushed a small reptile that was concealed inside, and which, in
consequence, we were unfortunately prevented from restoring to its
original shape. The body was of a circular shape and iron coloured;
but from the blood which slightly moistened the face of the
instrument, we were satisfied it must have been animated. I showed
the fragments of both to a gentleman in the island, who, like
myself, lamented the accident, as it had, in all likelihood,
deprived science of forming some valuable
(perhaps) deductions on this incarcerated, or (if I may be allowed
the expression) compound phenomenon. I have merely related the
above incident in order to show the possibility of there being
other creatures accessible to discovery under similar
circumstances, and in their nature, perhaps homogeneous. I left the
island next day, and therefore had no further opportunities of
confirming such an opinion; but the place itself abounds with
substances which would authorize such conjectures.
D. A. P.1
"Travellers of that rare tribe, Who've seen the countries
they describe."
HANNAH MORE.
When daudling diligences drag
Their lumbering length along2 no
more—
That odd anomaly!—or wag
Gon call'd, or coach—a misnomer3—
That Cerberus three-bodied! and
That Cerberus of music!
Such rattle with their nine-in-hand!
O, Cerbere, an tu sic?
When this, (and of Long Acre wits
To rival this would floor some!)
When this at last the Frenchman quits.
Then! then is the age d'or come!
When coxcomb waiters know their trade,
Nor mix their sauces4 with
cookey's;
When John's no longer chamber maid,
And printed well a book is.
When sorrel, garlic, dirty knife,
Et cetera, spoil no dinners—
(The punishment is after life,
Are cooks to punish sinners?)
When bucks are safe, nor streets display
A sea Mediterranean;5
When Cloacina wends her way
In streamlet sub-terranean.
When houses, inside well as out,
Are clean,6 and
servants civil;7
When dice (if e'er 'twill be I doubt)
Send fewer—to the devil.
When riot ends, and comfort reigns,
Right English comfort8—players
Are fetter'd with no rhythmic9
chains—
French priests repeat French prayers.10
When Palais Royal vice subsides,11
(Who plays there's a complete ass—)
When footpaths grow on highway sides12—
Then! then's the Aurea-Ætas!
There, France, I leave thee.—Jean Taureau!13
What think'st thou of thy neighbours?
Or (what I own I'd rather know)
What—think'st thou of MY LABOURS?
A TRAVELLER OF 1827, (W. P.)
Carshalton.
SIR,—In the haste in which I wrote my last account of the
carrying of "tar barrels" in Westmoreland,14
(owing to the pressure of time,) I omitted some most interesting
information, and I think I cannot do better than supply the
deficiency this year.
As I said before, the day is prepared for, about a month
previously—the townsmen employ themselves in hagging furze
for the "bon-fire," which is situated in an adjoining field.
Another party go round to the different houses, grotesquely
attired, supplicating contributions for the "tar barrels," and at
each house, after receiving a donation, chant a few doggerel verses
and huzza! It is, however, well that people should contribute
towards defraying the expense, for if they do not get enough money
they commit sad depredations, and if any one is seen carrying a
barrel they wrest it from him.
For my part, I liked the "watch night" the best, and if it were
possible to keep sober, one might enjoy the fun—sad havoc
indeed was then made among the poultry—when ducks and fowls
were crackling before the fire all night; in fact, a few previous
days were regular shooting days, and the little birds were killed
by scores. But ere morning broke in upon them, many of the merry
group were lying in a beastly state under the chairs and tables, or
others had gone to bed; but this is what they called
spending a merry night. The day arrives, and a whole troop
of temporary soldiers assemble in the town at 10 P.M. with their
borrowed instruments and dresses, and a real Guy,—not
a paper one,—but a living one—a regular
painted old fellow, I assure you, with a pair of boots like the
Ogre's seven leagued, seated on an ass, with the mob continually
bawling out, "there's a par o'ye!"
Thus they parade the town—one of the head leaders knocks
at the door—repeats the customary verses, while the other
holds a silken purse for the cash, which they divide amongst them
after the expenses are paid—and a pretty full purse they get
too. In the evening so anxious are they to fire the stack, that
lanterns may be seen glimmering in all parts of the field like so
many will-o'-the-wisps; then follow the tar barrels, and after this
boisterous amusement the scene closes, save the noise throughout
the night, and for some nights after of the drunken people, who
very often repent their folly by losing their situations.
Now, respecting the origin of this custom, I merely, by way of
hint, submit, that in the time of Christian martyrdom, as tar
barrels were used for the "burning at the stake" to increase the
ravages of the flame:—the custom is derived,—out of
rejoicings for the abolition of the horrid practice, and this they
show by carrying them on their heads (as represented at page 296,
vol. 8.), but you may treat this suggestion as you please, and
perhaps have the kindness to substitute your own, or inquire into
it.
W. H. H.
Rutherglen, in the county of Lanarkshire, has long been famous
for the singular custom of baking what are called sour cakes. About
eight or ten days before St. Luke's fair (for they are baked at no
other time in the year), a certain quantity of oatmeal is made into
dough with warm water, and laid up in a vessel to ferment. Being
brought to a proper degree of fermentation and consistency, it is
rolled up into balls proportionable to the intended largeness of
the cakes. With the dough is commonly mixed a small quantity of
sugar, and a little aniseed or cinnamon. The baking is executed by
women only; and they seldom begin their work till after sunset, and
a night or two before the fair. A large space of the house, chosen
for the purpose, is marked out by a line drawn upon it. The area
within is considered as consecrated ground, and is not, by any of
the bystanders, to be touched with impunity. The transgression
incurs a small fine, which is always laid out in drink for the use
of the company. This hallowed spot, is occupied by six or eight
women, all of whom, except the toaster, seat themselves on the
ground, in a circular form, having their feet turned towards the
fire. Each of them is provided with a bakeboard about two feet
square, which they hold on their knees. The woman who toasts the
cakes, which is done on an iron plate suspended over the fire, is
called the queen, or bride, and the rest are called her maidens.
These are distinguished from one another by names given them for
the occasion. She who sits next the fire, towards the east, is
called the todler; her companion on the left hand is called
the trodler;15 and the
rest have arbitrary names given them by the bride, as Mrs. Baker,
best and worst maids, &c. The operation is begun by the todler,
who takes a ball of the dough, forms it into a cake, and then casts
it on the bakeboard of the trodler, who beats it out a little
thinner. This being done, she, in her turn, throws it on the board
of her neighbour; and thus it goes round, from east to west, in the
direction of the course of the sun, until it comes to the toaster,
by which time it is as thin and smooth as a sheet of paper. The
first cake that is cast on the girdle is usually named as a gift to
some man who is known to have suffered from the infidelity of his
wife, from a superstitious notion, that thereby the rest will be
preserved from mischance. Sometimes the cake is so thin, as to be
carried by the current of the air up into the chimney. As the
baking is wholly performed by the hand, a great deal of noise is
the consequence. The beats, however, are not irregular, nor
destitute of an agreeable harmony, especially when they are
accompanied with vocal music, which is frequently the case. Great
dexterity is necessary, not only to beat out the cakes with no
other instrument than the hand, so that no part of them shall be
thicker than another, but especially to cast them from one board to
another without ruffling or breaking them. The toasting requires
considerable skill; for which reason the most experienced person in
the company is chosen for that part of the work. One cake is sent
round in quick succession to another, so that none of the company
is suffered to be idle. The whole is a scene of activity, mirth,
and diversion. As there is no account, even by tradition itself,
concerning the origin of this custom, it must be very ancient. The
bread thus baked was, doubtless, never intended for common use. It
is not easy to conceive how mankind, especially in a rude age,
would strictly observe so many ceremonies, and be at so great pains
in making a cake, which, when folded together, makes but a scanty
mouthful.16 Besides, it is always given away in
presents to strangers who frequent the fair. The custom seems to
have been originally derived from paganism, and to contain not a
few of the sacred rites peculiar to that impure religion; as the
leavened dough, and the mixing it with sugar and spices, the
consecrated ground, &c.; but the particular deity, for whose
honour these cakes were at first made, is not, perhaps, easy to
determine. Probably it was no other than the one known in Scripture
(Jer. 7 ch. 18 v.) by the name of the Queen of Heaven, and to whom
cakes were likewise kneaded by women.
J. S. W.
How in the depth of winter rude
A lovely flower is prized,
Which in the month of April view'd,
Perhaps has been despised.
How fair amid the shades of night
Appears the stars' pale ray;
Behold the sun's more dazzling light,
It quickly fades away.
E. L. I.
The custom of paying "Peter's pence" is of Saxon origin; and
they continued to be paid by the inhabitants of England, till the
abolition of the Papal power. The event by which their payment was
enacted is as follows:—Ethelbert, king of the east angles,
having reigned single some time, thought fit to take a wife; for
this purpose he came to the court of Offa, king of Mercia, to
desire his daughter in marriage. Queenrid, consort of Offa, a
cruel, ambitious, and blood-thirsty woman, who envied the retinue
and splendour of the unsuspicious king, resolved in some manner to
have him murdered, before he left their court, hoping by that to
gain his immense riches; for this purpose she, with her malicious
and fascinating arts, overcame the king—her husband, which
she most cunningly effected, and, under deep disguises, laid open
to him her portentous design; a villain was therefore hired, named
Gimberd, who was to murder the innocent prince. The manner in which
the heinous crime was effected was as cowardly as it was fatal:
under the chair of state in which Ethelbert sat, a deep pit was
dug; at the bottom of it was placed the murderer; the unfortunate
king was then let through a trap-door into the pit; his fear
overcame him so much, that he did not attempt resistance. Three
months after this, Queenrid died, when circumstances convinced Offa
of the innocence of Ethelbert; he therefore, to appease his guilt,
built St. Alban's monastery, gave one-tenth part of his goods to
the poor, and went in penance to Rome—where he
gave to the Pope a penny for every house in his dominions, which
were afterwards called Rome shot, or Peter's pence,
and given by the inhabitants of England, &c. till 1533, when
Henry VIII. shook off the authority of the Pope in this
country.
T.C.