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The Harmonicon, 1833, Part the First

The Harmonicon, 1833, Part the First

by Various

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About this eBook

Author
Various
Title
The Harmonicon. Part the First
Credits
Produced by Jane Robins, Reiner Ruf, and the Online Distributed Proofreading Team at www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Language
English
LoC Class
ML: Music: Literature of music
Subject
Music -- Periodicals
Category
Text
Project Gutenberg
eBook-No. 57033
Release Date
April 23, 2018
Copyright
Public domain in the USA.

Contents

  1. 1.THE HARMONICON. — CONTENTS.
  2. 2.MEMOIR OF VINCENZO RIGHINI [1] .
  3. 3.FALLACIES OF SOME WRITERS ON MUSIC.
  4. 4.MR. G. LINLEY’S ANSWER TO MR. GÖDBÉ.
  5. 5.MEMOIRS OF THE METROPOLITAN CONCERTS.
  6. 6.A THEORETICAL WORK BY BEETHOVEN.
  7. 7.THE NEW GERMAN OPERA OF FORTUNATUS .
  8. 8.M. MOSCHELES AT LEIPZIG.
  9. 9.REVIEW OF NEW MUSIC. — SACRED MUSIC. — PIANO FORTE. — ROBERT LE DIABLE. — VOCAL.—DRAMATIC. — FLUTE AND PIANO-FORTE. — FLUTE.
  10. 10.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  11. 11.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — LEIPZIG. — KÖNIGSBERG. — WARSAW. — BRESLAU. — LEGHORN. — PARIS.
  12. 12.THE DRAMA. — D RURY L ANE T HEATRE. — C OVENT -G ARDEN T HEATRE.
  13. 13.THE MUSIC OF THE PRESENT NUMBER.
  14. 14.MEMOIRS OF GARCIA AND RUBINI. — RUBINI.
  15. 15.CHARACTERISTIC TRAITS AND ANECDOTES OF BEETHOVEN.
  16. 16.SONG OF THE SWAN.
  17. 17.ON THE STATE OF OUR THEATRES, CHIEFLY AS RELATES TO THE OPERA DEPARTMENT.
  18. 18.ON SOME COMPOSITIONS OF HANDEL.
  19. 19.GRESHAM PRIZE MEDAL FOR 1832.
  20. 20.THE MANCHESTER GENTLEMEN’S GLEE CLUB.
  21. 21.OBITUARY.
  22. 22.REVIEW OF NEW MUSIC. — PIANO-FORTE. — DUETS, PIANO-FORTE. — VOCAL.
  23. 23.VOCAL SOCIETY
  24. 24.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  25. 25.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — DRESDEN. — MUNICH. — STUTTGART. — PESTH. — MILAN. — ROME. — BOLOGNA. — TURIN. — NAPLES. — CONSTANTINOPLE. — NOVARA. — DOUAY. — BERGAMO. — PARIS.
  26. 26.THE DRAMA.
  27. 27.THE MUSIC OF THE PRESENT NUMBER.
  28. 28.MEMOIR OF C. F. ZELTER.
  29. 29.ON BEETHOVEN’S OPINION OF CONTEMPORARY COMPOSERS.
  30. 30.ON CANON, BY L. VAN BEETHOVEN [27] .
  31. 31.THE ECCLESIASTICAL CHOIRS OF GREAT BRITAIN AND IRELAND. — No. VI.—ARMAGH, IRELAND. — CANTERBURY.
  32. 32.MEMOIRS OF DR. BURNEY,
  33. 33.VOCAL SOCIETY.
  34. 34.LORD HENLEY AND THE CATHEDRAL SERVICE.
  35. 35.THE SONG OF ‘MAD TOM OF BEDLAM.’
  36. 36.REVIEW OF NEW MUSIC. — PIANO-FORTE. — VOCAL. — HARP AND PIANO-FORTE. — HARP. — BIRMINGHAM MUSICAL FESTIVAL.
  37. 37.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  38. 38.FOREIGN MUSICAL REPORT. — MILAN. — ROME. — BERGAMO. — CARLSRUHE. — VENICE. — PARIS.
  39. 39.THE DRAMA. — K ING ’s THEATRE. — D RURY L ANE THEATRE. — C OVENT -G ARDEN THEATRE.
  40. 40.THE MUSIC OF THE PRESENT NUMBER.
  41. 41.MEMOIR OF M. HEROLD.
  42. 42.STATE OF MUSIC IN THE PROVINCES.
  43. 43.LETTER FROM MRS. MILLARD.
  44. 44.CONCERTS AT OXFORD; AND ON THE STATE OF MUSIC AT BOTH UNIVERSITIES.
  45. 45.THE SONG OF ‘MAD TOM OF BEDLAM.’
  46. 46.MEMOIRS OF DR. BURNEY, BY HIS DAUGHTER MAD. D’ARBLAY.
  47. 47.ANCIENT CONCERTS.
  48. 48.PHILHARMONIC CONCERTS.
  49. 49.VOCAL SOCIETY.
  50. 50.REVIEW OF NEW MUSIC. — SACRED MUSIC. — PIANO-FORTE. — DUETS PIANO-FORTE. — VOCAL. — HARP. — HARP AND PIANO-FORTE.
  51. 51.MADRIGAL SOCIETY.
  52. 52.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  53. 53.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — MUNICH. — PRAGUE. — VENICE. — PARIS.
  54. 54.THE DRAMA. — K ING ’s T HEATRE. — G ERMAN O PERA. — D RURY L ANE T HEATRE . — C OVENT G ARDEN T HEATRE .
  55. 55.THE MUSIC OF THE PRESENT NUMBER.
  56. 56.MEMOIR OF METASTASIO.
  57. 57.HINTS TO LEADERS AND CONDUCTORS.
  58. 58.MAELZEL’S NEW METRONOME.
  59. 59.AN AMATEUR’S MUSICAL PARTY AT THE FREEMASONS’ TAVERN.
  60. 60.MR. Z. T. PURDAY’S REPLY TO MRS. MILLARD’S LETTER.
  61. 61.MEMOIRS OF DR. BURNEY, BY HIS DAUGHTER MAD. D’ARBLAY.
  62. 62.ON THE BASE VOICE.
  63. 63.REVIEW OF NEW MUSIC. — PIANO-FORTE. — DUETS, PIANO-FORTE. — VOCAL. — PIANO-FORTE AND FLUTE. — FLUTE. — VIOLONCELLO AND PIANO-FORTE. — GUITAR AND PIANO-FORTE.
  64. 64.ANCIENT CONCERTS.
  65. 65.PHILHARMONIC CONCERTS.
  66. 66.ROYAL ACADEMY OF MUSIC. — SOCIETA ARMONICA.
  67. 67.AN OFFICIAL NOTE.
  68. 68.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  69. 69.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — MUNICH. — LEIPZIG. — DRESDEN. — FRANKFORT. — MANHEIM. — WÜRTZBURG. — WEIMAR. — HAMBURGH. — MERSEBURG. — HEIDELBERG. — DÜSSELDORF. — PESTH. — GREIFSWALD. — SCHWAZ. — TRIESTE. — NEW YORK.
  70. 70.THE DRAMA. — K ING ’s THEATRE. — D RURY L ANE THEATRE. — C OVENT G ARDEN THEATRE. — E NGLISH O PERA H OUSE , A DELPHI
  71. 71.THE MUSIC OF THE PRESENT NUMBER.
  72. 72.BIOGRAPHICAL SKETCHES OF ADRIAN BATTEN, JOHN WELDON, THOMAS TUDWAY, M US . D., WILLIAM BLAKE, D.D., AND CHARLES KING, M.B.
  73. 73.A TREATISE ON MELODY.
  74. 74.MR. BARNETT versus THE PHILHARMONIC SOCIETY.
  75. 75.MEMOIRS OF DR. BURNEY, BY HIS DAUGHTER MAD. D’ARBLAY.
  76. 76.ON THE RE-INTRODUCTION OF THE LYRE,
  77. 77.A BIOGRAPHICAL NOTICE OF TAMBURINI. B Y M. CASTIL BLAZE.
  78. 78.ON PRIZES FOR GLEES.
  79. 79.REVIEW OF NEW MUSIC. — SACRED MUSIC. — PIANO-FORTE. — DUETS, PIANO-FORTE. — VOCAL. — PIANO-FORTE AND HARP. — HARP. — VIOLIN.
  80. 80.ANCIENT CONCERTS.
  81. 81.PHILHARMONIC CONCERTS.
  82. 82.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  83. 83.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — MUNICH. — STRASBURG. — LEIPZIG. — PRAGUE. — FRANKFORT. — CASSEL. — WEIMAR. — MEININGEN. — BRUNSWICK. — BERNBURG. — ATTENBURG.
  84. 84.THE DRAMA. — K ING ’s T HEATRE. — D RURY L ANE T HEATRE.
  85. 85.THE MUSIC OF THE PRESENT NUMBER.
  86. 86.BIOGRAPHICAL SKETCHES OF JOHN TRAVERS, WILLIAM HAYES, M US . D., THOMAS SAUNDERS DUPUIS, M US . D., AND EDMUND AYRTON, M US . D.
  87. 87.HARMONICS OF THE VIOLIN.
  88. 88.MELODY AND HARMONY [64] .
  89. 89.A GERMAN CRITIQUE.
  90. 90.REVIEW OF NEW MUSIC. — PIANO-FORTE. — DUETS, PIANO-FORTE. — ORGAN. — VOCAL. — PIANO-FORTE AND VIOLIN. — PIANO-FORTE AND FLUTE.
  91. 91.ANCIENT CONCERTS.
  92. 92.PHILHARMONIC CONCERTS.
  93. 93.BENEFIT CONCERTS OF THE SEASON.
  94. 94.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — DRESDEN. — FRANKFORT. — BREMEN. — DUSSELDORF. — DESSAU. — JENA. — UTRECHT. — ST. PETERSBURG. — COPENHAGEN. — MADRID.
  95. 95.THE DRAMA. — K ING ’s THEATRE. — D RURY L ANE THEATRE. — C OVENT -G ARDEN T HEATRE.
  96. 96.THE MUSIC OF THE PRESENT NUMBER.
  97. 97.BIOGRAPHICAL SKETCHES OF MARIN MERSENNE AND ATHANASIUS KIRCHER.
  98. 98.OTTO ON VIOLINS [72] , &c.
  99. 99.OXFORD CONCERTS.
  100. 100.OXFORD COMMEMORATION CONCERTS.
  101. 101.Untitled
  102. 102.CAMBRIDGE COMMENCEMENT.
  103. 103.LIVERPOOL AMATEUR SOCIETY.
  104. 104.HISTORICAL NOTICES RELATIVE TO THE VIOLIN. B Y G. E. ANDERS, of Paris .
  105. 105.WORCESTER MUSICAL FESTIVAL.
  106. 106.THE UTILITY OF MUSIC TO SAILORS.
  107. 107.THE MADRIGAL SOCIETY.
  108. 108.THE LEADER OF THE ANCIENT CONCERTS.
  109. 109.THE OLD ENGLISH GENTLEMAN.
  110. 110.REVIEW OF NEW MUSIC. — PIANO-FORTE. — DUETS, PIANO-FORTE. — VOCAL. — DOUBLE-BASS.
  111. 111.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  112. 112.COMMEMORATION OF SIR THOMAS GRESHAM. — CATHEDRAL MUSIC.—GRESHAM PRIZE MEDAL.
  113. 113.FOREIGN MUSICAL REPORT. — BERLIN. — DRESDEN. — MUNICH. — PRAGUE. — FRANKFORT. — LEIPZIG. — WEIMAR. — KÖNIGSBERG. — STRASBURG. — BRUSSELS. — ST. PETERSBURG. — MILAN. — NAPLES. — BOLOGNA. — PARIS. — TOULOUSE.
  114. 114.THE DRAMA. — K ING ’s THEATRE. — C OVENT -G ARDEN T HEATRE. — E NGLISH O PERA , A DELPHI
  115. 115.THE MUSIC OF THE PRESENT NUMBER.
  116. 116.BIOGRAPHICAL SKETCHES OF S. WEBBE, J. S. SMITH, S. PAXTON, J. DANBY,R. J. S. STEVENS, AND R. SPOFFORTH.
  117. 117.RULES FOR COMPOSING FASHIONABLE MUSIC.
  118. 118.GLASGOW AMATEUR SOCIETY.
  119. 119.ON THOUGHTS OR IDEAS IN MUSIC.
  120. 120.THE OLD ENGLISH GENTLEMAN.
  121. 121.NORWICH FESTIVAL.
  122. 122.ON THE ACTUAL STATE OF MUSIC IN BELGIUM, AND ITS PROSPECTS OF ADVANCE IN THAT COUNTRY.
  123. 123.MUSICAL METRONOMES.
  124. 124.BELLINI’S LAST OPERA.
  125. 125.REVIEW OF NEW MUSIC. — PIANO-FORTE. — DUETS, PIANO-FORTE. — VOCAL. — HARP. — HARP AND PIANO-FORTE. — VIOLIN. — VIOLONCELLO AND PIANO-FORTE. — GUITAR AND PIANO-FORTE.
  126. 126.EXTRACTS FROM THE DIARY OF A DILETTANTE.
  127. 127.FOREIGN MUSICAL REPORT. — VIENNA. — BERLIN. — PRAGUE. — BRESLAU. — BREMEN. — KARLSRUHE. — PARIS.
  128. 128.THE DRAMA. — K ING ’s THEATRE.
  129. 129.THE MUSIC OF THE PRESENT NUMBER.
  130. 130.ADDRESS.
  131. 131.Untitled

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