1. Introduction: Alwyn Tower as a Small Boy. The House. His Grandmother Tower’s Keepsakes
Until Alwyn Tower grew to manhood he never
forgot that everyone was older than he. People
remembered things not in existence now, and
many of them had been born in houses which had
vanished long ago.
A cabin which had stood in the melon patch had
been his father’s birthplace; and as a child, jumping
over the heavy, downy vines, he tried in vain to find
a trace of its foundations.
His uncle Jim, the minister, on the other hand, had
not been born in the garden, but in a building which
was now the woodshed. Alwyn asked himself how
anyone could have slept in that poor shack, whose floor
was the ground, trodden and scattered with chips,
where the snow sifted in winter on the woodpiles. Of
course when his grandmother had lain there with a
baby in her arms, it must have been warm, safe, and
pink, in the firelight. Now she was a strong old woman
with sandy-gray hair; and only with difficulty, by calling
to mind the family daguerreotypes, was he able to
imagine a young mother in that vanished bed.
Alwyn’s father and mother shared with his grandparents
the third house on the farm which his grandfather
had bought from the government when Wisconsin
was a wilderness. In that house his young aunt
Flora had been born, in what was now his mother’s
parlor, exactly below the spare bedroom papered with
forget-me-nots where Alwyn himself had slept when
he was a baby. The house had been rearranged frequently,
and augmented by new rooms, porches, doors,
and windows, as the family grew. Now the old people
and Flora kept house by themselves in the south wing.
In their sitting room the sunlight burned brightly
on stiff patterns of wallpaper, on the red garlands of
the carpet, the ripples painted on the woodwork in imitation
of quarter-sawed oak, and the false-Nottingham
curtains looped up in the windows. A rack on the
wall held a row of hand-painted plates, the work of his
aunt and his great-aunt Nancy, decorated with birds,
wild roses, and rosebuds.
Beneath the plate rack stood a couch, upholstered in
rows of yellow tapestry biscuits, with a green button
at each intersection of the crevices. It had the proportions
of a lion’s body—the legs carved in claws,
the sloping back, the head uplifted under a mass of
fringed pillows. In spite of its discomfort, Alwyn’s
grandfather took his nap there every afternoon, his
spectacles in his hand, an open newspaper over his face.
In front of the couch in winter the woodstove
crouched on a mat of zinc, with a rosy spot in the
middle of each dead-black cheek. In summer it was
kept in the woodshed, swathed in old carpets.
A bow-legged table spread with a lace tidy marked
the center of the room; and on a square shelf just above
the floor the great family Bible, studded with gilt nails,
lay diagonally.
The corner between the windows was occupied by
a secretary—a writing-desk which made, when it was
let down, a noise like the winding of a large clock, and
a pair of bookcases with glass doors, framed in jigsaw
scrolls. The books on the shelves hid behind
family photographs. A blue-and-white Wedgwood
sugar bowl and a stuffed owl stood on one side; on the
other a mandolin without strings, and three gray
squirrels in a tree crotch; their eyes resembled beads,
and in his tenth year Alwyn discovered that they were
beads, in fact. Above the secretary hung a row of embossed
portraits in one frame: Emerson, Longfellow,
Oliver Wendell Holmes, Bryant, Lowell, and Whittier,
equally complacent and almost equally muffled by untidy
beards.
These great men, just beneath the ceiling, gazed
across the room at a pair of enlarged pictures of
Alwyn’s grandparents in middle life: Rose Hamilton
Tower’s scarcely womanly head, the ash-blond hair
combed back from her low forehead, her eyes unusually
small, pale, and close together, her mouth
drooping stoically; Henry Tower’s face, stubborn and
melancholy, his teeth set so firmly that the cheeks
protruded a little over the jawbone, the chin lifted in a
knot between the two tufts of his faded beard. Though
the heads within the identical frames were of the same
size, one saw at a glance that this man was smaller
than his wife.
There was a shell on the sideboard, a conch shell
in the shape of a horn, which, when held to the ear,
repeated the surge and collapse of breakers, infinitely
faint, as if heard across the great width of America
which separates Wisconsin from the sea. It seemed
to the boy that in the same way every object in those
rooms echoed the forces which had once been at play
around it, very faintly, from a distance of years instead
of miles. The pleated fabrics and sheets of old paper
enfolded little, agitated ghosts; and the odor of unfamiliar
clothes, beds, and pillows, the residue of spiritless
perfumes and bouquets long since thrown away,
suggested energies now exhausted and passions now
forgotten: the energy which had chosen this farm in the
wilderness, cut down the trees, uprooted the stumps,
built and demolished the log cabins, and founded this
home; the long series of passions which had in the
end produced himself.
Sometimes he would ask his grandmother about one
thing or another. Her eyes would grow vague with
the intimate recollections which his question disturbed
in her mind, so that he would expect a full and romantic
account of them. But often she would merely say,
“Oh, it is too long a story to begin now,” or, “They
are just old things which I’ve kept a good many years.”
For the memory of another is like a ship which one
sees coming down a bay—the hull and the sails separating
from the distance and from the outlying islands
and capes—charged with freight and cutting open the
waves, addressing itself in increasingly clear outlines
to the impatient eyes on the waterfront; which, before
it reaches the shore, grows ghostly and sinks in the
sea; and one has to wait for the tides to cast on the
beach, fragment by fragment, the awaited cargo.
Alwyn’s grandmother sat in the sitting room only
when there were guests, or when, by the south window,
she held the Milwaukee Sentinel or the Christian
Herald on a level with the ridge of her old-fashioned
corset, discovering what went on in the world through
her unsuitably small spectacles. Her life, like that of
primitive women, revolved about the place where food
was prepared. Her thought and even her recollections
were accessory to whatever she was doing at the
moment; they resembled her habit of whispering to
herself, often with vehemence, while she worked. So
it was in the kitchen, her broad lap full of pea pods or
stockings to be darned, with one eye on a simmering
kettle or the bread rising in pans, that she was most
likely to satisfy her grandson’s curiosity. Sometimes
she replied to questions which he was too young to
ask with obscure allusions or partial avowals, which,
like the rays of a magic lantern, illuminated with disconnected
pictures the darkness of many lives—in
fact, the darkness of life itself.
Her large kitchen looked as cool and solid as a room
built of stone. There were things in it which, though
they had been made in the old days, were still useful:
a copper kettle, dented and discolored here and there
by verdigris, which served as a foot-bath; a great,
green flour barrel into which a hen who had wandered
through the open door fell one day, beating up the
flour with her wings; a sugar barrel with a handle; and
two hand-hewn chests, one of which had been brought
by the Towers from York State, part of their baggage
on stagecoach and canal boat.
In one corner a short pump brought up rain water
into a sink from the cistern under the floor. When the
pump was out of order a trapdoor was lifted, and a
pail attached to a pole was lowered into the abyss.
Alwyn shrank against the wall, not only because he
might fall in—it represented all the abysses with which
his elders dealt so carelessly and capably; and out of
it there breathed a strange odor associated in his mind
with the body of a rat, white and swollen, which in
his sixth or seventh year had had to be removed from
the water.
There he observed his grandmother’s meals in preparation—all
the food characterized by his mother as
unwholesome: potatoes in a black spider, frying in a
quantity of bacon fat until they were brown; headcheese
and the crackling of rendered lard; platters of
leathery eggs; saturated pies; and baking-powder
doughnuts so rich that they stained one’s fingers. She
would give him a doughnut, saying, brusquely, “Ask
your ma before you eat it, or she’ll fly up in the air!”
Upon which he would remember his mother’s remark,
that all the men of that family were dyspeptic.
In the kitchen alone, of all the rooms in the house,
Alwyn could imagine his grandmother as a girl, standing
up very straight against that green plaster wall;
her cheeks not quite rosy (for whoever had colored
the familiar daguerreotype had mixed violet with the
red); each gold earring swinging in the shadow of a
curl; the black lace mitts and the watch fob; the bonnet
of straw and ribbon, the great skirt wired and ruffled
and hung with bows. Her sober eyes gave no sign of
imagination and no sign of surprise at whatever they
saw. Over the itinerant photographer’s head they
must have seen miles of tough bushes and grass; strong
men chopping down the forest in a high wind; pigeons
dropping heavily from branch to branch; pasturing
deer continually alarmed.... And like the wild
morning of that world, the eyes in the daguerreotype
were cold and clear, and were not anxious about the
afternoon or the evening.
“Whew! the heat!” the grandmother would say to
the dreamy boy, wiping her flushed face on her apron.
“Your pa will want some cold water in the field. Take
the pail and run down to the well and bring up a little
to the house, and then you’d better take a fresh jug
to the men.”
Alwyn would pause on the doorstep. There lay the
countryside which, sixty years before, had been her
wilderness—changed no less than she. Many gravel
roads running parallel through the distance, as white
as marble; chickens dusting their feathers in them,
frightened away by automobiles. Thousands of telephone
poles making the sound of a tuning fork. Reapers,
cultivators, sowers, hayrakes, tedders, and racks,
creeping like mechanical spiders over the slopes. Cattle
of all colors under the hickories. Sunshine flashing on
the tines of pitchforks, on idle plowshares, shovel
blades, and the sides of tin pails full of lunch. Sunshine
streaming in the orchards over large apples which
seemed to revolve in the leaves. Clouds which looked
like pieces of pleated linen. Far away, harnessed
horses in miniature, and men wearing blue shirts, their
arms bare to the biceps; and over their heads the sky
full of heat waves gliding and curling....
Alwyn never thought of the wilderness as hot, and
did not know the origin of his clear sense of what it
had been: cool and solid, forest beyond forest; no
mountains, but instead, at an incomparable altitude,
thunderhead on thunderhead the color of granite. Exactly
in the center of the high, gray light had balanced
an eagle. Catamount, bear, badger, deer, foxes, passenger
pigeons, and birds of prey, had been so scattered
among the trees and ravines that one never could
have seen two at a time. The world had seemed
empty; the great hollows had echoed and re-echoed....
Then, into the Mississippi Valley the pioneers
had crept, with chests and sickles, axes, flails, and oxen
in docile pairs. They had hesitated; and their figures
had been dwarfed by that space, and at first their voices
in that silence could not even have been heard.
That wilderness of history and hearsay, that distorted
landscape of a dream which had come true before
it had been dreamed, was there where it had been—but
buried, buried under the plowed land, the feet of
modern men, and the ripening crops. Probably Alwyn
would never see its like. The pioneers were dead or
unrecognizably old. The doorstep on which he stood
happened to be a marble gravestone—discarded when
a finer monument had been erected in its place or when
a body had been moved to another cemetery. The
chiseled side was turned toward the ground, and it
occurred to Alwyn that among the letters of a name,
a date, and an inscription, silvery beetles lay side by
side, and against the urn or the clasped hands or the
weeping willow, the earth as well was cut by the worms
with illegible curlicues.
A great bowlder by the hitching post looked like the
Ark of the Covenant at the back of his grandmother’s
illustrated Bible—he would sit on it when he got back
from the field and crack hickory nuts. Cherry and
plum trees stood in perfect order along the garden
fence, the leaves of the one glossy and stiff, the leaves
of the other curled back on the stem. The lawn was
cut in two by a path which ran down to the road, and
on his grandmother’s half of it her roses grew. They
were all cinnamon roses, a thicket of stunted bushes,
the stems covered with short thorns, the blossoms spicy
and disheveled. She would say, “That was the kind
we had when I was a girl.” For her, like pressed flowers
in a book, or a bit of wedding bouquet folded in
paper and fastened with a pin, they were a keepsake, a
pretext for reminiscences.
Her extravagant love of the past was a way of continuing
to be a mother, now that she was only a grandmother.
If the men and women she had brought into
the world had still been dependent upon her as they
had been in their childhood, or if she could have
usurped her daughter-in-law’s control over Alwyn and
his little brother and sisters, she would not have been
so tireless in her efforts to remember and communicate
what she remembered. She did not trouble to
tell Flora or her grown sons about the old days—she
never had; they heard her stories at second hand from
the children, or overheard what was not intended for
them. But the adventures she could relate, the judgments
she could make with authority upon matters of
which her daughter-in-law knew nothing, gave her an
opportunity to impress upon these children—whom she
could not instruct, or punish, or reward—the moral
lessons of a period which had come to an end almost
everywhere except in herself.
To this end she treasured all the heirlooms, including
in her custody certain souvenirs of her husband’s
young manhood: such as the certificate of his first
marriage—a large sheet of paper on which, under a
black and white nosegay, one could still read his name
and the bride’s name, Serena Cannon; and a curl from
the head of their son Oliver who had lived only seven
years.
Serena Cannon had made the hair album which was
the show piece of the collection, a copy book bound in
vermilion paper with two or three tiny garlands of
hair on each foxed but substantial page. In all there
were fifty-six names, badly faded, in a script full of
old-fashioned flourishes, and fifty-six garlands, having
a great variety of designs: braided hoops, medallions
like bits of Spanish lace, and spider webs, combinations
of loops and zigzags and coils and shadowy scallops,
executed in every quality and shade of hair—gray
of tin and gray of iron, sandy and chestnut and
dead black, one maroon and one almost orange; fine,
coarse, wiry, or subtle; long threads spread out in
spirals, and threads not long enough to encircle a space
as big as the end of one’s thumb, and stiff locks in which
the form of a curl still pulled at the knots which held
them. Most of the names were unknown to Alwyn:
Letitia, Judith, Clara-Belle, and Sophonisba; Enoch,
Luther, Cyrus, and Phineas; Cannons and Standishes
and Crosbys and Valentines—families which had died
out or gone West. But he found, under a blond oval,
the name of his mother’s father, Mr. Ira Duff; under
some dark plaited threads, My husband Henry O.
Tower; and a lifeless wisp, marked in a woman’s handwriting,
My little son Oliver, and beneath it, in another
script, in ink of another color, Deceased Dec. 4th,
1867. Alwyn was bewildered when his grandmother
explained that this book took the place, in those days,
of a photograph album. He was unable to deduce a
face or a life from a lock of hair; but an incongruous
refinement rose like a ghost or a perfume from between
its pages, and was added to his conception of the early
days—a refinement which was the fancywork of a
woman with an unimaginable face, a woman without
history, whose only son was dead.
Serena Cannon was famous for her hair work and
had left to her husband’s family another masterpiece,
a wreath as large as a funeral wreath: more than one
head of hair wound and tied on a skeleton of wire;
padded flowers in the form of Turk’s-cap lilies, frayed
leaves and swollen buds all bristling with the ends of
individual hairs; and the wreath as a whole—when the
old hat box was opened and the tissue paper lifted—quivering
like a venomous spider.
Alwyn saw in his mind’s eye a pallid woman, the
veins on her hands very blue, the hands themselves
moving in a mass of hair piled on her lap. Once,
when he was ten years old, his grandfather muttered to
his grandmother, “You’ll let that child spoil Serena’s
things! She was a saint....” Alwyn ran out of the
house and climbed into the maple tree, wondering
what made her a saint and why he was afraid.
There was a box of arrowheads which had been
picked up on the farm over a period of seventy years:
triangles of delicately chipped flint, some like alabaster,
some flesh-pink, some black—and these looked
more cruel than the others; so many that the boy
imagined them falling like a hailstorm over the whole
land before his grandparents came. There were two
strings of wampum traded by the Indians for some
hens and a worn-out hoe.
There was a watch chain of braided leather, and his
great-grandfather John Tower’s silver watch, wound
with a key, three-quarters of an inch thick, the lid over
the face decorated with birds and cat-tails. There was
a picture frame, not Serena Cannon’s work, but his
great-aunt Nancy’s: leather daisies and bunches of
grapes and tendrils, varnished and tacked on strips of
wood.
There was a glass basket, of oblong panes bound together
by tape; it stood on the highest shelf of the
kitchen cupboard, and inside it one could see a litter of
old papers—letters, newspaper clippings, announcements
of births, and obituaries.
There were the patchwork bedspreads, the thinnest
and oldest also made by his grandfather’s first wife:
the pattern, a basket of cubic fruit as high and as wide
as the spread, of uniform blocks of muslin yellow with
age and Turkey-red cloth now scarcely pink; upon
which was imposed the almost invisible pattern of
the quilting itself—meticulous stitches in even, overlapping
circles.
There were the crazy quilts: scraps of every sort
of dress goods, bordered by zigzag or log-fence stitching:
watered black silk, flowered foulard, plaids,
changeable taffeta, red and yellow poplin, green challie
and cashmere in Paisley patterns, blister crêpe and pongee—cut
in diamonds and horseshoes and fans and
meaningless shapes, embroidered here and there with
bees, hearts, and leaves.
Alwyn’s grandmother could identify piece after
piece: “My sister Abigail’s best dress when she was a
girl. The dress I had made when your grandpa and
I visited the relations in Iowa. Your aunt Flora’s
first party dress. A sacque that a woman named Minerva
Foote gave me to cut up into a jacket for one
of my children. The goods your mother’s aunt Melissa
Duff went on a lumber wagon to Milwaukee to get
a whole bolt of, so nobody should have anything like
it—she was the meanest woman ever lived! My
cousin Matie Share’s basque. The dresses of my two
little girls who died—their names were Polly and Ada.
The dress your mother was married in.” She intended
to make a crazy quilt for each of her grandchildren.
There were the daguerreotypes in leather cases,
one in a case of tortoise shell on which there was an
inlaid lily, brought back by his grandfather from the
South. Unknown men and women in a north light
that was eternal; good, bad, and indifferent people....
The adolescent boy, cross-questioning his grandmother
as to their identity, wanted to ask them questions
as well—with no hope of being answered, since
they were dead; curious and proud, he wanted to be
able to explain to himself their failures, to love and
hate them as they had loved and hated one another.
In the afternoon he often went by himself to her
south bedroom, at the opposite end of the house from
his parents, brother, and sisters, where the noise of
everyday life sounded very softly or not at all. There
he climbed on a clothes barrel covered with wall paper,
from the barrel to a chest of drawers, placing a newspaper
under his feet in order not to scratch the surface,
and then into a recess on top of a built-in wardrobe,
warm from the kitchen stove on the other side of
the wall, which was called the chimney cupboard.
All around him, as he sat dangling his feet over
the edge, lay the magazines which his cousins sent from
Milwaukee, full of editorials, love stories, advertisements
of steamships and hotels, portraits of diplomats
and actresses—the materials of every imaginable future.
Between the chimney cupboard and his future,
there were to be so many transitions; causes and effects
which one was not even expected to understand;
alarms, changes of heart, and hesitations; everything
to be endured, and nothing prepared for....
Nothing prepared for, since no one knew what had
begotten what; sons did not understand their parents’
lives; no one thought about tragedies which had come
to an end. The past covered one’s footsteps all too
promptly; present moments were always in the act of
vanishing; how then could the future be anything but
a riddle? Years of misconstrued events, and unreasonable
aversions, and useless ambitions, and nightmares....
The boy turned the pages of the magazines listlessly.
Side by side above the chest of drawers, on a level
with his knees, hung a pair of portraits of his grandmother’s
two little girls who died, enlarged from tintypes:
two sober faces like boys’ faces, wearing round
white collars; one looking straight ahead, good-natured
and unabashed, the other resting her chin in the
palm of her hand with a sick child’s thoughtfulness.
Across the room, also on a level with his knees,
there was a large religious chromo, “The Rock of
Ages”: a girl dressed in what looked like a muslin
nightgown, a young girl with streaming hair tossed
against a rock in the sea, and clinging to a cross.
There was no sky line; there were neither birds nor
ships. What did it mean? Useless to ask—he knew
as much as he would be told: it was not a real sea or
any particular person or an actual darkness, but the
night of the soul. The catastrophe, the black sky
around it like the wall of a great well, the leaden
breakers, and the soapsuds foam—all stood for something
else. The dull crests kept on tirelessly booming
in the picture; the girl could not have heard a
comforting voice if there had been one. Deprivation
and disappointment; loneliness without a horizon,
without birds....
All the secrets of all the lives must be like that—they
could not tell. All they could do was to hang such
a picture on the wall, or merely in their hearts. Would
anyone ever tell?
That day he and his little sister had been looking
at the daguerreotypes, at one in particular—a handsome,
bearded young man in a uniform with two rows
of brass buttons. His grandmother had looked over
their shoulders, and she had said, “Do you know who
that is?”
They had been surprised, for she always expected
them to recognize the members of their own family.
Of course they knew; even his little sister knew.
Sitting in the chimney cupboard, Alwyn puzzled over
her question and her answer. Perhaps she had felt
an impulse to mystify them, or the tediousness of having
too many secrets to keep. She had said, “That
was my soldier sweetheart.”
They had not been able to understand. It was not
her husband, their grandfather, but his younger
brother—their great-uncle Leander, who was dead.
Alone in the chimney cupboard Alwyn determined,
one day, sooner or later, to know that story, and as
many others as he could....
“Why didn’t you marry him then, grandma?” his
little sister had asked.
She had answered in a low tone which implied that
there were things which could not be explained, even
things which passed her understanding. “Well ...
He didn’t want me. I don’t blame him.”
2. Alwyn’s Knowledge of America and His Family
Years after, when all his grandparents were
dead, Alwyn sat in a watering place in the Austrian
Alps, where there was a cluster of iron
tables around a café, where nineteenth-century waltzes
were played and the cakes were good.
A boy, on whose cheeks the round flush of illness
darkened, was insisting wearily in French: “You
Americans lack the sense of sin. You have discovered
the fountain of youth; it has made you cruel....”
A great psychoanalyst who looked like an old Protestant
minister wavered along the path; and a middle-aged
princess brought biscuits in a paper bag.
Lifting two heavy rings in the air with his blue-white
hand, a hunchbacked critic could be heard saying,
“The psychology of love undergoes a complete revolution
every twenty-five years. In America, I am told,
every fifteen years; but they have no fine arts, so their
passions are lacking in interest.”
The grave, well-modulated voices rose against the
steady crying of a river, somewhere below. Far below,
a plain lay, patched with cottages and tidy crops;
far above, a number of soft mountains were brocaded
by ice; and over the valley walls seven cataracts fell,
shivering on the stone in mourning—seven vines the
color of pewter.
Alwyn was glad to be in Austria; but because of
the odor and the bells of two or three cattle which
were driven past, perhaps because of the poor fat
princess who, it seemed, regretted civilization, he began
to think of the early days of America, particularly
the early days of Wisconsin and his family. And
the river beat in the small valley as ardently and
roughly as the heart of a Middle Western forest.
Wisconsin, his grandmother’s wilderness.... He
remembered one of its little hills; fancied that he sat,
not in Gastein, but on one of its hills, dreaming of its
history. Slain trees, and timber wolves slinking in
search of young pigs, and weather-beaten children stationed
in poor crops to scare off the deer.... He
tried to picture to himself his ancestors: ignorant men
with delicate bodies, hoping for wealth as a reward for
virtue; boys with chapped mouths hunting by the light
of lanterns; fearless girls becoming sickly mothers.
A company of dead or distant relatives, on a continent
without much elegance, without palaces, without
rest.... There sprang up in his mind a great number
of stories and fragments of stories, in which they
were gesticulating and embracing and working.
Alwyn daydreaming in Austria, a little self-consciously
a poet.... And for a moment the well-bred
voices, the philosophies, the orchestras, were
swept away. For a moment all Europe seemed less
significant than the vicissitudes of pioneers, men who
were anonymous unless they were somebody’s relatives.
He did not quite like their suffering, their illiterate
mysticism, their air of failure; but he understood
them, or fancied that he did. It did not matter whether
he liked them or not—he was their son.
Among them, of their marriages and love affairs,
there had also been born a composite character, the
soul of the race that was not actually a race; something
so vague that one recognized it only as an atmosphere,
a special brightness, or a peculiar quality of the temperaments
and customs and fortunes of Americans; as
if it were the god of the place—half invisible, and so
large that one could see at a given moment only the
great arch of its foot, or the dim luxury of its flesh,
or the electricity of its eyes, or the jewels on its giant
hands and head. It had been born in the stables, the
cabins, and the schoolhouses where music, religion,
and the three R’s had been taught in turn. Who could
describe the mask that was its face, or estimate its
strength, or define its character? Whatever it was,
it was the hero of the stories that he knew, the tales
of his grandmothers. By comparison with its dwelling-place,
Europe seemed only the scene of a classic
play continually repeated; for a moment only....
But there was that moment in every day of Alwyn’s
life.
On another night he was dining with friends at
La Turbie. Around the hotel arid meadows ran
down to the cliffs, meadows where sooner or later
the moonlight would come, gently cropping the stone
like a flock of sheep. They sat on a terrace, looking
over the balustrade and the cactus upon Monte Carlo—the
casino, the harbor, the large rock covered with
palaces.
One friend said, “Madame R—— is ill.”
Another, “I hate myself for gossiping, but after
all ...”
And the first: “The less said about it the better.
But I think as you do; the name of her illness is—hate.
The young man ...”
One asked, “So she hates him now?”
And another answered, “Having loved him long
enough.”
The little city below was anxious to please, sparkling
on the seashore; the electric light writhed as if it
were foliage on fire. As a child Alwyn had imagined
that heaven would be like that; as an adolescent, the
whole of Europe; and it woke other recollections of
childhood.
Ostensibly as a comment on Madame R——’s affairs,
he began, “My grandmother Tower ...” He
talked of her soldier sweetheart as if it were someone
they all knew; how when he came back from the Civil
War, he did not want her; how she had married instead
his elder brother who was a widower; how she
had said, “I don’t blame him.”
His friends listened quietly because they were old
friends, familiar with his passion for relatives who
were dead, relatives who had been very poor, off there
in the States. But one asked, “How do you know
all this?”
Alwyn said, “She lived with us when I was a
child. I watched them all closely then, much too
closely....”
As he remembered his childhood, it seemed that
much of it had been spent in the center of a carpeted
floor; and all about in a circle of rocking-chairs there
had been women and men—grandparents, and their
friends, and old cousins, and great-aunts, and uncles;
and behind each one a life had extended into the past
like a corridor—poorly lighted, long corridors winding
away in every direction, through reticence and
forgetfulness, to their youth; and in the ring of rocking-chairs,
the child for whose existence all the corridors
had come together, had shivered in the gusts of
emotion which blew vaguely down them, and tried to
understand the strange syllables which echoed from
one life to another.
Alwyn’s friend looked at him sharply over the
grapes and figs on the table. “A good woman....
But I don’t understand how you found out her secrets.
You know them as well as if you had been her lover.
But it all took place before your father was born. She
didn’t tell you that story as you tell it, did she?”
“Not in so many words....”
“Of course you knew them all—your grandfather
and grandmother, your—great-uncle, wouldn’t he be?
But they were old then, very old, I should think; and
old people don’t tell that sort of thing. Don’t be
cross,” he added. “You know that we prefer you even
to your grandmother. But what do you know about
her and what have you invented? Perhaps imperceptibly
invented ...”
Someone else went on, “Tell us, tell us, please,
exactly which elements of that story you know to be
unquestionably true?”
When Alwyn smiled and murmured, “But I don’t
know,” they smiled and spoke of other things.
But he was troubled by their questions. His knowledge
of himself, of his native land, began with stories
like that. After all, were they true? How true?
A child in a ring of rocking-chairs, shut in by secrets....
He had wanted to understand as other children
want to be understood. A phrase of his grandmother’s,
certain glances exchanged over a letter, funeral
sermons among greenhouse flowers, a caress which he
had surprised, an antipathy still evident though worn
out by the passage of time—each had had its peculiar
spirit with an enigmatic face. They seemed to have
bent over him even in the cradle, like amorous women,
veiled, strangely bedecked, in old-fashioned dresses.
Mysteries, some alive and some dead; and the dead
had clung as close as the living. One had taken his
wrist in its dry hand; one had slipped its arm without
weight over his shoulder; and another had placed on
his forehead its long fingers like a wreath.
He had been excited and frightened. No one else
had seemed to notice them; his parents had looked
away, toward things that were actually happening or
going to happen. His grandmother, like an official
representative of the past, had told stories without
motivity, without a moral, and had replied to his timid
questions literally, perhaps timidly.
But he had ignored nothing and forgotten nothing.
In so far as he could he had learned the bare outline
of everyone’s life. Then his grandmother had said,
for example, “Your great-aunt Mary Harris laughed
like that woman,” or, “Don’t let a little dirt drive
you mad, the way poor Nancy Tower did.” He had
noted every word of sentences he was not expected to
understand, and added each detail, in his memory, to
its proper nucleus. Little by little he had uncovered
the life of his elders; little by little he had grown
up....
His mother, to explain her differences with his
grandmother, his grandfather’s harsh temper, his
father’s melancholy, had touched upon secrets which,
deliberately, she would not have betrayed to a child.
In New Mexico his uncle John Craig, who had lived
away from the family since he was a boy, who had been
more or less an outsider then, had told him things the
others had forgotten or were ashamed of. Alwyn had
given dead people the faces of daguerreotypes and tintypes,
old people the young faces of fading photographs,
or invented their appearance according to
vague indications of traits peculiar to this or that
branch of the family; and placed all their quarrels, infatuations,
and disappointments, in a setting of
childhood’s exaggerated landscapes.
After he had left home, when most of his older
relatives were dead, certain things of which he had
remained in ignorance had continued to trouble him.
For the personages in rocking-chairs, the questionable
spirits leaning over his cradle, had embodied not only
the past, but the future—his own wishes and fears;
and he was not to be content until an everyday light
had unveiled all their faces. To bring an end to his
childhood, to drive its ignorance out of his heart, to
conduct or try to conduct his own life in its alarming
motion, he had been obliged to lead in imagination
many lives already at an end. Now and again the
riddle of his own experience had resembled one of the
past’s riddles; his personal solutions had solved them
as well. Spell after spell had been lifted. He had
been possessed by a family of spirits—now at last
they were exorcised; and in their place there was this
family of stories which he could not have remembered,
but seemed nevertheless to remember.
In his nineteenth year he had written a historical essay,
based upon what he had found out about his relatives:
a summary of all these unwritten biographies;
as it were, a short biography of America. A professor
had praised it; his mother had said that she
could not understand it; he himself had been proud
of his work. One night, in a hotel on the French
Riviera, he found these pages and reread them:
At first there broke against European sea walls, the
edge of a uniform world of water; somewhere upon
it America lay, a phantom putting an end to its uniformity.
Down to the seaports came disappointed
men—no one who was happy would have set sail for
a phantom. Some were hopelessly poor: they had
dreamed of states in which all the poor would be
rich, and their revolutions had been crushed. Some
were sickly: they had invented moralities to curb the
appetites of others, who in turn had abolished their
laws. Some were bondsmen, sold for a time. Some
were failures and the sons of men who had failed:
success being impossible on this earth, perhaps it would
be possible on a continent which a few years before had
not been on the earth. Some were criminals or adventurers,
whose regret wore masks of bravado. Some
wanted to rule, whose fathers had not been kings.
Some received in hallucinations a knowledge of pure
ceremonies, by which they were not permitted to worship.
All were disappointed—minorities going out to
form a majority against the world.
In dangerous boats which tottered up and down the
water, when they were not seasick, they sang. Some
believed that America was like a goblet lying in the
ocean, and when one drank from it one would become
so happy that one would dare to remember one’s
grief. Some tried to believe that it was an earthly
heaven or heavenly earth, where saintliness which
other men would worship would be easy, where wealth
would be apportioned according to saintliness. Those
who died were never disillusioned; and the waves
among which they were laid seemed to sing feebly
with those who were left on the boats.
Not one ship sank; and they landed on a long coast
of bushes and stone, of stagnant water and sand.
The redskins were dangerous but pitiable, in their animal
hiding places; and as the whites proceeded to exterminate
them they could never bear to think what
they were doing. Their own number was reduced
by diseases; those who did not die were strengthened
by the thought of the early Christians.
They shot red squirrels flickering in the trees, and
turkeys (great, enameled birds); and planted the Indian
corn. They gave thanks when there was enough
to eat, and repented of their insignificant sins when
there was not; in the beginning the crops were always
meagre. The evidently poor land kept its wealth secret,
like a young mother who thinks herself a virgin.
It was the land which God had given them, and it
was poor. So God was poverty, but He was poverty
which would become wealth. He was a precept by
which poverty would be changed into wealth; He was
a law. There were songs and talk about sin, but few
transgressions. Preachers of genius painted evil in
such perfect colors that men vomited and women
fainted in the churches; they made the agony of some
seem sweeter than love. Dangerous witches appeared
among them and were condemned; and on the chest
of a man accused of commerce with spirits, heavy
stones were laid one by one until he died.
They went further west. Over the Northwest Territory
mouth organs quavered between embarrassed
kisses, and cabinet organs quavered between prayers.
From the half-ashamed love-making sprang a great
population, and from the prayers muttered in new log
cabins, the certainty that the God of poverty had
blessed this people with His uplifted, enigmatic finger.
They came to the Far West, and found valleys as
large as kingdoms, without kings; red mountains and
others the color of pearls; deserts below sea level in
which no fire was visible, but the earth was ashes;
and extremes of temperature as in hell, and heavenly
climates. They wasted great forests and unearthed a
plunder of oil, coal, and metals.
The whole continent came to resemble the childbed
of a virgin; amid cries of axes and moaning sawmills
and finally a groan of factories which rose overnight
in fields of refuse (in smokelike folds of stained linen)
wealth was born. There was rejoicing as extravagant
as the singing of angels. In the celebration which took
place skyscrapers were built, so tall that they swayed
continually, so strong that they never fell. Pride
wounded too many times turned into energy. Whoever
faltered closed his eyes and summoned up a fierce
idealism. Men, women, and children worked side by
side, making of delicate nerves a machine. In the noon
of their holidays guns were fired and great schemes
invented.
They did forget grief in the efforts they made to
annihilate it, and became the laughing race of the
earth. Unhappiness was treason; no tragic arts
flourished. The slaves which had been shipped from
Africa and outcast Jews who took refuge among them
brought tragic songs—to which the Americans danced.
Men grew rich in a day or overnight; they could
always grow richer; the future was illimitably generous.
Nevertheless, millions remained poor. Before
their eyes lay the feast—they could not eat; and
though there were millions of them, each felt alone
in his poverty. They grieved, but stifled their grief,
being ashamed of it; for if they worked harder, if
they had led purer lives, if they still worked harder....
Those who did not give up hated life secretly;
those who did, despised themselves.
The New World was troubled; even the rich were
troubled; they did not have an excuse for rest. They
knew that God was poverty; was He not then an endless
struggle? He seemed to have vanished when the
struggle was over, leaving some lonely. Like a beggar,
homeless as they once had been, He haunted others,
who did not know which to be ashamed of—their
wealth or God. He was also the precept which
turned poverty into wealth; the poor in their envy
would not let the rich neglect Him when He had served
His purpose; and the rich tried to force upon the poor
virtue and the rewards of virtue, for they were lonely
in the midst of rewards. There was also a puritanism
which was genuine remorse for the sins of others. So
a series of sad persecutions took place.
It became the land of extreme youth. Middle age
was merely a struggle; old age was a time when failure
could not be disguised, or a time of success which did
not satisfy. Men envied young men, and put them at
their sides in positions of great responsibility, so that
from eyes which glittered with reflections of the future,
their eyes might catch fire for a moment. The whole
country had one symbol: a very young man, always at
the beginning of a career, always beside his mother.
For she taught him to revere success and taught him its
maxims. He would never forget that when she had
been at his side, the mirage had seemed real and not
far away; he would never again be so happy as he had
been, under her spell. So young wives imitated the
mothers of the men they loved. America became a
matriarchate.
Meanwhile the colonists had moved and moved
again, from east to west, into every corner of the
continent; and each migration repeated, with a little
less religion and a little more weariness, the pilgrimage
which had brought them there: disappointed men
going further, hoping still ...
At last there was no corner where wealth and joy
might be thought to dwell, no riverbed without a city,
no empty valley, no more coasts. At last those pilgrims
who had failed to discover their hearts’ desire
had to look for it in heaven, as it had been in Europe,
as it has always been. Disillusioned but imaginative,
these went through the motions of hope, still pioneers.
They will be seen while America lasts, proud and poor
(like pretenders to royal blood, the site of whose
throne has long been forgotten) among mechanics,
surgeons, singers with androgynous voices, reporters,
professional players of games, orators, gamblers in
food, hooded vigilants, gold diggers, salesmen of
salves, film stars, architects, trance mediums....
It was too well, that is, too badly written, in the
style (Alwyn thought) of a public speech. He regretted
its impiety, was ashamed of its anxious, artificial
elegance. But he had not changed his mind; it was
all true, true of America—he was sure that he could
prove every assertion by an account of somebody’s
life.
But underneath his balcony a crowd of American
sailors from a warship in the harbor quarreled around
a French girl who had fainted away. Their presence
reminded him how ambitious, indeed pretentious, his
essay was; how much its subject was a family affair.
Once he had believed that all Americans, because they
were Americans, had embarked upon the same adventure;
now he realized, very humbly, that there were
many adventures. That of the sailors, for example,
who were snarling at one another and shaking hands....
Idly, he drew rows of hearts along the margins
of the typewritten pages, and read them again, half
aloud, because the careful sentences suited his voice.
The noisy sailors were quite as American as he, but
he could hardly understand a word they said. As for
his essay, he felt a certain pleasure at having displayed
his intelligence, as having been intelligent at
all when young; beyond that, it did not satisfy him.
An honest generalization of one family’s intimate history,
true, perhaps, of America as a whole.... And
the sailors made it ridiculous. Suddenly he felt that
he had no native land—he had a family instead.
Disillusioned but imaginative, going through the
motions of hope. Pretenders to royal blood, the site
of whose kingdom has long been forgotten. Perpetual
pioneers—the Towers were men of that sort.
“Well, he’s a Tower,” his grandmother had often
said, as if in explanation of her husband’s behavior
or that of one of her sons. What had she meant?
Alwyn decided to write a character sketch, enumerating
the traits of his relatives. Turning over the pretentious
essay, he took a fountain pen out of his pocket
and wrote on the back of its pages:
A curl of dark or ash-blond hair on the forehead;
a smile as strained as a frown; obstinate blue eyes
which seemed to see visions, and mouths which doubted
them. Proud men with fine bodies, frequently ill.
Slight men who had a talent for music and an aptitude
for every sort of culture, of which they were suspicious
as forms of weakness; men who were slightly
ashamed both of their gifts and their neglect of
them. They did not love cities, but loved the country
as those who take refuge in it from cities do.
Thoughtful without shrewdness—not one had ever
got on in the world. Ill-advised by their imagination,
they never forgave themselves for the mistakes they
made; and, in secret, employed that same imagination
to perfect their melancholy, as a saint perfects his
sanctity.
They were sober, religious, and conscious of not
being appreciated. In the wars which were fought
they never achieved the rank which was due them; their
painstaking bravery went unrewarded. They believed
in democracy, hoping that it would reinvest with power
those who deserved it. They marched at the head of
processions, but the processions always turned down
a side street, leaving them alone.
Generation after generation of coarser men—their
inferiors in probity, in talent, in dignity—took the
good things of this world away from them. Immigrants
who began life as their hired men, ended as
landowners and holders of mortgages on their land.
The Towers worked harder and harder, always beyond
their strength; and the harder they worked, the more
their resentment grew.
For somewhere in England, in the sixteenth or
seventeenth century, they had lived on the land as
gentlemen. Two younger sons had been obliged to
come to America in search of fortune. They had
failed to find it; their descendants were still seeking,
seeking among fools and brutes. Superior men,
cheated of their inheritance, disguised as inferiors and
unable to reveal themselves.... They said little,
but this conviction took possession of all their minds:
they were not born to be beasts of burden; they should
not have to work as these others worked; they were
not menials, but deserved a sweeter fate; life was
unjust. This conviction was inherited by every Tower,
from father to son; and in that inheritance younger
son shared equally with elder. A grievance was their
birthright....
Alwyn knew this grievance in himself in so far as
he resembled his father, his little old grandfather,
Leander and Hilary his great-uncles, his great-aunt
Nancy. He was glad that he understood them; it
might save him, in a measure, from the family pride
and brooding, the family resentment and doubt.
Every five seconds the lighthouse in the harbor
threw a flake of light over his head on the ceiling of his
room. Most of the sailors had made peace and
vanished into bars and improvised brothels along the
quay. One of them, at least forty years old, unmanageably
drunk, was being taken back to the ship by the
guards; he lay down on the pavement and sobbed:
“I want my mother! I want my mother!”
Resting his elbows on the iron railing of his balcony,
Alwyn fluttered the pages of his work. Two
records of his opinions, one about America as a whole,
one about his family—that is, the paternal branch of
his family: they were of little value. Staring into the
dusky Mediterranean, he thought of the Tower stories,
the lives of his mother’s parents, Ira and Ursula Duff,
of pitiful, red-headed Flora, his uncles, the minister
and the deserter, his great-aunt Mary, the adventuress,
and all the others.
There in his hands, uselessly, were two statements
of their significance; but the best way to explain what
they meant would be, quite simply, to tell the stories
themselves. Less impossible but more difficult than
what he had attempted.... Stories like a series of
question marks; questions which did not require an
answer, questions at peace. He was content with their
ambiguities, so he knew that they were the end of understanding,
or at any rate, the end of trying to understand.
Trying to understand, for his own sake, shadowy
men, women, and children.... And as he thought
of their lives, he was surprised by regret (their regret)
which weakened and then strengthened his will:
regret that the time for laughter and ease, even for
him, seemed never to come, while work never came
to an end.
3. His Grandfather Tower’s Character. A Fragment of Autobiography. The Rest of His Life
During his grandfather’s lifetime, the alpaca
jacket which he put on when he came in for
supper swung from a hook on the door of the
chimney-cupboard room. It held the shape of his
body and soul: the sharp angle of the sleeves at the
elbow meant irascible vitality; the empty pockets,
poverty and indifference; the imprint of the stooped
shoulders, fatigue; and the contradictory flare of the
collar at the back, pride.
He died when his grandson was twelve years old;
so that Alwyn as a man could recall only the mysteriously
impressive pictures which a child remembers.
The clearest had a background of roses, his grandmother’s
cinnamon-rose bushes. Large bees staggered
up and down in the scent of the old, bright
thicket whose blossoms were all imperfect, hanging
in great numbers on the tough stems, as if they had
fallen there by chance. The bent old man came down
the path from the woodshed with a look of great exasperation
fixed on nothing in particular. His beard
was parted in the middle, and fell on each side of a
large bone button in his shirt collar; his rheumatic
hands were clenched; and wherever he went, he seemed
to be elbowing aside invisible people in his way.
There was little of importance left for him to do.
He got up at daybreak to feed the hens which fluttered
uncalled at his heels, flinging the grain behind
him and taking no notice of them; so that there were
sudden cries amid the drumming of their bills, and
agitated flights away from his unsteady feet. His
clear, wide-open eyes were often indifferently unfocused,
as if the eyes of his mind were downcast.
But he examined the sky at dawn with infinite care,
to prophesy the weather; for he knew the meaning of
sun dogs in winter (two pale blotches crouching on the
horizon at the right and left hand of the east) and
understood the color of clouds, and the various kinds
of wind.
During the day he chopped kindling in the woodshed;
cured the hams in salt and brown sugar, and
smoked them with hickory chips; killed chickens for
the table; and brought vegetables to both kitchens (his
wife’s and his daughter-in-law’s), husking and silking
the sweet corn, and breaking winter squashes with an
ax. Above all, he worked in the garden, digging,
planting, hoeing, transplanting, and weeding even
patches of turnips, corn, parsley, and carrots, melons,
peas, oyster plant, beets, parsnips, and early and late
cabbage.
He offered his grandson (then seven) one cent for
every five cabbage moths that he could catch. Some
were pallid, some deep yellow; Alwyn caught many
of both colors with a butterfly net. But the old man
said that a boy of his age ought to know that only
the females laid eggs from which cabbage worms
hatched, and harshly refused to pay for the others.
Alwyn could not forgive him.
The children were not allowed in the garden, unless
their grandfather sent them to throw clods at
one or two old hens who continually found holes in
the fence. Sometimes Alwyn would ask timidly to go
with him to look at the melons. The old man, only a
little taller than the boy, stooped over the cantaloupe
vines, and fingered the stems to see if they had
begun to pull away from the ripening fruit. He
thumped the watermelons, but was too deaf to hear
the sound they made, like the beat of a small drum
under the earth; and finally took from his pocket a
horn-handled knife, cut a triangle in the rind, lifted
it out, and peered down into the flesh: if it was pink,
the plug was replaced; if it was blood-red, that melon
was placed in a tub of water in the cellar. Alwyn
knew as well as his grandfather how to test melons,
but felt that something ambiguous was also being accomplished,
that he was in the presence of an old,
powerful magician, engaged in ceremonies among the
vines.
Alwyn’s father often said, “Your grandfather was
no good at farming, but he is the best gardener in Wisconsin.”
The striped beauty of the garden, its geometrical
outlay of faultless plants on clean soil, suited his refined
spirit better than large, weather-beaten fields.
It was dear to him also because it took the place of
the farm he had cleared in the wilderness, now beyond
his control; for he was no longer strong enough to
work on the land, and his son would no longer take
orders from him. So he referred to the secrets of
the soil in this or that field with the arrogance of one
who does not expect to be listened to, and angrily made
fun of Alwyn’s father if a crop failed. Injurious
things were said in anxious voices, things hardly meant
to be heard; and there were, from time to time, bitter
quarrels.
Once when Alwyn was nine he came round the corner
of the house suddenly. His aunt Flora and his
grandfather were going to the village; the horse and
buggy stood by the porch. But the old man strode up
and down, trampling the wild violets which were
planted there, and muttering. Flora wrung her hands
and absent-mindedly tore the veil which hung from her
hat. His father was there, sobbing—Alwyn had not
known that grown men ever wept. In the doorway
his grandmother stood with her arms folded, a look
of resignation that was half scorn on her face.
The trouble had something to do with the horse
and buggy. Suddenly the old man sat down on the
porch and stared straight ahead with his farsighted
eyes. Alwyn’s father stammered then that he was tired
of being bullied, and the girl defended him and reproached
their father—both speaking loudly because
he was deaf. They were telling him that his life was
over and he must not interfere any more—things were
hard enough for them without that.
Then the grandmother saw the child, and said:
“Run behind the house, Alwyn! Run behind the
house!”
Stumbling with tragic excitement, he obeyed.
That evening he saw that they had all grown gentle,
as if it were the responsibility of each to make the other
forget what had happened; and his father and grandfather
sat quietly side by side on the porch.
During the last six or seven years of the old man’s
life he was never in good health. As a small child
Alwyn thought this resulted from chewing tobacco, a
habit condemned in the family. Even his grandfather
himself had said, “Look here, boy. Don’t ever take
tobacco. I learned when I was a boy—those were bad
times.” Meanwhile he had put as much as he could
hold between finger and thumb into his mouth, as if
to demonstrate the fatal power of the old days.
Alwyn’s grandmother gave this explanation of his
illness: “Your grandpa has never been a well man
since he went to the war. It spoiled his stomach.”
He feared and despised doctors, and read all the
patent-medicine advertisements in the newspapers, believing
for a moment each flowery promise of an end of
pain. He received many pamphlets by mail—testimonies
of miraculous healing, illustrated by photographs
of ugly men and women who had been sufferers—and
wrote for salves, powders, and tonics.
His wife sighed and shook her head whenever an agent
drove into the yard with a valise full of samples; but
the old man invariably described his symptoms, the
ambitious salesman invariably expressed his sympathy,
gave advice, and received a large order. Every druggist
in the neighboring towns also prepared for him
personal recipes.
All these medicines accumulated in the tall kitchen
cabinet: vials and pill boxes and squat bottles, bearing
the formidable names of diseases in lists like incantations,
decorated with portraits of heretic doctors,
Mothers this and that in lace bonnets, and benign
priests. He tried them all, and they failed. At last
he found relief only in Duffy’s whisky, which he drank
from a teaspoon because he was a total abstainer. He
was able to eat less and less, and sat by himself after
each meal—his fingers interlaced, on his mouth the
shape of a cry for pity that was never heard.
Though in the midst of his family, gardening faithfully
in rain or shine, his isolation grew more extreme
than that of any sick room. The children feared him,
or feared his pain. In the woodshed he gnashed his
teeth because the cats got underfoot; if the price of
grain or pork fell, or La Follette made a speech, he
gnashed his teeth as he read his newspaper. His
grandchildren learned that they might be the objects of
the same irritation. Furthermore, he was deaf; they
did not know how to pitch their voices so he could
understand, and were not tall enough to speak in his
ear, though he was a small man. So they never asked
questions, and he scarcely ever told them stories.
There was one, however, which he told on various
occasions, and Alwyn could not understand why he remembered
it or what it meant: “Early one morning,
when I was a young fellow and going to the barnyard
to milk, I saw a man leaving the strawstack and running
down the road. After a time I saw him coming
back again. The day was foggy—you couldn’t tell
about a man more’n six rods away. He turned round
and got out of sight. I wondered what was wanted,
so I watched through the horse-stable window. Pretty
soon, there he was, stopping once in a while and going
toward the stack. I ran out and shouted, ‘Look
here, stranger! What in creation are you after?’ He
was as white as a sheet and shook from head to foot.
‘Excuse me, partner,’ said he. ‘I slept in your stack.
I left a pair of shoes there.’ ‘My stars, man! Go and
get them!’ I told him. ‘I don’t want any man’s shoes
but my own.’”
He told this mysterious anecdote and one or two
others like it, with an air of great satisfaction. But
of his more important experiences, never a word....
Indifferent to the future, set aside in the present, he
must have been brooding all the time on his plans
which had failed to materialize, his dreams which had
given him no rest. But he said nothing, being too ill
to idealize and too proud to regret anything.
His wife had kept a few relics of this youth which
he seemed to be concealing. Hating war, he had burned
his uniform and thrown away the badges; but there
was a dog’s-eared Testament which he had carried in
his breast pocket; a screw-topped inkwell of dark wood
into which he had dipped his pen (all the letters were
lost); a splinter of a tree under which two generals
had signed a truce, the soldiers in a frenzy having cut
down and divided it; a silver ring shaped like a wedding
ring which had belonged to his sixteen-year-old
brother Hilary, who had been taken by the Rebels and
had never been heard of. He made no comments upon
them; his wife explained what they were; and when she
taught the children Civil War songs, he went out of
the house.
He had been a musician in the war. There were a
pair of drumsticks, blackened where sweating hands
had held them, and a trumpet without a mouthpiece.
There were the fife and the flutes; the fife like an
ebony wand, the flutes wrapped in red flannel, their
German-silver keys interlaced around the one of cocoa-wood
and the other of a wood called grenadilla.
Sometimes the old man took out the fife, paying no
attention to the fascinated children who gathered
about. One shoe tapping a nervous beat on the floor,
he played the hysterical tunes of the ’sixties. There
was something unearthly in the melody made by his
hard lips, pressed on the little black rod as if in a kiss;
and the children shrank, ravished by a kind of fright.
Alwyn dreamed of the Civil War—a war of little old
men, deaf and sad, tapping their feet on the hot rock
in the South, a war of piercing music off the key.
He seemed scarcely human to his grandson—an old
ghost of another epoch, a ghost which, even in its
youth, could not have been very young. All that Alwyn
ever knew of this inconceivable boyhood and young
manhood was based upon the vague accounts of others,
except what his grandfather himself wrote about it
the year before his death.
Everyone was surprised by his consent to write the
history of his life; his children spoke of the important
contribution he could make to pioneer history, hoping,
perhaps, that, in a sentence here and a paragraph
there, he would break his long silence about himself,
as it were by accident. He was to be seen at the double
secretary, covering sheets of foolscap with his crabbed
script, muttering complaints of the stiffness of his
fingers....
January 23d, 1911.
Being urgently requested by the members of my family to
write a brief history of my life, together with some incidents
connected with the early settlement of this part of Wisconsin,
I have very reluctantly consented to do so.
I was born in the State of New York, Onondaga County,
town of Lafayette, village of Cardiff, February 15th, 1830.
My father’s family consisted of five sons and one daughter,
all of whom excepting two have passed to the Silent Land.
In the vicinity where we lived, a gentleman by the name of
Farrar, owned and operated an ax manufactory, but the stream
on which his plant was located was too small to furnish
sufficient power to meet the demand, so he conceived the
idea of going West in pursuit of a location suitable for his
business. Arriving at Milwaukee and securing the services of
(what was then called) a Land Looker, they continued their
march Northward when unawares they came to the banks of
Stony Creek in Washington County. This, said Mr. Farrar,
is the identical place I have been looking for.
Upon his return home language failed him to fully describe
the beauty of the new country and the bright prospects of its
development in the near future. At that early period the
West was beckoning to the overcrowded East to come and
help to organize what has proven to be one of the grandest
and best States of the Union. Such was the force of his argument
and persuasion, that my Father concluded to accompany
him and seek a home in the far-away West.
They both soon disposed of their belongings and on the
8th day of September, 1846, they secured passage in the city
of Syracuse on a canal boat for Buffalo. The voyage lasted
one week. Arriving in Buffalo, we found the “Propeller
Princeton” about ready to leave her Dock for Milwaukee and
as soon as our goods could be transferred we commenced our
long and tedious journey around the great chain of lakes, toward
the setting sun. On entering Lake Michigan through
the Straits Mackinaw, a terrible storm awaited us, the wind
and waves carrying away the smokestacks of the vessel and
making it necessary to chain the cabins to keep them from
being blown overboard. After being tossed to and fro for a
whole week we were finally put on Terra Firma in the city of
Milwaukee. The entire voyage occupying two weeks, which
is now being made in less than twenty-four hours. We soon
found that our lot was cast in a strange land and among
strangers.
Fortunately, Mr. Farrar had a brother-in-law by the name
of Wilcox living about three miles up the lake and one of the
very early settlers of Wisconsin. To his home we wended our
way, as it seemed to be necessary to provide a place for the
families to live while the men were absent building their
houses on their land. In the meantime Father had bought a
yoke of oxen and wagon and proceeded to lay in a store of
provisions, consisting of one barrel of salt pork, one barrel of
flour, half bushel of beans, five bushels of potatoes, tea, coffee,
sugar, etc., and a stove. Thus equipped, one bright Thursday
morning in the first part of the month of October, we started
on our journey to Washington County. Late Friday evening
found us at what was called the Aaron settlement and three
miles from our destination. At daylight Saturday morning
we started for our new home in the forest, consuming the
entire day in making the three miles. There were logs to be
chopped and drawn out of the way, swamps and marshes to
be avoided, trees to be marked in order to find the road again.
Arriving at our destination, Father returned to the Aaron
home to spend the night, leaving us boys in the woods to
guard the team and provisions. We went to a little marsh
near by and cut each an armful of marsh grass which we spread
under the wagon, on which we placed a blanket, making a
bed fit for royalty to occupy. After retiring to our novel
sleeping room, we were soon lulled to sleep by the mournful
voice of the hoot owl and the sweet, silvery song of the
whippoorwill.
On Monday morning Father returned and we began cutting
logs of small size, to build a cabin, in which to live during
the time occupied in building the log house. In two days a
shelter 10 × 12 ft. was erected. We brought moss from a little
spruce swamp near by and stuffed it in the crevices, which
answered admirably in keeping out the wind and storm. For
a door we hung up a blanket.
I was unanimously chosen cook, while our bill of fare consisted
of pork, potatoes, bread, beans, and an occasional extra
of wild game with which the forest abounded. The streams
and lakes were also swarming with fish of the finest quality.
I may say however that my education in the culinary art as
well as in many others had been sadly neglected. But my
observation of my mother’s kitchen had impressed me, that
it required no sleight of hand to boil potatoes, fry meat, and
bake beans. When it came to the bakery division that was
another problem and one over which I stumbled and was
obliged to take our flour to a neighbor’s three miles away and
persuade the lady of the house to do our baking, twice each
week. I went for the bread, carrying it on my back in a flour
sack.
We were three days in raising the building, the neighbors
being so widely separated, coming a distance from four to
six miles. I may add without boasting, that I did the cooking
for the crowd those three days, and the compliments I received,
added not a little to the opinion I held of myself as
an A No. 1 cook.
I must refer briefly to the construction of the house. All
the sawed lumber in the building was in the two doors. That
which was necessary for floors, partitions and casings was
split from poplar and basswood logs, and hewed one side
which was called puncheon. The material of the roof was
split from oak two or three feet long, which were called
Shakes. The crevices in the side of the building were filled
with clay. After making a fireplace in one end of the house
we declared it perfect, and ready for occupancy.
Having completed our labors, we were ready to go to
Milwaukee and bring the family to their new home. On
Saturday morning, Father and I started on our long, tedious
march of forty-five miles on foot and long before the rays of
the morning sun began to dance among the tree tops of the
forest, we were well on our way. We made no halt on our
entire journey. Sundown found us a long way from our
destination. The night was dark as ebony; neither moon nor
stars came to our relief, and often we were obliged to feel for
the wagon tracks with our hands, for fear of straying off into
the bush, but constant plodding finally brought us to our
temporary home. The clock struck twelve at midnight, as
we opened the door of the dwelling, fatigued and mud-covered,
from head to foot.
The next day (Monday) Father went to the city and engaged
two teams, one horse team with spring wagon, the other an
oxen team and lumber wagon. The former to take the family,
the latter the household goods. My younger brother and I
were left to accompany the man with the ox team and the
goods. The roads were in a most horrible condition and the
next thing to bottomless. Night found us in the vicinity of
Germantown. We halted and engaged lodging with a good-souled
German who was the proprietor of what was then
called a Tavern. But what was our surprise, on going out
the next morning, to find our goods dumped on the ground in
the yard and our teamster (I suppose) well on his way back
to Milwaukee. While my eyes are not a fountain of tears, I
must admit that they were a little moist with anger and
wrath at the man who had left us in such a plight. But after
a good hearty breakfast and the advice of our genial host, we
went on our way toward Stony Creek in hope but not much
rejoicing, and reached home that evening. The family was
safely sheltered, but the implements for housekeeping were
still dumped on the ground in Germantown. The following
day Father started afoot to find the goods and some one to
bring them. On his way he met Mr. Rix driving two yoke
of Mulley oxen, hitched to a lumber wagon. This was his
opportunity. After some preliminaries he promised to go and
bring the goods, which he faithfully kept, occupying two
days’ time in making the trip.
We spent the winter in cutting down the trees near the
house, and farther away, with a view of getting the land in
shape for producing something on which to subsist. The
spring and autumn of 1847 witnessed a high tide of Emigration
to this section of Wisconsin. Families coming from
Ohio, Pennsylvania, New York and many from Europe,
especially from Germany and Ireland.
Just at this time a serious question confronted the pioneer
mothers in this section of the township. They said how,
when, and where are we going to educate our children to
prepare them for the duties and responsibilities of life and
good citizenship. There was but one answer to their questions:
viz., the school. A school we must and will have. It
is a well-known fact, when the women of a neighborhood
are united in carrying forward an enterprise of this nature,
they are terrible as an army with banners, and failure is an
unknown quantity. A meeting was called to which most of
the settlers responded. The question of securing a site and
building a schoolhouse was taken into consideration. It was
decided to locate the building as near the center of the settlement
as might be. The place was finally agreed upon, but
unfortunately the land was owned by a man in Milwaukee
by the name of Wait, who had bought it from the government
the previous year for speculative purposes. The next
question was to get into communication with him. It being
late in the season, what was to be done must be done without
delay and some one must go to the city and confer with Mr.
Wait personally.
No one volunteering, I was delegated to foot it to Milwaukee
and transact the necessary business, and to start the
next day. Mother put up a liberal lunch consisting of corn
bread and honey, with a good large piece of cold roast venison.
As soon as I could see my way I started on my long wearisome
journey of forty-five miles. I made no halt until I walked into
the city, just as the sun was hiding behind the western hills.
I had no difficulty in finding Mr. Wait, for Milwaukee at that
early period did not resemble the Milwaukee of the present
day. I made known to Mr. Wait my errand and he seemed
highly pleased with the proposition, knowing that improvements
of that nature would help to increase the value of his
land. He most kindly invited me to take supper with him,
and I could not find it in my heart to refuse him, for I was
short at that particular time of hotel fare. After supper I informed
him that I would like him to execute the lease that
evening. In a very brief time I had the Document safely pinned
in my pocket. Whether the gentleman mistrusted the leanness
of my wallet, or whether from a true Christian spirit, he
cordially invited me to remain with him overnight. I accepted
with thanks from down deep in my heart. I also
informed Mrs. Wait not to disturb herself by getting me an
early breakfast. After thanking them again for their kindness,
I was glad of an opportunity for resting my weary limbs.
The following morning, long before the sun’s rays sparkled
on the waters of Lake Michigan, I was a long distance from
the city, and in the dark forest. As daylight approached I
noticed a little clearing in the woods a short distance ahead
of me. On approaching nearer I saw a small log house and
about an acre of cleared land. About this time I began to
feel unmistakable evidences that I had not been to breakfast.
No smoke was rising from the chimney of the house and a
poor prospect of getting anything to eat. On peering into
the garden, I discovered a fine patch of flat turnips. I skipped
over the fence, filled my pockets and hands, and went on my
way rejoicing and eating turnips. They tasted (to me) like
Paradise Apples. At noon I came to what was then called
Manor’s Tavern, I think in the vicinity of Richfield, knowing
I had just the amount of change, (viz., 12½ cents) to pay for
my dinner. I stepped into the hotel and ordered the dinner
with just as much confidence in myself and assurance as a
guest of the Hotel Pfister or Plankington in Milwaukee.
After satisfying my hunger, I resumed my journey, and a
little after dark I arrived at the end of my long walk.
The men of the district soon rallied and commenced cutting
logs for the building. In an incredibly short time the schoolhouse
was completed. Benches or seats were made from split
logs and hewed on one side, with legs fastened in. A huge
fireplace adorned one end of the room and a large box stove
the other. The architecture (in style) was the same as that
which prevailed in the surrounding country.
The first school was taught by Mr. Allan Frisby. He
boarded at our home. I did not attend school as my services
were demanded in the woods, cutting down the forest. Mr.
Frisby was my own age and withal an expert on the violin,
while I made no little pretension to being an adept with the
flute. So we whiled away many a long winter evening in
front of the big fireplace, giving free concerts and furnishing
our own audience.
At this time, the inconveniences of a new country began
to weigh heavily upon us, the greatest of which was the lack
of funds. We were obliged to have supplies brought from
Milwaukee with an ox team. These consisted of corn meal,
a scanty supply of wheat flour, beans, a few groceries, etc.
For our meat we depended entirely upon the wild game of the
forest, which also abounded with wild bees, with abundance
of honey. For coffee, we obtained a root which grew in the
bed of the creek called Evans Root which dried and scorched
in the oven made a very palatable drink. Sometimes Mother
used to run short of saleratus. She would burn a few corn
cobs and use the ashes instead. This was called Cob Ash, and
answered a very good purpose. In a word we lived the simple
life, up to the utmost limit.
The year 1847 was one of great hardships and privation,
having no team or cows, consequently no milk or butter.
During the winter we had cleared the timber and brush from
three or four acres of land. We were told before leaving the
East that all that was necessary to raise a crop in Wisconsin
was to chop a little hole in the ground with an old ax, drop
in the corn, place your foot on it, and go on your way rejoicing.
While this system might have been all right in theory,
it proved an utter failure in practice. We worked all summer
on that little clearing, hoeing the ground all over with hoes,
but did not get an ear of corn for our labors.
If the pioneer Fathers suffered the hardships and inconveniences
incident to the settlement of a new country, likewise
the pioneer Mothers. To them was committed the care and
training of the family. She was expected to look after their
wardrobe, to keep them decently and comfortably clothed
against the rigors of the long, cold winters. I well remember
my own dear Mother who used to sit the long winter evenings
through, and by the dim light of a tallow dip, with needle
and thread, darn, patch, make, and cut down the worn garments
of the older to fit the younger, and was often at her
wits’ end to adjust matters in a satisfactory manner. Were any
of the members of the family sick, she was both physician
and trained nurse. No hand like Mother’s could soothe the
aching brow; no voice like hers could give comfort to the
troubled spirit. Dear to us is the memory of our pioneer
Mothers.
In 1848 my brother Harrison, who was a millwright, came
on from the East and erected a sawmill on Stony Creek, which
was a great convenience to the settlers. Immigration was
very brisk. The sound of the woodman’s ax and the crash
of falling timber were heard in all directions, indicating that
the Herculean task of making Wisconsin what it is to-day
was fully inaugurated.
In the fall of this year the State authorized a State Road
to be laid from Port Washington to Fond du Lac. The road
was surveyed directly in front of our house. The commissioners
made our home their headquarters as long as they
were able to reach it nights. They were a jolly big-hearted
Trio, and their stay with us made an Oasis in the Desert of
Our Loneliness. We passed the evenings in front of the big
fireplace, singing songs, spinning yarns, etc. In thinking of
those bygone days I often think of these lines, “Oh, for the
days that never will come back.” During this time my
imagination was not idle, but pictured to me the old stagecoach
with its four-horse team loaded with passengers and
the driver blowing his bugle announcing his entry into the
village. A scene to which I used to be a daily witness in our
Eastern home; but like most other visions of my early years,
with the lapse of time it vanished. The road never materialized.
The pen slipped from his hand, that fine, pointed
hand twice deformed—by hard work and rheumatism.
How should he go on? A pioneer youth; that much
was done, the beginning.... How had the promise
of boyhood been kept? What had come after?
He might have written of his first bride, Serena
Cannon. Trembling, in ruffles of muslin, by the pear
tree he had planted the day they were married. When
she loosened the net from her hair it fell down slowly
in folds as black as a crow. While he cleared more
land, plowed with the oxen, and planted corn, she did
needlework and made wreaths and hats of braided
straw. In the dusk they talked of the future. The
birth of a son; her fear and her cries; the little
body pressing against her suddenly grown-up breast,
white, almost blue-white. He was an old man now and
the father of six more children; but the part of himself
which had been Serena’s lover had not lived to maturity—it
lay in the past, still interlaced with her body.
He might have written of the Civil War. Farewell.
Glad to be going as a musician so that he could
hold himself a little apart from the rest, remembering
her with his flute at the head of the regiment. The
officers—he had known them at home—loafers and
bullies; some were drunk, and one of them smiled all
the time and found excuses to flog his orderlies with
his bare hands. Dysentery, quarrels, and obscenities.
Stupor in a blare of music, his lips pursed, his fingers
dancing automatically on the flute stops, among men
in badly tied bandages. He was often too ill to play
in the band. When the fifer was sick, he played the
fife. The drummer died; and the army could get along
without a flute (Serena’s flute); so he took the dead
man’s drum. Then came the news that his little brother
Hilary had disappeared after a skirmish between
Union and Rebel troops in Tennessee; and he dreaded
the sight of his poor mother when, if ever, he should
get home.
Peace was declared. He could not sleep, and felt
like a sick animal hurrying home to die. But he knew
that he would not die, not there beside Serena; he
would grow strong, prosperous, and happy. She had
written that their boy Oliver had learned to talk.
Home-coming. Serena lay in a fever. She was not
delirious, but too weak to say anything. He never
slept, and marched around the bed, and scarcely dared
to speak; for he knew that he himself was delirious, in
secret. All night her eyes were fixed on him, larger
than other human eyes. She died. He wanted to lift
the cheap, stiff sheet to look at her body—he had not
touched it since the war began; but he thought it would
be sacrilege, and did not dare.
A widower. Rose Hamilton, his brother Leander’s
sweetheart, had lived with Serena and helped her.
When Leander returned, he did not marry her as she
expected, but went West instead. Henry blamed him,
and felt responsible as the elder brother. And how
was he going to take care of little Oliver? The child
loved Rose. So he asked her to marry him.
It was part of his duty not to let his young wife
know his despair; she could not comfort him. His
old mother lived a few miles away with his brother
John, mourning for Hilary; Henry visited her two
or three times a week. They sat side by side, and her
roughened fingers often smoothed his forehead.
Finally she died; and he resolved to let death have its
dead, and to be gentler to Rose. Then his boy Oliver
died, and a week later Rose’s first child was born, a
little girl named Polly.
The rest of his life seemed unimportant. Children
were born; Rose always seemed young and coarse;
he tried to be kind. There were other deaths, but
none so unpardonable as those which had already taken
place. The laughter of his sons—he wanted to enjoy
it, but could not; their troubles—he left them to his
wife; they were her children. There was another war,
and his son Evan, who had been so hard to bring up,
deserted from the army; he knew that he ought to
forgive him for what he himself might have done, but
he never forgave anything.
Meanwhile the West, that point of the compass
which had glittered with hope like a star, came to resemble
the East—the light went out of it. Many
years of life had been allotted him, and with them had
also been allotted hard work and poverty. Every
hope had a rendezvous with disappointment.
The old man sat at the double secretary under the
embossed portraits of Longfellow, Whittier, and the
rest, and stared at what he had written. What more
could he write? What were the picturesque details
which had filled the margin of his life, once life had
begun in earnest? How could he describe the oxen and
the yoke hewn from a single block, the flail joined by
a strip of horsehide, the breech-loading gun and the
powderhorn—when his mind’s eye, only his mind’s eye,
kept filling with tears? It was too late to shed them
now; it had always been too late. He folded the
sheets of foolscap and put them in the family Bible.
He was seen from the porch, and the expression on
his face was so terrible that no one asked any questions.
After his eighty-second birthday he had to stay in
bed. One day, as the doctor strode away across the
lawn, Alwyn asked his grandmother the name of his
illness. “Shrinking of the stomach,” she said. He
was starving to death.
A few days before the end his grandchildren were
taken in to see him. They stood in a row at the foot
of the black-walnut bed. On two pillows lay his brown
face, thinner but no older than it had been for years,
the energetic, indifferent, blue eyes staring over their
heads.
This was no magician, Alwyn thought; he was old,
but not powerful. Alwyn’s little sister sighed. He
held his breath, and heard his own heart like a drum
slowly beaten with one finger. The old man lifted
his head impatiently, letting it fall back on the pillows,
and the children were hurried from the room.
The small boy knew even at the time that his grandfather
had not died with that convulsive motion; but
he would always feel that he had been present at a
deathbed. What did death mean to him then? It
meant that an old man who was too deaf to hear what
was said to him would not complain of the noise they
made any more; it meant that they could go into the
garden whenever they liked; it meant also that they
would have to work in the garden. These unimportant
things—and something more: it was as if the world, in
one moment, forgot much that it knew and had never
been willing to tell.
4. His Grandmother Tower’s Girlhood. Her Soldier Sweetheart. Her Marriage
Alwyn’s grandmother came to Wisconsin in 1847
as a child of three.
She grew up among bearded men, hunters and
trappers. George Hamilton, her eldest brother, could
not read or write; Enoch had lost one arm in a sawmill;
a cousin named Tom Gore also made his home
with them. The ironwoods around the large cabin
smelled of skunk, whose black-and-white pelts, with
skins of mink and beaver, turned inside out on boards,
swung from the lower limbs. The three men shot
squirrels, rabbits, young coon, and deer for food, and
hunted foxes and timber wolves for sport. They went
by night to the trees where the passenger pigeons
roosted, picked them off the boughs, wrung their necks,
and tied them in bunches with string. They said:
“Pretty soon, smart fellows like those Towers’ll spoil
this country. Make a woman’s country out of it, just
like Kentucky. We’re goin’ to git out then, west.”
Firearms and pouches hung upon pegs, wet boots
stood by the fire, and venison smoked inside the fireplace.
Their grandmother, whom they called “the old
woman,” fingered her corn-cob pipe in one corner;
she was stone deaf and hated the men. Their mother
grumbled, but indulged them as if they were sickly
children. She said, “The world is a man’s world;
women might as well make up their minds to it.”
Rose and her sister Adelaide walked four miles
through the woods to attend school, stoning the bushes
into which a fox or a badger had vanished, terrified of
stags. The schoolhouse occupied a clearing on one
of the Indian trails, and two or three times a year the
pupils were allowed to stand outdoors to watch a tribe
of Pottawottamies pass. The ponies were unshod;
their hoofs were broken and spread apart, their hocks
deformed by spavins; and their ears, full of burrs,
flapped with each stumbling step. Kettles in pairs,
rude implements, and tent poles, lay across the withers.
The round-headed babies like dolls of copper, borne
by the squat women on foot, gave no sign of life
though horseflies crawled round their nostrils. A pack
of dogs followed, one gray bitch whining and running
back and forth in the leaves. The men had formidable
mouths, and many of their hard eyes were veiled by
cataracts. They rode without saddles, on folded
blankets, the muscles of their bent knees lying flat on
the bone like thongs of leather.
Rose remembered how her grandfather had been
killed in Kentucky. He had been in the sugar bush,
stirring the maple sap which boiled over the iron rim
of the kettle. When he looked up he had seen two savages
who sat in a tall tree, watching him; he had shot
them, one after the other; their half-naked bodies had
fallen in the underbrush. After that other Indians
had waited their chance, and one day had scalped him.
Indians like these.... But these were harmless.
Why didn’t they fight? Rose wanted to fight for them
or against them, because they were male and emaciated,
and looked neither to the right nor the left.
Down the corridor of light branches and stiff trunks
they vanished, leaving behind an odor of wild humanity,
dogs, and dried meat.
Often Rose walked up and down the trail, hoping
to meet them by herself. One afternoon men galloped
from village to village with word that the Indians in
Minnesota were on the warpath, burning and killing
and coming south. She went to stay with a neighbor,
Mrs. Aaron Smith, who had six children and whose
husband was absent. They watched for two nights
with shotguns laid across their knees, the little ones
tossing in two beds, the eldest wide awake with excitement.
The mother trembled continually, but whispered
to Rose the news of the community. They listened,
clutching the oily guns, but could hear nothing
but the struggle of the branches with the wind. Rose
was frightened when a child began to cry, or when
dogs whined round a carcass in the forest, but she
would not show it; for she felt like a man, defending
the weak woman and her babies. Meanwhile, in the
far north, tuberculous tribes were howling to keep up
their courage; then all the ponies, spotted with sores,
faltered, and they rode no farther; it was the last
raid in that part of the West. Rose liked Mrs. Aaron
Smith and was sorry to go home.
She and Adelaide played truant from school, creeping
over the hill, careless of punishment, but eager
to enjoy a holiday before they were caught. Their
cousin Tom Gore was hoeing in the potato patch;
he shouted: “Get back to school, young hussies! Get
back there!” and chased them and pelted them with
clods. They fled all the way back, not stopping when
they left him behind, panting with pleasant excitement.
When she was thirteen years old Rose had a mature
woman’s breasts and a boy’s awkward elbows. Tom
Gore tried to kiss her one day when they were alone,
and ran after her. She climbed up an apple tree. He
caught her ankle and threatened to tear her skirt, but
she whipped him with a small branch until he went
away. She complained to her brother George, and
Tom Gore received a thrashing. After that he
called her a tattletale whenever he dared, but seemed
to bear no grudge.
During August and September the girls picked wild
berries for the market. One morning Rose caught
yellow-and-pink spiders to put in Tom Gore’s bed,
keeping them in her hat. Then the two girls heard
laughing voices and went in the direction from which
they came—boys’ voices at the swimming hole....
They crept into a bunch of elderberry bushes. Adelaide
whispered, “It’s wicked, it’s wicked,” and Rose
covered her mouth with one hand so she could not
betray their presence. Adelaide hid her face and
would not look.
Sumach dangled its leaves like parrot feathers in
a round, black pool. Shirts, trousers, and shoes lay
on a mound of butternut roots and sod. A naked
boy stood there, white and gaunt; he splashed in
among the others. Rose wanted to be swimming with
them; the sight of male bodies did not trouble a girl
reared in a cabin of careless men; she was comparing
their grace and their energy. There were seven: one
sat cross-legged on a log which lay over a bed of cress;
on the round chest of one, older than the others, red
hair glistened in the spotted light. One was lean, one
was short and clumsy, one weak; and the strength of
the strongest was common. Six climbed up on the bank
and put on their clothes; under cover of their shouts,
Adelaide, whose modesty had grown tedious, slipped
away in the woods.
When Rose looked at the one who was left, she
did not want to be swimming there, feeling instead a
surprising, sweet embarrassment; it was the fourth
of the Towers, Leander. Hilary, the youngest, lay
in the grass, also watching his brother, with sad,
bright eyes. The others did not wait. Leander
floated on his back, the color of amber in the water.
He was two years older than Rose, and she preferred
him to all the rest. His blond curls washed in his
eyes, and he laughed with a sound of little splashes
of water lifted and let fall. Resting on one elbow,
Hilary waited uneasily. Rose envied him because,
by the accident of birth, he was Leander’s playmate;
they worked side by side in the fields, and slept in one
bed. At last they too dressed and ran down an aisle
of poplars, leaving Rose alone in the elderberry bush.
As she walked slowly back to the berry patch, hanging
her head, a fox crossed her path; it looked like
a dog whose pelt was on fire—she did not even throw
stones at it. She found the basket of berries and her
hat; the gold-and-rose spiders had returned to their
webs, but she had forgotten them.
She grew tired of the life at home. She wanted to
look like a lady, like Arabella and Ursula Raeburn,
like young Mrs. Henry Tower; and it was difficult to
bathe and dress amid the gibes of her brothers, under
Tom Gore’s agitated eyes. She thought that short
skirts made her resemble a boy who is too fat; so a
yellow taffeta dress was made for her, with a hoop
and seven rows of ruffles. She forced Adelaide to
pierce her ears with a darning-needle, and her grandmother
gave her a pair of gold earrings she had
brought from Kentucky. She put up her hair in a
chignon and trained a damp curl over each ear. Her
cheeks were as rough and pink as a cinnamon rose.
Then she took a school three miles from home. She
was slow at books; the schools she herself had attended
had been unruly; so each night she studied the
exercise in the speller and the arithmetic problems
which she would have to teach next day. She was not
afraid of half-grown men, and understood tomboys;
the school board congratulated her upon her discipline.
The large girl in a grown woman’s dress who returned
to Hope’s Corner at the end of each week had reason
to be proud.
On Saturday nights Henry Tower held a singing
school in the Corner schoolhouse. He struck the key
with a tuning fork and taught them to sing by the
scale, Do re mi fa so la ti do. All that family were
singers; Henry led the men with a pure voice which
sounded lonely among the rest, and his lovely wife
Serena led the trebles. Hilary still sang with the
women—his voice, very sweet and shrill, less like a
voice than an instrument—sitting beside Serena, seeming
to sing only for her and Leander. Rose also
sang for them. She wanted nothing in the world,
neither in the wilderness she knew nor in the countries
she would never know, but to be acceptable to that
family, loved by Leander.
At the end of an evening she said to him: “Will
you take me home? I’m frightened to-night.”
He only blushed; but Henry had heard, and he
whispered, “Leander, behave like a gentleman.”
Serena pressed her hand and said, “I hear you’re
doing finely with your school.”
Hilary followed them as if it were a matter of
course. But in the dark she could touch Leander’s
arm, stumbling more than she would have done if she
had been alone, and the tips of her fingers tingled.
Soon the neighbors said they were sweethearts, and
they were together wherever they went. Miraculously,
Leander did not seem to see that she was less beautiful
than Serena. He never touched her, but she had
read no books and did not expect caresses. Love
meant gentleness and courtesy; it meant having many
opportunities to enjoy his tireless grace, and being
proud as if it belonged to her, and forgetting that she
herself was too heavy and too tall. Her failure to
understand him moved her as nothing else could. And
when that which passed her understanding was kind,
she did not require kisses to feel a tumult like that of
wild bees over their hidden honey.
They stood under a mountain ash in the autumn.
He wore a corduroy jacket the color of his hair and
skin. He had grown a beard which did not hide
the blush and the smile which took turns in his face.
She knew that Hilary was watching them, perched on
a log fence; she wondered why, but she did not care.
The young tree drooped with its clusters of mature
berries, like drops of something suspended over their
upturned faces, drops bright as blood, not human
blood—the blood of angels. “It’s a beauty,” Leander
said. Rose forgot that Hilary existed and that she
existed; there were only two things in the world—the
tree and Leander.
If she had been imaginative, if she had ever feared
anything which was not physical danger, she would
have feared Hilary. Staring at her, his eyes grew
large, as if they were a great pair of tears about to
fall; and he bit his lips until they bled. One evening
she thought it was love; another evening, when he
muttered, “Girls who pretend to be afraid of the
dark—” she knew it was hate. When Leander was
not with them, he was friendly and timid. They met
by accident in the woods and gathered mushrooms all
one afternoon, and she taught him to recognize a rare
variety, almost indistinguishable from others which
are poisonous.
Then the Civil War began. Her brothers went
quickly, well pleased with the adventure. John, Harrison,
and Henry Tower enlisted.
One night she stood with Leander by a gate.
Dreamily he said—but with a tone which was like that
of decision in a dream—“I suppose I’d better go.”
Rose turned sick; she had not thought of that. She
clenched her fists in hatred; he was too young, and
he was hers.... Then there followed this realization,
novel for the primitive girl: that was the sort
of thing Towers did; there were ideas and ideals,
quite separate from themselves, quite unimportant,
which they cared about, so much.... She would
learn to care, she who wanted to be a Tower—it was
time now. So she laid her fingers against his chest
and felt, through the coarse flannel, his breath going
in and out in a miniature tide; and one word was
almost impossible to pronounce. “Maybe,” she said.
So he enlisted. Hilary refused to be left at home;
his mother wept, and he wept with her, but they could
not change his mind. And the farewell night came
upon them all, more suddenly, it seemed, than any
night had ever come upon its own day. The spring
stirred all about Rose and Leander when they said
good-by—beckoning sprays of wet leaves, flowers he
would not find in the South; Rose had no eyes to see.
She was thinking that if he died down there, it would
mean that death was more living than life and more
rich, with a blond boy in its arms.... Then she
felt the awkward softness of his kiss—the first kiss;
she smiled, because that was a woman’s duty, and because
his lips were sweet; and he turned away to go to
war, with his little brother.
When Rose’s school closed, Serena Tower asked
her to live with her. She had been received into the
family; she was proud. There was little money,
though Henry, who had enlisted as a musician, sent
home his pay. Rose grew fond of Oliver, the slight
child with languorous eyes, and came to love Serena
more than anyone else in the world but Leander.
Serena was never in good health. Rose did all the
work, trying to make the men they hired care for
Henry’s farm as well as he would have done, a difficult
task for the daughter of shiftless farmers. She
took a man’s responsibilities, and learned the cost of a
man’s gentleness.
It was a long war, long as an illness during which
one knows that at its end the time will have passed
like an hour of sleep. There were letters, brief, monotonous,
and precious. The draft began; Serena and
Rose were glad that the inevitable had not come to
them as an officer of the law. The widowed mother
of five soldiers sat with them on the porch, thinking
chiefly of the fifth, who had already broken her heart.
They knitted socks, sewed military garments, and
scraped linen to make gauze for wounds, praying that
it would be placed on the wounds of strangers. Lists
of casualties were published. Then Leander wrote that
Hilary had disappeared. His mother fell to the floor,
and refused to eat for many days. After that it was
their duty to express hope tirelessly, without any hope.
Serena fell desperately ill. Suddenly peace was declared.
Rose had not time to feel impatience for the
home-coming, caring for the sick woman, the child,
and the old mother for whom alone there was to be
no home-coming.
Leander was the first to return. Rose drove to the
station. He stood before her, heedless and gaunt.
He kissed her. They could not speak. He got into
the carriage; she took up the reins. She told him that
Serena was ill; they said nothing of Hilary; the sound
of water had gone out of his voice. They drove to
his mother’s house. Never again in her life was there
to be a moment as cruel as that in which he stumbled
forward, fell on his knees, and hid his face under the
old woman’s hands. Rose closed her eyes; it was not
enough—she could hear their sobs; and she herself
was all but a stranger. So she got into the carriage
and drove away, quite unnoticed.
That afternoon he came to his brother’s house.
Serena, who had been lying in an apathy which no
voice could penetrate, wept when she heard his voice,
and cried out, “No, it is not Henry!”
They left Adelaide in the sick room and walked
toward the hills. Finally Rose paused and said (for
the first time to him and the only time in her life):
“I love you. Are we going to get married?”
The pupils of his eyes, large and dark, were shaking.
In that voice of some other man, a man who was
still in the South, he answered: “I don’t.... In the
war.... You don’t know— Try to understand....”
But Rose did know and did not need to understand.
That knowledge and lack of knowledge could not be
endured quietly, standing up, and not alone. She
gathered up her heavy skirts and ran, like the wild
Hamilton girl who had ceased to exist.
She was crouching on a porch. A man was driving
into the yard and getting out of a buggy. She had
pressed her head between her hands so long that the
gold earrings had left marks on her cheeks like scars.
In that moment she knew what life was made up of;
she would never forget again. As if from a great distance,
by transference from someone else’s thought,
she knew that Serena was delirious—it was the doctor
who was walking up the path—there was work to be
done.
Two days later Henry came. He was too late;
Serena could not speak. After the funeral Rose went
home, thinking that the rude cabin would never give
her up again.
At the end of the month Leander went to California.
Henry Tower was living alone with his little
son, and one day asked Rose to marry him. She felt
as if she had been dead, in an apparent eternity of
lazy hunters, their gibes and their quarrels; and suddenly,
in the widower’s melancholy voice, permission
to return to the earth she loved was granted. Leander
had not wanted her, but she was acceptable to
the Towers.
It was her duty not to let her husband see how she
grieved for his brother; he could not comfort her.
She did not hope to be loved, and she realized once
more how rough and homely she must appear beside
the memory of Serena. She continued to grow
heavier; the coarse roses did not disappear from her
cheeks, but came to resemble dead rose leaves, covered
with a network of tiny veins.
Life was not sad, though Henry was obstinate and
sad. She never understood him. Would she have understood
Leander? She often found him unreasonable;
but after argument and protest, when his eyes
grew abstract as if they were staring at things which
did not exist, or when a rare, bitter word escaped
from his tight lips, she folded her arms and gave in.
Her mother-in-law died, saying at the end, “Now I
know that Hilary is dead; he will meet me on the other
side.”
Little Oliver died, and a week later Polly was born.
Four more children were born; their names were Ada,
James Arthur, Ralph, and Evan. There were deaths
in the family, but her children were spared; she gave
thanks to God.
Then an epidemic of scarlet fever broke out in the
community. Henry and five-year-old Ralph fell sick.
An old woman named Minerva Foote came to help
her. Henry was delirious and called her Serena. He
and Ralph got better. The little girls fell sick. Rose
cried by the hot kitchen stove, the hot sunlight pressing
through the shutters.
Old Min Foote said: “Now you stay away from
them. Who’s going to cook for the hungry mouths
if you come down with it? I’m childless; I’ve nothing
to fear. They’re not yours, anyway—they’re God’s
now, till the fever is past.”
Polly and Ada died. Life was teaching her methodically;
this was the second lesson; she was a strong
woman and could learn. On the day of the funeral
the heat was broken by a thunderstorm. The cheap
little coffins were of the same length. Rose attended
two other funerals that week, children’s funerals, saying,
“It shall never be said that my sorrow has hardened
me toward others.”
In the spring of 1884 she received a letter from
Leander, which read:
Dear Sister Rose,
I want to come back to the old country. If you’d rather I
didn’t, please tell me so. I’ve made some money and would like
to buy a little house near you and Henry. After these long years,
I love my own people more than ever before. Love to Henry and
your children.
Henry said nothing. Rose was glad he was coming
back to Wisconsin. It was his home. He would
be forty years old and greatly changed, as they all
were. He would be her brother now, yet not like a
brother, for she understood her brothers; and the
Towers were men she could never understand, men
she could only love, quite humbly.
Leander’s return marked the middle of her life.
Thereafter, absorbed in maternal duties and matriarchal
reminiscences, she took every disappointment
for granted and wanted nothing for herself. In fact,
she was more like the strong, serene grandmother,
perfectly willing to be old, whom Alwyn knew, than
like the girl who had loved Leander.
5. His Great-Aunt Mary Harris. Her Life and Travels
When Alwyn was ten years old there was a
solemn excitement at the farmhouse. His
great-aunt Mary, the most romantic member
of the family, was dead, and her daughter, a woman
in black veils whom no one had seen before, brought
her body to be buried at Hope’s Corner, as she had
requested. His grandparents and his father and
mother went to the station to meet her, and they proceeded
directly to the cemetery.
There Alwyn and his little sister waited on a stone
pile, and stared over the fence, over the shrubs and
the monuments, at the nearly soundless funeral. The
tall stranger and the great blue-gray box had come a
thousand miles from a place called Oklahoma City;
and Alwyn breathed heavily as the coffin, covered with
bouquets, disappeared in the new grave, because the
heroine of an old story had come back to the place
where her travels had begun.
This one of his great-aunts had undertaken many
journeys in her lifetime. Later in the day her daughter,
sitting on the porch between Alwyn’s grandparents,
told how her house was cluttered with souvenirs
of the last journey, a trip to Europe, which appeared
to have hastened the old woman’s death: water
in tiny bottles—water of the Rhine, the Jordan, the
Nile; chips of stone from the Alps, and Vesuvian lava;
shells from the Channel and the Ægean Sea, all carefully
labeled; pressed flowers, a box of sand from the
Sahara, and a picture frame of Italian mosaic like
petrified confetti, in which she had placed a tintype
of herself and her sister Eliza when they were girls.
The care of these relics was a problem; no one had
any use for them; they would have to be thrown away.
Alwyn wanted them, but his mother said it would be
too expensive to have them sent from the Far West.
Mary Tower, born Harris, had been brave, energetic,
and virtuous; and Alwyn’s grandmother, who
had not seen her for half a century, loved her still,
and said she was “the greatest of the pioneer women.”
This adventurous life embodied not all the womanly
qualities of the period, but all that his grandmother
admired and meant to praise. So she told the story
of it whenever she was asked, and in her very old
age, on important occasions such as family reunions
or Thanksgiving dinners, she began it without invitation.
Thus the life of this woman was fixed in Alwyn’s
memory like the plot of the first book he ever read. A
life in profile, an almost incredible history, a boy’s
adventure story with a single female musketeer for
heroine.... Her death added nothing to the adventure,
and subtracted nothing from it; Alwyn’s
grandmother went on repeating the story—the same
words appearing in the same order—as if she had
been dead a long time, or had never actually lived, or
could never die.
So, quite naturally, as Alwyn grew up, the October
afternoon on which she was buried, among her relatives
and his own, mingled in his memory with the
afternoons of her girlhood, at the very beginning of
the story. Autumn stood that day like a scarecrow at
the crossroads, and the blackbirds, pigeons, and plovers
fluttered overhead. Autumn had stood there before,
its great sleeves flapping in the wind; and birds in
October never know which way they are going.
Across the road, like a large dry-goods box, stood the
district school which he attended, where, before the
Civil War, the dead woman’s sister Eliza had taught.
In Eliza Harris’s day it was a hard school. The
pupils had to stand around the stove in winter, three
or four at a time, to keep their ears from freezing.
Girls with full breasts and wild boys in their teens
founded friendships and flirtations on plans to shame
her and make her cry before the class.
One evening, when her work was done, Eliza turned
the key in the lock and started home. She shivered at
the clumps of bushes so close to the road that they
seemed to stagger to meet her. As she passed a willow
thicket two or three girls ran out, howling, with
switches; half paralyzed by fear, she stumbled away,
but received a dozen cuts under her long skirts.
Speechless with sobbing and incessant fits of coughing,
she pushed open the door of her mother’s cabin.
Her failure as a teacher was a tragic misfortune,
for her mother and sister lived on her salary. After
Samuel Harris’s death his widow had sold the small
farm he had cleared in the ’forties, rearing the children
on the proceeds; now they were penniless.
The widow Harris resembled Eliza. All that evening
she shuffled up and down the one room in which
they lived—Eliza crying in one corner, sixteen-year-old
Mary giggling irrepressibly in another—now
raging against the young hussies of the school, now
scolding her daughters in turn.
Having been too frightened to see which ones had
attacked her, Eliza said nothing to her pupils next day,
and left the schoolroom unswept; and the following
afternoon Mary came at four to help do the work and
to take her home.
Mary was small and plump; she had an olive skin
and ash-blond hair; and her way of speaking quickly
in a low voice reminded one of a bird. Together they
put the room in order and went down the road, Eliza
peering into thickets and hanging back.
“It was there they set on me before,” she said, but
they passed the place unmolested. Suddenly there was
a war whoop, and two girls jumped out of another
bush, brandishing willow switches. Screaming feebly,
Eliza left Mary to face them.
“Devils! You devils!” Mary cried. “I know you,
Allie Jones! I know you, Mary Ann Murphy! You’ll
catch it for this! You’ll catch it!” Eliza stumbled
forward and backward, wringing her hands; Mary
stood her ground. “Run! Run or I’ll stone you,”
she shouted, throwing handfuls of gravel at the girls
in flight.
Mary made her sister visit the parents, as a result
of which one girl was thrashed, another was taken out
of school, and Eliza’s authority was strengthened.
Mary and the widow gave her advice, but her misfortunes
excited her beyond all thought of policy; ineffectual
tantrums made her ridiculous, and many parents
thought her a tyrant. Matters went from bad to
worse, and she coughed incessantly.
There was a harelipped boy who tormented her;
he was too big to punish (she dared to whip only the
little ones) and it was useless to speak to his father;
both father and son were proud of being hated by her.
One day in January, when the small children could not
get through the drifts, this boy tipped up the bench on
which he sat, so that a fat girl rolled on the floor.
“Order!” shouted Eliza. The girl and the harelipped
boy sat down again. “Ezra, stand in the corner,”
said Eliza. Smiling, he rose; the fat girl tumbled off
the end of the bench again, and the school rocked with
laughter.
Eliza overturned her chair and took up a heavy
ruler. The boy with the harelip lifted his elbow in
front of his eyes. There was a dead silence which
frightened her. She set her teeth, broke the ruler in
her large hands, and threw the pieces in his face.
A growl rose from the back of the room. “It wan’t
his fault,” one shouted; another, “Do what we said we
would.” One ran to the door, one opened a window,
and the two oldest boys jumped over the benches,
lifted her roughly, and threw her out into a snowdrift.
Eliza lay in the snow, choking with anger. Then
she waded around the building, went into the entry,
and pushed at the door. “You shan’t get in here for
a while,” the one who was holding it muttered. So she
shook the snow out of her sleeves, put on a coat, and
went home.
During the night, in a paroxysm of weeping, a small
quantity of blood escaped from her lungs, and the
next day she had a fever. The school was closed for
ten days, and then a substitute was hired. “How
Eliza Harris had been put out” was common talk, and
the subject of two or three quarrels. The widow and
her daughters were dependent on charity. All winter
the neighbors brought stove wood, sacks of potatoes,
and hams, tallow dips and corn meal, and eggs
in hand-woven baskets. On the bed, Eliza closed her
eyes while her mother complained of unruly girls and
what they deserved. Mary did all the work cheerfully.
The widow Harris talked of her relatives in Missouri
as if distance had cheated her of a resource to
which she had a right. Some one suggested that they
be sent south; ambitious men and women who begrudged
the provisions, those with large families to
support, and those who pitied them, welcomed the
solution with equal relief. Two box parties were given
in the spring, to which the girls brought supper for
two in decorated boxes which were sold at auction to
their sweethearts; and a purse of money was given
to the helpless women.
Mrs. Harris wrote to her brother, and when he
replied, preparations were made for their departure.
She dreaded the trip down the great, savage valley;
perhaps dreaded no less the welcome of a brother
she had not seen in years and a sister-in-law whom she
had never seen. Eliza was eager to escape from a
State peopled in her imagination with wild girls bearing
switches. Mary was glad to go, welcoming all the
years of the rest of her life as if they were people
about to become friends.
They went down the Mississippi on a river boat.
There were whisperings of the water and a sound of
kisses around the prow as it advanced through regular
ripples which were like a wedding veil. Negroes
on invisible boats sang in the dark, burdening it with
their hearts’ burden. Spring quickened its pace, and
the deck was drenched with unfamiliar odors and unusually
sweet rain. Three women going south....
The tanned captain followed Mary with his warm eyes
as she moved excitedly among the hampers and sacks
and bales.
They disembarked and drove overland through poor
cotton fields where slaves were at work; and at last
they found their relatives, a gaunt, booted man and
a plaintive woman. The blond South dozed by the
river—it would never wake up; and over the incessant
lapping of the water there was a lapping of dry wind,
like the river caressing the earth scantily clad with
bushes, and like the river yellow with dust.
Mrs. Harris complained, and her health failed.
A sallow young man with red eyelids who had come
from her home in Vermont began to feel a dolorous
excitement in Mary’s presence, and finally proposed
marriage. When she said No, he trembled with either
anger or sadness, and turned his attentions to Eliza,
dwelling on the disappointments of the West and
wooing her with praise of the East. Mournfully but
enthusiastically she agreed. So Eliza and he were
married. The preacher had to raise his voice above
the sobs which the widow muffled in her sleeve; a few
boxes and carry-alls were packed, and they said
good-by.
Then the widow Harris died, leaving Mary alone.
She was unhappy with her relatives. Her presence reminded
them that they had no children; her dependence
reminded them of their poverty; all the coming and
going, and the widow’s death, increased their longing
to return to the East—they dreaded death in Missouri.
They had nothing to say to Mary; their silence at
meals made what she ate seem like the bread given
to a tramp on the doorstep, to whom one never knows
what to say. So she sat sadly on the porch when her
work was done, watching the birds go north; there
must have been one in all their number as lonely as
she—but luckier, having its wings. She scarcely ever
sang now; but when the tunes rose round the dusky
shanties they seemed to be sung for her, more heartless
tunes than any she could sing.
Her aunt was always ailing, and the doctor, a
widower of fifty-nine, lean and cheerful, came to the
house every three or four days. Mary knew that he
liked her. One day he found her alone, drawing water
from the well, and said: “You’re not happy. You
ought to be happy. Before I leave, go down the road
a ways. Meet me. I have something to say to you.”
When she got into his buggy he said: “I am lonely.
And you’ve no home. If you will marry me, I will give
you a good home.”
Mary considered it as a vague necessity—like another
journey down another river; there was no likelihood
of music on that stream, only years without danger
or liberty. Six months later her uncle and aunt
returned to the town in the East where Eliza was living;
and Mary was the last of her family on that
frontier.
Dr. Brandon had a small plantation, six darkies, and
innumerable patients. Mary was lonely. She played
with the pickaninnies, washing them in the creek and
spreading them out on the grass to dry, and with the
doctor’s help nursed all the sick slaves in the county.
On some days she tried to learn their songs; on others
she tried not to hear them. The Missouri women gossiped
about the way she behaved.
There was a young mulatto named Tartar, the doctor’s
most valuable slave, who had cooked for him and
slept in the house while he was a widower. Mary was
always aware of his presence, and never forgot that
he was as young as she; and once or twice, as she lay
by her husband, this boy’s ugly face rose out of her
sleep; she confused him with the night because they
were the same color, and feared both.
Then in far towns whose names people heard for
the first time, the Civil War broke out. After a few
days the State was divided, neighbor against neighbor.
Private hatreds paraded in uniforms of opinions hastily
put together. State rights and the souls of the negroes
were taken as a pretext for murderous appetites, and
many slept with shotguns at the head of the bed.
The doctor said to Mary, “Better not be seen from
the road with the blacks. All the old women will
talk.”
He was a Unionist. “Slavery doesn’t matter,” he
said. “There’ll always be slaves, whether we buy ’em
or pay ’em wages. But a pack of desperadoes can
rule round a post office; they don’t get so far as Washington.
So if the Union breaks up, we go to wrack and
ruin.”
He expressed these opinions recklessly beside the
sick beds of both factions. The fanatical Unionists
could not defend him because he was a complacent
slaveholder, so that of all those whom the Rebels
hated, he was the weakest as well as the least discreet.
An old man, thinking only of politics and the battles
in the East, he paid no attention to the echoes of war
in Missouri, the drunkenness of war increasing around
his house.
Tired by the anger of sick Rebels whom he continued
to visit, the doctor went to bed early one night.
In the same room Mary tried to read Pilgrim’s Progress
by the light of two candles, but her attention wandered.
She was a married woman now, and her
marriage was like a return from childhood of the
father she could scarcely remember. He too had been
kind. But she was tired of Missouri, tired and terrified.
She had heard of a man named Cleaver who was
starting north in a few days with a team and overland
wagon; if only the doctor had loved Wisconsin as she
did.... But he had never been there. So she would
have to stay always on the frontier between the North
and the South, with a war breaking out between the
two. She dreamed of the war, the lifting of row on
row of mournful trumpets, far away.... Would it
stay far away?
The stove stood in one corner of the room, her table
in another, the door in another, and in the fourth,
the bed where presently she would lie, and perhaps
fail to sleep, beside the husband who was like a father.
She knew by his breathing that he slept, and thought
of the sighs which revealed, in the daytime, how
troubled he was.
A knock at the door. There were two men, strangers,
on the threshold. “We want to see the doctor.”
Their mouths were so drawn—evidently someone was
ill.
“My husband has gone to bed. I will wake him.
Won’t you come in?”
The two men shouldered her aside and strode across
the room, one of them fumbling in his pocket. Then
a shot was fired. Mary fainted away.
She lay in the center of the dark, broad floor. The
room was empty—frightful and empty. She stumbled
to her chair under the candles; she did not need to
look at the bed. She was all alone now. Why didn’t
the darkies come? They must have heard; they were
afraid. She could not stay there alone.
The young negro slept in a shack by the door, and
she whispered into it: “Tartar. Tartar.”
More faintly still he whispered back: “What,
missie?”
“Come. They’ve killed your master.”
He slipped in, looking infinitely young, younger than
she now (for she was a widow). His eyes sought the
bed, but he turned so they could not reach it.
The two flames fattened while the two candles decreased
in stature. Silence lay in the corner with its
arms outstretched on a wet pillow. Mary and the
boy sat face to face, the distance between them the
length of the bed; it was as if they were keeping
watch at the head and foot of a bed. Mary was not
thinking of the future, not even of to-morrow, nor of
anything. Strange how white Tartar’s mouth was....
And why did the dark plantations betray now
and then the anxiety of a dog? No feet and no wheels
on the road, the road running north and south down
which the war had come, without any trumpets.
A moth staggered in out of the dark and around
the candles, narrowly avoiding the flame, and fell at
her feet. Blunt wings, white and tan; from the middle
of each wing a spot like an eye looked at them. Mary
covered it with her handkerchief and let it out through
the window; it was so dark that she could not see it
fly away, and she began to shudder. More deaths
were hiding there, deaths which had not yet happened,
and perhaps crowds of nameless men waiting
their turn, two by two, to knock at her door. She
could scarcely find her chair in the unconsciousness
which rolled up under her feet; but she did find it, or
she would have fainted again.
There, sitting in the chair which faced her chair,
was the black boy. She felt like a fugitive who finds
the trace which he has left a moment before, which
will betray him a moment after. How swiftly and
quietly they would work if they came back and found
her and a negro at the head and the foot of the bed,
sitting quietly together. How soon they would finish
and go! It was madness to stay there. She began to
stand up, began to speak....
But she saw Tartar’s eyes. So piteous—and they
seemed to take the blame for what had happened, for
what might happen still; his black face took the blame.
The blood ran out of his cheeks as if he were ashamed.
By the look on his face, he was begging her not to
speak, not to notice him, not to say that the doctor was
dead, because he was a slave, that she was in danger
because he was her slave now. He had known the old
man longer than she; he had as much right to stay
there as she had; she could not ask him to go, and she
was afraid to go herself. In the trees by the window,
the dark sighed as if content with its perfidy.
The negro was as quiet as the body on the pillows;
and the charm of their stillness took the place, for
Mary, of courage and safety. Far away, a cockerel
warned them, by a hoarse note, that day was about
to break. Mary tried to get ready for its coming. A
pair of fresh candles flickered less. They sat face to
face.... Creeping up under the sky at last, the
morning, with its little gusts, shook the oleanders by
the door.
“I can go now,” Mary said.
“Where?”
“To the Sanfords’. They’re the nearest Union
people.”
She took her husband’s purse out of his coat hanging
on a chair, and a roll of bills from a cream pitcher
on the shelf, and covered her head with a shawl. Tartar
went over to the bed and stood looking down at
the stained sheets, his teeth chattering, his tears falling.
She left him there.
Rebel houses slept by the road like watchdogs,
harmless in sleep; one little black dog sniffed and
whined as she passed, and rawboned cattle came down
the lanes. The first rays of the sun were as pale as
if they also had watched through the night. Three
miles of difficult gravel and sand....
She began to call when she drew near the Sanford
house. Women in nightcaps came to the door; she
told her story; one of them cried and expected her to
cry. The men put cartridges in their shotguns, stood
them behind the door because she looked frightened,
and watched from the windows.
In the middle of the morning a boy came running
down the road with the news that a gang of Rebels had
buried her husband, burned her house, and were driving
her slaves off south.
In fact, a wisp of smoke could be seen over a hill.
Behind Mary’s back there was the rustling of the
women around the stove, their muttering and whispering.
She could scarcely ask herself the simple questions:
Where shall I go? What can I do? She spoke
of the river boats going north, though she did not
have money enough for the passage, and learned that
the service had ceased on the declaration of war; only
a few darkened barges went up and down still, laden
with guns, gunpowder, and drunken men—fugitives.
All morning she looked out of the window without
seeing anything. About noon the muttering ceased
behind her; the family withdrew, and later she saw
them gathered around the stable door and knew what
they were talking about: the danger of giving her a
refuge, the expense of giving her a home. It did not
matter what they said. Her husband lay somewhere
in a pile of damp gravel, and men were driving her
slaves away, crying in the sunshine.
Mary thought: there is that man; there is that man
who is going north. A man in an overland wagon,
horses, horses galloping north—nobody else could help
her. She did not listen to the women of the house
when they came in; she touched her body now and
then as one touches a purse in one’s pocket to be sure
it is there. She turned toward Mrs. Sanford. “I’m
going to see some friends.” The mother and her
daughters bit their lips; perhaps they knew that she
had no friends.
She walked to a village called Maladee, six miles
away, stumbling and trying to make a plan. His name
was Cleaver. Was that his name? How could she
find him? Her husband had said that the postmistress
was for the Union. Among kegs of molasses and sacks
of flour, salt, and coffee in the bean, this little woman
stared at her with one eye—the other eye was blind.
“Where can I find Mr. Cleaver who’s driving
north?”
“Ask at the inn. Like as not he’s there. I hear
he’s stabling in their sheds.”
Four men spitting tobacco juice from the veranda;
they dropped their feet off the railing. A fat young
woman with no upper teeth appeared on the threshold.
Mary paused in embarrassment. The young woman
dropped her eyes; the men’s lids flickered in a row.
They knew, even they knew. To them she was already
a lonely widow, a young and pretty widow, and
they were wondering what she would do about it.
Mary was humiliated but encouraged. “Is Mr.
Cleaver here?”
“If you want to see him, you’ll find him in the back
yard with the horses.”
A walk led around the new, dilapidated building.
She stopped at the top of three steps which descended
to the yard. There was a man on his knees by a
great wagon. Her courage failed, and she steadied herself
against the trunk of a cottonwood. He was greasing
the wheels. She saw the neglected curls running
down the back of his neck under the coat collar.
Then he stood up; from the top step Mary realized
how tall he was, and caught a glimpse of his face: the
soft forehead, the rough sideburns, the moist, bad-tempered
mouth. Then she unbuttoned her high collar
and folded it back on her shoulders. Lifting her
head, she descended; very softly the crinoline brushed
the trunk of the cottonwood.
“You are Mr. Cleaver?”
He breathed heavily through his mouth and nodded.
“You are going north?”
“In the morning.”
The most important question was the hardest to
ask: “Are you going alone? Are you married?”
“All alone. No, not married.” The moisture in
her eyes, her nervous mouth, her immodest throat, had
an appearance of passion. So he forgot that they were
strangers and did not notice that she scarcely looked
at him.
“Will you take me with you?”
He flushed and drew himself up to his full height.
She had won. They walked behind the stable along a
little path. She told him her name and her story, making
the story less tragic, lest he cease to be flattered.
He said nothing about the war; apparently he had intended
to leave before it broke out. They made plans;
they might have been lovers. He kissed her. Mary
had never been kissed by a young man, but his breath
was musty with drink.
He let her walk back alone in the dusk. There was
a moist place on both her sleeves above the elbow—the
axle grease from his hands. Without wanting to
die, she wished that she were dead; but even the journey
north would come to an end.
She said to the women who were making up a bed
for her (the first of many): “I am going north. I
have money.” They pitied her less, and anger was
added to their anxiety. She said, “I will pay you,”
and they were ashamed. She fell asleep, finding it very
strange to sleep alone.
The next morning she went back to Maladee and
talked to an old preacher, letting him think she had
known Cleaver while her husband lived. He seemed
afraid of her, and stammered: “It is a time of war.
God will forgive you. I will perform the ceremony at
once.”
She stood up before him with Cleaver at noon, and
at three o’clock they drove out of town, Mary in her
impatience wanting to whip the horses.
Twelve miles were covered before dusk, and all the
way Cleaver smiled sleepily to himself, sliding the oily
reins through his fingers. They put up for the night
in one of seven shacks on a sandy hill above the Mississippi.
At twilight the girl looked down into the tangle
of currents and great, mechanical whirlpools, and
thought of putting an end to her fatigue, already intolerable—of
joining, like a lonely vagrant, that caravan
of waters. If the Mississippi had flown north....
But her home was in the North, if she had one;
so she turned back. The bed in that village was wide,
but there seemed to be no room for her in it, shrinking
from the giant she had married.
They drove north, keeping near the river where
towns were not too far apart. Tracks in the sand,
new highways of gravel, lanes overgrown with grass....
They came to impassable routes, were lost upon
détours, and filled quicksands with brush; the horses
limped and had to be reshod. He drove while she
tried to ease the pain in her back; she drove while he
slept with his mouth open. The summer followed
them north. The team sucked up water from muddy
springs. Cleaver scooped it up in his hands; they lost
the tin cup, and Mary drank from his hat. In large,
empty valleys the hoofs and the rattling spokes made
a sound of delirium.
In some cabins along the road they received a grudging
hospitality which they were not allowed to pay for.
People were curious. A number of men called them
spies; a number of women suspected that they were
not married. Innkeepers cheated them; Cleaver was
not willing to pay double for a night’s lodging, out of
bravado; liquor was expensive, and Mary knew that
their funds would not last to the end of the journey.
He made friends with women in rowdy taverns, and
once or twice Mary had to hunt for him from room to
room before dawn. It was always hard to keep him
sober enough at night to go on in the morning. Once,
as they drove out of a village, he shouted that she was
a loose woman who had fooled him into marriage. She
covered his mouth with her hands; still, drunk, he mistook
her gesture, and began to make love in the wagon,
dropping the reins.
They stayed outdoors when the weather was good,
to save money. Over their heads the stars glistened
like tinsel. Mary thought of her slaves, their kinky
heads done up in bandanas, their mouths all wet with
watermelon juice. Where were they now? As she
lay half asleep she imagined they were near; the night
was so dark, their faces so dark—she would not be
able to see them if they were near. Slaves marching
and singing—and the branches of the trees swung
down like whips; but one whose face she remembered
did not march with the rest, did not sing (Tartar, the
doctor’s boy), but stood by himself, every night, looking
down at the dead man. Often she wished she had
stayed and gone further south with him, for they were
both slaves. Would his bondage come to an end before
hers did? She wondered which side was winning
the war.
She was gaunt and weather-beaten. There were sore
cracks in her skin, and one bruised finger did not heal.
Her clothes were in rags; she wore a man’s coat and
a hat of braided straw unraveled at the brim. Cleaver
beat her on the slightest provocation.
One night, when it was raining, he started a quarrel
in a saloon; a man in high boots cursed her on his
account; and they had to leave town at once. The
world was full of men like that—booted men; and as
she drove through the stormy darkness she thought of
them all, without anger, now at last without fear—they
had done their worst; and the one she had married,
fast asleep in the back of the wagon, made sounds
which were almost words but meant nothing.
They crossed the Mississippi near St. Louis, avoiding
the city, for they had been told the sheriffs there
would demand explanations. They had no more
money. In Illinois one of the horses broke out of the
stable into a field of wet corn, had colic, and died; they
sold the overland wagon, bought an old cart, and went
on.
When they came to a town, Mary went from house
to house, begging for work to pay for their board;
she mended clothes, helped with butcherings, scrubbed
floors, and did heavy washings. They moved more
slowly, stopping two or three days at a time. Cleaver
would make friends in a saloon and want to stay where
they were, making fun of her homesickness; but his
friendships were brief, he feared the draft, and remembered,
perhaps, that among friends she could earn
more. And sooner or later he would give offense in
the house where she worked; they would have to hitch
up the horse and go on. She was sick, but did not think
again of taking her own life, for beyond Illinois lay
Wisconsin. The road seemed to have no end.
South of Chicago, Cleaver lost the horse and cart
at a game of chance. Mary tried to find the man
who had won, to plead with him; but he was a stranger
and had driven out of town. So she worked for a
month in a general store; an old woman gave her ten
dollars; she denied herself food and hid her savings.
One afternoon they went with the mail wagon to Chicago,
took passage on a lake boat to Milwaukee, went
on to Aaronsville, hired a buggy from a livery stable,
and drove to Hope’s Corner.
There was no festivity for the home-coming. The
Hamiltons took them in; her old neighbors came to see
her; Cleaver sulked in the barn. Mary could not
talk; Adelaide Hamilton told her story all day long.
Sitting with downcast eyes in the center of the room,
made ugly by deprivation and pain, made stupid by
happiness too long delayed, she did not weep; but
everyone she had known wept at the sight of her.
They moved into a small house which was vacant
while a young man was in the army. Cleaver drank
less, hired out as a farm hand, and registered for the
draft. More than a month passed. Mary watched
the blackbirds and bobolinks, larks, water birds, and
warblers, go south, through the trees of her childhood,
as the spotted leaves fell; and resolved never
to follow them again.
But one day in November Rose Hamilton came running
to the house. “I hear your husband’s been talking
down at the store. They think he’s a Rebel.
They’ve given him a day to leave town.”
Mary trembled and sank to her knees. The girl
helped her to a chair, repeating what she knew. There
were footsteps in the yard. Cleaver came in; he clung
to the door knob. Rose hurried out by the other door.
“Well, Mary, we’re going south again.” The clock
struck twice, and he sighed, his large body seeming to
droop in his clothes. “They say I’ve got to. I mean
those fools down yonder.”
Mary said: “Well, Cleaver, I guess you’re going.
But I’m not.”
It was the quick low voice, low like a pigeon’s—many
times it had roused his anger! He shouted,
“And you’re coming with me!”
“No. I reckon not. I’ve had enough of the South.
Anyway, I’ve got to stay here and have your baby.”
He threatened; he could not strike her, for he was
afraid of her now, afraid of her condition; and he
shed a few tears.
A serious man named Will Davis, who gnashed his
teeth slowly as he spoke, came to the door to tell him
that it was true, what had been said at the store. The
men of the country were roused; it was a time of war;
Cleaver would have to go. Mary was in the room,
but seemed to pay no attention, and said nothing.
She began to put a few clothes in a bag for him. He
kept asking her if she would join him after the child
had been born. She would not promise. At noon the
next day he set out, and Mary closed her eyes in order
not to see him look back.
The child was born dead. Mary grew stronger.
She received a post card from Springfield and a letter
from Bowling Green: Cleaver had registered for the
draft again; he was steady; he had found work; he
told her to come. She did not answer. Then a lawyer
in Tennessee notified her that he had divorced her
to marry again.
The war was over. The men were returning. Mary
was teaching school where Rose Hamilton had taught
before. Harrison Tower, a millwright, brought her
back from her school to Hope’s Corner every Friday
night, and she loved him almost as if she had been a
girl. They were married, and after several years
moved to Oklahoma, where they led a quiet and prosperous
life. A son and daughter were born, whom she
named Brandon and Elizabeth. She was famous in
a large circle of friends for her stories of the old days,
regarded Wisconsin as her home, and always said that
she wanted to be buried there.
On the Tower lawn, after her funeral, her daughter
Elizabeth told her aunt Rose about her mother’s
later life and death; and Alwyn sat in the grass, pretending
to read, but near enough to listen.
In her sixty-sixth year, after she had grown accustomed
to widowhood, when her son-in-law was in good
health and her little grandson had gone away to school
and there was nothing to keep her, she decided that
she had not seen enough of the world. So she went
to visit Eliza; and they sailed for Liverpool in the
spring. Together they stayed in Brighton, Monte
Carlo, and Homburg, as well as the capital cities, and
joined a conducted tour of Egypt, Palestine, and the
Near East. Eliza, who had changed little, complained,
grew tired, and was ill at the wrong moments;
Mary bullied her affectionately. She herself was intrepid
in visiting monuments, in subduing officials and
porters, in pronouncing the names of foreign foods.
But she grew tired of a continent whose youth had
not been identical with hers; she said that the Egyptians
and even the Italians were too much like the
slaves in the South. She grew timid in trains and
hotels, thinking, perhaps, of the men who had hurt her
long ago, though she would not admit it to her sister;
and she said, “I miss the birds I am used to,” the
birds of the Mississippi Valley. So they came home.
Eliza, who hated the West still, would not go to
Oklahoma with her; so the two sisters parted after a
long embrace, and Mary went on alone, a little old
lady, brown and plump, in a cloud of veils. When
she arrived at her daughter’s home, she took to her
bed, saying: “No doctors, if you please. I’m very
well. But I’ve earned a good rest.”
On the day of her death she said, “I’ve taken a
good many trips in my time,” and raised her eyes to
the mosaic picture frame in which, arm in arm with
her thin, timid sister, she herself as a girl looked down
undismayed at her deathbed. They heard her whisper,
“Still far to go.”
6. His Great-Aunt Nancy Tower’s Unhappiness
After the Civil War, Alwyn’s great-aunt Nancy
Tower married a man named Jesse Davis, and
went to Iowa to live.
Two years later a hired carriage drove into her
brother Henry’s yard. Rose opened the door. Nancy
stood on the porch with her child in her arms. Her
long fingers were spread in a star against the child’s
body, sustaining it anxiously. Quite at ease, as if her
arms were a chair, the baby boy gazed at his unknown
relative.
“Rose, I’ve come home for a little while. I’ve
brought my child Timothy.”
Rose rang the dinner bell—clang upon clang breaking
in the solid sky—and presently Henry came in from
the fields. When he kissed his sister she burst into
tears, gave the child to Rose, and hurried out of doors.
Henry said: “Nancy is overwrought. She was always
delicate. Say nothing about it to her.”
When she returned she glanced at her sister-in-law
timidly and murmured in explanation, “I was lonesome
in Iowa.”
She had married for love. Jesse Davis’s father
was a livestock dealer in Iowa, and he had spent
two summers with an uncle who was the Towers’ nearest
neighbor. Red-haired and heavy, he had worked
and shouted in the harvest, while Nancy watched him
from a log fence wound with wild vines, her chin in
the palm of one hand. At a lake picnic he had come
out of the water in a torn blue shirt knotted between
his legs, unharnessed a young workhorse and galloped
along the shore, beating it with his heels. Nancy had
clung to a tree trunk, faint with admiration and terror.
Then he had leaped back into the water, and as
the light of a half moon filtered into the daylight had
floated and swum among the sticky reeds; and he had
forced Nancy to wear on her head water lilies in a wet
crown.
Young men had never paid attention to her, because
she was timid and not unusually pretty. Jesse Davis
had forced his love upon her. On Sunday mornings,
having searched the marshes, he had brought her
bunches of swamp orchids, and on the back of the hand
which had thrust them into hers the hair had glistened
in a fringe. The girl had shivered and wept; but
that hand, brown as the orchids and soiled by the
muck of their roots, had seemed to close upon her
heart.
But now she did not appear to think of going back
to him. Day after day she helped Rose as if it were
her own home. When letters came from Jesse, she
slipped them hastily into her bodice as a young girl
would hide love letters. Henry was surprised that she
did not read them aloud.
Both families were troubled. At the end of a
month William Davis, Jesse’s uncle, a strong, stupid
man, complained to Henry: “Nancy does wrong to stay
up here so long. Hard on Jesse. I can’t guess what
ails the girl.”
A week later Henry received this letter from his
brother-in-law:
Dear Friend Henry:
I guess you don’t realize that Nancy went away from home
without notifying me for how long or why. You are her blood
and if you comprehend her whims please write. I have been a
good husband to her and it is her duty to come back but she
doesn’t answer my letters. Please write,
Your friend and brother-in-law,
Jesse.
Henry asked Nancy, “When do you plan to go back
to Iowa?”
She smiled half-heartedly, as if to distract his attention
from her miserable eyes. “Why, don’t you
want me to stay any longer?”
“It’s not that, sister. I wish you’d never had to
leave home. But we can’t do what we like in this life.
There’s your duty to Jesse. Have you anything to
complain of in his behavior?”
“Oh, Jesse ...” she cried with apparent relief.
“He’s a born bachelor. I guess he’s a lot happier without
a woman there to nag him.”
Henry said to Rose: “Nancy must be prevailed on to
go back home. We’ll ask brother John and Will Davis
and his wife to Sunday dinner.”
“It’ll do no good to force her,” Rose replied. “She
seems to have fancies. Maybe she’s not quite right in
her mind since she married.”
His face darkened. “Don’t say such a thing, Rose.”
They came from church: Mrs. Will Davis in black
silk, happy and determined; her husband and John
Tower in broadcloth, celluloid collars, and black ties
sewed into bows. As they ate the large dinner which
Rose had prepared, their eyes blamed Nancy for the
blame which they felt called upon to express. She kept
the child on her knees. A thick sunbeam fell at her
side, in which specks of dust climbed and descended
like aimless, miniature people on a staircase; she passed
her fingers back and forth in it; the motes took flight,
and Timothy clutched at the lean shadow of her hand.
Rose wanted no responsibility for what they were
going to say—it was for the Towers and Davises to
settle between them; so she cleared the table and remained
in the kitchen.
“My nephew writes ...” Mrs. Davis began, her
fine eyes sparkling. “You do wrong, that’s my opinion,
not to be a good wife to him.”
Nancy turned pale. A woman in a dress which
glistened darkly, and three men—their glances hard
and tired—sitting in a circle. Why had she not
thought of an explanation to offer them? She tried
to think of one, and suddenly she herself could not remember
why she could not go back to her husband.
Her brother John said, gently: “Nancy is a good
wife. She has had a long visit with her folks, and now
she will go home.”
The child laid his little red hand on his mother’s
trembling mouth and began to whimper. Rose came
in from the kitchen and took him out on the lawn where
her own children were playing.
Nancy stood up. “Make no mistake,” she said in
a loud voice. “This is my home. I haven’t any other.
But I’m helpless. I’ll have to go where you send
me.” She stood rigidly in the center of the room; her
lips continued to move, as if she were giving them a
complete explanation, voicelessly.
Mrs. Will Davis snapped her fingers. “Niece, there
is no cause to take on so!”
Nancy stopped, and took Henry’s hand, “Forgive
me, brother. You don’t understand, but—you know
best.” She ignored the other woman. “Uncle Will,
write Jesse that I’m coming. Now we’ll say no more
about it.” Then she sat down. “Aunt Permelia, is
your brother getting on well in California? I wonder
if he ever sees Leander.”
To their amazement, she made them talk of other
things. So they had their way; and she returned to
Iowa.
In January Jesse wrote once more:
Dear Friends:
Nancy can’t seem to settle down and be happy. She is expecting
another baby. Can’t you pay us a visit and I think it
would reconcile her. It would do you both good to have a rest
and see this great state. My business is fine and I would be willing
to send you the fare thinking it would do Nancy good.
Rose left her little children with her sister Adelaide.
They arrived in Beacon, Iowa, early in February.
Jesse met them in the village, and they drove
through the snowdrifts, the jangle of the sleigh bells
keeping them from talking.
Nancy, flushed with pleasure and embarrassment,
led them to the spare room, and showed them her house
proudly. A cot for Timothy stood beside her narrow
bed, and she did not open one door at the back of the
house. “That is Jesse’s room. It was meant for a
hired man, but he likes it best.”
The soft-maple floors gleamed as if they were
marble. She lifted the grass-green shades in the parlor
windows. There were armchairs drawn up around
a table shining with wax, a crocheted tidy on the back
of each; and in a cupboard a dinner set decorated with
brown bamboo and birds stood in faultless array amid
the paper-lace borders. Rose said, “You keep house
as if it were a religion.”
A blush colored Nancy’s pale cheeks whenever Jesse
came into the house. He was a coarse man, boots
to his knees, with filth in the creases; his finger nails
were black, and his red mustache stained by chewing
tobacco; there was an odor of the stable wherever he
went. He had a look of shame and anger, and Rose
understood him—he was like her brothers.
Boisterously, proud of a sharp deal in horses or
cattle, he would stoop for the laughing child; but his
wife would cry, sharply, “Don’t touch him”; then hesitate,
smile half-heartedly, and murmur at last: “You
haven’t washed. You’ll spoil his clothes.”
Rose found an opportunity to say to him, “Maybe,
Jesse, if you kept yourself up better, Nancy would be
more satisfied. You know she’s overdelicate.”
He hung his head. “I can’t be governed by her notions.
She married me as I am. I can’t change my
ways.”
Their visit had failed. It was as if there were to be,
sooner or later, a trial of Nancy’s character, and she
considered them only as eye witnesses. She talked inconsequently
of her housekeeping, Jesse’s habits, and
the heat of the Iowa summers—though it was then
midwinter. Henry seemed to know what she was
talking about, and gnawed the tip of his mustache.
The cutter in which they drove to the station held
three, so Nancy did not go with them. Rose said:
“Bear up, Nancy. Don’t take it so hard. Jesse is
kind and a good provider. You’ll get used to his
ways.”
Henry kissed her, clenched his teeth, and walked
away without looking back; he could not blame his
brother-in-law, nor forgive him.
The cutter slid away in a trough of discolored snow.
Nancy began to weep, not because the relatives had
gone—she needed to be alone. The house was quiet
and sweet, hidden in a snow bank; if she could have
it all to herself, with Timothy asleep ... A sinful
thought—for a woman has to have a husband, and a
child a father. She fingered her wet cheeks—ah!
she had touched the horse blanket, had folded it round
their feet; and she hurried to wash her hands. Then
she sat in the immaculate parlor and tried to be happy
for one moment. But her nostrils quivered; there was
an odor of Jesse’s stables, faint, floating around her
head; and she shrank in the chair, as if it were an invisible
hand lifted to strike her.
Spring. The snow and ice went away in thick floods.
The sun, rather red and heavy, mounting in the sky,
made her think of Jesse in the first summer of their
acquaintance. It was lifting itself up to caress every
bit of refuse and impregnate every furrow. From the
kitchen window she could see wet pyramids of dung
being scattered over the fields. In foul nests little
chickens which resembled yellow roses broke open the
buds of shell; and the garden began to bloom, though
she was not strong enough to work in it.
Summer. July burning again, and the air smoky
with flies. Nancy could not breathe and could not
stop breathing. It was their wedding anniversary;
three years ago this same heat had been love. Jesse
was to blame. She loved him; love and repugnance
were one. She thought, I am a wicked and lost woman.
The evening star peered from a tree; it was like
the eye of a bird, a sick bird. She tried to be more
religious, in order to forgive the world its uncleanness.
With a gross gesture life began; it could end
only by decay; if Timothy died, his body ... Filth
fed the roots of the clean plants; Jesse’s stables provided
her child with food; it was God’s plan. Love
married to disgust, everlastingly married; it was a
sacrament; it was sinful to want to divorce them. She
could not repent, but she could be humble; and in
her humility she remembered that her own body was
not pure; no earthly water could wash it. An impure
cradle.... Nancy threw herself on the floor, and
knew that the pain of her second childbirth had begun,
too soon.
Jesse wrote to the relatives in Wisconsin:
Our little girl was born too soon and died. Nancy did not
see fit to shed a tear. There is no sense to her misery and it has
made her inhuman. She was very sick, but is now doing well.
Later:
This is to inform you of very bad news. My poor wife seems to
be failing in her mind. She won’t let little Tim drink milk and she
washes him until he gets so tired he cries. She is so set against
me I don’t know what I am going to do.
In November they received a letter from Nancy
herself:
Dear Brother and Sister,
I want to tell you that they’re taking me away. They call
it a hospital, it is an asylum. I’m writing so you won’t blame
Jesse, he’s had more than he can bear. They say I’m losing my
mind and I suppose they’re right. I always thought it would end
this way.
Before his wife’s eyes Henry’s emotion shook his
whole body. It was not pity; he had endured his disaster;
everyone had to bear his own, at least everyone
of that family. It was not pity—it was fear. His
own sister broken by insignificant things, in a despicable
combination.... Could he himself be broken as
well and whining madness be uncovered? Her breakdown
betrayed their common weakness, hidden by dignity
until now. She would not be able to forgive herself;
he, too, was humiliated—brotherly love taking
the form of shame.
Seven months later Jesse wrote:
They say that Nancy is all right again and she came home. I
find her much the same, but she is more clear in her ideas and
more patient with me. God is my witness that I didn’t want her
to stay there any longer than needful but she’s far from a well
woman. Knowing what her trouble is now, I try to overlook
more.
The next letter was from Nancy:
It is wicked to say so but if they had let me have my child
I’d have been willing to stay in the Asylum. I dread the summer.
I guess you’ll say something is wrong with my head still. Don’t
blame me.
In September Jesse wrote once more:
My poor wife is getting more flighty again. I can’t say what
to do. If she has to go again I’ll have to give up the little boy,
for I can’t take the care of him that ought to be taken.
In October, without warning as before, Nancy arrived
in Wisconsin with Timothy. She threw herself
on her knees at Henry’s feet, striking the floor with
her hands. Rose did not know what to do with herself,
so she took Timothy away.
“Don’t send me back,” Nancy cried. “I’m all right.
Don’t shut me up again. I’m not crazy. I’ll be good
and work. I’ll do what you tell me. But don’t send
me back.”
Far off under the trees her child could be heard crying,
cries muffled in Rose’s apron. Henry knelt and
prayed. When he stood up his mouth was as firm as
if he had not been praying abjectly, but had merely
risen from his chair at a family council.
“My mind is made up,” he said. “Stop crying. You
shan’t go back. I’ll write Jesse. You ought never
to have married. Don’t cry. You’d better pray.”
Then he left her and went to find Rose.
She lived with them until spring, when he found a
little home for her in Aaronsville. A miracle took
place: as soon as she became accustomed to her new
way of life, she gave no sign even of eccentricity. Rose
said: “You can’t follow the ways of God. Nancy is
as sound of mind and body as I am.”
She had only one whim, a desire not to be called
Mrs. Davis, but Nancy Tower, as if she had never
been married. Soon she was earning a good living as
a dressmaker and a weaver of rugs. She became proficient
quickly in all the feminine accomplishments of
the period, and gave lessons in china painting, embroidery,
and leather work. She was a noted housekeeper,
whose recipes for cakes and jellies were as celebrated
as those of any cookbook.
Timothy grew to be a tall boy of great beauty. He
resembled Jesse in many respects, but it was not necessary
for Nancy even to forgive him for what had
been unendurable in his father.
During his twelfth year they were spending a day
at Henry’s, and she went up on the hills alone to gather
elderberries. Here and there in the pastures lay a
stone pile, like an altar, on which mullein stood in
the windless atmosphere—stalk beside stalk of pale
yellow fire; and there was a clucking of invisible quail.
Nancy stripped the berries from the bushes in drooping,
maroon clusters.
Then she saw Rose’s little Jimmie hurrying up the
slope. “Aunt Nancy!” he cried; but at first she could
not understand the rest, because he was out of breath.
He drew near. “Aunt Nancy! Uncle Jesse is down
at the farm.”
She dropped the basket, the elderberries tumbling
out on the short grass. She remembered her husband’s
letters asking to have the boy at least part of each
year; he had come for Timothy.
Her nephew started down the hill again, picking up
little stones to throw at gophers. “Come back here,
Jimmie,” she called. “Where is he now?”
“He ’n’ Tim started for a walk toward the Old
Well.”
He and Timothy.... She lifted her skirts and began
to run. The little boy stared after her, threw
down his pebbles, and hurried home. She was running
like a wild animal. Halfway down the hill her
hair came down. She frightened a gray cat that was
out hunting; it took flight up a tree. She slipped
through a barbed-wire fence, tearing her dress. She
stumbled in the furrow of a plowed field and fell.
Down a lane where there was a spring, leaping from
bog to bog; down an aisle of willows....
They were leaning against the railing of the Old
Well. Jesse looked prosperous and unhealthy; he was
fingering a gold watch fob and his new suit was spotted
with grease. He stared at her disheveled hair, her
dirty, bruised arms, as if he thought that she had gone
mad again.
The boy said in his embarrassment: “I’m glad to
see father. Aren’t you?”
“Well, Jesse, you’ve come....”
There was a long pause. A young bull bellowed
along the fence not far away, stamping the sod; and
a bobolink rose through the sunshine and came down
in the parachute of its music.
“You can’t have Timothy,” Nancy said. “He’s
my boy. I’ve brought him up. I’ve worked hard to
support him for years. You mustn’t take him away.”
“Well, Nancy, I thought I could give him opportunities.”
The boy hung his head, ashamed to have spoiled
their reunion, and walked away.
“All right, Nancy, since you take it like that. I
don’t want you to have another attack.”
“I won’t have an attack,” she said, fiercely. “I’ve
made my way alone now for a long time. I’m strong,
Jesse. But Timothy is all I’ve got.”
He stammered: “Say—say no more about it. I’ll
go away again. But, Nancy, I’m getting on in years.
I’m lonesome.”
She pitied him. “You can come and live with us
if you want to. You weren’t to blame. I’ll make a
home for you.”
“I wouldn’t do that. No. You’d get worse again.
I’d be to blame.” He was husky. “Good-by, wife.”
He kissed her and started back to the farmhouse.
She could see Timothy on the crest of a hill, swinging
a stick and cutting off the tops of blueweeds; she
called to him, but he did not hear. She started to run
after Jesse—but what could she say to him? So she
sat down on the cow trough and wept. From a slender
elm a leaf fluttered through the air like a bird, and lit
on the ground.
Three months later she said to Henry: “Jesse has
written. He wants to come and live with me. I’ve
written him to come. It’s right he should. He’s Tim’s
father. I’ll be glad to make a home for him. He’s
not in good health, and he wasn’t to blame.”
Henry stared at the sky and shook his head obstinately.
“You can’t believe I’m all right, can you?” she murmured.
He had nothing to say.
Jesse arrived. There was a room for him with a
door of its own into the back yard. He found work
by the day, and later began to drive for the livery
stable.
Henry said: “You oughtn’t to allow Jesse to work
in a stable. You know it’ll make you nervous again.”
She smiled quietly. “He’s always been with horses;
he’ll be more content. I’m glad he’s doing what he
likes. I shan’t mind. I want to show that I don’t
mind.”
Henry was anxious. Rose said: “Nancy is a changed
woman. She has a wonderful character.”
Jesse had changed more than she. He was a heavy,
worried man, not boisterous any more; his constant
anxiety was grotesque. Nancy, busy with her dressmaking
and living for her son, seemed only half aware
of his existence. Her good-natured admonitions were
more terrible than tragic reproaches. He was never
at ease in the house; exchanged his shoes for carpet
slippers when he came in; was afraid to sit down in the
clean chairs; and ate with downcast eyes for fear his
wife or son would look at him with disapproval.
Henry refused to hear his complaints, so he complained
to Rose: “I’m not a man in my own house.
She can nag at me without saying a word. Tim takes
her side. She treats me as if I were a boarder.”
When he was working away from home he was more
like his old self, coarse and happy-go-lucky. But he
grew strange in his ways, arguing with himself as if
in his second childhood, and giving the horses in the
livery stable strange names: Lavina, Jesse, and Jubilee,
instead of Topsy, Dobbin, and Baldy. He was a man
who had provoked madness—it might happen again;
and he felt the angry loneliness of those who are dangerous
to others.
He wrote to his brother in Iowa to dispose of his
house and his share in their father’s livestock business—yards,
pastures, horses, and wagons. He drew all
the money out of the bank when it came.
Nancy remarked: “I don’t know what has become
of Jesse’s money. Goodness knows I don’t want it,
or need it either. But I hope he hasn’t made some
outlandish investment.”
One Sunday afternoon the Towers had a visitor:
a stout woman of middle age in untidy billows of
brown percale. Her hat tipped forward under an
ostrich plume like a horse’s mane. She advanced over
the lawn in a stately fashion.
“I don’t know as you remember me. I am Mrs.
Jervis, a widow, and live over by the sawmill. I went
to school to you, Mrs. Tower; I was Lavina Trump.
Your brother-in-law, Mr. Davis, stayed with me the
time he was working on the State Road. I want to
ask your advice about something.”
She was embarrassed without being distressed.
“Well, you see, it’s this way. Jesse was quite nice to
me. It seems he’s not so happy at home.”
She cleared her throat. “Now the other day he
came for a visit. I noticed how he had something in a
handkerchief. He told how he had sold his property in
Iowa. Now what I want to ask is, is there any trouble
between him and your sister, that is, his wife, and is
he planning on leaving her? Because I’ve always had
the greatest respect for your family, and don’t want
to cause any trouble. Because all of a sudden he gave
me the handkerchief and said he wanted me to have it
and would like to marry me. It was full of bills—really
a lot of money. I thought I ought to tell you.”
Henry sprang to his feet. “The man is mad!”
“It was his wife, I thought,” the widow murmured.
“I heard she was out of her mind once.”
Rose clapped her hands together. “The Lord help
us!” she cried. “This beats all!”
“He’s been acting queer,” Henry continued, pacing
about the room, “and now he doesn’t know what he’s
doing. I’ll have him taken in custody. I tell you, he’s
mad.”
Mrs. Jervis sniffed and wiped her eyes. “I’ll tell
him. I’ll stop seeing him. To mislead a widow—it
was hard.” She took her leave, trying to be majestic
and complacent in a way that suited this turn of
events.
Henry said to his wife, “Don’t breathe a word to
Nancy about this widow.”
Jesse announced a few days later that he would have
to go back to Iowa to look after his affairs. “You
must understand, Rose,” he said, “that I’m a miserable
man. My only friend, a woman you don’t know,
has showed me the door. There’s no place for me
anywhere.”
He never returned, and did not answer Nancy’s letters.
She wrote to his brother, who replied that he
was doing chores for a well-to-do farmer who was bedridden,
and was in poor health himself.
Nancy did not understand why he had gone; in one
way or another, it must have been her fault. His
breakdown was a mocking repetition of her own—her
own reversed. She asked herself if she ought to have
led a different life, and could not answer. Confused
and disappointed, she mourned for the fat, unreasonable
man she had loved, for the marriage from which
she had fled. Timothy was impatient with her melancholy,
as his father would have been; and in fact, no
one could understand her.
Then Leander came home; he had always been her
favorite brother. He had been away during the entire
period of her troubles, and wanted to know what
had happened; so she talked to him by the hour.
It was a trial of her life and character. His thin
face never frowned, never smiled; the tired woman,
tired of her own courage, hoped that God’s face would
be as indifferent and gentle. He understood. Not any
one person had forgiven her—not Henry or Jesse or
even Timothy, not Leander whom she had not
wronged; but somehow, she had been forgiven. As
she told the long, redundant story she reëxperienced
the terror of being loved, the shame and loneliness of
having lost her mind, the pity of being a widow without
the intervention of death; reëxperienced all these
things, and did not mind them any more.
7. His Great-Uncle Leander Tower’s Return. The Adoption of Timothy Davis
There was a small house which appeared to have
stolen out of Aaronsville as a heartbroken man
withdraws from a crowd which he has joined for
distraction. Upon his return to Wisconsin, Leander
Tower bought it, with all the furniture its owners were
willing to leave behind them. His cottage in California
was occupied by tenants; but he knew very well that
the surrounding fields, on which they hoped to make
a living as gardeners, were less fertile than ashes, and
doubted whether the rent would ever be paid. So he
decided to become a rural postman, and in due time
was given an appointment.
Every morning before dawn he harnessed a little
sleepy mare, called at the post office for the mail bag,
and drove from house to house over a fixed route. He
placed under the visors of mail boxes letters from distant
sons, post cards covered with kisses, testimonials
of drugs which cured all pain, mental and physical, and
seed catalogues; and sold stamps and envelopes to
housewives or to haggard little girls in pigtails. No
one dared to say that he read the post cards, but everyone
was embarrassed by his look of understanding.
The correspondence in his custody, none of it addressed
to him, represented life and his relation to
life: hastily written outcries, half-articulate avowals,
and merely practical questions and answers, passing
impersonally through his hands. The syncopation of
the horse’s hoofs, the faint thunder inside its body
when it ran, the drifting fields and branches, soothed
him; his mouth relaxed and his eyes grew drowsy....
Winter was a hard season for the postman. The
pure sky hung down like a bridal veil. Moist snowflakes
pressed with a cruel sensuality here, there, and
everywhere. Blizzards reached inside the closed
wagon and inside his coonskin coat, to embrace him.
High drifts had to be opened with shovels. There
were bad days in January when he did not dare leave
the village, and the routine which relieved his melancholy
was interrupted. But the Wisconsin spring, so
remote in January that one forgets what it is, returned
at last automatically, its damp mouth half open, full
of music—never looking at Leander with its abstract
eyes.
He began to surround his house with a garden. One
could not see it over the mock-orange hedge; but intermingled
with the odor of dust, of sweating horses, of
a sweetheart’s cheap scent, the passer-by was likely
to detect the odor of Leander’s herbs: sweet basil and
carroway, fennel and coriander, dill, sage, summer
thyme, true lavender, and wormwood. The whole
garden, without the usual showy borders, without the
usual golden-glow and peonies, resembled that bed
of herbs. The voluble earth, fond of assertions and
repetitions, had been forced to whisper a nervous
poetry.
He separated the plants, each one perfect of its kind,
by artificially arid spaces, and covered the roots of an
Ophelia rose with a pavement of pebbles. Two moss
roses appeared to bleed from their own thorns. There
was mourning-bride thrust full of stamens, one or two
flame-flowers, and moonwort, and rock arabis. In the
autumn, on the brown dusk, a day-lily with its pale
face of a frightened boy, went to sleep.
Leander placed a stool on the path and crouched
there, hiding his mouth in his lean hands. A dwarf
chrysanthemum sprinkled the air with acrimony. The
walls of the sky, like those of a church where nothing
has ever been consumed by burning, smelled of a dead
fire. An atmosphere of fatigued passion, where passion
had never been free. As if he were a man so old that
no night is of interest in itself, his thoughts always
began: On such a night ...
The Civil War. A village turned into a barracks,
a fence turned into a stable. A mule broke loose and
kicked a dog, which rolled howling in the bushes.
Candlelight pointed by tents. The odor of oleanders
and diseases. An accordion out of breath on a soldier’s
lap, roughly embraced and crying out. Here
and there on the ground camp fires lay like red roses.
Seeming to inhale the perfume of one of the fires, there
stood Hilary all alone.
Leander could not recall clearly the days when his
sister-in-law Rose had been his sweetheart, but he
could remember remembering them during the war.
Military sorrow mixed with sweetness—Rose’s former
sweetness: the cinnamon rose muffled in thorns, the
rose all burning cheeks and awkwardness. Then the
bright mornings had been so bright that love had
thrown shadows in every direction, so bright that he
had paid no attention to the shadows....
Shadowy Hilary following them over the hilltops,
watching them from a rock or a log fence; a very calm
attention, without curiosity—the boy understood everything
about love but its cause; watching with the fright
of one who sees something unnatural happen every day.
One night, one of the boy’s hands extended toward
Leander (in silhouette against the window over the
bed they shared), the other hand taking it by the
wrist and drawing it back. A good-night kiss, abrupt
and as it were disdainful. Strange behavior....
On which of these occasions had Hilary been asleep?
Day after day, night after night, intermingled with
Rose’s wide-awake passion, these obstinacies of
sleep....
Then Leander had thought it sufficient to be fond of
his brother; years too late he tried to understand him.
Hilary’s enthusiasm for the war should have reminded
him that it would be fatal: delight in being a frail
child in the army, because Leander had to defend him
night and day against bullies; delight in the fact that
relatives and friends were far away; displeasure when
letters arrived. His excitement was a sort of joy,
a sort of joy which broke his heart because he knew it
could not last forever.
For Leander the war and his own life were divided
in two parts by the hour of Hilary’s disappearance.
Nine o’clock of an evening in 1864: singing interrupted,
the jokes of great fear, half-starved horses
whinnying, the enemy close in the dark. Just after
the boy left him, staring back over the camp fire with
one of those cold expressions which cover inexpressible
feeling, Leander understood what it all meant,
and whispered one word to himself: “Love ...”
He knew now, in his fortieth year, that if he had
been able to believe what he had whispered then, he
would have felt an impossible yearning; that if it had
been peace time, if he had been at home, he would
have been afraid. But the war that night had been
altogether fear. One despair more or less, one word
spoken or unspoken, changed nothing—the war went
on. About half past nine the guerilla fighting, which
lasted all night, had begun with loud curses in two dialects;
a gun discharged, and a dog screaming here and
there, having been shot. And no one had realized until
midnight that Hilary was not in the camp.
Over Wisconsin the moon rose, and it looked like
a silver pitcher, and a little stream from its mouth
splashed on Leander’s temples. He thought of sleep:
“If you sleep with the moon in your face, you’ll go
mad,” his old mother had said. He went indoors,
gathered up the remains of supper—folding cheese in
paper, laying aside cobs of sweet corn for the pig,
pouring out milk for the cat when she came in from
hunting—and blew out the lamps.
But there was no rest in the wide, second-hand, walnut
bed. Coming to him over the pastures, the music
of a barn dance throbbed as if it were a blood vessel
in his own body. He was healthily tired, but could
not sleep; he had to go on thinking all night about
that hour which had divided his life in two parts.
His regiment was established in a deserted village
called Belle, in the Tennessee hills, a little way from
the army itself (exhausted along that part of the line
by dysentery), to distract the Rebels. A swamp at
the foot of the hill was always full of their sharpshooters.
A little road was the boundary line; it was
called the Bad Road—nobody walked on it. The best
shots in the regiment, lying on their stomachs under
trees, waited for a Southern face to show in the leaves.
If one’s foot slipped on the edge of a gully, one was
never heard of again.
There were three brave sisters from Michigan who
traveled about, giving concerts for the men; they sang
at Belle that night. In a creaking cart drawn by a
mule and escorted by dirty, bearded boys, they drove
into the village and climbed up on the church veranda.
Three women of middle age—the firelight shook on
their slightly red faces. They opened their chapped
mouths, and three tired, half-male voices—now in
unison, now separated in simple harmonies—sounded
loudly among the broken porches and the tents. One
or two bats hurried in and out of the window without
panes over their heads. They sang, Break the news to
mother, Tell her I love no other; O my Darling Nellie
Gray, They have taken you away; The Battle Cry
of Freedom (in which many of the men joined); Tenting
To-night; and In the Gloaming. Hilary and
Leander sat on the cot at the door of their tent.
No one understood what happened then. Perhaps
the pickets along the road had drawn away from their
posts toward the singing. Or a Rebel came up out
of the swamp and slipped between them. A shot was
fired; canvas was ripped by a bullet. The singing
stopped on a high note; one sister clasped her head,
another pressed her fist against her mouth; a hoop
skirt caught on the balustrade and tore. Another shot
was fired, and something crashed heavily in the brush.
The sisters climbed into the cart; somebody whipped
the mule; soldiers ran ahead, holding their guns in both
hands; the cart rattled out of sight up the hill toward
the army. There was a long silence.
A tired lieutenant limped into the firelight to give
an order: the pickets were to keep as close to the Bad
Road as they could; the rest were to stay where they
were, inside the camp, but nobody was to go to bed.
He stumbled over a sleepy little negro who was the
soldiers’ pet. The child vanished, whimpering; the
officer sighed.
Leander lit a candle in the tent. Hilary looked as
if the singing had made him drunk. Leander took a
purse from his pocket and unwrapped a tintype of
Rose: the earrings in the shadow of ringlets, the black
lace mitts and great ruffles, the face waiting its turn,
waiting for peace to be declared. “I go out to the
Bad Road at midnight,” he muttered.
“What are you moping about? What is the matter?”
his little brother muttered.
Leander was taken by surprise. “Oh, we’ve had
enough of this. I want to go home.”
“Home to Rose ...” the boy whispered. “You’re
not my brother any more.” He put his lean hand on
Leander’s wrist, and the fingers opened and closed.
“I wish ...”
“What?”
“I wish—the war would keep on always.”
Leander stared at the tintype, and below it the young
excited fingers, and between them the short yellow
hairs on his own wrist catching the candlelight; and
he saw Hilary’s other hand creep up among the wool
blankets. Suddenly Hilary snatched at the picture.
Leander thrust it into his pocket, and he was holding
the boy by one shoulder. “Don’t be a fool,” he said
huskily.
The boy stood up. Something which had given off
sparks for many days, for years, had caught fire in
the dangerous night, in the singing and the homesickness—it
burned by itself; and the boy’s thin body
seemed to sway inside the tent. “I wish,” he said with
great difficulty, “that I’d never been born—your
brother. I’d rather—be dead. I don’t—count. The
war won’t—last. You’ll go back—to her. What’ll
I do? I want, I can’t—”
He stooped, and was outside the tent, and stared
back over the dying camp fire.
Leander resented the understanding which followed;
he was too tired to think, and too lonesome; that
night was too dangerous to think in. But he could
not help whispering to himself, “Love ...” He
wondered where Hilary was, and thought of hunting
for him among the soldiers. There was a noise of
running and two or three reports near the swamp.
He cleaned his gun. At midnight he crawled on his
stomach to the Bad Road; the tired man who was
there crept back toward the tents, and Leander whispered
to him: “Tell somebody to find my brother. I
don’t know where he is.” He killed a Rebel. After
that everything was quiet. The man who relieved him
toward dawn said that Hilary could not be found.
Leander as a man of forty, sleepless in his empty
house, repeated that night in his imagination. The
dawn when it appeared was greenish and sluggish—so
had that other dawn been. They had not been able
to find Hilary among the bodies which lay in the
bushes. Leander felt sick at dawn, but he was a strong
man; so he would get up, harness the mare, go on his
mail route, and work in the garden; he could do what
had to be done. Nevertheless, he realized that he
ought not to go on much longer living alone.
He was universally respected, but had no intimate
friends among his neighbors. The farmers were embarrassed
by his flower garden and his sad politeness,
and country women regard bachelors with timidity. It
was clear that he did not mean to marry, and those
who had maiden sisters growing old in the family resented
his peculiar way of living.
Because of their love of flowers, he and Mrs. Ira
Duff, a woman who was not generally liked, came to
be friends. They exchanged seeds, bulbs, and cuttings,
and read each other’s half-dozen books; she
put gifts of cookies and preserves in the mail box; he
grafted her young fruit trees and prescribed remedies
for worms and blight; and every week or two they
spent an hour together in rather formal talk. He
was not a churchgoer, and Mrs. Duff would say:
“Leander, a man of your refinement would do well to
attend church. It looks as if you didn’t think yourself
as good as those that do.”
“Ursula,” he answered invariably, “I do not understand
God’s will. I can’t pray for what would come
too late anyway, and I can’t see fit to say Amen to
the life I’ve had to live. I’m too sad a sort of man
to be a hypocrite.”
The proud woman, whose husband was notoriously
insincere and pious, smoothed the pleats of her dress.
At the end of their conversations they were always
separated by two sets of secrets, to which neither referred
directly.
Leander often thought of going to church with his
family, in order to teach a Sunday-school class. He
was drawn toward boys of his little brother’s age
and tried to gain their affection, making kites as large
as barrels, setting the broken legs of dogs in splints,
and distributing puzzles whittled out of basswood with
which they might mystify one another. On the Fourth
of July expensive fireworks were set off in the garden,
and he did not complain when his lilies were trampled
underfoot. Hilary would always be young, since he
was dead; so Leander was unwilling to be old. He
watched their rude, flushed faces, and listened to their
laughter; he also flushed, with eagerness and anxiety,
and tried to understand the remarks which they shouted
to one another in his presence.
Sometimes he imagined that Rose’s boys resembled
Hilary; but they were rough youngsters, and suspicious
of him, like all the rest. For he could not tolerate
their hunting, the amorous cruelty with which they
killed things and carried in their pockets rabbits’ feet
and birds’ tails. He was strict in other ways—angry
if they spoke immodestly of women; and all their mothers
approved his good influence. So it became a mark
of prudery and effeminacy to be his friend, and at last
the good postman began to seem ridiculous as well as
sad.
His relations with his family were warm, without
spontaneity. Rose offered him the same love, pretending
to nothing and understanding nothing, which she
gave Henry; it embarrassed him, seeming to be less
than a husband would want and more than a brother-in-law
had a right to. He himself could do no more than
remember that he had loved her. Love had been his
way of being happy when he was young; he had grown
old overnight, and unhappiness had become a habit.
A seventeen-year-old habit ...
Seventeen wild summers and winters in California—there
was neither fall nor spring out there. The
uneasy peace which he enjoyed in his brother’s house
aroused a host of images of the West, otherwise unrecalled.
A lofty place full of fat foliage and provoking
flowers, where the sun crawled away to sleep.
A grunting sort of laughter, loose women, and spilled
liquor. Gold like a drug in newspaper bundles or
dirty pockets; one shouted when one heard of it, and
got drunk because somebody else had it. Tedious danger
day after day, as if the war had never come to an
end. There Leander had made fun of all the spells
which had been laid uselessly on his youth, even Hilary’s
spell. In the lamplight, with one of Rose’s children
on his knees, the ascetic man often shook his
head incomprehensibly, having heard in his own mind
a venal whimper, or a curse, or a mouthful of obscene
song. Only the fact that after Hilary’s death his heart
never could be warm again had saved him from dissolution.
He received from Henry a limited affection. The
little man was anxious to show that family ties among
the Towers had endured the trials of life. But he
believed that he had a right to have a brother whom he
could admire, and regarded Leander as a weakling, a
man with a sick will.
Leander asked himself many questions as the three
sat in silence: Had Henry married Rose because he
had run away? If he had become Rose’s husband,
would she have loved him no more than she loved
Henry? Was she capable of other love than this
deferential devotion? How much had she understood?
Sometimes he was hurt by her lack of interest.
Whom did she blame: him, or Hilary—or God?
She seemed to blame nobody.
When in 1885 she was pregnant once more, Leander
learned that she had forgiven the boy his share
in their tragedy, if she had ever known that he had a
share; for she announced that she meant to name
the child Hilary. The day after its birth Leander
stood by her bedroom door. Rose was amazed to
have given birth to a female child. Her other little
girls had died; she had three rough, strong boys;
the world seemed to be a man’s world.... “I was
going to name it Hilary, as you know, Leander,” she
said. “What shall we call the little thing? You give
her a name.”
Between the lace curtains Leander’s eyes seemed to
hunt an aisle through the trees, a dip in the sky line,
where he might catch a glimpse of his garden. “Call
her Flora,” he said.
Then he touched with one finger the tiny hands,
red and still wrinkled, and the reddish-yellow down on
the tiny head. He too wanted a child. He envied
the domestic affections of that house, and contrasted
it with the quiet, empty cottage among the snow-in-summer
and the lilies (now beginning to dry up)
where he slept with recollections and was childless.
His sister Nancy was nearest his heart. They two
had disgraced the family; level-headed people had
thought them nearly mad; and they experienced an
intimacy of regret. But it was a one-sided intimacy:
she told the history of her heart; he dared not tell his
history, so he held his peace. His excesses in California
had been brought to an end by satiety, not by
remorse; no repentance and no expiation—there was
not enough energy left, he supposed. If he had talked
about that, to Nancy, for example, he would have
been a sort of outcast at once. More or less an outcast
as it was, though no one else knew it; for that
story set him apart from the rest without being told.
He said to himself quietly (not pitying himself) that
he was the more pitiable of the two. His tragedy had
come to an end; Nancy’s had not. His brother was
dead; her husband was alive, and when everything else
failed, she could hope for a miracle. He had nothing
to hope for; miracles were not performed on the hearts
of the dead. There was Lazarus ... But Lazarus
had been dead only a little while—twenty years had
gone by since the war; and if Lazarus had been a boy
like Hilary, he would have refused to come to life.
As Nancy talked to him, he talked to himself, without
moving his lips, repeating, contradicting himself.
No, Nancy’s troubles were always at an end; because
she was a woman and less thoughtful than he, she had
the gift of letting each moment vanish immediately
into the past; day by day she outlived yesterday’s sorrow.
In Leander’s mind every moment left an indestructible
remnant, as each dying coral plant in the
sea leaves a bit of stone where it lived, pink with its
blood which does not fade. All the moments of his
life lasted; that nine o’clock during the war, for example,
when he had felt Hilary’s yearning and his reproach,
resembling hate so closely ...
He smiled as he saw Nancy’s eyes brighten, and
realized that from the mask of his affectionate face,
while she had talked and he had failed to listen, she
had received a sort of blessing or absolution. Then
she went down the path toward the road, where over
the hedge he could see a horse’s mane and its withers,
and her son Timothy’s face. Leander smiled severely;
certainly he was the more pitiable of the two, for she
had Timothy.
Timothy Davis was a boy of great stature and almost
perfect beauty. He was indebted to his mother’s
family for his eyes blue as a plum, his pointed lips and
small nostrils; he inherited from Jesse Davis the
burned pink of his skin, his very large hands with
round nails, and a certain rudeness of bone and ripeness
of muscle, even in childhood. He was the sort of
boy who would be mild in ruthlessness, who would reject
more gently than other men accept what they have
longed for, who would long for little or nothing, and
who would never have to learn, or hesitate, or pity.
When he was sixteen, his mother, lying in bed with
an influenza which no one feared, was startled by a
premonition, and sent him for his uncle. When
Leander entered his sister’s bedroom, her eyes hesitantly
uttered the word death, but she said merely:
“You must be lonesome there by yourself. Tim can
help in the garden. I’ve spoiled him but—but he’s a
good boy.”
Leander understood only with the final sentence
what her eyes were saying.
A few days after her death in December, 1885,
Leander received a letter from her husband’s brother
in Iowa, saying that Jesse had gone west with a railroad
construction gang as a teamster, and his whereabouts
were uncertain. He showed the letter to his
nephew, and said anxiously, “You might as well stay
with me, don’t you think?”
Timothy said, “I could shift for myself, I guess....
But I s’pose I’d be lonesome. Thank you.”
Leander ceased at once to consider his life as a
homogeneously bitter thing, with a familiar logic and
cruelty of its own. He was not afraid of the incongruity
of his happiness. He no longer dreaded the
mail route, but welcomed the cold, the obliterated
roads, and the blizzards; for at home by the fire was
Timothy, waiting for him and dreaming over a book.
Leander knew that he did not actually wait, being incapable
of impatience; but he mingled his emotion with
the boy’s unconcern, deliberately; every day he himself
waited in imagination for his own return; so great was
his joy. It was poignant joy, because he thought its
days were numbered—Jesse would send for his son.
But in March Timothy received a letter from his
uncle in Iowa: “Brother Jesse is dead;” the name of a
town in Texas, the date of a month in midwinter; “if
you are a strong, steady boy, would be willing to give
you a job in my business.” Timothy raised his eyebrows
as if death were a stranger who had entered the
room rudely, without warning.
Leander asked: “Would you be willing for me to
take out papers to adopt you? I shall leave some
property out West which may be worth a lot of money
if people don’t get as sick of California as I did.”
“All right,” the boy answered.
Spring came down along the full watercourses, and
its eyes seemed to single out Leander. For twenty
years he had seen the yellow and gray bills of the birds
move, without hearing what they sang; now he could
not believe his ears.
There followed three years of happiness, very difficult
happiness which prevented him from remembering
the war. Instead, night after night, he was kept
awake by a troubled gratitude for the yesterday and
to-morrow between which that night lay. California
came into his dreams as if it were a hope; there was a
tune which he could not hear but saw lying out straight
in the air, a mountain broken open and turning into a
rose—but never a dream which disturbed the next
morning. His desires did not hurt; they were a secret
which enriched him with its embarrassment, and he
loved his nephew more because he could keep it from
him. He told himself that Timothy gave him the place
in his affections which his father had not filled.
The boy was magnificently idle. Sunshine was his
energy—he lay in it; the fire in the stove was industrious
for him—he nestled close to it. Every morning
he tried to make coffee before Leander went out with
the mail, and every morning Leander actually made it.
He shivered sleepily by the hearth, his wide throat
unbuttoning the flannel nightshirt, his legs crossed inside
an old fur coat, and often fell asleep again before
Leander left the house. He pretended to work in the
garden, but was afraid that his awkward hands would
hurt a plant. He knew Gulliver’s Travels by heart,
and would read no other book, gazing at his hands
and imagining himself a giant in a race of dwarfs,
gazing at the hills or the great clouds and imagining
himself a pygmy in a race of giants. Leander wanted
to teach him Spanish, but he learned only one song,
which he shouted beautifully and incorrectly. Leander
tried to rouse in him some ambition and wanted him
to go to college; but the boy could not remember from
day to day, of what he was failing to be persuaded.
Rose understood him. “He is what my brothers
ought to have been,” she said.
Henry muttered, “That boy won’t amount to much.”
Leander was content. So many anxious hopes of
their family given up at last; one pair of Tower eyes
which refused to look into the future; one flower not
fertilized by hopeless ambition; one less regret to
wither on the family tree. No embarrassment, no
vanity, no resentment or covetousness or haste....
Timothy reversed the family formula, which was to be
proud in anticipation, ashamed in retrospect. His
hopes were humble; therefore, Leander thought, he
might be happy to the end of his life.
Leander’s wages from the government were small,
and it was often difficult to make ends meet. But in
1887 his tenants in the West suddenly paid the overdue
rent. It was a good omen; and he thought, incidentally,
that for some reason his property must have increased
in value, that the renters had hastened to fulfill their
obligations lest they be ejected. He gave Timothy as
much spending money as he dared, in view of the family
disapproval. Every six months thereafter a payment
came, and they had everything they wanted.
For three years Leander’s felicity did not seem to
diminish, but prepared its own end as a summer does.
He had certain principles, rooted in emotion, which
could not be set aside, even to please Timothy. There
was his horror of hunting. “If men weren’t so used
to killing animals,” he said, “they’d not kill each
other.” He told again and again how he and his
brothers and their like had exterminated a race of
large pigeons, feeling for their feet among the branches
at night, strangling them, and carrying them home in
baskets, more than any family could eat. He made the
whole world seem for the moment nothing but a dreary
woods where birds had been slaughtered, and as he
spoke a dark disapproval of his sensibility increased
in Timothy’s eyes; it was like the twilight in a tree
which favors the designs of hunters.
Furthermore, the fine young men in the country, including
Timothy’s cousins, worked all day and were
usually exhausted at night. Those with as much time
on their hands as he had—younger sons of retired
farmers, village merchants and barkeepers’ boys, and
livery-stable drivers—were on the whole passively vicious
and drunken. Leander thought that drunkenness
was appropriate only to sorrow, and wanted his boy
to have as little to do with one as with the other. So,
courteously but severely, he prevented him from forming
close friendships in the village.
There were moments when Timothy’s impatience
was evident. This impatience seemed to say that he
did not want one man’s affection to displace the good-natured
approval of the whole world; that he did not
want to have to say yes or no to anything, and did
not want to love or be loved. Then Leander would
realize, for a moment, that only some sort of slavery
could hold two men so unlike together: the slavery of
common memories, or duty, or poverty, or passionate
love. Timothy was free. Leander would gaze at the
young giant sitting with his face in the sun or curled
up by the stove; the hair on his head like a military
cap of fur, his magnificent hands seeming to promise
to break whatever they touched. And Leander would
feel as weak as he had once been strong—very suddenly
he would remember Hilary’s young worn-out face
over the camp fire the night he had been strongest, and
fear a further punishment; regret was not enough....
He decided, nevertheless, to behave as if he trusted
the future—the Towers had hastened too many disasters
by looking forward; and he hoped that now at
last God would want to prove that He was good.
But the best of life is over when satisfactions begin
to age one as disappointments have done. Joy proved
its reality by leaving scars on his face, smaller but
deeper than those of sorrow. He began to look haggard
and sad even when he smiled.
Rose and Henry were anxious. “Leander is by
nature a bachelor,” they said, “and ought not to have
a son on his hands—it is too much for him.”
During the summer of 1887 he was ill for a week.
“I don’t know why,” the old doctor said, “but you
seem to need a rest.”
He let his substitute go on delivering the mail two
or three days after the doctor had pronounced him
a well man, and he and Timothy went to Port Oliver
on the lake. They boarded with the storekeeper’s
wife. Rose had made a pair of bathing trunks from
some red-flannel underwear, and Timothy swam by the
side of the fishing dory they rented. When he stood
up his chest rose in a great V out of his lean waist, and
his thighs arched forward a little from his lean hips.
Leander shouted when he sprang overboard and the
water splashed in his face. Timothy rowed, grimacing
in the sunshine; and Leander, in the stern, watched
the gulls hesitate and let themselves be blown by the
wind, and the boy’s hands coming rhythmically forward,
pulling down his knotted shoulders. After supper
they walked along the dunes, and Timothy sang
and threw stones into the waves. Leander said,
“Some day you must see the Pacific.”
The following winter Timothy discovered a sweetheart—a
girl named Iris Lodge, nicknamed Irish.
Henry was displeased: “You let that boy of yours
take up with a wild no-’count girl, and a Catholic, besides.
Poor Nancy was a God-fearing woman. Your
ideas are too loose, Leander.”
Leander could imagine Timothy’s emotion (imagining,
perhaps, more than the boy felt) because the girl
had almost colorless eyes, so sensitive that they continually
took refuge under her slant eyelids, and because
her mouth was red, pointed, and not gentle. He
bought a third horse, so that there should always be a
fresh one in the stable to take them to and from husking
bees, dances, box parties, and picnics. The boy
thanked him by going out night after night, leaving
him alone. Sometimes Leander had a certain irritation
to hide. One day in the village store he heard the
lovely girl call him “Tim’s father and mother”; but
she was almost servile in her smiling politeness whenever
they met.
In the early autumn of 1888 an astonishing thing
happened. A solitary woodcock made its home in the
underbrush of a butternut grove above the house.
Several times at dusk Leander saw it in one of a row
of scrub oaks which grew along a stone fence down to
his garden. He was amazed, for the woodcock is more
shy than any other game bird, and asked his nephew
to keep its presence there a secret. Every night he
watched among the bushes, dividing the week into days
of its retirement and days of its appearance; and at
last began to scatter crumbs and small grain under the
trees it had visited. He never saw it eat, and supposed
that small, ordinary birds consumed his offering; but
little by little it grew bold, and from one stunted tree
to another, from the dusk inside a tree to an exposed
branch, approached the house.
One day after sunset Timothy called him to the
kitchen window, and there it was in the garden among
the chrysanthemums, looking like an infinitely old
bronze ornament, walking and leaping slowly. They
whispered behind the windowpane, complaining of the
clouds which their breath made upon it, for the twilight
was cold. Something about the bird’s appearance
seemed to indicate its unlikeness to others of its kind—its
unusual courage, and the intuition by which it knew
itself safe and loved. When it stood on a patch of soil,
touching a clod now and then with its bill, Leander
half expected it to pass from the visible to the invisible
without another motion; but it rose at last and fluttered
away heavily in the dark.
It came again. Leander waited for it, daydreaming
of angels, thinking they must resemble Timothy
in certain respects and the bird in others. It made him
feel lonely, because no one he had ever known would be
so moved by the sight of it as he was—no one but his
little dead brother.
It came often. Timothy brought his sweetheart to
see it one evening. The strange fowl came punctually,
as if by appointment. They went through the cellar
and stood in a row on the steps of the outside entrance,
resting their elbows on one leaf of the folding door.
Iris was more excited by it than Timothy had ever
been, her breath coming and going over her lips, her
eyes revealing some sort of intimacy with it—that of
jealousy, or worship, or desire. Leander’s gaze met
Timothy’s across her narrow forehead, and he realized
that neither of them was paying attention to their bird;
it was as if another wild, casual guest had joined the
woodcock in the garden. Suddenly it struck the air
once or twice with its wings, and flew away more
swiftly than usual.
The next morning Timothy said, limbering his arms
inside his blue nightshirt, “Iris wants that woodcock.”
Leander’s heart skipped a beat.
“To make a hat of it,” the boy continued. “Some
other girl has one—a Milwaukee girl.”
Leander remarked timidly, “A young savage, your
sweetheart,” searching the boy’s face for some sign
of disapproval; but its beauty was pure, and closed, and
idle. He could not swallow his coffee. Then Timothy
smiled affectionately; it was enough—as good as a
promise.
But for five succeeding nights it did not appear—not
in the scrub oaks, not in the garden. Leander was
made miserable by a fear that some sportsman had
discovered it, and by what his nephew had said—not
by distrust of him; but there must be other girls who
would like feather toques, other boys who would be
proud of it when it was dead.
On the sixth night Timothy had gone to the village
to buy meat and bread for their supper. Leander sat
by the window until he gave up hope of the bird’s
coming, then lay down on the couch for a nap. He did
not fall asleep. He heard the cart clatter into the
yard and Timothy throw down his bundles on the
table. He did not open his eyes when Timothy tiptoed
through the parlor and began to get supper with
a great noise of pans and spoons. Leander enjoyed
his invisible awkwardness, and wondered what he
thought of when sleep seemed to be between them—but
of course there was something equally impenetrable
between them all the time. He was beginning to fall
asleep....
A gun was fired in the garden. Leander sprang
to his feet—he had let the boy keep that gun because
it had been his father’s. He stumbled into the kitchen.
Timothy’s shadow hurried past the house with something
in its hand—why hurry now? Timothy came
in by the back door. He lit a lamp. “Been asleep?”
he said.
Without knowing it, Leander had been facing a
blank wall as if it were a window; he turned around.
“Well, I see your girl’s going to have her....” His
voice failed. “Hat,” he whispered.
Curiously, there was amazement on both faces.
Leander caught a glimpse of his own in a mirror
framed in leather flowers (Nancy’s handiwork); it
had a dry appearance, a gray color. The boy was
staring at him—at him—with a sort of horror; he
could not understand that. “Why did you do it?
Why did you do it?”
“She dared me,” the boy muttered.
Leander sat down. Timothy sat down, and when
he moved, his elbows thumped on the table. At last
he said, “There’s something I’ve got to—I’ve got to
tell you something.”
“What? I don’t blame you.”
Silence.
“I can’t stand it,” the boy began.
Silence, and barely loud enough to be heard,
“Stand what?”
“I can’t stand having you—feel so bad.”
“Doesn’t matter. Don’t you mind.”
Silence. The boy said patiently: “I’ve been thinking ...
I can’t stand it here. I want to go away.”
The silence kept asking why; Leander did not want
to know. But the boy continued: “I’m a man now.
You take things too hard. You love me too much.
I’m too young.” He spoke very gently. “I feel like
a brute. I don’t feel easy here. Things like this’ll
keep happening. I want to do what I feel like and
like other fellows do. I can’t stand it.”
“All right,” Leander said. Each time there was a
silence of the same size as the words which had been
spoken. “I’m going to bed now. Get some supper
for yourself. I’m not hungry.”
He came back to the door. Timothy had not
moved. “What do you want to do? Where do you
want to go?”
“I don’t know.”
“All right. We’ll think of something.”
The next afternoon Leander went to Rose’s for the
noonday meal, and sat all afternoon in her kitchen.
Little Flora sat on his lap; he showed her his watch
and placed Hilary’s silver ring (like a wedding ring)
over two of her fingers. He scarcely spoke to Rose.
She said: “You have a sickly color, Leander. You
must take care of yourself.”
That night he took from the cupboard where he
kept his papers a letter which had come two or three
weeks before and which he had not known how to
answer: a letter from a land agency in California
offering him a large sum of money for his property,
so large a sum, in fact, that he supposed it was worth
more. He showed it to Timothy. “Would you like
to go out there? I’ll go to town to-morrow and have
a deed made out to you. I always meant you to have
it; you may as well have it now. It’s not much good
to me.”
Timothy could not speak for joy. He put his arms
around his uncle and kissed him. Leander shrank
from his strength, as very old men shrink from their
sons.
“We’ve got enough money in the house for your
fare. Better go soon. You don’t need to be miserable
here any more.” He added, as if he were ashamed;
“Don’t tell your uncle Henry or the others that I’m
giving you the land. They know how I’ve always been
a failure at everything. Please don’t say that you
don’t want to live here any more. We’ll tell them that
I’m sending you out there to look after things. I
guess California’s not so bad as it used to be, when
I went west. Be a good boy out there.”
The night before he left Timothy was in the far
bedroom, hunting in a chest for a picture of his father.
Leander sat by the kitchen stove, not moving, scarcely
breathing, not yet able to think. His cold fingers
shrank from one another.
Then in heavy, lovely tones, a little off the key, the
one Spanish song sounded from the other end of the
house. Timothy could sing only at the top of his
voice. Then the song broke off. Leander thought,
he does not want to hurt me. A little later the boy
began again thoughtlessly, and ceased at the end of the
second phrase. Leander thought, he would be singing
if I were not here. He could not endure the silence in
which that music had been stifled on his account.
So he went outdoors. There lay the garden, severe
and fragrant: the chrysanthemums talking to themselves,
and the sky mottled a little like a lemon peel.
Most of the flowers were gone—the lilies, the day-lily,
the little weak ones, the great rose. Most of the
vivid leaves, half destroyed by the frost, fainted from
their stems. Most of the birds were gathering to go
south, gathering, he thought, like the companies of
young soldiers before the war; now that Timothy had
stopped singing, their din in the marshes was the only
sound to be heard....
The garden seemed finer that evening than ever before.
Autumn had perfected it as he had planned—autumn
with its rags and tatters, its hard, clean hands.
It was perfect now and his heart was broken. He fell
on his knees in the path.
He was too old to wait for Timothy to come back.
He thought, there could be no more surprises. How
could even death surprise him now? And life had
little left to reveal; he had played both parts; he had
been the one who rejected and the one who asked.
Mechanically his hands began to pluck away a dead
leaf here and there, to crumble little clods about the
roots, as they had always done; but they found a place
where the soil was pitted, where something dark and
wet had fallen in drops; and there lay a small gray
feather. Then he began to break and tear the chrysanthemums;
the tough stalks hurt his hands, and the
leaves and blossoms gave up their last perfume. No
tears came to his eyes, and the violent motion of his
chest was regular, as if he had suddenly learned a new
way to breathe all the rest of his life.
But he was afraid that Timothy would discover him
there: so as soon as he could, he rose and went into
the house.
8. The Dead. His Grandmother’s Final Grief. The Photograph Albums — Laura-Belle Barry — Mr. Sam Peters and wife, born Melissa Duff — Cousin Matie Share — Captain Ed Hawks — Josh Arbuckle — Baltus Valentine — Mr. Peter Greeley — Mr. Homer O’Sullivan — Mr. Eli Williamson — Mr. and Mrs. Ebenezer Bolt — Mr. Jim Hallow, Mr. Solomon Royce, Mr. Peters, Mr. John James, etc. — Mrs. Sam Goodwin — Uncle Peter Barlow — Mr. and Mrs. A. Rollo — A boy whose name had been forgotten.
Leander Tower did not live to be an old man.
In fact, Alwyn’s grandmother survived most of
the friends of her youth. In 1912 her husband
passed away; Mary, Nancy, her sister Adelaide, and
two of her brothers, were dead; Leander and the two
little girls had left her behind long ago. They had
forgotten everything, she supposed, leaving her behind
to remember for them: how they had lived, what
they had wanted, and what the early days had been
like. She had always done her duty; and now there
was nothing more to do but honor the dead in her old
age and go, in God’s good time, where they were.
She was an active woman without much imagination;
but she took pride in one or two poetic phrases which
referred to the hard mystery of her experience, the
mystery still intact when she had told all she could
tell. As primitive people said, My love is like a rose,
or, The sea is our mother, she would often say, “Life
is like a great county fair”; and fall silent, resting her
strong index finger against her cheek bone.
During that silence her grandson, gazing in admiration
at her solid hand and drooping throat, her resolute,
shortsighted eyes, would complete the comparison,
detail by detail, and prove its justice to himself.
Then he would wonder if there were many people in
America who did not know what a county fair was;
how well he knew!
Life is a great county fair ... A village of rickety
buildings inclosed by a fence too high to climb; a
narrow entrance, a narrow exit. A multitude of laughing
or irritable people dragging awe-stricken children
by one hand. Many spoiling their appetites with the
unwholesome refreshments that are for sale—some of
these hiding afterward because they are sick. Some
stingy, some extravagant; nearly everyone wanting to
be more prosperously dressed; everyone tired to death.
Women indignant at the neglect of their men; little
ones whimpering because their mothers are out of
sight. Long separations being brought to an end;
good-bys beginning new separations. Love-making
on the sly. Games of chance—the players always losing,
the proprietors always poor. Eager or scandalized
blushes in the tents where there is nakedness to be
seen and music to be heard. Shouting around the pits
in which human anomalies and sick wild animals are exhibited.
Sleek horses charging around the race track
in the dust. On a high platform the jugglers, inexpensively
gorgeous in spangles and skullcaps, in the
red, yellow, or blue nudity of tights, automatically
running great risks and making patterns in the air,
and seeming to find the loud applause inadequate....
All gathered together for a competition which involves
every sphere of activity. In the inclosures and
drafty halls are exhibited bread, pies, cakes, conserves,
and honey; exercise books and drawings of
children, and every sort of fancywork; fruit, flowers,
and vegetables, on shelves—a vertical, withering garden;
cages of fowls and pigeons; and swine, cattle,
sheep, and horses, of all ages and breeds. Innumerable
onlookers, cynical or enthusiastic according to
temperament; the judges, though no better than the
rest, granting or withholding honor and small money
prizes; the exhibitors anxious at first, proud or humiliated
at last.
Three days, four days, or a week—and it is over.
Stalls and shelves emptied, tents bundled up and tied
with rope; crates, baskets, cages, lumber wagons, carriages,
and racing carts, lovers, enemies, and little
worn-out boys beside their irritable, sometimes intoxicated
fathers, going through the narrow exit, with
crying geese and bulls and lovely mares and rams
whose curls are full of sawdust—on their way now to
sweet autumn pastures and matings with whole flocks
of ewes after the first frost—each decorated or not
with ribbons, varying in color according to their
strength, their beauty, their conformity to the standards
of their kind; the procession separating at crossroads,
one losing sight of another in the dust and the
gathering darkness as the great countryside absorbs
them once more into itself, and seeming to have disappeared.
So his grandmother’s family and friends had been
scattered. The living were in California, New York,
Montana, New Mexico; the dead lay in many places—perhaps
no single burial ground could have held them
all.
For Alwyn the cemetery at Hope’s Corner took
the place of a city child’s park. In certain evergreens
there were sparrows’ nests which resembled untidy
blond wigs; butcher birds lived in a cedar, and once or
twice he found a dead mouse which they had hung on
the thorn of a honey locust or a hawthorn. Old-fashioned
roses, lying smothered in the grass, pricked his
ankles. Lilies of the valley spread in a light green
blanket, so that the graves on which they had been
planted seemed to grow larger year by year. The
headstone of a girl with a lovely name, Drusilla John,
had fallen down; the coffin had collapsed, hollowing
the sod above it; and Alwyn sat there by the hour, his
legs under the marble slab as if it were a table, reading
his favorite books, writing letters to his only friend.
The lots of his relatives were well kept, in proportion
to the degree of kinship. The original families,
with the single exception of his own, having left the
community, the rest of the graveyard was a thicket of
weeds, lilies, bushes, roses, and birds’ nests; the conquered
wilderness had reasserted itself, in miniature,
over the conquerors’ bodies.
Alwyn’s grandmother said, “The neglect of the
graveyard is a shame to the present generation,” and
held herself responsible for its general upkeep. So in
the autumn she drove about the country in search of
a man not too busy with the harvest to mow it, offering
to pay him well, even willing to have the work done
on the Sabbath. As the community filled up with German
Catholic immigrants who bought the farms of the
old settlers, she made it her business to see that the latter
were not forgotten; as one of a proud, subjugated
race would try to teach the history of the land and the
names of its heroes to ignorant invaders. Eleven
Civil War veterans, including her husband, were buried
at Hope’s Corner; and every year she persuaded the
teacher of the school across the road to arrange a
Decoration Day program of recitations and old songs.
She took bands of children to the woods to make
wreaths and bouquets, and attended the exercises, shepherding
the scholars from grave to grave, speaking to
those who showed a little reverence, often laughed at
by those who had been badly brought up.
These were the dead of a great period of the nation’s
history, eleven heroes; she honored their graves
as a lesson to the living. Her own departed ones—she
scarcely knew where some of them were buried,
and it did not matter. She never thought of them as
asleep under blocks of marble and granite and drooping
bunches of trilliums, mandrake blossoms, and
anemones. They were awake somewhere, doing their
duty, whatever it was, nobly, invisibly.... Probably
they had forgotten her—life was remembrance, so
death must be forgetfulness; but she could not forget
them for a minute. Left alone at last amid the scenes
of their youth, she clasped her souvenirs to her breast,
and yearned for all the dead as a mother yearns for
children who are living, but no longer children.
She scarcely differentiated between absence and
death. She was not likely to see again with living eyes
those who were the breadth of America away—each
year one or more was added to their number. The
others, the dead, were separated from her only by the
fact that she herself was still alive. At her age all
good-bys were alike.
But according to her faith the phases of the moon
took place above their heads, the absent and the dead
alike. When the new moon appeared, other old men
and women prophesied the weather according to an
Indian tradition: a warm, dry spell if the two horns
pointed to the sky, rain if the crescent, like a dipper,
seemed to spill water on the earth. But she was indifferent
to the weather; for her that slight heavenly
body swung like a lantern above the house, above the
old farm, high enough to be seen from every State in
the Union and every foreign land, high enough to be
visible even to those who had crossed the boundaries
of the world.
So once a month she walked under the cherry trees
in the dusk, startling the white pullets and cockerels
which burdened the branches. She lifted her eyes to
the lovely sickle, sharpened almost out of sight by the
luster which continued to rise over the hills from the
sun; and wiped away her unwelcome tears with a corner
of her apron.
Then she would say to her grandson, who, believing
that she was lonely, followed her: “You know, I always
think of those who are dear to me when there is
a new moon. It is my custom. The same moon shines
on them all, the same new moon.” In spite of her
tears she spoke firmly, indeed contentedly.
But when her daughter Flora died in 1914, this fortitude
came to an end, and serenity gave way to despair.
Death was acceptable twice during life: before it began
in earnest, and after it was over. Little children
died—death deprived them of nothing; their mothers
were strong and could bear it. Those who were old
belonged to death, as if by contract; she was willing
that nature should take its course. But the death of a
lovely, unmarried girl was intolerable and against
nature. She herself should have been allowed to go
instead; life had had its way with her for more than
half a century; she could have said Amen.
Hitherto, time had been given her in which to recover,
to develop new habits and enjoy new hopes.
Now it was too late; she would not live to see the end
of this anguish; she could never begin again. She
had always accepted things as they were; having protested,
she had folded her arms and given in; but her
will would never be at peace with the Will which had
determined Flora’s death. There was nothing to do
but leave the world, unreconciled, and, because of the
insubordination of her heart, half ashamed.
She had been proud of her life, the masterpiece of
the divine Hand which had guided her hand, a vast
and somber picture. The gesture which had drawn
certain lines had hurt her; certain colors had been her
life’s blood; but looking back she had been able to
view the result without much pain and with approbation.
Now the giant Hand, with a final stroke, with
the stain of a final wound, had spoiled their work.
In the past it had seemed natural for those who had
the same sorrows to weep together. Now she could
not bear to be seen weeping, apparently ashamed; it
was not her fault—but those who have been strong,
when they are crippled, want to hide their deformities.
She would say to the children, “I can’t have you here
now; run off and play,” and sit alone by the window,
weeping without covering her face, her cheeks red and
shining with the continual tears, her worn-out eyelids
fluttering, her lips moving as she repeated to herself
the fact that her last-born child was dead.
When she had been happy she had been able to endure
the thought of all her former griefs. Now these
wounds, suffered and healed long ago, burned with
sympathetic pain; and the story of her life, the whole
history of the family, seemed unmentionably sad. If
young people realized how life ended, they would not
want to live; so she would hide her despair and say
nothing. Therefore, during the last years, she said
very little about Leander, or her husband, or their
close relatives, or her sons. Instead she drew near to
those who had never been near her heart, and preferred
to talk about them.
Accompanied by her grandson, she made a round of
afternoon visits to old men and women whom she had
known indifferently for years, who had never been
more than neighbors. Before them she could pose as a
wise woman, strong enough to endure the afflictions
which God in His violence had imposed. Distracted
by their weaknesses, she could ignore for a few hours
her own weakness and dismay. She defended herself
from their questions with a hard good nature—the
humor of her rude ancestors, hunters and soldiers and
vagabonds, masking her heart and hiding the wreckage
which death had left in it at last.
She talked to her grandson with a startling sardonic
gayety about these people and others like them who
were dead: relatives whom she had happened not to
love, his grandfather’s friends, the friends of her
friends. The disastrous comedies of their lives diverted
her from the grief which was all that was left
of hers; she could be as brave about their troubles
as she had once been about her own. She dwelt without
pity on their paradoxical characters, their avowals
and frauds, their astonishing whims and failures; and
at Alwyn’s request identified among her photographs
many of their faces.
There were two albums of embossed leather studded
with buttons which resembled shoe buttons, and one
with celluloid roses glued upon a velvet binding. There
were daguerreotypes in cases closed by a metal clasp
or a loop of worn cord, which Alwyn opened and tried
to read as if they were a library of miniature books.
At the left a leaf of red satin, at the right in a mat of
beaded gilt the portraits: heads and busts and family
groups, pygmy men and women as if seen through a
telescope—the men in a daydream, the women anxious
about their children, their lovers, their clothes. Mouths
like bits of carved wax, nostrils of an insatiable arrogance;
eyes long closed in death—or the young, suspicious
eyes of men and women who were now old and
patted Alywn’s head and peered at him dimly and
beneficently—staring out of the picture frames as if
he were an enemy in disguise.... The lifeless light
(in which innumerable photographers had covered
their heads with large, black handkerchiefs and imitated
a bird with their hands) half hid and half revealed
all the possible combinations of all the motives
there were—greed and sensuality and courage and
compassion and cruelty and nostalgia; all the destinies
there were—manias, consolations, regrets.
The same motives and similar destinies existed still;
but these people whose playground they had been were
gone. Nothing came back from the oblivion into
which they had vanished (for old age and death were
equally oblivion) not a sound came back but a little
slightly exultant, unhappy laughter—Alwyn’s grandmother
laughing for them.
He listened to her comments—old-fashioned
maxims, scraps of tragi-comic narrative, implicitly
mocking, explicitly compassionate—and what she told
revealed little more than the photograph albums themselves:
another set of pictures, photographs of actions
and opinions, also noncommittal and badly focused.
But he knew what she knew and tried to forget: that
each picture was a tomb where a dead heart (or merely
the youth and freshness of a heart which was now old)
lay buried—buried with its affections, its apathy, its
fury. He knew that on each insignificant grave there
stood (though he could only guess what it was) a
secret like hers, wild and perfect as a wild flower,
nodding in its everlasting leaves, or dangling from a
broken stem....
Mrs. Barry, born Laura-Belle Allen and married
in her youth to her cousin Will Allen, had once been
plump, melancholy, and ravishing—to which the portrait
that Alwyn’s grandmother kept because both her
brothers had been in love with the lady, bore witness.
Her father was the merchant in Aaronsville in the days
when stores were few and far apart, and any price
could be asked for the necessities of life; he was prosperous,
but by nature pessimistic.
Laura-Belle wept over all the boys who loved her.
Even her young husband’s passion did not wake her
from a resentful daydream. She gave birth to two
perfect children; they died of scarlet fever. Her
father was believed to be guilty of fraud and died mysteriously.
Finally Will Allen was killed; a magnificent
spotted bull gored him and trod him underfoot. After
his body had been rescued, Laura-Belle stood staring
over the fence at the beast until she had to be taken
away by force.
When she came to her senses she was a new woman.
She never shed a tear for the dead man, but grew more
and more emaciated. She began to take an interest in
everything and everybody, and then began to be noted
for her sense of humor. She dressed in red, and since
this color was supposed to enrage bulls, no one dared
to ask her why. Eventually she married Barry, a
drunkard, and merely laughed at his excesses. Between
them they wasted her small fortune, and at
last were penniless.
In her old age she wore a ragged, red, one-piece
garment or an old dress covered with black braid and
jet buttons. If anyone noticed her clothes, she would
tear another hole in them, smiling pleasantly, and say,
“Blessed be nothing.” She was a saint, though something
of a busybody, sparing no one when she spoke.
It was reported that even on her deathbed what was
left of her once lovely and heavy body—burning eyes,
blue-veined hands, long braids of silvery hair, skin
and bone—was shaken again and again by her crackling
laughter.
Apparently unconscious of the sound of her own
laughter, Alwyn’s grandmother said, “Nobody could
make a sound like that when she laughed if a hard life
hadn’t been too much for her. But it was enough to
put the fear of God into your heart, and gave a bad impression.”
A little man as vague as the wisp of yellow beard
between his mouth and his Adam’s apple. An unkind,
vigorous, and well-dressed woman. She was Alwyn’s
great-aunt on his mother’s side of the house.
His grandmother Tower would say, in his mother’s
presence: “That was the most miserable woman that
ever lived. I never knew anybody else too mean to
give a slice of bread to a tramp that asked for it.
Your ma is a wonderful woman; my only complaint is
that your pa married into the same family as Melissa
Peters.”
Alwyn’s great-aunt Melissa ruled and humiliated
her small husband. On one occasion he rose in revolt.
She made up her mind to visit her relatives in
Canada, spent so much money for new dresses that he
could not afford to hire a housekeeper in her absence,
and made no mention in her letters of returning. At
last he sent a telegram, signed with her brother’s name:
“SAM VERY SICK IF YOU DESIRE SEE HUSBAND ALIVE
COME HOME AT ONCE IRA.” He met her at the station,
smiling foolishly, and seemed quite willing to endure,
until the end of his life, her heartbreaking tirades.
His grandmother’s cousin who took care of them
in 1854 while her mother visited in Kentucky. Her
brothers sat around the house, teasing Matie; they
pinched her and dared each other to strip her of her
new calico dress and hang it on a tree; and she threw
sticks of stove wood at them.
No one did any work: either the cows were not
milked, or the cream got too sour to churn; so there
was no butter to put on the children’s bread when they
went to school. Matie told Rose to milk a cow herself
and take the milk in a bottle for their lunch. Rose
and Adelaide were afraid that the scholars would
laugh at them; so they hid the bottle in a hollow stump
and stole away by themselves at noon to drink it.
This boy was the perfect soldier. Fifteen years
old when the Civil War broke out, he ran away to a
town in Dodge County where a company was preparing
to go south. Every day or two he sent someone
to find out if his family would let him enlist. At last
his father consented: “He might as well go. He’ll
never be good for anything else.”
The child took three prisoners, and was made a
captain before peace was declared.
Laughing sturdily, Alwyn’s grandmother said: “I
guess old John Hawks wouldn’t have been much put
out if something had happened to Ed down South. He
was a shame to them, being the only lazy man in the
family. He’d work harder to keep from working than
anybody else ever had to.”
This was the hired man who ate skunk.
Alwyn’s grandmother said, “In my day, if you had
a sore throat, you tied your stocking, warm from your
foot, around your neck; and if that didn’t cure you,
skunk oil was considered the best remedy. We rendered
their fat ourselves, and put it up in bottles.”
One day, when Alwyn’s father and his uncle Jim
were boys, they brought to the house the flesh of a
skunk, carefully stripped from the pelt in order not
to break the sac which contains the stinking secretion.
Their mother put it in a spider on the stove to try
out the fat. A little later Josh, the hired man, came
in, ravenously hungry after his morning’s work in the
cold, saw the meat frying, and thought the boys had
shot a squirrel for dinner. He took a fork off the
table, removed a bit from the pan, and ate it. Alwyn’s
grandmother laughed heartily at the face he made
when she told him what he had eaten, and laughed
still, after thirty years, whenever she remembered it.
A portly face full of blood, with ruffled whiskers.
This was the man who suffered from violent toothache.
When it afflicted him he ran outdoors, bellowing
so that he could be heard half a mile away. A
heavy man clutching his head with both hands, elbows
in the air, galloping round and round the strawstack
in the blazing sunshine....
This man was a notorious miser, but the daguerreotype
showed him as he had looked at the age of twenty-three.
An anxious, effeminate face; his moistened hair
combed low on his forehead, resembling the parallel
strokes of a pen; a wing collar standing well apart
from his throat, and a black ribbon fastidiously
knotted.
He played a fiddle in his youth. His father had left
him one hundred and fifty acres of rich land. He was
disdainful of many girls who would have been glad
to marry him; but as each girl gave up hope, one delicacy
or another vanished from his person; spots of
grease multiplied on his clothes; the high collar was
forgotten; he ceased to wash, and his hands were covered
with red cracks. He sold the violin, and told the
woman who kept house for him that he could take care
of himself.
Then he lived like a saint who has no god, filthy
and miserable, imagining that beastly sins were being
committed in the community, and denouncing whoever
dared to speak to him. In middle life he sold his property
for a large sum of money, keeping only the house
and the lot on which it stood. One day he was found
dead in the kitchen, holding a battered saucepan in
his hand. He had neither relatives nor friends, and
the neighbors never discovered what became of the
money.
Listless boys with their hands full of stones took the
windows for targets, and the rooms were never dismantled,
except when someone looked in who was poor
enough to want a tin pail, a cup without a handle, a
three-legged chair, or a piece of a rusty iron bed.
Alwyn’s grandmother enjoyed exciting the children
with talk of the undiscovered gold. From time to time
they visited the tumble-down house, and found nickel
spoons in a drawer, mismated shoes inhabited by mice,
and a curious collection of nails all bent in the same
way. Alwyn was not tall enough to look into the
chimney cupboard; so he climbed on a box and explored
it with one hand, which came away empty but
for spots of dust in the form of pennies on the tip of
each finger.
This well-educated, unsuccessful man looked ill at
ease in the photograph; it had paralyzed a singular
restlessness of mind and body. But his mouth continued
to say yes with a downward, and no with an upward,
inflection.
He read Tom Paine and was almost an atheist, hating
Christ for His effeminacy and loving Him for
His virtue. He defended the Mormons, and at one
time advocated Free Silver ardently. As a Good
Templar he induced many people to sign the pledge.
For him life was a thicket of ideas, and he fluttered
from twig to twig like a hungry bird.
His wife was a paralytic; he fed her with a spoon,
dressed her, lifted her out of bed in the morning and
put her back in the evening; she was his child for forty
years.
His grandfather’s friend who had gone mad at the
sight of a lynching. He had still been sane when this
likeness was made, but his hollowed eyes were full of
wonder and the violence of a child’s fear of violence.
A hired man named Carty had been lynched. He
worked in a German family consisting of an old farmer,
his wife, and an orphan grandson named Chris. The
old man sold a wagonload of hogs and brought home
the money. He went down into the cellar through a
trapdoor to fetch some cider, and when he came up
Carty hit him on the head with a hammer. The little
boy ran out the back door and hid in a cornfield. Carty
struck the old woman and forgot the money.
The neighbors heard the old woman scream. The
murderer was found before midnight, shuddering and
moaning in a haystack.
The next morning a neighbor’s wife, a strong, sick
woman, went around from house to house with the
child Chris; she shouted and rolled her eyes, and the
little boy whimpered all the time. Women stood on
front porches wringing their hands; men in barns
leaped for their axes and pitchforks, not knowing what
to do with them; and a crowd collected around the post
office.
About four o’clock the mob took Carty, who turned
pale and prayed or pretended to pray, out of jail.
Someone’s fast trotting horses were hitched to a cart.
The murderer was roped to the axle; the horses raced
up and down the road; his body dragged in the dust.
Someone set his pet hound on the man, and all the
dogs of the town followed—mongrels, hunting hounds,
shepherds, and terriers alert as birds—all barking and
some tearing the victim with their teeth. Then the
mob hanged Carty from the limb of a tree.
Mr. Eli Williamson, looking down from his house
which stood on a rise of ground, went mad.
The wedding picture of a widow and a widower.
Each loved the other’s money, and life was not long
enough to adjust their differences.
Alwyn knew them as a very old couple when they
lived in Aaronsville. They took a pint of milk for
their breakfast, and in order to avoid the shock of a
large expenditure at the end of the month, paid for it
in turn every morning. The milkman stood on one leg
near the door while it was determined by a long dispute
which had paid the preceding day.
Mrs. Bolt wore a rusty black dress which closed at
the back with a long row of hooks and eyes. Sometimes,
after the insults of the milk, her husband refused
to fasten it, or she refused his assistance. On
these mornings, she appeared wearing it wrong side
before—the frills of the bodice drooping over her
shoulder blades, her bosom cruelly pressed by the
hooks and eyes.
Except in this matter of money, it was a happy
marriage.
Mrs. Bolt had a twin sister named Linda, who,
having lost her mind, lived in an asylum. Knowing
that Linda was dangerously ill, she would not open the
door to the superintendent who called to announce her
death, fearing that she would be asked to bear the
costs of burial.
There were many portraits of men of approximately
the same age who had fought shoulder to shoulder
with Alwyn’s grandfather during the war. Their
faces, even the youngest, reminded one of death, as
if, having escaped it in battle, they had begun at once
to look forward to the time when they would be too
hard of hearing, too nearsighted, or too feeble, to
escape.
Alwyn had seen a number of them, soon after his
grandfather’s death, at an old soldier’s reunion in
Aaronsville. These veterans, scarcely able (on account
of rheumatism, heart trouble, strokes of paralysis,
dyspepsia, or hardening of the arteries) to enjoy
their glory, told heroic, interminable anecdotes,
hoping to make the young jealous of it. Their nervous
wives pitied them, remembering that their prestige
was based on the mere fact of survival and could not
last much longer. Some soldiers’ widows who were
present, as if to keep a chair vacant for an invisible
guest, tried rather timidly to take part in the reminiscences.
Only Alywn’s grandmother was at ease with
the men, dignified and sadly contented, rather like an
old soldier herself.
Breathlessly, their white beards tossing here and
there, awkwardly, and with an air of bravado, two
grandfathers danced a jig; they were like a pair of
condemned men dancing in their chains.
This was the fiercely bright face, amid wisps of gray
hair, of a woman who had adopted three children in
turn, all of whom had died.
Alwyn had seen this man in the eighty-fifth year
of his age; and between his eyes and the unrecognizably
young face in the oval daguerreotype which lay in
his hand, the image of the old story teller appeared,
seeming to represent all story tellers. Gripping his
cane with a hawk or an eagle’s hand, he had sat all
one afternoon beside a well-traveled road, common
butterflies fluttering about his head, hens and guinea
hens going upon obscure errands about his feet. From
time to time there had been a flickering between his
eyelids, as in a bed of ashes the falling ash of a twig
will seem to be fire itself. And he had told Alwyn
a story which has been told in a hundred versions in
every tongue, declaring that he had known all the
characters in his youth:
“It happened to a boy named Thomas—Jim
Thomas. He was a sickly little fellow, scared of ’most
everything. That night he was fetching home the cattle,
his father told me. The cows came home by themselves,
but Jim was nowhere to be seen. His father
hallooed and hunted down the road and found the little
fellow in the grass, crying as if his heart would
break. He told his pa that a night hawk flew down by
the cattle for flies and scared him.
“Now in my time families not well-to-do, when they
had a death, just put up a board and drove a nail in
it and hung up some flowers. There were some of
these boards in the graveyard—this was in York State.
“It appears that that afternoon some tough boys
at the school had called Jim a coward and dared him.
Like as not he was turning that over in his head when
he got so scared of the bird. They dared him to go
after it got dark to the grave of a woman named Mrs.
Gore, one of those wooden monuments, and pound on
it with a stone so as they could hear and know he
actually was there. Now Mrs. Gore was a woman
whose life was a burden, and the hired girl that worked
for her husband made out she saw her ghost, and
there’d been a lot of talk about that. It appears that
little Jim figured he’d best do it and not be a laughingstock.
“So the boys came whistling round his house after
dark and he sneaked out unknown to his pa and went
along to do it. He took a rock by the side of the road
and went into the cemetery. It was pitch dark in there
under a lot of trees. The boys were waiting by the
side of the road and they heard him pound on the
monument, and then he gave a terrible shout. Some
got scared and ran home, and two or three of them
came sniffling to get his father.
“His father took a lantern and went down and found
the little fellow with his coat hooked over one of those
nails that were intended to hang posies on. He must
have thought the ghost had taken hold of him. The
father carried him home and sent for the doctor. The
doctor thought it was heart failure. However that
may be, he was dead.”
The old man had smiled as if the story pleased him,
as if he had ceased to see any difference between
tragedy and comedy in what had happened so long
ago.
Another day he had told another story:
“In York State in the early days there was a man
named Lucas who had a son who was a terror. Old
Lucas was a godless kind of man himself and a
widower, and he’d not given his boy a very strict bringing-up,
I reckon; but he turned religious and got baptized.
The boy was wilder than ever—drank and
swore and got girls into trouble and wouldn’t work for
more’n a few days at anything.
“One winter the boy was hard up and came home to
live and stole some money which his pa kept in a
coffeepot. His pa found it out and commenced to give
him a beating. But the young fellow was beside himself,
and he got hold of a shotgun and took his pa
by the coat collar and dragged him out of doors.
“Now old Lucas had a fine orchard full of every
kind of apple tree, and greengages and berry bushes.
So the boy pulled him along into this orchard. And
when they came to a little seedling, he said, ‘Pa, bend
that!’ And Lucas did. Then they came to a big tree
and the boy said, ‘Bend that, you old devil, or I’ll shoot
you!’ Old Lucas hollered and got down on his knees
and took hold of the tree and held on to young Lucas’s
knees. A neighbor’s little boy, there in the currant
bushes, saw the whole performance, but he was too
scared to go for help. So young Lucas shot his father.
Of course they put him in jail, and he was never heard
of again.
“I had a son myself, but he died when he was a
young fellow, and I don’t even know where they buried
him.”
During Alwyn’s twelfth year, this old man appeared
in his dreams, and in a youthful, melodious voice told
stories too senseless and too cruel even to be remembered
in the daytime. But he died, and at last Alwyn
remembered him only when he looked at the photograph
albums.
A bridal pair before a vista painted on canvas, beside
a taboret like a dancer with iron legs crossed at
the knee.
The bride’s coarse veil droops like a lace curtain
against the groom’s broadcloth. They are as shy as
if they were young; but he is a little bald, and yesterday
she was a spinster. Their eyes are looking, not
for what they desire, but for the body of desire itself,
lost and perhaps dead. Their mouths are the sort
which will never tell whether they find it or not.
This couple was childless.
He wore a flowered vest. A pointed curl lay on
each of his temples like an arrowhead.
This boy was so beautiful that Alwyn wished he
could say to himself: This is the way my father looked
when he was a boy. In fact, as he well knew, Ralph
Tower had been a rough, homely youngster.
9. His Uncle Jim, the Minister, as a Young Man
Ralph Tower, Alwyn’s father, was not an
educated man. Because of their poverty his
parents could not hope to send more than one
son away to school. They wanted a preacher in the
family, for no calling was so honorable as the ministry.
Jim, their eldest, was more studious than the other
two boys, spoke fluently, and took pains with his appearance.
So, while still almost a child, he was chosen
to receive an education, and it was useless for Ralph
and Evan to have ambitions; they would have to stay
on the farm in any case.
The three grew up together happily and roughly.
Their mother disciplined them with a worn army belt
which hung behind the door; their father ignored them
unless there was work to be done. They spent all their
spare time in the woods, hunting coons by lantern
light, trapping muskrats and skunks, which they
drowned and washed in a deserted well. One evening
a cow who had dropped her calf alone in the marshes,
charged them, and Ralph, the last of the three to take
flight, broke his leg. Later Evan fell from a beam in
the barn without being seriously hurt, and when he was
eleven a furious ram kept him in a tree for several
hours. Their clothes and their bodies exhaled a faint
animal odor, which, according to their father, made
the house smell like a wigwam. They were afraid of
girls, and preferred each other to their friends. Undernourished
but energetic, half savage but hopeful,
a poor farmer’s ordinary sons, dressed in overalls or
grown men’s clothes hastily cut down, with copper toes
on their boots and rabbits’ feet in their pockets for
good luck—until their late adolescence they were as
much alike as young dogs of the same litter.
Then mature character developed out of the characterlessness
of boyhood, and they drew apart, at first
imperceptibly, then with decision, as if, while roving
like aimless wild animals over the countryside, they
had come upon roads leading in three directions; and
Jim, suddenly sober and self-conscious, began to look
toward the future which the piety of his parents had
chosen for him.
Those were hard times in Wisconsin. They heard
their father say to their mother that the farm would
have to be mortgaged before long; and for some time
the younger boys thought they were as well off as
Jim, for apparently, in that family, no one could have
a start in life.
But in 1894 Timothy Davis began to send their
uncle Leander money from the West every month.
Leander was in poor health, and one day he proposed
to his brother and sister-in-law that an “old bachelor’s
wing” be added to their house; the money Timothy
sent should pay for it, keep them from running into
debt, and enable them to send Jim to college as well.
Henry and Rose promised to care for him as long as
he lived; so he gave up the mail route, sold his house
and garden, and as soon as the new rooms were completed
made his home in one of them, where he sat
by himself all day, paying no attention to the farmwork,
rarely taking part in family discussions, and
watching his nephews with the timid solicitude which
is an old bachelor’s way of loving another man’s sons.
The youngest, Evan, was a wistful, freckled stripling
with a quick temper. The path of an unlucky life
seemed to have been blazed ahead of this boy by his
peculiar spirit which no one understood, and people
began to say that he would come to a bad end. He
loved no one but his uncle, and it was certain that he
and his father would never be at peace. He kept
threatening to run away from home, and Ralph at
least knew that sooner or later he would.
Ralph wanted to go to a school in Milwaukee and
become a veterinary surgeon, having a passion for
animals, dreaming of race horses, and prize bulls, and
dogs worth as much as a whole farm. But he was obviously
the one who would never go anywhere, who
would have to make sacrifices, and learn to be patient
with their father as he grew old and arbitrary. His
brothers were going to leave the country, but he would
have to turn back among the still only half-cultivated
hills, to go on being what they had all been as ignorant
children, what their forefathers had been: a
child of nature. He was strong, obedient, and moody,
resenting what the future might do, as if, mysteriously,
at the age of eighteen, the past had already done its
worst.
In the autumn of 1895 Jim, the lucky one, went
off alone to a little college town to learn how to preach
virtue and pious progress and the fear of God: a
rudely handsome young man, anxious, awkward, and
eager to please. The allowance which he received
from home was inadequate, though it looked so generous
to his puritan father, so magical to his brothers;
but his pleasant face made it easy to find employment
in the afternoons and evenings; he was used to harder
work, and study was child’s play.
He had many talents, and for four years he was
pleasantly occupied by small, gratifying successes.
There were boating parties, Sunday night suppers, and
picnics; embarrassed, idealistic friendships; and a
series of best girls with rigid waists, pompous hats, and
exciting flounces. He took part in the brutal wedge-football
of the period, winning as a trophy a turtlenecked
sweater adorned with a great scarlet A. His
hair parted in the middle and falling over each ear in
a loose, blond wave, he won an oratorical contest with
a speech called “Macbeth and Iago, or Intellect and
Ambition.” He developed a fine bass voice, and
traveled all over the Middle West with a male quartet.
He was photographed again and again, usually
in profile, and clippings from small-town newspapers
were sent back to the farm, where they were read aloud
with astonishment.
Though none of his friends were irreligious, culture
seemed to be more highly regarded than mere
religion. He experienced some things and thought
about many others of which his father at least would
have disapproved. He was being prepared for life,
not precisely, he felt, for the ministry; for a glorious
destiny, perhaps, but perhaps it would seem inglorious
to his loving, narrow-minded family; and he began
to think uneasily of the hard-working men on the farm
and their expectations.
The Spanish-American War broke out, and one day
his mother wrote that Evan, having nothing to look
forward to at home, had joined the army. America
had been at peace since before Jim was born, and he
thought of war as if it were death itself, and pictured
the island in the south as a military graveyard,
full of soldiers and flowers. At any rate, reckless
Evan would be the sort of soldier who has no future;
he might as well be dead. The family had grown
smaller by one. Ralph would do what their father
had done before him—work the land and care for
the old people; there was no one but Jim left to do
what their father had wanted to do. Their father’s
life had been a long, impatient prophecy, a prophecy
of success at last for one of the Towers, which Jim
alone bore the burden of having to fulfill. So he felt
many tired, fanatic eyes upon him—not only his father’s,
but those of the other aging pioneers who had
conquered an empire in which no one had yet become
famous, and his envious brothers’ eyes, especially
Ralph’s. Dreaming of family councils around his bed
during which it was decided that he had wasted his opportunities,
Jim began to feel that, like an heir apparent,
he had no right to dream, nor to make plans or
friends, nor even to marry, except as it furthered the
ambitions which his family had, and which he was
obliged to represent.
There was a girl named Irene Geiger who, among
others, wanted to marry him. She also had a beautiful
singing voice, and intended to prepare herself for
grand opera. They sang together. Her father, a
wealthy brewer of German birth, said with great feeling:
“Young fellow, you certainly sing fine. You must
get your voice trained.”
Jim dreamed of changing the direction of his life,
knowing that if he married this cheerful, ambitious
girl, her father would give him every opportunity,
sparing no expense. He told himself that his family
expected of him fame, having passed their lives in obscurity,
and prosperity which they might share, having
for generations lived and died in poverty; that he
stood on the brilliant threshold of an unexpected life,
of a career more brilliant than the ministry; and finally
that music as well was a divine persuasion, like argument
and prayer. He pictured himself in a satin suit
and the blaze of footlights, singing as easily as a
meadow lark, while the large bouquets of admirers
who had forgotten all their troubles fell on the stage
around him. He was at once listener and singer, and
a flood that was both light and sound troubled him
and then made him forget his trouble. A sort of excitement
poured also from that imaginary stage into
his mind, even into his body, so that when he held
Irene’s hand he fancied that he loved her as the heroes
of music loved their heroines; for a moment he forgot
not only the imaginary audience, but the actual audience
of father, mother, and brother, anxiously watching
his life.
Would not his father and brother be ill at ease in
that future audience, with their Sunday coats glossy at
the elbows, their celluloid collars slipping up around
their strong, red throats, their hands hardened by
hammers and shovels and harnesses? At the thought
of them, Jim felt lonesome and cold, though he stood
with his sweetheart under the chestnuts on the campus,
and though those chestnuts were in bloom; and he
remembered how, when he was a six-year-old boy,
walking home alone in a winter twilight through the
woods, having found a handmade whistle in his pocket,
he had blown on it as loudly as he could, in order to
forget that he might get lost and freeze to death;
perhaps that was what music was for....
Irene was very much in love, and often embarrassed
him by forcing her way into his heart, as a woman
might throw open a door and rustle into a room where
a young man—his heavy head in his hands, his forehead
wrinkled, his eyes half closed—broods upon his
limited resources, and his ambitions, and the opposition
to them which may arise. But his new ambitions
were hers as well, and she held in her generous hands
resources which seemed to him scarcely limited at all.
So at last he made up his mind to marry her.
At the end of May, chaperoned by her cousin, a
sturdy German spinster, he took her to Hope’s Corner
to be seen by his parents, taking with him as well
for their approval his new plans for the future, about
which he had not dared to write a letter. As they drew
near the farm he thought of the old-fashioned morality
of which it was an unbroken stronghold, and began to
study the bright, overdressed girl beside him with
anxiety, almost with disapprobation; and he wished
that Evan were there, so that by contrast he might
seem to his father an obedient son—that his uncle
Leander were there to defend him, as he always defended
the young against the old.
After Evan had gone away to war, Leander had
fallen ill, and upon his recovery had announced that
he was going to California. “A sick spell at my time
of life shows the way the wind is blowing. I want to
see Tim again before I die.” Knowing that he overestimated
his strength, and hoping that he still had a
long time to live, the family had discouraged him;
but a little before Jim’s visit he had set out alone.
So Jim would have to speak for himself; and in
imagination, he heard himself stuttering, or saw himself
unable to say anything at all.
In the evening, after the preliminary greetings had
been accomplished by his parents with a noncommittal,
awkward, but faultless courtesy, the German girl, eager
and unabashed, sat down on the organ stool, and sang,
“I dreamt I dwelt in marble halls.” Jim sang, and
joined her in one or two duets. Then she played the
prelude of a passionate aria; the old cabinet organ
rattled as her vigorous tread filled the bellows with
air, as her capable hands pulled out stop after stop;
and when she pressed open the swell-box, her skirt
spread out over her knees like a great satin bagpipe.
But Jim whispered that this piece would not please the
family, and they sang instead a two-part anthem. Irene
looked appealingly, as it were over the series of strong,
high notes, toward his parents, and gazed at Ralph
as a woman in love does gaze at a young man who may
become her brother-in-law—gazed, in fact, a moment
longer than she ought to have done.
The stern father, though proud of Jim’s talent and
his own understanding of music, listened suspiciously.
Little Flora wept with pleasure. Their mother said,
“Now that—that is singing I can appreciate. I wish
Evan and Leander were here to enjoy it.”
Then Flora was sent to bed. Ralph took a lamp,
escorted the two ladies, who pretended to be tired, to
their room, and returned. Jim was standing dramatically
in front of the organ, as if he were going to sing
again—without accompaniment this time.
“Pa—ma—” he said, “I want to marry Irene.”
Ralph blushed. Jim looked at his mother, and she
looked at her husband for permission to congratulate
her son, but his face was inexpressive; his twisted
hands, one on each knee, did not move.
The silence was miserable. Jim ran his forefinger
around his collar. “I want to be a singer. I guess
I’ll give concerts, with her. I can do that better, better
than be a minister.”
At last the father answered. “No. It’s not right.
I won’t have it. We’ve spent too much on your schooling—”
“It won’t cost you a cent,” Jim pleaded. “Irene’s
father is well off. I’ll be trained with her.”
“How did he make all this money?” his father inquired
scornfully.
“He’s a ... He was a—brewer,” the young man
admitted.
“There you are. A brewer!” his father snapped.
“I tell you, it’s enough to make a man lose heart!”
Jim’s mother said, “Now, Henry, if he’s set his
mind on it—”
“No, sir. I didn’t bring up my son to be a good-for-nothing
singer.”
There followed another sharp silence.
Jim bit his lips, cried, “I’m a grown man,” and
strode out of the room.
Presently Ralph said, “Good night, pa and ma,”
and followed his brother.
The mother rose. “Well, Henry, they’ll have to
get married sooner or later. And live their own lives.
We can’t stop them.”
“Say no more about it,” he replied.
She went into the kitchen, set the batter for the
breakfast pancakes on the stove to rise, and began to
prepare for the night.
Henry Tower noticed that he had been left alone.
After a time he pulled open the top drawer of a bureau,
took out his flutes and his fife, unwrapped their
flannel coverings, and lifted them one by one to his
lips. He gazed into the finger holes, which had looked
up at him all during the last war like a row of small,
expressionless eyes. His favorite son a good-for-nothing
singer.... He was glad that Evan, the least
obedient, was a soldier; war was bad, but better than
disgraceful behavior. He blew very softly into the
flutes, not only so that no one in the house should know
what he was doing—that part of him which loved
music playing so softly that the part of him which
hated it could not hear; as, of two people lying side
by side, the one who is sleepless whistles a little in the
night. He knew what no one else had discovered, that
he was growing deaf. His rheumatic hands closed on
the flutes as if he meant to break them, and he walked
across to the window as if he meant to throw them
away.
His wife opened the bedroom door. She saw him
put away the instruments and wished that she had
not, knowing that when his weakness had been exposed
he never gave in to it. She sighed, for her husband,
for her son—whichever would have to give up in the
end. The Towers would have to settle their differences
between them; she could not take sides.
Meanwhile, in the room over their heads, the boys
were undressing slowly. Jim sat in his nightshirt,
staring angrily at an eagle woven in the rag rug with
its wings outspread; it was clear from his expression
that he meant to go against his father’s will.
Ralph threw his shirt and trousers on a chair, and
removed them at once, lest the odor of the stables be
transferred to his brother’s college clothes. “You
can’t do it,” he said without any introduction. “Can’t
marry her, Jim.”
Jim looked up hopelessly. He expected sympathy
and encouragement from everyone as young or younger
than he, but they were all against him; Ralph on his
father’s side.... “Pa’s too old-fashioned,” he muttered.
“Unreasonable. Things are changing.”
“I’m not talking about pa. Getting married doesn’t
change much.”
“What do you mean, then?”
In the silent room both brothers breathed heavily,
and the lamp gulped on the table as the kerosene went
up the wick, and they could hear the blows of a horse’s
hoofs in the stall, like those of a fist on a great wooden
opponent.
“Well ...” Ralph began gloomily—“Well, when
I took her to her room, that old maid went ahead.
Your girl held my hand. She kissed me.” Knowing
his own passions, he expected to see an angry movement
or a change of color, but Jim only prodded the
rag eagle with one foot.
“You know,” Ralph went on, “I’m going to get
married pretty soon. Marianne Duff. Her engagement
to that bishop’s boy turned out to be nothing.
We love each other. She wouldn’t do what your girl
did. I couldn’t have such a thing happen.”
Jim stared in astonishment at his brother, his brother’s
excited eyes, his large earth-colored hands working
to turn back the cuffs of the nightshirt. Jealousy,
the jealousy that a man ought to feel, that he ought
to feel and did not.... He asked himself if he really
loved Irene.
“Besides,” Ralph insisted, “you hadn’t ought to be
a singer. Pa’s made sacrifices. Only one of us boys
could have a chance. I gave up wanting to be a veterinary
so you could be a minister—we all want you to.
You sing well enough already. Singing doesn’t count—it’s
not much of a man’s job.”
Jim’s dream of a career changed. Everyone left
the great hall in which he had wanted to sing, that is,
everyone he loved; just a few supercilious strangers
would be there, to make fun of the country boy—no
one who loved him. Suddenly he felt that it was a
lonesome business to have his good luck and be educated.
Apparently, in a measure, it would satisfy
Ralph to have his lucky brother preaching the gospel.
Apparently music was a private, even a selfish pleasure,
whereas religion comforted everyone. It was a lonesome
business to be selfish.
Ralph had nothing to add. He knelt on his side of
the bed to say his prayers, forcing Jim to his knees,
though there was not a whisper of thanksgiving in his
heart and he did not know what to ask for. Looking
strangely weary and deaf, Ralph said his prayers
proudly, with his eyes only half shut, as at the end of
a serious council the head of a family prays for them
all. Jim felt like a boy who has heard the last words
of a father or grandfather, and is afraid to try to get
along without a blessing. Ralph was younger than
himself, but it takes youth and strength to represent
an authority as immortally old as that seemed to be.
Over the patchwork quilt—of serviceable materials
that had worn well, in dull colors that did not fade—Ralph’s
dark head, as he whispered almost perfunctorily
to himself and God, nodded slightly as if he
were giving his consent to something and refusing
something else. Refusing Jim’s new ambitions; refusing,
incidentally, the girl who was not worthy of
being his sister-in-law....
Then Jim thought that only a man who is nobody’s
son and brother can do what he likes—he had been
a son and brother before he knew what music was.
He had seemed for a few months to be an exception
to the family rule of disappointment; there were to
be no exceptions. His dream of a career, the career
of the dream itself, was over. Whether he liked it or
not, it would be a lifework in itself to recompense
them for the opportunities they had given him; whatever
he wanted to represent, from now on he would
have to represent their ideals. Perhaps, he thought,
that is all it means to be a servant of God.
As a servant of God he felt exceedingly humble,
so humble in fact that he did not feel ashamed—not
of having disappointed them, nor of being about to
disappoint Irene, nor of the likelihood of disappointing
himself all the rest of his life. Ralph, though
younger, was more of a man than he; as he stood up,
Jim saw how his body was one hard, thick knot from
head to foot, which would never be untied. Love in
Ralph’s heart was the passion which he had pretended
to feel, which he might pretend to feel again, and perhaps
never would. Ralph, at the end of a hard day’s
work, said his prayers with a sober passion, as he
ought to be able to do and was not. Ralph, as if by
inheritance or by instinct, had in his heart love, and
religion, and obedience.
He himself, James Arthur Tower, had only his talents.
A mouthpiece, to sing only when the joy of
others required song, which was not often; to pray,
whether he had anything to pray for or not, out loud,
for others, because he had a gift of speech.... Just
as Ralph rose from his knees, Jim thought of his
prayer, the prayer of all such men as he: that he might
make use of other people’s passion, in his life—he
would have need of it; and that those who loved him
should have no reason to be ashamed of him; and that
he might never be found out. His will had been
broken, and he felt as if he did not have a heart of his
own to break. Ralph blew out the lamp, and the two
brothers slipped into bed.
Next morning the postman, Leander’s successor,
brought the news of Leander’s death. He had had a
stroke of paralysis on his journey west, had been taken
from the train to a hospital in Oklahoma, and after
lying unconscious for three days, had passed away.
The letter came from the Catholic priest who had
buried him.
In the sorrow and confusion of that morning Jim’s
trouble was almost forgotten. He could not wait for
it to be remembered, having to return to college with
his guests. His father took leave of him with these
words: “Well, Jim, we know best. You’ll get over
it.”
Jim gazed at Ralph; Ralph stared impassively at
him.
“You’ve got a duty in this world,” their father
added. “You’ve got to bear witness for the Lord.
Remember that.”
Irene overheard, and did not altogether misinterpret
their glances, in which there was evidence of mourning
for something beside the old bachelor’s death—mourning
in which she, though a stranger, had a part.
As they went back in the little slow train, the German
aunt who believed that a prompt marriage must
have been arranged, peering into their gloomy faces,
congratulated herself aloud on the fact that she was
an old maid.
Jim never told Irene that the visit had failed, that
his father and brother were stronger than he; she
did not need to be told. A flood of tears seemed to
run into her heart whenever she thought of it, whenever
she sang; but all her friends and even she herself
observed that it gave her voice a new beauty,
which encouraged her to go on with her career alone.
Jim worked all summer as the college president’s
secretary, entered a theological seminary in the autumn,
and at the end of September went home to be
the best man at his brother’s marriage to Marianne
Duff.
10. His Mother’s Girlhood and Marriage
Ira and Ursula Duff, Alwyn’s maternal grandparents,
were unhappily married; moral fanaticism
and the extraordinary strength of both their
characters had made of this common situation a bizarre
tragedy. He was despotic and malicious, but she had
succeeded, by intelligent malice and courage, in living
in harmony with him, if not in peace. He was consistently
insincere; she was too haughty to hide her
resentment or explain it, and in general bore all the
blame. Even their two sons, when as adolescents they
ran away from home, muttered that it was their mother
who was a demon.
She was a woman of singular beauty; her regular
features wore a scarcely perceptible grimace of disdain;
her protuberant eyes were piercing and sad.
As she uttered the most cruel opinions very audibly,
very mildly, there was never a trace of emotion in her
melodious voice. All those who had anything to hide,
even from themselves, had reason to fear or detest
her; and her husband made friends with them on that
basis. Accused by resentful neighbors and relatives
of being unworthy of affection, she was too candid in
her own defense; which not only offended the few admirers
of her virtue and intelligence who accused her
of nothing, but exposed her anew to her husband’s
skillful vindictiveness.
So it was in an atmosphere of anger and idealism
that Alwyn’s mother grew up, devoutly sheltered from
immorality and irreligion, cruelly exposed to still more
cruel passions: a lonely little girl singing old hymns and
memorizing long rhymed prayers in the shadow of a
woman’s disaster, watching intently with large, gray-green
eyes, but asking no questions.
As a child of eight Marianne saw that her mother
had no friends, clung to her as if to hide the fact that
no one else had the courage to love her, and began to
receive in consequence all the tenderness of which that
supposedly hard heart was capable.
At the age of twelve she had to admit that her
mother was in fact proud and mercilessly outspoken,
and had to learn not to try to defend her, even against
schoolmates who had heard that she was a sort of
witch.
When her brothers left home, Marianne would have
hated them for their injustice and lack of respect, had
not the Gospels which her mother read aloud to her
every afternoon expressly forbidden hate. Before
she was fourteen she realized that her father had fostered
their resentment; that her mother’s unpopularity
as a whole was his work; that he was a sort of sorcerer,
unctuous and loquacious, who had shut her up behind
an impenetrable wall of his deceit, his pathos, his
private unkindness and public saintliness, where she
was growing old angrily, like an innocent prisoner in
a mysterious jail.
Then, as ignorant people fear death and happy
people, pain, Marianne feared the further effects of
his malice. What was to protect her when her turn to
be its victim came? At fifteen she prayed every night
and morning that he might grow gentle by a sudden
disenchantment; but later she imagined that there were
pure spirits who may not change, and thereafter pitied
him, more or less as the devil has always been pitied by
devout women.
His hypocrisy put her on her guard against life’s
prevailing hypocrisy. Her mother’s utter loneliness
suggested the solitude of the soul which only living for
others could alleviate. Continually on trial before
those whom she knew, her mother was like all men and
women before God sitting in judgment. It was easy to
conceive a half-divine Spirit, all malice, in the image of
her father; and to love so cold and enigmatic a mother
confidently was in itself a sort of mysticism. It was
but a short step to that of the Protestant faith: the
lonely effort to distinguish every false appearance from
its hidden reality and the entire world of this world
from the immortal universe; the hopeless effort to discover
how to be free of the one and serve only the
other.
In the month of June of her sixteenth year, in the
presence of everyone she knew, she was baptized by
immersion in the Anne River during a Free Will Baptist
revival.
Her father offered a long, vain prayer at the water’s
edge. The people of the congregation, otherwise
merely those who detested her mother, drew closer
like a crowd of saints—hard, loving faces all scarred
with shadows under the willows, in the summer sunshine.
She took three steps forward on the spongy
bank. Then the first touch of the cold current seemed
to burn her bare feet, and the minister’s arms hurt
her a little as they bent her backward. For a moment
she believed that she was drowning, infinitely far beneath
the suffocating, bitter, heavy, noisy water, though
the Anne River was shallow.
Later she cried uncontrollably in her mother’s arms;
but when she recovered from the shock of the ceremony,
she found that she was happy and felt that she
needed her mother less than before. By the river
water, by the pure shame and excitement, an ignorant
girl had been made responsible to God—lonesomely
so, without an intermediary—for a grown woman’s
life. She was as jealous of that responsibility as if it
were pure love; not even her mother should share it.
This was formally the end of childhood. But she believed
that she could keep its happiness as long as she
kept its purity. Happiness was a duty as well as a
miracle....
Meanwhile her mother’s melancholy increased, and
after her baptism Marianne regarded it with a new,
anxious independence. Her mother was as pure as a
child. But did not virtue lead to happiness? What
was it, then, which ruled her, and took away her
illusions, and led her on from one defiance to another,
the days of her life leading nowhere? If she imitated
her mother, where would she be led? She was afraid
to follow further, even in imagination.
In her nineteenth year she had a strange dream.
There was a tall hedge of exceedingly dark foliage,
and suddenly the thick leaves were drawn apart like
a curtain. Her mother entered between them, very
quick and stately, as if upon a stage or into a circus
(though Marianne had never been to the theater and
had seen only the outside of a circus tent). The dream
went on; she grew more and more frightened. Her
mother rode an iron-gray horse, seated upon a woman’s
saddle, her full skirts folded and wrinkled in a great
heap behind her, wearing a small hat with a red veil,
holding in her hands a bow and arrow. She rode out
of the woods and down along the river in which Marianne
had been baptized, and splashed into the water;
and wherever she went, all those who were not pure of
heart fell down and disappeared—not because she
wished them harm, but because neither their joy nor
their sadness could be compared with her sadness. And
although she came out of the forest as a sort of Diana—Diana
dressed as women did dress in Marianne’s
girlhood—Marianne understood that she had been
driven there like a hunted animal, and had merely disguised
herself as a huntress in order to escape.
That dream so minutely painted, that hour of sleep
drawn tight like a piece of canvas, hung for months,
a bright, heavy picture, over the bed in which she slept.
It drifted out of itself into other dreams, mingling with
their lack of meaning, and troubled her for days at
a time.
Thereafter she loved her mother without trying
to draw any conclusions. Virtue did lead to happiness....
In her mother’s life, childlike purity had
led only to an old woman’s despair (for she was already
growing old); but that life was exceptional and
not for her to try to understand. Such an extremity
of sadness was a wild thing, dangerous even to see. It
was as if God had permitted a heathen disaster to take
place, perhaps merely to show His mystery, perhaps
to teach His angels a lesson; there was nothing in it
for human beings, at least for Marianne, to learn....
And thereafter she would no sooner have thought of
going to her mother for advice than of kneeling in the
woods before an Indian mound, or whispering her
troubles to a spring of cold water, like a savage. Thus,
uneasily, her thought ran ahead of her from day to
day toward the future, very softly, very fatally, coming
between her and her mother, until her twentieth
year, when she met with the accident of love.
One evening in the spring of that year, outside the
Hope’s Corner schoolhouse, Ralph Tower, without
warning, lifted both her hands and took her lips between
his lips—for one second that was long. They
were standing in the dark on the trodden ground under
a honey locust in bloom which poured its fragrance
down upon their heads. Marianne felt a painful astonishment—a
strange emotion, because the astonishment
was recognition and the pain seemed to be a
privilege.
“I’m sorry,” Ralph muttered, and ran and stumbled
back to the bright schoolhouse, where a party was in
progress.
He had left her all alone. Luxuriously the locust
shook out its flowers in dead-white clusters. There
was no warmth in the blood which ran up and down
her veins. She stood there, trembling, and did not
cry.
Then she realized that even as a little girl she had
been pleased by this boy who was now a man, and
that suddenly she had been made a woman. Her
modesty had prevented her from counting the number
of recollections which had linked her to him with
that prolonged attentiveness which is the innocent
heart’s way of hoping. If she had counted them, she
would have been afraid to come out alone with him in
the dark. Now it was too late, but she could not keep
from doing so, nevertheless.
The people in the schoolhouse (her mother, her
father, perhaps even Ralph—all that family sang)
began an old song, Farmer in the Dell. As automatically
as an echo, her mind repeated the words
after them, though she could hear only the tune. But
instead of going inside, she crept into her father’s
carriage in the shed until her mother came out to find
her and they went home.
No one had ever touched her before. Her mother
had taught her that she should never be kissed except
by the man who loved her, whom she loved, and whom
she would be permitted by marriage to love as long
as she lived; to her sober spirit this had seemed very
natural. For another month she was confident in the
future—that is, in their eventual love, betrothal, and
marriage; but her confidence steadily diminished.
But Ralph said nothing about it, indeed avoided
every opportunity to see her alone; and whenever they
happened to meet, some sort of fear was evident from
his expression. She read its meaning: fear of what she
had been led to expect, fear of consequences....
She tried to believe that she misunderstood it; she
tried to endure her final conviction that she had not.
She did not complain to her mother; she tried not to
do so even in whispers to herself.
She could make no effort, neither ask for an explanation
nor undertake even the humblest tentative of
intimacy. This was a woman’s weakness; but by
protecting her from further humiliation, it counted as
strength, and she resented it as strength; for she
thought that she would like to pay her humiliation the
compliment of illness or even death.
She had nothing to look forward to, so she looked
back at her lost innocence, the reverse of a promised
land, exaggerating its perfection and its peace. So
swiftly, so gently, so thoroughly, her happiness had
been undone.... As a flying seed will debauch a
whole meadow with flowers, one kiss, one caress not
even wished for, had spoiled her peace of mind, even
her good health. For there were rhythms in her body
to which she stumbled impatiently when she went out
to walk alone. There was fever in her forehead, and
an abnormal snowy freshness on her lips and tongue.
Her pillow was full of faces which were terribly alike,
and when finally she fell asleep, her own hands touched
her and woke her up, seeming to be the young farmer’s
hand which had taken them that night against her
will, and locked them both easily in its palm, and let
them go again too soon, also against her will. Her
will was weak and wasted itself upon opposite
wishes....
When she had explained why she had hid in the
carriage outside the schoolhouse, her mother had said,
“Now you must forget all about it.”
She envied the simplicity of this attitude, ready now
to pay its price in sorrow, since there was sorrow in
any case. But if the episode had actually been repeated,
as it was in several misty dreams during the
summer, she would have kept her own counsel. She
was no longer a young girl over whom a mother may
watch, but more a woman than her mother, who had
left a part of womanhood behind her when she lost
her confidence in others, her readiness to weep, her
hope. Marianne had hope, though nothing to hope
for; and tears often refreshed her as her mother was
never refreshed by anything.
Meanwhile, the midsummer peonies broke into
bloom, and their stems broke down under the weight
upon the shabby lawns. Her mother’s little peacock
opened its feathers and fanned itself nervously, and
before it rained fluttered upon the gables, whimpering
in a clear, disagreeable voice. The sun rose in what
had been the dead of night, wearing upon the horizon
a bright humidity like a mask of hot iron and
pearls....
And perpetually she saw in imagination the strong,
homely young farmer’s face, visibly, invisibly, beside
everything which her small world contained, as if it
were a tear in the corner of her eye.
What had she done to deserve this misery—sickness
and magic mixed? Had she ever wished for love?
Never—not in a single daydream, not for one lonely
moment of unwilling aloofness among other girls in
love. Ralph alone was to blame.
She thought that it was her Christian training which
enabled her to forgive him, but found forgiveness all
too easy, being merely a disguise of love. Until she
stopped forgiving him—that is, stopped loving him—he
would continue to hurt her; there would be continually
more for which he would have to be forgiven.
So, because she loved him, she ought to do penance for
the wrong he had done, by hating him.... She could
not even keep clear in her mind these duties of disappointed
love, much less accomplish any of them.
There were other sources of bewilderment. For
one whose eyelids droop and whose eyes ache, the
world itself seems to be shrunken and inflamed; so the
atmosphere of her home grew even more sinister than
it had been when, but for its unhappiness, she would
have been happy. It would not be difficult, now that
she knew the sickness love produced, to keep her virtue
perfect; but with her heart so stripped of its indifference,
so stimulated as if by a drug, she began to
fear for her faith, dreading the influence upon it of
her mother’s loveless irony, her father’s piety and
lies.
So she resolved to leave home as soon as possible.
In the autumn she went away to a teachers’ college,
and soon after Christmas accepted a vacant position
in a Sheboygan school. She should have been happy
there. Her slight beauty ripened with a delicate
solemnity; she had inherited her mother’s good taste
in dress and gestures and ways of speech, which emphasized
her gentle virtues; and she was loved by
everyone. Loneliness had been a child’s palace and
stronghold, but since it had been broken into by the
young farmer, the image of whose briefly passionate
face she could not put out, she was afraid to stay in
it. So she made friends with Evangeline Gay, a woman
ten years older than she who had a small independent
income and lived with a brother and his wife; and
later accepted the attentions of a suitor named Paul
Fairchild, the son of the Episcopalian bishop of Sheboygan.
Having prepared himself for the law and then lived
in England with his mother’s relatives, Paul Fairchild
had come back to Wisconsin to rest after an
illness. He was idle, romantic, and not quite candid;
the sort of young man who seems to be a bachelor as
soon as boyhood is over, very likely to be passionately
in love, but unlikely to attach much importance to the
fact.
Marianne took pleasure in his politeness and his
culture. Hoping it was true, she wrote to her mother
that if he continued to deserve her respect, she might
learn to love him and be willing to consider becoming
his wife.
Her father got up in the night, took the letter
from the pocket inside her mother’s skirt as he often
did, read it, replaced it, and the next morning began
to announce to his friends and his enemies, “My
daughter is engaged to the Episcopalian bishop’s son.”
Bishop Fairchild was a famous man; his son, who
had lived in his father’s diocese only a few months at
a time, had aroused everyone’s curiosity. Emphasized
by Ira Duff’s extravagant way of speech, the news
traveled quickly and widely.
Late one afternoon Paul Fairchild came into Marianne’s
schoolroom and said, “Your father says that
we’re engaged. So much the better. I love you.”
Shocked and confused, ashamed of having written
anything to her mother before he had spoken,
Marianne did not deny it, did not protest, and was
scarcely aware of his discourtesy. But, pressing her
hands against his shoulders, she did avoid his kiss.
“Please go now. I have work to do. I must—”
She lost her voice. She sat down at the desk. Her
cold fingers fluttered the sheets of paper on which her
pupils had written themes; on the first page she read,
in a small boy’s determined hand, “The Stars.” She
saw, far off at the left, the winter sun going down,
divided into squares by the window.
“Please go. I must work,” she repeated; and then
her body sagged against the table—she had fainted
away. Her head fell forward and lay on the pile
of themes as if it were a pillow.
The young man caught her shoulders so that she
did not slip out of the chair, and stood there in stupid
astonishment, unable for a moment to rouse himself
from his emotions of a lover. Out of a great white
jug marked Water drops fell in threes to the pail
below with the rhythm of a waltz. But he could not
move to put water on her face without letting her
fall....
In the school yard several pupils drew near; one
of them was crying; one spoke loudly in a sneering
voice. The young man was embarrassed; if they
should come in.... He judged by the sound of
their voices that they were old enough to understand,
to misunderstand.
He lifted Marianne in his arms and put her down
on a bench. Then he took one of her hands to kiss
it, but at that moment her heavy, weak eyelids opened.
“The Stars,” she said. “Oh, what is it? What has
happened?”
The young man smiled and looked ashamed.
“I am all right now.” She drank a glass of water
eagerly, as if it were from thirst that she was suffering.
“Please go.”
But he did not move. Then she saw his troubled
eyes running to the windows and the door, and understood
him better; so she added: “You must. I asked
Evangeline Gay to come here for me.”
He left her alone, seeming glad of an excuse.
It was a poor excuse, for she had asked no one to
come. She dragged herself back through the snow
to the house where she lived, and with ice-cold hands
laid herself in her bed as if she were a dead body.
She felt little resentment toward her father or either
of her lovers. What had happened was more odious
than human conduct could be; it was like an illness,
like the progress of an illness from the forefinger
to the ring finger, from the arm to the breast, and
so on.... An illness which would not even kill her;
but her self-respect was dead—worn out, suffocated,
filthily bandaged, and still sore, though it was dead.
If life was like this, was she duty bound to live?
If her soul was immortal and could be so compromised,
would it do any good to die? Marriage sprung like
a trap beneath her driven feet; God the father
as dishonest as her father, tricking her with
accidents....
For a moment, in her sorrow, she destroyed her
God. Horrified by the involuntary evil of her thought,
she beat her forehead with her fists, closed her eyes,
and wished that she might never have to open the
latter again as long as she should be obliged to live.
For a moment she had destroyed God; but because
she loved Him, she created Him again.
So she determined to accept it all: the consequences
of her mother’s betrayal, her father’s lying, Ralph’s
neglect, and Paul Fairchild’s love. Crumpled up on
the bed, stone-cold in the cold, red light of the sunset
which poured through the window, she fought intelligently
to keep her soul from falling down to hell. For
if she rejected what God permitted, she believed, it
would fall and change as it fell, as certain angels had
done, into a dead-alive thing whose eternity was all
one such afternoon....
But could she, with courage and intelligence, hold
herself at a certain altitude above all evil, including
death—as the wings of a bird hold it for a moment
in the air after a bullet has lodged in its heart, opened
its heart? Could such a moment last as long as her
life? She spread out in imagination her youth and
her bravery as if they were wings. Suddenly she felt
that she was ready—that is, ready to marry Paul
Fairchild. And he should not discover what was in
her heart; Ralph should not either, nor, perhaps,
should God.... She would lie to them faithfully
by the way she would live; she would love them all
three equally.
Something like a soothing drug was running in her
veins where the blood had seemed to cease to run.
Her landlady knocked at the door and called her to
supper; she did not answer.
She lay there without answering until she heard
a familiar whistling. Then she rose and slipped carefully
along the wall toward the window until she
could see into the street where Paul Fairchild was
gazing up over the hedge with a bunch of yellow roses
in his hand. Hiding behind a half-closed shutter,
Marianne tried to like his vague, intelligent face and
at this distance, unknown to him, to enjoy the roses.
He whistled again; she did not show herself at the
window. To-morrow she would be ready for him....
She studied his anxiety and discontent, and watched
him go away.
That night she wrote a letter to her mother to
announce her engagement definitely, phrasing it in such
a way as to put her father in the right without asking
what had happened to betray her.
The night was as long as a lifetime. In effect, so
strong was her imagination, it was a lifetime—that of
Paul Fairchild’s wife. She was by nature and training
too just to think that the future would be uniformly
unhappy; but a definite distaste was occasioned by her
anticipation of certain pleasures and rewards which
ought to fulfill, but would surely fail to fulfill, her
dearest hopes....
Nevertheless, she was content with her decision—above
all, proud of it. Her loneliness, if she did not
marry, would be a perpetual reproach to Ralph for
the wrong he had done her; and altogether womanly
in her passion, she believed that she did not want him
to have to give it a moment’s thought. Now that she
had given him up, she could say proudly to herself as
often as she liked that she loved him, which helped
her endure the humiliating fact that he had never
loved her. And when, just before the dawn, she said
her prayers, bowing before God’s pride, she gave
thanks as well for her own, saying that it was the spirit
of God in her heart. Her mother, under different circumstances,
had said as much.
Marianne’s engagement to Paul Fairchild lasted all
that summer. She became the governess of a banker’s
children in order not to have to return to Hope’s Corner.
Her mother believed that she wanted to be with
her future husband, and referred to her happiness in
every letter with an unhappy woman’s skepticism and
envy.
But by autumn Marianne had given up hope of
every sort of happiness. Her thought was all anger,
and it trembled upon her lips in sentences already
formed; so she began to have to look forward shamefully
to the time when she would be saying things as
spiteful as those for which her mother was famous.
All her life she had seen what marriage could be at its
worst—hers would be as bad; even her good qualities
would play an evil rôle, as her mother’s had done. Her
life, more and more like her mother’s, more and more
thoroughly spoiled.... An unkind fate having set
to work to spoil it, she herself had added the finishing
touch by promising to marry.
Every day she told herself that she ought formally
to break her promise. But Paul loved her; he would
be crafty as he had been in the beginning; she was
tired—increasingly tired since that night in the spring
when with such difficulty she had made up her mind
to do what was still undone. So tired that the events
of the past and finally those of the present merely
haunted her, as life haunts one upon a sick bed who
may be alive and may be dead, who cannot tell....
Day by day the future tiptoed carefully across the present
into the past without waking her from this nightmare
of being about to marry a man whom she did
not love in the least.
Often she did not think of him as her future husband,
and he did not always try to usurp a husband’s
privileges. Then she found him an agreeable companion,
distracting her attention even from their relationship,
consoling her even for distress which he
alone had caused.
But by the autumn she was entirely disillusioned as
to his character. He was weak, indolent, naturally
irreligious, naturally libertine. He gave her no opportunity
to know his father, the bishop, never spoke of
his mother, and expressed no desire to visit her parents.
He seemed unwilling to wait for God’s blessing upon
their union, and meanwhile did not help her to fix a
date for the marriage.
Patiently, tactfully, with that deliberate pretense
of innocence which is the youngest and purest form of
cynicism, she avoided his caresses. Often she tried to
persuade herself of an emotion which even then it
was her duty to feel, or tried to believe that she would
love him in time, in due time. On these occasions she
realized that she would never marry him, and was bitterly
ashamed of herself for not telling him so.
During the summer he found two gaited horses
which he could rent, and taught Marianne to ride. On
a gray horse, in a broadcloth dress turned into a riding
habit, she looked exactly as her mother had looked
in the dream two years before, and often thought of
the resemblance. One afternoon late in October they
rode out along the bluffs over Lake Michigan, and
came to a wooded hill surrounded by a fence, and
could not find a gate. So they dismounted, tied the
horses, and made their way up through the woods toward
a little cliff which they had seen from the road,
in order to look down from it upon the lake.
The ironwoods made a pallid, artificial evening, in
which Marianne observed an ugly expression on Paul’s
face: a repeated look sideways, a crude, unspoken
syllable in one corner of his mouth, a stiff wrinkle from
one temple to the other across his forehead.... He
walked a step or two behind, stared hard at her, and
stumbled. Glancing back over her shoulder, Marianne
watched this expression with eager, unsympathetic
interest, seeing suddenly that his love, if it were
provoked, might provoke her hate, and so set her
free. They came out under the harder stare of the
whole sky in the clearing on top of the hill.
Among the rocks they found a grassy hollow shaped
like a large armchair. They were above the horizon
like a thin-lipped shell and above a dripping cloud
which lay in it; above the lake covered with tight indentations
and ribbons of foam which were continually
being tied and torn; above a fish hawk which continually
went down and made mistakes at the surface
of the water.
But suddenly Paul cried, “This is nonsense!” and
began to pleat her skirt with his nervous hands.
She frowned and shrank away from him. “Don’t.
I don’t understand—”
“I love you,” he stammered. “I want you to love
me. Of course you don’t.” He was panting between
his words. “You sit there like an old woman. Sit
and admire nature!”
The fish hawk dropped again, plunging into one of
the indentations and breaking a great cord of foam.
Paul’s hands were fighting with her left hand. “Paul,”
she said, “you do not wish to offend me. You don’t
know what you are doing. I am afraid of you. Get
up. We must go back. If you love me, you don’t
want to hurt me. Wait—”
“Wait.... No. If you love me—now. Don’t
talk religion to me. I’ve heard nothing else all my
life and it hasn’t made me any happier or better.
Now. We are engaged. It is enough.”
Marianne knew then that she had a right to hate
him. “We were engaged. We were, until to-day. I
break my engagement now. Let me go. I tell you,
I will not marry you.” She hated him because he
smiled.
“You’d better not,” he said. “You’d better not.
Listen. Two girls promised to marry me before. They
weren’t so good as you are. Everybody knew; nobody
has paid any attention to them since. I hated
them. If you don’t marry me, people will think—they
always do, anyway. You can’t always do what
you like—I love you too much.” He was smiling, but
his eyes were full of tears.
The sweat sprang in the palms of Marianne’s hands.
He had come closer and closer to her. She tried to
say to herself that he was out of his mind and not
to blame. She struck him full in the face. At that
moment she was glad, for she knew that they were
done with each other at last; having had to defend
herself, she would not even be able to pity him again.
He sprang to his feet and stumbled a little way off
under the trees. He was pacing up and down and
beating the ground with a stick like a desperate child.
Then Marianne got up and ran down through
the woods. He did not see her in time, and she
reached the fence before he did. When she untied
her horse, its panic told her what to do: she struck
it across its nose with the reins; it galloped away.
Then she mounted Paul’s horse fearlessly, shamelessly
as well—having to sit astride because of the saddle,
her skirts pulled up almost to her knee. He tried to
follow her a little way on foot; she left him behind.
At the edge of the town she tied the horse to another
fence. No one who knew her saw her come home.
She lay across the bed with her feet and one hand
hanging toward the floor; a sort of sick paralysis held
her there. When Paul Fairchild had tried to hold
her on the hilltop, she had said to herself, “This kiss
will not hurt me as much as the other did.” She had
been mistaken; she was going to be ill.
Her landlady came up to her room. “I am not
well,” she explained. “I felt bad; I fainted away.”
“Shall I send for the doctor?”
“No. I feel better. I got too tired riding. It will
be over in a few minutes. Ask Evangeline Gay to
come.”
Evangeline Gay stood at the foot of the bed. The
girl’s eyes and mouth were empty of emotion—they
told her anxious friend nothing; but her nervous hands,
along the ruffle of the pillow and up and down the
pleats of her riding habit, like those of a deaf mute,
spelled out an extreme distress. She had a slight fever
and a greatly accelerated pulse.
“You poor child,” Evangeline said, “whatever is
the matter, it has gone on long enough. You’re going
to give up your school. I’m going to take you home.
If you’re not strong enough to talk me out of it, you’re
weak enough to do as I think best.”
Marianne obeyed orders in order not to have to talk.
Furthermore, she was ill and would not dare to get
well in Sheboygan, for Paul Fairchild would be there
at the foot of the bed as soon as she could be seen.
He came the next morning, but Evangeline had instructed
the people of the house to send him away.
At noon they set out together for Marianne’s home.
Mrs. Duff met them with a horse and buggy at the
Aaronsville station. As they passed the Hope’s Corner
schoolhouse, Marianne slipped out of the seat and
hid her drawn face in Evangeline’s lap. The mother,
who was driving, scarcely glanced at her, but stared
fiercely over the playground, among the monuments
and trees of the cemetery, and across the withered
cornfields, as if to discover there who or what it was
that had made her daughter ill.
It was a false illness, a mere excuse for her distress
of which she could give no other explanation. So except
for that moment under the honey locusts which
leaned out from the school grounds, Marianne was
able to control it until they reached home. But when
at last she lay in her own bed, a fever declared itself
with great force. It seemed to be a breathing, solid
body like that of a human being; it curled up beside
her on the same pillow, and slipped over and rested on
her breast. She slept under its weight, and there,
weeping softly even in her sleep, she was as happy as
she expected ever to be again.
Evangeline was introduced to the father, a handsome
man with curls in his beard and large eyes that
resembled lumps of some kind of blue stone. “I hope
our girl hasn’t been led into temptation off there away
from her folks and home influences,” he said. “People’s
tongues will be wagging—”
“You would do well,” his wife interrupted, “not to
speak evil of her yourself.”
The two women waited for him to leave them alone.
Then the mother cried, “What ever has happened?”
“I don’t know.”
“Is it the fault of that man she means to marry?”
“She said nothing against him.” There was a pause,
neither knowing what the other expected of her. “I
must go back to Sheboygan in the morning,” Evangeline
added. “She will be all right. She needed
rest.”
The proud woman begged her to stay. “Marianne
enjoys perfect health—it is one of the few things I am
proud of. There is some mystery about this. And I
am afraid that she will never tell me what the matter
is. She had grounds for believing that I would disapprove
of any man she meant to marry. You see, my
own marriage, though my husband and I are God-fearing
and resigned, is not all that it should be.”
She made this confession without a sign of embarrassment.
“But Marianne will not be afraid to tell you
her romantic notions, because you have never been
married.”
Ira Duff came into the room. “You understand,”
he said mournfully, “my wife is fittingly upset, for it
was she who encouraged Marianne to leave home
against my will, and hid from me this engagement to
the bishop’s son as long as she could.”
His wife laughed softly. “As long as I could
wasn’t very long, for you’re as good as any pickpocket
to ferret out my letters, and better than a town crier
to make our secrets the talk of the whole country.”
Evangeline was afraid to leave her friend alone
in such a house.
The village doctor came, failed to identify an actual
illness or to find a satisfactory explanation of the
symptoms there were, and prescribed rest and one or
two innocuous remedies, glancing meanwhile with dull
suspicion at Mrs. Duff, as if she were the cause of it
all.
Evangeline established herself in the bedroom to
watch. Marianne slept and pretended to sleep. Often
her face was languid and haughty—the face of a middle-aged
woman strong enough to die of an exceptional
weakness, without explanations, mutely. Evangeline
said to Mrs. Duff: “It is a sickness. I am not a doctor.
She has nothing to tell. I had better go back to
Sheboygan and ask no questions.”
But Marianne smiled half-heartedly one morning,
and asked to have some flowers and one of her
mother’s potted plants brought up to her room. She
said that she was hungry, though she scarcely touched
the tray when it came.
The next day was the Sabbath. The Free Will
Baptists of Hope’s Corner had united with the Presbyterians
of Aaronsville, and the minister had another
congregation to preach to in the morning; so services
were held at three o’clock. Marianne’s cousin, Clara
Peters, a grim woman who had married beneath her,
came to spend the afternoon, and Evangeline went to
church with Mr. and Mrs. Duff. They got home just
before supper and found Marianne alone. “Poor
Clara discouraged me,” she explained, “and I sent
her off to her mean husband.”
After the evening meal she asked for the Bible with
the largest print, and held it up resolutely toward the
lamp until her mother left the room. Then she said
to her friend, “You were late coming back from
church. Whom did you see? Where did you go?”
“We went home with the Towers. Your mother
wanted to visit that old bachelor who has been sick,
Mr. Leander. He was all wrapped up in crazy quilts.
He said—”
But Marianne had turned pale; it was as if a heavy
white net had been thrown suddenly over her face, in
which her bright eyes seemed to have been caught and
lay burning, lay very still; in which her mouth struggled
and finally lay still.
And her friend remembered how, in the uncomfortable
pew, Mrs. Duff had lifted the cape of her coat
and whispered behind it: “Do you see the young man
sitting with his folks in the first row by the window?
They are the Towers, the finest people in the country.
I thought a few years back that Marianne had lost her
heart to that young Ralph, the one of their sons who
is here. Nothing came of it, of course, and anyway
I guess the Towers wouldn’t care to be connected by
marriage with my husband....”
Now, at the mention of them, Marianne’s face
turned white and lay still as if it had been caught in a
net. A net of misery, excitement, and hopelessness
and hope interwoven.... The spinster put out her
hand quickly as if to catch hold of a thread by which
it might be undone, and said at once, conscious of her
cruelty: “Marianne, I must go back home. And you
know, I shall have to see Paul Fairchild. What shall
I tell him?”
The girl lifted her head from the pillow. “I have
nothing to say to him. I shall not see him again.”
“What did he do to you?”
“It doesn’t matter. I don’t care what he does.
I never cared what he did. I’m sorry,” the girl
whispered.
The older woman whispered as well: “Then there
is another—some other—then that other one is ...
The one you do love.”
Marianne turned scarlet. “No, I—haven’t any
right.... How do you.... He—”
Then for a few minutes there was nothing for her
friend to do but watch a pitiful spectacle: the girl
tossing on the bed in a sort of infant agony, and
stuffing the bedclothes in her mouth, and beating the
pillows.
Evangeline heard Mrs. Duff come swiftly up the
staircase. But she stopped in the corridor, where she
must have been able to hear the girl’s stifled weeping.
She stood still outside the door, and then tiptoed downstairs
again, intelligently obliging Evangeline to be a
mother to her child—because she was a spinster and
did not know too much about marriage.
The girl grew quiet. Evangeline bathed her flushed
face and said: “You’d better talk to me. Now, before
you stop crying. Before you get mysterious and desperate
again.”
Then she stopped crying. Suddenly she sat up in
bed, and in a monotonous tone of voice, slowly but
without faltering, as if she were remembering not the
facts, but words and phrases with which she had often
told it before—to herself alone—recited, painstakingly
recited, the story of her disappointment. The sentences
began with “Even when I was a child, when we were
in school together, though I didn’t know,” or
“Mother brought me up so innocently, I thought,” or
“I was ashamed,” or “It broke my heart....” They
ended with “It was too late,” or “He didn’t care and
I had no right to think he did,” or “He didn’t mean
anything by it—it was all in my imagination.”
Evangeline muttered to herself: “It wasn’t. It
won’t be. Not if—” She was astonished; for suddenly
there had come together in her mind all Ralph
Tower’s gestures, phrases, and expressions, that afternoon.
She examined them and compared them with
what she was being told; at last she had no doubt
about their meaning. Inquiries about her happiness,
her health, her marriage; a resentful silence for several
minutes after every answer; the sound, when he
did speak, of a lump in his throat; embarrassed glances
at his parents to be sure they were not listening; his
eyebrows contracted, half hiding his small eyes.
Anxiety, wounded vanity, jealousy....
Meanwhile, as if she were merely telling a story,
a story which had to be told to the end, its bitter end,
Marianne went on from her brief, humiliating encounter
with one lover to her humiliating relations with
the other. “I wrote my mother about Paul Fairchild,
and she let my father think I had promised to marry
him, and he told everybody.”
“She didn’t, by the way,” Evangeline said. “Your
father got the letter out of her pocket—she told me.”
“Oh,” the girl cried, and was silent for a moment,
and seemed to be staring back at her girlhood compromised,
her broken heart rebroken, her strength
worn out—six miserable months which might have
been avoided. Then, less with the patience of a desperate
girl than with that of a story teller, she tried
to go on where she had been interrupted. “You see,
Paul Fairchild—”
“Don’t tell me about Paul Fairchild,” Evangeline
interrupted again. “He doesn’t matter—you said so
yourself.”
The girl said no more and lay staring humbly at
nothing.
Her friend went over to the window. It was late
at night. There were some cattle moving in the dark
in the orchard. A great, aged moon was coming up
over the country with a great quantity of amber. The
turkeys in the apple trees were awake.
Evangeline made up her mind what ought to be done
for Marianne, what she could do. Perhaps she was
merely going to make a fool of herself, not even for
herself, and accomplish no more. She shed a few
tears and wiped them away.
Then she sat down again, and told Marianne exactly
what Ralph Tower had said, and how he had
looked when he said it, and what she thought about
it. At last she used the word love.
Marianne, shivering, held her breath.
“You two need a go-between. Your mother will be
of no use. After I’m gone there won’t be anybody to
manage things for you but God, and whether He will
or not is a question. You don’t know what this young
man’s intentions are. So I’m going to see him and find
out. Your mother ought to have done so. According
to her, it was your father’s fault that she couldn’t,
because her own marriage is unhappy. I am an old
maid,” she added dryly, “and I believe in love. So
to-morrow, bright and early, I’m going to have another
word or two with this young man.”
Marianne clung to her like a child and begged her
not to. Evangeline paid little attention, thinking of
the task she had set herself, and how she had better go
about it. At last Marianne whispered, “Don’t tell
mother, if you are going.”
Evangeline slipped out of the house the next morning
soon after sunrise, and an hour and a half later
came back, tired, grim, and satisfied. Mrs. Duff was
waiting in the garden. “Where have you been?” she
asked. “I saw you start out, but I thought best not
to bother you.”
“I’ve been to the Towers’,” Evangeline said. “It is
all right. Will you drive me to the station this afternoon?
For I’m not needed here any more.”
“So that is it. The Lord preserve us,” the mother
said solemnly. “There is not a human being on this
earth I have ever loved but my daughter. And I have
no faith—miserable woman that I am.”
Then Evangeline wept, and turned aside among the
currant bushes. Mrs. Duff hurried indoors, calling,
“I-ra! I-ra!”
A little later, going through the hall to the staircase,
Evangeline heard Ira Duff’s resonant, false voice
rising and falling in a heavy rhythm, and saw them,
the sharp-tongued wife and her hated husband, kneeling
side by side in front of the sitting-room sofa, their
backs very straight, their eyes closed, like a bride and
groom before an invisible pastor.
“You’ve been crying,” Marianne said, and tears
which, according to what her friend had to say, would
be those of joy or of sorrow, came to her eyes.
“You cry yourself, to your heart’s content,” Evangeline
replied. “You might as well cry now, for if
God is good you’ll have no cause to for many a day.”
She spoke with a blunt, mechanical joyousness. “I
waited by the side of the road until he came along on
his way to the cheese factory, and then I waited for
him under a tree until he got back and came there.”
Marianne’s tears ran down across her face, without
expression, still patient; she did not succeed in
speaking.
Evangeline went on hurriedly but with difficulty,
trying not to emphasize her words: “I have one question
to ask you. Tell me. In so many words. That
man—I mean Paul Fairchild—he never took, he
didn’t take—I don’t want to know, it’s the man you’re
going to marry. Nothing wrong happened? That’s
not why you’re so miserable, is it? That’s not why
you’re sick—”
“Stop,” the girl cried huskily. She had lifted herself
in the bed upon her elbows. Her eyes were fixed;
her voice was hard, hurt, and full of joy. “I am a
good girl. He kissed me once. They, they both—did,
once.”
Evangeline was ashamed of herself, of Ralph
Tower, of men; so she went on with the cruel monologue
which had begun as a question. “Men always
ask that—good men, Christians. They are hard, hard.
I guess it’s their right and duty. Don’t blame him.
I’ll have to see him again and tell him, before he
asks—”
“Stop, Evangeline,” the girl repeated. “I don’t
blame him. I deserve it, because.... Don’t ever
speak of it again.” She closed her eyes and whispered,
“But why didn’t he tell me—all this time? Oh, why,
then ...”
Therefore, dutifully, Evangeline gave a circumstantial
account of the meeting. “You know,” she had
begun by saying, “you have broken that girl’s heart.”
Because she was a spinster, she had tried to put him in
the wrong. She had failed, because he had always
been in love, and because of Marianne’s engagement to
the bishop’s son who had a bad reputation, and the
suspicions it had aroused.
The slight, strong man had spoken laboriously, like
a giant for whom human speech is petty and difficult.
He had made up his mind when a little boy to marry
Marianne. He had been ashamed of having kissed
her. They had been too young to marry then. He
had been afraid of himself, of his own nature; self-control
had always been hard for him. So he had
avoided her, until the time when, safely and honorably,
he could ask her to be his wife. Then she had gone
away; he had believed that she had forgotten or had
never cared. Then she had become engaged.
In his small hazel eyes there had been a look of
instinctive suspicion, the suspicion of ultimate unhappiness
which was natural to him. He had torn up
leaves by the handful with his calloused hands, and at
last had blushed under his dull sunburn. Then he had
spoken soberly of his other suspicion and had asked
the question which Evangeline had not dared to answer
on her own responsibility. Then he had stood up,
turned his back on her, swung round, asked her pardon,
and muttered: “Good-by. I must get back to work.”
Evangeline, having nothing more to tell, smoothed
Marianne’s forehead with her finger tips. “You had
better stop crying now,” she concluded. “God is good.
You will be happy.”
The girl leaped out of bed and fell to her knees.
Evangeline left her alone. When she returned with
the mother they found her half dressed, and with
great difficulty persuaded her to go back to bed. After
the noonday meal Evangeline said good-by.
Marianne was glad that her friend was going away.
She herself had to go on to a rendezvous which no
friend could keep with her, in a gleaming, uniform solitude,
a sort of wilderness—that of being loved. Innocent
and not ignorant, she trembled a little at the prospect.
Not knowing why, she kept remembering that
Ralph was the best hunter in that part of Wisconsin.
She felt a jealousy of no one and a nostalgia for no
particular place. She kept remembering the kiss which
had now been justified. These things embarrassed
her in Evangeline’s presence; it was a blessing, she
thought, that her mother did not believe in love and
therefore would not pay any unusual attention to her.
She scarcely paid attention to Evangeline saying
good-by.
Mrs. Duff took Evangeline to the station by the
road which went past the Tower farm, and when they
saw Ralph plowing in the stubble field, the spinster
got out and trudged across the furrows until she met
him. “I’m going home,” she said. “Go to see her.
She is waiting. It is all right. She is as pure as the
snow. What fools we were ... Good-by.”
The young man’s body, like that of a giant, though
small, sagged against the plow handles. He hid his
great hands behind his back as if he ought to be
ashamed of them. He said: “Thank you. Good-by.”
“Glory be to God, that’s all right!” Evangeline
said as she climbed back into the buggy.
“The glory of God is made of our troubles,” the
older woman answered resolutely.
Late that afternoon Ralph came to see Marianne.
He sat by the bed and could say nothing; his dark
mouth covered with dust quivered instead. He kissed
her hands and hurried away.
There was no courtship. Another man had wooed
her for him. God had wooed her with His errors,
His intoxicating tenderness, His intrigue. Evangeline,
who would never have a chance to speak for herself,
had spoken for her; the spirit of God, Marianne
thought, in the person of an old maid....
She grew strong quickly, realizing that she had not
actually been ill. She saw Ralph every day or two,
and made friends with his father, who, to his mother’s
astonishment, was pleasant and communicative in her
company. With genuine enthusiasm Mrs. Tower accepted
Marianne as her son’s future wife and the
mother of her grandchildren to be born; but they never
knew how to be intimate friends. Marianne’s own
mother, in her pride in the alliance, was happier than
she had been for years. When the tragic news of
Leander’s death in Oklahoma came, she said regretfully,
“Now he will never know about the marriage....”
Marianne herself was not impatient for it to take
place. Having tasted the bitterness of man’s passion
(its contagious unrest, its deliberate neglect, its suspicion)
before the sweet, she was glad to wait until
she stopped fearing vaguely that it might be altogether
bitter. The passage of time would obliterate
the humiliation of her other engagement and hush the
gossip about it. Meanwhile a separate home was being
prepared for them at one end of the Tower house,
where Leander had lived. So the wedding was postponed
until the following September.
Evangeline Gay and James Tower were their witnesses.
Ralph’s face—brilliant with intelligence of an
unintelligible emotion, tragic to his elders who were
present, humble and sunburned—was like that of a
young wild animal being baptized. They stood up in
one corner of the parlor before a mass of asters and
autumn leaves. In the midst of the ceremony Marianne
remembered her baptism in the Anne River,
thinking that the arms of the man who was at that
moment becoming her husband, those arms close beside
her, very tight in the broadcloth sleeves, were even
stronger than the minister’s had been; that the flood
in which she was to be submerged this time was not
cold, and would be scented with straw of the stacks
outside the window, with sheepfolds, linen, and candle
wax.
Unlike that of Cana, water was not changed into
wine for this marriage. There was but a frugal supper
and little festivity. And swiftly the wine of passion
itself changed for her into the pure water of
Christian married life.
11. His Father. His Uncle Jim’s Later Life. The Religious Faith of the Family
Alwyn’s father always loved to hunt. When he
could afford it and the farm work was not too
pressing, he went north in the autumn during
the deer season. Then his brother Jim, the minister,
came from Chicago with a little armory of guns and
cases of expensive fishing tackle; and the two went
off together, to forget, in a tent under the hemlocks,
that one had sacrificed his future to the other, that
one was happy and the other unhappy (though they
might not have agreed which was which), and that an
abyss of prosperity and college education lay between
them.
After they came back, the farmhouse smelled of
hides, and for months little meat was eaten but venison,
which made Alwyn sick. His uncle Jim’s handsome
face glowed with the conventional poetry of recaptured
boyhood, with delight in the photographs
which he tinted artistically with transparent water
colors, with pride in the analogies which had been
suggested to him in the north and which would serve
him in many private conversations if not in sermons.
Alwyn’s father, on the other hand, talked by the
hour of exaggerated dangers and mystifying sensations
of danger where there was none; of men who
lost their compasses and strayed in circles and were
found half dead; of timber wolves baying up and down
the darkness; of stags marching slowly into clearings
to keep a rendezvous with him; and he spoke very
shyly of killing things, as if to kill were a love gesture.
Then there was upon his face a shining expression of
tenderness without pity and violence without fault,
which was the equivalent of beauty—though he was
what is called a homely man, with his very long nose,
his low forehead, his delicate, outstanding ears, and
small eyes.
When he was first married fox hunts were still held
in the county—cutters and teams of young horses racing
around the snowy fields and marshes, and waiting
here and there for the hounds to bring the fox across
the road. Now most of the hunters he knew went to
the woods merely to get drunk together away from
their wives. And the immigrants who were steadily
buying up the land were not sportsmen; they hunted
out of season, only for food, and exterminated the
game fish with nets. One year he held the office of
game warden, was menaced and even stoned by loafers
along the mill races in little saloon towns, and arrested
many lawbreakers. It was good sport, but very lonely;
indeed, all the sport which was left in that part of the
world was lonely.
So he took his little son with him along woodland
paths where partridges walked, moving their fine
throats and crowned heads, uttering a sort of girlish,
insane cry. Or before dawn they drove many miles—the
boy wrapped up in strong-smelling blankets, the
horse’s hoofs ringing under the mist—to small, hidden
lakes not yet emptied of bass and pickerel. Alwyn
held his breath as in wet boats they ventured out
from the piers as if on a pane of glass, and shuddered
automatically when a gun was fired or a bleeding bird
or animal was found in the bushes. But the company
of the timorous, overwatchful boy did not satisfy his
father, then (as he grew up and his character crystallized)
embarrassed, and finally displeased him. Alwyn
was disappointed when he ceased to be taken along;
for the heartbreaking landscapes, the blue herons like
dwarf angels, the stateliness of other birds and animals
just before they were disfigured by their own
blood, his father’s silent, primitive enjoyment, even his
own distaste and fright, had enchanted him.
During the winter months his father earned money
as a taxidermist, having taken lessons from a man
who had spent a vacation at Hope’s Corner when he
was a boy, and later having studied it from a book.
He was remarkably skillful, and many sportsmen
brought him their dead trophies to mount, so they
might hang permanently in the lodges of secret societies,
in dining rooms and dens. Alwyn invariably felt
sick when he went into the room at one end of the
house which was his workshop. Bodies of birds and
small animals bleeding slowly on newspapers, while
his father imitated them with wire, tow, string, and
wet clay; the pelts drying on wooden forms and the
bird skins turned inside out, and dusted with cornmeal
and arsenic; scraping-knives in the skulls of deer;
the odor of stale meat and green bone; the rank odor
of water birds’ flesh, almost black with oil....
There one winter he built a life-sized stallion on
a frame of slats and heavy wire, modeling every tendon
and vein from photographs of a dead race horse.
It was so large that an opening had to be cut in the
wall to take it out. He said, “I often wonder if what
they call sculpture isn’t a lot like my work.” With
the light of the desire to be proud of himself in his
eyes, he reminded one more sharply than most mature
men are able to do, of the waste, wreckage, or abandonment
of gifts amid which youth is turned into
maturity.
When at last the birds balanced on curious crotches
which he sought in the woods, he put in black-headed
pins, bound their feathers into place with thread, and
painted their beaks, eye sockets, and feet; and when
the raccoons, squirrels, foxes, or lynxes stood on varnished
pedestals which a cabinet maker prepared for
him, he caressed and bent their limbs, to give them
back, falsely, what he and his like had taken away—life,
its grace and its agitated peace. He worked as
patiently as if he were bringing them to birth or at
least bringing about a resurrection (though he was
only making their death resemble life a little); and
he tried to make Alwyn see the charm of what he was
doing.
He tried in vain; the boy stared at him unhappily.
There are things which require not sensibility but the
lack of it to be felt, and he was still too imaginative
to understand them. Not until he grew to manhood
was he to be able to bear the thought of his father’s
intimacy with so much agony and death.
Even then he was to remember with dismay a large
snow owl caught in a trap and brought uninjured to
his father, who poured chloroform on a handkerchief
and placed it in between the bars of the cage. The
immense bird’s plumage, oyster-white and sand-white,
was like velvet embroidered with a sort of alphabet.
It snapped its brutal beak and stretched its wings as
if they were lame with fatigue. It grew drowsy,
straightened its sagging neck with a royal movement,
and nodded again. At last Alwyn’s father dared to
reach inside and cover its nostrils with the cloth; and
in the shadow of his large brown hand the milky eyelids
fell finally. For months thereafter Alwyn woke
panic-stricken in the middle of the night, having felt
that hand passing gently over his own face.
His father loved the lives of animals as well as
their death; and in his movements and the tone of his
voice there was a charm to which, like strong slaves,
they responded humbly. Old sows let him handle their
litters, and he could make nervous ewes—who will
not usually give suck even to one of twin lambs if,
having fallen unnoticed in a corner of the fold, it
does not smell like the other—accept the lambs he
offered them as their own. When the neighbors’ heifers
were brought to the barn door, his great bulls
walked forth mildly as if to play their parts in a ceremony
which he had arranged.
The farmers within a radius of fifteen or twenty
miles paid him to break vicious colts. He could tell
which ones had been abused; he petted these and fed
them apples and turnips; he whipped others who had
no fear. Then he would hitch one of them to a low,
light cart from which he could fall without risk, and
attach to its legs a complicated set of ropes. It would
begin to kick; he would bring it to its knees, or even
throw it deftly on the ground, muttering phrases which
seemed to be hypnotic; for its ears would shiver, its
wild, bloodshot eyes roll, and convulsive sighs go in
and out of its nostrils. He would repeat these exercises
with infinite patience, with obvious delight; and
at last one bad young horse would be broken and ready
for work, and another would take its place.
For minor animal diseases and in cases of emergency,
he was often called upon to serve his neighbors
as a veterinary surgeon. He could puncture the bellies
of horses and cattle swollen by colic, and knew how
to make delirious stallions take bitter drenches from
a bottle. With his sleeves rolled up over his heavy
upper arms, he would go into the dark stable to
deliver a young heifer’s calf by force. Alwyn wanted
to follow him on these occasions; but his father recognizing
his excessive sensibility by the fact that he felt
as modest or even ashamed in his presence as in a
woman’s, he was never allowed to watch either birth
or breeding. On the other hand, he was allowed to
hold the legs of young boars and bull calves while his
father castrated them, working so deftly that they
did not even scream before the last stroke.
Alwyn’s father himself believed that this was his
principal talent. “If I could have gone away to a
veterinary college—” he said again and again; the
sentence never had an end. “It was fate,” he would
add, “and my father had no patience with me.” Fate
personified by a small, dyspeptic man (Alwyn’s grandfather)
who had never forgiven anything, never
seemed to remember anything, and who had never
changed his mind.... Alwyn’s father would go on
talking about it in a muffled and dreamy tone of voice,
but never blamed his brother. “Jim had his chance;
it was right that he should. But there was only one
chance in our family....” Then, seeking his wife’s
eyes and gazing around at his mysterious children,
he would conclude, “Jim has had good luck—but I
guess I wouldn’t change places with him.”
Three or four times every year Alwyn’s uncle, the
Rev. James A. Tower, came lonesomely, complacently,
back to his birthplace; and at first Alwyn could not
decide whether even he was satisfied with his lot. He
seemed to return from another world, with his suits
of English material, his thick ties made of scarcely
worn ball dresses, his golf hose, cameras, and watch
fobs, his strong sentiment for nature, his loneliness
and optimism; and at first glance seemed to resemble
his poor relatives only by accident, without actual
kinship....
His mother, half forgetting that he was her son,
never bullied him or forced him to take her into his
confidence, and, in spite of his cultivated imagination,
never tried to explain to him her conception of life as a
great county fair, or her cult of the new moon. His
little nieces adored him because he looked happy and
could afford to be generous. Because he still loved
hunting, fishing, and country food, his brother defended
him from the accusation of having changed.
His sister-in-law, Marianne, was genuinely fond of
him, but, for reasons which were obscure at first, did
not approve of the life he led.
The minister brooded lovingly upon their lives,
the labor, the poverty, the narrowness of outlook,
which were still established where he had been born,
comparing these things with the conditions of his later
life and calling the contrast progress. There he still
saw himself as young and marked by good fortune
for the future, as in a certain mirror of all those in
the world, and in it alone, one catches a glimpse of a
face one can be proud of. There he would have
denied the least of his disappointments, and there he
counted his blessings, thinking that he saw life in
proportion.
One afternoon Alwyn sat beside his uncle on a hilltop.
Spread out below them lay the farm: the poor
house with its wooden coronet around the chimney, the
desperately weeded crops, the faded washing floating
between the trees, the dung heaps steaming with ammonia,
the pigpens and rusty farm machinery. The
elder of its two eldest sons (Alwyn born in the house,
his uncle in what was now the woodshed) gazed down
upon it and shook his head. “I am a fortunate man,”
Alwyn heard him whisper to himself.
Three years after the marriage of Alwyn’s parents
he had been ordained, and thereafter had occupied the
pulpit of a fashionable church outside Chicago. He
had preached a cheerful, modern faith, and had been
remarkably successful with young people. His resonant
voice, his fine presence, his warm but discreet
social relations, had made the deacons of his church
proud, those of other churches envious. Bishops and
devout philanthropists having begun to speak of him,
his ambition had been excited anew by the ministry
as a career, and he had forgotten music and the hopes
he had once founded on it.
But meanwhile he had also forgotten Irene Geiger,
and had married a wealthy girl named Caroline Fielding.
Her mother and her two sisters did not relinquish
their claims upon her, especially when one of
them was ill; and she herself had always suffered from
periodical nervous pain. So the large house in Chicago
and a sick room, otherwise their nuptial chamber, in
which she would crouch alone day after day and night
after night, began at once to divide her time exactly
between them. The young minister might as well have
been a bachelor. At last it seemed wise for him to
retire from the active ministry for the present, in
order to live in Chicago with his delicate wife, who
was also so conscientious a sister and daughter.
His family scarcely saw her for years. At last the
summer came when she felt strong enough to be taken
to the farm. There, in spite of her sober elegance,
she looked like a young actress in the common daylight:
her beauty already hardened by anxiety and authority,
her youth hampered by a quantity of parasols,
smoked glasses, gloves, flowered hats, and dark blue
veils to protect her skin from the dust. With a certain
timid arrogance she seemed to welcome her new
relatives on the threshold of their own home.
She brought a quantity of missionary magazines containing
pictures of laughing, muscular savages; and
the country people might have felt that they had no
place in her world, being neither prominent representatives
of Christian wealth and culture like those
among whom it was her privilege to live, nor heathens
to whom it might have been her privilege to have been
sent. Alwyn and even his father wanted to talk to her
about their ambitions, but she listened with disapproval
to any expression of discontent. Her mother-in-law
wanted to tell her about the old days, but she
believed that the important history of the West was
that of the development of churches, seminaries, and
wealthy families in Chicago. Everyone waited on her
while she stayed. She took pains not to reveal by
too much gratitude how uncomfortable she was in the
farmhouse, and ignored its poverty, feeling that they
were duty bound to be satisfied with their station in
life, as she was with hers, and not wanting to remind
them of the difference between the two.
She never remodeled her rich, draped, braided
frocks no matter how the fashions of inferior women
changed; and later, when Alwyn visited her home, he
saw the kinship between them and its upholstery, its
alcoves of taffeta and plush, and the rigid brocade with
which its windows were symmetrically draped to keep
out the light.
That house was a veritable museum of Middle
Western luxuries. In the bathrooms the mahogany
closets, wash-bowls, and tubs were lined with flowered
porcelain; and the faucets were the heads of a number
of dogs—dead family pets, copied from the life—out
of whose bronze mouths the water trickled. Rug lay
upon rug; brass lamps stood beside music boxes, under
decrepit chandeliers. A tall, stringless harp was
wrapped up like a mummy in the music room, and
there was a bust of Music with Chicago soot on its
nose. The ceilings had been decorated by an Italian
professor with a mass of birds, curlicues, butterflies,
and flower beds upside down. Tiers of paintings and
steel engravings portrayed snow scenes, kittens playing
with balls of yarn, missionary dispensaries in foreign
lands, and bouquets the color of moss and dried blood.
From a life-sized portrait in oils of the father of the
family, the late merchant prince Cromwell Fielding,
one hard, idealistic eye, over the wavy beard which fell
to the middle of his chest, appeared to govern the
ranks of tasseled armchairs and sofas. In the dining
room great services of French china waited to be used;
but in these degenerate days there were not many
people worthy of an invitation: a few doctors of
divinity, a few heroic missionaries upon furlough, a
family of cousins in the East, one of whom had been
first lady of the land, a poor cousin who had lost his
money by foolish investments and worked in a clothing
store....
There, surrounded by her mother, her sisters, and
these infrequent guests, the retired minister studied,
and in general failed to understand, his wife’s extraordinary
character. In it, as in the house itself, an
elaborate worldliness served as a setting for puritan
austerities; and her vanity merely emphasized her
virtue. Her opinions, varying in expression no more
than if they had been memorized speeches, her delicately
self-conscious observance of the proprieties, her
chaste beauty, her air of playing a noble rôle before
a chosen public, inspired him with the awe of a child
ushered for the first time into a theater and told that
the great actress is a member of his family.
Alwyn Tower, another country boy, equally sensitive
to the theater and whatever resembled it—though
without the bias of his uncle’s early ambitions and
romance—was equally impressed by his aunt’s character;
but he felt an obscure fear of it as well.
Having no children of their own, they extended their
hospitality to Alwyn and thought that they were ready
to make all the necessary sacrifices for his future. His
aunt’s sisters watched over him excitably; her mother
was suspicious, but found no dignified way of expressing
her displeasure at his presence; his aunt loved him
sternly, his uncle with a childless man’s embarrassment.
Then from the streets of the great city, criminally
alive, draped with dirt and gas, full of bleached and
bitten faces, scented with slaughter houses, he came and
went over the threshold of the ugly palace (one of
those in which progress and millionaire civilization had
been born) and watched the events which took place
inside it.
They were like the episodes of a long symbolic play
at which part of the audience may laugh, while the
rest shudders at the secret meaning. On Friday afternoon
the ladies went with their own carriage and
coachman to the symphony concert, occupying the same
seats as long as they lived. A pet dog sometimes ate
one of the new kid gloves which were laid on each of
their beds every Friday before lunch. On one occasion
it caught one of the canaries during its bath; one of
the sisters fainted away, and an old sewing woman
sprinkled her face with lavender water, dropped the
bottle, and bandaged the bird with cotton batting and
thread. Finally this dog escaped from the house, was
run over, died, and was buried beside seven others;
and the old mother, pitifully frightened, denounced
automobiles. Every Sunday morning she sought an
excuse not to go to church, usually found it, and usually
obliged one of her daughters to stay at home, lest she
be lonely. She was but superficially devout; the church
was a great mansion like her own, and she would have
undertaken the menial tasks of God’s house, as of
her own, only if there had been no one to do them for
her. Fortunately her daughters felt their sacred obligation
to make her happy, by comparison with which
even divine service was a sort of self-indulgence.
Caroline Tower genuinely loved her husband, and
love often produced a vague tumult in her emotions;
but logically conservative in spite of it, she dealt with
her duties in the order of time—her mother came before
her husband. She wanted him to be a clergyman:
God’s house and work came before everything in the
world—except her mother’s house, which was a sacred
establishment as well, a sort of sumptuous private
chapel to the glory of motherhood, which is the source
of the glory of God.
So her husband was ignored whenever his desires
conflicted with the rulings of her conscience as a daughter.
He still hoped vaguely to bring about a change
in their way of life, to rouse in her heart, even by accident,
a passion which would set aside her other obligations,
or to profit by some interference of Providence,
as for example the death, in God’s good time, of his
mother-in-law, to whom he was devoted, nevertheless.
Meanwhile he believed that his family on the farm
must be satisfied with him, now that he was not merely
working for God’s kingdom of virtue, prosperity, and
enlightenment, but was a part of it himself; and though
scarcely a minister of the gospel and almost a bachelor,
he was content with the exceptional dignity of his deprivations,
in a world of poorly dressed, impious, uneducated
men.
Then suddenly Caroline died. Dying was just like
one of her headaches; therefore she did not realize
what was happening until it was too late to do more
than think of her soul and its metamorphosis. She
gazed at her mother, her sisters, and the opulent room,
as if in truth she were leaving them behind forever
and were willing to do so; but gazed at her husband
with the still sharper anguish of a mere separation.
Then her face assumed the first look of humility which
he or even her sisters had seen upon it; it became the
childish face of one maddened by regret—regret for
everything believed, everything done, everything left
undone. And before the end she whispered, “In my
Father’s house are many mansions, many ...”
The family sorrow produced such a pandemonium
in the house that the horror and momentary despair of
James Tower, in fact not quite a member of the
family, were scarcely observed. He hid in corners of
the drawing-rooms and the long, dim corridors when
he was not needed; he went up to Hope’s Corner and
tried to hide among the flocks, trees, and furrows of
his boyhood—hiding from the storm of sorrow and
waiting for it to pass, determined to go then and take
up his ministry where he had put it down.
For a time sorrow added a certain sensuality to
the abstract, liberal doctrines which he had been
taught in the seminary and sent forth to teach; and
he felt his vocation more strongly than at any other
period in his life, either before or after. He would
idealize his bereavement and make it public; it would
be a consolation to others. He would direct their
eyes upward to the ideal place where—trailing restlessly
up and down, cloud folded about her distinguished
head like one of her veils—she intimidated
him by her dead perfection, by the distance between
them, scarcely greater now than it had always been,
and by the gaze upon which her eyes had finally closed.
Every day for almost a year he told himself that
presently he would look for a vacant parish in which
to begin the great work which everyone had expected
of him—even she, though she had previously had
other things for him to do.
He had been her humble servant from the first.
On her deathbed she had rewarded him with a look
which meant, he believed, that no one would ever love
him as she had loved him then, and that she regretted
leaving nothing and no one but himself. This gave
him a sort of pride for which his good fortune in
other respects had not prepared him; looking back
upon that moment, making the most of that pride, he
was to be even less impatient than before with abnegation,
home life, and servility. And as the sheer pain
of his loss came to an end, her presence in the vague
paradise of his memory grew less and less sufficient.
He began to remember her qualities as if he were in
danger of forgetting them, and therefore drew nearer
to her mother and sisters, in whom, even during her
lifetime, her character had been reflected, shadowy
aspect by aspect.
The younger of the surviving Misses Fielding,
Anne, was physically the image of her dead sister; but
her beauty had somehow vanished, though she was
still a young woman. Her strength of character,
mournful and reserved—as it were a throbbing of the
atmosphere wherever she was—resembled Caroline’s
as much as one note of a great bell resembles the
next.
Miss Ada Fielding was uncannily successful with
flowers, birds, and animals, charmed little children,
cheered and influenced missionaries, invalids, and
servants. But there her power ended; for the rest of
the world (in ignorance and compassion, in fear and
trembling) she could only pray. She and Caroline
had saintliness in common.
For the ghostly presence of his wife’s loveliness, Jim
was dependent upon her mother, in whom—less
ephemeral than the old woman’s youth and the young
woman’s very life—much of it had survived. Mrs.
Cromwell Fielding was a delicate personage in watered
silk, satin, and kid, feathers and chains, baroque pearls
and enamel. Like beauty itself, she feared nothing but
death, and would not permit a funeral or a will to be
mentioned in her presence. She loved her possessions,
especially those that she could see and touch, as a
naturalist loves his dead butterflies, an alchemist the
liquids in which immortality may be in solution; and
spent her time in self-sacrificing labor among them—seeming
to her son-in-law the personification of beauty,
which picks up and puts down, loses and finds, counts,
multiplies, and mixes, the base materials without which
it is never seen.
Naturally these three women were opposed to his
leaving them to occupy a pulpit. For Ada he was a
surviving part of her dead sister’s life, and she wept
at the mere thought of his being taken away as well,
by God. Anne suggested briefly that it was mere human
vanity which made him impatient to resume the
vocation, for which, furthermore, others were better
fitted than he. Mrs. Fielding maintained that charity
and idealism began at home, which therefore was the
proper place to exercise them and serve God; it ought
to be service enough for him to serve her; and when
she spoke of it, her flashing old eyes, like those of a
young temptress, made him look the other way.
There was also wealth. It was an aspect of Caroline’s
character—not merely something she had
possessed—because she had always possessed it and because
she had never forgotten it for a moment without
ever having to give it a moment’s thought. In
Jim’s imagination it adorned her departed spirit as a
saint’s image in a reliquary is adorned. It hung
heavily; it sparkled; it doubled and faded—bewildering
to a poor farmer’s son—in every room of the
house where, like a ghost, she seemed to stay because
it was. So if he had had to leave its sacred precincts,
he would have lost her a second time; her ghost would
have died, in the great deathbed of his memory.
There was also a theological dilemma. By temperament
and training he was inclined to a very liberal
interpretation of Protestantism. Only the most arbitrary
orthodoxy was suited to the strong souls of his
relatives by marriage. But if he applied that orthodoxy
to their lives as frankly and earnestly as in other
quarters he was accustomed, indeed was expected, to
apply the laws of a looser belief, he would be obliged
to condemn them altogether. In his heart he could
not blame them; but he did not know how, theologically,
to justify them. How, for example, would he go
about it to preach a funeral oration for one of them?
At one moment, thinking of their doctrines and listening
to their criticism of others, he would accuse them,
in spite of himself, of hypocrisy, vanity, selfishness,
materialism; a moment later, he would be idealizing
them with all the force of his imagination. At last,
to his great relief, the gentleness of his nature triumphed
thoroughly over his unkind judgments.
So for this family’s sake he abandoned his ordained
ambitions, as for his own he had abandoned others.
Having a talent for obedience, naturally endowed with
the patience and politeness which family life requires,
he then bent all his efforts to being a perfect son-in-law
and a widower.
When he first arrived in Hope’s Corner for one of
his visits to his brother’s family, his face would be as
handsome as ever; but the contented smile would give
way slowly to a look of pleading. He was afraid that
one of those on the farm would accuse him of having
given up the ministry for mere love of luxury and idleness;
he was afraid of discovering by accident what
they thought.... Knowing that his nephew Alwyn
had as little taste as he for the life of poor farmers,
he would talk to him by the hour about his melancholy
as a widower, about his problems which were insoluble
though already solved; and would be depressed by the
boy’s avid, noncommittal interest, unable to judge from
it what account of his avowals would be given Ralph
and Marianne. Then he would go back gladly to Chicago,
to his family by marriage, his family by death,
among whom at any rate he was not blamed, if not
highly appreciated.
In the rich house he passed the rest of his life
quietly. He sometimes thought of himself as a commoner
with secret liberal views in the villa of an old
queen, having been married to one of the ladies-in-waiting.
Still in awe of its sluggish and sumptuous
power, and wistfully eager to be admired by the
younger generation, such as Alwyn, he thought of
dedicating it to worthy, modern causes; but he was not
certain what they were, and had no authority in any
case. For example, he would rouse his nephew’s interest
in the large library: red leather editions, as
large as dictionaries, of the Victorian poets and
Shakespeare, uncut sets of George Eliot, Dr. van Dyke,
and John Burroughs, and bound volumes of the best
monthly magazines; but Mrs. Fielding would hide the
keys of the bookcases lest a volume be “mislaid.”
As time passed he rarely spoke of anything but the
Fieldings, rationalizing their prejudices, uneasily explaining
and defending them, defending without explaining
himself.... Alwyn saw him give up every
least ambition save to go on being a good man and a
gentleman, and saw a series of senseless duties invented
by the ladies to discipline him, as Alwyn himself,
the other farmer boy in the house, was being disciplined.
The most serious family problem during Mrs. Fielding’s
later life was that of servants. The overfurnished
mansion and its mistress both needed the attention
of maids, seamstresses, coachmen, and janitors.
As she grew older, she could not endure the presence
of those whom her daughters could find to employ.
Spying upon the face of a new cook, her fine, three-cornered
eyes would discover a sort of modern insolence;
the man who came to wax the floors would
anger her by a radical smile. Present-day help had
no respect for her, at least no reverence; worst of all,
they regarded her requirements as the whims of an
old lady who would soon be out of the way. It was
as if she saw death making use of their eyes to intimidate
her; and she, having death’s eyes, glared back at
them, at their youth and strength which would not last
even as long as hers had. Miss Anne and Miss Ada
spent hours in interviewing applicants, whom she discharged
in the twinkling of an eye; and finally, with
great satisfaction, she reduced the members of her
family to the duties of domestics.
One day a janitor, after helping himself to raspberry
cordial, addressed her by the name of his former
employer. Her son-in-law took his place, temporarily;
but he gave satisfaction, and no other janitor was ever
hired. He fed the hens, beat carpets, mowed the
lawn, kept the flower beds clean and gaudy, stoked the
furnaces, carried out ashes, and shoveled snow from
the walks, saying that only a farmer’s son could do
these things so well.
He did not seem to grow old. Organic weaknesses
made their presence known by the vague melancholy
of indigestion and the irritability of fatigue, but they
did not insist; they were merely waiting until there
should be need of them to complete his discipline. He
thought, when he thought of it at all, that life with a
firm, exquisite hand like that of a loving helpmate
(his own) had put him in his place. He was not
happy, but he was content; and when he visited the old
farm, he looked back indulgently upon his ambitions:
love, music, and the ministry—unwise wishes of a selfish
boy.
He would have been less at ease in the farmhouse
if he had remembered more clearly the morality and
religion of his parents, or if he had understood his
sister-in-law Marianne’s even sterner beliefs which
now ruled where he had been a boy, and there prepared
her children to condemn him—though she expected
them to be too courteous ever to show it.
The religious atmosphere in which Alwyn grew up
was inherited in large part from his grandmother Duff,
though fundamentally her piety had been no more than
a public attitude, assumed out of loneliness and defiance.
The few people she admired were Christians,
and it could never have been said that she was not as
worthy of the name as they. But without any respect
for the father of her children, her sorrows had grown
too bitter to come under the jurisdiction of God the
Father, a God of resignation and forgiveness. The
steadfast refusal to surrender to either of them had
given her spirit, as she had grown old, an infidel
grandeur, a fortitude more stoic than Christian.
Young or old, all that she had had by way of a personal
religion had been a sort of poetry; its arbitrarily fixed
rules happened to be Christian doctrine, but it was
not at all the poetry of God—rather that of worldly
dignity, disappointment, and vanity of the spirit, that
of conducting herself properly and proudly.
Under the influence of this unhappy poetry, Marianne
Tower’s strong, happy beliefs had been formulated:
the same pattern of belief, but with peace
in place of resentment, confidence instead of desperation,
white where black had been—her mother’s disillusionment
reversed. The very principles on which
America was founded were the result; and like certain
of the Pilgrims, she represented them with the
competence and heedless ardor of a woman under an
enchantment.
There was also about her religion, as there had
been about her mother’s irreligion, a royal assurance
and a slight suggestion of vainglory. She would have
been willing to spread it by force, particularly in view
of its importance to the nation as a whole, meanwhile
coercing the doubtful with contempt and the lukewarm
with enthusiasm, for lack of other sorts of authority.
Like a state religion, it could not have existed without
hypocrisy—plaster to hold the edifice together, many
hypocrites around the few men and women of pure
rock; a tribute to its power when faith—the tribute
to its charm—was not forthcoming. But she did not
complain of hypocrisy, preferring that people should
pretend to be better than they are (which pretension
is a sort of humility) than that they should acknowledge
their failings and cease to be ashamed of them;
and remembering that the only one of her father’s lies
which her mother had never challenged was his prayer
when they had knelt together on the kitchen or sitting-room
floor.
Like Catholicism, her religion required adherence
and obedience before faith—mere willingness to believe
and reform before the unerring comprehension
of God in detail. She thought that faith was a private,
indeed a selfish experience which took place after a sort
of sickness of curiosity about God, in a lonely bedroom,
for example, with sighs and stammered prayers and
many vague tears. She could imagine very well how
it happened, that intellectual prodigy, there in secret.
But secrecy was dangerous; in it temptations as well
as God invested themselves with magic and dazzled
the excited soul, the soul as vague as tears, and in it
dangerous sensibilities came out as stars do in the
darkness—which she had learned, indeed, to her
sorrow.
So she did not overrate this or any other mystic
experience, and was comparatively indifferent to the
puzzles of what to believe and their theological answers.
Giving herself to God meant merely being responsible
for her life, her virtue, her usefulness to
others and to the world as a whole—individually responsible
to Him, not to the schoolmasters of faith,
pastors or priests. Therefore she had to consider and
believe only those doctrines which could help her to
recognize her duties and overcome the discouragement
which was almost the only temptation she ever
encountered. It was sacrilegious to worry about the
rest; only a bad scholar would turn to the back of the
book to hunt for answers, or to play with problems
which he could not yet profitably solve. Kept busy
by divine forces—conjugal passion, poverty, good
health and illness, motherhood—engaged not in
fathoming God’s opinions but in the illustration of
those she knew instinctively, she did not find much
time to gaze in the direction of His face, or to wonder
what human face it resembled.
Thus, though Protestantism is a branch of Christianity
founded upon faith, Marianne Tower, like
most American Protestants in this respect, was entirely
concerned with works: with severities, kindnesses,
abstinences, successes, which all the world could
see; with prayers and testimonies which all the world
could hear and understand; with sin instead of heresy,
reform instead of repentance; with serving more than
with loving God.
Her love of God was principally a sort of grateful
admiration, and admiration for reasons which would
have entitled other gods to a share in it. Doubting as
little as poets and children do, she believed every
miracle of virtue she heard about, no matter by what
religious principles, with what sort of divine guidance,
it had come to pass. Therefore she would have
honored any god who, to her knowledge, was arrayed
in the esteem of entire races, upon whom as on a corner
stone families were founded, and by whom public
morals were regulated. But her knowledge was limited
by church magazines and tracts which libeled the religions
of the countries to which missionaries were
sent (the executives and propagandists of American
Christianity having realized, perhaps, that it harbored
the germs of polytheism); and she knew no other god
but God, in whose veins there was Jewish blood—God
of clean and respectable living, innocent thought, and
industry.
One day when Alwyn had come back from school,
full of what he had learned about heathen religions
from other sources of information than hers, and was
sitting on top of the flour barrel in the pantry where
she was at work, he said that he did not believe in
missionaries going to foreign lands to lead races away
from their own deities and undermine the culture and
customs which suited them.
She asked, “Tell me, Alwyn, are you beginning to
lose your faith? Don’t you believe in God?” In the
beginning she had hoped that he would become a
minister.
“I do, mother,” he said, with a vague sense of being
courageous. “But I don’t want Him to— I don’t
know, I’m not sure—that He isn’t the same as the
others.”
Gazing into his eyes, she did not need to be told
that he spoke of another god than God. She shed
tears, wiped them away, and threw back her head.
“Well, my son,” she said, “we shall see if your God
can do for you what mine has done for me.”
Touched and troubled, Alwyn asked himself if in
reality he had a god of his own, what help he needed,
what help she had received; and in his confusion, he
preferred to think of her beliefs....
Her religion—perhaps, Alwyn thought, American
Christianity as a whole—was a religion of ideal prose;
all the beauty it had was the elegance of a perfect law,
a Napoleonic code. It deified Jesus, but deified Him
as a social leader and teacher martyred for His virtue,
a compassionate attorney at the right hand of God
the judge, and a fulfillment of the half-political
prophecies of the Old Testament—whose jurisprudence
of hygiene, family relations, patriotism, and
commerce, its morality resembled.
Even Alwyn’s mother was confused, in teaching her
children, about the meaning of Christ’s strange parables.
Perhaps He had not been a success as a teacher,
not having laid down one precept which did not require
interpretation before it could serve as a basis
for conduct, or given one example whose significance
could not be mistaken. But His ravishing voice was
still more persuasive, not only to children but to herself,
than the voices of those indecent, vindictive, but
comprehensible men of genius, the Jews who had come
before Him. So when she closed the Bible and continued
in her own words, it was to repeat the Old
Testament moral lesson (subtly modified by more
civilized feeling, by changing customs, by a pure
woman’s refinement, and by her nearly superstitious
respect for education), but as if it had originated upon
His lips.
In spite of its complex origins, her morality was
not at all ambiguous. She believed that money was
the result of ability, and was in itself an ability or
talent (the money which in Christ’s parable the master
had given his servants to multiply had actually
been called talents). It was power for good; to
waste even the smallest piece of it meant wasting potential
charity, educational opportunities, and at its
source, the dignity by which God’s kingdom on earth
ought to be supported, made known, even advertised.
More of it than could be spent painstakingly, painfully,
she regarded with suspicion. An ardent desire for
success proved the sincerity of one’s efforts, whatever
they were—but Christ had failed; therefore,
once any sort of success had been achieved, she regarded
it suspiciously as well, and judged it by its
fruits, which ought to be very nearly those of failure:
humility, self-denial, pity for others.
She believed the human body to be sacred. Therefore
all those things which disagree with it, or change
its reactions and way of functioning—deforming
shoes and clothes, alcohol, excess of other sorts of
food and drink, idleness—were sacrilegious. Good
health was the body’s virtue; and it also was a talent
of the capital lent by the Master.
According to her, love, often as automatic in its
influence as a drug, often wasteful of time, health,
and money, existed only to bring men and women together
in marriage. Trees and plants, because they
had no responsible souls, had the right to put forth
more flowers than fruit; but for men and women even
one kiss given in vain laid waste the heart and blighted
the fruit of the fruit-bearing kiss of marriage. Marriage
existed to people the continent with witnesses
for the Lord, who gave it—no, who lent it.
When she spoke of the continent of America to her
children, it was as another talent, like the ability to
sing or speak fluently, to tame animals or govern men
or children. Alwyn saw it then in his imagination, a
fantastic bird’s-eye view: lying by a miracle between
the disastrous North and the sickening tropics; a vast
mass of wood, fur, grains, metals, flesh, fish, fruit,
electricity, and inspiration; flooded with milk and
syrup; smelling of unemployed fertility; stained with
rivers and refuse and the blood of the early settlers;
rising into the sky in the West in young, red, weather-beaten
wrinkles and wounds (and when the first missionaries
saw the Rockies they named them the Blood
of Christ Mountains).... A talent that a whole
race had, just as an individual might have a talent for
mathematics; and whatever the others were, it would
always be the principal talent of Americans, as long
as it lasted. Lent, not given; to be guarded and risked
and multiplied and used to the glory of God, the
owner.
Alwyn, thinking of what he had learned about history
and its classifications, said to himself that his
mother, though only a poor farmer’s wife, might be
called an aristocrat. The lowest classes serving the
whole of society (that is, the state) out of hunger and
servility—but these did not count in America, where
almost no one was hungry. The upper classes also
serving it, to amuse themselves and to gain their ends
of vanity and glory, usually bound up with the destiny
of the state; prodigal enough to give away their sons,
therefore making soldiers, priests, men of letters, orators,
figureheads of them. The middle classes serving
only themselves, bringing up sons in the interest of
the family fortunes, seducing the sons of others if
they had none of their own—the Fieldings were people
of that sort. He thought of his uncle Jim among them,
as timid as the last heir of a branch of deposed royalty—ashamed
of its poverty and fanaticism, himself without
either heirs or pretensions—in their grudgingly
hospitable, merchant prince’s palace....
Then Alwyn thought (and it may have been the
vanity he had inherited from his grandmother Duff
which suggested it to him) that perhaps America’s
only aristocracy existed—not among millionaires, trying
to earn money and get the most out of money as
if they were still poor—but in poor homes in the
country, in the strong, ignorant imaginations of such
women as his mother and grandmothers, who had a
sense of responsibility to God before the nation, to
the nation (though they had little to gain by its glory,
little to lose by its ignominy) before the family, and
to the family only before themselves; aristocratic because
of a vague sense of having had actually aristocratic
grandparents, many times removed, and because
their religion happened to be public rather than
private, putting good behavior above the joys and pains
of faith, judging private virtue by the public good....
Thus Alwyn began to make his peace with the
tormenting sense of having come down in the world,
which was his birthright as a Tower.
It was true in any case that his grandmother Tower
had been proud to give to the world her most gifted
son, Jim, all that she could afford to give, and that
his mother wanted to give all her children. The latter
would say, “I sometimes think that I am like a
stalk bearing a great many flowers, almost more than
it can bear; when they get ready to open, perhaps
it will break—I shall be willing. All your father and
I will need in our old age will be a place to lie down
to rest forever. I am giving my life for you children
in order that you may give your lives to others....”
She spoke as if she herself and her children had royal
obligations to some sort of kingdom, and did so not
merely out of maternal vanity, but because of her
religion.
Perhaps, properly speaking, it was not a religion at
all, but the jurisprudence of a moral commonwealth.
She had no need for anything else after her marriage.
Intimate emotions which seemed to her sacred, took
the place of specifically religious exercises. Thanks
to the former, she was not spiritually impoverished or
chilled by a faith which was all ethics (as those whose
lives were more placid, more prosperous, and less
rich, might have been); so she was the perfect Protestant.
Alwyn’s uncle, the minister, felt this. During one
of his visits Alwyn heard him say to his father:
“Ralph, your wife is a saint on earth. We have been
peculiarly blessed. Caroline was, too, while she
lived.” Hearing his dead aunt called a saint as well,
Alwyn was jealous for his mother.
It was in regard to him that her judgment upon
spiritual matters showed itself as most evidently superior
to that of her mother-in-law, who had no patience
with hair-splitting, resented disapproval of Jim,
and pronounced him perfect, though his way of life
did pass her understanding. Alwyn’s mother was the
more thoughtful of the two, and her beliefs had crystallized
while teaching them to her children; whereas
in the hard early days his grandmother had had little
time to think, and had been able to teach her children
only by means of the old belt without a buckle behind
the kitchen door. Their differences of opinion were
more important than profound, being merely those
between taking for granted and knowing logically one
and the same thing, between roughness and refinement
in its expression, between one generation and that
which followed it. They were particularly important
to Alwyn, because it was his mother’s reasonable version
of the faith of his fathers—more suitable to his
nature because he was above all his mother’s son—which
determined in large part the beliefs for which
eventually he was to desert that faith altogether.
He enjoyed even her injustice toward his uncle Jim,
for example, because at a time in his life when all
that was inarticulate seemed merely stupid, and when
opinions had more charm than they were ever to
have again, a certain intolerance proved how faultless
her opinions were. So he soon found himself
obliged to agree with her about the minister, whom,
because he was courteous, handsome, wealthy, and
well educated, he instinctively preferred to his other
relatives.
In fact, she blamed her brother-in-law less than
she pitied him, blaming him only to point a moral for
the children whom she was going to send out in the
world as he had been sent. For their sake she insisted
on the fact that he had wasted his opportunities,
and exchanged the family birthright of anxiety, ambition,
and loneliness, for the comfortable approval of
a family that was not even his own. If music was
his true calling, the sort of divine persuasion for which
he was better fitted than for argument and prayer,
he should not have given in to his father’s and brother’s
disapproval. Having undertaken to be a preacher, he
should not have ceased for the sake of domestic convenience.
Coming from a poor family as its gift to
the world and having retired from the ministry, he
should have found something better to do than to
indulge a rich family’s vanity and serve its petty needs.
In general she preferred the appearance of perfection
and unity in the least distinguished lives to
noble qualities—such as the self-control and self-sacrifice,
devotion to the dead, and generosity, which
Jim displayed—haphazardly thrown together in a life
which seemed to have developed along the line of least
resistance; and had no doubt that her husband, without
great intelligence or any pretensions, was the greater
man of the two. Furthermore, it was a Christian’s
duty to give, not merely a good example, but one which
could not be misinterpreted, which did not require explanations
to be made by those who loved him, allowances
by those who did not. Simple integrity was a
duty as well as a source of happiness....
Alwyn himself, as scrupulous at least as his mother,
did not want any religious faith compromised by devious
individual behavior, and did not want to consent
to one himself which he was likely to have to compromise.
Immoderate like other Americans, other
adolescents, he already believed in extreme positions
and deliberate apostasy—not in accidental reaction,
nor in vague decadence of the old toward the new. He
was quite ready to reject, for himself, his family’s
beliefs, but not on the basis of any less perfect embodiment
than his mother’s life; it would indeed have
been unfair to judge his uncle’s ideals by his representation
of them.
Then the problem of formulating a set of beliefs
which would be in harmony with as many of his instincts
as were ineradicable (as his mother’s beliefs
seemed to be with all her instincts) troubled him and
gave him pleasure; and during his adolescence, many
religions seemed to burst vaguely into bloom at once
in his imagination.
He had learned that God was one and uniform; he
felt that He was legion. “Thou shalt have no other
gods before me....” He believed that he had
seen the others already, under ordinary circumstances,
very slightly disguised by the lives of ordinary men
and women such as his relatives—thorough and shameless,
as deaf to interruption, as busy as death....
They came to his attention also by way of pictures
and books: the splendor of devout savages as he had
heard about it, the bitter-sweet nobility of extinct
races, the Greeks, for example, as it had been written
about. “Thou shalt have no other gods....” And
he fancied himself in love with them all.
He had learned that God, who created man, was
the lesson man was to learn long after by his painful
experiments, mistakes, misery, and contentment; the
body of knowledge of what for most people in ordinary
walks of life is likely to result from this or
that course of action; God handed down from father
to son, mother to son; God the law. Alwyn felt that
He was also the breaking of the law. At any rate he
had already formed a vague resolution to break it;
could he break it as well as his mother had kept it?
Naturally timid, he realized that even to be an outlaw,
a more or less effective exception, would require
more strength than, by himself, he would have. “We
shall see, my son, if your God can help you....”
And if his God were gods? Would not his life, if
he committed himself to them all, be a sort of Tower
of Babel in which the divine workmen would merely
dispute among themselves in all their tongues, and
accomplish nothing? Each had power; had they any
power in common? Could they, together, do what
one of them could do—what, for his mother, one of
them had done?
For her religion had indeed brought about a miracle
of energy and peace; it was also true that marriage
had made her religion what it was then. As mere
doctrine it had been a birthright and a dowry; her
husband, who had no talent for thought, had added
nothing to it. But the evenly passionate years had
changed its bearing upon experience, and as a method
of living, it had been a sort of marriage settlement.
She not only believed, but felt, as by a physical
instinct, that the curtain of death would not go down
upon her drama of love; a drama of two characters
with their children and their children’s children—by
virtue of heredity and immortality the cast would never
be changed. And when she compared it—its dignity
of citizenship, its perfect and tender monotony, the
brightness somehow continually shed upon its humble
scene—with her girlhood, the latter seemed to have
been a melodrama of insubstantial puppets, agitated
by a hand which had trembled for many reasons, and
for no reason at all.
The motives of that melodrama had been dread of
the future (and now that she was a mother, each
moment was very naturally the child of the one before);
servile dependence upon others, her angry
parents, for example (and now the entire world outside
the four walls of her home might have been destroyed
without leaving her in despair); loneliness
(and she had given birth to children enough to begin
a new race, companions for her on earth and in
heaven); and the obscure need of emotions, caresses,
pride, pain (and now, day for day, she was scarcely
equal to the feast of feeling which was her daily
bread).... So contented was she that, in retrospect,
she regarded the thoughts of her girlhood as other
women regard the dolls whose mothers they have pretended
to be.
And marriage had swept away, with the mist of
sadness, her springtime mysticism, which had been an
imaginary communication (as it were by messages,
signals, and amorous glances) with what was beyond
understanding. Now, in the person of her husband,
what was beyond understanding lived in her simple
house; she slept within reach of its strong, however
tired arms. Mystery was in God the equivalent of
passion; from time to time it had taken (and would
take) possession of her. But she would no more
have thought of trying to rouse or control it—even
by curiosity, speculation, or yearning—than if it had
been a man’s passion; she did not even ask of the
moody lover whom she had married the right to say
yes or no. Thus all that was enigmatic in religion—the
bitter effort to fathom God’s apparent indifference,
to accept the evil which He permitted, the amorous
effort to have the truth naked of its disguises, to reach
the point where mortal desire leaves off and serene,
immortal satiety begins—gradually wrapped itself in
the same pure shame and darkness which hid away
her marriage bed. Those riddles were for the sorrowful—the
disappointed and disabled and victimized;
as such at least she, when merely the Duffs’ daughter
and Paul Fairchild’s fiancée, had been faced with
them.
Paul Fairchild might never have existed; Ralph’s
great hand, at its first touch, had obliterated the
traces of him in her mind. Until she came to tell that
story as a lesson to her grown children, she did not
try to explain even to herself the evil rôle he had
played in her youth; then, disdainfully overlooking his
failings, she concluded that her own subservience had
been at fault. Nor did her father, the diabolic, pitiful
old man to whom she was as devoted as she could
be, trouble her otherwise than practically. Thus it
happened that out of her theory of life, as out of a
picture (warm white on white against white) the devil,
like a black shadow, had faded.
This was love’s negative work. Positively, it gave
her strength and kept her young. (Indeed, it kept
them both, and their love-making, young; for twenty
years the farmhouse was electric with it; and even
the youngest of their children grew up in the fragrant,
restless atmosphere of a new marriage, as if in the
heart of the lightning which cools a midsummer night
in Wisconsin.) Repeatedly with child, a number of
illnesses obviously in abeyance, thin and no taller than
her children when they were adolescents, able to afford
hired help only when actually ill—no one understood
her vitality. On certain days, without warning,
it would be exhausted; then, her face for the moment
the color of old age, her voice dreamy, her quickened
breathing scarcely to be divided into words, she would
find herself unable to work, and would creep away
to rest. Perhaps lying with her eyes closed all afternoon
in the empty bed, she would draw strength there
from her companion, who would be far off in the woods
or fields among his little wild beasts and great domestic
animals....
Ralph, a child even in manhood, and a child of
nature, drew strength from those animals, from the
land, from heat and cold, from physical experiences—but
drew his spiritual strength from her. If obliged
to think of any complex problem, he suffered from
pains in his forehead; she thought for him. He was
timid and conservative; all his abilities would have
been handicapped by a deaf pessimism, but for her
thoughtful speech which charmed him into action—that
of being a good father, farmer, and citizen—charmed
him like a sort of cheerful music. His passions
were entangled in and blinded by melancholy; at
the end of a few months of an unhappy marriage,
one or the other—desire or discouragement—would
have left him no better than a heavy, broken-hearted
animal. A Christian as it was, without her help he
would have been unable to conceive God except as a
father’s tyranny, or as violent pleasure, or death. The
light, steady wave of her character breaking constantly
upon his temperament had worn away its roughness,
given it brightness and another sort of distinction
than its own: that of the wrath and force of instincts
mixed with intellectual gentleness, that of animality
the heart of which has been touched and not broken.
Incompatibility of the sort which puts an end to
fugitive affections was the basis of their permanent
and essentially religious devotion to each other. Each,
like a portion of a circle, found in the other what
was needed to balance and perfect himself. Trait
for trait, each was strong where the other was weak;
each was the opposite of the other—an opposite as
symmetrical as that between man and woman physically.
The good-tempered years, as they passed,
brought about an interweaving not only of their
interests and affections, but their characteristics.
Death, to take one of them, would have had to leave
a part of that one behind, or mutilate the other to
carry off its momentary share of the two, inextricably
married.
This process, this mystery, constituted at last the
family’s one enduring mysticism. Schooled by the
discipline which in Marianne’s hands Christianity had
become, her children were to inherit, as if it were a
religion, a theory of love, which would probably be
interpreted by them in terms of various religions,
various kinds of good and bad behavior, and which,
changing its form but keeping its vitality—as in transmigration
a vast, vague soul, typically American—would
probably be heard of for some time to come.
During one of Alwyn’s summer holidays he went
with his parents to a Methodist camp meeting on the
other side of the county. He and his mother drove
a single horse, his father following in a carriage with
the little girls; and they stopped for the noonday meal
with a family of friends. There was a newborn baby
in the house, and his mother shed tears as she held it
in her arms.
When they were alone again, moving swiftly
through the dust between the cloudy fields of timothy
and waves of turning grain, he asked, “Why did
you cry?”
“Because I want another baby.” At that time she
knew that for accidental physical reasons she would
not be a mother again. “I shall be glad when I am
a grandmother, with your little ones at my knees.
Before very long, you know....”
It was the first time she had noticed that he was
almost a grown man, and he knew that he should be
proud, but was embarrassed. “The people I pity
most on earth,” she added, “are your uncle Jim and
old Mrs. Fielding and her daughters. I don’t see
how a woman can be religious without children.”
They reached their destination. The annual revival
took place in a grove, along the edge of a deep ravine
where, it was said, there had been rattlesnakes. On
the camp grounds there were dormitories for men
and for women, hidden from each other by a thicket;
the auditorium, a sort of vast wooden tent; a dingy
hall in which meals were served; and a number of
cottages rented by particularly devout and prosperous
families. There were quoits played with horseshoes
by the old men, and exercises of physical prowess for
the young in sweaty shirt sleeves and cloth caps too
small for their heads. Between meetings the speakers,
among whom were several bishops, balanced in rocking
chairs beside their wives on the various porches.
Certain rough but quite unexceptionable young couples
played in the mossy gorge, the male faces red with
the summer and with excitement, the girls disheveled
and gay. A number of dry, gentle women tried to
occupy everyone with Bible classes and games. This
was one of the fountainheads of western Protestantism,
and epitomized its mean amenities, its lack of
mystery, its vast, somewhat emasculate, but primitive
power.
Alwyn sat on a bench between his parents during
the afternoon service. His uncle, the minister, had
been expected to join them there; he had not come,
presumably for family reasons. The hymns were
miserable; he had heard one of the tunes in Chicago
in a cheap theater.
Then a little man limped forward on the platform
draped with flags. He was the founder and director of
a school for lumberjacks in the north woods near
Lake Superior, where Alwyn’s father had gone to
hunt. In the simplest words he talked of his students,
great brutes of all races, few of whom could read or
write; how they worked by night in the basement of
the little building making cement blocks, both to pay
their individual expenses and to support the school;
how their hard hearts were touched by love of the
Lord; how, for lack of room, equipment, and funds,
many had to be turned away. Then, tears shining on
his sharp, lonely, cripple’s face, he recited: “The
desert shall rejoice, and blossom as a rose.... Then
the eyes of the blind shall be opened, and the ears of
the deaf unstopped. Then shall the lame man leap as
an hart; for in the wilderness shall streams break out....
And an highway shall be there, and it shall be
called the way of holiness—wayfaring men, though
fools, shall not err therein.... No lion shall be
there, nor any ravenous beast.... Sorrow and sighing
shall flee away.”
Alwyn had never seen nor heard so moving a man.
He compared him with the family minister, his uncle
Jim; but almost in shame, he wished that he were
beside the latter in the great, odious city mansion,
rather than where he was; and suddenly thought of
him not only with a certain lack of respect but with
profound gratitude—he scarcely knew why....
There followed a testimony meeting. Most of the
statements of faith were made by women and by men
of the clergy, men poorly paid to do so, speaking for
others or for others’ sake; most of them had evidently
been made before, the very old, intoxicating, weak
words falling into place as one expected, with a sound
of satisfaction. Suddenly Alwyn’s father stood up
beside him.
Alwyn trembled; he never knew what his emotion
was—ignoble embarrassment, or terror of something
present and invisible which was scarcely his friend, or
the shock of intimacy with him who had, that which
had, begotten him....
He saw his father gaze at his mother, as if she
were all that the universe contained. His mother had
forgotten herself and his father; she was quite pale,
and made somehow homely by her humility. Alwyn
saw her gaze back at his father, and realized that she
believed that with eyes accustomed to fields, horizons,
and deep woods, more farsighted than hers—he was
looking at God.
His father’s voice shook. He said, “I know that
my Redeemer liveth,” and sat down.
12. His Uncle Evan, the Deserter
When Alwyn was seven years old a man came
to visit his grandmother, a rancher from New
Mexico whose name was John Craig. He
ran his brown finger in and out of the small boy’s hair
and along his eyebrows, saying, “I had an uncle whose
forehead was like that.”
Alwyn’s grandmother bent over him to see. “So
it was,” she said.
He came again just before the death of Alwyn’s
grandfather, and spent four or five afternoons at the
farm, during which the old man stayed in the garden,
not even coming to the house for his medicine or his
usual nap on the sofa: apparently he did not like the
stranger. Alwyn’s father seemed to have known him
a long time, but not well; and they both seemed embarrassed,
as if, under circumstances unknown to the
boy, they ought to have liked each other perhaps more,
perhaps less.
The stranger brought the children expensive presents.
He was well dressed, and wore two rings on his
delicate but calloused hands—one silver Indian ring
and one set with a piece of onyx on which was carved
a cupid astride a fish. His face had an appearance
of weariness and controlled excitement: lean and smiling,
but smiling only around his mouth—the eyes, with
brown upper lids drawn tight across them, never ceased
moving about the room or over the countryside, watchfully
but without anxiety. He walked with a loose-jointed
motion, and Alwyn’s grandmother said, “That
is a regular horseback walk!”
Late in the afternoon she took her guest to the
cemetery to see the new headstone on the grave of
her two dead little girls. Alwyn stayed behind with
his mother. “Who is Mr. Craig?” he asked.
His mother hesitated for a moment. “I don’t know
why you shouldn’t be told. You are old enough now
to keep the family secrets. You have heard us all speak
of your father’s younger brother Evan—he is Mr.
Craig. He changed his name.”
The small boy had never in his life been so astonished.
He stared in the direction his grandmother and
the stranger had gone, down the road toward the
cemetery, staring over the head of the little old man
in the garden who was the stranger’s father, but would
not speak to him. “Why did he change his name?”
he cried.
His mother told him the little that she had been
told; but he did not understand it very well, and years
were to pass before he actually found out why. After
his grandmother’s death he went to New Mexico, and
his uncle John Craig became a more intimate friend
than his father had been able to be. This fact amused
and touched the lonely, extraordinary man, for he
himself had loved his uncle Leander more than his
father.
During Evan’s boyhood—before anyone had
dreamed of such a man as John Craig, though his
father often prophesied for him a disgraceful future—Leander
Tower, in the “old bachelor’s wing” of the
house, led an idle and, to everyone but his youngest
nephew, insignificant existence. Because he knew that
the family would have been suffering extreme poverty
but for his financial assistance, his brother’s evident
scorn of his way of life did not embarrass him. His
sister-in-law was devoted to his comfort—it was a
long-established habit to love him; but the shadow
that was left of his character, if she had met him then
for the first time, would scarcely have attracted her
attention, as in the community it attracted no attention
at all. Only Evan took refuge in that shadow from
the pain of being misunderstood, the fatigue of adolescence
which is more painful though less serious than
a man’s fatigue, and from his other troubles as they
arose.
When Evan entered his room, interrupting his melancholy
recollections, the old bachelor looked up with
tender interest but no more eagerness. Another unhappy
boy coming into the room, a third youngster
coming into his life—he wanted neither to shut this
one out nor to keep him there. “Sit down, my boy.
What’s the trouble now?”
“He called me a loafer because I came in from the
field half an hour before supper.”
“He” always meant his father. The relations between
these two were going from bad to worse. The
angrier Evan became the keener were his retorts, and
there was something insulting about his eyes. He
spoke in defense of things his father feared, criticized
things which were all but sacred, and never wanted
to go to church. The farm work always made him
unhappy, and sometimes made him sick; he had to
run away to the woods, for example, at butchering
time. Whenever he spoke of running away altogether,
he was pleased and tempted by the fact that his father
looked afraid, grew more gentle, and talked of the
evil and hardship of great cities. Their anger sobered
the whole family for days at a time, as if it
were sickness in the house. His mother whipped him
once or twice, but he would not cry out, and said,
“Why don’t you let him do his own whipping?”—which
took away her courage.
“He called me a lazy rascal,” the boy complained
to his uncle with an air of resentful satisfaction, as
if, detail by detail, he were giving evidence to convict
his father of a crime—the usual crime of fathers. “I
plowed all day and my head ached. Ma wouldn’t
listen when I told her.”
“Yes, yes, I see. Your mother is the finest woman
I ever knew. Your pa ... You’ll find out some day,
whether you like it or not, that you’re a chip off the
old block. He always thought I was good for nothing.
Maybe I was.”
He did not reproach the boy nor tell him what, on
a given occasion, he ought to have done; a boy’s ignorance
was a sort of wisdom, to which an unsuccessful
old man could add nothing that would be useful.
But little by little, as if his disappointment spoke with
its own voice, against his will, he told Evan how he
himself had lived and what he thought about life. He
did not imagine that anyone could profit by that story,
but it would distract the boy’s attention for a few hours
from his monotonous, half-imaginary, immature troubles.
In this way Evan came to know the young Rose
Hamilton better than he knew his mother, Hilary
and his cousin Timothy better than his own brothers.
As an adolescent invariably does, he envied Leander
his distress and disappointment—they were experience
at least; and there was no place for them in present
day Wisconsin so far as he could see. His lucky
brother Jim had had a chance to get away, the only
chance there was in that family.... And he felt
himself drawn, as a lover to a series of rendezvous,
toward the places where his own life must have been
waiting for him, though he had no idea where they
were and scarcely cared what it was to be.
Thus Leander shaped this boy’s character as he had
wanted to shape Timothy’s, as he might have shaped
Hilary’s. But he had failed so often to exercise the
power of his affection that he scarcely realized what
was happening; in any case, he was now too old to take
pleasure in it. He scarcely took notice of the breakdown
in Evan’s mind of certain moral principles—for
example, superstitious respect of law and order,
love of work for its own sake, and, in a measure, the
fear of God; but the boy’s father grew more and more
suspicious of them both. Henry Tower had no power
over his weak brother, but he had a right to determine
that, while Evan was a minor living in his house,
he should not have his own way about anything.
Then the newspapers brought to Wisconsin an account
of the sinking of the Maine. Evan’s mother
flung out her arms with a curious gesture, and cried,
“Now we’ll have another war!”
She saw her son sitting round-shouldered over the
papers every night and knew what he was making up
his mind to do, but was afraid to speak of it, since he
was a Tower—lest opposition give him the courage
she hoped he would lack. War against Spain was declared.
Evan did not yet know what it was to be afraid.
He came in to dinner one day after the others were
seated, and stood behind his chair. “I’m going to
enlist,” he said.
His hands gripped the chair-back as if it were a
weapon, as if he might have to fight his way out of
the room. His brother Ralph sighed, thinking perhaps
of the harder work that would be left for him to
do. His mother covered her face with a corner of her
apron.
His uncle muttered, “Don’t you let him go, Henry.”
His father answered, “You ought to be ashamed,
Leander. A boy can’t do a finer thing than serve
his country. We need him on the farm, but we’ll have
to get along.”
Evan did enlist. He enjoyed the months of novelty
and excitement before they disembarked in a
Cuban harbor. There the stale-smelling sea splashed
over rocks and rotten wood. The large vegetation
which was on top kept swelling while that which was
underneath rotted. The sun was very yellow. He was
lonely, but avoided the other men half involuntarily,
and wanted to sleep more than ever before. At first
he thought it was a fever about to begin, drank whisky,
and took large doses of quinine, as he was advised
to do; but he learned that he was sick only at heart.
One night he stood just above the level of the sea
which glittered in front of the moon, at the corner of
two roads full of ruts, between a high wall and a
low wall, both crumbling away. He was thinking,
it is time to get back to the barracks.... There was
a lump in his throat as he remembered the leave-taking
in Wisconsin.
Henry Tower had placed his hard hands on Evan’s
shoulders, which were well above his own. “Don’t
you forget,” he had said, “that five of your folks
fought in the last war. You’re a strong boy; it won’t
hurt you. Never turn back, whatever happens.” The
light in his eyes had resembled, but had been too shining
to be, that of affection.
Evan’s mother had come out of the kitchen where
she had been crying quietly, and embraced him with
great dignity, as if sending a son away to war were
a ceremonial part of her womanly destiny, like a wedding
or a funeral. Her air of pride and resignation
had made him feel the impersonality of maternal love—he
was only one of her sons, doing what she had
given him birth to do. That night in Cuba, in the
weak moonlight, Evan smiled a little bitterly, as one
who has scarcely known his own mother smiles at mothers
in general. “Be a good soldier,” she had said.
He wondered what his uncle was doing. Perhaps
watching that same three-quarters moon, which looked
full of milk like a breast; all alone in his room, perhaps,
scribbling letters that he never mailed, or pretending
to read. Evan’s mother had written that he
had been sick in bed after the boy’s departure, and
now planned to go to California; perhaps he was already
on his way.
On that last morning in Wisconsin, Leander had
preferred not to stand with the others around the
horse and buggy; so Evan had gone to his room to
say good-by. “Well, my boy,” he had said, “now
you’re a soldier, as I was. It’s a good thing that you’re
going alone, not with one of your brothers, the way I
did. Write to your father sometimes as well as to
your mother; it’ll be hard on him while you’re away,
thinking maybe he hasn’t been a good father to
you....”
A palm tree which leaned over one of the walls
made a gesture of blessing Evan with its many-fingered
hands. Over the other wall in regular breaths
came the air of a garden, and up from the seashore,
now loud and now faint, as it were a concertina in
drunken hands, the singing of sailors....
Leander had talked a long time, somewhat like an
old schoolmaster. Before going back to the barracks,
Evan wanted to remember all he had said. “Well,
maybe it’s good-by altogether for us. I’m getting old
and my usefulness is over. You’ll live to see great
days, the twentieth century—maybe everything will be
different then. Be friendly, but not too friendly, and
keep strong. And don’t get to doing things you don’t
really want to do. And when you’ve made a mistake,
and things go against you, and you can’t help it, don’t
be ashamed to run away and leave them. Don’t be
ashamed to do whatever you’ve got to do....”
Those were the words he had used, or very nearly
his words. “Start all over again. You can, as long
as you’re alone in the world. That’s my advice.”
No more time to remember. The barracks....
For a moment Evan thought he was homesick; no, it
could not be that. He was not lonesome for Ralph
or his mother; he was glad to be far away from
his father. All his old uncle could give him was advice:
how to live when he was away from his family,
how to live by himself. “Don’t be ashamed to run
away and leave things....” He wondered what he
ought to do, what he genuinely wanted to do, and
what he was going to be able to do.
For he had begun to hate the war, though he had
seen nothing of it but barracks, horse stables to be
cleaned, unemployed guns, and saloons—no horror,
no rage, and no death. Why did he hate it? He tried
desperately to think, but his mind, like a little mirror,
only reflected its own desperation, ridiculous desperation....
He smiled at himself, but bit his lips until
they bled.
The Americans, he thought, had no business to be
there: it was a foreign country; it was the South. He
had been told that they were there only to help in a war
for liberty, because they loved liberty. But even if
that were true, it meant interfering in a family quarrel,
as if a stranger had come to his home in Wisconsin
to help him hurt and defy his father.
Then he had heard newspaper men say that America
wanted Cuba for the sugar and tobacco, and that
ammunition had been smuggled in to the rebels before
our government had had any reason to take sides. One
who had been drinking had declared that the Maine
had been blown up from the inside, blown up by Americans
to make America declare war. Evan did not
know what to believe, but he was sick with suspicion.
Coming as a soldier to a foreign land, he learned,
as soldiers often do, how little he loved his own. He
imagined the profitable monotony of Wisconsin, where
he had been so miserable as a boy, taking the place
of Cuba’s lattices, the shade of blossoming trees embossed
on the dust, the pallid masonry, the gardens
and flower markets, the scalloped water which became
an ocean only at a certain distance from the island,
beyond coral reefs which were like a fence—the work
of the mysterious race they were there to wipe out,
Spanish work. Out of the small churches came gusts
of incense, mystery, and muttering—God was not worshiped
like that in Wisconsin. He wanted to steal
inside them and lose himself in the music which laughed
and cried at the same time; but he could not overcome
his timidity, and in fact was half ashamed of being
a foreigner and a Protestant.
His imagination was aroused, not by the young,
hot-headed American army, but by the natives; not
by the natives who were rebels, but by their oppressors,
the enemy. He had seen them as prisoners being
pushed into the damp citadel—handsome, sallow men
with the unabashed faces of eagles whose wings have
been broken. The rebels were blacker, dirty fellows,
weaklings with excited eyes like those of dogs, already
jealous of the Americans. To fight a war of independence,
they had had to become dependent on a
new set of masters.
Then he began to believe that the Americans would
lose the war. There were three spells against them—Spanish
blood, the Church, and the heat. Sooner or
later the rebels would prefer to be governed by their
own kind rather than by foreigners; their mothers and
sweethearts would have preferred it then. Handsome
women who seemed to have been fasting came to
look at the lists of dead and wounded; they shuddered
in their fine veils without making a sound; and Evan
believed that they wept not only because their sons
were dead, but because they had died as rebels. Old
mothers were behind the crumbling walls, praying to
the God of Spain for the Spanish army, and kneeling
beside them perhaps there were rows of black-eyed
girls. All hating the Americans—hating him. In
dilapidated carriages or in carts drawn by velvety
burros he saw certain ones with brown, parrotlike faces
who understood something of which men, above all
young American men, were ignorant. He heard talk
of spies and plots, of women dynamiting the town;
men said, “They are tiger cats.”
The Church was an enemy—innumerable priests
in league with that Spanish God. Evan was afraid
of the black-magic prayers whose precise meaning
no one knew, going up among the organ pipes and
bright images. The Americans did not pray....
The heat was an enemy. Mimosa, magnolia, and
oleander—the sweetness of these Cuban lives was poison
to Americans, at least to him. The country boy
had never dreamed of such a host of doctors as there
were, to keep them from falling sick—sick of the
canned food, of the moist filth, of the women along the
quays. In spite of them, the whole army would come
down with a fever, and be driven out. Evan was astonished
that no one saw what was going to happen;
perhaps no one cared. He tried to tell another soldier,
a dull giant named Hodge, who said that he was
plain crazy—after which he was afraid to open his
mouth.
Sooner or later, in any case, his company would
be sent up in the hills to fight. Bushes and vines lay
all over those hills to entangle them, bushes and vines
like masses of green hair. He thought he would suffocate
without the little coolness that puffed in to the
seaport from the sea. War in tight, high, hot valleys
in the heart of the island. Soldiers running back and
forth, shooting in the sunlight. Somebody’s blood,
perhaps his own, soaking through a uniform like sweat,
with sweat.... It was not the fear of death which
overcame him when he thought of these things, but
the fear of a loathsome disease—from time to time
the fear of going mad. His mother had often said
that the Towers were a nervous family....
A month passed, in drill, in drinking, in caring for
horses, and in other menial tasks such as he had had to
do all his life. He had been unhappy before, almost
always, in fact, but now his unhappiness was mixed
with a wilder emotion. One afternoon he was told
that his company would be moved the next day or the
day after. Suddenly he realized that he was not going
mad—it was much simpler than that. He was a traitor.
That night he sat by himself in a bar on the quay;
he felt stupid and almost happy, and asked himself,
not what a traitor ought to do when ordered to the
front, but whether or not he had fallen in love with
the girl who ran the bar. Her old father picked a
guitar and tried to make her sing—she had sung at
least once every evening. But she shook her head and
walked back and forth with an air of preoccupation—three
steps to the right, two to the left, and a turn
upon her heels, as if walking were a difficult dance.
At first two grizzled Cubans and a young rebel sergeant
were there; they paid and went out, leaving the
door open. The night scented the low room with
leaves and the sea. The old man fell asleep and
dropped his guitar, which murmured a little for a moment,
on the floor.
The girl sat down beside Evan, and he tried to talk
to her. She said the war would last many years.
Unable to remember any more Spanish words, he
touched (but no more than touched) her wrist with
his mouth, and laid one hand on her knee, pretending
to do so by accident. Parting her lips and lifting one
eyebrow, she smiled—it was hardly a smile. Evan had
no experience of love, and all the sensibility in his body
gathered in his hand. The old man in the corner
ground his teeth and sighed in his sleep.
Then someone came down the road, singing drearily,
There’ll be a hot time in the old town to-night.
It was Hodge, the soldier who had called Evan “plain
crazy.” He stumbled over the threshold, a great,
swaying body which smelled of rum and the cavalry
stables. He did not speak to Evan—he had not done
so, in fact, since he had heard what Evan thought
about the war. The girl rose to serve him.
He laid six one dollar bills on the table in a row,
and counted them drunkenly with his forefinger. Evan
saw the girl’s eyes glitter at the sight of so much
money; and when she brought Hodge’s whisky she
spread out her flowered shawl on one arm, swept four
of the bills to the floor, and perched on the table.
At once Hodge began to make love to her.
Then she dropped her shawl, swung backward in his
arms, adroitly gathered up the bills with it, and slipped
them inside her dress as she folded it about her
shoulders. Then she picked up the two bills which
were left and tucked them in his pocket, saying: “Put
away your money. You’ll lose it.”
Hodge did not seem to have seen what she had
done. Evan asked for another drink. The girl served
him indifferently, closed the door as if to discourage
other customers, and went back to Hodge’s knee. Evan
could not look away from the drugged motions of the
other soldier’s head as he tried to kiss her—as mechanically,
seductively, she avoided his mouth. An
ignorant boy, he could not say to himself, This is not
love. So he shut his eyes, confused at once by disgust
and desire.
Suddenly the girl slapped Hodge and tried to get
away. But he caught one of her ankles in his large
right hand and continued to fondle her clumsily with
the other. She gnashed her teeth, fluttered like a heavy
bird in a trap, and cried out. Her father sat up jerkily,
trotted behind the bar, came back waving a broomstick,
and stumbled around the table—still half asleep
and trying to wake up. The girl kept muttering to
him, between hisses of anger, to let them alone. With
fatuous patience, Hodge pushed her red skirt above her
knee. She struck him again.
Evan did not dare to interfere; to all intents and
purposes Hodge knew that he was a traitor. Furthermore,
he saw that in the tussle a corner of one of the
stolen dollar bills had appeared between the girl’s
breasts. He wanted to go, but if he did, it would be his
turn to be chased by the old man with his broomstick,
because he had not paid for his drinks.
Now the other soldier was furious; he shook the girl,
and cursed at the top of his voice: “Damn dirty dogs!
We’ll fix you! Half nigger! Look out, I’ll break every
bone in your body.”
He was weak because he was drunk; the girl was
strong with anger, so the struggle was equal. She
kicked him, and stood up on one leg; he still held the
other in his fist like a trap. She screamed in Spanish:
“You wait! you wait! Before this war is over ...”
Hodge wrenched her ankle, and she sank to the
floor.
Evan understood some of her words, and was glad,
that the other did not. She was chanting, chattering
about the war, about relatives and friends in the Spanish
army, about hideous revenges. “Stick you like pigs.
Pigs, all you foreigners!” she cried.
Terrified by what she was saying, her old father
dropped his broomstick, waved his arms, and tried to
make her keep still.
Then the door opened, and a lieutenant and a sergeant
came in. There was a sudden silence. Hodge
relaxed his great fist. The girl stumbled away behind
the bar. The small, red-faced lieutenant glanced at
Evan, glared at Hodge, and said to the sergeant,
“Smith, take this drunken bastard away and lock him
up.”
Smith saluted, with a look of disappointment at having
work to do. Hodge was sober now. “Sir, that
bitch stole some of my money.”
“Shut up!” snapped the officer. “Hell! Get out
of here!” They went. The officer settled into a
chair, sighed, grinned, and asked for whisky.
Tossing back her hair and looking ashamed, the girl
served him. He took her hand. She smiled, half closing
her eyes, biting her lower lip—scarcely a smile.
It was beginning all over again.
The officer said in bad Spanish, “Now, you little
devil, give me that money.” He lifted his index finger
and brought it down firmly on the paper money between
her breasts. The girl began to cry, and behind
the bar the old man shook his head idiotically, and
called on the Virgin Mother under his breath.
The officer pulled out the dollar bills one after another.
Then he whispered something to the girl, putting
the money in her small, red hand. She smiled,
and sat on his knee.
Evan sulked on the bench at the other side of the
room. He paid the old man what he owed, saw the
tumbler of rum which he had not finished in front of
him, and drank it at one gulp. Then he thought he
was going to be sick.
The old man fell asleep again. The girl nestled in
the officer’s armpit. The officer kept looking at Evan
as if to tell him to go.
Evan’s arms lay very heavily on the dirty table; inside
his stiff boots his heels were asleep, and tingled.
He foresaw, with the extravagance of an innocent
mind, the rest of the night on the narrow bed without
sheets in the back room. Disgusted at the way another
man succeeded in doing what he had wanted to do, he
realized that his disgust was jealousy and his jealousy
was mixed with shame. Shame of Americans—he was
an American; this was war—he was a soldier; love—an
hour ago he had been making love to the same girl.
“Stuck like pigs, all you foreigners,” she had said.
Time to get back to the barracks.... He loathed
everything he could think of. To-morrow he was going
up among the hills—the sweat, the flies, the pus running
out of sores—to fight for what he loathed. “A
boy can’t do a finer thing than serve his country.” To-morrow—he
would not; better jump in the sea. To-morrow—he
would if he could; he could not. So he
stumbled out of the place and down the street.
A week later, about the time that his company went
into action, Evan lay on the deck of a British freighter
off the coast of Florida. He was still seasick. There
had been a violent storm, and on the slopes of the
waves nodded great masses of rust-colored seaweed
in the shape of chrysanthemums. The ropes cried
and were drawn in or loosened by barefoot men, working
all around him. The full canvas, stiffly inflated,
stood out over his head in a relief as hard as marble.
The deserter lay on a pile of wet blankets, still dazed
at what he had done.
A sailor named Marbury came with something to
eat. It was he who had brought Evan away from
Cuba, away from the war, away, indeed, from a whole
life well begun, or badly begun.... Marbury called
him John. He had said, back there in Cuba that night,
whenever it was: “I don’t want to know your name.
I’ll call you John—John ... oh, let’s say ...
Craig. You’ll need a new name if you come with me.”
Evan had stumbled out of the saloon on the waterfront.
He had not known what to do with himself.
He had stopped and stared into the dark space where
the sea was making a loud noise. He had thought of
running, jumping, and getting out of sight under the
waves; that had been a gauge of his misery, not of his
intentions—he had not had any intentions. He had
stumbled down the road, and looked into another saloon,
and seen another soldier; whereupon he had
thought only of finding a place where there were no
soldiers.
Then he had met a man who had touched his elbow
and said: “See here, mate, what’s happened? You
come along with me.”
Evan thought now that there must have been a dangerous
look on his face, and when they had met under
one of the lanterns the Americans had put up along
the sea, the sailor must have seen it. He himself had
seen a short young man wearing a jacket and no shirt,
a sharp, ragged fellow; even his upstanding hair and
his red face had looked ragged.
Very humbly, as if he had been arrested, Evan had
followed the sailor. “Find a pub,” he had muttered.
“You need a stiff drink.”
Evan could not remember drinking it. He had wondered
why he had followed this man, and wished he
would go away and let him alone so he could jump into
the sea or whatever it was he had thought he had to
do. He must have said something there in the saloon
about jumping into the sea, since the Englishman had
asked, “What ails you, damn it?”
Probably Evan had answered that he hated the war,
that he was sick of the heat, and the Americans were
going to lose the war, anyway—answered not very intelligibly;
for Marbury admitted now that he had not
believed him. A man would be crazy to desert just
because he wanted to; there must have been some
trouble that he would not talk about.
Marbury had interrupted him. “Damn! You’d
better come with me. Come to sea. Make an English
sailor of you.” He had continued to drink, wiping
his mouth (which looked younger than the rest
of his face) on the back of his hand, and watching
Evan.
Evan had noticed that the back of his hand was
marked with a blue heart in a circle, and that he wore
what seemed to be a pair of old bedroom slippers.
Then the sailor had murmured, looking round to
be sure that he was not being heard, “You see, a man
came on shore with me. Name’s Pigeon. He got in
a fight. Some bones broken. Lying upstairs in one
of these houses. Some woman’s taking care of him.
He can’t go back to the ship; she’s the Amber, freight,
for London. Can’t even sit up. And we sail to-night.
Hard luck. He’s to blame. Drunk, he was. A man
hadn’t ought to fight with foreigners. That Eye-talian
put his knee on his chest and hammered him....”
Evan had laughed a little. A Cuban, scarcely human,
kneeling on a man named Pigeon—a Cuban
rather like an angel, Jacob’s angel in the Bible....
Marbury had given a long, foolish account of the affair
at least twice. Evan had listened with great interest,
without realizing as yet that he was going to desert.
Then Marbury had said: “Damn it! Your soldiers
there in the port will let you go with me in the boat because
two of us came in. Not in that uniform. So I’ll
go back and see Pigeon and I’ll steal his clothes. We’ll
put a stone in your uniform and pitch the blasted thing
in the sea. Come along now.”
Marbury had stood up; Evan had stood up; and to
his amazement he had followed meekly. He had not
been frightened; he had not been arrested....
To Evan, on board the Amber, all this seemed to
have taken place a long time ago. He staggered to
his feet and began to be initiated into the mysteries
of life on a ship. There were a number of them; that
of Marbury’s affection in particular, because of which
he learned, he had been brought away from Cuba.
“You’re a crazy lubber,” Marbury said, “but I like
you. If I hadn’t liked you, you could have jumped in
the sea and be damned. I wouldn’t have took the
trouble with you I took.”
In the beginning this affection seemed merely comic,
like that of a dog which tries one’s patience by leaping
up, scratching with its paws, and breathing close
to one’s face. Later Evan had to take it seriously,
and it warned him of the extreme limits of the outcast
individualism in which he had taken the first step. He
was a deserter, and Marbury was the only friend
he had.
There was also a young sullen boy, miserably jealous
of the attention the American was receiving. He
said to Marbury: “You’re always talking with that
Yankee. You’re not my mate any more.” This reminded
Evan of his uncle Leander’s story of Hilary,
who of course was his uncle, too, though even younger
than he, being dead....
And because he remembered how Hilary had disappeared
in the Civil War, he wrote a letter to his mother,
to be mailed as soon as the ship touched land:
Dear Mother,
I have run away from the army. I can’t explain it. I will be
in a foreign country by the time you get this. I don’t know when
I can come back to America, if I ever can. I suppose you’ll be
ashamed of me. Try to think that I am still the same.
Your loving son.
And as the four-master staggered with infinite patience
toward Europe, a sharp sadness took possession
of him. Wisconsin with its crops of every color, its
hickory-nut trees, its white sunrises and red sunsets—he
would never see them again; no one would love him
so faithfully, so intimately, as even his hard father had
done. But it was something more than homesickness
which hurt him; it was the keenest of regrets, that of a
young man who has made his choice, for the infinite
possibilities he has given up, when at last it is too late
to change his mind.
So after dark, when he could steal away from Marbury
and the rest, he crept into a corner of the boat,
and clenched his teeth, and hid his face in a piece of
wet canvas. They ran into a heavy mist one night; at
regular intervals a bell was rung, and it had the tone
of a dinner bell at home, deepened and made sadder
by the sea. Over the taffrail, in the light of a number
of lanterns which were hung up in case they should
draw near another boat, each wave lifted its broad
shoulders and its head covered with foam—lifted its
head, and fell; but there was always another to take its
place. And between one wave and another he put
away the troubles of his youth: his family’s broken
hearts, and the shameful riddle of being a deserter,
and indeed, his youth, which was a trouble in itself.
They had served their purpose; he wondered what it
was; soon he would not have time to wonder. He
could not regret what he had done, any more than a
dead man can regret having died. He said to himself,
“It can’t be helped; I’ll have to make the best of it, and
the best will be bad enough”; and by thinking that he
had made peace with the past—in a measure, and in
the manner of young, ignorant, unlucky men—he made
his peace with the future.
The Amber went up the Thames to the city of London,
and docked in the Pool. The sailors emptied the
hold; the captain secured a cargo for Rio de Janeiro,
and they put it on board.
Evan shared a bed with Marbury in a lodging house
in Wapping. He had signed for the next voyage, not
knowing what else to do. The night before they were
to sail, Marbury went to bed at seven o’clock. Evan
wanted to be alone, so he pretended to have lost his
pipe, and said he was going out to buy another.
He thought he might never be there again, so he
determined to set out on foot to see the whole of London.
It was cold, and he walked briskly, as if he had
a long way before him and a definite destination. The
angry, dim autumn in the largest city in the world; a
beast of a city, crouching in the smoke, never moving
but seeming to move, because of the agitated swarms
of its parasites. The vomit of chimneys and the backwash
of the sea.... Striped above the shop windows,
with holes burned in it here and there by the short
street lamps, the fog was like a dirty woolen blanket,
but it gave no warmth at all. Evan shivered and
walked faster, thinking of the Cuban summer, that
heat full of sleeping dogs, bottle-flies, and flowering
bushes. Scarcely remembering the weeks at sea, he felt
as if he had fallen out of Cuba through a trapdoor
into a cellar containing millions of people.
He went into a pub to get warm, wondered what his
father would say if he came through the swinging door
and found him there drinking whisky, and was amused
as if it were an idle fancy, as if in reality he had no
father. When he went out again, his sense of direction
told him that he was going away from the lodging
house in Wapping; but he thought of Marbury as if
he were a man he had known years ago, as if, that
night, he had not a friend in the world.
He was in no hurry to return to the lodging house;
indeed, he was curiously unwilling to. A few hours
more, and the long voyage would begin. The sailors
were a family, a large male family; in a few weeks on
the intimate sea they would know him well; he was a
deserter and should have no intimates. His place was
there on the blackish pavement which extended for
miles in every direction, or no direction at all; in the
yellow fog where everyone, not only himself, had a
secret, if only that of his identity; in the horde of men
and women not keeping step, streaming through the
darkness, stumbling, hurrying, limping.... A sore,
sorry mob which no one would take the trouble to
count—wearing second-hand clothes, bitten by fleas—in
which he was safe. The light of the shops lit up
only their ragged bodies, so that they seemed to have
no feet; the light of the lamps poured upon their hats
and folded shawls, so that they seemed to have no
faces. There, when he met a slight, middle-aged man
who lifted his elbows like his father, he could cross
the road and never see him again; and when, under a
street light, a man stared at him sympathetically as
Marbury had done on the Cuban waterfront, he could
turn quickly down a side street. On the Amber bound
for Rio he would not be able to escape from anything
or anybody.
The great, squat city grew still. Only half-mad creatures
without occupation, and a few others mysteriously,
perhaps criminally busy, were left on the pavement.
He crossed the river and came to the City. He
knew that the powerful, the trustworthy, those who
had parents, wives, children, and nothing to be ashamed
of, lived and worked there. He would have had no
business among them, but not one of them was to be
seen. Footsteps and a shadow—a watchman; another—a
policeman. Here and there a bit of paper revolved
like a little skirt worn by an invisible body, and pairs
of cats in areaways made music.
He came to the river again. There on the Embankment
lay many men, wrapped in rags, in newspapers,
in one another’s arms; and a few women lean and
shameless as men. Evan was comforted by the sight
of that painful bed full of derelicts, equality and sleep
their only comforts. They were his countrymen; his
fatherland, like theirs, was disgrace, and this was its
very capital. He could not cross the boundaries of
that country however far he traveled—so why take
passage on a ship for Rio? The Thames passed indifferently,
and carried off a rowboat which winked its
eye. He sat down beneath a coping and drew his knees
up under his jacket. Near by, an enormous man rolled
over and recited something in his sleep; to Evan’s
amazement, it was Spanish—a love song or a prayer,
he could not determine which; for sounder sleep quickly
laid its hand over the great mouth, which was apparently
toothless.
Evan wondered if Marbury were asleep and what
he thought of his absence. It was time to start back
toward Wapping. Then he realized that he was not
going back, not clambering aboard early next morning,
not sailing to Rio. He smiled; yes, deserting again....
If he had not run away from an army and his
family and a whole country, he might have been troubled
by his bad faith toward Marbury, perhaps even
toward the captain of the Amber. Now it was too late
for scruples. He might as well sleep there, with the
rest of his kind.
But the night grew colder and the pavement pressed
through his flesh to the bone. He was not tired enough
to sleep in spite of everything; besides, he was younger
than anyone else there. So he rose and spent the rest
of the night on foot.
He watched the city get up, trade by trade; the sun
push through the smoke, a crooked, bloody thing; and
parties of soiled pigeons revolve over the chimneys like
flower pots, from which the smoke budded, and opened,
and dropped large petals of soot. He ate breakfast in
a coffee stand, and about nine o’clock wandered down
an alley toward the Pool. The Amber had left the
wharf; it was nowhere to be seen; and Evan was well
pleased.
He found the charwoman mopping up the hall of
the lodging house. “Your mate was wild,” she said,
in her strong, snarling voice. “Said you’d had your
neck broke. Said if you’d given them the slip, you was
out of your head.” He slept all the rest of the day,
glad to shut his eyes to his premonitions of what was
going to happen to him that winter.
It was harder even than he had foreseen. He found
work on the docks by the day or week, under abusive
foremen, among lazy and suspicious men. There were
days when he had little or nothing to eat. If he had
foreseen this in Cuba, he would not have deserted; if
he had not foreseen it in mid-Atlantic, he would have
fallen ill or thrown himself in the Thames.
He grew gaunt, and smiled continually at all the
reasons he saw never to smile again. He bought a
Bible, read it from beginning to end, drew lines through
many cruel chapters which he wanted to forget, and all
but memorized the life of Jacob, the life of David,
the death of Christ. But there was not a story of a
deserter in the Bible.
One day in January he was hurrying through Soho in
a fog inlaid with particles of snow. Just as he passed
an antique shop a girl darted out of the door with a
broom in her hand. Evan started back to avoid a collision,
and slipped in the slush; his whole weight struck
the windowpane, which cracked in a great star. The
girl and he faced each other; he took off his hat. In
his embarrassment he stared through the glass he had
broken: there was a yellow satin chair, a fat gilt cupid
with no nose, a tray of old rings....
Then the girl said hastily, but without excitement,
speaking with a pinched, rough accent: “You run away.
Fast. I’ll tell my father I broke the window.” She
waved her broom as if she intended to break it again.
Evan hoped she would laugh at what had happened;
she did not. This was a girl who was too proud to
laugh when embarrassed. She was exceedingly brown
of skin; extraordinary eyes, the lids equally heavy
above and below; the whole face pointed downward to
the willful mouth and the chin. Evan asked himself
what her nationality was.
“But run away,” she repeated, impatiently.
Evan remembered that he could come back again;
so he went. He did not see the stamping crowds that
night, nor the gas flares, nor the snow tossed here and
there like dirty confetti. These things had lost their
charm; even the convulsive movement in his empty
stomach had lost its terrible novelty, and he did not
mind having had no supper.
He was out of work on the three succeeding days,
and suffered from hunger. He slept in a room below
the level of the street, and had to cover his face with
the bedclothes because of the rats which came hunting
for crumbs and failed to find any—he was as hungry
as they. He measured his misery by the dreams which
ravished him in the damp, sagging bed—dreams of
baking day in Wisconsin, of oranges and apples, of
trumpets which sounded like small, southern roosters
and woke him up.
As soon as he had money he returned to Soho and
went bravely into the shop of G. Orfeo, Antiquary.
But the girl was not there. An older woman came
forward very quietly: the same heavily framed brown
eyes, the same reddish-brown locks of hair; it must
be her sister, Evan thought. But her eyes were gentle,
too gentle, and her mouth drooped as if she had a
habit of sacrifice. “What do you wish to see, sir?”
Evan swept the shop with his eyes, to discover what
was there in the greatest number, so it would take him
a long time to choose. “A ring, if you please,” he
said.
The woman watched his tar-stained fingers on the
signets, intaglios, and semiprecious stones, with anxiety,
even with suspicion. In great embarrassment
Evan asked their prices, having only one pound in the
world. There was one which he could have paid for,
a silver band engraved with banal flowers. But just
as he laid the pound note on the glass counter the other
sister came down the staircase at the back of the shop.
“Mais, Gabrielle,” she cried, “it is the one who
broke the window! Good afternoon.” She put out
her pointed hand over the glass, over his money, the
garnets, and the silver-gilt, and examined him steadily
with her large eyes which seemed to be veiled, her eyes
in mourning....
“But what, this is your money?” she asked, lightly.
“I think you are poor. I think it is all you have got.
And the ring is nothing, very bad.” She slipped it back
into the showcase and handed him the pound note. Apparently
the sister did not understand why; Evan was
not sure that he did. “Now our father is gone to
Paris, so you will take some tea with us, and tell us
what you are, for example.”
Her name was Susanne Orfeo. Their father was
Italian, their dead mother French; they had been
born in Paris, where the father kept another shop on
a quay of the Seine; they had lived in London for
eight years.
For no particular reason Evan told them that his
name was John Craig. The fact that he was an American
pleased and excited them, even the timid Gabrielle,
who sighed continually, as if all the good things of
this world were denied her in advance; for as far as
they knew, America was a land of nothing but preposterous
wealth and liberty and pleasure. Susanne
said she could not understand why he had ever left it.
Evan explained that he had run away from home to see
the world, and naturally said nothing about the war.
He returned again and again to the shop, at first
rather surreptitiously because the father, having committed
the shop and Susanne for several weeks to Gabrielle’s
care, had come back. Gabrielle was alarmed
and manageable, like a mother who loves her children
too much to say no to them. A devout Catholic, she
insisted only that nothing should take place which
would have to be confessed, and did not mind tricking
her father because he never communicated.
Evan saw by her questions as to his present earnings,
his prospects, and the attitude and position of his family
in America, that she was hoping to arrange a marriage
for Susanne. His answers were ridiculous, as he
well knew; but she smiled approvingly, no matter what
he said, her judgment distorted in his favor, as if,
with pent-up yearning, she herself were to be the bride.
Ostensibly Susanne did not approve of this indirect
but repeated proposal of marriage, made in her name.
Her indolent eyes would lose themselves in the grate
fire, or be fascinated by a bit of brocade or the accidental
spark of a well-cut stone, as if these things represented
by a sort of code the face of another lover.
Or she would seem to be tired of his presence, hiding
her discontented face in a black-and-white feather boa
which she wore. Or she would make fun of him with
cruel good nature until her sister felt obliged to come
to his defense. Gabrielle lent herself to this sincere
and insincere play with tremulous intensity.
If the two sisters had seemed to have determined together
that Evan should marry the younger, he would
have been alarmed. It was a good thing, he thought,
that he did not want to marry, for no girl in her right
mind would accept a deserter, anyway. But the girl’s
seeming lack of interest promised him independence,
gave him courage, and doubled his desire. He had
lost his innocence since he had come to England, but
was only sufficiently acquainted with love to feel its
brute force; he did not know it well enough to recognize
the profound, perhaps not wholly instinctive cunning
of the sisters.
Then their father fell ill, and Susanne said: “If
you please, come and work for us. We have told our
father that we are afraid to keep here alone all this
value,” making a gesture of reference to the jewels,
the carvings, the velvet, which included her lovely
body in a circle of the damp, snowy light which came
in from the street.
They took him upstairs to their father’s bedroom.
Gabrielle said, “Voilà, mon petit, the American we
have engaged to help in the shop. His name is John
Craig.”
Evan saw a man in a skullcap who ruffled the linen
under his bearded chin with his weak hands, a withered
man with a large, sharp nose. “Comme tu veux....
Good morning, sir. I do not keep the shop much
longer. You see, I become old. We shall retire to
Genoa. But for the time it is very well that you should
work here.”
His expert eyes estimated the young man’s value,
swung sideways in their sockets to glance at Gabrielle
suspiciously, and rested upon his marriageable daughter’s
face with almost evil irony.
For a moment Evan, a deserter still, was afraid that
he would pity him and smile—in other words, warn
him that love was a trap.
But the old man was too sick to pity anybody or to
attach any importance to the discoveries made by his
aged penetration. He closed his eyes very slowly. “I
do not care,” he murmured, “what you do.”
Susanne blushed, and they left the room.
Gabrielle nursed her father as she would have to
do until the end of his life. Susanne kept the shop.
There was nothing for Evan to do. The sudden well-being
changed him overnight; a clean body and clean
clothes, warmth, good food, friendliness.... Pride
in having endured hardships all alone, and as it were
by choice, made of the memory of his misery the rarest
sort of pleasure. Then he told himself that he had
been happier since he had come to London than hunger,
cold, and fatigue had permitted him to realize; he
was certainly happier than he had ever been in Wisconsin.
He wanted never to have a home again, or to
be surrounded by a family. People of his own kind
provoked him to be unlike them—that is, unlike himself;
but among those whom he might never understand,
he understood himself and was his own best
friend. He liked not having to give an account of
himself to anyone; it was good luck to be so disgraced
that little or nothing could be expected of him, that
he need not expect much of himself. His only ambition
was to escape the ambitions which others might
have for him and oblige him to fulfill; and when he
thought of his brothers at all, he pitied them. No
one cared what he did nor what happened to him; he
did not care himself, he believed, if only it were not
what had always happened. He told himself that this
must be the way his old uncle Leander had wanted him
to live, when he had talked to him as a boy so incomprehensibly.
Back there in Cuba, in despair and foolishness,
by accident, he had chosen the life which
suited him; he enjoyed being a deserter.
But he had fallen in love. Day after day the girl’s
beauty was half denied, half given to him. His enjoyment
of what he had mingled with longing for what he
could not have, and produced in his heart a childish
irresponsibility and an intoxicating pain. At the end
of two weeks of it, involuntarily—uttering the words
at random in place of other words of love-making
which her proud bearing forbade him to use—he asked
Susanne to marry him.
But a mere proposal meant no more to her than
love-making without a proposal means to many girls.
She seemed to be waiting for a contract to be drawn
up and signed by her lover, his parents, and her own,
before giving her consent. In any case, she wanted
plans to be made, a home chosen, and sums of money
with which to begin life secured and counted. So she
merely smiled, shook her head, and ran away.
Evan heaved a sigh of relief. What a confession
he would have had to make if she had stayed to listen
to it! And she less than any girl would want Evan
Tower, an outlaw, for a husband. But she did not know
that Evan Tower existed, and it had not occurred to
him as yet that John Craig—a new man without a disgraceful
past, without, indeed, any past—could exist.
So he did not dare to say anything more about his confused
desires. If he did, he might ask her again to be
his wife, as it were against his will; she might refuse
him, she might accept him—he would not know what
to do in either case. His yearning gave him no rest;
and it was not licensed, could never be licensed, by
anything, perhaps not even by love on her part. Passion
is lonely at best (hopeless or not, requited or not);
he was lonelier in the pleasant shop than he had ever
been sleeping in the cellar bedroom, working on the
docks. He thought of going back to them.
Finally Susanne saw how humble and stupid passion
may make a young man: he had not even realized that
she loved him.... So she began to make plans herself,
and the day came when she was able to make this
announcement: “Father has sold the shop. He will
give us a thousand pounds now, and more when he sells
the Paris business.”
Did that mean that she would marry him without
asking any questions? He hoped at least to see a somber
warmth like his own kindle in her heavy eyes, but
was baffled by her self-possession, mystified by her air
of waiting; and she said nothing more. As time went
by, he learned something of the power of the Church,
the sources of the strength of women, and the character
of the girl who, it seemed, was willing to marry
him, but unwilling to give him any proof of love.
One evening in June they came out of Hyde Park,
where the mist had rolled off the lagoons like ribbons
unwinding from great spools, and lamps had already
been lighted in the leaves not yet soiled by the summer.
Evan clung to Susanne’s elbow, trying to substitute
the delicate muscles curving along the upper arm and
the forearm to the little pointed bone, for the untouched
beauties which burdened his imagination like
a mania. They came to the dingy, stately, crowded
street.
Then Susanne swung her hand outward in a circle
(a familiar gesture) and said, “There is no future
here. I am not like the others, most other girls. I
have some ambitions.”
Evan stared wistfully at the knots of self-possessed,
unscrupulous people so unlike Americans; the mysterious
closed carriages; a square opening out at the
end of the long stem of a street like a large, old, gray
rose and pouring smoky perfume in their faces. He
compared London with the hard, poor farms which
were all that he had seen of the New World. Europe
had given him maturity in exchange for his painful
youth; it might give him Susanne as well; and he
wanted to stay there and become a part of its old age.
“You know,” the girl continued, “I made a vow
long ago—never to marry a European. That is, not
unless he would promise to take me to your country.
We will go there. They will go to Genoa to grow
old; we will be in your home. And we will get rich on
the other side.”
Evan stumbled at the end of every one of the short
sentences. So that was what she had been waiting for....
It was America she wanted, America she loved
in him. The deserter had become an ambassador, as
deserters often do. Ambassador or not, he was still
an outlaw—he could not go back. He would have to
tell her. She would despise him—despise, blame, and
scold him. He might as well desert again, go back to
the docks and say nothing.
No.... A soldier’s honor and promises to a friend
had rested lightly on his impatience; love was heavy.
So they returned through the hasty dusk, in silence, to
the shop.
There Susanne struck a match under the paper and
wood he had laid in the grate for the next morning,
and pushed a sofa in front of it, and sank into the
faded cushions. She was aware of his distress; she
was waiting for an explanation. He himself waited
for the purring and snapping of the fire to cease, unable
to lift his voice above them.
At last he said, “You must know, Susanne, that I
can’t go back to America.”
“Why can’t you?”
“I deserted from the army. My real name is Evan
Tower.”
“That makes no difference—”
“If they caught me I’d be put in jail.”
To his amazement, she did not reproach him; she
did not seem to hold him responsible; she blamed the
government of his country—which meant that she had
already accepted him, accepted him in secret. Evan
understood no more than this, and stared at her in
stupid, passionate delight.
She had sprung out of the cushions and was pacing
up and down the room. “No! No! They shall not!
Fools! It is nonsense! We will show them!” She
glared into the corners of the room as if they were
occupied by uniformed enemies. “No! I hate your
government!” Even in her anger she was thinking of
what could be done, practically. “There must be an
amnesty. You will have a beard. In the West ...
Mexico ...”
Clearly she was saying: He is mine, he is mine;
America is mine. His mind on fire because of her
angry beauty, Evan rejoiced without thinking of the
consequences.
Then she stood quietly in the center of the room and
wrung her hands. “We will go back to America. We
will hide. We, we alone, will not get caught. The
army is nothing. No one will know. We dare to do
it. You love me; you do not dare be afraid. Tell me.
Tell me if you are afraid. Tell me, if you ...” She
began to weep angrily, and clutched at his hands and
shoulders.
Evan wondered why Gabrielle did not hear her
weeping and come down; he did not know how to defend
himself. So at last he heard his own voice saying
that he would go, promising not to be afraid, promising
to grow rich and respected in his own country—a
land as unfriendly and as far away as if it had not yet
been discovered.
Susanne lifted her head, drew back against the arm
of the sofa, and smiled—a smile not of faith, but vigilance;
not of contentment, but violent firmness and
courage; not of an end, but a new, unwelcome beginning.
Her lover’s heart beat heavily, heavy as never before
with fear, simply because he had promised not to
be afraid. He half regretted that he had comforted
her, because he had reëstablished the wall of her ambition
and willful virtue between them. But love went
on speaking for him, saying what he did not believe:
that America would be kind, that every law could be
set at naught, that she should rule over the circumstances
of their lives and over his heart, and that he
would give her everything she wanted.
Then, by way of an appeal to her imagination and
still more to his own, he took out of a showcase necklaces
of garnets and slippery chains, thrust a comb like
a studded shell into her hair, and folded about her an
embroidered cope smelling of incense. The fire turned
these hard ornaments into drops of water and disembodied
sparks. But Susanne shook her head. These
were old things; she wanted new. They were already
hers; she wanted that which was his.
As he removed them, his cold fingers accidentally
touched her cold throat and mechanically caressed her
shoulders. So he gave her all he actually had to give—his
kisses—brutally, softly, without asking leave, but
not without seeing her face, upon which a girl’s emotions
could be seen in conflict with a woman’s—terror
with relief, distaste with satisfaction, the humility of
the abdication of a girl’s power with a woman’s powerful
vanity. But he covered her unwilling movements
with his arms; they climbed the stairs together, and
did not separate in the flickering hall.
When at last Evan came down into the shop alone,
he found Gabrielle there. She was weeping. “Now
you have committed the sin,” she whispered. “Now
you will leave me alone and go to America. I will
never see you—” She fled to her room.
Evan settled his body, suddenly heavy, into the sofa
cushions. The fire throbbed in an enviable exhaustion.
He was not even tired enough to sleep, but felt instead
that false weariness by virtue of which, in the midst of
passion, one is able to consider the next step. The
next step according to Gabrielle: “Now you will marry
and go to America ...” He had promised; and as a
lover, like a fool, he had sealed his promise. Now
that it was too late, he could think—of the short past
and the long future ahead. It was as if he had been
talking to himself for a long time, and had not been
able to hear because of his pounding lover’s heart;
now its music had ceased for a few hours....
He would marry Susanne, that was certain. He did
not want to marry,—he could not help it. Then they
would go back to America, venture across an inconspicuous
border, and establish themselves in some half-deserted
place. Suddenly, surprisingly, his love of his
country caused him pain (he had not known that he
loved it). But he would have to be an Englishman
over there; he could be an American only in Europe.
And he would have to work, and seem to think what
others thought, and do what others did, and grow prosperous
and worthy of respect—join the regiment and
march with the rest....
He thought of the leave-taking in Wisconsin before
he had gone off to join that other, actual regiment; for
now he was taking leave of himself—he was going to
be married and return to America as John Craig, and
John Craig was saying good-by to Evan Tower.
“Don’t make promises,” his uncle Leander had said in
Wisconsin, “that’ll be your trouble. Don’t get started
doing what you don’t like to do, because you’re not
the kind of man who keeps at it. You needn’t, as long
as you’re alone in the world. You’d better keep alone....”
Evan wondered if he were still in California
with Timothy Davis. What had he thought of his
having run away from the war? What would he
think of his marriage and the new promises? He
had such strange ideas.... He would probably be
frightened about what would happen—after they were
married.
Susanne and John Craig, man and wife. To all intents
and purposes their marriage was over before it
had begun; love had run its course. The rest of their
lives would be a monument to it—a monument having
on the outside an appearance of solidity, but hollow
within, where, like the few breaths of air which are
imprisoned inside a bronze, the bitter-sweet of youth,
passion, and disgrace would be secreted....
Outside in the fog London drew up its enormous
knees and shifted its enormous shoulders.
Youth and passion—he saw more clearly than before
what they were; he could see through them to the
future, which would not be young and in which there
would not be much passion; and he understood
Susanne as if they had already been married for years.
She would never cease to reproach him for having endangered
her immortal soul by his love before marriage,
nor forget why she had married him, nor overlook
any of his failures. Others would excuse him for
being a deserter—by never discovering the fact, or by
forgetting it. She would go through the motions of
forgiveness, and as long as he loved her keep him
from forgiving himself. Perhaps she would not blame
him, but instead think of him as a fool, not worldly-wise
enough to deserve her respect. A man’s madness,
nipped in the bud; love itself was a man’s
madness....
The small, naked flames in the hearth began to
clothe themselves in ashes. He sought in his memory
for a clear picture of her face, and found it—at once
the face of a flower and a shopkeeper. How it had
had its way with him—and it was not done with him
yet. At that moment there was more premonition
than passion in his heart; there would not always be.
Passion would be born again and again, but it would
be weakened like this by each rebirth; and the day
would surely come when he would wonder why he had
given himself up. He was glad that it had begun only
in fact, for it had been as if, bending over a rose, he
had been prevented from taking a deep breath. Could
one ever take a full breath, and have enough of love?
He was infinitely tired. Sitting in the antique shop
where love had begun, he seemed to look back even
upon its future, knowing what he would have to give
in return for what Susanne had given or would give,
the reparation that would be required of him for
what he would take or had taken, as if it were by
force: responsibility, secrecy, half-hearted hard work,
fatigue....
Hitherto apparently lazy, he had “worked harder to
keep from working than anyone else ever worked,” as
his mother would say. Apparently a coward, he had
run away from several kinds of tyranny; but now, it
seemed, he had chosen to play the tyrant to himself.
He went on enumerating the differences between the
past and the future. He had evaded common responsibilities—little
good it had done him; for now he
would have to keep to the letter all these fantastic
rules which life (or perhaps he himself) was making
up as he went along. For example, he would have
to learn never to hide his face, so that no one should
discover that he had anything to hide. To obtain forgiveness
for his youth, of which, like a fool, he had
hoped to make others envious as he grew older. To
give no one cause to be ashamed of him again, but to
be ashamed of himself, in order to be able to be discreet
mechanically. To make more friends than he
wanted, and not to like any of the sort of people who
resembled him, lest he should have to live down their
disgraces as well as his own. To fulfill every expectation,
to promise too much and keep his word. To condemn
the man he would have liked to be to increasing
obscurity, and make a self he did not like more and
more prominent. To strip his genuine character little
by little of its reality, and turn a disguise into an actual
man....
This meant the total disappearance of Evan Tower,
that happy, unhappy boy who had done as he liked, and
the rise of John Craig, an Englishman married to a
French wife, neither happy nor unhappy, but growing
rich in America. So with the passage of time, the soul
of a man loses itself in his life.
His life in disguise; and when he died, only the disguise
would lie quiet on the deathbed and be buried;
he himself would have been dead a long time. No—not
dead, merely condemned to death.
For he would always be a deserter. A boy hiding
inside a man, an outlaw hiding inside a man who at
last, at least, would abide by the law. If he liked, a
homeless, lonely man in a foreign land might wear his
disgrace as if it were nothing more than a shirt or a
coat out of fashion. A lonely man surrounded by
friends and family, a naturally homeless man at home,
an expatriate resident in his own country, would have
to wear it next the skin, like a tattooed rose, or star, or
Marbury’s blue heart in a circle. That was all....
The fire sank. His excitement kept him warm, but
his hopelessness was putting him to sleep.
More than ever a deserter, then.... The exile
was returning home, which was inexcusable; the outlaw
was going to avoid punishment—that is, break the law
again. He was skeptical (his uncle had taught him
that); but his own impulses were speaking to him as
an angel speaks to a madman, a mother to a child; and
when that angel spoke (with its limited vocabulary of
passion, fatigue, homesickness, fear), he had no ears
for his skepticism or for other men.
So he regarded himself with admiration and disdain,
comparing the past with the present—for he
seemed to have been young a moment ago—and comparing
himself with other people and other things.
The wooden saints in the shop, covered with flakes of
gilt, sick with gold sores; the gaping showcases (for
Gabrielle had not forgotten to lock up the jewels);
the crystal ball in which he had never seen anything
but a flaw shaped like Susanne’s mouth; that dark-red,
disastrous mouth itself—they had lost most of their
charm. They were old things; he wanted new. Shining,
unsatisfying, they belonged to his youth and were
like it; and he was tired of being young. His uncle’s
warnings also belonged to it; all he would have to do
with them from now on would be to prove that they
had been mistaken; and it occurred to him that his
uncle had come to be an old man without ever having
grown up. He felt a great hunger for the evasions,
the hypocrisies, the calculated movements, the disappointments,
of middle age.
And there was the London dawn, strong and soiled
as a man’s middle age, crawling over the window sills,
pushing between the plush curtains. He would not
have time to go to bed. Before he crept upstairs he
took off his shoes, unwilling that anyone should know
that he had sat up all night, determined that no one
should ever discover the madness of his thought.
The rest of his life was very much as he had expected
it to be. He and Susanne were married at the
end of the summer. Gabrielle took the invalid father
to a small villa outside Genoa. The young couple
went to Mexico City, and during the winter crossed
into the United States without difficulty, and bought a
ranch near Taos, New Mexico.
He wrote to his mother and received a long letter
in reply, full of embarrassment and eagerness to be
proud of him in one way or another, proud of his courage
at least. In it, with later family news, she told how
Leander had died on his way west. She added, “He
did not live to hear of your trouble in the army”; evidently
she was glad.... Leander might not have
minded that particular disgrace, but now, if this new
adventure ended still more shamefully, as it might,
the old bachelor would not be alive to be embittered by
it; and Evan said to himself, It is just as well. But
the new adventure was not to end badly.
Susanne gave birth to a son who was christened
Leander Orfeo Craig. The desert and the mountains
were little more than a place of exile for her—exile
less from Europe, which she did not love, than from
the brilliant life she had looked forward to; but she
recognized the danger of residence in a more law-abiding
part of the country. She grew strangely devout
and wanted her son to become a priest; but Orfeo
adored his father, who grimly and patiently counteracted
her influence. In 1906 the antiquarian G. Orfeo
died in Genoa, and Gabrielle came to live with her sister,
bringing the rest of her father’s fortune. Friends
of a bishop and a sinister old ex-governor, the two
women came to be powerful figures in the public life of
the State, and more and more independently, at one
end of the great adobe house, led the life of wealthy
Mexican devotees.
John Craig lived in the other wing, near the goats
and horses, among the cowboys, the firearms which
were less and less useful as time passed, the carved
saddles and faded saddle blankets, the star-shaped
spurs. He saw his wife only a few minutes a day,
but never loved another woman even for a night. His
life was that of the chief of a band of hard men—his
cowboys—all of whom, like himself, had secrets, vices,
great strength, and skill, whether with animals or enemies;
and among whom he enjoyed the lonesome prestige
of an officer or a criminal—like soldiers or accomplices,
they did not believe him but believed in him.
Many of his neighbors as well were suspicious of his
past, but it seemed as natural in the Far West for a
man to be followed by an unpleasant story as by a
shadow. He kept out of politics, and made those who
did not wish him well fear him, stopping their mouths
at first by well-chosen threats, and then good-naturedly
letting them forget why they did not gossip about him
any more. Gradually he became an influential citizen,
with whom even his wife’s powerful friends had to
reckon. The years went by, as much alike as cattle
marked with the same brand, his brand—a heart inside
a circle. He did not make so much money as Susanne
wished nor even as he had expected, but was able to put
aside slowly a certain small fortune for Orfeo.
The boy looked somewhat like his mother, very little
like an American. Thinking of him, his father thought
of his own boyhood: thus Orfeo seemed not merely
precious as a son, but of unique importance, as to a
weary regent, the sole heir to great wealth or a throne.
For he was the only living relative, John Craig thought,
of the boy who had died (at least seemed to die) within
himself; and thus entitled to everything in manhood
which he imagined that boy might have enjoyed. So
John Craig watched Orfeo with a certain fear—fear
of his evident mortality, of his lack of discontent which
was like indifference; a royally lovely child because of
whose gentleness an illusory kingdom (of irresponsibility,
candor, and truancy) might get out of control
or, by someone, be taken away.
The child carried messages back and forth across
the patio between his parents; and because he resembled
his mother as a girl, it seemed to his father that
he also bridged another distance—that between his
own heartbreaking youth and the rather heartbroken
satisfaction of the later years. His imagination followed
the tiny boy’s solitary, symbolical footsteps back and
forth in his life and across it, and wished that the years
would bring him back where he had begun. Smiling
mechanically, he wished that, as soon as he had saved
enough money to insure his son’s independence, John
Craig, the rancher, might die, and his soul pass into
Orfeo’s life, and Evan Tower, the deserter, be disguised
by nothing more than that fearless childhood,
and begin all over again....
And because he thought idly of beginning his life
again, he thought how it actually had begun, and
wanted to see Wisconsin, his parents, his brothers and
sister, once more. They must have forgiven him by
this time; one or another of them might understand
him at last.
It would be a long journey—and then explanations,
embarrassment, a certain amount of scandal, irreparable
resentments that he had had the luck to have forgotten
about.... A grown man had no business to
seek to be understood. He was a fool, mysteriously a
fool, he told himself—without caring in the least. He
might as well set out; he always had, once he had
thought of a place to go. In the court Orfeo was playing
with a jet of water which balanced over a stone
tub, balanced as it were in the very center of Taos Valley,
that huge, hollow stone—balanced, lost its balance,
straightened again, but could never be quite still,
like a human life in the great hollow of a lifetime....
His life had lost its balance again, that was all.
So he went back to Hope’s Corner. Wisconsin was
less pretty than he had thought. His father, as he
might have remembered, never forgave anything, and
would not see him. His mother told him about all
the relatives; he found little to tell her, for she was
not even interested in his treason, his hardships, his
marriage, his good and bad luck; it was as if she had
brought him into the world to be a deserter—he had
been one, and there was nothing more to be said. His
presence seemed merely to remind Ralph of his resentment
at having been deserted by both his brothers,
left behind with their old father and the unprofitable
farm and no opportunities. He did not have the courage
to stop in Chicago to visit his luckier brother, the
minister; and he told himself afterward that for lack
of courage he had not stayed with his people long
enough to accomplish what he had come for, whatever
that was....
So a few years later he went home again, and found
himself no less a stranger than before. He could not
share his mother’s almost formal enthusiasm for the
early days. He did not understand his brother’s sensual,
virtuous life. His sister-in-law Marianne, wistfully
opinionated and brilliant like a saint, intimidated
him. Flora, his little sister, laughed, wept, and liked
everyone absent-mindedly, tremulously afraid to do
wrong, but less like a saint than a nun. John Craig
felt as if he had wandered backward (or forward)
into an epoch peopled by wise children, troubled or at
peace—even their trouble was a kind of peace—and
he did not understand the games that, with touching
solemnity, such children played.
But what had he expected? What could his family
have meant to him then? His uncle Leander, who
more than anyone had encouraged him to be the
stranger that he was, had been dead so many years,
and was not even buried there. Was Evan Tower dead
as well? Certainly he spoke of him to his mother as
one speaks of a boy who has not lived to grow up;
and if he was, his tomb was not in Wisconsin, except
when and because he, John Craig, was there—in whose
heart he was buried, dead or alive.
Leander and Evan, those two were his real family,
and their souls had passed into his life—that is, John
Craig’s life. He had thought that he was tired of it;
but he was a strong man, and had no other to live.
So in Wisconsin he realized how precious it was—perhaps
that was what he had come for. The spirits
of his uncle and his boyhood having passed into it, he
ought to be content with their dwelling place.
Having passed into his life; perhaps into Orfeo’s
after him.... There was also Ralph’s eldest boy,
Alwyn, a colorless youngster with raised eyebrows who
was going to resemble Leander when he grew up. He
seemed, childishly, to be trying to think his way into
everything that came to his attention—John Craig
imagined a key trying to fit every lock—and thus to
hurt himself and keep himself in a slight but almost
continual bad temper. It appeared, furthermore, that
he and his father did not understand each other. So
John Craig said to Alwyn, “You and my boy will be
friends. You must come out and live with us for a
while, before long. I’ll raise up a colt or two for you
to ride.”
It was on the last day of that second visit that, intending
to ask his aunt a question as an excuse, Alwyn
slipped into his grandmother’s sitting room in order to
look at his uncle for the first time after his mother had
told him who and what he was. They were looking
out of the window, his grandmother with her large
arms folded, his uncle, the stranger, resting one hand
on his aunt Flora’s shoulder. His grandfather had refused
to come to the house while his son was there.
Every night his grandmother reproached him, but he
did not even trouble to answer; every afternoon they
hoped he would change his mind. Alwyn tiptoed to
the window, and no one spoke to him.
They could see his grandfather coming down the
lane, coming toward the house at his usual stubborn
pace. His head was thrown back; over his shoulder
he carried a long thistle-hoe. He was coming toward
the house; he had changed his mind at last....
But just as he put out his hand to open the garden
gate, he turned around and slowly, stubbornly, went
back, out of sight.
The tears came to Flora’s vague, affectionate eyes,
and Alwyn’s grandmother clapped her hands together.
“I declare,” she cried, “he does beat all! Evan, your
father is a hard man.”
“I guess, mother,” John Craig said, “hardness runs
in the family. At any rate, it ought to—we need it,
the way we live.” And as he spoke he smiled, but
only about his mouth, rather lifelessly.
13. His Aunt Flora
Two locks of red hair falling upon her forehead
like red shadows, Alwyn’s aunt Flora, when
she sang, bent her head timidly or looked
straight up toward the ceiling as if it were a sky—and
a sky full of beings which other people could not see.
The sound of her voice rose and fell, often strained
by emotions for which her thin throat was too slender
a channel, often failing altogether when its sweetness
made her sad.
Alwyn thought that she was beautiful like an idol,
vaguely thinking of the bright-colored statues in Catholic
churches as idols: her good-natured, dismayed
face; her hair like rusted iron in a burdensome crown,
broken into large curls at the nape of her neck; her
hands blue-white, with perfectly twisted veins. To
amuse him when he was a child, she drew sails upon
little round lakes, rigid fountains, butterflies, and nosegays
of forget-me-nots, coloring them from a watercolor
box. When an adolescent, he always stood as
near her as he dared, charmed by the perfume of attar-of-roses
which drifted from her dress, the odor of
orris root in her hair, and the atmosphere, like a delicate
scent itself, of the life of a girl nearly thirty
years old, gradually losing the freshness of girlhood
without growing old, almost without growing older.
He knew that his company gave her pleasure as
well; even with her brothers, his uncles, she was less
at ease. Perhaps his love was the only love she had
received which did not threaten to make itself felt with
startling energy, threaten to possess and coerce her—and
then fail to do so. They were of the same blood,
which meant, she thought, that they shared moral principles
and a religious faith; he was a mere child and
her nephew. So their relationship afforded her a holiday
from having to choose between one man and another,
from the alarms and embarrassments of being
an unmarried woman.
For two men had troubled five years of her life,
less with emotions than with what she called “problems.”
The first had been Richard Wallace, the son
of a wealthy farmer, a grown-up adolescent, wise in
the policies and graces of his age; not clever, but with
pride to take the place of vivacity. He had bright gray
eyes, and drove the most violent and shining horses
in the country. He had tired of many girls who loved
him. Olive Templeton, a girl named Valentine, and
Flora’s cousin Edith, if they happened to be where
he was, followed him with angry, intimate glances
without ever speaking. Their grievances were only
those of wounded vanity, for he had never profited by
their self-abandonment. He had had a rendezvous
almost every night for a number of years, and waited
impatiently for nightfall as if it were a ceremony and
a feast; but by day he had the look of a victim of his
own love-making and his self-control.
Flora was pleased when her turn came to be the
object of his fickle attentions. Her life as a woman
would begin with an encouraging conquest, for, with
perfect confidence in herself, she intended to be the
first to enjoy his wooing and resist his charm. Dreaming
vaguely of more serious love, she became his favorite,
half conscious of her bravado and her disdain
of him and of what he was doing; the disdain was
ignorant as well as innocent.
She soon lost her ignorance; a great many serious
new sensations made her humble. Each fought,
against the other’s magic, to keep his will power and
above all his will to be good, intact; and a closer companionship
developed in their common fear of companionship’s
magic. In solitude, in a buggy, behind excited
mares which jerked the reins, there was his shoulder
against her shoulder; his arm stealing behind her and
patiently put away; the scent of his wiry hair and
his tobacco; the hard pressure of his knees under the
lap robe. Picnics and parties were only a truce; and
after, once more, his breath on her cheek in the starlight.
His love whispering was meaningless but terribly
comprehensible: never all of a sentence, often not all
of a word.... He did not ask for privileges or
favors, as if he neither wanted her to know his intentions
nor wanted to know them himself; but continued
to reach out his hand obstinately, dreamily: desire fast
asleep, in a sleep of self-control. He rarely spoke of
marriage. Flora could not believe that he loved her.
Because of her vigilance to protect herself from seduction,
she could not study her heart to learn whether
or not she loved him.
She was frightened by the temptation of love,
though she wanted to regard it as superficial. It never
touched her so poignantly as in the Presbyterian church
in Aaronsville where on Sunday mornings she sang of
the Shepherd and his wild flock, of mansions with
pillars, of being reborn, of death without a sting. She
kept morality constantly in mind, as one carries an
amulet; she came to love the amulet for itself, imagining
dangers where there were none, in order to hold
it in the palm of her hand. She prayed that Richard
be preserved from evil and she herself from his charm.
Kneeling by her bed, the linen and the indoor night
spread out before her half-closed eyes, she realized
without warning that her lips were parched and pressed
on the air as if in a kiss, that Richard’s kiss probably
would not satisfy that yearning; and she wept. But
she could not quite make up her mind to refuse him,
if he should ask her to be his wife.
The neighbors watched them with a curiosity
scarcely kind, scarcely Christian; her mother and sister-in-law
observed that she had lost weight; no one
discovered her trouble. When she happened to think
of her original intention—to punish him for his frivolity
and pride—she was contented for a few days. But
the thought of Olive Templeton and the Valentine
girl and Edith began to be intolerable; she feared to
lose him as they had lost him, and determined never
to surrender, less and less in order to triumph over
him, but so that he would never tire of her. She clung
to his love as those who are not unwilling to die cling
to life—because it gives them an occupation in the
meantime. She laughed as well as cried, but her
laughter began to have a frightened sound.
Her only confidante was her sister-in-law Marianne,
in whose romance there had been obstacles and misunderstandings,
but never any ignorance of her own
wishes—or so it seemed by that time. The two episodes
had a certain similarity, at least in so far as all
relations between young men and virgin girls, with
the monotony of naturalness, are alike; and Marianne
told her story because the emotions in it were unmistakable,
and the end encouraging. The two women,
equally anxious to be perfect, also resembled each
other up to a certain point. But Marianne had chosen
her own ideals; they were at one with her wishes; and
her renunciation had concerned only things which she
would not have wanted in any case. Flora’s desires,
on the other hand, were so shadowy that she could
not tell what was contrary to them, what to sacrifice
to them. Able to be faultless in any way already determined
by another’s imagination, by such an imagination
as her sister-in-law’s, it was individual responsibility
which weighed upon her. But Marianne, for
reasons of conscience, was unwilling to relieve her of
any part of that burden.
She tried instead to strengthen every germ of decision
which seemed to begin to form in Flora’s mind,
praising Ralph, the girl’s favorite brother, as her
principal comment on Richard. “It is hard for a boy
of Richard’s disposition to be good,” she would say.
“Are you sure that he is a Christian?”
As far as she could see, there was little true love
amid their emotions, their tumult of innumerable
hesitations; but she would advise nothing but prayer,
which brought Flora no nearer a solution—in fact,
carried her thought, as if on the waves of a deep, invisible
river, away from the problem itself. And
afterward it had to be met with again; her bewilderment
merely increased by having asked God to show
her the way; so that the last time there was question
of marriage, like the first, she was unprepared to give
an answer.
That evening she and Richard were sitting on the
lawn on a great rock shaped like the Ark of the
Covenant. The moon shining in their faces as if it
were a spotlight; night birds and sleepless birds in
a radiance so bright that those whose eyes were made
for the darkness could not hunt; and a splash of moonlight
running down Richard’s cheek, the tired cheek of
a young man who has seemed to have been young for
a long time.... “This can’t go on,” he whispered.
The moment had come: a promise or good-by.
“Will you marry me?” he asked, as if he were
asking, not for delight—merely for relief from pain.
Flora felt that someone was watching them: not
God perhaps, but a great Spirit less a stranger to the
earth, which enjoyed her confusion—the moon was
its hard eye. Through a thousand lilac leaves, the
lamps of the house signaling to her: a vague audience
of those who loved her, before whom she had to do
the right thing. Through the maple leaves overhead,
the stars, like lamps of another house.
“I think not, Richard,” she said, wishing for a word
as definite as yes or no, but meaning neither. She
bent forward and clasped her hands.
He stood up. “You know I love you,” he said.
She had not known. “Tell me why you won’t.”
Her body drooped still more loosely on the great
stone, but she threw back her head in order to see
him, tall and silvered over by the rays of moonlight.
What could she answer? That his morals did not
satisfy her? That he would not make a good husband?
She did not understand these things; she did
not care; others cared—all their eyes were upon her
from the windows full of lamps, from the sky full of
stars; she would have to do as they thought best.
Furthermore, she felt as if she had made other engagements
long ago, when she was a little child, perhaps,
and had forgotten for the moment what they
were.
She did not know what she whispered in reply to
Richard. “I can’t hear you,” he said. “I don’t
understand.” He shivered in the light that was like
that of day, clear and embarrassing.
The moment had passed—promise or good-by; it
was good-by. Where were they? In the corner of
the lawn of her own home; she wished they were far
away, so he would have to go with her a certain distance
(even the distance of the rest of her life, without
yes or no) in which at last the moon’s blinding, bright
eye which confused her might close—for perhaps it
was to blame. But the distance of the rest of a lifetime,
like that from the corner of the lawn to the
house door, seemed short; it was not worth while asking
anyone to accompany her that far—she could go
alone.
“Good-by, then,” he said. A man moving over the
damp lawn, moving quickly, so that the time she
would have to call him back would be short, too short....
His feet, mechanically steady, made a sound of
mowing down the well-illuminated grass.
Flora went first to the north wing where her brother
and sister-in-law lived, and wept in Marianne’s arms.
“Be strong. I believe it is for the best,” Marianne
said.
She dried her eyes, and opened the door of her
mother’s part of the house. Her mother, who through
the thin walls had heard her crying, was waiting in
the center of the room under the hanging lamp.
“What’s happened?” She opened her large arms like
those of a man. “Don’t you cry,” she said. “The
one you want isn’t always the best husband.” She
was ready to tell her own story.
“But I don’t want him, mother,” Flora whispered,
moving toward her bedroom door.
A look of dismay on her broad, benevolent face,
her mother stared after her, loving her more because
she seemed too young to understand, trying to decide
which member of the family she took after, and failing
to do so. For in fact Flora resembled them all, beginning
with her father (his fastidious, idealistic
melancholy), and her mother (her lack of cunning,
her willingness to wait and give in); preventing herself
from doing things, just as they had prevented one
another.
Sleepless, pacing barefoot on the rug of her room,
night after night Flora watched the moon shrink. She
began to believe that the unkind Spirit (not God, perhaps,
but arrayed in moonbeams) had won—she had
been fooled. Afraid to pray for the reverse of her
other prayers, she closed her eyes and murmured
softly, “Richard, come back, ask again,” thinking she
knew her answer now.
But nature took its course toward midsummer; he
did come back. He was seen with a girl named Anne
MacNeill, the pride of a poor Irish family. Everyone
praised Flora’s wisdom in having no more to do with
him; but when she was alone she wrung her hands
until the blood went out of them. Olive Templeton,
Mary Valentine, her disappointed cousin.... She
had not lost him as they had—she had found a way
of her own; and she envied them the comfort of having
been badly used.
She wandered down the lane with her apron full
of green apples for the colt named Oboe. Over the
meadow his cry of love and hunger as he trotted toward
the gate.... A cloud of pleasure in his damp
eyes, he took the apples one by one between his teeth,
and broke them with a faint, crisp sound, their juice
dripping from his mouth. Flora feared and adored
him; and as she stared at his tough body, she saw in
its place another creature, dark and dappled by the
moon. Clinging to the gate, “Richard,” she whispered,
“I love you. Listen to me. I’ll never love
anybody else. I’m so lonely.” It was like making
love to a little dappled angel. Could she have said
these things, she wondered, if she had been in Richard’s
all too human presence? The two apples which
were left slipped out of her hand. Oboe rolled one
out of the grass with his lips, and with his hoof, which
looked like a gray porcelain cup, pawed the sod under
the gate for the other, which had fallen out of reach.
Before autumn came, the family worried about her
health and complained of her mournful retirement;
so she accompanied her brother and Marianne to a
large house-warming. She was ashamed of not having
a sweetheart, and regretted the fact that she was
young. From the corners of the new house came
furtive glances of young couples holding hands, embarrassed
by the presence of their mothers and the
brightness of large oil lamps. Women with aprons
over their best dresses bustled around tables of famous
jellies and chicken pies, beaming at her supposedly
broken but supposedly healed heart. Flora
felt that her youth was mutilated, but men and women
gazed at it mildly without seeing one scar.
A stranger was introduced: Herbert Ruhl, the new
doctor, a brown, wiry man in his thirties. Someone
played a blistered piano in which two or three bad
strings tingled. Dr. Ruhl asked Flora to dance, but
the girls of the Presbyterian church did not waltz.
His eyes, under weather-beaten eyelids, hardened when
he looked at her. Someone whispered, “He’s a Catholic.”
Then he asked if he might take her home; but
she was drawn into a Virginia reel before she could
say yes or no, which pleased her.
Marianne said, “Dr. Ruhl asked to take you home,
didn’t he? Then cousin Edith can come home with
us—she is alone.” Flora realized that a girl ought
not to be alone; she would have to keep her fidelity
to Richard a secret. She thanked the doctor.
From the beginning he seemed to have serious intentions.
Flora found that she thought of him continually;
but he was not young or handsome, so she felt
safe from love. He became the family doctor, and
they grew fond of him.
Only Flora’s old father said, “I shan’t be doctored
by any man who takes orders from a priest.” He
seemed to divine the reason for Herbert Ruhl’s frequent
presence in the house, of which no one ever
spoke to him; and three days before his death, when
Flora was sitting beside him, holding one of his hands,
smaller than her own, he said, “Don’t ever marry a
Catholic.”
Marianne hoped, in the beginning, that contact with
a good Protestant family would change the doctor’s
faith.
He would stop at the farm when he made his round
of calls in the country, ask her to drive with him, and
bring her home before dusk on his way back to Aaronsville.
On these occasions he offered his love with
patient candor. Meaning to marry her, he did not
oblige her to give him an answer, but in spite of her
requests asked again and again.
Flora would wait while he visited his patients,
calling to mind pathetically the face of her other lover;
but the day came when she realized that she did so
by an effort of her will. She tried to want her hopelessness
back, and envied Richard’s other sweethearts
their disconsolate ways of living. Her relation to him
lost its romantic dignity—she had been so proud of
her broken heart. But finally his troubled, light-gray
eyes haunted her no more, and the years over which
he had ruled so lightly, so uncertainly, shrank in her
memory to a few unsatisfying moments.
Then, under Herbert’s different appearance, she discovered
a force which she had thought peculiar to
Richard. The same breath on her cheek, the same
fear of constrained movements in the dark, behind
other less fiery horses; the misunderstandings, the
paroxysms of timidity, the agreeable weakness, the
slight nausea of disappointments.... But because
Herbert was a man, not a boy, the pressure of his
wooing had a definite and different purpose. He
wanted to be repulsed, as if to test her fidelity as a
wife, and was enjoying in advance a lifetime of peace.
His confidence in her increased; she shrank from
the liberties he took, by which it was revealed, but
her resistance grew automatic; after years of having
been loved, her senses could not have been taken by
surprise.
She was profoundly tired. Her girlhood was lasting
too long. She envied married women and old
maids. She came into possession of the sort of knowledge
one would like to be without. The key to her
heart was so simple—the world might forge many;
she averted her eyes from the young men she knew,
lest they discover her weakness. The world itself
was simple, and when she thought of her confusion
in the face of it, she was ashamed and wanted another
mind and another soul.
Herbert’s hard glance opened her heart as if it
were a key—more exactly, it turned in the lock as if
made for it; but the lock seemed to have been set in
a wall in which no doorway had been cut. There was
a part of herself which would always be closed, until
the very wall of life was destroyed. The faith of her
family was a part of this wall.
Herbert was a devout Catholic. The time came
when they talked of religion as it might concern their
future lives; these discussions were in effect proposals
of marriage, rejected proposals. If he had presented
his religion theoretically, she might have ceased for
a moment, in the pleasure of being able to understand,
to be aware of her family’s disapproval and her own
lack of conviction. It was its human poetry which
frightened her, each word with a vague, dangerous,
earthly meaning—pope, purgatory, confession, absolution....
A sort of Italian king; veiled nuns (unveiled
by a newspaper called The Menace to which
her father subscribed); a pit full of souls covered
with human transgressions, having lived on earth too
long; whispering, whispering guilt through the barred
windows of the confessional; all evil forgiven—and
she did not even want to know what evil was.
The Church was so perfect in Herbert’s eyes that
she could not think of asking him to leave it. He
talked of his boyhood by the hour: a priest who could
forgive, without tolerating, any young sin; the same
old man transfigured by embroideries and linen; his
name carved on a wooden bench where he had knelt;
the small bells of the parochial school. Flora realized
that these were his dreams for their children, unable
to imagine herself having children; and feared that
if she began to yield, she might lose sight of herself
and her obscure destiny, whatever it actually was, in
the pleasure of yielding.
Then her brother John Craig came again, and she
happened to hear him say to Marianne, “If Flora
likes this young man, I don’t see why religion should
keep her from marrying him. She ought to be a Catholic,
anyway. She is as pure as the snow, and hates
having to decide things for herself. If she had to
live with her other sister-in-law—I mean my wife, and
I’m glad she doesn’t—there’d be another story to
tell. Indeed, I shouldn’t be surprised if Susanne would
make a nun out of her. She has the proper spirit
for it.”
“John,” Marianne replied, “you are wicked to make
fun of us all.”
But after his departure, she was more severe about
the unsuitability of the marriage, and seemed frightened.
The community also had much that was well
meant and a little that was malicious to say about a
Tower turning Catholic.
Flora saw her love, what there was of it, sink into
a quicksand of impossibility. If it had been greater,
she might have been comforted by a sense of her sacrifice,
though so little deliberate. As it was, she merely
let herself be forced by the convictions of others into
being afraid that it would escape from the quicksand.
It did not.
One day at dusk she and Herbert were sitting on a
stone wall among strands of bitter-sweet, between
trees thinly covered with brown foliage and dark
brown fields. He said again, “Will you marry me?”
She felt her braids, like the silky hand of a spirit,
slipping down the nape of her neck. She answered,
“Dear, I believe that I love you. But I cannot marry
a Catholic. We would not be happy.”
He whispered, “You will love me more.”
Flora understood bitterly that this was not an end,
not a promise, not good-by—because Herbert was a
strong man who could wait as long as she lived. She
sighed, one sigh as small in proportion to her whole
weariness as one prolonged breath to the breaths of a
lifetime.
A sunset like a great, sumptuous couch. Flora
imagined that she lay in it, safe from human intrusion
as if it were a deathbed, and remembered her monotonous
life, moment by moment—the moments of
the past mingling with those of that very twilight, and
resembling all those there would be in the future. She
stared idly at the lights dying upon cloud after cloud,
upon empty ether. Life no less could be transfigured
but not transformed; life no less was a sky full of
colors, whose future was to fade....
She continued to sing bravely throughout the last
years of her life. Alwyn listened, and envied all those
who had taken part in her secret experience, not caring
(because he was an adolescent boy) how much of it
was misery, how much love, and how much the homesickness
of a spirit which had not felt at home anywhere.
He thought of a scarlet tanager he had seen
fluttering in the fringe of a shower; for her voice was
also a warning so sweet that one could not give heed.
A bird’s voice in a sugar-maple bough—both voice
and transparent bough darkening slowly, and seeming
most distinct in the moment before they cease altogether
to be heard and seen....
In her twenty-ninth year she fell ill. When Herbert
first entered her room with his doctor’s leather
case, she cried: “I am not going to get well. I knew
it all the time, I knew it. That was why I couldn’t
decide.”
Thereafter she wept whenever he came, so pitifully
at last that another doctor had to take his place. There
was a week of hope, a week of losing it. Finally at
midnight, in a shower which blew down with a mournful
abundance on the garden, the tree tops, the mossy
shingles of the house—in which for hour after hour
no one exhaled a normal breath, and all their mouths
were pressed into their hands, and tears ran down
over their knuckles—the second doctor learned that
he could not save her life.
Flora’s mother left the room. They could hear
her heavy tread up and down the porch. When she
came in she stumbled over the threshold, and it was
clear to everyone that she would never be strong again,
that she would not thereafter be of much importance
in life, and that, for her, life would have no importance
at all.
Sunrise. Flora’s face, tired and still confused, lay
on the pillow between the two great ropes of red hair.
The body of the sunlight floated through the window
and lit on the flowered wool rug. Then she opened
her eyes, and seemed to know that the light which
stood like a curly-headed angel beside her bed was
perfectly good, and it believed what she believed
(though she may not have remembered clearly what
that was), and it had come for her. She lifted her
hands and placed them in one large, gilt hand of the
sunshine.
14. His Maternal Grandparents, Ira and Ursula Duff
After his aunt Flora’s funeral, Alwyn went back
to school in Aaronsville. He lived with his
mother’s parents, who had rented their farm
and bought a little property in the town: a house, a
fine lawn bounded by hedges, a vegetable garden, and
a stable.
His grandmother Duff never lit the lamps until the
shades were drawn, remarking that it was “indecent
to be seen by Tom, Dick and Harry, as if you were
an actor in plays.” Stiff and delicate, she would
stand in the bay window every evening as long as the
dusk lasted. The large flowers of the lace curtains (as
if roses and lilies had been burned and kept their
shape in the ashes) stood out clearly against the partial
darkness—through which bicycles swung, leaving
prostrate columns of dust, and girls with strong arms
interlaced loitered along the walks, and workmen went
home. It was the normal small-town twilight which
lay there, but the old woman stood before it momentously
still, as if she were watching an enemy
from a stronghold; and often, as if to pass the time
of her vigilance, she sang, in an old, sweet voice:
“Dark is the night
And cold the wind is—blow-ing!
Hide me, my Saviour, till the storm is o’er....”
If her husband entered the room, she would shrug
her round shoulders and continue:
“For the waves around me roll.
Hide me, hide me for my soul ...”
Or she would sing other hymns, substituting for the
verses she had forgotten the mystifying notes of the
Italian scale.
She had been lovely in her girlhood, and still moved
with a peculiar grace; her skirts and petticoats touching
the floor, her small shoes going and coming among
them. If she had ever been happy she would have
been vain, and said, “My sisters were always in the
fashion, whatever it was.”
She betrayed a lifelong envy by wanting everyone
to admire these sisters. One had married, for love,
a man who was too easy-going and often drifted into
financial straits, though they wanted for nothing. The
other lived in St. Paul in circumstances of wealth and
prominence, and rarely visited her poor sister. Both
were haughty and beautiful women.
It was they who had induced her to marry Ira
Duff. He had then been untidily handsome and a
heavy drinker, keeping company with lazy, profane
men and the women of bars and shanties. The Raeburn
girls had been away to finishing school and were
noted for style and vivacity, and he had been impartially
in love with them, in spite of his other connections.
But Anne and Arabella had had ambitious
dreams and discouraged the unpromising lover, saying
that it was not right for either of them to marry
before their elder sister, and had accordingly brought
pressure to bear upon Ursula. “Pa can’t support
three well-brought-up daughters.” Their father had
been losing his money in various ways. “One of us
must marry,” they had insisted.
So Ursula had accepted Ira Duff and set about to
reform him. Her loveliness, the novelty of marriage,
her superior birth and education, had undermined his
former habits. He had signed the pledge against
liquor and tobacco; the low ties had been broken, one
by one; he had been converted and had begun to be
influential in the church. It had been as if she exerted,
to the glory of God and the foundation of a respectable
life, all the influence she was ever to have over
him. The reform had been accomplished in four
years.
As an old woman she took her grandson’s hand
and pressed it against her tight collar, through which
he could feel a round lump in her throat. “After four
years of married life,” she said, “I was standing by
the garden gate, and I found that growth had begun.
I knew that the cause was crying too much every day.
So I made up my mind then and there never to cry
again, whatever your grandpa did or said. And I
haven’t.”
On another occasion she said, “Blessedly, there
weren’t many deaths in our family. My twins, Ferris
and Forrest, died.”
With his mother, Alwyn had often put flowers on
their graves, under a mountain ash at Hope’s Corner.
There were two headstones of soft Middle Western
marble, joined by a thin slab like the arm of one little
boy laid on the other’s shoulder: OUR TWINS ...
BORN TO IRA DUFF AND HIS WIFE URSULA NÉE RAEBURN ...
DEPARTED THIS LIFE ... HEAVEN WAS
THEIR DESTINATION.
“As a young woman I had a magnificent head of
hair. It was so heavy I could scarcely hold up my
head, proud as I was; and I could sit down on it like
a dress. Now when I gave birth to twins I looked at
myself in the looking-glass, and looked at the babies,
and I cut it off with a pair of shears. It was laughable
to see your grandpa’s face when he came in—he
looked as if I had given away something that belonged
to him.
“They died of a sickness that they caught because
their father took them to a cattle market in a snow
storm; they were as pretty as pictures, and he wanted
to show them off among the men—he was always
one to make a great display.” She made this accusation,
and others like it, in a tone of perfect composure.
“Well, they did not grow up to take sides
with their pa against me as the others did. But after
that, not one of our family died, and I thank the
Lord.”
She took no account of the recent death of one of
her two other sons. He had had lung trouble; his
wife and daughters were Christian Scientists, for
whom it would have been dangerous and impious to
acknowledge his disease by taking him West; but for
some reason their transcendent faith had not availed.
At the church funeral his mother had sat in the family
pew in her ruffled black silk and veils, holding her
grandson Alwyn’s hand, with a look of mystic satisfaction.
When the widow had cried out and flung
herself on the coffin among the cut flowers, the aged
woman had looked on without dismay, as if it were
a natural occurrence; and when the mixed quartet
had sung, “Beyond the smiling and the weeping, I
shall be soon,” the glance of her bright eyes amid
their wrinkles had seemed to leap gayly up to heaven.
Perhaps she had not realized that the dead man was
her son; for her mind had begun to fail.
At first her sense of time grew morbid; she would
forget the events of the previous day or the previous
hour, and remember instead things which had been
forgotten for fifty or sixty years.
Then she began to hide things. Having little to
do now but conserve the souvenirs of what they had
done in the past, both she and her husband took pride
in orderly drawers, boxes, cupboards, and cubbyholes.
Ugly ornaments and mementoes, which no longer reminded
them of anything, were spread out about the
house like the weapons and garments of savage tribes
in a museum. Nothing was owned in common: her
pin cushion stood beside his box of letters from their
sons, on her cabinet organ; and each waited for the
other to neglect or mislay one of these things.
Now the old woman began to permit herself to be
put in the wrong; her strategy of many years broke
down. As wanton as a magpie in her black bodice
and white apron, she slipped his spectacle case into a
closed umbrella, carried a paper-covered song book
out to the privy, explaining that these were Unitarian
hymns and she was a Presbyterian, and put an almanac
on the organ in its place, opening it at a page on
which the signs of the zodiac sat in a circle around a
disemboweled man. She hid a valuable ring of freshwater
pearls so well that it was never found; and her
husband expressed his disgust in pompous phrases,
which she remembered.
Her modesty became a sort of madness. The human
body exposed below the chin offended her as
cobwebs had done when she had been a housewife,
and like them aroused her industry. She made lacy
curls with a pencil all over a nude photograph of one
of her grand-daughters, two years of age. The man
of the almanac wore a bathing suit of ink. There
was a history of the conquest of America with innumerable
illustrations, in which the savages offered
their daughters to the discoverers in dresses which
she drew, and even the slain lay beneath shrouds as
fanciful as valentines—the work of many weeks. If
Alwyn left his collar unbuttoned, she would steal up
behind him and wrap a handkerchief about his neck,
murmuring, “I can’t abide nakedness.”
Alwyn learned from his mother that she had always
kept everything of an improper nature out of
sight. She had had no roosters in her flock of hens,
and bought eggs for hatching from her neighbors.
She had persuaded her husband to plant a great hedge
of cedars far from the house, behind which the cows
and bulls together had been led. She had never allowed
her babies to be seen until they were a month
old.
Perhaps she wore, thus ostentatiously, the scar of
some amorous violence done by her husband in her
youth. Perhaps she was trying to rid herself of memories
of sweetness and abandon which made a discord
in the pure concert of their hatred of each other.
The little house was full of symbols of malice, indeed
seemed to have been equipped with the properties
of some sort of malicious magic. Chenille balls
dangling from table covers. Jagged leaves of variously
colored kid forming a penwiper. A framed
garland on an easel—fat callas and asters of dyed cotton
under glass. Vases in the form of crucibles, one
deeply crimped along the violet edge. A box of butterflies
on pins. Each taboret wore a mock wedding veil.
The cabinet organ stood by the window, a miniature
temple, all niches and balustrades and pillars; and on
the stops were printed in Gothic letters the row of
enigmatic words: TREMOLO, DOLCE, VOX HUMANA....
Many words were uttered in that house whose
meaning was equally obscure. For Alwyn’s grandfather,
who was known as “the greatest talker in the
country,” used words which no one else understood,
words which he did not understand, and words which
do not exist, to swell a passionate theme, to confound
his neighbors in an argument, and for their own sake.
He would say, for example, “My farm was the very
apocalypse of fertility, but the renter has rested on
his oars till it is good for nothing,” or “Manifest the
bounty to pass the salt shaker in my direction.” Something
of the Bible, something of an Irish inheritance,
something of a liar’s anxiety, made of his most ordinary
remark a strange and wearisome oratory.
For he was a liar. Diligently he turned the poor
past into a golden age in which he had stridden,
triumphed, above all persuaded; and still in his old
age he labored to persuade man, woman, and child.
On summer evenings Alwyn would see him in the
pale-green garden like a stage setting, urging upon a
neighbor his version of his life, and acting out its
rôles. Between the beds of beets and onions he would
stagger a little with the bearlike motion of a large
man when he is old, and speak louder and gesticulate
weirdly as the gathering dusk hid him from his
audience.
His wife, standing with her grandson by the window,
would say very softly, very sharply, “Your
grandpa tells that riffraff he’s so fond of up there in
the garden a lot of lies.”
And through the shadows closing down as if to shut
him up and answer his arguments, he would catch a
glimpse of the little woman who, in his youth, had
made him a respectable man (a man whom she alone
refused to respect); and a genuine sigh would make
more impressive his complaints and his anecdotes.
Her honesty, even without a word, wounded and
dishonored him. Therefore, perhaps, he hated the
plain truth and looked down upon it, and strode away
from it as quickly as possible into the remote past
of his preposterous stories and ridiculous pretensions,
where he could not be contradicted. But no—she had
known him for sixty years and could always contradict
him. When he was alone, melancholy actually
distorted his old, loose face, as he brooded on what
he had last said and wondered if in fact his arguments
had been unanswerable.
There had been disgraces in his life which he was
determined to change into heroisms. In particular,
he had refused to fight in the Civil War, out of worldly
interest, pride, and timidity, buying exemption from
the draft three times and mortgaging his farm to do
so. The family hoped the story would be forgotten.
But he continued to lead casual guests into corners
and, with his haggard body bent over like a question
mark, amaze them with an account of what he called
his “relations with government.”
“Then by the great horned spoon who did I see?”
one would hear. “None other but Ezra Winterbotham,
the meanest man that ever walked up and down
God’s green earth, though well circumstanced, displayed
in the height of fashion of an officer’s uniform.
Now he represented the authorities at Washington,
the might of the law, the—” With his long thumb
the old man drew in the air a word more impressive
than any he could think of.
“Well, this here Winterbotham thundered and
cursed God and swore that I’d be arrested simultaneously
if I didn’t go south with Company B. I
saw it was fate coming at me and so I bowed my
head.”
He shook a twisted forefinger, now on one side of
his listener, now on the other, to block the way of
escape. “But no! No, said I to myself. So I rose
in my wrath and denounced him. Gosh all firelocks!
man, said I, you were intended by God to go to war,
having made you so as you wasn’t good for anything
else. The good Lord meant such men as me, your
humble servant, to sing his praises in other ways by
becoming prominent citizens in times of peace.”
Sitting by the window, his wife grew more and more
stiff and courtly, as if all the world were looking at
her.
“I’ll buy a man, by cracky! said I. I’m not so poor
in this world’s goods that I’ve got to be ordered about
by every cracker-box public speaker that gets delegated
by hook or crook to Washington. I’ll buy a
man to do my fighting for me. There’s aplenty as
are waiting for such chances and that hain’t any other
future and wouldn’t be man enough for it if they had.
Men o’ your ilk, Winterbotham!”
The strident voice mounted until everyone in the
room was obliged to listen. One after another, his
wife fixed their relatives or guests with a glance which
made them uneasy, even frightened some, the very
timid or young.
“And will you believe it, sir, that fellow, that authority,
went off with his tail between his legs, uniform
and all, and let me alone!”
His wife said serenely to a woman beside her, “It
is a blessing Ira didn’t go to the war. He’d have
taken to drinking again, or worse. He wasn’t so
pious when we married as he is nowadays.”
Or a new minister would make a pastoral call, and
the old man would begin his history at once. The
preacher, knowing that this was one of his most important
parishioners, noted for severe sanctity, would
try anxiously to understand. The old lady would look
out of the window, and caress her full skirts, and pick
dead leaves from the potted plants. But at last she
would say, “Yes, it would be a very good story, if—it
were true,” and rise and go out of the room, leaving
her husband to face the astonished clergyman.
He took his revenge. When they left the farm,
for example, he insisted upon doing the cooking, and
would not permit her to go into the kitchen except
to wash dishes. He represented this as a great burden,
though he liked keeping small, crowded places in order,
and was vain of the indigestible meals he prepared.
Everyone smiled at his recipe for pancakes,
because it was a recipe for his stories as well: “One
half of wheat flour, one third of rye, one third of
buckwheat, and copious milk....” Everyone smiled,
but everyone pitied him—an old farmer with an able-bodied,
sharp-tongued wife, so patiently doing the
housework....
His malice was exercised only under cover of pity
and affection. Long before her mind began to fail,
he would draw a relative or a neighbor into a corner
and confide in a stage whisper, “Don’t you forget it—my
poor wife is doting in the decline of her powers.”
He appealed even to strangers to sympathize with her
failings, describing them incidentally in full detail;
and referred with marked unction to the trials which
it was his lot to bear in a Christian spirit.
When they were alone together, he would say with
insulting simplicity, “I call it vicious, the way you
behave,” or, “You’re a blamed fool, Ursula.” Perhaps
the fact that he did not trouble to scold her
personally with his usual abundance of rhetoric hurt
her more than his blame itself, to which, in sixty years,
she may have grown accustomed.
Their grandson wondered if it had been his deliberate
policy, from the beginning, to discredit her.
Could he, in ignorance of his own heart, have done
his work so well? Relatives and friends, one by one,
coming to have a horror of her sharp tongue, her
bitter disposition becoming a by-word.... The old
man complacently watching loneliness widen around
her, watching the manias of her old age increase,
accumulating in his mind the pity of others for himself
as a miser stores away secret treasure, sighing
and pitying himself.... Alwyn decided at last that
he sincerely thought himself a good man, a patient
husband, a martyr. Especially after he began to suffer
from a disease of the intestines, it was obvious
that he lived in constant fear of incredulity, even as
those do who are too naïvely honest to be understood.
This manifest fear had an air of innocence;
whoever might not have believed his stories, he himself
in his old age seemed to believe every one.
But, though it was she who wore the look of victory,
almost everyone did believe him. Despair is
less expressive than mere melancholy; she would have
been ashamed of seeming to deserve pity. His malice
was like an instrument in his hands, silent or sounding
loudly as it suited his purpose best. But when she
said intolerable things, in her distant, melodious voice,
it was not merely against her will; she had at those
moments no will, and as if she had been hypnotized,
felt neither fear nor sadness nor pleasure.
All the relatives and neighbors had watched the
restlessness of her anger increase, quietly, rhythmically,
like that of a whip; and heard what she had to
say when she could endure it no longer. Everyone,
on the other hand, had seen his tears. Only her daughter
and her grandson loved her; only the Towers admired
her. Even those who had experienced his perfidy
held her responsible, and praised God that they
did not have such a wife or mother.
Her sons had not even pretended to pity her. Now
the one who had contracted malaria in the South
when he had run away—as he thought, from her—was
dead. The other, Andrew, a building contractor
in Chicago, as melancholy and clever as his father,
but with his mother’s hardness, made life miserable
for his wife and children, though he gave them everything
that money could buy. He had no particular
principles or faith, hating religion for its pretensions
of peace on earth, its lack of power over hearts like
his mother’s—for that matter, like his own. She
said frankly that his dissipated habits were a shame
to her. Her husband blamed her less for driving
their sons away from home than for acknowledging
their weaknesses; and improved Andrew’s character
even as he had improved his own—by talking about
it, hypocritically.
In the little house in Aaronsville a red-edged Bible
lay on a special shelf over the kitchen table. Every
morning of their old age (just as when their wayward
children had been at home) after the breakfast of
fried potatoes and sweet rolls, he drew himself up to
his full height, took down the book, and read a chapter.
Then they knelt on the floor, each in front of a
chair, and he raised his harsh voice:
“Guard us, dear adorable father, and guide us into
one of thy mansions. Though roamers and strangers
to thy charity, set us not aside with those who defile
the highways and the byways. For liars, money
changers, ungrateful relatives, and strange women
triumph. Wither up their fig trees and put the seal
of thy abundance on our undertakings. Bless my
health, and keep our scattered children out of the dens
of mischief. And hold in the hollow of thy hand the
dear wife of my bosom. Without ceasing for half a
century, we have labored and sung thy praises and
kept faithful to each other and to thy true religion—though
our steps totter, we are still the same. Forgive
us our transgressions of word and deed, and lead
us not into trouble, but bring our aged limbs into thy
kingdom. Amen.”
There followed a moment of silent prayer. When
Alwyn knelt between them, more embarrassed by this
posture of the love of God than the two sad ancient
enemies whose knees bent with difficulty, he wondered
if in that moment each prayed that the other might
be punished, made sleepless by repentance, and have
his heart divinely softened—that is, at their age,
broken.... But when they rose, his grandfather’s
cunning face was transfigured and haughty. Wandering
away to one of the windows, his grandmother
seemed to regret that prayer had come to an end, her
eyes, in spite of their cold color and weary eyelids,
like a child’s eyes blossoming with light. And when
she glanced back at her husband, Alwyn realized that
he was not only her enemy, but her priest.
She rarely spoke of religion, and had no reminiscences
of its coming and going in men’s hearts. Evidently
it had nothing to do with love, of which she
spoke with pride and regret, as Alwyn’s other grandmother
spoke of the old days—their glory, their poverty,
their bravado. “My son,” she would say, “there
were broken hearts and romances. But young women
in my day covered their nakedness, every one was
modest and genteel. But the menfolks were inclined
to be rough—they mingled with animals all day, and
had many hardships to undergo. Don’t ever be wild
as your grandpa was.”
Alwyn remembered their wedding picture: the
young man’s lips large and red, his eyes expressionless
as eyes of crystal, his large hand closed on her arm
as if it had often had its way with women; and beside
him the little bride dressed in dark sacramental
finery.
“Always behave like a gentleman,” she continued.
“In all my life, I knew only one gentleman. That
was Leander Tower. He was accounted a little crazy
in those days by many who were his neighbors. My
life would have been different if I had married him.
But I was already married, so I didn’t love him. It
was my duty to love your grandpa and I did it, hard
and dishonest man that he was. As for Leander
Tower, he loved nobody on earth but his relations.”
Alwyn’s mother said that she had never before
referred to that secret.
Another day she said, to his amazement: “I don’t
regret a day of my life. Your grandpa is a virtuous
man and God-fearing, though he was pretty unruly
in his youth. Don’t you forget that, just because he
tells awful lies and is mean. He never drank. He
never swore. He never ran after women. Not after
we married. He never failed at churchgoing, or giving
testimony, or praying before the public—and there
wasn’t a man in the township who could make such a
fine prayer. There are few of whom I could say as
much. Now I don’t regret that he was hard on me,
and maintains that my mind is failing. It has taught
me to fear God and value the kingdom of heaven.
Don’t you ever think this world amounts to much.”
But as they approached that kingdom of heaven
their conflict did not abate. Their old bodies grew
weaker, their minds confused; but they seemed to
breathe a bracing air of eternity. Warned by the
gnawing pain in his bowels, his fear of not being believed
rose to a pitiful fury; but the days in which
he might still bring about her wifely submission were
numbered; so at last his malice was not even restrained
by consideration of what people would say. Her sorrow
took on the special clarity and peace of madness
when her second childhood began. During the last
years it was as if they lay on one deathbed—the dying
hands interlaced by habit, by hatred of each other and
love of God, the dying mouths murmuring truths without
pity and complaining still.
(It was during this period that Alwyn lived with
them—afraid of their old age, often shedding tears
before he fell asleep, trying to ignore hate and understand
love, and for the first time falling in love.)
The embrace of their two spirits was closer than
love ever is. They had lived together half a century;
now they could not be parted. Marianne Tower took
her mother out to the farm, but could not induce her
to stay more than one night. She could not sleep in
the country; hate had become a physical habit, as
passionate as the habits of the young. “I must go
back this afternoon. I must look after my house. I
must see what your father is up to.”
When she returned to the little house, her husband’s
face lit up with pleasure, but before that expression
had had time to change he would say, in her presence,
“I know, daughter, you’re inclined to see things your
poor ma’s way, but she is a great problem to me. She
steals my medicine and spirits it away, and even carries
it so far as to hide her own things. And I swear
before the Almighty, I believe she does it a-purpose.”
One afternoon during a school holiday, Alwyn and
his mother drove to Aaronsville, intending to take her
back with them. “No,” she said, “I reckon I’d better
not go. I have to see to my affairs. And your father
is not contented if I’m not here.”
Then she went upstairs, and came down presently,
carrying in her hand the antlers of two stags, interlocked
and covered with dust. She put them on the
table. “I found these old things in the attic,” she
said mysteriously. “I don’t understand what they’re
for, and I don’t know where we got them. But I
found them, anyway.”
The old man came out of the pantry. “Ursula,”
he began, looking at his daughter as if this were a
proof of all his contentions, “I pray to God that the
day will come when you’ll let my things alone. Tarnation!
I don’t blame you, but it’s a crucifixion to
me, the way you go rummaging in my belongings.”
Marianne gazed beseechingly at her father. Her
mother, ignoring him, gazed at the curio: the sharp
horns harmless at last, spike wedged against spike,
and a bit of the skull of each animal.
“I never saw that before,” Alwyn said. “What
is it? Where did it come from?”
The old man said: “I discovered this phenomenon
at the foot of an old stump I was rooting up in my
thirty-fourth year. It bears witness to the death
struggle of two ferocious animals. Beside themselves,
they struck one blow too many and got their horns
tangled and lay there by that stump, as you might
say snared, until they died. And here you have their
rage to get at each other immortalized, and I say it
ought to be in a museum.”
His wife had not taken her eyes from the table.
“Ira, Ira,” she murmured, “you’ve told that story
too many times. It’s not yours, anyway. It’s mine.
You gave it to me.”
He sighed and returned to the kitchen. She hunted
a little piece of black crêpe and painstakingly, lovingly,
dusted the antlers. There was nothing to say.
Alwyn’s mother sat down and began to weep softly.
The old woman took up the interlocked antlers and
pressed them to her bosom, and started upstairs again.
“No, Marianne, don’t ever cry,” she said, as if she
were merely giving good advice.
Their son Andrew came from Chicago to see his
father. Alwyn and his grandmother stood before the
window, and in the garden the feeble old man gestured
and talked to his son. “Who’s that man up
there in the garden talking to your father?” she asked.
“You better go up and find out if he means to stay
to dinner.”
Her husband insisted that she recognized her son
and pretended not to, out of spite. She often called
Alwyn Andrew, even during her son’s visit. At other
times she treated him with exquisite formality, as if
he were a man she loved, half a stranger. One day
she gave him a begonia leaf, saying, “You’re my sweetheart,
you know.”
The following winter Alwyn went to live with his
uncle Jim; and while he was gone the old man passed
away.
15. Conclusion: Another Moving. His Grandmother Tower’s Deathbed.
Meanwhile his grandmother Tower was
looking forward to a short but momentous
journey; making ready, not in secret, but before
her children and grandchildren, telling them again
and again where she was going and that she was willing
to go. To the least known of the lands over which,
like a lantern, the new moon hung.... She sorted
and packed her few belongings, not to take with her,
but to leave behind; and wrote on the backs of daguerreotypes,
on the flyleaf of the hair album, and
on slips of paper attached to the most precious keepsakes,
the little scattered clauses of her last will and
testament: “This is to be for Alwyn, Grandma,” or,
“To be sent to my son Evan, R. Tower....” She
also searched her memory to see if there were any
stories of the early days which she had not told; and
of those which the family knew by heart, repeated the
ones which she thought it most important to have remembered,
though it made her heart palpitate now to
talk long at a time.
But she liked best to be alone under the sugar maples
or before an open door, and to gaze at the lanes
which still seemed new to her though fenced before
her grandchildren were born, the tall trees which were
younger than she, the stubble land covered with stones,
the weedy summer hay. Apparently it was going to
cost her more to leave the farm, its particular horizon,
its portion of sky overhead, than to leave her surviving
relatives or to part with life itself.
At the same time the Towers, her son and his family,
were also preparing for a journey, another of the
migrations which had scattered such families over
America: less heroic and shorter than in former times,
because the continent had been tamed, and there was
no reason to go far now—it was more or less alike
from coast to coast. John Craig and James Tower
having, at the former’s suggestion, given Ralph their
shares of the farm, he and his mother had sold it
to buy a smaller, more profitable one, without marsh
or hills, about fifty miles away on the outskirts of the
college town of Brighton.
The old woman had given her consent to this transaction
because of her firm belief that the old should
not be a burden to the young, above all when the latter
were poor. And she had always maintained that people
should be willing to leave the world after a certain
age; now she would prove that she was willing, by
going without a murmur away from the one valley
which was all of it that she loved or knew. She would
not be obliged nor even able to stay with them long,
wherever they should go.
Ralph was glad to move. The four walls of the
new home (in which no one of his blood had died,
or been angry, frightened, or disappointed, or felt the
pinch of poverty) seemed to promise to hold for him
new prosperity, enthusiasm, rest.... The silver
poplars standing all around it, like tall women dressed
in leaves, seemed to beckon to him. His brothers’
generosity had put an end to his resentment at not
having had a chance as a boy; and now it seemed that
by merely moving fifty miles away he was to come,
first of his family, into a promised land of prolific
livestock, abundant crops, and soft, level furrows without
stones.
The farm which Henry Tower, with his farsighted
eyes, his ax and divining rod, had picked out in the
wilderness, had not kept many of the promises which
on those early mornings it had made, or seemed to
make. Royally vast and fertile in large part, the
Northwest Territory had been spread out for the
newcomers to take what they pleased. To Henry
Tower, unwisely aristocratic, beauty and prosperity
had looked alike. Misled, perhaps, by the spirits of
ancestors homesick for European meadows and hunting
highlands, he had chosen merely the loveliest piece
of land he had ever seen, and upon it had built his
hopes.
It would not have been unworthy of a pleasure pavilion
or manor house. In one corner in a tiny forest
wild roses, wild grapes and strawberries, mandrake
and belladonna, were heaped on the sweet, moldy soil
under the trees. In front of it low fields were flooded
in spring with water full of frogs, where wild birds
of every sort gathered to paddle and flutter, to stalk
and doze, hunching their shoulders. Beyond those
fields there lay a swamp over which the horizon was
draped with melancholy tamaracks. In another direction
there was a brighter vista: interwoven slopes,
white roads, dwelling places, and far away a lake,
glittering in the daytime as a lighthouse glitters at
night. The house and barns were protected by small,
high hills standing in a half circle. The tallest of those
six hills arm in arm wore a hawthorn on whose wiry
boughs every spring a few blossoms shone like bits of
pink crystal and every summer a few lumpy thorn
apples hung—a small tree shaped like a coronet. But
it was the only emblem of wealth and power which
that property could have enabled its owners to afford,
except their intangible crowns in heaven.
For half of the farm lay on those hilltops, and there
half of the earth was stone. The slopes were so steep
that the wagons carrying home the poor harvest had
to have their wheels chained and be brought down like
sledges. The rains descended in torrents, rolling down
bowlders, digging in the good fields gullies deeper than
a man is tall, washing the top soil off into the swamp.
The only valuable piece was twenty acres which Rose
Hamilton had brought into the family as her dowry;
even it was covered with deep-rooted, perennial weeds
and thistles to choke the corn and corrupt the grain.
Perhaps the very instincts which had impelled Henry
Tower to settle there had prevented him and his sons
from working the farm as effectively as might have
been done, though to the end of time it would be an
ungrateful tract of land.
The sale of it to a German farmer for his newly-married,
middle-aged son took place in midsummer.
After harvest an auction of farm machinery, some of
the livestock, worn furniture, and household goods,
was held. All afternoon the neighbors drifted about
the place, bidding indifferently on this or that, and
their wives handled and carried off bit by bit the intimate
miscellany. Alwyn’s grandmother wept at the
abandonment of certain insignificant objects, the small
children at the loss of others. Alwyn spent the night
with his grandmother in the nearly empty rooms; she
sat up in bed, her lips never at rest, and he could not
be sure whether she was praying or whether people
not actually there were keeping her company as well.
The family slept in various neighboring houses.
The next day at dawn Alwyn and a hired man named
Karl set out with two teams, the draft horses drawing
a manure spreader loaded with crates, implements,
tools, and small machinery, with a buggy and
a corn planter hitched behind it; the driving horses a
lumber wagon full of cages of poultry, cats and dogs
in boxes, barrels of dishes and kitchen utensils, and
trunks of clothes, behind which trailed the three-seated
carriage that his grandmother cherished. Cattle and
hogs had gone in a box car several days before. His
father was to accompany the family and the old woman
in an automobile. Thus, rather sadly, with less extravagant
hopes, without canal boats or oxen or
weapons, without cause for fear or singing—their
modern migration was accomplished.
The east was covered with tiny clouds like the torn
bits of paper which a newcomer finds in a dismantled
house; the sun entered the sky like such a newcomer.
Frost-bitten maples and ash covered the land with
blotches of blood and rust; the débris of harvest lay
in the fields. By the middle of the morning Alwyn
and the hired man crossed the Iron Ridge and came
to a new sort of countryside.
They ate dinner at the back of a dirty store in a
town called Eden. Alwyn’s companion, a huge man
of thirty who was like an adolescent, had had to work
so hard as a child that he was stoop-shouldered. When
he was not using his hands, which he did with difficulty
on account of their size, they hung slightly in front
of him. Long after he had been spoken to, a scarcely
perceptible movement of understanding would pass
upward across his brick-red face, from the heavy
mouth to the heavy blue eyes. Alwyn was fond of
this Karl because, as a giant, he was mysterious, because
he was warm-hearted and happier than other
people.
It occurred to Alwyn then that his had been the last
of the pioneer families in the community from which
he and the hired man were driving their belongings
away, and that Karl was like the men who were left.
The early settlers had lived and done their work for
others, not quite as they had meant to; because of
their blood in his veins, Alwyn thought of them with
pity and of the others with resentment....
Most of the new people, Saxons and Bavarians, had
come there without a penny. Then they had hired out
to the settlers and put by more of their earnings than
any Anglo-Saxons could. Steadily they had bought
fields, farms, and at last groups of farms. These determined
fathers made their women and children work
like serfs—the healthy young ones hurried into the
fields, the unhealthy allowed to die, and more begotten.
Their sons were not permitted to marry until
their late twenties, or later still; then, broken to harness,
they were put upon adjoining farms. There was
no talk among them of letting the young go their own
way.
Meanwhile the original families seemed to be dying
out; at any rate, they were being scattered. Delicate
health, without any particular illness to cause it, began
to be common among them; vague desires for an easier,
less monotonous life arose. Money was spent on the
education of children, thus lost to the family. Very
few of the cleverer sons were willing to stay on the
land; the daughters preferred not to marry farmers.
Besides youngsters, certain fathers of families went
further west; still more retired in middle life, discouraged
and dependent on others, or content with just
enough to live on.
The immigrants were glad to see them go. They
believed that children should be envious of no one
but their own elders; now there would be an end
of the bad example of discontented Yankees going
off to school or to town. And for their own comfort,
no more interference with their primitive habits,
such as beating their wives, animals and children,
or their amusements, such as Sunday dancing and
drinking....
That morning before Alwyn had left the farm he
had seen, standing in a row on the cellar door, about a
dozen of the Duffy’s whisky bottles which his grandfather
had emptied while he was dying; during the
auction someone must have gone into the cellar in
search of just such traces of their private lives; and
since all his family were eager prohibitionists, Alwyn
supposed there had been complaints of their hypocrisy,
and bad-tempered laughter....
At nightfall the two young men and the string of
vehicles were far from their destination. They turned
off the highway to make a short cut by a number of
diagonal roads. These led through a forest in which
there were dogs howling (probably about a carcass or
a pile of bones) across a sour-smelling marsh, past
only very small, dark houses, through no villages....
They began to believe that they had lost their way.
The hungry horses hung back, pushed each other out
of the road, and tried to turn up every lane; they at
least could not go on much longer. His father, used
to finding his way in the North like an Indian, had described
the turnings for him, with a schoolhouse, a
tree, a hill, by which to recognize each one; and Alwyn
looked forward miserably to his criticism, if they
did not arrive when they were expected. But for a
few hours not himself but what looked in the dark
like an utter wilderness, was in control of him and of
what he could do: he was willing and in awe of it;
he was stubbornly hopeful, resentfully proud....
Then it occurred to him that such must have been the
emotions with which the first journeys there had been
accomplished, of which, probably, every heart in the
early days had been full.
Those days were at an end; they were dead. For a
few hours, for him (for other hours, perhaps, for
others) they were imitated by accident, or in imagination
roused from the dead.... Mornings encircled
with drab forest as if by a great hair wreath. Afternoons
in which wild bouquets arranged according to
the language of flowers were passed from one innocent,
calloused hand to another—Alwyn, in that sense, did
not have innocent hands. Evenings whose hilltop sunsets
faded as funeral wreaths fade, on the mounds in
which rest those who died in the heat of the day—of
the heat of the day. Nights like that night....
“Hey!” Alwyn’s companion called back from
the seat of the manure spreader, “my horses is
balkin’ on me. What d’ya think?” The soft German
voice....
Day after day, in which there had been only the dry
voices of Americans continually expressing hope and
disappointment, praying, bargaining, bearing witness
to facts and to the Lord. Days linked at daybreak by
the sun rolling over the horizon like a great ball over
the boundary line of a game (that game had been
played, everyone had played and everyone had lost, or
perhaps everyone had won—in heaven at least).
Linked at noon by the things which happened every
day: the watering of badly fed horses (the younger
of Alwyn’s team whinnied fiercely but was not answered);
the feeding of cattle whose bags were black
with muck from the swamps (his grandmother had
told him how, during certain winters when the cattle
had nothing to eat but the strawstack and were sick,
his grandfather had slit open their tails and put in
pepper and salt); hurried meals of salt pork, bread,
and potatoes; horns of traveling venders of medicine
and fish, drawing up before the door; childbirth; the
return of hunters from the woods....
Suddenly, as if an instinct of his hunting ancestors
had been waked in him, Alwyn thought he recognized
a lightning-scarred tree of which his father had spoken,
and shouted to Karl that there was a crossroads, and
to turn to the right. He began to have hope and to
dare to admit his fatigue.
Hope, hunting, quarrels with fathers, need, fatigue,
and self-control—in those days there had been nothing
but these emotions. He was determined that there
should be other things for him at least.... Other
things than mere body and soul kept together with
determination, held together by hand, by inhuman-looking
hands stained with sores.... No one had ever
got enough sleep; night after night had been troubled
by worry over the weather and the crops, by misunderstandings
between husband and wife which there had
not been time enough to settle, by the breakdown of
women who had borne too much, some falling ill and
welcoming death, some going mad and waking their
distracted menfolk to talk nonsense....
Then Alwyn realized that his instinct about the road
had been mistaken; they had taken a wrong turning.
His heart sank. What were they going to do? He
put off telling the hired man.
Perhaps if he had paid more attention, instead of
thinking about things which did not matter in the least
that night.... Nevertheless, hypnotized by the jolting
of the wagon, he could not stop. His thought was
like the sort of nightmare in which terrors do not
frighten, nor pains hurt—they were not his terrors and
pains, except the one of having lost the way. Dreamy
composite pictures which could serve no purpose....
Then his memory, working ingeniously against his will,
suggested to him instead this or that about his relatives,
details of which they were made up.
His grandmother Tower called his grandfather
Duff “a snake in the grass”; there was a negro song
which began, “The devil is a snake in the grass.”...
He wondered if his father would go on doing taxidermy
in the new home—killing, skinning, stuffing birds
and animals.
His great-aunt Mary had driven like this all the way
from Missouri to Wisconsin. A sort of migratory
bird, with three husbands, beside her journeys which
were like love affairs with various parts of the world.
Indeed, Alwyn thought, roads were to the Mississippi
Valley what seas, wars, religions, had been to other
places in history. Coming and going of men sick at
their stomachs from the motion of their own feet, or
saddle horses, or vehicles (as he was). In the beginning
his hard boy-grandfather marking a trail on tree
trunks with an ax—as if the thread through a labyrinth
had slightly worn away its pillars here and there.
Roads with no particular beginning or end had been
the shifting foundations of life in the West—had been
and still were. They gave a wretched monotony to
one’s thought about it, and one could not speak of its
inhabitants without repeating the word. That night
Alwyn thought of this common fact with wonder, with
sickness of heart, with rather selfish pity for the pioneers—race
of religious, childish, energetic tramps
that they were—because he himself had gone astray
on a road that he did not know. He thought, It must
be midnight, but did not dare ask the hired man, who
had a watch.
Pathetically ambitious at that period of his life, he
wondered if he could make any use of the scanty
knowledge of such matters which he possessed. Did
modern men and women in cities have any curiosity
about old times, any interest in the way people lived
or had lived in the country? Probably little or none.
He knew that very soon he would be living in some city
or another—not where his relatives had passed their
uneasy lives and died, or got ready to die. He might
try to write something about them....
It occurred to him discouragingly that he would then
be doing no more than his father did with birds and
animals: spreading out and cleaning the bones (the
drier, the better they would keep); choosing a single
attitude for each one and wiring it as firmly as possible;
arranging them in groups as lifelike as groups of
lifeless bodies could be. His father also gave them
glass eyes, and painted their mouths and claws; the
paint faded. But then, so did living colors—on beak
and claw, and human face as well.
The biography which his grandfather Tower had
sat down to write had turned out to be nothing but an
account of the settlement of Wisconsin in his boyhood.
Had he not dared to lift the reticence, like a winding
sheet, which then hid or at any rate disguised the pity
of his life? Perhaps, though he had been eighty years
old at the time, to do so would have waked the pain
of a man of twenty or thirty; probably it would have
seemed to him a sacrilege beside. The name of Serena
Cannon was not to be found on the pages which Alwyn
had seen—she who had woven all the wreaths; “the
whitest hands of anybody in those days,” according to
Alwyn’s grandmother. He had heard his grandfather
say, with a look of cruel exasperation, “She was too
good for this world, and went straight to the Holy
City.” Alwyn determined that his life should not be
tragic, so that he should be able to tell about it if he
wanted to....
Suddenly across the vacant fields he saw the lights
of a town. Karl shouted. It was Brighton. That
meant that his instinct about the crossroads had not
been wrong; though of the third generation, a better
pathfinder than he knew.... Lights, as in the Holy
City to which all his people had wanted to go, soft
and yellow. The tears came to his eyes and were
gone at once. With a certain vanity, which meant
that he was not so tired as he might have been, he told
himself that he had never been so tired before. Miseries
such as the jolting over the stony road, to which
he had been trying not to pay attention for hours, took
on a final intensity; the darkness, like a large animal,
seeming to shake him, a small animal, between its
teeth. He wondered if his long revery about the early
days had not also been a sort of delirium. The last
house before the entrance to the town was the new
home.
He fell out of the high wagon as if asleep. There
was a great excitement of the dogs barking in crates,
of lanterns and his little sisters. His mother gave him a
kiss. It was only a little past ten o’clock. He scarcely
woke up until the next morning.
He was pleased at their having a new though ugly
house to live in, but as he passed his grandmother’s
bedroom door he realized that it was to have other
uses than those of life. At breakfast he asked his
mother if his grandmother had wept upon leaving
the old home. She had not, and had been heard to
say to herself with strange determination, “Not for
long, I tell you.” Just before the start she had put
her head out of the automobile, but her eyes had not
seemed to be focused on anything in particular. Until
nearly noon she had not said a word, her mouth,
hands, and great body trembling a little from time to
time.
Alwyn went in to see her in her new bedroom. Two
of his sisters were there working for her. Sitting
in an armchair, wrapped up in a red-and-white bedspread
(quilted by her husband’s first wife), she was
supervising the arrangement of her photographs and
keepsakes in a chest of drawers. Then she said: “Get
my bed ready so I can lie down. Make it up with
the head toward the window. For I declare, it makes
me tired to look out at this flat country.”
During the day she sent for her daughter-in-law.
“Marianne,” she said, “I’m not going to be able to
do for myself from now on. I’ll probably be sick ’most
all the time until I die. You’ll have to call in a doctor—or
the relatives will complain. But I won’t have
a trained nurse. I want you to promise not to get one.
It will make a lot of work for you and your children.
Take it as easy as you can. I hope and pray it won’t
be for long. I am ready to go, and I want you to let
nature take its course. That’s all I have to say. Just
let nature take its course.”
A few days later Alwyn went away to school in
Chicago. When he returned the following year in
June she was evidently dying, and someone would
have to sit up with her regularly. Alwyn had been
ill; there was no question of his working on the farm;
so he did the work of a night nurse all summer, until
his grandmother died. She was glad that it was he,
and glad that his father and mother could get their
sleep, lest they be unfitted for the more important
work in the busy season. “I can’t tell any more stories,”
she said to Alwyn. “I’m not good for much these
days, and it tires me to be talked to—you were always
a great talker. So you’ll just have to sit there.”
During the winter she had grown emaciated; her
pure white skin had relaxed; her cheeks had fallen;
the large and regular bones made up a new face without
much expression. She was dying of heart failure,
with a variety of consequent sufferings: cold and fever,
fitful nervous pain, partial starvation. During the
worst attacks her heart began to stop beating as soon
as she fell asleep; but though she had said months
before that she was ready to die, she could not permit
it to stop. She would shake herself, summon up her
strength of character, gasp resolutely, begin again—before
she knew what she was doing. Furthermore,
she did not want to die in her sleep—apparently the
only way she could—but upright in her bed, in full
possession of her faculties, even, if she had dared to
demand it, with her children and grandchildren about
her, as she had lived.
Thus her illness was a bitter struggle between the
oldest habit of her will, life, and the comparatively
recent decision to die. She was a creature of habit,
and had never been governed by her intellect; so it
was not to be wondered at that the accomplishment
of her purpose took the greater part of a year.
Alwyn sat in the doorway, the light of a lamp
shaded in such a way as to shine directly on his book
and softly over her bed—for she wanted to be able
to see—and watched the struggle night after night.
He had been ill enough himself to have thought, with
genuine if somewhat theoretical fear, of death; here
was an object lesson in reality. At first he was surprised
that he did not suffer at the sight of her suffering,
nor feel the simple emotions which such an
event called for. His active mind was quicker to
examine than to be impressed, and he habitually fancied
that everything and everyone resembled himself
in some respect; so, full of a childish eagerness to be
in awe, he was fascinated instead. It was as if he
were writing his own experience (speculations and
confused, self-conscious emotions) on one side of a
page, now helped, now hindered by the half-legible
characters on the other side, the side of death. Too
soon, in any case, the page would have to be turned.
Meanwhile his grandmother Duff was also dying,
her mind first. After her husband’s funeral, Marianne
and her brother had arranged with their cousin
Clara to care for the aged widow. Clara Peters,
otherwise Mrs. Rudolph, a rough, poor woman, also
lived in Aaronsville. The people who rented the little
house down the street had complained because the
old woman had kept coming there and trying the door.
She would call over the hedge, “I-ra! I-ra!” and
in a matter-of-fact way tell passers-by that her husband
had locked her out; this had given rise to gossip.
She would go up to mocking girls in the street and
offer to rearrange their low-necked dresses with pins.
Then her excursions had begun to be dangerous as
well as embarrassing, for she would stop in the middle
of the street to think, giving no heed to automobiles.
Clara Peters’s husband was good for nothing, and
she had to support the family by taking in boarders
and doing washing; so at last, unable to keep watch
over the old woman, who would not do as she was
told, she had had to lock her in a room during the
day. There, remembering and singing those Protestant
hymns which most put the fear of God in one’s
heart, she had not been unhappy—at least she had
never wept; but she had been as headstrong as ever.
Indeed, on certain occasions Clara Peters—exasperated
by her obstinacy, tried beyond endurance by
her own affairs—had been unable to keep from striking
her, as lightly as possible of course; no one could
altogether blame her.
This situation had not been unendurable to Alwyn’s
mother only because there had been no help for it.
Her mother-in-law had required all her care that winter.
They could not have afforded to hire help. There
were also her younger children to think of; she had
not dared to put before their wondering eyes the
spectacle of two aged women dying—one of them,
the dearest, out of her mind. Fortunately her mother
was not suffering in any ordinary way: invulnerable
in her second childhood, forgetting her punishments
the moment after, singing like a child.... So with
her usual fortitude and peace of mind, Marianne had
done her duty among the Towers. But not a day
passed on which she did not weep at the thought of
abandoning her own mother for her mother-in-law’s
sake, and she had seemed to be growing older in honor
of the former’s old age.
Now in the summer the end was not far off for
them both. Alwyn’s mother waited most impatiently
for her mother to be taken away. She went to see
her nearly every afternoon; but the old woman called
Clara Peters Marianne, taking pains, as courteously
as ever, to hide her inability to remember who Marianne
was.
Watching beside his grandmother Tower’s deathbed,
Alwyn thought how his grandmother Duff would
sometimes call him by the name of her eldest son,
Andrew, and the next moment call him her sweetheart.
His mother told him that throughout the
winter, never realizing whose son he was, she had
asked with young, fitful tenderness: “How is my
sweetheart? Now, tell me the news of my young
man. Is he getting on well out in the world?”
No one else had ever said that; no one, alive or
dead, had thus made a place for him in the story. The
avowal of old woman’s love was shameless because
it was old. Her mind, wandering, darkened; and
suddenly a few words, very clear and somehow in
tune, though even less reasonable than the rest. Like
the saying of an oracle, to be interpreted two ways;
in a play on words, a menace or a promise. Alwyn
felt that he ought to determine which it was, and
take it into account in whatever he did. A sibyl on a
tripod, though it was a far cry to Greece. Up had
come once more a sort of intoxicating smoke of death,
of the bitter hearths of its residence, and he himself,
her grandson, spoken of as her only surviving son and
sweetheart.... According to the habit of his mind,
he began to read meanings into what she had said,
hour after empty hour in the doorway of his other
grandmother’s bedroom.
A law in the hearts of the savagest men forbidding
them to love passionately their mothers, grandmothers.
(It seemed that now the law usually forbade
civilized or over-civilized men to love them in any
way at all....) And Alwyn had heard at school of
an obscure belief, indefinitely old and held by many
races in common, that by the breaking of that particular
law, heroes, men accorded divine honors, had
been made of common men. A distorted, unacknowledged
set of traditions, being by nature both sacrosanct
and shameful.... The sea is our mother. The
furrow, a womb for the harvest, and Adonis (the
word Adonis means the Lord); the garden and the
tomb in the garden; initiation nights; caves, fountainheads,
and retreats, like what gives birth to men,
giving birth to them anew. Baptism: “ye must be
born again of water and the Spirit.” Twice-born, and
the second time with a certain invulnerability and radiance,
with certain unearthly abilities, or abnormal
knowledge of what was coming.... There were a
great many facts to interpret in this way which, sitting
there to watch one of his grandmothers die, Alwyn
could not remember.
Had this actually been believed, or was it merely
a theory of professors with nothing better to do? It
did not seem to matter. As soon as Alwyn thought
of it, this tradition which rites and legends were supposed
to represent, became in its turn a symbol of
something else.
The word mother meant that which had produced
one; therefore, not only a woman—wilderness,
squalor, ideals, manias, regrets, sensuality, what consolations
there had been.... Curiosity was a child’s
love, a half-grown boy’s, even his own, not long before—excited,
needy, ignorant, and afraid of what was
going to happen. The desire to understand was, after
all, desire.
So some of these feverish, reactionary ones (he
himself, for example) went back, in imagination, to
what had produced them; their hope, anxiety, and interest
went back. Against the law. The weak stayed;
the strong returned—returned once more to the place
from which they had gone back, from which then they
would have to go forward. Backward and forward,
two continual motions of the imagination making up
that of their lives. Forward finally—but with as definite
a purpose as could be added to what men have
in common, habits of blundering. “Fumble and success,”
the rat in a cage of the psychology textbooks—the
last and greatest success must be death....
His grandmother began to reach for her handkerchief
with a great hand which could not find its way.
He gave it to her and smoothed the sheets under her
chin.
At any rate, to proceed (if only toward death) on
the basis of a little more experience than one had had
time to acquire. Able to anticipate and control the
next moment, perhaps infinitely little, by some understanding
of what would make it what it would be—for
was not each moment the child of those which
had gone before? Able to build one’s continual bridge
from the past, across a sort of abyss in the dark, to
the future, with a certain knowledge of at least one
side of the abyss (the side from which one came) and
a certain knowledge of other bridges: what they had
been made of; how they had broken, with the hearts
of their builders; why they had fallen again and again
into the dark. Knowledge gained by breaking the
law.... Alwyn thought with rather unreasonable
pride that he had become a man in as nearly as possible
the way that men had become heroes or gods.
His grandmother Tower was tossing very feebly,
very slowly, from side to side of her pillow. He saw
that the lock of gray hair on her forehead was like a
dead star, ashes of a star. It was beginning to rain.
He had loved them indeed, and tried to see them
clearly and at close hand, the old mothers who lay side
by side in the past as she lay in the dim lamplight, as
many as there were locks of hair in Serena Cannon’s
album—loved them with the fever of inquisitiveness
of an adolescent about love. Now he was a man, he
supposed. His heart was heavy and the innocence
of his mind darkened with what he had found out, or
fancied he had found out—with theories like this one
about incest and knowledge of the past.
His grandmother was talking to herself, but she
no longer had breath enough for those who overheard
to be able to understand. Alwyn fancied that he could
understand without being able to hear.
It had all been like that, his understanding. Of
Wisconsin, for example, in the flower of its age, the
wild flower of its age. His sweetheart among the parts
of the world.... When he was born it was already
a mother, even a grandmother. Actually he was innocent
and ignorant of its love, its resistance, its abandon
and spiteful changes of heart. He had not been
in time to go out to meet it with oxen and teams of
hungry, hurried horses. He had not handled a rifle,
an ax, a hammer, or a plow, on its great and tedious
body. Nor had he eaten in a sort of habitual starvation
the turnips which according to his grandfather
had tasted like “Paradise apples.” He had not feared
God, nor begotten children, nor lived by the sweat of
his brow. And perhaps he never would....
But it had been true love, and not altogether sterile,
illusory as the relation had been. In imagination,
as adolescent boys, night after night and one indoor
afternoon after another, suffer the enjoyment of those
whom they have never touched or never even seen—he
also had exhausted his boyhood to master
an abstraction, a wilderness in the abstract, and to
wring from its hypocritically rich body—what? Just
enough knowledge to live on.... And it was the
mother of the weak, incalculable manhood which,
within and protected by his immature arms, lay like a
newborn child.
His grandmother had slipped down in her bed,
which made it hard for her to breathe; so he lifted
her up, with his arms under hers. Her shoulders, which
slipped out of her nightgown, looked as if the skin
had been polished. He remembered how she had used
to bathe late in the afternoon, with water heated in
a great copper kettle which the Towers had brought
from York State, and how, when he was a small boy,
she had sometimes asked him to wash her back with
a red-flannel cloth. As he worked he had studied the
twisted, bluish veins, and wondered dreamily why the
heart took such devious paths; and she had said, “Rub
hard. Get on with it, or I shall take cold!...” For
the first time since she had been dying, the tears came
to Alwyn’s eyes.
He sat down again in his chair amid the books
lying on the floor, under the lamp, and tried to stop
his futile tears by forcing himself to go on thinking.
Would he, having brooded feverishly upon the past,
the particular long series of energies and passions
which had in the end produced himself, himself to
be the part they would play together in the future—would
he then be a little more capable of a good life
than the others had been? The use of their common,
unlucky abilities blessed at last, for him? “Bless
unto our use this day our daily bread....” And
his daily life well constructed like a bridge from one
day to another? Would he be able to see to it that
his heart did not break—not, at least, until he was
ready to die? He asked for no more supernatural
powers than these....
Indeed his birthright, that of the son of one of the
poorest pioneer families, was wealth and power
enough, of a kind. A patrimony, an unearned inheritance,
of knowledge of life, of skeletons in the closet,
of precepts which had led infallibly to resignation or
disappointment, handed down to him in his turn.
Everything that he knew about his family had been
told by someone to someone else, fact by fact, and
at last he had been told. So he resembled a young
man whose fortune, bequeathed by numerous relatives,
is so vast that he does not know what to do with it;
and he thought of the usual disorder of such a
life....
A disorder like that of his grandmother Duff’s unbalanced
mind: memories, inverted ideas, many-voiced
wandering symmetrical discords, the entire material
of three-quarters of a century’s experience rewoven
more briefly in a deafening fugue—out of which at
last had come, like the phrase at the end of a fugue,
“You know, you are my only sweetheart.” These
words sounded again and again in Alwyn’s mind, the
bitter end of a tune broken off, and echoing after it a
special sadness, unconsoled, but satisfied. Life then
was like what was in the mind of a bitter woman in
her second childhood, like a fugue. But apart from
the sterile passion of an old woman for her grandson,
the passion of the past and present for the time to
come, of adolescents for what had gone before, various
kinds of madness of the imagination for various
reasons uncontrolled—apart from these things, was
there any final phrase?
He ought to have known, if his passion of curiosity
had done its work well. He had been so proud of
being able to see a certain distance into the past. Was
it a false perspective of his own invention? Seemingly
he had increased his knowledge of life by adding to
brief memories of his own, others’ interminable recollections;
but was it merely an adolescent’s poor substitute
for experience, before experience has had time
to begin? He could not tell, but some day he would
be able to.
For his life, scarcely begun, would repeat theirs;
the materials more closely and differently combined,
in closer harmony or perhaps with harsher discord—a
restatement nevertheless. The materials determined
in advance: certain human limitations, American characteristics,
family traits. All the surprises there would
be would result from the combinations (one interrupting
another, one melting into another), the rhythm
and order of the combinations. Otherwise, in so far
as he was surprised by himself, he would know that
he had made a mistake in his estimate of what he had
to work with. Just as by the second generation he
had revised his notions of the first, errors in his
judgment of their lives in general would be corrected
by the particular instance of his own. And his own,
if he did his work well, ought to resemble a fugue,
without a break (that is, without disaster) from beginning
to end, without violent emphasis, each element
in perfect relief, played without loss of memory
or unsteadiness in either hand: counterpoint of their
appetites, their frugality, cunning, vanity, idealism,
and homesickness.... And the phrase at the end?
That night, between three and four o’clock, Alwyn
thought that his grandmother was sinking rapidly.
He had forgotten: death, of course, was the phrase at
the end. But she got better before dawn.
What then was it going to be like, his life? (His
mind, as if he were a maniac, went over and over the
same ground; he could not stop it.) He knew that
he would perpetuate in himself the immortal disagreement,
the so-called warfare, between the sexes. At
worst, for example, the struggle between his great-aunt
Nancy and her husband Jesse Davis; at best the
mysterious balance of his parents. That damage to
his simplicity was done; he had thought too much of
women with sympathy, of men with wonder.
Over the house (in which everyone but himself and
his grandmother slept) the long, soft lightning and
thunder interlaced with clouds and being drawn away
in one direction or another, made a mass of voices in
too close harmony.
He knew further that he would unite in himself
two races of men, the characteristics of two men: his
grandfather Tower the aristocrat, painstakingly upright
about a few unprofitable actions controlled by
conscience, never changing his faithful and secretive
mind; his grandfather Duff, a sort of Proteus, a hypocrite,
a liar or rhetorician, profiting by everything.
He would have to make some sort of peace between
the fruitless pride of the one and the creative vanity
of the other.
There would also have to be a compromise between
his talent for poverty and his love of wealth; not, he
hoped, the one his uncle Jim had made. He wondered
at the fact that he was most deeply indebted to that
one of his relatives who conformed to his standards,
appealed to his imagination, the least. He felt for his
uncle at once a vaguely disdainful pity and that admiration
which, even against one’s better judgment,
often follows gratitude. Thanks to him, to his family
by marriage, to a Chicago education and the leisure
of going to school, there had been opened uncertainly
to Alwyn a way of life which was neither his way nor
that of their common blood relatives—less desperate
than theirs, possibly less futile than his. Alwyn
realized that he would not have had the courage to
appreciate the comfortless glory which the pioneers
and (his uncle excepted) the first generation of their
children, deserved, but for this personal emancipation
from their destiny, this more agreeable prospect....
The morning came. His father woke, sent the dogs
after the cattle, and came in to hear how the dying
woman had passed the night. She was lying quietly,
her head thrown back on the pillow; the breath of her
nostrils alone seemed alive, like a small, rising and
falling, colorless flame at one end of a burned-out log.
The next day his grandmother’s condition seemed
to improve, and his uncle Jim came. He brought the
news that Mrs. Fielding as well was not expected to
live more than a few months, and that after her death
he and his sister-in-law, Miss Anne, were to be married.
His mother told him that she wanted him to
preach her funeral sermon, and he seemed exceedingly
proud.
Alwyn had sometimes called Mrs. Fielding his third
grandmother: the least loved, least pitiable, and perhaps
most tragic of the three—representatively tragic.
An old, pampered heroine of a great period in the nation’s
history, that of the birth and infancy of wealth;
proud of herself as a proof that it had been a success.
Alwyn believed that it had not been. She and her
house had given him a history lesson.
Whenever he had come back from Chicago to the
country he had looked about him with a half-willing,
almost bitter enthusiasm. Neither Chicago nor Wisconsin
had justified its existence. The city had surpassed
all reasonable expectations, and no one who
did not have something to gain by optimism was
pleased with the result. It seemed able to do, more
and more powerfully, only two things: grow rich, and
complain. The country lives had been no more than
self-supporting; in his mother’s words, no worthy
gifts to the world had been made. What then had
the heroic efforts in the country come to? Shabby and
gloomy farms, unserviceable virtues, broken hearts,
large family reunions, grievances of those (like Alwyn
himself) with ideas above their station, other grievances
and old-time religion.... Where literal wilderness
had been conquered, a wilderness still, overrun
by peasant immigrants, but still ineffectually governed
by the early settlers’ wistful young, by their habits of
poverty-stricken conquerors. There was this difference
between Chicago and Wisconsin: in the country the
avidity had never been assuaged. There were blank
spaces between the badly cultivated fields; there were
areas of craving and brute force which poverty had
been too God-fearing, prosperity not eager enough,
to lay hands upon. Across the Mississippi Valley the
barbed-wire fences lay like the staves of music paper
on which as yet there were scarcely any notes.... It
had not kept its promise, so it was still the promised
land.
Represented by Mrs. Fielding, in great towns like
her town, the West had taken its first step toward a
civilization; it had been a step in the wrong direction.
Already moribund prosperity, abortive progress; men
like Alwyn’s uncle kept as close to the women as drones
in a beehive, little or no posterity nevertheless....
Between them and the most brutish immigrants, the
future, for its purposes, whatever they were, would
find little to choose. Would it not have to fall back
upon the past, upon the poor God of poverty and His
remnant of pioneers, unchanged though dying out?
Those who are best prepared for the second lap of a
race are those who did not even get a start in the
first.
Avid company of failures, out of date, behind the
times, perhaps timeless. Ethically, socially, above all
financially, they had made little progress; in modern
methods of pretending to be happy, of pretending to
have satisfied on earth their hearts’ desire, they had
made none at all. Pioneers because their unhappy dispositions
unfitted them for everything else....
Imaginative but disillusioned; therefore talented for
the sake of God, religious in hope of heaven. Amid
the national opinionatedness, factitious gayety, cruelty
by accident, grace and candor, ignorance, imagination,
ugly opulence with or without wealth, a sense of poverty
with or without actual need—theirs was the only
glory, such as it was.
The Middle Ages of America (not middle age, but
youth) were coming to an end, leaving behind countless
denominations of Protestantism instead of cathedrals.
Too soon, the holiness was going out of the
land. There were modern inventions for warming the
heart, and certain fires with too bitter smoke had been
allowed to go out—except upon old-fashioned, unattractive
hearths. And perhaps, if America was to
justify its existence, to be justified for the massacre of
redskins, the broken white hearts, the destruction of
the city called Tenochtitlan or something of the sort—the
children of those hearths, reared in, embittered
and half-intoxicated by the smoke, would have to do
the work. And they might well be ready for any outlawry;
ready to betray, for the work’s sake, those
whom they would continue to love even more than
they ought; to betray the West to the East in the warfare
between the two in order to gain for the former
the advantages of defeat as well as victory; to betray
their native land as a whole for love of some characteristically
native land of their imagination. With
the recklessness, the scruples, the vainglory, which
characterize the sons of men who thought they had
failed.... Stronger than their fathers, because they
would have less fear of God; more desperate because,
lacking a God of resignation and forgiveness, failure
would be even more intolerable. The future of America,
if it was to be worth troubling about, depended on
them.
Flattering and terrifying himself by his thought,
according to his family’s habit of mind, Alwyn shrank
from this responsibility of being the hope of his native
land. And those original beginnings which, as he had
persuaded himself, were unchangeable among his relatives,
perverted among his countrymen, unchanged in
him—just what had they been? He would probably
need to know. His thought ran superficially and not
impartially over the history of the country....
Invariably at the end of these exercises of his imagination,
another day beginning monotonously....
His grandmother had rested well, as well as could be
expected. A little hue of life appeared in her face,
which seemed made of candle drippings and stone;
once more her fallen lips began to resemble, as they did
during the day, one dried rosebud laid on another
(the meager cinnamon roses of her youth). What
were like dim recollections of bright colors began to
haunt the room and the flat country around Brighton,
where they had brought her to die. Her illness seemed
interminable.
The following day Alwyn could not sleep because
of the heat. So he began to write a historical essay,
summarizing in part what he had recently been thinking
with so much assurance. Three or four days later,
he read it to his mother, who said she was not quite
sure she understood what it meant. He hoped that
when he went back to school in the fall one or another
of his teachers would praise it. He himself was uneasily
proud of what he had done.
Then suddenly his grandmother Duff died. Alwyn
had to stay with his other grandmother the day of the
funeral, because his father had to go with his mother
to drive the few mourners to and from the cemetery.
But he went by train to Aaronsville the day before, in
order to see the little woman again. She was scarcely
recognizable: in a coffin which was too large, amid
the glued ruffles and pleats of tulle, lay a bit of natural
elegance—that was all. Her face had lost its vigilant
look, its aged vanity, indeed all resemblance to herself;
it was like that of a young girl in a fairy tale
who had withered overnight. Alwyn went back to
Brighton. Only the spectacle of his grandmother
Tower’s anguish saved him from the extreme sorrow
of wishing, for a few days, to follow his grandmother
Duff through that transformation, whatever it led to.
Upon her return, his mother said bitterly that beside
the grave the Aaronsville preacher had spoken with
a sort of cold embarrassment, apparently under the
impression that she had not been a good woman.
Meanwhile Alwyn’s satisfaction at having written
an essay led him to try to keep a diary in the daytime
of what he thought when his responsibility and his
grandmother’s suffering, like a mixture of stimulating
drugs, kept him wide awake all night. But the choking
sound of her breathing and ceasing to breathe—which,
from the room above, he could not hear but imagined
he heard—made it impossible. So he slept or waited
unhappily for the sleepless vigils in which duty took
the place of ineffectual ambition. A watchdog’s duty,
though death was a housebreaker, a robber, who
would be welcomed by everyone.
The nights came and went. Now there was less
theorizing with which to pass the time. He had lost
his courage, the courage of his convictions, and could
no longer pretend to be clever and more farsighted
than others, than the rest of his family. Too long,
like a sort of detective, he had spied upon them,
studied to convict them—of their everlasting glory, he
thought resolutely but without much enthusiasm.
Futile unweaving and reweaving of the evidence, vain
praise, generalizations of what was passing away before
his eyes (he himself was such a generalization)....
He was glad that the rapidly approaching end
put a stop to it. He had a sense of having gone too
far, and felt the peculiar shame of an outlaw who has
not even done a dangerous thing.
Indeed, it was an instinctive law for Americans, the
one he had broken. Never be infatuated with nor try
to interpret as an omen the poverty, the desperation,
of the past; whoever remembers it will be punished,
or punish himself; never remember. Upon pain of
loneliness, upon pain of a sort of expatriation though
at home. At home in a land of the future where all
wish to be young; a land of duties well done, irresponsibly,
of evil done without immorality, and good
without virtue. Maturity, responsibility, immorality,
virtue are offspring of memory; try not to remember.
America had as yet nothing worth remembering—no
palaces, no enchanting antiquity, even the plunder of
Tenochtitlan or whatever the city was called, had been
taken away. The past was by nature tragic. No
tragic arts ought to flourish; tragedy was treason, the
betrayal of state secrets to the enemy, even the enemy
in one’s self. Memory was incest....
The fact that Alwyn had thought so fanatically
about the past of others during those summer months,
always and only in relation to his own future, meant,
he supposed, that he had lost interest in it, temporarily
at least. There was a tide in such matters; now it ran
the other way. And in that direction waited an insufferable
event, at least one—one more death.
He felt also a sickly anxiety about his own—life or
death, he scarcely knew which; and was ashamed of it.
For he understood that fear is the most impious of
the emotions: disdain and suspicion of God, or the
gods, no matter which. He remembered that in the
most frightened period of his childhood, his sixth or
seventh year, there had been a pen like a cave inside
the strawstack where the old sows crawled away to
have their litters, with a hole through the straw a
little higher than his head, to pour in their corn and
swill. One day he had happened to be standing near
it when he heard from somewhere inside, a soft, sickening
sound. Beat by beat, deep in the pitch-black
hole, like those of a fatal drum. When he held his
breath, it had grown louder. Stiff with fright, half-hypnotized,
he had got away; and when far enough
away, had cried. Thereafter, the thought having
been almost as painful as the experience, he had returned
from time to time, hoping the sound would
have ceased; it had never ceased. More than a year
had passed before he had learned what it was: his
own heart beating....
Then the days in the new home near Brighton began
to resemble the night watches—both strained as one’s
throat is strained by thirst, sorrow, or fright. A sort
of poor, concrete poetry took the place of Alwyn’s
prosaic analysis and judgments; at last even it failed.
He had no longer anything to think about, and wondered
why. Suddenly, sitting as usual in the doorway
of his grandmother’s room, he realized that death had
come. Scarcely invisible, it entered the room, and
apparently in haste, approached his grandmother’s
bed.
Her sickness rose off and on in a crisis lasting half
an hour or an hour, so violent that it could not have
been endured longer at a time, and now increasingly
frequent. The doctor had prescribed certain drugs for
these attacks. Speaking severely, she had asked what
their effect would be; she was willing to have her sufferings
lessened, but wanted no attempt made to
lengthen her life. The doctor had been obliged to
admit that her condition could not be improved and
these medicines might even hasten the end, with which
answer she had been content.
Now she never lay flat in her bed and scarcely ever
slept. The heat was intense, and on her cheeks and
forehead a cold sweat mingled with that of the breathless
chamber and the season. Her head would fall, her
heart stop, and be started again with an effort of her
whole body, throughout which this rhythm of convulsion
was constantly accompanied by a heavy trembling.
Sometimes she could not keep her mouth closed;
then Alwyn would tie a cloth under her chin and over
her head, which she disliked, as if that particular weakness
were moral. She seemed to suffer pain but never
made a sound, except that, loud and hideous, of continuing
to breathe by sheer will power, though against
her will.
At other times she was at peace. She never lost
consciousness in the slightest degree; and Alwyn was
certain that whenever she could sit quietly with her
eyes closed, her mind was clear and patiently occupied
with what had gone before, or what according to her
simple faith was still to come. Sometimes, usually
during the day, she was able to speak with a certain
ease, in her rough, still beautiful voice; then she would
ask, “What are the men doing in the fields now?” or
ask one of her grandchildren if he remembered something
she had told him long before.
During the periods of respite, death seemed to keep
watch with Alwyn, and covered him with its abstraction
and ignorance, and obliterated his pretentiousness,
his good memory, his hopeless ambitions. Suddenly
it would turn its attention from him to the old
woman on whose account it was there. Then like one
of those spectators who, because of love or some other
preoccupation, go to the same theater night after
night, heartsick and tired, Alwyn watched the struggle,
on the pillows and among the folds of bedclothes,
with the invisible actor angel; the print of its rough
touch pitting her cheeks and throat here and there, hollowing
out her temples, twisting her great hands which
lay loosely open; and he imagined he could hear its
breath as well as hers, blowing back and forth upon
her mouth and nostrils.
Then Alwyn’s impassibility came to an end; he suffered
an agony of excitement. One night he burst into
tears in front of the gasping, uncomplaining old
woman. It was not heartbreak because she was soon
to die—he hoped it would be soon—he was crying for
futilities, futilities of affection, pleasure, talk, no matter
what. Anything to relieve the useless pain, his
pain, to relax his useless ardor, his miserable concentration.
Useless—because she was going to die,
anyway. His grandmother’s eyes were wide open, and
she gazed at him attentively without a sign of disapproval
or compassion.
The following afternoon his uncle John Craig arrived,
a few days earlier than he had been expected.
Alwyn went to the station. “Hello. If you’re not a
grown man!” he said by way of greeting. “But I
might have known it. My young Orfeo will soon be
as old as his father.”
He himself looked worn and was turning gray, but
had a younger expression than before, that of a man
with plans to carry out, or perhaps only risks to run.
“My boy will be here day after to-morrow. He’s
coming on from that school he goes to in the East.
You’ll probably get on well together. It’s a family
tradition that cousins and so on should be friendly.
That is, if they get a chance. I was sort of left out
of it.”
He seemed to dread going into his mother’s room,
following his brother’s and sister-in-law’s eyes to her
door from the threshold of the house, and finally
stepping forward alone with a strange, formal humility,
as if he feared that his presence would remind
her of tragic things and imagined, mistakenly, that
she was now not strong enough to bear them all with
composure.
The very news of his coming, as if it were a medicine
(the last which would take effect), had given her
new strength. Lying back against the mass of pillows,
she had breathed easily, and looked able to wait another
lifetime, though her great bones now wore a mere
veil of flesh. It was as if the struggle had been altogether
within herself, rather than between herself and
death; her desire to live a few days more to see her
son was stronger than for almost a year her desire to
die had been.
That night John Craig wished to take his nephew’s
place; but Alwyn stayed up with them a few hours,
pretending to be uncertain whether she would need
the emergency drugs before morning, and offering to
give his uncle the necessary instructions.
John Craig sat closer to her bed than she had ever
permitted Alwyn to sit, and she asked him to talk to
her: “You know, mother,” he said, “the last time I
was in Oklahoma, I looked up the place where uncle
Leander was buried. I suppose I was his favorite,
of your children. I sometimes think I loved him too
much—I mean, on account of father.” He glanced
up at her face, as if to see whether he should be
embarrassed by what he had said.
But she replied, “I loved him best.”
“They buried him in a very pleasant place, not too
crowded. I finally got hold of the little old fellow
who took care of him, a Catholic priest. I don’t know
if you ever heard.... The cemetery is Catholic.
The priest seemed to think that made him die one,
more or less. I don’t suppose uncle Leander paid
much attention to what he said. I thought it was
funny. You see, I got to be a Catholic too, when I
married. He kept asking for a lot of us, uncle Hilary
and Tim Davis and you. The little priest had it all
written down; kind of him, I thought. Well, I put
up a big monument, granite. I couldn’t remember
when he was born, so I left that blank, and they
promised to put it in afterward. And I thought if
there was anything else you wanted written on it, a
verse or something ...”
Alwyn heard his grandmother say with some difficulty,
“You always were a good boy, Evan.”
John Craig’s voice broke slightly. “You never said
that before, mother.”
“Well, I meant to.... I guess the war and all
that—was harder on you than it was on us. Your pa
minded. But you might have got killed or died. That
would have been hard on me. That was what I said
to myself about Leander, after the Civil War.” There
was a long pause while she took breath. “Your children’ll
have a better chance,” she went on. “Yours
and Ralph’s. I try to think of them when it seems
hard. I wasn’t able to do much for mine, I guess.
Try not ever to blame me for anything, when I’m
gone.”
John Craig, when not at his mother’s bedside,
seemed to prefer to talk to his nephew than to his
brother or sister-in-law, and to have, in doing so, a
mysterious purpose which amused him. “See here,”
he asked, “haven’t you had about enough of Wisconsin?
Does Chicago and Jim’s house suit you? I
thought it was a woman’s town, when I was there.
You’d better come along with us, West. Or come
soon, anyway. I spoke to your mother, and she’s willing
to try to spare you for a while,” he added with a
suggestion of affectionate mockery. “Mothers usually
have to, whether they’re willing or not, more’s the
pity.”
Alwyn’s grandmother lost ground during the day;
the periodical failing of her heart began again, but
much less extremely. Her body had no longer the
force either to produce or to endure the former sufferings.
The doctor thought that most of her suffering
and nearly all of her life were over.
The following morning Orfeo Craig arrived. Alwyn
was astonished and pleased. He was not like a
member of the family nor even like an American; he
had no appearance either of the country or the sort of
city Alwyn knew. He was exceedingly dark, with
strange variations of the same dark, burned rose without
pinkness in his mouth and skin. His eyes were
heavy-lidded, dark, and bright. He seemed never to
have a sharp or clever look under any circumstances.
Alwyn was glad, feeling a greater humility than he had
previously known, the measure of which was his pride
in his own mere intelligence, for example. If his
cousin compared him with himself in that respect
alone, he might find that he merited affection....
Such ideas revealed even to himself his desire for
their friendship. John Craig looked as happy as if
for him, who had known in his day too little either
of friendship or family affection, something more important
than good relations between the sons of the
family were at stake.
Alwyn had never seen his grandmother’s face so
radiant, even in the days of her strength, as when
her unknown grandson was taken into her room. Even
Alwyn’s youngest sisters had realized that something
ceremonial and happy was about to take place, and
slipped inside the doorway. She lifted her trembling,
open hands to the level of her breast in the gesture
of reverence or good tidings, and gazed a long time
at the strange boy.
At last she remembered herself. She called him
by his first name, Leander, and said, “You do not see
me as I once was. Children, get out the photographs.”
The little girls, enchanted to have a part in the
formalities, fluttered across the room to the chest of
drawers and took them out—three daguerreotypes in
cases, some tintypes in an album, two yellow photographs
mounted on worn pieces of cardboard: a girl,
a young wife, a woman aging but not less strong....
She told the girls to spread them out on her bed where
she could see them as well. They looked at them
together.
Then with her greatest dignity, as if a duty had been
done, she said: “Now you’d better go out. I can’t
have you here any longer. I am an old sick woman
now.”
A few more days passed. She said that she was
glad that her son and grandson who lived so far
away were staying until the end. John Craig watched
with her during the night. The boys sat by the door
during the afternoon, often talking to each other in
whispers, beckoning to the children, as they came and
went, to hush.
Late one afternoon Orfeo thought that Alwyn
looked pale, and sent him out in the fresh air. Alwyn
wished that it were the Hope’s Corner countryside
which lay about the new house, in which, however, the
lives of those he loved throbbed and failed as much
like a single hollow heart of joy and sorrow, as ever
in the old home. And over the distant marshes, amid
the harvest, under the loaded fruit trees, the dusk beginning
to mingle with the sunshine was the same: that
dusk peculiar to Wisconsin, tossed by hunting nighthawks,
rocked by the motion of flocks coming home....
And there were ghosts there as much as anywhere,
worthy of being loved, the same, in fact, as
everywhere else: spirits so great, vain, and tender as
to resemble gods. Ghosts of the little local history,
of misunderstood friends and lovers, of members of
the family; a legion of them in straggling procession.
For years, Alwyn remembered, he had not been able
to take his eyes off their shadowy ceremony, their disorder
like that of the strong farm hands and their
sweethearts under the trees on summer nights such
as this which was falling. For years his mind had been
troubled by their faint instruments in concert, just as
in his childhood by those to which ghostly soldiers (his
grandfather and his brothers and friends) had
marched on the warm, blood-spattered rock in the
South during the war. Distracting flutes; and little
drums in the air about his birthplace, even about the
new, unsympathetic house where his grandmother had
been brought to die, beating a dead march; and beating
like his own heart as he grew to manhood and got
ready to leave these things—glad to go and leave them
behind. But he felt that he would have need of them
all, gods or pioneers or whatever they were, to lead
an entire life; and if there were any he had not called
upon, those would probably take him by surprise; certain
of them, those of the passions and disasters,
would spring on him when he was lonely, have their
way with him, and leave him hurt for a while by the
side of the road—the last one would leave him dead.
Out of pride he wanted to be able to love and praise
them all, even the last one....
His daydream was interrupted by Orfeo calling
from the porch, calling him to come in at once, because
their grandmother seemed to have stopped breathing,
and perhaps it was an ordinary occurrence, and he
might be mistaken, but he was not sure what it meant.
She was dead. They called their two fathers, who
suddenly grew unfamiliar and pale. They were preoccupied
with many things of which Alwyn had not
thought in connection with the long-anticipated event,
and it seemed that the young who had had an important
part to play while she had been dying, had nothing
to do with the burial of the dead. Alwyn and Orfeo
were told merely to go to the town and send a message
to their uncle Jim; but they were glad to be free.
So they set out through the garden and the melon
patch, over a fence, and up a hill. Orfeo thought they
should buy as many flowers as possible. Alwyn looked
back at the small house, seeing another in its place,
indeed several others, one of which, the earliest, had
stood in a melon patch. And as they went on in the
dusk, he whispered to himself good-by to them, those
who were dead: his great, gaunt grandmother, and the
other little one as well, who had called him her sweetheart
in the madness of her old age.
Paris, February 1925—Villefranche-sur-Mer, November 1926.