The German Classics of the Nineteenth and Twentieth Centuries, Volume 01 Masterpieces of German Literature Translated into English

About this eBook

Editor

Francke, Kuno, 1855-1930

Title

The German Classics of the Nineteenth and Twentieth Centuries, Volume 01 Masterpieces of German Literature Translated into English.

Credits

Produced by Stan Goodman, Jayam Subramanian and PG Distributed Proofreaders

Language

English

LoC Class

PT: Language and Literatures: Germanic, Scandinavian, and Icelandic literatures

Subject

German literature -- 20th century -- Translations into English

Category

Text

eBook-No.

11123

Project Gutenberg

https://www.gutenberg.org/ebooks/11123

Release Date

February 1, 2004

Copyright

Public domain in the USA.

Contents

1. 1.ALBANY, N.Y. J.B. LYON COMPANY PUBLISHERS — CONTENTS OF VOLUME I — ILLUSTRATIONS-VOLUME I — EDITOR'S PREFACE — PUBLISHERS' FOREWORD — THE LIFE OF GOETHE — POEMS — THE HEATHROSE[5] (1771) — MAHOMET'S SONG[6] (1773) — PROMETHEUS[7] (1774) — THE WANDERER'S NIGHT-SONG[8] (1776) — THE SEA-VOYAGE[9] (1776) — TO THE MOON[10] (1778) — THE FISHERMAN[11] (1778) — THE WANDERER'S NIGHT-SONG[12] (1780) — THE ERL-KING[13] (1782) — THE GODLIKE[14] (1783) — MIGNON[15] (1785) — PROXIMITY OF THE BELOVED ONE[16] (1795) — THE SHEPHERD'S LAMENT[17] (1802) — NATURE AND ART[18] (1802) — COMFORT IN TEARS[19] (1803) — EPILOGUE TO SCHILLER'S "SONG OF THE BELL"[20] — ERGO BIBAMUS![22] (1810) — THE WALKING BELL[23] (1813) — FOUND[24] (1813) — HATEM[25] (1815) — REUNION[26] (1815) — PROOEMION[27] (1816) — THE ONE AND THE ALL[28] (1821) — LINES ON SEEING SCHILLER'S SKULL[30] (1826) — A LEGACY[31] (1829) — INTRODUCTION TO HERMANN AND DOROTHEA — HERMANN AND DOROTHEA (1797)[32] — CALLIOPE — TERPSICHORE — THALIA — EUTERPE — POLYHYMNIA — CLIO — ERATO — MELPOMENE — URANIA — INTRODUCTION TO IPHIGENIA IN TAURIS — IPHIGENIA IN TAURIS (1787)[33] — A DRAMA IN FIVE ACTS — ACT I — SCENE II — ARKAS — SCENE III — IPHIGENIA — ACT II — ORESTES — SCENE II — IPHIGENIA — ACT III — IPHIGENIA — SCENE II — SCENE III — ORESTES — ACT IV — IPHIGENIA — SCENE II — ARKAS — SCENE III — SCENE IV — PYLADES — SCENE V — ACT V — ARKAS — SCENE II — SCENE III — IPHIGENIA — IPHIGENIA — SCENE IV — SCENE V — SCENE VI — IPHIGENIA — THE FAUST LEGEND FROM MARLOWE TO GOETHE — INTRODUCTION TO FAUST — THE TRAGEDY OF FAUST — DRAMATIS PERSONÆ — OBERON. TITANIA. ARIEL. PUCK, ETC., ETC. — DEDICATION — PROLOGUE FOR THE THEATRE — PROLOGUE IN HEAVEN — FAUST—PART I (1808)[34] — FAUST — STUDY — AUERBACH'S CELLAR IN LEIPZIG — EVENING. A SMALL AND NEAT ROOM — PROMENADE — THE NEIGHBOR'S HOUSE — A STREET — GARDEN — A SUMMER-HOUSE — MARGARET'S ROOM — MARTHA'S GARDEN — AT THE WELL — NIGHT. STREET BEFORE MARGARET'S DOOR — VALENTINE — CATHEDRAL — WALPURGIS-NIGHT — VOICE — INTERMEZZO — THEATRE — MANAGER — HENNINGS — MUSAGET — CI-DEVANT GENIUS OF THE AGE — A GLOOMY DAY. A PLAIN — FAUST — MEPHISTOPHELES — NIGHT. OPEN COUNTRY — DUNGEON — END OF PART I. — FAUST—SELECTIONS FROM PART II (1832) — IMPERIAL PALACE. THRONE-ROOM — EMPEROR — ACT THE SECOND — ACT THE THIRD — HELENA — ACT THE FIFTH — WANDERER — IN THE GARDEN — DEEP NIGHT — MIDNIGHT — BLAME — GREAT FORE-COURT OF THE PALACE

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