And still o’er many a neighboring door
She saw the horse-shoe’s curvèd charm.
Whittier, The Witch’s Daughter.
Happy art thou, as if every day thou hadst picked up a horse-shoe.
The evolution of the modern horse-shoe from the
primitive foot-gear for draught animals used in ancient
times furnishes an interesting subject for investigation.
Xenophon and other historians recommended various
processes for hardening and strengthening the hoofs of
horses and mules,[1] and from this negative evidence
some writers have inferred that the ancients were ignorant
of farriery. It seems indeed certain that the
practice of protecting the feet of horses was not universal
among the Greeks and Romans. Fabretti, an
Italian antiquary, examined with care the representations
of horses on many ancient columns and marbles,
and found but one instance in which the horse appeared
to be shod;[2] and in most specimens of ancient art the
iron horse-shoe is conspicuous by its absence. But in
the mosaic portraying the battle of Issus, which was
unearthed at Pompeii in 1831, and which is now in the
Naples Museum, is the figure of a horse whose feet
appear to be shod with iron shoes similar to those in
modern use;[3] and in an ancient Finnish incantation
against the plague, quoted in Lenormant’s “Chaldean
Magic and Sorcery,” occur these lines:—
O Scourge depart; Plague, take thy flight … I will give
thee a horse with which to escape, whose shoes shall not slide
on ice, nor whose feet slip on the rocks.
No allusion to the horse-shoe is made by early writers
on veterinary topics. But, on the other hand, there is
abundant testimony that the ancients did sometimes
protect the feet of their beasts of burden. Winckelmann,
the Prussian art historian, describes an antique
engraved stone representing a man holding up a horse’s
foot, while an assistant, kneeling, fastens on a shoe.[4]
In the works of the Roman poet Catullus occurs the
simile of the iron shoe of a mule sticking in the mire.[5]
Contemporary historians relate that the Emperor Nero
caused his mules to be shod with silver,[6] while golden
shoes adorned the feet of the mules belonging to the
notorious Empress Poppæa.[7] Mention of an iron horse-shoe
is made by Appian,[8] a writer not indeed remarkable
for accuracy; but the phrase “brasen-footed
steeds,” which occurs in Homer’s Iliad, is regarded by
commentators as a metaphorical expression for strength
and endurance. Wrappings of plaited fibre, as hemp
or broom, were used by the ancients to protect the feet
of horses.[9] But the most common form of foot covering
for animals appears to have been a kind of leathern
sock or sandal, which was sometimes provided with an
iron sole. This covering was fastened around the fetlocks
by means of thongs, and could be easily removed.[10]
Iron horse-shoes of peculiar form, which have been
exhumed in Great Britain of recent years, have been
objects of much interest to archæologists. In 1878 a
number of such relics shaped for the hoof and pierced
for nails were found at a place called Cæsar’s Camp,
near Folkstone, England.[11] In the south of Scotland,
also, ancient horse-shoes have been found, consisting of
a solid piece of iron made to cover the whole hoof and
very heavy. In the year 1653 a piece of iron resembling
a horse-shoe, and having nine nail-holes, was
found in the grave of Childeric I., king of the Franks,
who died A. D. 481. Professor N. S. Shaler believes
that the iron horse-shoe was invented in the fourth
century, and from the fact that it was first called
selene, the moon, from its somewhat crescent-like shape,
he concludes that it originated in Greece.[12] But even
in the ninth century, in France, horses were shod with
iron on special occasions only,[13] and the early Britons,
Saxons, and Danes do not appear to have had much
knowledge of farriery. The modern art of shoeing
horses is thought to have been generally introduced in
England by the Normans under William the Conqueror.[14]
Henry de Ferrars, who accompanied that
monarch, is believed to have received his surname
because he was intrusted with the inspection of the
farriers; and the coat-of-arms of his descendants still
bears six horse-shoes.[15]
On the gate of Oakham Castle, an ancient Norman
mansion in Rutlandshire, built by Wakelin de
Ferrars, son of the first earl of that name, were formerly
to be seen a number of horse-shoes of different
patterns.
The estate is famous on account of the tenure of the
barons occupying it. Every nobleman who journeyed
through its precincts was obliged as an act of homage
to forfeit a shoe of the horse whereon he rode, or else
to redeem it with a sum of money; and the horse-shoes
thus obtained were nailed upon the gate, but are now
within on the walls of the castle.
These walls are covered by memorials of royal personages
and peers, who have thus paid tribute to the
custom of the county.[16]
Queen Elizabeth was thought to have initiated this
practice, though this opinion is incorrect. According
to tradition she was once journeying on a visit to her
lord high treasurer, William Cecil, the well-known
Lord Burleigh, at his residence near Stamford. While
passing through Oakham her horse is said to have cast
a shoe, and in memory of the mishap the queen ordered
a large iron shoe to be made and hung up in the castle,
and that every nobleman traveling through the town
should follow her example.
A similar usage prevails to-day, new shoes being provided
of shapes and sizes chosen by the donors.[17]
While John of Gaunt (1339-99), son of Edward
III. of England, was riding through the town of
Lancaster, his horse cast a shoe, which was kept as
a souvenir by the townspeople, and fastened in the
middle of the street. And in accordance with a time-honored
custom a new shoe is placed in the same spot
every seven years by the residents of Horse-Shoe
Corner.[18]
The practical value of the horse-shoe is tersely expressed
in the old German saying, “A nail preserves a
country;” for the nail keeps in place the horse-shoe,
the shoe protects the foot of the horse, the horse carries
the knight, the knight holds the castle, and the
castle defends the country.
The following story from Grimm’s “Household Tales”
(vol. ii. p. 303) may be appropriate in this place, as
illustrating the same idea, besides pointing a moral.
The Nail.
A merchant had done a good business at the fair; he had
sold his wares and lined his money-bags with gold and silver.
Then he wanted to travel homeward and be in his house before
nightfall. So he packed his trunk with the money on
his horse and rode away. At noon he rested in a town, and
when he wanted to go farther the stable-boy brought out his
horse and said: “A nail is wanting, sir, in the shoe of its left
hind foot.” “Let it be wanting,” answered the merchant;
“the shoe will certainly stay on for the six miles I have still
to go; I am in a hurry.” In the afternoon, when he once
more alighted and had his horse fed, the stable-boy went to
him and said, “Sir, a shoe is missing from your horse’s left
hind foot; shall I take him to the blacksmith?” “Let it
still be wanting,” answered the man, “the horse can very well
hold out for the couple of miles which remain; I am in
haste.” He rode forth, but before long the horse began to
limp. It had not limped long before it began to stumble,
and it had not stumbled long before it fell down and broke
its leg. The merchant was forced to leave the horse where it
was, and unbuckle the trunk, take it on his back, and go
home on foot. And there he did not arrive until quite late at
night. “And that unlucky nail,” said he to himself, “has
caused all this disaster.” Hasten slowly.
Your wife’s a witch, man; you should nail a horse-shoe on your
chamber-door.—Sir Walter Scott, Redgauntlet.
As a practical device for the protection of horses’
feet, the utility of the iron horse-shoe has long been
generally recognized; and for centuries, in countries
widely separated, it has also been popularly used as a
talisman for the preservation of buildings or premises
from the wiles of witches and fiends.
To the student of folk-lore, a superstition like this,
which has exerted so wide an influence over men’s
minds in the past, and which is also universally prevalent
in our own times, must have a peculiar interest.
What, then, were the reasons for the general adoption
of the horse-shoe as a talisman? It is our purpose to
consider the various theories seriatim.
Among the Romans there prevailed a custom of driving
nails into cottage walls as an antidote against the
plague. Both this practice and the later one of nailing
up horse-shoes have been thought by some to
originate from the rite of the Passover. The blood
sprinkled upon the door-posts and lintel at the time
of the great Jewish feast formed the chief points of
an arch, and it may be that with this in mind people
adopted the horse-shoe as an arch-shaped talisman,
and it thus became generally emblematic of good
luck.
The same thought may underlie the practice of the
peasants in the west of Scotland, who train the boughs
of the rowan or mountain-ash tree in the form of an
arch over a farmyard gate to protect their cattle from
evil.
The supernatural qualities of the horse-shoe as a
preservative against imaginary demons have been supposed
to be due to its bifurcated shape, as any object
having two prongs or forks was formerly thought to
be effective for this purpose. As with the crescent,
the source of this belief is doubtless the appearance of
the moon in certain of its phases.
Hence, according to some authorities, is derived the
alleged efficacy as amulets of horse-shoes, the horns
and tusks of animals, the talons of birds, and the
claws of wild beasts, lobsters, and crabs. Hence, too,
the significance of the oft-quoted lines from Robert
Herrick’s “Hesperides:”—
Hang up hooks and sheers to scare
Hence, the hag that rides the mare.
The horn of the fabulous unicorn, in reality none
other than that of the rhinoceros, is much valued as
an amulet, and in west Africa, where the horns of
wild animals are greatly esteemed as fiend-scarers, a
large horn filled with mud and having three small
horns attached to its lower end is used as a safeguard
to prevent slaves from running away.[19]
In the vicinity of Mirzapur in central Hindostan the
Horwas tie on the necks of their children the roots
of jungle plants as protective charms; their efficacy
being thought to depend on their resemblance to the
horns of certain wild beasts.
The Mohammedans of northern India use a complex
amulet, composed in part of a tiger’s claw and two
claws of the large-horned owl with the tips facing outward,[20]
while in southern Europe we find the necks of
mules ornamented with two boar’s tusks or with the
horns of an antelope.
Amulets fashioned in the shape of horns and
crescents are very popular among the Neapolitans.[21]
Elworthy quotes at some length from the “Mimica
degli antichi” of Andrea de Jorio (Napoli, 1832), in
illustration of this fact. From this source we learn
that the horns of Sicilian oxen and of bullocks are in
favor with the nobility and aristocracy as evil-eye
protectives, and are frequently seen on their houses
and in their gardens; stag’s antlers are the favorites
with grocers and chemists, while the lower classes are
content with the horns of rams and goats. The
Sicilians are wont to tie pieces of red ribbon to the
little horns which they wear as charms, and this is supposed
vastly to increase their efficiency.
In southern Spain, particularly in Andalusia, the
stag’s horn is a very favorite talisman. The native
children wear a silver-tipped horn suspended from the
neck by a braided cord made from the hair of a black
mare’s tail. It is believed that an evil glance directed
at the child is received by the horn, which thereupon
breaks asunder, and the malevolent influence is thus
dissipated.[22]
Among the Arabs the horn amulet is believed to
render inert the malign glance of an enemy, and in
the oases of the desert the horned heads of cattle are
to be seen over the doors of the Arab dwellings as
talismans.[23]
In Lesbos the skulls of oxen or other horned creatures
are fixed upon trees or sticks to avert the evil eye
from the crops and fruits.[24]
In Mongolia the horns of antelopes are prized on
account of their alleged magical properties; fortune-tellers
and diviners affect to derive a knowledge of
futurity by observation of the rings which encircle
them. The Mongols set a high value upon whip-handles
made from these horns, and aver that their use
by horsemen promotes endurance in their steeds.[25]
Inasmuch as the horns of animals serve as weapons
both for attack and defense, they were early associated
in men’s minds with the idea of power. Thus in
ancient times the corners of altars were fashioned in
the shape of horns, doubtless in order to symbolize the
majesty and power of the Being in whose honor sacrifices
were offered.[26]
Apropos of horns as symbols of strength, the
peasants of Bannú, a district of the Punjab, believe
that God placed the newly created world upon a cow’s
horn, the cow on a fish’s back, and the fish on a stone;
but what the stone rests upon, they do not venture to
surmise. According to their theory, whenever the cow
shakes her head, an earthquake naturally results.[27]
The Siamese attribute therapeutic qualities to the
horns and tusks of certain animals, and their pharmacopœia
contains a somewhat complex prescription
used as a febrifuge, whose principal ingredients are
the powdered horns of a rhinoceros, bison, and stag,
the tusks of an elephant and tiger, and the teeth
of a bear and crocodile. These are mixed together
with water, and half of the resulting compound is to
be swallowed, the remainder to be rubbed upon the
body.[28]
The mano cornuta or anti-witch gesture is used very
generally in southern and central Italy. Its antiquity
is vouched for by its representation in ancient paintings
unearthed at Pompeii.[29] It consists in flexing the
two middle fingers, while the others are extended in
imitation of horns. When the hand in this position is
pointed at an obnoxious individual, the malignity of his
glance is believed to be rendered inert.[30]
In F. Marion Crawford’s novel, “Pietro Ghisleri,”
one of the characters, Laura Arden, was regarded in
Roman society as a jettatrice, that is, one having the
evil eye. Such a reputation once fastened on a person
involves social ostracism. In the presence of the unfortunate
individual every hand was hidden to make
the talismanic gesture, and at the mere mention of her
name all Rome “made horns.” No one ever accosted
her without having the fingers flexed in the approved
fashion, unless, indeed, they had about them some
potent amulet.
It is a curious fact that the possession of the evil
eye may be imputed to any one, regardless of character
or position. Pope Pius IX. was believed to have this
malevolent power, and many devout Christians, while
on their knees awaiting his benediction, were accustomed
slyly to extend a hand toward him in the above-mentioned
position.[31]
In an article on “Asiatic Symbolism” in the “Indian
Antiquary” (vol. xv. 1886), Mr. H. G. M. Murray-Aynsley
says, in regard to Neapolitan evil-eye amulets,
that they were probably introduced in southern Italy
by Greek colonists of Asiatic ancestry, who settled
at Cumæ and other places in that neighborhood.
Whether fashioned in the shape of horns or crescents,
they are survivals of an ancient Chaldean symbol. It
has been said that nothing, unless perhaps a superstitious
belief, is more easily transmissible than a symbol;
and the people of antiquity were wont to attribute to
every symbol a talismanic value.[32]
The modern Greeks, as well as the Italians, wear
little charms representing the hand as making this
gesture.[33]
But not alone in the south of Europe exists the
belief in the peculiar virtues of two-pronged objects,
for in Norway reindeer-horns are placed over the doors
of farm-buildings to drive off demons;[34] and the fine
antlers which grace the homes of successful hunters in
our own country are doubtless often regarded by their
owners as of more value than mere trophies of the
chase, inasmuch as traditional fancy invests them with
such extraordinary virtues.
In France a piece of stag-horn is thought to be a
preservative against witchcraft and disease, while in
Portugal ox-horns fastened on poles are placed in
melon-patches to protect the fruit from withering
glances.
Among the Ossetes, a tribe of the Caucasus, the
women arrange their hair in the shape of a chamois-horn,
curving forwards over the brow, thus forming a
talismanic coiffure; and when a Moslem takes his child
on a journey he paints a crescent between its eyes, or
tattooes the same device on its body. The modern
Greek, too, adopts the precaution of attaching a crab’s
claw to the child’s head.[35] In northern Africa the
horns of animals are very generally used as amulets,
the prevailing idea being everywhere the same, namely,
that pronged objects repel demons and evil glances.
Horns are used in eastern countries as ornaments to
head-dresses, and serve, moreover, as symbols of rank.
They are often made of precious metals, sometimes of
wood. The tantura, worn by the Druses of Mount
Lebanon in Syria, has this shape.[36]
In the Bulgarian villages of Macedonia and Thrace
the so-called wise woman, who combines the professions
of witch and midwife, is an important character. Immediately
upon the birth of a child this personage
places a reaping-hook in a corner of the room to keep
away unfriendly spirits; the efficacy of the talisman
being doubtless due partly to its shape, which bears
considerable resemblance to a horse-shoe.
And in Albania, a sickle, with which straw has just
been cut, is placed for a few seconds on the stomach of
a newly born child to prevent the demons who cause
colic from exercising their functions.[37]
The mystic virtue of the forked shape is not, however,
restricted to its faculty of averting the glance of
an evil eye or other malign influences, for the Divining
Rod is believed to derive from this same peculiarity of
form its magical power of detecting the presence of
water or metals when wielded by an experienced hand.
It is worthy of note that the symbol of an open hand
with extended fingers was a favorite talisman in former
ages, and was to be seen, for example, at the entrances
of dwellings in ancient Carthage. It is also found
on Lybian and Phœnician tombs, as well as on Celtic
monuments in French Brittany.[38] Dr. H. C. Trumbull
quotes evidence from various writers showing that this
symbol is in common use at the present time in several
Eastern lands. In the region of ancient Babylonia the
figure of a red outstretched hand is still displayed on
houses and animals; and in Jerusalem the same token
is frequently placed above the door or on the lintel on
account of its reputed virtues in averting evil glances.
The Spanish Jews of Jerusalem draw the figure of a
hand in red upon the doors of their houses; and they
also place upon their children’s heads silver hand-shaped
charms, which they believe to be specially obnoxious
to unfriendly individuals desirous of bringing
evil either upon the children themselves, or upon other
members of the household.
In different parts of Palestine the open-hand symbol
appears alike on the houses of Christians, Jews, and
Moslems, usually painted in blue on or above the door.[39]
Claude Reignier Conder, R. E., in “Heth and Moab,”
remarks on the antiquity of this pagan emblem, which
appears on Roman standards and on the sceptre of Siva
in India. He is of the opinion that the figure of the
red hand, whether sculptured on Irish crosses, displayed
in Indian temples, or on Mexican buildings, is always
an example of the same original idea,—that of a protective
symbol.
A white hand-print is commonly seen upon the doors
and shutters of Jewish and Moslem houses in Beyrout
and other Syrian towns; and even the Christian residents
of these towns sometimes mark windows and
flour-boxes with this emblem, after dipping the hand in
whitewash, in order to “avert chilling February winds
from old people and to bring luck to the bin.”[40]
In Germany a rude amulet having the form of an
open hand is fashioned out of the stems of coarse
plants, and is deemed an ample safeguard against divers
misfortunes and sorceries. It is called “the hand of
Saint John,” or “the hand of Fortune.”
The Jewish matrons of Algeria fasten little golden
hands to their children’s caps, or to their glass-bead
necklaces, and they themselves carry about similar luck
tokens.
In northwestern Scotland whoever enters a house
where butter is being made is expected to lay his hand
upon the churn, thereby signifying that he has no evil
designs against the butter-maker, and dissipating any
possible effects of an evil eye.[41]
As a charm against malevolent influences, the Arabs
of Algeria make use of rude drawings representing an
open hand, placed either above the entrances of their
habitations or within doors,—a symbolical translation
of the well-known Arabic imprecation, “Five fingers in
thine eye!” Oftentimes the same meaning is conveyed
by five lines, one shorter than the others to indicate
the thumb, thus
.[42]
The alleged predominant influence of the moon’s
wax and wane over the growth and welfare of vegetation
was formerly generally recognized. Thus in an
almanac of the year 1661 it is stated that:—
If any corn, seed, or plant be either set or sown within six
hours either before or after the full Moon in Summer, or
before the new Moon in Winter, having joined with the cosmical
rising of Arcturus and Orion, the Hædi and the Siculi,
it is subject to blasting and canker.[43]
Timber was always cut during the wane of the
moon, and so firmly rooted was this superstition that
directions were given accordingly in the Forest Code
of France.
An early English almanac advised farmers to kill
hogs when the moon was growing, as thus “the bacon
would prove the better in boiling.”
Even at the present time a host of credulities regarding
the moon is prevalent among the ignorant classes
of different lands. Thus, for example, the negroes in
the vicinity of Washington, D. C., believe that potatoes
should be planted before the new moon in order to
thrive, and among the negroes and Indians of the
State of Missouri, the proper time for weaning a baby
or calf is determined by the lunar phases.
Moon-worship was one of the most ancient forms of
idolatry, and still exists among some Eastern nations.
A relic of the practice is seen in some parts of Great
Britain in the custom of bowing to the new moon.
Astrologers regarded the moon as exerting a powerful
influence over the health and fortunes of human
beings, according to her aspect and position at the
time of their birth. Thus in a “Manual of Astrology”
by Raphael (London, 1828), she is described as a “cold,
moist, watery, phlegmatic planet, and partaking of good
or evil as she is aspected by good or evil stars.”[44]
The growing horned moon was thought to exert a
mysterious beneficent influence not only over many
of the operations of agriculture, but over the affairs
of every-day life as well. Hence doubtless arose the
belief in the value of crescent-shaped and cornute
objects as amulets and charms; of these the horse-shoe
is the one most commonly available, and therefore the
one most generally used.
In astrology the moon has indeed always been considered
the most influential of the heavenly bodies by
reason of her rapid motion and nearness to the earth;
and the astrologers of old, whether in forecasting
future events or in giving advice as to proper times
and seasons for the transaction of business affairs, first
ascertained whether or not the moon were well aspected.
This was also a cardinal point with the shrewd
magicians of later centuries. And should any one require
proof of the existence of a modern belief in lunar
influences, let him consult Zadkiel’s Almanac for the
year 1898. Therein he will find it stated that when
the sun is in benefic aspect with the moon, it is a suitable
day for asking favors, seeking employment, and
traveling for health.
Venus in benefic aspect with the moon is favorable
for courting, marrying, visiting friends, engaging maid-servants,
and seeking amusement.
Mars, for consulting surgeons and dealing with
engineers and soldiers.
Jupiter, for opening offices and places of business,
and for beginning new enterprises.
Saturn, for having to do with farmers, miners, and
elderly people, for buying real estate and for planting
and sowing.
For, says the oracle of the almanac, astrologers have
found by experience that if the above instructions are
followed, human affairs proceed smoothly.
In his work entitled “The Evil-Eye” (London,
1895), Mr. Frederick Thomas Elworthy calls attention
to the fact that the half-moon was often placed on the
heads of certain of the most powerful Egyptian deities,
and therefore when worn became a symbol of their worship.
Indeed, the crescent is common in the religious
symbolism not only of ancient Egypt, but also of
Assyria and India. The Hebrew maidens in the time
of the prophet Isaiah wore crescent-shaped ornaments
on their heads.[45]
The crescent is the well-known symbol of the Turkish
religion. According to tradition, Philip of Macedon
(B. C. 382-336), the father of Alexander the Great,
attempted to undermine the walls of Byzantium during
a siege of the city, but the attempt was revealed to
the inhabitants by the light of a crescent moon.
Whereupon they erected a statue to Diana, and adopted
the crescent as their symbol.
When the Byzantine empire was overthrown by
Mohammed II., in 1453, the Turks regarded the
crescent, which was everywhere to be seen, as of favorable
import. They therefore made it their own
emblem, and it has since continued to be a distinctively
Mohammedan token.
In the Mussulman mind the new moon is intimately
associated with devotional acts. Its appearance is
eagerly watched for and
The moment the eye lights on the slight thread of silver
in the western twilight, it remains fixed there, whilst prayers
of thanksgiving and praise are offered, the hands being held
up by the face, the palms upward and open, and afterwards
passed three times over the visage, the gaze still remaining
immovable.[46]
Golden crescents of various sizes were among the
most primitive forms of money. Ancient coins frequently
bore the likenesses of popular deities or their
symbols, and of the latter the crescent appears to have
been the one most commonly employed.[47] It was the
usual mint-mark of the coins of Thespia in the early
part of the fourth century B. C.;[48] is seen on the coins
of the reigns of Augustus, Nero, and other Roman
emperors; and on the silver pieces of the time of
Hadrian is found the Luna crescens with seven stars.[49]
A crescent adorned the head of the goddess Diana
in her character of Hecate, or ruler of the infernal
regions.
Hecate was supposed to preside over enchantments,
and was also the special guardian and protectress of
houses and doors.[50] The Greeks not only wore amulets
in the shape of the half moon, but placed them on the
walls of their houses as talismans;[51] and the Romans
used phalĕræ, metallic disks and crescents, to decorate
the foreheads and breasts of their horses.
Such ornaments are to be seen on the caparisons of
the horses on Trajan’s Column and on other ancient
monuments, in the collection of Roman antiquities in
the British Museum, and in mediæval paintings and
tapestries.[52]
In the portrayals of combats between the Romans
and Dacians on the Arch of Constantine, the trappings
of the horses of both armies are decorated with these
emblems,[53] as are also the bridle reins of a horse shown
in a French manuscript of the fifteenth century representing
“gentlefolk meeting on horseback.”[54]
Charms of similar shape, made of wolves’ teeth and
boars’ tusks, have been found in tumuli in different
parts of Great Britain.
A sepulchral stone, which is preserved among other
Gallo-Roman relics within the château of Chinon,
France, bears the effigy of a man standing upright and
clad in a large tunic with wide sleeves. Above the
figure is a crescent-shaped talisman, a symbol frequently
found in monuments of that period.[55]
But the use of these symbols, although so ancient, is
by no means obsolete; the brass crescent, an avowed
charm against the evil eye, is very commonly attached
to the elaborately decorated harnesses of Neapolitan
draught-horses, and is used in the East to embellish the
trappings of elephants. It is also still employed in
like manner in various parts of Europe and in the
England of to-day. In Germany small half-moon-shaped
amulets similar to the ancient μηνίσχοι or lunulæ
are still used against the evil eye.
In Sweden and Frisia, bridal ornaments for the head
and neck often represent the moon’s disk in its first
quarter; and it is customary to call out after a newly
married pair, “Increase, O Moon.”[56]
Elworthy remarks that the horse-shoe, wherever used
as an amulet, is the handy conventional representative
of the crescent, and that the Buddhist crescent
emblem is a horse-shoe with the curve pointed like a
Gothic arch.
The English fern called moonwort (Botrychium
lunaria) is thought to owe its reputed magical powers
to the crescent form of the segments of its frond.
Some writers regard it as identical with the martagon,
an herb formerly much used by sorcerers; and also
with the Italian sferracavallo.
According to the famous astrologer and herbalist,
Nicholas Culpepper, moonwort possessed certain occult
virtues, and was endowed with extraordinary attributes,
chief among them being its power of undoing locks
and of unshoeing horses. The same writer remarked
that, while some people of intelligence regarded these
notions with scorn, the popular name for moonwort
among the countryfolk was “unshoe-the-horse.”[57]
Du Bartas, in his “Divine Weekes,” says in reference
to this plant:—
Horses that, feeding on the grassy hills, tread upon moonwort
with their hollow heels, though lately shod, at night go
barefoot home, their maister musing where their shoes become.
O moonwort! tell me where thou hid’st the smith,
hammer and pinchers, thou unshodd’st them with.
The horse-shoe has sometimes been identified with
the cross, and has been supposed to derive its amuletic
power from a fancied resemblance to the sacred Christian
symbol. But inasmuch as it is difficult to find
any marked similarity in form between the crescent
and the cross, this theory does not appear to warrant
serious consideration.
Some writers have maintained that the luck associated
with the horse-shoe is due chiefly to the metal,
irrespective of its shape, as iron and steel are traditional
charms against malevolent spirits and goblins.
In their view, a horse-shoe is simply a piece of iron of
graceful shape and convenient form, commonly pierced
with seven nail-holes (a mystic number), and therefore
an altogether suitable talisman to be affixed to the door
of dwelling or stable in conformity with a venerable
custom sanctioned by centuries of usage. Of the
antiquity of the belief in the supernatural properties
of iron there can be no doubt.
Among the ancient Gauls this metal was thought to
be consecrated to the Evil Principle, and, according to
a fragment of the writings of the Egyptian historian
Manetho (about 275 B. C.), iron was called in Egypt
the bone of Typhon, or Devil’s bone, for Typhon in the
Egyptian mythology was the personification of evil.[58]
Pliny, in his “Natural History,” states that iron
coffin-nails affixed to the lintel of the door render the
inmates of the dwelling secure from the visitations of
nocturnal prowling spirits.
According to the same author, iron has valuable
attributes as a preservative against harmful witchcrafts
and sorceries, and may thus be used with advantage
both by adults and children. For this purpose it was
only necessary to trace a circle about one’s self with a
piece of the metal, or thrice to swing a sword around
one’s body. Moreover, gentle proddings with a sword
wherewith a man has been wounded were reputed to
alleviate divers aches and pains, and even iron-rust had
its own healing powers:—
If a horse be shod with shoes made from a sword wherewith
a man has been slain, he will be most swift and fleet,
and never, though never so hard rode, tire.[59]
The time-honored belief in the magical power of iron
and steel is shown in many traditions of the North.
A young herdswoman was once tending cattle in a
forest of Vermaland in Sweden; and the weather being
cold and wet, she carried along her tinder-box with
flint and steel, as is customary in that country. Presently
along came a giantess carrying a casket, which
she asked the girl to keep while she went away to invite
some friends to attend her daughter’s marriage.
Quite thoughtlessly the girl laid her fire-steel on the
casket, and when the giantess returned for the property
she could not touch it, for steel is repellant to trolls,
both great and small. So the herdswoman carried
home the treasure-box, which was found to contain a
golden crown and other valuables.[60]
The heathen Northmen believed in the existence of a
race of dwarfish artisans, who were skilled in the working
of metals, and who fashioned implements of warfare
in their subterranean workshops. These dwarfs were
also thought to inhabit isolated rocks; and according to
a popular notion, if a man chanced to encounter one of
them, and quickly threw a piece of steel between him
and his habitation, he could thereby prevent the dwarf
from returning home, and could exact of him whatever
he desired.[61]
Among French Canadians, fireflies are viewed with
superstitious eyes as luminous imps of evil, and iron and
steel are the most potent safeguards against them; a
knife or needle stuck into the nearest fence is thought
to amply protect the belated wayfarer against these insects,
for they will either do themselves injury upon the
former, or will become so exhausted in endeavoring to
pass through the needle’s eye as to render them temporarily
harmless.[62] Such waifs and strays of popular
credulity may seem most trivial, yet they serve to illustrate
the ancient and widely diffused belief in the traditional
qualities ascribed to certain metals.
One widely prevalent theory ascribed to iron a meteoric
origin, but the different nations of antiquity were
wont to attribute its discovery or invention to some
favorite deity or mythological personage; Osiris was
thus honored by the Egyptians, Vulcan by the Romans,
and Wodan or Odin by the Teutons.
In early times the employment of iron in the arts
was much restricted by reason of its dull exterior and
brittleness. There existed, moreover, among the Romans
a certain religious prejudice against the metal,
whose use in many ceremonies was wholly proscribed.
This prejudice appears to have been due to the fact that
iron weapons were held jointly responsible with those
who wielded them for the shedding of human blood;
inasmuch as swords, knives, battle-axes, lance and spear
points, and other implements of war were made of iron.[63]
Those mythical demons of Oriental lands known as
the Jinn are believed to be exorcised by the mere name
of iron;[64] and Arabs when overtaken by a simoom in the
desert endeavor to charm away these spirits of evil by
crying, “Iron, iron!”[65]
The Jinn being legendary creatures of the Stone
Age, the comparatively modern metal is supposed to be
obnoxious to them. In Scandinavia and in northern
countries generally, iron is a historic charm against the
wiles of sorcerers.
The Chinese sometimes wear outside of their clothing
a piece of an old iron plough-point as a charm;[66] and
they have also a custom of driving long iron nails in
certain kinds of trees to exorcise some particularly dangerous
female demons which haunt them.[67] The ancient
Irish were wont to hang crooked horse-shoe nails about
the necks of their children as charms;[68] and in Teutonic
folk-lore we find the venerable superstition that a horse-shoe
nail found by chance and driven into the fireplace
will effect the restoration of stolen property to the
owner. In Ireland, at the present time, iron is held to
be a sacred and luck-bringing metal which thieves hesitate
to steal.[69]
A Celtic legend says that the name Iron-land or
Ireland originated as follows: The Emerald Isle was
formerly altogether submerged, except during a brief
period every seventh year, and at such times repeated
attempts were made by foreigners to land on its soil,
but without success, as the advancing waves always
swallowed up the bold invaders. Finally a heavenly
revelation declared that the island could only be rescued
from the sea by throwing a piece of iron upon it
during its brief appearance above the waters. Profiting
by the information thus vouchsafed, a daring
adventurer cast his sword upon the land at the time
indicated, thereby dissolving the spell, and Ireland has
ever since remained above the water. On account of
this tradition the finding of iron is always accounted
lucky by the Irish; and when the treasure-trove has the
form of a horse-shoe, it is nailed up over the house
door. Thus iron is believed to have reclaimed Ireland
from the sea, and the talismanic symbol of its reclamation
is the iron horse-shoe.[70]
Once upon a time—so runs a tradition of the
Ukraine, the border region between Russia and Poland—some
men found a piece of iron. After having in
vain attempted to eat it, they tried to soften it by boiling
it in water; then they roasted it, and afterwards
beat it with stones. While thus engaged, the Devil,
who had been watching them, inquired, “What are
you making there?” and the men replied, “A hammer
with which to beat the Devil.” Thereupon Satan
asked where they had obtained the requisite sand; and
from that time men understood that sand was essential
for the use of iron-workers; and thus began the manufacture
of iron implements.[71]
Among the Scotch fishermen also iron is invested
with magical attributes. Thus if, when plying their
vocation, one of their number chance to indulge in profanity,
the others at once call out, “Cauld airn!” and
each grasps a handy piece of the metal as a counter
influence to the misfortune which would else pursue
them throughout the day.[72] Even nowadays in England,
in default of a horse-shoe, the iron plates of the
heavy shoes worn by farm laborers are occasionally to
be seen fastened at the doors of their cottages.[73]
When in former times a belief in the existence of
mischievous elves was current in the Highland districts
of Scotland, iron and steel were in high repute as popular
safeguards against the visits of these fairy-folk;
for they were sometimes bold enough to carry off young
mothers, whom they compelled to act as wet-nurses for
their own offspring. One evening many years ago a
farmer named Ewen Macdonald, of Duldreggan, left
his wife and young infant indoors while he went out
on an errand; and tradition has it that while crossing
a brook, thereafter called in the Gaelic tongue “the
streamlet of the knife,” he heard a strange rushing
sound accompanied with a sigh, and realized at once
that fairies were carrying off his wife. Instantly throwing
a knife into the air in the name of the Trinity, the
fairies’ power was annulled, and his wife dropped down
before him.[74]
In Scandinavian and Scottish folk-lore, there is a
marked affinity between iron and flint. The elf-bolt or
flint arrowhead was formerly in great repute as a charm
against divers evil influences, whether carried around
as an amulet, used as a magical purifier of drinking-water
for cattle, or to avert fairy spite. It seems possible
that iron and steel in superseding flint, which was
so useful a material in the rude arts of primitive peoples,
inherited its ancient magical qualities.
In the Hebrides a popular charm against the wiles of
sorcerers consisted in placing pieces of flint and untempered
steel in the milk of cows alleged to have been
bewitched. The milk was then boiled, and this process
was thought to foil the machinations of the witch or
enchantress.[75] The fairies of the Scottish lowlands were
supposed to use arrows tipped with white flint, wherewith
they shot the cattle of persons obnoxious to them,
the wounds thus inflicted being invisible except to certain
personages gifted with supernatural sight.[76]
According to a Cornish belief, iron is potent to control
the water-fiends, and when thrown overboard enables
mariners to land on a rocky coast with safety even
in a rough sea.[77] A similar superstition exists in the
Orkney Islands with reference to a certain rock on the
coast of Westray. It is thought that when any one
with a piece of iron about him steps upon this rock,
the sea at once becomes turbulent and does not subside
until the magical substance is thrown into the
water.[78]
The inhabitants of the rocky island of Timor, in the
Indian Archipelago, carry about them scraps of iron
to preserve themselves from all kinds of mishaps, even
as the London cockney cherishes with care his lucky
penny, crooked sixpence, or perforated shilling; while
in Hindostan iron nails are frequently driven in over a
door, or into the legs of a bedstead, as protectives. It
was a mediæval wedding custom in France to place on
the bride’s finger a ring made from a horse-shoe nail,[79] a
superstitious bid, as it were, for happy auspices.
In Sicily, iron amulets are popularly used against the
evil eye; indeed iron in any form, especially the horse-shoe,
is thought to be effective, and in fact talismanic
properties are ascribed to all metals. When, therefore,
a Sicilian feels that he is being “overlooked,” he instantly
touches the first available metallic object, such
as his watch-chain, keys, or coins.[80] In ancient Babylon
and Assyria it was believed that invisible demons might
enter the body during the acts of eating and drinking
and thus originate disease, and the doctrine of demoniacal
possession as the cause of illness is still widely
prevalent in uncivilized communities at the present day.
Wherever, therefore, such notions exist, talismans are
naturally employed to render inert the machinations of
these little demons; and of all these safeguards, iron
and steel are perhaps the most potent. Quite commonly
in Germany, among the lower classes, such articles as
knives, hatchets, and cutting instruments generally, as
well as fire-irons, harrows, keys, and needles, are considered
protectives against disease if placed near or about
the sick person.[81]
In Morocco it is customary to place a dagger under
the patient’s pillow,[82] and in Greece a black-handled
knife is similarly used to keep away the nightmare.
In Germany iron implements laid crosswise are considered
to be powerful anti-witch safeguards for infants;
and in Switzerland two knives, or a knife and fork, are
placed in the cradle under the pillow. In Bohemia a
knife on which a cross is marked, and in Bavaria a pair
of opened scissors, are similarly used. In Westphalia an
axe and a broom are laid crosswise on the threshold,
the child’s nurse being expected to step over these articles
on entering the room.[83]
The therapeutic value of iron and its use as a medicament
do not properly belong to our subject; and,
indeed, neither the iron horse-shoe nor its counterfeit
symbol have usually been much employed in folk-medicine.
Professor Sepp, in his work on the religion of the
early Germans, mentions, however, a popular cure for
whooping-cough, which consisted in having the patient
eat off of a wooden platter branded with the figure of
a horse-shoe.
In France, also, a favorite panacea for children’s diseases
consists in laying on the child an accidentally
found horse-shoe, with the nails remaining in it; and
in Mecklenburg gastric affections are thought to be
successfully treated by drinking beer which has been
poured upon a red-hot horse-shoe.[84]
Pliny ascribed healing power to a cast-off horse-shoe
found on the road. The finder was recommended carefully
to preserve such a horse-shoe; and should he at
any future time be afflicted with the hiccoughs, the
mere recollection of the exact spot where the shoe had
been placed would serve as a remedy for that sometimes
obstinate affection.[85]
In Bavaria a popular alleged cure for hernia in children
is as follows: From a horse-shoe wherein all the
nails remain, and which has been cast by a horse, a nail
is taken; and when next a new moon comes on a Friday,
one must go into a field or orchard before sunrise
and drive the nail by three blows into an oak-tree or
pear-tree, according to the sex of the child, and thrice
invoke the name of Christ; after which one must kneel
on the ground in front of the tree and repeat a Paternoster.
This is an example of a kind of therapeutic
measure not uncommon among peasants in different
parts of Germany, a blending of the use of a superstitious
charm with religious exercises.[86]
An ingenious theory ascribes the origin of the belief
in the magical properties of iron to the early employment
of the actual cautery, and to the use of the lancet
in surgery.[87] In either case the healing effects of the
metal, whether hot or in the form of a knife, have been
attributed by superstitious minds to magical properties
in the instruments, whereby the demons who caused the
disease were put to flight. In northern India the
natives believe that evil spirits are so simple-minded as
to run against the sharp edge of a knife and thus do
themselves injury; and they also make use of iron rings
as demon-scarers, such talismans having the double efficacy
of the iron and of the sacred circle.[88]
In Bombay, when a child is born, the natives place an
iron bar along the threshold of the room of confinement
as a guard against the entrance of demons.[89] This practice
is derived from the Hindoo superstition that evil
spirits keep aloof from iron; and even to-day pieces of
horse-shoes are to be seen nailed to the bottom sills
of the doors of native houses.[90] In east Bothnia, when
the cows leave their winter quarters for the first time,
an iron bar is laid before the threshold of the door
through which the animals must pass, and the farmers
believe that, if this precaution were omitted, the cows
would prove troublesome throughout the summer.[91] So,
too, in the region of Saalfield, in central Germany, it is
customary to place axes, saws, and other iron and steel
implements outside the stable door to keep the cattle
from bewitchment.
The Scandinavian peasants, when they venture upon
the water, are wont to protect themselves against the
power of the Neck, or river-spirit, by placing a knife
in the bottom of the boat, or by fixing an iron nail in
a reed. The following is the translation of a charm
used in Norway for this purpose:—
Neck, Neck, nail in water, the Virgin Mary casteth steel
in water. Do you sink, I flit.
In Finland there is an evil fairy known as the Alp
Nightmare. Its name in the vernacular is Painajainen,
which means in English “Presser.” This unpleasant
being makes people scream, and causes young children
to squint; and the popular safeguard is steel, or a
broom placed beneath the pillow.[92]
Friedrich remarks that the Moslems look upon iron
as a divine gift, and that the Finlanders have their
tutelary gods of this metal.
Among the Jews there prevails a popular belief that
one should never make use of a knife or other steel
instrument for the purpose of more readily following
with the eye the pages of the Bible, the Talmud, or
other sacred book. Iron should never be permitted to
touch any book treating of religion, for the two are
incompatible by nature, the one destroying human life
and the other prolonging it.[93] The Highlanders of Scotland
have a time-honored custom of taking an oath
upon cold iron or steel. The dirk, which was formerly
an indispensable adjunct to the Highland costume, is a
favorite and handy object for the purpose. The faith
in the magical power of steel and iron against evil-disposed
fairies and ghosts was universal, and this form of
oath was more solemn and binding than any other.[94]
Among the Bavarian peasants nails and needles have
a reputation the reverse of that of the horse-shoe. A
horse-shoe nail stuck into the front door of a house will
give the owner a serious illness. A needle, when given
to a friend, is sure to prick to death existing friendship,
even as such friendship is severed by the gift of a knife
or pair of scissors. Such an untoward result may be
averted, however, if the recipient smile pleasantly when
the gift is made. A curious superstition about iron
locks prevails in Styria and Tyrol. If you procure from
a locksmith a brand-new lock and carry it to church at
the time of a wedding ceremony, and if, while the benediction
is being said, you fasten the lock by a turn of
the key, then the young couple’s love and happiness
is destroyed. Mutual aversion will supplant affection
until you open the lock again.[95]
Vulcan, the Roman god of fire, the Hephæstus of
Grecian mythology, was also the patron of blacksmiths
and workers in metals. He was the great artisan of the
universe, and at his workshop in Olympus he fashioned
armor for the warriors of the heroic age. On earth
volcanoes were his forges, and his favorite residence
was the island of Lemnos in the Ægean Sea. Beneath
Ætna, with the aid of those famed artisans, the Cyclops,
he forged the thunderbolts of Jove; and there
also, according to tradition, were made the trident of
Neptune, Pluto’s helmet, and the shield of Hercules.
Hephæstus was thus a controller and master of fire.
The Cyclops were believed by the ancients to have
invented the art of forging; and the discovery of the
peculiar qualities of iron was attributed to certain mythical
beings called the Dactyls, who dwelt in Phrygia,
and who were thought to have acquired this knowledge
from observation of the fusion of metals at the fabulous
burning of Mount Ida. The Dactyls had the reputation
of being wizards, whose very names possessed a
mysterious protective power when pronounced by persons
exposed to sudden dangers.
Certain semi-fabulous tribes of central Asia, workers
in metals, kept secret the mysteries of their craft, and
were wont to indulge in wild orgies and festivities, which
served to inspire with awe the uninitiated. At such
times they danced until frenzied with excitement, to the
accompaniment of cymbals and tambourines and the
clashing of weapons. The people of neighboring tribes
feared to approach them, believing that they were possessed
of a magical power which enabled them to transform
one metal into another and to forge thunderbolts.
They were reputed to be masters of fire and of the elements,
and their forges, like Vulcan’s, were volcanoes.[96]
These barbarous peoples were sometimes confounded
with the Dactyls, Corybantes, Cabiri, and Curetes, traditional
metallurgists endowed with supernatural skill,
and therefore popularly reckoned as magicians, or even
as divinities. For a long period they were supposed to
be vested with the exclusive knowledge of metal-working,
a knowledge shrouded in mystery.
In the “Kalevalla,” or ancient epic poem of Finland,
the blacksmith Ilmarinen is represented as the pioneer
and most skilled of artisans, who fashioned both the
implements of warfare and domestic utensils. This
hero
Came to earth to work the metal;
He was born upon the coal-mount,
Skilled and nurtured in the coal-fields;
In one hand a copper hammer,
In the other tongs of iron;
In the night was born the blacksmith,
In the morn he built his smithy;
Sought with care a favored hillock,
Where the winds might fill his bellows;
Found a hillock in the swamp-land,
Where the iron hid abundant,
There he built his smelting-furnace.
[97]
In the Teutonic mythology, blacksmiths were magical
craftsmen; and even in the Middle Ages they were
looked upon as superior to other artisans, owing to their
faculty of seemingly toying with fire, rendering the
dangerous element subservient to their will, and by its
aid manipulating iron with ease and dexterity. In
Germany their workshops were known as “Wieland’s
houses,” in remembrance of the most cunning of smiths
in the mythical lore of the North.
As in early ages the origin of metal-working was imputed
to divine beings, it was natural that in popular
tradition blacksmiths acquired their wondrous technical
skill through the assistance of such beings, and
hence were exalted above the plane of ordinary mortals
because they had received supernatural instruction.…
The following mediæval legend serves to show that
memories of the old pagan traditions lingered in the
minds of the Scandinavians until long after the establishment
among them of Christianity. One evening in
the year 1208, a horseman rode up to the house of a
blacksmith named Thord Vettir, who lived in southern
Norway at Nesjar, near the town of Laurvig on the
Skager-Rack, and asked for lodging overnight and
shoeing for his horse. The smith assented, and early
the next morning began the work, chatting meanwhile
with his guest. “Where were you last night?” he
inquired of the latter. “In Medaldal,” was the reply.
“And where were you the night before?” asked the
smith. “In Jardal,” answered the stranger. “You
must be a tremendous liar,” said the smith, with great
frankness. Then he applied himself to his task in earnest,
and forged the biggest horse-shoes which he had
ever seen, but which were found to fit the horse’s feet
perfectly. In the course of further conversation the
traveler remarked that he had long dwelt in the north
of Norway and was on his way to Sweden. When he
was ready to continue journeying and had mounted his
steed, the smith inquired his name. “Have you ever
heard of Odin?” was the rejoinder. “I have heard
his name,” said the smith. “Then you may see him
now,” remarked the horseman, “and, if you do not believe
what I have told you, look how I leap my horse
over the fence.” Thereupon he spurred the animal and
rode straight at the court-yard fence, which was seven
ells high. The gallant steed cleared the fence with
ease, and neither he nor his rider were seen again by
the worthy blacksmith.[98]
The dignity and importance of the blacksmith’s art
in early mediæval times in England is illustrated by the
following tale from Paul Sébillot’s “Légendes et Curiosités
des Métiers,” art. “Forgerons:”—
King Alfred the Great, who reigned in the latter
part of the ninth century, on one occasion assembled
together seven of his principal mechanics and craftsmen,
and announced that he would appoint as their chief that
one who could longest dispense with the assistance of
the others; and he also invited them all to a banquet,
on condition that each should bring with him a specimen
of his handiwork and the tools wherewith it was
made. At the appointed time they all appeared: the
blacksmith brought his hammer and a horse-shoe; the
tailor his scissors and a newly made garment; the baker
his long-handled wooden bread-shovel and a loaf of
bread; the shoemaker his awl and a pair of new shoes;
the carpenter his saw and a squared plank; the butcher
his chopping-knife and a large piece of meat; and the
mason his trowel and a corner-stone. After careful
deliberation the company decided that the tailor’s work
was the best, and he was accordingly chosen to be chief
of the artisans.
The blacksmith was vexed at the choice, and vowed
he would work no more, so long as the tailor was chief;
he therefore closed his shop and took his departure.
But his absence was speedily felt; the king’s horse
lost a shoe, the six comrades one after another broke
their tools, and, although the tailor continued to ply his
trade longer than the others, he too was soon obliged
to cease from work. Thereupon the king and his
tradesmen decided to try their hands at blacksmithing,
but met with ill success; for the king’s horse trod on
his royal master, the tailor burnt his fingers, and the
others met with various mishaps. At length they began
to quarrel among themselves, even coming to blows,
and in the mêlée the anvil was overturned with a crash.
Just at this point Saint Clement appeared on the scene
arm in arm with the blacksmith. The king saluted the
newcomers respectfully, and addressed them as follows:
“I have made a bad mistake, my friends, in allowing
myself to be beguiled by the tailor’s fine cloth and his
skillful handiwork; in common fairness the blacksmith,
without whose aid the other workmen can accomplish
nothing, should be proclaimed chief artisan.” All the
tradesmen except the tailor then begged the worthy
smith to make new tools for them, which he forthwith
proceeded to do, even including a brand-new pair of
scissors for the tailor.
Then the king reorganized the society of artisans and
proclaimed as chief the blacksmith, whom all greeted
with wishes for good health and happiness.
After this the king called on each one for a song,
and the new chief in his turn sang one entitled “The
Merry Blacksmith,” which is even nowadays sometimes
heard at the festivities of tradesmen’s guilds in England.
Saint Clement, who figures in the above tale, was the
patron saint of farriers. He was a Roman bishop, who
died A. D. 100. In ecclesiastical tradition he was reckoned
among the martyrs, having been bound to an anchor
and thrown into the sea on November 23 of that
year. His name-day was still observed in recent times
by English blacksmiths, who regarded him as the originator
of the art of practical farriery, and held an
annual festival in his honor.
The blacksmiths’ apprentices of the Woolwich dockyard
were wont to form a procession on the evening of
Saint Clement’s Day, one of their number personating
“Old Clem,” with masked face, oakum wig, and long
white beard.
During the festivities this worthy delivered a speech,
in part as follows:—
I am the real Saint Clement, the first founder of brass,
iron, and steel from the ore. I have been to Mount Ætna,
where the god Vulcan first built his forge, and forged the
armor and thunderbolts for the god Jupiter.[99]
Saint Eloy, or Saint Eligius, is sometimes represented
as the guardian of farriers and blacksmiths. He flourished
in the seventh century, and in his youth served
as apprentice to a goldsmith at Limoges, where he became
very proficient in the art of working the precious
metals. His festival occurs on December 1.
According to a well-known legend, Saint Eloy was
once shoeing a demoniac horse, which refused to stand
still; he therefore cut off the animal’s leg and put on
the shoe. Then, making the sign of the cross, he replaced
the leg, the horse experiencing no ill effects from
the operation.
This saint is mentioned in Barnaby Googe’s “Popish
Kingdome,” as follows:—
And Loye the smith doth looke to horse, and smithes of all degree;
If they with iron meddle here, or if they goldsmithes bee.
In certain countries blacksmiths and farriers have
always been credited with supernatural faculties, and it
seems, therefore, reasonable thus to explain the origin
of some portion of the alleged mystic virtues of their
handiwork, the iron horse-shoe, although indeed this
view does not appear to have been advanced hitherto.
Among ourselves, and in some of the principal European
countries, blacksmiths are highly respectable members
of society, although they do not usually deal in occult
science. But in portions of the Russian empire, as
in the province of Mingrelia, the Caucasus, and neighboring
regions, blacksmiths do enjoy a certain reputation
as magicians. Solemn oaths are taken upon the anvil
instead of upon the Bible. In Abyssinia and in the
Congo country all iron-workers have the reputation of
sorcerers, and among the Tibbous of central Africa they
are treated with great deference. When an inhabitant
of the Orkney Islands wishes to obtain an amulet, he
applies either to a farrier, or to his son or grandson;
and the Roumanian gypsies are mostly blacksmiths,
their wives obtaining a livelihood by mendicancy, the
practice of divination, and the interpretation of dreams;
while both men and women are thought to have the
faculty of summoning to their aid powerful spirits of
the air.[100]
In Morocco, at the present day, there still exists a
community of dwarfish artisans, workers in metals,
magicians, and adepts in the healing art, who make little
books which are used as portable amulets; and the
Haratin, who inhabit the Drah valley, deem it sinful
even to mention by name these dwarfs, whom they consider
entitled to extraordinary respect.
Each member of this mysterious tribe of pigmy
smiths is said to wear a haik, or outer garment, having
upon the back a representation of an eye, a symbol suggestive
of the Cyclops of old.[101]
There was, indeed, as we have seen, a common opinion
throughout a great part of Europe that the earliest
smiths were supernatural beings; for it was reasoned
that the marvelous process of melting and fashioning
iron could not have been conceived by man, but must
have originated through magical agencies.
In Germany blacksmith’s forges were often situated
on highways remote from settlements, and were the
resort of travelers and teamsters, who stopped either
to have a horse shod, or to obtain veterinary advice.
Quite naturally these smithies, like the modern crossroads
variety stores, became little centres of sociability
and gossip, and even of conviviality. Moreover, questionable
characters sometimes frequented these places,
and hence their reputation was not always savory.
But the blacksmith himself, by virtue of his calling,
was looked upon with respect, even after his craft had
ceased to inspire the vulgar with mysterious awe.[102]
In south Germany and the Tyrol, when a blacksmith
rests from his work on a Saturday evening, he strikes
with his hammer three blows upon the anvil, thereby
chaining up the Devil for the ensuing week. And so
likewise, while hammering a horse-shoe into shape, he
strikes the anvil instead of the shoe every fourth or
fifth blow, and thus makes doubly secure the chain
wherewith Satan is bound.[103]
Blacksmiths are usually clever enough to recognize
the Devil, even when disguised as a gentleman.
Once upon a time the Evil One appeared at the door
of a smith in the village of Gossensass, on the Brenner
road, Tyrol, and wished to have his two horses shod.
When the work was done, he inquired how much he
should pay; but the shrewd smith refused to take any
money, and only stipulated that his customer should
never enter the shop again, which the Devil promised
and went away.[104]
The magicians of Hindostan, when treating cases of
alleged demoniacal possession, after the performance of
other mystic rites, are wont to sprinkle the patient with
water from a blacksmith’s shop, the water having been
endowed with additional virtue by the repeated immersion
of iron.[105]
In northeast Scotland a cure for rickets consists in
having the child bathed by a blacksmith in the water-trough
of the smithy. Then he is laid on the anvil
and iron implements are passed over him, the use of
each being asked, and the ceremony is followed by a
second bath. To insure the efficacy of this process,
three blacksmiths of the same name must take part
in it.[106]
In Henderson’s “Folk-Lore of the Northern Countries
of England,” p. 187, mention is made of a remarkable
method of treatment intended for the development of
sickly, puny children who are thought to be under the
influence of an evil spell which retards their growth,—a
notable instance of survival of the old belief in the
blacksmith’s magical powers. Very early in the morning
the little patient is brought to the shop of a smith
of the seventh generation, if such can be found, and
laid quite naked on the anvil. The blacksmith raises
his hammer thrice as if to strike a glowing horse-shoe,
each time letting it gently fall on the child’s body,—a
simple ceremony, but vastly promotive of the child’s
physical welfare, in the minds of its rustic parents.
The farriers of the Arabs inhabiting the oases of the
great Sahara desert are exempt from taxes and enjoy
numerous privileges. Of these the most important and
striking, as showing the honor accorded to the men of
this craft, is the following:—
When, on the battlefield, a mounted farrier is hard
pressed by enemies, he runs the risk of being killed so
long as he remains upon his horse with weapons in his
hand. But if he alights, kneels down, and with the
corners of his hooded cloak or burnous imitates the
movements of a pair of bellows, thus revealing his profession,
his life is spared.[107]
The Baralongs of South Africa regard the art of
smelting and forging as sacred, and, when the metal
begins to flow, none are permitted to approach the furnaces
except those who are initiated in the mysteries of
the craft.[108]
In Finland, also, blacksmiths are held in profound
respect, and the greatest luxuries are none too good for
them. They are presented with brandy to keep them
in good humor; and a Finnish proverb says, “Fine
bread always for the smith, and dainty morsels for the
hammerer.”[109]
Among certain tribes of the west coast of equatorial
Africa the blacksmith officiates also as priest or medicine-man,
and is a chief personage in the community,
which often embraces several adjacent villages. Indeed,
there appears to be a quite general belief in different
portions of Africa that metal-workers as a class are
superior beings,—of higher origin than their fellow-tribesmen.
When a savage people, without a knowledge
of farriery, acquired by conquest a new territory,
and found therein blacksmiths plying their vocation,
they naturally regarded these artisans with wonder, not
unmixed with fear.[110]
Moreover, the early association, in mythology and
tradition, of metal-working and sorcery, appears to explain
in a measure, as already suggested, the reason for
the magical properties popularly ascribed to horse-shoes
and to iron articles generally.
The horse-shoe is a product of the artisan’s skill by
the aid of fire.
This element has in all ages been considered the
great purifier, and a powerful foe to evil spirits.[111]
The Chaldeans venerated fire and esteemed it a
deity, and among primitive nations everywhere it has
ever been held sacred. The Persians had fire-temples,
called Pyræa, devoted solely to the preservation of the
holy fire.[112]
In the “Rig-Veda,” the principal sacred book of the
Hindus, the crackling of burning fagots was listened
to as the voice of the gods, and the same superstition
prevails still among the natives of Borneo.[113]
In a fragment of the writings of Menander Protector,
a Greek historian of the sixth century, it is related that
when an embassy sent by the Emperor Justin reached
Sogdiana, the ancient Bokhara, it was met by a party
of Turks, who proceeded to exorcise their baggage by
beating drums and ringing bells over it. They then
ran around the baggage, bearing aloft flaming leaves,
meantime, by their gestures and movements, seeking to
repel evil spirits; after which some of the party themselves
passed through fire as a means of purification.[114]
Fire is especially potent against nocturnal demons,
and also against the evil spirits which cause disease in
cattle. Hence the utility of the ancient “need-fires,”
produced by the friction of two pieces of wood, which
were thought to be an antidote against the murrain
and epizoötics generally,—a custom until recently in
vogue in the Scottish Highlands, and formerly practiced
in many other regions.
The midsummer fires kindled on Saint John’s Eve,
in accordance with an ancient British custom, were
regarded as purifiers of the air. Moreover, the whole
area of ground illuminated by these fires was reckoned
to be freed from sorcery for a year, and, by leaping
through the flames, both men and cattle were insured
safety against demons for a like period.[115]
In Ireland it was customary for people to run
through the streets on Saint John’s Eve carrying long
poles, upon which were tied flaming bundles of straw,
in order to purify the air, for at that time all kinds of
mischievous imps, hobgoblins, and devils were abroad,
intent on working injury to human beings.[116]
Midsummer fires were still lighted in Ireland in the
latter half of the nineteenth century, a survival of
pagan fire-worship. In many countries people gathered
about the bonfires, while children leaped through the
flames, and live coals were carried into the cornfields
as an antidote to blight.[117]
Sometimes the remaining ashes were scattered over
the neighboring fields, in order to protect the crops
from ravaging vermin or insects; and in Sweden the
smoke of need-fires was reputed to stimulate the growth
of fruit-trees, and to impart luck to fishing-nets hung
up in it.[118]
When a child is born, the Hindus light fires to
frighten demons; and for the same reason lamps are
swung to and fro at weddings, and fire is carried before
the dead body at a funeral.[119]
Devout Brahmins keep a fire constantly burning in
their houses and worship it daily, expecting thereby to
secure for themselves good fortune. The origin of the
respect accorded to fire among these people has been
attributed to its potency in alleviating or curing certain
diseases,[120] as, for example, when applied in the actual
cautery, or by means of the moxa; for, wherever a
belief exists in demoniacal possession as the cause of
bodily disorders, the cure of the latter is evidence that
the malignant spirits have been put to flight.
The fire-worshiping Parsees also keep a fire continuously
in the lying-in room; and when a child is ailing
from any cause, they fasten to its left arm a magical
charm of written words prepared by a priest, exorcising
the evil spirits in the name of their chief deity, Ormuzd,
and “binding them by the power and beauty
of fire.”[121]
On the birth of a child among the Khoikhoi of south
Africa a household fire is kindled, which is maintained
until the healing of the child’s navel; and when a
member of the tribe goes a-hunting, his wife is careful
to keep a fire burning indoors; for, if it were allowed
to go out, the husband would have no luck.[122]
The conception of a mediæval smith as a master and
controller of fire was embodied in a group of figures
modeled by the Austrian sculptor, Karl Bitter, and
placed at the southern entrance of the Administration
Building at the World’s Fair, Chicago, in 1893. This
group, which was called “Fire Controlled,” consisted
of a female figure, whose uplifted right hand carried a
torch, while at her feet stood a brawny smith resting
a sledge hammer upon the prostrate form of a fire
demon.
Above this group stood a single figure, by the same
artist, representing a blacksmith standing at his anvil,
with hammer resting against it, and in his belt hung
a pair of pincers. In his left hand was a horse-shoe,
which he was examining.[123]
The theory has been advanced that in ancient idolatrous
times the horse-shoe in its primitive form was a
symbol in serpent-worship, and that its superstitious use
as a charm may have thus originated. This seems
plausible enough, inasmuch as there is a resemblance
between the horse-shoe and the arched body of the
snake, when the latter is so convoluted that its head
and tail correspond to the horse-shoe prongs.
Both snakes and horse-shoes were anciently engraved
on stones and medals, presumably as amuletic symbols;[124]
and in front of a church in Crendi, a town in the southern
part of the island of Malta, there is to be seen a
statue having at its feet a protective symbol in the
shape of a half moon encircled by a snake.
The serpent played an important rôle in Asiatic and
ancient Egyptian symbolism. This has been thought
to be due partly to a belief that the sun’s path through
the heavens formed a serpentine curve, and partly because
lightning, or the fertilizing fire, sometimes flashes
upon the earth in a snake-like zigzag.[125] The serpent
was endowed with the attributes of divinity on account
of its graceful and easy movements, the brightness of
its eyes, the function of discarding its skin (a process
which was regarded as emblematic of a renewal of its
youth), and its instantaneous spring upon its prey.[126]
The worship of serpents is of great antiquity, the
earliest authentic accounts of the custom being found
in Chaldean and Chinese astronomical works. It was
nearly universal among the most ancient nations of the
world, and this universality has been ascribed to the
traditionary remembrance of the serpent in Eden,[127]
and has given rise to the opinion of some writers that
snake-worship may have been the primitive religion of
the human race.[128]
On the walls of houses in Pompeii are to be seen the
figures of snakes, which are believed to have been intended
as preservative symbols;[129] and we learn from Mr.
C. G. Leland’s “Etruscan Roman Remains” that the
peasants of the mountainous regions in northern Italy,
known as the Romagna Toscana, have a custom of
painting on the walls of their houses the figures of serpents
with the heads and tails pointing upward. These
are intended both as amulets to keep away witches, and
as luck-bringers, and are therefore exact counterparts
of the horse-shoe and the crescent as magical emblems.
The more interlaced the snake’s coils, the more effective
the amulet; the idea being that a witch is obliged to
trace out and follow with her eye the interweaving
convolutions, and that in attempting to do this she becomes
bewildered, and is temporarily rendered incapable
of doing harm.
In ancient Roman works of art the serpent is sometimes
portrayed as a protective symbol. In some bronze
figures of Fortune unearthed at Herculaneum, serpents
are represented either as encircling the arm of the
goddess, or as entwined about her cornucopia, thus
typifying, as it were, the idea of the intimate association
of the snake with good luck.
The Phœnicians rendered homage to serpents, and
history shows that the Lithuanians, Sarmatians, or inhabitants
of ancient Poland, and other nations of central
Europe, treated these reptiles with superstitious
respect. In Russia, also, domestic snakes were formerly
carefully nurtured, for they were thought to bring good
fortune to the members of a household.[130]
The worship of serpents is still practiced in Persia,
Tibet, Ceylon, and other Eastern lands. In western
Africa, also, the serpent is a chief deity, and is appealed
to by the natives in seasons of drought and pestilence.[131]
A talisman having the form of a snake, and known as
la sirena, is in use among the lower classes at Naples.
In the folk-lore of the south Slavonian nations the
serpent is regarded as a protective genius, not only of
the people, but of domestic animals and houses as well.
Every human being has a snake as tutelary divinity,
with which his growth and well-being are closely connected,
and the killing of one of these sacred creatures
was formerly deemed a grave offense. To meet with
a snake has long been accounted fortunate in some
countries. The south Slav peasant believes that whoever
encounters one of these creatures, on first going
into the woods in the spring, will be prosperous throughout
the year. But on the other hand he regards it as
an evil omen if he happens to catch a glimpse of his
own tutelary serpent. Fortunately, however, a man
never knows which particular ophidian is his special
guardian.[132]
The relation of the serpent to sculptured or engraved stones
reveals to us the reptile as still the object of veneration, if not
of adoration, among widely remote nations. If we search
among the tombs of Egypt, Assyria, and Etruria, we shall
find innumerable signets, cylinders, and scarabei of gems engraved
with serpents; these were proverbially worn as amulets,
or used as insignia of authority; and, in the temples and
tombs of these and other countries, serpents are engraved or
sculptured or painted, either as hieroglyphics or as forming
symbolical ornaments of deities or genii. In India they are
sculptured twining around all the gods of the cave temples
which mark the graves of kings and heroes, and the oldest of
the Scandinavian runes are written within the folds of serpents
engraved on stones.[133]
In ancient Mexican temples the serpent symbol is
frequently seen. The approach to the temple of El
Castillo, at Chichen in Yucatan, is guarded by a pair
of huge serpent heads, and a second pair protect the
entrance to the sanctuary. Figures of serpents also
appear in the Mosaic relief designs of the façades, and
within on the sanctuary walls. So, too, in the temples
of Palenque and other southern Mexican towns, serpents
are everywhere plentiful in the decorations and
sculptures.[134]
Representations of snakes are to be seen on the walls
of houses in many parts of India at the present day,
and villages have their special ophite guardians.
The fifth day of the first or bright half of the lunar
month S’ravana, which nearly corresponds with August,
is celebrated by the Brahmins in honor of the naga or
cobra. Some interesting details of the ceremonies
on these occasions are given in Balfour’s “Cyclopædia
of India.” We learn from this source that native
women are wont at such times to join in dancing around
snake-holes, and also to prostrate themselves and invoke
blessings; while others bow down before living
cobras at their own homes, or worship figures of serpents.
Visits from snakes are highly appreciated as auspicious
events, and the reptiles are sure of a hospitable
reception, because they are looked upon as tutelary
divinities.
Thus the serpent was held sacred by the nations of
antiquity, being a prominent feature in every mythology
and symbolizing many pagan divinities.
The Vlach women of European Turkey, who inhabit
villages in the mountain ranges of Thessaly and Albania,
treat serpents with great respect and even with
veneration. If one of the harmless white snakes which
abound in the country chances to enter a cottage, it is
provided with food and allowed to depart unharmed,
its appearance indoors being accounted a lucky event.
Such friendly treatment often results in the snake’s becoming
domesticated and receiving the title of “house-serpent.”[135]
The Carinthians, too, are wont to treat
snakes as fondlings, for they consider that these reptiles
bring good luck proportionate in degree to their bodily
diameter; hence they are fed with care and provided
with bowls of milk twice a day.[136]
Indeed, in many countries the serpent or dragon,
originally a guardian of treasure, is considered a house-protector.
The same conception is embodied in the
grotesque dragon-headed gargoyles so common in mediæval
architecture.[137]
Dr. Daniel G. Brinton, in speaking of the emblematic
significance of the serpent among American aborigines,
remarks that this symbol has ever been associated with
religious mysteries.
Many derivatives from the Hebrew and Arabic words
for serpent signify the practice of sorcery, consultation
with familiar spirits, and intercourse with demons.[138]
It would seem, therefore, not improbable that the
horse-shoe amulet has acquired some portion of the
magical influences ascribed to it through its serpentine
form.
The serpent-symbol has furnished a theme for many
writers, and sumptuous volumes attest its deep interest.
The chief points which relate to our present subject
are briefly: (1) The similarity of form between the
horse-shoe and a serpentine coil, and (2) the association
of ideas resulting therefrom in the popular mind. The
horse-shoe, when allied symbolically to the serpent,
represents a creature which has ever been an object of
superstition, whether as a deity, household guardian, or
embodiment of evil. Hence it suggests magical power,
whether good or evil, but chiefly the idea of beneficent,
protective influence.
The horse-shoe arch was a common emblem on pagan
monuments, and is frequently seen in Caledonian sculptured
hieroglyphics, where it is believed to have had a
special significance as a protective symbol. Lieutenant-Colonel
Forbes Leslie, in “The Early Races of Scotland,”
remarks that the horse-shoe arch was probably
emblematic of the serpent as a protecting and beneficent
power, because this arch closely resembles a
peculiar mark or attribute of the so-called Nagendra,
the hooded serpent-king, a chief deity in the mythical
lore of Ceylon. It would appear quite unnecessary
to refer to the Cingalese mythology in this connection,
inasmuch as the close resemblance between the shape
of the horse-shoe and the arched body of a snake has
already been commented on. As illustrative of the
somewhat unique theory which claims the ancient
horse-shoe arch, itself a talismanic symbol, as the original
source of all the superstitions associated with the
modern iron horse-shoe, it may be appropriate to quote
a few lines from the authority above mentioned:—
Whatever this figure (the horse-shoe arch) may have represented
to our heathen ancestors, it seems very likely that
from it the horse-shoe derived its supposed power of promoting
the fortune of its possessor and protecting him against
threatened calamities, whether designed by men or demons.
Superstition clung to the symbol that was hallowed by antiquity,
and even impressed this emblem of paganism on the
Christianity by which it was superseded.
The historian Diodorus Siculus said that the Chaldeans
imagined the earth as having the shape of a
round boat turned upside down. The boats still used
on the rivers Tigris and Euphrates resemble in form
a beehive with a considerable bulge in the middle.
Gerald Massey (“The Natural Genesis,” vol. ii. p. 63)
says that this conception of the earth’s figure
corresponds to the Egyptian Put-sign with its hollow underneath.
Various forms of this formation of the world are
extant. The horse-shoe is one. Hence its value as a symbol
of superstition. The head-dress of the Egyptian goddess
Hathor has the shape of a horse-shoe. The letter omega (Ω)
is another form of the same sign.
The Rev. C. Vernon Harcourt, in his “Doctrine of
the Deluge” (vol. i. p. 141), suggests that the moon was
anciently regarded as particularly sacred when in the
first quarter, because at that period it resembled most
closely the ark of Noah, which was crescent-shaped.
Again, the horse-shoe form is believed to be a survival
of an ancient religious symbol often seen in
Assyrian and Egyptian sculptures, signifying the mystical
door of life.
The D of the Italic alphabets placed ⌓ reveals its early
picture origin, while the Greek delta (Δ) represents a tent
door. The Egyptian hieroglyphic for ten was 𓎆. It is plain,
therefore, that the horse-shoe is the mystical door reduced to
its simplest possible form, and as a fetish for bringing good
luck, or as a talisman to avert the evil eye, it would have no
meaning except with the points downward.[139]
From a scientific standpoint, therefore, the horse-shoe,
when used as a protective symbol, should be
placed with its convex arch uppermost; but as a luck
token, the reverse position is the proper one, else, according
to a popular notion, the luck may be spilled out.
In northern Germany and Bavaria figures of horse-shoes
are sometimes cut on boundary stones, as for example,
on a stone which separates the hamlets Ellerbek
and Wellingdorf, suburbs of Kiel; and, again, on one
between the estates of Depenau and Bockhorn, in middle
Holstein. In these cases the idea involved is probably
that of the beneficent horse-shoe arch, impartially
guarding the interests of both villages or estates.
But the efficacy of the horse-shoe as a protector of
people and buildings depends not solely upon its arched
shape, nor on its bifurcated form, nor yet upon its
fancied resemblance to a snake. Its relation to the
horse also gives it a talismanic value; for in legendary
lore this animal was often credited with supernatural
qualities. An English myth ascribes to the horse the
character of a luck-bringer, and horse-worship was in
vogue among the early Celts, Teutons, and Slavs.
In Hindostan, also, the horse is regarded as a lucky
animal; and when an equestrian rides into a sugar-cane
field in the sowing season, the event is considered
auspicious. In the same region the froth from a
horse’s mouth is thought to repel demons, which are
believed to have more fear of a horse than of any other
animal. The natives of northern India also believe
that the horse was originally a wingéd creature, and
that the horny protuberances on his legs indicate where
the wings were attached.[140]
In the Norse mythology almost every deity has his
particular steed, as have most of the heroes of antiquity,
for the heathen nations regarded the horse as sacred
and divine.[141]
Tradition says that when the city of Carthage was
founded by Dido, the Phœnician queen, in the ninth
century B. C., a priestess of Juno dug in the ground,
by command of the oracle, and discovered the head
of a bullock. This was considered unsatisfactory, because
bullocks and oxen were servile animals under
the yoke. Thereupon the priestess again turned up
the soil and found a horse’s head, which was reckoned
auspicious, for the horse, although sometimes yoked to
the plough, was also symbolic of war and martial glory.
Therefore a temple of Juno was built on the spot,
and the figure of a horse’s head was adopted as an
emblem by the Carthaginians and stamped upon their
coins.[142]
Dr. Ludwig Beck, in his “History of Iron,” states
that in Teutonic legends the horse was sacred to Wodan
or Odin, who always rode, while Thor either drove
about in his chariot or went afoot. Thence it is, says
this writer, that the Devil of the Middle Ages is represented
with the hoofs of a horse.
The reputation of the horse as a prophetic and divinatory
animal, even among Christian peoples, is shown
by various German traditions, of which the following is
an example. When the inhabitants of Delve, a village
in the Duchy of Holstein, were about to build a church,
the choice of a site was determined in this manner:
An image of the Virgin was fastened upon the back of
a parti-colored mare, which was then allowed to roam
at will; and it was agreed that the church should be
erected upon the spot where the mare should be found
the next morning. This proved to be a neighboring
bramble-thicket, and the new edifice was accordingly
placed there, and dedicated to “Our beloved Lady on
the Horse.”[143]
The ancient belief in the oracular powers of the
horse is well shown by a custom formerly in vogue
among the Pomeranians. On the outbreak of a war
a priest laid three spears at equal distances upon the
ground in front of the temple. Two other spears were
then leaned transversely across them, with their points
resting in the earth. After a prayer the high priest
led up a sacred horse, and if he stepped with his right
foot foremost thrice in succession over the spears without
stumbling, it was accounted a good augury, otherwise
not.[144]
A dragon-headed horse, emblematic of grandeur,
having on its back the civilizing book of the law, is one
of the four great mythic animals of the Chinese; and
the Tibetans have a like symbol, which they use as a
luck-bringing talisman.
The association of the horse with luck is prominent
in Indian myth as well:—
The jewel-horse of the universal monarch, such as Buddha
was to have been had he cared for worldly grandeur, carries
its rider Pegasus-like through the air in whatever direction
wished for, and thus it would become associated with
the idea of material wishes, and especially wealth and
jewels.[145]
Among the lower classes of the Hindus of Bombay,
a notion is prevalent that spirits are frightened by
the sound of a horse’s hoofs; and this superstition has
been thought to explain the custom, in vogue among
the Hindus generally, of having a bridegroom ride a
horse when on his way to the bride’s residence.[146]
In Bokhara, when a horse stumbles in fording a
stream, and the rider thereby gets an involuntary wetting,
it is considered a most fortunate occurrence instead
of a mishap. In the same country it is also
accounted lucky to meet an equestrian.[147]
One reason in favor of the theory which ascribes the
horse-shoe’s weird powers to its connection with a luck-bringing
animal is the fact that various portions of
the equine frame serve as amulets in different localities.
Thus not only the horse-shoe but the hoof, or
even a single bone of the foot, may be used for this
object.
In the island of Montserrat the two incisor teeth of
a horse are carried about as charms.[148] The popular
belief of many people credits equine hair with special
virtues. “Honor abides in the manes of horses” is a
saying of Mohammed, and in Turkey a horse’s tail
as an emblem is significant of dignity and exalted
position.
In certain villages of Brandenburg every new-born
boy, before his first bath, is placed upon a horse, the
animal being brought into the chamber for the purpose.
This is thought to impart to the child manly qualities
for life. In other districts small children are allowed
to ride a black foal to facilitate the cutting of their
teeth; and the neighings of horses are believed to be
of favorable import if listened to carefully. The popular
belief on this subject is exemplified in the German
saying, “He has horse-luck,” in reference to a piece of
extraordinary good fortune.[149]
The Irish think that the reason for the horse-shoe’s
magical power is because the horse and the ass were in
the stable where Christ was born, and hence are evermore
blessed animals.
The romantic literature of Ireland affords evidence
of the existence of a species of horse-worship in that
country in former ages, and tradition says that in the
olden time there were horses endowed with human
faculties.[150] We learn from Tacitus, moreover, that the
Teutonic peoples
used white horses, as the Romans used chickens, for purposes
of augury, and divined future events from different intonations
of neighings. Hence it probably is that the discovery
of a horse-shoe is so universally thought lucky, some of the
feelings that once attached to the animal itself still surviving
around the iron of its hoof. For horses, like dogs and birds,
were universally accredited with a greater insight into futurity
than man himself.[151]
The horse is seen among the insignia of Kent, the
first of the Anglo-Saxon kingdoms, and is displayed at
the present time on the shields of the houses of Hanover
and Brunswick.[152]
One of the most solemn forms of oath taken on the
eve of battle required a warrior to swear “by the
shoulder of a horse and the edge of a sword” that he
would not flee from the enemy even if the latter should
be superior in strength.[153]
At the time of the conquest of Peru, the Indian aborigines
were amazed at the sight of the Spanish horsemen,
believing that man and horse were one creature.
And it is said that Pizarro owed his life to this superstitious
belief; for on one occasion, when pursued by
the natives, he fell from his horse, and the Peruvians
who witnessed the mishap, believing that one animal
had by magic divided itself into two, gave up the pursuit
in dismay.[154]
M. D. Conway, in his “Demonology and Devil-Lore,”
asserts that the Scandinavian superstition known as the
“demon-mare” is the source of the use of the horse-shoe
against witches. In Germany there is a saying in
reference to the morbid oppression sometimes experienced
during sleep or while dreaming, and which is a
symptom of indigestion, “The nightmare hath ridden
thee.”
This elvish mare rides horses also, and in the morning
their manes are found all tangled and dripping with
sweat.
Grimm says that the traditional idea of the Nightmare
seems to waver between the ridden animal and the
riding, trampling one, precisely as the Devil is sometimes
represented as riding men, and again as taking
them on his back after the manner of a horse.
According to a Bavarian popular belief, the Nightmare
is a woman, who is wont to appear at the house-door
of a morning, invariably requesting the loan of
some article. In order to get rid of her at night, one
should say: “Come to-morrow and receive the three
white gifts.” The next morning the woman comes, and
is given a handful of flour, a handful of salt, and an
egg.[155]
In the north of England, naturally perforated stones
are hung up by the side of the manger to prevent the
Night Hag from riding the horses. In a rare book of
the sixteenth century, entitled “The Fower Chiefest
Offices belonging to Horsemanship, by Tho. Blundenill,
of Newton Flotman, in Norffolke,” the following
curious charm is given as a remedy for horses
affected with the nightmare:—
Take a Flynt Stone that
hath a hole of hys owne
kynde, and hang it ouer
hym and wryte in a bill:
In nomine patris, etc.
Saint George our Ladyes Knight,
He walked day so did he night
Until he hir found,
He hir beate and hir bounde,
Till truely hir trouth she him plyght
That she woulde not come within the night.
There as Saint George our Ladyes Knight
Named was three tymes, Saint George.
And hang this Scripture ouer him, and let him alone.
With such proper charmes as thys is, the false Fryers in
tymes past were wont to charme the money out of the playne
folkes purses.
Drink offerings were anciently poured from vessels
made from horses’ hoofs; and witches are popularly
supposed to drink with avidity the water which collects
in equine hoof-tracks. German writers on early traditions
and folk-lore agree in ascribing to the horse-shoe
divers magical properties, whose origin is vaguely
connected with the ancient pagan conception of the
horse as a sacrificial animal.[156]
According to a popular poetic fancy of the ancient
Teutons, horses, Wodan’s favorite and darling animals,
were endowed with the gifts of speech and prophecy
during the twelve days between Christmas and Epiphany.
At this holy season they were wont to put
their heads together, and impart to each other confidentially
their experiences and trials of the past year;
and this communion of equine spirits was the sole pleasure
vouchsafed to the noble animals, and atoned in a
measure for the hard work which was their lot.
Even nowadays many peasants do not venture to
harness their horses at Christmas time, and do not even
speak of the animals by name, but make use of pet
epithets and circumlocutions when they have occasion
to refer to them. On Christmas night, hostlers often
sleep in the manger or under it, and their dreams at
such times are prophetic for the coming year, for in
their sleep they can hear what the horses are saying.
In order to impart health and vigor to the animals
without incurring the expense of extra fodder, the
hostler walks at Epiphany season by night three times
around the village church, carrying in his uplifted
hands a bundle of hay, which he afterwards feeds to
the horses; or on Christmas night he steals some cabbage,
which is then mixed with the fodder; or, before
going to the midnight Christmas Mass, he lays on the
manure-heap a quantity of hay called the “Mass hay,”
and on his return from church this is given to the
horses. Some peasants have a yet more simple method
of promoting the welfare of their horses, which consists
in laying the cleaning-cloth upon a hedge on the evenings
of Christmas, New Year’s Day, or Epiphany, and
afterwards grooming the animals with the dew-laden
cloth.[157]
In the popular mind horses are credited with extraordinarily
keen faculties for detecting ghosts and
haunted places, which they instinctively scent from
afar. The Thuringian peasant does not beat his horse
when the latter refuses to proceed along some gloomy
forest road; for the whip is useless against spiritual
obstacles, whereas a Paternoster devoutly repeated is
usually much more effective.
It is a Bohemian superstition that a horse sees everything
magnified tenfold, and that this is the reason why
the noble animal submits to being led by a little child.[158]
When a Brandenburg rustic has bought a horse in a
neighboring town and rides him homeward, he dismounts
at the boundary line of his own village, and,
gathering a handful of his native soil, he throws it
backward over the line to prevent the animal’s being
bewitched. In Bohemia the chief signs of bewitchment
in a horse are thought to be shivering, profuse
sweating, and emaciation. A charm against this consists
in drawing one’s shirt inside out over one’s head,
and using it as a wherewithal to groom the animal,—a
method which may be acceptable to superstitious
jockeys and hostlers, but which will hardly commend
itself to a fastidious horse-owner.[159]
In early times it was customary to use horses’ heads
as talismans, by means of which also the ancient heathen
nations practiced various magical arts. Grimm says in
his “Teutonic Mythology” that the Scandinavians had
a custom of fastening a horse’s head to a pole, with the
mouth propped open with a stick. The gaping jaws
were then turned in the direction whence an enemy
was likely to come, in order to cast over him an evil
spell. This contrivance was known as a spite-stake,
or nithing-post. In Mallet’s “Northern Antiquities”
(p. 156, 1890), it is related that Eigil, a famous Icelandic
bard, on being banished from Norway in the ninth century,
fixed a stake in the ground and fastened thereon
a horse’s head, saying meanwhile: “I here set up a
nithing-stake, and turn this my banishment against King
Eirek and Queen Gunhilda.” Then, pointing the horse’s
head toward the interior of Norway, he uttered a solemn
imprecation against the protecting deities of the
land, invoking evil upon them, and expressing a wish
that they might be compelled to wander about and
never find rest until they had driven forth the hated
king and queen. In these cases the horse’s head was
magically employed as an instrument for working evil
upon an enemy, but later the same symbol was widely
used among northern peoples as a talisman against
evil.
Not alone in remote antiquity, but throughout the
Middle Ages, the old pagan device of the spite-stake
continued to be employed by the Teutonic peoples; and
even after the Reformation, as late as the year 1584, a
mare’s skull placed upon a pole was a favorite means
for driving away rats and other vermin in Germany.
The principle involved appears to have been always the
same, namely, the power of averting evil supposed to
be a magical attribute of horses’ heads; and this power
was not only effective against human enemies, but likewise
against the spirits of evil.[160]
When the Roman general Cæcina Severus reached
the scene of Varus’s defeat by the German tribes under
their chieftain Arminius, in the year 9 A. D., near the
river Weser, he saw numbers of horses’ heads fastened
to the trunks of trees. These were the heads of
Roman horses which the Germans had sacrificed to
their gods.[161]
In the fifteenth century a savage tribe known as the
Wends had a practice of placing a horse’s head in the
crib or manger to counteract the influence of evil spirits,
and to prevent their horses from being ridden by the
Night Hag. And in many countries analogous notions,
veritable relics of paganism, exist in full force to-day.
Thus in Mecklenburg and Holstein it is a common
usage to place the carved wooden representations of the
heads of horses on the gables of houses as safeguards,
and when fixed upon poles in the vicinity of stables they
are thought to ward off epizoötics. In Mecklenburg,
also, horses’ heads, when placed beneath the pillows of
the sick, are believed to act as febrifuges, and in Holland
they are hung up over pigsties. The fore-parts
of horses are to be seen on the gables of old houses in
the Rhætian Alps, “carved out of the ends of the intersecting
principals.”[162]
The use of horses’ heads as talismans is thought to
have some connection with the ancient pagan sacrificial
offerings of horses. Adherence to the latter custom
was formerly regarded as a pledge of loyalty to heathenism,
and conversely its renunciation was a sign of
adopting the new religion. In the tenth century the
Norwegian king Hakon Athelstan, known as “Hakon
the Good,” endeavored persistently to extirpate heathen
idolatry in his kingdom, but without much success,
owing to the vigorous opposition of his people. At one
of their great Yule-tide festivals the king was urged to
eat some horse’s flesh as a proof of devotion to the old
faith, and on his refusal to do this they wished to kill
him.
On another occasion King Hakon so far yielded to
the importunities of his people as to inhale the steam
from a kettle of horse-broth. He also drank some Yule-beer,
holding the cup in his left hand, while with his
right he made the sign of the cross, which the pagan
mind conceived to be the symbol of Thor’s hammer.
Finally he was even induced to eat a couple of mouthfuls
of horse-flesh, an act which his people accepted as
a satisfactory guarantee of his orthodoxy.[163]
Among the newly converted Northern nations the use
of horse-flesh as food fell into disrepute, and the practice
was looked upon as a secret sacrifice to the old
idols, while those indulging in it were punished as obdurate
pagans.[164]
The employment of horses’ heads as talismans, a
custom doubtless originating in heathendom, has been
thought not only to suggest the sacrificial offering of a
horse, but also to symbolize the religious dedication of a
building placed under the protective influence of such
a symbol. For among the ancient Teutons the horse
was held to be the most holy of animals, and auguries
were derived from the neighings of white horses in their
sacred groves. There exists, moreover, among German
peasants a widespread belief that the placing of carved
wooden representations of horses’ heads upon house-gables
is an act of homage to the Deity, whose blessing
and benediction are thereby invoked upon the dwellings
thus adorned, and upon the inmates as well. When,
however, the heads are directed outwards, in order to
ward off evil, the principle involved is evidently akin
to that of the pagan spite-stake, of which mention has
been made.
Professor Christian Petersen, of Hamburg, who investigated
this subject some years ago, expressed the belief
that among the pagans every dwelling was protected by
three talismanic emblems, namely: (1) on the gable a
horse’s head, or the representation of some other animal
or bird; (2) by the side of the entrance door a broom,
as a preservative against lightning; and (3) on the
threshold a horse-shoe.
The German botanist, Karl Friedrich von Ledebour,
who visited the Altai Mountains early in the present
century, wrote that among the Kalmuks, a nomadic
people inhabiting that region, he observed numerous
horses’ heads and hides, relics of sacrifices, placed upon
scaffolds; and the direction of the horses’ heads, pointing
east or west, indicated whether the sacrificial offering
was made to a good or evil deity.[165]
Formerly in some parts of Germany, especially in the
north, it was customary to place a horse’s head above
the stable door; sometimes also horses were killed and
their bodies buried beneath the corner-stone of a building,
in order to bring good luck. In the same region
the association of horses and horse-shoes with lucky
influences is everywhere apparent: a horse-shoe when
found is either carried about as an amulet, or placed on
the chamber wall or threshold; and a young girl who
finds a certain number of horse-shoes in a year, or who
sees a hundred white horses within the same period, will
be married before the year is out.[166]
In Moldavia the head of a horse or of an ass is much
esteemed on account of its reputed magical properties,
and is believed to be a powerful agent not only for the
production of witchcraft, but conversely as a powerful
antagonist of evil.[167] Inclosures where animals are kept
are very commonly protected by one of these talismans
placed upon a forked stake; and the same device is
popular as a safeguard against wolves and robbers.[168] In
Roumania the skull of a horse is placed over a court-yard
gate as a preservative against ghosts, and in
Tuscany it is also used as a charm.[169]
The Christmas festivities at Ramsgate, in Kent, formerly
included a peculiar feature called “going a-hodening.”
A horse’s head fixed on a pole was carried
through the town by a party of young people, grotesquely
attired and ringing hand-bells. By pulling a
string attached to the lower jaw, the horse’s mouth
was made to open and shut with a snapping sound.
In this case the horse’s head was typical of the good
Demon, threatening and overcoming the powers of
darkness.[170]
It appears that a modern counterpart of the ancient
heathen practice of hanging equine heads upon trees,
as tributes to Wodan, still exists in Sussex, where the
bodies of horses are suspended by the legs from horizontal
tree-branches, as a means of bringing luck to the
cattle. And the evident analogy between the two customs
of widely separated epochs, the sacrificial offering
of horses upon trees in order to avert evil or to invoke
protection, has not escaped the attention of modern
writers.[171]
The Ostiaks of southern Siberia were wont to suspend
horses’ heads from the branches of trees, and to
protect bees from witchcraft they also placed them near
the hives.[172]
In Bulgaria and among the Osseten, an Asiatic tribe,
the same talismans are affixed to the palings inclosing
farmyards. The ancient Teuton placed a horse’s head
on the weather-vane of his barn, while he hung up a
horse-shoe in some consecrated place, as a deprecatory
offering to the god of thunder and storms;[173] and the
Tartars of the Chinese province of Koukou-Nor seek to
protect their bees from the “evil eye” by hanging up
near the hives either a skull, a foot, or in fact any bone
of a horse.
In Mecklenburg one remedy for the delirium of fever
consists in placing a horse’s skull under the bed; and in
some parts of Prussia certain spinal affections of children
are treated by bathing the patient in rain-water in
which a horse’s head has been dipped thrice daily for
three successive Thursdays.[174] In a curious old work by
M. Fugger (1854), the writer says that a mare’s skull,
fixed on a pole and placed in a garden, has a wonderful
effect in promoting the growth of plants and vegetables,
and, moreover, insures freedom from rats and caterpillars.[175]
The Magyar shepherds place horses’ and asses’ skulls
as talismans about their sheepfolds to keep wolves
away from their flocks, and also to prevent herbaceous
animals other than their sheep from eating the grass of
their pasture lands. Also when, as occasionally happens,
some hill or upland region gains an unsavory reputation
among the peasants as an alleged meeting-place
of witches, horses’ skulls are placed there in order to
prevent such unseemly orgies, for, according to the popular
report, where witches meet grass will not grow.
Whoever has the courage to visit such a place on the
midnight of Good Friday with a so-called Luciastuhl,
a peculiar chair or stool made during Christmas week,
may see the witches at their revels, and may easily disperse
them by throwing a horse’s skull into their
midst.[176]
The gypsies inhabiting lands bordering on the eastern
Danube are wont to fasten the skulls of horses and
cattle upon the fence-palings which surround their farmyards,
to prevent witches and evil spirits from entering
the inclosures. So, too, the Transylvanian gypsies
bury horses’ skulls beneath the floor of the earth caverns
which they occupy in winter; and the tribes of
southern Hungary place similar talismans upon the
graves of their kindred, that no witch may tread upon
the sanctified ground.[177]
The wizards and conjurers of the Shamans pretend
to be experts in sorcery, and to possess a secret knowledge
which enables them to control the actions of evil
spirits. They wear a long elk-skin robe adorned with
many fetich objects, such as bells and pieces of iron;
and to assist them in their magic rites they carry staves,
whose tops are carved into the shape of horses’ heads,
and by means of these staves they are enabled to leap
high into the air.[178]
The universality of the use of the horse-shoe as a
safeguard against evil spirits is indeed noteworthy.
It is the anti-witch charm par excellence, as well as
the approved symbol of good luck, and, used for these
purposes, it is to be seen throughout a large portion of
the world. The horse-shoe is most commonly placed
over the entrance-doors of dwellings; but stables likewise
are thought to be effectually protected by it, for
“witches were dreadful harriers of horse-flesh.” In
William Henderson’s “Folk-Lore of the Northern
Countries of England” we read of a Durham farmer
who was convinced that one of his horses had been ridden
by hags, as he had found it bathed in sweat of a
morning. But after he took the precaution to nail a
horse-shoe over the stable-door, and also to hang some
broom above the manger, the witches had not been able
to indulge in clandestine rides on his horses. While
many an honest fellow in England and elsewhere is a
firm believer in witches and magical horse-shoes, very
few of them can give plausible reasons therefor.
The Lancashire farmer thinks that mischievous fairies
not only ride horses by night, but drive cows out of the
barn, steal the butter, and eat up the children’s porridge;
so he, too, affixes horse-shoes to his buildings.
Any one visiting the hamlets of Oxfordshire can
hardly fail to notice the numerous horse-shoes affixed
to the picturesque thatched-roofed cottages; and the
countryfolk in this neighborhood are not always content
with one of these popular safeguards, for two or
three of them are often to be seen on the walls of a
dwelling, invariably placed with the prongs downward.
In Brand’s “Popular Antiquities” (vol. iii. p. 19, 1888)
may be found a clipping from the Cambridge (Eng.)
“Advertiser,” which relates that one Bartingale, a carpenter
and resident of Ely, suspected a woman named
Gotobed of having bewitched him, and of being the
cause of an illness which he had recently had. Thereupon,
at a consultation of matrons of the neighborhood
held in his chamber, it was decided that the most efficient
means of protecting him from the evil influence
of the suspected sorceress was to have three horse-shoes
fastened to the door. A blacksmith was accordingly
summoned, and
an operation to this effect was performed, much to the anger
of the supposed witch, who at first complained to the Dean,
but was laughed at by his reverence. She then rushed in
wrath to the sick man’s room, and, miraculous to tell, passed
the Rubicon in spite of the horse-shoes. But this wonder
ceased when it was discovered that Vulcan had substituted
donkeys’ shoes.
Miss Georgiana F. Jackson says, in “Shropshire Folk-Lore,”
that, in the home of her childhood at Edgmond,
the stable-door was decorated with three rows of horse-shoes
arranged in the form of a triangle; and the
grooms used to say that they were placed there to
exclude witches.
In this region, too, an old horse-shoe placed above
the door of a bedroom is a preventive of the nightmare.
In Shrewsbury, the ancient county town of Shropshire,
horse-shoe talismans are to be seen not only
above the house-doors, but also on the barges which
navigate the river Severn.
In quite recent times a case has been reported of a
poor girl of Whatfield, in Suffolk, who had experienced
a long illness, during which she was visited daily by an
old woman who appeared to be very solicitous as to her
welfare. At length the girl’s family began to suspect
that this old woman was none other than a witch; they
therefore caused a horse-shoe to be fastened to the sill
of the outer door. The precaution was successful, so
runs the tale, for the reputed witch could never thereafter
cross the threshold, and the girl speedily recovered
her health.[179]
Aubrey, in his “Remains of Gentilisme,” describes
the horse-shoe as a preservative against the mischief or
power of witches, attributing its magical properties to
the astrological principle that Mars, the God of War
and the War Horse, was an enemy of Saturn, who according
to a mediæval idea was the liege lord of
witches.[180]
During the witchcraft excitement in Scotland, one
Elizabeth Bathcat was indicted for having a horse-shoe
attached to the door of her house “as a devilish means
of instruction from the Devil to make her goods and
all her other affairs to prosper and succeed well.”[181]
According to an old legend St. Dunstan, the versatile
English ecclesiastic of the tenth century, who
was a skilled farrier and the owner of a forge, was
requested by the Devil to shoe his “single hoof.”
Dunstan, who recognized his customer, acceded, but
during the operation he caused the Devil so much pain
that the latter begged him to desist. The request was
heeded on condition that the Devil should never enter
a place where a horse-shoe was displayed.[182] The popular
belief is that his Satanic Majesty has always faithfully
kept the contract, and quite naturally all lesser
evil spirits have followed his example.
In Scotland, even as late as the beginning of the
nineteenth century, the peasantry believed that witches
were able to draw milk from all the cattle in their
neighborhood, by tugging at a hair-rope in imitation of
the act of milking. Such a rope was made of hairs
from the tails of several cows, whose exact number
was indicated by knots in the rope. While tugging
at the rope the witches repeated either the following
or a similar charm:—
Cow’s milk and mare’s milk,
And every beast that bears milk,
Between St. Johnstone’s and Dundee,
Come a’ to me, come a’ to me.
The only adequate protection from such mischievous
pranks as these was afforded by nailing a horse-shoe to
the byre-door and tying sprigs of rowan with a red
thread to the cow’s tail. If, however, these precautions
were neglected, the guilty witch might yet be discovered
by placing the “gudeman’s breeks” upon the
cow’s horns, a leg upon either horn; and thereupon
the animal, being let loose, was sure to run directly to
the witch’s house.[183]
In many places, certain houses continue even at the
present time to have an evil reputation as harborers of
witches and goblins. In these cases it seems probable
that the owners or occupants of such dwellings neglected
to avail themselves of the immunity afforded
by horse-shoes and other safeguards. For no one, we
believe, has ever seriously maintained that evil spirits,
who are once firmly domiciled, can be easily expelled.
Familiarity with their surroundings may breed a contempt
for amulets. Certain it is, however, that an
ounce or two of iron by way of prevention is worth a
pound or more of cure. When a dwelling is demoniacally
possessed, the devils must be driven out somehow,
and for this purpose recourse is had to exorcisms, and
to religious or magical ceremonies. In the words of
the poet Dryden (“Wife of Bath’s Tale,” i. 28):—
And friars that through the wealthy regions run
Resort to farmers rich, and bless their halls,
And exorcise the beds and cross the walls.
In “Antiquitates Vulgares,” by Henry Browne
(1725), the writer gives elaborate directions as to the
proper mode of exorcising a haunted dwelling, and
says that the house which is reported to be vexed with
spirits shall be visited by a priest daily for a week, appropriate
prayers and scriptural selections being read.
Sometimes magical procedures supplanted religious
exercises, and experts in sorcery were employed to rid
a mansion of its undesirable tenants. The following
advertisement from a London newspaper of 1777 may
be appropriately given here:—
Haunted Houses.—Whereas there are mansions and castles
in England and Wales which for many years have been
uninhabited, and are now falling into decay, by their being
visited and haunted by evil spirits or the spirits of those who
for unknown reasons are rendered miserable, even in the grave,
a gentleman who has made the tour of Europe, of a particular
turn of mind, and deeply skilled in the abstruse and sacred
science of exorcism, hereby offers his assistance to any owner
or proprietor of such premises, and undertakes to render the
same free from the visitation of such spirits, be their cause
what it may, and render them tenantable and useful for the
proprietors. Letters addressed to Rev. John Jones, No. 30
St. Martin’s Lane, duly answered, and interview given if
required.[184]
It has been supposed that the horse-shoe is placed at
the outer entrance to a building because of an ancient
Saxon superstition that witches were unable successfully
to practice their wiles upon persons in the open air.[185]
The horse-shoe effectively bars the ingress of witches
and evil spirits, but an entrance once obtained by these
creatures, it is powerless to expel them. Therefore the
horse-shoe within doors loses much of its efficacy, but
is still an emblem of good luck.
Placed on the outside of the door, or above the entrance
of a dwelling, or upon the threshold, the horse-shoe
is easily first among the inveterate foes of witches
and devils generally.
Laugh if you will, who imps nor devils fear,
Whom death appals not, phantoms come not near;
Along whose nerves no quick vibrations dart,
As teeming twilight’s shadowy offspring start;
Not yours to feel the joy with which I flew
To snatch the rusty, worn, but lucky shoe.
Oft have I heard them chattering at my door,
The hags whose dances beat the shrinking moor;
Oft have I sprung from nightmare-haunted rest,
And gasped an oro from my panting breast,
As forms that vanished ere the half-shut eye
With fright could open, from their revels fly.
Henceforth, good horse-shoe, vain shall be their ride:
Their spells are baffled and their rage defied.
[186]
Edward Moor, in his “Oriental Fragments” (p. 455,
London, 1834), relates having once, in company with
a gang of urchins, nailed a donkey-shoe under the
threshold of a poor woman in Suffolk who was suspected
of sorcery. He and his youthful companions
endeavored thus to keep her all night within doors, as
witches cannot cross iron.
An English writer[187] tells of having heard an animated
discussion in the parlor of a London beer-shop
as to whether it were preferable to nail a horse-shoe
behind the door or upon the first doorstep; and instances
of extraordinary good luck were mentioned as
the direct result of the potency of the amulet in each
position.
But there are weighty reasons for the selection of
the front door, or the parts immediately connected with
it, as the proper place for the display of horse-shoes as
household guardians.
In the earliest historic times, and in primitive communities,
the entrance of a dwelling was considered a
sacred place; and in the opinion of eminent scholars
who have made a study of the subject, the threshold
was the first family altar. A peculiar reverence for
the doorway and threshold prevails to-day in many
parts of the world, as is evident from the numerous
ceremonial rites in vogue among widely separated savage
tribes and uncivilized peoples.[188] Indeed, the custom
of placing amulets and charms in and about the
entrance-doors of houses, stables, and other buildings
is almost universal. In Russia a cross is marked on
the threshold to keep witches away. In Lithuania,
when a house is being built, a wooden cross, or
some article which has been handed down from past
generations, is placed under the threshold. There,
also, when a newly baptized child is being brought
back from church, it is customary for its father to
hold it for a while over the threshold, “so as to place
the new member of the family under the protection of
the domestic divinities.” Sick children who are supposed
to have been afflicted by an evil eye are washed
on the threshold of their cottage, in order that with
the help of the Penates who reside there, the malady
may be driven out of doors.[189]
Under the threshold of the Assyrian palaces at
Nineveh were found certain images of grotesque monsters,
as, for example, a human form with the head of
a lynx, and a lion’s body with a man’s head, which
were intended as tutelary deities.[190]
John Netten Radcliffe, in his “Fiends, Ghosts, and
Sprites” (p. 43, London, 1854), says that the horse-shoe
superstition is a remnant or relic of the worship of
household guardians or divinities,—a practice still in
vogue among the natives of Ashantee, and also among
the Bhutas of Hindostan. In some English counties,
naturally perforated stones are hung behind the door;
and in Glamorganshire the walls of the houses are
whitewashed in order to terrify wandering spirits of
evil. Whether successful or not for this purpose, the
custom is certainly effective as a destroyer of the demoniac
germs of certain diseases.
The French Canadians are not the least superstitious
of mankind, neither do they wholly neglect to take due
precautions against the admittance to their homes of
evil spirits.
They do not answer “Entrez!” when a knock is heard
at the door, but call out “Ouvrez!” This custom is
said to have originated from a current tradition regarding
a young woman who once answered “Entrez!” in
response to a knock, whereupon the Devil promptly
came in and carried her away.[191] Where such legends
find open-mouthed credence, it does not appear strange
that horse-shoes and other talismans should be at a
premium.
In Tuscany magical medicines are taken upon the
threshold, which also plays an important part in sorcery.
One reason assigned for this fact is that the
threshold forms the line separating the outer world,
where demons are rampant, from the domestic precincts,
where human beings dwell.
One writer affirms it to be a fixed law in demonology
that spirits cannot cross the threshold and enter a house
unless previously invited to do so, but adds that there
are many exceptions to this rule.[192] The weight of evidence
does not support this view, for mischievous
fairies and witches are known to rudely disregard the
laws of etiquette, and do not wait for an invitation
to enter dwellings. This fact is, indeed, a chief raison
d’être for the use of talismans at the entrance of
habitations.
The residents of the beautiful Thuringian Forest
region, in whose neighborhood these lines chanced to be
penned, are wont to affix horse-shoes to the thresholds
of their chamber-doors, lest some rude goblin enter
and disturb their slumbers. But the fastidiousness of
these sylvan folk is not content with an ordinary shoe,
even though found on the road and venerable with rust;
in order to serve its purpose as a talisman, a Thuringian
horse-shoe must have been forged by a bachelor
of wholesome life and good character, on Saint John’s
Eve.[193]
In German households, the horse-shoe over the door
is believed to afford protection against divers apparitions,
as well as against the Devil, witchcraft, lightning,
sickness, and evils of every sort.
The cross, symbol of the Christian faith, is the most
potent of all talismans, but is seldom seen at the entrance
of dwellings. In some Roman Catholic countries
the crucifix is, indeed, everywhere conspicuous,
not only in churches and shrines, but by the roadside,
in fields, and on the outer walls of houses, but it is
rarely placed at the front door. In Hungary, however,
the Magyars mark with black chalk the figure of
a cross upon their stable-doors, and also brand anew
thereon the sacred emblem each year at Christmas
time.
The respect paid by the inhabitants of Tibet to their
household divinities somewhat resembles the worship of
their Lares by the Romans of old, and finds a parallel
in the honor accorded to the favorite amulet of Western
civilization, the horse-shoe.
The Tibetans set up above the entrances of their
houses complex talismans, composed of various mystical
objects, such as a ram’s skull with horns attached, having
displayed along the base of the skull pieces of
carved wood representing a man and woman, a house,
and other symbols; the idea being to deceive the
demons, and to make them believe that these objects
are the real dwelling and its inmates. The Tibetans
believe that the demons are thus tricked, and that the
wooden images are the victims of their mischievous
designs.[194]
Far away among the nomadic tribes of Turkestan,
horse-shoes are occasionally seen nailed to the thresholds
of dwellings in the vicinity of the ancient city of
Merv; and within doors, near the entrances of these
peculiar habitations, which resemble mammoth parrot
cages, pieces of linen or calico, four or five inches
square, are seen upon the felt wall-lining, to serve as
receptacles for the free-will offerings of such wandering
spirits as may pass the magic barriers of the horse-shoes.[195]
In some regions there still prevails a time-honored
custom of placing over the chief entrances of dwellings
inscriptions, embodying usually a religious thought or
exhortation. Sometimes, however, the sentence commends
the house and its occupants to the care of the
goddess Fortune, thus having a significance akin to that
of the horse-shoe symbol. In the year 1892 the writer
copied many inscriptions found above the doors of
houses in northern Italy and Switzerland, some of them
being written in Latin, others in German, French, Italian,
and the Romansch dialect, current in the Engadine.
Here, for example, is one from a house in the
Swiss village of Bergun, the original being in German:
“This house is in God’s hand; May Good Luck come
in, and Bad Luck stay out! 1673.”
Many of these inscriptions are Biblical verses, which
are here used as talismans, just as the pious Moslem
employs sentences from the Koran.
Here, again, is the translation of a German sentence
over the door of a dwelling in the village of Ober-Schönberg,
near Innsbruck, Tyrol, copied in 1897:—
All persons entering this house are recommended to Divine
protection. God and the Virgin Mary guard all such, even
though powerful enemies threaten, and lightnings and thunder
rage without!
Above the door of a house in the village of Welschnofen,
near Botzen, the wayfarer may read the following
sentence: “Pray for us, holy Florian, that fire may
not harm our dwelling.” Above the inscription an eye
is painted, while below is a realistic picture of Saint
Florian, the protector of buildings against fire, engaged
in pouring water on a burning roof.
The Bassamese, inhabitants of the Gold Coast of
Africa, west of Ashantee, use certain fetich objects for
the protection of their dwellings. These amulets,
which are often merely pieces of wood painted red, or
fragments of pottery, are placed upon the doors of
their huts, and are believed to afford ample protection
against thieves.[196] Such a fetich is probably intended
to exclude evil spirits as well, and is, therefore, a
substitute for both the horse-shoe and the watch-dog,
those guardians of the household so popular in civilized
communities.
When a modern Egyptian returns from a pilgrimage
to Mecca, he fastens above the entrance of his house
a branch of the aloe, which is not only a proof of his
religious zeal in having accomplished the holy journey,
but is also reckoned a protection against objectionable
spiritual intruders, and is, therefore, seen in Cairo over
the doors of the houses both of Christians and Jews.
In northern Scotland, formerly, a branch of the rowan-tree
was placed over a farmhouse door, after having
been waved while the words “Avaunt, Satan!” were
solemnly pronounced.[197]
About the year 1850 the Rev. Andrew A. Bonar,
who was then assistant minister in Collace Parish, Perthshire,
Scotland, found the custom of displaying horse-shoes
on the doors of farm buildings so prevalent that
he thought it his duty to remonstrate against a practice
savoring of paganism. But his efforts in this
direction, though hardly crowned with success, were
yet not wholly without avail, for his superstitious
parishioners removed the guardian horse-shoes from
the outsides of the doors, and nailed them up on the
insides.[198]
The raison d’être of the horse-shoe at the entrance
of shops and other frequented buildings has been attributed
to a belief that, among the many people continually
passing through the doorway, some one might,
unobserved, bring in ill-luck or work mischief. But
these safeguards not only form a sufficient barrier
against obnoxious hags and sorcerers, but are potent
against ghosts and all manner of evil creatures. When
the Oxford undergraduate “sports his oak” to prevent
the untimely entrance of dunning tradespeople, he shuts
out friendly visitors as well; but the faithful horse-shoe,
by a process of natural selection, debars only
objectionable spirits, and is a formidable obstacle to the
demon of ill-luck.
He laughs like a boor who has found a horse-shoe.—Dutch proverb.
Throughout Germany the belief obtains that a horse-shoe
found on the road, and nailed on the threshold of
a house with the points directed outward, is a mighty
protection not only against hags and fiends, but also
against fire and lightning; but, reversed, it brings misfortune.
In eastern Pennsylvania, however, even in
recent times, the horse-shoe is often placed with the
prongs pointing inward, so that the luck may be spilled
into the house. The horse-shoe retains its potency as
a charm on the sea as well as on land, and it has long
been a practice among sailors to nail this favorite amulet
against the mast of a vessel, whether fishing-boat or
large sea-going craft, as a protection against the Evil
One. The shoe of a “wraith-horse,” the mythical offspring
of a water-stallion, is especially esteemed by
Scotch mariners for this purpose.[199]
In Bohemia only exists the superstition exactly opposite
to that elsewhere prevalent, namely, that whoever
picks up a horse-shoe thereby ipso facto picks
up ill-luck for himself,—a notable example in folk-lore
of the exception which proves the rule. The Bohemians,
however, believe a nailed-up horse-shoe to be a
cure for lunacy.[200]
As a general rule, the degree of luck pertaining to
a horse-shoe found by chance has been thought to
depend on the number of nails remaining in it: the
more nails the more luck.[201]
In Northumberland the holes free of nails are carefully
counted, as these indicate, presumably in years,
how soon the finder of the shoe may expect to be
married.[202] The peasants of northern Portugal prefer
mule-shoes having an uneven number of nail-holes,
as counteractives of the evil influences of the dreaded,
omnipresent witches known as the Bruxas.[203]
In Derbyshire it is customary to drive a horse-shoe,
prongs upward, between two flagstones near the
door of a dwelling.[204] This position is sometimes explained
by saying that, so placed, the luck cannot spill
out.
In a short poem called “The Lucky Horse-Shoe,”
by James T. Fields, an amusing account is given of a
farmer who picked up an old horse-shoe from the road,
and nailed it upon the door of his barn with the prongs
downward. But, far from bringing him luck, Fortune
thereafter frowned upon him; his hay crop failed, a
drought blighted his vegetables, and his hens refused
to lay.
The good farmer, discouraged and perplexed, confided
his woes to the sympathetic ear of an aged wayfarer
who chanced to pass by, relating how misfortunes
had pursued him since he had fastened up the old
horse-shoe.
The stranger asked to see the shoe;
The farmer brought it into view;
But when the old man raised his head,
He laughed outright and quickly said:
“No wonder skies upon you frown,
You’ve nailed the horse-shoe upside down;
Just turn it round, and soon you’ll see
How you and Fortune will agree.”
The farmer profited by the friendly suggestion and
reversed his luck-token, whereupon the capricious goddess
fairly beamed upon him. His barn was soon filled
with hay, his storehouses were packed with the kindly
fruits of the earth, while his wife presented him with
twins.
Farmers may well take heed how they nail up horse-shoes
over the doors of their barns. To obtain the best
results, it would seem advisable to place a pair of these
useful articles on each farm building, one with the
points upward, the other reversed; for in this way
they may not only hope to win Fortune’s smiles, but
also to keep all witches and unfriendly spirits at a
respectful distance.
In an interesting story for children in “St. Nicholas,”
April, 1897, by Rudolph F. Bunner, entitled “The
Horse-Shoe of Luck,” the writer introduces Luck in
the character and garb of a wandering clown or jester,
mounted upon a white horse. This jovial traveler seeks
a night’s lodging at a wayside farmhouse, and when he
has almost reached its hospitable door, his steed casts a
shoe, which the farmer hastens to pick up and carefully
hangs on a hook above the door. Luck proved to be a
most amusing fellow, and after supper he entertained
the children of the household in a royal manner, showing
them, among other things, how to drop china and
glass without breaking them, and how to tumble down
stairs without getting hurt. So the evening passed
merrily enough, and all retired for the night in a happy
frame of mind. Early in the morning the farmer was
awakened by the splash of raindrops upon his face, and,
hastily arising, he discovered that the roof had sprung
a leak, and that his guest had unceremoniously departed.
Nettled by such conduct, the farmer and his family hastened
in pursuit of the fleeing stranger, guided by the
hoof-prints of his white horse; and when they had overtaken
him, the farmer reproached his late guest for
having left his house so abruptly. Whereupon Luck
replied: “I left you, not because you could not even
nail my horse-shoe over your door, but hung it upside
down, so the luck ran out at the ends, but because of
your own mistake. You trusted to me; you trusted to
Luck. Ah ha!”
In the northernmost districts of Scotland exists a
belief that if the first shoe put on the foot of a stallion
be hung on the byre door, no harm will come near the
cows; and in the same region, if a horse-shoe be placed
between the houses of quarrelsome neighbors, neither
incurs any risk of evil as a result of the other’s ill-wishes.[205]
As a means of warding off impending sickness from
cattle, and in order that they may thrive during the
summer, the Transylvanian peasants place broken horse-shoes
in the animals’ drinking-troughs on St. John’s
Day, June 24.
In Lincolnshire, not many years ago, there prevailed
a custom of “charming” ash-trees by burying horse-shoes
under them. Twigs from a tree thus magically
endowed were believed to be efficacious in curing cattle
over which a shrewmouse had run, or which had been
exposed to the glance of an evil eye. To effect a cure
in such cases, it was only necessary to gently stroke the
affected animal with one of these twigs.[206]
Some years ago, a Golspie fisherman who owned a
small boat was favored with an extraordinary run of
luck in his fishing, and as a result of his good fortune
was enabled to buy a larger vessel, selling the old one
to a neighbor. From that time, however, his lucky star
seemed to wane, and good “catches” were infrequent.
Casting about in his mind for the reason of this, he
bethought him of a stallion’s shoe which was fastened
inside his former boat, and which had been given
him by a “wise person.” But both boat and horse-shoe
were now in the hands of his neighbor, who maintained
with reason that the lucky token was now his
property, as he had purchased “the boat and its gear.”
And ever thereafter the disconsolate fisherman attributed
his lack of success in that season to his own folly
in having parted with the stallion’s shoe.[207]
The horse-shoe figures often in traditions of the sea
as a protection to sailors. When the ghostly ship of
the Flying Dutchman meets another vessel, some of its
uncanny crew approach the latter in a boat and beg
them to take charge of a packet of letters.
These letters must be nailed to the mast, else some
misfortune will overtake the ship; especially if there be
no Bible on board, nor any horse-shoe fastened to the
foremast.
In the month of September, 1825, lightning struck a
brigantine which lay at anchor in the Bay of Armiso,
in the Adriatic. A sailor was killed by the bolt, and
tradition says that on one of his hips was seen the perfect
representation of a horse-shoe, a counterpart of one
nailed to the vessel’s foremast in accordance with the
custom in vogue on the Mediterranean.[208]
The same custom is common in German inland waters,
as, for example, on the river craft which ply on the
Elbe below Hamburg, and on those which navigate the
Trave, at Lubec. On the latter vessels horse-shoes are
usually fastened to the stern-post, instead of to the
mast.
In a German work, entitled “Seespuk,” by P. G.
Heims, page 138, the writer remarks that, among seafaring
people, the old pagan emblem, the horse-shoe,
whose talismanic origin is so closely associated with
horse-sacrifice and the use of horse-flesh as food among
the heathen nations of the North, is even now the most
powerful safeguard aboard ship against lightning and
the powers of evil.
There are comparatively few small vessels laden with
wood, fruit, vegetables, or other merchandise, sailing
between Baltic Sea ports, upon whose foremast, or elsewhere
upon deck, horse-shoes are not nailed.
Indeed, continues the same writer, this symbol has a
notable significance in German art as well, a fact attributable
less to its graceful curving shape than to the
deeply rooted superstitions, relics of barbaric times,
which yet cling to it.
Whether we regard the horse-shoe as a symbol of
Wodan, the chief deity of the northern nations, as
deriving magical power from its half-moon shape, as a
product of supernatural skill in dealing with iron and
fire, or as appertaining to the favorite sacrificial animal
of antiquity, the pagan source of its superstitious use
is equally evident.
The horse-shoe, whether as an amulet or as a sign of
good luck, has nothing to do with the Christian religion.
In either case it is a wholly superstitious symbol, and
savors of paganism; it is in fact an inheritance from
our heathen ancestors, a barbaric token, unworthy
even to be named in connection with the sacred cross.
Yet throughout many centuries it has captivated the
popular fancy, and its emblematic use appears to be as
firmly established to-day as ever in many parts of the
world.
It is popularly believed that the chance finding of a
horse-shoe greatly enhances its magical power; and it
is claimed, moreover, by some writers, to be an axiom
in folk-lore that talismanic objects thrust upon one’s
notice, as it were, are direct gifts from the goddess
Fortune, and hence possessed of a special value for the
finder. Such a notion is as clearly of pagan origin as
the custom of bowing to the new moon, or of fixing
representations of horses’ heads upon the gables of
houses in order to terrify wandering spirits of evil.
In “Curiosities of Popular Customs,” by William S.
Walsh (p. 665, 1898), it is stated that the Northern
peoples were wont to offer sacrifices to Wodan after the
harvest, and that the little cakes still baked on St.
Martin’s Day, November 11, throughout Germany, are
shaped like a horn or horse-shoe, which was a token of
the pagan god. Although not susceptible of proof, it
seems highly probable that we have here another relic
of idolatry. It is a point worthy of note, moreover,
that Wodan was not only an all-powerful deity, corresponding
to the Greek Zeus and Roman Jupiter, but
that he was also a great magician, and hence quite
naturally the horse-shoe, as one of his symbols, inherits
magical attributes.
In Tuscany a horse-shoe when found is placed in a
small red bag with some hay, which the Tuscans consider
also a luck-bringing article, and the twofold charm
is kept in its owner’s bed.[209]
Dr. Robert James, an English physician of the eighteenth
century, and the inventor of a well-known fever-powder,
ascribed his success in acquiring a fortune to
his good luck in having once found a horse-shoe on
Westminster Bridge. The sincerity of his faith was
attested by the adoption of the horse-shoe as his family
crest.
Brand quotes from John Bell’s MS. “Discourse on
Witchcraft” (1705) as follows:—
Guard against devilish charms for Men or Beasts. There
are many sorceries practiced in our day, against which I
would on this occasion bear my testimony, and do therefore
seriously ask you, what is it you mean by your observation of
Times and Seasons as lucky or unlucky? What mean you
by your many Spells, Verses, Words, so often repeated, said
fasting or going backward? How mean you to have success
by carrying about with you certain Herbs, Plants, and branches
of Trees? Why is it that, fearing certain events, you do use
such superstitious means to prevent them, by laying bits of
Timber at Doors, carrying a Bible merely for a Charm, without
any farther use of it? What intend ye by opposing
Witchcraft to Witchcraft, in such sort that, when ye suppose
one to be bewitched, ye endeavour his Relief by Burnings,
Bottles, Horse-shoes, and such like magical ceremonies?
In some Roman Catholic countries the priests are
wont to brand cows and pigs on the forehead with the
mark of a horse-shoe, to insure them against disease.[210]
It was, moreover, an old Scotch superstition, or freet,
to pass a horse-shoe thrice beneath the belly and over
the back of a cow that was considered elf-shot.[211]
Among the Wendish inhabitants of the Spreewald,
in North Germany, the lucky finder of a horse-shoe is
careful not to tell any neighbor of his good fortune,
but proceeds at once to fasten the shoe over the door
of his house, or on the threshold, with three nails, and
by three blows of a hammer, so that evil spirits may
not enter.
We have seen that a horse-shoe picked up on the
road is often prized as no mean acquisition by the finder
thereof. It may not be out of place to give here a literal
translation of a spell for the protection of a horse’s
hoof when a shoe has been lost. The original appeared
in Mone’s “Anzeiger” in 1834, and is written in the
dialect known as “Middle High German,” which was
in vogue from the twelfth to the sixteenth centuries:—
When a horse has lost one of its iron shoes, take a bread-knife
and incise the hoof at the edge from one heel to the
other, and lay the knife crosswise on the sole and say: “I
command thee, hoof and horn, that thou breakest as little as
God the Lord broke his Word, when he created heaven and
earth.” And thou shalt say these words three hours in succession,
and five Paternosters and five Ave Marias to the
praise of the Virgin. Then the horse will not walk lame
until thou happenest to reach a smithy.
The Germans have a saying in regard to a young
girl who has been led astray,—“She has lost a horse-shoe.”
This saying has been associated with the shoe
as a symbol of marriage, an idea found both in the
northern and Indian mythologies. But the phrase has
been also thought to refer to the horse-shoe shaped
gloria which crowns the head of the Virgin, the horse-shoe
thus becoming the symbol of maidenly chastity.[212]
Again, it has been suggested, in reference to the same
phrase, that the horse-shoe is a symbol of the V (or first
letter of the word Virgo), which is used in church records
to designate the unmarried state, just as the word “spinster”
is used in legal documents.
The ancient Irish were wont to hang up in their
houses the feet and legs of their deceased steeds, setting
an especial value upon the hoofs;[213] and with the Chinese
of to-day a horse’s hoof hung up indoors is supposed
to have the same protective influence over a
dwelling that a horse-shoe has elsewhere. In southwestern
Germany it is still a common practice to nail a
hoof over the stable-door; and in the Netherlands a
horse’s foot placed in a stable is thought to keep the
horses from being bewitched.[214]
Burton, in his “Anatomy of Melancholy,” admits a
belief in the virtues of a ring made from the hoof of the
right foot of an ass, when carried about as an amulet.
Occasionally, though rarely, the horse-shoe is thought
to have been employed by the witches themselves in
furtherance of their mischievous designs.
In the “Revue des traditions populaires,” vol. ii.
1887, an anecdote is related of a veteran Polish cavalryman
who had served under Napoleon I. While bivouacking
with a detachment of lancers in a village of
eastern Prussia, he and several others lodged in the
house of an old peasant woman, and their horses were
accommodated in her barn. It was shortly noticed that
the animals appeared depressed and refused the hay
and grain provided for them, whereupon the soldiers
concluded that they were under some spell and began a
search for the cause. They soon found an old horse-shoe
with three nails remaining in it, and one of these
was quickly driven out with a hammer. Instantly the
horses began to snort and exhibited signs of restlessness.
On the removal of the second nail they held up
their heads proudly, and when the third nail was hammered
out they fell upon their provender and devoured
it voraciously. The cavalrymen were now convinced
that their horses had been the victims of some deviltry
at the hands of their hostess, whom they believed to be
a sorceress. Before their departure, therefore, they
gave her a good beating with their sabre scabbards to
teach her not to practice her nefarious arts upon the
horses of honest people.
It will suffice merely to allude to the theory of the
phallic origin of the superstitious use of the horse-shoe,
a branch of our subject capable of much elaboration.
The horse-shoe is still the conventional figure for the
yoni (a phallic emblem) in modern Hindu temples.
This theory is discussed in “Ancient Faiths embodied
in Ancient Names,” by Thomas Inman, M. D., London,
1873; and in “A Discourse on the Worship of Priapus,”
by Richard Payne Knight, Esq., London, 1865.
Phallic ornaments are of great antiquity, and amulets
of this character have been found in the earliest Etruscan
tombs. Specimens are also to be seen in the various
Italian museums.
The yoni symbol guards the entrances of ancient
temples in Mexico and Peru, as well as in India.
Ornate Mexican sacred stones of the horse-shoe form,
relics of the ancient Maya tribes, are classed in the
National Museum at Washington, D. C., as representative
of fecundity and nature-worship; and horse-shoe
symbols are found in Aztec manuscripts relating to
agriculture as signs of abundance.[215]
Phallic charms are seen above the entrances of houses
and over tent-doors in north Africa to avert the evil eye,
and to bring health and good fortune. Much information
on this subject may be found in a chapter on serpent
and phallic worship in “Rivers of Life,” by Major-General
J. G. R. Forlong, London, 1883; and in an
essay on “Phallism in Ancient Religions,” by C.
Staniford Wake, 1888.
On a curious tablet found near a prehistoric mound
in the vicinity of the village of Cahokia, Saint Clair
County, Illinois, are portrayed human faces with bird-like
profiles, diamond-shaped eyes, and low foreheads
surmounted by ornamental crowns or head-dresses.
The mouths are wide open, and in front of them are
represented symbols having a well-defined horse-shoe
form. These symbols, although probably of phallic
origin, are thought to signify the principle of life
residing in the breath, just as in India the horse-shoe
is an emblem of the soul.[216]
The horse-shoe, associated usually with some other
symbol, is not infrequently seen displayed on the signs
of British taverns. There is a well-known hostelry
bearing this sign and name on Tottenham Court Road
in London. To quote from “The History of Signboards,”
by Jacob Larwood and John Camden Hotten:—
The Three Horse-shoes are not uncommon, and the single
shoe may be met with in many combinations, arising from the
old belief in its lucky influences. Thus the Horse and Horse-Shoe
was the sign of William Warden at Dover, as appears
from his token. The Sun and Horse-Shoe is still a public-house
sign in Great Tichfield Street, and the Magpie and
Horse-Shoe may be seen carved in Fetter Lane; the magpie is
perched within the horse-shoe, a bunch of grapes being suspended
from it. The Horns and Horse-shoe is represented
on the token of William Grainge, in Gutter Lane, 1666, a
horse-shoe within a pair of antlers. The Hoop and Horse-shoe
on Tower Hill was formerly called the Horse-shoe.
Miller Christy, in his book “The Trade Signs of
Essex,” says that horse-shoe signs probably owe their
origin partly to the fact that this symbol appears on
the arms of the Farriers’ Company, and partly to the old
practice of fastening a horse-shoe upon the stable-door
or elsewhere as a witch-scarer. In the county of Essex
the horse-shoe may be seen upon the signs of beer-houses
at Great Parndon, Braintree, Waltham Abbey,
and High Ongar.
There was formerly more than one noted inn in London
known as the Half-Moon, and a street of that
name, leading from Piccadilly, is well known. The
name and symbol of the full moon, however, seldom
appear on sign-boards. Butler asks in “Hudibras:”—
Tell me, but what’s the nat’ral cause,
Why on a sign no painter draws
The full moon, but the half?
The reason is doubtless because of the favorable
auspices associated from time immemorial with the
crescent moon.
One need hardly accept as plausible the explanation
sometimes offered, namely, that the half-moon tavern
symbol is a silent invitation to eat and drink to one’s
full capacity; a hint, as it were, to follow the crescent
moon’s example and “get full.”
The origin of the horse-shoe as a charm has been
ascribed to its resemblance to the metallic aureole or
meniscus formerly placed over the heads of images of
patron saints in churches, and which is also represented
in ancient pictures of the Virgin.
This aureole, or more properly nimbus, was probably
of pagan origin, for in early times circles of stars frequently
ornamented the heads of statues of the gods,
as emblematic of divinity. In speaking of certain
ancient relics found in Ireland, Mr. W. G. Wood-Martin
(“Pagan Ireland,” p. 492) says:—
Thin crescentic plates, with the extremities terminating in
flat circular disks, are the ornaments most frequently discovered.
In form they are identical with the half-moonshaped
ornaments in use among the Greeks and Romans, and
with the nimbi on carvings of the Byzantine school; and they
differ but little from the ring which now is conventionally
placed around the head of a saint. Thus this glory can be
traced back to pagandom. The crescentic plate appears to
have been primarily the badge of some distinguished person, a
chief or king; then it became the emblem of one considered
to be a very holy person, for in Ireland, in the early days of
Christianity, the saints were derived principally from the
aristocracy.
In the collection of the Royal Irish Academy is a
golden tiara or diadem, said to have been found in
County Clare. This relic, which measures about a foot
in height and the same in breadth, is thought to have
been a head-dress of some pagan or early Christian
chieftain.
In the earlier years of the church these crescent symbols
were avoided as savoring of heathenism; but without
any thought of its significance, it became customary in
the Middle Ages to place a circular brass plate upon the
heads of statues as a protection from snow or rain.
Hence arose the practice of similarly adorning images
and paintings in churches.[217]
In later times these crescent-shaped pieces of metal
were sometimes nailed up at the entrance of churches,
and so came to be regarded as protective emblems.[218]
The horse-shoe was an easily available substitute for the
halo or glory, and so was often placed upon the doors
of churches, especially in the southwest of England, as
it was generally believed in olden times that evil spirits
could enter even consecrated edifices. Aubrey, in his
“Miscellanies,” mentions having seen under the porch
of Staninfield Church, in Suffolk, an inscription with the
device of a horse-shoe, intended to exclude witches, and
he naïvely remarks that one would imagine holy water
amply sufficient for the purpose.
On the south door of the parish church of Ashby-Foville,
in Leicestershire, were formerly two ancient
horse-shoes of great size, one of them measuring 16 by
11½ inches, or more than twice as large as an average
modern shoe.
As it does not seem likely that such shoes were made
to fit horses’ feet, in the absence of traditional information
regarding them, it appears probable that they
were intended solely to bar the ingress of witches.[219]
In St. Martin’s Church, Canterbury, the oldest in
England, the sacristan shows visitors the site of an early
English door on the south side, and a Norman doorway
in the middle of the northern wall, both long since
blocked up. Infants to be baptized were formerly
brought into the church by the south entrance, and
after the ceremony the north door was thrown open to
permit the egress of evil spirits expelled by baptism.
For in early times demons were believed to come from
the north, where the habitations of the Norse gods
were also thought to be. The pagans, when worshiping
their deities, looked towards the north; but
Christians engaged in prayer turned their faces eastward
and lifted up their hands; they regarded the
north as “the unblessed heathen quarter.” The unexplored
Arctic regions, where night[220] reigned much of
the time, were thought to belong especially to the Devil,
or spirit of darkness;[221] and the same idea is conveyed
in several passages of Holy Scripture, as, for example,
in Jeremiah iv. 6: “I will bring evil from the north,
and a great destruction.”
In the Middle Ages the rose-windows in the north
and south transepts of Lincoln Minster were called the
two eyes of the cathedral, the former being known as
the Dean’s Eye, ever on the watch against the attacks
of Lucifer, who had his abode “in the sides of the
north” (Isaiah xiv. 13); while the window in the south
transept was called the Bishop’s Eye, “courting the
influence of the Holy Spirit, of which the south wind
was a type.” Apropos of evil spirits entering consecrated
places, there is a quaint legend about a little
stone figure yclept the Lincoln Imp, which is to be
seen perched upon a corbel of a column on the north
side of the Angel Choir of the same cathedral. According
to one version of the legend, when Bishop
Remigius came to Lincoln, in the year after the Norman
Conquest, the Devil was sorely tried; for until
that time he had had undisturbed control of affairs
in the town and neighborhood. In vain the Evil One
sought to hinder the completion of the church, and
finally he waylaid the bishop outside the building
and attempted to kill him. But the good bishop at
this critical time called upon the Blessed Virgin Mary
for assistance, and she sent a tempest of wind which
so buffeted and distracted the Devil that he sought
refuge inside the church, not daring to venture out
because of the fierce wind, which prevails a good part
of the time even nowadays, and which is still awaiting
the Devil’s reappearance!
The Bishop, we know, died long ago;
The wind still waits, nor will he go
Till he has a chance of beating his foe;
But the Devil hopp’d up without a limp,
And at once took shape as the Lincoln Imp.
And there he sits atop the column,
And grins at the people who gaze so solemn.
Moreover, he mocks at the wind below,
And says, “You may wait till doomsday, O!”
[222]
In southern Germany, Bavaria, and Tyrol, the horse-shoe
symbol is to be seen on church-doors, as an emblem
of St. Leonard, the guardian and protector of
horses and travelers; and it is usually associated with
some romantic legend, having oftentimes a historic
basis. Traditions relating to horse-shoes on church-doors
are, indeed, plentiful in the popular literature of
Germany, and a few examples are given later. St.
Leonard’s Day, November 6, had its special observances.
The peasants were wont to bring their horses
to some church dedicated to that worthy, and ride them
thrice around the sacred building, a procedure which
was believed to be highly auspicious.[223] It was, moreover,
customary for noblemen, before starting on an
equestrian journey, to fasten a horse-shoe on the church-door
as a votive offering to St. Leonard.[224]
Especial honor is accorded to this saint on the day
of his festival, at Fischhausen, a seaport village in
northeastern Prussia. On that occasion the parish
church is surrounded by farm wagons and other vehicles
drawn by gayly decorated horses, for here the
country people have a grand rendezvous; young women
in holiday attire drive hither the cows, who have been
brought from their summer quarters in the upland
pastures, that they, too, may participate in the festivities.
A religious service, largely attended by the peasants,
is first held in the church, and then follow the
outdoor exercises, of which a chief feature consists in
driving the horses three times around the building at a
rapid pace.[225]
During the prevalence of a severe epizoötic in Würtemberg
many years ago, the people removed the shoes
from their horses’ feet, and hung them on the walls of
churches as propitiatory offerings. Various other iron
implements, such as chain traces, were thus similarly
displayed.
An ancient St. Leonard’s Chapel, in the town of
Laupheim, is encircled by an iron chain, which is said
to have been forged from horse-shoes thus piously contributed.[226]
The largest church dedicated to this saint is
at Tölz, in upper Bavaria, and its altar is likewise surrounded
by an iron chain.
Pictures of St. Leonard are sometimes placed upon
stable-doors to bring luck; he is usually represented as
holding a pastoral staff, while on one side is seen a colt
or filly, on the other a sick ox, and at his feet is a ewe
lamb.
In northern Germany, St. George, as a successor
of Wodan, is one of the special guardians and protectors
of horses. On the festal day of this saint, April
23, the peasants gather in large numbers around some
church dedicated to him, and their horses and vehicles,
numbering sometimes many hundreds, are drawn up in
a circle around the sanctuary. After the parish priest
has delivered a sermon in the church, he comes to the
door and blesses each horse separately as the animal is
led past, meanwhile sprinkling him with holy water.
Then the young men mount their best horses and ride
them three times at full speed around the church, shouting
lustily meanwhile.
Jähns remarks that this ceremony is doubtless a
relic of some pagan rite, and that in many places a venerable
tree, instead of a Christian church, is chosen as
the place of rendezvous on St. George’s Day. During
the ride around the tree, an aged peasant standing
in its shade throws upon each horse, as it passes, a little
moist earth taken from about the roots of the sacred
tree, and this insures the animal against sickness until
the following spring, especially if some of the earth be
placed in a bag and hung up in the stable.
As the hammer was Thor’s emblem, so the horse-shoe
has been thought to possess a certain mystic significance
as a symbol of the heathen god Wodan; and it
has been assumed that the ancient churches, upon whose
doors horse-shoes are still to be seen, were built upon
the sites of pagan temples dedicated to that deity. It
has been argued, moreover, that the modern use of a
horse-shoe as a talisman, and the placing of horses’
heads on peasants’ houses, are relics of heathendom,
and have a mysterious affinity with the hoof-print
legends of Teutonic mythology. Such a theory appears
plausible enough in view of the fact that many
of the superstitious customs and beliefs of modern times
are known to have existed before the Christian era.
1. Within recent years two horse-shoes were to be
seen on the door of the parish church of Haccombe in
Derbyshire. A romantic legend associated with these
horse-shoes is the theme of a ballad supposed to have
been written by a master of Exeter Grammar School
in the early part of the nineteenth century. The ballad
graphically describes a race for a wager between a
certain Earl of Totnes, mounted on a Derbyshire roan,
and one Sir Arthur Champernowne, on a fleet Barbary
courser. The race was won by the earl, who thereupon
rode straight to the door of Haccombe Church,
And there he fell on his knees and prayed,
And many an Ave Maria said;
Bread and money he gave to the poor,
And he nailed the roan’s shoes to the chapel door.
[227]
2. In the traditionary lore of the Harz Mountains
there is a weird tale of four horse-shoes, which for ages
were to be seen on the door of a church in the suburbs
of Klettenburg.
Once upon a time, so runs the story, a great drinking-match
was held on a Sunday morning at Elrich. The
prize was a golden chain, and many knights assembled
from near and far. The carousal lasted for some hours,
until Count Ernest of Klettenburg, the only one who
could still keep on his feet, exultantly claimed the
golden chain, which he hung about his neck. Then,
mounting his horse, he rode homeward, and while nearing
Klettenburg he heard the strains of even-song in a
church dedicated to St. Nicholas. Urging on his steed,
he rode madly through the open door straight to the
altar. Then, so runs the legend, the horse’s four shoes
fell off, and horse and rider sank down together out of
sight. In memory of this wonderful event, the four
horse-shoes were placed on the door of the church, and
for many years were regarded with awe by the simple
countryfolk.[228]
3. In the construction of the Church of St. Stephen,
at Tangermünde, in Prussian Saxony, a brick edifice
of the fourteenth century, the members of two guilds,
those of the blacksmiths and shoemakers, were of
especial assistance; and in remembrance of this, a
horse-shoe and an iron shoe-sole were built into the
outer wall of the church. The former indicates that
up to its level the blacksmiths had built the walls, and
the latter shows that all the work above the horse-shoe
was done by the shoemakers; such, at least, is the popular
explanation, which may well be received cum grano
salis.
4. In the parish church of Schwarzenstein, in east
Prussia, hang two horse-shoes as reminders of the following
tradition: In the village of Eichmedien, one
mile from Rastenburg, lived formerly as tavern-keeper
a woman, who had earned an unenviable notoriety by
her practice of charging double the proper fees for
board and lodging. Late one night, when several of
her guests accused her of being a cheat, she asseverated
her honesty by holding up her hand, and saying in the
form of an oath: “If my score is not correct, may
the Devil now jump on my back.” The Evil One took
the woman promptly at her word, transformed her into
a mare, and rode her out of the village, laughing scornfully.
At headlong speed he rode to a blacksmith’s
shop in Schwarzenstein, and demanded that his mare be
shod at once. The blacksmith, routed out of his sleep,
excused himself, pleading the lateness of the hour and
the fact that there was no fire in his forge. The Devil
insisted, however, and promised liberal payment if the
work were done quickly. The blacksmith yielded at
length, but had not proceeded far in shaping the shoes
when the mare began to speak. “My cousin, don’t
you know me?” she said; “I am the tavern-keeper.”
Upon this the blacksmith was so horrified that neither
threats nor entreaties could prevail to make him proceed
with the shoeing, and before he had finished the
third shoe a cock crowed, and immediately the spell was
broken and the woman reassumed her own form. And
to point the moral of this legend, and as a warning
to cheats, the two horse-shoes which the smith had
completed were nailed up in the village church at
Schwarzenstein.
5. According to an old tradition, the Lapp king,
Olaf Skötkonung (995-1030), wishing to become a
Christian, asked his royal contemporary, Ethelred II.
of England, to send him a teacher. In response to this
request Bishop Siegfried and three missionaries came
to Sweden, and, landing on the southwestern coast,
encamped the first night at Wexio, on Lake Sodre.
Here the bishop saw in a vision a great company of
angels, and thereupon determined to build a church
at that place. The pagan inhabitants, however, were
hostile to the undertaking, and seized the three missionaries,
Winaman, Unaman, and Sunaman, whom they
beheaded, and caused their heads to be thrown into
the water.
One night soon after this sad event Siegfried was
walking along the shore of the lake, sighing and praying,
when he espied three luminous objects approaching
on the water, borne onward by the waves, and soon he
recognized them as the heads of his friends. And,
behold, the first head said, “The dead shall be avenged.”
And a voice from the second head exclaimed, “When?”
Then replied the third head in solemn tones, “On their
children and children’s children.” This prophecy was
not, however, fulfilled to the letter, for through Siegfried’s
intercession Olaf consented to spare the lives
of the murderers, on condition that they should build
a Christian church in Wexio; and this church, which
still exists, has on its coat-of-arms, or seal, the representation
of three severed heads, in memory of the
occurrence and its legend. In this church hung formerly
a shoe of Wodan’s famous steed Sleipnir, as a
souvenir of the following tradition: When the church
bells rang for the first time to summon the people to
mass, Wodan came riding over the mountains, and,
when nearing Wexio, Sleipnir, in a sudden fright,
struck a rock with one of his feet, and the impress of
the powerful blow remains in the rock to this day.
But the shoe fell off and was placed in the church.[229]
6. Many years ago, so runs an old legend, a man
obtained employment at a farm in Norway, where, unknown
to him, the mistress was a witch. Although the
man had plenty of good wholesome food, he did not
thrive upon it, but became thinner each day. Being
troubled at this, he sought the counsel of a wise man,
from whom he learned the true character of his mistress.
He learned, moreover, that she had been in the
habit of transforming him into a horse at night while
he slept, and riding him to Troms Church, a fact which
fully accounted for his leanness.
The wise man also gave him a magical ointment, with
which to rub his head at bedtime, and by virtue of
which, on awaking the next morning, he found himself
standing by Troms Church with a bridle in his hand,
while behind him were a number of horses bound together
by their tails. Soon he perceived his mistress
coming out of the church, and when she was near
enough to him he threw the bridle over her head, and
instantly she was transformed into a handsome mare,
which he mounted and rode homeward. On his way,
however, he stopped at a farrier’s and had the animal
shod with four new shoes, and on reaching home he
told his master that he had bought a fine mare, that
would be an excellent mate for one which he already
had. His master bought the mare at a good price, but
when he took the bridle off she disappeared, and in her
place stood the mistress witch with new horse-shoes on
her hands and feet. Thereupon the man related the
wonderful tale of his experiences, and in consequence
thereof the wife was turned out of doors, and never
got rid of the horse-shoes.[230]
7. Once upon a time a gentleman of rank was driving
with four horses along the highway which runs
between the towns of Tübingen and Hirschau, in Würtemberg,
and when opposite a roadside chapel he scoffed
at a picture of the Madonna which adorned it. Immediately
his horses came to a standstill, nor could he
make them proceed, in spite of vigorous urging. At
length, in this dilemma, a priest was called, who imposed
as a penance the removal of a shoe from the right
fore-foot of each horse, and after this had been done
the gentleman was enabled to continue his journey.
And in commemoration of this miracle one of the horse-shoes
was nailed upon the chapel-door, where it was
still to be seen in recent years.[231]
8. One Sunday morning a swarthy rider on a black
horse rode at full speed through the village of Nabburg,
in Bavaria, directly to the blacksmith’s shop, to
have his horse shod. “Will you not rest on a Sunday?”
demanded the smith. “My steed and I journey
to and fro, and care nothing for the Christian
Sunday,” replied the horseman; “therefore shoe my
horse in the Devil’s name, and I counsel thee speak no
pious word meanwhile, for no devout person has yet
obtained the mastery over this spirited animal.” With
these words he sprang to the ground and stroked his
horse’s flowing mane. The smith, though ill at ease,
began the work, and the horse was as quiet as if under
a spell, much to the astonishment of his master, who
could scarce believe his eyes. Three shoes were quickly
set, and the smith called to his assistant, “Now, then,
in God’s name, hand me the last shoe!” Instantly the
fiery steed reared and struck out wildly, casting a shoe
with such force against the wall that it remains to this
day embedded there. But the horse and his rider were
seen no more.[232]
9. In a wall on an estate called Ludwigstein, in
Schleswig-Holstein, is to be seen a large stone bearing
the imprint of a horse-shoe, wherewith is associated the
following tale: One morning many years ago a horseman
was riding along the road when the church prayer-bell
rang, whereupon he swore an oath and said, “May
the Devil take me if I am not again on this very spot
this evening when the bell again sounds.” And indeed
he kept his word, but at the stroke of the evening bell
his horse slipped upon the stone and broke a leg, and
the mark of a shoe is still to be seen there.
10. The Horse-Shoe imprint in the cemetery of the
Church of Our Lady at Munster. During the building
of this beautiful Gothic church in the fourteenth
century, the Devil observed its shapely proportions
with increasing displeasure, and bethought himself of
various schemes to hinder the work’s progress. Finally
he decided on trying to bewitch the architect’s senses.
Accordingly he braided his hair, arrayed himself in
gay female attire, bedecked with costly jewels, and
appeared before the architect, whom he sought to
ensnare with soft words and gifts. But the latter
was not thus to be deceived. Leaning upon his measuring-rod,
he listened unmoved to the beguiling conversation
of the pretended belle, and rejected with
scorn the gold and precious stones which she brought
him. Thereupon the Devil became enraged, stamped
upon the ground with vehemence, and disappeared,
leaving behind him an evil smell; and the mark of
one of the iron horse-shoes, wherewith he was shod,
was deeply imprinted on a stone in the cemetery,
and, according to popular report, is still to be found
there.
The impressions on stone of figures of horse-shoes,
of which there are numerous examples in northern
Europe, are regarded by some archæologists as sacred
symbols of the pagans or relics of the cult of Wodan,
and as showing the sites of ancient altars and burial
places; while others maintain that these figures were
originally intended as boundary marks. Numerous
traditions associate them with battles fought in these
localities, and in the popular fancy they are imagined
to indicate the favorite haunts of witches, the meeting-places
where they held their revels, the horse-shoe mark
being an imprint of the Devil’s foot. These weird
rendezvous were usually on the tops of mountains or
hills, and are still known as Witches’ Dance-Places in
different parts of Europe, especially in Germany.
In the preceding pages an attempt has been made to
furnish plausible reasons for the horse-shoe’s universal
popularity both as an amulet and as a token of good
luck. It is evident, however, that this superstition cannot
be referred to any one particular starting-point.
Just as the sources of a river may be manifold, consisting
of numerous springs and tributaries, so, too, the
belief in the horse-shoe’s magical virtues is of complex
origin, and can be traced to diverse beginnings.
It may be profitable, therefore, briefly to enumerate
the different theories which have been advanced:—
1. At the rite of the Passover, the blood sprinkled
upon the lintel and door-posts formed the chief points
of an arch. Hence the value of arch-shaped talismans.
2. The magical virtue of the horse-shoe against
witches and fiends has been attributed to its bifurcated
form, and to its resemblance to the lunar crescent.
Charms of similar shape are known to have been in use
among the ancient Chaldeans and Egyptians.
3. Iron and steel, metals having traditional power
against evil-disposed fairies and goblins.
4. The serpentine shape. Serpent-worship was
nearly universal among primitive peoples, and amuletic
symbols of this form were in use in the days of ancient
Rome.
5. The so-called horse-shoe arch as typifying a beneficent,
protecting power.
6. The ancient conception of the earth as having
the shape of a round boat turned upside down and
corresponding to the Egyptian Put-sign.
7. The Horse. This animal was worshiped among
the early Germanic tribes, and an English myth accredits
to it luck-bringing qualities.
8. The Scandinavian superstition of the Demon-Mare.
9. The old astrological principle that Mars, the God
of War and the War Horse, was hostile to Saturn, the
liege-lord of witches.
10. The legend of Saint Dunstan and the Devil.
11. Phallic Symbolism.
12. The Aureole or Nimbus.
13. Supernatural faculties ascribed to blacksmiths.
14. The Egyptian hieroglyphic symbol 𓎆, signifying
the mystical door of life.
15. Horses’ hoof-prints in mythology and tradition.
16. The horse-shoe a symbol of the heathen god
Wodan.
Whatever may be the origin of the superstitious employment
of the horse-shoe, its adoption as a token of
good luck appears to be comparatively modern, its earliest
use having been for the exclusion of witches, evil
spirits, and all such uncanny beings.
Before leaving the subject an extract may be given
from an article in the “London World,” August 23,
1753, against the repeal of the so-called Witch Act,
wherein the writer offers the following satirical advice
to whomever it might concern:—
To secure yourself against the enchantments of witches,
especially if you are a person of fashion and have never been
taught the Lord’s Prayer, the only method I know of is to
nail a horse-shoe upon the threshold. This I can affirm to be
of the greatest efficacy, insomuch that I have taken notice of
many a little cottage in the country with a horse-shoe at its
door where gaming, extravagance, Jacobitism, and all the
catalogue of witchcrafts have been totally unknown.
The world moves and civilization progresses, but the
old superstitions remain the same. The rusty horse-shoe
found on the road is still prized as a lucky token,
and will doubtless continue to be so prized; for human
nature does not change, and superstition is a part of
human nature.