It has been truly said, that the virtues of the
unfortunate Louis XVI. were an anachronism in
the dissolute court that surrounded him. The
most short-sighted observer could behold the
gathering storm, and foresee that a national
convulsion was drawing nigh. In taking a retrospective
view of the past, no confidence could
be placed in the present, and futurity was involved
in a fearful gloom. Despotism had been
concentrated under the sway of Louis XI. and
Louis XIV; but, during the reign of Louis
XV, the parliament had recovered the power
usurped by his predecessor, who let no opportunity
escape of showing for that assembly, his
sovereign contempt. A struggle for power now
commenced between the parliament, the clergy,
and the court; and the people, exhausted by
war and taxation, calmly looked on, until they
were roused by the contending factions to throw
the weight of brute force into the scale of the
doubtful preponderance. At this period, pregnant
with future events of vital moment, the
parliament persecuted the clergy, which in turn
opposed their vexations; and both parties set
at defiance the authority of the court, which
appeared to be sunk into a state of luxurious
apathy, and calmly looked on the approaching
storm, without having recourse to any prudential
measures to meet its impetuosity.
While the country was thus torn by discord,
no harmony prevailed in the palace. The monarch
had selected a minister who could not
agree with his consort, and opposed all his measures,
until Turgot succeeded him. Turgot, a
virtuous upright man, endeavoured to operate
a reform, but all parties who had thriven on
corruption soon drove him from the helm of
public affairs. Necker sought to pursue the reform
that his predecessor had planned, and for
a moment seemed to inspire confidence, until
the upper classes, uniting their efforts against
him, compelled the unwelcome speculator to resign
his post; and, finally, the active enterprising
Calonne, failed in re-organizing the wreck of the
empire.
To use the language of a French writer,
“Louis XVI. was not sufficiently understood by
the nation, but was too well understood by the
court.” Thus he was exposed at the same time
to popular prejudices against him and to patrician
hostility, and rendered answerable for the errors
of his predecessors. An apparent calm reigned in
the nation, but it was that gloomy sultry tranquillity
that precedes a storm. The mind of every
class of the community was too deeply absorbed
in reflection to admit of the influence of private
differences. The practice of duelling, meanwhile,
seemed to be confined to the soldiery. The
sword was no longer worn as a mark of distinction
in society; and this weapon of a gentleman,
which in former times was always at hand, and
drawn on the spur of the moment, was now laid
aside, and only sought for with premeditation.
This pacific period was of short duration.
The pales which had divided society into castes
were gradually overthrown, and rank no longer
became an excuse for refusing satisfaction to an
inferior.
One of the first affairs of honour under this
monarch was the celebrated duel that took place
between the Comte d’Artois16 and the Prince de
Condé. At a ball given at the Opera on Shrove
Tuesday in the year 1778, the Comte d’Artois
appeared, giving his arm to Madame de Carrillac,—both
masked. The Duchesse de Bourbon
(Princess of Orleans) recognised them, and
followed them, addressing the parties in a sarcastic
style, which, although warranted by the
usages of a masquerade, were not the less offensive.
The hostile feelings of the duchess were
attributed to two most powerful motives. Madame
de Carrillac had been the mistress of her
husband, whom she had quitted for the Comte
d’Artois, to whom the duchess herself was not
indifferent. Madame de Carrillac, thus annoyed
by the duchess, contrived to effect her escape
through the crowd; when the duchess with unbridled
fury endeavoured to tear off the mask
from the count, who, forgetting at the moment
his usual gallantry and the privileges of the fair
sex, crushed the mask of the duchess on her face,
and rushed out of the ball-room.
This adventure was hushed up for a few days,
when the duchess stated to her numerous guests
at her supper-table that the conduct of the Comte
d’Artois had been that of a ruffian, and that
she had felt disposed at the time to call in the
guard to apprehend him. All the women at
court whom the count had slighted, rose up
in arms against him, the brutality of his conduct
became the subject of conversation in every
circle, and the general opinion was, that he could
not avail himself of his rank to refuse the satisfaction
that such a public insult to a woman demanded.
It was of course concluded that it became
indispensable on the part of the Duke
de Bourbon to call out the offender.
Howbeit, the King ordered the Duke and
Duchess de Bourbon to attend him in his closet,
where they met the Count d’Artois; when he
commanded that no notice should be taken by
any of the parties of what had occurred. The
duke wished to enter into some explanation, but
was instantly silenced by the monarch.
This decision did not satisfy the duchess and
the ladies of the court. The Baron de Besenval
was sent for by the Queen, who asked
him what her brother was to do under existing
circumstances: the baron replied that he
saw no other alternative than a duel; to which
Marie Antoinette replied, “I am of the same
opinion, and the King agrees with me; but
do you think that my brother will adopt this
course?” Besenval replied, “that the count was
ignorant of all that was said on the subject;
but that he should consider it his duty to make
him acquainted with the public opinion, as he
would rather see him dead than dishonoured;”
adding, “that, as it was an affair of great moment,
he would previously consult with De Crussel,
captain of the prince’s guards.” “Do so,”
replied the Queen, “and settle this affair between
you.”
Besenval having met De Crussel at the Comte
Jules de Polignac’s, it was decided that a meeting
should take place; it being at the same time
proposed, that, so soon as swords were drawn
and crossed, De Crussel should produce an order
from the King to separate the combatants. With
this suggestion Besenval would not comply,
justly observing, “Pray, gentlemen, are you going
to make the prince play in a farce? I never
will consent to such an arrangement;” to which
De Crussel replied, “that it was quite sufficient
for the prince to go to the ground, and that the
sovereign had then the right to prevent bloodshed.”
This opinion was also that of Polignac
and Vaudreuil, who were present.
Besenval lost no time in seeking for the
Comte d’Artois, to acquaint him with all that
had taken place, when a meeting was decided.
The following day the count went to the Bois
de Boulogne, attended by De Crussel, who had
placed the prince’s best sword in the carriage.
Arrived at the wood, they perceived the Duke
de Bourbon surrounded with several gentlemen:
upon seeing him the count alighted, and stepping
towards him said, “I understand, sir, that
the public say that we are seeking each other?”
to which the duke replied, taking off his hat,
“I am here, sir, to receive your commands:” to
which polite reply the count answered, “I am
here, sir, to fulfil yours.”
After this courteous preamble both parties
drew their swords; when the duke observed,
“You are not aware, sir, that the sun shines
full upon you.” “You are right,” answered
the count; “we had better proceed to that wall,
where we shall find more shade than under
these leafless trees.”
The parties then placed their drawn swords
under their arms, and proceeded, conversing with
each other, to the appointed spot, followed by
their two seconds, all other persons keeping at
a distance. M. de Vibraye, second of the duke,
observing that they had both kept on their spurs,
which might prove inconvenient, the seconds
immediately proceeded to unbuckle them; and,
while so doing, De Vibraye had an eye nearly
put out by the point of the duke’s sword.
The spurs being off, the duke asked the prince’s
permission to take off his coat; to which proposal
the Comte d’Artois not only acceded; but
threw off his own.
Several lounges had passed between the parties,
and D’Artois was evidently becoming impatient
and flushed, when the duke was observed to
stagger; and the seconds, thinking that he had
been wounded, interfered, and begged the parties
to suspend all further hostility. The count replied,
“It is not for me to offer any opinion;
it is for M. le Duc de Bourbon to express his
wishes, I am here at his orders.” The duke
immediately lowered his sword, and replied, “I
feel penetrated with gratitude at your kindness,
and shall never forget the honour that you have
conferred on me.” The Comte d’Artois then
opened his arms, and the duke flew into his
embrace.
After this harmless meeting, at the suggestion
of the Queen and the Baron de Besenval, the
count repaired to the Palais Bourbon, and made
an ample apology to the insulted duchess. The
punishment awarded to the combatants was an
exile of a week; the count at Choisy, and the
duke at Chantilly. Thus ended this celebrated
duel, which has been much misrepresented by
different writers, influenced by party spirit.
There is no doubt that, in the whole transaction,
the Comte d’Artois behaved with becoming
firmness and gentlemanly feeling: and there
is not the least foundation for the story of a
bloodless meeting having been pre-arranged, although
it is not improbable that the Duke de
Bourbon was satisfied in defending himself, without
a wish of injuring his antagonist; which
was the more easy, as he remained cool, while
the count was evidently excited.
This transaction affords a vivid picture of the
corruption and manners of the times. A woman
of the highest rank insults another woman who
had been her husband’s mistress; not on that
account, but for having become the mistress of
another man, to whom she herself was attached:
and the foolish husband is made to peril life
and liberty by fighting the real object of the
dispute, who had so far lost sight of all gentlemanly
deportment as to insult a female by
actually inflicting a blow!
The Prince de Condé, father of this Duke de
Bourbon, had also had a hostile meeting with
the Vicomte d’Agout, a captain in the Guards.
This officer had been paying court to a young
widow of the household of the Princess de
Condé, and had promised to marry her: having,
however, discovered that she had bestowed her
favours on the prince, he bitterly reproached her
with her duplicity, and retracted his engagement.
The lady complained to her protector,
who directed that D’Agout should resign his
situation of captain in his Guards. That officer
immediately tendered his resignation into the
prince’s hands, and at the same time requested
to know what part of his conduct had exposed
him to disgrace. To this request the prince
replied, “that he would not keep in his service
liars and calumniators:” to this severe observation
D’Agout answered, “Your highness is aware
that, when I took the liberty of putting this
question, I was no longer in your highness’s
service, and will be pleased also to recollect
that I am a gentleman.” “I understand you,
sir,” replied the prince; “and am ready to maintain
what I have asserted, in whatever manner
you may think proper.”
“Then,” replied D’Agout, “I depend upon
your highness’s kindness;” and he lost no time
in repairing to Versailles to secure some protection
in the event of a fatal result. Having
succeeded, he presented himself at the carriage-window
of the prince, who was changing horses
at Sèvres, and said to him, “My lord, I came
to receive your highness’s orders.” “Then, sir,”
answered the prince, “at nine o’clock to-morrow
morning I shall be at the entrance of the
Bois de Boulogne, near the Maillot gate.”
D’Agout, as might be expected, was punctual
in his attendance, accompanied by his brother.
The prince soon after made his appearance, and
first placed in the hands of his adversary a declaration
of his having been the aggressor, with
letters of recommendation to foreign powers for
protection, in the event of a fatal issue of the
meeting, which might render his quitting the
kingdom advisable.
D’Agout, having returned his grateful thanks
for this courteous proceeding, then threw off his
coat; on which the prince observed, “No doubt,
sir, by taking off your coat, you expect that I
should do the same.” To which D’Agout replied,
“I have no right to demand anything from your
highness, as I trust implicitly in your honour,
and was only anxious to afford your highness a
proof of mine.”
The prince immediately took off his coat, and
swords were soon crossed. The offended captain
fought with that desperate determination
which his critical position inspired, and the
prince was slightly wounded; when the seconds
interfered, and parted the combatants. A short
time after this meeting, D’Agout was promoted
by the prince to the rank of major in the Guards.
The King, on this occasion, scarcely knew how
to act: but the people viewed the duel, between
a prince of the blood and an individual
of an humble rank, as a sign of the times, and
the sacrifice of olden prejudices to the novel
innovations in manners that gradually appeared
to level all distinctions; while the chivalric portion
of the nation compared the Prince de Condé
to Francis I.
It was during this reign, and the latter part
of the preceding one, that the singular personage,
Le Chevalier d’Eon, made his appearance.
He was born at Tonnerre in 1728; and had
been successively a lawyer, a censor, a political
writer, a captain of dragoons, a diplomatist, and
a fencing-master. It was under the cloak of the
last profession, when giving lessons of fencing
to the Grand Duke of Russia, that he was entrusted
with a secret and delicate mission; which
he fulfilled with so much success, that he obtained
the title of secretary of embassy, the rank of
captain, and the cross of St. Louis. He was
subsequently sent to England as minister plenipotentiary,
to ratify the treaty of 1763.
This D’Eon was most expert in all deeds of
arms, and had fought several duels, in which he
always came off successfully. When attached to
the French legation in London, he thought
proper to give his ambassador, the Count de
Guerchy, a slap in the face; and, on complaint
being made to the cabinet of Versailles of this
desperate conduct, it was decided that he should
be seized, and carried over to France. D’Eon,
however, being apprised of this project, sought
refuge in the city; where he was taken up for
a breach of the peace, having fought with another
Frenchman of the name of Vergy, in the
open street and at noon-day.
The circumstance which gave rise to the report
that he was a woman, was singular; and
originated from a thrust he received in the breast
from a foil while fencing: a mammary tumour
arose, which required extirpation, and it was immediately
reported that D’Eon was a female in
disguise. This report gained credence from his
affected indifference in removing the erroneous
impression, and his repeated refusal to give a
satisfactory reply to questions put to him on this
doubtful subject.
Various are the reported motives of his subsequent
assumption of female sex and attire. By
some it was attributed to an order from the Duc
d’Aiguillon, minister of foreign affairs, prohibiting
his appearance in France except in a female
dress; while D’Eon pretended that he had assumed
this costume to preserve the honour of
De Guerchy, whose face he had slapped. Others
asserted that he wore this disguise to enable
the cabinet of Versailles to throw the blame attached
to the treaty of 1763 on a woman. Howbeit,
he only made his appearance in France after
the deaths both of D’Aiguillon and Guerchy;
and on his return to Paris presented a memorial
to Maurepas the then minister, praying that the
order which enjoined him to wear female attire
might be revoked, and the following was the
strange tenor of this application:
“I am under the necessity of humbly submitting
to your lordship that the period of
my female noviciate is expired, and that it is
impossible that I should become as professed. I
have been able, in obedience to the orders of
the late King and his ministers, to remain in
petticoats during peace; but that is quite out
of the question in time of war. It is necessary
for the honour of the illustrious house
of De Guerchy that I should be allowed to continue
my military services; such, at least, is
the opinion of the whole army and the world.
I have always thought and acted like Achilles;
I never wage war with the dead, and I only
kill the living when they attack me.”
The Count de Guerchy, whom he had mortally
insulted, was dead; but his only son was
living, and anxious to wipe off in D’Eon’s blood
the unavenged insult offered to his family; when
the countess his mother, justly apprehensive of
the issue of a meeting between the young count
and the most experienced swordsman in the
country, supplicated the minister to exert his
influence and reject the application of the dubious
D’Eon. The injunction to wear a female
garb was renewed; and the pension of five hundred
pounds per annum, granted to him by
Louis XV, was continued on this condition.
This strange position exposed our disguised hero
to many curious scenes and insults; and, having
one day involved himself in a serious quarrel
at the play-house, he was sent a close prisoner
to the citadel of Dijon.
At the revolution of 1789 D’Eon returned
to England, where he gave lessons in the sword
exercise; and on several occasions fenced in public,
and not unfrequently with the Prince of
Wales. This extraordinary person died in London
in 1810, at the advanced age of seventy-nine;
when the celebrated medical friar and favourite
of Carlton House, Père Elysée, after a post-mortem
examination, put the mooted question
beyond further doubt by the official assertion
of the manhood of the defunct.
The rival of the Chevalier d’Eon, both in
swordsmanship and fashionable popularity, was
the Chevalier St. George, a man of colour,
son of M. de Boulogne, a receiver-general of
Guadaloupe, and a negress; and who at an
early age was placed in the hands of La Boissière,
the celebrated fencing-master. His skill
in arms and his numerous duels rendered him
such a favourite amongst the ladies, that his
dark complexion and woolly head were forgotten.
He was soon appointed equerry to Madame de
Montesson, whom the Duke of Orleans had
privately married; and then captain in the guards
of his son, the Duke de Chartres. In 1776 he
was anxious to become manager of the Opera;
but the actresses and dancers, headed by Mesdemoiselles
Arnould, Guimart, and Rosalie, supplicated
the Queen not to degrade the dignity
of the Royal Academy of Music by placing
it under the direction of a mulatto. The Queen
yielded to their supplication; and St. George
felt so much offended at this interference, that
it was to a vindictive feeling against that unfortunate
princess that his exertions in the revolution
against the royal family were attributed.
He was foremost in the popular meetings of that
period, and was sent to the emigrants at Tournai
on a secret mission by the Duke d’Orleans; a
service of considerable danger, and one in which
he would have forfeited his life but for the
governor of the town, who enabled him to effect
his escape. After this he raised a regiment of
light cavalry, which he commanded under Dumouriez,
whom he afterwards denounced to the
Convention. Notwithstanding his jacobinical exertions,
he would have been sacrificed in his turn,
but for the 9th Thermidor, which liberated him
from prison. St. George died in a state of poverty
in 1799, at the age of fifty-four. He was
justly considered the first swordsman and the best
shot of his time. One of his feats was throwing
up two crown-pieces in the air, and hitting
them both with his pistols. He was an excellent
musician, amiable and polished in his manners,
and of a most agreeable conversation;
his humanity and charitable disposition were
universally acknowledged; and, although engaged
in many duels, he had generally been
the insulted party, and was never known to
avail himself of his reputation to insult any one
less skilled in the science of destruction. He
was often known, however, to give a salutary
lesson to quarrelsome and troublesome young
men; and an instance is recorded of his meeting
at Dunkirk in the company of several ladies
a young officer of hussars, who, not knowing
him, was boasting of his skill as a swordsman,
and asserting that no fencer in France was a
match for him. “Did you ever meet the
famous St. George?” asked one of the ladies.
“St. George! many a time; he could not stand
a moment before me!” answered the hussar,
twirling his mustachios. “That is strange,”
observed St. George, “and I should much like
to have a trial of skill with you, young man.
Possibly the ladies could procure us foils, and
an assaut d’armes might entertain them.” The
young officer assented to the proposal with a
smile of contempt: foils belonging to the brother
of the lady of the house were produced, and
without hesitation the hussar was preparing to
shame his aged antagonist, who, politely addressing
the ladies, asked them to name the buttons
he should touch on his adversary’s doliman.
The delighted women, glad to see a coxcomb
corrected, named the number of the buttons;
which St. George touched one after the other,
and then whipped the foil out of the inexperienced
hand of the boaster, who, infuriated by
rage and shame, wanted immediate satisfaction;
when St. George quietly observed, “Young
man, your time is not yet come, you may still
live to serve your country; but recollect you
have met St. George, for I am that very person
who could not at any time prove a match for
you.” The lesson was a severe one: the young
officer, confused and concealing his offended
vanity, withdrew, and never after visited at the
house.
The efforts of the sovereign to reform the
court, and maintain at least an appearance of
propriety and good order, were more or less
successful in repressing the ostentation of vice
that had but lately polluted it: but the dissatisfied
roués of the day sought in the orgies
of the Palais Royal another scene for their dissipation
and excesses; where, to use the expression
of a modern writer, “vice became principle, and
corruption a system.”
As the crusades had shed their influence on
European society, operating a surprising change
in its manners and ideas; so did the war of independence
in the United States produce a material
alteration in the French court. Several noblemen
had honourably served in the armies of America,
and returned home with enthusiastic notions of
liberty and independence. Such was the Duc de
Lauzun, a nobleman of elegant manners, and as
celebrated for his duels as his bonnes fortunes.
De Tilly, surnamed “Le beau De Tilly,” was
another celebrated character of that period, and
in his Memoirs we find the following observations
on the practice of duelling:
“France is the birth-place of duelling. I have
roved over a great part of Europe, and travelled
in the New World; I have lived with soldiers
and courtiers; and nowhere else have I met with
this fatal susceptibility, which is incessantly creating
affronts, injuries, and provocations. Whence
arises this disposition, so peculiar to the French,
whose character is too noble to become vindictive,
and which induces them to fight a duel in
matters that are chiefly frivolous? It is education,
and that only.
“You have had a discussion with an intimate
friend; although it may not have exceeded the
limits of an excusable warmth, women have observed
in it injurious shades; and you would
rather expose yourself to kill your friend, or be
killed by him, than to the mere suspicion, on the
part of woman, of being deficient in courage.
“At a gambling-table a misunderstanding arises;
a by-stander has smiled ironically; he has whispered
to his sister, who has whispered something
to her cousin: get yourself killed by all means,
for you may have been suspected of cheating at
play; and nothing can set such a question in a
proper light but the thrust of a sword!
“Your wife is an acknowledged coquette;
get yourself run through the body by her lover,
and her honour will be restored. You yourself
may have seduced the wife of an honest man,
who dares to suspect you, and receives you with
ill-humour: kill him; for, having deprived him
of happiness and peace, you need not be punctilious
in ridding him of life!”
This opinion of the character of the French and
their notions of honour has been since amply illustrated
by Chateaubriand in the following terms:
“The first-born of antiquity, the French, Romans
in genius, are Greeks in their character. Restless
and volatile in prosperity, constant and invincible
in adversity. Created for the cultivation of every
art; civilised to excess during the calm days of
the state, coarse and savage in political troubles.
Tossed to and fro by their passions, like a vessel
without ballast on the waves, now ascending to
the skies, and then sinking in an abyss. Equally
enthusiastic in good and in evil; kind without
expecting gratitude, cruel without experiencing
remorse, and quickly forgetting both their vices
and their virtues. Attached to life in days of
peace with pusillanimity, they are prodigal of
their blood in the hour of battle. Vain, sarcastic,
ambitious, they are at the same time mechanical
followers of routine and innovators; despising
everything but themselves. Individually the
most agreeable of men, collectively the most unpleasant.
Delightful in their own country, insupportable
abroad. At times, more mild and
innocent than the lamb they slaughter; at others,
more pitiless and ferocious than the devouring
tiger. Such were the Athenians of old, and
such are now the French.”
Duels now sometimes assumed a humorous
character; and men fought for songs, puns, and
conundrums. The poet Champeneti got wounded
for verses that he had not written; and Cagliostro,
being called out by a physician whom he
had styled a quack, on the plea that a medical
question should be settled medicinally, proposed
that the parties should swallow two pills, the one
poisonous and the other innocuous.
An anecdote is related of a young man from
the country, who was ridiculed for his awkward
mode of dancing, and who replied, “If I dance
badly, I know how to fight.” To which it was
coolly rejoined, “Then, for the future, you had
better fight, and never dance!”
Such were the reckless feelings of the time, that
a certain Marquis de Tenteniac, from Britanny,
actually challenged the pit of a theatre. Being
behind the scenes, he had appeared so forward
in one of the wings, that the public rebuked
him; when he immediately stepped forward to
the footlights, and, addressing the audience, said,
“Ladies and gentlemen, with your permission a
piece will be performed to-morrow, called ‘The
Insolence of the Pit chastised,’ in as many acts as
may be desired, by the Marquis de Tenteniac!”
This impudent address was received with great
applause, and no one individual thought proper
to resent a general insult.
While duels were thus discountenanced amongst
civilians, it was also endeavoured to check them
in the army. The ill-fated Marshal Ney, Duke
of Elchingen, judicially assassinated in Paris at
the period of the Restoration, was an example of
the severe measures resorted to, to punish offenders.
Ney, who was born at Sarrelouis in
1769, enlisted, in the year 1787, in the regiment
“de Colonel Général,” afterwards the Fourth
Hussars. He was remarkable for his soldier-like
appearance, his dexterity in his exercises,
and his skilful horsemanship, in which he frequently
broke in horses that the rough-riders
could not manage. He was also considered the
best swordsman in the corps; and on him frequently
devolved the perilous task of fighting
the regimental battles. The fencing-master of
the Chasseurs de Vintimille, then in the same
garrison with his regiment,—a desperate duellist,
who had wounded the fencing-master of Ney’s
regiment,—having insulted the corps, it was decided
that the bravest and the most dexterous
dragoon should be selected to chastise him. The
choice fell upon Ney. The parties met, sabres
were drawn, when Ney felt himself dragged
back by the tail: it was his colonel who had
thus seized him, and had him immediately
thrown into the black-hole.
Duelling was at this period punished with
death. Ney’s life was perilled, but, beloved
both by officers and men, the corps insisted upon
his liberation; and the times were such, that
their application could not well have been rejected.
Ney was liberated, but the first use he
made of his freedom was to seek his antagonist
and renew the interrupted contest. The parties
met secretly, and the bragging fencing-master
received a sabre-wound in the sword-arm that
crippled him for life. When Ney subsequently
rose in rank and fortune, he sought his former
antagonist, and settled on him a handsome annuity.
A most vindictive duel was fought at this
period by a colonel of the French Guards. This
gentleman was boasting of the good fortune of
never having been obliged to fight a duel. Another
officer present expressed his surprise, with
some indirect allusions to his want of courage;
observing, “How could you avoid fighting when
insulted?” The colonel replied, “that he never
had given offence, and that no one had ever
presumed to insult him. Moreover, that on such
an occasion he would consider the character of
the person who had wantonly insulted him, ere
he demanded satisfaction.” Upon this statement,
his interlocutor, in the most insolent manner,
struck him in the face with his glove, adding,
“Perhaps, sir, you will not consider this an insult!”
The colonel calmly put on his hat, and
walked out of the room. The following morning,
however, he sent a challenge to his aggressor.
When they came to the ground, the colonel wore
a patch of court-plaister, of the size of a crown-piece,
on the cheek which had received the blow.
At the very first lounge he wounded his antagonist
in the sword-arm; when, taking off
the plaister, he cut off an edge of it with a
pair of scissors, and, replacing it on his face, took
his leave of his adversary, very politely requesting
he would do him the honour of letting him
know when he recovered from his wound. So
soon as he heard that he was able to hold a
sword, he called him out and wounded him a
second time; cutting off another portion of the
patch. In a like manner he called him out,
fought, and wounded him, until the plaister was
reduced to the size of a shilling; when he again
challenged him, and ran him through the body:
then, calmly contemplating the corpse, he observed,
“I now may take off my plaister!”
This was a cruel, but a well-merited chastisement
inflicted on an insolent braggart, who little
knew, at the time he thus wantonly insulted
this officer, he was addressing one of the most
dexterous swordsmen in the land.
During the early part of the reign of Louis
XVI. society continued under the sway of former
prejudices and a false notion of honour, which
made it consist in upholding a character for
courage, gallantry, and successful intrigue. It
soon assumed another feature; and patriotism,
and self-devotion in the cause of liberty and independence,
became the source of many quarrels
and bitter recriminations.
The last duel of any notoriety at this period
was one fought by the Comte de Tilly, and for
which he was apprehended by order of the connétablie
and court of honour, presided over so late
as 1788 by the Duke de Richelieu; which
sentenced him to imprisonment in the Abbaye,
whence he was liberated after a confinement of
three months. This court no longer bore the
reputation of a fair bench, capable of deciding
the knotty point of honour; but, like all other
institutions, had become inert, and corrupted to
such a degree, that De Tilly gives the following
account of its nature:
“This court is a real inquisition, to which
the nobility of France submitted under the specious
and proud pretext of being tried by their
peers; an office essentially military, but which
had degenerated into a judicial and civil court,
where abuses were most notorious. Most of
these nobles, debilitated by age and infirmities,
sought to grasp, at the end of their career, a
distinguished palm, which their feeble hands
would soon be compelled to relinquish. Without
any previous study of law or justice, their
innate honour and chivalric loyalty were not
a sufficient beacon to direct their course. Difficult
points were elucidated by pedantic lawyers,—the
natural enemies of the nobility, and
strangers, from education and from principle, to
the nature of the duties assigned to them: then
came a host of subordinate agents, who effectually
closed the gates of this tribunal until
opened by a golden key. Favours and accusations
were bought and sold, as were the statements
that exonerated, or the evidences that
condemned: in short, they were a band of mercenaries,
who throve upon gall, extorted presents,
robbery, and rapine.”
Such was the corrupt state of the most noble
tribunal in the land, presided over by the depraved
Richelieu,—a slur upon the nobility, and
a disgrace to his king and country.
At the commencement of the Revolution duels
were not deemed necessary, and every orator
considered that his life belonged to the country.
Mirabeau, who in his early days had shown frequent
proofs of personal courage, no longer conceived
that his honour was at stake when insulted
by infuriate orators; and, although he
had fought several desperate duels, was accused
of cowardice by his enemies. When parliamentary
decorum was lost sight of in stormy
debates, the offending speaker was committed
to prison. A duel between Charles de Lameth
and De Castries, although the subject of it
had not arisen in a public debate, was looked
upon as an uncommon occurrence, and the
populace burnt down the house of De Castries;
while numerous deputations waited upon his
adversary, to express their disapprobation of
duelling in the most energetic language. At
this period single combats were considered a
detestable relic of aristocracy and courtly corruption.
This act of violence on the part of
the mob was called “a sublime movement of
the people;” and Mirabeau, in one of his most
eloquent speeches, thus alluded to the event:
“You must establish in the empire an implicit
obedience to legitimate authorities, and
repress amongst us a handful of insolent conspirators.
Ah! gentlemen, it is for their own
security that I invoke your severity. Are you
not aware, that in this destruction, for you cannot
call it the dilapidation of a proscribed house,
the people bowed religiously before the image
of their sovereign,—before the portrait of the
chief magistrate of the nation, the executor of
the laws, whom they venerated, although under
the influence of a generous fury?17 Are you not
aware, that this people, in the midst of their
excitement, showed their respect for age and
for misfortune, by their delicate attention to
Madame de Castries? Are you not aware, that
the people, in quitting these premises, which they
had destroyed, it may be said with order and
calmness, insisted that the pockets of every individual
should be searched, that no base action
might tarnish a just revenge? Such is
true honour, which the prejudices of gladiators,
and their atrocious rites, can never display.”
It was after this event, that the ill-fated
Bailly presented, as mayor of Paris, the following
resolution of the municipal body:
“The municipal body, alarmed at the frequency
of duels, and the disturbances which
they create in the capital, have resolved, that
a deputation of twelve of their members shall
be sent to the National Assembly, to request
that a law may be framed, as speedily as possible,
against the practice of duelling, which
would recall the citizens to a sense of their
moral obligations, and warn them against the
suggestions of sentiments incompatible with the
character of a free and benevolent people.”
Another deputation solicited a decree which
would render duelling a crime of lèse-nationality,
and supplicated the assembly to wield the
sword of justice in punishing the perverse individual
who had shed the blood of one of the
representatives of the people, and whose crime
the capital had justly avenged. This address
was received with tumultuous applause, both by
the audience and the members of the assembly,
when the member for Angoulême, a M. Roy,
exclaimed, “That none but ruffians could applaud
such a proposal;” for which imprudence
he was sentenced to three days’ imprisonment.
On this occasion Barnave made a most eloquent
speech against duelling, although three months
after, he fought and wounded Cazalés, another
deputy.
Not only were duels avoided in these fearful
times, but any person who insulted one of the
representatives of the people, or who acted with
violence towards him, was denounced as a conspirator
and an assassin. This was instanced in
the case of Grangeneuve, who had quarrelled with
Jonneau, whom he called a F—— Viédasse,18 to
which the other replied, “You have insulted
me! are you a man of honour?” “I am,” replied
Grangeneuve. “Then meet me to-morrow
at the Bois de Boulogne, with pistols.” “I
will meet you to-morrow in the National Assembly,”
replied his antagonist. “The world,
then, will pronounce you a coward.”—“And you
a Jean F——;” on which Jonneau slapped his
face; Grangeneuve retorted with a stone, which
he picked up, and a caning, with kicks and cuffs,
ensued.
Notwithstanding the unwarrantable conduct
of Grangeneuve, Guadet, a deputy from the
Gironde, insisted upon an impeachment against
Jonneau as an assassin; and another orator, Larivière,
who seconded the motion, expressed himself
in a bombastic style, illustrating the dementation
of the epoch: “Jonneau,” he said, “had
been guilty of a cowardly action, by provoking
a man physically weak for a trifling insult, and
was still more cowardly in striking him: he
ought to have imitated Turenne, who being
provoked to fight a duel, replied, “To-morrow
there will be a battle, all our blood belongs
to our country, and we shall see which of us
shall the best defend her.” He therefore moved
that Jonneau should be committed, although,
after he had been separated from his antagonist,
he had been unmercifully beaten by a ruffian
of the name of Saint Huruge, and Barbaroux,
another deputy from the Gironde.
All the eloquence of these desperate madmen,
however, could not prevent occasional meetings,
and the National Assembly at last abrogated
all former laws prohibiting single combat, and
passed an amnesty in favour of those transgressors
who had been prosecuted agreeably to their enactments.
Camille Desmoulins was another orator of this
fearful epoch, who launched forth against duelling
in the following memorable language:
“One may brave death in the cause of liberty
for one’s country, and I feel that I could stretch
my neck out of my litter, and hold forth my
throat to the sword of Antony; I feel that I
could possess sufficient fortitude to ascend the
scaffold with a mingled sentiment of pleasure.
Such is the courage which I have received, not
from nature, which shudders at the aspect of
death, but from philosophy; to be assassinated
by the bravo who provokes me, is to be
stung by a tarantula, and I should have to
spend my days in the Bois de Boulogne, were
I to give satisfaction to all those whom my
frankness offends. I may be accused of cowardice,
but I apprehend that the times are not
far distant when we shall have ample opportunities
of dying in a more glorious and useful
manner.”
The occasion of this speech was a dispute
which he had with Haudet and Désessarts of
the French theatre, and the miserable man had
only anticipated his impending fate, doomed soon
after to fall under the rival power of Robespierre.
Such were the morbid views of honour entertained
during the atrocious phases of the
French Revolution: the most noble and generous
sentiments were professed by the most
implacable monsters of the epoch; and while
the murder of innocent men on the scaffold
was called by Danton the justice of the people,
a duel was denominated “the argument of an
assassin,”—when Marat was called the Divine,
and Robespierre the Incorruptible!—The Revolution
might fairly be denominated a moral pestilence
caused by former corruption; the national
atmosphere had been tainted by the putrescency
of the Court, and the fever that it produced
was marked by a homicidic delirium which
from its diffusion in every class of society might
have been considered contagious.
The history of those momentous times presents
us a series of causes and effects so closely linked
in their fatal catenation, that the bloody annals
of that era should constitute the chief study
of every diplomatist. It is to be deeply lamented
that these records do not become the
text-book of diplomatic tuition. When the nobility
dropped their swords and the people picked
them up, the meanest comprehension could have
foreseen the sanguinary results. The apathy in
which the possessors of power and wealth slumbered
could only be compared to the perfidious calm
of gangrene that precedes dissolution. A blind
confidence in the prestige of authority hurled the
nobility into a vortex which swept them down
the torrent of popular reaction. The hatred in
which duels were held, simply arose from their
not being the practice of fashionable men, and
was a strong illustration of the morbid temper
of the nation, and the successful efforts of the
philosophic school. The history of the progress
of liberal ideas gradually casting off the restraints
of rank and fortune might be studied in the
dedication of writers. Where could we find an
author in the present day, who, like Dryden,
would compare the pustules of small-pox on
the corpse of a deceased young nobleman, the
son of his protector, to bright constellations in
the firmament? As men grow wise, the prejudices
of barbarism will gradually disappear; and
certainly, with very few exceptions, we cannot
trace much sapience in those persons who have
been engaged in personal conflicts of late years.