The German Classics of the Nineteenth and Twentieth Centuries, Volume 03 Masterpieces of German Literature Translated into English. in Twenty Volumes

About this eBook

Editor

Francke, Kuno, 1855-1930

Credits

Produced by Stan Goodman, Jayam Subramanian and PG Distributed Proofreaders

Language

English

LoC Class

PT: Language and Literatures: Germanic, Scandinavian, and Icelandic literatures

Subject

German literature -- 20th century -- Translations into English

Category

Text

eBook-No.

11692

Project Gutenberg

https://www.gutenberg.org/ebooks/11692

Release Date

March 1, 2004

Copyright

Public domain in the USA.

Contents

1. 1.THE GERMAN CLASSICS
2. 2.IN TWENTY VOLUMES — THE GERMAN PUBLICATION SOCIETY NEW YORK — CONTENTS OF VOLUME III — POEMS[1] — DRAMAS — HISTORY AND LITERATURE
3. 3.ILLUSTRATIONS—VOLUME III
4. 4.THE LIFE OF SCHILLER — BY CALVIN THOMAS, LL.D.
5. 5.POEMS — THE VEILED IMAGE AT SAÏS (1795) — THE IDEAL AND THE ACTUAL LIFE (1795) — GENIUS (1795) — VOTIVE TABLETS — MOTTO TO THE VOTIVE TABLETS. — THE GOOD AND THE BEAUTIFUL — VALUE AND WORTH — THE KEY — THE DIVISION OF RANKS — TO THE MYSTIC — WISDOM AND PRUDENCE — THE UNANIMITY — THE SCIENCE OF POLITICS — TO ASTRONOMERS — THE BEST GOVERNED STATE — MY BELIEF — FRIEND AND FOE — LIGHT AND COLOR — FORUM OF WOMEN — GENIUS — THE IMITATOR — CORRECTNESS — THE MASTER — EXPECTATION AND FULFILLMENT — THE PROSELYTE MAKER — THE CONNECTING MEDIUM — THE MORAL POET — THE SUBLIME THEME — SCIENCE — KANT AND HIS COMMENTATORS — THE MAIDEN FROM AFAR (1796) — THE GLOVE (1797) — THE CRANES OF IBYCUS (1797) — THE WORDS OF BELIEF (1797) — THE WORDS OF ERROR (1799) — THE GERMAN ART (1800) — COMMENCEMENT OF THE NEW CENTURY (1801) — CASSANDRA (1802) — RUDOLPH OF HAPSBURG (1803)
6. 6.DRAMAS — INTRODUCTION TO WALLENSTEIN'S DEATH — THE DEATH OF WALLENSTEIN — DRAMATIS PERSONÆ — THE DEATH OF WALLENSTEIN (1800)[23] — ACT I — SCENE I — SCENE II — WALLENSTEIN. COUNT TERZKY — SCENE III — SCENE IV. — SCENE V — SCENE VI — SCENE VII — ACT II — SCENE I — SCENE II — SCENE III — WALLENSTEIN, TERZKY — SCENE IV — SCENE V — SCENE VI — SCENE VII — ACT III — SCENE I — SCENE II — SCENE III — DUCHESS. — SCENE IV — WALLENST. — SCENE V — SCENE VI — SCENE VII — SCENE VIII — SCENE IX — COUNTESS. — SCENE X — SCENE XI — SCENE XII — COUNTESS, DUCHESS, THEKLA — SCENE XIII — SCENE XIV — WALLENSTEIN, ILLO, TERZKY — SCENE XV — SCENE XVI — SCENE XVII — SCENE XVIII — SCENE XIX — SCENE XX — TERZKY. — SCENE XXI — SCENE XXII — SCENE XXIII — ACT IV — SCENE I — SCENE II — SCENE III — SCENE IV — SCENE V — SCENE VI — SCENE VII — SCENE VIII — SCENE IX — SCENE X — SCENE XI — THEKLA, LADY NEUBRUNN — SCENE XII — THEKLA. — SCENE XIII — SCENE XIV — ACT V — SCENE I — SCENE II — SCENE III — SCENE IV — WALLENSTEIN, GORDON — SCENE V — SCENE VI — SCENE VII — SCENE VIII — SCENE IX — COUNTESS, GORDON — SCENE X — SCENE XI
7. 7.INTRODUCTION TO WILLIAM TELL — WILLIAM TELL — DRAMATIS PERSONÆ — WILLIAM TELL (1804)[36] — ACT I — SCENE II — SCENE III — SCENE IV — ACT II — SCENE I — RUDENZ. — SCENE II — ACT III — SCENE I — SCENE II — FRIESS. — ACT IV — SCENE I — SCENE II — SCENE III — ACT V — SCENE II — SCENE III — THE HOMAGE OF THE ARTS — A MASQUE — A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS. — THE HOMAGE OF THE ARTS (1804) — THE FATHER
8. 8.HISTORY AND LITERATURE
9. 9.ON THE USE OF THE CHORUS IN TRAGEDY (1803)[63]
10. 10.SCHILLER-GOETHE CORRESPONDENCE[64]

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