How the Knights feasted in the Castle of Sir Folko de
Montfaucon.
In Sir Folko’s castle were now seated at
the banquet table many brave champions
from different nations, also various other
guests,—painters, minstrels, musicians, and
poets, among whom Theobaldo soon discovered
some of his lively countrymen.
Especially there was one named the Count
Alessandro Vinciguerra, with whom he began
to converse in a manner so witty and
cheerful that their discourse afforded amusement
to the whole company. Sir Otto meanwhile
remained thoughtful and silent, so that,
after the first admiration excited by his noble
form and graceful demeanour had subsided,
he was scarcely noticed by the party. As the
wine-cups, mantling with the richest juice of
Medoc and Burgundy, circled round the
festive board, it occurred to the warriors, that,
for better pastime, every one should relate,
from the experiences of his life, some remarkable
story. Among so many valiant knights,
and other distinguished characters as were
here assembled, materials could not be wanting
for such narratives. All, however, insisted
that their noble host should set an example
to his guests,—to which he replied,
“I am aware that the excuses which I would
gladly offer would not relieve me from the
duties which I owe to the noble friends who
are now around me. What I have to relate
is indeed but of little importance; but I am
like a gardener, from whom a festal wreath
is demanded, and who, if he possesses not
roses and jasmine, must be content with
daisies and forget-me-not.
“It must be known,” continued he, “to
several who are here present, that our family
of Montfaucon derives its origin from
Norwegian ancestors, and that in the mountains
of that wild country we have at this day
many noble relations. From thence my
predecessors came, as conquering invaders
into France,—arrived with great forces within
that district which is now called Normandy,
and with them brought, among other
strange stories, the legend which I am now to
repeat to you. In Norway there dwelt an
ancient and far-famed hero, who had an
amiable daughter, well known by the name
of the beautiful Sigrid. She was talked of
and praised all over that northern country,
and therefore had many loving suitors.
Besides her beauty, she was also distinguished
for her superiority in all female accomplishments,
having a deep knowledge of
magic and necromancy, to which pursuits the
young ladies of that land are particularly addicted.
Especially she had found means to
prepare a certain drink, which, if used in
moderation, inspired the warrior with unheard-of
strength and courage; nay, it was
said, that he was thereby rendered even impenetrable
by the weapons of his adversary.
Many other women of Norway have been in
possession of the same charm, and one of our
relations at this day is in the habit of exercising
that wonderful art.
“So it happened, that once on a time the
old hero said to his daughter, ‘Pretty Sigrid,
leave your household cares for one day and go
forth into the woods,—pluck there the red
berries and green leaves that you wot of, for
to-morrow I shall need your aid. I have a
hard battle before me.’ ‘With whom then,
father, do you mean to fight?’ said the fair
Sigrid. ‘With the young Hakon Swendson,’
answered the old warrior, ‘who in his ambition
will wing his flight above me through
all the regions of the north, if I do not take
care in time to clip his wings. Besides, you
know that he is sprung from a race, betwixt
whom and us there is an old and deadly
feud.’ So the beautiful Sigrid went out towards
sunset into the dusky woods, alone and
unprotected, according to the laws of her
mysterious science.
“Up and down the rocky cliffs, along the
banks of the woodland river, through many
a dim valley, and on the brink of many a
fearful precipice, the fair damsel pursued her
way, and by the time she had collected all
her roots, leaves, and berries, she found that
the night-shadows had already gathered
around her, and that she was alone in a district
of the forest which she had till now
never beheld. Her whole attention had been
fixed on her plants and flowers, and she had
never thought of the stars, that had shone
out one by one above her, and now, though
they glittered so brightly, yet she was quite
unable by their light to discover her road
homewards. While she thus stood meditative,
and doubtful what course to pursue, she
heard a great crashing and rustling through
the woods, and, behold! a frightful black bear,
rearing himself on his hind-legs, broke out as
if to devour her, or strangle her in his horrid
embraces. Just as she had given herself up
for lost, a javelin came hissing through the
air over her head, and in the next moment
she saw the bear struck through the heart,
fall writhing on the ground, so that, in the
next moment, he rolled over a neighbouring
precipice.
“Thereafter a handsome young warrior
made his appearance from the recesses of the
forest, and respectfully offered to attend to
her own home the damsel, whom his interference
had thus rescued. The fair Sigrid,
however, wept bitterly; for in her terror she
had lost all her roots, berries, and leaves; so
that, according to the laws of magic, she
must begin the labour of collecting them
anew,—though the evening was far advanced,
and the country around her wholly new and
mysterious. ‘Search then, and pluck as
many more as it pleases you,’ said the young
knight. ‘I know, moreover, that at such
times one must be alone and undisturbed.
Therefore I shall walk round thee, fair
stranger, making a wide circle, so that no one
shall speak with thee, nor approach too
nearly,—and ere the dawn of day I shall
lead you home to your father’s castle. Search
then, pretty maid, and fear not aught that
can befall you in these woods.’ With these
words the young knight vanished again amid
the forest thickets; the fair Sigrid continued
her employment as he had enjoined, and if, in
that lonely unknown place, terror now and
then assailed her, she felt herself immediately
refreshed and encouraged, when she heard the
rattling of the knight’s golden armour through
the distant green coppice.
“At length she had collected another store
like that which had been lost; and thereupon
it occurred to her how much better it would
be to boil them immediately in a golden
vessel which she had with her, so that she
might at once carry home with her the precious
drink which the old knight had desired
her to prepare. Directly after her first and
slightest signal, her protector was close at
hand, and scarcely had she made her wishes
known to him, ere he began to gather dry
branches and brushwood, from which in a
moment arose bright flames, casting their
light far amid the darkness of the night.
But the boiling of her magical plants required
a long time, and when it was nearly
ended, the damsel began to weep bitterly;
for she was now so wearied that she
was quite unable to undertake her long
journey homewards. Hereupon the knight
said, ‘Fairest of maidens, you may here rest
securely. I shall watch over you while you
sleep, and awake you at the proper hour.’—Then
he spread out his mantle on the
ground,—collected also a great quantity of
soft moss, making for her a warm and pleasant
couch, and while she looked at it shyly
and timidly, he had already vanished away
into the deepest shades.
“The morning red was already bright in the
east, when she was awoke, terrified by the
distant sounds of martial horns and trumpets;
but the young hero again stood near her, and
said, ‘You must now make all possible haste
to reach your home, for the horns that sound
yonder from a distance are the signals of
Hakon Swendson, that now summon your
father to the battle-field. Take up your
golden cup then and follow me.’
“Thereafter, he led the maiden through
many winding and secret paths of the forest,
till she arrived at her father’s castle. Before
taking leave of him there she wished to know
the champion’s name to whom she had been
so much indebted. ‘I am Hakon Swendson,’
answered he, ‘and I know right well
that you are named the beautiful Sigrida,
daughter of the renowned old hero who resides
in this castle. I know too, that the
drink which you have this morning prepared
is intended to work my destruction. But I
have long been your ardent lover, beautiful
Sigrid, and that ancient and deadly feud
between our houses has killed all my hopes.
Therefore I shall now gladly die by your
father’s sword, and wish that the drink which
you have brewed from these magical herbs
may render him, as you designed, invincible!’
“Although Hakon Swendson intended after
these words instantly to return to the forest,
the fair Sigrid insisted that he should accompany
her into the castle. There she related
to her father all that had happened to her in
the foregoing night, and with such eloquence,
that the two warriors forgot all their former
wrath against each other. They mutually
threw aside their battle-array, and thereafter
Hakon Swendson and the fair Sigrid were
happily united in marriage.”
The company were well pleased with this
story. The contrast, afforded by the noble
and generous affections which it exemplified,
to the wild and fierce characters of the
northern knights, were compared, by a great
master in the art of painting, (who was among
the guests,) to the effect of a rainbow stretched
across a dark threatening thundercloud;
while the Italian Count preferred the
similitude of a rose, which, though not valued
amid the blooming gardens of his native
country, would yet, amid the chill mountains
of the north, be prized as a great treasure.
Meanwhile several of the party had turned
their attention on a man of very tall stature,
with a dark sunburnt visage; he was a
Spaniard, by name Don Hernandez; and
they earnestly requested that he would relate
to them some legend from his own romantic
and wonderful country, especially somewhat
of the long and fearful conflicts between the
Christians and Moors. Thereupon he took
up a lute, and began to sing a wild Spanish
ballad, unfolding the tragical fortunes of the
beautiful Donna Clara, and her lover, Don
Gayferos. The first stanzas began in a gay
tone, describing how he had persuaded her to
leave her father’s palace, and take a moonlight
walk with him through the lonely forest.
I.
“Don Gayferos,—Don Gayferos, though the stars are bright on high,
And the nightingale exalts her voice in sweetest melody;
Yet longer in the darksome wood, I will not,—may not stay!”
“Then, dearest Lady, but command,—thy servant shall obey.”
II.
“’Tis well! then guide me homeward straight; but mark, in yonder vale,
The cross that glimmers silently amid the moonlight pale.
That silent form is eloquent;—I must the voice attend,
That warns me by the holy fane my homeward course to wend.
III.
“Nay, wherefore by the chapel, dearest lady, should we go?
The path, methinks, is rough.” “Dares a servant answer so?
Thou should’st my will obey.” “Well, well, it shall be done;”
So down the mountain, arm in arm, the lovers now have gone.
IV.
“Don Gayferos, Don Gayferos, by the crucifix we stood,
And wherefore was thy head not bow’d in meek humilitude?”
“Donna Clara, Donna Clara, on thy beauteous hands I gazed,
Wherein, just then, that wreath of flowers was gracefully upraised.”
V.
“Don Gayferos, Don Gayferos, but when the grey-hair’d priest
So piously from heaven invoked a blessing on his guest,
Say wherefore wert thou silent?”—“Dearest lady, on mine ear,
Thy silvery voice alone did sound; no other could I hear.”
VI.
“Don Gayferos, Don Gayferos, would’st thou leave the chapel now,
Nor with water from the holy font sign the cross upon thy brow?”
“I had not mark’d the holy font; for from thine eyes so bright,
A dazzling radiance fell on mine, that blinded me with light.”
VII.
“Nay, nay, thou art my servant still; then hear what I command!
As I have done, so in the font, dip reverently thy hand;
And therewith sign thy forehead.”—With a shudder and a frown
The silent knight has turned away, and through the forest flown!
Thus began the Spaniard’s story. Then
he changed the music and measure to a strain
somewhat sad and solemn, describing how,
on the following night, Don Gayferos once
more brought the Lady Clara, by the notes of
a well-known serenade, to the window, and
how she conjured him to say who he was;
above all, whether he were a Spaniard or Moor,
an Infidel or Christian. To this at length he
answers, that he is no Christian, but a
Moorish king, who loves her ardently; who
has great treasures and numberless soldiers;
who would place her with him on his throne,
and entertain her in all regal magnificence,
at his palace of Alhambra, and in the flower-gardens
of Grenada. She leaves her room,
and comes angrily forward on a terrace-walk
of the castle, intending to reproach him;
but he joins her there, and scarcely has she
pronounced a few harsh words ere she falls
fainting into his arms. Thereafter he places
her before him on his horse, and rides rapidly
away through the dark shades of the forest.
The Spaniard now changed his music once
more into slow melancholy notes, like those of
a church anthem or dirge. He described
how, at the dawn of day, when the ruddy
gleams of the east were on the landscape, the
beautiful Donna Clara knelt on the turf
beside the lifeless frame of her Moorish lover,
who had been attacked in the forest, and
killed by two of her own brothers. With
dishevelled hair, and no longer disguising her
attachment, she weeps over his pale remains.
Looking up to the bright sky, she acknowledges,
that even as the stars rise and set, and
as the eagle hovers up and down, all in this
world is variable and inconstant, only her
affections are unchangeable. Therefore her
brothers built for her, in after times, a lonely
hermitage, with a chapel and an altar, where
she spends her life in weeping and in prayers
for the soul of her departed lover.
The sound of the harp died away in slow
vibrations, and the listeners gazed on each
other in silent melancholy.
Don Hernandez himself was the first to
break the silence. With graceful and
courteous demeanour, “No doubt,” said he,
“I should both accuse and condemn myself,
noble champions and gentlemen, for
having thus with my mournful songs disturbed
your merriment, had it not been that
you desired to hear a legend from my native
land. In my country, it is true, the people
are serious and solemn of mood; for where
there are such contentions between Moors and
Christians, one’s thoughts must often turn on
melancholy events,—often, for example, on
death.”
“Your story, (song rather I should say,)
requires no such apology,” said the Knight of
Montfaucon. “Can you believe that we also
do not entwine dark-coloured flowers in our
festal garlands? God be praised, Frenchmen
are not yet depraved into such levity, that
we should despise the solemn character of
the Castilian heroes: besides, who is there
among the present company, who would
not gladly drink from those deep fountains
of warlike energy and poetic imagination,
which have their source in the rich
warm peninsula of the Pyrenean mountains?”
“You are pleased to speak kindly of us,”
said Don Hernandez; “nor, in some respects,
are we unworthy of your praise.
However, be that as it may, too many dark
flowers must spoil the beauty of the wreath.
A bright lily, or rose, must now and then be
intwined therein; and to such a flower, if I
mistake not, may be compared the story
which now seems hovering on the lips of the
Count de Vinciguerra.”
“Spaniards and Italians should doubtless
assist each other,” replied the Count; “and,
since you desire it, I shall willingly commence
my story:—
“In the fine town of Naples, which, both
on account of its situation and magnificent
buildings, cannot be too much praised, there
lived, some time since, a brave, far-famed,
but already grey-headed warrior, named
Signor Dimetri. After a life spent in toil and
tumult, he wished to enjoy his old age in
luxurious tranquillity, and therefore collected
from different countries all possible rarities and
treasures, his house being filled with the finest
paintings, statues, and tapestry; nor was a
cellar of the most costly wines neglected;
but the rarest of all his possessions was
a most beautiful young wife, descended from
one of the most noble and wealthy families
in Italy. With her, no doubt, he brought
a good share of disquiet and anxiety into his
palace; for, notwithstanding the modesty, the
mild and correct demeanour of the Signora,
yet the old hero was but too conscious of his
grey hairs and want of personal attractions;
so that he had but little respite from the
jealous fantasies by which he was tormented.
“If, in consequence of his marriage, he was
thus disquieted, another inhabitant of Naples
was yet more so. This was the handsome
and accomplished Signor Donatello, a young
nobleman universally admired in the Neapolitan
circles, who had chanced to behold
Signora Portia at early mass, (at which time
alone she was allowed to go abroad), and
whose whole thoughts, and even dreams, had,
since that meeting, been engrossed by her
graceful and enchanting figure. Thenceforward
he endeavoured by every means in his
power to draw her attention to himself, resolving,
if he failed in this object, that he
would die for her sake. He did not proceed,
however, like those foolish young men, who
send love-embassies by tattling messengers;
who ride or walk up and down daily before
their mistress’s windows, or send her costly presents;
thus endangering her domestic peace
by rousing the attention of a jealous husband.
Such lovers have themselves to blame, if they
lose all share in those affections which they
are so anxious to gain; but Signor Donatello,
on the contrary, behaved with the
utmost prudence and foresight, taking care,
no doubt, that Madonna Portia should notice
his passion, which even a single look was
sufficient to convey; but in such manner, that
she might be convinced her security and
peace were to him infinitely more dear than
the gratification of his own wishes.
“So it happened at last, that she herself
contrived the means of expressing her mutual
affection, and the gratitude she felt
for his prudence and consideration. She
found a trusty messenger to convey several
letters; and all that Donatello had next to
arrange was but to obtain free entrance as a
friend into the house of his beautiful inamorata.
For the future, then, he took advantage
of every occasion to shew the
utmost attention and politeness to the old
Signor Dimetri; and yet so wisely did he
behave, that it was impossible to suspect him
of any particular motives. All seemed but the
effect of accident; yet he had one attribute,
which, though it had aided him more than
all the rest with the fair Portia, yet proved
the greatest possible hindrance to his designs
on her husband. This was his extraordinary
grace and beauty of person, without which,
being so lively and agreeable a companion, he
would doubtless have been invited long since
into Dimetri’s house; but though he had
given scores of magnificent banquets, to
which the old gentleman was invited, yet
the latter, being determined to avoid all
risks, kept his doors closed, with the utmost
obstinacy, against his courteous entertainer.
In such banquets the young lover had
already spent a considerable share of his fortune,
yet never arrived a single step nearer
the object of his wishes. At length he fixed
his attention on a plan, which he had before
often thought of, though it was then more
like a dream than reality. This was, that he
should contrive to rescue Signor Dimetri from
some great apparent danger, by which exploit
he might infallibly secure his future confidence
and favour. Accordingly he made an
agreement with some hired bravoes, who were
to attack the old hero unawares in a retired
place. As soon, therefore, as Dimetri fell into
the snare, Signor Donatello was to rush
out against the assassins, who, after a short
pretended resistance, would give over,
and take to flight. The plot was admirably
carried through. Dimetri was fully persuaded
that his life had been saved by Donatello,
and expressed his gratitude with an air of the
utmost gravity and earnestness. But then,
his doors remained just as firmly locked as
ever; nay, since that adventure, his temper
seemed more peevish and capricious than it
had been before.
“In truth, the old warrior was unable to
disguise from himself, that in regard to his own
person, years, disposition, and manners, he
was by no means fitted to gain or retain the
affections of a young beauty like Madonna
Portia. On the other hand, he strove to encourage
himself by reflecting on his own heroic
achievements, and all that poets have written
on the love and respect cherished by ladies
for warlike valour and renown. Therefore he
did not fail to relate often the history of his
own exploits in the most brilliant colours
to his young wife; and, moreover, to place
books in her way, in which the same adventures
were fairly recorded. It seemed to him,
however, as if she read these volumes without
any more lively interest than she would
have felt for the wonders told of Hannibal,
Scipio, or any other hero, who had been
mouldering for centuries in the dust. Consequently
he would, notwithstanding the
weakness of his health, have tried to refresh
his withering laurels by some new campaign,
had it not been that his excessive jealousy
would by no means permit him to remain
long absent from his own house. Sometimes,
indeed, he made young spirited horses be
paraded at his castle, and mounted them in
his wife’s presence, or shot at marks with a
cross-bow, which no one but himself could
have bent. Yet he could not help feeling,
that he no longer shone in such exercises as
he had done in his youthful days; while, as to
the anxiety which Madonna Portia expressed
for him, it was much more like that of a
daughter for the safety of a weak old father,
than of a wife dreading the loss of a beloved
and too venturous husband. How much then
must that inglorious combat with the assassins,
and his rescue out of their hands by
the interference of a handsome youth like
Donatello, have wounded the old warrior’s
pride! From that day he gradually endeavoured
to break off the acquaintance; and as
to inviting the young man to his house, that
was now wholly out of the question.
“After so many disappointments, Donatello
at length lost all patience. With Signor Dimetri
he still kept up an appearance of civility
and friendship; but towards every one
else his temper and behaviour became quite
intolerable, as if, being miserable himself, he
was resolved that all the world should be so
in order to bear him company. Thus it came
to pass, that he, who had been universally
admired and sought after in Naples, was
now shunned and hated even by his most
intimate friends; so that two or three
young men, whom he had provoked by
his scornful manners, and also crossed in
some favourite scheme, resolved to waylay
him in the night, and if not to commit
murder, yet at least to wound and beat
him in such manner, that he would be
forced to conduct himself differently for the
future. Accordingly he fell one evening into
the snare that was laid for him; for, as he
could not refrain from walking always after
dark near the house of his beloved Madonna
Portia, it was easy for them to find means
of putting their plans into execution. Notwithstanding
that he made a brave defence,
yet, having been taken unawares, he was unable
to stand against the number of his assailants,
and soon received two severe wounds.
“Meanwhile the old warrior heard the clashing
of arms and loud voices on the street;
and being determined not to lose such an opportunity
of playing the part of an Orlando
before his beautiful lady, he girded on his
belt, and brandishing his great battle-sword,
rushed out of the house. Perhaps, being thus
prepared and resolute, he proved a powerful
assailant, or perhaps mere terror at such a
frightful figure got the better of Donatello’s
youthful adversaries. Suffice it to say, they
fled immediately, and he was set at liberty.
Thereupon the triumphant victor forgot all at
once his former doubts and fears. He directly
brought in his rescued friend as a trophy
into the presence of Signora Portia, insisting,
moreover, that a room should be provided
for him, and that she should herself undertake
the cure of his wounds. As Donatello
was far too prudent, in Signor Dimetri’s presence,
to speak on any other subject but the
wonderful prowess and courage of his deliverer,
describing how he had by his single arm put to
flight a whole troop of banditti, all suspicions
were lulled to sleep. Moreover, he continued
to talk with such eloquence of the old hero’s
former exploits, and numberless adventures
by sea and land, that, after his recovery, he
lived still as an intimate and chosen friend in
Dimetri’s palace. The latter found him
oftentimes alone with his wife; but then he
was always speaking or reading of the same
heroic achievements, to which the lady now
seemed to listen with the greatest attention.
“From this story we may learn, that all
our best-laid plans to gain the confidence of
another may prove unsuccessful, and that it
is not always by conferring favours that one
can excite his good-will. On the other hand,
as soon as his own vanity is inlisted on our
side, we have no farther trouble, but the
game of itself will be won.”