THE MEDICAL ASPECTS OF DEATH. — FOOTNOTES:
“Dost thou think Alexander looked o’ this
fashion i’ the earth?” How pregnant is such
a question with meaning,—the noble dust of
Alexander like the corrupting skull of the
king’s jester! How natural to ask ourselves
the question, Shall we also look o’ this fashion
i’ the earth?—we want no Horatio to answer,
“Even so.” But though it is common to
speak of death, I do not think it is very common
to consider it. We are, in truth, too
much afraid to look at it in its physical aspects.
The subject may seem repulsive, but it is one
which a rational being should not altogether
disregard, because many practical advantages
arise from making it an object of study. It
must be remembered that it is a privilege
peculiar to human nature, to preconsider the
last moments of existence. But I am not one of
those who would wish to throw a gloom upon
life, and carry the skull round at the feast—I
would rather throw the light of reason, as far
as it will shine, on the mysteries of the grave.
How interesting are our first impressions of
death!—when we first looked timidly at the
familiar features of a dear parent stiffened and
pinched with the hand of death! Who cannot
recall to mind that cold apartment which had
so lately been the scene of anxious watching
and tender solicitude,—the formal sheeted
corse,—the appalling stillness of the compressed
lip and icy coldness of that last kiss?
It is at such times that the feelings rise to the
noblest sentiments of our nature, and we see
the littleness of human ambition, and the
emptiness of our fondest wishes;—at these
periods alone can we perceive the real significance
of life, for then the hurry of business
is suspended, and there is a pause in the drama
of events.
It would be curious to trace the forms
and ceremonies which surviving friends have
adopted to show their respect for the dead.
The custom of strewing flowers on the tomb
is, perhaps, one of the most simple and touching.
This custom is beautifully alluded to in
“Cymbeline”:—
“With fairest flowers,
Whilst summer lasts and I live here, Fidele,
I’ll sweeten thy sad grave: thou shalt not lack
The flower that’s like thy face, pale primrose, nor
The azure hare-bell like thy veins; no nor
The leaf of eglantine, whom not to slander,
Outsweeten’d not thy breath.”
I shall not stop, however, to dwell on these
topics, nor describe the “trappings and suits of
woe,” which are not always the accompaniments
of real grief. The nodding plumes and
lengthened processions of the great only betray
how little wealth and rank can rescue their
possessors from the common fate of human
kind.
In how many cases might we not say, with
Byron,—
“Of all
The fools who flock’d to swell or see the show,
Who cared about the corpse? the funeral
Made the attraction, and the black the woe.”
[1]
The Signs of death are important in a medical
point of view; for though the extinction of
life is generally too apparent to admit of question,
there can be no doubt but that occasional
errors have arisen. In most of these cases, it
is certain that undue haste and culpable carelessness
have contributed to the result; but we
all feel so deeply the horror of such mistakes,
that some fear is excusable, even when we have
no apprehension of such carelessness on the
part of those who may have to do the last
offices for ourselves. In all periods the subject
of premature interment has excited great interest,
and the very fears which have been
entertained have been the occasion of many
stories equally marvellous and horrible.
In order to provide against premature interment,
the Romans are said to have waited
seven days before they interred the dead;
those who had charge of the corpse calling
the name of the deceased many times in a loud
voice. It was this custom which constituted
the Conclamatio. Just before the body was
finally buried, the name was again loudly
called; and then it was considered proper to
enter on the funeral ceremonies.
Terence makes allusion to this custom when
he says,
“Desine,—jam conclamatum est.”
If we are to believe French writers, it would
seem that, formerly, premature interments were
very common in France. It is to be hoped,
however, that many of their statements are
exaggerated or incorrect. Bruhier has collected
together upwards of 180 cases, in which
mistakes were made as to the signs of death:
of these, 52 were interred alive, 4 opened
before death, 53 recovered spontaneously after
having been shut up in the coffin (renfermées
dans le cerceuil), 72 reputed dead without
being so. At the same time that we are happy
to think that Bruhier must have greatly indulged
his imagination, it is probable that
the French hospitals may have been the scene
of many culpable errors.
Louis, in his more able letter on the Signs
of Death, which was published in 1752, relates
the case of a young woman, en couches, who
left the Hôtel-Dieu on account of the prevalence
of an epidemic, and sought refuge at
the Hôpital de la Salpétrière. On her way
she fainted twice, and again on her arrival fell
into a fainting fit. She was thought by the
sisters of charity to be dead, and remained two
hours exposed in the court to a rigorous cold.
She was then carried into the salle des morts
(dead-house). Some time afterwards, a pupil
hearing groans, came affrighted to inform
Louis. Louis went to the spot, but found her
already dead; though she had made efforts to
get extricated from the winding sheet in which
she was enveloped, and had one foot on the
ground, out of the litter, and an arm leaning on
the bar of the trestle of a dissecting table, by
the side of which she had been placed.[2]
Many of the stories told of persons being
buried alive, partake too much of the marvellous,
to meet with unqualified acceptance.
In periods of great mortality, and when epidemics
have raged, there can be little doubt,
however, that such instances have occurred.
The philanthropic Howard, in his work on
Prisons, says:—“I have known instances
where persons, supposed to be dead of the gaol
fever and brought out for burial, on being
washed with cold water, have shown signs of
life, and soon afterwards recovered.” I have
myself frequently heard people express their
fears of being interred alive. I remember a
young lady who, on her death-bed, made a
solemn appeal to her father, that her body
might be thrown into the sea as soon as it
should be known that she was dead. Her
father properly and ingeniously opposed her
wish, in expressing his desire that her remains
should rest in the same grave with his own.
A lady in Manchester had so strong a fear of
being buried alive, that she left a sum of
money, the interest of which was to be received
only on conditions that her body was kept
above ground. The body was bound over
closely like a mummy, and was deposited in
the Natural History Museum, where, I believe,
it may still be seen by the curious.
Perhaps this feeling had been induced by
some circumstances in her life, which had
rendered her extremely fearful of such mistakes.
Dr. Paris tells us, “that the daughter of
Henry Laurens, the first president of the American
Congress, when an infant, was laid out as
dead of the smallpox; upon which the window
of the apartment, that had been carefully
closed during the progress of the disease, was
thrown open to ventilate the chamber, when
the fresh air revived the supposed corpse, and
restored her to her family: this circumstance
occasioned in her father so powerful a dread of
living interment, that he directed by will that
his body should be burnt, and enjoined on his
children the performance of this wish as a sacred
duty.”[3]
Amongst the ordinary signs of death the
absence of respiration is that which is most
popular, but at the same time the most likely
to deceive. To ascertain whether the breathing
be entirely suspended, it is a common
practice to hold a looking-glass to the face,
that the respiration may be indicated by the
mist on its surface.
In King Lear we have the passage—
“Lend me a looking glass;
If that her breath will mist or stain the stone,
Why, then she lives.”
Act V. Sc. III.
For the same reason the stirring of any
light substance, such as down, which may rest
about the mouth, has been regarded as a fine
indication of the act of respiration; but this,
like the mist on the looking-glass, is but a
deceptive or inaccurate method; and Shakspeare
accordingly represented Prince Henry as
having been deceived, when he carried off the
crown from his father’s pillow—
“By his gates of breath
There lies a downy feather which stirs not;
Did he suspire, that light and weightless down
Perchance must move.”
[4]
If the observance of the respiration be taken
as the indication of life, and its absence as a
proof of death, the exposure of the naked chest
and abdomen would enable the spectator to
form a much more accurate appreciation of it,
especially if it be made carefully and for a
sufficient length of time.
One indication of death is found in the
Rigidity of the corpse. It is true that persons
in some nervous diseases have been represented
as closely assimilating the dead, even with respect
to the stiffness of the body. The professional
man could scarcely, however, be
deceived by such cases. The stiffness of
death is often not fairly established until the
body is already cold[5], and, when overcome by
pressure, does not return, as the contractions
which arise from nervous causes. Some cases
of catalepsy have been related which are indeed
very astonishing, but, as I have said,
they could only deceive unprofessional people,
and those not familiar with the appearances
of a corpse.
The rigidity of death appears to come on
with various degrees of rapidity, and its duration
is also various. It usually commences in
about seven hours[6], but it may be deferred
considerably longer, even to twenty or thirty
hours. When the body is greatly weakened
by disease, the rigidity comes on much sooner,
but is more evanescent. It has been known
to arise in fifteen or twenty minutes. Again,
in its duration there is much variety; ordinarily
it exists from twenty-four to thirty-six
hours, but may continue many days. Much
may be supposed to depend on the humidity
and warmth of the atmosphere.
There is something singular in this stiffening
of the body. It seems like the final act of life,
and has been supposed to be the last effort of
muscular power. Every one must be struck
with the analogy it presents to the coagulation
of the blood; and, indeed, it has been imagined
by some physiologists that it was
dependent on that cause. This does not
appear in reality to be the case; but there
are still many interesting points of similarity
between these phenomena, and they are both
probably dependent on the last efforts of life.
The rigidity of the corpse is, perhaps, never
entirely wanting, though it may be brief in
particular cases.
It does not seem to be confined to the external
muscles of the body, but is also evident, and
indeed particularly manifested, in the heart and
great blood-vessels. The walls of the heart
contract forcibly after the external signs of
death, and the arteries also contract, and propel
their contents into the veins. Before this circumstance
was properly understood, it was
common to suppose that this contracted state
of the heart was the result of disease; and even
in modern times this error has been made. In
the same way the ancients were misled by this
contraction; for, as they found the arteries void
of blood, they regarded them as tubes for the
conveyance of air; and in this way arose the
term artery (ἀὴρ, air; τηρέω, to keep), improperly
used to indicate a blood-vessel.
The rapidity with which the body cools after
death, must be very dependent on the circumstances
in which it is placed, and the manner
in which it is clothed. According to Dr.
Taylor, the average time is about fifteen or
sixteen hours when not much clad, and when
the temperature is about 60°. He has known
a body keep warm thirty or forty hours; and
as he remarks, the heat would obviously remain
the longest, when the death was violent and
the person robust. There is always, however,
some uncertainty in judging of the period of
death by the warmth of the body.[7]
It is a curious fact in relation to the temperature
of the body, that in cases of Asiatic
cholera, the body, previously quite cold, has
become warm immediately before, or even after
death.[8]
The effects of Stimulants in producing muscular
contractions soon after the cessation of
all outward signs of vitality, are curious and
interesting. When punctures are made in the
limbs or heart, contractions follow, and in some
cases alternate contractions and relaxations
continue for some time. The most astonishing
experiments of this kind are, however, those
made by the agency of galvanism on the human
body. The appearances produced by it are of
the most frightful nature, and awaken horrible
fancies on the mind of the spectator;—the eyes
roll wildly, and the countenance is distorted
with ghastly grins, whilst the limbs move in
forcible and convulsive actions. The most successful
effort to resuscitate by galvanism, was
that made on the body of John White, who
was executed for a murder at Louisville.
The particulars are given in the Annals of
Electricity. The body, after hanging twenty-five
minutes, was cut down, and, whilst yet
warm, and even trembling, was subjected to
the stimulus of galvanism. The man suddenly
rose from his bench to a sitting posture, afterwards
stood on his feet, opened his eyes, and
gave a terrific screech. His chest worked as
if in respiration. One of the surgeons present
exclaimed that he was alive. On another shock
being given, he jumped up with a sudden
bound, disengaged himself from the wires, and
ran into a corner of the room. He frequently
opened his eyes, and the breathing became so
regular, that many addressed him, but he made
no sign of understanding. Nevertheless, by
the assistance of a medical student, he took a
few steps on the floor, and seated himself in an
arm-chair. He seemed like a man intoxicated,
and overcome with the exertion he had made.
Every effort was put in practice to equalise the
circulation; but congestion of the brain eventually
came on, and terminated his existence.
A man of the name of Clydesdale, who was
executed for murder at Glasgow, was also made
the subject of a similar experiment.
In respect to the application of stimulants,
it is not likely that the more powerful, such
as electricity or galvanism, will be made use of
by any other than medical men; and this mode
of testing the continuance of life is therefore
more interesting in a physiological point of
view, than useful in its practical application.
Cold water to the face and sinapisms to the
feet are often employed in the last moments
of life,—if not to test the existence of vitality,
at least to act as curative agents.
When Putrefaction commences, there can,
of course, be no longer any doubt of the departure
of life,—premising, that the putrefaction
is general, and not of a local kind.
There is nothing more appalling and humiliating
than the decomposition of the dead;
“Before Decay’s effacing fingers
Have swept the lines where Beauty lingers,”
we may, indeed, persuade ourselves, that the
dead are only silent and unmovable; but when
changes gradually manifest themselves, and we
can no longer recognise the familiar features
we have so often looked upon, we see the
greatness of that alteration, and feel what it
is to die.
Shall we “look upon those lips that we have
kissed we know not how oft,” pale, cold, and
repulsive, and not experience the immensity
of this change!
The peculiar cadaverous odour of the body
is well known to most people, and the appearances
of incipient putrefaction need no
explanation. The finer changes are, perhaps,
best indicated by the flaccidity of the cornea,
and the loss of transparency in the eye. These
can seldom be mistaken by medical men,
though death may undoubtedly take place
before they are strikingly apparent. Amongst
other indications of decomposition, the gravitation
and transudation of the blood to the
surface on which the body lies, are important
subjects for consideration, because they have
been mistaken by persons ignorant of such
matters for indications of injuries and bruises.
They often present very singular lines and
marks, and have certainly a very close resemblance
to the extravasations produced by blows.
These marks have been termed sugillations,—the
term sugillation is rather an awkward
word, but it is derived from the Latin sugillatio,
which signifies a black mark. Several instances
are recorded of their being mistaken for the
ecchymoses produced by blows.
Belloc relates an instance where a woman,
who was pregnant, was ill-treated by her husband,
who kicked her on the thigh and abdomen.
She subsequently fell ill of the smallpox,
and died. The second day of the fever
she had an abundant hæmorrhage from the
nose, the blood being dissolved and black (dissous
et très noir). She died covered with sugillations,
and some traces of the smallpox. It
then became a question, whether she had died
from violence. The body was exhumed for
the purpose of inspection, but the medical men
who made the examination concluded that her
death was the result of the epidemic smallpox.[9]
Beck, in a note, quotes a case from Phillips’s
Law of Evidence, of a John Stringer, who was
tried for the murder of his wife, in the year
1765. It appeared that they had often quarrelled;
and a young surgeon gave it as his
opinion that the marks found on the body had
the appearances of mortification produced by
bruises. The man was found guilty; but a
Mr. Carsan, an eminent surgeon, who had
from mere curiosity also examined the body,
was convinced that the marks were those
of incipient putrefaction; and on the case
being fairly represented to the Archbishop of
Canterbury, a complete pardon was eventually
obtained.[10]
Sugillations may be distinguished from
ecchymoses, by their being found only on the
more dependent parts of the body, or those
which have already been dependent, and from
their not being accompanied by corresponding
subcutaneous extravasations. In the case of sugillations,
therefore, if the skin be fairly divided,
the livid appearance will not be found traceable
to any more deeply-seated cause. The blood,
too, in the case of sugillations is thin and fluid
from its decomposition; whereas, in the lividity
from blows, clots are commonly found beneath
the spot indicated. But the effects of gravitation
are not only to be taken into consideration
in estimating the external appearances
of the body, but also in considering the internal
parts; and this is of great consequence
in the appreciation of the appearances supposed
to be the result of disease.
Sometimes discolourations of the body after
death assume the appearance of stripes, as if
the subject had been previously beaten. The
term Vibices (vibex, a stripe) has been adopted
to express this appearance. Certainly, any one
not previously aware that such marks are common,
would be strongly tempted to suppose that
they were produced by flagellation. It seems
that these marks are caused by the dress and
wrappings of the corpse causing the transudation
of the blood to be determined to particular
parts.
In the year 1837, Μ. P. Manni, professor
in the University of Rome, offered to the
Academy of Sciences, to place at its disposal
the sum of 1500 francs, to be given to the
author of the best memoir on the question of
apparent death. In the same year the Academy
proposed the following questions on the subject
for a prize: 1. What are the distinctive characters
of apparent death? 2. What are the
means to prevent premature interment?
It was not until the year 1846 that any
memoir appeared which was considered worthy
of the prize; and it was then adjudicated to
Μ. Bouchut, whose treatise is now before the
public.[11]
It appears from Μ. Bouchut’s able researches,
that the sounds of the heart, as indicated by
the stethoscope, are never entirely wanting,
except in real death; and that the longest
interval between the last beats of the heart
is about six or seven seconds. These, therefore,
are very important points in ascertaining
the departure of life at the earliest possible
period. The remarks of Μ. Bouchut are indeed
such as must naturally recommend themselves
to our reason; but he is the first who
has fairly made the state of the heart in apparent
death the subject of direct observation
and experiment.
Μ. Bouchut further insisted on the complete
dilatation of the pupil as a corroborative sign
of death, remarking that, though contracted
in the death struggle, it afterwards and speedily
becomes dilated; so truly may we say that, “la
pupille est la fenêtre de l’ame.”
It would seem, then, that the indications of
death are sufficiently marked to render it improbable
that premature interment can often
take place; and whenever this occurs, it must
be the result of great carelessness, ignorance,
and haste.
Even the alterations which take place after
the body is committed to the grave, have
engaged the attention of medical inquirers, and
Μ. Orfila, in his treatise on Judicial Exhumations,
has brought forward much curious
matter respecting them. It is not very probable
that the features of the dead can be
recognized after fourteen or fifteen days’ interment;
and in three or four months all vestiges
of the face are destroyed.
In cases, however, where pains are taken
to exclude the air, the preservation may be
wonderfully protracted; and on this point I
may add some very interesting particulars
relative to the posthumous examination of the
body of Charles I.
Until a recent period, doubt had been entertained
as to the precise spot where the remains
of Charles I. were buried.
In the progress of some alterations which
were made in connexion with the tomb-house
of St. George’s Chapel, an aperture was accidentally
made in Henry VIII.’s vault, through
which the workmen saw two coffins, supposed
to contain the bodies of Henry VIII. and
Jane Seymour, and a third covered with a
black velvet pall which, from Mr. Herbert’s
narrative (Athenæ Oxonienses), was conjectured
to contain the body of Charles I.
By the desire of the Prince Regent, and in
his presence, an examination of this latter was
made on the 1st of April, 1813. On removing
the pall a plain leaden coffin was discovered,
on which were inscribed, in large letters, King
Charles, 1648. A square opening was made
into the upper part of the lid, and through
this a wooden coffin was seen, very much
decayed, inclosing the body, carefully wrapped
up in cere-cloth. It appeared that a quantity
of greasy and resinous matter had been melted
into the coffin so as to fill it completely, and
exclude the air. It was not an easy matter to
detach the cere-cloth from the body, except at
such parts as were covered with unctuous
matter, and these presented a correct impression
of the features to which they had been
applied.
When the face was at length uncovered, it
presented a dark discoloured appearance, but
the forehead and temples had lost nothing of
their muscular substance, and the face was
long and oval. The cartilage of the nose was
gone; the left eye was open and full when
first exposed, but it rapidly vanished. The
pointed beard, so characteristic of this period,
was perfect. Many of the teeth remained, and
the left ear was found entire. It was impossible
not to perceive the likeness which still
remained to the coins and busts, and especially
the pictures of the king by Vandyke. When
the cere-cloth was sufficiently disengaged, the
head was found loose and detached from the
body; the hair was thick at the back part of
the neck, and had been apparently cut short
for the convenience of the executioner. At
first it seemed black, but when cleaned and
dried, presented a beautiful brown colour.
The fourth cervical vertebra was cut transversely
and smoothly, as if from a heavy blow
of a sharp instrument. The examination
having proceeded thus far, was thought to be
sufficient to identify the body, and the head
was immediately restored, and the coffin
soldered up again. The other coffins were not
disturbed; but the larger one, which is believed
to have contained Henry VIII., and was six
feet ten inches in length, was beaten in, as if
by violence, and its outer wooden covering was
decayed, and in small fragments. Through
the opening the skeleton of the king might be
perceived, but there was nothing found of a
discriminative character, and no inscription on
the coffin. It is supposed, that the coffin of
King Henry had been injured by the precipitous
introduction of that of King Charles,
at a period when little respect was paid to the
remains of monarchs. It may be interesting
to add, that a very small mahogany coffin,
covered with crimson velvet, lay on the pall
which covered King Charles, and contained
the still-born child of the Princess George of
Denmark, afterwards Queen Anne.[12]
If the fear of premature interment be not
unnatural, the fear of death itself is obviously
less so.
In some cases, however, illness gradually removes
this dread, and the change is welcomed,
and even earnestly desired; the sufferer has
ceased to take an interest in the things around
him: they have lost all the charms they borrowed
from hope and anticipation, and he has
no future earthly prospect but the grave.
But even where the act of dying is dreaded,
there are many who would not altogether be
ignorant of the change. I have known people
express a strange fear of dying whilst they are
asleep. I was once earnestly asked by a
patient who was on her death bed to awaken
her if I thought she was dying. I should
imagine that this fear was not uncommon;
for I have heard it named more than once
in my own experience. In a very interesting
memoir of Mr. Edgeworth, a part of which
is autobiographical, the writer states that his
wife expressed this dread; but, alas! the
sleep of death is one from which we cannot
awaken our dearest friends!
“Three days before she died,” says Mr.
Edgeworth, “I was suddenly called up to
her room. I found her in violent convulsions.
Youth, beauty, grace, charms of person and
accomplishments of mind, reduced to the extreme
of human misery, must have wrung the
most obdurate heart. What must her husband
feel at such a moment? I felt her pulse,
and whispered, ‘You are not dying;’ she
looked at me with an effort of resolution and
kindness to thank me.
“She soon fell asleep, and awakened smiling.
‘I am smiling,’ said she, ‘at my asking you
to sit beside me as a sort of protection, and at
my being afraid to die in my sleep, when I
never felt afraid of dying when awake.’”
Sometimes consciousness remains to the last
moment of existence, and even when the
tongue refuses to speak, the wistful eye and
wave of the hand serve to impress the dying
injunction. How beautifully and truly is this
pictured in the story of Lefevre, where the poor
soldier looks first at his son, and then at my
Uncle Toby; “and the ligature, fine as it is,
was never broken!”
When death is inevitable, it becomes the
duty of a medical man to consider the propriety
of informing his patient of his condition.
The subject is very ably treated in a paper by
Sir H. Halford; and written in his usual
classical style. Sir Henry thinks it desirable
that the physician should make known his
opinion rather to the friends than to the
patient, and allow the friends themselves to
be the means of communicating the intelligence
to the sick. “They do so,” he says,
“without destroying his hopes, for the patient
will still believe that he has an appeal to his
physician beyond their fears; whereas, if the
physician lay open his danger to him, however
delicately he may do this, he runs a risk of
appearing to pronounce a sentence of condemnation
to death, against which there is
no appeal.”[13] Sir H. Halford goes on to say,
“that in the case of his late majesty (alluding
to George IV., who died on the 25th of June,
1830), the Government and the royal family
were informed, on the 27th of April, that his
majesty’s disease was seated in his heart, and
that an effusion of water into the chest was
soon to be expected. It was not, however,
until the latter end of May, when his majesty
was so discouraged by repeated attacks of
embarrassment in his breathing, as to desire
me to explain to him the nature of his complaint,
and to give him my candid opinion of
its probable termination, that the opportunity
occurred of acknowledging to his majesty the
extent of my fears for his safety. This communication
was not necessary to suggest to
the king the propriety of religious offices, for
his majesty had used them daily; but it
determined him, perhaps, to appoint an early
day to receive the sacrament. He did receive
it with every appearance of the most fervent
piety and devotion, and acknowledged to me
repeatedly afterwards, that it had given him
great consolation, true comfort. After this,
when ‘he had set his house in order,’ I
thought myself at liberty to interpret every new
symptom, as it arose, in as favourable a light
as I could, for his majesty’s satisfaction; and
we were enabled thereby to rally his spirits in
the intervals of his frightful attacks, to maintain
his confidence in his medical resources,
and to spare him the pain of contemplating
approaching death, until a few minutes before
his majesty expired.”
The changes which immediately precede
death are, of course, more or less painful,
according to their nature and severity; yet
there can be no doubt but that dissolution
itself is the cessation of suffering. In some
instances the approach of death is betokened
by strange and awful sensations; and it is
probable that where consciousness remains to
the last, the feelings are always peculiar and
unmistakeable.
These premonitions of death often give rise
to a degree of restlessness, and a wish for
change, which is odd and capricious in its
manifestations. Persons who have long remained
tranquil will suddenly express a desire
to be dressed and go down stairs, or have their
beds moved to another position. Strange
yearnings for particular places and old scenes
sometimes arise, which seem like the shadowing
forth of dim instincts, which have been concealed
in the recesses of the mind. How painfully
must such longings have been felt when
death has hovered over the couch in the wild
and inhospitable districts of the tropics, or the
frozen regions of the extreme north!
With the exception of those who are worn
down by long illness, or reduced to despair by
mental anguish and misfortune, there are few
who can believe that they have accomplished all
the purposes of life; and we naturally look
forward to the infirmities of old age to wean
us from the interests of the world. But even
then we are reluctant to leave; and it is only
when deserted by friends, that we can say in
the words of the poet,—
“I have liv’d long enough; my way of life
Is fall’n into the sear—the yellow leaf.”
In speaking of others it is common to regard
life as properly terminating when usefulness,
activity, and fortune are declining. When,
reverses succeed a happy and prosperous
career, we say that existence has been too
protracted: it is on this account that the
poets have spoken of the happiest moment of
life as the most proper time for death; a
notion certainly more poetical than rational.
Thus, in Don Juan, Byron says, speaking of
his lovers,—
“Why did they
Then not die?—they had liv’d too long
Should an hour come to bid them breathe apart.”
Canto IV. v. 28.
And Shakspeare makes Othello exclaim:—
“If I were now to die,
’Twere now to be most happy; for I fear
My soul hath her content so absolute,
That not another comfort like to this
Succeeds in unknown fate.”
I might bring forward many other illustrations
of the same kind, but it would only be
to digress. There is, in truth, in many minds
a fearful presentiment that great happiness
cannot be of long duration; but if the prosperous
periods of life are those which seem to
form the natural climax and terminating point
of life, they are those in which we could
least bear the loss of others. The sudden
removal of one who is in the very midst of
his usefulness, in whose success we had “garnered
up our hearts,” creates a revulsion of
feeling which poor humanity can ill support.
The consolations of religion are the only consolations
which deserve the name, and it is the
idea alone that separation is temporary, that
can stem the torrent of overpowering grief.
It is the anticipation of a re-union hereafter
which throws the only ray of light that can
penetrate the gloom of the mourner’s mind.
He is yet to have a meeting beyond the grave;
and whilst this idea mitigates grief, it renders
the prospect of death itself less terrible. It
was in this way that Mrs. Garrick endeavoured
to remove the terrors of death, after
the loss of the great actor.
On the 20th of April, 1781, Boswell writes,
“Mrs. Garrick had this day, for the first time
since his death (her husband’s), a select party
of his friends to dine with her. The company
were Miss Hannah More, who lived with her,
and whom she called her chaplain; Mrs.
Boscawen, Mrs. Elizabeth Carter, Sir Joshua
Reynolds, Dr. Burney, Dr. Johnson, and myself.
We found ourselves very elegantly entertained
at her house in the Adelphi, where I have passed
many a pleasing hour with him ‘who gladdened
life.’ She looked well, talked of her husband
with complacency; and while she cast her eyes
on his portrait which hung over the chimneypiece,
said that ‘death was now the most
agreeable object to her.’”
The uncertainty and brevity of life would
furnish fit topics for medical as well as for
moral reflection. How often must they present
themselves to the physician’s mind!—Sometimes
he meets death in early tender
infancy;—sometimes in robust manhood;—sometimes
in feeble old age;—sometimes in
the sudden apoplexy;—sometimes in the
wasting consumption.
As he looks upon the aged sufferer, he must
often call to mind how transient are youth
and beauty, and the boast of manly strength
and of womanly elegance.
It is with something of this feeling that the
following passage will be read which I extract
from Andersen’s Story of My Life.
As a little boy, Andersen had formerly seen
the great actress, the Donau-weibchen, at the
theatre of Odense. He saw how much she
was honoured, and the homage that was paid
to her. “Many years afterwards,” says he,
“when, as a student, I visited Odense, I saw
in one of the chambers of the Hospital, where
the poor widows lived, and where one bed
stood by another, a female portrait, hanging
over one bed in a gilt frame.
“It was Lessing’s Emelia Galotti, and represented
her as pulling the rose to pieces; but
the picture was a portrait. It appeared
singular in contrast with the poverty by which
it was surrounded.
“‘Whom does it represent?’ asked I.
“‘Oh,’ said one of the old women, ‘it is the
face of the German lady who was once an
actress.’ And then I saw a little delicate
woman, whose face was covered with wrinkles,
and in an old silk gown that once had been
black. This was the once celebrated singer,
who, as the Donau-weibchen, had been applauded
by every one.”[14]
But if life is but brief and vain in the retrospect
of age, how shall we speak of it with
the uncertainties of the most promising career?
In the spring of 1781, all the talent and
fashion of London had been invited to the
town-house of Mr. Thrale in Grosvenor square,
to partake of a sumptuous entertainment. On
the dawn which followed that very night,
the owner of the mansion had terminated his
existence in an attack of apoplexy.—The same
catastrophe, perhaps, now awaits many who are
looking to the future with equal joy and with
equal promise.
The bodily changes which immediately precede,
and, in some sense, may be said to constitute,
death, deserve and repay consideration.
It might seem, on a first attention, that the
modes in which death takes place are so various,
and the diseases to which the human frame
is liable so numerous, that it would be impossible
to reduce the subject to any simple and
practical form of inquiry.
It will be found, however, on a more intimate
acquaintance, that much advantage may
be gained by classification and arrangement,
and a sort of analysis made which requires
no forced construction, and no metaphysical
nicety.
Death may indeed be said to begin at different
parts of the body, according as they are
severally the first to suffer those irreparable
and grave changes which issue in the destruction
of life. It will be found that the nature,
symptoms, and peculiarities of the act of dying,
are determined by the organ first mortally
attacked; so that, by considering the subject
in relation to these parts, we are assisted in arranging
our ideas.
The alterations which directly occasion dissolution
seem principally effective, either in the
arrest of the circulation or the respiration; and
the manner in which they tell in producing
these effects, will now, therefore, briefly, come
under our consideration.
As the heart is the great mover of the circulation,
we can easily conceive that whatever
brings it to a stop must be fatal to life. Extensive
losses of blood operate in this manner,
and they furnish us with a good illustration of
the manner in which death takes place. The
sufferer becomes pale and faint, his lips white
and trembling: after a while the breathing becomes
distressed, and a rushing noise seems to
fill the ears. The pulse is soft, feeble, and
wavering; and the exhaustion and prostration
are more and more alarming. Soon a curious
restlessness arises, and he tosses himself from
side to side. At length the pulse becomes uncertain,
and the blood is feebly thrown to the
brain. The surface assumes an icy coldness.
The mind is yet untouched, and the sufferer
knows himself to be dying. In vain the pulse
is sought at the wrist—in vain efforts are made
to re-excite warmth—the body is like a living
corpse. Now a few convulsive gaspings arise,
and the countenance sets in the stiff image of
death. Such are the more striking phenomena
which attend the fatal hæmorrhages.
The failure of the vital powers, from the
withdrawal of blood, may be regarded as a sort
of type of this mode of death, since the various
symptoms which have been named, arise from
the cessation of the healthy circulation.
A dread of the loss of blood may almost be
considered as an instinctive feeling; at any rate
its importance is early impressed on the mind,
and is never forgotten. In childhood it is
looked at with alarm; and the stoutest mind,
cannot but view with horror those perilous
gushes of blood which bring us into the very
jaws of destruction.
The description which Byron gives us of
Manfred’s death, may be considered as a highly
poetical representation of the state we have
portrayed.
“Abbot. Alas! how pale thou art—thy lips are white—
And thy breast heaves—and in thy gasping throat
The accents rattle—Give thy prayers to heaven—
Pray—albeit but in thought,—but die not thus.
Manfred. ’Tis over—my dull eyes can fix thee not;
But all things swim around me, and the earth
Heaves as it were beneath me. Fare thee well—
Give me thy hand.”
Gradually exhausting complaints, such as
interfere with the nutrition of the body, act
much in the same manner as direct losses of
blood, but obviously more slowly. Privations
of various kinds and wasting complaints which
impair the general strength, tell at last, in exhausting
the heart’s power, and life terminates
in the gradual failure of the circulation of the
blood. In chronic ailments, the weary sufferer
feels the extreme exhaustion which months and
years of suffering have produced. He cannot
lift himself in bed—he fears to raise his head,
and can scarcely grasp the extended hand of
friendship, or return the pressure of affection.
The heart’s power is at last fatally depressed.
The following, which is quoted from Thackrah’s
work on Digestion and Diet, is extracted
from Hufeland’s Journal, and gives an interesting
picture of the effects of extreme abstinence.
“A German merchant, æt. 32, depressed by
severe reverses of fortune and consequent
slights of his relatives, formed the resolution of
destroying himself by abstinence. With this
view he repaired on the 15th of September,
1818, to an unfrequented wood, where he constructed
a hut of boughs, and remained without
food till the 3rd of October following. At this
period he was found by the landlord of a neighbouring
pothouse, still alive, but feeble, speechless,
and insensible. Broth, with yolk of an
egg, was given him. He swallowed it with
difficulty, and died immediately. In the pocket
of the unfortunate man was found a journal
written in pencil, singular in its kind, and remarkable
as a narrative of his feelings and sentiments.”
It begins thus:—“The generous
philanthropist who shall one day find me here
after my death, is requested to inter me; and,
in consideration of this service, to keep my
clothes, purse, knife, and letter-case. I moreover
observe that I am no suicide, but have
died of hunger, because, through wicked men, I
have lost the whole of my very considerable
property, and am unwilling to become a burden
to my friends.” The ensuing remark is dated
Sept. 17th, the second day of abstinence. “I
yet live; but how have I been soaked during
the night, and how cold has it been! O God!
when will my sufferings terminate! No human
being has for three days been seen here—only
some birds.” The next extract continues—“And
again three days; and I have been so
soaked during the night, that my clothes to-day
are not yet dry. How hard is this, no one
knows; and my last hour must soon arrive.
Doubtless during the heavy rain a little water
has got into my throat, but the thirst is not
to be slaked with water; moreover, I have had
none even of this for six days, since I am no
longer able to move from the place. Yesterday,
for the first time during the eternity which,
alas! I have already passed here, a man approached
me within the distance of eight or ten
paces. He was certainly a shepherd; I saluted
him in silence, and he returned it in
the same manner. Probably he will find me
after my death! Finally, I here protest before
the all-wise God, that notwithstanding all the
misfortunes which I have suffered from my
youth, I yet die very unwillingly; although necessity
has imperiously driven me to it. Nevertheless,
I pray for it.—More can I not
write for faintness and spasms; and this will
be the last. Dated near Forest, by the side of
the Goat public-house, Sept. 29th, 1818.—J.
F. N.”
Stories are related of persons remaining
months, and even years, without food; but they
are unworthy of belief. It is not probable that
life can be continued many days without food;
and a week is perhaps an average period, if
fluids also be withheld. In the hospitals for
the insane, instances are sometimes met with
of obstinate refusal of food, and in these
cases of insanity it seems that the abstinence
is better tolerated. In the brute creation fasting
is more endurable. Müller says, referring
to Tiedemann, that salamanders, tortoises, and
gold fish may be kept for years without food;
some birds from twenty-five to twenty-eight
days; and dogs for twenty-five to thirty-six
days.
Some time after I had entered into the medical
profession, but whilst yet a pupil, I was invited
by a fellow-student to dine with him.
Whilst we were chatting together after dinner,
we fell into conversation respecting a man
who had recently died from an extensive burn.
The gentleman’s father, who was an intelligent
man, overheard our remarks, and joining in the
conversation, asked me to explain to him how it
happened that the burn occasioned death.
I attempted an explanation, but soon felt my
incompetence to offer a satisfactory reply, and
I was not a little surprised to find myself foiled
in what I considered the simplest possible
matter; for I had imagined, before I attempted
the explanation, that the subject did not require
a moment’s consideration. I remember
that my fellow-student was equally unsuccessful.
It seemed curious to me at the time, that
I should hesitate in rendering a reason for a
fact which so frequently presents itself to the
medical inquirer.
The phenomena, however, which are the
most familiar to us, are often the last to challenge
our attention.
Now, independently of the mere loss of
blood, other causes may depress the action of
the heart.
The heart’s action may be arrested by what
is called a shock. It is not easy to explain in
what manner it acts, nor to define the meaning
in a precise manner; but every one knows
what is meant by it. A shock is a sudden impression
on the nervous system. It plays an
important part in many cases of violent death,
and in those remarkable instances of disease
in which life is extinguished with fearful
rapidity.
There are many accidents in which there is
little loss of blood; and yet the injury is great,
and its consequences terrible. The sufferer
turns pale—his countenance changes, and he
feels that he is fatally wounded. Sickness and
complete prostration follow, and the heart
never rallies. In this manner, extensive burns
and scalds, and dreadful blows, or internal lacerations
produce death. In the same way the
strong mineral acids, when taken internally,
appear to destroy, by their depressing influence
on the heart.
The internal lesion of the stomach causes
a sympathetic failure of the circulation.
But the effects of shock are much more numerous
and interesting than might at first be
imagined. At least, impressions on the nervous
system, analogous in their nature, play an important
part in the fatal termination of many
diseases. Violent inflammations seem, when
fatal, to act by their depressing influence.
We do not see, à priori, any actual reason
why these inflammations should be productive
of death; but we know it to be an ultimate
fact that they operate in lowering the vital
powers, and bringing the circulation to a
stand.
Amongst the instances of fatal collapse there
are none more striking than those which arise
from perforating ulcers. Insidious disease may
go on, in persons having every appearance of
health, and be suddenly fatal by ulceration
of the stomach or bowels, and the escape of
their contents into the abdominal cavity. The
apertures produced by the perforating ulcers are
often singularly defined, and resemble the holes
cut out by a punch or sharp circular instrument.
The fatal issue of these lesions is generally so
unexpected, so rapid, and so painful, as to
suggest the idea of poisoning, or of hernia.
My late and valued friend, Dr. Howard,
related to me a case, which, at the time, made
great impression on his mind.
On the 10th of February, 1845, Dr. Howard
was requested to visit a young woman who
was taken suddenly ill at a factory in Manchester.
When he got there, he found her
lying on the floor with a pale, sunken countenance,
a weak pulse, and a cold surface. She
spoke in a feeble whisper, and was too much
exhausted to reply to many questions, but by
her gestures she indicated that she had pain in
her stomach. It appeared that she had been
taken ill about three o’clock. Dr. Howard
recommended that she should be taken to the
Infirmary, and she died there, in about twelve
hours after her removal. It was thought at
the Infirmary that she had taken poison, but
on examination of the body after death, a
round hole was found in the stomach, such as
is produced by a perforating ulcer. The edges
of the ulcer were smooth and even.
One or two such instances have fallen under
my own notice, and must be met with in the
course of the experience of every medical
man.
Fatal fainting is not unfrequently the result
of actual disease of the heart, although death
from affections of the heart is not always of a
sudden or uncomplicated kind. The walls of
the heart are sometimes thin and dilated, and
there is a soft struggling palpitation which has
been aptly compared to the fluttering of a bird
against the bars of its cage.
At other times the heart is overloaded with
fatty deposits, so that its natural fleshy structure
is proportionally defective. In very inordinately
fat people the heart is often found in
this state, and is unable to propel the blood
with sufficient force to meet the exigencies
of the system. Occasionally, bony deposits
are found in the heart and great vessels, and
the natural contractions of the heart are painful
and irregular. From these, and other causes,
which probably produce a spasm of the heart,
arises the disease called angina pectoris.
The celebrated John Hunter died of this
disease, and it is well known to be suddenly
fatal. Sir Everard Home tells us that, “On
the 16th of October, 1793, when in his usual
state of health, he went to St. George’s Hospital,
and meeting with some things which irritated
his mind, and not being perfectly master
of the circumstances, he withheld his sentiments;
in which state of restraint he went
into the next room, and turning round to Dr.
Robinson, one of the physicians of the hospital,
he gave a deep groan, and dropped down
dead.”
The sudden death of the benevolent and
highly accomplished Dr. Arnold, as represented
by his biographer, may serve as a further illustration
of the angina pectoris. It was between
five and six o’clock on Sunday morning that he
awoke with a sharp pain across his chest, which
he mentioned to his wife on her asking whether
he felt well, adding that he had felt it slightly
on the preceding day, before and after bathing.
He then again composed himself to sleep; but
Mrs. Arnold watched him with extreme anxiety,
and was soon led to infer that he was seriously
ill. The pain seemed to increase and to pass
down the left arm, which called to Mrs.
Arnold’s remembrance what she had heard of
this fatal disease. About a quarter to seven
Dr. Bucknill (the son of their usual medical
attendant) visited him. “He was then lying
on his back—his countenance much as usual—his
pulse, though regular, was very quick,
and there was cold perspiration on the brow
and cheeks.” He apologised in a cheerful
manner for troubling Dr. Bucknill at so
early an hour, and then proceeded to inquire
as to the nature and danger of his illness.
After the physician had informed him
that his complaint was a spasm of the heart,
and answered the questions which were proposed,
he quitted the house to furnish himself
with the necessary remedies. On his return,
Dr. Arnold said, “If the pain is again as severe
as it was before you left, I do not know how I
can bear it.” He again questioned Dr. Bucknill
as to the danger of his complaint, and in such a
manner that it was impossible to avoid telling
him the truth. He afterwards inquired as to
the remedies to be adopted, and on being told,
answered “Ah! very well.” The physician,
who was dropping the laudanum into a glass,
turned round and saw him looking quite calm,
but with his eyes shut. In another minute he
heard a rattle in his throat, and a convulsive
struggle, flew to the bed, and called to one of the
servants to fetch Mrs. Arnold. The family soon
arrived; but the sobs and cries of his children
were unable to affect him—“the eyes were
fixed, the countenance was unmoved: there
was a heaving of the chest, deep gasps escaped
at prolonged intervals, and just as the usual
medical attendant arrived, and as the old schoolhouse
servant, in an agony of grief, rushed
with the others into the room in the hope
of seeing his master once more, he breathed
his last.”[15] This occurred shortly before eight
in the morning. His biographer continues,
“What that Sunday was in Rugby, it is hard
fully to represent,—the incredulity,—the bewilderment,—the
agitating inquiries for every
detail,—the blank, more awful than sorrow,
that prevailed through the vacant services of
that long and dreary day,—the feeling as if
the very place had passed away with him who
had so emphatically been in every sense its
head,—the sympathy which hardly dared to
contemplate, and which yet could not but fix
the thoughts and looks of all on the desolate
house, where the fatherless family were gathered
round the chamber of death.”
In Dr. Arnold’s case, the heart was found
soft and thin, but without any valvular disease.
A great many more cases might be cited in
illustration of this interesting disease, but I
shall content myself with one which I take
from Dr. Latham’s excellent “Clinical Lectures
on Diseases of the Heart.”
“N. P. was about fifty-five years of age. He
had filled a high judicial office in India, and
when his stated period of service had expired,
he returned home with unimpaired health.
Ten years had wrought little change in his
person, except that from having been thin and
muscular, he was slightly tending to fat and
corpulency.
“He had now been more than a twelvemonth
in England, and had taken up his residence in
Hampshire, and was in the enjoyment of his
wonted health, when one day after a morning’s
shooting, without any extraordinary fatigue or
exertion, he felt at dinner an unusual pain in
the region of his heart. The pain was not
extreme, but enough to make him leave the
table, and retire into his library. Warm applications
were made to the chest, and the pain
soon ceased altogether. He then begged that
he might be left alone to repose until tea-time.
In less than an hour his wife returned into the
room, and found him lying upon the sofa, just
in the position she had left him.—She believed
him asleep, but found him dead. The examination
of his body (continues Dr. Latham), as
it was reported to me, disclosed nothing that
could account for his death, but a thin fat
heart; fat was deposited on it at the expense
of its muscular substance.”[16]
Besides disease of the heart itself, we may
have disease of the great blood-vessels,—what is
called Aneurism. Sometimes these diseases of
the blood-vessels are very obscure; often they
originate on the great vessel, the aorta, which
arises immediately from the heart. Dr. Farre
described to Dr. Watson a case which inculcates
the necessity of attending minutely to
what a patient says. A man consulted Dr.
Farre, having just been told by another physician
that he was fanciful, and that there was
nothing amiss with him.
Dr. Farre was very particular in his inquiries
at every visit he paid, so much so, indeed, that
the man became vexed and said pettishly, “I
know, that if you split me down the middle, I
am sound on my right side and diseased on my
left.” This was unfortunately too true: he was
found dead in bed a short time afterwards.[17]
I remember a man who came regularly as an
out-patient to the Manchester Infirmary, complaining
of pain in the shoulder; I supposed at
first that he had rheumatism, but one day I told
him to strip off his coat, and then I found that
he had an aneurism of the subclavian artery, of
which he subsequently died. I need scarcely
say that these cases of aneurism are fatal, much
as disease of the heart itself. The blood-vessel
at length gives way, and the patient dies from
the escape of blood and the fatal fainting which
ensues.
Some attention has been given by medical
men to the state in which the blood is found
to be distributed after death. The heart contains
several cavities, through which the blood
is progressively received and expelled. Where
the arrest of the circulation has commenced,
however, in the heart itself, it is obvious that
the cavities will be pretty equally affected, and
that we shall not find one side to be gorged
with blood whilst the other is empty. The
subject will again come before us when we
treat of the next division of this subject, in
which it will be seen that unequal distributions
arise from another species of death.
The mode of death which has been described
is not one of pain. It may have been preceded
by considerable suffering, as in the case
of burns and scalds. But the act of dying is
one of relief; or if the sensations are uneasy
and fearful, they cannot be called painful in
the common sense of the term.
I now come to speak of another mode of
death, which has been called, but not very
correctly, Asphyxia. In the cases which I
have previously described, the first great or
palpable interference with the continuance of
life, has been the failure of the heart—so that
actual death may be said to have begun at the
heart. I have further to consider the cases
where death begins at the lungs. Important
as it is that the blood should be circulated
through the body, it is of equal importance
that it should be in a state of purity.
In order to maintain its purity, it is essential
that it should be exposed to the air in the
lungs.
The existence of air is so well known to
be necessary for life, that the term expire,
which signifies to breathe out, is also adopted
to express the act of dying. The symptoms
which attend asphyxia vary considerably from
those previously described. They are, obviously,
more or less protracted according as
the cause operates with greater or less severity.
When the breathing is largely obstructed, the
complexion becomes dark, and the lips bluish—the
veins turgid and prominent, and the
face bloated and enlarged. After a time the
brain is confused, and stupor creeps on, whilst
the air is with difficulty sucked through the
accumulated secretions of the air passages.
The blood becomes thus gradually more and
more perverted, until at length its circulation
through the lungs is rendered difficult or impossible.
The heavy gurgling respiration gradually
passes into a state of extreme effort;—now
the breathing seems stopped, and now
a deep inspiration again lights up the mechanism
of the body, but life eventually fails,
as the blood ceases to circulate. All causes
which operate in preventing access of air to
the lungs may occasion death. Thus drowning,
strangling, and suffocation from gaseous exhalations,
are fatal, by obstructing the purification
of the blood.
In general, this mode of death is not so
rapid as that which has just been described,
but occasionally it is very brief. In drowning,
it does not seem that life can be preserved
more than three or four minutes, that is,
when submersion is complete. The respiration
may, no doubt, be somewhat longer suspended
when fainting ensues, for then the
circulation, being temporarily arrested, the
necessity for air is less urgent. The accounts
which are given of persons remaining alive
for hours under water cannot be trusted to.
The access of air to the lungs may be immediately
prevented by inflammation of the windpipe,
as in the case of croup, or, still more
strikingly, by spasmodic affections.
The complaint known to medical men by
the name of Laryngismus stridulus, is, in this
manner, suddenly fatal to infants.
Some diseases of the lungs are so gradual in
their progress, that the quantity of blood in the
body becomes diminished in proportion to
their limited capacity for respiration. Hence
the balance is so finely preserved to the last,
that death takes place with great difficulty. I
have sat for hours beside patients in the last
stages of consumption, and watched the emaciated
and dying frame alternately reviving and
sinking until the patient himself became fearful
that he should never die. It is erroneously
imagined that death in consumption is always
easy: fortunately it may be so in some cases;
it is very much otherwise in most.
Mechanical obstructions are well known to
occasion death by impeding the breathing.
Pieces of meat or other bodies may get impacted
in the windpipe, and cause death before
they can be removed.
I remember an instance of this sort which
occurred in the market-place in Manchester.
A woman, whilst eating an oyster, fell into a fit
of laughter, when she was suddenly observed
to become livid in the face, and shortly afterwards
died of suffocation. The oyster was
found partly fixed in the upper part of the
windpipe.
There is an interesting and instructive case of
the same nature related in the Lancet. A man,
who had just been married, got into a dispute
with one of his own party, and was knocked
down by a blow. Eventually he was able to rejoin
his party; but it was observed that whilst
engaged at his dinner he hastily got up and went
out of the room. A friend followed him, but
immediately returned to announce that the
man was dead. On examining the body after
death, a surgeon pronounced that he had died
from apoplexy, and attributed the fit to the
injuries he had received in the quarrel. The
coroner, Mr. Wakley, asked the surgeon if he
had examined the windpipe. The surgeon
confessed that he had not done so; whereupon
he was desired to complete the examination.
He repaired presently to perform his task, and
on his return stated that he found a piece of
meat wedged firmly in the glottis. Thus
death had, in reality, arisen from this source;
and the congested state of the brain was the
effect of impeded respiration, and not the first
occasion of his death.
Whilst treating upon the subject of Asphyxia,
I cannot refrain from introducing some particulars
of the awful catastrophe which occurred
at the Black Hole at Calcutta, as they
will furnish an interesting exemplification of
the effects of deprivation of air. In 1756, the
viceroy of Bengal laid siege to the factory at
Calcutta. Mr. Holwell and the garrison carried
on the defence with great spirit and
bravery, but were ultimately obliged to surrender.
They consisted of about 145 men
and one woman. The whole of this company,
many of whom were dangerously wounded,
were shut up the same night in a small prison,
about eighteen feet square. The prison, which
was strongly built round with walls, had only
two small windows at one end, which were
secured by strong bars. As the prisoners had
only about eighteen square inches of space
for each individual, the heat and oppression
soon became insupportable.
Attempts were, at first, vainly made to force
open the door. Mr. Holwell, who was near
one of the windows, endeavoured to reason
with the prisoners, and advised them not to
exhaust their strength. This recommendation
had the effect of producing some calm, but
it was only temporary, for they could not long
bear the frightful position, and many already
were in the act of dying. Mr. Holwell then
suggested that they should take off their
clothes to afford more room. An effort was
subsequently made to fan the air with their
hats, but the exertion could not be borne.
One of the company suggested that they
should all kneel down, and rise up alternately.
This was done several times, but many could
not raise themselves when the signal was given.
The situation was now frightful. The weak
were trodden to death. One hour had only yet
elapsed. About nine o’clock, renewed efforts
were made to force the door; some became
furiously delirious; others vainly sought to provoke
the sentinels to fire upon them. Thirst
became excessive. At last the guards gave Mr.
Holwell and two of his friends some water in
their hats, but it was soon spilled, and the two
friends were suffocated in the general eagerness
to obtain it. Mr. Holwell was, for a
long while, respected as the leader of the unfortunate
assembly, but in time the natural
love of life prevailed over all other feelings.
The crowd eagerly pressed to the window,
and, seizing the iron bars, climbed on his
shoulders. He begged for his life, and giving
up his position near the window, got to the
other end of the dungeon; but here the air was
so corrupt, that his breathing was almost
impossible. He again, therefore, tried to make
his way to the window over the bodies of the
dead, and there he resolved to wait patiently
for death. He struggled through four rows
of his companions, but one row still intervened
between him and the window. His
thirst was excessive, and he endeavoured to
allay it by sucking the moisture from his
shirt. As midnight approached, the despair
became unbounded and terrible; they all called
out aloud for air, and then the noise suddenly
ceased, and the greater part laid down and
died. A Dutchman got on one of Mr. Holwell’s
shoulders, and a black soldier on the
other: he remained thus till two in the
morning, when a marine officer forced him
from his place. Mr. Holwell retired to the
end of the prison, where he was soon deprived
of sense. About five in the morning, the viceroy
inquired if Mr. Holwell was still living;
and being informed that it might be possible
to recover him, if the door was immediately
opened, gave commands to that effect. Unfortunately,
however, the door opened inwards;
and, owing to the numbers of the dead, twenty
minutes elapsed before it could be accomplished.
Eventually Mr. Holwell was rescued
alive from a heap of the dead. At a quarter
past six, 23 persons were taken away alive from
146, who had been incarcerated the night
previously.
When the air which is breathed, is not, by its
chemical nature, calculated for the purposes of
respiration, it produces effects very similar to a
deficiency of air: thus, gases, which are not
actually poisonous in themselves, cause fatal
results, just as the exclusion of air altogether.
It is probable that the carbonic acid gas,
which is commonly known as fixed air, is injurious
in itself[18]; but it is certain, also, that
its fatal effects are greatly dependent on its
preventing the access of the air. Many accidents
have arisen from the use of charcoal fires and
stoves. Mr. Coathupe, of Wraxall, was nearly
killed in making some experiments with Joyce’s
stove, which was absurdly imagined by the
inventor to burn charcoal without contaminating
the air. He closed every aperture in the
room, kindled the stove, and waited for the
results. In a few hours giddiness came on, with
sickness and great prostration; afterwards agonising
headache, throbbing of the arteries, and
sense of suffocation. With difficulty he opened
the window, and sought to remove the stove;
but when his wife entered the room, seven
hours after, he was unable to explain what
had occurred, although conscious of what was
passing.
I think the charcoal fire is a favourite means
of death with the French. It is stated that, in
1834 and 1835, no fewer than 360 cases of
poisoning with charcoal occurred in Paris. I
have read of French people sitting down coolly
to note their sensations whilst breathing the
deadly atmosphere, until the pen has fallen from
their hands.
There is often a love story mixed with these
French deaths; and we cannot but regret that
affection should be so curiously mingled with
deplorable irregularities of mind.
The respiration may be prevented by mechanical
pressure; but no doubt, where death is
produced in this manner, it is often accompanied
with injuries to the internal organs.
The barbarities of former times furnish us
with dreadful instances of death resulting from
compression of the chest. In order to oblige a
criminal to plead at the bar when he refused to
do so, he was sometimes stretched on his back,
whilst a large iron weight was placed on his
chest, and additions gradually made until he
consented to do what was required, or sank
under the infliction. Even as late as the reign
of George the Second, such practice has been
adopted. The press yard in the Old Bailey
was the site of some of these dreadful torments.
From this mode of death Major Strangeways
died in 1659. The story is of considerable
interest. The major lived with a sister very
happily in a farm, until the latter became
acquainted with one Fussel, a lawyer. This
gave great offence to Strangeways, who swore
that he would kill him. The brother and sister,
consequently, parted. Some time after, whilst
Fussel was in London, he was shot whilst
he sat in his lodgings. Suspicion fell on
Strangeways, but difficulty was experienced in
tracing the murder to him. At last the expedient
suggested itself of examining all the
gunsmiths in London, to discover, if possible,
what guns had been lent or sold on the day of
the murder. This plan only excited ridicule as
an impracticable one; but, curiously enough,
the matter was thus traced to Strangeways.
Strangeways refusing to plead at the bar, was
sentenced, by Lord Chief Justice Glynn, “‘to
be put into a mean house stopped from any
light, and that he be laid upon his back with
his body bare, and his arms and legs stretched
by cords in opposite directions; and that upon
his body shall be laid as much iron and stone as
he can bear, and more; and the first day he shall
have three morsels of barley-bread; and the
next shall he drink thrice of the water in the
next channel to the prison door, but of no
spring or fountain: and this shall be his punishment
till he die.’ On the Monday following,
at eleven in the forenoon, the sheriffs and other
officers came to the press yard, whither the
miserable prisoner was presently brought. He
wore a mourning cloak, beneath which he appeared
clothed in white from head to foot. By
the sheriffs he was conducted to a dungeon,
where, after prayers, his friends placed themselves
at the corner of the press, whom he desired,
when he gave the word, to lay on the
weights! This they did at the signal ‘Lord
Jesus receive my soul;’ but, finding the weight
too light for sudden execution, many of those
standing by added their burdens to disburthen
him of his pain. He died in about eight or
ten minutes.”[19]
The respiration is sometimes brought to a
stop by causes which operate on the brain, and
the peculiarities of this mode of death are so
characteristic, as to deserve consideration under
a separate head.
Death may be said, in this case, to begin
at the head, and the respiration comes to a
stand, after a period of stupor and insensibility.
This is the state which is familiarly known as
apoplexy. The patient lies snoring out his
existence, unconscious of the weeping friends
who sit around his bed.
The phenomena of apoplexy seem to be produced
by causes which obstruct the circulation
in the brain, or which injure the brain itself.[20]
The giving way of blood-vessels is the common
cause of apoplexy. The patient falls into a
state of insensibility and complete helplessness.
He breathes with a heavy snoring noise, and a
blowing of the lips may often be remarked,
which has been aptly compared to the smoking
of a pipe. The blood-vessels of the neck and
face are gorged, and the veins are especially
prominent. The pupils of the eyes are dilated,
and often unequally so. Consciousness is abolished.
This state continues indefinitely, but
at length the breathing becomes laborious—the
mucus is heard rattling in the throat—the
temperature falls—spasmodic twitchings play
on the countenance, and sometimes horrible
distortions flit over the face: death after a time
closes the scene.
The action of poisons called narcotics is well
known to be fatal in this way: opium produces
this species of death, when given in overdoses.
I have stated that the pupils of the eye are
generally dilated in death by coma; but when
the coma is produced by narcotics, this effect is
not so common. Dr. Elliotson relates the case
of a German gentleman, who was a friend of
his, and who had remarkably large pupils.
This gentleman took it into his head to destroy
himself, and for this purpose took a large quantity
of opium. After taking the poison, he mentioned
what he had done, and, amongst other
persons, Dr. Elliotson was sent for. Insensibility
did not come on for a considerable time;
and the gentleman resisted powerfully all attempts
to relieve him, asserting, that if he
chose to die, it was only barbarity to attempt
to prevent him. At length his countenance
became livid, the pulse slow, the breathing
stertorous, and the pupil contracted to the
size of a pin’s point. The jugular vein was
opened, and cold water dashed on his face.
In spite of all efforts he died; and Dr. Elliotson
remarks, “I have never seen a case recover
in which the pupil was so contracted.”[21]
Extreme cold produces death, perhaps chiefly
in the way of apoplexy, by retarding the circulation,
and preventing its equable diffusion
on the surface of the body. That it acts, at
least in a great measure, in this way would
seem likely from the torpor which it occasions,
and which is so commonly remarked. The
effects of intense cold are well exemplified in
the interesting narrative of Captain Cook,
where he relates what befell Dr. Solander and
Sir J. Banks on the hills of Terra del Fuego.
Sir J. Banks and Dr. Solander had been
botanising, and had travelled a considerable
way through swamps, when the weather,
which had been fine, changed and became
intensely cold and gloomy, and the wind was
accompanied with snow. Finding it impossible
to return to the ship before morning,
they resolved to penetrate into a wood, and
build a wigwam, and kindle a fire. For this
purpose they passed through another swamp.
Dr. Solander, aware of the effects of cold on
the human body, from experience he had
already had in Norway and Sweden, cautioned
his friends against the torpor which it occasions,
and conjured the company, under any
circumstances, not to give way to it. “Whoever
sits down,” said he, “will sleep; and
whoever sleeps, will wake no more.” Thus
admonished, they continued their journey; and
they had not proceeded far, before the cold
was so great as to produce the effects he had
named. Dr. Solander himself was the first to
experience the torpor, and entreated his companions
to let him lie down. Sir J. Banks in
vain remonstrated with him; and he lay down
on the ground, although it was covered with
snow. A black servant was affected similarly,
and, in spite of remonstrance, also lay
down. In a few minutes they fell into a
profound sleep. Fortunately, some of the
party who had been sent in advance, soon
brought intelligence that a fire had been
lighted about a quarter of a mile on the way.
Sir J. Banks then endeavoured to awake Dr.
Solander, and happily succeeded, though he
had already almost lost the use of his limbs.
The poor black died, as well as another black
servant who had been left with him.
In the interesting account which Barry
O’Meara gives, of the residence of Napoleon
at St. Helena[22], he mentions that, on one occasion,
Buonaparte asked him what he thought
was the easiest mode of dying; and himself
observed, that death by cold was the easiest
of all others, because, “si muore dormiendo,”
one dies sleeping. In describing the Russian
campaign, Napoleon further remarked, “Parties
when sent out on duty in advance, abandoned
their posts, and went to seek the means
of warming themselves in the houses. They
separated in all directions, became helpless,
and fell an easy prey to the enemy; others lay
down,—fell asleep—a little blood came from
their nostrils, and, sleeping, they died.”[23]
When death is produced by hanging or
strangling, it may be supposed that it is brought
about entirely by the exclusion of air from the
lungs: in many cases, however, this mode of
death is complicated by the apoplexy which
arises from the pressure exercised on the blood-vessels
of the neck. From these combined
causes insensibility arises in a few seconds, and
death follows in a few minutes afterwards.
Persons who have recovered from suspension
do not commonly remember what has passed,
but it may be possible to recollect some of the
sensations. The celebrated poet Cowper, whose
fine talents were unhappily touched with madness
and melancholy, relates his own unhappy
experience. It may not be uninteresting in
this place to glance at the particulars which
he has left us.
The death of the reader of the Journals of
the House of Lords had opened a situation
which Cowper was desirous to occupy, but for
which, he feared that he had not sufficiently
prepared himself. When the time drew near
in which he was to present himself before the
House of Lords, to be examined as to his
competency, he became nervous and excited,
and his madness came over him like a cloud.
In November, 1763, he went to an apothecary’s
shop, and bought some laudanum with a view
to put an end to his existence. This he carried
about with him, and often was on the
point of taking it, but his resolution as often
gave way, or he was prevented by the fear of
interruption. Once he thought of taking it
whilst he was travelling in a coach, and once
he shut himself up in his room in the Temple,
and placed the laudanum by his bedside in a
basin. He then got on the bed, and stretched
out his hand to put the basin to his lips; but
just then the key turned in the door, and his
laundress’s husband entered. He started up,
hid the basin, and affected an air of composure.
On the day previous to that on which he was
to go before the House, he resolved once more
to effect his purpose; he bolted his door, and
with a piece of scarlet binding attempted to
hang himself. First he fixed it to some ornamental
work at the corner of the bed, drawing
up his feet that they might not touch the
ground. The carved work gave way and the
binding with it. Then he fixed it to the
tester of his bed, but the frame broke and
again let him down. The third time he
fastened it to the angle of the door, using a
chair to reach it, which he afterwards pushed
away with his feet. Whilst he hung he thought
he heard a voice say three times, “’Tis over.”
When he came to himself he heard his own
groans, and experienced a feeling like that of
a flash of lightning passing over his whole
body. In a few seconds more he found himself
on his face on the floor. He immediately
jumped up and got into bed: he had a red
mark round his neck, and a broad crimson spot
showed the stagnation of the blood under one
eye. Soon after he had got into bed he heard
a noise in the dining room where the laundress
was lighting a fire. She must have passed
the door which was open whilst he was hanging,
but did not perceive him. Presently, however,
she came, having heard his fall, and supposing
that he was in a fit. “I sent her,” says
Cowper, describing the scene, “to a friend, to
whom I related the whole affair, and despatched
him to my kinsman at his coffee house. As
soon as the latter arrived, I pointed to the
broken garter which lay in the middle of the
room; I apprised him also of the attempts
I had been making. His words were, ‘My
dear Mr. Cowper, you terrify me! To be
sure you cannot hold the office at this rate—where
is the deputation?’ I gave him the key
of the drawer where it was deposited; and, his
business requiring his immediate attendance,
he took it away with him: and thus ended
all my connection with the Parliament office.”[24]
When death is produced by a failure of the
respiratory organs, whether commencing or not
with apoplectic coma, the blood is found chiefly
accumulated in the right side of the heart,
the difficult transmission of the blood through
the lungs preventing its due arrival at the
left side. This, therefore, is a distinguishing
character of the appearances presented after
death by Asphyxia. The two great modes of
death which have been noticed, are, however,
in themselves sufficiently apparent, and cannot
well escape the attention of any persons of observation.
In the very work from which I have
recently quoted there is an interesting illustration
of this. I will give it in O’Meara’s
own words.—Whilst conversing with Napoleon
he had fallen into a fainting fit, and
dropped on the floor:—
“When I recovered my senses,” says he,
“and opened my eyes, the first object which
presented itself to my view I shall never forget;
it was the countenance of Napoleon bending
over my face, and regarding me with an expression
of great concern and anxiety. With
one hand he was opening my shirt collar, and
with the other holding a bottle de vinaigre de
quatre voleurs to my nostrils. He had taken
off my cravat, and dashed the contents of a
bottle of eau de Cologne over my face. ‘When
I saw you fall,’ said he, ‘I at first thought that
your foot had slipped; but seeing you remain
without motion, I apprehended that it was a
fit of apoplexy; observing, however, that your
face was the colour of death, your lips white
and without motion, and no evident respiration
or bloated countenance, I concluded directly
that it was a fit of syncope, or that your soul
had departed.’”
It is obvious, however, that death may take
place in more complicated ways than those
which have engaged our attention. The same
causes which enfeeble the action of the heart,
not unfrequently destroy also the healthy
changes of the blood in the lungs. Thus the
patient is often equally in danger of death from
syncope and asphyxia, and he sinks partly from
the one, and partly from the other. Apoplexy
is sometimes so suddenly fatal, that the sufferer
seems to die chiefly from the shock which he
has received; and many violent causes of death,
which obstruct the respiration, such as hanging
or strangling, are also prejudicial in impeding
the circulation in the neck, and occasioning
apoplectic congestion. When death is produced
by starvation, it is attended with inflammation
of the stomach and bowels, and a degree
of febrile action, which more or less complicate
the process. There can be little doubt, however,
from the emaciation and great debility
which ensue, that life is chiefly destroyed in
the manner already considered as a failure of
the action of the heart.
In addition to the influence of cold in producing
coma, it also, no doubt, tends to depress
the heart’s action, and destroy the nervous
energy. At the same time, the very prominent
manner in which the brain is affected by reduction
of temperature, renders it probable that
the condition of coma is a first great step in
the arrest of the vital actions.
The modes of death, then, which we have
considered, have close alliances with each other,
but, for the sake of simplicity, they have been
spoken of in their more elementary forms.
Nor is the consideration of them in a separate
manner devoid of practical advantages; for it
is of the greatest importance, in many diseases,
especially in fevers, to bear in mind the
tendencies which present themselves to one
or other mode of death; and frequently the
safety of the patient is attributable to the
perseverance with which such tendencies are
obviated.
Sometimes coma has to be relieved—sometimes
difficult respiration has to be alleviated—sometimes
the sinking strength requires the
timely and diligent administration of nutriment.
The medical man has thus, not seldom,
to become the nurse of his patient, and often
the machinery of life is alone kept in motion
by the opportune aid which he affords. But
how often has the more devoted attention of
woman called back to life the unconscious
child! how often relieved the agonies of man
when the finger of death was pressing heavily
on his eyelids! The chamber of sickness is
thus hallowed by affection, and the torch of
life rekindled by the light of love.
We may state then, broadly, that any great
and perilous arrest in the circle of actions
which constitutes life, is induced principally in
the way of syncope or asphyxia, though it is
unquestionable that death may arise in a manner
which cannot be well classed under either of
those heads.
In some of the putrid fevers, for example,
the depravation of the blood seems so general,
that death (as evidenced by the decomposition
of the solids and fluids of the body) appears
actually in progress before any complete failure
of the respiration or circulation.
The introduction of some poisons, also, is
peculiarly inimical to the vitality of the blood.
Thus the death of King John is beautifully
described by Shakspeare, as commencing even
in the blood itself—
“It is too late; the life of all his blood
Is touch’d corruptibly; and his pure brain,
Which some suppose the soul’s frail dwelling-house,
Doth, by the idle comments that it makes,
Foretell the ending of mortality.”
Act v.
The resuscitation of dying persons is founded
on a knowledge of the subjects which have
engaged our attention; for where the failure of
the circulation or respiration depends on causes
which are not necessarily permanent, temporary
assistance may restore life. The use of stimulants
and opiates, in cases of loss of blood, are
the means of renewing the action of the heart
when it has already nearly ceased to beat.
The transfusion of blood is also sometimes
resorted to. The late Mr. Ingleby, of Birmingham,
in his work on Hæmorrhage[25], mentions
an instance in which he employed it with advantage
in the case of a woman who had just
been confined. All the usual means had been
tried, and the patient did not rally. She was
“in a constant state of jactitation, with a dewy
sweat and pinched features.” The respiration
was difficult, “with the sound of air passing
through the mucus.”
The patient became cold and insensible.
With the assistance of two other medical
gentlemen, with whom he advised, Mr. Ingleby
proceeded to inject some blood into her veins
which he had obtained from the arm of her
husband. In less than five minutes, a perceptible
improvement arose, which was confirmed
in about an hour. This operation is
not, however, always so fortunate, and is liable
to some serious objections. We require, no
doubt, more experience on the subject; but, in
the mean time, it is one of considerable interest.
Mr. Ingleby remarks, at the conclusion of his
case, that the scriptural expression applied by
Adam to Eve—“bone of my bone, and flesh of
my flesh,”—seems in this case, to have been
literally applicable.
It is, however, in cases where the respiration
is suspended by the narcotic poisons that
the most marked advantages may be seen from
artificial aid. I shall relate a case with which
I was much interested and surprised, and
though a considerable time has now elapsed
since it occurred, I feel no diminution of the
astonishment I first experienced.
A young woman of the name of Caroline
Mercy was brought into the Infirmary at
Manchester, on the 16th of June, 1849, at half
past three, P.M. She had taken opium with
a view to destroy herself, and was in a complete
state of insensibility. It was impossible,
by pulling the hair or pinching the skin, to
excite any wincing or signs of uneasiness; nor
was any effect produced by the sudden affusion
of cold water. The pupils were contracted in
an extreme degree; and the countenance presented
that peculiar vacancy, or want of expression,
which is so characteristic of the influence
of opium. The breathing was very considerably
embarrassed, the inspirations and expirations
being separated by an unusually long
interval, and accompanied by a slight rattle.
The extremities were warm. As soon as she
was put to bed, Mr. Gaskell, the resident medical
officer, introduced the stomach pump,
with which he injected and withdrew about a
gallon of cold water; but towards the end of
the operation, as the breathing became laborious,
the rattle louder, and the surface assumed
a more livid appearance, he thought it prudent
to desist. He accordingly introduced into the
stomach a solution of ammonia, afterwards
removing with the pump as much as could be
conveniently withdrawn. Large sinapisms were
then placed down the back, but she appeared,
notwithstanding, to get gradually worse; the
respiration became more difficult, the lividity
greater, and the pulse less full, and slightly
irregular.
Boiling water was now applied to the feet
and legs, which had the effect for a time of
increasing both the power and frequency of the
respirations; but the benefit was only of a very
transitory kind. At about a quarter past five,
Mr. Gaskell thought it desirable to assist the
respiration by artificial means, and he accordingly
proceeded to adopt the following expedient.
He placed a large pitch plaster on
the abdomen, and, by this means maintaining
his hold, endeavoured to solicit the usual respiratory
movements. This did not, however,
give him so much assistance as he had expected,
and he was, therefore, induced to
abandon it after a short trial. He then placed
a similar plaster on each side of the chest, by
which he was able to command a more decisive
effect: he thus, with the assistance of the man
nurse, alternately raised and depressed the ribs
in imitation of the breathing. This plan was
productive of some amendment; the lividity
diminished, and the natural muscular efforts
were more frequent and apparent; the assistance
was adapted as carefully as possible to the
indications of nature.
In addition to these means, boiling water
was occasionally applied to the arms and legs.
At about five o’clock I came to Mr. Gaskell’s
assistance. At this period the temperature of
the body had become considerably reduced; and
I remember the patient’s appearance was exactly
that of a dying woman; and I believe it
was the impression both of Mr. Gaskell and
myself that our patient could not survive long.
The lips were of a livid colour, the expression
of the countenance altogether cadaverous, and
the rattle in the throat had become exceedingly
loud. Boiling water poured on the legs did
not now excite the slightest movement, so that
we were almost disposed to regard the case as
hopeless. The circumstance, however, that
whilst the exertions lasted, they had evidently
been productive of advantage, did not suffer us
to abandon further trial. We now laid aside
the plasters, and taking hold of the margins of
the ribs, endeavoured to support the respiration
with our hands alone. Standing on each side
of the bed, with our faces towards the feet of
the patient, and our fingers curved round the
cartilages of the ribs, we could easily enlarge
the capacity of the chest, by approximating the
ribs at the same time that they were elevated;
while, in expiration, the reverse movement could
as easily be accomplished. By a steady continuance
of these efforts, we had the pleasure of
seeing a gradual improvement in our patient;
and towards six o’clock, the pulse had acquired
the hard jerk which is commonly felt when the
system is under the influence of opium. Shortly
after six, indications of returning sensation
were evinced by occasional spasmodic quiverings
of the muscles of the chest and abdomen.
These spasmodic movements resembled the
actions which usually denote approaching dissolution,
with this essential difference, however,
that they became more frequent and prolonged
at each time that they were renewed.
A little before seven o’clock she raised her eyelids,
and at the same time her left arm was
slightly elevated. By persisting in artificial
respiration, and using means to rouse sensibility,
such as forcibly striking the face and
chest with a wet towel, and applying ammonia
to the nostrils, in about half an hour from this
period the state of stupor had in a great
measure disappeared. Instead of lying prostrate
on the back, she now lay on her side, and
was enabled to breathe without assistance.
We then caused her clothes to be put on, and
the vesicated parts being dressed, she was taken
out of bed, and compelled to walk about the
room.
It is worthy of remark, that whenever
from fatigue we had been led to suspend our
efforts to maintain the respiration, a degree of
relapse followed; the lips became more intensely
livid, the pulsations of the heart more
feeble and irregular, and the respirations fewer,
and accompanied with a louder rattle. On
again resuming operations, the converse was
also noticed. When the amendment became
decided, and the sensibility returned, the rattle
disappeared altogether; and this took place
without any expectoration, notwithstanding it
was natural to suppose that a considerable
quantity of mucus was contained in the air
passages. The woman was fortunately a favourable
subject for our manipulations, as the
abdominal parietes were sufficiently lax to
admit the easy prehension of the chest. As
far as it could be done, we always waited for
the natural indications of the act of respiration,
and paid great attention to regulate our movements
in correspondence with each other. At
the conclusion, the cartilages of the ribs were
slightly everted, and the cuticle removed in
places by the unavoidable chafing of the hands.
June 17.—It was found that she had been
kept out of bed all night, which scarcely appeared
necessary, and was, indeed, contrary to
instructions. She had vomited through the
night, and complained of shooting pains in the
head. The pupils were less contracted; the
pulse was not ascertained, owing to the vesicated
condition of the arms.
For several nights after this period she was
troubled with a starting in her sleep, which,
however, was gradually removed by the administration
of twenty drops of laudanum every
night at bed time. She also suffered a good
deal from the condition of her legs, which were
severely scalded, especially on the posterior
part, where they had been in contact with the
hot water which had fallen on the bed. On
the 27th of August she left the hospital,
cured.
After this account, which I have purposely
given at length, as it illustrates the subject in
a remarkable manner, it is natural to wish to
know the previous circumstances of her case.
The woman’s husband, who was a master
plumber, failed about four years before her
admission. Since that time he had lived
irregularly, a circumstance which caused her to
be much distressed and dejected in spirits.
Two years after this failure she left her
husband to reside with her mother, but was
persuaded again to live with her husband, who
had promised an amendment, which, it seems,
he did not keep; she again became low spirited,
pawned her clothes, and was ashamed to return
to her mother.
On Sunday, the 16th of June, she sat down
to dinner at one o’clock, when, after a quarrel,
she left the house, and purchased sixpennyworth
of laudanum at four different shops: she
said she obtained about a dessert spoonful for
a penny, and drank it as she purchased it.
She then went to a neighbour’s house, and can
only recollect feeling heavy, and that she had
brandy given her.[26]
When death is anticipated, there is a common
curiosity to know the period at which it
will take place. But from what has been
just said, it will be evident that it is not
always possible to predict the precise time, nor
are the symptoms which indicate its approach
always to be relied on. When the evidences of
dissolution, however, begin to manifest themselves,
a general failure of the temperature, with
a cold dew on the skin, may generally be considered
as indicative that the scene is about to
close. In many cases it is easy to recognise the
fatal turn which diseases take by the alterations
which the symptoms undergo. Where internal
inflammations are about to issue in death, there
is mostly a striking change in the expression
of the face, and sometimes a curious shrinking
of the body.
I shall never forget one instance in which
these signs were particularly manifest. A young
woman, who had formerly been a servant in
Manchester, became ill, was unable to continue
in service, and was eventually removed to the
Infirmary. One day, as I went to visit her as
usual, I observed a complete alteration in her
countenance. It seemed shrunk and diminutive,
with a ghastly paleness. She put out her
hand and said, “You seem as if you did not
know me.”—She spoke in a changed voice.
She complained of no pain, but I remarked a
trembling in her hands, like that of the shaking
palsy. The mind was perfectly collected, but
her usual features seemed only mimicked by
their pale shrunk copy. She said she knew that
she was going to die,—and so it proved.
The nose and lips are very characteristic in
the dying. The lips become pale, the nostrils
dilated and dark looking, and the hairs about
the lips seem more than usually apparent; the
teeth look like pieces of ordinary bone, and
the eyes seem to shadow through the eyelids,
or are partially turned under the lids; the nails
look dark, and the ends of the fingers sodden.
Finally, convulsive twitchings often show
themselves in the face, with singular elevations
of the eyebrows, and staring of the eyes. A gaping
attempt to breathe terminates the struggle.
When coma is present, a mucous rattle is
generally of fatal import; and, è contrario, when
the lungs are affected, the supervention of coma
is equally to be dreaded.
When fluids taken by the patient flow back
from his mouth, or fall heavily down his throat
as if poured into an ordinary tube, death is
soon to be expected.
In young children, a curious playing with the
bed-clothes often attends fatal affections of the
brain. I remember a little child, who had her
handkerchief in her hand, which she spread out
repeatedly with apparent care, and in a fantastic
manner, that would have been amusing but for
its fatal import. The picking of bed-clothes
and catching of the hands, as if at imaginary
objects, are well known as terrible indications.
Chomel remarks, as of serious presage, the
automatic manner in which a patient will unceasingly
draw his hand to his side, in spite
of the efforts of the physician to ascertain his
pulse. I might enlarge much on such points,
but it would, perhaps, be “to consider too
curiously to consider so.”
The signs of death are not, however, always
very marked; for when death arises in advanced
and feeble age, the vital powers are so
easily depressed, and the heart’s action brought
to a stand in so imperceptible a manner, that it
is common to speak of it as a quiet sleep.
Madame D’Arblay, writing to her husband,
graphically describes the death of her revered
father, Dr. Burney, the celebrated author of the
History of Music.
“An awful stillness pervaded his apartment;
and so soft became his breathing, that I dropped
my head by the side of his pillow, to be sure
that he breathed at all. There, anxiously, I
remained, and such was my position, when his
faithful man-servant, George, after watchfully
looking at him from the foot of his bed, suddenly
burst out into an audible sob, crying out,
‘My master! My dear master!’
“For a moment, however, only; an alarm
from his outcry had been raised, and the servants,
full of sorrow, hurried into the chamber, which
none of the family, that could assemble, ever
quitted, and a general lamentation broke forth.
“Yet could I not believe that all had ceased
thus suddenly, without a movement, without
even a sigh! and, conjuring that no one would
speak or interfere, I solemnly and steadily persisted
in passing a full hour or more in listening
to catch again a breath I could so reluctantly
lose; but all of life, of earthly life, was gone
for ever; and here, mon ami, I drop the
curtain.”[27]
So frequently as medical men are called
upon to contemplate the last hours of human
existence, it is to be regretted that they have
not more often given to their fellow men the
reflections into which they must naturally have
been led. It cannot but be, that many accomplished
minds are to be found in a profession
which is so enlightened; and it is not
then easy to assign any sufficient reason for
this silence. Possibly a kind of false delicacy
may have operated on some minds, and others
may have been diverted from such thoughts by
the pressure of active occupation. It is common
to suppose that medical men are blunted
in their feelings by the nature of their avocations.
It may be that there is some foundation
for such an opinion; but I think the apparent
want of sympathy sometimes found, is more
frequently the effect of a strong temporary
direction of the mind to the contemplation of
curative means. Yet it must be owned that
habit does much to lessen that exquisite sensibility
with which we instinctively regard the
chamber of death. The anatomist, as he traces
with curious scalpel the secret structure of the
frame, loses in professional technicalities the
awful truth that he contemplates his own
likeness. The hoary-headed gravedigger, as
he turns up the mould to receive his fellow
man, thinks not how soon the sand will rattle
on his own coffin, and his humble name “shine
upon the plate.” This indifference is, to some
extent, good and necessary; but it is sadly too
common and too great. But yet to the medical
man, above all others, there is something of
terrible reality in death. The student pictures
death in his own manner: he looks upon it as
the distant prospect which is to surround him
at the remotest period of his life, the haven
and resting place of his toil, the slumber and
quiet repose which is to terminate the harvest
of his day. The father tells his children of a
peaceful and a better country, and smooths
the pillow of his sick child as he whispers
words of consolation and affection. The
medical man has fresh in his mind, with all its
ghastly reality, the cold image of his once dear
friend; he yet hears the choking rattle in his
throat, and yet wipes in imagination the perspiration
from his corpse-like brow.
To what result then shall we come after the
contemplation of death?—to the greatest and
the best: the daylight of life is still around us,
but the gloom of that night, in which no man
can work, will soon be foreshadowed by sickness,
infirmity, and age. Before this night
steals upon us, and our ability for useful
exertion ceases in the thickening obscurity,
let us remember the reality of these things,—and,
as we write our characters in the indelible
language of deeds that can never be
changed, let us remember, also, how soon the
story will be told, and the book closed for
ever.
It is, indeed, a mortifying thing to think what
a laborious preparation we make for a few years
of existence. It is humiliating to look back to
the cares of infancy—the nights of maternal
watching and anxiety—the hopes of childhood—the
dreary toils and frequent tasks of school
life—the ambition of riper years, with its unceasing
efforts to attain what we find at last to
be vanity and vexation. For what do we
prepare,—if gold and silver at last tire the eye—if
the applause of the world is found empty
and interested—if ambition estranges friendship—if
wealth cools our best affections, and
separates man from his fellow man? For what
do we prepare whilst the grave is so near to
all of us, and the feet of those who are to
carry us out are already lingering at the
threshold of our doors?
But who is there that timely thinks on these
things? Who can imagine his own death—anticipate
the time when he shall be the object
of fearful regard in others—when he himself
shall be the almost unconscious being struggling
with the thickening breath, and gasping
with the convulsive throes of death? Who
can think of the world being without himself;
of the things which he has called his own
being entirely at the disposal of others? To
realise such ideas is to catch a glimpse of the
true value of present interests. What then
think we of the approbation of the great—the
vanity of fashion, the pride of learning and the
dignity of title;—the remembrance of one kind
feeling, one charitable action, one generous sentiment
and loving emotion, is more grateful to the
heart, and more satisfying to the understanding.
We are all too ready to avoid the contemplation
of death. The subject is not an agreeable
one, and can seldom find a fitting place in
our consideration. It is too soon, and we
would put it off “till a more convenient
season.” But if we may not consider our own
end, have we no one dear and precious to us in
whose life our interests are intimately and
affectionately entwined!—How shall we stand
on the grave-side of such precious one, and
with what thoughts shall we hereafter turn
from the little circle of our mourning friends
to the fresh landscape which surrounds the
tomb?
THE HUMAN MIND, &c. [28] — FOOTNOTES:
There is nothing which is more common than
to hear people speak of possessing a knowledge
of human nature. It is usual to signify by
this a mere acquaintance with the vices of
mankind, which does, indeed, form one part of
such knowledge, but it is not all. What is
called a knowledge of human nature is said to
be acquired only by mixing with the world,
which implies that a real intimacy with the
workings, tendencies, and capabilities of the
human mind is industriously kept back in our
literature, and that by the general consent of
mankind it is deemed better that a great part
of the world should be ignorant of the true
position of their fellow beings. Many of those
who are teachers of religion and morality, have
certainly derived their ideas on this subject
from sources which show, in point of fact, a
complete ignorance of human nature, or, at
least, the studious disguisement of such knowledge.
The reserve, which is common and proper
in society, may screen from the unreflecting,
and those little conversant with life, much of
the real nature of the human mind.
The prescribed forms of living, of speaking
and writing, and the conventional usages of
mankind, have given an artificial hue to our
actions and language, and thus the words of
the great dramatist have become literally true,
that “all the world is a stage, and all the men
and women merely players.” The true character
of the human mind in its more intimate
workings, is little confessed in our literature,
and little acknowledged in our laws. Unfortunately,
the real appreciation of the human
mind (with regard to its actual state, and
not its abstract consideration) has scarcely
appeared to fall within the province either
of the moralist or metaphysician, and has
remained a kind of neutral ground, uncultivated
because unclaimed. That knowledge
which is sometimes designated a knowledge of
the world, approaches, perhaps, nearest to the
subject in question, but is seldom possessed
by those who are either desirous or capable
of systematizing their information, and thus,
much of what is really known of our common
nature is lost both to the philosopher and the
philanthropist. In the writings of some of our
novelists, it is true, we find a considerable
amount of this species of information, but it
is for the most part rendered subservient only
to the entertainment of the reader, and not in
every case calculated for his edification. The
writings of Fielding, Smollett, Cervantes, and
Le Sage, with many others of more modern
date, amongst which I may mention those of
Mr. Charles Dickens, abound in judicious reflections
on men and manners, and discover no
little penetration into character and mind.
After all, however, there is an evident deficiency
in published or recognised information
of this kind; and hence the surprise
or affected surprise with which it is common
to view what are called the inconsistencies
of human nature. That certain infirmities of
mind are not incompatible with genius, it may
be common to admit; but when we approach
the subject closer, we shall find the poetic
temperament, more frequently than not, clouded
with insanity or touched with perversity. The
same bright spirit which rejoices in the sunshine
of nature is not less sensitive of the
gloom. There is often a foreboding of evil,
and often the imagination will heighten the
calamities which are really present, until a
thousand heart-rending associations grow up in
the fertility of the mind.
The consideration of the human mind, then,
in what may be called its medical aspects, seems
to me one which has not yet sufficiently engaged
the general attention of mankind; and I wish on
the present occasion to bring it before your
notice, as a subject which is neither devoid of
interest, nor wanting in utility.
The effect of temperament may first claim
our attention. I shall not, however, confine
myself to the divisions which strictly medical
writers have formed on this subject, reserving
to myself the freedom of the popular acceptation
of the word.
The constitution of the body as to its bulk
and general aspect, as well seen in the countenance
as in the conformation of other parts,
is known to be connected with accompanying
peculiarities of mind which are of every day
observation. There is an asperity in the countenance
and figure of some people which immediately
strikes us, and we feel a sort of intuitive
dislike. There are others whose open countenance
and portly bearing tell at once of generous
feelings and easy dispositions. Every one
remembers the passage in the play of Julius
Cæsar:—
“Would he were fatter; but I fear him not,—
Yet if my name were liable to fear,
I do not know the man I should avoid
So soon as that spare Cassius.”
The Sanguine Temperament, as the very
name implies, is characterised by a constitution
in which the blood-vessels are predominant;
the face is red, and easily flushed, the complexion
often light; the temper hasty, the
actions quick. Those who have this temperament
in a marked form, often act by impulse;
they are restless, and have difficulty in waiting
for the result of their undertakings. The mind
is often too easily excited to allow of a proper
operation of its workings; the ideas flow too
quickly, and in a little while become confused.
Such persons, when called upon in exciting circumstances,
become embarrassed,—are what
they call nervous, and lose self-possession—or
act to disadvantage.
The character of Peter in the sacred writings
gives us a good example of this sanguine
temper: we find him saying to his Lord,
“Though all men shall be offended because of
thee, yet I will never be offended; I will lay
down my life for thy sake:” and again;
“though I die with thee, yet will I not deny
thee.” But, as in many other sanguine people,
the feeling wanted the support of a steady equanimity.
When Jesus was betrayed, and Peter
found himself accused of being in his company,
he denied any knowledge of him; and when he
found that he was known by his accent,
(“surely thou also art one of them, for thy
speech betrayeth thee,”) “he began to curse
and to swear, saying, I know not the man.”
Such is often the fate of the warm protestations
of sanguine people. The emotion which attends
the expression of their sentiments gives the
complexion to them whilst it exists, but it is
not enduring, and is succeeded by other emotions,
which, for the time, overcome the better
feelings of the heart. This sanguine temperament
gives what we call the generous
character; the warmth of temper which, in
moderation, we rather admire as heightening
the affections, and giving joy and gladness: but
it has also its sorrows and its errors.—There
is the quick resentment and the passionate
grief, and these are the dark aspects which are
full of tears and lamentation. Hamlet, you
know, says to Horatio:—
“Give me the man that is not passion’s slave,
And I will wear him in my heart’s core;
Aye, in my heart of hearts, as I do thee.”
In sanguine people, the train of thoughts
appears to be much quicker than in others.
This is attended with certain advantages, but
corresponding disadvantages. Such minds are
imaginative—what is called ingenious. The
associations are not too strong to forbid erratic
thoughts; relations are often readily perceived,
but there is less exactness. The memory is,
perhaps, less retentive, and the speed of the
thoughts leads often to confusion. They crowd
on one another until indistinctness arises. This
indistinctness is sometimes painful.
This kind of mind is what is called passionate;
hence the term hasty, which may be well
used as indicative of a too rapid procession of
thoughts. The mind cannot well operate in
this hurried state. The ideas flash across, but
they light up too fiercely a train of associations
to admit the suggestions of other minds.
The brain is, perhaps, over sensitive, and its
powers too readily exhausted, and too intense
whilst in operation.
The Lymphatic Temperament is quite the
reverse of the sanguine. Those who have this
temperament are not easily moved, or excited;
the skin is pale. Such persons are better calculated
to undergo anxieties, or meet the exigencies
of sudden emergencies. The mind has
not those quick sympathies, or brilliant imaginings,
which distinguish a warmer temperament.
There is a steady, cool calculation, which is
more adapted to worldly prosperity; feelings
less readily wounded, and less apt to betray
themselves in the excitement of life. Some
possess this in a surprising degree, and many
assume it. Many cover a natural sensibility
by the forms and usages which polite life has
invented, and studiously avoid showing the
natural burst of affection, or the bitter outpourings
of grief.
It is well, in some degree, that this should
be done; but let not nature be altogether destroyed,
and all the fine sensibilities crushed,
under an artful and sophisticated mannerism.
There is a story told of a cockney, who
visited the beautiful and romantic scenery of
the Alps, and being asked his impression of a
sublime prospect, which suddenly burst on his
view, said, that he must confess “it was a
well got up thing.” This is the school of fashion,
which gives us two fingers to touch as a welcome,
after the absence of as many years.
In some, the operations of the mind are so
slow that they seem to stagnate, and pass into
reverie. The extreme of this condition lapses
into a state of imbecility and fatuity; but a
certain degree of apathy has its advantages.
The mind has time to act; there is no overcrowding
of ideas—no hurry of thought.
There is more continuance of application—less
impatience of consideration. The affections do
not trouble the operations of the mind. There
are not those quick sympathies which have relations
with every thing that passes.
There are some people, again, in whose
constitution the nervous system seems to have
an unnatural preponderance; the mind seems
to be constantly in a restless state, and to wear
out the body in a ceaseless activity, or in the
struggles of overweening ambition. Such characters
are ever pressing on in the competition
of social life; often a prey to cares and anxieties,
which follow each other in a never-ending
succession. “After life’s fitful fever,” they
indeed “sleep well.”
Hypochondriacal feelings are, no doubt, in a
great measure, connected with constitution or
temperament. Melancholy is much more common
than is generally conceived, and may be,
as I have already hinted, perhaps in some degree
inseparable from a mind which highly appreciates
the beautiful, has quick sympathies with
all around, and a thoughtful regard to the
possibilities, and even probabilities of a changing
world. On this account it has always been
considered by the poets as a poetic feeling, and
though this view may have attracted the sneers
of some, or the ridicule of others, there is a
certain truth in the opinion. Ben Jonson
alludes to this notion, with respect to melancholy,
as an accompaniment of sensibility, in
his “Every Man in his Humour.”
“Stephen. Ay, truly, sir, I am mightily given to melancholy.
“Matthew. Oh! it’s your only fine humour, sir; your
true melancholy breeds your perfect fine wit, sir. I am
melancholy myself divers times, sir; and then do I no
more but take pen and paper presently, and overflow
your half a score or a dozen of sonnets at a sitting.”—Act
III., Scene 1.
Again:—
“Ed. Knowall.... What think you of this, coz?
“Stephen. Why, I do think of it; and I will be more
proud and melancholy and gentlemanlike than I have
been, I’ll insure you.”—Act I., Scene 2.
In Scott’s “Diary” (May, 1827,) he says:—“Imagination
renders us the victim of occasional
low spirits. All belonging to this gifted,
as it is called, but often unhappy class, must
have felt, but for the dictates of religion, or
the natural recoil of the mind from the idea of
dissolution, there have been times when they
would have been willing to throw away life, as
a child does a broken toy. I am sure I know
one who has often felt so.”
A disposition to melancholy is by no means,
as might at first be imagined, necessarily indicated
by a grave and staid deportment.
In a large proportion of instances, it is even
coupled with an exuberance of spirits, which
would seem to promise a perpetual sunshine
of cheerfulness.
The mind, however, which is alive to joy, is
also, and perhaps equally, alive to sorrow; and
often passes by quick transitions from the one
to the other.
Our great dramatist, in mingling the ludicrous
with the tragic, has evidently shown his
acquaintance with this tendency of the human
mind. Byron has happily blended in some of
his most successful passages the sublime and
the ridiculous, thereby greatly heightening the
effect of both. In his “Corsair,” however, he
has directly touched upon this peculiarity of
the mind, where he says—
“Strange though it seem, yet with extremest grief
Is linked a mirth,—it doth not bring relief.
That playfulness of sorrow ne’er beguiles,
And smiles in bitterness,—but still it smiles.”
In Dr. Currie’s Life of Burns, allusion is
made to the combination of melancholy and
gaiety in the character of that extraordinary
poet.
Notwithstanding the gaiety of Burns’ writings,
he was constitutionally a melancholy man,
and was subject “to those depressions of mind,
which are perhaps not wholly separable from
the sensibility of genius, but which, in him,
arose to an uncommon degree.” ...
“Such a disposition is far from being at variance
with social enjoyments. Those who have
studied the affinities of mind, know that a melancholy
of this description after a while seeks
relief in the endearments of society, and that
it has no distant connexion with the flow of
cheerfulness, or even the extravagance of
mirth.”[29]
In a letter from Sir Walter Scott to his
daughter in-law, the following mention is made
of Matthews, the comedian. “I am glad you
like my old acquaintance, Matthews. Some
day I will make him show his talent for your
amusement in private—for I know him well.
It is very odd—he is often subject to fits of
deep melancholy.”[30]
From these cursory remarks on melancholy,
I may proceed to speak of some particular
states of mind, which attend the same peculiarity
of temperament, and though not incompatible
with mental sanity, are yet to be
considered as bordering upon derangement.
Some of the illustrations I shall bring forward
are from works of poetry, but may be
considered, nevertheless, as expressive of actual
facts, because I have scrupulously avoided
making use of them where the subject had
need of graver support; so that in effect they
are rather introduced to relieve and exemplify
the matter, than to substantiate it. The
curious feelings to which I allude, exist in
various degrees of intensity in different people.
They cannot be considered as common to
everybody, and are far more frequent or powerful
in the imaginative and eccentric, than in
others. Yet I should conceive that they prevail
to a greater extent than is commonly supposed.
Amongst this class of feelings may be placed
the disposition which is sometimes manifested
by those who stand on precipitous cliffs to cast
themselves down. This seems suggested by a
kind of insane impulse, which is dreaded by the
very person who indulges it.
Scott beautifully alludes to such a feeling in
“The Lady of the Lake.”
“There are, who have at midnight hour,
In slumber scaled a dizzy tower,
And on the verge that beetled o’er
The ocean tides incessant roar,
Dreamed calmly out their dangerous dream,
Till wakened by the morning beam;
When dazzled by the eastern glow,
Such startler cast his glance below,
And saw unmeasured depths around,
And heard unintermitted sound,
And thought the battled fence so frail,
It waved like cobweb in the gale;
Amid his senses giddy wheel
Did he not desperate impulse feel
Headlong to plunge himself below,
And meet the worst his fears foreshow?”
Canto II. 22.
The same is alluded to by Shakspeare in his
“Hamlet,” when he is cautioned by Horatio
not to follow the Ghost,—
“What if it tempt you towards the flood, my lord,
Or to the dreadful summit of the cliff
That beetles o’er his base into the sea;
And there assume some other horrible form,
Which might deprive your sovereignty of reason,
And draw you into madness? Think of it,—
The very place puts toys of desperation,
Without more motive, into every brain,
That looks so many fathoms to the sea,
And hears it roar beneath.”
This, though fiction, is true to nature. We
know how many have jumped from monuments,
and given way to an impulse to suicide
created by circumstances. Many instances
of the same kind might be brought together,
not merely from our classical writers, but
from the pages of our journals and newspapers.
The cases of suicide which seem to
have been suggested by the contemplation of
frightful precipices, deadly poisons, or dangerous
weapons, may be considered under this
head. Hence the importance of avoiding evil
thoughts, and tampering with dangerous ideas.
The same kind of feeling sometimes urges people
to contemplate scenes of suffering and distress,
which are painful to be witnessed, or pushes
them on to acts which they at the same time
dread. This tendency is also well alluded to
by the great poet of nature in the scene in
“Romeo and Juliet,” where the latter contemplates
her anticipated position in the tomb
of all the Capulets:—
“How if, when I’m laid into the tomb,
I wake before the time that Romeo
Comes to redeem me?
Alack! alack! shall I not be distraught,
Environed with all these hideous fears?
And madly play with my forefathers’ joints,
And pluck the mangled Tybalt from his shroud?
And in this rage with some great kinsman’s bone,
As with a club, dash out my desperate brains?”
This insane feeling is here well portrayed,
where the very speaker has been previously
expressing her horror of that dreadful place,
where—
“Bloody Tybalt, yet but green in earth,
Lies festering in his shroud.”
There are feelings sometimes which are contradictory
in their nature and objects. The
mind is strangely perplexed in a war of emotions—emotions
which are cherished whilst they
are painful. Actions are not always dictated
by the simple feelings which seem to have
given them birth. How many persecuting
spirits have wept for those they have persecuted!
There are those whose feelings of
mercy and forgiveness have struggled hard and
yet yielded to pride and an ignoble revenge.
Such contradictory feelings do indeed partake
of an insane character, and there is a fine significance
in the words of the poet,—
“That to be wroth with those we love,
Doth work like madness in the brain.”
I bring forward these remarks on such states
of mind, because I think it of great importance
(as they really do exist) that they should be at
once deprecated as unhealthy and insane feelings;
and in order if possible to make it appear
that the proper control of the mind, which
constitutes virtue, is in reality the most conducive
to a sound understanding. Let it not
be considered, however, that I mean to assert
that mental derangement is necessarily the
result of vice—it is more often the cause of it.
To resume, however. In the autobiography of
the celebrated Goëthe, he makes reference to
this most unfortunate contention of feeling.
Goëthe says,—“I accordingly fell into that
evil disposition of mind which often misleads us
so far as to make us find a pleasure in tormenting
those whom we love; and I abused the
fondness of a young female by tyrannical and
arbitrary caprices. Secure of the affection of
Annette, and of her anxiety to please me, I
vented on her all the ill-humour that the
failure of my poetical essays, the apparent
impossibility of doing myself honour by them,
and everything else that occurred to vex me.
I poisoned our best days by groundless and unworthy
jealousies. She long endured all these
follies with angelic patience; but I had the
cruelty to tire it out.”[31]
Hazlitt observes, that men often “take a
perverse delight in acting, not only contrary to
reason, but in opposition to their own inclinations.”[32]
Again and again I may say that the contemplation
of these curious workings of the mind
should lead us to see the importance of attending
to its due regulation, and make us regard improper
feelings as insane impulses which are to
be dreaded as disease.
The peculiar notions which some eminent
men entertain, probably against their better
judgments, may be also just alluded to. Scott
speaks of a feeling of pre-existence in his Diary
(Feb. 17.):—
“A hard day of working, being I think eight
pages before dinner. I cannot, I am sure, tell
if it is worth marking down, that yesterday, at
dinner time, I was strongly haunted by what
I would call the sense of pre-existence—viz.
a confused idea that nothing that passed was
said for the first time; that the same topics
had been discussed, and that the same persons
had stated the same opinions on them....
There was a vile sense of want of reality in all
I said and did.... Something of this
insane feeling remains to-day, but a trifle
only.”[33]
This feeling of pre-existence is a sort of poetical
feeling;—I mean that it is most frequently
met with in persons of highly imaginative
minds, or in those engaged in metaphysical
pursuits. Dickens mentions, in his “Pictures
from Italy,” his first sight of Ferrara in the
following terms:—
“On the foreground was a group of silent
peasant girls leaning over the parapet of a
little bridge, looking now up at the sky, now
down into the water; in the distance a deep
bell; the shadow of approaching night on
everything. If I had been murdered there on
some former life I could not have seemed
to remember the place more thoroughly, or
with more emphatic chilling of the blood; and
the real remembrance of it acquired in that
minute is so strengthened by the imaginary
recollection, that I hardly think I could forget
it.”[34]
Shelley states, “that whilst walking with
a friend in the neighbourhood of Oxford, a
scene presented itself which he remembered
long ago to have seen in a dream.”[35]
Mrs. Shelley remarks on this, “I remember
well his coming to me pale and agitated to
seek refuge in conversation from the fearful
emotions it excited.”
Many of us may have a sort of feeling
of reminiscence of things which we in reality
see for the first time, probably because they
awaken a train of thought similar to what
other objects may have previously excited.
From these desultory remarks on the characters
of mind which accompany the more highly,
and may be unduly, developed powers of
the imagination, I may proceed to speak of
the connexion of bodily disease with mental
peculiarity.
Every one knows the effect of disease
on the human mind in rendering it a prey
to uneasy feelings and capricious changes.
Happy, indeed, is he who has no reminiscences
of weary hours spent in midnight vigils, or
long days of unrest, in which the mind refused
to take its wonted pleasure in occupation or
literature. We are, perhaps, too apt to regard
our minds as above the influence of circumstances,
and altogether dependent on self-control
and voluntary effort. Disease may
teach us that the mind itself is the gift of
a superior power, and its very complexion
dependent on causes which we cannot command.
Shakspeare, as you all well know, makes
a happy allusion to the effect of disease in
enervating the mind, in Cassius’s speech in
contempt of Cæsar:—
“He had a fever when he was in Spain,
And when the fit was on him, I did mark
How he did shake. ’Tis true, this god did shake;
His coward lips did from their colour fly;
And that same eye, whose bend doth awe the world,
Did lose his lustre! I did hear him groan;
Ay! and that tongue of his, that bade the Romans
Mark him, and write his speeches in their books,
Alas! it cried, Give me some drink, Titinius,
As a sick girl.”
Apoplexy and palsy bring the finest minds
to imbecility. The sufferer yields to fits of
passion, and readily “dissolves in tears,” in
alternate succession, and thus remains an object
for pity and the tolerance of friendship, until
another attack completes the ruin, and leaves
him a miserable wreck—the shadow of his
former self. “By this distemper,” Sir Henry
Halford tells us, “the talents of the great
Marlborough were confounded.” The most
serene and powerful minds are troubled by
disorders of this nature,—curious aversions,
fits of irritation, and whining imbecility, take
the place of easy and kindly dispositions; so
that our very virtues are dependent on the
sufferance of a superior power.
The languor and lassitude which accompany
biliary derangements are well known and of
common remark. The peculiar perverse states
of mind which attend various forms of hysteria,
furnish us with some of the most curious
instances of human weakness which can possibly
engage the attention. The effects of
indigestion in creating frightful dreams, have
been experienced by us all. How rejoiced
we are, after suffering from the most terrible
nocturnal alarm, to awake, and “find it all
a dream.” Perchance a bull pursues us, and
our limbs refuse to move,—a wild and disgusting
animal fastens its teeth on us, and
escape is in vain,—an immense load bears
on us, and instant suffocation is impending.
Sterne, in his “Sentimental Journey,” illustrates
the effects of disease on the mind in
his usual striking manner:—
“The learned Smelfungus travelled from
Boulogne to Paris, and from Paris to Rome,
and so on. But he set out with the spleen
and jaundice, and every object he passed by
was discoloured or distorted. He wrote an
account of them, but ’twas nothing but the
account of his miserable feelings. I met
Smelfungus in the grand portico of the Pantheon,—‘’Tis
nothing but a huge cockpit,’
said he.... I popped upon Smelfungus
again at Turin in his return home, and
a sad tale of sorrowful adventures had he
to tell.... He had been flayed alive, and
bedevilled, and used worse than St. Bartholomew,
at every stage he had come to. ‘I’ll
tell it,’ cried Smelfungus, ‘to the world.’—‘You
had better tell it,’ said I, ‘to your
physician.’”
It is well known that age induces great
mental changes. We are all willing to suppose
that we grow wiser as we grow older, and
it is to be hoped that this is really the case;
but so far as our morality is concerned, we
should bear in mind that we forsake many
of our vices only because the temptation no
longer exists. We “put away childish things”
when we cease to have the desires of childhood;
and the vices of youth would often come back
in advanced life if we could bring back the
fresh feelings of youth, and all the impulses
which first took possession of our souls. How
much such considerations should make us
humble, charitable, and forgiving; should render
us distrustful of our own virtue, and compassionate
for the failings of others.
Delicate states of health often induce, or
are connected with, states of mind which seem
too refined for the common intercourse of life.
There is often a precocity of mind in delicate
children which far surpasses in nicety of feeling
the ideas of those more advanced in age.
They who have remembrance of their early
sick beds can tell how little their own ideal
creations were understood, and how little
known were the deep recesses of their infant
minds. The practical in after life takes the
place of the poetical, and the fine sensibility
shrinks and withers in the rude competition
of actual life, and in reality “concealment,
like a worm i’ th’ bud, feeds on the damask
cheek.”
Debility of body is often, in fact, generally,
productive of great mental susceptibility, and
sometimes irritability of mind. Shakspeare says,
“Conceit in weakest bodies strongest works.”
People who have robust health, and have
always enjoyed such, can enter little into
the sentiments of others, nor appreciate the
feelings which accompany feeble and imperfect
states of health, or constitutions of greater
delicacy and refinement. Shelley says, “I
know not the internal constitution of other
men. I see that in some external attributes
they resemble me; but when, misled by that
appearance, I have thought to appeal to something
in common, and unburden my inmost
soul, I have found my language misunderstood,
like one in a desert and savage land.”[36]
In considering the human mind, in its medical
aspects, it might naturally enough be supposed,
that the subject of insanity would form a principal
part. I shall not, however, for many
reasons, enter upon it in this place, further than
to touch upon those lighter, or more partial
derangements, which are less commonly made
matter of observation or remark.
It has often appeared to me, that much good
might arise from the consideration of mental
sanity, on a finer scale than has hitherto been
afforded. The condition of the mind may not
be properly healthy, without being betrayed into
those complete aberrations which shock the observer,
or call for the interference of friendly
restraint. The subject has its relations, both to
morals and jurisprudence; but there is, perhaps,
no education which so fits the mind to enter on
its consideration, as that which is prescribed by
the study of medicine.
When we contemplate our species in the
workings of great and good minds, we cannot
fail to feel proud of a humanity which is
capable of achieving vast designs, and compassing
mighty undertakings. The names of
Newton and Locke inspire us with a kind of
reverence for the capabilities of our nature.
We then, indeed, perceive, that there is “a
divinity which stirs within us, and indicates
eternity to man.” How high and godlike is
the mind which can scan its own operations, sit
in judgment on itself, review the events of
past ages, and anticipate the future progress of
societies and nations. It would be a pleasing
task to dwell on the greatness of the human
mind. We see it in the honest and sturdy
Franklin—the humble and philosophic Dalton—the
persevering and indefatigable Priestley—the
bold and imaginative Davy—the philanthropic
Howard—the laborious and highly-gifted
Hunter. If we turn from this picture of
the more lofty style of man, and look to those
aberrations of the intellect which we find in the
receptacles for the insane, we must feel a
humiliation at least equal to our previous gratification.
Here we have the drivelling idiot—the
raving madman—the moping melancholic—the
incoherent dreamer—and the timid and
suspicious hypochondriac. Nor is it a correct
opinion, that the division between the intellectual
and insane portion of mankind is so broad as
it appears on a cursory consideration. That there
are minor aberrations of mind which do not
come within the limits of actual madness, there
can be no doubt; nor is real insanity so far
dissevered from the more healthy operations of
the mind, as to be altogether incompatible with
intermissions of extraordinary brightness.
It is well known that many of our eminent
writers, especially those of an imaginative kind,
were hypochondriacs. The unfortunate Cowper
and Collins were of this class; and Chatterton
and Haydon, it will be remembered,
destroyed themselves under its influence. The
Rev. Robert Hall had periods of actual insanity,
and the elegant Charles Lamb probably escaped
from his sister’s fate only by the necessities of
his own position. Whitbread, Romilly, Londonderry,
and Calcraft, put an end to their own
existences; but the list is too great to particularise,
and it is enough to know, that learning
and genius are not removed from the worst of
human calamities.
The fate of the unfortunate Swift is too well
known to need comment; but even before the
period at which his mind gave way, it is too
probable that he inwardly laboured under a
mental infirmity which, in itself, might be
nearly allied to his genius.
The last document which we possess of Swift,
as a rational and reflecting being, is given by
Sir W. Scott, in his life of the Dean; and, as
Sir Walter says, awfully foretells the catastrophe
which shortly afterwards took place.
“I have been very miserable all night, and
to-day extremely deaf, and full of pain. I am
so stupid and confounded, that I cannot express
the mortification I am under, both in
body and in mind. All I say is, that I am not
in torture; but I daily and hourly expect it.
Pray let me know how your health is, and
your family. I hardly understand one word I
write. I am sure my days will be very few—few
and miserable they must be.
“I am, for those few days, yours entirely, J. Swift.
“If I do not blunder, it is Saturday.”
From these glimpses of the misfortunes and
imperfections of great men we may see that
genius is not unalloyed. Carlyle, in his estimate
of Scott, has much sense in the following
remark:—“The truth is, our best definition
of Scott were perhaps even this, that he was,
if no great man, then something much pleasanter
to be, a robust, thoroughly healthy, and
withal very prosperous and victorious man.”
What we call genius has often a degree of
eccentricity connected with it, and, as Dr.
Ferriar has hinted, may even have an alliance
with insanity. “No doubt,” says he, “the
same causes which in a strong degree produce
madness, may, in a lower, increase the natural
powers of the mind.” High cultivation and
extraordinary talents are not in themselves the
certain means of goodness nor of happiness.
The mind, rendered more subtle and more
oppressed with thought and ambition, looks
back even to its primitive simplicity with a
feeling little short of regret. Byron says—
“I feel almost at times as I have felt
In happy childhood; trees, and flowers, and brooks,
Which do remember me of where I dwelt
Ere my young mind was sacrificed to books,
Come as of yore upon me, and can melt
My heart with recognition of their looks.”
[37]
On the other hand, the mental powers which
are the farthest removed from insanity are
not perhaps the most ingenious, fertile, or imaginative.
The more brilliant mind which sees
relations not perceptible to others—the associations
of which are not too strong and constant
to forbid erratic flights, may be, on that very
account, the more capricious, unsettled, and
uncertain in its operations—possibly, the more
easily pushed from its own balance, and lost
from its very want of anchorage to slow
and settled, albeit erroneous, doctrines. They
who have undergone great changes of opinion
can alone know what it is to abandon the
landmarks of thought, and go out into a sea of
meditation, without any well-known beacon to
guide them, or familiar appearance to mark
their course. Errors may be dear, even sacred
to the mind, and to abandon the errors which
ages have nursed, may indeed be difficult to
those who have cherished them from their earliest
infancy.
As minds differ greatly in respect to the intellectual
powers, so they differ also in regard
to the affections and instinctive impulses, and
these latter appear to be subject to aberrations
independently of the former. The late Dr.
Prichard, in a very able work on “Insanity in
its Relations to Jurisprudence,” has treated of
the subject under the head of “Moral Insanity;”
and were I to state all that I think
important, I should not content myself without
transcribing the greater part of what he has
written. It may seem rather startling to look
upon moral aberrations as resulting from mental
infirmities. I am far from wishing to appear
as an apologist for vice, but a close attention to
the subject obliges me, in fairness, to admit,
that the propensities and impulses of the mind
may want a just balance as well as the intellectual
powers. I feel that I have not here room
to do justice to the subject, but I may say that
those who have given most attention to the
various phases of insanity are coming to this
opinion. Such views cannot, perhaps, alter
materially our social relations nor penal institutions,
but they will at least make our charity
more broad and lasting, and our compassion for
the erring more enlightened. Undoubtedly the
protection of society requires that the morally
insane be arrested in the career of crime; for
if it needs be that offences come, it must also
needs be that there be woe to him through
whom they come.
The facts upon which the evidence of moral
insanity rests are too striking and numerous
to admit of doubt, and the subject would probably
have long ago been more fully investigated,
had it not been for the privacy attached
to instances of this kind, and the reluctance
which is naturally felt to admit a plea which
appears, at least on first consideration, to have
dangerous consequences.
The existence of moral insanity is recognised
by Esquirol and Georget, on the continent, as
well as by Dr. Prichard, Dr. Hitch, and others,
in England,—indeed, by the best authorities
we have on the subject. Insanity is far from
showing itself merely in hallucinations and
illusions, as is commonly supposed. Often the
first overt act of insanity is one of moral
delinquency or extravagance, and however
delicate the question may appear in a moral
consideration, it is impossible to shut our eyes
to the truth. In many of these instances it
seems that the absence of moral control constitutes
the essence of the disorder; and persons
are known to conduct themselves well in
asylums who, immediately on being released,
give way to excesses of maniacal excitement, or
betray the most ridiculous eccentricities and
absurdities. I may probably, on some future
occasion, return to this subject; here I can only
hint at it.
Independently of this moral insanity, there
are also grades of difference in the passions and
propensities of the mind, less excessive, but
still worthy of study in connexion with such
considerations as these.
That attachments are to some extent instinctive,
would appear from the maternal
fondness even of the brute creation; and it is
beautiful to witness the tender offices to which
it leads. There can be no doubt but that feelings
of personal attachment are much stronger
in some people than in others, and may even
exist to a morbid degree. Sheridan, in his play
called the Rivals, apostrophises LOVE as the
tormentor and fiend, “whose influence acting
on men of dull souls makes idiots of them, but
meeting subtler spirits betrays their course,
and urges sensibility to madness.” Dramatists
and novelists have in all ages amused mankind
with the tragical creations of fiction, but such
stories interest only because the annals of
real life have also their broken hearts.
Perhaps one of the most beautiful delineations
of human attachment in comparatively
modern literature, is that of Goëthe’s Margaret,
in his celebrated Faust. The clinging of affection
in the last hour of horror and of crime
rises to a sublimity which is only heightened by
the confiding simplicity of the character. The
mystical and unholy career of Faust contrasts
with the beautiful love of Margaret, nor can
there be imagined in the downward career of
destruction any reproach which can speak so
eloquently as the voice of unaltered love:—
“Where I have him not,
Is the grave to me,
The whole world
Is embittered to me.
For him alone look I
Out at the window.
For him alone go I
Out of the house.
My peace is gone,
My heart is heavy,
I shall find it never,
How delicate is the sentiment of pity,—how
exquisite the combination of sorrow and
of love!
Attachment to place may exist with more
or less strength. Some persons have strong
preferences for particular places, and feel,
when removed, as if transplanted to an uncongenial
soil, and pine for the scenes they
have left.
Amongst the Swiss, love of country sometimes
rises to a degree which actually impairs
the health. I think Sir Walter Scott in his
last illness felt, in the spirit of his own poetry,
a strange yearning for the scenes of his native
country, after literally “wandering on a foreign
strand.”
Man is, perhaps, as beautiful in the passions
and affections of his nature as in the highest
reach of his intellectual powers. Terrible,
indeed, are the passions, but they are also
glorious and lovely. The very emotions,
feelings, and instinctive impulses of our nature
constitute more than all else our humanity.
The cold calculations of the strongest minds
are dead, without the warm influence of affection;
and we would rather pardon the frowardness
of childhood, and the caprice of woman,
than lose all those endearing sentiments which
bind us to the one and to the other. But
there is a maddening impulse, which breaks
out fiercely, and blinds the reason, or acts in
spite of it. It comes fearfully over the horizon
of the mind, like a storm, and rages in cruelty
and guilt. The voice of pity pleads unheeded;—but
there comes a day when serenity is restored,
and then all the better feelings of the
heart come up as a memorial against it. It
is at such times that every kind emotion
and every tender sympathy of our nature bears
with it a sting more terrible than reproof or
revenge.
Very strong and enduring hatreds are sometimes
indicative of insanity itself, especially
where they are cherished without a sufficient
cause. Happiness is compatible alone with a
healthy balance of the mind, and the indulgence
of proud hatred and uncharitable hostility is
only a small remove from the ravings of the
madman, and the sound and fury “which
signify nothing.”
In connexion with the subject of hatred, I
may mention a law of the human mind which
has always appeared to me of the greatest importance—I
mean, that the passions are greatly
augmented by the manifestation or expression
of them. I have sometimes overheard an animated
conversation, passing by transitions of
bitterness into the most violent quarrel, each
party rather fanning his own feelings by the
expression of them than listening to the abuse
of his opponent.
A woman will sometimes set her arms akimbo
in the street and commence in a moderate tone
of reproof, but after a time she will acquire
greater and greater warmth until she flies at
the cap of her antagonist. This law of the
mind is very apparent in Lunatic Asylums. I
remember an old woman at the County Hospital
at Lancaster, who is always abusive, but
the first few words she says, especially to a
stranger, are tranquil enough; after a little
time, however, she waxes louder and louder,
and more and more vehement, although no
remark or opposition may have been offered to
what she has said.
A tendency to excess sometimes seems to
take its origin in mental peculiarity. Where
the imagination strongly predominates there is
often a liability to intemperance or excess,
which brings talent to contempt, and is a matter
of surprise to those of more obtuse but
evenly regulated minds. The fate of the unfortunate
Savage has been rendered familiar to
all the lovers of literature by the able pen of
Johnson. Addison and Parnell are said to
have drunk to excess, and Burns is well known
to have given way to the same vice.
Anthony Wood, speaking of John Skelton,
who, according to Erasmus, was “the light
and glory of English literature,” says, “that
he was guilty of many crimes, as most poets
are.”[39]
Carlyle, in speaking of the literary man, says,
“His fame rarely exerts a favourable influence
on his dignity of character, and never on his
peace of mind; its glitter is external for the
eyes of others; within, it is but the aliment of
unrest, the oil cast upon the ever-gnawing fire
of ambition, quickening into fresh vehemence
the blaze which it stills for a moment....
The calamities of these people are a fertile
topic, and too often their faults and vices have
kept pace with their calamities. Nor is it
difficult to see how this has happened. Talent
of any sort is generally accompanied with a
peculiar fineness of sensibility. Of genius, this
is the most essential constituent, and life in
any shape has sorrows enough for hearts so
formed.”[40]
In conclusion, I may observe, that it is impossible,
for many obvious reasons, to enter
fully, in this place, into the subject of medical
psychology, but it does seem to me that it is
one which has not yet found its due place in
human consideration.
The very routine and common-place order
of life are disadvantageous to reflections of
such a nature.—We hear the yell of the
lunatic in his ward, and see around the hideous
congregation of his associates, but as we close
the door the sound dies on the ear—and it
fades from the recollection also. We see
poverty and guilt stalking about the streets
of our cities, but we step into saloons, and
forget, in the forms and usages of society,
the misery we shut out. There are forms
and usages in our very thoughts, also, which
stop the generous flow of nobler and better
feelings. We do not love mankind as we
ought, because we do not know it—or we
know it only in our own selfish circle, and
forget that the same pattern of humanity
is abroad; sometimes great in the pride of
beauty and vigour, and again miserable in
depravity and crime. We respect the high-born
and the successful,—we build statues to
celebrate military prowess and statesman-like
policy,—but we should learn, also, to love
man as man, to regard his failings as it
becomes those whose judgments can only be
made with partial knowledge and limited comprehension,
and in all his wanderings still to
recognise his dear humanity.
There are facts before us, respecting the
habitudes of the human mind, which are as
much to be relied on as any in physics, and as
capable of being generalised and rendered
available for practical ends. Ignorance of
these facts is daily and hourly leading to
cruel judgments, and to misery in all its
various forms. I am glad to say that we
have now a “Journal of Psychological Medicine,”
which will, no doubt, greatly aid in
bringing about just views, and removing old
and injurious notions. For my part, I most
solemnly believe that there are varieties of
mental constitution as great as any in outward
form: and when I further consider the difference
which circumstances and education
produce, it appears most unfair and cruelly
uncharitable to measure all by the same standard,
and expect like results from different
minds. Yet this is the practical effect of
common notions—the doctrine which is tacitly
implied in our literature and in our law.
There is an old adage, that what man has done,
man may do, but it would be ridiculous logic
to interpret such a passage to signify that what
one man has done, every man may do.
The abstract mind—the general term of
logicians—I grant, has no disorders, no grades
of health, no varieties of power—but of this
abstraction there is nothing in nature. The
mind is connected with the body, and affected
by the body, and there is still a lesson of charity
to be learnt from a knowledge of such an
association.
There is a common cry against the doctrine
of different grades of mental and moral capacity,
as though it impugned the goodness of
the Deity; but to me it seems only in accordance
with the great plan of Divine government
which commits different talents to the care of
his creatures. Some men are deformed, others
good-looking—some invalids from infancy,
others robust—some idiots, epileptics, insane—some
rich from birth, others poor—some
the descendants of a long and, may be, an
honourable line of ancestors, others the children
of beggars and of pick-pockets. The brains of
men differ in shape and in volume; and shall
the mind be the same in all?
It seems to me on such a subject that not to
think boldly, is to think unjustly, and to fear
the truth on such a question, is to imagine that
the works of the eternal Creator have need to
be veiled by the flimsy apologies of his perishing
creatures.
Whilst these sheets were passing through the
press, a remarkable instance of suicide occurred in
Leicester, some notice of which may not be deemed
irrelevant, as illustrative of the connexion of disordered
imagination with accomplishment of mind.
A lady, respectable both by birth and education,
experienced a succession of misfortunes, and was
eventually reduced to a state of want.
Being of literary habits, she endeavoured to
maintain herself by the sale of some books which
she had published, but she did not meet with much
success. Her means became gradually more and
more limited; and one evening having experienced
disappointment, she put an end to her existence
with poison.
It would appear, from the papers she left behind
her, that her mind was of a highly sensitive nature,
and somewhat under the influence of insane feelings.
How far these latter may have been cherished or
evolved by misfortune, it is difficult to say. It is
probable that they might, at least, have remained
in subjection if it had not been for the pressure of
calamities. The idea of suicide seems frequently
to have entered her mind, and she had actually
composed a prayer to the Almighty that no temptations
might lead her to such an end.
It seems that she had written a statement of her
case to Lady Peel, but the document had never
been presented. At an appropriate address, which
was delivered over her remains, some manuscripts
were read, which show her to have been capable of
high poetic feeling, but reveal also the strange
peculiarities of her mind. One extract runs thus,
and will be read with interest.
“The visitor was gone, but still the glory of his
presence seemed to shine on the spot—still the
solitary air seemed to murmur with tremulous delight—and
thus ever shall it be with those who
have once, detaching themselves utterly from life,
received the visit of the Angel. Faith, solitude,
and space retain the splendour, and it settles like
a halo round their graves. Wherever the soul can
wander, the eternal soul of all things protects it
still! The thoughts of souls that would aspire like
hers are all prayer! Canst thou think it no
sorrow, either to reject all human ties, all friendship,
all love, or to see day after day friendship
and love wither from our life as blossoms from the
stem? Canst thou wonder how, with the power to
live while the world shall last, that ere even our
ordinary date be finished, we yet may prefer to
die?—She arose fevered and oppressed with new
thoughts which raged within her, opened the casement,
and the ocean lay suffused in the stormy
light; and the stillness of the heavens never more
eloquently preached the morality of repose to the
madness of earthly passions; the very hush seemed
only to deepen the wild desires of her soul, and the
solemn stars, that are mysteries in themselves,
seemed, by a kindred sympathy, to agitate the
wings of the spirit, no longer contented with its
thrall. As she gazed, a star shot from its brethren,
and vanished from the depths of space!”[41]
THE END.
London:
Spottiswoodes and Shaw,
New-street-Square.