Introduction to “Two Years before the Mast.”
Once in a hundred years is a book written that lives not alone for
its own century but which becomes a document for the future centuries.
Such a book is Dana’s. When Marryat’s and Cooper’s
sea novels are gone to dust, stimulating and joyful as they have been
to generations of men, still will remain “Two Years Before the
Mast.”
Paradoxical as it may seem, Dana’s book is the classic of the
sea, not because there was anything extraordinary about Dana, but for
the precise contrary reason that he was just an ordinary, normal man,
clear-seeing, hard-headed, controlled, fitted with adequate education
to go about the work. He brought a trained mind to put down with
untroubled vision what he saw of a certain phase of work-a-day life.
There was nothing brilliant nor fly-away about him. He was not
a genius. His heart never rode his head. He was neither
overlorded by sentiment nor hag-ridden by imagination. Otherwise
he might have been guilty of the beautiful exaggerations in Melville’s
“Typee” or the imaginative orgies in the latter’s
“Moby Dick.” It was Dana’s cool poise that saved
him from being spread-eagled and flogged when two of his mates were
so treated; it was his lack of abandon that prevented him from taking
up permanently with the sea, that prevented him from seeing more than
one poetical spot, and more than one romantic spot on all the coast
of Old California. Yet these apparent defects were his strength.
They enabled him magnificently to write, and for all time, the picture
of the sea-life of his time.
Written close to the middle of the last century, such has been the
revolution worked in man’s method of trafficking with the sea,
that the life and conditions described in Dana’s book have passed
utterly away. Gone are the crack clippers, the driving captains,
the hard-bitten but efficient foremast hands. Remain only crawling
cargo tanks, dirty tramps, greyhound liners, and a sombre, sordid type
of sailing ship. The only records broken to-day by sailing vessels
are those for slowness. They are no longer built for speed, nor
are they manned before the mast by as sturdy a sailor stock, nor aft
the mast are they officered by sail-carrying captains and driving mates.
Speed is left to the liners, who run the silk, and tea, and spices.
Admiralty courts, boards of trade, and underwriters frown upon driving
and sail-carrying. No more are the free-and-easy, dare-devil days,
when fortunes were made in fast runs and lucky ventures, not alone for
owners, but for captains as well. Nothing is ventured now.
The risks of swift passages cannot be abided. Freights are calculated
to the last least fraction of per cent. The captains do no speculating,
no bargain-making for the owners. The latter attend to all this,
and by wire and cable rake the ports of the seven seas in quest of cargoes,
and through their agents make all business arrangements.
It has been learned that small crews only, and large carriers only,
can return a decent interest on the investment. The inevitable
corollary is that speed and spirit are at a discount. There is
no discussion of the fact that in the sailing merchant marine the seamen,
as a class, have sadly deteriorated. Men no longer sell farms
to go to sea. But the time of which Dana writes was the heyday
of fortune-making and adventure on the sea—with the full connotation
of hardship and peril always attendant.
It was Dana’s fortune, for the sake of the picture, that the
Pilgrim was an average ship, with an average crew and officers,
and managed with average discipline. Even the hazing that
took place after the California coast was reached, was of the average
sort. The Pilgrim savoured not in any way of a hell-ship.
The captain, while not the sweetest-natured man in the world, was only
an average down-east driver, neither brilliant nor slovenly in his seamanship,
neither cruel nor sentimental in the treatment of his men. While,
on the one hand, there were no extra liberty days, no delicacies added
to the meagre forecastle fare, nor grog or hot coffee on double watches,
on the other hand the crew were not chronically crippled by the continual
play of knuckle-dusters and belaying pins. Once, and once only,
were men flogged or ironed—a very fair average for the year 1834,
for at that time flogging on board merchant vessels was already well
on the decline.
The difference between the sea-life then and now can be no better
epitomised than in Dana’s description of the dress of the sailor
of his day:
“The trousers tight around the hips, and thence hanging long
and loose around the feet, a superabundance of checked shirt, a low-crowned,
well-varnished black hat, worn on the back of the head, with half a
fathom of black ribbon hanging over the left eye, and a peculiar tie
to the black silk neckerchief.”
Though Dana sailed from Boston only three-quarters of a century ago,
much that is at present obsolete was then in full sway. For instance,
the old word larboard was still in use. He was a member
of the larboard watch. The vessel was on the larboard
tack. It was only the other day, because of its similarity in
sound to starboard, that larboard was changed to port.
Try to imagine “All larboard bowlines on deck!” being shouted
down into the forecastle of a present day ship. Yet that was the
call used on the Pilgrim to fetch Dana and the rest of his watch
on deck.
The chronometer, which is merely the least imperfect time-piece man
has devised, makes possible the surest and easiest method by far of
ascertaining longitude. Yet the Pilgrim sailed in a day
when the chronometer was just coming into general use. So little
was it depended upon that the Pilgrim carried only one, and that
one, going wrong at the outset, was never used again. A navigator
of the present would be aghast if asked to voyage for two years, from
Boston, around the Horn to California, and back again, without a chronometer.
In those days such a proceeding was a matter of course, for those were
the days when dead reckoning was indeed something to reckon on, when
running down the latitude was a common way of finding a place, and when
lunar observations were direly necessary. It may be fairly asserted
that very few merchant officers of to-day ever make a lunar observation,
and that a large percentage are unable to do it.
“Sept. 22nd., upon coming on deck at seven bells in the morning
we found the other watch aloft throwing water upon the sails, and looking
astern we saw a small, clipper-built brig with a black hull heading
directly after us. We went to work immediately, and put all the
canvas upon the brig which we could get upon her, rigging out oars for
studding-sail yards; and contined wetting down the sails by buckets
of water whipped up to the mast-head . . . She was armed, and full of
men, and showed no colours.”
The foregoing sounds like a paragraph from “Midshipman Easy”
or the “Water Witch,” rather than a paragraph from the soberest,
faithfullest, and most literal chronicle of the sea ever written.
And yet the chase by a pirate occurred, on board the brig Pilgrim,
on September 22nd, 1834—something like only two generations ago.
Dana was the thorough-going type of man, not overbalanced and erratic,
without quirk or quibble of temperament. He was efficient, but
not brilliant. His was a general all-round efficiency. He
was efficient at the law; he was efficient at college; he was efficient
as a sailor; he was efficient in the matter of pride, when that pride
was no more than the pride of a forecastle hand, at twelve dollars a
month, in his seaman’s task well done, in the smart sailing of
his captain, in the clearness and trimness of his ship.
There is no sailor whose cockles of the heart will not warm to Dana’s
description of the first time he sent down a royal yard. Once
or twice he had seen it done. He got an old hand in the crew to
coach him. And then, the first anchorage at Monterey, being pretty
thick with the second mate, he got him to ask the mate to be
sent up the first time the royal yards were struck. “Fortunately,”
as Dana describes it, “I got through without any word from the
officer; and heard the ‘well done’ of the mate, when the
yard reached the deck, with as much satisfaction as I ever felt at Cambridge
on seeing a ‘bene’ at the foot of a Latin exercise.”
“This was the first time I had taken a weather ear-ring, and
I felt not a little proud to sit astride of the weather yard-arm, past
the ear-ring, and sing out ‘Haul out to leeward!’”
He had been over a year at sea before he essayed this able seaman’s
task, but he did it, and he did it with pride. And with pride,
he went down a four-hundred foot cliff, on a pair of top-gallant studding-sail
halyards bent together, to dislodge several dollars worth of stranded
bullock hides, though all the acclaim he got from his mates was: “What
a d-d fool you were to risk your life for half a dozen hides!”
In brief, it was just this efficiency in pride, as well as work,
that enabled Dana to set down, not merely the photograph detail of life
before the mast and hide-droghing on the coast of California, but of
the untarnished simple psychology and ethics of the forecastle hands
who droghed the hides, stood at the wheel, made and took in sail, tarred
down the rigging, holystoned the decks, turned in all-standing, grumbled
as they cut about the kid, criticised the seamanship of their officers,
and estimated the duration of their exile from the cubic space of the
hide-house.
JACK LONDON
Glen Ellen, California,
August 13, 1911.
Scene—California.
Time—Afternoon of a summer day.
CHARACTERS
LORETTA, A sweet, young thing. Frightfully innocent.
About nineteen years old. Slender, delicate, a fragile flower.
Ingenuous.
NED BASHFORD, A jaded young man of the world, who has philosophised
his experiences and who is without faith in the veracity or purity of
women.
BILLY MARSH, A boy from a country town who is just about as innocent
as Loretta. Awkward. Positive. Raw and callow youth.
ALICE HEMINGWAY, A society woman, good-hearted, and a match-maker.
JACK HEMINGWAY, Her husband.
MAID.
[Curtain rises on a conventional living room of a country house in
California. It is the Hemingway house at Santa Clara. The
room is remarkable for magnificent stone fireplace at rear centre.
On either side of fireplace are generous, diamond-paned windows.
Wide, curtained doorways to right and left. To left, front, table,
with vase of flowers and chairs. To right, front, grand piano.]
[Curtain discovers LORETTA seated at piano, not playing, her back
to it, facing NED BASHFORD, who is standing.]
LORETTA. [Petulantly, fanning herself with sheet of music.]
No, I won’t go fishing. It’s too warm. Besides,
the fish won’t bite so early in the afternoon.
NED. Oh, come on. It’s not warm at all. And
anyway, we won’t really fish. I want to tell you something.
LORETTA. [Still petulantly.] You are always wanting to
tell me something.
NED. Yes, but only in fun. This is different. This
is serious. Our . . . my happiness depends upon it.
LORETTA. [Speaking eagerly, no longer petulant, looking, serious
and delighted, divining a proposal.] Then don’t wait.
Tell me right here.
NED. [Almost threateningly.] Shall I?
LORETTA. [Challenging.] Yes.
[He looks around apprehensively as though fearing interruption, clears
his throat, takes resolution, also takes LORETTA’s hand.]
[LORETTA is startled, timid, yet willing to hear, naïvely unable
to conceal her love for him.]
NED. [Speaking softly.] Loretta . . . I, . . .
ever since I met you I have—
[JACK HEMINGWAY appears in the doorway to the left, just entering.]
[NED suddenly drops LORETTA’s hand. He shows exasperation.]
[LORETTA shows disappointment at interruption.]
NED. Confound it
LORETTA. [Shocked.] Ned! Why will you swear so?
NED. [Testily.] That isn’t swearing.
LORETTA. What is it, pray?
NED. Displeasuring.
JACK HEMINGWAY. [Who is crossing over to right.] Squabbling
again?
LORETTA. [Indignantly and with dignity.] No, we’re
not.
NED. [Gruffly.] What do you want now?
JACK HEMINGWAY. [Enthusiastically.] Come on fishing.
NED. [Snappily.] No. It’s too warm.
JACK HEMINGWAY. [Resignedly, going out right.] You needn’t
take a fellow’s head off.
LORETTA. I thought you wanted to go fishing.
NED. Not with Jack.
LORETTA. [Accusingly, fanning herself vigorously.] And
you told me it wasn’t warm at all.
NED. [Speaking softly.] That isn’t what I wanted
to tell you, Loretta. [He takes her hand.] Dear Loretta—
[Enter abruptly ALICE HEMINGWAY from right.]
[LORETTA sharply jerks her hand away, and looks put out.]
[NED tries not to look awkward.]
ALICE HEMINGWAY. Goodness! I thought you’d both
gone fishing!
LORETTA. [Sweetly.] Is there anything you want, Alice?
NED. [Trying to be courteous.] Anything I can do?
ALICE HEMINGWAY. [Speaking quickly, and trying to withdraw.]
No, no. I only came to see if the mail had arrived.
LORETTA AND NED
[Speaking together.] No, it hasn’t arrived.
LORETTA. [Suddenly moving toward door to right.] I am
going to see.
[NED looks at her reproachfully.]
[LORETTA looks back tantalisingly from doorway and disappears.]
[NED flings himself disgustedly into Morris chair.]
ALICE HEMINGWAY. [Moving over and standing in front of him.
Speaks accusingly.] What have you been saying to her?
NED. [Disgruntled.] Nothing.
ALICE HEMINGWAY. [Threateningly.] Now listen to me, Ned.
NED. [Earnestly.] On my word, Alice, I’ve been
saying nothing to her.
ALICE HEMINGWAY. [With sudden change of front.] Then
you ought to have been saying something to her.
NED. [Irritably. Getting chair for her, seating her,
and seating himself again.] Look here, Alice, I know your game.
You invited me down here to make a fool of me.
ALICE HEMINGWAY. Nothing of the sort, sir. I asked you
down to meet a sweet and unsullied girl—the sweetest, most innocent
and ingenuous girl in the world.
NED. [Dryly.] That’s what you said in your letter.
ALICE HEMINGWAY. And that’s why you came. Jack
had been trying for a year to get you to come. He did not know
what kind of a letter to write.
NED. If you think I came because of a line in a letter about
a girl I’d never seen—
ALICE HEMINGWAY. [Mockingly.] The poor, jaded, world-worn
man, who is no longer interested in women . . . and girls! The
poor, tired pessimist who has lost all faith in the goodness of women—
NED. For which you are responsible.
ALICE HEMINGWAY. [Incredulously.] I?
NED. You are responsible. Why did you throw me over and
marry Jack?
ALICE HEMINGWAY. Do you want to know?
NED. Yes.
ALICE HEMINGWAY. [Judiciously.] First, because I did
not love you. Second, because you did not love me. [She
smiles at his protesting hand and at the protesting expression on his
face.] And third, because there were just about twenty-seven other
women at that time that you loved, or thought you loved. That
is why I married Jack. And that is why you lost faith in the goodness
of women. You have only yourself to blame.
NED. [Admiringly.] You talk so convincingly. I
almost believe you as I listen to you. And yet I know all the
time that you are like all the rest of your sex—faithless, unveracious,
and . . .
[He glares at her, but does not proceed.]
ALICE HEMINGWAY. Go on. I’m not afraid.
NED. [With finality.] And immoral.
ALICE HEMINGWAY. Oh! You wretch!
NED. [Gloatingly.] That’s right. Get angry.
You may break the furniture if you wish. I don’t mind.
ALICE HEMINGWAY. [With sudden change of front, softly.]
And how about Loretta?
[NED gasps and remains silent.]
ALICE HEMINGWAY. The depths of duplicity that must lurk under
that sweet and innocent exterior . . . according to your philosophy!
NED. [Earnestly.] Loretta is an exception, I confess.
She is all that you said in your letter. She is a little fairy,
an angel. I never dreamed of anything like her. It is remarkable
to find such a woman in this age.
ALICE HEMINGWAY. [Encouragingly.] She is so naive.
NED. [Taking the bait.] Yes, isn’t she? Her
face and her tongue betray all her secrets.
ALICE HEMINGWAY. [Nodding her head.] Yes, I have noticed
it.
NED. [Delightedly.] Have you?
ALICE HEMINGWAY. She cannot conceal anything. Do you
know that she loves you?
NED. [Falling into the trap, eagerly.] Do you think so?
ALICE HEMINGWAY. [Laughing and rising.] And to think
I once permitted you to make love to me for three weeks!
[NED rises.]
[MAID enters from left with letters, which she brings to ALICE HEMINGWAY.]
ALICE HEMINGWAY. [Running over letters.] None for you,
Ned. [Selecting two letters for herself.] Tradesmen.
[Handing remainder of letters to MAID.] And three for Loretta.
[Speaking to MAID.] Put them on the table, Josie.
[MAID puts letters on table to left front, and makes exit to left.]
NED. [With shade of jealousy.] Loretta seems to have
quite a correspondence.
ALICE HEMINGWAY. [With a sigh.] Yes, as I used to when
I was a girl.
NED. But hers are family letters.
ALICE HEMINGWAY. Yes, I did not notice any from Billy.
NED. [Faintly.] Billy?
ALICE HEMINGWAY. [Nodding.] Of course she has told you
about him?
NED. [Gasping.] She has had lovers . . . already?
ALICE HEMINGWAY. And why not? She is nineteen.
NED. [Haltingly.] This . . . er . . . this Billy . .
. ?
ALICE HEMINGWAY. [Laughing and putting her hand reassuringly
on his arm.] Now don’t be alarmed, poor, tired philosopher.
She doesn’t love Billy at all.
[LORETTA enters from right.]
ALICE HEMINGWAY. [To LORETTA, nodding toward table.]
Three letters for you.
LORETTA. [Delightedly.] Oh! Thank you.
[LORETTA trips swiftly across to table, looks at letters, sits down,
opens letters, and begins to read.]
NED. [Suspiciously.] But Billy?
ALICE HEMINGWAY. I am afraid he loves her very hard.
That is why she is here. They had to send her away. Billy
was making life miserable for her. They were little children together—playmates.
And Billy has been, well, importunate. And Loretta, poor child,
does not know anything about marriage. That is all.
NED. [Reassured.] Oh, I see.
[ALICE HEMINGWAY starts slowly toward right exit, continuing conversation
and accompanied by NED.]
ALICE HEMINGWAY. [Calling to LORETTA.] Are you going
fishing, Loretta?
[LORETTA looks up from letter and shakes head.]
ALICE HEMINGWAY. [To NED.] Then you’re not, I suppose?
NED. No, it’s too warm.
ALICE HEMINGWAY. Then I know the place for you.
NED. Where?
ALICE HEMINGWAY. Right here. [Looks significantly in
direction of LORETTA.] Now is your opportunity to say what you
ought to say.
[ALICE HEMINGWAY laughs teasingly and goes out to right.]
[NED hesitates, starts to follow her, looks at LORETTA, and stops.
He twists his moustache and continues to look at her meditatively.]
[LORETTA is unaware of his presence and goes on reading. Finishes
letter, folds it, replaces in envelope, looks up, and discovers NED.]
LORETTA. [Startled.] Oh! I thought you were gone.
NED. [Walking across to her.] I thought I’d stay
and finish our conversation.
LORETTA. [Willingly, settling herself to listen.] Yes,
you were going to . . . [Drops eyes and ceases talking.]
NED. [Taking her hand, tenderly.] I little dreamed when
I came down here visiting that I was to meet my destiny in—[Abruptly
releases LORETTA’s hand.]
[MAID enters from left with tray.]
[LORETTA glances into tray and discovers that it is empty.
She looks inquiringly at MAID.]
MAID. A gentleman to see you. He hasn’t any card.
He said for me to tell you that it was Billy.
LORETTA. [Starting, looking with dismay and appeal to NED.]
Oh! . . . Ned!
NED [Gracefully and courteously, rising to his feet and preparing
to go.] If you’ll excuse me now, I’ll wait till afterward
to tell you what I wanted.
LORETTA. [In dismay.] What shall I do?
NED. [Pausing.] Don’t you want to see him?
[LORETTA shakes her head.] Then don’t.
LORETTA. [Slowly.] I can’t do that. We are
old friends. We . . . were children together. [To the MAID.]
Send him in. [To NED, who has started to go out toward right.]
Don’t go, Ned.
[MAID makes exit to left.]
NED. [Hesitating a moment.] I’ll come back.
[NED makes exit to right.]
[LORETTA, left alone on stage, shows perturbation and dismay.]
[BILLY enters from left. Stands in doorway a moment.
His shoes are dusty. He looks overheated. His eyes and face
brighten at sight of LORETTA.]
BILLY. [Stepping forward, ardently.] Loretta!
LORETTA. [Not exactly enthusiastic in her reception, going
slowly to meet him.] You never said you were coming.
[BILLY shows that he expects to kiss her, but she merely shakes his
hand.]
BILLY. [Looking down at his very dusty shoes.] I walked
from the station.
LORETTA. If you had let me know, the carriage would have been
sent for you.
BILLY. [With expression of shrewdness.] If I had let
you know, you wouldn’t have let me come.
[BILLY looks around stage cautiously, then tries to kiss her.]
LORETTA. [Refusing to be kissed. ] Won’t you sit
down?
BILLY. [Coaxingly.] Go on, just one. [LORETTA shakes
head and holds him off.] Why not? We’re engaged.
LORETTA. [With decision. ] We’re not. You
know we’re not. You know I broke it off the day before I
came away. And . . . and . . . you’d better sit down.
[BILLY sits down on edge of chair. LORETTA seats herself by
table. Billy, without rising, jerks his chair forward till they
are facing each other, his knees touching hers. He yearns toward
her. She moves back her chair slightly.]
BILLY. [With supreme confidence.] That’s what I
came to see you for—to get engaged over again.
[BILLY hudges chair forward and tries to take her hand.]
[LORETTA hudges her chair back.]
BILLY. [Drawing out large silver watch and looking at it.]
Now look here, Loretta, I haven’t any time to lose. I’ve
got to leave for that train in ten minutes. And I want you to
set the day.
LORETTA. But we’re not engaged, Billy. So there
can’t be any setting of the day.
BILLY. [With confidence.] But we’re going to be.
[Suddenly breaking out.] Oh, Loretta, if you only knew how I’ve
suffered. That first night I didn’t sleep a wink.
I haven’t slept much ever since. [Hudges chair forward.]
I walk the floor all night. [Solemnly.] Loretta, I don’t
eat enough to keep a canary bird alive. Loretta . . . [Hudges
chair forward.]
LORETTA. [Hudging her chair back maternally.] Billy,
what you need is a tonic. Have you seen Doctor Haskins?
BILLY. [Looking at watch and evincing signs of haste.]
Loretta, when a girl kisses a man, it means she is going to marry him.
LORETTA. I know it, Billy. But . . . [She glances toward
letters on table.] Captain Kitt doesn’t want me to marry
you. He says . . . [She takes letter and begins to open it.]
BILLY. Never mind what Captain Kitt says. He wants you
to stay and be company for your sister. He doesn’t want
you to marry me because he knows she wants to keep you.
LORETTA. Daisy doesn’t want to keep me. She wants
nothing but my own happiness. She says—[She takes second
letter from table and begins to open it.]
BILLY. Never mind what Daisy says—
LORETTA. [Taking third letter from table and beginning to open
it.] And Martha says—
BILLY. [Angrily.] Darn Martha and the whole boiling of
them!
LORETTA. [Reprovingly.] Oh, Billy!
BILLY. [Defensively.] Darn isn’t swearing, and
you know it isn’t.
[There is an awkward pause. Billy has lost the thread of the
conversation and has vacant expression.]
BILLY. [Suddenly recollecting.] Never mind Captain Kitt,
and Daisy, and Martha, and what they want. The question is, what
do you want?
LORETTA. [Appealingly.] Oh, Billy, I’m so unhappy.
BILLY. [Ignoring the appeal and pressing home the point.]
The thing is, do you want to marry me? [He looks at his watch.]
Just answer that.
LORETTA. Aren’t you afraid you’ll miss that train?
BILLY. Darn the train!
LORETTA. [Reprovingly.] Oh, Billy!
BILLY. [Most irascibly.] Darn isn’t swearing.
[Plaintively.] That’s the way you always put me off.
I didn’t come all the way here for a train. I came for you.
Now just answer me one thing. Do you want to marry me?
LORETTA. [Firmly.] No, I don’t want to marry you.
BILLY. [With assurance.] But you’ve got to, just
the same.
LORETTA. [With defiance.] Got to?
BILLY. [With unshaken assurance.] That’s what I
said—got to. And I’ll see that you do.
LORETTA. [Blazing with anger.] I am no longer a child.
You can’t bully me, Billy Marsh!
BILLY. [Coolly.] I’m not trying to bully you.
I’m trying to save your reputation.
LORETTA. [Faintly.] Reputation?
BILLY. [Nodding.] Yes, reputation. [He pauses for
a moment, then speaks very solemnly.] Loretta, when a woman kisses
a man, she’s got to marry him.
LORETTA. [Appalled, faintly.] Got to?
BILLY. [Dogmatically.] It is the custom.
LORETTA. [Brokenly.] And when . . . a . . . a woman kisses
a man and doesn’t . . . marry him . . . ?
BILLY. Then there is a scandal. That’s where all
the scandals you see in the papers come from.
[BILLY looks at watch.]
[LORETTA in silent despair.]
LORETTA. [In abasement.] You are a good man, Billy.
[Billy shows that he believes it.] And I am a very wicked woman.
BILLY. No, you’re not, Loretta. You just didn’t
know.
LORETTA. [With a gleam of hope.] But you kissed me first.
BILLY. It doesn’t matter. You let me kiss you.
LORETTA. [Hope dying down.] But not at first.
BILLY. But you did afterward and that’s what counts.
You let me you in the grape-arbour. You let me—
LORETTA. [With anguish] Don’t! Don’t!
BILLY. [Relentlessly.]—kiss you when you were playing
the piano. You let me kiss you that day of the picnic. And
I can’t remember all the times you let me kiss you good night.
LORETTA. [Beginning to weep.] Not more than five.
BILLY. [With conviction.] Eight at least.
LORETTA. [Reproachfully, still weeping.] You told me
it was all right.
BILLY. [Emphatically.] So it was all right—until
you said you wouldn’t marry me after all. Then it was a
scandal—only no one knows it yet. If you marry me no one
ever will know it. [Looks at watch.] I’ve got to go.
[Stands up.] Where’s my hat?
LORETTA. [Sobbing.] This is awful.
BILLY. [Approvingly.] You bet it’s awful.
And there’s only one way out. [Looks anxiously about for
hat.] What do you say?
LORETTA. [Brokenly.] I must think. I’ll write
to you. [Faintly.] The train? Your hat’s in
the hall.
BILLY. [Looks at watch, hastily tries to kiss her, succeeds
only in shaking hand, starts across stage toward left.] All right.
You write to me. Write to-morrow. [Stops for a moment in
doorway and speaks very solemnly.] Remember, Loretta, there must
be no scandal.
[Billy goes out.]
[LORETTA sits in chair quietly weeping. Slowly dries eyes,
rises from chair, and stands, undecided as to what she will do next.]
[NED enters from right, peeping. Discovers that LORETTA is
alone, and comes quietly across stage to her. When NED comes up
to her she begins weeping again and tries to turn her head away.
NED catches both her hands in his and compels her to look at him.
She weeps harder.]
NED. [Putting one arm protectingly around her shoulder and
drawing her toward him.] There, there, little one, don’t
cry.
LORETTA. [Turning her face to his shoulder like a tired child,
sobbing.] Oh, Ned, if you only knew how wicked I am.
NED. [Smiling indulgently.] What is the matter, little
one? Has your dearly beloved sister failed to write to you?
[LORETTA shakes head.] Has Hemingway been bullying you?
[LORETTA shakes head.] Then it must have been that caller of yours?
[Long pause, during which LORETTA’s weeping grows more violent.]
Tell me what’s the matter, and we’ll see what I can do.
[He lightly kisses her hair—so lightly that she does not know.]
LORETTA. [Sobbing.] I can’t. You will despise
me. Oh, Ned, I am so ashamed.
NED. [Laughing incredulously.] Let us forget all about
it. I want to tell you something that may make me very happy.
My fondest hope is that it will make you happy, too. Loretta,
I love you—
LORETTA. [Uttering a sharp cry of delight, then moaning.]
Too late!
NED. [Surprised.] Too late?
LORETTA. [Still moaning.] Oh, why did I? [NED somewhat
stiffens.] I was so young. I did not know the world then.
NED. What is it all about anyway?
LORETTA. Oh, I . . . he . . . Billy . . . I am a wicked woman,
Ned. I know you will never speak to me again.
NED. This . . . er . . . this Billy—what has he been
doing?
LORETTA. I . . . he . . . I didn’t know. I was
so young. I could not help it. Oh, I shall go mad, I shall
go mad!
[NED’s encircling arm goes limp. He gently disengages
her and deposits her in big chair.]
[LORETTA buries her face and sobs afresh.]
NED. [Twisting moustache fiercely, regarding her dubiously,
hesitating a moment, then drawing up chair and sitting down.]
I . . . I do not understand.
LORETTA. [Wailing.] I am so unhappy!
NED. [Inquisitorially.] Why unhappy?
LORETTA. Because . . . he . . . he wants to marry me.
NED. [His face brightening instantly, leaning forward and laying
a hand soothingly on hers.] That should not make any girl unhappy.
Because you don’t love him is no reason—[Abruptly breaking
off.] Of course you don’t love him? [LORETTA shakes
her head and shoulders vigorously.] What?
LORETTA. [Explosively.] No, I don’t love Billy!
I don’t want to love Billy!
NED. [With confidence.] Because you don’t love
him is no reason that you should be unhappy just because he has proposed
to you.
LORETTA. [Sobbing.] That’s the trouble. I
wish I did love him. Oh, I wish I were dead.
NED. [Growing complacent.] Now my dear child, you are
worrying yourself over trifles. [His second hand joins the first
in holding her hands.] Women do it every day. Because you
have changed your mind, or did not know you mind, because you have—to
use an unnecessarily harsh word—jilted a man—
LORETTA. [Interrupting, raising her head and looking at him.]
Jilted? Oh Ned, if that were a all!
NED. [Hollow voice.] All!
[NED’s hands slowly retreat from hers. He opens his mouth
as though to speak further, then changes his mind and remains silent.]
LORETTA. [Protestingly.] But I don’t want to marry
him!
NED. Then I shouldn’t.
LORETTA. But I ought to marry him.
NED. Ought to marry him? [LORETTA nods.]
That is a strong word.
LORETTA. [Nodding.] I know it is. [Her lips are
trembling, but she strives for control and manages to speak more calmly.]
I am a wicked woman. A terrible wicked woman. No one knows
how wicked I am . . . except Billy.
NED. [Starting, looking at her queerly.] He . . . Billy
knows? [LORETTA nods. He debates with himself a moment.]
Tell me about it. You must tell me all of it.
LORETTA. [Faintly, as though about to weep again.] All
of it?
NED. [Firmly.] Yes, all of it.
LORETTA. [Haltingly.] And . . . will . . . you . . .
ever . . . forgive . . . me?
NED. [Drawing a long, breath, desperately.] Yes, I’ll
forgive you. Go ahead.
LORETTA. There was no one to tell me. We were with each
other so much. I did not know anything of the world . . . then.
[Pauses.]
NED. [Impatiently.] Go on.
LORETTA. If I had only known. [Pauses.]
NED. [Biting his lip and clenching his hands.] Yes, yes.
Go on.
LORETTA. We were together almost every evening.
NED. [Savagely.] Billy?
LORETTA. Yes, of course, Billy. We were with each other
so much . . . If I had only known . . . There was no one to tell me
. . . I was so young . . . [Breaks down crying.]
NED. [Leaping to his feet, explosively.] The scoundrel!
LORETTA. [Lifting her head.] Billy is not a scoundrel
. . . He . . . he . . . is a good man.
NED. [Sarcastically.] I suppose you’ll be telling
me next that it was all your fault. [LORETTA nods.] What!
LORETTA. [Steadily.] It was all my fault. I should
never have let him. I was to blame.
NED. [Paces up and down for a minute, stops in front of her,
and speaks with resignation.] All right. I don’t blame
you in the least, Loretta. And you have been very honest.
It is . . . er . . . commendable. But Billy is right, and you
are wrong. You must get married.
LORETTA. [In dim, far-away voice.] To Billy?
NED. Yes, to Billy. I’ll see to it. Where
does he live? I’ll make him. If he won’t I’ll
. . . I’ll shoot him!
LORETTA. [Crying out with alarm.] Oh, Ned, you won’t
do that?
NED. [Sternly.] I shall.
LORETTA. But I don’t want to marry Billy.
NED. [Sternly.] You must. And Billy must.
Do you understand? It is the only thing.
LORETTA. That’s what Billy said.
NED. [Triumphantly.] You see, I am right.
LORETTA. And if . . . if I don’t marry him . . . there
will be . . . scandal?
NED. [Calmly.] Yes, there will be scandal.
LORETTA. That’s what Billy said. Oh, I am so unhappy!
[LORETTA breaks down into violent weeping.]
[NED paces grimly up and down, now and again fiercely twisting his
moustache.]
LORETTA. [Face buried, sobbing and crying all the time.]
I don’t want to leave Daisy! I don’t want to leave
Daisy! What shall I do? What shall I do? How was I
to know? He didn’t tell me. Nobody else ever kissed
me. [NED stops curiously to listen. As he listens his face
brightens.] I never dreamed a kiss could be so terrible . . .
until . . . until he told me. He only told me this morning.
NED. [Abruptly.] Is that what you are crying about?
LORETTA. [Reluctantly.] N-no.
NED. [In hopeless voice, the brightness gone out of his face,
about to begin pacing again.] Then what are you crying about?
LORETTA. Because you said I had to marry Billy. I don’t
want to marry Billy. I don’t want to leave Daisy.
I don’t know what I want. I wish I were dead.
NED. [Nerving himself for another effort.] Now look here,
Loretta, be sensible. What is this about kisses? You haven’t
told me everything after all.
LORETTA. I . . . I don’t want to tell you everything.
NED. [Imperatively.] You must.
LORETTA. [Surrendering.] Well, then . . . must I?
NED. You must.
LORETTA. [Floundering.] He . . . I . . . we . . . I let
him, and he kissed me.
NED. [Desperately, controlling himself.] Go on.
LORETTA. He says eight, but I can’t think of more than
five times.
NED. Yes, go on.
LORETTA. That’s all.
NED. [With vast incredulity.] All?
LORETTA. [Puzzled.] All?
NED. [Awkwardly.] I mean . . . er . . . nothing worse?
LORETTA. [Puzzled.] Worse? As though there could
be. Billy said—
NED. [Interrupting.] When?
LORETTA. This afternoon. Just now. Billy said that
my . . . our . . . our . . . our kisses were terrible if we didn’t
get married.
NED. What else did he say?
LORETTA. He said that when a woman permitted a man to kiss
her she always married him. That it was awful if she didn’t.
It was the custom, he said; and I say it is a bad, wicked custom, and
it has broken my heart. I shall never be happy again. I
know I am terrible, but I can’t help it. I must have been
born wicked.
NED. [Absent-mindedly bringing out a cigarette and striking
a match.] Do you mind if I smoke? [Coming to himself again,
and flinging away match and cigarette.] I beg your pardon.
I don’t want to smoke. I didn’t mean that at all.
What I mean is . . . [He bends over LORETTA, catches her hands in his,
then sits on arm of chair, softly puts one arm around her, and is about
to kiss her.]
LORETTA. [With horror, repulsing him.] No! No!
NED. [Surprised.] What’s the matter?
LORETTA. [Agitatedly.] Would you make me a wickeder woman
than I am?
NED. A kiss?
LORETTA. There will be another scandal. That would make
two scandals.
NED. To kiss the woman I love . . . a scandal?
LORETTA. Billy loves me, and he said so.
NED. Billy is a joker . . . or else he is as innocent as you.
LORETTA. But you said so yourself.
NED. [Taken aback.] I?
LORETTA. Yes, you said it yourself, with your own lips, not
ten minutes ago. I shall never believe you again.
NED. [Masterfully putting arm around her and drawing her toward
him.] And I am a joker, too, and a very wicked man. Nevertheless,
you must trust me. There will be nothing wrong.
LORETTA. [Preparing to yield.] And no . . . scandal?
NED. Scandal fiddlesticks. Loretta, I want you to be
my wife. [He waits anxiously.]
[JACK HEMINGWAY, in fishing costume, appears in doorway to right
and looks on.]
NED. You might say something.
LORETTA. I will . . . if . . .
[ALICE HEMINGWAY appears in doorway to left and looks on.]
NED. [In suspense.] Yes, go on.
LORETTA. If I don’t have to marry Billy.
NED. [Almost shouting.] You can’t marry both of
us!
LORETTA. [Sadly, repulsing him with her hands.] Then,
Ned, I cannot marry you.
NED. [Dumbfounded.] W-what?
LORETTA. [Sadly.] Because I can’t marry both of
you.
NED. Bosh and nonsense!
LORETTA. I’d like to marry you, but . . .
NED. There is nothing to prevent you.
LORETTA. [With sad conviction.] Oh, yes, there is.
You said yourself that I had to marry Billy. You said you would
s-s-shoot him if he didn’t.
NED. [Drawing her toward him.] Nevertheless . . .
LORETTA. [Slightly holding him off.] And it isn’t
the custom . . . what . . . Billy said?
NED. No, it isn’t the custom. Now, Loretta, will
you marry me?
LORETTA. [Pouting demurely.] Don’t be angry with
me, Ned. [He gathers her into his arms and kisses her. She
partially frees herself, gasping.] I wish it were the custom,
because now I’d have to marry you, Ned, wouldn’t I?
[NED and LORETTA kiss a second time and profoundly.]
[JACK HEMINGWAY chuckles.]
[NED and LORETTA, startled, but still in each other’s arms,
look around. NED looks sillily at ALICE HEMINGWAY. LORETTA
looks at JACK HEMINGWAY.]
LORETTA. I don’t care.
CURTAIN