Early Writings of the late R. C. Sands: Third Notice.—Through the continued
kindness of the co-member of the 'Literary Confederacy,' of which the lamented
Sands was so bright an ornament, we are enabled to set before our readers another Salmagundi
from that gifted writer's facile pen. We have lately touched in these pages
upon the character and proceedings of the early Puritans; and as a pleasant illustration
of their peculiar views, manners, and customs, we shall venture to select a few passages
from 'Salem Witchcraft, an Eastern Tale,' in which Sands's love of the ludicrous and
the burlesque is forcibly exhibited. The era of the story is that annus mirabilis, 1692;
the scene the town of Salem, (Mass.,) into which a stranger, mounted on a charger,
descended from John of Gaunt's ploughing team, enters at a devout gait. This is Faithful
Handy, an ordained teacher of the Word, who has 'a recommend' from a reverend
brother to Deliverance Hobbes; which 'recommend' in some degree superseded the
formalities of courtship in those primitive days. Miss Hobbes was no Hebe, if we may
judge from this sketch of her person and features, taken as she turned round, while drawing
water at a well, to reconnoitre the new comer: 'She squinted in the peculiar mode
described by the poet, 'when one eye looked up, the other looked down;' and was terribly
deformed in her person. Nature, in elaborating this rare article, seemed to have
been trying an optical experiment; as if to show, by adapting her crooked figure to a
parabolical reflector, how symmetry may be produced from the most hideous and uncouth
distortion. Her head, shaped like a broad-axe, was garnished with a tuft of red wool,
which 'streamed like a meteor to the troubled air,' and would, if transplanted, like the
locks of Berenice, have affrighted the nations, threatening pestilence and war. Her green
eyes were set deep in her head, and seemed affected, like the grass, by the hot weather.
A huge hawked nose covered half her face. Her ears were set like a dog's in the back
of her head; and her broad concave cheeks were rivelled with seams, stigmatized with
scars, and riddled with the small-pox. Thin skinny lips, and a Bavarian poke of the chin,
completed the nomenclature of her charms; and the rest of her person tallied with her
face. Such was the dragon that answered in a shrill voice to the parson's inquiries, 'Yes,
Deliverance Hobbes lives here; and I am her daughter Beautiful!' This was confirmed
by the apparition of the matron herself; who was the exemplar of her daughter's attractions,
except that her own charms had become mellowed by age, and contrary to the
usual course of nature, matured into something rather less ghastly and horrible. She
seemed to be informed of the purport of her visiter's mission; for her first inquiry was:
'Be you the minister that's got a recommend from Hugh Peters?' Faithful groaned in
the spirit, as he replied, he was; and as he entered the house, could not repress an inward
ejaculation: 'Hugh Peters had not ought to have did this! The Lord deliver me from
Deliverance Hobbes, and the Gorgon, her beautiful daughter!' Deliverance expresses
her willingness that the preacher should 'keep company with her daughter Beautiful,' in
which the latter acquiesces, with a supernatural leer; whereat the preacher is greatly
perturbed. 'She is too bitter ornary!' he exclaims, mentally; and even a plentiful
repast of bread, butter, milk, hominy, pork, sweet-meats, pumpkin-pie, and onions, cannot
blind him to that fact; hence he makes an excuse to depart for a brief season, to
visit his friend Goody Mercy Peabody, who lives hard by, promising soon to return:
'Goody Peabody was very glad to see Faithful, whom she had not beheld before since he was
a child; and he was much pleased with her daughter Patience, who was the very reverse of
Beautiful Hobbes; being a healthy, clean-limbed, tidy, good-natured looking housewife. He
now learned that Beautiful was as ugly as she was bitter; being a vast virago, and an intolerable
slut. In short, it was soon settled that he should keep company with Patience, and let Beautiful
shift for herself. As soon as Faithful had left the mansion of Goody Hobbes, which he did as fast
as fear and his horse could carry him, the damsel whom he thus uncourteously shunned, having
devoured him and his charger with her eyes, till they were out of the sphere of their vision, incontinently
swallowed the remaining segment of the pumpkin-pie to which he had paid his most earnest
devoirs, and waddled off to her dressing-room, to adorn her person for his expected return.
In about half an hour she made her reäppearance in the parlor, which had been in the mean while
swept and garnished. But not as she went out did Beautiful now return. She had exchanged
the dishabille in which she was accustomed to perform her domestic duties for the whole paraphernalia
of her toilet; and she now appeared arrayed in shreds and patches of as many different
colors as are found in the neck of a turkey-cock, and loaded with every article of her wardrobe,
which she imagined could give zest to her appearance, or add intensity to her charms. Her fiery
locks, condensed to a focus, and curiously entwined with a green riband, much resembled a bunch
of carrots dextrously garnished with grass. Her crooked carcase had been, in some measure,
straightened by a pair of tight stays, which, reaching to her hips, prevented her, as she sat in a
high-backed chair, from making any other than gyral contortions. Goody Hobbes, who had also
paid some attention to her charms, sat opposite her daughter, admiring the second edition of her
own perfections. Admiration of themselves, and of each other, for a while kept the two paragons
silent. The elder at length broke forth: 'I guess it's high time for Faithful to be back.' To
which the younger replied, 'I guess so too.' Then says the elder Hobbes, 'I guess there an't no
witches and spectres at Punkapog-pond.' 'I guess there an't,' rejoined Beautiful. A long pause
now ensued, which was broken by the matron's observing, 'I admire what keeps Faithful so long
at Goody Peabody's.' 'I admire so too,' says Beautiful, who, from the bottom of her stays, spoke
like one from the tomb. 'I admire how ornary Patience Peabody is,' quoth Deliverance. 'I
admire at her too,' quoth Beautiful; 'how bitter she is! They say she has seen the black man.'
Another long pause ensued, during which the impatience of the couple manifested itself by agitations,
and writhings of their heads and extremities. Faithful not making his appearance, these
spasmodic affections increased to universal and horrible convulsions of their whole frames; and
they sat like two Pythonesses on their sacred stools, pregnant with inspiration, and looking unutterable
things. At length, in the midst of her paroxysm, Deliverance bounced from her seat,
exclaiming with vehemence, 'I notion to send Remarkable to see where the minister stays!'
Remarkable Short, a woman six feet in her stockings, and quite 'in keeping' with
the Hobbes family, is despatched after Faithful by Deliverance, in these dulcet-words:
'Remarky, I wish you'd go down to Goody Peabody's and look after the minister that
ate supper here. I notion that he's forgot that it's time for him to come back and pray,
before we go to bed.' Remarkable and her errand were not very courteously received.
Goody Peabody said 'she admired what business such a long-shanked, ill-conditioned,
bitter-looking body as she, had to be snooping about other people's houses at that time of
night; that Faithful was going to keep company with her daughter Patience; that
Remarkable had better return to her employer; adding, that if she didn't troop in less
than no time, she would see if her help, Preserved Perkins, couldn't help her.'
Remarkable, after a series of adventures, arrives at home, and reports progress. Deliverance
and her daughter Beautiful receive the intelligence of the defection of the minister
in a paroxysm of anger and mortification; which ends in Beautiful's falling back in
violent contortions, exclaiming that she is 'bewitched by Patience Peabody!' The village
of Salem, it should be premised, was at this period in a woful state of perturbation,
if we may believe Cotton Mather, who tells us that 'the devils were walking about
the streets with lengthened chains, making a dreadful noise in our ears; and brimstone,
even without a metaphor, was making a horrid and an horrible stench in our nostrils.
And whoever,' he adds, 'questions any of these things, I hold to be a person of peculiar
dirtiness.' If we may believe Mather, therefore, the 'Prince of the Air' and his imps,
with an innumerable host of spectres, phantoms, apparitions, and hobgoblins, were let
loose upon this devoted place, and at the instigation of old women, potent in witchcraft,
were playing their damned pranks upon the inhabitants. Some delighted to stick pins
and forks in the tender flesh of innocent babes. Others would grievously torment poor
damsels, buffeting and tossing them about in a most lamentable manner. Sometimes
they would cause the most serious and sober-minded persons to babble forth unutterable
nonsense in all the known languages of the earth, except the Iroquois, in the which, it is
said, the devil himself hath no skill. At others, they would excite the worthy townsmen,
yea, even the selectmen themselves, to cut the most strange and fantastic capers; performing
those evolutions which the Greeks call [Greek: kuzisan] and [Greek: ekkuzisan], now upon their
heads they would dance aërial hornpipes and fandangos; and anon going upon all fours,
they would bark like a pack of hounds, or bray like a troop of jack-asses. Beside this,
brutes, and even inanimate matter, were the subjects of wicked sorcery: gridirons,
shovels, and frying-pans, clattered and rang, though touched by no mortal hand; spits
before the fire would fly up the chimney in the twinkling of an eye, and anon coming
down again, stick in the back-log in a spiteful and portentous manner; and three-legged
stools, slipping on one side, would laugh to see the matron whom they had eluded, lie
sprawling on the ground. Naughty children would feign themselves bewitched by some
person against whom they had taken an antipathy, and would kick, sprawl, and bellow,
with wonderful agility, until they had succeeded in moving the tender hearts of judge
and jury, and had the satisfaction of seeing poor Irishwomen hanged, whom their brogue
convicted of infernal colloquies, or some poor old lady ducked and drowned, whom an
unlucky squint showed to be possessed of an evil eye. In short, the whole country was in
an eminently distressed and bedevilled predicament; and Beautiful Hobbes was a decided
victim. A universal twitching assailed her joints; a sheeted paleness usurped her smoke-dried
cheeks; the purple faded from the tip of her nose, and the color of her eyes
became a dingy yellow; and she exclaimed, amid sobs and hiccups, 'Mother, there is a
ball in my throat, and Patience Peabody hurts me!' And she continued to roar lustily,
and pray for deliverance from her tormentor. Early next morning the Justice of the
County Court is informed that there is a decided case of malignant witchcraft at Goody
Hobbes's, where he is wanted immediately, in his judicial capacity. Accompanied
therefore by the sheriff, and Cotton Mather and his son, he straitway repairs to the
scene of bewitchment: 'When they arrived there, the room was full of people. Deliverance
and Remarkable were keeping guard on each side of the bed in which lay Beautiful,
who, as soon as the Justice entered, uttered a terrible screech, and fell into hysterics.
Mr. Mather junior then walked up to the bed, and passed his hand over the coverlid.
They asked him what he felt? He said there was something supernatural there, resembling
a rat, and quickly withdrew his fingers, having received a scratch quite across his
hand. The mob were now, by command of the Justice, turned out of the room, and Mr.
Mather senior made a prayer of half an hour's length; Deliverance every now and then
giving her daughter a spoonful of brandy, to keep her quiet. When the prayer was concluded,
Beautiful was told to say Amen; but she only made a muttering sort of noise,
which sounded more like an imprecation than any thing else. After many ineffectual
attempts, they gave over asking her to repeat the word; and the Justice asked her, 'Who
hurt her?' She then answered, glibly enough, 'Patience Peabody; she sticks pins in
me; and there is her spectre!' This was enough for the Justice, who ordered the sheriff,
in a magisterial tone, to seize and hold the body of Patience Peabody until farther notice,
at the same time calling out of the window to one of the crowd around the house, to go
down to Dr. Drybones, and request his immediate presence. The messenger found that
worthy functionary taking his morning walk in the grave-yard which adjoined his dwelling.
'He was a lank, long-visaged figure, skinny and withered up in his person, and
who bore a considerable resemblance to one of his own dried preparations. One would
imagine from his appearance that he had become assimilated to the spot where he usually
perambulated; and where it was said he had sent the greater number of his patients, as
if to have them under his more immediate charge.' Dr. Drybones repairs forthwith to
the possessed mansion, in a parlor of which the Squire and the two Mathers are awaiting
him. After the first salutations, they all repair in a body to the chamber where
Beautiful was lying, engaged in her gymnastic exhibitions:
'The Doctor, at the head of the 'posse comitatus,' advanced solemnly up to the bed-side, and
protruding his long skinny hand, took hold of the maiden's wrist between the fore-finger and
thumb, with the true Esculapian gripe. Then closing his eyes, and holding in his breath, as if to
condense all his sensibilities to the ends of his fingers, he began counting the pulsations. In about
half a minute he pronounced, in a solemn, sepulchral tone, at each pause pouting out his lips, and
smacking them in a curious manner: 'Pulse slow, and frequent; indicating a congestion of the
cerebrum, and general plethora, together with a phlogistic diathesis; you understand me, Squire.'
'Oh, perfectly, perfectly; exactly so, Doctor,' replied the Justice, putting on one of his wisest
looks; who, though he knew no more than a brewer's horse how a pulse could be slow and at
the same time frequent, and also how this indicated a congestion of the cerebrum, yet did not like
to confess his ignorance. 'And observe, Squire,' continued the Doctor, who had been lately reading
a work on Nosology, and wished to show off a little before the Justice, 'observe, I say, the
dilatation of the pupils, and the twitchings of the muscles, and the tossing of the extremities, and
the spasmodic affection of the diaphragm, and the tetanic symptoms; you understand me, Squire;
a very curious and complicated case, Squire.' The Justice, who at each stop in the Doctor's
speech, had put in his usual 'Just so; exactly so; satanic symptoms, no doubt, Doctor;' coincided
in this opinion. He also added that he had discovered the witch, and issued a warrant for her
apprehension. Mr. Mather senior now came forward, and with a sneering and sarcastic expression
of countenance, proposed, that as the Doctor understood the symptoms so well, he should
exert himself a little to relieve them; at the same time insinuating that drugs and doctors were
mere flea-bites, when opposed to witchcraft. 'Certainly,' replied the Doctor, in his deliberate
tones, 'certainly, friend Mather, I shall do to the utmost of my poor abilities to fulfil the nineteen
indications which offer. Of which the first is phlebotomy; the second a cleansing emetic; the
third a saline cathartic; the fourth a potent anti-spasmodic; the fifth a relaxing sodorifie; the
sixth——' 'Now may Satan take both you and your nineteen indications!' interrupted Mather
senior, who was much offended by this pedantic and conceited speech; and whose indignation
was vehemently aroused by his being called 'friend Mather,' which he considered a downright
insult, he having a most horrible antipathy to Quakerism. 'I tell you what, Drybones,' continued
he, 'you are a person of a shallow wit, and small capacity for understanding these things; and
touching the wonders of the invisible world, I hold you to be little better than an ass. Here
Mather junior put in his oar, saying that Drybones was a quack, and an ignoramus, and that he
would not trust him to bleed his cow. Drybones, however, who possessed a happy share of equanimity,
and who prided himself upon his imperturbable countenance, paid no manner of regard
to these discourses; but pulling out an enormous fleam-lancet, and turning to the Justice,
exclaimed: 'Now by the blessing of God, will I open the jugular of this damsel!' Then calling
for three small porringers, and setting the spring of his lancet, the edge of which he tried upon
his thumb-nail, he advanced boldly up to the bed.'
The Mathers interposed, however, and 'prevented the effusion of blood;' it being
considered by the strict Puritans as much a matter of heresy for a doctor to interfere
with a case of witchcraft, as it is for a physician at the present day to treat one of canine
rabies by what is called 'regular practice.' The Justice and the Mathers, after the
doctor had left the house, departed together, discussing on their way many serious topics
and profound questions concerning witchcraft, sorcery, enchantments, good and bad
spirits, apparitions, and such grave matters; in which the elder Mather displayed so
much and such various learning upon his general theme, that it quite overpowered the
Justice; who at last interposed, saying, petulantly: 'Well, for my part I don't know
nothing about these things, and always did. A little law is all that I know.' The Squire
having arrived at home, is informed by the sheriff that he has Patience in custody; when,
accompanied by his 'divine friends,' the man of law proceeds with magisterial dignity to
his hall of justice, where he finds a great mob of people, and hears the dolorous shrieks
of sundry frantic-looking women, which he finds on inquiry to proceed 'from Abigail
Williams and her gossips, who are roaring out because Patience hurts them.' 'Ha!'
said the Justice, 'I begin to smell a rat. That Abigail Williams has borne testimony in
every case of witchcraft that has occurred in this town since the beginning of the troubles
thereof; and if she had been pinched, and pricked, and bruised, half so much as she says
she has, she must have been a corpse long ago.' 'Pray, young woman,' said he, addressing
himself to Patience; 'what is the matter with Beautiful Hobbes?' 'I do not know,'
said Patience; 'I reckon she is crazy.' 'But why does she cry out against you, for putting
the black man upon her?' 'I do not desire to spend my judgment thereon,' answered
she. The worthy magistrate seemed puzzled what to say next, and turning to Doctor
Mather, inquired, 'what was his judgment touching the question, whether the devil could
torment in the shape of a virtuous person?' Mather made answer, 'that he should be
proud to communicate his poor opinion thereof at a more seeming time; but held it best,
under correction, to proceed with the business in hand.' 'Well,' said the Squire, 'I
believe there is no more to be said. I must make out this young woman's mittimus, and
have her confined until the grand jury sit.' Faithful interposes for his lady-love, remonstrates
against her imprisonment, and offers to undertake to make Beautiful repent her
accusations before night, if he might be allowed a private interview with her; at which
proposition Mather expressed himself shocked, and severely reproved Faithful for
desiring to have infernal communication with a woman accused of witchcraft. When
the Justice and his reverend guests had gone back to discuss the question, whether the
devil could torment in the shape of a good man, the crowd proceeded to the sheriff's
house, the women ranting, roaring, and screaming; the bedevilled Abigail Williams,
among the rest, walking as if afflicted by Saint Vitus, screeching in the most painfully
distressing tone, and ever and anon falling into apparent convulsions; the mob the while
mingling their groans and dolorous wailings, as if Pandemonium had broken loose in
good earnest, and Satan had come again upon the earth like a roaring lion. Meantime
Faithful bends his way to Dame Hobbes's, to remonstrate with the possessed Beautiful.
He reaches the mansion:
'With a trembling hand he ventured to open the door, after he had knocked several times in
vain. Through the smoke which filled the apartment, he saw the elder female seated by the fireside,
with her chin resting on her palms, and a stump of a pipe in her mouth. Remarkable was
lying, seemingly dead drunk, upon the floor, and snoring like fifty bull-frogs; and Beautiful, in a
short gown and petticoat, was sitting on the side of the bed, discussing a large bowl of bean-soup.
The old woman took no notice of Faithful, but continued smoking her pipe with great sang-froid;
but the eyes of Beautiful twinkled with emotion at his appearance. With a mixed expression of
countenance, where pleasure and surprise at beholding the preacher curiously blended with the
bitter twist given her visage by the hot soup, she motioned him to sit down beside her. He obeyed
with the dubious air of one who seats himself with a half-formed resolution of suffering the
extraction of a grinder. She edged up to him, and asked him if he would have some soup; but
he declined the offer with a graceful wave of the hand, telling her that he came to have a little
private conversation with her. At this, Beautiful told him to say what he had to say, as Remarkable
was too drunk, and her mother too sleepy, to overhear him. The preacher now commenced
a long and animated expostulation with the damsel, on her conduct, in which he mingled threats
and promises, reproofs and entreaties, in a subtle and orator-like manner. Beautiful at first heard
him with great impatience, and seemed convulsed with inward emotion; now stifling a rising
sob, and now gulping down a spoonful of the soup. He at last seemed to hit upon an argument
that fixed her attention; for all at once she became quite calm, and as soon as he had finished,
wonderful to relate, promised to behave herself, and not be bewitched any more. Upon this he
departed, telling her that the Justice was coming in the evening to see how she did, and bidding
her be careful, and mind what he had told her.'
Accordingly, when evening arrives, Faithful accompanies the Justice and the sheriff to
Goody Hobbes's mansion, which the 'visiting party' enter with faces as long and serious
as if they had come to a funeral. The Justice breaks silence, by asking Beautiful
how she finds herself, to which she responds, 'I notion I feel better this evening, and
am not bewitched any more.' 'Then,' quoth the Justice, 'I guess you was crazy this
morning.' 'I guess I was,' answers Beautiful. The final result is, that Patience Peabody
is liberated, and Remarkable Short and Preserved Perkins, who have 'conspired
against the general peace,' cut a remarkable figure in the stocks; where, being obliged
to endure each other's company for two hours side by side, they contracted an affection
for that position; 'their passions vacillated from the extreme of hate to that of love; a
sneaking partiality arose between them; Preserved afterward married Remarkable, and
a curious couple they were.' Faithful carried back his blooming bride, with whom he
lived a long life of peace and innocence. 'They had thirteen children; the first was
called Welcome, and the last Content; and their posterity inherit the land to this day.'
Many of our readers, who never had the good fortune to hear the elder Kean, will
thank us for the annexed striking picture by Sands, of his personation of Shylock, in
'The Merchant of Venice.' It was written for the 'Literary Journal,' a thin monthly
pamphlet, which closed its very brief existence some twenty-five years ago:
'Kean's manner in the first part is that of the miserly, calculating Jew; and it is not until the
entrance of Antonio, that we suspect him of aught worse than usury. The sight of Antonio kindles
his hatred, and he exclaims, 'Cursed be my tribe, if I forgive him!' We tremble for the
merchant, and shudder, as with a sudden change of countenance he smooths the wrinkle of hate
from his brow, and turns to his victim with, 'Rest you fair, good Signior.' The speech in which
he recounts the bitter scorn, the personal indignities he has received from Antonio, was finely
given. It was not said entirely in anger; beneath his indignation could be discerned a malignant
pleasure; and when he said, 'Well, then, it now appears you need my help,' his eyes seemed to
flash with ferocious joy. The conciliating and jesting manner he assumed while settling the terms
of the contract, was admirable, and the performance of the whole scene was without a fault.
The passage most deserving praise, in the next act in which he appears, is the trembling eagerness
with which he receives the news of Antonio's loss, as he exclaims, almost breathless:
'What, what, what! Ill luck, ill luck?' And even, while in his impious rapture, he thanks God,
he still doubtingly asks, 'Is it true; is it true?' But it is in the trial scene that this gifted actor puts
forth his strength. With what an unmoved air he listened to the Duke's exhortation to be merciful!
His reply was not spoken with violence, in the loudness of anger, but with a horrid calmness in a
subdued but chilling manner; and he asked, 'Are you answered?' in a tone of bitter irony. So
fiendish a countenance we wish never to look upon, except when we know it is assumed, as when
he sharpened the ready knife, and cried with a serpent hiss, 'To cut the forfeiture from that bankrupt
there!' We almost quaked before the glance of his demon eye, as he seemed to gloat upon
his victim. As he gazed on Antonio, his lips were slightly curled by the bitter smile of satisfied
malice; his eyes were bright and distended with the joy of his revengeful anticipations; yet he
neither spoke nor moved. We pass over many points, to notice his answer to Portia's suggestion, of
sending for a surgeon, lest Antonio bleed to death. 'Is it so nominated in the bond?' And the expression
with which he raises his eyes from the paper, and says, with a smile which a devil might own,
'I cannot find it—'tis not in the bond.' As the court proceeds to award the sentence in his favor,
his face becomes lighted by exultation; his whole form seems to throb with joy; he bares his hands,
and grasps the knife, with convulsive eagerness. But who can do justice to the sudden transition
of his manner, the horror-struck, doubting air, the fixed rigid countenance, with which he hears the
forbidding clause? When he finds utterance, it is but a sentence of four words which he pronounces.
But how are they pronounced! The fingers which had clenched the knife gradually
unloose their grasp, and fall nerveless and slowly by his side; the disappointed, dejected, almost
exhausted tone, in which he with difficulty articulates 'Is that the law?' Surely this was the
perfection of acting. We have beheld Cooke's representation of this character with delight, and
have dwelt upon it with pleasure. But, great as it was, compared to Kean's, it appears a cold
performance. Indeed, Mr. Kean approaches nearer to Garrick than any actor since his time.
Kemble has more majesty; Cooke possesses more physical power, and though not a good, yet
a finely-modulated voice. Cooper has great advantages both of person and voice; but they are
all deficient in that astonishing variety of expression, that power of reaching men's hearts, and
causing them to tremble, which distinguishes Mr. Kean.'
Kean's power over the feelings of his audiences seems scarcely to have been surpassed
by any actor that ever trod the stage. Hosts of admirers speak of him even now
with unabated enthusiasm.
The subjoined beautiful reflections and yet more admirable poetry are from an essay
based oddly enough upon a version of one of the monosyllabic poems of Ausonius; a
string of verses, in which the last monosyllable of each line forms the first of the next,
and the first is the same as the last; so that they may be read over and over again without
end. 'We take it,' writes Sands, 'as a good motto for a paper which we mean to
write, without having any precise notion on what subject we shall descant. We mean
to make, on something or other, 'a few plain and practical remarks,' as the Rev.
Mr. —— says, when he means to preach a sermon five quarters of an hour long.' The
paper thus lightly commenced, closes as follows:
'A MAN who lives out his threescore and ten years, or lingers beyond that period, must, in the
common course of events, see the ordinary revolutions affected by time and death. At the middle
of his career, he sees a flourishing family around him; friends and connections formed in his
advancing course; attachments begun in sympathy, and cemented by interest. He lives on; and
his children are scattered by the accidents of mortality, and their graves are in different countries.
His friends have vanished from their former haunts, and the places that knew them, now know
them no more for ever. 'He asks of the solitudes, where are they? and the hollow echo answers,
Where?' There is no one to sympathize with his remembrances of the past; his infirmities
become a grievance, or he thinks them so, to those around him; and he still feels that lingering
attachment to life, which answers the philosopher's question, an mors malum sit, with the powerful
evidence of consciousness. Hope and Memory delude the pilgrim in his journey, by the false
colors with which they paint the scene before and behind him. 'Man never is, but always to be
blest;' and as the future, depicted by the fancy only, presents unmingled visions of delight, the
past, mellowed by time, loses the little inconveniences which jarred discordantly with the passing
music of pleasure; and its remembrance makes us regret what when present we neglected. It
was under the influence of such reflections, that the following lines were composed. They were
written in a prophetic hour by one who died young, and willing to depart:
Delusive world! whose phantom throng
Still flit, with juggling smiles, along,
To cheat the aching sense;
Where, as in man's primeval tongue,
Joy hath no present tense!
Joy, decked in unsubstantial hues,
The impatient fool for e'er pursues,
Till when the form is nigh,
The enchantress fair no more he views,
And all her colors fly.
But lo! 'tis there! 'tis there, again!
He starts anew, on quest as vain—
The enchantress is not there!
But like a vampyre from the tombs,
Behind, once more, the form assumes
Its station in the air.
Thus Hope and Memory still delude;
Now with the future's fancied good,
Now with the fancied past;
Till comes eternal night to brood
Above them both at last!
While thus I mused, I heard a voice
Of sweet and solemn tone:
'O child of clay!' it said, 'rejoice,
Nor woo despair alone.
'For know thine age hath reached its prime:
There is a race of men
Who do but hail life's summer-time,
And sink to earth again.
With one swift flame their being burns,
And soon their dust to dust returns'—
Blest Spirit! tell me—when?
Again the voice of music spoke:
'There is a happier sphere,
Where neither hope nor memory mock,
Yet joy is present there;
And dreaming souls to bliss have woke'—
Blest Spirit! tell me—where?
'Thou may'st with equal eye behold
Hours, days, and years behind thee rolled,
Grasping each present Now;
Nor dread the moment yet to come,
Nor weep o'er pleasure's mental tomb'—
Blest Spirit! tell me—how?
Although we find ourselves 'at the end of the tether,' we cannot resist the inclination
to present the following forceful lines. Possibly the sentiment may be deemed
heretical by the very imaginative and the young; but even such, if tasteful and discriminating
persons, cannot choose but admire the melody of the verse, and the beauty of the
imagery:
In fiction's devious wilds the heart misled,
To dull reality ungrateful turns;
Substantial earth's fair plains untempting spread,
And day's blest beam with light unlovely burns.
Yet not all Fancy's dreams, most wild and bright,
Are worth one day of Comfort's calm routine;
And simple Truth, attired in vestal white,
Transcends her starry front and garments' sheen.
And constant woman's fond and glowing kiss,
And heaven's own workmanship of mortal charms,
Are worth whole ages of imagined bliss,
Lost in ideal Beauty's airy arms.
The monster brood that cloudy spectre bore
To rash Ixion, deem not half so vain
As the fond progeny of minstrel lore,
Nursed in the womb of a distempered brain.
Why float these visions of delusive birth
Before the wanderers on the wastes of time,
Ordained to tread the firm, unyielding earth,
Nor yet the spires of heaven forbidden climb?
Is it that the soul divine, imprisoned here,
Beyond its dungeon bars essays to roam,
O'erleaps the due progression to its sphere,
Sees forms and shadows of its destined home?
Or, lost to innocence, to truth, to Eden,
Did our dark curse not quench each early ray,
But leave its broken beams, to light unbidden
The checkered mazes of the exile's way?
We have not exhausted the stores which our obliging friend of 'the Confederacy'
has placed at our disposal. When we have more space, we shall resume the desultory
series which we are compelled to bring abruptly to a present conclusion.
Gossip from an American Lady in Paris.—We derive the subjoined pleasant
gossip from a young and gifted American lady, at present resident in the French metropolis.
We hope to be similarly favored, whenever our fair correspondent shall find
leisure from the demands of society to transcribe her fresh 'jottings-down' for our pages:
'We went to the Hotel des Invalides this morning to see the plans in relief of the fortified
towns of France. They are exhibited to the public only during one month in the
year. The plans of those cities I have visited interested me particularly. They are so
minute that Miss L——, who accompanied us, had no difficulty in finding the country-house
near Toulon where she spent some months last year. I was much struck by the
plan of Embrun, in Dauphiny, that little town celebrated in both history and romance
by the pilgrimages so frequently made to it by devout Catholics. It is strongly fortified
and built on a rock of semi-circular form, which rises so perpendicularly on one side
from the meadows which lie below, that one would suppose it must have been hewn
away by the hand of man. I was much interested, too, by the plan of Mont St. Michel,
in Normandy, the celebrated prison, built on a rock, which the tide separates twice a
day from the main land, and where the political prisoners condemned after the émeuté, in
May, 1839, are confined. We were looking at the plan of a fort, on the pedestal of which
the name had not been labelled as on the others, when a soldier standing near informed
us it was that of Ham, where the nephew of Napoleon is now a prisoner. It is in
Picardy, which I am told is the most arid and unfruitful province in France. It is built
around a quadrangular court, or I should rather say there are three buildings and a terrace
which form a hollow square. The prince, who is said to be a remarkably good
horseman, is allowed to ride on this terrace, which is not shaded by trees; indeed, if
this plan be correct, which I suppose it must be, as it has just been made, there is but
one tree within the precincts of the fortress.... In the evening, my friend, Madame
D—— took me to the house of the Polish Princess Czartoryski. Prince Adam
Czartoryski is from his birth, his wealth, and his character, one of the most illustrious
of the Polish refugees. His life has been checkered by every extreme of good or ill.
In early youth, he served in the army of the republic of Poland. He was at one time
the captive of Catherine II., and in 1831 was at the head of the provisional government
of Poland. After the total defeat of the Polish army, Prince and Princess Czartoryski
with some difficulty made their escape, with their three children, the youngest
of whom was not a year old. The Princess had not even a change of linen with her,
and no time to collect her jewels, which were brought to her after she had reached the
Austrian frontier, by a soldier, whom she had never seen before, and who refused to tell
his name. It is impossible to imagine a greater contrast than that offered by the present
mode of life of the Prince and Princess, and the splendor by which they were formerly
surrounded. Prince Adam was one of the richest proprietors, and possessed not one,
but several, of the most magnificent palaces in Poland, and was accustomed from childhood
to every comfort and luxury which wealth could devise. The house he now
inhabits is as simple as possible; but he remains at home every Monday evening for the
purpose of seeing his friends and countrymen; and his salon is always crowded with
the most learned men and most fashionable women in Paris. These weekly receptions
are attended with but very little expense here, as tea and lemonade are the only refreshments
it is the custom to offer. Prince Czartoryski is a most venerable-looking man
of about seventy. The expression of his face is habitually melancholy, but at times he is
very animated in conversation. Like most Poles, he speaks low and very slowly. I
remarked that he was particularly polite and attentive to young people, which in a man,
who, from his various misfortunes and trials, can take but little interest in general society,
is, I think, very striking. The Princess, who must be almost thirty years younger
than the Prince, is very lady-like and prepossessing in her manners. She is much
beloved by her compatriotes: her efforts to relieve those who are in distressed circumstances
being unceasing. She employs all her leisure hours in embroidering; and her
embroidery, which is more beautiful than any thing of the kind I have ever seen, is sold
at a bazar, which is opened during the last week of every year; new-year's day being
the time when the French make those presents to their friends which in England and in
our country are made on Christmas day. All the ladies of the Princess's acquaintance of
course contribute to her bazar; and those who are remarkable for their beauty or their
talents, are invited by her to keep the stalls. * * * Mrs. B——, whose son, a lad of
about sixteen, is now engaged in attending the cours de religion, or religious lectures of
M. Coquerel, one of the clergymen of the Reformed Church of Paris, took me this
morning to hear one of the lectures. M. Coquerel is the nephew of the celebrated
Helen Maria Williams, by whom he was educated. He is the most eloquent, and I
believe the most learned, clergyman in Paris. I had been much pleased with his sermons,
and was therefore very glad to have an opportunity of hearing one of his lectures.
His class was composed of about thirty young men, of different ages, from sixteen to
twenty-five. He has written a little book called 'Cours de Religion,' which he makes
use of in his lectures. The method he adopts is this: He reads a paragraph from this
little volume, and then comments upon it, and explains or developes it, often relating
interesting anecdotes suggested to him by the subject, or asking questions which the
foregoing lectures enable the scholars to reply to. The young men take notes, write
them out at home, and bring these papers to Mr. Coquerel at the next lesson. The
lectures for young men take place twice a week, from October to May, and those for
young ladies at different hours during the same period. The scholars are admitted to
take the sacrament at Pentecost. M. Coquerel is a most active and industrious man.
Beside several volumes of sermons, and innumerable papers for different religious journals,
he has published a very useful work, called 'Biographie Sacrée,' in which every
name mentioned in the Bible is to be found. His manner is very animated; and as each
lecture lasts but an hour, it is impossible that the attention of the young hearers should
become weary.... 'April 19th. Went to the exhibition of paintings by living artists,
which is now open at the Louvre. The most beautiful picture there, is one by M. Cogniet;
'Tintoretto painting his dead Daughter.' The biographers of the great master
inform us, that he had a daughter who evinced great talent for painting, to whom he was
devotedly attached, but who died when young. M. Cogniet has chosen the moment
when Tintoretto, rising from his easel, on which rests the unfinished portrait, stands
gazing on his beloved daughter, who is lying on a bed in the fore-ground of the picture.
The father is almost de face, but the lower part of his figure is concealed by the bed. A
crimson curtain falls behind him, and forms a rich but not gaudy back-ground to the picture
and, by throwing a slight reflection on the daughter's face, relieves the whole from that
disagreeable effect, which, with less judgment and good taste on the part of the artist, it
must have produced, without taking from it the solemnity which the subject required. This
is, on the whole, almost the only picture of the modern French school which pleases me
entirely; in which there is no exaggeration of expression or gesture, and which deserves
to be compared to those of the modern school of painting in Germany. I have no doubt
that the circumstance of an exhibition taking place every year is a great disadvantage to
young artists, who hurry to finish a picture for that occasion, in order that their names
may be mentioned in the journals, and that they may obtain a celebrity which lasts but
a few weeks. If the exhibition took place but once in five years, I am convinced we
should see more fine pictures at the Louvre. Among the portraits I remarked one of
Major Poussin, who resided for so many years in the United States. It is painted by
Mademoiselle Godefroid, a pupil of Gerard, and is a very good likeness. I was
struck by a portrait of M'lle de Fauveau. This lady is of a noble family of Brittany,
and is well known for her devotion to the cause of the Duchess de Berri, and
for the talent she has displayed in the art of sculpture. She is neither young nor handsome;
she is dressed in the costume of a peasant of Brittany, a sort of blouse or loose
frock, with her hair cut short in a strait line across her forehead, as we sometimes see it
in the portraits of the early French kings. There is a portrait of the Duke of Orleans
at the Louvre. It was painted from memory by Scheffer, a very clever artist. Some
of the fruit-pieces and portraits, au pastel, in colored chalks, are very beautiful. Indeed, the
French excel in this style of drawing. Among the paintings on porcelain we particularly
admired a Holy Family, copied from one of the old masters. It is a perfect bijou. The
day after our visit to the Louvre, Mrs. R—— took me to the atelier of Mr. Healy, the
young American artist. His portrait of Washington, copied from one by Stuart,
gave great satisfaction to Louis Philippe, and has been placed in one of the historical
galleries at Versailles. Mr. Healy has now a beautiful picture of two of Colonel
Thorne's daughters, which he is retouching, at his room. The attitudes, particularly
that of the eldest of the young ladies, are very graceful, and the whole picture in very
good taste.'
The Irish Sketch-Book.—This capital work by 'Mr. M. A. Titmarsh,' otherwise W. M.
Thackeray, Esq., author of 'The Yellowplush Correspondence,' has just been published by Mr.
Winchester, at the 'New World' office, in a very neat little pamphlet-volume, illustrated with
numerous engravings, from the pencil of the author. Our readers have had repeated evidences
of the high estimation in which we hold the writings of Mr. Thackeray; and they may trust our
judgment in this, that they will find the volume before us to be second to no previous work of the
writer. It is, in fact, Ireland on canvass; its various cities and towns; its ludicrous modes of
travel, and more ludicrous travellers; its wretched poverty, its generous hospitality; its suffering,
and its indomitable good-humor. We were not until now aware that Mr. Titmarsh was 'given
to song' as well as to romance and painting; but his 'Peg of Limavaddy,' a handsome kettle-scrubber,
who handed him his 'rummer' of ale, and laughed so joyously at an accident which
befel it, establishes the 'soft impeachment:'
'Presently a maid
Enters with the liquor
Half a pint of ale
Frothing in a beaker.
Gods! I didn't know
What my beating heart meant,
Hebe's self I thought
Entered the apartment.
As she came she smiled,
And the smile bewitching,
On my word and honor,
Lighted all the kitchen!
'With a curtsey neat
Greeting the new-comer,
Lovely, smiling Peg
Offers me the rummer;
But my trembling hand
Up the beaker tilted,
And the glass of ale
Every drop I spilt it;
Spilt it every drop
(Dames who read my volumes,
Pardon such a word,)
On my what-d'ye-call 'ems!
'Witnessing the sight
Of that dire disaster,
Out began to laugh
Missis, maid, and master.
Such a merry peal,
'Specially Miss Peg's was
(As the glass of ale
Trickling down my legs was)
That the joyful sound
Of that ringing laughter
Echoed in my ears
Many a long day after.
'Such a silver peal!
In the meadows listening.
You who've heard the bells
Ringing to a christening;
You who ever heard
Caradori pretty,
Smiling like an angel
Singing 'Giovinetti,'
Fancy Peggy's laugh,
Sweet and clear and cheerful,
At my pantaloons
With half-a-pint of beer full!'
We repeat, the 'Irish Sketch-Book' is a capital work, and cannot fail of very general popularity.
The author possesses a delicate appreciation of the beautiful, as well as a lively perception of the
ridiculous; a felicitous combination of faculties, since the union of fine taste and strong humor seldom
takes place in the same individual.
'Miseries of Human Life.'—Some twenty-five years ago, a work in two or three
volumes, under this title, was republished in this city from an English edition. One of
these volumes lies before us; and if it be a fair representative of its companions, an
American publisher would not find it amiss to put forth a new issue of the book; for it
abounds in keen satire, playful wit, and pleasant humor. We have segregated from its
numerous divisions a few passages for the entertainment of our readers. A good deal
of what is termed 'criticism' upon works of art has lately been expended in this meridian
upon an undiscerning and unheeding public; yet we propose to add to the amount,
by copying the remarks of one Mr. Ned Testy upon an exhibition of paintings and
statuary, similar, we may suppose, to the annual collections of our 'National Academy of
Design;' similar, certainly, in many of the points touched upon by the critic. After a
consideration of the Landscapes, 'with their meagre subjects, lying perspective, and
timid handling; their frittered lights, lumpy shadows, indigo skies, and saffron sands;
their forward back-grounds, and backward fore-grounds; with trees and meadows carefully
colored from an emerald, and water of such an hue and surface, that forgetting for a
moment the season represented, one looks narrowly after the skaters!'—after a discussion
of these, en masse, we are favored with the subjoined 'hits' at a particular 'Family
Piece:'
A Young man who 'wants encouragement,' had immortalized family affection, by representing
papa standing up at one end of the picture, ('his lips glued to each other, and his bullet eyes wide
open, though evidently seeing nothing,) and mamma at the other; the peace being kept between
them without the loss of an inch of space, by their endless progeny, whose heights and ages the
artist has most accurately registered, by stringing them strait out, closely linked together in a
descending series, like the reeds of Pan's pipe, which they farther resemble in the lank uprightness of
their figures, and the billious deadness of their complexions. The next of these Domestic Scenes
reproaches the idleness so remarkable in the foregoing, by the great variety of employment which
it exhibits, with the additional advantage of allowing more elbow-room to the fancy of the painter;
who in the first place has contrived to record, in the mother of the family, a truly exemplary
instance of notability, combined with maternal tenderness; for she is seen, at the same point of
time, engaged in nursing one child in her lap, rocking with her foot the cradle of another, hearing
the task of a third, and eyeing the frolics of a fourth; and all this without seeming at all distracted
from her needle, which she has just drawn out at the utmost stretch of her arm. The remaining
children are all liberally supplied with such occupations or amusements as, when followed at
proper times and places, must be allowed to become their sexes and ages, but which we are not
exactly prepared to see going on as here, all at once in the same parlor. The young ladies of this
extraordinary family can study their maps and globes, pore over their books, and even practice their
music-lessons, without appearing once to know that those boisterous and unruly little dogs, their
brothers, are cracking their whips, beating their drums, scampering about the room with their
wagons, etc.; the very baby in the cradle, instead of being frightened out of its wits, as might
reasonably be expected, only appearing to be lulled into a still sounder sleep, by the riotous
gambols going on.'
Outraging nature is as common in art now as it was in the era of Ned Testy. Here
you may see the picture of 'a lady in full length, gayly and archly tripping out in a hurricane
by herself, in thin fluttering muslin, without cap, hat, or bonnet, by the side of a
raging sea; where, if one may judge by the disposition of her limbs, and the archness of
her countenance, she is practising an allemande to the music of the thunder-claps which
seem bursting over her in all directions; yet without the slightest mark of concern in her
looks, or apparent apprehension of taking cold, after dancing under such discouraging
circumstances of dress and weather; there stares a young miss strait out of the picture,
with one hand grown to her side, and the other to the monstrous head of a Newfoundland
dog, sitting up exactly as high as she stands; and near by, in another frame, a parcel of
Months or Hours, in petticoats, are smiling and dancing jigs round an emblem, in the
shape of a good-looking woman in green, who is supposed to be Spring.' The critic
wonders 'why they haven't got to changing the Minutes, Seconds, and other inferior
parts of clock-work into little fluttering urchins.' But pause for a moment, reader, with
hushed respiration, while we set before you a specimen of the Awful! There is an
appropriate 'power of words' in the description of the 'grouping,' and doubtless the coloring
was 'in keeping;' as much so, perhaps, as in Dickens's picture of the Wise Men
of the East worshipping in a pink manger, or the Prodigal Son coming home in red rags
to a purple father and a sea-green calf, waiting to be roasted:
'Here is a piece equally stupendous in size and subject, bearing the semblance of having been
furiously thrown upon the canvass in the dark, from the disordered pallets of all the painters in the
Universe; a sort of maniac's vision, embodied into a rolling chaos, turbulently brewed up out of
the warring rudiments of smoke! blood! fire! night! whirlwind! earth! and water; a ruinous
huddle of every thing spiritual and material, real and conjectural, within and without the precincts
of possible Nature; and of every mingling shape, shade, color, quality, and consistence; the
whole congregated mass of discordances tumultuously wheeling, dashing, boiling, and thundering
together, in one giddy storm of—Nothing!' The figures of this landscape are entirely in keeping
with it; 'ambiguous and reserved innuendos of beings, fluctuating somewhere among the
shadowy and unsettled nomenclatures of incantation; demon, wizzard, griffin, goblin, demi-gorgon,'
etc.
After a few more examples of 'single criticism' in this kind, we are favored with a
'running commentary' upon the ostracised paintings which adorn the upper tiers, and
spaces over the doors: 'An upward glance of your eye introduces you to those poor
creatures in reduced sizes, who are sent to Coventry at the top of the room, and strung
along, by way of cornice, close under the ceiling; figures! but what language can adequately
report them!—their wooden features, their mortified complexions; their sneaking,
disconsolate, condemned looks; their quizzical head-dresses, and paste-board
draperies; their brick-dust curtains, increasing by contrast the chalkiness of their cheeks;
and that general and inveterate hardness of manner which instantly chases away all idea
of the elasticity of the flesh, and the flexibility of cloth or linen. Hard!—adamant is
pap to it!' The Crayons 'afforded striking examples of worse styles, by the help of
worse materials;' there were still-born efforts in black-lead pencil, from the hands of
academical tyros; wan historical sketches in water-color, by young ladies; imaginary
elevations of bridges that will never be built; naked fronts of huge white houses, that
sicken all eyes but those of the architect and the owner; and chuckle-headed busts in
plaster, of obscure, pudding-faced moderns; likenesses in India-ink, 'done in this manner'
for almost nothing; etc., etc. An exhibition of this sort is certainly proved to be
one of the miseries of human life, 'by good witness.' But other miseries are enumerated;
and chief among them, the humbugeousness of quack advertisers, and the gullibility
of the public; and a medical sample is cited, which would do honor to any 'pill' or
'sarsaparilla' puff, of the present day:
'I should be the most ungrateful of mankind, were I to delay for a moment to return my heart-felt
acknowledgments for the blessings I have derived from your inestimable pill. Before I was
so happy as to hear of its miraculous effects, life had long been a burden to me. I was an object
no less horrible than piteous to behold, being so entirely covered, or rather crusted, from head to
foot, with the most virulent blotches and humors, that I ought rather to have been called an Ulcer
than a man. I was at the same time so miserably emaciated, that my bones rattled audibly as I
moved, and my head itself seemed to hang to my shoulders by a thread. In short, to such a condition
was I reduced, that, on being carried to my own door upon a litter, on my return home after
a short absence in the vain search after ease, my wife, who chanced to meet me in the passage,
insisted that they had brought me to the wrong house, for that she had never seen me before! The
sound of my voice, however, but too cruelly undeceived her; and I was then conveyed to the bed
on which I continued to lie, without stirring hand or foot, for more than thirty years. During this
awful period matters were constantly and rapidly going on with me from bad to worse; scarcely
an hour passed but some new and still more deplorable disease was added to the complicated list
of maladies which were devouring me up piece-meal, in a manner; and it was a lucky day when
I could say that one or more of my bones had not dropped clean out of the socket! Sleep at one
time, I had none, for sixty-nine successive nights, unless I may call by that name a series of
swoons, brought on by my agonies, and the weakness consequent upon my reduced condition.
About this period, the flesh began to drop in large collops from my back and shoulders; and from
one hollow which formed exactly beneath my left pap, my heart was absolutely naked and visible,
by which my inquisitive surgeon was gratified, at my expense, with a living display of the whole
process of systole and diastole, as I think he called it. In this state of things, my case having been
pronounced absolutely hopeless by every physician in the land, my friends began to think it was
high time to call your invaluable remedy to my aid: and invaluable indeed it proved to me! No
sooner had I begun to use it, than the most surprising alteration came on: while I was swallowing
the first pill, I could plainly feel, to my inexpressible astonishment and delight, that a new and
perfect growth of healthy flesh was rapidly forming in every part of the skeleton to which I was
now wasted down; and before I had taken the third, I had reason to suspect, from certain strange
and indescribable sensations, as if of some hard substance pushing or shooting forth in different
places, that the numerous cavities left by the bones I had lost, were about to be filled up by a new
process of ossification; which, sure enough, was presently found to be vigorously and prosperously
going on. My appetite, too, very shortly became so dangerously keen, that it was reckoned
prudent to refuse me a third fowl at my dinner. But not to trouble you with too many particulars,
(which to you, indeed, must be mere shadows of a thousand still more extraordinary cases,) I
will simply say, that by persevering in the course for one week more, I felt not only that every
symptom of disease had absolutely vanished as if by magic, but that I was suddenly able, (which
I had never been in the best days of my youth and strength,) to perform the most athletic feats in
leaping, wrestling, boxing, etc., without the slightest sensation of fatigue. To express the full
extent of my gratitude to you, my dear Sir, for this almost incredible restoration, is a task which I
must give up in despair; suffice it to say, that to Providence (under your pill) I shall ever acknowledge
myself indebted for the felicity I now enjoy.' 'P. S. Please send me without delay, by the
next coach, six dozen of the largest boxes of your Scorbutic Pills; though, indeed, I have not the
smallest apprehension of ever having occasion to use them again.'
It would puzzle few of our readers, in town or country, to make a familiar application
of this satire upon the prevailing style of quack advertisements.
Gossip with Readers and Correspondents.—In an admirable paper upon 'The Poetry of
the Bible,' written for the Knickerbocker some years since by Rev. William T. Brantley,
President of the 'College of South Carolina,' there was an incidental allusion to the proofs of the
authenticity of the Sacred Word, as contained in the fulfilment of the 'prophecies concerning the
nations.' A dilapidated book-stall volume before us, with the title-page gone, and the author's
name nowhere to be met with, (facts in themselves noteworthy in this connection,) thus illustrates
the position of our valued correspondent: 'The primitive Christians regarded the Scriptures as
their chief and dearest treasure; and often laid down their lives rather than deliver the sacred
records to their enemies, who used every art of terror to seize and destroy them. Then, as now,
different parties and sects existed, who all appealed to the Scriptures for proof of their several
opinions; and these must have been so many checks upon each other, to the general exclusion of
mistake and fraud. But aside from this, look at their predictions, in the case of the 'chosen and
peculiar people.' The separation of the Israelites from the rest of mankind, not for their own
sakes but for the sake of all, and their preservation amidst their enemies, what a display is it of
the divine power! This great scheme of wisdom and goodness was carried on by its omnipotent
Author 'with a mighty hand and an outstretched arm.' 'He sent a man before his people, even
Joseph, who was sold to be a bond-servant. He increased his people exceedingly, and made
them stronger than their enemies. He sent Moses his servant, and Aaron; and these showed
his tokens among them, and wonders in the land of Ham. He sent darkness, and it was dark,
and turned their waters into blood. Their land brought forth frogs, yea, even in their king's
chambers. He gave them hail-stones for rain, and flames of fire in their land. He spake the
word, and locusts came innumerable, and devoured the fruit of their ground. He smote all the
first-born in their land, even the chief of all their strength. He brought forth his people from
among them. He spread out a cloud to be a covering, and fire to give them light in the night season.
He rebuked the Red Sea also, and it was dried up: so he led them through the deep as
through a wilderness. At their desire he brought quails, and filled them with the bread of heaven.
He opened the rock of stone, so that rivers ran in dry places. Yet within a while they forgot his
works, and tempted God in the desert. Then the earth opened and swallowed up Dathan, and
covered the congregation of Abiram. The plague also was great among them. Then, being
chastised, they turned to their God. He led them over Jordan: the waters divided to let them
pass. He discomfited their enemies. At His word the sun abode in the midst of Heaven; and
the moon stood still, and hasted not to go down for a whole day; so He gave the kingdoms of
Canaan to be an heritage unto his people; that all the nations of the world might know that the
hand of the Lord is mighty, and that they might fear the Lord continually.' Such was the result
of a scheme determined by divine goodness, planned by divine wisdom, foretold by divine knowledge,
accomplished by divine power. 'The things of the earth were changed into things of the
water, and the thing that did swim went upon the ground. The fire had power in the water contrary
to his own virtue, and the water forgat his own kind to quench. Thus the elements were
changed among themselves by a kind of harmony, as when one tune is changed upon an instrument
of music, and the melody still remaineth.' How graphic also is the description of the 'gift
of tongues,' conferred upon the Apostles! 'And they were all amazed, and marvelled, saying
one to another: 'Behold, are not all these which speak, Galileans? And how hear we every man
in our own tongue, wherein we were born? Parthians, and Medes, and Elamites, the dwellers
in Mesopotamia, and in Judea, and Cappadocia, in Pontus and Asia, Phrygia and Pamphylia in
Egypt, and in the parts of Lybia about Cyrene. And strangers of Rome; Jews and proselytes,
Cretes and Arabians; we do hear them speak in our tongues the wonderful works of
God!' * * * Most likely many of our readers will remember this 'vexed question' in logic: 'It
either rains or it does not rain: but it does not rain; therefore it rains.' This used to puzzle us
hugely; as did also the mathematical problem, in simple equations, which ensues: 'A cat has one
more tail than no cat; no cat has two tails; ergo, a cat has three tails!' The conclusion is irresistible.
Here is something, however, which is of deeper import: 'Johnson studied law with Dobson,
under the agreement that he should pay Dobson, when he (Johnson) gained his first cause.
After a time Dobson got tired of waiting for the conditions of the contract, and sued Johnson for
his pay. He reasoned thus: 'If I sue him I shall get paid at any rate, because if I gain the cause,
I shall be paid by the decision of the court; if I lose it, I shall be paid by the conditions of the contract,
for then Johnson will have gained his first cause; therefore I am safe.' Johnson, on the
other hand, being prodigiously frightened, sought counsel, and was told to reason thus: 'Dobson
reasons well, but there must be a flaw in his argument; because I and not he will gain the victory.
If the suit goes in my favor, I shall gain it by the decision of the court; if it goes against
me, I shall gain it by the terms of the contract, not having yet won my first cause. Of course I
shall not have to pay him!' Vive la Logique! * * * This fine picture of the Arabian Desert is
from the pen of the late lamented N. H. Carter, Esq., formerly editor of the New-York Statesman,
a daily journal long since discontinued. We thank 'C. P. D.' for his offer, which is gladly
accepted:
'No verdure smiles; no crystal fountains play,
To quench the arrows of the god of day;
No breezy lawns, no cool, meandering streams,
Allay the fervor of his torrid beams;
No whispering zephyrs fan the glowing skies,
But o'er long tracts the mournful siroc sighs.
Whose desolating march, whose withering breath,
Sweeps through the caravan with instant death.
. . . . . . . . . . . . . . . . . . . .
''Tis night: but here the sparkling heavens diffuse
No genial showers, no soft distilling dews:
In the hot sky, the stars of lustre shorn,
Burn o'er the pathway of the wanderer lorn,
And the red moon from Babelmandel's strand
Looks, as she climbs through pyramids of sand,
That, whirled aloft, and gilded by her light,
Blaze the lone beacons of the desert night!'
A correspondent, well known to our readers, in a note to the Editor, remarks as follows,
upon the passage of our May 'Gossip' which touched upon Coleridge and his conversations: 'I
am glad of your remarks on Coleridge and Wordsworth. I have been for years sick of the
interminable cant about those two men. Their admirers have too long exalted them above all that
is human. And would you know the reason? In discovering more depth, and pure humanity,
and high inspiration, in their school of the prophets than the rest of the world have seen, they think
the world will give them credit for deep penetration, high and refined sense, and a large share of
the same or a kindred humanity and inspiration. Witness a sixty pages' laudation of Wordsworth,
opening a number of the 'New-York Review,' by a writer who doubtless thought his
own fame was thereby planted like an eternal light-house on the rock of his idol. Now I hope I
am Christian enough to admire greatly the genius of Coleridge; and I am yet to find any thing
in English or elsewhere more movingly and musically beautiful than 'Genevieve,' or more wizard-like
and solemn than the 'Rime of the Antient Mariner.' I also plead not guilty to a contempt of
'Christabel' and 'Wallenstein.' Nor am I such a rebel to reason, or heretic in taste, as not to see
surpassing beauty in many of Wordsworth's minor poems, and lofty grandeur in his 'Ode to
Childhood,' and 'Stanzas on the Power of Sound,' and a high, philosophical, and musing mind in
his great 'Excursion.' I have read him twice in the last two years, and my admiration has not at
all diminished. But I choose to deny that he or Coleridge invented poetry, or carried it farther,
or as far, as some others before and with them. I choose to deny that they have struck the great
chord of humanity, unstruck before, or have sympathized more deeply or more sweetly with the
joys and sorrows of the lowly million, than the great poets before them have done. I choose to
assert, what has been abundantly proven, that they were both great egotists, eaten up by self,
which the great poets have rarely been; and that Coleridge in particular often knew not what
he meant himself, but between opium and metaphysics, frequently tied the tail of one idea to the
head of another, and called the monstrous and unintelligible coalition a theory; a mixture of Platonism,
Spinozaism, and the d——l knows what 'ism. And for believing this, the Coleridgeites
and Wordsworthites, who are the most intolerant of bigots, would call me an earthy blockhead,
and for expressing this, an ignorant, blaspheming fool. Why, I once had almost broken with a
friend, because I would not admit that Wordsworth was superior to Byron, and that Byron
stole almost all his beauties from him! And the secret was, that the poor fellow thought he had
the Wordsworthian gift, and undeifying Wordsworth was undeifying him!' * * * Are not
the circumstances narrated in the following communication from a truly veracious correspondent,
'very remarkable,' to say the least? Can their truth be doubted for a moment, however,
by any intelligent reader? Yet 'it's curious, isn't it?' In a note to the Editor, our friend writes:
'I have an uncle 'down East,' a retired sea-captain, who having nothing else to do, frequently
writes me long gossipping letters. Sometimes they are very amusing: an extract from one of
them I now send you. The story appears almost incredible; but knowing my correspondent to
be a strictly conscientious man, who would scorn to draw the long-bow on any occasion, I have
no hesitation in believing every word of it, whether others are willing to credit it or not. I give it
to you in his own language, for there is a strait-forward simplicity about it, that should command
belief:'
* * * 'All these things, dear S——, happened in my younger days, of course. As I have still a white
page before me, I will detail to you one of my youthful adventures. I had one night been to a convivial
party, which did not break up until nearly morning, when, on arriving at my boarding-house, I found the
doors closed. Not wishing to disturb the inmates at that unseasonable hour, I proceeded in search of temporary
lodgings, not doubting but that I should get accommodated at some one of the numerous hotels. In this
however I was disappointed; every place was shut as tight as an oyster. It happened to be a wet, drizzly
night; and after wandering about the streets for some time, and getting pretty well soaked, I began to feel
rather disagreeable. What added not a little to my discomfort, was the fact that within a few nights there
had been committed several daring highway robberies, in the very heart of the city, in one of which the victim
was murdered; and as a natural consequence, no watchman dared to venture out from his hiding-place;
thus making my situation doubly lonesome. In this dilemma, finding all legitimate places closed against me,
I began to consider the expediency of seeking shelter at least, if not sleep, in any place that might seem to
offer it. While in this mood, I found myself abreast of the —— church; and leaning against the lightning-rod
a moment, the query occurred to me: 'Why not 'shin up' this rod into the belfry? I have slept in worse
places than that, no doubt, and can do so again.' Now I had been a great climber in my boyish days; and
feats which to others seemed difficult, if not absolutely impossible, were to me often matters of mere pastime.
I therefore hesitated but a moment in such an emergency, but slipping off my boots and swinging them
round my neck, I commenced the ascent; and in less than five minutes I had mounted a hundred feet or
more, and got safely into the belfry. My accommodations here were much better than I could have anticipated.
Some carpenters had been to work a few days previously, repairing the railings on the outside of the
tower, and had left a quantity of shavings, which lay scattered on the floor. Placing these together in a heap,
I threw my weary limbs down upon them, and was soon in a deep slumber, but not a quiet one. My horizontal
position enabled the fumes of wine to reach my head, which before they had been unable to do, in
consequence of my extreme height, for you know I am six feet three, and I soon began to have all sorts of
fantastic dreams. Strange wild shapes flitted around me, and loud unearthly sounds filled my ears. But
prominent over all, was an incessant ding-dong of apparently distant bells, which reached me in every variety
of volume and tone; now low and sweet, and anon loud, startling, and many-toned, as if the thousand steeples
of Moscow were again pouring forth lamentations over the ruins of their beautiful city. Suddenly, a
single stroke, that sent its vibrations through every limb, startled me from sleep; and lifting my head slightly,
I at the instant received a blow upon the back of it that sent me quivering against the frame of the belfry. I
lay stunned for some moments; and on recovering my consciousness, the bell of the steeple was just closing,
with a strange jangle, the peal for seven o'clock in the morning!
'I now comprehended the whole. The edge of the bell, on its return revolution, had come in contact with
my head at the instant I had lifted it, on being roused by the first stroke. I placed my hand upon the back of
my scull, and the proof of that fact lay there too prominent to be denied. A bump had been raised as big as
a hen's egg. I paid but little attention to it, however, as the pain was but slight, and I was moreover exceedingly
anxious about the mode of extrication from my present unenviable predicament. Sliding down the
lightning-rod of a meeting-house, in broad day-light, was not quite so pleasant a performance as 'shinning up'
one at midnight. While considering this matter, in a sort of a 'quandary way,' as brother Jonas used to say,
the scuttle-door slowly opened, and the sexton of the church made his appearance. He did not observe me,
but went immediately to the bell, which he began to walk round, and to inspect very minutely. At last he
stopped: 'It's just as I expected,' said he to himself: 'the bell's cracked! Now what upon airth could ha'
done it? I am sure I felt it hit something hard.' Here I mechanically placed my hand to the back of my
head, and coughed slightly. The man turned, and observing me, started back with affright. I immediately
stepped forward, and told him my story in a few words, taking care to make it as lucid as possible by the aid of
a little silver, and saying nothing, of course, about the bump on my head. The man appeared satisfied, and
told me I could go down with him. Before starting, however, I bestowed a hasty glance upon the bell, and
perceived that it was indeed cracked, longitudinally, from the flange to the crown, and that a lock of my hair
was firmly inclosed in the crevice, just on the outer edge. This of course was enough to remove from my
mind all doubt, had I had any, as to the cause of the mischief; but I said nothing, and followed the sexton down
the scuttle. In a few moments I was once more in the streets, with my hat under my arm, for I found it impossible
to place it any where near its true position on my head, in consequence of the new phrenological development
already mentioned. But now, dear S——, comes the most wonderful part of my narrative. This little
incident happened twenty years ago; and to my certain knowledge, since that date, the bell in that steeple has
been replaced four times; and yet to this very day, whenever I pass within hearing of its tones, my ears begin
to ring, my head violently to oscillate, and straitway I am seized with a stupor and dizziness that continue
until I can get beyond the reach of its sound. You will recollect you once asked me why old Major
N—— called me sometimes 'Captain Hardhead,' and sometimes 'Captain Waghead?' You have now the
answer.'
The water stood in our eyes, reader, (and it will stand in yours if you have a heart to feel,) as
we perused the subjoined eloquent passage of a letter from a friend to whom our readers have
often been indebted for amusement, entertainment, and instruction. What a startling picture it
presents of the first approaches of that 'hectic,' 'phthisic,' 'consumption,' or whatever be the
favorite title of that most wily and fatal foe, who in one hand presents the insidious olive-branch,
and in the other conceals his inevitable sword, cutting down youth in its blossom and manhood in
its fruit! 'For very many years, from twelve to two have been my hours of retiring, and my
exercise has been nothing, or nearly so, during the day. One result has been, that I have read
one half of the Greek and Roman classics, and feasted largely in modern literature. A parallel
result has been, that owing to corporeal sluggishness and nervousness, the curse of the sedentary,
I have no doubt reaped less pleasure and profit than I might have done from half that assiduity
coupled with a due regard to the wants of the body. The final result is, that an iron constitution
is now largely disorganized; and from the constant presence of a dull, deep, stationary pain in
my left side beneath the ribs, and fixed I fear upon the lungs, I begin to indulge in sad and deep
forebodings. Often, when wakened by its painful urgency, I lie in the silence of the night, listening
to my heart's deep beatings, and recall my early and yet unfulfilled dreams—dreams oh! how
glorious!—and array before my unsated eyes this world, with all its lovely learning, and sweet
poetry, and burning passion; and reflect how unfit I am to die, and try the conditions of a new
existence, before I have fulfilled the duties and perused the mysteries of this, and then think of
the wormy bed, and anticipate the hour when I shall lie there, closing my eyes to coloring and my
ears to sound; the impatient longing I have sometimes felt for death is repaid by an indefinable
horror; and between the tenderness of natural regret and the shudderings of unconquerable
awe, passion masters pride, and both sink to meekness and humility in a flood of gushing
tears!' * * * 'The Warning,' in its spirit at least, is borrowed. We are sorry to intimate this, but
it is a fact, friend 'P.' You could not say that you have not read the poem which commences as
follows, (if we rightly remember,) 'could you, now?' Guess not:
'All in the wild March morning I heard the angels call;
It was when the moon was setting, and the dark was over all;
The trees began to whisper, and the wind began to roll,
And in the wild March morning I heard them call my soul!'
We gave on one occasion an extract from one of the 'Short Patent Sermons' of 'Dow, Jr.,'
illustrating the endless extent of for ever. The same sublimity of conception is apparent in the subjoined
glance at the magnitude of the planets, and the unsocial 'distance' they keep up between
one another: 'If a person were sufficiently long-legged to step from star to star, and were to go at
a decent dog-trot, he might as soon think of travelling from everlasting to everlasting and back
again in a day, as to undertake to find an end to the planets which roll round their respective suns,
as far beyond this insignificant solar system of ours as the farthest flight of imagination is beyond
the jump of a ham-stringed grasshopper!' By the by, 'speaking of Dow,' here is a capital anecdote
of the veritable Lorenzo, which is worthy of record. 'It appears' that Dow, in one of his
odd, quaint sermons, declared that he 'had known sinners so very wicked that they actually
bu'st!' This statement threw an old, ignorant, and fat impenitent present into a state of alarm
and perspiration; and home he waddled, in mortal terror. At night, in the horror of his anticipated
explosion, he rolled about until he could no longer bear it. He fancied he was already swelling.
He rose and attempted to dress himself, in order to go out 'al fresco.' Who can paint his
consternation, when he found he could but just strain the garments over his limbs, and even then
they would not meet! He was suffering a rapid sin-dropsy; his iniquities were coming to light!
He screamed in the agony of his fear; and a lamp being brought in, he found that in his haste he
had put on his brother's clothes. 'The impression, however, says our informant, a clergyman of
the Church of England, 'was a salutary one, for he became a pious man.' * * * The 'Knickerbocker'-Steamer,
that floating palace of the Hudson, must not pass unnoticed by 'the editor
hereof.' To describe her, however, and her superb 'belongings,' her Dutch paintings and quaint
adornments, is quite another thing. We have no space for an essay in this department of Maga.
It shall suffice to say, therefore, that this truly magnificent vessel is in all respects worthy the honored
name she bears. Could we say more? Appropos of this: It was not until the first volume
of the Knickerbocker appeared, (this is our TWENTY-SECOND, reader; and, non-reader, an
excellent opportunity for you to commence your subscription,) that one met our noble potronymic
'about town.' How is it now? Let the Knickerbocker steamers, bathing-houses, omnibii,
restaurants, clubs—aquatic, literary, social, military, scientific, and artistic—and eke the Temperance-halls
and root-beer perambulatories, make answer! Their reply is triumphant; and yet
'our' children play with the neighbor's children, just the same as if these were not 'parlous facts!'
This, however, is one of the tendencies of that republican form of government under which it is
our happiness to reside! * * * Are not these lines of Motherwell very beautiful? Such
thoughts have we had a thousand times; and we desire to thank the writer for expressing them
for us so well:
'Flow down, cold rivulet, to the sea,
Thy tribute wave deliver;
No more by thee my steps shall be,
For ever and for ever.
Flow softly down, by lawn and lea,
A rivulet, then a river:
Nowhere by thee my steps shall be,
For ever and for ever.
But here will sigh thine alder-tree,
And here thine aspen shiver;
And here by thee will hum the bee,
For ever and for ever.
A hundred suns will stream on thee,
A thousand moons will quiver;
But not by thee my steps shall be,
For ever and for ever!'
Small game, Mein Herr, of Albany—small game! A 'two-penny dip' would be wasted on
it. Our correspondent's critique reminds us of the tailor in Laputa, who being employed in
making a suit for the facetious Gulliver, disdained the vulgar measures of his profession, and
took that gentleman's altitude by the help of a quadrant! We can pounce upon fair game, but
we cannot 'like French falcons, fly at any thing we see.' Beside, if the satire was 'caviare to
the General' of the 'New-Mirror,' how should it find a place in these pages? Our friend 'the
Brigadier' is a fastidious and a prudent person. Did he not alter a quotation from Byron, in one
of our friend Graham's 'Sketches by a Briefless Lawyer,' wherein 'waistcoat-pocket' was substituted
for that startling indelicacy, 'breeches-pocket?' Verily, he did! * * * The following
reflections upon the death of friends, and the memories of the departed, which we transcribe from
a private letter to the Editor, are too beautiful and true to be confined to one or two readers only:
'I have read the exhortations of Plutarch, and Seneca, and Jeremy Taylor, and others, all
hinging upon the idea that pain and bereavement are natural, necessary, inevitable, in this world
of successive bloom and desolation. But pain is to me none the less painful because natural, nor
separation less overwhelming for its necessity; nor yet is the blasting of cherished hopes less
withering to my heart because the same blight has fallen on the verdure of other hearts, and kindred
tears are falling from a world of mourners in a wide companionship of grief. 'The head
may reason, but the heart will feel.' Time, however, is a great and effectual healer. Though a
tree be lopped to the very root, the maimed giant will send up a new creation of vegetable
strength. So the human soul, like some evergreen creeper, if you cut off or tear away its
branches of affection with the object round which they entwined themselves, will send forth other
tendrils, and wind its clinging arms around some other idol, embalming it with fragrance and
clothing it in verdure. The sweet lines of Wordsworth are most practical and true, as well as
poetical:
'There is a comfort in the strength of love:
'T will make a thing endurable, which else
Would overset tire brain, or break the heart.'
'And while there is one, and more than one, whose redemption from their iron sleep I would
gladly purchase by a subtraction from the remnant of my own dismembered life, and principally
that visible gushing tears, and the test of so great a sacrifice, might be some atonement for causeless
misconceptions, and some proof of warm love beneath the outward shows of an inflexible
hardness; yet I know that Time in his weary revolutions will soon bring us all together in a world
of infinite knowledge, and liberal forgiveness, and uncircumscribed affection; a world where we
shall 'see face to face,' and feel heart to heart; 'where no grief makes the heart heavy and the
eye-lids red.' * * * Standing with a friend the other day by the river-side, to take in the noble
coup d'œil of the new steamer Knickerbocker, we overheard a little anecdote connected with
water-craft, which made our companion merry all the way home; which we shall here transcribe;
'and which it is hoped may please.' 'It seems there was' (nay, we know not seems, there was)
a verdant youth from the interior of Connecticut, for the first time on board a steam-boat. His
curiosity was unbounded. He examined here, and he scrutinized there; he wormed from the
engineer a compulsory lecture on the steam-engine and mechanics in general, and from the fireman
an essay on the power of white heat, and the 'average consumption of pine cord-'ood.' At
length his inquiring mind was checked in its investigations, and 'the pursuit of knowledge under
difficulties' made at once apparent. He had mounted to the wheel-house, and was asking the
pilot: 'What you doin' that for, Mister?—what good does't do?' when he was observed by the
captain, who said, in a gruff voice: 'Go away from there! Don't you see the sign, 'No talkin'
to the man at the hellum? Go 'way!' 'Oh! certing—yäes; I only wanted to know ——' 'Well
you do know now that you can't talk to him; so go 'way!' With unwilling willingness, the verdant
youth came down; and, as it was soon dark, he presently went below; but four or five times
before he 'turned in,' he was on deck, and near the wheel-house, eyeing it with a thoughtful curiosity;
but with the captain's public rebuff still in his ears, venturing to ask no questions. In the
first gray of the dawn, he was up, and on deck; and after some hesitation, perceiving nobody
near but the pilot, who was turning the wheel, as when he had last seen him, he preferred his
'suppressed question' in the oblique style peculiar to his region: 'Wal, goin' it yit ha?—been at
it all night?—screëwin on her up?—eh?' What vague conjectures must have bothered the poor
querist's brain, during the night, may be partly inferred from the absurd but 'settled conviction' to
which he had at length arrived! * * * What a mingling of the dead Past with the busy, bustling
Present pervades the mind of the thoughtful observer, as he looks down from the rising tower of
the New Trinity Church upon tens of thousands of the dead whose bones crowd the grave-yard
below; bones, and dust and ashes, over which are thrown in wild confusion huge blocks from
the quarry, and piles of uprooted grave-stones, and slabs and urns of marble! As you have
marked an elaborately-carved stone sink slowly from its ponderous 'drop' to its place in an edifice
which is to stand for ages, did you never scan closely its grained streaks, its delicate chissellings,
with the thought that when you were senseless clay, that very stone might arrest the eye of
another, gazing upon it with sensations like your own? So at least have we thought, concerning
those who have gone before us, as we have looked at the ornamental marbles of our older public
buildings, erected in another age. But from the countless Dead, who slumber below, how
solemnly comes up toward this rising tower the voice of warning and monition! Each 'storied
urn' takes the form of the Departed whom it commemorates, and seems to say:
'Time was I stood, as thou dost now,
And viewed the Dead as thou dost me:
Ere long thou'lt lie as low as I,
And others stand to look on thee!'
Mr. Wallace, the great musical Wonder, is not now in town, but, reader, should he return
among us, be sure to neglect no opportunity to hear him. In his hands, the piano seems like an
instrument hitherto unknown. It has the chant of woodland birds, the silver sound of dropping
waters, and 'all voices of nature and of art.' We have heard no resemblance to Mr. Wallace,
as a pianist. But it is his violin which speaks to us; and on this instrument no approach to Mr.
Wallace has been met with in this country. How exquisite the notes, pathetic, joyful, or in
'linked sweetness long drawn out' which he conjures from that most facile of all instruments!
We would travel ten miles to hear him play, in his style, that ravishing melody, 'The Last Rose
of Summer.' We shall have occasion, we hope, again to advert to the performances of Mr. Wallace.
He is yet a young man, and possesses the characteristic modesty of true genius; and has
hardly yet learned that 'the world meets nobody half way;' in his case, however, not a necessary
lesson. * * * If any of our town readers are fond, by way of literary variety and contrast, of
disinterring the intellectual treasures of the buried Past, they will find 'pleasant employment and
liberal wages' in glancing over the antique stores of Messrs. Bartlett and Welford, under
the Astor House. We have been indebted to the courtesy of these gentlemen for sundry communings
with authors who have been in their graves for five or six centuries. Every ancient book
is an argument in favor of the immortality of the soul. 'Fancy a deep-buried Mastodon, some
fossil Megatherion, Icthyosaurus, were to begin to speak from amid its rock-swathings, never so
indistinctly! Yet the most extinct fossils of Men can do, and does, this miracle—thanks to the
letters of the alphabet!' * * * The friend who sends us, for 'a fragment of Gossip,' the anecdote
of the verdant field-preacher who spoke of Saint Paul's having 'sat at the foot of Gammel-Hill,'
is informed that it has already appeared in the Knickerbocker. The following specimen of kindred
ignorance, however, is quite new to us, and worthy of repetition. It is a precious bit of
ignorant bathos, which occurred in a discourse upon the sufferings of Christ: 'The blessed
Saviour, my hearers, was dreadfully persecuted. Once, when going to Jerusalem, the Jews put
him on a wild young jack-ass, and scattered branches in the road, and put clothes onto 'em, in
order for to scare the little colt, and make him break the blessed Redeemer's neck!' The speaker
actually preached this three times, till one of his congregation corrected him!' * * * The articles
in the Edinburgh Review, and other eminent European periodicals, against the custom of the
duello, would seem to be but the echoes of a prevalent public opinion. We perceive by late
English journals that an Anti-Duelling Association has recently been formed in London. 'It consists
of three hundred and twenty-six members, including twenty-one noblemen, thirteen sons of
noblemen, sixteen members of Parliament, fifteen baronets, thirty admirals and generals, forty-four
captains R. N., twenty-three colonels and lieutenant-colonels, seventeen majors, twenty-six
captains in the army, twenty lieutenants R. N., and twenty-four barristers. They denounce duelling
as 'sinful, irrational, and contrary to the laws of God and man;' and pledge themselves to
'discountenance the practice, both by example and influence.' The association includes, says
a London journal, many members who have been successful heretofore in 'killing their
man.' * * * One of the most delightful as well as most accessible places of summer resort in the
vicinity of New-York, is the 'Hamilton House,' a spacious and elegant palace of an edifice, situated
on the south-westernmost extremity of Long-Island, on the picturesque bluff at the ocean-entrance
to the Narrows, commanding a wide view of the sea, the lower bay, Staten-Island, and
the rich and cultivated fields of Long-Island; a combination of scenery unsurpassed on the Atlantic
sea-board. Here, amidst healthful and invigorating sea-airs, and charming views; with spacious
and well-ventilated apartments, public and private; 'tables richly spread;' wines of the
best, and the means of recreation, natural and artificial, in abundance; what could one want
more?—save perhaps the ready attention and courtesy of the proprietor, Mr. J. R. Curtis, and
these are 'matters of course.' Go to the 'Hamilton House,' ye invalids and pining wights 'in
populous city pent.' * * * We find the annexed charming translation in the hand-writing of Mr.
Longfellow, among the papers of the late lamented Willis Gaylord Clark:
SUMMER TIME IN GERMANY.
FROM JEAN PAUL.
The summer alone might elevate us! Heaven! what a season! In sooth, I often know not
whether to stay in the city, or go forth into the fields, so alike is it every where, and beautiful. If
we go outside the city gate, the very beggars gladden our hearts, for they are no longer a-cold;
and the post-boys can pass the whole night merrily on horse-back; and the shepherds lie asleep
in the open air. We want no gloomy house. We make a chamber of every bush; and so have
my good industrious bees before us, and the most gorgeous butterflies. In gardens on the hills sit
school-boys, and in the open air look out words in the dictionary. On account of the game-laws
there is no shooting now; and every living thing in bush and furrow and on the green branches,
can enjoy itself right heartily and safely.
In all directions come travellers along the roads. They have their carriages, for the most part,
thrown back. The horses have branches stuck in their saddles, and the drivers roses in their
mouths. The shadows of the clouds go trailing along, and the birds fly between them up and
down. Even when it rains do we love to stand out of doors, and inhale the quickening influence;
and the wet does the herdsman harm no more!
And is it night, so sit we only in a cooler shadow, from which we plainly discern the day-light
on the northern horizon, and on the sweet, warm stars of heaven. Whithersoever I look, there
do I find my beloved blue; on the flax in blossom, on the corn-flowers, and the godlike, endless
heaven, into which I would fain plunge as into a river!
And now if we turn homeward again, we find only fresh delight. The whole street is one
great nursery; for in the evening after supper, the little ones, though they have but few clothes
upon them, are again let out into the open air, and not driven to bed as in winter. We sup by
day-light, and hardly know where the candle-sticks are. In the bed-chambers the windows are
open day and night, and likewise most of the doors, without danger. The oldest women stand
by the window without a chill, and sew. Flowers lie about every where; by the ink-stand, on
the lawyer's papers, on the judge's desk, and the tradesman's counter. The children make a
great noise, and one hears the rolling of nine-pin alleys. Half the night through, one walks up
and down the street, and talks loud, and sees the stars shoot in the high heaven. The foreign
musicians, who wend their way homeward toward midnight, go fiddling along the street, and the
whole neighborhood runs to the window. The extra posts arrive late, and the horses neigh. One
sits in the noise by the window, and drops asleep, and the post-horns awake him; and the whole
starry heaven hath spread itself open. Oh, God! what a joyous life, on this little earth!
Cambridge, July 20.
Longfellow.
The following we derive from the same source with the above. It is placed in type from the
MS. of Mrs. Fanny Kemble Butler:
THE PARTING PLEDGE.
I.
Yet once again! but once, before we sever,
Fill me one brimming cup—it is the last,
And let those lips now parting and for ever,
Breathe o'er this pledge 'The memory of the Past!'
II.
Joy's fleeting sun is set, and no to-morrow
Smiles on the gloomy path we tread so fast;
Yet in the bitter cup, o'erfilled with sorrow,
Lives one sweet drop—the memory of the Past!
III.
But one more look from those dear eyes now shining
Through their warm tears, their loveliest and their last.
But one more strain of hands in friendship twining,
Now farewell all, save memory of the Past!
'What is more ridiculous to a dandy than a philosopher, or to a philosopher than a dandy?'
We thought of this query, while reading a description, in a communication before us, of a knot of
fourth-rate dandies, the 'apes of apes,' which the writer encountered in the bar-room of an inn, in
one of the fourth-rate towns of Maryland. Doubtless these artificial 'humans' looked upon our
friend as quite to be pitied that he was not 'one of us:' 'In their ultra dress, affected manners,
drawling tones, and whey-faces, you might read the foolish inanity of an existence parallel in
every respect to that of Beau Brummel, except that his was original absurdity, and theirs was
folly on loan. It was Parisianism adulterated in London, qualified in Broadway, weakened in
Chestnut-street, reduced in Baltimore, and at last in these provincial decoctions diluted to the lowest
possible degree of insipidity, with scarce a perceptible tincture of the original liquid. These
had no souls by nature; and the only idea they could inspire was one of humiliation, that apes
were permitted to wear the likeness of God's image.' * * * We annex below a few random
comments from an old and favorite contributor, (a 'scholar ripe and good,' who holds a felicitous
pen,) upon three or four papers in our May number: 'John Quod is beyond all praise. I read
the May chapters throughout with unqualified delight. The passage describing the old lawyer's
affixing his own name, in his confusion, to the blind man's will, aroused me to unseemly, uproarious
laughter; and the painting of Kornicker's manner, particularly his laugh, is scarcely inferior
to Cooper's account of Leatherstocking's noiseless, inward laugh, the impression of which could
not fade from my fancy in a thousand years. I'll wager my head that the May number of no
Magazine in the world contains a sketch of more power and humor. As for the 'Lay of Ancient
Rome,' I cannot praise it too highly. The imitations of ancient manners, and the keeping with
ancient ideas, is excellent, excellent indeed; far better than the efforts of Bulwer, in his 'Last
Days of Pompeii,' or than any other late imitations which I just now remember to have seen.
Fresh from the perusal of Anthon's 'Horace,' (Anthon's classics are entirely unequalled,) and with
Livy in my reach, the verisimilitude strikes me as almost perfect. You cannot fail either, to observe
that, as in the 'Three Passages in the History of a Poet,' there is a great deal of sweet poetry scattered
about among the jewels of delicate criticism and mirthful wit. I believe my love for the old
Greeks and Romans is a little unreasonable; but it is my first love. I often woo other mistresses,
but I always return to my 'prima donna.' Twelve or fourteen years ago I ingorged all of Smollet,
Fielding, Richardson, Scott, and Cooper, at one intemperate meal, and then lay some
months inert and drowsy, like a huge boa-constrictor after swallowing a bullock. Then again for
several years I dieted on Greek and Roman and early English literature. Once more I devoured
all then published of Edgeworth, Bulwer, James, Marryat, and I know not how many others,
rolled up in one monstrous mass. I wonder it had n't killed me; but the process of digestion
brought me again to a state of healthful depletion, and my natural appetite revived. So, although
I am delighted with genius, or talent, or wit, or mere taste, no matter when or where I encounter
it, yet I cannot forget my youthful worship, or forego my early gods. The death-scene in 'The
Young Englishman,' I do declare, went to my very heart. I have had since continually before my
eyes the poor youth, flying from his destroyer, whose unerring dart was already in his bosom.
What a mournful comment on that most affecting passage of Virgil, where the wounded deer flies
from the pursuer, (who is in truth her companion,) with the arrow for ever in her side—hæret lateri
lethalis arundo—flies through the summer forests, all heedless of their greenness, and lies down
by some blue streamlet, helpless and hopeless to die! Seeing the other day a number of 'Graham's
Magazine,' I read in it an article by E. A. Poe, who comes down on your old correspondent
'Flaccus' like a mountain of lead! It is clear that 'Flaccus' has in many places exposed himself
to the charge of unmelodious rhymes, incongruous figures, and occasionally faulty taste. But
there is a difference between a Pope that sometimes nods, and a Cibber that never wakes! I am
not easily moved, in the matter of poetry; I think, at least, that it must have merit to please me;
and I well remember that Flaccus's metrical love-tale in your pages seemed to me very sweet
and original, and strongly redolent of the early English odor. His 'Epistle from my Arm-chair'
was in good hexameters, and his 'Address to the President of the New-England Temperance
Society' had a Tom Moore-ish spice of elegant wit about it, and might have been written by Mr.
Poe in about a century of leap-years.' * * * The venerable Noah Webster, full of years and
full of honors, has gone down to his grave, 'like a shock of corn fully ripe in its season.' Our
very earliest associations, like those of millions of others, are associated with his name. That
blue-covered spelling-book of his, with its progressive lessons of learning and morality; its pleasant
fables and pretty pictures; its large type and dingy paper—the very smell of that spelling-book—all
are as vivid in our mind as when we first took it to bed with us, in an ecstacy of
enjoyment, some score and a half of years agone. And then his great philological work, which
is now so well known in both hemispheres, what a monument it is of careful research, discriminating
judgment, laborious industry! It will die only with the 'land's language.' Mr. Webster
has been a frequent and always a welcome contributor to these pages; and we have even now
in our possession late communications from his pen, of which our readers will know more hereafter.
Noah Webster was an honor to his country. He was a scholar; a 'gentleman of the
old school,' who lived a life void of offence toward God and toward man; and he died in the full
assurance of a blessed immortality. May he rest in peace! * * * 'Poetry run Mad' is inadmissible,
on two accounts. In the first place, it strikes us we have met parts of it at least before; and
in the second, the style has 'outlived our liking.' Nobody but Hood manages well this ragged
species of verse; a very clever specimen of which is contained in his 'Custom-House Breeze,' the
story of a lady-smuggler who would not go ashore at Dover, because there was 'a searching wind'
blowing, which might expose the lace-swathings of her person:
'In spite of rope and barrow, knot, and tuck,
Of plank and ladder, there she stuck!
She couldn't, no, she wouldn't go on shore.
'But, Ma'am,' the steward interfered,
'The wessel must be cleared.
You mus'n't stay aboard, Ma'am, no one don't!
It's quite ag'in the orders so to do,
And all the passengers is gone but you.'
Says she, 'I cannot go ashore and won't!'
'You ought to!'
'But I can't!'
'You must!'
'I sha'n't!''
We have given no notice of Carlyle's 'Past and Present,' for the reason, let us inform the publishers,
that we received no copy of the work. We have perused the book, however; and are
compelled to say that in its style it exhibits no improvement upon the previous writings of its distinguished
author. It is even less clear, to our comprehension, (or perhaps from the lack of it,) than
any of his former productions. We are sorry to see, moreover, that he is obliged to repeat himself
so frequently. Yet is there much matter for deep thought in his pages, and sometimes a whole
sermon in a single sentence. His heart bleeds for his suffering fellow-men in England, Ireland,
and Scotland; 'twelve hundred thousand workers, their cunning right hand lamed, lying idle in
their sorrowful bosoms; asking only for work, and such return for it in food, clothes, and fuel, as
shall enable them to live, that they may still work on;' yet we do not see that Mr. Carlyle points
out any means by which these many 'workers' may obtain redress of the 'crowned, coronetted,
shovel-hatted, quack-heads' whose rule he stigmatizes so severely. Here is a fine passage illustrating
the fact that he only is successful who is 'fortunate for good:' 'Success! If the thing is
unjust, thou hast not succeeded, no, not though bonfires blazed from north to south, and bells
rang, and editors wrote leading articles, and the just thing lay trampled out of sight, to all mortal
eyes an abolished and annihilated thing. Success! In a few years thou wilt be dead and dark;
all cold, eyeless, deaf; no blaze of bonfires, ding-dong of bells, or leading articles, visible or
audible to thee again for ever! What kind of success is that?' It is not possible for Mr. Carlyle
to write a stupid or an unreadable volume; and it can only be affirmed, in dispraise of the
present work, that it is less forceful and attractive than one or two of its immediate predecessors.
* * * You are wrong, Sir 'P. F.,' altogether wrong. The 'competence' of the tiller of the
soil, the 'abundance' of the successful mechanic, and the 'sufficiency' of the tradesman, we conceive
to be better calculated to promote happiness than 'great wealth,' even when unencumbered.
We are not insensible to the value of money. Our remark was pointed as to the wants that wealth
brings; but the cares of it are not less exacting. 'Don't you know me?' said a western millionaire,
soon after 'the crisis,' to a friend of ours, with whom he had formerly been intimately
acquainted; 'don't you remember me? My name is ——.' 'Good heavens! it can't be possible!'
exclaimed our friend; 'why, what has wrought such a change in your appearance? Where's
your flourishing head of hair? where's your flesh gone? what's put that bend in your back?'
'The times! the times!' replied the 'poor rich man;' as for my back, I broke that last year, lifting
notes; some of them were very heavy.' A grievous and unnecessary burden no doubt they
were; and how much better was the rich man's 'wealth,' with its carking cares, than the 'abundance'
of the contented mechanic?' * * * A MOST forcible warning to 'nations that know not
God' is contained in the following passage from a recent discourse by Rev. Geo. B. Cheever:
'This world has been the theatre of a mighty experiment—whether nations could be prosperous
and permanent in pride and sin. The result has been overwhelming. Empire after
empire has fallen to the ground. I have passed over the ruins of dead and buried kingdoms; have
seen the shades of departed monarchies, and conversed with them, haunting the spots of their former
glory; and the hollow voice, as if the wind were moaning from earth's central sepulchres,
has spoken in the words of Scripture, deep unto deep, in my hearing, The nation and kingdom
that will not serve Thee shall perish; yea, those nations shall be utterly wasted!
It is a solemn thing to stand in the Colosseum at Rome, beneath the shadow of the Parthenon at
Athens, within the crumbling shrine of the temple of Karnak in Egypt, and to listen to the echo of
those awful words. These historical materials and monuments are so many intelligent chords,
which men's iniquities have wrought for that great harp of the past, across which God's Spirit
sweeps with its majestic, awful utterance! God grant that the history of our nation may not add
another tone of wailing to the melancholy voices of dead empires!'
We are glad to perceive that the 'American Book Circular,' recently put forth by Mr. Geo. P. Putnam,
of the Anglo-American house of Wiley and Putnam, London, has been received with
a becoming spirit by the English press. It has been most favorably noticed in the 'London
Review,' 'Examiner,' 'Athenæum,' 'Literary Gazette,' and other influential journals; and its
publication has secured to the writer the attention and friendship of several of the most distinguished
literary and scientific gentlemen of the British metropolis. This timely pamphlet, in
fact, has opened the eyes of the English people to the progress of science and belles-lettres in
America, and has served to enlighten them as to the extent of their literary obligations to this
country. Widely noticed by the press, and stitched in all the principal reviews and periodicals of
England, the 'American Book-Circular' has already been productive of great good to the reputation
of our vigorous but infant 'republic of letters.' * * * 'Flaneur,' whom we welcome, has
made sundry inquiries in preceding pages concerning certain terms and sayings which have long
and generally obtained among pen-and-ink writers of romances and novels, native and foreign.
There are other common sayings and comparative-adages, toward one or two of which we
should be glad to direct the researches of the reader, 'on the present occasion.' 'Poor as Job's
turkey,' has always puzzled us. Is there any authentic record of the personal condition of that
afflicted bird, or of the causes which threw it into a decline? Why has it been handed down
to us as the very Calvin Edson of its tribe? 'Not worth a Tinker's d—n' is another adage,
whose origin is involved in mystery. When was the standard of value established for that intangible
commodity of this particular artizan? Was there ever a 'sliding scale' for it, or such a
thing as a 'first-quality' article in its kind, before it became a synonym for nothing? We have
already asked who that 'Dick' was, who wore such an 'odd hat-band' that its memorial has
been perpetuated even unto this day? 'We shall resume this important subject in our next discourse.'
* * * The sudden death of William Abbott, Esq., of the Park Theatre, has been
announced in nearly all the public journals of the United States. We had the pleasure to know
Mr. Abbott well. He was first introduced to us, on his arrival in America, by a private letter
from Miss Landon, who spoke of his literary and social qualities in terms of cordial admiration
and praise, which subsequent acquaintance convinced us were well deserved. To marked amenity
and cheerfulness of manner, Mr. Abbott united literary acquirements of great extent and
variety; a thorough knowledge of society; and a frankness of deportment which won, and a sincerity
which retained, many friends. He was a most gentleman-like actor; and will be missed
and mourned not less by his professional brethren than by those whose acquaintance with his
talents and many good qualities was unconnected with his dramatic career. * * * How very
prettily this little Love-passage is rendered! Our correspondent lets us hear from him quite too
seldom:
TO ALMEDA: FROM THE SPANISH.
Think you, my love, if ever fate
Should cast a shadow o'er our bliss,
That you or I could e'er forget
In darkest hours our Good-night Kiss?
Ah no! though hopes should melt in tears,
And fade for ever days like this,
Sad memory through the longest years
Would hover round our Good-night Kiss.
Boston, June, 1843.
J. T. F.
The appearance on our table of an exquisitely beautiful card of invitation to the great Dinner
at Faneuil Hall on the Seventeenth of June (a kindness of the 'Committee of Arrangements,' for
which, although unfortunately adscititious, we desire to render our cordial acknowledgments)
reminds us to speak of another species of card, from the same press, which we must believe is
little known, but which only requires to be known, to be found in the possession of every tasteful
lover of the Beautiful. Mr. Dickinson, of Boston, has recently completed a variety of ornamental
cards, of various sizes, large, medium, and petite, one use of which we desire to indicate to our
metropolitan readers; not without the hope also that the information will not come amiss to our
readers every where; for the cards are 'awaiting' as well as 'under orders.' As frames for
medium and small engravings, we certainly know of nothing so tasteful and so appropriate. In
color various; of tints inconceivably delicate; and with borderings of the most chaste yet elaborate
and distinct bas-relief; they are 'just the thing' for the purpose we have indicated. We shall
be happy to afford 'the ocular proof' to any one who may doubt the justice, or impugn the good
taste, which we conceive to characterize as well the cards as our encomiums! These admirable
specimens of American taste and skill may be found at the establishment of the Messrs. Woodworth's
(late Bonfanti's) and at Nesbitt's in this city. * * * The interest still excited by the
slightest object connected with the name of Napoleon has recently been curiously illustrated by
the opening of a 'Napoleon Museum' in London, consisting of a vast collection of mementos of
the great hero and his associates, from the day of his birth to the time of his burial. Among them
is a morceau of his penmanship in his latter days, on the back of a card, the ominous nine of diamonds,
which has caused a good deal of merriment to the cockneys, although it strikes us they
should 'laugh on the wrong side of the mouth.' The imperial prisoner appears to have been
making an attempt to commit some English words to memory, and to have noted down the difference
between hungry and angry—words which must have sounded marvellously similar in his
ears, from the mouths of his English visitors: 'Are you 'ungry?—are you angry?' We do not
wonder at his perplexity. His memorandum runs thus upon the card: 'Are you 'ungry?'—'Avez
vous faim?' 'Are you angry?—'Etes vous en colere?' * * * 'Polemics' is an article catholic
and cogent in spirit and argument, but it is TOO LONG for an essay. (We wish we could impress
upon our didactic correspondents the necessity of at least comparative brevity!) Rev. Theodore
Parker, in the following, has expressed every fact and argument which our correspondent has
expanded over eight letter-sheet pages! Indeed, himself shall be the judge:
'Who shall tell us that another age will not smile at our doctrines, disputes, and unchristian
quarrels about Christianity? Who shall tell us they will not weep at the folly of all such as fancied
Truth shone only in the contracted nook of their school, or sect, or coterie? Men of other times
may look down equally on the heresy-hunters and men hunted for heresy, and wonder at both.
The men of all ages before us were quite as confident as we, that their opinion was truth; that
their notion was Christianity, and the whole thereof. The men who lit the fires of persecution,
from the first martyr to Christian bigotry down to the last-murder of the innocents, had no doubt
their opinion was divine. No doubt an age shall come, in which ours shall be reckoned a period
of darkness, like the sixth century, when men groped for the wall, but stumbled and fell, because
they trusted a transient notion, not an eternal truth. But while this change goes on; while one
generation of opinions passes away and another rises up; Christianity itself, that pure religion,
which exists eternal in the constitution of the soul and the mind of God, is always the same.'
'Fancy's Vision,' says a correspondent, in a running commentary upon the poetry of our May
number, 'is very well done for a Scotch song; although I think Burns and others have too well
occupied that field, for foreign imitators to expect to glean much. It seems a little unnatural for
Americans to compose in the Scottish dialect, however simple and well-adapted to love-lyrics that
English-Doric may be thought. Some Scotticisms, such as 'bonnie,' 'burnie,' 'wimplin,' etc., are
very sweet; but others, in my view, such as 'hame,' 'drap,' etc., are inferior to the English.
Perhaps, however, the writer is a Caledonian.' To be sure she is; and 'that makes a difference;'
yet we do not disagree in the main with our correspondent. By the by, speaking of Scottish
poetry, here is a specimen of the true thing. It is from the pen of an esteemed friend and contributor,
and has been widely circulated, and as widely admired, both at home and abroad:
THE WEE VOYAGER.
WRITTEN ON SEEING IN A GLASGOW NEWSPAPER THAT THE CREW OF A VESSEL DISCOVERED A HARE FLOATING
IN THE FRITH OF FORTH UPON A SHEET OF ICE TO THE OCEAN.
BY JAMES LAWSON.
An' where are ye gaun ye wee voyager,
Wi' look sae fleyed or blate?
An' where are ye gaun ye wee voyager,
On sic an unco gate?
Ye're sailin' awa in a cauld cauld bark,
An' nae a frien' beside ye;
Ye're sailin' awa in a frail frail bark,
Without ane helm to guide ye.
Ye hae nae a mast, ye hae nae a sail,
Nae bield frae win' to hide ye;
An' the lift cours' down wi' a threatenin' glow'r
Sae ill maun sure betide ye.
The gloamin is mirk, and the gurley sea
Is yaupin to rin ower ye;
The big pellocks soom, an' the wild maws wing,
As watchin to devour ye.
The wraith of the storm shaws her grim grim face,
The petrel skreighs aloud;
An' the yird looks sick, an' the lift as t'wad fa'
For nature's funeral shroud.
Then wherefore sail ye in this frail frail bark
At sic an uncany hour?
Come your ways wi' me (the skipper then cried)
Frae gurly ocean's power.
An' his coggly punt the gude skipper launched,
Upon the roarin' wave;
An' stoutly he skulled wi' his stumpy oar
The voyager to save.
Then, giegly he reached the wee timid puss,
An' snatched her frae the flood;
An' now the wee maukie that sailed the sea,
Rins in the bonny green wood.
This would be 'ower Scotch,' perhaps, for an English ear, but that the very sound of the doubtful
words is expressive of their meaning. * * * The 'Reminiscence of Little Burke' is not to our
taste. He was an extraordinary urchin, certainly; but like all very precocious children, he grew
to—nothing. We have always utterly detested infant theatricals. We know of no more ridiculous
a sight than one of these dramatic juveniles 'strutting like a Lilliputian grenadier; trying to
knit its brow, and flourish its little falchion at an over-grown victim of its vengeance,' who is
bending half way down, to hear more distinctly the penny-trumpet tones in which he is threatened.
'Little Burke's' father had no very exalted opinion of his son's genius! 'Oh, no! by no means!
oh, certainly not!' * * * We cannot resist the employment of a line or two, though sadly pressed
for space, to commend to citizens and strangers the establishment of the American Museum, as
conducted by its present indefatigable proprietor. It was our intention to have particularized
some of the numerous attractions of this very popular resort; but as these are constantly changing,
our intelligence would be likely to prove 'Johnny Thompson's news' at the end of the
month in which we write. The corps of gentlemen-singers, for example, who adopted the
'Ethiopian' garb, were alone worth a walk of miles to hear. Think of a charming duet, in the
most perfect time and harmony, on a pair of tongs and an accordion! * * * We derive from a
lady-friend, to whose kindness our readers have heretofore been indebted, the stanzas translated
from the German by Fitz Greene Halleck, Esq., in preceding pages. They were withheld
originally from publication; the fastidious taste of the writer suggesting infelicities, which we are
certain will escape the scrutiny of less refined critics of 'the gentle art of song.' * * * Some
newspaper 'down east' has been instigated to hint that the lively and gossipping New-York correspondence
of the Washington 'National Intelligencer' is written by John Neal! As if it were
possible to mistake the pleasant style of Mr. Willis, for the labored yet slovenly no-style of
'Omnium Scriblerius!' One might as well attribute the authorship of 'Thanatopsis' to 'Sir
William Marsh, of Apple Island, Boston Harbor!' * * * The paper elicited by the article upon
'Forensic Eloquence' in our last number, is somewhat too kindred in character with that excellent
performance, to be at present admissible. As the MS. is left to our option, however, with permission
to 'add, clip, or destroy,' we annex a passage which will be new to many of our readers:
'Cæsar, who was himself an accomplished orator, and knew all the windings of the art, was
so shaken on the occasion of Tully's oration, that he trembled, dropped his papers, and acquitted
the prisoner. Many attributed this to the force of Tully's elocution; but it seems rather to have
been the effect of Cæsar's art. He played back the orator's art upon himself. His concern was
feigned, and his mercy artificial; as he knew that nothing could so effectually win Tully to his
party, as giving him the pride of having conquered Cæsar.' In relation to the different styles of
eloquence, the same writer observes: 'The pathetic orator who throws a congregation of enthusiasts
into tears and groanings, would raise affections of a very different nature, should he attempt to
proselyte an American congress; and on the other hand, the finest speaker that ever commanded
the House, would in vain point the thunder of his eloquence on a Quaker meeting. Voltaire
tells us, that 'in France a sermon is a long declamation, spoken with rapture and enthusiasm; in
Italy, it is a kind of devotional comedy; in England, it is a solid dissertation, sometimes a dry one,
which is read to the congregation without action or elocution.' A discourse which would raise
a French audience to the highest pitch of enthusiasm, would throw an English one into a fit of
laughter.'
D.'s story of 'The Whistling Bridegroom' is very good, but 'drawn too fine' for the strength of
the fabric. Briefly, it is this: A clergyman is uniting two persons in marriage; and when he
arrives at the point in the service where he directs the bridegroom to 'take the bride by the hand,'
the former pays no attention to him, but looks steadfastly upon the floor, and indulges in a subdued
whistle. The direction is repeated, but again the only notice taken of it is a continuation of the
whistling, sotto voce. A third time the command is given, and the only response is the unique
musical accompaniment aforesaid. The clergyman pauses, thinking himself intentionally insulted,
when the blushing bride, who had doubtless been thinking of other things, raised her eyes, saying:
'He's deaf, Sir; and it's his way to whistle to himself, when he's any thing on his mind!' The
explanation was satisfactory; and 'the deaf was made to hear' the next repetition of the important
direction. * * * 'Pretty good,' but not quite probable, we think, the wonderful 'Lusus
Naturæ' described by our Kentucky correspondent! Did he really think we should nibble at that
hook? There is a wind-mill, we are informed, on the coast of Holland, which lays eggs and
breeds young ones; but its family is not near so remarkable as the Kentucky wonder of our new
contributor! Would he have the goodness to 'try again?' We fancy it must have been with
him that the western story of the 'Prock' originated; a singular animal, with its legs, on one side
of its body, very short, to enable it to 'graze on the inclined planes of nature!' It was caught,
we remember, by 'heading it,' which reversed the animal, and rendered his legs useless, by
changing their position! Vive la Bagatelle! * * * The recent death of Hon. Hugh S. Legare is
an event which deserves a particular record in these pages. He was one of the ripest scholars
of whom the Union could boast; and in all regards reflected high honor upon our literature. He
always wrote from a full mind. Let any one turn to the papers which he furnished for the
'Southern Review' and our own New-York Quarterly, and it will be seen how forcibly they
illustrate the justice of this encomium. Had Mr. Legare lived, our readers would soon have had
an opportunity of admiring his literary performances in the pages of the Knickerbocker. In a
late letter to the Editor, written only a few days previous to his leaving Washington for the last
time, Mr. Legare incidentally exhibits the patient research of which he was about to reap an
adequate reward, in the new and high career of public service upon which he had entered. 'My
studies,' he writes, 'have for many years been of a very severe and serious cast, looking all of
them, more or less, to useful results in active life, and most of them connected with political economy
and jurisprudence.' Works of recondite research and striking views, such as those of
Niebur, Savigny, and others of that illustrious German line, had richly furnished his adversaria
and port-folios; and it was from these that he was to have enriched and diversified our pages.
The death of such a man, in the prime of life and in the midst of his usefulness, is a public loss,
which cannot fail to be widely and deeply felt. Honorable and high-minded in all the relations of
life, Mr. Legare met his last hour with perfect composure. In dying as in living, he was the
admiration of his friends. * * * We saw the other day what its possessor termed a 'Dogberry-o'-type
likeness' of Miller, the Prophet—a counterfeit presentment of a cunning old humbug, 'on
its very face.' Its exhibition led to a story of one of Miller's converts, which we thought worth
remembering. A matter-of-fact old gentleman in New England, whose wife was a thoroughgoing
'Destructionist,' was awakened out of his sleep by his 'possessed' rib, one cold and stormy
March night, with: 'Husband! did you hear that noise? It's Gabriel a-comin'! It's the sound
of his chariot-wheels!' 'Oh, psha! you old fool!' replied the gude man; 'do you s'pose Gabriel
is such an ass as to come on wheels, in such good sleighing as this? I tell you it's the wind; turn
over, and go to sleep!' We believe she did. * * * The 'Confessions of a Belle' is not a new title,
and it strikes us that we have encountered some of its incidents before. The lesson, howbeit, is an
excellent one. Theodore Hook speaks forcibly to this point, in a portrait of one of his female
characters: 'With all this blaze of notoriety, did any body esteem her particularly? Was there
any one man upon earth who on his pillow could say, 'My God! what an angel is Fanny Wilding!'
Had she ever refused an offer of marriage? No! for nobody ever had made her one.
She was like a fine fire-work, entertaining to look at, but dangerous to come near to; her bouncing
and cracking in the open air gave a lustre to surrounding objects, but there was not a human
being who could be tempted to take the exhibition into his own house.' * * * If 'J. P. S.' will
look once more at our remarks, touching which he 'begs leave to demur,' he will find that we
differ very little from himself. His pride of opinion runs to a point, and reminds us of a reply we
once heard a quaint old Friend make to the eager question of a group around him, touching the
relative speed of two steam-boats which were running a race, and a very even one, through Long
Island Sound. 'Don't you think we've gained on her, in coming the last forty miles?' 'Yes,'
replied the Quaker, with great gravity; 'I should say we had.' 'Well, how much, should you
think?' 'I maybe mistaken,' responded our Friend, 'but, I should say, about an inch!' We
believe this 'close observer' was not again appealed to for his judgment in the premises. * * * We
do not much affect parodies, generally, but the following, from the London 'Charivari,' is too
good to be lost. It is entitled 'The Macadamized,' and is set to the air of 'The Monks of Old:'
'Many have told of the roads of old,
What a swamp of muck they were:
But a Macadam-way, on a rainy day,
Would make a street sweeper swear.
For it goes beyond the Slough of Despond,
In its hopeless state of slush:
And it grows, ha! ha! to your clothes, ha! ha!
In spite of the hardest brush.
'And when it is fine, if the sun should shine,
You're no better off than before:
For it turns to dust and at every gust
It settles in every pore:
And it tries, as it dries, in a cloud to rise,
And peppers your coat and your hat:
And it flies, ha! ha! in your eyes, ha! ha!
And makes you as blind as a bat!'
'The Croton Fever,' by 'Straws, Jr.' has good points. Some of its humor is 'rather fine,' certainly,
but only because it is strained. The satire, however, is in one instance just. A friend in
a sister city, recently returned home from a visit to New-York, writes us that he is henceforth a
Baptist, greatly preferring immersion to sprinkling, of which latter practice of ours, he entertains a
vivid recollection. 'In short,' he writes, 'I never saw such a set of incorrigible squirts as you
have in Gotham. Morning and evening, every householder, who can afford it, stands before his
door, playing with his machine; now deluging the walk, now the pavement, and anon flooding
his doors, windows, and blinds with hissing streams of Croton. When you write Dickens next,
just tell him that the application of the douche to the pigs, from hundreds of Croton-pipers, has
well-nigh driven those quadrupedal republicans from the thoroughfares. That's one comfort!' Ah!
yes; and clean streets, and murmuring fountains, and cool side-walks, are 'comforts' also,
'which they of the adverse faction want.' The grapes are not sweet, and 'that's the humor
on't!' * * * The Idleberg 'chronicle' will be concluded in our next. The loss of a sheet of the
copy (which has now been re-supplied by the author) is the cause of the delay. The fourth number
of 'Meadow Farm' will also appear in our August number. The following papers are filed
for insertion, or awaiting adequate consideration: 'Greek Epitaphs and Inscriptions;' 'The
Doomed Ship;' 'Thales of Paris;' 'Chronicles by an Antiquary;' 'My Leg, a Sketch;' 'A
Defence of the Pythagorean System;' 'The Novel-Reader;' 'Disguised Derivative Words in
English;' 'Mary May, the Newfoundland Indian;' 'An Old Man's Reminiscence;' 'Polygon
Papers,' Number Ten; 'The Birth-Day,' by 'W. C.;' 'New Version of an Old Fable;' 'The
Count of Paris;' 'The Painted Rock;' 'The Hour of Rest;' 'Sing,' by Lady Alicia Jane
Sparrow, Ireland; 'Orators and Bells;' 'The Maiden's Burial,' etc. 'The Consumptive' is
both labored and common-place. 'Neanias' of Kentucky is not deemed admissible. * * * Several
publications, among them a Lecture by Eugenius A. Nisbet, delivered before the Georgia
Historical Society at Savannah, in March last; 'A Voice from the Vintage,' by Mrs. Ellis, etc.,
will receive attention in our next. Our Philadelphia Friend, in reply to 'N. S. D.,' shall have a
place in the August number.