In the Central Range of Western Palestine is an ancient
Samaritan township, the Shechem of the Patriarchs. High
set above shore-level, sheltered by mighty mountains on the
North, East and South, looking down a wady beaten in by-gone
days by the hoofs of the cavalry of Omri,—rutted by
the silver and ivory chariot-wheels of King Ahab and Queen
Jezebel,—across low, undulant hill-ranges, to the twenty-mile
distant sea.
High set above sea-level, it lies on the floor of a long,
fish-shaped valley, between two towering limestone mountains.
Distant a mile-and-a-half at their summits, their bases nearly
meet. One is Ebal, the other Gerizim. They are the mounts
by which the Chosen stood to receive blessings and cursings.
The Samaritan Temple, that place of sinister mysteries,
once stood where are now great terebinth-trees, shading the
ruins of an ancient fortress upon Mount Gerizim. The rock
of their Place of Sacrifice shows its channelled surface above
ground. To-day, a man standing with the wind at his back,
upon the crown of Ebal or Gerizim and speaking loudly,
would be heard at the summit of the opposite Mount, and in
the streets of the town....
The town, upon which the towering limestone heads of Ebal
and Gerizim and their fellows look down sternly, was in its
heyday a place of wealth, where luxury and lust ran riot,
and men and women walked in purple robes, or were carried
in ivory litters; crowned with high jewelled head-dresses, dust
of gold powder lying thick in the spiral curls of their jet black
beards, and the frizzled waves or towering coils of
richly-luxuriant hair. Now their ancient place of abiding is set about
with ruinous stone mansions, girt with groves of waving
palms, fig-trees, olives and mulberries. Mean dwellings crowd
on narrow vaulted streets, under whose pavement you can
hear the water rushing. For there is no lack of water in
Shechem. The crowded mud Barracks behind the bazar has
a well of pure water in its courtyard. So cheap is the element
that no one grudges this solace to the prisoners of War.
Before the War the chief seat of the Turkish administration
in Palestine, the old town boasted a population of some
25,000 souls. Thinned by conscription of the younger Jews,
Samaritans, Arabs and native Syrian Christians, it might
have contained some fifteen thousand, counting the garrison
of Turkish infantry officered by monocled and braceleted
Germans,—when the fortified area of Beersheba fell to the
strategy of Allenby, and the routed left wing of the Fourth
Army Corps of Djemal Pasha, with the formidable motor-driven
siege-guns from the boasted stronghold fell back in
rout and confusion upon the area of Shechem.
Some directing Teutonic mind ordained, weeks previous
to the evacuation, that the Allied prisoners from the camps of
Beersheba and its vicinity, packed on Railway cattle-trucks
or Army motor-lorries,—should be transferred by railway to
the town of Shechem. It was to be converted by German gold,
forced labour and modern resources, into a stronghold of
Ottoman power, against which the expeditionary army of Britain
should expend itself in vain....
There are already British War prisoners in the mud-walled
Barracks at Shechem, built round the courtyard containing
the well. When on these hunger-gnawed, vermin-ridden men
rolls the flood of human wretchedness from the camps of
Beersheba and its neighbourhood,—they are to learn the bitter
truth that there are grades in Misery.
For a squat, sandy, pale-eyed Lieutenant-General of Turkish
gendarmerie, who acted as Commandant of the Beersheba
prison-camps, now supersedes the tyrant who has ruled at
Shechem. The inmates of the prisons there have been robbed,
stripped, and beaten. They have slept in tattered blankets
upon mud or stone floors,—lived on a daily quarter of a coarse
brown loaf per soul—and a handful of beans in oil.... They
have undergone insult, and occasionally kicks and blows, but
Home parcels have occasionally reached them, and though
pinched, they were not famished.... Now the parcels are
looted or their contents rendered uneatable.... A loaf is
shared amongst twenty men, the pannikin of boiled beans
yields each a bare spoonful. Driven out at dawn by Turks
with loaded hide-whips, to dig trenches south and east of the
old fortifications,—make emplacements for Austro-German
artillery, and lay down a system of interchangeable rails for
the Krupp motor-guns,—they are herded back at night to the
filthy pens where they are packed so closely that they cannot
lie down to sleep without lying on each other. Whence in
the mornings men suffocated by the press of the bodies of
their comrades are taken out dead....
These victims belong to the rank and file. Some officers
are quartered in the old stone-built prison. Yet others live
in Turkish Army tents in a barbed-wire enclosure at the
eastern end of the town. A ramshackle hut serves as their
mess, when they have anything to mess on. But they are not
too crowded for decency, and sickness spares them. Presently
the officers are drafted away, four only remaining,—and
the congestion at the mud-built Barracks is somewhat
relieved. But Hunger, Overcrowding and Dirt have bred
Dysentery, septic skin-eruptions and Typhus Fever, and these
claim their victims by the score.
The Hospital near the new Turkish Barracks by the
Arsenal, staffed by the German Red Cross and the nurses and
orderlies of the Red Crescent,—being crowded with Turkish
and German wounded—cannot admit more than a few of
the gravest cases of dysentery. The typhus patients are
removed to the Hospital under the auspices of the Established
Church of England Missionary Society, and another,—devotedly
tended by the Catholic Sisters of the Cross. Helpers
come from the Mission House of the Latin Patriarchate, who
unweariedly give their services wherever there is need....
But desperate indeed would be the plight of the War
prisoners—save that through the blizzard of misery raging through
the mud Barracks—the courage and charity of one man shine
like a steadfast star....
The man is a Catholic chaplain who has served with the
Expeditionary Forces at Gallipoli; has been taken prisoner
and kept for awhile in Hospital at Constantinople; has been
drafted to Smyrna, and later, by such haphazard chance as
governs the lives of prisoners, has been shifted to Beersheba,
and thence to Shechem.
Unweariedly he alleviates, whilst sharing, the common
misery. Shaking with fever, hunger-bitten to the bone, ragged
as any scarecrow, red-eyed with sleeplessness, he moves from
room to room distributing such poor comforts as are
obtainable. Helping the convalescent, ministering to the sick,
dispensing the Sacraments of the Mother Church to the Catholic
dying—cheering those of other creeds with the words that
are of God....
On a day in November, half-an-hour later than the morning
prayer-call from the minaret of the Great Mosque that was
once a Church of the Canons of the Holy Sepulchre—you
are to see Father Julian Forbis going his daily round.... The
mud-walled courtyard is closed in on three sides by the
mud-built Barracks, and on the fourth by a high wall topped by
rusty iron spikes—a wall in which there is an archway closed
by a double gate, flanked on either side by guard-rooms. Over
the gateway is the office of the Turkish Commandant.
To-day the courtyard of the mud-built Barracks is full
of sunshine and packed with prisoners. Lying, squatting or
standing, the majority are squalid spectres on whose gaunt
frames their foul and tattered clothing hangs baggily, though
some are bloated like the corpses of men who have been
long drowned. Though the assemblage is sprinkled with
Roumanians, Syrians, Jews, Armenians and Arabs,—these last
having a dungeon to themselves, of unutterable filthiness, the
bulk are of the rank and file of Britain's Crusading Forces.
Australians, Indians, New Zealanders, and British
Territorials.... Actors, clerks, printers, shopwalkers and jockeys;
farm-labourers, electricians, gardeners, photographers, bakers,
University students,—representatives of every class and
calling. One and all strung to endurance by the spirit that makes
heroes of ordinary men....
The shadows of Ebal and Gerizim as yet fall westward.
Their towering summits and those of the lesser mountains, and
the minarets of the Great and the two smaller mosques look
down into the dirty mud-walled court, baking in the rays of
the early sun, though the November nights are chilly. Every
stench the prison fosters seems intensified by the heat. The
loud buzzing of millions of flies mingles in a bagpipe-drone
with the noise of many voices, Eastern and European,—talking
in half-a-dozen languages and a hundred dialects—and
the hubbub has for its accompaniment the thudding of distant
guns. From the southwest, where the 54th British Division is
engaged with the enemy between the sea and Gaza. Nearer
South, where a bitter struggle is being waged by British
Cavalry, armoured cars, and the bombers and machine-gunners
of the Royal Flying Corps, for the possession of Junction
Station—the next point after the fall of Gaza, of tactical
importance in Palestine. From the hills towards Hebron those
enemy forces, who have previously retreated to this vantage,
have descended into the Coastal Plain, to relieve the pressure
and stiffen the resistance of their comrades by demonstrating
a counter-attack. For if Junction Station, the key of the
northern railway-system, with its vast dumps of rolling-stock,
supplies, War-material and its camps of prisoners, shall fall
into the hands of the British—Jerusalem will be cut off from
communication save by Wireless with Turkey and Germany....
Day wears apace.... The winged hordes of Baal Zebub,
like the humans whom they feast on, are making the most of
the sunshine. Fat white maggots that will be flies presently,—and
vermin still more loathsome—crawl in the dirty straw
on which the prisoners are squatting or lying. Deep in the
well the clear water shines like a huge blue eye, reflecting the
shadowless heavens above.
A man hanging over, seems to stare in the water, apparently
sheltering his eyes with both hands from the glare. He has
the crowned wings of the R.F.C. on the shoulder of his ragged
shirt of khaki flannel, and the clear water of the brimming well
reflects the three chevrons and crown of a Flight Sergeant,
tacked upon its tattered sleeve. Also the glittering lenses of
a small pair of folding binoculars, cunningly concealed by the
curve of their owner's hands.
"What be 'ee lookin' vor, Tom?" cautiously whispers a
freckled trooper of Devon Yeomanry, digging a painfully
sharp elbow in the airman's lean ribs.
Barney Mossam takes it on himself to answer,—being the
accredited wit and jester of the knot gathered about the well.
He is a little, broad-shouldered, bow-legged London Territorial,
with a nose that has suffered in bouts of fisticuffs; a
carroty head, a broad humorous grin, and a squint that points
a joke. He speaks with the thick catarrhal snuffle of the East
End. Even in khaki his type proclaims him of the Race of
Costermongers.... Covent Garden Market is thick with
Barneys, all alike as peas from the pod....
"Ticklebats, my flash top," says Barney winking, "kind you
used to ketch a while back, wiv' a bottle tied on a string." He
adds in a thick whisper directed at the ear of the absorbed
Flight Sergeant, "Wot d'yer pipe, old Sky-gazer? Thinkin'
it's abaht time we 'ad another look-in from ours affectionately
the Two-Faced Nightingale?"
"Ay. Unless he happened to come in the night!" The
cautious whisper of the reply only just reaches the ears for
which it is intended....
"I 'eard a 'plane go singin' over 'ere 'bout twelve-thirty by
my gold ticker," says Barney. "But she was one of them there
seaplanes wiv' little canoes instid o' wheels. There ain't so
many 'Un 'planes abaht as there used to!—an' Turkey 'planes
is gittin' as rare as—as glass in the Strand an' Covent Garden
Market—after the bloomin' Zepps and Super Goths 'as paid
the usual mornin' call...." His thick whisper is barely
audible even to the other: "Reckon that's why it pays Old
Two-Face to play the double game. Wiv' a patent trick
lever-switch—Gorblime 'im!—but 'e's clever! to cover the Union
Jacks on 'is under-wings with Red Crescents when 'e tips
the stud.... 'Wish I 'ad a Turk face to pull over my reel
one! Wouldn't take me long to 'op out of 'ere! Wonder if
'e 'as the syme dodge fitted on 'is top wings? Give one o' my
last three fags—I would!—to find out 'oo 'e is!"
"He's not an Englishman, thank God! He's pretty nearly
a black one. Dark as a Gyppo—or a Hindu. The other was
white. Inside as well as out. That's why he was murdered!"
returns the Flight Sergeant in his wary whisper, without
lowering his hands....
"Some blokes gits all the fun. 'Ow come you to see it,
Sergeant?"
For once the Cockney's jest provokes no appreciative smile.
The thin hands sheltering the prized binoculars shake....
The whispering voice shakes also—and its hurried sentences
are punctuated by the thudding of those distant guns....
"I've told you.... It's just a week since.... I was up
in our room there," the speaker contemptuously jerks his ear
towards an upper window of one of the Barrack buildings—"looking
through this little Zeiss glass that magnifies by 20.
(I've told you how I took it off a dead German airman at
Huy.) ... And the Two-Faced Nightingale—hovering not
more than four hundred feet above the Square in front of
the big Khan,—was picking the place, damn him! where he'd
settled to drop his despatch-bag. He switched his Red
Crescents on over the Union Jacks—and the stunt brought the
usual roar of laughter from the people. Every one was out
to stare,—the streets as far as I could see, were packed, as
well as the roofs.... Then he dropped his bag, plumb for
the square,—swung round and steered Southward. And,—keeping
the glasses focussed on them, I saw his white observer
stand up, lean forward and touch him on the back. He looked
round and his white teeth flashed in his face sort of
spitefully.... The other fellow was handing him out cold truth
in ladlefuls, shaking his fist and raving like mad. Then—it
happened before you could wipe an eye! He—the pilot—cut
out his engine—turned round, and I caught the glitter of a
revolver in his hand. Then came the flash and the crack.
And the white man buckled up in the bottom of his
cockpit—and the Two-Faced Nightingale switched on and flew away
South. And nothing was left on the blue sky but a puff of
brown cordite."
"The murderin' dawg!" Barney carefully moves from the
coping-stone of the well a burnt match, and a wisp of straw,
that some eddying draught of the hot breeze might carry into
the water. "No fear of 'im gittin' copped. This 'ere queer go
wot we calls Life's more on the lines of a Drury Lyne Autumn
Show than I twigged when I rallied up 'long o' my pals on
Fust Nights outside the good old Gallery Entrance. On'y it's
turned the wrong w'y raound. Vice gits all the limes from
both wings, an' all the clappin' from the Pit an' Gallery. An'
Virtue kips on the bare boards of a stinkin' Turkish barrack-room,
or 'unkers in the stinkin' mud, and 'unts things wot
'ops and crawls." He goes on, talking to himself, for the
airman, staring in the reflected patch of sky is suddenly absorbed
to deafness. "S'trewth! Wherever it does pay—off of the
boards of a Theayter—the 'Eroic Line don't go for nuts—not
'ere in Palestine!"
"Ye are richt! It pays nae better than it paid twa thousan'
years agone. But which is it better to be on—the de'il's
side—or the Lord's? I wuss to Him some voice frae Heaven wad
speyk an' answer me! ..."
The utterance—unmistakably Scotch—breaks in several feet
above the level of Barney's monologue. He looks up at a tall,
gaunt, red-haired Scot in the Border bonnet and ragged khaki
kilt, and badges of the Tweedburgh Regiment, and says with
his characteristic wink:
"'Ullo, Corp'ral Govan! Thet you? ..."
"Nae ither that I ken...." He is quite young, but he
moves like an old man, as he lets his long length slowly down
on the mud beside the Cockney, unheeding the invitation to
take a straw, and hugs his hairy knees. "Man! I wad gie the
twa dirrty Turkish notes in ma pooch, an' a guid British florin
to the back o' them, to be anither chap than Alec Govan the
day. For I have seen what a man may scarce see, an' keep his
brain frae madness—ay! an' his tongue from cryin' oot on
God!" He rocks himself in silence, then says with a stifled
groan: "Man! dinna gawp at me. Do ye no' ken I hae been
wi' Ullathorne? ..."
"Ullathorne. That's your chum, ain't 'e? Wot abaht 'im?"
"Hae ye no' heird?" The long Scot stares at the Cockney
wonderingly.
"Nuffin' but that 'e didn't come back last night wiv the
workin'-party. 'As 'e turned up?"
"Ay. They pitched him back intil oor room last nicht—a'
the green rods had left o' him. Weel I kenned they would
do their warst once they got their chance." There is foam
on the livid lips. "They drove him oot wi' the rest o' us to
the Defence Warks yesterday mornin', though he had the fever
on him sair, an' couldna' stand alane.... Weel, weel I wat
why!" He is shaking as though with ague. "An' he staggered
an' reeled, an' knocked up against ane o' the sentries—an'
Hamid Bey was standing by wi' some of his gang o'
police.... By the grin on the pasty face of him, ye could
tell he was oot for murder. An' he ordered Ullathorne a
hundred strokes for brutally attackin' the man. They held us
up an' made us watch whiles they laid on to him. O Christ
Jesus! ... First on the feet, twenty-five strokes—then the
back an' belly an' breist.... An' when he fainted an' lay for
dead, they drove us oot wi' their whips an' left him lyin'; an'
when we came back for the nicht-shift he was gane awa' from
there.... In the mirk o' the nicht, as I hae said, they flung
him in amang us,—nakit as a new-born wean—an' his raw
flesh hangin' in strips. As though the butcher had stairted to
collop him—an' changed his min' aboot it. A braw sicht for
the mither that bore him, an' the lass he should hae wed!"
"Gorblime the bloody beasts!" says Barney, gulping. His
coarse hand touches the thin arm in the tattered sleeve with the
Corporal's stripes, and does it gently too. "Will Ullathorne
live? They don't often live—our own chaps—do 'em?—though
Turks seems some'ow diff'rent."
"He was deein' when they broucht him back, puir lad!
I hae left him barely breathin'.... Father Forbis is wi' him
noo.... Ullathorne is nae no Catholic, but the Father has
the Gift o' the Word. Sune—sune he will be dead, my chum
that I made at Gallipoli, the last o' the auld company left
aiblins mysel'!"
No tears come to the burning grey eyes that stare into
vacancy.
"A' nicht I held him i' my airms! His bluid is wet upo'
me. An' I made a sang to sooth to him—we Govans aye had
the bard's gift, they say, in the braw auld days. And when
he is dead—for I promised him!—the haill Barracks shall
hear't. The bonny sang o' the Christian men killed by the
Turkish hound!"
"Look wide O! One o' them Mo'ammedan guards 'as got
'is ugly eye on you," urges Barney, apprehensive that the
recklessness of grief may bring Govan the fate of his friend.
"While there's life there's 'ope! ... Pre'aps Ullathorne
might git round yit!"
But Govan shakes his haggard head:
"I doot—I doot it sairly. But what can be done Father
Forbis will dae. He promised me he wouldna leave him as
lang as there was breith i' him. An' Forbis aye keeps his
word. Here he comes! Luik at's face..... Ullathorne has
passed to his Maker!"
The Scot starts to his naked feet, and Barney Mossam sits
up and salutes, as through an archway on the ground-floor
of the sordid block of buildings opposite comes the figure of
a tall, emaciated man, followed by a burly, slovenly Turkish
soldier and a grotesque, hunchbacked shape,—recognisable
only by the voluminous folds of the coarse biscuit-coloured
veil that covers its head, and falls to the hem of its soiled
blue cotton robe—as a Syrian peasant woman.
"Good morning, Mossam!" The intonations of the priest's
voice, and the smile that curves the mouth hidden by the
reddish-golden beard, and lights the sunken blue eyes, are very
like Katharine's.... "You are up and about again! ..."
"Couldn't lay up in the lap o' luxury no longer, Father!"
drolls the indomitable jester. "A man in my condition 'as to
'ave exercise to sweat the suet off 'is bones."
The bones show as though the tattered uniform hung on
clothes-props. The priest glances at them compassionately,
and then with gentle friendliness at the haggard faces that
turn to him, as he picks his way delicately between the prone
and squatting men.
"Move!" says the Turkish military guard in the greenish-yellow
khaki served out to the Ottoman forces in the War
with Serbia, a huge posta whose fez sits on the extreme summit
of his pointed head like the red-paper-cap on a bottle of
liquorice-powder,—who wears good boots stripped from a
British prisoner: and who speaks a bastard mixture of bad
Turkish and worse Arabic: "Haide git! Make way for the
kassis and the woman! Imshi! Must ye be as the beasts?"
For a hyæna-like yell of joy has greeted the discovery that
there are oranges in one, and almonds and walnuts in the
other, of two heavy palm-fibre baskets carried by the
misshapen, limping being who follows behind the priest. The
wretched creature is one of those nondescript hangers-on that
in the negligent East haunt such places of misery as the mud
Barrack-prison,—gaining a meagre subsistence by washing the
prisoners' tattered linen, running errands to the bâzâr,—boiling
broth or carrying water for the sick and convalescent, and,
when the guards can be bribed into acquiescence—washing and
laying out the bodies of the dead.
Bundled in her soiled rags—shrouded in the voluminous veil
that hides a face so disfigured by accident or disease, that no
European who has glimpsed can think of it without a shudder,
and Orientals express their abhorrence by spitting on
the ground—the Mother of Ugliness—thus nicknamed by some
coarse wit among her countrymen—passes without insult,
ill-usage or outrage, where no other of her sex, unprotected by
deformity and hideousness, could have escaped....
"Orangees. Glory be to God!—an' where did yer Reverence
git thim?" asks the owner of the unmistakably Irish voice,
stretching gaunt hands, shaking with fever, for one of the
luscious golden globes.
"A friend brought them," briefly answers the priest, as he
distributes the fruit and nuts generously on all sides.
"God bless the friend! ... An' that's yourself, I'm
thinkin'," grunts the Irishman, driving his teeth deep into
the juicy fruit.
"No, Sullivan, it was not I. You see the giver...."
"The Mother av' Ugliness, bedad! More power to her!"
splutters Sullivan, as the priest points to the crooked shape
swathed in its sordid veils.
"She has earned a prettier name here among us," says Father
Forbis, looking round at the faces,—pinched and white,
or livid, or fever-flushed, that crowd about him, and speaking
with mild authority. "She shall be called henceforth The
Mother of Kindness...."
He turns to the shrinking creature at his heels and repeats
it in Arabic.
"Sidi!" the woman implores in muffled tones, trembling so
that the folds of her coarse veils wave as though some vagrant
breeze were stirring amongst them:
"I have spoken! By you and other British in this place—" He
looks round sternly at the men, "the old name is forgotten.
She is the Mother of Kindness.... Let all of you remember
that!"
"We'll not forgit, yer Reverence! ..."
"Verra weel, Sirr! ..."
"Sure we'll remember, Boss! ..."
"A' right, Sir! ..."
"Han, Hâzrât! ..."
"Right O Father! ..."
"A'ay, Zur, for sure! ..."
"Yea, verily, it shall be as the Sahib orders!"
They answer him in a hundred voices, resonant bass, or
cheery tenor, coarse and refined, illiterate or educated,—flavoured
with the accent and in the dialect of every shire or
county in the United Kingdom—every country of the Dominions
Overseas. And standing in his ragged clothes, with a
battered enamelled can of broth and another of barley-water
dangling from one lean hand, while the other eases the heavy
weight of a wallet of canvas, broad, slung about his thin
shoulders, and containing such medicines and dressings as may
be had—the Father surveys them smilingly—but with the
spark in his blue eyes that they know can leap to flame....
You are to see him as a tall, emaciated man of twenty-nine
or thirty, chalky-pale with famine and worn with lack of
sleep. Eagle-featured, broad-browed, blue-eyed; with long,
untrimmed hair and tangled beard of ruddy yellow-brown.
Without the eight-pointed black metal star on the lapel of his
tattered khaki jacket, or the wisp of Roman collar that still
hangs about his neck, or the bartered Breviary and Office book
that bulges a front tunic-pocket—a ragged strip of purple stole
between its well-thumbed pages—you could not fail to recognise
the Religious by vocation; the cultured priest, the man
born to dominate, sway and rule.
"Haide! Let us go!" growls the Turkish guard, thrusting
two oranges and a handful of nuts in a pocket of his soiled
tunic, and kicking a man squatting in his path less viciously
than as a matter of form.
And the little procession of the tall priest, the red-fezzed
guard, and the bundle of soiled feminine clothing—brought up
in the rear by Corporal Alec Govan, moves towards the
ground-floor archway on the other side of the courtyard.
"Sirr!"
"You, Govan? ..." The priest glances back as he passes
out of the sunshine and smells of the courtyard into the
squalor and reek of the fetid passage, and the guard, kicking
out a palm-wood stool from behind the heavy wooden-locked
door, squats down upon it to crack and eat nuts....
"Ay, Sirr.... It is a' ower? ..."
The priest gravely bends his head, and the red light in
Govan's eyes is momentarily quenched in bitter waters, as he
goes on, gulping his agony down:
"I weel kent that was sae, or ye wad no' have left him.
Did he no' speyk ane worr'd o' his mither, puir cratur!—or o'
the lass he bude to marry—or o' me, his frien'—before he
passed?"
"He spoke of one Friend—just at the last—even a better
one than you were," says Father Forbis, gently touching the
man's clenched hand. "He Who was scourged by Roman rods
for poor Ullathorne and you, and all of us. Who died that
we might live with Him for all eternity. Where Death
cannot come—or cruelty—or suffering...."
"Ay, Sirr.... Ye are verra gude. We a' ken that o' ye!"
"And God is good," says the priest, "though Man may make
men doubt it. Where are you going? ..."
"I am ganging back to Ullathorne. He maun be washed an'
straikit an' berrit dacently. He maunna be pitched intil a hole
like a doug!"
The priest shudders and his face contracts painfully.
"Very well. You shall have what little linen I can find,
and all the help I can spare.... I must finish my rounds
among the sick men now.... But, Govan! ..."
"Ay! ..."
"In the name of the old friendly days—" The thin but powerful
white hand goes out and rests on the other's shoulder,—"when
you and I—two long-legged lads—tickled trout in the
Rushet and went rabbiting on the high moors—and made toffee
over the stove in the harness-room at Kerr's Arbour—and for
your own sake and the sakes of all here!—let me beg you not
to provoke the evil man who has us in his power, by a rash
display of the wrath and scorn that can do no good—to him!"
"Meanin' Ullathorne! I hear ye, Sirr." A strange smile
shows on the grimly-set mouth, and the dour grey eyes sullenly
shun the appeal of the blue ones. "Wi' your leave I will
be ganging back to him the now.... He aye likit me to make
queer sangs to sooth to him in the lang hoors when we lay
in the trenches at Gallipoli. An' I hae a sang—the queerest
ane o' a'—he wad fell like to hear! Guid day to ye, Sirr!"
He salutes, with the strange smile fixed upon his face, wheels
about, and strides out of the fetid passage-way back into the
sunshine, and the priest's heart sinks within him as he goes.
Fresh furrows line his high, white brow, and anxiety deepens
the caves about his eyes, as he says—speaking in Arabic to
the bowed figure waiting humbly as a dog at the bottom of
the broken staircase:
"He is mad with grief. God pity him! ... Follow, and
give what aid thou canst, O Mother of Kindness!"
"If the Sidi would graciously—not call me by that
name...."
The timid whisper barely reaches the ear it was meant for.
They have moved farther down the murky, fetid passage-way,
blocked at its entrance by the burly body of the nut-cracking
Turkish guard. Father Forbis asks in surprise:
"Why not, when thou dost merit it? ..." And she answers:
"Sidi, in ugliness there is Protection! Could a woman—with
two eyes and a whole face—instead of a half-one—dwell
in this evil place one hour—and fare forth unharmed? ..." She
makes as though to pull aside her veil with her dusky,
slender fingers, but does not, and goes on in the same swift
cautious undertone:
"True, there are British soldiers here, and nearly all that
I have met were respecters of decent women! But when even
the British soldiers are beaten and tortured—made the sport
of devils in forms of men!—what can avail a woman better
than to be hideous? Sidi,—if a Turk thrust forth a hand to
pluck aside my veil, he—he!" she chuckles with a dry, clacking,
mirthlessness, "see you—he retches and spits and curses—and
does not do it again! Shâf—Shâf! ... See, O see!"
She pulls the veil ruthlessly from the left side of her hidden
face and shows to the priest's pitying eyes the ruin it has
concealed. The scar of an old burn puckers the olive-tinted
temple and cheek that have caved where the bone has been
shattered—the blinded eye has vanished under ridged folds of
skin. The bridge of the nose—enough left of it to show that
the feature has been of the curved Semitic type—has been
ruthlessly shattered;—the upper lip, torn partly away, has
healed into shapelessness.... He does not see the other
side of the face—and the woman evinces no desire to show it.
But the little ear, daintily formed and shaded by hair that is
yet jet-black and silken—shows that the Mother of Ugliness
may once have been beautiful....
"A gunshot wound—and a terrible one." He says it to
himself ponderingly.
"Nay, Sidi. The weapon was a revolver."
"What say you? ..."
The priest starts. He has spoken his thought in his English
tongue, and this Syrian woman has answered in her own. And
it is the Arabic of the cultured classes, not the peasants'
primitive speech. He looks at her, and she draws her veil over the
poor ruined face that may once have been lovely and goes on
speaking in her cultured Arabic:
"Verily, Sidi! A revolver-shot, fired so near that the muzzle
touched the skin. There was little time—" She gives her
dry, rustling chuckle. "Little time, and he wished to make
sure. He did not mean to miss! ..."
"A heartless crime, O woman! But thou dost forgive the
doer?"
"He was not mine enemy!" she says with her mirthless
laugh.
"Thy lover.... And jealous.... Forgive him all the
more for that having loved—he hurt thee in his frenzy. This
was" (of course, the woman is old) "done many years ago?"
"Ay, Sidi! When I was young." Her laugh is like the
crackling of burning brush.... "Three years ago—no longer!
And he who did the thing was my brother, not my lover," says
the flat, toneless voice from within the folds of the veil. "And
jealous truly—but for his sister's honour. He dared not slay
mine enemy—a Zabit of the Osmanli,—for that would have
brought sword and fire and destruction upon our house. My
lord understands? ..."
"Surely!"
"Therefore he gave me the wound thou seest—and thinking
he had killed me,—he shot himself to escape death by
torture and degradation. May God reward him a
thousand-fold in the bosom of Abraham! ..."
The priest starts slightly:
"Thou art a Jewess?"
She is silent....
"Or perhaps a Samaritaness, like that woman of this city,
who near two thousand years ago held drink to the parched
lips of a Traveller beside Jacob's Well?"
"What I once was does not matter, but I am no
Samaritaness!" There is something like resentment in the faded,
toneless voice.
"Thou art Charity's very daughter to the sick ones in this
prison. For one para that they give thee, they get ten piastres
back. Dost thou think that I am blind?" Smiling, he shakes
his finger at the Mother of Ugliness. She bows her head and
answers, trembling like a reed in the wind:
"Nay, Sidi.... I have feared not! ... But for the love
of Him Whom thou dost serve—seem to be blind a little
longer! There is" (another spasm of trembling passes through
her)—"There is no medicine for the wretched like helping
Wretchedness! Here I am somewhat.... They do not
shrink from me. Me whom the children in the streets hoot
and run from!—at whose hidden face the women in the doorways
spit and point their amulets, lest its influence blight
before birth the unborn babe in the womb! And—were I driven
from this place—" The faint voice is silent:
"Be it so, O Mother of Ugliness! Henceforth I am dumb
as to thy virtues, and blind to the beauty of—thy deeds!
Come—and I will give thee some linen for the swathing of that
poor broken body that was a live man yesterday. What ails
Thee, O woman? What dost thou fear? ..."
For the bowed figure crouches down, shaking as though
with ague, a mere heap of sordid clothes on the filthy floor at
his feet. A stifled voice falters out:
"Didst thou not hear the bugle? ... The gates—the gates
are opening! ..."
They are, indeed, with a clanking of rusty iron bolts in
stone groovings; with a turning out of the slovenly guard
from the bare rooms flanking the high archway of the gate.
With a stiff uprising of the lolling, nut-cracking posta at the
doorway—a susurrous of fierce whispers—a nameless commotion
of hate and fear and loathing unutterable—amongst the
packed bodies of the prisoners squatting, standing, or lying
on the beaten mud pavement of the prison courtyard....
"The Bey!" The thick whisper reaches the priest and the
woman, flung over the shoulder of the Turk as he stands at
attention in the doorway: "Hamid Bey Mutasarrif comes,
bringing a Mushir of the Almanis to inspect the prisoners...." He
adds, under his hurried breath: "Allah and the
Prophet of Allah be with me, Hasan Ali—and deliver me from
smitings this unpropitious day!"
The guard have turned out. They raggedly present arms,
and Hasan Ali, and such others of his fellows as are on duty
in the courtyard—or posted at the portals of the mud
Barrack-buildings—shoulder their Sniders or more modern Remingtons
with the smartness engendered of fear; as a squat, sandy
officer of Turkish gendarmerie—topped with the ugly khaki
compromise between the turban and the helmet—patented by
Envey Bey in 1912—and adorned as to the epaulettes with the
two stars, and as to the cuffs with the four longitudinal gold
lace bands and the three diagonal gold bars of a Turkish
Lieutenant General—walks with a tall, brick-faced—very
much decorated German Staff officer, in amongst the stenches
of the crowded prison-yard.
Several persons succeed these. Two German Staff officers
of inferior rank to the first, evidently his aide, and a secretary,
come swaggering and chatting behind their Chief. A bearded
Turkish Surgeon Major, fat and apoplectic, in black gauze
spectacles, waddles after—with a nondescript Greek person,
evidently of the interpreter-class. And a half-company of
Turkish mounted gendarmerie troop after, rather stragglingly.
The big bushy-bearded, red-fezzed men, uniformed in old-time
dark blue Hussar tunics, with orange and black facings,
braided pantaloons and long shiny thigh-boots, are all
well-armed with Winchester repeating-rifles, and carry big
German Service revolvers in holsters at their belts.
There is a dull shuffling sound, mingled with thuds and
stifled swearing, as the Turkish guards, with assiduous kicks,
and blows of the rifle-butt, assist sitting or lying War
prisoners to assume a perpendicular position; and herd their
charges into rank right and left, leaving a central avenue down
which the Bey and the visitors may pass. Holding his breath
in an agony of suspense as he peers into the crowded courtyard
over the broad shoulder of the soldier blocking the passage,
the priest scans the faces that he knows for signs of
coming storm. As the squat, pale-eyed, bow-legged Asiatic,
uniformed in greenish khaki-drill, wearing with clownish
awkwardness the wide-thighed riding-breeches, the belts, pouches,
and gauntlets of russet leather, and the polished riding boots
with silver spurs, that set off the tall soldierly figures of the
Germans, steps with them across the threshold of the prison
courtyard it seems to every prisoner that the very sunshine
fails of its warmth, and the faint hot breeze blows cold....
The Bey looks about him with a pale oblique slyness, his
cigarette elaborately poised between his thick gloved fingers,
and says, speaking in Turkish, (which language the priest,
held for months in durance vile at Constantinople and at
Smyrna, has relieved the tedium of prison-life by studying,
and fairly understands):
"Good-morning, my children!"
"Good-morning, O Bey! ... May Allah favour your Excellency,"
lustily chorus the postas. But at the sound of the
hated voice the faces of the prisoners have darkened threateningly,
and the silence that falls on the tainted enclosure is
heavy as a pall.
"Your Excellency wished to inspect the British men before
seeing the British officers. These guests of our Empire"—Hamid's
leering smile and the glitter in his pale flat eyes
show the Bey's enjoyment of his own sarcasm, and the stiff
faces of the German general and his aides-de-camp and secretary
exhibit a faint grin as he continues: "—these guests of
our Empire are not at work to-day.... It is a holiday for
them. They sit and chat and eat fruit," (his sharp glance has
lighted on the scattered nutshells and orange-peel), "and smoke
tobacco about the well in their courtyard. Your Excellency
sees!—a capital well! ... Praise be to Allah for the blessing
of pure water! Show the well to his Excellency.... Make
room, O you there! ..."
A gap being made in the ragged ranks by postas with the
rifle-butt, the brick-faced German general stalks to the low
parapet of the sky-reflecting eye of clear water, and
pronounces it in Turkish of the Prussian brand, to be an
exceedingly good well. The Bey, pretending to look at it too,
enriches the water with his chewed cigarette-end; and spits in
it slyly behind the back of the German general—to the
chuckling delight of his immediate following—and the more
controlled amusement of the German aide-de-camp and
secretary. As for the Greek interpreter and the fat be-goggled
Surgeon Major, whose pharmacopæia is limited to Epsom
Salts, pills of a rending nature, sulphur and iodine; who knows
no disinfectant beyond chloride of lime, and never heard of
sterilisation; whose surgical equipment is limited to a saw
or two, some needles, a scalpel—all beyond words unclean!—lint
made by Turkish ladies in secluded harems; sticking-plaster
of the most adhesive kind, splints and First Aid bandages,
these two parasites fairly wallow in enjoyment.
The dirty bit of buffoonery is such a success that Hamid Bey
is about to repeat it, when a heavy blow upon some dense,
non-reverberating surface arrests him in the act. He starts, and
looks round for the offender. So do the German officers,
though their hard eyes are expressionless, and their sunburned
faces as blank as brown tiles. So do the parasites, so do the
military police of the Bey's escort, and the postas of the guard.
Then as the dull, pounding blow is repeated on the sill of
a second-floor window of the mud wing facing the entrance-gates
of the courtyard, every eye rolls up to there expectantly
and men hold their breath.
Crash! ... The weapon falls again.... It is the leg of a
wooden stool, gripped in a fist that is strong and hairy ...
and a face—unmistakably a madman's now!—appears at the
window above. And in the hush that falls upon the parched
courtyard, a crazy voice begins to sing—the leg of the stool
coming down with a terrific crash at the end of every line:
"Say, ye Deid that hae gane before us!
(Mithers too, that conceived an' bore us,
Prayin' at hame an' greetin' for us—)
What for the Hound wi' the jaws that tore us?—
What for the Turkish Hound?
What for the beast that killed Tom Warren?
Nichols, Greenbough, Smith and Beeching,
Austin, Frenchard, Lark and Mansur—
Hear ye no their voices answer—
'Hell to the Turkish Hound!'"
The storm has broken with a vengeance. But even the
white-faced priest, peering over the unsteady shoulder of the
scared Turkish soldier, is carried away by the tingling
excitement of the thing. Knowing that the gates of Terror are
burst open—and that Vengeance shall issue forth....
Upon the wild, discoloured face with the glaring eyes, all
other eyes are glued expectantly, as through the rictus of a
dreadful laugh that is stamped upon it by Insanity, it sings
to the wild droning tune—to the accompaniment of the wooden
club upon the crumbling window-sill—its rhymeless hymn of
hate. Faces nearly as ghastly as the singer's appear at and
crowd the windows of the Barracks. And in time to the crazy
chant; the crazy buildings, the mud-walled and paved
courtyard begin to shake with the measured stamping of the
prisoners naked feet:
"What for the Man that made of Arthur,
Thomas, Chauncey, Dee, O'Brien;
Brown and Somers, Davys, Brenon,
Custance, Trevor, Ricketts, Blanchard;
Foltringham, Bellayse and Bidmead;
Jones and Kirby, Evans, Foljambe—
Meat for a Turkish Hound?"
The place is thick with dust now; men's lungs are choked
and oppressed by it.... They stamp—nothing can stop
them stamping in time to the blows of the stool-leg on the
window-sill of the room where lies the shapeless body of the
comrade whom the asâyisi have beaten into pulp.
"What for the deil that killed Ted Ullathorne—"
* * * * * * *
The wild song breaks off here, as the madman ducks below
the level of the window-sill—and a cry of rage goes up from
a hundred throats as he rises again, with the disfigured body
in his arms, its head lolling helplessly beneath his own....
Then—a German Army revolver cracks—and with blood pouring
over the face that is still laughing dreadfully, Govan, with
his awful burden, reels back into the room....
The voice of a German officer breaks in, giving a sharp
order in Prussian-flavoured Turkish. There is a rush of
zabtiehs and postas to the door of the building where the
madman is.... As they jostle in the filthy entry, the boots of
those who have got in first, thunder on its crazy stairs; and
savage shouts and the tumult of a desperate struggle break
out in the sordid room where Govan—bleeding from a bullet-wound
in the head—but equal to a dozen men in the strength
of his insanity—stands over the disfigured corpse laid out
upon a dirty sack.
In the mud courtyard below, as Hamid Bey, with the German
officers; his following and escort of police are retreating
discreetly backwards to the vantage of the courtyard gate—a
prisoner with a savage curse, dashes a handful of muddy
orange-peel full in the livid face of Hamid. The Bey, smothered
with filth and choking with rage, jerks his revolver from
its holster, and promptly scatters the offender's brains.
Were the Bey unaccompanied, a volley from the Winchesters
of his escort would silence for all time the rioters about him.
But the German commander has previously informed him
that on the morrow the War prisoners under his jurisdiction
at Shechem will be deported for purposes of exchange....
Wild shouts, and British cheers break out.... Old War-slogans
are heard again.... There is a furious rush of naked
feet, but the Military Police and the postas of the guard beat
back the unarmed mutineers with rifle-butts, and drive them
back on either side, clubbing and kicking them. But less
because of this the tumult is quelled than because a tall, ragged
man with long tawny hair and beard has rushed from the
archway of one of the Barrack buildings; and bringing, in this
desperate hour, the authority of the priest to reinforce the
influence of the friend and helper, exhorts, implores,
commands the maddened prisoners to submit to the brutal
authority they have no power to resist.
They are not cowed, but they obey. The clenched hands
drop whatever missiles they have chanced to seize on,—their
owners, in a storm of kicks, curses and blows with the
rifle-butt, are herded back into the Barracks by their guards.
Barney, the jester, for once at a loss for a gag, huddles
on a sack half-filled with straw on one of the wooden
platforms,—six feet wide and two above the floor—a couple of
which, running parallel, longitudinally divide each room.
Divided into sections by upright planks, each section of platform
accommodates or discommodes six War Prisoners. Perhaps
Barney's room, and others on the upper floors are a thought
less vile in flavour than these on the lower storeys. He smokes
his last remaining fag, then whistles a dreary ragtime,
staring through the barred window in front of him at the
unbarred window of a room that is over the courtyard gate....
It is the window of the Commandant's office: the bare,
seldom-used room where, on Sundays, as a signal favour,—the
priest has been allowed to celebrate Mass and hold a
Bible-class, and on rare occasions an impromptu smoking-concert
has been given. It is full of Turkish postas in khaki, and the
braided blue of the Osmanli gendarmerie. It is at first not
possible to get a glimpse of what is going on inside, but in
obedience to some order the window is cleared of the bodies
blocking it.... Now it can be made out that the officers are
Hamid Bey and the German general, seated with the secretary
and aide at a table, before which—with two troopers of
Mounted Police behind him, stands a tall, pale, emaciated
man with long red-gold hair and beard.
The man seems to be answering a series of interrogations.
He asserts, he denies emphatically, he pleads, but he does not
cringe. Driven to silent frenzy by the difficulty of seeing, and
the doubtfulness of the trend of the events that are taking
place in the room over the gateway, Barney looks at his
neighbour, the Sergeant of the R.F.C.
"Sergeant!"
"Eh?"
The Flight Sergeant's broad hands are sheltering his eyes
as he lies on his stomach on the platform. The little folding
binoculars that magnify by 20 are solving for their owner the
problem of the Commandant's Room.
"D'yer pipe wot's goin' on? In the office over the gytew'y?
Where 'Amid, blarst 'im! an' the two German orficers is
settin' at the table and the Father standin' up in front? ..."
"Ay. They're playin' a scene out o' the Old Testament!"
says the Flight Sergeant, with a sarcastic twitch of a muscle
in his thin cheek.
"Wod'jer call it? ..." Barney breathes hard....
"The Scapegoat!"
"The 'ow much? ..."
"The Scapegoat. The beast the ancient Jews burdened with
the sins of the congregation—and drove into the Wilderness
every year. Only—the Padre's the Scapegoat—in this case."
"'Oo? ... Not Father Forbis?"
"Father Forbis right enough! 'Left—turn. Quick—march.
Party—shon!'" mimics the Sergeant, as the high fair head
and stern aquiline profile of the priest, with a zabtieh's fezzed
head before, and another behind him,—passes across the field
of vision limited by the frame of the window, and by the
opening of a door an angle of light is thrown on the
whitewashed office wall. "Now the sira-châwush is ordering out
the Prison Guard escort.... It's all over.... They're
taking him away! ..."
"Dismissed after interrygation.... That's all.... Cheero!
In a minnit 'e'll come back through the yard-gyte an' go to 'is
quarters as gay as a bloomin' bird...."
Barney defends his opinion with desperate optimism. But
his heart is sinking leadenly and a lump is in his throat.
"All serene! Have it your own way. You'll see which is
right of us!" The Sergeant cautiously raises himself up.
"Do you hear the escort's looted British boots trampin' down
the stairs? Now they'll either turn in here or march out at
the Main Entrance. And if they do that, there'll be no Mass
for the Catholics on Sunday morning—and no Prayers for
the rest of us when Mass is through. And no one to get us
the allowance from the Consul. And a dog's death for the
sick, ay! and a dog's burial. There! ... Do you
hear? ... That's the outside gate shutting..."
"Yus. O my Gawd! Shall we ever see 'im agyne?"
The inner gate of the Barrack courtyard has not opened.
The sentries posted right and left of it maintain their position
unmoved. But the groaning of rusty bolts in stone grooves,
and the sound of the ponderous outer gate of the Main
Entrance opening and slamming, falls, heavy as a clod of
churchyard clay, on the hearts of many men.
For their priest, their helper, their counsellor and friend
has gone from his place among them, and the blank he leaves
is beyond mere words to express. And even worse than the
sense of loss is the cruel uncertainty. Wondering, conjecturing,
they lie on their verminous benches as the long hot
Palestine day creeps to the sunset hour. The prayer-call from the
mosques heralds no supper. Prisoners who resent massacre
and villainous usage must, in the opinion of the Bey, have
been too lavishly fed. The soldiers of the guard divide the
beans in oil; and Barney Mossam, tightening his belt, is more
than ever certain that Virtue, outside the walls of the
T.R. Drury Lane—is not a game that pays....
The breeze freshens, the great bats come out to steal fruit,
and the lesser ones to hunt moths and mosquitoes. Night
suddenly unfolds her wings—and down comes the Dark. The
jackals howl on the confines of the town, and the pariah dogs
bay hideously. The Turkish equivalent for Lights Out! is
sounded by the prison boruzan. Silver clear, the trumpets and
bugles of the German-Turkish garrison challenge the echoes
of Ebal and Gerizim. The radiant Hosts of Heaven come
forth, and the moon, in her last quarter, hangs over the Hills
of Gilead.
Sleep has come to the prisoners. The mud walls shake with
their snoring. Only a few are wakeful. The Flight Sergeant
is one of these. Towards the middle of the night a 'plane goes
over Shechem:
"A raiding or reconnoitring hydro from some carrier in
the Mediterranean? No! There's no rattling from the floats.
It is a land machine...."
The airman leaves the crowded bench, and steals to the
window. In the white effulgence of the moon all objects stand
out clear. The German look-out with the telescope on the
minaret of the Great Mosque of el Kebir.... The hooded
searchlight with its dozing and waking guardians, on the
balcony lower down.... A little figure moving on the ragged
shoulder of Ebal.... A child? ... No! a woman—scrambling
up from limestone terrace to terrace.... He forgets
her, for, with the deep, vibrating song that he remembers—into
the field of his vision swims The Two-Faced Nightingale....
At about a thousand feet up, she circles smoothly above
Shechem. The search-ray from the balcony of the Great
Mosque slashes at her viciously. Its fellow from the flank
of Gerizim, leaps out, but sinks down again. Her pilot fires
an orange light—and the scimitars of radiance from the
Mosque and the Mount return to their scabbards; no strings of
green rockets explore for the range of her—and no shells from
the anti-aircraft guns in the Square of the Khan scream up
at her winged shape....
As the biplane hovers against the jewel-bright blue of the
Eastern night, the little Zeiss glasses tell their owner that her
pilot has a native observer. A big Arab in a striped mantle,
and headcloth bound by a rope.... Now her pilot fires a
second orange light, drops his weighted despatch-bag, banks
and climbs, launching at a dizzy height into a descent of
sweeping spirals.... Evidently he is going to land
somewhere in the neighbourhood of Shechem....
There is silence as the engine is cut out.... The big 'plane
dives out of sight behind the shoulder of Ebal, where the
lowest tiers of greyish-yellow limestone terraces are merged
in the sandy, rolling plain....
The Flight Sergeant holds his breath and waits, his eyes
glued to the binoculars. In a wonderfully short space of time
the aëroplane, a powerful tractor biplane of D.H.6 type,
climbs into his field of vision,—rises in wide, masterly spirals,
banks, turns and flies away Westwards,—leaving the Flight
Sergeant wondering with his chin upon the window-sill....
For the Two-Faced Nightingale has shed her observer, the
big man in the striped Arab abâyi and roped kuffiyeh. Puzzled,
the Flight Sergeant creeps noiselessly back to his place
on the wooden platform, and lies awake, chewing the cud of
mystery, for the rest of the long miserable night.
Dawn brings surprise to him, and the other War prisoners
of the Barracks. After the distribution of the morning
half-brick of gritty black bread, they are given a second ration,
and told to get ready, as they are all going away.
To this end they are presently mustered in the courtyard,
carrying their various packs and bundles. Sick and well,
unwashed, haggard, unshorn; on naked feet, or feet that are
bandaged with the remnants of puttees. Some in tattered
khaki tunics, others in cast-off German or Turkish jackets;
many bareheaded, others covered with German military caps
or broken sun-helmets,—as sorry a collection of scarecrows as
Turco-German neglect and brutality can make of two hundred
and twenty brave men.... A Turkish bimbashi of infantry,
attended by a châwush, gravely pretends to inspect the French
and British prisoners. In the name of his Empire he bids
them farewell. Some try to raise a feeble cheer when both
sets of big wooden gates are thrown open,—and they see a
string of some half-dozen German motor-lorries waiting in the
sunny road. Sick and well, they are marched forth under
guard and packed into these vehicles,—those unable to stand
being carried out by postas. Then, followed by some weeping
wives, the Arabs, Jews and Armenians, chained neck to neck
in double file,—are led away—a disconsolate procession, bound
for no man knows where....
Even as they leave the foul place of their captivity, the
Barracks is filled from wall to wall by an entering battalion of
Turkish Reservist Rifles, part of a Brigade hastily summoned
by Von Kressenstein from the Caucasus, to be launched on
the journey to Mespot, and now brought down here. Swarthy,
hairy men, armed with the old long Martini, some covered
with the fez, others with the drill enverieh, some shod with
sandals and leggings, others with German Army boots.
Thus, the Railway-line from Shechem not being available—it
was extensively damaged a little while back by British
bombing aircraft—and on the repair of it many of these War
prisoners have bitterly toiled!—they are bumped over villainously
bad roads to railhead at Nakr—en route for the fierce
red city of Aleppo, where as they are now aware and Heaven
knows how they have got the knowledge!—the sick and
disabled are to be picked out for Exchange to England, via
Smyrna—and the able-bodied (such as they are!) sent north
to Belemkh, a station in the Taurus Mountains, headquarters
for gangs of War prisoners working on the rails....
The villainous road that buckjumps through the tumbled
Palestine landscape is crowded with Turkish Field, Horse, and
Mountain Artillery, conjured back from Mesopotamia by Von
Kressenstein, and rushing forward to the defence of Junction
Station South. Battery after battery rolls by in the blinding
dust; guns and waggons pulled, and riders carried by tough
Anatolian horses, bitterly ill-used and evidently poorly fed.
But not the roll of iron-shod wheels and the clatter of
iron-shod hoofs, nor the roar of human voices talking in many
Oriental dialects, nor the curses and jeers and viler things
that are hurled at the prisoners in the jolting lorries, can shut
out the savage, irregular thudding of Turkish Krupp 75 mms.,
Turkish Mountain Artillery, and machine-guns; and the
steady, dogged slogging of British Royal Garrison Artillery
motor-howitzers; British Field Artillery eighteen-pounders;
and the clat-clat-clatter of Lewis machine-guns, waging bitter
battle in the west and south....
At Nakr, where there is to be a delay of several hours,
owing to the detrainment of forces from Mespot, they find
a composite train of second and third-class compartments full
of Turkish War Prisoner guards and their commanders, and
horse-trucks, packed with British officers, waiting under steam
for a German Staff Deputy Director of War Prisoners,—and
a Controller of Transport,—who are going to Aleppo and
thence to Smyrna to arrange the conditions of their exchange.
The British officers are the recent captives of the stone-prison
and the wired enclosure at Shechem. Very sunburnt are
they:—very haggard, weary, thirsty, shabby and ill-shaven, and
burdened with tattered valises and heterogeneous odds and
ends of personal property, but bright of eye, elastic of
bearing—full of the indomitable spirit that from the days of
Agincourt and long before them—has been the birthright of their
warlike race.
Crowding like schoolboys at the half-doors of the padlocked
and guarded horse-trucks, they shout cheery greetings, salutations
and scraps of information to the rank-and-file, clustered
like swarming bees on the grilling stretch of platform beside
the iron track....
"Hear the guns, W. and S.? Putting the wind up Djemal,
aren't we?"
"Halloa! Mossam of B—— Company, my late Platoon!
I've not seen you since I launched you with a note to the
O.C. the water-camels at Rashid.... Have you got hold of a
new song, or are you still denying relationship with Potsdam?"
"Aren't you Jollife, you chap with the Turkish fez and your
eye in a sling? My Orderly in front of Gaza! What price
that leg of roast goat with the skin and hair on? I'll bet
you'd tuck into it quick enough now—if you got the chance!"
A graver, older officer leans out and calls to the soldiers:
"Can any of you men give us news of Father Forbis?
We've been on the look-out for him since we heard we were to
be moved."
"The Padre! ... Where's the Padre? ... What are you
shaking your heads about? Damn you, you hairy brute!
Why do you savage the man? ... What the hell has he done
to you? ..."
Thus the ringing British voice, sharp and acrid with
indignation. For Barney Mossam, screwing himself up to answer,
has been clubbed by a posta's rifle-butt full in the mouth. He
spits out blood and broken teeth, and grins pitiably; and for
his sake and his comrades', the officers address them no more.
Now the Turkish Station-Master and the German R.T.O. who
is his master, appear on the platform, as the Deputy Director
of War Prisoners and the Controller of Imperial Transport
and their escorts arrive on the scene in German Army motor-cars.
They board the dirty first-class compartment specially
reserved for them. Their orderlies and servants stow away
their luggage, the signal falls—and the train—with a
non-commissioned officer on the platform of the corridor-car
conveying the German officials—armed with binoculars and sharply
on the look-out for British bomb-carrying aircraft, jolts over
the warped, unevenly-laid metals for El Fuda Junction and
Deraa, the first stages of its journey North....
An Arab horseman, stationary beside the track with two
mounted companions, controlling his fiery dapple-grey mare
with a master-hand upon her jingling bridle—resplendent with
the gold and silver jewellery lavished on horse-furniture by
the wealthier Bedwân, gravely salutes with his long lance
tufted with sable ostrich feathers, as the composite train jolts
out of Nakr. And the Deputy Director of War Prisoners
and the Controller of Imperial Transport, sitting opposite
one another in their dusty first-class compartment, with tall
tumblers of Munich beer, (iced, in this land of dust and
drouth) on a table fitted between them ... smoking the fat
cigars of Hamburg and discussing German Military Supremacy
and German World-politics—gravely finger the brims of their
sun-helmets in recognition of the salute....
"Wer ist es! Who now, is that Arab? ..." asks the Controller,
whose bulging, light-grey eyes are sharp-sighted behind
their tinted glasses. "A personage of some consequence, by
the gold embroidery on his burnus judging; the gold twist in
his head-rope, the gold-hilted sword in his waist-cloth—and
the also-with-precious-metal-enriched trappings of his
Blauschimmel mare."
"He," the Deputy Director replies, "is one of the lesser
Emirs of the Irregular Cavalry of the King of the Hedjaz,
who—as the Herr General Controller knows,—secretly under
British leadership—upon the City of Mecca seized in June
and annexed Akaba in July."
"And is now wrecking trains on the Hedjaz Rail, containing
German Ottoman forces, under the very noses of our Allied
patrols,—blowing Turkish Railway-bridges with charges of
nitro-glycerine sky-high—and in the North and East our
rearguards harassing. Donnerwetter! Why is this rogue of an
Arab not in fetters? What makes he, hanging about trains
containing military officials of the Fatherland?"
"Because, Herr General, the Emir Fadl Anga and his
followers are of those who the solid worth and philanthropic
aims of Germany recognise, and scorn the windy emptiness
and rapacious greed of England, the Great Swashbuckler....
They what we Germans have done for the Turkish Army also
see—and are convinced that under similar auspices, Arabia,
hand in hand with Egypt and India, might become a powerful
and war-capable State. Emir Fadl Anga estimates the
number of his party—headed by a nephew of the Mecca Sherif—as
very considerable. 'They are many,' he in his Oriental
hyperbole, says, 'as the stars of Heaven, or the Desert
sands!' Also, information has by him been supplied, which, had the
difference between German and Arabic clock-time at our
Shechem Headquarters been better understood—might have
resulted in a Handstreich very gratifying to Imperial Majesty
at Berlin. The officer guilty of this so gross ignorance was
brought to a drumhead Court Martial and degraded, the Herr
General will be pleased to hear! However, the Emir's intentions
were agreed to be excellent, and he has now brought us a
basket of carrier-pigeons from his Chief, the nephew of the
Sherif—and the Emir is to convey back with him of these
birds a similar basket, trained at the Nazareth Headquarters
of the Herr General-in-Chief, Liman von Sanders—as soon
as the pigeon-master-Sergeant with them arrives.... Also,
this is good beer! What does the Herr General say to another
bottle?"
"Ja, ja. Mit Vergnügen. It is hellishly hot! ..."
The Emir Fadl Anga, ingenious purveyor of genuine but
post-dated intelligence—salutes gravely, and wheels his
dapple-grey about as the composite train bumps out of Nakr. A
muscle in his lean, dark cheek jerks, and his thin lips under
the Arab beard smile scornfully—as his glance falls on the
rank-and-file of the War Prisoners—clustered on the platform
beside the iron way....
They are hot, faint and weary under the bite of the sun,
amidst this jumble of naked hills, on whose chalk and
limestone knees they have driven elaborate systems of trenches
for the enemy, under the lash of the loaded hide-whips. But
Barney Mossam, with a split top-lip and a scarlet gap where
several front teeth are missing, is making a gallant effort to
buck the others. In the middle of a spirited rendering of "I
HAVEN'T seen the Kaiser for a VERY long time. He's the
leader of a German Band, an' he AIN'T no cousin of mine!"—breaks
in the fierce interruption of an Arab voice, bitterly
abusive:
"You—O you! Sons of farrâshes prostitute concubines!—silence
that brother of howling apes!"
Thrusting his lance-butt in the embroidered leathern
bucket, Fadl Anga leans low from his saddle—appears to
pick up something, no doubt a pebble—rises erect, and hurls
the missile savagely into the brown of the crowd of men. It
hits Barney, who picks it up, and white teeth flash in the black
beards of the other mounted Arabs, and a laugh goes up from
the Turkish guards, who are smoking and chatting and eating
water-melons, as the supposed emissary of the traitorous
nephew of the Sherif of Mecca touches his mare with the
sharp edge of the broad copper stirrup—and with a ringing
shout of "Allah ho Akbar!" gallops down the rocky road
towards Shechem, followed by his two companions, and
leaving Barney Mossam gaping—with an embroidered Arab
purse—heavy with Turkish silver coins, clutched in his hand....
Long before the composite train went jolting out of Nakr
the keen grey eyes under the kuffiyeh of Fadl Anga—eyes less
miserable now that by day and night sharp danger gives a
spice to life, so empty void of Katharine—have assured their
owner, Edward Yaill,—that Julian Forbis is not with the
officers in the cattle-trucks any more than he is with the men
clustered like swarming bees upon the grilling platform,
beside the iron track.
The weather changes before dawn. Soggy clouds roll inland
from the sea, hide the sky of Eastern azure, blot out the
shining faces of the stars and invest the pale beauty of the
Queen Planet of Night with the flowing sable veil of a recent
War Widow. It has come on to rain—a slashing downpour
of Palestinian intensity, under which the wadis speedily
become shallow cataracts of khaki water—the trenches slashed
in the terraced Judæan Hills, and manned by Turks, Germans,
or British Crusaders—mere troughs of sandy or chalky
mud.
Sangars ramparted with boulders may offer some practical
assurance against shell-splinters or bullets, but against rain like
this they offer no security. Bivouacs built of stones, and roofed
with ground-sheets may in some degree keep out the rain, but
they freely admit the cold. A Scotch mist, clammy, freezing
and blinding in its damp opaqueness blankets the Hills of
Ephraim, and broods over the Maritime Plain, as on the edge
of one of the limestone terraces that fringe the robe of
Mount Ebal,—a big, brawny Arab sits—nursing a badly-ricked
ankle, and swearing in the fruitiest vernacular of his adopted
land.
It is lucky for the Arab in the brown camel-hair shirt,
striped abâyi and roped white linen head-cloth, that he has
no audience but the scorpions and lizards sheltering from the
slashing downpour under the grey-white boulders—as he rocks
himself and nurses his ricked ankle—and curses his luck.
Presently, as the Scotch mist lifts, and the plain is irradiated
by the watery moonlight, he sets his teeth for an effort and
crawls to where a bundle tied in native cloth, and a long,
metal-tipped Arab walking-staff lie on the chalky, puddled plain
where they fell when he dropped them from the machine at
the beginning of the volplane, and screwed himself as the plain
rushed up, to wait the throttling down of the engine—the long,
smooth final glide—the flattening out following the pilot's
raising of the lever—and the slight jarring impact of the
thick-tyred wheels with the ground....
"Now jump!" the sharp, strident voice of the Egyptian
called when the expected shock seemed imminent, and John
Hazel set his teeth and jumped promptly. Aware even before
he crashed to ground that the word had been given too soon.
Even as he sprawled on the chalky plain, with all the wind
knocked out of his body—the machine just missed landing on
top of him. How he rolled out of the way of the thick
squat wheels, and the steel framework of the under-carriage
of the biplane, a powerful and heavy machine of D.H.6 type—he
does not know now....
Sick, faint and shaken, he picked himself up, but not before
Essenian, lithe as an acrobat, freed himself from the
safety-belt, jumped out, adjusted the controls, and swung the
big propeller. As the engine started he leaped back to his
seat, looked round at Hazel, shouted "Good-bye!" and opening
the throttle, raced over the plain, and rushed up into the
air as though pursued by a fusillade of machine-gun
bullets.
"Damn and blast the Egyptian beast!" John snarls, and,
as the ricked joint rapidly swells to cricket-ball size, swears
again, and thinks as he rubs it, "Might have guessed he was
out for some treachery or other. Though how could I?—until
he signalled to the enemy over Shechem by firing the Verey
light, and gave away the whole show by dropping a message-bag!
Making me swear before the start by all we Hazels hold
most holy, never by word or sign to let out anything I might see
him do. Consequently I'm his confederate—tarred with the
same brush. And now I know he murdered Captain Usborn!
It was his own revolver-bullet I showed him at the Club.
If ever I get out of here I stand some chance of getting shot
myself for being back at the Front on the quiet when I'm
supposed to be on leave in Alex. But anyhow I hope I'll see
Essenian Pasha get his dose of British lead before I do.
Unless I get a chance to settle him myself. Wouldn't I let
the beggar have it! Right in the neck—where Winnie wore
the beads. But what a flier! Holy Smoke! what an A1. flier!
Unless he's a devil, which I trend to believe!—there's not
a man his match."
The rain that began at two a.m. by his wrist-watch (hidden
under a broad band of untanned sheep-leather, laced on John's
big wrist by a slender thong) shows no sign of abating.
Fitfully and at intervals through the night, those guns in the west
and south have held debate. Now they begin again with
redoubled energy. John has seen as the D.H.6 travelled through
the clear azure Palestine night, how the enemy's line has
been thrust back from Gaza towards Jaffa. Now with a great
blowing-up of Turco German ammunition-dumps, Junction
Station,—key of the northern railway system—announces to
the echoing hills the success of British arms.
"Good for us!" John chuckles, rather drearily—as the sullen
sky in the south is illuminated by Aurora Borealis-like effects
of orange, green and crimson—and Brock-like sheaves of flame
spurt from the horizon to descend in gold and silver showers.
"Djemal Pasha's Fourth Army Corps seems to be getting it
rather badly. We're putting the breeze up Von Kressenstein,
unless I much mistake...."
Even as John Hazel hugs the thought, the train containing
Djemal Pasha's German Corps Commander is rushing towards
Jerusalem. The Turco-German Army, broken in two, is
retiring eastwards upon the Holy City and north-west through
Ramleh towards Tul Keram. The brigades that rolled into
Shechem overnight—rested and fed, are rolling out again.
Fresh batteries from the Caucasus, diverted from Mesopotamia,
new battalions of infantry of the Redif and Mustafiz,
and brigades of irregular Cavalry from Kurdistan and Northern
Albania, are swarming down to reinforce the Nizam and
its Ikhtiât.
Dawn comes with cessation of the freezing, pelting rain
and the sun glows fiery red through the curtain of leaden-coloured
mists that yet hang over the Mediterranean. Wounded
and stragglers on foot, German Army motor-lorries laden
with escaping Teuton officers, begin to arrive at the Holy
City. It is whispered in Jerusalem the Weary that the days
of Ottoman rule in Palestine are numbered, that the
German, Turkish and Austrian officials and residents are even
now preparing to quit the town. And indeed German depots
are hurriedly emptied; sugar sold as cheap as the dirt that is
in it—long held-up flour and cereals disposed of in haste.
From the high towers of the City and from the Mount of
Olives one can see the roads that are muddy now—and will
be dusty presently, crowded with lorries, carts and
pack-animals carrying fugitives with their baggage, munitions and
essential stores, north to Shechem or east to Jericho....
John, unaware of this, yet senses great happenings, as he
stands propped on his Arab staff, cursing the temporary
uselessness of a man with a sprained ankle-joint. He must lie up
somewhere until the anguish abates and the cricket-ball reduces.
A hut—there are clusters of drab-white specks, indicating a
village on the northern fringes of the stretch of plain—boulder-strewn,
bush-dotted, thinly grassed, thick with tufts of mandrake
and tall blue Campanulas, and knee-deep in growth of
late-blooming, white and yellow asphodel—on which Essenian
elected to come down.... Westwards towards the sea there
are other, larger villages. South there is a broad defile,
curving east between humpy limestone hills, leading, John knows, to
the town of Shechem. Over him rises the huge and bulky
Shape of Ebal, three thousand six hundred and ninety feet
above sea-level. From terrace to terrace, a path winds up to
her towering rounded crest between hedges of tamarisk, broad-leaved
grey-green cactus, and prickly pear plentifully laden with
knobby red fruit. On her summit the map has shown John
the ruins of an ancient fortress. Near the top, on this, the
west side—stands a little whitewashed cupola surmounting
a wall of mud and stone encircling a Moslem well.
Water is there; and hidden away with his revolver and
cartridges on John's big person, is a case of First Aid
necessaries, a small flask of brandy and some meat-lozenges in case
of need like this. He determines to crawl up to the place of
the well, hide, and doctor himself for a day, or even two days
until the sprain is reduced, and he can get about.
"Hard luck," he mutters to himself, "but there's no good in
grousing.... Now buck up and help me—O all you Big
Old Men!"
But the Big Old Men give no sign, and their descendant,
shouldering his bundle (to bear out his role of Arab there ought
to be a donkey or a woman to carry it), limps, leaning on his
staff and sweating with pain, up the narrow pathway leading
between the hedges of cactus and prickly pear.
Blood-red, the Sun rises over the distant horizon, the glittering
drops upon the leaves, the drying puddles under John's
naked, slippered feet are reddened by the reflection. From the
broad, prickly leaves the wet begins to steam; the tufts of
snapdragon, pink and crimson, white and yellow and orange; and
the blue campanulas, growing in the tissues of the rock, stand
gallantly upright, refreshed by the dampness; the lily-like
asphodel exhales its delicate, characteristic smell.
There are goats on the Mount, John notices, presently.
Their droppings are thick upon the path he climbs. He hears
them bleating, and sees them, feeding under the ruins of the
Fortress. Indeed, the next wind of the path brings him out
upon a ledge where a heavy-uddered female is cropping the
thyme that grows there, with a jet-black kid nuzzling at her
side. If one could catch the mother, thinks John, the question
of subsisting here for days would be easily settled. Prickly
pears are eatable.... Goat's milk is good.... There were
lots of milch-goats in the caves of Sheria, and modern
Crusaders, dry with the drouth of battle, and as yet uncertain
whether the enemy had not poisoned the wells—milked the
goats into their tin hats and other receptacles, and drank and
were mightily refreshed. If only—even as John licks his lips,
the too-nimble dairy, skipping from ledge to ledge, recedes
from view. Bleating, the little black kid scrambles after
her—and the Moslem well near the summit of Ebal seems farther
off than it did before.
John sees now a path, branching off to his right hand, which
may lead to the hut or cave of the goatherd. He strikes out
upon it, and makes some progress, until the curve of it,
trending southwards, suddenly shows him a narrow road, deeply
rutted with broad-tyred wheels, and pitted with hoof-prints,
leading up the Mount from its base on the south-eastern side.
The erect brown figure of a sentry—reduced by distance to
the size of a doll—stands out against the background. A
Turkish Artillery waggon is jolting up the steep roadway....
John hears the panting of the toiling horses, the creak of the
straining rope traces, the jingle of chains and the cracking of
the drivers' thick-lashed whips....
From behind a bush he now looks down into a sangar built
of boulders, sheltered at one end with green tarpaulin and full
of Turkish machine-guns. The tarpaulin quivers with the
snores of sleeping gunners, whose legs project beyond it, and
from a nest of camouflage lower down the mountain, the
blunt nose of a howitzer snuffs at the sky.
Still farther south a Field battery of Krupps has been posted
on the flank of Ebal; the whinnying of horses eager for their
morning barley and forage comes from a hollow where the
Turks have stabled their teams, the smell of some aromatic
burning wood spices the air with sweetness. Blue smoke
columns up from fires of hidden bivouacs. There are picquets
along the foothills, and on the plain are outposts. The
Mount—except on the west and north whence danger is not
apprehended—has been converted into a veritable wasps' nest.
Holding his breath, John Hazel turns, and noiselessly
retraces his footsteps between the cactus hedges and along the
path to where it first branched off. As he sets his lame foot
gingerly upon it, he encounters a veiled native woman, toiling
upwards, who carries—not an excessive burden in this land
of laden women—a bundle of canes, and an empty gourd, and
has a coarse jar of red earthenware balanced on her head.
Perhaps the earthen Jar contains water, or milk, or laban,
that mixture of excessively sour milk with finely-chopped mint,
peculiar to Syria. The bare idea intensifies John's thirst.
"O my mother!" he begins in quite passable Arabic: "In
the name of Allah, the Merciful, the Compassionate—"
"Ai—e!" The woman has started and dropped the gourd,
and stands before him trembling, "What—what wouldst thou?"
"Somewhat to wet my throat. Thou lookest on a thirsty
man. Hast thou, by any lucky chance, drink in the vessel?"
"The vessel is empty. See you, I have spoken truth!" She
takes the jar from her veiled head and turns it upside
down, and John's heart sinks to the bottom of his famished
stomach. "May God relieve your need! ..."
"Allah favour thee! Black is my fortune. Thou seest,"
he thrusts out the swollen foot with the bulge at the side
of the ankle-joint, "what evil has befallen me through a slip
upon the Mountain side."
"It hurts thee? ..." He cannot see the hidden face, but
in the faint voice there is a note of pity....
"Wallah! It hurts like very hell! Worse than the hurt is
the lameness. Now hear! By the life of my head I say: If
thou, being a woman, couldst help it somewhat! ... If thou
knewest a place of shelter where I could lie and tend the
hurt, and—and—have somewhat to eat and drink while it
was mending, for this I would pay thee. By Allah! I am no
beggar, I!"
The Fellaha thinks, while a little dusky hand holds the
edges of her veil together. Then she says faintly:
"Ala râsi. I have—I know of a place of shelter. It is not
very far from here. There thou couldst lie, it is a cave between
two boulders and I would bring thee food and drink."
"Allah requite thee, O my sister! ..."
"Come, then, Sidi!" She returns her empty vessel to its
place upon her head, with the deft, accustomed swing of the
Eastern woman, and moves on before him, striking into
another lateral path, a mere goat-track to the unpractised eye,
that scores the mountain-side, running north. For perhaps a
quarter of a mile her little bending figure hurries along and
the tall Arab, leaning on his staff, hobbles painfully after.
Where the cave between two boulders is—and less a cave than
a hollow under a projecting ledge of nummulite limestone—he
finds her waiting him....
"In here, Sidi!"
"Call me not Sidi! I am no person of degree." John
thinks it well to try on the woman the story he has invented.
"No person of degree am I. Only Ali Zaybak the Bedawi, a
man who once had three camels, and ten sheep, and five goats,
and a father and two brothers, and a wife also; and now
has none; my brothers, my wife and two camels being killed
and all the rest lost...."
"May the Dispenser of Mercies atone to thee, O Ali Zaybak!"
says the thin faded voice from under the woman's veil.
"How came about thy loss? From whom dost thou claim the
blood-wreaks?"
"From the Inglizi, (English) the thrice-accursed ones! who
came flying over our village—we dwelling in the Shadow of
Allah in the caves of the Wadi Sheria—I and my brothers
having bought exemption from service with the Army of the
Osmanli (Turks) with the savings of all our lives."
"Ay, ay," the thin voice assents, bitterly. "Few and small
were the gold and silver coins remaining on thy wife's
head-tire, when the Dispensers of Exemption had signed thy card."
"Verily, Allah be my witness! and it is a black shame to
take the money that was the woman's marriage-gift. We
were then very poor—but we had the three camels and the
sheep and the goats also—though the beasts were little and
thin. Then came the War, rolling all about us—with marchings
and counter-marchings of hosts of men—and we sent my
brothers south so that they might sell to the Inglizi soldiers
before Gaza, all the olives stored in old oil-tins, and all the
oranges, and tobacco, and grape-treacle, and figs of last year,
that the Almani and Osmanli had not taken away...." John
cannot for the life of him restrain this vitriolic touch. "And
they went, and made much money—the Inglizi being fools and
wealthy, moreover—as all these sons of Sheitan are. This was
in the month Shbât; and coming home my two brothers
encountered Fate, in the person of a Commander of the Almani
(Germans), who seized upon the young men—they being far
from their native village and not having their warakas of
Exemption on them—and sent them to dig trenches at the Bir-es
Saba Works."
"A bitter tyranny the Most High beheld, and will avenge
upon the doer!"
"Then there was fighting at the Wady Sheria—because having
taken the strong place of Bir-es Saba, ay! and the ridges
down to the sea, the British desired the Place of Good
Wells." John is beginning to believe in Ali Zaybak, the Bedawi
farmer, to the point of getting hot over that individual's
fictitious woes.... "Came they—they came, and were as hornets
about us, their killis bursting with stench, and smoke, and
ruin—and their Devil-Birds fighting the Devil-Birds of the
Almani, and driving them down out of the air. One dropped
an egg of Eblis that killed two of our camels, and broke the
leg of the third. My father cried out on Allah and fell face
downwards.... So my wife cried out and fell, and when
I went to lift them, lo!—they were dead.... Yet was there
no wound on either.... Wallah! Upon neither was there
a wound! ..."
"Well do I believe thee. I have seen Death come after that
fashion many times since the beginning of this War. What
more, O Ali Zaybak? ..."
"This,—that my goats and sheep being gone from me—for
the Osmanli took them when they retired before the Inglizi—I
have come to Shechem to seek my brothers, if haply they
be alive and there! ..."
"Ay, but why seek them on the Mount of Cursing, and not
within the town? ..."
Woman-like, she has put her little wasted, dusky finger
on the weak spot in John's trumped-up story. Having done
it, she goes on, as he racks his brain for a
sufficiently-convincing figment:
"Thou wilt do this to-morrow, O Ali Zaybak the Bedawi,
when the swelling of thy joint hath abated and thou art rested
and fed. So creep in here between the stones—there is a
sheepskin thou canst lie on—and in somewhat less than an
hour I will come back to thee with food and drink."
"May Allah prolong thy years, O woman!" says John with
the extravagant hyperbole and the sing-song inflection proper
to Oriental gratitude. "May thy fortune be doubled upon thee,
and, fair as thou art already, may the radiance of thy beauty
out-dazzle the full moon!"
She gives a queer little rustling laugh behind the folds of
her coarse, yellowish head-cloth.
"Sweet words, sweet words from a widower bereaved in
Shbât! Belike," she cackles again, "thou hast come to the
Mount of Cursing in search of another bride? Dost thou lust
for the Unrevealed? See, then, O Ali Zaybak! what beauty
hides behind this screen! ..."
And accompanying the words with a swift revealing movement,
she whisks back the heavy veil from that mutilated left
side....
"My God!" John very nearly exclaims, bleaching under his
natural mahogany-colour, for a man old in War and hardened
to the sight of wounded men may yet sicken at the sight of a
woman mutilated like this. But he swallows the exclamation,
and substitutes:
"I—am sorry! May Allah pity thee, poor soul! ..."
"And increase the wisdom of the Sidi! ..."
The Fellaha is re-veiled and between the pendent linen folds
comes her little rustling whisper; chilling the blood of the
pretended Ali Zaybak, under the now nearly vertical rays of
the blazing Syrian sun....
"Who, desiring Secret Intelligence for his War-Chiefs of
the British Army, ventures into the midst of the enemy,
disguised as an Arab and alone! ..."
The words drop, coldly as lumps of hail, on the adventurous
heart of the man. Discovered, and in the first hour by a Syrian
peasant woman.... He forgets his pain, and drawn to his full
height, fixes his black eyes threateningly upon her hidden face.
"What sayest thou? Hast thou no fear?"
"None—of a British officer, nor of a British soldier!"
The words, spoken in English with a Syrian-French accent,
are such an unexpected shock, that John jolts temporarily back
into his own adopted tongue:
"How the hell—ahem! How did you know—I'm—what you
say I am?"
"Because" the voice is soft and refined, though it is thin
and toneless: "Because—sir!—when I showed you my face—you
did not—spit like a Mohammedan, or laugh like a German!
And who"—the voice suggests the shadow of a mocking
smile—"who but an Englishman would venture here—so
ill-disguised and speaking such bad Arabic, and carry himself so
confidently as almost to deceive me—in spite of the testimony
of my two good ears—and my one very good eye."
The poor face she has shown to John is blind on that shattered
left side. He knows a thrill of pity even as he asks:
"You won't give me away? ..."
"If 'give away' means to betray—no, I will not betray you!"
"Thanks. You're out Scouting on your own," says John,
"unless I'm very much mistaken?" He adds still in English,
as she lets this broad hint pass.... "Since we're to be pals
of sorts, do you mind telling me your name? ..."
She gives her faint little whispering laugh.
"Ay, surely. It is Ummshni.... 'Mother Ugly' in your
English tongue. In Arabic, 'Mother of Ugliness.' ...!"
"But—but I can't call you that! ..."
"You must. It is my name here. For you I have no other."
"Then shake hands, little Ummshni," John says promptly,
and thrusts out his own huge, brown right hand.
"Need we?" She hesitates....
He says, encouragingly:
"Just once. To seal the bargain and show we're pals!"
"Once then...."
She hesitates an instant more. Now from enveloping folds,
a small, shrunken, dusky hand steals out, and is engulfed in
John's. And then a breathless cry, not loud, nor shrill, but
terrible in its dire, agonised intensity bursts from the mouth of
the distorted face that is mercifully hidden by the veil....
"God of my fathers! Who art thou?" The gasped-out
words are once more Arabic. "From whence didst thou get
the Ring of the House of Hazaël? ... Thy face, too....
It is the face of Eli! Thy voice.... Do not deny
it! ... Thou art of the Blood! ..."
"Since you know it already I'll tip you the garden truth.
I'm John Benn Hazel, old Eli's grandson from London. But
who in the name of—wonder—are you? ..."
"Thy—thy unhappy Cousin Esther!" The words come
stumblingly, between terrible, dry sobs.... "Oh, do not check
me. Let me weep! I have not for so long! ..."
"Now by—the whole blooming, blessed row of Big Old
Men, back to the Very Biggest!" John says between his teeth,
as leaning on his heavy staff he stands staring blankly down
at a little heaving bundle of coarse and common feminine
drapery that crouches at his big sandalled feet amidst
the short thyme-scented grass, "This is—this is the cherry in
the cocktail! Just when I'd begun to think I wouldn't carry
through—comes along the very sort of little woman to help
me! This isn't Coincidence or anything like it. This
is—just—Fate! ..."
"Help thee?" Her sobs have abated, she lifts up her bowed,
head. "In what manner can I help thee? I can feed thee,
tend thy hurt and hide thee. But there is something more
than these.... Tell me what thou wouldst do? ..."
"Save a man!" No one is near, but he whispers it, stooping
over the little figure. "A War Prisoner they've got here.
Get him out—and get him away! ..."
"Yes—yes! Willingly will I help thee. Hath an Hazaël
ever failed to answer to the Call of the Blood?" The little
dusky hand clutches at his brawny wrist. She rises, and
her eager breath mingles with his, and an eye diamond-bright,
black as his own, flashes between her veils.... "What strength
I have—what cunning and courage—are thine, to the threshold
of Death and beyond it. But—but, John, my cousin! If I
help thee to free thy man—thou must needs deliver mine."
"I'm not sweet on conditions—they're things that handicap.
Who's your man?" The tone is decidedly gruff.
"He is an English officer.... There is no other in
Shechem since the big German petrol lorries rolled out this
morning. For the Turks have sent them all away ... I heard, to
Aleppo."
"The hell you say! Forgive me, little Esther, but this is—pretty
rough! For I'm here—bad Arabic and all—on the
track of a British War Prisoner."
"Tell me his name," says the thin rustling voice, shaken still
with emotion....
"Julian Forbis.... Father Julian Forbis," John answers,
and she falters:
"O my cousin! in thine hour of need and mine the Most
High, Blessed be He! hath verily sent thee. For—for—thy
man and my man—are one! Come now to the secret place
where I dwell alone with my sorrow. There we can talk
freely—it is safer than here. Thy hand on my shoulder—what
a big hand, like that of our grandfather Eli! ... Lean
on thy staff, but on me too. I am stronger than thou wouldst
dream...."
The line held yesterday by the Turco-German forces has
bent northwards at its western extremity, and southwards at
its eastern end. Jaffa, the ancient Port of Jerusalem, has been
occupied by Allenby's forces. Junction Station, the key of the
north, now being in British hands, the enemy's Army, cut in
two, has retired partly east into the mountains towards
Jerusalem, and partly northwards along the Coastal Plain. The
nearest line upon which its several portions can re-unite is the
line Tul-Keram, Shechem. Reports from the Royal Flying
Corps indicate the intention of Djemal Pasha and the other
Corps Commanders to evacuate Jerusalem and withdraw to
organise on the line Tul-Keram, Shechem.
It being vital to obtain a hold of this invaluable artery of
thoroughfare, which traverses the Judæan range from north
to south from Shechem to Jerusalem,—our Advance has
wheeled to the right, and struck into the Hills with the object
of wresting from the enemy the Jerusalem-Shechem Road.
At the eastern end of the long fish-shaped valley, whose sides
are shagged with olive-woods and running with springs, and in
which lies Shechem, is a grassy, level expanse in the shape of
an isosceles triangle—one of its longer sides being the road
that runs east and west past the new Turkish Barracks, the
Arsenal and the Hospital—and the other the road that—north
of this—passing the Mohammedan Cemetery and the ancient
Tombs that are upon the fringe of the limestone robe of Ebal,
runs into an ancient Roman road, that completing the shape
of the isosceles, goes north along the eastern flank of Mount
Ebal to the little hamlet of Sichar, and south to the Holy
City,—leaving on the left a Mohammedan well that has been built
over the Tomb of Joseph, and some quarter of a mile farther
on, a hillock shaded by mulberries and figs, and covered with
ruins, enclosing Bir Samariyeh, or the Samaritan Woman's
Well.
The top of the triangular patch of waste ground ends at
the very gate of Shechem, being lost in the great mounds of
immemorial ashes, brought down in ancient days from the
Temple on Mount Gerizim. Wild fig and mulberry, olive and
tamarisk—and thickets of the zizyphus set with formidable
thorns, that give the tree its name of Spina Christi—make a
shabby jungle of the Ash Heaps, haunted by kites, crows and
owls, pariah-dogs and jackals, who come to feast where the
offal and refuse of the town are thrown. Here, too, lepers
congregate; sick animals are thrust to die, dead ones are
thrown to bleach and putrefy; and sometimes—even before the
War—bodies of people robbed and murdered, or too destitute
of friends to be given burial—huddle amongst the rank weeds
and tangled undergrowth, or lie stark and dreadful, with blind
eyes beaten by the lashing rains of Palestine, or staring at
its pitiless sun.
When Allied War Prisoners first came to the town of Shechem,
the isosceles triangle of waste ground—its shortest side
indicated by the road that runs by the Tomb of Joseph towards
the Well of the Samaritaness—was enclosed within a twelve-foot
double fence of German barbed-wire, for the keeping of
certain French and British officers, who declined to give parole.
These lived in Turkish Army tents and messed in a ramshackle
wooden hut near the eastern end of the enclosure; their rations,
such as they were, being brought from the Turkish Barracks
twice a day. Those officers who gave parole, causing less
trouble to the authorities—were somewhat better treated, it may
be allowed. The old stone prison near the Suk was alloted as
their quarters. They were permitted to take exercise within
certain bounds, even to visit the Latin Fathers, and the
headquarters of the Protestant Mission, and better their diet by
making purchases in the town bazar. To-day, Shechem, with
her numerous mosques and her flat-brown roofs embowered in
orange and pomegranate-trees—is bursting full of Turkish
troops, and their German military masters; and destined ere
long to rival Tul Keram as an Army H.Q. No British War
Prisoners are left in her since the exodus of early morning,
save four Berkshire and Devon Yeomen lying desperately
sick at the Turkish Hospital—two London Territorials, and
three Indian troopers in the charitable care of the Sœurs de la
Sainte Croix....
Ah, and the solitary captive of the leaky wooden shanty in
the Wired Enclosure, from which the Turkish Army tents have
been removed, leaving round yellow patches of parched and
trampled grass. Saving the Bey, certain of his German friends,
several Mounted Police, and a guard of infantry from the mud
Barracks—no other persons in Shechem suspect that Father
Julian Forbis did not leave yesterday for Aleppo with the other
British officers,—though possibly that dust-like one, the Mother
of Ugliness, may have a certain inkling of the truth.
Upon a native anghareb, a short-legged, palm-wood bed-frame
with coarse sacking laced upon it, he lies within the hut
that used to be the Mess. Although it leaks in the winter rains,
its timbers are of solid oak, and its door is heavy, and secured
on the outside by a huge wooden lock. A padlocked iron fetter
on the priest's ankle is linked to a chain finishing in a ring,
running on an iron bar,—the ends of which, being bent, have
been driven into the corner-posts at the end of the hut that
is farthest from the door. Having thus secured the prisoner,
the bash-châwush of Mounted Police went away with his troopers
and the escort. That was yesterday morning, possibly in
the neighbourhood of nine o'clock. The common watch of
gun-metal on the priest's wrist has stopped—as the result of
brutal usage.... He can only calculate Time by the
prayer-call from the mosques of the town....
No hint of the possible length of his confinement has been
given, the bash-châwush being an old hand and quite thoroughly
understanding the torture of Uncertainty. No food was
brought the prisoner yesterday or to-day; they have not even
given him water.... Nothing has passed the man's lips—since
on that morning of the Bey's visit he broke fast with the
thin boiled wheat-porridge and the black bread on which War
Prisoners are fed.
Mere hunger he can endure.... As a Religious of a strict
Order he is well inured to fasting. But the thirst, aggravated
by mental distress, sleeplessness and anxiety, is torture. His
lips are cracked, and his throat and tongue so dried and leathery,
that the effort to speak above a whisper would be positive
pain.
The two narrow apertures that serve as windows are some
eight feet above the floor-level. It is not possible to see out of
them. Through chinks and knot-holes in the walls of stout
though ancient timbers—it might be possible to get a glimpse
through the twelve-foot fence of barbed-wire—out upon the
road running east from the gates of the city, and the road
running north and east by the Wadi Farab to the Jordan Valley,
and southwards from Shechem to Jerusalem.... But the
man chained to the iron bar lies in a feverish stupor on the
sacking of the anghareb. There are strange noises in his ears
like the clamour of voices in many tongues—like the clatter of
innumerable hoofs, the rattle of wooden wheels and the vibrating
grind and din of heavy motor-traffic; but he is too faint
and weary to be curious as to their cause.
We know, that even as reinforcements of Turkish troops of
the Redif and Mustaphiz are being rushed from the Caucasus
to form reserves upon the fissured Plain of Ephraim—has
begun the exodus of such inhabitants of Jerusalem as are not
strict Mohammedans—or known to be Turco-German in views
and sympathies.... Since the noon prayer-call, vehicles of
every type, loaded with fugitives of the better class, have been
rolling into Shechem, the roads leading to the town are
blocked—a haze of dust envelops everything since the sun dried up
the torrents of rain that fell at break of day....
Came yesterday, Von Geierstein, the once famous War
Minister—now Field Marshal and Commander-in-Chief on
Germany's Battle Front in Asia—post haste from his Great
Headquarters at the red city of Aleppo. To meet Enver Pasha,
Djemal, and the other Turkish Commanders at Jerusalem,
harangue the defeated generals, and reorganise the
Turco-German War Plan on more successful lines....
Fallen into eclipse at the Court of Berlin as the result of
his military failures at Verdun, horribly disconcerted by the
disaster of the Vulkan Pass, inexpressibly sickened by the
taking of Beersheba, the fall of Gaza and the loss of Junction
Station,—the brilliant ex-favourite of Imperial Majesty (whose
ambition has had more to do with the kindling of the brand
of War than that of any other man in Germany—saving Von
Tirpitz)—after warning Enver and Djemal of the uselessness
of endeavouring to hold Jerusalem now the Gaza Line has
been broken—left the Holy City this morning for Shechem, in
his Œstler-Daimler, another with his Staff Officers, following,
half his escort of armoured Scheff cars preceding him—the
remainder, with his servants, bringing up the rear.
Even as the Governor, Izzet Bey, and Ali Fuad Pasha,
Commander of Turkish Forces in the Holy City—issue the
proclamations of their masters to the people, our troops are
pushing up the passes into the Judæan Highlands; the sound
of British guns comes even from the Vale of Sorek,
thenceforward the din of battle grows louder hour by hour....
Already in Shechem, in Samaria and in Jericho—whither the
Latin, Greek, Armenian and Coptic Patriarchs have been forcibly
deported, with other ecclesiastics and notables, and wealthy
Zionist Hebrews—the reign of terror that has prevailed in
Jerusalem since Turkey joined issues with Germany—has
begun. Ten Turkish pounds are asked, and got, by Mohammedan
drivers for a seat in a carriage. Large numbers of the
wealthier inhabitants, with the remaining chiefs of religious
communities, have been warned by the Turkish Police to be in
readiness for exile. No more vehicles being available for
the transport of the victims, Djemal Pasha—venomous always,
seasons the order with the intimation that the deported
population will be compelled to travel on foot....
Spies swarm everywhere. Fear presses like a heavy hand
upon the public mouth. Arrests, confiscations and requisitions
redouble—populations quail under the lash of tyranny.
Gallows are set up at the Jaffa Gate—there are hangings and
shootings daily. The bodies of the victims of the last battue
are left exposed for hours, to impress upon the population that,
after four centuries of oppression, the Tartar is not disposed
to surrender one of the Holy Cities of the Turkish Caliphate
without a final orgie of extortion, brow-beating and blood.
The day wears on, no succour comes, and the priest's stupor
of exhaustion deepens. Towards sunset there is a heavy knock
upon the door of the hut.
"Come in!"
The captive's first effort to speak aloud results in a croaking
whisper. The heavy Turkish lock scroops in its wooden
mortice, and something like a smile twitches the lips of Julian
Forbis. Is it not the very brutality of irony to knock upon
a starving prisoner's door?
Now the door swings inwards, letting in a wedge of noon-tide
brightness, but the visitors delay a moment on the threshold.
And a strange voice says, as though in answer to a
question, speaking in cultured Arabic, softly and melodiously:
"No! Nothing may be done in the Holy City; the influences
there are too adverse. But at Banias!—and here on Mount
Gerizim—"
Even as the utterance strikes with a strange, premonitory
shock and thrill upon the consciousness of the prisoner, the
door is pushed open to admit three men.
Two German Staff officers, tall, burly and swaggering, and
a slight man, dark-hued as smoke, bearded, and of forbiddingly
handsome countenance, arrayed in a dazzlingly white brocaded
silk kaftan, girt with a gold embroidered crimson cincture, and
a flowing kuffiyeh or head-drapery of the same fierce
sanguinary colour, bound with a thick twist of silver and gold
cords.
Two German officers of inferior rank, with a lieutenant and
sergeant-major of Turkish Mounted Police and several troopers,
are seen beyond the threshold. Now the heavy door shuts
the four men in together.... The priest lowers his feet to
the stamped earth floor and rises to receive the visitors. But
so weak is he that he totters, and sways as though about to
fall.
His giddiness passing with the dimness of his sight, he
discerns that one of his visitors is the tall, sunburned,
trap-mouthed German general who visited the Barracks yesterday
in company of the Bey, and whose order put the period
of a shot from a gendarme's repeating Winchester, to Govan's
crazy song.
His companion is a handsome person, as yet in the early
fifties, superbly built and of heroic size and stature. The
grey-green Field Service dress suits him to admiration; not
a button or buckle is out of its true alignment; his gloves,
belts, revolver-holsters and boots are of immaculate earthy-brown.
His spurs are of steel and gold; his single-breasted
Norfolk-shaped Service jacket shows, as does the other man's,
the narrow silver lace, the crimson collar-edging and shoulder-cords
of the Great General Staff—the Iron Cross dangling at
the buttonholes of both by its ribbon of black and white. Both
wear the ribbons and brochettes of many decorations. But
the taller man displays, in addition to these, the Order of the
Prussian Black Eagle with diamond swords, hanging by a
swivel under his collar-hook. And noting this distinction,
together with the wearer's physical beauty—for he is yellow-haired,
blue-eyed, straight-featured, handsome still, as the Viking
hero of some old Teutonic Saga—it flashes on the priest
as his own blue eyes, set in hollow caves of exhaustion and
hunger, encounter the visitor's—that the man can be no other
than the fallen favourite of the Emperor of Germany, now
Commander-in-Chief of his army in Palestine....
Nor is the priest's conjecture wrong. It is the man, weary
and disgruntled, sick with conscious failure, savage at the
fancied triumph of old rivals and ancient enemies—wounded
in the one vulnerable spot of his hard, vain, shallow heart
by the death of his son, a brave young Flying Officer—killed
in a duel with a British airman in January, 1915.
He spent last night at the old Army Headquarters, the
Kaiserin Augusta Victoria Hospital on the Mount of Olives.
Ah, with what heartiness has Von Geierstein cursed the Turks
as he turned his back upon the Holy City; as his fleet of cars
ate distance upon the road to Shechem—where he is to dine,
and sleep, if he can. He is keenly alive to their military
blunders. For there are good Teutonic brains behind the brilliant
eyes that light the handsome face to which he owes his rescue
from bankruptcy—and his subsequent promotion from the rank
of Chief of the General Staff of the 4th Army Corps, Magdeburg,
to the dignity of Prussian War Minister—and the more
dubious position of alter ego to William of Hohenzollern.
Over, over, the meteoric and splendid career. Fallen, beaten,
ruined. Rich in the world's goods still, but bankrupt in the
world's envying admiration. Left by the tide of Success on
which he has floated so buoyantly,—he sees himself once more
high and dry on the mudbank of Failure—not by the utmost
expenditure of cleverness to be floated off again. His
magnificent blue eyes are dark with wrath. He grinds his teeth,
eminently white, and all his own—as he devotes the Ottoman
Allies of Imperial Germany to the uttermost depths of Hell.
Unlucky favourite! never again to draw all eyes in the White
Hall of the Imperial Palace at Berlin, while morning sunshine,
streaming through the tall windows, shines upon the opening
Session of the Reichstag—makes glittering play with the silver
livery of Prussian State flunkeys, and strikes multi-coloured
sparks of fire from the decorations and military orders of the
members of the Federal Council, ranged on the left of the
Throne. Never again to stand, the dazzling centre of a blazing
constellation of Generals, by the daïs under the black, red and
white Canopy—topped with the blazon of that Bird of ill-odour,
whose greedy claws and rapacious beak, and insatiate maw
are not yet glutted—though twenty millions of men and women
have perished to slake its quenchless thirst for human blood.
"The Herr General Von Krafft, that you speak good German
has informed me, Reverend Father? ..."
His own English is guttural, but passably decent. The priest,
master of several dead, and some half dozen modern tongues,
replies as well as his parched throat and palate will allow. His
German, the distinguished visitor concedes, is very good for
an Englishman....
"Though you belong to a Scotch family, I am given to
understand by the Herr General.... I am deeply grieved
that your much-desired reunion with your relatives has been
farther delayed by your own unfortunate lack of tact. I refer
to your regrettably-insolent treatment of the Bey, Our
Ottoman Ally, who should command respect."
He is sick to nausea of Germany's Ottoman Ally even as
he says it. His handsome lips twist with hatred of all things
of the Turk Turkish, under his glittering up-brushed moustache.
He is revolted by the fetid, stifling hut, by the pallid
prisoner chained to the dirty native bed, but most by the sense
of Failure dominating everything....
"Over, over, over!" says the voice that is always in his
ears, sounding above the roar of moving Divisions and the
crashing of artillery from the workshops of Krupp and Skoda,
keeping time with the throbbing of the blood in his temples
and the irregular beating of his wearied heart. "Beaten,
beaten, beaten! ... Fallen, fallen! ... Total Kaput! ..."
"Sir—"
Not "Your Excellency" or other flattering title. Under his
lowered lids, set thickly with dark lashes,—they accused him
of using cosmetics, in his younger, more effeminate days,—he
looks at the wasted, high-bred face, and meets its pure
glance. His dead son, killed at twenty-two in the air battle
with the English aviator, had eyes like this man's.
"Sir, an accusation similar to this was brought against me
yesterday in the presence of," the blue eyes go dauntlessly to
the other German's face, "General Von Krafft. I said then,
as I reiterate now—that the charge is without foundation!
As a man of honour and a Catholic priest, I deny it absolutely.
I can bring creditable witnesses to refute it whenever there
is need."
"Kindly name your witnesses. Where are they to be found,
sir?"
They have all left for Aleppo, the priest remembers with a
shock. He says, with a sinking heart:
"The guards of the Barracks would give evidence in my
favour."
"It is they who accuse you! and I myself heard
you-with-words-encourage, and saw you by gestures stimulate the
mutineers to fresh acts of violence!"
The harsh voice of the Bey's friend, the tall brick-faced
General, says this with a rasp of something like ill-will. The
priest draws himself proudly up and meets the glance of the
false accuser.
"Sir, I can only say that you—are mistaken."
"Prisoner, though you be a priest, you shelter yourself
behind a lie!"
The white face flushes scarlet, and the blue eyes blaze
indignantly. He draws from his tattered tunic-breast a small wooden
Crucifix, touches the Feet of the Victim with his pale lips,
and lifts the Crucifix high. As he does this the dark bearded
man in the white silk kaftan and crimson kuffiyeh glides
hurriedly towards the door.
"So help me God, I have spoken the truth!"
Very quietly the words have been uttered. Thrusting the
sacred symbol back within his breast, he confronts his
enemies, awaiting what may come. The momentary silence past,
the highest in military rank addresses the priest
grandiloquently:
"Prisoner, as the Military Representative in the East of His
Imperial Majesty the Emperor of Germany, I assure you that
investigation will be made into this affair. But as the
testimony against you is absolutely unshakable," the tall and
splendid personage who speaks gracefully salutes the brick-faced
general, "it is equally my duty to tell you that the decision
of your judges will go against your oath. As a guest of
the Turkish Empire you will naturally be considerately
treated—"
The blue eyes meet his again.... Gott im Himmel! how
like the dead boy's.... The white lips smile ironically....
The weak voice rings strong:
"Your words sound like sarcasm, sir, to the guest of the
Turkish Empire, who has been confined without food or even
water since early yesterday...."
The stuffy interior of the prison hut swims about the priest
as he speaks. He sees a look of something like irritable
compassion cross the handsome face on which his eyes are fixed.
Its owner regrets the oversight, and will give orders that it
shall not be repeated. Even as the prisoner voices thanks,
he has a fleeting glimpse of an ugly, mocking grin on the flat
brown features of the brick-faced German General. He hears
a little, hateful, malicious laugh from the dark, bearded,
white-robed personage who stands in the background.... He sees
him approach the brick-faced man, and whisper in his ear.
And his ordinary senses, wrought to preternatural acuteness
by suspense, hunger and sleeplessness, and that sixth sense
which belongs to some anointed Servants of Heaven, warn
Julian Forbis—have warned him since the mysterious shock
and thrill that accompanied the stranger's entrance—of
something more than sinister—more than terrible or dangerous, in
connection with this white-robed, bearded man. He feels,
emanating from his personality, an aura of sheer
Evil—poisonous to the soul's health, paralysing to the will....
"I—"
His voice dies away. He is dizzy with weakness. Lights
flash before his eyes, the hut spins round, and the two tall
German officers and the man in the red head-drapery seem
to join in the giddy whirl. Now he staggers, and sinks down
fainting, his head and shoulders resting against the framework
of the bed:
"It is damnable!" impatiently says the wearer of the Order
of the Black Eagle, pulling out a gold pocket-flask, and
finding it to be empty. "The man is dying—useless! See if
there be not water somewhere. Tell somebody to bring some
here! ..."
"Immediately, Excellency."
The flat-faced general is going to the hut door when the
wearer of the red head-drapery gracefully interposes:
"What says the Shaykh? ..."
"Excellency, that wine will be better than water!—and that
if you will observe a moment's silence, I will undertake that
some shall be brought...."
"Indeed. Most exceedingly interesting, my very dear friend
Sadân! ..."
A meaning look is exchanged between the two German officers.
Smiling, the smoke-dark, bearded man steps into the
middle of the floor-space, faces to the East, and looks back at
his companions, saying in a sharp, clear tone:
"Uskut! ... By your Excellency's leave, I must strictly
enjoin respect—and silence...."
He lifts the long, wide ends of his gold-embroidered girdle,
with them covering his dark, slender, joined hands, and turns
to the East again, saying: "Dastûr! By Your Permission, O
Ye Blessed Ones! ..." Their spurred heels aligned, their
hands rigidly at the salute, the two officers standing behind him,
erect, unwinking and stiff, might be mistaken for coloured
statues—save that their broad chests heave slightly with their
noiseless breathing, and the glittering hairs of the
Commander-in-Chief's moustache bristle like the whiskers of a watchful
cat. There is a sobbing gasp or two from the fainting man
lying propped against the anghareb; from the man in the red
head-drapery, whose joined, covered hands are lifted—comes
a sibilant low murmuring, but in the hut there is no other
sound....
Until with a sharp, hissing final utterance, that might be the
close of an invocation, the covered hands of the Shaykh are
lowered. He bows his red-veiled, gold-crowned head over them,
and turns round with a flashing smile:
"Kolossal! Wunderbild!" the Germans mutter, relaxing
their attitudes of stiff respect, and exchanging glances of awe
and astonishment....
For whereas the dark hands beneath the girdle-flaps were
empty, their slender fingers, now uncovered, are seen to be
enlaced about the stem of a glittering beaker of delicate,
iridescent glass or crystal, brimming with pinkish-tinted liquor
that diffuses an exquisite bouquet upon the mouldy atmosphere
of the hut.
"It is nothing, O my lords! The Messengers are swift-winged
and duteous," he says with his glittering smile....
Both Germans hugely admire the marvellous glass vessel,
but neither is over-eager to handle and examine it. Or, when
pressed, to taste the fragrant wine, which the Shaykh Sadân
proceeds to pour down the throat of the swooning prisoner,
lifting his head and shoulders with an ease that shows the
great strength latent in his own small-boned Asiatic frame
and delicate extremities....
The glass is nearly empty now, and between gulps of strange,
poignant, reviving sweetness, Julian Forbis is coming to the
use of his wits again.... As he sits up, then staggers to his
feet by the help of a hand—he knows not whose!—except
that it is small and strong, and that its strength is as
unexpected as its deadly, stinging coldness—the Shaykh Sadân
turns away and empties the remainder of the wine upon the
beaten floor. A light flame flickers unperceived upon the spot
as the earth drinks the liquor.... The Shaykh, smiling,
offers the empty goblet to the German Commander-in-Chief.
"Beautiful indeed. And of immense antiquity. The value
of this must be great, very great! ..."
Somewhat reluctantly the Chief has taken the thing, but its
strange beauty and evident rarity tickle the connoisseur. It is
thin as a soap-bubble, and as light. It might be blown of
melted jewels—so dazzling are its minglings of ruby and topaz
and jacinth,—of sapphire and emerald and dusky amethyst.
Flawless, it rings like a bell as he taps it with his finger-nail.
Now, wearying of the inanimate toy, he looks about for a
shelf or table, but finds none; the hut being innocent of furniture
other than the bed, a battered metal bowl lying in a corner,
and a bottomless palm-wood stool....
"Permit me, O Excellent Lord!"
Seeing the Chief's evident difficulty, the Shaykh Sadân
relieves him of the fragile goblet, and with supple ease and a
graceful carelessness, sets it down upon the unsubstantial air.
Where it stands a moment—under the surprised observation of
the Commander-in-Chief and his satellite—until, with a slight
yet perceptible shrinking of its outlines, and dulling of its
jewel-bright colours—such as might have been observed in the
soap-bubble to which it has been likened—it delicately
vanishes away....
"Himmelkreuzbombenelement!" sputters the brick-faced
general. His dull eyes protrude with genuine alarm, and his
morale having deserted him, he makes a hasty movement in
the direction of the door.
"See now, you have scared Von Krafft," says the Chief with
a laugh that is not quite natural. "A hundred years ago, in
England or in Germany, they would have burned you for
that, O Shaykh Sadân!"
"It may be, O Excellent Lord!" he answers with the smile
that is so ingratiating and yet so sinister. "But not in
Egypt—nor in Arabia, where—when the Lands of the North were
girt with ice, and inhabited by savages, the Divine Art of
Magic had for cycles of centuries been known.... Lo! the
good Shiraz wine hath worked its own witchcraft. Speak to
the priest now—and he will hear and understand...."
"Prisoner, listen to me and prove yourself worthy of the
consideration I have shown you. Admit frankly, that as a
Catholic ecclesiastic, you have so far forgotten your cloth, and
misconceived your duty, as to egg on the Allied War Prisoners
of Germany and Turkey to insult their conquerors.... Append
your signature to a confession of your offence, and in
return take my assurance that what mercy it is possible to show
you shall be extended forthwith...."
The priest's thin face is suffused with crimson as he listens.
He is bewildered; that wine was strangely potent in its effects.
But his candid eyes rest quietly on the Chief's angry face
and he answers without passion:
"Sir, you have already heard me declare most solemnly,
that I am guiltless of inciting the prisoners to rebel. Against
their torture, and outrage at the hands of the Bey, I have
protested strenuously, and will continue to do so as long as I
have voice."
"You persist in accusing the Bey of crime and violence?"
"Most certainly and most truthfully I do!"
"Das ist nicht wahr! Have I not already the testimony of
my Staff Officer? Added to that of Hamid Bey, who is an
honourable man. Consider, if you exhaust my intolerance, what
fate awaits you! Admit your guilt, sign the paper, and you
shall immediately be released from this vile place, and admitted
to parole."
"Sir, as a priest I refuse to accept your offered conditions!
My body is your prisoner—my soul is not in your hands.
Beware what you do! ... I refer my case to my Bishop—to the
Latin Patriarch, and the other high Catholic dignitaries in
Jerusalem...."
"Were you in Jerusalem at this moment, my good sir!—they
would be equally impotent to assist you." As the priest does
not know that these ecclesiastics to whom he refers have been
forcibly deported from the Holy City, the barbed point of
the jest is lost on his ignorance. "For even if your protest
reached them—which is unlikely!—after what fashion would
these persons enforce their authority? ..."
"I do not know! ..." The voice breaks upon a note of anguish,
and the priest's head droops for a moment on his breast.
He lifts it, and his hoarse, faint voice gathers power and
rings out bravely. "But one thing I do know, that He Whom
I serve and trust in, will not desert His poor servant in this
extremity."
"Your faith is more admirable than your wisdom, sir. But
I will waste no more words upon your obstinacy. Understand,
that if when I leave you," for he has lent his ear to a
soft whisper on the part of the dark man in the red kuffiyeh,
"the Shaykh Sadân will, of his goodness, endeavour to bring
you to reason. If he does not succeed—I wash my hands of
you! The Prison Commandant Hamid Bey,—whom you have
so vilely slandered,—may deal with you as he will! ..."
A terrible shudder convulses the priest's thin frame. As the
heavy tread of the spurred boots shakes the crazy floor, words
rush to his lips that—were they uttered—would be a cry of
surrender. The footsteps reach the door, the door opens, but
still his teeth are clenched and his lips firmly shut. His soul,
beaten upon by gusts of terror, striving in blackness jagged
with infernal lightnings, is like a ship in the fury of a cyclone.
Of all the great and noble things—that are jewels in the crown
of classic Literature, of all the texts of Holy Writ—of all the
liturgies of the Mother Church, with which he has stored and
enriched his memory—only six words come to him in his dire
necessity:
"Ab insidiis diaboli, libera nos, Domine!"
The door opens. Red sunset dyes the floor. The long shadows
of the two German officers appear to stretch across a pool
of blood. Now the door is shut, and Julian Forbis is alone
with him from whom his spirit and flesh shrink in an agony
of terror and loathing—all the more that his person is superbly
handsome, that his smooth, cultured voice is exquisitely
melodious—that from him radiates a power that allures, and
persuades and charms.... He does not mock or gibe now. He
is all delicate sympathy. But the priest traces the outline of
the sneer through the smile of the Shaykh Sadân, and the
mockery that grins behind the compassionate mask.
"O Darweesh of the Inglizi, listen to the words of the Shaykh
Sadân of the Beni Abba, a poor recluse of the Desert of
Igidi! For believe me—I speak as a friend, and not as an
enemy!" murmurs the smooth caressing voice,
"Unhappy man, be not bigoted! ... This obduracy works
to your own undoing. The great pity I—Sadân the Shaykh—feel
for you—compels me to speak thus! Surely the garment
of a priest is cut of the cloth of tasalidn—the rendering of
obedience to superiors—and tahammul, endurance of injury....
And is not the heritage of the Prophets, Wisdom? And
to prefer life to Death—is not that wise? ... And who gains
Wisdom but at the cost of Sacrifice—ever since in the
Spring-tide of the World, Isis—the Sister-Queen of King Osiris of
Egypt, yielded her beauty to the Angel Amnaël, one of the
Fallen Sons of Radiance,—in return for the secrets of Magic
and Chemistry.... Consider, also, that by this great Chief,
on whose breath hangs thy life, but little is required of thee?
Nothing injurious to thine honour, or inimical to British
interests in the East. Yield, as under the death-threat!—for verily
the mercies of a furious elephant—or a hungry lion—were
preferable to those of Hamid Bey.... Bear thy share! ... Do
as thou art bidden—and solace thy soul by saying: 'This
would I not have borne!—that would I not have done....
But He Who ruleth all things willed—and it was so? ...'"
Smiling, the speaker ceases, receiving answer:
"Sir, I have no need for sugared sophisms, nor specious
consolations.... I know too well the source from which they
come. Set my hand to a lie will I never!—nor shield the
crimes that a tyrant has committed—to save my body at the
cost of my soul!"
"'Your soul!...'"
The last two words are re-echoed by the Shaykh with delicate
contemptuousness.
"Who barters in souls in these days, O priest?" he asks
with terrible contempt, shrugging his supple shoulders. "For
verily in the market they are as a worthless drug! ... Come! ... Decide,
for I waste my kindness on you. What is your
answer? Yes, or No? Here are paper, pen and ink." He
draws an Arab writing-case from the folds of his girdle.
"Write now, and sign...."
"No!"
Julian Forbis adds in a hoarse whisper—for the strength of
the strange liquor he has drunk is ebbing out of him, as his
numbing hand gropes blindly for something in his breast:
"Tempt as you may, I shall not yield!—He Whom I serve
being my helper! 'VADE RETRO SATANA! RECEDE A ME,
MALEDICTE DIABOLI! IN NOMINE PATRIS, ET FILII, ET
SPIRITUS SANCTI. AMEN....'"
In faith and courage he rises above his bodily weakness.
He plucks from its concealment the hidden Symbol, and lifts
it high as he utters the terrible words. And as they vibrate
upon the sultry atmosphere, there goes forth a terrible,
ear-splitting cry upon it, and a gust of air icy as the breath of
the Polar frost, and dry as the wind of the Sahara—moans
through the darkling place. He is alone, the Enemy has left
him, and as Night falls, he sinks down senseless on the crazy
floor of the hut.
On the summit of Ebal, a little east of the ruined fortress,
is the wreckage of Khirbet Kuneisch—in Syrian Arabic, "The
Little Church." Some twelve feet distant from the skeleton of
its tiny sanctuary there is a tomb hollowed in the living rock.
And in this place the Mother of Ugliness dwells alone with
her sorrow. Secured against the intrusion of the curious or
thievish (did either discover the jealously-guarded secret) by
the belief common to Syria and the East generally, that Afrits,
ghouls, and vampires inhabit such ancient tombs.
Goats are cropping the short, sweet herbage. They are
Ummshni's and come—like the willow-wren and chiffchaff, the
robin and the yellow-and-white European wagtail—at her low,
twittering call. Others, feeding lower down on the wild
gum-cistus and the thyme that clothe the crumbling limestone
terraces, have recognised their mistress, and follow her footsteps,
as, with the big hand of the lame Arab leaning on her frail
shoulder, she toils up the path upon Ebal's northern side.
"See, here is my little house, O Ali Zaybak, Bedawi...." Panting,
she shows him a broken flight of limestone steps
descending to the eastward-facing entrance of the tomb.
Supported in deep-cut grooves, on either side the low square
aperture that serves as the entrance, is the circular stone
employed of old times as the door of such a burial place; a
block of the shape and size of a millstone—having no central
hole to admit the shaft. A knob that projects from the surface
of the stone some three or four inches below its upper rim, and
another at an equal distance above its lower rim, can be used
as the fulcrums of the human lever, that when necessary, rolls
back the stone. From within, the tomb can be opened or
closed in the same way.
"Canst thou roll away the stone, cousin?" asks Ummshni-Esther,
"for 'tis a task that tries me sorely. Yet must I
ever close my little house in this fashion when I leave
it,—more need than ever now since Turks came to the Mount!"
"But if they came when thou wert here, and found the
door open?" asks John Hazel, from midway down the steps.
She nods her head, and from between the folds of the Syrian
veil comes her dry, rustling chuckle.
"Knowest thou what I would but need to do to send them
down the Mountain quicker than they came up it? Even step
boldly into the doorway, and—by the sunlight if 'twere day,—or
by the flare of a brand from my fire if it were night—unveil
and show them! This—that makes the Turk spit, and
the German show his teeth in a grin, and the Englishman say,
'Poor devil!' or 'Poor thing!'—and all three hurry away from
the sight. My one-eyed, crumpled face, that save thyself, O
John my cousin! and one other!—is the best friend I own.
What, dost thou hold back at the threshold until thy hostess
bids thee enter?" For as the great stone rolls groaning into
the opposite groove, leaving a narrow irregularly-shaped
entrance, John has turned towards her, reaching up a long
mahogany-coloured arm and huge hand to help her: "Verily then,
in the name of Him Who sent thee, be thou welcome under
this roof!"
So the two, so strangely met, so far apart and yet so nearly
related—pass into Ummshni's strange, desolate home—out of
the early morning sunshine, for it is barely seven o'clock.
Three milch-goats with their kids troop after, their little split
hoofs making a soft pattering; and at a sign from his cousin,
John Hazel closes the entrance with the stone....
It is not dark within the tomb, nor is there any closeness in
the atmosphere. This has a pleasant, dry coolness that is
soothing, like the tempered light. Both the air and the light come
through long cracks and chinks in the roof of limestone slabs,
dressed with the hammer in bygone centuries, and intersected
by glittering streaks of crystalline carbonate; and the sloping
sides that, like the roof, Nature has thickly clothed with
bracken and bramble. The place may be about ten feet in
height—and owns three rooms or mortuary chambers—in
whose sides are shelves, hollowed in the limestone rock—to
receive the embalmed and swaddled bodies—of which (if any
have ever rested there), the passing ages have left no trace....
The third chamber is some thirty feet in length and
reaches under the ruins of The Little Church. Here, within a
hearth of mud and stones, a wood fire smoulders; its smoke
escaping unnoticed through a hole in the roof above it into the
nave of the ruined building overhead, that is thickly mantled
with tamarisk, and choked with cactus, prickly-pear, and the
spina-Christi thorn. Various cooking-pots and vessels hang
from pegs driven into chinks in the walls of limestone. Here
are a stool or so, and a small folding-table. Here, too, a native
bed—brought up here piece by piece—stands on one side, with
some coarse woollen coverings folded on it. Some clean, but
ragged draperies of blue cotton-print, and veils of coarse
towelling such as Ummshni wears,—hang on a cord stretched from
wall to wall, with a thick overgarment for use in winter, an
Arab abâyi of woven camel's hair.
And that is all. No anchorite could own less than little
Ummshni, but the poor soul makes John welcome with what
she has.
She makes him lie down on the anghareb—folds the camel's
hair mantle into a pillow for his head—milks the goats, and
brings him a bowl of the thick, frothing-white, pleasant
beverage. He empties it and says, setting down the bowl:
"Thanks, O my hostess! May milk never be wanting in
thy house! ..."
"May God bestow upon thee long life and prosperity!"
returns the thin, shadowy voice, in the set terms of the response
to the formal expression of gratitude: "You have honoured
me! ..."
"By your life, O lady! I have honoured myself! ..."
"By your eyes, O my guest! I am the distinguished one!" She
laughs her queer little dry laugh, and says, kneeling by
the hearth, and rousing the embers into a glow by puffs of
breath from between her veils, and bits of dry fuel discreetly
thrust into the reddest places: "Yet why should thou and I
talk as Mohammedans? Are we not Jews?"
"Well, I dunno! ..."
"Thou dost not know? Not even that this is New Moon?
Wouldst thou not be in Shool this morning, if 'twere
possible?"
"Well, I can't say for sure. That is, about myself. Of
course, I'm certain about you and your mother! ..."
"Ah'h!" She winces as at a sudden knife-thrust and sinks
back on her heels, trembling visibly. "The beloved one—is—is
alive?"
"Alive and well, that is—as well as she can be! ... You
didn't know?" John asks in surprise.
"How should I know within a year? ... News filters in but
very rarely." She masters herself, rises to her knees, and
goes on coaxing the fire, but the reddening embers hiss as
her tears keep dropping on them from underneath her veils.
"And it is best she should believe that—that I am—that I died
when Jacob! ... O, my cousin, have pity! ... Let us speak
of her no more! ..."
"All right. Count on me! ..."
He watches as the little flitting shape glides about the dusky
chamber, and in and out of the narrow door,—bringing to
feed the fire,—more dry fuel, of which she has a heap in
the outer chamber, that serves as a store-room. From whence,
presently conjuring ripe figs and olives; fresh eggs, green
coffee-beans, salt and rough sugar, and a little stone mortar
and pestle; some flaps of unbaked native bread and a wooden
dish of goat's-milk butter, she boils the eggs; roasts and pounds
the coffee; bakes the bread upon a metal cone placed amongst
the embers; and assembling the constituents of a decent
meal—including a jug of fragrant coffee, and another of boiling
goat's milk, upon a little battered metal tray—sets it upon the
little table at his side, and brings him a bowl of water, a bit
of soap and a coarse, clean cloth.
"Washing and—benediction, Cousin John."
He washes and mumbles something, reddening under his
head-cloth.
"Now eat and drink, mingling the coffee with milk in the
good French fashion." She gives a small sigh. "Would I
had better to offer thee! But than this there is nothing else."
"The tucker's A-1. But you—"
"Trouble not for me. I am a Syrian woman.... I eat my
food after the man has fed...."
Intuitively perceiving that she shelters behind this excuse
her sensitive horror of her own disfiguring mutilation, John
protests no further, but applies himself to the eggs, coffee,
bread and butter and fresh fruit, with hearty good will.
When he is satisfied she clears away; pours boiling water
into a big earthen bowl; fetches lint, bandaging and arnica
from a burial-shelf where she seems to have some store of
things like these, and tying back her long sleeves in true
Fellaha style, by knotting the ends and slipping them over her
head, addresses herself to the fomenting and bandaging of the
sprained ankle, saying:
"If thou hast tobacco with thee, smoke, O my Cousin John!"
And so he brings out a packet of maize-leaf paper, and a
bag of good Arabian tobacco, stowed away with divers other
requisites upon his large person, and rolls himself a thick
cigarette. She gives him a light with a flaming stick from the
fire, as he is feeling for his matches; and at his:
"Thank you, little Esther!"
—bends her poor face low over the damaged ankle, to hide
the tears that will break forth anew. For thus did old Eli
Hazaël speak to his daughter's child, and this deep voice is
very like his: and the familiar words re-open deep, unhealed
scars in her wounded and suffering heart. Thus there is deep
silence in the tomb, broken only by their breathing; by the
flitting sound of Esther's movements within the cool, dusky
place—and by the soft munching of the three goats and their
kids in the outermost chamber—where a heap of grass and
herbage has been heaped to meet their needs. Indeed, this
newly-found friend who has come into the desolate creature's
life, as though dropped from the skies—which in fact he has
been!—is so silent that Ummshni looks up in wonderment.
John is smoking his strong Arab cigarette with deep, regular
inhalations of enjoyment, and staring at a piece of ancient
sculpture that catches the sunshine—still that of early morning,
that falls through an aperture overhead more strongly as the
Day-Lord climbs higher in the eastern sky. It is the bust of a
man, nearly life-sized; carved in the shallowest relief, and
bearing remains of colouring; surrounded by a half-circle of
reddish rays, from which, possibly, the gold has centuries ago
faded. His head is noble, haggard and mild—the long tresses
of waving, reddish-yellow hair mingle with the beard, which is
slightly pointed—the splendid forehead is deeply scored with
lines, there are premature markings of care about the eyes.
These are blue, and austere under dark, widely arching
eyebrows, though the stern lips smile sorrowfully. Under this
ray-crowned half-length—which is bounded by a line of blackish
colour—is roughly chiselled the Sacred Monogram. Below
the letters of the Holy Name is the date of the Year 400 of
the Christian Era. As the lengthening ray reaches this, the
soft voice asks from between Esther's veiling draperies:
"At what art thou looking, my Cousin John? ..."
"Just at—that." He points to the stern and gentle Face
rather awkwardly.
"It is the Messiah of the Christians. Didst thou not know?"
"Well, of course I'm aware of that. Only, as you're a strict
Jewess, it struck me as somehow curious to see it here."
"It is of great ancientness. It was here when this grey,
evil world was young and golden-haired, and perhaps even
more evil than it is now."
"Then it was pretty rotten! But, in fact, I was thinking as
I looked at that sculpture, that the man who did it must have
seen the ah—the Original. Though unless he happened
to have a dream or a vision, the date quite puts the lid on
that idea."
"If by chance it should be really like the Founder of
Christianity, He hath a servant who resembles Him. For—that is
the very face of the man whom thou and I would deliver! He
lies in the hut of the Prisoners' Field, with the high fence of
barbed-wire about its edges—that is beyond the gate of the
city, opposite the Mohammedan Tombs. And—and," there is
a quavering break in the faded voice, "since yesterday before
the Prayer-Call they have not given him food or water—obeying
the strict orders of—one whom I dare not name!" Quick
panting breaths heave the wasted bosom under the old
blue cotton garment, the little dusky fingers clutch nervously
at her coarse veil. "All day I waited near the gates—thinking
by some cunning wile, some secret bribe, such as hath often
served before now—to win over the Turks on guard to give
me entrance. But, though they licked their lips at the promise
of wine and tobacco, and sweetmeats, and love-messages to
be carried to the women of the Suk and the Bazâr—they did
not dare to let me in. O, my cousin, I fear for the life of the
Master!—I fear! ... And all night I lurked near, hiding
whenever they changed the guard, in some covert of the Waste
Places where they throw the city refuse—and jackals and owls
and pariahs and lepers and malignant spirits dwell. And when
the day-brow lifted I left one to keep watch—even a poor leper
woman who is faithful. And I bought meat, and wine, and
came back here to boil soup and milk for him. For to-night I
shall try again," her glance goes to the bundle of canes she has
leaned up in a corner, "and this time, by the help of the Most
High!—this time I shall not fail!"
"Look here, aren't you ever afraid?" John asks, in mingled
pity and admiration.
"Oh, yes, I am always terrified!" Her veils are shaken with
her trembling and he can hear the chattering of her teeth.
"Ever since I took upon me this work of helping the miserable
and those who suffer, I have been frightened, John my cousin,—to
the very core of me.... But I go on! ... There is no
choice!" She wrings the little, shaking, dusky hands, and now
once more quick sobbing shakes her. "Were there not things to
do—sick folks to serve—dangers to evade or face—what were
life worth to The Mother of Ugliness? Think, O think! ..."
Looking at the little quivering thing crouching down beside
the now faintly glowing embers, John thinks, and comprehends,
though not quite all.
"When I recovered sense and partial sight—after the horrors
of which thou knowest!—it was to find myself in the house
of a good, poor Jew of Nazareth, whither—may the Holy One
reward his charity! he had bribed the soldiers to carry me
under cover of night. They, who were bidden—I being as
one dead and covered with blood—to dig a pit and cast me
in with quicklime—were glad to be saved the trouble at gain
of certain moneys. Later, by the secret sale to another man,—a
Hebrew jeweller,—of an emerald necklace I had worn on
the day when the sabtiehs arrested me—and which I had
stitched into my clothing in the first hours of captivity—I
know not whether it was overlooked or whether they did not
dare to seize it—because!—" she does not finish the
sentence—"I repaid the good Jew, though I found it hard to thank
him. Hard as I find it even now...."
There is such tragedy in the low, whispering voice, such
blistering truth in its plain, naked utterances, that John Hazel
shudders as he listens to her....
"For I desired to die, when I did not remember Jacob!
When I thought of him—what I wanted more than Death
was—" A coal-black diamond-bright eye, sends a shaft from
between the veils straight into the man's eyes. "Thou
knowest. Three little words will hold it all:"
"Revenge on Hamid...."
Her veiled head nods at each slowly-uttered word.
"Verily, ay! but I did not want to say it. For that it was
possible to endure this ordeal of Life. To kill him in some
slow, strange, unimagined way, I would have given"—she
laughs dryly. "What had I left to give, my soul being dead
in me,—my body the foul thing his touch hath left it!—and
the face my mother used to kiss, a mask to scare babes and
men? Then I said,—I will wait and hate! ... Patience and
hatred may bring me that I crave for. Meanwhile, keeping
near him—I will succour those whom he hath wronged, feeding
my hungry hatred with their curses—until the day comes
when I shall hunger no more! ..."
"And surely the day of reckoning will come. Only be
patient a little longer!" says the deep, stern voice that
Katharine Forbis knows.
"How like thy voice is to our grandfather's. Almost I
could believe that Eli spoke then! How strange, that he and
thou, so greatly resembling, should never have met," sighs
the woman beside the fire. "Of Hebrew hast thou any?"
"None but a word or so."
"Well, well, it matters not! Go on speaking in Arabic, or
in the English that is thy home-speech—or in French if it
pleases thee—thou art Hazaël in any tongue."
"It pleases me best to listen to thee. Tell me now, after
what fashion wouldst thou have thy vengeance? ..." The
man's voice sinks lower, and his face is very grim.
"My cousin, let us not speak of it!" she entreats in a whisper.
He sees a wave of trembling pass over the fragile creature,
huddled in her coarse disguise beside the rude stone hearth.
"Yet when a man bitten by a mad dog, goes to a Pasteur
Institute for inoculation, he must—if it be possible—take the
head of the dog." The fierce black eyes are upon her, and
their strength seems a palpable weight bearing upon her
frailness. "Since the beginning of this War, surgeons have
attained wonderful skill in building up the bodies and faces
of men, that other men have broken. When thou shalt go
to the greatest of these, saying: 'Give me back my beauty!'
I promise thee, little Esther, thou shalt carry the head of
the dog!"
The big teeth gleam in the dark face, and she answers with
her chuckle, the thin derisive cachinnation that is so far
removed from mirth:
"And if such a miracle might be wrought, could thy great
surgeon's scalpel cut from my woman's soul the scars that
make it hideous? Could he burn from my memory with his
electric wire, the things that I have borne? Could he set
my feet amongst the flowers on the hills near Kir Saba, with
Jacob's and Reuben's, and Leah's, and little Benjamin's—and
brim my heart with the happiness that was Life's golden wine?
Could he give me back my father and our grandfather, the
good old man who so loved me? How strange it is to
remember that if I had not vexed my mother—and worn the chain
of emeralds that were old Eli Hazaël's birthday gift, that day
the zabtiehs seized me, walking in the olive-groves near my
father's house at Haffêd—I should have had nothing of value
to sell for the wherewithal to live."
"It was Fate! Tell me, my little Esther, how old art thou?"
She laughs in her strange way.
"On that day—the thirtieth of Ab, in the Year of the World
5674,—the 8th of August, 1914—as thou wouldst write it—I
was eighteen, my cousin John...."
Sickened to the very core, the man can barely keep back a
groan. Twenty-one last August, and "beautiful as a rose of
Sharon," to quote Old Mendel, and aged, withered, warped,
body and soul, into the Mother of Ugliness. Words escape
him, born of a sudden thought:
"Jacob and thy Cousin Eli are dead, like thy father, and
our uncles, and our grandfather and thy little brother
Benjamin. But—but Reuben the son of Ephraim lives. Has no one
told thee?"
"Verily, I knew it. But"—her head is bowed and the words
come faint between her veils—"the young girl whom Reuben
loved lives no more. Even though thy surgeons might work
the bodily miracle. Even if the herb Forgetfulness sprang
from these stones, I would not gather it, and lose the memory
of certain things that have lightened my labours, and sweetened
my sufferings in this cruel place. As for my vengeance—more
than once I have been very near it! Wilt thou believe?—I
have opened mine hand and let the thing go!" The little dusky
hand quivers into sight, shuts, opens and vanishes. "So—and
so—the sharpness of desire for Hamid's blood having abated,
since—since I came—to the knowledge of him!"
The little hand waves from the covert of her veils towards
the ray-encircled head, past which the illuminating beam of
sunshine has travelled. John, seeing this, says with
something of astonishment:
"Knowledge of—the Christ? ... And thou a Jewess?"
"I speak of the servant, not of the Master, good Cousin
John. For that stern, beautiful face is strangely like his
whom thou didst come here to seek."
"I'll make a note of that. It may be useful." John Hazel's
strong black eyes glue themselves upon the Face upon the
wall, as the Mother of Ugliness goes on, whisperingly:
"This I have thought, seeing the life of the Sidi who is
His servant. Thou art listening? ..."
"Verily, my little Esther. For it is needful for me to hear
these things concerning the man."
So, with a full heart trembling on her timid lips, sometimes
speaking in her swift, cultured Arabic, sometimes in
her English that is tinctured with a Parisian accent—always
speaking of the priest as the Sidi, or the Master, she tells
John all she knows, up to the moment of Father Julian's
arrest.
"And what happened then?" John asks.
"They took the Master to the—the Bey's room, over the
gateway. The—the Bey accused him of pricking on the
prisoners to rebellion. A German officer who was there bore
testimony that the Master had so acted. He boldly—for he is as
a lion, without fear—denied this, in the face of his enemies.
All this I heard from a Turk, a posta of the guard at the
Barracks. The man loves a shameless woman of the
Bazâr—and—and I carry messages between them, no office being too
low for Ummshni, the Mother of Ugliness. Can dirt defile
dirt?"
In her faint voice she asks the bitter question. John says,
grinding his teeth:
"Damn it, Esther, drop that! I can't bear it!"
"Swear not, my Cousin John, but hear. He—" John knows
she is speaking of Hamid—"He says to the Master: 'You tell
me this, that and the other thing I do, gives offence to your
Christian Messiah. I pay no heed, and, He lets me alone,
because He has no power to punish me. For it is Allah and
Allah only who rebukes the evil and rewards the virtuous.
And to prove this, I shall put you under guard—in the barbed-wire
enclosure where we kept the British War-prisoner officers.
There is plenty of room to walk about, and a wooden hut
where you may sleep. You will have grass, and clean air,
but nothing to eat or drink—unless you sign this paper that
I have here—saying that you repent of the slanders you have
spoken against me before my face. Sign it now in the presence
of witnesses, and you will be sent down to join the other
War Prisoners at Smyrna. Do not sign it—and you will be
taken to the wired enclosure, and any one found giving you
food or water, will be beaten to death with asayisi. This will
give your Nazarene Prophet, Whom we Turks and the Kaiser
of the Alamani and his officers—who are all good
Mohammedans—esteem very highly!—a chance to prove how great He
is, and how He values you—by keeping you alive....'"
John licks lips that have suddenly grown dry.
"And what did Father Forbis say to this—not particularly
original devil?"
"He told Hamid he was an ordinary priest, with no
pretence to extra sanctity, and that if this was a challenge
to the Christ, he as His servant refused to take it up...."
"And then?—"
"'Deprived of food,' the posta says the Master said, 'I
perish like any other miserable mortal. Yet if it were my
Maker's Will that I should live through such an ordeal—I
should live! ...'"
"Some priest that!" John imagines a voice like Katharine's
saying 'I should live!' and a thrill goes through him.
"And Hamid?—"
"Hamid said: 'We will wait and see!' and all the Germans
laughed. It is a phrase well known in England? ..."
"And dam' well hated too! But your Father Forbis is a
peach.... Worthy to be his sister's brother...."
"She is so beautiful and noble? ..."
"All that," says loyal John, "and more! ..."
"Ah! I am glad. For I have thought much since I have
known the Sidi, and learned in watching, somewhat. This
amongst other things: that to be abject, ill-used, poor and
despised, even as a lame sparrow in the sight of men—and to
go about doing good, with one hate in the nest of the heart that
chirps for vengeance, that is human, human enough! But to
be all this, without hate or bitterness—to be wronged and pity
the wronger!—being sinned against, to pardon and love the
sinner, this is Divine! ..."
The softly-breathed words fall upon the air like scattered
rose-petals, diffusing sweetness as they fall.
"If Jesus of Nazareth were not the Son of the Most High,
O John, my cousin! after no other fashion will He come when
He comes. Taking nothing from the world but a crust, and
a garment to cover Him. Seeking the things that are held
despicable by men. His Gospel Love, Forgiveness, Sacrifice.
His only diadem the Shekinah. His path beset by thorns— His
triumph Failure.... His end a gibbet! ... What other
could it have been?" ...
John admits....
"No other. For if there's one thing more prejudicial to
a man than sheer Disinterestedness—I'm at a loss to name it!
The world must have a motive—and it likes a mean one best.
I don't pretend I've ever gone particularly deep into the
subject, but I've sometimes thought—that if it were possible to
see Jesus of Nazareth clearly for the Christians—we Jews
might find Him to be very much a Jew!"
"Perhaps we shall see Him so, one day! ..."
She rises with noiseless, supple ease, and takes her bundle
of sticks from the corner.
"Thou art weary. Deny it not, thy jaws ache with yawning,
and already I have seen thee nod.... Take off thine
upper garment and head-cloth, for it is warm here. Lie down
and sleep, though the bed be somewhat short for legs as long
as thine. For I have things to do—for the Master! 'What
things?' Oh! the man! ever asking questions! ... Broth
to make, milk to scald, these pipe-stems," she shows her
bundle of new, clean canes, five feet long, bound by a generous
length of red India-rubber tubing, "to fit together after a plan.
The Master shall not die of hunger to-night, the Most High
being my helper. For I shall be helped!" She nods her small,
veiled head. "It is borne in upon me, since I have found
thee, the Bedawi who did not spit when I let him see my face.
There is another Arab here," she gives her dry little rustling
chuckle, "an Emir with his following. He did not spit or
curse, either, and his grey eyes said, 'Poor thing!'"
"The hell you say! ..." John, who has been horizontal,
sits up suddenly and blurts out in English. "Forgive me,
little Esther, but I happen to be on the track of an Arab with
grey eyes. Where does the bloke hang out?"
"If thou speakest of the Emir Fadl Anga, he who lodges
at the Khan et-Talab under that title—having with him two
Bedu of the Beni Asir, and the horses of all three—"
"Good egg!" John sits up on the string bed in his brown
camel's hair kumbas, grinning joyfully, and hugging his knees:
"Does one of 'em carry a reed-cage chock-full of pigeons,
strapped back of his saddle? Think!"
"Ay, verily, the Emir Fadl Anga being pigeon-master to one
of the Princes of Mecca. Or such is the story that is told in
the Bazâr." There is incredulity in the weary voice. "He
hath brought the birds as a gift to the German General
commanding at Nazareth, for use, so they say, in the Intelligence
Department there. When the pigeon-master Sergeant Major
comes from Nazareth, he will take them—and leave a cage of
birds that have been trained by himself. All this I had in the
Bazâr.... Where art thou going? ..."
John, lowering his feet to the stone floor, and reaching for
his Arab head-cloth, very decidedly replies:
"To the Khan et-Talab, to dig out my man. For he's my
man, this Fadl Anga."
"And how wilt thou get to the Khan, lame as thou art?"
"I dunno!" John gingerly tests his bandaged leg: "You've
handed me a poser. What's to be done?"
"What wouldst thou do, if it were possible for thee to go?
Think now and say! ..."
He rests his brawny arms upon his knees, and says, slowly,
as the fierce light in his black eyes dies out and leaves their
surface dim and lustreless:
"I'd find out which was Fadl Anga's room—loaf into the
courtyard among the horses, camels, goats, Arabs and Fellah
grooms—squat down under his window, and sing—not out
loud, but just between my teeth—"
Sagely she nods her little veiled head:
"Bouche fermée,—some English song that is a sign agreed
upon between you. Sing it me now, for I will go, and carry
thy disguised Englishman the message, while thou remainest
here—watching the soup that it be not burned or boil
over."
For all unnoticed while they talked, she has set a covered
earthen pot containing water, and some kind of meat that she
brought up with her, and has chopped fine and mixed with
herbs, amongst the glowing ashes; and a faint steam, not
unsavoury, is already beginning to spiral through the hole in
the knobbed lid.
"Is it agreed upon? ..."
"I should smile! ..."
She understands the odd utterance as assent and says with
a diamond sparkle between her veils:
"Now sing me thy song. And give me thy message, but
otherwise advise me in nothing of how I am to do. For, verily,
I am the Mother of Cunning as well as the Mother of Ugliness,
and have carried the lives of many men between these
hands of mine!" Laughing softly, she stretches them out.
"And they are not as big as thy hands, my giant Cousin
John."
"You blessed little brick!"
He reaches out and captures in his own, one of the little
dusky hands, gently squeezes it, lets it go, and takes from
his neck a square of parchment that hangs there, suspended
by a slender green silk cord. On one side are two interlaced
triangles outlined in thick black ink. On the other a square
containing Arabic letters of the Sacred Name—within a double
circle in which have been traced and thickly inked—the Signs
of the Zodiac.
"That's that! ... Makes some Arab amulet, doesn't it? ... I
cribbed the figures from the title-page of Pittaker's
Almanac, and the Name off an inscribed tile. Two letters are
stitched inside this—I've another letter hidden away inside my
tarbûsh, but that I'll deliver myself to Father Forbis.
Meanwhile, you're to get this somehow into Fadl Anga's hands.
If—but mind you not unless he tumbles to the first bars of
'Loch Lomond.'"
"Is it 'Loch Lomond'? That was one of the English songs
we learnt to sing at my Paris boarding-school," says the Mother
of Ugliness. "Hear now, O my cousin, if I remember it
aright? ..."
She has a little faded voice, sweet but thin, and in this she
sings to him the familiar refrain of the ballad that—hummed
by a battered private of London Territorials—sitting on a
captured bag of Turkish Army biscuits after Sheria—conjured up
the chintz drawing-room at Kerr's Arbour, and Katharine
Forbis singing at her piano in the twilight—before the stern,
absorbed eyes of an Arab who knelt at prayer....
So it follows that, having taken a sparing meal of bread
and fruit, and milk, the amulet containing the letters being
hidden upon her person, and the song stowed away in her head,
Ummshni-Esther sets forth, under the blaze of the sun of
twelve o'clock midday (going by the watch under Ali Zaybuk's
sheepskin wristlet, which is set at European time). He limps
to the entrance of the tomb to let her out, and stands watching
until the little slender, veiled figure—wrapped in the ample
outer garment of coarse yellow-white sheeting, worn by Syrian
women, passes from his sight.
"Good luck to you, you regular little Maccabee!" he mutters.
"Now all You Big Old Men, butt in and help her! ... It's
up to you to help her.... For she's thoroughbred to the
backbone, if ever a woman was...."
"Thud, thud—thud! Thud thud thud—thud! THUD!"
The guns are still arguing heavily and persistently—in
the hills west of Jerusalem, and in the vicinity of Hebron....
South, over Junction Station, the inflated grey bulks of three
observation balloons wallow against the cloud-piled horizon,
over the huge ark-like hangars that kennel them, as the experts
in the dangling baskets read off, and transmit to their Headquarters
by Wireless, the silvery flashes of helios from the hills.
A Fokker biplane of pusher type with a Falk machine-gun
mounted in her bows, is trying to drive down one of the
observers; the rattle of the aviator's weapon sounding like the
clickett of a typewriter. While a single-seater monoplane
Taube with a "Roland" bomb-dropping device, is endeavouring
to deal in a similar manner with the other O.B.'s, and a
British Anti-Aircraft gun mounted on a motor is spraying
vicious little shells of H.E. and shrapnel at the Germans, from
rapidly-changing vantages upon the ground below.
Even as John gets interested in the battle, the Fokker, hit
in her petrol tank by a projectile, suddenly vomits flame, and
drops like a singed moth, downwards. The Taube departs in
haste for Hebron—seeing a half-squadron of D.H.6's coming
over from the aërodrome near G.H.Q. further down south....
Germany has few eyes in the air in these days, and the Turk
is well-nigh wingless. But difficulties of transport threaten
to hold the British up at Nebi Samwil; and knowing this, the
enemy's resistance stiffens. The sun will not sink on
Ottoman dominion in Palestine, while the Turco-German forces
hold the Jerusalem-Shechem road.
There is a glorious view from the summit of the Mount
of Cursing, silvered with streams on her lower slopes, clothed
with her groves of olive and almond, fig and apricot, orange
and pomegranate, as high as there is soil enough to hold their
roots. Through a gap in the Hills of Galilee, snow-crowned
Hermon stands out in splendid relief against the deep blue
sky. East, across the Jordan, are the Mountains of Gilead,
Osha's summit conspicuously capped with a streaming panache
of cirro-stratus; the coastal Plain of Sharon rolls emerald to
the turquoise lip of the Mediterranean, and the huge bulk of
Carmel thrusts out into the glittering distance a fortress
defying the uttermost assaults of Time.
"Some view!" John comments, baldly, in his acquired idiom,
narrowing his eyes under the hand that shields them from the
sun. Yet in his heart he is drunken with the beauty—captive
forever to the spell of this land of Palestine....
"Thud, thud! ... BOOM! ..."
A colossal tree-shaped column of woolly brown vapour rises
in the west where lies Jaffa. "We" are blowing up Turkish
ammunition-dumps and provision stores.
"Rat, tatt, tatt—tatt 't tat!" go the machine-guns in the hills
to the south....
"Thud, hud, thud 'd 'd! ..."
Great happenings are in the air. Trained as John Hazel
is in the unimaginative school of London's Stock Exchange
and the City, his keen Oriental brain is quickened to this
consciousness. Time, after many ripening centuries, is giving
birth to The Event foretold by and foreshadowed in prophecies,
dreamed of by vision-seers. Can it be that after all these
centuries of exile, Christianity is to give back Palestine to
the Jews? ...
The onyx ring attracts the man's black eyes as he brings
down the hand that shaded them. He tells himself that, after
all, he wasn't quite such a blooming mug as little Esther
thought. He remembers binding a cotton rag about the finger
that wears the ancient heirloom, on the eve of the start from
Ismailia. Somehow, the rag must have come off, either before,
or when, he jumped from the aëroplane, at the signal of Essenian.
"The treacherous Egyptian brute! One of these days—" There
is a promise in the hiatus that bodes ill for Essenian.
There is also a token, adhering to the ring, that bodes not
over-well for John. Only a speck of bright green sealing-wax,
sticking in a fold of the lion-skin of Hercules, that was not
there when its wearer left the house in the Rue el Farad, to
dine with the Pasha at the Aviators' Club.
The Khan of et Talab, or The Fox, is a thoroughly Oriental
caravanserai; flat-roofed, two-storeyed, and built upon three
sides of a square courtyard. The ground-floor rooms are
deposits for travellers' baggage and stores, the windows of the
guest-rooms look out upon the courtyard, the fourth side of
which is a row of stables, with small rooms above them for
Arab and Fellah camel-drivers and horse-keepers, cooks and
scullions, and the tag-rag-and-bobtail of the Khan.
The rooms occupied by the Emir Fadl Anga, pigeon-master
to the nephew of the King of the Hedjaz—purveyor of
Intelligence to German Headquarters at Shechem, and owner of the
dapple grey Arab mare, are upon the top floor, and possess
the exclusive monopoly of the roof. Thus the smells which rise
from the area of the courtyard and the harsh cries of itinerant
fruit and sweetmeat sellers, pedlars of fish, hawkers of bread
and vegetables; with the wrangling of servants and horse-boys,
camel-drivers and muleteers, washermen and scullions, are
somewhat tempered before they ascend to the nostrils and ears
of the Emir.
The room is large, whitewashed and fairly lofty, with a cool
tiled floor, on which are spread a few mats and Damascus
carpets. Some stools, a few cushions, a low table; a carved
chest with a huge, wooden lock, and the inevitable divan, are
all its furniture. Opening on a broad balcony communicating
by a staircase at each end with the housetop and the courtyard,
the high, wide window is also the door.
On the right-hand side of the divan nearest the window,
the Emir lies outstretched; pillowed on the embroidered saddlebags
which contain his travelling-gear, and smoking his water-pipe.
Its flexible tube snakes over the smoker's body, down
across the dark red tiling; the roseleaves dance in the water
that fills the glass vessel, the blue-brown incense of the good
Persian tobacco spirals up from the burnt clay bowl. The
carrier-pigeons in their reed cage upon the shaded balcony outside
coo slumberously. The argili gurgles as is its wont—the flies
that blacken the remnants of the midday breakfast of soup,
chicken stewed in rice, pancakes fried in fat and honey, melon
and figs—maintain a steady, persistent buzzing, and the rapid,
minute tap-tap-tap of small hard objects hitting the clean
starched cover of the divan never ceases. For, if the King of
the Fleas of Palestine reigns—as is reported, at Tiberias—Abu
Brârit, the Father of Fleas, lives at Shechem.
Of the Emir's companions, a tall, grizzled, elderly Bedawi
in a purple and black jelabia with an ample white jerd swathed
over an orange silk kuffiyeh, and a short, broad-faced young
man, dark-skinned as a roasted coffee-berry, with a fine mouthful
of dazzling white teeth, and flashing black eyes, in a thin
kaftan of black camel's hair over an under-robe striped red and
white, with a kuffiyeh of white, bound with a green head-rope—the
junior squats on his heels beside a little stove of burned
clay in which glows charcoal, which is placed on the broad
balcony outside the window-door. On the stove boils a
coffee-kettle of repoussé metal, whose fragrant vapours mingle with
the smells of the Desert, and the smoke of the Persian weed.
Meanwhile the little porcelain coffee-cups in their repoussé
metal holders, the coffee-pot, the mortar in which the berries
have been crushed, the brass pestle belonging to it, and a
lime-bark box of broken candy-sugar, sit naïvely on the floor. That
the son of the Shaykh Gôhar, a noted leader in the guerilla war
between the King of the Hedjaz and the Sultan of Turkey,
should preside over the coffee-pot, is in strict accordance with
Bedwân etiquette. For to drink coffee that has been prepared
by a woman, is a thing derogatory to masculine dignity.
Hence Namrûd, his striped mantle doffed, squats on his
slipperless brown heels beside the burning charcoal, and watches
the bubbling pot.
The coffee boils, the smoke spirals up from the thin, well-cut
lips, closed on the amber mouthpiece of Fadl Anga's
argili.
Of what is Fadl Anga thinking, as the roseleaves dance in
the bowl? Some ancient Arab palace with palm-gardens and
apricot-groves sheltered from the sandstorms of the Dehna by
forests of cedar and oak-trees, shielded from the burning
winds that blow from the Gulf of Aden, by the mountain-ranges
of Hadramaut? Of his horses and hawks, pigeons and
hunting-leopards, or of some slender bride, with gazelle-eyes
and henna-reddened fingers, and the rounded oval face that
Eastern Asiatics liken to the full-orbed moon....
Actually, Fadl Anga is watching a man in a shabby grey
tweed shooting-suit, burying the Service uniform of a British
field-officer of infantry, in a fox-earth in a wood. A plantation
of snowy Scotch firs knee-deep in wintry bracken. He has
rolled the things in a trench-coat, strapped with a sword-belt.
Now he savagely jams them down, and rises from the burial
of Edward Yaill, panting and with a streaming face, though
the wind has the nip of February.... He rubs the dry dust
from his hands—crashes to the stile through the frosty covert—leaps
out on the high-road. And goes his lonely way, oblivious
that the end of the lanyard attached to the silver whistle
sticks out among the briars for Meggy Proodfoot's wee laddie
to pounce on by and by....
The flies buzz, the pigeons coo, the roseleaves dance in the
water-bowl.... Now through the smoke comes the low command
in the Bedwân dialect of the ancient Semitic language
that is even more archaic than the Babylonian Semitic of 6000
years ago:
"O Gôhar, Shaykh of the Beni Asir! and thou, Namrûd,
son of Gôhar! hearken to my word! ..."
"We hear, O Emir! ..."
"Friends, I have taken tracings of the despatch that was in
the bag, dropped by the airman who came at dawn yesterday,
and before sunrise I launched near Mount Gerizim, a pigeon
carrying one of these for British Intelligence Headquarters at
Lydd. The wise old blue dîk with the crumpled foot, who
has served us well before, is my messenger. Now, here for
safety's sake, is a duplicate tracing for each of you."
White teeth gleam in Namrûd's brown face as he takes the
filmy square of tissue paper, touches it to his forehead, and
says:
"O Fadl Anga! by thy favour, there is no place like the inner
whorl of the ear-rim, for hiding a paper rolled up within a
lump of bees-wax."
"O Fadl Anga!" the Shaykh's mimicry of his junior's
self-important tone is really creditable, "by thy favour, since the
clipping of the ears of spies hath not gone out of fashion, I
will hide the tracing thou hast given me, in a place that is of all
the safest, even beneath the eyelid of this my left eye."
"I will remember, O Gôhar! Yet a little pride is permitted
when a young man hath carried out a stroke so cleverly." Namrûd's
black eyes glow gratitude as the Emir continues: "Yesterday
there was consternation at the Shechem Headquarters
of General von Krafft, Chief of the German Secret Intelligence
Department on this front, when the bag dropped from the
aëroplane was opened, and found to hold a dummy message. And
last night there was a smart young orderly Staff Sergeant-Major
of the Department—who was exceedingly sorry for himself."
"Thou shouldst have seen, O Emir! to taste the jest of it.
By Allah! 'twas like a monkey trying to carry two watermelons
in one hand. Under the archway of the Street of
Mabortha, looking on the Square yonder," the dark hand of
Namrûd waves towards the rearward wall, "by the fifth
hour after sunset I fell upon my prey."
"Had I not known, I had been gulled even as the German." The
tone of the Shaykh is not untinged with fatherly pride.
"When the old woman passed, and squalled like a peahen at the
gleam of the white face under the archway—and then took
courage because she found it fair! ..."
"Thou hast the wrong end of the stick, O my father!
She dropped in the mud a letter she was carrying from her
mistress, the wealthy young widow of Abu Husain the
jeweller, to the handsome soldier of Germany, who waited under
the arch."
"So, so, that was it! And was there a letter? ..."
"Nay, she could not find it, having trodden it into the
mud.
"True, it rained heavily yesterday morning. And what kind
of a tale didst thou spin to tangle the dupe?"
"But this, that having seen him thrice, close upon the
blink of dawn, standing at his post under the archway,
the jeweller's widow had fallen into the very rage of love.
'Her eyes, that were like torches, are extinguished with
weeping. Verily thou wouldst have pity on her, O Sidi! if thou
couldst see. Woe's me! this letter!' (Thus I, the go-between,)
'May the mercy of Allah defend me if I have lost it! for truly
she knew no better, poor demented creature! than to wrap
up in it a costly ruby ring! ..."
"Ha, ha! ... That was well thought of!"
"It made my gull begin to hunt about in good earnest,
and, under pretence of the ring's having rolled, I lured him
farther down the street. While with his little electric torch
he was groping amid the stenches of the gutter, I heard the
song of the Bird while yet afar off.... But cackling of lust
and vanity, and greed, now in one of his fat red ears—now
in the other, I deafened him,—else at a move, my grip had
fastened round his throat.... Then the signal pistol cracked,
and the orange light flared, and he grunted an oath:
'Boppis'—what tongue is 'boppis'? ..."
Fadl Anga laughs.
"'Potzblitz,' it may have been...."
"And, like the pig he is, he charged for the archway,
knocking all the breath out of the old woman, who had got in his
way. And while we twain rolled among the garbage on the
pavement, I, dealing him scratches and cuffs, and squealing,—but
not too loud! the second cartridge cracked out, and the
bag dropped into the Square...."
The Shaykh takes up:
"And I ran out from my lurking-place and changed it for the
dummy, ere the German floundered, snorting, from under the
archway.... He will be wiser in future,—if they ever trust
him further." Gôhar lights another powerful cigarette. "He
will lend his ear to no sugared tales told by old women—when
next he is waiting for despatches to drop out of the
sky...."
"It may be so. But once a fool, twice a fool. That is my
experience," says the quiet voice of the Emir. "Now, friends
of mine, be it understood! Our work here is done, with the
capture of the despatch, and the proof that Essenian Pasha is a
traitor to England. To-night we throw the salaam to Shechem,
taking with us the English priest."
"Wallah!—but that is good hearing!" The Shaykh Gôhar
nods beamingly. "My blood warms to the word of a raid.
Look at the boy!"
Namrûd is wreathed in grins as he squats on his heels—clearing
the boiling coffee with a dash of cold water, splashed
in at the critical time.
"He is thy very son. Now, tell me once more, O Shaykh
Gôhar! what the War Prisoner officer told thee yesterday.
Secretly, at the Mahatté (Station) of Nakr, before the German
Mudîr came."
"Masha'llah! At thy behest, O Emir! ..."
And the lean-faced Shaykh, sitting on a carpet beside the
divan, in his purple and black silk jelabia and silver-corded
orange head-drapery, smoking innumerable cigarettes of strong
Arab tobacco, re-commences the low-voiced tale:
"Thus, as I made pretence to bargain with him for a silver
cigarette-roller he had, that I said had caught my fancy,
he stoutly maintaining that he did not wish to sell—the
English officer said to me secretly at Nakr: 'The furrow watered
with our sweat shall yield us no harvest—yet are we not losers
but gainers thereby. Since, refusing to give our parole to the
Turks, they shut us up in the barbed-wire enclosure without
the eastern gate of Shechem, we have taken it by turns to
scrape out a tunnel—working in shifts throughout the nights,
and taking it in turns to keep watch. From the wooden hut
on the east side of the enclosure to the wire-fence is seven
paces of a man. Inside the hut we began our tunnel, covering
the hole with planks nailed together—scattering earth upon
these, and setting the anghareb over the top, the better to
hide the place. Two days ago we tunnelled under the wire.
Now we are well under the road that runs by the Tomb of
Yûsuf to the Well of Yakub, and so passes into the
Shechem-Jerusalem Road. We are three paces south from the Turkish
sentry-box that is outside the wire there. We should have
broken through to-night!"
"That would be the night of yesterday," Fadl Anga
murmurs, loosening his lips from the long amber mouthpiece.
"Masha'llah! 'But,' saith the English officer, 'that we heard
we were going to Aleppo for Exchange. Now, finding thee a
friend in disguise, we would have thee know of the tunnel,
lest haply other War-prisoners—British or of the Allies—be
put in the Wired Place. Remember, the hole begins under
the earth-strewn planks that are beneath the anghareb in the
wooden hut that used to be the Mess, The tunnel passes three
paces south of the Turkish sentry-box that stands outside the
wire. Four paces from the wire, where the broken-down
Turkish grain-cart stands upon the road—it hath stood there
ever since the Taking of Beersheba and no man sets hand to
it!—under the grain-cart is where we should have broken
through.' Wallah! And they would have thrown the salaam
to the Turks and departed, but for the news of the Exchange."
"Praise be to God for men of good wit! Did the officer
say no more to thee?"
"This, O Emir! that they had scratched the story with a
nail on the inside of a metal bowl and left it lying in the hut for
the next British prisoner. In the bowl are written the times
when the Turks go the rounds by day and night; and the
hours for relieving-guard, and divers other things time served
him not to tell."
"But which," interrupts the younger man, proudly, "I, thy
son Namrûd have since found out...."
"Hence, to thee we owe it that we can make the essay
to-night, O Namrûd, rightly named 'The Hunter'! Is the coffee
ready, thou cleverest of spies?"
"O Haji," Namrûd answers, tingling with the praises of
his hero, "the coffee is ready even now!"
The Emir wears a flowing kuffiyeh of vivid green silk secured
by the octagonal gold and silver head-rope, over his black
felt tarbûsh, so the title bestowed by the Shaykh's son is no
empty compliment. The long Arab jubba under his loose,
open jelabia is of white silk, delicately stitched, the jelabia
is of heavy black brocaded silk, tagged with gold at the
seams, his red Arab slippers are gold-embroidered, there are
diamonds in the hilt of the curved, gold-sheathed dagger his
girdle supports. It must pay uncommonly well to breed
carrier-pigeons for the nephew of the ex-Sherif of Mecca,
now by the right of descent from the Prophet; by the strength
of the sword (and the brilliant brains of an Oxford graduate)
Commander of the Armies of Arabia and of the Hedjaz,
King....
Now Fadl Anga lifts his slender, muscular frame, tense
and wiry even in repose, higher against the saddle-bags and
takes from the dark hand of Namrûd the little half-filled
cup. The young man serves the Shaykh, his father; then, but
not until formally invited, fills his own cup, and they drink
ceremonially. Twice the cups are replenished; then Fadl
Anga says, as Namrûd refills the clay bowl of the argili and
puts, with his tough-skinned fingers, a bit of glowing charcoal
on the top:
"Didst thou go to the mashásheh in the Bazâr, as I bade
thee, O Namrûd?"
"Wallah! As thou didst bid me, I went to the mashásheh
in the Bazâr."
"And didst thou buy the drug—the sweet conserve of
hashish? And of the tobacco-seller, giving him the discreet
wink, the cigarettes that are drugged with opium?"
"Verily, O Fadl Anga, these things I got, after the magúngi
and the tobacco-seller had denied for a long time that they
had any. And—Wallah!—the cost of both was as though I
had bought jewels."
"It may well be, O Namrûd, yet I grudge not the money."
The Emir puts by the mouthpiece of his water-pipe, and
takes from the young Arab chief a stout package of thick,
rank-smelling cigarettes, with a Turkish label on it, and a
little sticky cardboard box of square, dull greenish jujubes,
saying with the smile that curves his finely-cut mouth under
the short henna-dyed beard, but never reaches his grey eyes:
"For, to a man who would pump a spy, or stupefy a
sharp-witted jailer, either of these were worth a handful of jewels."
"Masha'llah!" grunted the Shaykh, sending out a volume of
cigarette-smoke. "Have I not proved that true?"
"Many times, O Shaykh Gôhar, and I also. Now, son of my
friend and ally, go thou to the bath, which as thou hast found
out, the Turkish Yuzbashi (Captain) who will be in command
of the guard at the Wired Enclosure to-night, uses to-day,—his
duty commencing after the hour of sunset,—and challenge
him to a bout of wine and tobacco and salt stories to-night
in his tent. His tent is on the left-hand side of the
Enclosure and serves by day as his office. He smokes opium, and
his sergeant, who is his crony, is a drunkard, and they leave
the onbashi (corporal) to take roll-call and go the rounds,
whenever the two are minded for a fuddle"—
"All Turks are dogs and sots!" the Shaykh says succinctly.
"Thou dost not forget the number of the guard at the
Enclosure, and the places where they are posted, O Emir?"
"They are inscribed in the register wherein I set down such
things." Smiling, the Emir lightly touches his forehead. "But
if thou wilt hear—"
"Masha'llah! Let it not be said that I doubted thee." The
Shaykh holds up a lean, protesting hand. "I, who am as
a suckling compared to thee in wit-craft, and the science of
hiving knowledge in the brain."
"Yet will I rehearse to thee here in the room, what Namrûd
learned, and thou didst tell me last night on the housetop.
Listen. On guard at the Wired Enclosure, all told, thirty-four
men. By daylight at any hour, eight Turkish postas on sentry."
"By Allah! Plenty to guard one Englishman."
"As follows: One outside the Wired Enclosure at each corner.
One in the middle of each long side, north and south,
and two at the entrance.... The guard-tent is opposite that
of the Yusbashi.... Roll-call is in English time, 7.30 a.m. and 8
p.m. The rounds of inspection are 9 p.m., 12 midnight, 5 a.m....
Three times between sunset and sunrise. The châwush
(sergeant) makes them, if he is sober. At other times the
onbashi (corporal) is left to carry-on. The guard is relieved
every seventh hour, counting from sunset to sunset."
"Good! But there was no need to repeat it all. I am
humiliated by thy grace and courtesy. Now, boy, thy lesson!"
"Hear then, O my father!"
Smiling, the dark-skinned Namrûd begins:
"There are eight postas continually on guard-duty at the
Wired Enclosure. One at each corner outside, and one in
the middle of each long side, where there are sentry-boxes." His
dazzling teeth flash, and his black eyes twinkle as he adds
demurely: "I have not heard the Emir tell that! There are
two more postas on duty at the entrance. Of the eight men
all told—who will be on sentry from sunset to daybreak—seven
smoke tobacco and drink wine, but one does neither. He
is the priest of his platoon, and a Darweesh of the sect of
El-Hoseyn, the Prophet's grandson, and neither eats, drinks,
chews nor smokes, any of the Forbidden Things."
The Shaykh rolls his eyes cynically and spits:
"Wallah! By the life of thy head! A Darweesh and an
abstainer! ..."
Fadl Anga asks, narrowing his eyes to a grey, glittering
line:
"Thou art sure? ..."
"I have the testimony of the seven who are his comrades.
Not all of them love him, but notwithstanding, not one can
pick a hole in his coat."
"It needs a woman's little fingers for work like that!" suggests
the Shaykh, hopefully. He pitches his last cigarette-stump
backwards over his shoulder, muttering: "Dastûr. By
your permission, Ye Blessed!" in case of offending some Afrit
of the house, and rises from his carpet saying: "O Namrûd! it
is time for sleep. Leave we the Excellent One to rest. Fresh
talk will come after. And there are yet two hours to pass
before thou goest to the bath...."
And so, with formal exchange of courtesies, and high
protests against the Emir's uprising, the Shaykh Gôhar and his
son assume their slippers and depart; leaving behind them the
perfume of sandal and musk and myrrh, mingled with the
wild chamomile and wormwood of the Desert, and the odour
of dressed gazelle-leather. And Edward Yaill is free—for an
hour—to sleep and dream of Katharine....
It is grilling hot in the upper room of the Khan of the Fox,
and the mingled stenches of the courtyard intensify as it
approaches high noon. The fleas hop, the flies buzz over the
unremoved débris of the midday breakfast.... Sleep still delays,
though Yaill has trained himself to summon the Healer at will.
In his brain the memory of a familiar refrain thrums in
insistent, maddening repetition. He must yield, or sleep will never
come. So under his breath he hums "Loch Lomond" so softly
that the hairs of his henna-dyed moustache scarcely flutter to
the measure. And then, for a few moments, he appears to doze.
Until wakening, he stretches out a slim sun-browned hand, as
one who wistfully beckons, and whispers, yielding to the
craving of body and soul:
"Katharine, Katharine, where are you hiding? ... All
night and all day I have felt you near me. Come out and show
yourself, my Sweet, my Sweet! ..."
But Katharine delays to reveal her bodily presence, though
that strange haunting sense of her nearness does not abate.
Yielding to the divine spell, Yaill holds out his hand, palm
upwards. A pause, and he feels the light pressure of fine,
smooth fingers. Hers! ... He shuts his eyes, and her breath is
cool upon the quivering eyelids. Now she bends over him,
and for one rapturous instant, her mouth is upon his. Now the
illusion passes, but it leaves his heart hungering. He cannot
thrust the thought of Katharine from him. He abandons the
idea of the noonday siesta. He will write to his lost love.
And so Fadl Anga, otherwise Edward Yaill—takes from his
girdle his Arab pen-case, feels in a pocket within his kaftan for
a roll of coarse yellowish paper, tears off a suitable square,
and begins to write, using in correct if uncomfortable Oriental
fashion the palm of his hand for a desk.
"DEAREST OF WOMEN,
Here in this Samaritan Khan of The Fox at Shechem, I
write to you—my two Arabs—Namrûd, the Hunter, and his
father the Shaykh Gôhar, of the Beni Asir, having gone about
their business, and left their supposed Chief in the state of
'kef!' Kef proper, meaning a full stomach, a divan, coffee and
tobacco—incidentally everything else that affords gratification,
notably wine—and the Daughters of Eve. I have eaten a
greasy Syrian midday breakfast, I lie on a divan apparently
stuffed with radishes, and evidently populous! I smoke excellent
tobacco, and Namrûd's coffee corresponds in quality, but
there is no wine, and the One Woman earth carries for me,
her lonely lover, is some three hundred miles away.
"Beloved, these scrawled lines may never reach you! But
there is news and I must write.... Yesterday, the War
Prisoners in this place, with the exception of some few too
sick to be moved, have been deported via Aleppo to Smyrna,
for purposes of Exchange. Your brother's name has again
been excluded from the list. Hamid Bey accuses him—I
heard last night—of instigating certain of the rank-and-file to
mutiny, and the slander is supported by witnesses suborned
by him.
"Julian has been secretly removed from the Barracks prison,
where up to the present he has been confined. We could not
trace his whereabouts at first, but lighting on the fact that
34 Turkish rank-and-file were still assiduously guarding a
wooden hut at the eastern end of the rectangle of wired-in
ground outside the east gate of the city where War Prisoner
officers are no longer—we came to the conclusion, now proved
correct—that our man would be found there! Pressure so
monstrous has been brought to bear, to compel him to sign
a paper, exonerating Hamid Bey from certain charges at the
expense of his own integrity, that our attempt at rescue will be
carried out to-night....
"Shall we succeed or fail? What has Fate in store for us?
The answer to the question lies upon the knees of the gods.
You would scold me well if you were here, for so Pagan an
utterance—"
The moving pen is arrested. The keen ears of Fadl Anga
have heard the soft padding of naked feet upon the balcony.
The paper on which he writes vanishes, and with magic celerity
a half-written Arabic poem takes its place upon the palm of
the Emir's slender hand. The pen moves from right to left,
as a shadow falls upon the paper. The voice of a Fellah
servant breaks in upon the poet's reverie:
"O Saiyid! O Emir, this slave craves permission to remove
the dishes! Also there is a woman below in the court-yard...."
The flies rise with a roar from the rinds of the melons and
the greasy remains of the dishes, as the blue-shirted Fellah
waiter deftly lifts the tray, and poises it upon his head.
"A presumptuous one, who knowing that at this hour thou
wouldst be in the state of Kef, or under the influence of the
Healer, yet clamours to be brought before the Presence. Wilt
thou that I bid her begone?"
"A woman, sayest thou? Who is the woman, and what is
her business with me?"
The question is put with low-voiced indifference, the Emir's
half-closed eyes surveying the ceiling, now blackened with a
moving pattern of flies.
"O Emir, it is the Mother of Ugliness! ..."
"'Ummshni,' sayest thou? ... And who is Ummshni? ..."
"O Prince, Ummshni is known to every one. Ummshni
is—Ummshni. Touching her message, which greatly presuming,
she dared to send thee—"
"Out with thy message, O father of fools unborn!"
"O Master and lord, the message was this, thy slave kissing
the dust beneath thy feet for the sender's presumption: 'Tell
the Emir Fadl Anga that his greatness takes the high-road
and my humbleness treads the low. But, in the matter of the
lost carrier-pigeon of whose whereabouts my lord deigned
to question Yuhanna Nakli, the Samaritan divineress in the
Bazâr—"
"I remember. Bid the messenger of the Samaritan divineress
come hither!" The long lashes veil the Emir's grey eyes,
and as he speaks with languid pauses between the words, he
hears the measure of that well-known refrain in the throbbing
of his arteries and the beating of his heart: "Take away
the dishes and send her up here. Or—" There is a whiff of
myrrh and sandal as the tall slight figure in, its rustling silken
garments rises from the divan: "Here, from the window, point
her out to me!"
"O Prince, behold the daughter of Sheitan! dancing and
singing to the camel-men and horse-boys in the haush below."
The tall figure of the Emir steps out on the balcony as a
guffaw of coarse merriment comes up from the courtyard
borne on a stronger wave of stinks.
A circle of Fellah grooms and Arab camel-men, coarse-mouthed,
evil-eyed, old in the ways of vice—are gathered about
a little creature in the dingy blue print robe, yellow-white
outer-robe of sheeting and coarse double veil of the Fellaha.
To the majority of these Ummshni is known, not so to the
others; who crowd round, eager to taste the joy of baiting the
veiled woman who has ventured alone into the crowded court
of the Khan.
"Hail, O Beauty, in search of a lover!" jests a squint-eyed
Arab. "Couldst thou not pay an old woman to tout for thy
customers? Has business been so bad that thou art driven
forth under the eye of daylight? Nay then, show thy face for
a foretaste of pleasure. Insh'allah!—unless thou art ugly as
a daughter of the Jinniyeh, here is Abu Mulâd the Tuareg
camel-man, ready and willing to take thee on!"
"The Daughters of the Jinniyeh have legs shaggy with hair,
and not seldom one eye in the middle of the forehead," squeals
a scullion, as Abu Mulâd, a huge and hideous Tuareg from
Central Sahara, whose face, arms and legs are dyed with indigo,
whose back hair is plaited in tails with straw, and whose
top locks are hogged like a cob's mane under the black tribal
head-cloth, is thrust into the forefront of the circle by a dozen
officious hands. "While this moon's husband fell down dead
for sheer joy when his bride was first unveiled to him. Is it
not the sheer truth, O Bestower of Delights?"
"Verily thou dost not lie, for once, O Kasib the scullion!"
says a thin but audible voice from behind the close-drawn
veil. "Wilt thou risk the same fate, O Abu Mulâd the
Tuareg? Then—then put forth thine hand! ... Or—shall I
save thee the trouble? See then the face that killed a man
upon his wedding-night!"
With a thin, shrill cackle of derisive laughter, she draws the
screen of coarse towelling. Abu Mulâd stares, grimaces
behind the strip of black cloth covering his mouth, curses and
spits copiously.... While the little active figure, galvanised
into sudden activity, revolves before him in an impish dance,
chanting to a weird, unholy tune, words in a strange,
unknown tongue:—
"O, you rode the Desert and he flew the Air!—
And now he has sent me to find you;
A message from him, and a letter I bear—
From the bonny bonny Maid of Kerr's Arbour!"
There is something so gnome-like about the little capering
figure, revolving lightly as a withered leaf, or an eddy of
Desert sand, upon the unclean litter of the courtyard of the
Khan, that—and there is not one man of all the throng who
does not believe in witchcraft—even those who know Ummshni
best, quail at the possibility of falling under some evil spell,
blasting in its effect upon the body as upon the soul.
Kasib the scullion claps his hand before his mouth, as do a
dozen others, invoking the Protection. But Abu Mulâd is of
the type of man that, ordinarily slow, dilatory and lumpish as
a buffalo, is rendered tigerish by fear. He shakes in his hide
sandals and bleaches under his indigo mask as he splutters
through the V-shaped gap between his filed front teeth:
"Be thou accursed, thou one-eyed sorceress! abominable
ghoul, conceiver by the seed of devils! Insha'llah! this good
blade of mine shall purge thee of thine evil blood!"
Not a man puts out his hand to save the woman, as the
Tuareg leaps upon her, grasps her frail shoulder, and the
curved iron knife flashes out, when a sharp clear voice, with
the unmistakable ring of authority in it, arrests the lifted
hand.
"Shwai!"
The whites of eager eyes roll, as the dark, excited faces are
lifted to the balcony where stands the Emir Fadl Anga. Now
his sharp, authoritative voice rings out again:
"Release the woman and bid her come up hither. Who
shows her violence will reckon with me!"
The Tuareg's heavy blue fingers fall from the slender,
bruised shoulder. Ummshni mutely salaams to the imperious
Presence above, and moves with her customary, artificial limp
to the outer staircase leading to the balcony, as the crowd of
idlers, frustrated of the pleasant thrill that is born of the sight
of bloodshed, disperse to their various quarters.
Imperiously beckoning the woman to make haste, the Emir
moves back into the room, and presently the shadow of the
little feminine figure is cast across the balcony and the
three-inch high window-sill, that is grooved to receive the heavy
shutter that closes the room at night....
With a strange premonitory thrill, Yaill speaks to the little
creature:
"Enter without fear, O Mother of Ugliness!" He goes on
as her fragile, dusky arms curve out, the hands touch the veiled
brow in the Eastern salutation from an inferior, and noiselessly
as a moth she flits into the room: "And without fear—for
here we are in privacy—tell me who taught thee that
song?"
"O Saiyid!" How faint and whispering a voice is hers....
"I learned the song from a big man—-a soldier of the Army
of Ingiltarra—who sat on a sack of biscuits after Sheria, and
hummed while the Sons of the Desert made the Prayer of
Afternoon."
"Where is the man to be found?"
"Saiyid, he lies in hiding in a tomb upon Mount Ebal, having
been lamed in leaping from a landing aëroplane. His liver is
charred with anger at so untoward an accident. Strong is his
brain to help thee plan, and strong as iron are his hands—that
could choke the life out of an enemy's throat—even as a child
twists a rotten cucumber. But he is lame!" Yaill marks the
falling note of anguished pity in the voice. "He can but limp
upon a stick, he cannot leap or run...."
"Tell him from me.... Stay! ... Tell me first how thou
didst encounter him?"
"Sir," Ah, the woman knows too much, she is actually
speaking English, "Sir, to me, a woman of many sorrows,
secretly dwelling in that desolate place of which I speak, he
came as a stranger seeking succour. Then, by the Will of the
Most High, was discovered between us kinship: the bond of
religion, the call of race, and the unbreakable tie of blood."
"Madam—"
"Give me not that title. I am no man's wife!"
"Then, Miss Hazel—"
"Chut! Call me only Ummshni." A black eye sparkles at
Yaill from between her veils and a little finger, slender and
supple as a lizard's tail, signs to him to beware. "I heard a
footstep overhead, but now!" the thin voice whispers, reverting
to Arabic, "And it did not pass on, and see there—that
hole!"
With an upward gesture of her supple hand she barely
indicates the whitewashed ceiling, in which there is certainly a
hole, rat-gnawed, or made by human hands for spying
purposes—and reaching to the surface of the flat mud roof above.
"O Ummshni, there is a hole indeed, cleverly made for
eavesdropping, but the man who keeps guard above it is a
follower of mine. Stay—thou shalt prove it so!" Fadl Anga
whistles, shrill and sharp, the call of the pigeon-master; and
there is a rap on the roof above, and an answering, echoing
call. "Now take a message for thy man. Tell him from me,
that since by Fate he is doomed to be out of the adventure—"
"Give me a message worded in some other way. I will
not wound him so!" There is sensitive pride in the thin,
whispering voice. "And first let me discharge mine errand. Here
are the letters I spoke of in the song."
"Give, then," says the Emir briefly....
She draws from beneath her coarse white outer robe John's
square of sewn parchment-paper, inked with the signs of the
Zodiac, touches with it her veiled forehead, and offers it in
both her outstretched palms.
"The letters are stitched within, I was to tell thee. And
that one of them comes from the hand of her—who is dearest
to thee of all!"
A great wave of emotion goes through Yaill, as he takes
the inky double square of soiled parchment-paper. His hand
trembles for a moment, and there is a dimness before his
eyes.
"Thank—"
"Do not thank me, sir," the little creature quietly says in
her Paris-learned English, "I acted in obedience. Shall I
not carry out the orders of him who is Head of my House?
Now give me the message to carry to John Hazaël in the
Mountain, for at dark I have business that brings me back
to this town."
"Shall I write, Miss Hazel, or shall you remember?"
"It will be safest not to write, and I shall not forget. Tell
me in English, time and all.... It will be clearer for John
Hazaël, I being commanded to repeat your very words."
"Then tell John Hazel from Edward Yaill that I have
received the packet, and that as earnestly as ever man thanked
man, I thank him for what he has done! To-night, between
twelve-thirty and two o'clock—European time—we break into
the Wired Enclosure. We have learned of an easy way to get
in; and except for one man, who cannot be dealt with, I
think we can dispose of the guards."
"To-night between half-past twelve—no! ... Twelve-thirty
and two o'clock you break into the Wired Enclosure,
having learned of an easy way to get in...." The tone is
studiously calm, but the throbbing of her heart shakes her.
"Is that all, or is there more to tell? ..."
"There is a tunnel running from the wooden hut that was
used as a mess-room by the English officers. Do you follow?
It begins under the bed that is in the hut, and running
eastward, passes under the broken cart that stands near the side
of the road. Five paces from the sentry-box of the man we
cannot deal with—the Darweesh who neither drinks wine nor
smokes."
"Nay. But it may be—" The talk has swung back to
Arabic, and the voice that is thin and soft as a trickling rivulet
of hill-water, sounds as though Ummshni's hidden mouth
were smiling behind her veil. "It may be that Ishak Baba
the Darweesh, who drinks no wine nor tobacco, and cannot
be drugged into blindness—hath no strength to refrain his
lips from the offered goblet of love?"
"Ah! So there is a weak place in his priestly garment,
that," Yaill remembers something the Shaykh Gôhar has said,
"that the little fingers of a woman might widen to a hole?"
"Verily, O Emir! To-night when the Dark comes, Ishak
Baba going on guard at sunset—it is a pact twixt him and me,
that I, Ummshni, may feed the—the English prisoner, if—if
a shameless woman of the Bazâr, a gipsy whom Ishak Baba
loves—visits the Baba in his sentry-box. I, Ummshni, keeping
watch the while."
"Isht! (Bravo!) O woman of a thousand! Hast thou
carried the assignation to the gipsy courtesan?"
"Nay, not yet."
"Then, do not carry it!" The Emir's grey eyes gleam,
under the green silk kuffiyeh that drapes his tarbûsh, and
the thin lips under the henna-dyed beard curve into a smile
that shows his white, rather irregular teeth. "One of my
men will keep the love-tryst, walking with a mincing, womanly
carriage—and swathed in the white izar. Was the gipsy not to
pass the Baba on his beat, dropping an almond or a flower,
and before he wheeled about, slip into the sentry-box? Dost
thou nod? Ay, I well thought thou didst, it is an ancient
game!"
The Emir's white teeth gleam in his red-dyed beard, and
Ummshni gives her little mirthless titter.
"As my lord says, the game is old, but while Earth spins
between the Poles it will not lack for players. One thing
there is to ask...." The voice falters and the little figure
trembles. "Thy man ... He will not kill the posta?"
"Nay. Do not tremble. He will only gag him well, and
bind."
She gives a small sigh of relief.
"There will be the green rods for him, the luckless
one! when the prisoner's escape is discovered."
The Emir's thin eyebrows mount in his bronzed forehead.
He says in his languid, high-bred tones:
"So there be an escape to find out, I am even content that
he should taste the asayisi. I do not love Turks."
"Nor I, Saiyid! But—" and another wave of shuddering
goes over the little shrouded figure: "since the ninefold curse
of War fell upon this my unhappy country, I have seen such
rivers of blood flow—"
"O lady, the whole world bleeds; nor shall its wounds
know stanching until the enemies of Peace are brought low.
They are the Turk and the German, and yet another who
wears the skin of many races, and plots evil in many tongues.
He works underground, and flies by night, and does not show
his face in sunshine; but when his hour comes, he will be
revealed! Russia has the disease of him—and Ireland is rotten
with him!—and in India and the Far East the papers that bear
his teachings are cast abroad, and carried on the winds, and
shower down like the falling leaves."
"And here. Even in this town—"
The black eye sparkles between the folds of coarse towelling,
and the grey eyes lighten in an answering look.
"So! ... Thou couldst tell a tale—"
"Saiyid." The eye-gleam is hidden in the folds, the tone is
humbly deprecating. "I am only Ummshni. Who looks over
his shoulder when a thing so despicable limps by with her
basket or sharbi?"
"I understand. Now, attend. Tell your John Hazel that
we four men—I with my two Bedwân and Father Forbis,
ride out of Shechem before dawn, having the password and
making the pretext, that a carrier-pigeon being to fly for
Mecca at daybreak, we mean to launch her from the Mount.
There is a good chance that—Shechem being full of strangers—the
fourth mounted man of us shall pass unobserved. But,
in any event, for us there is no turning. Dost thou understand?"
The lean sunburned hand touches the butt of one of the
Emir's silver and ivory-mounted revolvers.
"O Saiyid, I understand!"
"Good. Tell John Hazel to wait for us a mile west of
Shechem, where the Road of the Wady Azzun—going to Jaffa,
turns southward through a deep defile among the hills. Is
that clearly understood, or shall I repeat it?"
"It is understood, and John Hazaël will meet thee, where the
road of the Wady Azzun, going to Jaffa, turns southward
through the defile among the hills."
"Can he, being so lame? ..."
"He can if I say he can. I will see to it!"
"Then we will leave it so. Near the mouth of the defile,
is a Turkish Army Service motor-lorry. It broke down there
yesterday and it is there to-day. Let Hazel wait in the
shadow of it, for the sound of our horses. If we can get
a spare horse we will bring it. If not, one of those we ride
will have to carry two men. For Hazel is our partner in the
adventure. We are not going to leave him in a hole!"
"I hear, O Saiyid! and I shall not forget. By the broken
Turkish lorry where the road turns south, running between
the walls of the defile.... It is for Jaffa that you ride?"
"For Jaffa, where the British are.... Naturally."
Nationality unconsciously asserts itself in the tone. She
answers in her whispering accents.
"There are British, five miles nearer here than Jaffa,
striking north from the Cross-Roads of Gilgal—over the levels,
and again west at Nebi Karen.... For there is the Tower
of Kir Saba, and Kir Saba is the Headquarters of—what
you call—a Mounted Brigade.... Not of soldiers from
England—but British of the Dominions—and yet not Australians,
though looking like them.... Dark, stern-faced men with
crimson bands and little green tufts on their soft brown hats—riding
little, thick-necked, active horses, sitting not loosely
as does the Arab, but close, as though horse and rider were
one."
"They are New Zealand Mounted Rifles. You have
certainly a gift for detail, Miss Hazel."
The grey eyes of the Emir lighten appreciatively under the
Hajj's green turban. The little veiled creature, as unmoved
by his praise as she was by the Tuareg's insult, goes on with
what she has to say:
"'Anzacs,' that is their name. And since yesterday their
Headquarters is Kir Saba, whose Tower stands north from the
Cross-Roads two miles upon the slope of the hills. The Turks
and Germans drove their trenches through the vineyards
and gardens, but, though they emptied the vaults, and
wine-cellars, and broke the refrigerating plant, they did not cut
down the orchards and olive-groves that stretch for miles
over the Hills. They were wire-fenced and gated in the
time of Eli Hazaël. Lest the wire should not have been cut,
or the locks of the gates broken,—I will place in thy charge
this key that I have here."
She is holding out to Yaill a clumsy metal spatula, evidently
the work of an Eastern hand.
"There are other keys upon the ring," she shows the
slip-ring of copper wire on which some smaller metal spatulas
are strung. "They are the keys of the habitable rooms that
are on the Tower ground-floor. We lived there part of every
year, during the Spring and vintage. Turks having been
there—" the slight inflection given to the word conveys a
contempt that is boundless; "the rooms may contain nothing
that is fit for usage; yet were it otherwise, all is at the service
of my lord."
"You are very kind!" Yaill says, more than a little
awkwardly, for one to whom the sonorous speech and stately
bearing of the Bedwân are second nature by now.
"By the Saiyid's leave," again Yaill has the impression that
the hidden mouth smiles coldly, "I speak of another—to whom
the Tower belongs."
"Ah, yes, of course."
Yaill is suddenly switched on to a fact he has forgotten:
"Of course, the Tower of Kir Saba and the land about it,
have been for many generations the property of the Forbis
family. And Father Julian is the only living male heir. But
how do you know?"
There is pride in the low voice that answers:
"Saiyid, though but a woman, I am of the race of Hazaël.
For sixteen hundred years and more our men have been
Keepers of the Tower and Guardians of the Shrine. Thou
wilt deliver the keys to my lord? It is a promise?"
"It is a sacred promise. Pardon that I forgot!"
"Now I go back to carry thy words to John Hazaël on
Mount Ebal. Then I return to Shechem. At sunset Abu
Ishak goes on guard, at the end of the Wired Enclosure
where the wooden hut is, and when it is dark, I feed the
prisoner."
"Is it wise to risk so much for that?"
"Being a man," the little voice is very cold, "the Saiyid
speaks man-fashion. Being a woman, descended from Her
who is the Mother of all men save Adam, I speak after the
manner of my sex. How shall the lord of Kir Saba ride for
life—and over the hill-roads—if he be fainting? Will he not
sit the saddle better if he be strengthened with broth and wine?"
"O daughter of our Mother Eve, wise art thou, and full
of forethought! One thing before we part. What time shall
the gipsy-woman come to the sentry? It shall be for thee
to say!"
She thinks an instant, then says:
"When the boruzan of the guard sounds his bugle, and the
lights of the camp are darkened, let her come, stepping softly,
and pass the Darweesh on his beat—dropping a white flower,
or a piece of white paper—and then slip swiftly as a snake, or
a lizard, into the sentry-box. When the Baba returns—"
"In the hope of finding waiting—the only one of the Forbidden
Things he hath not power to forego—he will kiss a gag
of oiled camel-hide, smooth and tight-fitting and greasy,
instead of his gipsy's hot, painted mouth. She will come when
they sound 'Lights Out' at the camp of the Wired Enclosure....
And so, good-bye, Miss Hazel," says the Emir Fadl
Anga, and his sorrowful grey eyes are kindly as they rest
on the little shape. "Forgive me for asking the question,
but under the circumstances—seeing that we clear out of here
to-night—what is to become of you? ..."
"Of me? ..."
She gives her queer, rustling laugh, and by the sound of it
he knows himself in the presence of a despair that is greater,
because more hopeless than his own.
"What becomes of the Dust when the puff of wind hath
passed over? Does it not settle down again—to be trodden
underfoot by men?"
"But," Yaill feels something like awe of her, so small, so
desolate, so set apart, enfolded in her tragic sorrow, "at least,
in case of trouble at the gates to-night, you had better let me
give you the pass."
"I am Ummshni.... I need no pass! ... Again I am like
the Dust in this—that when men tread me underfoot I am
carried on their sandals, wherever I would go. Farewell, O
Saiyid! May the Most High preserve you and your
companions—and grant my lord deliverance by your brave hands,
to-night!"
And she is gone, and Edward Yaill takes a dagger from
his girdle, and rips open the inky, stitched-up double square
of tough parchment note.
Two letters tumble out of it into his eager fingers. One
is in the familiar, beloved script of Katharine Forbis, the
other—the buff envelope, blurred with postmarks, patched
with stamps and scrawled with re-addresses he thrusts
carelessly into a pocket within his silk kaftan.
One shivers, contemplating the loss of that wonderful buff
envelope, and the consequent slip between the cup and the
lip. But Yaill has no thought but this! To him, on the eve
of the Great Adventure, has come a God-speed message from
his love....
"My Man of all the Men that walk this world!" she cries
to him. "My full heart lies between your darling hands
to-night. And your dear, dear letter—O Edward! I have it close
to me. It lies where my own love's head rested when we said
'Good-bye.' You remember that sweet, sad parting in the
chapel at Kerr's Arbour? ... I shall never smell violets again,
or put on my mother's black lace veil to wear to Communion,
without going back in memory to that day ..."
It is a long letter, written all over eight pages, and running
along the edges of the filled sheets. Love and solicitude and
anxious wistful yearning, overflow into the smallest corners,
curling and flourishing like tendrils of the vine. It is not a
high-browed letter, nor even a passionate one, though pure
womanly passion throbs through it from beginning to end. It
is Katharine in her fullest expression—and than Katharine,
Edward Yaill, her lover,—asks nothing better for this world
and for the next.
"Dearest," it ends, "John Hazel has promised to get this
letter through to you, and the other that I have written for
Julian,—and yet another that was sent to Kerr's Arbour for
you. How strange that at the parting of our ways, so true
a friend should have risen up to help us. With you I feel—more
strongly than I can say here—that this man is linked
with my Fate! With 'our' fate, I would once have said—but
must not now, Edward. Ah, though I do not speak or write
thus, I always think in the plural, dear! ...
"My own, though you make so little of it, you are in
danger. An accent misplaced, an unguarded gesture—a twitch
of a muscle—might bring you Death. If it add to your peril
to give you this—John Hazel has my authority to destroy it,
this letter that I have kissed where your dear, dear hands
should touch! Julian's Rosary and your bit of asphodel I keep
where I can feel them, as I go about my business of driving
cars in Egypt for our Red Cross. Thank God, I have lots
to do! And I do it, as well as I can, with both of you tugging
at my heartstrings,—lie down to sleep with a prayer for you
on my lips—wake in the night, crying for joy, because I have
dreamed that you are safe, and we are happy as we used to
be. And rise to another day of anxiety and loneliness....
Oh, well! it can't go on for ever! Even suspense like this
must come to an end. God keep you both, my Precious Ones! and
bring you back safely to—
"Your loving, faithful, anxious,
"KATHARINE."
Yaill reads the letter three times and kisses it lingeringly.
Then he puts it carefully away. With certain other documents,
maps and diagrams of fortified places, tracings on silk
tissue-paper, and two or three other letters in Sanscrit and
Arabic, in a small flat case of tough glass, double, and
metal-jointed; covered with green gazelle-leather, stamped with an
Eastern design. The flat paper-case closes hermetically; and
a twirl of a stop-screw liberates the acid contained in a
reservoir at the top. Thus, its contents may be destroyed,—or
rendered completely illegible, at the will of the agent who carries
the case....
At the last moment Yaill remembers the buff envelope, brings
it out, turns it over and sniffs at it.... It exhales no cheap
and violent perfume, displays no gaudy monogram.... The
handwriting, large, flourishing and square, is quite unknown
to him, and yet—as it lies under his incurious eyes, the
image of his wife, Lucy Yaill—once Burtonshaw—is flashed
upon his brain.
He will not open the buff envelope just now.... The thing
with its English superscription, being dangerous to carry, he
puts it away with the other papers in the glass-lined case,
one twirl of whose lever-screw can blot out words, penned
in the sprawling hand, that mean Hope renewed, Happiness
restored, Union with the woman so faithfully loved, a blessed
possibility—granted that Katharine's tender prayers for her
beloved's protection and safety are heard, and answered
soon....
A huge Arab, mounted on a very little ass, ambling along
the stony roads while a woman trudges in the dust behind
him, is so common a spectacle in Palestine as to occasion no
remark. Were the positions reversed,—did the woman ride
the donkey and the man tramp after, then by so unprecedented
a breach of etiquette, popular comment would naturally
be provoked.
After the fashion indicated above, Ummshni, conjuring the
little beast from some source unknown, has conveyed her man
to Fadl Anga's appointed meeting-place, a mile west of
Shechem, where the road of the Wady Azzun, switchbacking
down to Jaffa—or more properly Gilgal—turns southward,
running down a steep-sided defile among the hills. There,
where the broken-down Turkish motor-lorry stands by the
roadside, she has left him, taking with her a cherished asset
he has carried hidden about him, in the shape of a pair of
insulated wire-cutters. Her parting words still sound in his
ears:
"Thou art the Head of our House, my cousin. Bless me
before I go! ..."
Now John tingles with a scalding sense of her worth, and
his own unworthiness, as he remembers how he put his heavy
hand on the small veiled head, and muttered some incoherent
words. Then she turned, and went from him so quietly that
he has barely realised the risk that she is taking. Now that
she has gone, it comes sharply home to him, and salt stinging
moisture gathers under his eyelids, and a lump is in his
throat.
The little donkey, hobbled by Ummshni before she went,
to prevent its straying, grazes contentedly by the roadside,
where rich green weeds, and grass and brake, and clumps of
late-flowering asphodel betray the presence of moisture in
the soil....
The sides of the hill-pass opening here, are chocolate-brown
where the soil shows bare, as those of any cliff at home in
Devon or Somerset, and trickling with little streams,
thick-fringed with maidenhair.... Snapdragons of many hues,
cyclamen white, and violet, and pink, spring in the crannies
of the rocks, with the purple amaryllis, and a smell suggesting
violets is sweet upon the air.
It is close upon the hour of sunset now. There is a great
view here, from the top of the stiff up-gradient that climbs
up from Shechem to plunge in a long series of downward
curves, westward towards Jaffa, until, Gilgal reached—it turns
at an acute southward angle and leaps the Cana Road.
Nobody comes, though Turkish cavalry patrol the wadys at
irregular intervals, and there are outposts with machine guns
among the hills. Save for the thudding of those restless guns
south-west and east, it would be even sweet and peaceful.
For the air is divinely spiced with that rare perfume that is
so like the smell of violets; the orange-winged Syrian
blackbird pipes out his good-night song; and every thorn, or
wild-olive, or mulberry-tree of all that mantle the sides of the
defile, seems to accommodate its pair of bulbuls, warbling
and jug-jugging in the very rage of ecstasy—sometimes breaking
off to mew—after the provoking habit of nightingales. And
John Hazel lights another strong Arab cigarette, swings
himself to the driver's seat of the broken-down Turkish motor-lorry,
and for a brief space, listens and smokes, and thinks....
He recalls the great experiences of War, forgetting War's
miseries and discomforts. The social joys of the camp-fire,
the long, confidential talks of the bivouac, the short, hard
hand-grip pals exchange before going into action; the parting
kiss that a soldier may set on the lips of a dead or dying
friend. Men have seen men's souls face to face in the midst
of hideous slaughter—in the pauses between horrible
explosions—and until the heavens are rolled up as a scroll, and
the sea is dry from shore to shore—and the Earth stops
spinning between her poles, they will not forget these things....
Perhaps not even then....
And then John's thought goes back, as it has not done for
long, to the thriving Firm of Dannahill, Lee-Levyson and
Hazel, Insurance Brokers, of London City; and Beryl Lee-Levyson,
John's former love—Muriel, Beryl's sister, and his
brother Maurice—now piloting a Handley-Page bombing 'plane
on the Western Front, Old Mendel, and Miss Birdie Bright,
pass in imagined rotation over a stage, oddly backed by a
composite drop, in part representing the Underwriting Room at
Lloyds, the Office in Cornhill, and John's bedroom at
Campden Hill....
Dannahill, still haggard from the shock of his grandson's
death, (the wire had only come from the War Office that
September morning) and Lee-Levyson and Copples the Senior
Clerk, are shaking the Junior Partner's hands, as he comes
out of his stuffy little office with his working coat in a brown
paper parcel, containing a lot of odds and ends, some pipes,
and Beryl's tinted photograph in a flamboyant silver frame.
John is in a full suit of pink-striped silk pyjamas, and there
too is Mrs. Hazel, John's mother, handsome in her pale blue
crêpe dressing-gown, with her still abundant auburn hair in
a thick plait down her back. To her John hears himself
saying in his acquired British accent:
"Anyway, if the Pater was a Syrian Jew, your governor
was British enough, anyway! Symes sounds like a good old
English name."
And the answer comes like a douche of cold water on his
secret hopes—like a crunch on the pill deftly concealed in the
middle of a spoonful of jelly:
"That was why your grandmother adopted it. After your
grandfather's death, of course. His name was Simonoff....
A Russian Jew from Moscow...."
The chill of the cold water, the bitterness of the pill. How
John Hazel has shivered at the one and grimaced over the
other. Some shock! to learn that between the Jew of
Palestine and the Jew of Greater Russia he has been wrought all
Jewish. That not one globule of British blood mingles with
the strong Semitic tide that gallops through his veins....
And now—though his big body sits still and smokes, his
spirit is abroad to-night on these hills of Samaria. He snuffs
the sweet wild November breeze with wide, distended nostrils,
and shows his big white teeth in a silent laugh.
This Hither Asian land of Syria.... How he has despised
and belittled it—this Garden of Miracles from whose teeming
soil—burrowed by a nation of cave-dwellers and idol-worshippers,
and tracked by the footprints of nomadic shepherds—prophets,
sages, seers, philosophers, poets, musicians, artists,
architects—leaped into birth at the Divine Bidding, while as
yet the world was a jungle of ferocious human beasts....
This Palestine, no bigger than the County of Middlesex, in
Religion, History, Science, Law, hygiene and moral teaching—has
she not ever led the way and pointed to the zenith?
What if her star, after long eclipse, should now be in the
ascendant? Strange, strange, if after all the centuries of war,
exile and oppression, Christian hands are to give back
Palestine to the Jews! ...
He hugs himself, muttering:
"A hell of a country to get hold of you, and no mistake
about it. But she is IT, this little old Palestine! She's got
it in her to whack the globe—given the men and the money.
I'm one of her men.... I've got some money. And it's going
to be spent with lots more to set her going again. Golden
blood pumped into her veins to set her heart beating—and
make her buried splendours, her Temple with its golden dome,
her matchless Holy City—her towns, and gardens, and
hippodromes and palaces jump out of her yellow soil as quick
as mustard-and-cress." He chuckles. "I'm a bit potty! ... 'Fey,'
a Scotchman'd call it.... I feel as if all my Big
Old Men—those dead old Hazaëls—right away down from
the Kings of Damascus who laid siege to Ahab, King of Israel,
and afterwards joined up with him against the Assyrians!—were
alive and swarming over these hills of Samaria to-night...."
Perhaps the man, in his normal state, is oblivious of the
postscript he supplied to the story of the inscription on the
tablet. He may not know the blood of the Hazaëls is tinctured
with the Israelite blood of Istâr the Princess, daughter of
Jezebel of Tyre and Ahab of Samaria. Half a mile north of
where he sits on the lorry,—parallel with the road to Gilgal,
runs the great seaward-going road of the Wady-es Sha'ir,
forking off at Anebta, past the Watch Tower hill of Omri,
to Carmel and the sea.
From her nest of purple cushions in the high balcony-window
of her ivory palace at Samaria, Jezebel, Ahab's Queen,
daughter of King Ethbal of Sidon, looked—when her people's
god, red as though dyed with the blood of the murdered
prophets—was blotted out of sight by the rising curve of the
earth.... Famine withered the rainless land, and beasts and
men were perishing, as the Prophet of the Most High lay
prostrate on the summit of Mount Carmel, pressing his face
against the sod....
"And while he turned himself this way and that," as a
worm might writhe in anguish, the little cloud rose out of the
sea. And the troubler of Israel rose up and sent word to King
Ahab:
"Prepare thy chariot and go down, lest the rain prevent
thee!"
Over this broad Road of the Wady-es Sha'ir, the fleet horses
of Ahab's jewelled ivory chariot thundered, as "the heavens
grew dark with clouds and wind, and there fell a great rain." And
the King raced down to Samaria before the pelting storm,
while the lean prophet, the swift Hound of God, scoured fleetly
on before....
And Elias, being threatened with the vengeance of Jezebel,
because he had killed the priests of her golden temple of Baal
Zebub, fled south to Beersheba, and being miraculously fed,
journeyed to Horeb, and lived in a cave. And after the
Vision on the Mountain, returned by the Divine Command
through the desert to Damascus, and anointed Hazaël of
Damascus to be King of Syria....
Now John, lineal descendant of the race,—inhales the rank
smoke of his Arab cigarette, and pursues his train of thought.
Sitting on the broken-down Turkish motor-lorry, with knees
drawn up to his long chin, and his long arms hugging them;
with his Arab head-cloth pushed awry, and prickly burrs
tangled in his coarse black hair, that is powdered with
limestone-dust like his mahogany skin—the huge man with the
great nose and the fierce black eyes that blaze under their
bushy, knotted eyebrows, is an awesome spectacle—having
much more in common with the lean and dusty Prophet than
with his own remote ancestor the Baal-worshipping King.
He is engaged, as he sits there, in a death-struggle with the
strongest and most ruthlessly selfish of all human passions.
That smell of violets brings Katharine back—dwarfing as great
artists will—every other player on the stage of his mental
theatre. He sees her on a certain February day, standing
in the chintz-hung drawing-room looking on the terrace at
Kerr's Arbour, with a bunch of greenhouse violets in her
beloved hand....
"I was going to take him these.... Perhaps you would
like to?" she had said, giving the violets to John.... Then
he followed her up the little aisle of the chapel, and stood with
her beside the General's long coffin, looking down at the grand
old face, and the rigid clasped hands....
"Father, dear, this is a friend of ours, whom you have
wished to see!"
Again he hears her, speaking as though the old man
were not dead but in a quiet slumber. She touched his hand
in showing him how to place the violets under the rigid fingers,
that held a Crucifix and had a Rosary threaded between....
On that first day she seemed to John, older, graver, sterner
than afterwards, when Edward Yaill came upon the scene.
He remembers how their eyes met, and she kindled into beauty.
He recalls his brief, stern interview with Yaill, and that
parting "Carry on...."
He conjures up the Funeral, and Katharine veiled and
draped in black—offering him in a silver shell some earth
from Palestine to sprinkle on the coffin. He recalls her
summoning telegram, and the finding of the khaki kit of the
"Missing British Officer" hidden away in the fox-earth in the
wood. He glows again with joy as she comes to greet him
at the Hospital, beautiful, strong and womanly, in her
uniform of cool white drill. He welcomes her to the
cradle-house of her Roman race, the House of Philoremus Fabius,
on the ancient Street of the Four Winds, now lost in the Rue
el Farad. Again he waits for her outside the Chapel of the
Shrine, again they sit on the granite seat under the moss-cup
oak. And once more he thrills exquisitely at the velvet touch
of her warm, sweet mouth upon his clumsy hand.
It was a cruel thing to do, but she had no thought of
coquetry. He knows that the kiss was a belated tribute from
a woman of her race, to the last male Hazaël but one. That
she looked past the recipient of the kiss to the huge, swart,
bearded ancestor, who first held the onyx ring in trust, guarded
the Title Deeds, and preserved the house at Alexandria—and
the Tower of Kir Saba in Palestine, to be handed down, a
sacred charge—by his children's children, and their children,
down to the present day.... A tribute of gratitude and
respect, that kiss, and nothing further. But it was set by a
woman's mouth upon the hand of a man....
He knows that there is no hope for him, this ungainly
worshipper of Katharine, even though her lover should never
be free to marry her—though the tie that binds Yaill to Lucy
Burtonshaw should endure for both their lives. He, John,
has hated Yaill with the virile strength of jealousy. He has
conquered that baseness in himself.... He hates the man
no more.... He has risked and borne much to carry Yaill
her letter. He has been even warmed and heartened by his
enemy's gratitude:
"Tell him that I have received the packet, and that as
earnestly as man ever thanked man, I thank him for what
he has done! ..."
But even with Yaill's message fresh in mind, John is not
cured of hoping. He hopes—and sets his huge foot upon the
neck of his hope—while yearning over it as a man may yearn
over his first-born. For this that has come to him is the
knowledge of true Love, and even as Jacob in old days wrestled
with the Angel,—John Hazel strives with his masterful,
bright-winged passion—not trying to detain Love, but rather to
compel Love, by force of thews, to go....
The blood-red sunset glorifies the West, fills the defile from
cliff to cliff, and now smoulders out in amber and jade-green,
peacock blue and rose-madder. Grey twilight comes—and the
birds are still, as a giant owl flies over, and sinks, as a shadow
sinks, amongst the shadowy trees.... No one draws near.
The cavalry patrols of the Turk are oddly infrequent on this
particular Shechem end of the Jaffa-going road....
John gets up and shakes his dreams and hopes and memories
from him, as a swimmer emerging from a sluggish stream
might shake off clinging weeds. His hopes are scarcely weeds.
Rather are they trails of blossoming lotus or water-lily. But
lilies or weeds, they hamper. And there is work to do.
He stretches himself, shakes his giant frame, pitches away
the stump of his cigarette—gets down from the driver's seat,
climbs into the body of the lorry and proceeds to inspect the
boxes that form its load. They are heavy wooden cases
roughly dovetailed together, painted a dirty stone-blue and
grossly daubed with the Crescent and Star in bright vermilion
paint. They are branded with the initials of the Turkish
A.S.C., carry the stamp of the shell-factory at Makrikeui,
and belong to the 2nd battalion of the 4th Infantry Regiment,
(Headquarters Salonika) of the IIIrd Ottoman Ordu.
John thinks it would be as well to have a look inside a few
of those blue boxes, with the assistance of a spanner, and his
pocket electric torch. He looks about for a spanner and
presently finds one in the tool-box aft of the driver's seat.
It is a large spanner of good steel, and—in the hands of John
Hazel—makes a most efficient substitute for the key of the
Turkish lock. The nails draw, the wood splinters, the lid is
lifted.... The box—instead of being full of packets of
Mauser cartridges, proves to be packed with metal spheres
the size of biggish cricket-balls, painted a bilious brown....
"Bombs ..." With a thrill of pleasurable recognition
John picks up one of the cricket-balls and weighs it in his
hand. "Our make too. Some find!" he thinks. "Now, where
did they get these? ... Snapped up a string of mules at the
tail of an ammunition-convoy, or found 'em in some
abandoned dump on the Peninsula, when the Expeditionary Army
evacuated Gallipoli! ... Anyhow they come in handy.
Damned handy! ... Let's look in another box...."
He breaks open four more, with the assistance of the
spanner. Two out of the lot hold bombs, British-made, pitched in
higgledy-piggledy, with the recklessness that may be born
of Mohammedan fatalism. The others prove to contain paper
clips of cartridges, marked for use in the 1890 pattern Mauser
magazine-rifle of 7.56. mm.
Two boxes of British bombs, at this especial juncture, come
to John Hazel as manna from the skies. If there is a weapon
the ex-insurance broker of Cornhill prefers before all known
devices for killing other men—that weapon is the bomb, of
the cricket-ball, hand-pitched variety, that makes of one
long-armed man, the equal of many men armed....
At Rondes Poix in the March of 1915, a party of Fenchurch
Street Fusiliers being hemmed in at an advanced post by the
enemy, Private Hazel and Private Spurge—a rival star-artist
in the line of effective bomb-throwing—kept the Hun at bay
for eleven hours by pitching cricket-ball bombs.
Again, in the April of that year, east of "that mad place
called Ypres," John, possibly urged to derring-do by the
urgent spirit of Sergeant Harris, and armed with a bag of
bombs of this variety—crawled through a hole in the enemy's
barbed-wire, and single-handed—argued in such wise with
the Germans established at a certain machine-gun position,
that the Fenchurch Streets—charging over the front-line
parapet at the critical moment, were able to clear three hundred
yards of the trench in question, and held the same triumphantly
for the rest of the fighting day. The D.C.M., that silver disc
bearing his Sovereign's bust, which he calls his "bit of tin"
and is secretly vain of,—was subsequently bestowed on Private
Hazel when a patient at the Auxiliary Military War Hospital,
of Colthill, Middlesex, in recognition of this feat.
"Given they're not duds," he murmurs now, lovingly toying
with the spring-pin of one of the cricket-balls, "I could hold
up a half-battalion of Turks with these, until the cows come
home! ..."
He looks up to his left and right, roughly estimating the
height of the defile, the perpendicular walls of which are
somewhat lower on his left than on his right-hand—and calculates
the width of the road here at under twenty feet. More
like eighteen-and-a-half. Well, given that to-night's attempt
at the rescue of Father Julian Forbis does not prove a
washout—here is the wherewithal to keep the road, in case of a
pursuit....
Twilight creeps on. The crickets chirp, and noiseless as
a shadow, the great owl slips from the thicket and takes his
soundless flight. The little owls hunt in the grass for frogs,
lizards and beetles, and the great bats come out of the
crannies in the rocks to gorge themselves with fruit.
For a while the guns have ceased to argue, and the night
is still and breathless; not the clear violet night of Syria,
radiant with dazzling silver light of moon and starshine, but a
moonless night of semi-obscurity, and diffuse and formless
shadows, with menacing rumbles of thunder in the east,
where sheet-lightning flickers now and then. Venus suspends
her sapphire lamp above the hills of Judæa, and the Pleiades
shine almost directly overhead. Bright-armed Orion rises in
splendour over the ramparts of blue-black cumuli that brood
in the east over the Mountains of Gilead. Low down, through
a jagged cleft in these, twinkles the star Y Crucis, that forms
the summit of the Southern Cross....
No trot of hoofs on the stony road draws nearer from the
eastward; no clink of spur on scabbard, or bit against
chain-bridle, tells of the approach of a cavalry patrol along
the Jaffa Road. There are yet three hours and more to wait
for the sound of hoof-beats coming from Shechem, that may
signify the escape of the prisoner from the Bey's wire cage.
Does all go well? Has Esther Hazaël carried out her
stratagem? She has shown John how—when the Dark comes
down—she will feed the prisoner. By a device almost absurd
in its direct simplicity—used, in this Eastern land, millions
of times ere now. Women are cunning in such tricks, and
full of subtle resources.... Well for men that it is
so!—especially in time of War....
Ummshni is at her business now. John feels certain. He
nods to himself, solemnly, and sitting on the lid of one of
the broken bomb-boxes, folds his great arms, narrows his
eyelids and sends his Thought ranging abroad in search of her.
Perhaps he sleeps and dreams, sitting there. Who knows
whether he does or does not. But after some moments of
silent concentration, he sees his messenger go forth. A tiny
thing—human in form, light as a puff of thistledown, no bigger
than a locust—it leaps down to the big Jew's knees, and thence
to the bottom of the lorry; drops from it into the dust and
scours down the road. Swift as the wind, it passes over the
highway—reaches the west gate of Shechem and slips through
a crevice in the ponderous iron-studded timbers, lodging
between the sandalled feet of the Mustahfiz infantry guard....
Now it goes by the Khan of the Fox, darts through the square
where the archway is (under which the Orderly Staff
Sergeant Major of the German Intelligence Department waited
for the dropping of the despatch-bag from the Two Faced
Nightingale), traverses the town, thronged to-night with
variously attired strangers of many nations, and—lightly as a
withered leaf, and inconspicuous as a dust-swirl—traverses
the main thoroughfare of the ancient town.
Shechem is packed to the walls to-night with the exiles from
Jerusalem. And in addition to these, with strangers in
foreign clothing, diverse in type, sinister-faced and stern-eyed,
speaking unknown languages.... There are many Turkish
officers, young and old, in uniform and out of it, and German
officers of many ranks and decorations, accompanied by
women, painted and overdressed.
So many strange feet, bringing strange dust from strange
lands. Yet the little thing no bigger than a leaf finds a way
between them all. Now it spins out at the east gate and rolls
down the rutted road towards the Wired Enclosure.... Here
storm-lamps hang outside the guard-tent and on either
side of the entrance. The officer's tent is lighted within, but
unlike the tent of the postas, it is furnished with a door-flap.
From inside comes the sound of laughter, the clinking of
glasses, and unmistakably, the rattle of shaken dice. Near
the gate, in conversation with the bash-châwush of the guard,
stands a tall, thin, elderly Bedawi, known to the reader as the
Shaykh Gôhar.
"Nay, nay! Do not trouble the Yuzbashi." He waves a
hand in the direction of the tent whence comes the convivial
clink. "The affairs of the humble must wait upon the leisure
of the great ones. Yet if thy dignity were not lowered by
the mention of a hundred piastres—one lira Osmanli—" Gôhar
carelessly displays the coin.
"O my friend! O my soul!" hiccups the bash-châwush, who
at this early stage of the evening is only amiably drunk. "I
will do thine errand with gladness for friendship's sake
only!" Having duly received and pouched the coin, he adds: "Now
tell thy business to me."
"Briefly, it was but to ask thy Yuzbashi to accord me the
watchword, the Emir Fadl Anga having cause to pass the
gates to-night. In thine ear, O friend! he hath a pigeon to
fly at dawn for Mecca, and he is minded to loose the bird
from the Mount."
The bash-châwush nods and disappears into the tent, whence,
sung in a high nasal tenor voice to lute-accompaniment, issue
the unblushing erotics of an Arab love-song. The Shaykh
turns to one of the postas lounging near the guard-tent, and
smilingly offers him a handful of thick Arab cigarettes.
"Dost thou use the Consoler? ... Take, then!"
"May Allah make it 'take' upon thee, O generous hearted
one! ..."
As the handful changes owners, and other soldiers look
out of the corners of their eyes and sidle nearer, the Shaykh
plunges both hands into deep pockets beneath his mantle, and
draws them forth generously filled with the thick, strong
cigarettes.
Upon the return of the bash-châwush with the information—willingly
placed at the service of the Emir—that the pass-word
of the night is "Baal Zebub," he, too, accepts a handful
of the cigarettes that are so heavily drugged with opium. And
then the Shaykh Gôhar, with ceremonious farewells, stalks
away from the Wired Enclosure, knowing his work begun.
Since the departure of the Shaykh Sadân, the man who
sank fainting to the floor of the wooden hut has moved once
only. It was when he revived, dragged himself to his knees,
and while his strength sufficed—lifting his clasped hands
above his head—sent forth his soul in prayer.... Exhausted
then, he collapsed once more, and dropped forwards,
falling with outflung arms across the palm-wood bed-frame,
and for how long he does not know, was lost in unconsciousness.
When sight and hearing return to him, thick darkness
presses on his burning eyeballs, and the "Lights Out" of the
Turkish boruzan is ringing in his ears. Half kneeling by the
anghareb, half lying across it, his face is turned towards the
east wall of the hut. Through a biggish knot-hole in the
planks, he has found it possible to see—given sufficient light
outside—beyond the barbed wire fence a circumscribed patch
of the south-going road, the tumbled hills in the distance and
the dome of the Tomb of Joseph in the foreground.... These
intermittently blotted out by the figure of the Turkish sentry,
passing to the end of his beat at the south angle of the
Enclosure, or passing back to the angle at the junction of the
road that leads to the town's east gate, with the
Jerusalem-Shechem Road.
Even in darkness, the edges of the knot-hole are outlined by
a fitful glimmer. The flash of an electric torch, the twinkle
of a firefly, the ray of a shooting-star—there are many in
this month of November—find their way through the
knot-hole in the wall.
But the knot-hole is no longer there. They have stopped
it up from outside! he thinks, and a groan breaks from him.
He has borne so much that this little thing—fresh evidence
of studied malice on the part of his jailers—hurts, like the
brutal tearing of a bandage from a stiffened wound.... He
shudders, hearing a curious, scratching, rasping sound,
mingled with low whispering:
"Sidi, Sidi! ... Sidi, Sidi!"
His blood freezes in his veins. What is that strange, soft
voice, and where does it come from? Can this be another
essay on the part of the Shaykh Sadân? He waits for the
next move—setting his teeth, steeling his soul with faith in
his Master. Now, now, the whispering comes again:
"Sidi, Sidi! Do you hear me? O Sidi, are you there? ..."
It is the thin, rustling voice of the little Mother of
Ugliness. He utters a stifled cry of joy, and dragging his chain
with him, rolls off the anghareb, and in his weakness, sinks
down close to the hut's east wall. Passing his thin hands over
the wall in the darkness, he encounters a projection. The end
of a long rubber-covered cane, from which the whispering
comes:
"If the Sidi hears my voice, let him be pleased to answer!
It is Ummshni! ..."
"I hear," he calls back through the improvised speaking-tube.
"May God reward thee, gentle heart! How didst thou
find me out? ..."
"How, is a long story meet for telling elsewhere. Has the
Sidi a bowl, or other vessel? If not let him set mouth to the
end of this," the speaker taps on the tube gently with a
fingernail, "and I will pour milk through the canes. Tap thrice
when I am to pour! ..."
He does so, and the tube is slowly tilted, and a cautious
trickle of boiled goat's milk flows over his parched tongue.
He sucks for life, and when he has drunk:
"Rest now," says the whispering voice. "It is ill to take
overmuch at the beginning. Next time I will give thee broth,
and afterwards good wine. For the Sidi must be strengthened
against the hour when for the prisoner comes Rescue. Let
him tap thrice on the pipe if he has heard...."
He taps on the cane-lined length of rubber tubing.... The
little voice goes on:
"Listen, my lord! ... At midnight thy friends will come
to deliver thee. So, when thou hast well taken the soup and
wine, lie down on the bed and rest.... Sleep if thou canst,
but not too sound. When there comes a scraping in the earth
under the bedstead, rise up and move aside the anghareb.
My lord has clearly heard? ..."
He signifies assent, and the voice goes on whispering,
sending a reviving stream of Hope into his empty, sapless heart,
that is invigorating to his drooping spirit, as the milk to his
famished body.
"Lift up the anghareb, and thou wilt find a hole in the
earth under it. Planks covered with earth hide the hole. The
hole is the Gate of Hope for thee!—the Way that leads to
Freedom! Does the Sidi understand?"
"I do, and thank thee from my soul! ... Who are the
friends, Ummshni? I only have known of one beside thyself.
But no word has reached me from that man, since the War
Prisoners were shifted from camp at Beersheba to the Barracks
here at Shechem!"
"Thou hast four friends here besides myself!"
He did not know he was so rich, and a thrill of joy goes
through him.
"The chief of them is Edward Yaill. Thou dost recall
that name? Ay! Then comes John Hazaël...."
That the prisoner has no knowledge of John Hazaël, his
silence seems to testify.
"It does not matter!" The little voice is dry. "The friends
to whom we owe the most are often strangers to us. Now
it is time to give thee the broth!"
He sucks the life-giving stuff through the tube. With her
womanly, maternal solicitude, she checks him after a little:
"Stay, now.... The Sidi feels his strength increased? ..."
He does, and says so gratefully.
"Then—lest it make the Master sleep too heavily, I will
not give him the wine yet. Now let him lie down awhile on
the bed that is in there. I remain outside, watching. What
says my lord?"
"The sentry.... How is it he does not see thee? ..."
Something like Ummshni's little rustling laugh comes
through the rubber-covered pipe-stems.
"Love hath no eyes, it is often said. Since a white flower
fell on the dust in the dusk, and a light foot went past him,
is Baba Ishak, the Darweesh, blind—and dumb as well, ah-hah!
Now he is at the other end of his beat, his face set to Ebal,
and the Tombs of the Sons of Mohammed. He is waiting
Opportunity, as a dog near the butcher's shop.... When the
butcher looks the other way—or goes into the house to speak
to his wife, the dog sneaks round the doorpost and—his head
is in the scrap-box! Sweet,—the first greedy crunch, and
gulp.... But then comes the butcher's chopper—down on
the dog's skull! Now lie thou down and try to sleep. I have
said I will keep watch here! ..."
Holding his chain so that it may not clank, Father Julian
creeps back to the verminous bed, and tries to do her bidding.
But the throbbing of his anxious heart and the roaring of
the blood in his ears make sleep impossible. The cheap
gun-metal wrist-watch that he wears has not been taken from him,
and it has been kept wound up—it is ticking companionably
now. Four matches are left in his box. Sheltering the flame
within the coat that serves him as a bed-covering, he strikes
a match, and looks at the watch. It is twenty minutes past
ten o'clock, and Deliverance comes at midnight. How wait
through the long hours, for that knocking under the floor?
The Darweesh who is imâm of his platoon, and can resist
all the Forbidden Things except the Cup of Beauty, stands
at the north angle of the Wired Place, looking towards the
Tombs. In his hot thick hand is a white rose, sweet and
musky-smelling, in his nostrils a whiff of sandal and some
pungent Bazâr perfume. The Baba is a little man, and his
inamorata a tallish woman, but she looked a strapping wench
to-night, as she passed him at the other end of his beat, with
a whispered word and a dropped flower, and a provocative
flash of her gipsy-eyes from the folds of her white izar.
He wheels, smacks the butt of his Mauser rifle with the
flat of his broad hand, and licks his thick lips longingly.
Turning out his sandalled toes—for the second-line troops of the
Redif stick to the old-fashioned chariks, with bandages wound
round the leg from the calf down—he marches towards the
sentry-box where Delilah waits for him.
There is little breeze on this muggy night of scant
starshine and blotted shadows, but a south-going waft sends a
withered leaf or a torn scrap of paper scurrying at Baba
Ishak's heels along the dusty road.
"Tr'rp—tr'rp—tr'rp!" ...
A tiny sound, and yet it irks and fidgets.
"Trrp—tr'rp ...!"
Whatever it is, it scurries past, as the Darweesh halts
before the sentry-box. Snuffing the clamorous perfume of the
Bazâr with an anticipative smile on his thick lips, he stands
on the threshold and peers into the darkness.
"Inaini!" he coos, amorously to the odorous obscurity. "My
soul! My eyes! Thou hast come to me! Tell me that thou
art there? ..."
Undoubtedly Inaini is there, he can see her white figure
plainly against the shadowy background. It is late in the day
for Inaini to be coy, but too early not to humour her. He
stretches out a greedy, perspiring hand. It touches the folds
of her izar. Stung to enterprise, prodded by propinquity,
the Baba puts down his Mauser, carefully leaning it against
the side of the sentry-box, and blunders forwards. Aha! At
last he has her, the willing prisoner of his eager arms.
Mashâllah! how the gipsy hugs. All the breath is squeezed
out of the Baba. What is this that coils about him, binding
down his arms? Not a rope? Chok! chok! He opens his
jaws to expostulate—and a gag of oiled camel-hide is deftly
slipped between them—and strapped uncomfortably tight at
the back of his bull-neck. Swiftly his knees are bound, and
then his ankles, and he is tenderly lowered to the bottom of
the sentry-box.
The love affair of the Baba and the gipsy has ended with
dramatic swiftness. Now the dark figure of a man steps
out of the sentry-box, picks up the Mauser and resumes the
beat of galloping hoofs coming along the Shechem road, and
gleam glints on the bandolier taken from the victim, it shows
the face of Namrûd under the khaki enverieh. And caught in
some stray backwash of the sickly breeze that carried it, the
tiny thing like a withered leaf, flits down the road again.
Whether John Hazel dreamed or not, things have happened
as he has seen them. Conscious thought returns to him,
sitting on the box of bombs. His lungs fill with a deep breath.
He yawns hugely, blinks his eyes, squares his shoulders and
looks about him. The constellation Orion blazes over Gilead,
the Pleiades are hidden from sight by sombre clouds. There
is a strange glare in the sky over the crest of Gerizim.
In mid-song the bulbuls have fallen silent. Even the
pariah-dogs and the jackals are still. There is something abroad
upon the air to-night, that weighs upon the spirit of humanity,
and daunts the creatures, soulless as we imagine, with the
sense of evil, nameless and unseen, but dominant and powerful
to harm....
And now the man who listens at his post hears the quick
beat of galloping hoofs coming along the Shechem road, and
thrills with expectation:
"That's them!" In moments of keen excitement John's
grammar is apt to fail. "Them, for a quid! Or the Colonel
hasn't pulled off the snatch, and has had—"
He breaks off as the horsemen round a curve of the road.
Where a patch of the grudging moonlight whitens the ground,
he makes out that there are only three of them. No! Four—!
Three riders in ample, flowing Arab dress, and a fourth in
the close-fitting kit of a European—who reels and sways
unsteadily in his saddle, and would fall—but for the help that
another gives—with a hand that is sometimes at his back, and
sometimes at his bridle.
"By God!—"
With a great exultant throb, John swings himself down
from the lorry upon the road, as the riders check the gallop
of their eager, snorting horses.... And the hot, white
limestone dust of Samaria rises in pungent clouds.
Now through the dust an immense hand finds, grips and
wrings the priest's, and a deep resonant voice, not like any he
has heard before, and yet not strange, says rapidly:
"Thanks be to the Most High, my lord is delivered! Now,
from the servant of his house, let him take this. It comes from
the Sister of my lord" (a crumpled envelope is thrust into
Julian Forbis's palm), "by the hand of John Hazel!"
"A letter from my sister.... Sir, may God reward you!
You must be John Hazaël, I think! Though I never heard
that name until to-night, while I live I shall always bless it!"
The voice sends an electric shock volting through John. It
is like the voice he loves, as a man's may resemble a woman's,
deeper, stronger, and hollow with fatigue. He returns:
"My lord is right. I am the man John. Youngest and
last of all Hazaëls of the line save one only.... But all the
Hazaëls, from the first to the last, do battle for my lord this
night in Samaria. Now let my lord ride hard for Kir Saba.
Though his enemies pursue they shall not pass here! For,
God so willing, I, thy servant, will keep this road barred!"
"My cousin John! ..."
He hears a timid call he knows, and turning towards the
quarter whence it comes, traces it to its source in a small
rebellious bundle, held on the front of an Arab's saddle.
"O John my cousin, dost thou hear me! Entreat the Most
Excellent One to set me on the ground!"
"Mr. Hazel, with your good leave, I mean to take this lady
to Kir Saba." It is the voice that spoke to him last in the
chintz drawing-room at Kerr's Arbour. Dimly seen in the
hazy moonlight, the eyes shaded by the silken kuffiyeh meet
John's, and although they are blazing with the fierce joy of
the successful raider, he recognises the eyes of Edward Yaill.
"Nay, nay! I would remain here with John Hazaël," the
little creature pleads in her distress.
"Thou wilt go with my lord and be his handmaid. When
he needs thee no longer, then return to me. Hearest thou,
woman?" the deep voice says, and Ummshni, bowing her
veiled head, humbly answers:
"O Head of our House, I hear! ..."
"Farewell then, little Brave One!"
In the dark John reaches out, and pats her small cold hand.
"Not in this world, nor in the next will this that thou hast
lone go unrewarded. What is that? ... Cavalry on the
road!" His hearing, in this strange exalted mood of his,
being even keener than Namrûd the Hunter's,—has warned
him that a body of mounted men, coming from the direction of
Shechem, are pushing along the road. He relapses into his
ordinary, natural tone, as he says with a slap of his heavy
hand on the flank of Fadl Anga's thoroughbred: "Ride for
Kir Saba, Colonel Yaill, and all good luck to you!"
"Thanks, Mr. Hazel, and good-bye. Though I would prefer
your coming with us. You could take Namrûd's horse—and
he and I would ride and run by turns. Not the first time
we've covered distance that way!"
There is an unalterable decision in the answer:
"Much obliged, Colonel, but I've arranged to stay."
"Good luck, then, and good-bye. You will shake hands at
parting? ..."
The huge hand of the big Jew, and Yaill's leaner, slenderer,
smaller hand, meet and grip hard, then John steps backwards.
"Ride like old hell, the lot of you. I stop—to carry on!"
A clatter of hoofs and they are away, in a cloud of the
dust of Samaria, flavoured with the chamomile and wormwood
of the desert, the acrid sweat of man and horse,
tobacco, attar of roses, and leather tanned by Bedwân with
bitter laurel-bark. John Hazel looks about him, fills his lungs
with deep breaths and calculates his powers. How if one man
were able to move the lorry across the road!
He frees himself from his Arab head-cloth and mantle,
ties the ends of the long sleeves of his kumbas together, slips
the knot Fellah-wise over his head, and pulls up the camel-hair
shirt to mid-thigh. Even as the lean, tanned Prophet
girded himself for the long race from Carmel up to Samaria,
before the King in his ivory chariot—and the rainstorm
hurtling on the heels of the King....
Now he swings himself to the driver's seat, manipulates
the steering wheel, and lifts the starting-lever. Now he gets
down, spins the crank, and heaves at the near fore-wheel. The
lorry shakes, the ponderous armoured wheel moves—and the
sweat pours off John Hazel. He sets his teeth, and braces
himself again, using the sound, uninjured leg as fulcrum of
the lever. With a sound like the dumping of a load of ancient
iron on the scrap-heap—the Turkish ammunition-lorry moves
across the road....
Just in time, for the clink of cavalry chain-bridles and
scabbards, and the clatter of hoofs come nearer with every
instant.... John fills the breast of his Arab shirt with
bombs, and stands up on the lorry, in the straddling but
purposeful attitude attributed to the Colossus of Rhodes.
"Old Harris and the chaps of my platoon used to call me
a dirty fighter," he thinks, reverting to the vernacular of his
adoptive land. "Well, this is going to be the dirtiest fight I
ever put up. O all you old Hazaël men, back to the very
oldest, help me to keep the road that leads to Kir Saba, for
to-night! ..."
Rattle and clink. The creak and wheeze of straining leather.
Half a squadron of Turkish Mounted Police spur round the
bend in the road.
Well armed, well mounted, big and bearded Turks, the pick
of the Bey's squadrons of mounted gendarmerie. The darkness
hides the crimson fez and the smart Hussar uniform of
dark blue with red and orange braiding. But what light there
is is caught and given back by long shiny jack-boots—and the
barrels of Winchester repeating-rifles—and eyes that glitter in
swarthy faces that are ablaze with the hope of a reward.
Crash! ...
A bomb falls in the middle of the road in front of the
squadron-leader, and explodes with a shattering detonation
that calls loud echoes from the hills. The squadron-leader's
jaw is torn away. He and his horse go down, the poor brute
screaming in a pool of his own innocent blood and vainly
struggling to rise upon his shattered forelegs.... Two of
the other riders are wounded by flying splinters.
Crash!—another bomb falls and detonates in the road....
"A Forbis! A Forbis! May Forbis foes fall! A Forbis!
A Forbis! ..."
With this strange foreign slogan the Hills of Samaria ring,
and a volley from the Winchesters of the Bey's men rattles
back in answer. Bullets flatten on the rocks—pass through
the sides of the lorry, shiver the lamps, rip the front hood,
and dent the engine-bonnet. A second Winchester-volley
clatters amongst the rocks—when a bomb, hurled by a phenomenally
long arm, falls in the midst of the squadron. And the
Bey's Mounted Policemen scatter and retreat in confusion,
leaving dead men and horses behind them on the road....
John draws breath. A revolver cracks behind him—a
bullet sings past his right cheek—and another, whistling
through his hair, burns as it scores a furrow in the scalp at the
top of his head....
"Bloody close! And fired from behind!"
He looks round, and is shot at from the original quarter
to intimate that the retreat was only a feint. The baffled force
of gendarmerie—trained scouts for the most part—mountaineers
and hunters, has split into two parties; the hardier spirits—as
the breaking of branches and the fluttering of birds scared
from the coverts testifies—are scrambling down the steep face
of the defile, from the northern side of the road.
Again a revolver-shot cracks out behind John. He slews his
head and catches a glimpse of the man who fired, crouching
behind a boulder, on the Jaffa side of the lorry.
Crash! crash! ...
Two bombs greet the renewal of the attack upon the
Shechem side.... Three, hurled one after the other with
dazzling rapidity, explode in the covert that clothes the
cliff-face. Another hits the boulder by the road, and lessens its
proportions. But the sharp brain behind it has foreseen that
it would come.
Lying on his stomach, the Bey's man crawls to the opposite
side of the highway. Crouching in the shadows, he waits
unseen. The scene is handsomely illuminated now by
bonfires among the brushwood. Bombs explode east and west,
the arms of the giant on the lorry whirl like the sails of a
windmill. It is at this juncture that John begins to sing....
Never did light of moon and stars shine on a grimmer
spectacle. Foul with grime, whitened with dust, smeared and
raddled with blood from his scalp-wound, the leaping fires
on either hand show him black as a fiend from hell. The
Bey's gendarme is a plucky child of Islam, but he shudders.
What if no human, killable man, but one of the demon Sons of
Iblis be he who is capering and dealing Death on the
Jaffa-Shechem road to-night? Streaming with sweat, stricken with
deadly fear, he gasps:
"Mashallah! I invoke the Protection of the Most High
against Satan the Stoned! ..."
And springing up, sets a foot on the wheel, and leaps into
the lorry. Next moment, locked in a wrestling-hug, two black
shapes strive together, while the zabtiehs hold their fire for
fear of hitting their own man.
The struggle is over in less than half a minute. The Turk
is strong, but in those great and ruthless hands, he is dealt
with easily. His foot slips in his opponent's blood, for the
giant is bleeding freely from chips in various places. He yells
as he is bent back.... Then his spurred feet are lifted. He
is tossed out of the lorry, landing on his head—and as John
continues bomb-throwing—loses temporarily, all interest in
the fight....
Now comes from the Shechem side, a charge of mounted
zabtiehs. John sings as he pulls pins,—pitches and proves the
impotence of flesh and blood, human and equine, pitted against
H.E. The police are shooting freely but wildly from behind
and before him. Right and left he gives them the last sigh
of No. 1 box—and is diving into the other—to rise up armed,
when a bomb, that has fallen in the roadway without the
customary explosion—is picked up by a plucky zabtieh and hurled
back into the lorry....
John realises as the projectile falls amongst the boxed
explosives that the fight is over. He leaps from the lorry on
the Jaffa side, and knows no more. Miles away southward,
as the huge detonation shakes the hills, and avalanches of
débris tumble from the cliffs, a Gunner Officer of a Field
Battery of the 52nd Division, holding the mud village of
Mughar, says to his colleague indifferently, shutting his
night-glasses:
"The Huns are having the time of their lives to-night in
Samaria. Regular posh firework-display to-night on the
Shechem-Jaffa road. Now they've exploded an ammunition-dump,
or something uncommonly like it! Hope it's wiped out a
few more Turks!—there are plenty of 'em to spare!"
For Katharine Forbis those two days of suspense, so fraught
with fate for the two she held dearest, were ordeals of
anguish only made bearable by the work that filled the
daylight hours and the sleep, begotten of the work—that came
to her at night. On the morning following the bomb-fight on
the Shechem-Jaffa Road, the Base was ringing with the
seizure of Junction Station; the sensational escape of Von
Kressenstein's train, and the taking, by cavalry charges from
the north, of the strong place of Mughar—a mud village on
a hill, converted into a veritable wasp's nest by Turkish
mountain-howitzers, Turkish machine gunners and Turkish riflemen.
The temper of the enemy stiffened. Resistance still was
stubborn—difficulties of transport still held up the Expeditionary
Army in full sight of the Jerusalem-Shechem Road. Yet
it was the Day of the White Arm.... Three Captains'
Crusaders of the Bucks Hussars and Dorset Yeomanry led the
dazzling charges that cleared the way for the 52nd Division,
and made of Mughar "not a sweet place to look at," as an
English War Correspondent put it pithily—for many Turkish
heads being cleft in twain after the approved mediæval method—the
place wanted a lot of cleaning up. One of the glorious
Three—son of a great English Statesman, himself an Under
Secretary for Foreign Affairs and one of the Chief Whips
of the 1915 Ministry—was shot barely twelve hours after the
victory. And before sunset on this day, a distinguished Jew;
financier, soldier, sportsman, philanthropist—met death almost
within sight of the Colonies founded by his family on the
Plains of Sharon, and south of Jaffa the Beautiful....
On this same date Maurice Hazel, piloting a Handley-Page
bomber on a raid over the Hindenburg Line, was killed by a
hit from German shrapnel.... And Lady Wastwood, reading
the War News in the late edition of the Alexandrian
Courier and crying over men who had been ancient flames,
and boys who had been her dead boy's School-chums—came
on this undistinguished item among the casualties, and
recognised the name.
"'Maurice Benn Hazel' ... Kathy's huge Jew friend
mentioned having a brother Maurice in the R.F.C. As I
really want an excuse for a word with Kathy, I'll look her up
and mention the thing. Though it seems rather like making
use of the poor dear boy! How callous we're all getting. But
I suppose we have to be, to carry on at all!"
With which conclusion, the day's work being over, Trixie
removed the traces of emotion with powder, and betook
herself in search of Katharine.
She found Miss Forbis in the rose-garden pavilion, reading
letters from England that had come by the afternoon's mail.
Time had not served until now to open them, and the first
envelope had contained a type-written enclosure within, a
communication from Sir Arthur Ely, appended here below:
HOLBORN COURT,
November 3rd, 1917.
"MY DEAR MISS FORBIS,
Knowing you to be working with the Red Cross at Montana
Convalescent Hospital near Alexandria, and in the hope
that Colonel Yaill—from whom I have not heard since he
left England last February, may have communicated to you
his present address—I have thought it best to send you the
enclosed copy of a letter recently delivered at his Club, and
opened by me as his solicitor—having authority from him, in
his absence, to deal with his correspondence, and administer
his business affairs. I am sufficiently old a friend of his and
yours also, to add my heartiest congratulations to you both.
"Very sincerely yours,
"ARTHUR CAMERON ELY."
Here is the enclosure:
"PARK AUXILIARY MILITARY HOSPITAL,
"HOODING,
"SUSSEX.
"November 2, 1917
"DEAR SIR:
"A friend of mine who you met under the name of Nurse
Lucy Burtonshaw at the Convalescent Officers Camp, B——
Base in November 1915 has asked me to write you her hands
being full at present and feeling herself unequal to the task.
"The fact is that while finishing her three years service
as a Probationer at the County General Hospital Leam Somerset
in 1913 she was married on the strict Q.T. at the Registrar's
Office Leam to Private J. Didlick of the 5th Lancers
a young man known from childhood and objected to by Lucy's
parents on the grounds of his being the son of the local baker
and too much given to drink. In August 1914 Private Didlick
went to the Front with the First Expeditionary Army and his
name duly appeared upon the list of Killed after the Battle
of Mons. Nurse Burtonshaw regrets that she omitted to
mention this at the time of your marriage her hands being
so full just then.
"I will not detain you further except by saying that in
April last on the eve of the Battle of Arras Private now
Lance-Corporal Didlick with several other British prisoners
escaped from the zone of fire where they had been kept by
the Germans at forced work and very badly used Corporal
Didlick particularly being covered with boils and weighing
only 8st. 31bs. when drafted Home and later on sent to this
Hospital I could hardly recognise him. Later I communicated
with his wife and advised her to break the news to you her
proper place undoubtedly being by her poor husband's side.
Her hands being full she has put off writing up to the present.
Now at her request us being old friends I have taken up the
pen.
"Mrs. Didlick earnestly hopes you will regard bygones as
bygones and requests me herewith to enclose your cheque
received for her last quarter's allowance regularly forwarded
since February by your Solicitor, Sir Arthur Ely to whose
care this communication is addressed. In case of loss in the
post things being so uncertain in War Time I have sent
another letter similarly worded care of Miss Forbis, Kerr's
Arbour, Nr Cauldstanes Tweedshire, N.B.
"I remain, Dear Sir,
"Truly yours
"DOROTHY PIDGE,
"Certified Nurse ——th Nursing Unit R.R.C."
"P.S. Excuse the liberty but I do hope you won't be hard
on Lucy! She means well but hasn't a particle of moral
backbone."
If Katharine perused this queer letter with mingled sensations,
amazed joy and unutterable relief ruled predominant
above all.
For it was over, the haunting day and nightmare of
loss and separation. Her bosom rose upon a long breath of
relief, as the burden passed away. The barrier dividing
Katharine from all she held dearest, had vanished at the
wholesome touch of loyal Nurse Dorothy Pidge.
"Thank God! and thank you—you honest-hearted woman!
Now to tell Edward—if I knew where to reach him!" was
her thought. And the claws of suspense fastened in her soul
anew, and that moment's joyful lightening of her heart made
the weight that burdened it even more intolerable to bear.
Not the cool sea-breeze that stole through the fretted sides
of the Khedive's marble pavilion, the beloved haunt of her
leisure, nor the fragrance of the November-blooming roses
that climbed its walls, and wreathed the balustrade of its
terrace with trails of pink and orange, cream and white and
crimson; not the nightingales that sang in the moss-cup oaks,
nor the orioles that built amongst the vine-trellises—where the
fireflies would twinkle and gleam at dusk when the nightingales
sang their sweetest—could bring soothing to her tortured
mind, or rest to her overwrought nerves.
"I can't—stand—much more!" she said slowly, speaking
aloud of purpose, for the sheer relief of speech. "We have
all got a point beyond which we break, and this is my
breaking-point. Oh! for some news of those three men of mine!"
Edward Yaill, Julian and John Hazel.... She saw them
individually, each reduced to the size of a gnat, at the end of a
long vista, striving, and striving desperately, yet unable to
meet and touch. She saw them in the midst of a cloud of
other human gnats, buzzing and stinging.... She saw them
borne down by numbers—she saw them emerge triumphant.
She saw—
"Darling Kathy, do unclench your hands and iron out your
forehead," said the welcome voice of Trixie at this juncture:
"Even a woman with your appearance cannot afford to go on,
looking like Lady Macbeth, Clytemnestra and Antigone,
rolled into one, for long!"
"Did I ... Do I?" Katharine asked absently....
"You both did and do," Trixie returned. She came and
sat on the balcony near Katharine and touched her lightly
on the shoulder with a long, thin but sympathetic hand. "You're
rather a terrifying person when you look like this, but I have
a reason for being venturesome. May I broach a subject I've
avoided for ages? I need hardly explain, I fancy, that the
subject is Edward Yaill?"
Such burning colour flooded the face now turned to hers,
that Trixie experienced relief from forebodings that had
haunted her. The colossal coffee-coloured Jew with the coarse
black hair, Cockney accent and huge nose was nothing to
Kathy! She always had had that wonderful look when you
mentioned Edward Yaill. She was unchanged... It upset
you to imagine that women like Kathy altered. It did you
good to find out that she stuck to the old love....
The subject broached, Trixie told her tale. Faithful to
the motto of the Liberal Ladies War Service League, "Do
Anything, Go Anywhere, Stick at Nothing and Never
Grouse!" she had, pending her return to active usefulness,
been "rummaging out" cases in the General Hospitals who
wanted extra visiting, letter-writing and bucking. And at
No. 11 she had come across a Nice Man, newly convalescent
from a collection of intestinal symptoms prevalent among the
Expeditionary Forces,—assembled by the C.M.O. under the
heading "Bilharziosis," and simplified to "Bill Harris," in the
mouths of sufferers therefrom....
"A Sergeant of the 'Tweedburgh Regiment' transferred— Don't
ask me how! to a Lowland Territorial Battalion, and
perfectly devoted to Colonel Yaill. Nearly cried when he
talked of him. Desperately keen to get a letter written and
smuggled Home—for of course the Censor wouldn't dream of
passing it!—to Yaill's sisters at his place in Cumberland, and
another to Miss Forbis, 'her that the Colonel ought to have
been married on—saying the Colonel is alive and serving with
the Secret Intelligence Corps in the Front in Palestine.'"
"Dear Lady Wastwood—"
"My child, don't put me off with interruptions! Of course
I explained to my poor sick man that the letter couldn't be
properly engineered, and might do Colonel Yaill harm if the
contents got out. But I told him you were out here, and
should have his information. The man swears Edward to be
an intrepid Scout, famous for making his way through the
Turkish Lines, on foot or mounted on a swift horse, sometimes
alone!—sometimes with two companions.... He has been
seen in Cairo dressed as a French Staff Officer—we know he
speaks the language perfectly!—and in Constantinople as a
Greek Interpreter to one of the Embassies. And here in Alex,
he has gone about disguised as an Arab—or a Gippy of the
Labour Corps—"
"I know it, dear Lady Wastwood, I was almost sure of it
before!—I have been certain since John Hazel came back
from the Front four days ago, to tell me—"
Trixie's green eyes enlarged under their arched black
eyebrows, that so much resembled musical slurs.
"Of course! I might have known. Do go on, like a Precious
Person! If a sieve about my own affairs, I'm a tomb
for the secrets of others!"
So Katharine, knowing this to be true, told Trixie the reason
of her anxiety. Characteristically the long thin finger pointed
to the doubtful spot:
"It's thrilling in the extreme. No wonder you're in tatters
with anxiety. But I can't help seeing that it's rather fatal to
have two different people plotting to save one man. Almost
like a brace of dentists tugging at a single tooth, isn't it? Why
couldn't they have Joined forces and worked it as a Syndicate?
That's what your John Hazel will try for, I feel it in my bones.
One thing I must say! I do wish the Basilisk hadn't anything
to do with it! That oily-tongued little Egyptian Flying Pasha
gives me the creeps! But the main thing just now is to buck
up, and believe that everything will come off rippingly. And
I have a feeling in my bones it will!"
"And if it doesn't—if the news is the worst that can be
told, I hope that I shall be brave enough to bear it!" said
Katharine. "I hope that I shall never swerve from the belief
that Love—as it exists between clean-souled men and women—isn't
only for this world! And that the pain of frustrated
earthly passion may be so mingled with the Faith that looks
forward,—forward and Heavenward!—that parting for this
little life may be robbed of its bitterest sting!"
"My dear, I can't climb up to your level," said Trixie,
blinking her green eyes and pursing her V-shaped, Pierrot
mouth. "This world—when my husband and boys were in
it—was good enough, I'm ashamed to say! And if they were
back, I'm not going to pretend I should bother much about
Heaven, and I do hope you've too much sense to believe that
I should! But this business of yours will be pulled off all
right. I feel it in my bones, and they never deceive me. Your
brother Julian and your friend the Jew, and poor Edward
Yaill—whom I treated so frightfully out of pure championship for
you when he fell over my feet into the Express for Carlisle—that
he fell out again!—All three will get safe out of the place
with the name that reminds me of Sunday School examinations.
And you and I will be standing here, like the heroine
and her bosom-friend in the scene that comes just before the
return of the hero in what American people call a
four-mile-reel-scream, when a letter or a wire will bring the glad news.
And you will read out the letter to me as they say the film
people do it, keeping your features intelligently in play, and
saying anything that comes into your head. Like this: 'Pepper,
mustard, Cerebos, olive-oil and salad dressing! Piccalilli and
catsup. O, Harrods! ... After all these months of beastly
eating—tinned brawn for lunch again!'"
Trixie's well-meant nonsense served its end, for Katharine
could resist no more and burst out laughing.
"You dear!" Miss Forbis's laughing eyes were soft as she
passed an arm round the long narrow waist and warmly
kissed the thin white cheek. She added, as Trixie returned
the caress: "You're priceless to me, Commandant! When
I feel down, or get the blues—with reason or without
them—you're a better pick-me-up than all the Worcester sauce in
the world."
"Horrible stuff!" Trixie made a grimace, "I've always
loathed it. Once I had a dear old friend who drank herself
to death on that. Her husband—lucky man! never suspected
until she died—and they found the chimney in her dressing-room
simply blocked with empty shilling bottles. Who's
that? Di ê di? Have you a message there? ..."
A cautious footstep on the gravel path, badly neglected since
the War, and overgrown with patches of rafia, had first
reached Lady Wastwood's ears. Now a man—recognised by
Katharine and her friend as the dapper French-speaking
Italian chauffeur who had driven them from Alexandria three
days previously, in the Daimler car belonging to Essenian,
stepped from the trellised shade of a path into the light of the
rose-wreathed doorway, and saluting the ladies without speaking,
held out a letter to Katharine.
News....
Something in Katharine's bosom leaped.... She felt
stifled, as though the fretted, sun-flecked walls of the Khedive's
rose-pavilion were those of a brick-built prison, impervious to
light and air. But with an effort she mastered herself, and
took the offered letter—hoping the Italian did not note the
trembling of her hand.
It was a square heliotrope envelope, violently scented with
some clinging Eastern perfume that revolted Katharine. The
address to "Miss Forbis, Convalescent Hospital, The Palace,
Montana," was typed in vivid violet ink. Unwilling to open
the letter in the presence of a stranger, Katharine hesitated,
looking at the Italian:
"Is there any reply to this? ..."
Lady Wastwood had spoken. The Italian answered in his
nasal French, looking at Katharine:
"The car is waiting.... If Mademoiselle would read!"
Katharine, conscious of the unsteadiness of her hands,
opened the type-addressed envelope. The sheet of paper it
contained bore this message:
"Come at once. Urgent! J. H."
The four-word message and the initials beneath were typed
in violet ink. Underneath was an impression in coarse green
sealing-wax of the onyx signet-ring....
Katharine was silent, mastering her deep excitement. That
green seal seemed to burn through her eyes and sear her brain
as she stared at it. Again she heard John Hazel saying:
"Suppose I were ever to send a line saying 'Come at
once!' ... Well, don't come!—unless the paper bears an impression
of this, in sealing-wax, or clay, or bread or mud.... And test
it by the ring you wear, before you accept it...."
The test could be made at once. She glanced at the signet
on her left hand and then at the Italian chauffeur. His round,
black eyes were fixed on her, watching her eagerly. She
spoke to the man in quiet, level tones:
"I will come in a few minutes. Be good enough to wait
for me...."
"As Mademoiselle desires." The Italian's bird-bright eyes
snapped excitedly. "I will go back and wait for her. But—"
he shrugged and spread his olive hands, "we have a long way
to go. Mademoiselle understands that, naturally...."
"I understand, and I will come in five minutes," Katharine
said, with her tone of calm authority.
"My dear—" Lady Wastwood asked anxiously, as the
Italian saluted, wheeled and went out of the pavilion: "You've
had news!—I see it in your face."
"No news!" Katharine said. "But a summons, most
certainly." Days previously, she had taken a careful impression
in scarlet sealing-wax of the relievo head of Hercules upon
her black onyx signet. Now she took from her cigarette-case
the card bearing the impression, and laying the letter
on the marble table the pavilion contained, placed the card
face downwards over the green seal on the heliotrope paper.
The surfaces of paper and card met and wedded, as the green
relievo sank into the scarlet intaglio, and the two Hercules'
heads became one.
"I'm fearfully impressed." Trixie's eyes were circular with
interest and curiosity. "But what on earth is that for? ..."
"Just to make sure," Katharine said, turning away, "that
the message that says, 'Come At Once. Urgent!' is really from
John Hazel. Now I must go. I've a suit-case ready packed
in our sleeping-tent, and the Commandant has been prepared
against my being called suddenly away. As for the duty,
Molly Lyne-Soames carries on instead of me. She's prepared—a
regular brick of a girl!—and so—this until you next hear
from me!" She caught the astonished Trixie in a warm
embrace, kissed her thin cheeks and left a tear on one of them.
"God bless you, you kindest of women!" she called, turning
on the threshold of the rose-pavilion to wave her hand. "And
so good-bye, until we meet again!"
And flushed and radiant, Katharine was gone, taking with
her in her haste a trail of a thorny climbing rose that had
clung to her as though to keep her, and leaving its crimson
petals scattered on the stone. As her light hurried footsteps
died away—a little puff of the westerly breeze swept the card
and the heliotrope letter, with their green and red seals, off
the marble table to the floor—and hurried them into a corner
as though their work were done.
Near where Ismailia sits amidst her flowery gardens and
tasselled avenues, on the edge of the scorching Desert of el
Jifar, is an arid rectangle of sand east of the Canal, above
Lake Timsah, used at the time I write of as an Air Base.
Beyond Essenian, there were no native officers serving at the
Air Base, though the indomitable Gyppos of the Labour Corps
were employed at the aërodrome in building hangars, and
cleaning the machines. Here rows of 'buses, both B.C.'s and
D.H.6's—used for reconnaissance on the Canal, along the
shores of the Red Sea as far as Aden—and over the Front in
Palestine—were ranged in readiness in front of their great
hangars, and observers in double-breasted tunics of drill or
serge, with shorts and forage-caps—or yet more simply and
economically attired in flannel shirts, canvas shoes and
sun-helmets—stood on the summits of wooden towers, combing
the blue with high-powered binoculars for enemy aircraft, in
watches, relieved at three-hour intervals....
Not without reason had the Pasha boasted of the beauty of
his villa, a white marble palace of Arabian-Turkish
architecture, standing well back from an avenue of casuarinas,
embowered in trailing roses, clothed with imperial Bougainvillea
and shaded with trees, rising from the green velvet lawns
that carpet what was a rectangle of barrenness wrested from
the Desert twenty-three years ago.
Within the palace, suites of rooms—used in the Oriental
style as reception saloons or bedrooms—according to the needs
of the moment—were furnished in luxury rivalling the most
modern of Parisian hotels. Soft-footed, low-voiced servants,
chiefly Mohammedans, dressed in speckless white, and moving
like automata, waited upon the master's guests and did the
master's will.
Here Nasr Ullah, the Pasha's elderly body-servant and
confidential messenger, ruled with rigidity, taking it out of his
subordinates when the Presence dealt hardly with him. In two
rooms of the vast warren of rooms opening on a rearward
court, his "house" and a small brood of sturdy boys were
accommodated. A little dark Moslemah the wife of Nasr Ullah,
well dressed and laden with solid silver jewellery. Plain, with
projecting rabbit teeth, and shallow forehead; meek, dutiful,
pious and greatly given to prayer. A grave for the secrets of
her husband Nasr, who was occasionally burdened with a
conscience, whose smarting called for soothing feminine balms.
He stood on the threshold of his outer room, in the mild,
pale hour when the stars were flowering through the last glow
of the sunset, and his tall white turban was pushed awry, and
his high forehead was ridged with care.
"'Tis a tyranny to force a man of kindly heart towards
God's creatures, to scatter poisoned barley for the birds," he
said uneasily. "And the carrier-dove is the Bird of Nun,
that went forth from the Ark and brought back the olive-leaf,
and a dove was the bird that the Son of Mariam—when as
yet but a babe of tender years—playing with others who knew
not His holiness—wrought by the riverside of clay."
"And the boys laughed and mocked Him, because He had
made one bird instead of many. And He was not angry, but
said, 'Do ye then as I do!' And then He clapped His hands
and the dove flew away. Did it not so, O my father?" a
thready voice piped.
"Since when," asked Nasr Ullah with affected sternness,
"have the babes permission to lift up voice when their elders
take counsel?" His lined face softened into tenderness as the
child clinging to the mother's skirts hid his head under her
veil. "Remember, O woman!" he went on, "I have said the
white powder is a deadly poison. If a speck, such as would
lie safely hidden under the finger-nail—find a way into the
child's milk-bowl, I were without a son."
"It is all in there.... I boiled the barley until soft, and
drained the water away carefully—emptied the paper-packet
of powder in among the barley and stirred the barley well
with a little stick. Then I burned both the paper and the
stick, as thou didst order. Remains for thee to break the pot
to sherds when—when thou hast finished. O my misfortune!
What a task! My lord, Nasr Ullah, who hath the pride of
princes!—to creep about under cover of night—from the
courtyard of the Commandant-Sahib to the haush where the
Ifrangis keep their swallow-boats, scattering poisoned barley
for pigeons with messages—"
"Hûs! ..."
She had raised her usually quiet voice somewhat indiscreetly,
and the toddler, youngest save one of Fatimeh's brood of
four, scared by the unusualness of this demonstration, lifted
up his own voice in a lusty howl.
"Hus—sus! No one is vexed with thee, my joy!—nobody
is angry! Run out and play with the little grey goat awhile
before thy sleep-time comes!" And as the boy with a shrill
joyful chuckle toddled over the threshold to seek his
playmate, Nasr Ullah promptly clapped the door to and shot the
wooden door-bolt, and not content with this, pulled the heavy
leather curtains that kept out chilly winds and June and
February samûms, over the doorway and the latticed
window-screens.
"By the life of the Prophet—peace on him!—by thy head! speak
lower. What Afrit hast thou vexed—throwing away
the carrot-tops and the water that washed the dishes?" he
demanded of his now hysterically-tearful wife. "Is this my
house, whom I deemed discreet as Kadijah—peace be upon
her! Raising the voice like a woman accustomed to go
unveiled? Trumpeting secrets as it were on the very housetops!
Wouldst be a widow? 'Nay?' Then shun the road to mourning!
Wouldst die thyself, knowing thy four sons cast out—to
whine for faddahs and broken bread at the doors of the
khans and mosques.... 'Nay' again? ... Then even hold
thy tongue. And, Fatimeh my beloved—" Nasr Ullah's lean,
dark, muscular hand caressed the woman's small head, adorned
with a smart black silk kerchief with a brightly coloured
border, and a forehead-string of coins—all gold ones, though
their value was but small,—"vex not thy soul overmuch about
the doves and pigeons. Are not their numbers countless as the
numbers of the flies? And tell me, my olive-tree, fruitful in
bearing—my Garment of Comfort," his tone had become
wheedling, "whether any of the veiled women serving about
this house be one-eyed? Wallah! I jest not! It is a new
order of the Presence that all such are to be dismissed!"
"How soon?" Another tempest seemed about to shake Nasr
Ullah's fruitful olive. Her bosom under its many serried
rows of solid silver necklaces began to heave again. Her heavy
anklets clashed as her small, henna-stained feet shifted
nervously on the whitened clay floor of the family living-room
where the charcoal stove daily burned, and the cooking-pots
stood against the wall. "How soon?"
"By Allah! no later than an hour after sunrise, and that
delay is granted as an especial grace."
"And the mother of thy wife—the grandmother of thy
children—the guardian of thy house's honour—what of her?"
demanded Fatimeh; "Is she not one of the many decent ones
upon whose eyes the flies have sat in childhood? Is—"
"Wallah! I had forgotten her," exclaimed the man in dismay.
For the mother of Fatimeh, at that moment congenially
engaged in crooning the latest new baby to sleep, in the inner
room dignified by the title of the harîm, had suffered in early
youth, like many other Egyptian women of the lower classes,
the loss, through ophthalmia, of one of her eyes.
Now a faint grin showed on the face of her son-in-law, even
in the midst of his perplexity, as he said:
"Rebuke is justly mine, wife, that I did not remember it.
But by the border of thine usbêh I swear it! Thy mother sees
more with her one eye than other women with two. Yet would
I not part with her. She is wise in dealing with the
teething-troubles of the lesser babes, and her slipper hath more sting
in it than thine, for the ruling of the elder. We will send her
away to thy brother at Kantara until this scare of one-eyed
women is over and done. Meanwhile,—" he glanced over his
shoulder at the door, and sitting on the hard-cushioned divan
that ran round three sides of the whitewashed room, drew
Fatimeh to sit beside him; "meanwhile I would speak to thee
of Khalid thine eldest. Where is the boy to-night?"
"He is gone with his brother Amru to lay snares for fig-birds
in the orchard. They must be set at moon-dark, for the
birds to enter them at dawn."
"He is a born hunter. Seven years old this month of Safar,
and witful as he is handsome—the praise be unto Allah Who
makes them of all kinds! Wife, if I told thee that the Presence,
seeing the boy so ripe for his tender years, and of goodly
promise, had bidden—"
Nasr Ullah's tone had been studiously commonplace, but
the ridges in his high forehead had deepened, and his eyes had
an anxious stare. He winced as his wife without a word slid
from the divan, and next instant lay prostrate on the
white-washed floor, with her forehead on his feet.
"Nay, nay! ... My pearl, my joy! ... Take it not so
hardly! ..."
"O Everlasting, spare me this! O husband, in pity, hear
me. Hast thou forgotten Nasi, our joy and my firstborn? He
would have been nine years old, this Nile-Rise.... Hast
thou forgotten? Ay, ay, it was the old cry; 'This boy was
stupid—that one showed fear. This must have known sin,—for
he could see nothing at all in the ink-pools or in the Eye
of Radiance.' So the Presence takes my Nasi, and gives him
gifts and praises his excellence, and one day he comes home,
crying 'My head, my head!' like the son of the woman who
fed the Prophet El Jah, peace be upon him!—and three days
later, thou, weeping bitter tears, dost hang my green-striped
shawl over the shabid of his tiny bier."
"Peace, wife!"
Sweat broke forth and stood on Nasr Ullah's face. He
wiped it with the sleeve of his white kaftan, repeating:
"Peace, woman! ... It was a fever the boy had caught....
Dost thou not remember what the hakim said? ..."
"Ay! But I had watched by the bed of my sick child, and
shuddered at the visions he told of in his ravings. O,
Husband, I have sat in the house one year, and thou hast said
in thine heart, 'She is forgetting' ... Yet all the time—" She
sat upright on the floor before him now, her strained eyes
glued upon his worried face, and the swift words poured from
her without his opposition.
"Peace! thou sayest. How can there be peace in this house
where soothsayers and necromancers come and go, and the
sand-tables are forever cast, and fresh boys are brought each
new day to peer into the ink-pools.... Lo! I will speak my
mind. Ten years I have been thy wife, and a duteous and a
silent, but a mother in fear for her flesh and blood hath the
courage to defy Shaitan...."
"Be not disturbed.... I will find some way. The boy
shall be sent to El Kantara with thy mother."
"And when my Agib is of likely age, will not the ink-pools
claim him? Will the Presence have bowels to spare a child,
who in all these years hath loved no woman?"
"Nay," was the reply. "What need hath He of women, who
is in love with Life? ..."
"'Tis true. Save when the Inglizi ladies come with their
menfolk to see the house and gardens, and eat fruit and drink
iced sherbets, and say 'charmin'—charmin'' and
'rippin'—rippin','" thus the better-half of Nasr Ullah rendered the
English slang, "no woman ever comes here. What now?" for
the knee on which she rested her arm had jerked slightly.
"I had forgotten. He hath said but now—that a woman
comes here at midnight! No râziye of the Bazâr, or other of
the shameless, but a lady-Sahib from the Palace of Montana
at Iskanderieh.... The car brings her by the fifth hour....
The gates are to be open. When the car has passed in, the
gates are to be shut and locked...."
"Ya rabbi!" The exclamation broke from the woman
involuntarily. "After all these years—it may be that He
changes.... How old is He, husband? Canst thou not even
guess? ..."
"Perhaps He is less old than He pretends, but He is many
years older than folks believe Him. Of that there is no doubt
at all...."
"And it is done by devilry? Witchcraft and spells—and
philtres?" The woman breathed quickly. "Say, is't not?"
"God knows! But from whomever the Presence buys his
youth, He pays a heavy price for it. See how He lives! Even
as one who carries in his breast a stolen jewel, and goes in
fear lest it be snatched from him. The pleasures of the
belly—He must shun them. The joys that are tasted on perfumed
cushions—He must fly them one and all. It is tyranny. Yet
He thinks He is envied. He is only wretched when Those I
may not speak of, ask—too high a price for the magical
drugs...."
"The drugs. The devil-brews that keep Him youthful, who
else would be as dry and wrinkled as the mummies of the
ancient Kings?"
"Verily. And—one thing I have seen of late—" Once
launched upon the sea of Confidence, Nasr Ullah grew less
fearful. "Whether Protection fails him, or the philtres lose
their power, I know not—but—He grows old!"
"I too!—" Her eyes grew large with awe. "I have fancied
He is somewhat changed...."
"Chut! Do not interrupt. It goes deeper than the skin—this
change that I have seen in him. His moods vary like
those of a pregnant woman; he frames designs and throws
them aside as a monkey plucks, and bites, and casts bananas
away. He does not even hate as He used to hate. Once—if
an enemy rose up in the path, he removed that one with his
own hand, and troubled no more about the affair. Or said
to one he trusted, 'Kill!'" the tone was studiously smooth, the
speaker's face expressionless—"and that man or that woman
died—more quietly than the bowab's daughter who ate the
nectarine. But now—since the killing of Usborn Sahib by
a Turk in Palestine,—and the night he dined at Iskanderieh
in the company of the big Jew Tomi—the Presence talks of
nought but sprinkling poisoned grain for carrier-doves and
dismissing of one-eyed females—and my heart is stricken with
fear for my lord! Spells, and charms, and philtres bought
from Those in the Distant Places will not avail forever against
the day of Fate. Azrael will come behind my lord with a touch
upon the shoulder. The Black Camel of Allah will tread upon
his heel. Then—even at a breath—the House of Life will
crumble!" Nasr Ullah started to his feet as a silvery sound,
momentarily increasing in volume, rolled into the stuffy closed
room, and hummed about their ears. "It is the gong from
my lord's room. He calls, and I must go! ..."
He added, slipping the earthen pot of soaked and poisoned
barley within the bosom of his embroidered vest: "Sleep well,
my wife, if I see thee not ere morning. And call in the
children—it is time they went to rest! ..."
This was another moonless night, with Orion glorious in the
East, and the Great Bear blazing on the northern horizon, as
the headlights of the high-powered Daimler car, driven by
the Italian chauffeur, flashed on a high, wide porte cochère of
white-painted wrought iron, and the horn sounded a
well-known call.
The massive gates were opened and shut by a hand-worked
windlass, over which ran an endless chain. Two white-clad
negro porters worked the winch, the gate slid smoothly back
in its groovings. The car rolled in, and the gate was shut as
it passed up the avenue.
The Arabian-Turkish palace seemed to sleep under the starshine
of the November night, wrapped in its royal mantle of
roses and bougainvillea. Heavy drifts of perfume were
carried on the languid air-waves that came from the south-west
at intervals, swaying thick-foliaged branches and sighing
amongst the leaves. Not a blue-white gleam of electric light
or even the flame of a candle twinkled through the pierced
lattices, as Katharine, alighting from the car, observed with
some surprise.
The wide-leaved doors of the house stood open. On the
steps and in the vestibule were drawn up a double row of
native servants; lean, dark Mohammedans in high starched
turbans, kaftans and baggy trousers of snowy muslin,
displaying gorgeously gold-embroidered vests.
One elderly man stepped forward, salaaming low to the
visitor, with the words:
"O lady, God give thee a happy night! His Presence awaits
thee."
"Carry thy lord salutations from me," Katharine answered
in her laboured Arabic. "Say that—that I have come in
answer to the message. Is the Saiyid Hazel here in the
house?"
The elderly man salaamed again and answered smoothly:
"Surely, O lady, the desire of thine eyes and thine heart
shall be granted! With your coming a blessing hath entered
these doors...."
The Italian chauffeur now appeared behind Katharine, carrying
the suit-case. A servant stepped forward and took it, as
Miss Forbis said to the chauffeur in French:
"I don't yet know whether I shall need that case. Leave
it in the car, please, and let the car be waiting. I may return
to Alexandria to-night."
"But, Mademoiselle!—" the Italian began, when a look from
Nasr Ullah silenced him. He saluted, and muttering: "As
Mademoiselle commands!" turned and went out and down the
steps. But he left the suit-case in the servant's hands—and
the hall-doors were shut and locked after him. And the
fragrance of the jasmine and roses of the garden gave place to
another perfume, heavy too, but sickly-sweet with sandal and
henna, the fumes of burning pastilles, and all the strange
suggestive odours of a shut-up Eastern house. And glancing at
the now barred doors and the double row of gleaming eyes,
and imperturbable dark faces, Katharine Forbis felt a little,
chilly shudder creep over her and stir amongst the roots of
her plentiful dark hair.
"A goose walked over my grave, then," she told herself,
smiling bravely, fighting back the sinister sensation, as the
elderly major-domo addressed her again:
"With permission, a message for the lady, from the Presence.
The Presence took food, as is his wont, a little after
sunset. It is now the fifth hour, and supper has been spread,
Ifrangi-fashion, in readiness for the lady's coming. If the
lady will deign to take of it, I pray her follow me...."
"Thank you, but I need nothing," Katharine answered, as
the man prepared to lead the way down an interminable-appearing
hall. "And—I prefer to stay where I am." She
moved to a carved ebony seat, and spoke to the man again,
this time in English. "Please ask Essenian Pasha and
Mr. Hazel to come to me here. Unless—" She started as the
thought occurred to her, and ended: "Unless they should
happen to be engaged with—some one who is ill...."
"Aiyân...." The dark eyes under the much-ridged forehead
were wonderfully observant. The nasal voice belonging
to the eyes spoke in the English tongue: "Surely there is one
here who is ill exceedingly. The Presence and the Saiyid
Hazel have many fears for him," Nasr Ullah added as the
colour ebbed from Katharine's cheeks and lips and her hand
clenched involuntarily, "but by the Favour of Allah—he is
not like to die...."
"Take me to him.... Now, please! ..."
Miss Forbis rose up, tall and impetuous, motioning to Nasr
Ullah to lead the way, scattering her scruples and her fears
to the winds like withered leaves. Which of her beloved Two
lay in some darkened room of this strange house? Julian or
Edward? Edward or Julian. Well, in another minute she
would know....
It occupied several minutes. The elderly Mohammedan produced
an electric torch, and by its radiance led her through
a vast suite of apartments on the ground-floor, their Arabesque
Ottoman elegance grotesquely overlaid with fashions imported
from the West. A curious jumble of furniture of many
different styles and periods was revealed by the blue-white
torch-flare—overcrowding the wide and lofty rooms. French
Directoire and the First Empire shouldered the Georgian
Regency, Early Victorian tables and Berlin wool-work settees
were reflected in splendid Venetian mirrors, and electric bulbs
depended from cut-glass chandeliers. Later Rococo—overlaid
with Art Nouveau and camouflaged with Futurism; Cubist
pictures, Cubist draperies and cushions of Cubist designs,
gibbered mockingly in Katharine's face as the electric torch led
the way.... And the stuffiness bred of Eastern neglect hung
heavy on the atmosphere, and dust rose in wreaths from the
velvety carpets under the lightest tread.
The last door of the last suite led into a wide corridor paved
with black and white marble. Midway down, the elderly
servant stopped at the grille of a lift and switched on the
electric light. He snapped off his torch, pushed back the
sliding-door, followed Miss Forbis in, shut the grille and
started the elevator—a costly thing in nickel and enamelled
iron—conveying to Katharine the momentary impression that
she was calling on a London friend in a Sloane Street or
Mayfair flat.
The lift stopped at the top floor after traversing three
storeys. The Mohammedan showed Miss Forbis out, and
opened a latticed door at the end of a short passage. She
drew a breath of relief as the night-air flowed about her, and
the rose-scents of the dew-drenched garden rose up in
delicious clouds.
She was passing over a slender bridge, connecting the roof
of one of the wings of the Pasha's showy villa with that of
another building, evidently much older, distant perhaps some
forty feet from the ornate marble palace, and covering a
considerable area of ground in its rear. Built in the old
windowless Arabian way about an oblong courtyard, and crowned by
an open court or pavilion of green and white marble, its outer
walls were pressed upon by closely thronging trees.
Casuarinas and moss-cup oaks, peppers and tamarisks and tall
waving palms made coolth and greenness round it, and
nightingales were singing from the trees that girt it round.
The bridge, of latticed iron, painted to dazzling whiteness,
ended under a pointed trefoil arch where heavy curtains hung.
The Mohammedan servant who showed the way was beckoning
to Katharine—lifting a gleaming, gold-embroidered fold,
signing to her to pass. She drew in a deep breath of
fragrance from the garden, and the song of the bulbuls rose in a
crescendo of sweetness as she glanced at the starry sky. Then
the dark hand signed to her—she passed under the archway,
and the curtain fell behind her with a soft, thudding sound.
She stood on the threshold of an oblong room, or rather,
court, of pierced and latticed marble, covered and adorned
with mosaic, running nearly the whole length of a side of the
Arab house. Open to the sky overhead, and enclosed by
curtains of thick gold-embroidered silk, hanging under trefoil
arches between groups of slender pillars, it had a long divan
of dark, rich brocade running along one side. Two silver
lamps of antique design, swinging by chains from slender
rods, mingled their mellow radiance with the starlight. At
the farther end, closed curtains under a higher arch showed
the entrance to another court—or possibly an enclosed
apartment—beyond the pavilion that was canopied with the sky.
The floor was of ancient Arab tiles, wonderful in colour.
Rare and beautiful prayer-rugs were laid on it here and there.
A pedestal of serpentine supported a great porcelain bowl in
which a little fountain played, and goldfish were swimming.
Clusters of lilies of Amaryllis type, thick-stemmed, fleshy,
purple and white and crimson, exhaling a heavy, languorous
fragrance, stood in jars of ancient cloisonné upon inlaid ivory
stools. In the centre of the room stood a broad divan, piled
with great embroidered cushions. Beside the divan was a
tripod of ebony, supporting something that looked like a green
velvet jewel-case....
A slight man in Eastern dress, his black tarbûsh turbaned
with snowy muslin folds, his long-sleeved kaftan of
orange-red opening to reveal a longer-sleeved garment of white, a
jewelled pen-case glittering in the folds of his green silk girdle,
rose up from the divan as the curtain fell—and advanced to
Katharine....
"Dear lady, my poor house is highly honoured—" he began:
"Is Mr. Hazel here, Major Essenian?"
In her surprise at finding the Pasha alone, Katharine's
hurried query broke in upon the Pasha's formal welcome,
scattering his elaborate sentences to the winds.
"Mr. Hazel—" He affected for a moment to search his
memory. "Dear lady, I am sorry, but—" His shrug said
"No! ..."
"Then why did your chauffeur bring me the letter from
him?" Katharine demanded, looking down from her superb
height upon the suave and smiling face.
"From Mr. Hazel?" Essenian asked with maddening
blandness. "Did he bring you a letter? ..."
"You know he did! ..."
"Ah yes, of course, I know!" admitted Essenian, his long
eyes narrowing as they encountered Katharine's. She mastered
her anger, knowing its display incautious, and said with
rather a poor attempt to smile:
"You must make allowances, Pasha, if I seem excited and
nervy. But—I have been on tenterhooks since the day we met.
The 15th—and—isn't this the 18th of November? ..."
"Certainly, going by your Western calendar. But in this
house that lies hidden behind another that is full of barbarous
Western inventions—Western customs do not prevail, and
Western fashions are abhorred. You are in Egypt when you
are here...."
"The room is perfectly beautiful. But I can't spare time to
enjoy it. I can think of nothing but the matter that brought
me here to-night. Last night, rather"—Katherine glanced at
her wrist-watch—"because it is getting perilously near one
o'clock in the morning. Once for all, I ask you where you got
the letter that your servant brought me at the Hospital, nearly
five hours back? ..."
"It was placed in my hands by Hazel, to be delivered in case
of emergency."
Katharine's clear eyes questioned the dark face. Its narrow
eyes met hers, glittering imperturbably. She resumed, with a
little sickening thrill of hatred of the man:
"Then—the emergency has occurred? Be good enough to
answer another question. Did you take Mr. Hazel to Shechem,
as he told me you had arranged to do?"
"Certainly. We made the trip in record time." The long
beryl eyes shone green in the mingling of lamplight and
starlight, the smooth dark lips curved as Essenian smiled.
"Following the old Pilgrim's Route at first. Doing the
journey—about 195 miles, as the crow flies—in something under
three-and-a-half-hours, and reaching Shechem just before dawn."
"And—when you got there—what went wrong? For something
has gone wrong," Katharine said breathlessly—"I feel it
in the air about me, though your face tells no tales."
"'The face that tells tales is a man's worst enemy. The
face that hides secrets is a man's best friend.'" Essenian
quoted the stale truism gently and suavely. "But will you not
remove your outer wrap and take a seat on the divan?"
He added, as Katharine unfastened a cloak she wore, an
ample double cape of Navy blue serge, lined with dark crimson
silk, and dropped it from her shoulders, and moving with her
supple grace to the divan, sat down:
"I returned here yesterday, arriving before sunrise. To
remain in Palestine would have been useless. To be candid—"
"Oh, my God!" said Katharine in her anguished soul. "Does
this man ever speak candidly?" But she looked at him and
waited—summoning up all her reserves of self-command and
patience, seeming a calm-eyed, superbly-moulded goddess,
attired in a well-cut uniform of white cotton-drill.
"I had arranged to return to Shechem," he went on, "before
sunrise on the 18th. There is still time to reach there while
the day is yet young. But something unfortunate happened
just before the landing. In fact, Mr. Hazel has had an
accident—"
"An accident. Of what nature? ..."
Katharine's brows contracted and her colour faded.
Essenian pursued in his suavest tones:
"Let me explain. To repose a confidence in you, which I
feel will not be misplaced." Would the man never get to the
point? "I employed at Shechem, a device of my own
invention—which has been approved at Headquarters by my Chief.
By a simple mechanical appliance—merely a spring-switch and
lock-clip—I can change the number and colour-plates on the
main-planes and tail of my machine. You understand? The
Red, White and Blue is replaced by the Red Crescent. Imagine
the advantage to the aviator of a simple device like this!"
"But the type of your machine. You can't change that!"
Katharine spoke wearily.
"I cannot, naturally. But our captured 'planes are generally
brought into use. And—I do not remain sufficiently long over
an enemy stronghold to give time—" the speaker shrugged and
ended—"for exhaustive scrutiny. Let me be brief—"
"I beg that you will! ..."
He recognised in her voice an accent of entreaty. It was
what he had waited for.
"I dropped—in my strictly temporary role of Turkish
aviator—a dummy despatch-bag into Shechem. Then I flew
north, to a patch of level ground between Mount Ebal and
Samata—where I had planned to drop my man. As I passed
south of Mount Ebal, I saw"—he was telling the story plainly
at last "there were enemy batteries upon it. Mountain
Artillery of the Mustahfiz—machine-guns—a howitzer—the Mount
had been converted into a fortress of defence! And, in my
surprise at the discovery, I acted without due caution—or
rather, I acted as I had arranged to act—without deviation
from the first plan. I climbed, dived, and came down west of
the Mountain—giving Hazel the agreed-on-word to jump,
when I should touch the ground. But—as a result of the
surprise, I suppose—I gave it prematurely—"
"And Mr. Hazel jumped—before you touched the ground!"
Her voice was very stern and deep. Her wide gaze held him.
"Answer my question plainly. Has he been killed? ..."
"No. But he has sustained some hurt. I do not know its
nature. My military duty forbade me to remain."
"I—understand. You flew away, leaving your passenger in
difficulties! ..."
The deadly contempt of the tone bit like frost at 15,000 feet,
the splendid wrath of her cairngorm eyes told him that he,
Essenian, was a creature infinitely mean....
"I flew away. As you remark." The glittering eyes met
hers at last, and the lips smiled cruelly.... "What would
you have?" He folded his slender, dark hands within the
shelter of his sleeves. "Can men fight against Destiny?"
"Men can fight against the temptation to do base things,
and sometimes fight and conquer. And now—" Anger and
grief were in her tone, "what will become of him? ..."
"Of your friend? ..." He stood imperturbably facing her,
his dark hands hidden in the sleeves of his orange-crimson
kaftan, and the delicate mingling of golden lamplight and
silvery starlight threw his shadow over the rich, pale carpets, and
the exquisite Arabesque mosaics, of green and blue, and amber,
that covered with their tracery the exposed spaces of the floor.
"How can I say what has or will become of him! ... If you
choose, it is for you to tell me...."
An almost insupportable sense of the speaker's insincerity
went through Katharine's being like flame, and the agony of
suspense long drawn-out, spurred her—as Essenian had
calculated it would—to reckless utterance....
"How can I tell you? You play with me, Major Essenian,
knowing as you must, that if I could find out what has
happened to my—to my friend and my brother I would do so at
any sacrifice! ..."
"Then," said the Egyptian, gently and mellifluously, "place
yourself before the case that is on that tripod, open the case
and look in the spherical beryl it contains. I will not touch it
lest you should suspect me of some trickery. Indeed, I will
remain at a distance while you look.... All I ask is—that you
will tell me truthfully what you see—if Sight be vouchsafed
to you! Judging by what I have witnessed I believe you will
be favoured. No sacrifice is needed.... You have only to
look! ..."
He lowered his voice almost to a whisper, yet every word
came to Katharine's hearing with a distinctness that oppressed.
"After our meeting in Mr. Hazel's house at Alexandria,
where I had witnessed such a striking manifestation of his
clairvoyant powers, he dined with me at my Club, and after
dinner—in my eagerness to pursue further the investigations
that absorb me—I persuaded Hazel to look in the beryl that
case contains. He passed with ease into the condition
inseparable from Vision—but to my questions I received no
satisfactory replies. Now that you are here," the voice was
hurried, "the hour and the conditions alike being favourable,
stretch out your hand, open the case and—look in the crystal
ball!"
"Do you really think that I should see—things? Find out
what is happening to—friends at Shechem?"
Essenian's orange-red draperies rustled as he moved nearer,
saying:
"I do not 'think.' ... I know that you would! ..."
Holding his breath, he saw her white figure shift its position
on the divan. Now her white hands hovered like wistful doves
about the velvet case on the tripod—now the moony brightness
of the great spherical beryl shone forth as though some
lesser star of the innumerable hosts of heaven had fallen upon
the tripod in the Arabian room.... Now he heard her
say—speaking to herself rather than to him—with a fluttered laugh
of nervousness:
"You know, I won't have anything to do with this if it's
dabbling in magic. But—just to look in the beryl can't be
much harm...."
"No, no! What harm could there be? But wonderful
things are seen—sometimes—by gifted people. And you—I
would stake half that I own on the certainty that you have
the gift! ..."
He moved softly here and there in the background as Katharine,
absorbed, bent over the beryl. Now he loosened a silken
cord, and shades descended, covering the silver lamps. He
moved his dark, supple hands among little brazen vases of
Benares-work ranged upon a stand resembling a Hindu altar,
and a slender column of incense, heavy and fragrant, rose up
and climbed, spiralling and twisting, towards the great stars
that looked down from Heaven's violet dome. Presently he
heard Katharine whisper to herself as a woman speaks in
dreaming:
"The Church forbids dabbling in spiritism and magic. But
just—once to look—can't be so very wrong! ..."
And now Essenian spoke, seizing the appropriate moment,
almost as he had spoken to Hazel at the Club:
"Wrong.... How should it be wrong? Do not touch the
beryl—that is imperative. Neither bend so close above it that
your breathing dims its light. Sit comfortably, rest your hands
lightly on either side of the tripod. You are not afraid? Why
should you be? There is absolutely no reason.... Only look
steadily in the beryl, do not remove your eyes...."
If Katharine had seen Essenian's, as they narrowly observed
her, she might have recalled a speech of Lady Wastwood's,
made a few days previously. For they indubitably resembled
the eyes of a cobra, and his soft noiseless movements were
horribly tigerish. But she knew nothing but the cold, gleaming
sphere upon its little cup-shaped metal pedestal—and the
smooth twists and coiling folds, suggesting veil upon veil of
mystery—that were beginning to reveal themselves beneath the
pale-green, shining surface that at first had seemed opaque.
There was a singing in her ears, and she heard her heart
throbbing, but as though it were the heart of some one
else beating a long way off. Edward's? ... Julian's? ... Neither
of these, she thought.... The heart that called so far
away was John Hazel's.... What was he doing? Where was
he? What had happened to him? Summoning all her
strength, she willed herself to see....
"Oh, oh! Take it away! ... Hide it from me! ..."
Katharine was moaning, and begging not to see. And the
Egyptian, ashen of hue, dabbled with sweat, vibrating like a
wind-blown reed—was bending towards her, greedily drinking
in the disconnected utterances that broke from her—when she
sighed deeply, lifted her head, and fixed her eyes on him.
"Go on! Go on! Look back to the beryl!" He lifted his
slender clenched hand as though he would have struck her.
"Do you want to ruin all? Why do you stop? ..."
"Because it makes my eyes and my head ache so...." She
opened and shut her eyes once or twice, and rubbed her
forehead with her handkerchief. "And because what I saw
was horrible—that was why I stopped!"
"What did you see? ..."
"The inside of a wooden hut. Dirty and sordid—with no
furniture in it except a native bed. All seen as by daylight,
through high-powered binoculars. And—on the bed—chained
to it—" She shuddered—"Something shapeless—something
bloody—something terrible—that once may have been a
man—"
"Was it your brother?"
"No, thank—"
"Hush! ..." He stopped her with an imperative gesture.
"How do you know that it was not Father Forbis? ..."
"Because Julian is very fair, with reddish hair and beard.
The monks of his Order wear the beard like the Franciscans."
"Was it John Hazel? Answer! ..."
"I dare not say! ..."
"You know it was!" He almost spat the words at her.
"Perhaps. Oh! what have they done to him? ..." Katharine's
nerves were thrilling—little intermittent shudders
passed over her, cold damps stood upon her skin, and her heart
shook her as she sat. She fought for composure, steadying
her lips, drying her dewy temples with her handkerchief, "I
have seen things in War," she panted, "but nothing worse than
that! Pray order the car!—I must go back to Alexandria." She
repeated, thinking he did not hear her. "Have the
kindness to order the car! ..."
He had moved round in front of her, and stood regarding
her with his arms crossed upon his breast. Now he said in his
velvet tones: "Not until you have looked again in the beryl,
Miss Forbis. And for me—for me, this time!"
"You threaten to detain me here against my will? I should
not advise your trying it!" She rose up, dwarfing him by her
superb stature, adding as she lifted her mantle from the divan:
"You do not suppose that my friends at Montana are ignorant
of my whereabouts? Besides, your car was challenged at
all the guarded barriers, and more than once stopped upon the
road here by patrols of Military Police. The chauffeur
supplied your number and name, and I naturally took care to
give my own, 'Sergeant-Motor-driver, K. Forbis, Number 61,
—th Unit, V.A. Department, Red Cross....' This is the
Twentieth Century, Major Essenian...."
"I threaten nothing. I suggest nothing," the supple hands
were extended towards her, palms uppermost, "I have no
designs against your honour. I am of those who see the
grinning skull behind the Face of Loveliness and the asp that
conceals itself beneath the blossom of the rose." He spoke
rapidly, illustrating his sentences with swift, expressive gestures:
"I merely entreat of you, at this juncture in my fortunes—a
man beset with dangers from sources all unknown!—look
in the beryl! Ask of me what you choose—I am wealthy
enough to give it you!—but first look in the beryl, and will
to see my Fate."
"Very well." The womanliness inherent in Katharine
stirred her, in spite of her dislike, to pity the desperate anxiety
patent in the Egyptian's twitching face, and nervous, appealing
hands. "But your attempt at coercion was as misplaced
as your suggestion of bribery. You will not repeat either, if
you are wise. Since you entreat it, I consent to look once
more in the beryl. But first—order the car...."
"I am your slave, and all I possess is at your service!" He
took a silver rod from a stand, and struck a small gong. It
had a wonderful resonance, and the sonorous note evoked,
spread in waves increasing in volume, until, the limit of its
power reached, the sound ebbed away.
"That was to summon the car. Now, look—" Essenian
threw fresh incense on the burning embers in the censer on
the altar, muttering an invocation in his own tongue: "O ye
Influences, be propitious! O Tarshun, O Taryushun! Come
down! Come down! Remove the veil from the woman's
sight. Show her my Fate in the Eye of Radiance. Hear, O
Arhmân! Great Prince—thy servant calls! ..."
Bending over the beryl, resting her hands on the tripod,
turning a deaf ear to the inward voice that warned her not to
look, Katharine saw in the body of the stone, framed in silky,
shining skeins of semi-opaque lustre, a little oval vignette of
her own face, crowned by the slouched felt uniform hat, with
its badge and ribbon banding, backed by the purple splendour
of the jewelled Eastern sky. She put up a hand and removed
her hat, and tossed it aside carelessly, without removing her
gaze from the sinister, gleaming sphere.... Then the pale
face with the intent eyes faded from vision, a wider space
began to clear between the silky folds....
"Essenian Pasha—I will to see the Fate of Essenian!" she
repeated mentally, concentrating her powers. The will to see
became intense. She forgot her loathing of the man, muttering
incoherent things, shivering with suspense behind her: "I
will to see! ... I will to see!" she told herself over and over.
And Seeing came as Katharine framed the words, with dazzling,
illuminating clearness. As previously, she might have
been looking through high-powered binoculars.
She saw a whitewashed brick courtyard, clean and bare and
sanded, in early daylight, with blank brick walls on three
sides, and plain brick buildings on the fourth side, where two
sentries with fixed bayonets guarded a door. Drawn up in
the courtyard in two lines, a company of R.F.C. officers,
N.C.O.'s and men, stood at attention. The door opened, the
sentries presented arms, and a Sergeant-Major and party of
Military Police, with fixed bayonets, led by an officer wearing
a Staff brassard, and followed by four other Police, carrying
a plain, wooden coffin—marched into the courtyard, escorting
a prisoner.
The prisoner was Essenian—in khaki as she had first seen
him—save that his multi-coloured rows of ribbons, and the
badges on his uniform, had been ruthlessly slashed away. The
man himself was altered, shrunken, aged beyond believing.
His grey face with its glittering eyes staring from caves that
had been dug about them, lifted as the Sergeant-Major
touched his shoulder—took off his cork helmet—bandaged his
eyes carefully—opened his khaki tunic and hung a
white-painted metal disc immediately above his heart....
Now they were putting down the coffin before a blank wall.
Now the little shrunken figure stood against the wall in tragic
solitude—the Sergeant-Major was placing seven men in line
confronting it, taking their rifles from them, and showing
them, one at a time to the officer with the Staff brassard....
"Ready...! Present....!"
The rifles had been given back, and seven muzzles steadily
pointed at the white disc hanging on the doomed man's breast.
In another second—sharp stabs of greenish flame leaped
beyond the shining bayonets, light puffs of brownish smoke rose
against the dazzling blue sky seen above the wall....
The shrunken body lay huddled up, in an odd unnatural
attitude, in a dark red puddle that soaked away in the sand.
The officer with the Staff brassard approached it, drawing his
revolver.... He stooped down, straightened himself, glanced
back at the Sergeant, and slipping the revolver back into its
holster, gave an order, wheeled sharply and walked away.
And as he did this the whole scene blurred and vanished.
With a slight, sharp sound like the snapping of a crystal rod,
a jagged fracture showed down the middle of the Eye of
Radiance. The Beryl had become opaque as a lump of volcanic
glass.
"What have you seen? ..." A fierce breath beat on
Katharine's cheek, and a steel-strong grip was on her arm, as
Essenian's swift whisper assailed her ear: "Deny not that you
saw!—the stone splits—that is enough!—it means the end for
me! I am deceived—" the shrill voice cracked despairingly—"I
to whom They promised Life—Life prolonged beyond the
age of elephants—Youth that should keep its freshness like
the flower in the block of ice. Speak, woman, say what you
have seen, or by Eblis! I will make you! I am strong yet,
and if Azrael's hand be at my throat, you shall feel mine at
yours!"
Even as he leaped, Katharine swung out a long arm, striking
him across the body, breaking the force of his leap, as she
remembered to have once done when a savage cat, crossed
with the wild breed, had crept up behind, unnoticed, and
sprung upon her to bite.
"You native cad!" rang her clear disdainful voice. "Are
you out for murder?"
"I am out to make you tell me—" Breathing unevenly, he
stood back from the divan, his supple body tense for a second
spring, his glittering eyes watching her: "What have you seen
in the beryl? Answer!—it is my right to hear!"
"But not your right to lay hands upon an Englishwoman,"
Katharine retorted, tingling with insulted pride. "Do not
attempt it again, because I carry a revolver, and like most
women who have served in this War, I have learned to use
it well!"
Brave words, yet her head was swimming as she spoke, and
her heart throbbed suffocatingly, and the hand that gripped
the butt of the little Colt's revolver, shook with the rigor of
fear. The strange and terrible experiences of the night—horror
of Essenian's vicinity and touch, the strain of long
anxiety and protracted fasting—were beginning to tell upon
Katharine. She despised women who fainted at dreadful
sights or in perilous situations, and yet—she realised herself
not far from fainting now....
Air—she was famishing for want of air! though the room
was open to the stars and the night-winds—though the
curtains behind that tigerish orange-red figure were bellying and
parting, blown inwards under their pointed triple arches by a
gale she could not feel. She could see the branches of the
thronging trees—the lateral limb of a towering moss-cup oak
swaying strangely under the weight of a climbing brown
figure. She caught the flash of eyes and teeth in a shadowy
face topped by a white sun-helmet—and ran towards the
archway as a man leaped into the room....
Others followed, dropping from the great elbowed tree-limb
to the wall, and jumping through the archway.... Men in
the well-known khaki drill, with sun-browned or pale
European faces under their sun-helmets—and the red brassard
of the Military Police....
"Sorry, but I have to arrest you, Major Essenian, in the
name of the King...."
A young Lieutenant of M.P. with a tooth-brush moustache
of undeniable ginger was pressing a folded paper on Essenian
and mopping his own dripping face....
"Warm work, shinning up trees in this muggy Egyptian
climate. But I fancy we've dropped in just at the right
time... Certainly for the lady. Sergeant Whitmore, look
to the lady. Handcuff the prisoner, Corporal Rose. And,
Major, remember that anything you say will be used against
you in evidence."
"There will be—there will be a formal Court Martial?" He
raised his face, the grey face, pinched and sweat-dabbled, that
Katharine had seen in the vision of the Stone: "I demand
it!—I demand it! Whatever the charges on this warrant which
I have not read, remember!—I can disprove them—I can
confute them—establish my honour in the face of the world."
"You'll be lucky if you do! No, you can't change into
uniform. One of your servants can pack a kit-case, and leave it
for you at the Military Clink. That's your address—while
you require one. Hit that tin gong, will you, Corporal? It'll
fetch some of these Gyppo fellows to show the way to the
hall-door."
"I can guide you, Mr. Martyn!"
"Holy Smoke, it's Miss Forbis from Montana! How in
the wide— I beg your pardon!"
The Lieutenant—not so long ago a convalescent patient at
the Hospital, broke off the end of the question, reddening, but
Katharine answered with her broad, sweet smile, looking in
the boyish face with candid cairngorm eyes:
"How in the wide did I come here? Well, I'll tell you
strictly in confidence—in return for a lift back to Alexandria.
Can do? ..."
"Can do! Off duty—as soon as I've delivered the goods at
the M.P." His glance at the goods was highly expressive:
"'Hê intē! Ya rajîl!" This to an elderly Mohammedan
servant with a much-ridged forehead of anxiety—Nasr Ullah,
summoned in haste to the Pavilion by an alien stroke upon the
Presence's gong. "Oh, you! Show us the way downstairs!"
"I will go, I will go! Do not handle me roughly....
Remember that I am an old—a very old man! Miss Forbis, I
knew your father once! Speak for me! Use your influence!
Remember," the quavering voice broke in a fit of senile
coughing, the manacled hands extended to Katharine in
supplication, looked like those of a mummy, so discoloured and
shrunken were they: "You do not answer? You triumph in
my downfall?" The narrow eyes glimmered hatred out of
their deep-dug caves. "Do not forget your brother, and your
friend, Mr. Hazel—whose fate is practically in my hands!"
"Their fate is in the Hands of God," Katharine answered
gently, moving beyond the reach of the withered, trembling
clutch. "Like yours and mine, and that of every other
creature. Good-bye, Major Essenian...."
He made no reply. He was muttering to himself, and
looked, indeed, an old man. His head fell on his breast as
the word to move was given—and the party of policemen, with
the orange-robed figure tottering in their midst—tramped over
the white bridge in the bluish-pale light of the small hours,
and followed by Katharine and the Lieutenant, went down
through the airless house....
When the tail-light of the last of the string of the four
Military Police cars had winked past the turn in the avenue,
and the porte cochère was closed, Nasr Ullah went back to his
"house" and found her waking. She hastened out of the inner
apartment and ran to him in alarm.
"Oh, my eyes! Oh, my husband! Alhamdolillah thou hast
returned to us! Little sleep have we had this night. Strange
scrapings at the back of the house, and whistles as of Afrits
talking.... The children woke and wept, and I scarce had
wits to lie to them—thinking the Servants of Eblis were
carrying the Presence away! ..."
"The Presence hath gone, sure enough, but Inglizi soldiers
took him. Always I have known," said Nasr Ullah, "that
some day the soldiers would come. They followed the woman
secretly, climbing the trees like monkeys, and leaped in upon
the Presence when she cried out.... Perhaps she was a
spy—God knows! ..."
"Praise be to Him the soldiers took thee not also! Tell
me—in this matter of the pigeons.... Didst thou—"
Nasr Ullah shook his head:
"My heart was straitened when I left thee,—but Allah
enlightening me—I dealt wisely. For at the compound of the
Commandant—at the Headquarters of Intelligence and at Garrison
Headquarters—one grain of barley threw I at each place,—and
picked it up again! Then, burying the pot and the grain
in a place where none will find them—I returned at the fourth
hour, and said to the Presence—'Lo! I have done thy bidding,
in the casting of poisoned barley.' And in this I spake the
very truth, yet Nûh's birds are safe for me!"
"It is well. The Compassionate shielded thee. Think you,
my husband, the Presence will return?"
"I think not, but if he does, he will not find Nasr Ullah. The
Eye of Radiance is broken, so even did he look in it he could
not find me. The Englishmen have opened his maktabs and
taken all his papers. Come, let us take the children, and thy
jewels, and our money and the best of the clothing and go
away from here!"
"When the fleas leave the cat, he is dead!" said Fatimeh
acutely.
"No flea am I!" denied Nasr Ullah stoutly. "Forty-two
years have I served The Presence, and by Allah! I have
served him well and faithfully. Now, I shall serve Allah, Who
is the better Master, and my sons shall grow up without
knowledge of ink-pools and wizardry...."
"And the bag that is buried under the bed hath enough in
it to buy thee a homestead. Verily the Beneficent hath
hearkened to my prayers. Go we by day, or now?"
"Now. Make haste and dress the children—hide thy jewels
about thee." He looked round for something to dig with,
and picked up a big brass ladle. "Strange, how a man may
feel like a thief in digging up his own hoard!"
"Will there—is there likely to be a Court Martial?" Katharine
asked the Lieutenant, as some hours later, a Police Ford
Car, diverted from official use for the purposes of chivalry,
ran between green fields of fodder on the road by the Canal,
and the Lieutenant—having fed his charge with sandwiches
of cold chicken, hard eggs, ripe figs and bananas, and hot coffee
out of a thermos—was pressing Turkish cigarettes on her and
offering a light.
"Something in the nature of one, possibly. But precious
short, and to the point. I'm not broaching official secrets!—but
the evidence is solid. We've had quite a cloud of witnesses
to prove that the Pasha has been playing the kind of trick
with the British Government that he tried to play on you.
There were two of our Secret Intelligence men, in Shechem,
one of 'em a prisoner in the Barracks and the other in disguise.
And he was twice seen by these chaps to shed despatches into
the town-square...."
"But weren't the despatches dummies?" Katharine asked.
"That was the tale he fed 'em with at H.Q., but it won't
wash!"—the owner of the ginger toothbrush shook his head:
"We've got hold of the last lot and they're genuine enough.
Seditious propaganda—from centres in the Far East—that's
the sort of stuff he's been dropping in Palestine.... What's
more—it has just come out that he murdered his observer—the
S.I. man who was shut up with the other War Prisoners in the
Barracks saw the thing done—in mid-air over Shechem—just
as he'd focussed his binnics on Essenian's machine. 'The
Two-Faced Nightingale,' the War Prisoners used to call her—because
of her transferable number and colour-plates—a clever
invention of the Pasha's, you see...."
"But I thought they'd approved of the invention at
Headquarters? ..."
Said the Lieutenant, with a shrewdness that went curiously
with his youthful face:
"Oh, right enough, the Brass Hats approved of the invention!
But they didn't approve of its being approved of," he
twinkled at the alliteration—"by the fellows on the other
side. The man's a dud! And he's jolly well earned what's
he's going"—he looked at his wrist-watch—"what he's bound
to get—half-an-hour after morning gun."
"Boom!"
Even as the Lieutenant spoke, the radiant air vibrated, and
flocks of swallows, newly arrived, scared by the detonation,
rose and wheeled shrieking over the Fortress of Alexander's
Town....
The Hospital was already astir as Katharine passed in.
She did not go at once to the sleeping-tent she shared with Lady
Wastwood, but passed the white rows of canvas dwellings, and
turned into the dewy, deserted gardens, where odours of Eden
breathed from the newly opened roses, and all the thrushes and
blackbirds and bulbuls were singing in chorus to greet the birth
of another day.
Her glance sought the table where she had left the card and
the letter. They were not there. Lady Wastwood must
have taken them. One could always count on Trixie for such
kind, considerate acts.
She threw down her hat and the serge uniform-cape on
the table and stepped out upon the terrace to drink in the
sweet coolness, resting her hands on the balustrade as she
looked out over the gardens, and the Khedive's boasted
tennis-lawns of rafia—beyond the belt of palms, evergreen oaks,
tamarisks and stone pines and rustling casuarinas, that clothe
the slopes of Montana, to the changing blues and beryls of the
classic Western Sea.
Among the cistus-blossoms at her feet, the early bees were
humming; orioles were busy weaving their nest in the overhead
vine. A light step sounded on the mosaic floor behind
her. Trixie had come out to look for her. No—not Trixie!
A sudden shock passed through her. Her heart leaped and
seemed to stop, then went on beating furiously. She felt,
without knowledge, that Edward Yaill was near....
Waves of carnation swamped her creamy fairness. Great
waves of joy surged in her heart. She held her breath and
looked down at the white hands folded before her on the
creamy stone of the balcony....
The hand that lay uppermost wore the ancient gem of Hercules.
Now a breath fanned upon her neck, the subtle scents
of the Desert surrounded and enveloped her, an arm in a khaki
sleeve gently stole round her, and a familiar hand covered the
onyx ring.... Yaill's hand. Beautiful and strong, masculine
and soldierly even in its slimness, scorched to the colour of
lion-hide by savage Asian suns.
"O! Edward.... O my man of men! God gives you back
to me! ...."
"Sweetheart! Dear woman! I had not hoped for this! ..."
Wonderful, unexpected boon. Heaven's manna to the starving.
His Katharine's heart upon his own, her lips as freely
yielded as though the hateful barrier had never risen between....
Soon he would wake, Yaill told himself—to aching
desolation. But for a little he would take what Katharine granted
him.
"Julian? ..." She started in his arms.
"Julian is safe, my sweetheart, but not yet fit to travel. I
left him in the best of care, at G.H.Q. at Lydd. The
General got me a passage down by one of their coasting
sea-planes. A Sopwith from the 'Raquin'—and she did it in
splendid time, too! Another kiss! ... For a fellow who has lived
on memories of kisses—since that day we parted at Kerr's
Arbour, Katharine! How your letter brought the whole
thing back, when it came to me at the Khan at Shechem...."
"By John Hazel? ..."
"A woman brought it, certainly—but Hazel sent it me...."
"Dear Edward, where is he? You do not answer! ..." She
drew away from Yaill, looking in his troubled face.
"Where is John Hazel? ..."
"I would give much to tell you! ..."
"You mean that he is dead? ..."
"Frankly, we fear the worst. When we escaped from
Shechem, Hazel was lame through an accident. He would not
hamper us—he stayed behind to keep the road. The road
to Kir Saba.... It runs through a defile among the
mountains—just where a Turkish ammunition-lorry had broken
down...."
"Go on! ..."
"For long after we had passed we heard bombs bursting.
There seemed to be any amount of fighting going on at that
point on the road. Then there was an explosion—the lorry
had blown up sky-high. We learned that the day after, when
a British scouting-'plane came back from reconnaissance in the
neighbourhood. There were—human débris upon the road—and
several dead horses. If Hazel is dead—and I fear he is—he
died as a man should die...."
"But if he is not dead?" Her great eyes held his: "If he
were imprisoned in—a wooden hut, chained down upon a
native bed—"
"What do you mean?" Yaill started. "Have you dreamed
you saw him so? There was a wooden hut in the War
Prisoners' Wired Enclosure at Shechem. Julian was there when
we found him—chained as you describe!"
"It was not Julian whom I saw—somewhere between midnight
and two o'clock this morning—but John Hazel...." She
shuddered, "John Hazel, so brutally ill-used—so frightfully
disfigured, that the thing chained to the anghareb was
like anything but a man.... Yet I knew him. You cannot
mistake his eyes, once you have seen them. He is alive—and
a prisoner. O Edward, it was no dream!—I tell you that
I saw!—"
"Since you feel like that," Yaill caught fire at the flame of
her intense conviction, "I'll go back—in another skin—and
fine-comb the Front for him."
"Dear, dear Edward! That would be great of you!"
"Not it. I am the man's debtor. He brought me word of
you at Sheria, and afterwards at Shechem. Shall I ever forget
the thrill it gave—the sight of that envelope with your
handwriting!"
"Ah, but there were two letters...." Remembrance flooded
her. "Didn't you read the other? I don't believe you have!"
"Frankly, there was no time. But I have it here upon
me."
He felt in a baggy side-pocket of his khaki Service jacket,
pulled out a crumpled buff envelope, and held it out to her.
"Read it now, Edward! O Edward, read it! ..."
He looked at her whimsically, and opened Nurse Pidge's
letter. When he began to read, Katharine was standing.
When he looked round, she was seated in a chair. He crossed
the floor and knelt by her, and her yearning arms went out
to him, and drew him home from exile, to the shelter of her
breast.
Towards dawn, following the bomb-fight on the Jaffa Road,
those masses of sulphurous cumulo-nimbus, piled over the
Hills of Gilead, move without the push of a wind behind
towards the damp rain-clouds rolling inland from the
Mediterranean, and there is a great thunderstorm over Shechem.
Forked lightning strikes and splits the rocks, the echoes of
Nebo and Gerizim bellow in answer to the rattling volleys of
cloud-artillery. Wadis and passes became foaming cataracts,
field-bivouacs are flooded—men and guns are bogged in the
foot-deep mud of the hill-roads—and supply-columns of British
A.S.C. hopelessly held up in the vast cotton-soil morass
that was yesterday the Maritime Plain.
By noon of the next day the sun regains sway, and the smells
of Shechem their wonted potency. Save for one Turkish sentry
at the gate, the guard has been removed from the Wired
Enclosure. In its littered desolation an offence to the eye—in
its neglected filth an outrage to the adjacent organ, it lies and
steams and festers under the baking rays; and all the winged
legions of Baal Zebub seem there to be holding revel—especially
in the neighbourhood of the wooden hut.
A couple of hours after noon the Enclosure is visited by
the Bey. The posta at the gate stiffens to the salute as Hamid
passes in with the gauze-spectacled Medical Officer and his
bilious-looking secretary, his nondescript Greek interpreter,
and his usual following of big-bearded, red-fezzed zabtiehs,
armed with German Service revolvers, and repeating Winchesters.
The fog of flies about the wooden hut thins a little as the
visitors approach its entrance. The heavy door—broken
now—stands as wide as though no prisoner were within worth
keeping. The odour of corruption fills the place. The Bey spits,
the Turkish Medical Officer in the black gauze spectacles
furtively sucks a formamint lozenge, and conveys one to the
interpreter—the Secretary holds his nose....
The wooden bed has been dragged aside from the patch of
ground it covered, where shows the mouth of the tunnel, which
has been hastily filled up with brickbats, sand, and gravel.
Flies rise in a roaring cloud from the bedstead as the visitors
enter, and the Bey, with a pale twinkle in his oblique sandy
eyes—the inevitable cigarette poised between his thick gloved
fingers—perpetrates one of his inimitable jests:
"Come, see a greedy dog we have in here—a Yahudi of the
Yahud, who has eaten stick till his belly burst, and now can
eat no more! ..."
At which display of wit the fat, goggled surgeon squirms
with laughter, the secretary and the interpreter, faint with
mirth, retire to the threshold, and even the flies buzz as though
they too appreciated the jest....
The Thing that lies upon the bed looks as though it, too,
joined in the merriment, for its teeth are set, and the swollen
lips drawn back—the Medical Officer learnedly explains—in
the rigor of the early stages of tetanus, so that it grins from
ear to ear. A mountainous bulk of bloody flesh, clothed in a
garment of feasting flies, and bound about with an iron chain
that is padlocked under the anghareb—he is no more than the
caricature of what was once a man.
A man who has suffered the extremest punishment of the
falagy. Who has been beaten by the lithe green rods on the
feet and legs, on the belly and breast, on the loins and thighs
and face.... Beaten to kill by relays of men, skilled in the
use of the asayisi, and yet, for a wonder, is not dead....
Labouring breaths issue from the bloated lips, and puff from
the split nostrils. In the glazed eyes staring from their bleeding
orbits, black fire smoulders still.... He is even capable
of a croaking sound, which he reiterates at intervals, with his
bleeding eyes begging at the faces of those beside his bed....
"So' ûk sû! ... So' ûk sû! ..."
All the Turkish the sufferer knows: "Cold Water!—cold
water! ..."
"O Jew! you will get no cold water between here and Hell.
But stick—plenty more stick, if you are noisy." Thus the
Bey, illustrating the humour of the words with eloquent
pantomime.
"Do not beat me any more!" the wretched being on the bed
stutters in broken Arabic: "Do not call the soldiers—beg the
Bey to be merciful!" Bright red blood jets between the
clenched teeth—his cracked tongue being moistened with this,
his utterance becomes clearer: "Tell Hamid Bey if he will let
me go, I can pay—I can pay him well! ..."
"Thou canst pay? That is speaking Osmanli sense." A
flat pasty face with oblique, pale, lashless eyes, and sandy
eyebrows, replaces the spectacled surgeon's. "How canst thou
pay?"
"By—telling—but I will tell no one but the Bey—where the
money has been hidden away! ..."
"Hidden money—and where!" Sharp greed wakens in the
pale eyes. They dig in the smouldering black ones as if
treasure lay behind them: "I who speak am Hamid Bey. Now,
Jew—out with it!—where is the money?"
"I will tell—I will tell, but only to the Bey," moans the
voice between the clenched teeth. "Send away thy people....
Fasten the door lest they creep back and overhear. There was
a whole bag of English gold! I brought it to buy the freedom
of the Nazrâni priest—and coveting the money, buried
it—where I will tell thee...."
"Peki! Very good,—all right!" The Bey turns upon his
men, and dismisses them with an injunction to keep well out
of earshot, then kicks-to the broken door and returns to the
side of the anghareb.
The fear of desire thwarted grips him now, for the face is
contorted in a ghastly grin, and the black eyes are rolling in
their bloody sockets. He stoops over and shouts in the bloated
ear, "Wake, dog! Tell now—or I call back the soldiers. Tell
of the hidden gold! ..."
"I will tell! ..." The mountainous body heaves, the flayed
muscles stand out on the huge arms like thick blue cordage....
"Stoop lower! Bend thine ear close! I buried—I buried
it—"
"Where? ..." The thick yellow-pale ear approaches the
grinning teeth. "Where didst thou bury it? Ai—y! ..."
The beginning of a shriek of pain is choked in the Turk's
fat throat, even as the big, white teeth sink into a bulging
fold of it—between the ear and the collar. Their owner growls
as a savage dog might do—and with an effort that rends the
tattered flesh, drags an arm from under the chain that binds
him down—and with a second wrench, releases the other....
Now both big hands are gripped round the Bey's throat,
and his pale eyes bulge, and his pasty face is blackening. No
sound escapes his gaping mouth, from which the saliva
streams. And the blood from the great artery, bitten through;
like a torrent of warm and sticky rain deluges the face and
breast of his enemy.
"I buried the gold," the voice croaks in the now discoloured
ear, "in Esther's tomb. Dost thou hear me well, O Hamid?
But I have brought thee a gift instead—the gift that many
have had of thee. Even Death at these hands of mine—murderer,
fornicator, lecher! Another twist yet for thy fat
neck. For Jacob! ... This for Esther!—this for Julian
Forbis! ... And this last of all for John Hazaël—who takes
the head of the dog! ..."
The strength is ebbing from the great hands.... The
fingers relax their hold upon the throat of the dead body....
Now with the head bent under it at a suggestive, ugly angle,
it drops with a dull, heavy thud, upon the blood-slimed floor.
The sun of a day in the second week of December, 1917,
rose on the last day of Ottoman dominion in the City that,
since fifteen hundred years before the Birth of the Saviour
at Bethlehem, has been, at regular intervals, the storm-centre
of the world.
Panic followed on the arrival of some disintegrated units of
a Turkish transport-column with the news that the British
occupied Hebron; that their Advance held the Railway, and
would soon be within sight. "No lie," as ancient Fuller says,
for the London Division was at Lifta.
Hence general stampede ensued, and Turkish postas of
infantry, indifferent alike to the loaded whips and the curses of
their officers, shed packs, bandoliers and rifles, and fled
incontinent. There was a running to and fro of Jewish and native
Syrian citizens. Wives and daughters called to husbands and
sons, and brothers—long hidden in underground vaults, or
unsuspected attics, "The Turks are running! Deliverance has
come! ..."
By two o'clock noon Turkish troops, mounted and afoot,
muddy, weary and thoroughly disgruntled,—Field batteries,
machine-gun companies, baggage-lorries and ambulances of the
Red Crescent—poured through the Jaffa Gate from the west
and south-west.
"Gitmeya mejburûz—we have to go!" the postas called to
wounded comrades leaning from the Hospital windows, and
the muddy torrent rolled through the streets of the Holy City,
and out at St. Stephen's Gate upon the eastern side.
Towards dark, the Governor Izzet Bey went to the
telegraph-office, discharged the staff of trembling Turks, smashed
the Morse instruments with a hammer, and leaving in charge
of the nervous Mayor a letter of surrender—borrowed the
Cape cart and team of an American resident, and left for
Jericho.... And by seven a.m. on the anniversary of the day
of the recapture of the Temple from Pagan Seleucids by Judas
Maccabæus in 165 B.C. the Ottoman inundation had drained
away into the sombre depths of the Valley of Jehoshaphat,
over the ancient Roman bridges of the Jordan—and cowed
and bullied citizens who had been beaten, dragooned and
plundered—were mustering courage to plunder in their
turn.
The eagles of the R.F.C. wheeled in the azure overhead,
but no pageantry of any kind marred the entry of the
Conqueror.
For years the gathering of more than three persons together
in one place had been punished by the Turkish police with fines,
imprisonment and beatings. Now the Turk had been thrust
out, but Fear lingered still. For, as the British
Commander-in-Chief—preceded by his aides and Staff, and accompanied
by distinguished representatives of the Allied Nations,—passed
through the Jaffa Gate on foot, the huge concourse of pale
and hollow-eyed residents and townsfolk mustered on the roofs
and gathered in the streets—witnessed the thing almost in
silence. Dumb, for the most part, pallid, immobile, like
people carved of stone. Only, when from the Gateway before
the Tower whose foundations were laid by David—and whose
walls were reared by Suleiman the Magnificent—the Proclamation
of Religious Freedom was read in the Four Languages,
a sob like the breaking of a great wave broke from innumerable
breasts, and eyes that had been dry for years were wet with
tears at last....
The work was done. By strategical pressure, without the
graze of a bullet on her sacred walls, the Holy City had
surrendered. He did not linger after the reading of the
Proclamation. He received in the square behind the Citadel the
civil and religious notables of the City—the Mayor of Jerusalem,
the Shaykhs in charge of the Mosque of Omar and Aksa,
the Rabbis of the Spanish, German and Syrian Synagogues,
the Fathers Representative of the Syrian, Greek, Abyssinian,
Armenian and Latin Catholic Churches (their Patriarchs
having by the Turks been forcibly deported)—the Anglican
Bishop, the American Episcopalian—and Dissenting Ministers....
The brief ceremony over, he passed away as he had come,
with his following, through the Gate of Jaffa; his soldierly
tread sounding over the deep-buried threshold crossed in past
ages by the war-horses of David, the chariot-wheels of
Solomon and Nebuchadnezzar—the slave-borne litters of the
Pharaohs, the tyrant-Kings of old Assyria—as by the
golden-studded white bull's hide sandals of Alexander of Macedon,
and from thenceonward how many conquerors more....
Freedom and Peace came to the War-ridden City of the
Prince of Peace with the Wire Road and the Pipe-Line. To a
mixed and breathlessly-waiting queue of strangely-variegated
nationalities, (per medium of a standpipe, an A.S.C Sergeant
and a turn-tap) the Nile waters—cool and pure, if strongly
flavoured with chlorine, were dispensed, and sent flowing
through Jerusalem.... Fulfilling the ancient Egyptian prophecy,
that when the waters of the Nile should flow into
Palestine—there should arise in the West a prophet, one Al-Nebi,
who should capture the Holy City that sits on three limestone
hilltops of old Judæa—and deliver the land from the loathed
dominion of the Turk.
This having yet to be done, he went away to do it! perhaps
with a passing smile at the breach in the City Wall made for
the theatrical entry of the German No-Emperor in 1898. His
was the motive power behind the long lines of moving men
toiling northward under their packs through the mud of Judæa,
the long trains of groaning baggage- and water-camels, the
processions of waggons drawn by complaining mules, the
caterpillar-wheeled lorries, carrying tons upon tons of food and
ammunition, the Staff cars carrying red-tabbed officers swiftly
from point to point....
He was consolidating his positions on the Jerusalem-Shechem
Road, and thrusting his cavalry over the Jordan, while a
Sergeant and file of Military Police combed Alexandria for a
defaulting London Territorial, Acting Sergeant John Hazel, of
the Fenchurch Street Regiment,—who had failed to return to
the Front at the end of the fortnight's leave. He was moving
on Bethlehem, while the defaulter lay delirious on a string-bed,
swathed in sheets of wet boracic wadding—in the house of
a Jew of Shechem. One Benjamin Sebastia, a small dealer in
precious stones, and a loyal friend to Esther Hazaël—otherwise
known to readers of this tale as the Mother of Ugliness.
The cellar in Benjamin Sebastia's house had often served
as a hiding-place, being clean and dry and fairly free from
stinks. Through its thick stone walls no curious ear could
catch the sick man's ravings—when he called on certain Big
Old Men to come to the rescue—or poured mad love-words in
the imaginary ear of a woman named Katharine....
It seemed, he thought, poor crazed and suffering wretch! that
he had kept back from a man named Yaill a certain letter
and, carrying out a rescue by his own unaided hand, had
claimed reward of this service from the aforesaid Katharine.
Through the long days and the longer nights, when the scourge
of self-reproach for this imaginary baseness bit deep into the
tortured soul housed in the tortured body, the woman who
sat beside him never once failed to answer:
"But, John Hazaël, my cousin, thou didst not do the thing!"
"Did I not? ... Is that true?" he would ask her over and
over. "But I wished to, I desired to...."
"And desiring, thou didst resist."
"That is good—if it be true...."
"It is true. Does Esther ever lie to thee?"
"No!" he would groan, lying there in his helplessness. "Now
tell me again how I was found, and brought to this place?"
"When—" (she would lay fresh pieces of soaked lint on the
huge, swollen body, or ease the perpetual, torturing thirst
with some cool, refreshing drink.) "When I ran away from
Kir Saba, back to Shechem, I found—"
"That I," there is a smile on the shapeless mouth—"that I
had kept my word to thee, and taken the head of the dog! I
think the people did not weep? ..."
"Nay. It was as the passing of a plague—the lifting of a
shadow—and the soldiers who had guarded the Wired Place
openly rejoiced. Many being set down for beating, and fines,
and so forth—because of neglect in the matter of keeping watch,
on the night of the Sidi's escape...."
"They got good rest that night, I think? ..."
"So good," she gives her little rustling laugh, "that all of
them swear they were bewitched, or that some friend of the
Sidi's drugged the rations sent from the Barracks—so that
they slept like the Seven, and waked to find him gone. So
they were glad the Bey was dead.... Especially the sabtiehs
of his command were glad, for their old bimbashi is now
Commandant—and his name hath favour among them—he being a
merciful man."
"A merciful Turk is a rare bird," the formless mouth says
grimly. "And so—no suspicion attaching to her name—or
thine—the Dervish remaining silent—thou didst bribe the
Gipsy woman of the Bazâr to go with thee to the hut in the
Wired Place, and take my body away...."
"Paying a price to the soldiers in the name of certain Jewish
townsfolk, who—it being known among them that thou wert
a Jew!—would have buried thee decently. And when—thinking
thee a corpse—I leaned over thee to cut away the knotted
rag that hid the Signet of Hazaël, from the cord by which thou
hadst hung it round thy neck—I saw, by the Mercy of the Most
High!—that thou wert still breathing. And even as I myself
was brought into this place of hiding, I and Inaini the Gipsy,
carried thee here that night.... Some help I gave in the
sickness of her child, she hath never forgotten. May the
Most High reward her! ... What had we done without her
strong arms to lift thee, and her poultices of healing herbs....
Now sleep, for thou hast talked enough! See how thy poor
heart shakes thee! ..."
"One question more...." The puffy lips are blue, and he
labours in his breathing: "When shall I be able to stand again
on these elephant's feet of mine? ..."
She swallows her tears and answers:
"Soon, it may be.... Only be content, only wait a little
longer!"
And propped on high-piled pillows, he promises obediently,
looking down his long misshapen bulk at his huge distorted
feet.
"Very well! I will wait a little longer. Thou hast money
to meet the charges?"
"Plenty as yet, my cousin—without touching the sum that
was in the belt thou gavest me to keep. Tell me one thing....
If thou couldst be moved—whither wouldst thou be carried,
we escaping under cover of night from this unhappy
place? ..."
"To somewhere near Jerusalem," says the thick voice, feebly.
"To Jerusalem? ..."
She starts and looks at him, but the black eyes under their
calloused lids are fixed upon the opposite wall.
"I said to somewhere near there. I may not go to the City
until I get a message from One who is my Friend...."
"He has come there with the British since the Turks were
driven out of the City? ..."
The black eyes slowly move to meet hers. He shakes his
scarred head:
"Nay. He has been waiting there for long—a very long
time.... But when I get a Sign from Him, then I must go
up...."
"There is some great reason compelling thee?"
"There is something waiting for me at Jerusalem. I was told
it that night in the wooden hut. Tell me"—the voice is like
a child's—"if I cannot move, how shall I obey the Sign when
it comes to me? ..."
She soothes him, thinking that his pain and weakness make
him wander.
"Leave all to me. To-morrow may find thee strong. Only
rest and sleep now! ..."
And he sleeps, with heavy broken breaths of utter exhaustion
and weariness.
He is kept concealed—for though Turkish vigilance is somewhat
relaxed in Shechem—there would be short shrift for the
slayer of Hamid, were he known to be living still. Perhaps
it may be because of this, that though his wounds slowly
heal, John grows no stronger. A Jewish surgeon, related to
Benjamin Sebastia, who is brought by stealth to see the patient,
examines him, and goes away, shaking his head.
"Too late! It would always have been too late, however
soon you had called me," he says to Sebastia as he takes his
leave. "The man must have had a giant's strength to live
through such an ordeal. My brother was a powerful man, yet
he died under the rods.... Heart a wreck! ... Lungs....
Pff! ... May die at any moment! ... Shalôm! To the
Downfall of the Ottoman Power, and the Restoration of
Jewry!" and he drains his glass of Palestine Tokay and refuses
his fee, and goes. And his verdict is cautiously broken to John
Hazel, who comforts weeping Esther, declaring the opinion of
a Hebrew in a kaftan and fur hat and side-curls, with a Paris
Diploma—not worth a British damn! He is even a shade
better next day, as though in sheer defiance of the owner of the
Paris Diploma and the side-curls and kaftan....
He has known how the months change by the flowers that
Esther brings him, and others that Inaini, smiling, produces
from the folds of her veil. Great clusters of crimson anemones,
crocuses, purple and white; grape hyacinths, tulips and
daffodils—and it is March. More anemones of varied, jewel-bright
colours, purple, pink, and crimson; jonquils, and white and
yellow Marguerites. Yellow, blue and lilac lupins—narcissus
and violets, iris and cyclamen—and wealthy April's here....
He likes the anemones and looks at them for hours, drowsily
turning them in his well-nigh helpless hands.... For the
creamy ones are like Katherine's skin, and the rose-red are her
blushes, and the brown-gold are—or so he thinks—the colour
of her eyes.... The rows of velvety hairs that fringe the
centre of the corolla are black as her eye-lashes—black as her
hair.... But the scent of violets brings her back, complete
in her sweet womanliness, with the Chapel and Kerr's Arbour
for a background to it all....
Now come great sheaves of lilies, phlox and gladioli, and
it is May, the Month of the Rose. Masses of perfume, colour
and fragrance are brought to the cellar in the jeweller's
back-yard. And John plays with them, or stares at the whitewashed
wall, or listens as Esther reads to him from a copy of the
Jewish Scriptures, a volume belonging to their host, printed in
Hebrew and Arabic. The Messianic Prophecies are what he
hears most gladly, and oftenest asks for. One day as she
closes the Book at the end of a passage from Isaiah:
"And He was wounded for our transgressions, and bruised
for our iniquities, and the chastisement of our peace was upon
Him, and by His stripes we are healed."
"That—that is why it was said to me that night!—" she hears
the slow voice whisper: "'Thou hast suffered for obedience to
thy father's fathers, and for the keeping of the Oath, and for
the love of one woman. But I, that I might do the Will of My
Father—and thy Father—and for the love of all mankind.'"
"O my Cousin!" Habitually now, the soft Arabic speech
flows to and fro between them, "Who was it said those words
to thee? ..."
"It was on the night—" the scarred head turns on the
high-propped pillow—"the night after the beating. My hands and
feet were torture, and I had a great thirst. And there came a
light on the wall of the hut, and Somebody spoke to me, and
the blood cleared from my eyes, and I saw Him then...."
"Who—who was He?" She draws an awed breath.
"He said He was my Friend—and I believed Him. You
could not see Him as I did—and doubt any more. Dost thou
recall the fresco in the tomb on Ebal? It is not like—how
could it be His likeness? But the man who made it had seen
Him in a Vision, and caught the faintest shadow of His look."
"I—do not understand...."
"It does not matter. But that is why I was so sure I should
not die just then.... I cannot yet enter Jerusalem, for there
is blood upon my hands that has been shed in vengeance—but,
I am to wait near the City until I get the Sign...."
"Dearest, art thou quite sure—"
"I doubt not, being certain. Now, having breath enough—I
would speak of other things. When I am dead, thou wilt write
and tell the things to my mother—and go to thine own mother
at Alexandria. She is wealthy and so art thou, thou dost
need no provision, so the Fortune of Eli Hazaël, our
grandfather, will go to build and endow the Hebrew University."
"But thy brother, Maurice, what of him?"
"It is borne in on me," the black eyes are momentarily
dimmed, "that Maurice is dead. I have felt it for a long time.
My mother must be sorely grieved. He was her dearest son."
"Art thou not dear to her also?" Esther asks sadly.
"She will sorrow for me too—but not as she does for Maurice.
And she has a good friend, an old flame,—a Dutchman in
the City, Herman Van Ost his name is—and she will marry
him now. She would have married him years ago, but Maurice
did not wish it. There is another task for thee yet, my Sweet.
Dost thou shrink from it, Little One?"
"Nay. For thou art Hazaël, and the Head of our House.
Surely I will obey thee. Have thou no doubt of me! ..."
"Kind One! ... Brave One! Little Judith in Israel!— Surely
thou wilt be rewarded for thy courage and thy faith.
Listen now! ... When I who am the littlest and least of all
the Hazaëls shall be gathered to our fathers—thou shalt seek
out Katharine Forbis—wherever thou shalt hear of her—and
carry word from me." The voice deepens and grows strong:
"Say—there is no longer an Hazaël left of the male line, to
guard the Ashes. The Oath is fulfilled—the Debt is paid!
Katharine and her children—and theirs following them—must
take upon them to be Guardians of the Shrine."
"What Oath was it?"
"The Oath made sixteen hundred years ago and more, by
Hazaël Aben Hazaël. Remember!—she is to take the Urn
back to Kerr's Arbour, and house it under the altar in the
Chapel there.... And her children will reverence it—knowing
its sacredness. Perhaps," the black eyes are shining now
with a light that is soft and gentle, "perhaps there will be a
little boy—with eyes like his mother's—who will ask for the
story oftener and love it more than the
others—because—because—his name will be John ..."
"Ah, dearest!—dearest! ..."
"Do not cry. All this when I have departed.... Till then
I would be forgotten by all I used to know."
"Then thou wilt say I have done right when I tell thee that
some two months back—when thou wert very feeble—diligent
search was made for thee. Even under the eyes of the Turks
and Germans—a man whom thou knowest ventured into this
place."
"One whom I know! ..." The black eyes flash, the scarred
head turns towards her on the pillow: "Is his name Yaill?"
"His name is Colonel Edward Yaill, though sometimes he
calls himself the Emir Fadl Anga. He was garbed as a Moghrabi
sugar-merchant—but I knew his eyes again. So I sought
him out, and guessing at thy pleasure in the matter, I told
him thou couldst not be moved—and he went away from
here."
"It is well. Now I talk no more, sweetheart, for breath is
hard to come by. Do one thing that I ask before the daylight
goes. Take off thy veil, little Judith, and let me see thee plainly.
For once! I will not ask again, if my asking hurt thee so!"
She falters a refusal, then yields at his entreaty.
"Shut thine eyes for a little moment, and open when I
call...."
He shuts his eyes and opens them, to see Esther sitting at the
bed-foot.... A figure girlish in its youth fulness, pathetic
in its slender fragility, and veilless, save for the tresses of
her rich black silken hair. She parts the hair with two little
brown hands, then throws it back on either side, revealing the
face it has covered—and a sob catches in the man's throat, and
his eyes are wet with tears....
For that side of Esther's face that is never shown is beautiful,
strangely beautiful. The great dark eye under the arched
black eyebrow, the little aquiline nose, with proud curved
nostrils, the delicate mouth, the rounded chin, are of purest Hebrew
type. She bears his scrutiny awhile, then lifts the discarded
covering, adjusts it with quick, slender hands—and is Ummshni
once again.
"Will that do? Hast thou looked enough?" she asks with a
touch of sharp regret for her lost heritage of Beauty.
"I have looked.... And I have seen—as I knew I should!"
says John placidly, "that thy face, my little Esther—is lovely
as thy soul. Now I will rest, for I am done. Perhaps I shall
walk to-morrow...."
Comes the month of June, with ardent suns, and July with
skies of fire. Esther reads to John in another Book—a copy
of the Syriac Gospels picked up on a stall in the Bazâr—of
One Whose teachings she has been reared to hold as rank
blasphemy. But her Hazaël has commanded it, and she obeys
Hazaël, and reads of Him Who raised the dead to life, and
opened the eyes of those born blind, and made the lame to
walk. Here in this land of Palestine nearly two thousand
years ago. But time goes on and this lame man does not
walk yet....
It is October, the month of Asphodel, and Shechem is swept
clean of Germans and Turks, as the brown line moves up
north. The great Commander-in-Chief of the E.E.F. has
carried out his leopard-pounce on Nazareth,—whence Von Sanders
and his Headquarters Staff have fled—Tiberias and Amman
have been occupied by British Forces, and the stronghold of
Turkish Power at Damascus has fallen, before the colossal,
tottering bulk can balance on its feet.
No available garments of European make can be adapted to
John's hugeness. Esther and the jewel-dealer's wife are in
despair, then hit upon a brilliant idea. A vast pair of Turkish
drawers of yellow and white striped-cotton are tucked into
the baggy tops of immense soft yellow boots. Over an Arab
jubba of white cotton material goes a loose-sleeved Arab
over-robe of brown camel-hair. They cover him with a black felt
tarbûsh, and a white silk kuffiyeh bound with a scarlet
head-rope, and swathe him in the voluminous folds of a
primrose-coloured jerd. Now, with the beard that he has grown in
captivity at Shechem, the mother at home in London would
not know her son again.
The German Commander with his merry men departed in
haste for Aleppo when the huge khaki torrent rolled upon
Samaria from the South.... The Turks of the garrison
escaped over Jordan, the batteries on the flank of Ebal were taken
by the British, and the Patriarchs and other notables deported
from the Holy City are chartering vehicles to take them back
again.
Some of these are quaint enough. To witness, the ancient
travelling-landau, piled with luggage of a heterogeneous
description, packed with Armenian Fathers, and drawn by a tall
camel and a small, rebellious mule. But the hooded
bath-pony-chair of largest size, a venerable derelict of British make
left by some wealthy traveller years ago to moulder in the
courtyard of a Shechem hotel, to which a diminutive
red-tasselled donkey has been harnessed, and in which is seated a
prodigiously obese and bushy-bearded Arab, possibly takes the
palm....
Three women run beside the chair, drawn by the small
donkey driven by an Arab urchin with a sharpened palm-wood
stick. As the chair rolls through the east gate, and moves in
the rolling dust-cloud with a column of other vehicles, past the
Wired Place and the Mohammedan Tombs, the little donkey
stops.
"Shalôm, Sidi! Health and recovery be thine—and Happiness
with the Blessing!" says the wife of the jewel-dealer,
bidding John Hazel farewell.
"Farewell, O woman of gentle heart.... Remember me to
thy husband. And farewell, kind Inaini.... Sometimes
remember us! ..."
"Farewell, my lord.... My lord will not soon forget Shechem!"
says Inaini, with a flash of brilliant eyes and teeth from
between her flowered veils....
"Nor thee. May the Most High reward thee for all thy
charity! ..."
"It was nothing!" says the woman, almost sullenly, but John
can hear her sob....
"O my friend! O my sister! Farewell, good-bye! Little
Mother of Ugliness, my heart is sore to part! ..."
The jewel-dealer's wife hugs the little white-robed figure.
Esther embraces her, and then Inaini—and the honest woman
and the courtesan go away together, both red-eyed with weeping
behind their shrouding veils. And the big bath chair drawn
by the little donkey—with the huge Arab in it and the little
woman and the native boy running beside it—is lost in the
stream of traffic on the Jerusalem-Shechem Road.
It is a day of dust and sun, and the big man in the bath
chair drawn by the little donkey is as feeble as he is heavy,
and unfitted to bear fatigue. It is night by the time they have
left the plain, and the road climbs amongst the hills, that are
ridged and furrowed with the traces of War, as the face that
is shaded by the white jerd, and the body that the sick heart's
throbbing shakes, and the man's misshapen hands and feet are
scarred by the Turkish asayisi....
Sunset flames over the Western Sea and all the land is rosy-dyed
when at last he looks on the ancient City, the bourne of
his desires. Set between east and west upon three hills, of
which the lesser, Ophel, has vanished—the limestone spurs
of Sion and Moriah upholding her, she turns her back upon
the ocean plain and the mild damp airs that blow from it, to
fill her lungs with the burning winds and dust-storms of the
Wilderness—where the Son of God and Saviour of mankind
was tempted of Satan, and Jordan's yellow waters flow
towards the abyss of the Dead Sea.
They go no farther that night, for the sick man cannot bear
it, but hire two rooms, almost clean, and newly whitewashed,
at the Khân of a little mud-built Mohammedan village that sits
on a hill beside the road.
The left wing of the London Division were entrenched here
before the Occupation, and the Advance that moved them
north.... The whitewash of the Khân of Shafât has familiar
names scribbled upon it, attached to caustic comments on the
price of native eggs, dates, cheese, oranges and olives, as
compared with their quality and their size.
And here the little party stay. For the big man in the
bath chair can travel no farther. Many days pass and he can
move again; and the little donkey is harnessed to the chair by
its tasselled traces, and the Arab boy with the palm-stick, and
the little veiled woman run by it—and the queer cortége halts
by and by where the broad dusty track that leads south and a
shade west to the Damascus Gate, forks off on the left to the
less broad, better-kept carriage way that—following the line of
the mountain-ridge, leads—south and a trifle east—to the
Mount of Olives, passing the Tombs of the Kings.
In the shadow of the south wall of the royal enclosure, the
sick man signifies his wish to halt. All day he lingers there,
content, and for the greater part in silence; shares with his
meek nurse and the Arab boy such food as they have with
them—and when the short dusk heralds Dark, is loth to leave
the spot. Next day they are there again—and the next day
and the next. It is here, he signifies to his patient nurse, that
the Message he waits will reach him—and content that Hazaël
should be content, she knows no other will.
Meanwhile, the period of stagnation past, the current of life
begins to flow within and around Jerusalem. In the house of
an English Protestant Missionary Society without the walls,
a Division has its Headquarters. At the Sign of the Red
Triangle, guides may be obtained for the reverent conduct of
soldier-visitors to the Holy Places. Here also photographs
for the folks at home, with lightning hair-cuts and shaves, can
be supplied with light refreshments. Signboards along the
Jaffa Road invite Crusaders from the Land of the Ifrangi to
partake at their own peril of sweets, ices and cakes.... And
a Divisional Theatre flourishes in a tin-roofed shed, outside
the Gate of Jaffa, and a Cinema established in a ramshackle
booth is nightly packed to the walls.
Though the trenches and gun-emplacements on the Mount
of Olives and Mount Scopas yet speak of War, there are local
tennis-parties on badly neglected lawns, and even small dances
to the accompaniment of the gramophone. The donkey-boys
and Cook's tourists are no more.... But there are Military
Races and Military Sports; and divers favourites, human and
equine, are duly backed by the men of the Expeditionary
Army....
Within the City English soldiers guard the Church of the
Holy Sepulchre and Mohammedans the Haram. The depot of
the A.S.C. is lodged in the courtyard of a Jewish School.
English Military Nursing Sisters are housed in the Abyssinian
Patriarch's palace—the French Convent where the Turkish
Army Officers were, now shelters French soldiers—though
the Turkish Crescent and Star have not yet been obliterated
from the Jaffa Gate; and the Arab police, in black sheepskin
caps and dark blue drill uniforms, keep order as they used
to under the Turkish régime....
Though the solemn boom of heavy guns still wakens all
the echoes of the Hills of Judæa, though Turkish batteries
and Turkish troops move in the neighbourhood of Jericho, and
British motor-launches churn the waters of the Dead Sea, the
Holy City is wakening from her torpor of years....
Kinder-gartens and boys' and girls' schools, Christian and Jewish,
Homes and Orphanages—the Teacher's University, the
Missionary Colleges, and the seminaries supervised by Catholic
Religious—revive like the withered blossoms of the so-called
Jericho Rose....
The Clothes-Market near the Church of the Holy Sepulchre,—where
skin affections and fleas could be purchased at exorbitant
prices—re-opens. In the labyrinth of bâzârs under the
shadowy arcades, the Jew and Arab pedlars set up their stalls
of rosaries and medals, gaudy religious pictures, and common
household wares. Sleek-haired Levantines and Syrians behind
counters of modern shops, offer antiques and souvenirs in
mother o' pearl and olive-wood; ostrich feathers, roses of
Jericho, Syriac Gospels and Rolls of the Law. German stores
miraculously become Dutch, offer for sale liqueurs, cigars,
sauer-kraut in barrels, tinned sausage, pickles and chocolates.
And the People who Wait for Signs have come out of their
various hiding-places. The haggard man who carries a heavy
wooden Cross and wears a plaited Crown of Thorns, pants
under his heavy burden from station to station along the
Sorrowful Way.... And the other, long haired and wearing
robes of white, waits again near the Jaffa Gate, carrying his
brightly-polished lamp, well trimmed and filled with oil. He
says he is one of the Virgins waiting for the Coming of the
Bridegroom.... And again, there is another, a handsome,
martial figure, in the panoply of a Knight of Malta, folded in a
cross-embroidered mantle, girt with a Crusader's sword....
Who knows what compact these and many more have made
with One Whom they acknowledge Master. They are content,
for their belief in Him, to be despised as fools. Calm,
reasonable Christians shudder at, or ignore, while the Children of
Islam respect them. To their number another is added with
the passage of the days....
December draws to its end again. Tea-parties and concerts
are given, and the Representatives of the Three Great Faiths
may be said to fraternise. The Red Cross and the Society of
St. John of Jerusalem unite in splendid efforts for the good
of War-ridden Humanity. The olives are grey-green, and the
palms are yellowing, and the first pale mist of almond-bloom
pinkens on the hillsides, above the hedges of tamarisk—and
Christmas Eve is here....
The portly Arab in the bath-chair drawn by the tiny donkey
sits in his accustomed place, from which fierce gales and heavy
Winter rains alone may drive him, in the shelter of the south
wall of the Enclosure of the Tombs of the Kings....
Two chaplains of the E.E.F. go by in their cross-badged
khaki; accompanied by an elderly Armenian in flowing black
kaftan and high square head-dress.
"There's the New Crank," says an Oxford voice. "And the
little Syrian woman, and the bath chair and the donkey-boy—and
the donkey possibly—all waiting as usual for the Sign
that doesn't come!"
"'The Sign.' What Sign? ..."
The second khaki chaplain looks with interest at the Arab.
The strong south wind has blown back the folds of his ample
head-covering, and it is plainly seen what kind of man the
drapery has concealed. His huge ears, swollen beyond all
shape, hang down on the bulgy, turgid flesh of the neck-folds,
his huge hooked nose, and long but shapeless upper-lip
dominate an extraordinary acreage of countenance that is ridged
and knobbed and crumpled like a new-dug potato-field. And
his great hands and gigantic arms, wherever these are
visible, present the same appearance, to the chaplain's
curious eye.
"Would that be some obscure form of elephantiasis, do
you think, now?" he asks the Armenian ecclesiastic who walks
by his side.
"It is not disease of any kind," the Armenian answers in
English. "The man has been beaten—nearly to death, and has
lived—that is all! ... Many of my friends, condemned to the
severest punishment of the Turkish asâyisi, have died under
the infliction—as this man was meant to do...."
"Speak lower!" It is the second chaplain in khaki who is
speaking. "That Arab understands you.... I saw it in his
eyes...."
"Not he!" the first speaker returns. "He's an Arab pure and
simple—and some of the Tommies have dubbed him 'The Father
of Buffaloes.' The little woman with him has a
nickname—somebody told me.... "Sabâh-el-kheir, Daddy Buffalo....
Khud!—and good luck to you! ..."
And a couple of Turkish beshliks clink into the Arab's lap.
"Thy day be happy and blessed!" says a deep bass voice in
answer. The three pedestrians pass on, and the beshliks fall
amongst the straw in the bottom of the bath-chair. Unseen
save by the sharp glance of the Arab donkey-boy, who squats
in the shadow of the wall of the Enclosure, playing, with lines
scratched upon the smooth limestone, a game that is scored
upon the walls and flags of old Pompeii, as upon the recently
excavated guard-room of the Herodian Mercenaries, eighteen
feet under the level of the Sorrowful Way. A brace of coppers
thrown to a sick man sitting by the wayside are surely given
in charity. Yet when the sick one dies, the Fund amassed to
build and endow the Hebrew University (the foundations of
which are being even now blasted in the rock of Mount Scopas)
will be enriched by a legacy of three hundred and eighty
thousand pounds....
"What does it matter, Essie? Sweet One, why dost thou
tremble? Surely the gift was kindly meant!"
The speaker thinks that his companion has been hurt by the
bestowal of the coins. But she has not even seen the gift made,
or heard the giver's words....
A moment since, a grey Staff car, driven by a soldier-chauffeur
with the Great Headquarters' brassard—coming from the
direction of the station beyond the Montefiore Hospice, by the
road that skirts the City wall, to debouch upon the Road of the
Damascus Gate—has passed by the Tombs of the Kings.
Driven at speed, it has flashed by, carrying strangers with it.
But one face was not strange.... One voice; borne on the
wind that blows from Samaria, has echoed in the ears of
Esther-Ummshni, bringing memories that brim the heart....
"I did not hear.... I thought I saw.... What is it, what
is it, Mabruk?"
For the Arab boy has run down the road to meet a messenger
from the Khân.
"What says he? ..." asks the deep, slow voice.
"He says—Mabruk says—" Esther commences, shaking like
a wind-blown reed of the Jordan behind her shrouding veils:
"that strangers are at Shafât. He says—"
"O Shaykh!—" Mabruk, a lanky crow-necked youngster,
son of the Mohammedan landlord of the Shafât Khân, importantly
steps forwards: "Great ones have arrived at my father's
Khân. Two lords of the Inglizi, and a lady, tall and beautiful.
They have sent me in the horseless carriage to bring back thee
and the Sitti. This letter also they have sent thee by thy
servant's hands.—Behold! ..."
Mabrûk lifts the note to his eyes and forehead, and hands it
over. A folded sheet of paper, sealed with an impression of
a well-known onyx signet, and scrawled with some hastily
pencilled lines in a beloved hand:
"I am here, at the Khân at Shafât, with my brother and
husband. Do not be angry that we have come! Your aunt is
with us. Tell your Cousin Esther, whom I long to see and
thank for my dear Julian, but not as I'm longing to see and
thank you! Alone, dear, dear John!—because I'm jealous of
the others. Your first word—your first look have got to be for
me. Come back in the car or send it back to fetch—
Your loving, grateful
KATHARINE YAILL."
Married. For a long time John has felt that she was married.
Well, well, it was to be. His sovereign lady, his dear Princess,
a wife, and soon, perhaps, a mother. God bless her and her
husband. He is glad, glad, because of their happiness....
Holding the pencilled scrawl with the seal of the Hercules, his
shapeless hand drops heavily back upon his knees.
"O John, my Cousin, answer me!"—Esther is eagerly
speaking—"The Sign that thou hast waited for so long, was it not
this? ..."
"Nay, Sweet!" He shakes his head. "This is a token from
a friend beloved, but not the Sign I look for.... Now undo
the Ring of Hazaël from the cord about my neck. Carry it to
her at the Khân where she waits with her brother. Render
it back to them both from me. Giving with the Ring, the
Message I have taught thee!—I need not to repeat the words,
they are written in thy heart...."
"But, dearest one—it was a message from the Dead, and
thou art yet living...."
She looks anxiously in the speaker's face. Save that the
black eyes have a strange glaze, and the puffed lips are
lead-colour—and the beating of his damaged heart shakes the
flowing draperies that cover him—there is nothing to rouse her
fears.
"Take Katharine," there is a clang of masterful authority in
the deep voice, "take Katharine the Message—from the departing
Guardian of the Ashes. Return in an hour. Leave the
child here to sit by me. One thing remains!—" He calls her
back as she is turning meekly to obey him: "Kiss me, my
Little Cousin, before thou dost depart."
She goes, and presently the hoot of a car testifies to her
departure.... It nears the hour of sunset on this Vigil of
the Nativity. There was a tang of frost early in the morning.
But the rosy air is warm and still, the sky serenely splendid,
the orange-breasted blackbirds pipe and trill, and clouds of
little ash-coloured, grasshopper-like insects rise at the brush
of footsteps through the short dun-coloured grass....
He sits there for a long time or a short time, he is not
certain. To the soul upon the edge of Timelessness, many hours
are as one.... The tiny donkey, hobbled, grazes at a little
distance. The Arab child who drives the beast, plays the
game that the soldiers of the Roman Guard played in the days
of Herod, and then, grown weary, steals off to play
elsewhere....
The sick man dozes heavily now, with jaw a little fallen,
and black eyes that show glazed and dim between their parted
lids.... The breaths that shake the puffed lips come slower
and fainter. The Arab jerd that swathes him ceases to tremble
with the irregular beating of his heart....
Suddenly, his eyes stare wide and a strange cold thrill goes
through him. He has been touched.... By whose hand? ... No
messenger stands near.... Can it be that so strange
a shock heralds the Sign that he has waited? ...
Midnight!—yet when he closed his eyes it was not yet sunset,
the blind muezzin of the Mosque of the Throne of Solomon
had not given the Call to Prayer.... And now, the Hosts of
Heaven blaze from zenith to horizon. The full Moon stands
over Bethlehem and the flood of radiant pale light makes
Jerusalem a silver city, inlaid with jet and ebony....
Solemn black clouds heap over Moab. The Valley of the
Kedron and the Vale of Our Lady Mary are swallowed in a
gulf of shade. But Olivet is glorious in the brilliance that
pours down on her, making a prone black giant under every
lonely cypress, and a black cat crouching under every bush and
stone.
Bells ring from all the convents, and churches in Jerusalem.
All over Palestine bells ring for Christmas Day. From
Bethlehem where He was born, comes the sound of joyful chiming.
On the north wind the sound of bells is brought from Nazareth....
"Peace on earth!" ... John Hazel stands and listens, as
from north, east, west and south the bells of Christmas ring....
A great cry breaks from him, of wild despair and
anguish:
"O Christ, there is no peace for me while yet Thou art
withholden. O Shepherd of all broken hearts! send me Thy
promised Sign! Speak to me at least, you Big Old Men," he cries,
"for I am lonely! ... Say to this John, the littlest and least
of all the Hazaëls—that I have done my duty, and ye are
content with me!"
The shuddering cry dies on the breeze. And a terrible voice
answers:
"Not the least, but the greatest of all art thou.... For thou
art our leader. Hear, now! The choice has fallen to thee.
Worthy art thou to rule us, who canst so well obey! ..."
Wonderful sight.... On his left hand, on his right and
before him. From the skirts of the Mount of Olives, to the
Mohammedan Cemetery, and across the road of the Damascus
Gate, to the site of the Unknown Tombs.... Rank upon rank
of Big Old Men—stately as Kings, in flowing robes and high
jewelled tiaras, and others in less ancient garb, and others in
more modern garments—even down to the style of the present
day. He sees his grandfather, Eli, and his own father, and his
brother Maurice, and stretches his hands to them, crying, as
they smile and wave to him:
"Tell me, is this the Sign that I was promised when I was
chained to the bed in the Turkish hut and the Voice spoke to
me? ..."
And all the Hazaëls answer in deep, tremendous voices, and
then the turmoil quietens down, and the Biggest of all the Big
Old Men stands forth and gives reply:
"We know not of any Sign, O John! Thou calledst, and
we answered. Now hear Hazaël Aben Hazaël, who made the
Oath of old.... Lead and we follow.... Command, and
we obey thee. Speak, and deliver counsels—thou greatest of
us all!"
John hesitates a moment, and then words come to him:
"O all ye Big Old Men, listen to me, the littlest! This is
the lore I have gathered in the thirty-five years of my life.
Human Love is a passing Breath—a rosy, flying Shadow.
Happiness, Wealth, Honour, Fame—are cobwebs on the wind.
Rank and Power are gilded stools, worm-eaten and rotten.
Nothing is Real—nothing is true—but the Truths ye would not
see! There is no gain save Sacrifice—no good save
Renunciation!—no Way except the Way of the Cross—no Hope but
in the Blood of CHRIST! He is our King! ... Now follow
me, and we will do Him homage. Or cast me out from among
you, and let me be forgotten. I, John, the littlest of all the
Hazaëls, have said my say! ..."
"We hear!" The deep chorus of answering voices rose and
rolled down on him.... "We hear. Lead on—we follow
thee!"
"It is well. Wheel and face southwards, O ye Hazaëls! and
form four men abreast in columns of companies."
He gives the order loud and clear, and the extended ranks
of towering figures shift and change, and close in—and all the
faces are turned from him, except the face of the very Biggest
of all the Big Old Men. He says to John, in a voice that is
very like John's own:
"I am the Captain of thy host. Give me the route of march."
"First to Bethlehem, the Place of His Birth, and then to
His Death Place on Calvary," John answers, though his knees
seem melting under him, and he has hardly any breath.
"And then? ... Whither go we? ... For the Gate of the
Place where we abode is now shut behind us.... Is there
not entrance for thee and me and these, by the Gate of
Hope? ... The Gate that opened for Philoremus Fabius—that I saw
when the Blemmyes gave me death! ..."
"But I do not know the Gate of Hope! ..." John falters,
rather weakly, and the Biggest of all his Big Old Men answers
him sternly now:
"The Crucified promised thee a Sign—and He deceives not.
Ask now His Father in His Name—to open His Gate of Hope!"
* * * * * * *
And John hears his own voice blundering in the petition:
"O Christ, Who art the Very Truth, show now the Sign
Thou promised! Lead us into the Land of Peace by Thine
Own Gate of Hope! O look! ... Look, ye Hazaëls!—in the
sky, over the Holy City! ..."
Obedient to the voice and the arm that is uplifted, the faces
of the mighty host, are upturned to the sky. Faces that are
dark and fierce, noble and mild, harsh and stern or gentle....
Faces of Kings and prophets and sages, leaders of hosts and
seers of visions; men of the sceptre, men of the sword, men
of the crucible, men of the scalpel; men of the pen, men of
the spade and pickaxe—men of all ages and all climes—but
Hebrew every one....
Over the ancient City that stoned her prophets, and cast out
her Saints, having slain the Son of God—is another City,
shining-walled, with radiant domes and towers. Figures more
radiant walk upon her walls and crowd her housetops. John
knows the City. Of it he spoke to Esther a little while ago.
A Gate is opened in Her walls between two shining towers.
A Man stands on the threshold more glorious than the Sun.
Majesty and meekness radiate from Him, with Love and
Compassion and Mercy.... His Hands are stretched in welcome.
They are Wounded, like His Feet. He speaks, touching His
naked Side, where the gash of the Roman spear is:
"Come unto Me, My people! Here is the Gate of
Hope! ..."
* * * * * * *
An earthly voice John Hazel used to think the loveliest of
women's voices, calls him with eager breathlessness. Now a
tall figure in a felt hat, with the Red Cross badge and ribbon,
and a flowing cape of red-lined blue, comes swiftly down the
road. A gallant, womanly creature with beautiful and tender
eyes that John has often dreamed of.... They lighten as
they fall on the great shapeless bulk of the man, who—dressed
like an Arab—is sitting in an old bath-chair....
The little donkey grazes near, the Arab boy is not visible.
It is just upon the flush of sunset, and the voice of the blind
muezzin at the Mosque of the Throne of Solomon comes
faintly out of the distance, giving the Call to Prayer. Other
voices take it up and die out in distance; and Katharine would
speak now, but pauses as the Angelus rings its mellow triples
from the Dominican Monastery behind the Tombs of the Kings,
and the Chapel in the garden of the Syrian Patriarch....
She ends the little Latin prayer with the Sign of the Cross,
and comes forward. Clouds of little dun insects like
grasshoppers rise under her footsteps as she comes.... A tiny
bird no bigger than a tit that is perched on the sick man's
shoulder takes wing with a fluttering, silken sound. And a
creature like a biggish mouse, with kangaroo-like hind legs,
leaps away as Katharine comes to the side of the rickety
bath-chair....
She calls the man who sits in it, and he does not answer,
but leans back against his pillow, staring fixedly before him
with his hands upon his knees. The Arab kuffiyeh partly hides
his face, so changed since she last saw it. But she catches
the jut of the great hooked nose, and the glitter of the stern
black eyes....
A cocksure woman is Katharine, who always thinks she is
wanted. He does not speak, but she is quite sure he is glad
that she has come....
"John Hazel! Are you vexed with me for thrusting myself
upon you? I had to come! ... I simply couldn't stay
away! ... You do know why, truest of friends! ... To thank
you—to bless you! For Edward and for me, and Julian!" The
eager words come pouring out as she kneels beside the chair.
"Dearest, best, bravest one—come back with us to England! ... I
will nurse you,—you will,—you shall get well! There
MUST be happiness and health for you—it couldn't be
otherwise! ... Say you'll come, or I shall kiss you. My husband
told me to! ..."
She rises to her feet now and leans over him smiling, with
a womanly-tender impulse to hug him to her breast. Her
warm, sweet arm goes round the man's great neck, her pure
breath fans his forehead. Her lips touch the scarred
cheek—and the truth comes home to her.
That longed-for kiss has come too late for the last of the
Hazaëls. He leaves it as his legacy to a new Keeper of the
Shrine. The little boy who is to be, with eyes like his
mother's.... The son of Yaill and Katharine—whose
Christian name is John.
THE END