BALLOTS FOR BULLETS
It was Calamity, who had carried the trouble-making coat across from
the Mission Library to the MacDonald Ranch House. Eleanor had found it
in the big living room that day after she had read the note saying he
was setting out "on the Long Trail, the trail this Nation will have to
follow before Democracy arrives; the trail of the Man behind the
Thing." Somehow, she lost interest in her reading and her driving, and
spent the most of that first week after the funeral in the steamer
chair on the Ranch House piazza. Were the topaz gates of the sunset
still ajar to a new infinite life; or did satyr faces haunt the shadows
of the trail, satyr faces of the Greed that had plotted the bloody
villainy of the Rim Rocks? She had thought she knew joy before, joy
that rapt her from life in a race reverie. Now, she knew joy, tense as
pain; and the consciousness never left her. It was there; beside,
inside, above, all round, an enveloping atmosphere to everything she
thought and said and did. She could not read; for while her eyes
passed over the lines, that consciousness danced in flames between
the lines. She tried to forget herself in her work—in the sorting of
the littered shelves, in the mending for the ranch hands absent with
her father in the Upper Pass; but It was there just the same, at her
elbow; in behind the commonplace weaving rainbow mists, a shadowy deity
of thought all pervasive as ether. Before, she had been as one
standing in front of the up-lifted veil. Now, she knew she had passed
in behind the veil, and could not if she would come out to the former
place. Life symbols empty of meaning before, suddenly became
allegorical of eternity—the bridal veil, the orange wreaths, the ring
typical of the infinite, the vows of service, the angel of the drawn
sword on the back trail. Yet she knew she had promised to keep him
resolute, standing strong to his work, unflinching because of her.
It was, perhaps, typical of those ancestral traits that fear for him
never once entered her thoughts. His work was on the firing line; and
had she not once said that a life more or less did not matter? That
was before his life had become her life. That is, fear for him did not
enter her waking thoughts. It was different when she slept. Then the
uncurbed thoughts hovered like the face in the picture of "the Sleeping
Warrior." One night as she sat in the steamer chair, a cold wind came
down from the Pass. The cook explained it was because of the snow
slide that had filled up the canyon.
"Calamity," she called, "bring me out something to put round my
shoulders; don't bring a shawl: I hate shawls!"
And Calamity, perfectly naturally, brought out Wayland's coat. Eleanor
did not laugh; for she knew it was only since Calamity had stopped
roving the Black Hills that she had exchanged male attire for the
Indian woman's insignia of good conduct, a shawl. She waited till
Calamity had pattered down to the basement. Then, she slipped into the
coat with a queer little laugh that would have played havoc with
Wayland's resolutions, and running her hands up the long dangling
sleeve ends, lay back to a reverie that could hardly be called thought.
It was consciousness, delirious foolish consciousness, possible only to
youth; and the consciousness slipped into a drowse between sleeping and
waking. It was—where was it? In the shadow realms of wonderful dream
consciousness, his face, the face in "the Happy Warrior"; but not her
face: instead was the evil fellow seen that night in the storm on the
Rim Rocks clubbing his gun at Fordie's pinto pony through the mists;
only he wasn't clubbing it at Fordie; he was aiming at Wayland; and
there was the white horse. She wakened herself with her cry. That
happened to be the night Wayland had camped in the Desert arroyos.
One afternoon, Sheriff Flood had called to know if her father had come
back and what "he intended to do about it." Incidentally, he mentioned
that the Forest Ranger had gone through the Pass that led to the
Desert: there had been a snow slide; but he "guessed" the Ranger was
"too cute a mountain man to be caught." That night, she shivered as
she sat in the steamer chair; and she drew Wayland's coat around her;
but it was not to delirious thoughts. When she fell asleep, she saw
him lying on his face in the Desert; and she called him, and called
him, and never could reach him, and awakened herself with her own
calling. Wayland's professional friend, who was a psychologist,
explained both incidents as auto suggestion from the coat awakened by
the uneasiness of the unconscious fears; an explanation that explains
by saying x is y.
At all events, she never again used the coat; and having nothing to
conceal, didn't conceal it, which is the most damning evidence you can
offer to a tortuous mind. She hung the coat in the apartment off the
big living room. Then, the despatch came out about the two bodies
found in the Desert. The same mail brought a letter from her father
asking her to meet him at Smelter City; and there at the Ranch House
gate stood Mr. Bat Brydges, handy man of the Valley, quizzing the ranch
hands, quizzing the German cook, quizzing Calamity at the very foot of
rustic slab steps that ran up from the basement.
"What is he after, Calamity?"
The half breed woman had dashed up the back stairs to Eleanor's room.
"He want t' know if Waylan—Ranga fellah—has ever stay here, dis
house—he ever go back Cabin House—tepee on hill—night dey keel
leetle boy?"
Even then, Eleanor did not realize the drift of the handy man's
activities. She thought perhaps, he, too, might be anxious about
Wayland.
"What did you tell him, Calamity?"
"I tell heem," Calamity dropped her soft patois to a guttural, "I tell
heem, y' go Hell!"
"Ca-lam-ity?" rebuked Eleanor.
But what was it in the gentleman's jaunty air, in the smile of the
sleepy tortoise-shell eyes, in the play of a self-conscious dimple
round the fat double chin? Eleanor had not passed from her own
apartment to the big living room before a repulsion that she could not
define swept over her in a physical shudder; and Mr. Bat Brydges'
report to the Senator of that interview had been fairly accurate. She
did not know that she had not greeted him with the common courtesy due
a caller, that she had stood looking past him to the open door, that
she had left him standing first on one leg then on the other till Bat
had been forced to terminate the interview; and she had not the
faintest conception of what her own feeling of repulsion meant. He had
scarcely gone before she wished she had asked him about those two
bodies found in the Desert. As a matter of fact, she called up the
"Smelter City Independent." The editor could give her no details. He
asked her very particularly who was inquiring; and having nothing to
conceal, she did not conceal it. He allayed her fears in almost the
words that the Senator had used to lay Bat's suspicions, if the bodies
had been those of Government men, the Ranger's Badge would have been
found and the news flashed all over America.
"Oh, thank you, so much! You know the sheep lost on the Rim Rocks
belonged to our ranch; and I wouldn't like to think that he had lost
his life defending our interests."
Then something odd occurred with the telephone. She distinctly heard
the voice at the other end telling somebody that, "Brydges was up there
now." Then, the voice was assuring her, "They would let her know if
they heard anything more."
Eleanor rang off with a sense of relief; and yet with a sickening
feeling, of what? It was the same feeling she had had when Brydges
came in with his jaunty air.
She was standing at the Ranch House gate waiting for the stage to
Smelter City. Calamity had carried down the yellow suit case. The
words came from Eleanor's lips before she thought; or she could never
have asked the question:
"Calamity, who was it took your little baby away?"
The suit case fell from the Indian woman's hand.
"D' pries'," she said, "Father Moran."
Eleanor thought a moment, racking her memory in vain for that name in
her convent life of Quebec. She was digging her toe in the dust of the
road.
"Was that before or after you went to the Black Hills, Calamity?"
But Calamity had gone without a word; and the stage came whipping
across the bridge from the Moyese Ranch; a double-tandem stage driven
by a bronzed fellow with one arm, whose management of the reins
absorbed Eleanor so that she forgot to notice the fat form hoisting her
suit case to the roof. Then, she was inside; and the door had swung
shut; and the fat form squeezed in next to the door; and she was lost
in her own thoughts oblivious of her close packed neighbors till the
stage stopped again with a jerk, and the sharp edge of a black
cart-wheel-hat decorated with plumes enough for an undertaker's wagon
cut a swath that threatened to slice off one of Eleanor's ears.
"I beg your pardon," said Eleanor.
"Oh, I guess tha' wuz my fault," and a mouthful of gold teeth above an
ash colored V of neck and below the most wonderful straw stack of wheat
colored hair simpered up at Eleanor from beneath the black
cart-wheel-hat; simpered and ended up in a funny little tittering
laugh. Eleanor took a quick glance at her neighbors, all men but the
cart-wheel-hat to one side and a little young-old lady opposite with a
hectic flush, and very protuberant hard mouth and beady little brown
eyes. Eleanor noticed the brown eyes were accompanied by red hair, and
she recognized the presiding genius of the English Colony.
"A beautiful morning for a ride down the Valley," remarked Eleanor
absently.
"What? I beg your pardon? Did you speak to me?"
It wasn't the words. It was the hard tone of surprise.
"We're in luck to have such a morning to ride down," amplified Eleanor.
"Yes," said the lady with the hectic flush; and Eleanor felt the gold
teeth simpering beneath the undertaker's plumes.
What was it? Eleanor took a second look at the two women, and
recognized both, the Sheriff's wife and the English lady. They were
arrayed gorgeously, her neighbor across in lavender silk, her elbow
traveller in black with a profusion of cheap lace round the ash colored
V of exposed skin: Eleanor wished the woman had powdered all the way
down. She, herself, had come garbed for the dust of stage travel, a
broad brimmed English sailor and a kakhi duster motoring coat. Was it
because she was not garbed as the others that they rebuffed her
friendly overtures, she wondered. At the next stop, she passed out to
go up and ride on the driver's seat, manifestly an impossible feat for
ladies in lavender and undertaker's plumes. A fat hand reached forward
to shove the door open. It was Bat Brydges'. She nodded her thanks,
and the handy man bowed with a sweep of his hat naming her aloud for
the whole stage to hear. If a look could have blasted Mr. Bat Brydges,
he would have been dissolved in gaseous matter from the expression that
passed over the face under the sailor hat. She heard the hilarity
break bounds inside as she mounted the driver's seat; and felt very
much as you have felt when you have come out of the clatter of the
orchestra pit where you have chanced to sit next to a musk-scented
neighbor.
But she forgot the lavender grandee and the gold teeth and the
undertaker's plumes, as she sat on the upper seat with the one-armed
driver behind the double tandem grays. The sun was coming up over the
Rim Rocks in a half fan of fire; and the light was on the Ridge; and
all the silver cataracts tossing down the sheer wall shone wind-blown
spray against the evergreens. The Valley widened as it dropped to the
leap and fume and swirl of the foaming river; and the double tandem
grays kept step with a proud chacking up of heads and bristling of
arched necks and movement of thigh and shoulder muscles under satin
skin like shuttles.
"You must be very proud of your beautiful horses," she said to the
driver.
The driver 'lowed he was: that 'un dappled on the rump there, that 'un
was foaled, let me see? year o' the rush to the Black Hills, with a
squirt of chewing tobacco over the front wheel and a damn't, and
another squirt and more damn't's; and before Eleanor realized the
one-armed driver had asked her if she wouldn't like to learn to drive
double tandems; and she had the reins in her hands; and the double
tandem grays took the bit in their teeth to show what double tandem
grays and ample oats could do.
"How-do," called the driver with a squirt of tobacco over the front
wheel at a rancher loping across the trail. "How-do; y' are up early,
y' son of a gun! What d' y' know?"
"Senator's goin' t' stand again this fall," called the man.
The driver emitted another damn't in true Western style just as
innocently as an Easterner says "Oh, yes, indeed," or an Englishman
says "My word." In fact Eleanor lost count of the damn't's.
"How ever do you manage it?" she asked shifting the reins.
"With my one arm, y' mean?" The stage driver laughed and aimed more
chewing tobacco at that innocent front wheel; and the question drew out
such a story of heroism in spite of the damn't's and the tobacco squids
as made her proud of human clay, just as she had been ashamed of human
something or other inside the stage with the lavender silk and the gold
teeth and Bat's frozen tallow smile.
"Why, it was the year o' the Kootenay rush, ye mind? No, ye don't
mind, ye weren't born then, were y'? Damn't," and a punctuation in
tobacco. "Wall, 'twas in the early days 'fore we had steam hoists an'
things." (Another punctuation mark—a good big one.) "We was usin' an
old hand hoist. Guess the shaft was about hundred feet down—straight
down, an' we was gettin' in the pay streak, bringin' up barrels o' rock
showin' more color every load. Wall, them loads was hauled up to the
dumps by a hand hoist y' onderstand, kind of winch, like y' turn a
handle in old fashioned down East wells. Wall—" (Another punctuation
mark and another dip for ink, so to speak, from the plug in the hand of
the one-armed driver.) "boys were all down under. Say—'twas in the
days when ol' Calamity was runnin' the hills. Know Calamity? She was
a wild 'un in her day; an' they say MacDonald, the rich sheep man,
has kind o' sorter given her a home these late years. Wall—I ain't
the one t' say he shouldn't. Her morals weren't much better in them
days than the crazy patch quilts ladies used to make down East when I
was a boy; but she's settled down I hear; an' I ain't the one to say
MacDonald don't deserve credit for what he's done. She saved many a
poor miner's life from the Indians in them ol' days, saved 'em by a
shave, carried 'em in on her shoulder to the Deadwood Hospital, or
nussed 'em well on the spot, an' all the while, she wazn't no better
than she ought t' be; wazn't there a woman in Scripture like that?
Kind o' seems to me the church folks forgets that Rahub gurl!
Wall—'twas about those days." (More showers of damn't's and tobacco
on that front wheel.) "Boys was all under. Big load of rock was
comin' up. I waz man at the hoist, man on the easy job that day.
Wall—wad y' believe it, the damn thing bruk—bruk plum whoop an'
started spinnin' round back side first with the load o' rock an' the
boys under comin' up the ladder. I yelled for a kid we had workin'
round to get me a jack wrench, a hand spike, Hell, any ol' thing to
stop her kitin' that load o' rock down on the boys! Kid stood gopin'
there an' sayin' 'What d'y' say?' Say,—damn't—an' that load o' rock
goin' plumb down on the boys, heavy enough to smash 'em to pulp. There
weren't nothin' handy near 'cept me, so I jumped this here arm that you
find missin' right into the wheel! It stopped her all right, the load
didn't fall on the boys; and they got up all right by the ladder;
but—say, mebbe the cogs o' that damn wheel didn't do a thing to my
arm. Say—the doctor didn't need to amputate it. That winch did him
out o' his job."
"You mean," said Eleanor, slowing the grays to a reluctant walk down
grade, while the driver clamped the front wheel brake with his foot,
"you mean because there was no crowbar, or anything to stop the hoist
flying backwards and killing the men under the load of rock, you mean
because there was no crowbar, you jumped into the wheel, yourself?"
"Sure," said the man astonished at her question; and because Eleanor
was a true Westerner and didn't mind the tobacco squids and the
damn't's in the least (where they belonged) she gave that one-armed
driver a look that would have made any man proud: only the one-armed
driver didn't see it.
"They took up a purse an' wanted to give me a perscription—damn't, but
I told 'em t' turn it in t' the Horspital. Any man w'd a' done same
for a yellow dog. What d'y' want t' give a fellow a medal for not
bein' stinkin' coward?"
Eleanor laughed. It was a happy silver laugh like the light on the
Ridge cataracts. Somehow, the one-armed stage driver with his
unconscious heroism and equally unconscious profanity gave her a sense
of the big wholesome unconscious outdoor world, just as the lavender
silks and undertaker's plumes and tallow smile inside smothered her
with a drugged sense of heavy unwholesome musk. The one-time miner did
not know it; but what Eleanor was saying to herself was—"So much bad
in the best of us and so much good in the worst of us." Then she
thought of the Senator and his genial smile and his voice soft as a
woman's, and his love of flowers. He, too, must have his vein of
heroism, if one could only find it. She thought and thought as the
tandem grays arched their necks at the sound of the tramway bells in
the nearing city; thought and thought, vague wordless thoughts full of
hope; vague womanish thoughts that women have thought since time began
of finding that magic vein of heroism in the Man that is to transmute
slag into gold, hog into human, and greed into generosity, and lust
into love; thought and thought the gentle womanish hoping-against-hope
thoughts that women have worn out their lives thinking and enslaved
their bodies and pawned their souls. If only one could find that
vein in the Senator, the battle would be won without the letting of
blood and smashing of reputations; as if peace without victory were
ever worth while since time began.
Then, the stage was rattling over the pressed brick pavement of Smelter
City; and the tandem grays were pretending to shy at the electric cars;
and the one-armed driver came near expectorating his entire internal
anatomy out of sheer joy and pride in the arched necks and the frail
driver with the black curls under the broad brimmed English sailor hat
handling the reins. She had pulled off her heavy buckskin gloves; and
she never knew how absurdly like matches her fingers looked to the big
one-time miner beside her; nor how the exhilaration brought the tints
of the painters' flower to her cheeks and the light of the Alpine pools
to her eyes. Every man on the street turned and looked back, while the
gold teeth inside blinked with self conscious certainty that they did
it; and the lavender silks wore a peculiarly cynical smile. Loafers
sat up and followed the stage with eager eyes far as they could see it
and said, "By Gawd—whose gurl is that?" Oh, Mr. Bat Brydges intended
every bar room buffer and loafer in the State should know, 'whose girl'
that was before night. Everything was fair in love and war; and Bat
considered he had run down a case of both. According to his lights, he
had; but his lights were smutty and in need of trimming.
The stage dropped the gold teeth at a dentist's office, and the
lavender silks at a manicure's 'studio,' I believe she called it; and
Bat swung off while the coach was still moving; and Eleanor reluctantly
gave up the reins at the transcontinental station.
"Thank you so much. I don't know when I have had as good a time," she
said, giving the stage driver the sensation of a king in disguise.
And, of course, the transcontinental was late. When was it not late,
when you were in a hurry?
"How late?"
"Four hours, last report," the operator answered.
She sent her suit case across to the hotel, and shopped, and loitered
up and down the platform. It was not until afterwards she remembered
one of the loafer brigade dangling legs from the station platform
looking over his shoulder with an evil smile.
"Say—d' y' see the evening paper?" he had asked. "That's her;" and
there was a laugh that somehow sent her back inside the station feeling
vaguely uneasy.
"I think I'll telephone them up at the Ranch not to keep dinner
waiting," she said to the operator.
He was reading the paper. He looked at her a moment before answering.
If a human face could have been expressed in a punctuation mark, that
agent's face should have been drawn in a big question mark, with the
eyes put somewhere in the hook, and the neck growing longer and longer
as he looked.
"Public telephone right across the road," he said.
In avoidance of the loafers' looks, she had walked unheeding straight
into the Senator's office. Her first instinct was to withdraw. Then,
she saw Brydges; and that curious sensation of repulsion obsessed her.
She literally shot the handy man in full retreat with one glance.
Then, the joy of the ride down, the heroism of the driver, came back.
Perhaps it was the jar of roses, but the thought came what if she
could find that vein of heroism in the Senator. When women risk their
souls on that "if" and the souls of friends and children; is it vanity,
I wonder, or is it the will o' the wisp light that lights erring feet
to darkness?
She thought more highly of the Senator that he did not offer to shake
hands, just as most of us would think more highly of Judas Iscariot if
he had not kissed Christ. Being a Westerner, she had the Westerner's
horror of a maverick sporting the brand of a thoroughbred. The Senator
took off his glasses and sat tapping them above the U. S. Geological
Survey map.
"I trust," he began, "that my man expressed to you my deep regret—my
deep distress over—"
"Don't . . . please, don't," interrupted Eleanor, with a passionate
break in her voice. "I know you are honest, Senator Moyese, honest to
what you believe is right; and I don't want you to feel that you have
to lie because I am a woman."
The Senator opened his mouth, took a breath, and shut it again.
She understood him well enough to know that if he had to toy with his
glasses for a twelve month, he would wait for her to play down first.
Yet she recognized the instinct of his manhood to rescue the confusion
of her embarrassment when he put forward his hand casually and
said—"See my roses, Miss Eleanor? They are a new variety of American
Beauties. See, each petal has a white veining? Know how those roses
are produced? Ages and ages of poor trash worthless common roses have
been sacrificed to produce this perfect type."
"That's your theory of life, isn't it?" she asked, vaguely conscious
that the dragon was disarming her anger.
"Isn't it nature's?" asked Moyese gently. "The fit survive because
they are fit; the exceptional; the few; while the worthless go to
waste?"
Before Eleanor realized, she had lost all consciousness of self and was
pleading passionately leaning forward across the desk.
"Isn't Christ's theory better, Senator, to make all the unfit into fit?
Isn't Christ's theory the theory of science? Science aims to make a
whole field of perfect corn; not just one perfect cob. I know that;
for I read it in your speech at the opening of the Agricultural
College. If we keep on sacrificing the interests of the many to the
interests of the few, aren't we working back to savagery, Senator?"
The Senator drew the finest of the roses from the jar. "It's a matter
of taste, perhaps, Miss Eleanor; but I prefer this to a whole jarful of
scrubs."
"Then you are not working for democracy. It's just as Mrs. Williams
says, all you foreign multimillionaires are subverting our Nation by
working for old fashioned despotism in disguise; sacrificing the many
to the few."
"Oh, does Mrs. Williams say that?" asked Moyese reflectively, pushing
back from the desk and clasping his hands round one knee. "That may
be; republicanism doesn't necessarily mean letting the blockheads rule!
It may mean giving equal opportunity for the fit men to come to the top
and rule. Did you come in to talk over these things with me, Miss
Eleanor? I must make a convert of you; it would win over Wayland and
Williams and your father."
"No, I didn't. I came in here by mistake. The operator told me I'd
find a public telephone across the road; and I wasn't noticing where I
was going, and I came in here; but all the way down, I had been
thinking of you, Senator Moyese. I kept thinking if you could only be
made to see the New Day that is dawning, perhaps you would meet it half
way. I rode in the driver's seat coming down; and he told me how he
lost his arm; Senator, think of the hero in him?"
"And you thought there might be some of the hero in me, too?" Moyese
laughed, the noiseless genial laugh creasing his chin and his white
vest.
"While you laugh, you are letting your rose wither."
He handed the rose to her. "Yes, I know that fellow. I was in the
Kootenay when he lost his arm, torn out all bloody right from the
shoulder socket; had to pry the cogs up to get him out. They collected
a purse of a thousand for him; but he wouldn't take a cent: handed it
over to the hospital. Something in that fellow bigger than self kind
of popped out and surprised himself."
She noticed him looking at the wall clock as he talked, but not being a
business woman did not know what that meant.
"There's something bigger than self with us all, Senator; and we have
to work for it."
"My dear child, do you think you need to tell an old stager that?" He
was kicking the creases out of his trousers. This time, she could not
mistake the signal, and felt her womanish idealism of mining for the
hidden vein of heroism both childish and cheapening. She rose and
placed the flower back on the desk.
"There's something bigger than you or me, my dear," he went on,
"something for which every man worth his salt must work and fight, and
which a woman does not understand."
"And that is?"
"His party," said Moyese.
"But Senator, there is something bigger than party, and if a man works
against That, he'll injure his party."
"And that is?"
"His Nation," said the girl.
Moyese gave her a quick sharp look that was not unkindly. In fact,
Eleanor could read that it was lonely, irritated, isolated.
"My dear," he said, coming round where she stood, "we differ on
fundamentals. The whole nation to-day is divided on fundamentals. I'm
no mealy mouth to curse plutocracy in order to please the mob.
Plutocracy fills the workman's dinner pail and keeps the mills going
and opens the mines and builds the railroads. Mobocracy, your grubby
corn cob and trashy roses, that, what does it do? Mouthe and mouthe
and try to pull down what is above it! It will have to be fought out!
No? It will not be another French Revolution! Our bullets are
ballots, nowadays; and the American people get exactly the form of
Government which they want. If they want another form, it remains with
them to fight for it. The umpire of all is fact—Miss Eleanor; and the
facts of each side will have to be fought out; the better man will win;
be sure of that! The facts that are facts not fictions will win, with
ballots for bullets. For my part, I'll not dodge the issue; and I
hope you'll not think me any the less of the hero for that?"
He had extended his hand as he talked, and to her surprise, she found
herself taking it when with a wave of revulsion, the memory of the
Ridge and the Rim Rocks came back.
"And government is a mere game of politics?" she said. "And politics
resolves itself into brute force; and a murder more or less doesn't
matter? Fordie, I suppose, would be classed as one of the scrubs
sacrificed for this perfection of party?"
His hand dropped hers as if she had struck him.
"You did not know that you were overheard? 'See that no harm comes to
the boy.' You did not mean Fordie to be murdered; but they were to
crowd the sheep over 'to beat Hell,' 'the sheep were to go it
blind'—my father's and Mr. Williams' property was to be sacrificed to
build up the fortune of the cattle barons: they too, I suppose, are
scrubs sacrificed among the many for the wealth of the one, who happens
to be yourself. You broke the law; but because you did not order
Fordie's murder, you think the blood guiltiness from that broken law
does not rest upon you. You say it must all be fought out. You force
the fight—"
He raised his hand to stop her. She remembered afterwards how ashy
white and aged his face became. He walked to the door and opened it.
She passed out. So that was to what her womanish mining for the vein
of the ideal heroism had led. She had been politely shown out. It was
as Wayland had said: there was no middle course; and it was also as the
Senator had said, it must be fought out, and the bullets were to be
ballots.
The Senator slammed his door shut and snapped the yale lock. Then he
noticed the rose she had left, and tossed it in the spittoon.
"Thank God," he ejaculated fervently as he sank back in the swing
chair, "Thank God women are not in politics. There is always
something to be thankful for."
Then, an idea seemed to strike him. He rang the telephone with fury,
and it didn't improve his temper to hear the saucy little central
informing her elbow mate that "that ol' fellah wuz burnin' the wire up
alive."
"Is that 'The Herald'? Brydges there? That you, Brydges? Listen, the
night you were up on the Ridge, have you any perfect proof that Wayland
didn't go down when you were asleep? Eh? You turned in at ten; and
you found him still stamping about at twelve? Is that it? What? No?
Don't be a damphool, cut that out. Of course, he didn't go down to
the Ranch House. Cut that whole scandal thing out. There's nothing in
it; but I think we can locate our missing knight errant. Understand?
He's got to be smashed? What? You had printed the scandal story
before you ever came in to me at all? Dictated it right in to the
typo machines? In the 'Independent'? Oh, well, I'm glad it didn't go
in the 'City Herald'? But it did go in; one evening paper?" Then the
wrath of the strong man broke bounds. If he had been a stage villain
the curtain drop would have fallen on a red faced gentleman pounding
the desk, tearing at the telephone, hurling his chair about the office
and generally, as the saucy little central remarked, "eating the wire
up alive."
When Brydges' chief indulged in explosives that necessitated the repair
of furniture the next day, the handy man always stood strictly and
silently at attention. He knew the meaning of the stage thunder: it
was the trick of the Indian medicine man, who fires guns to bring down
rain. Bat knew that the fulminations were of a piece with all the
other orders to do and not to do, an effort to get results while
diverting the thunderbolt from the rain maker's head; for by one of
those strange contingencies that Shakespeare defines as an opportunity
of evil, when the handy man had gone to the 'Herald,' the news editor
chanced to be out. Bat crossed to the 'Independent's' office. It
lacked but half an hour of the time to lock up the press, and on
condition that the story should be "a scoop," Bat was sent out to the
composing room to dictate straight to the printer, standing over the
linotype machine.
What was "the story" that he dictated? If you know where to look, you
can see its prototype seven times a week. It was written jocularly;
oh, it was exceedingly funny with all sorts of veiled references to
naughtiness that couldn't be printed, pretty naughtiness, you
understand, the kind you wink at, as was to be expected from a little
beauty, a brunette, chic, etc. (I forget how many French words Bat
tucked in: he had to look 'em up in the French-English appendix to
Webster's Dictionary as the proof came off the galley), the well known
daughter of the richest sheep rancher in the Valley. "The story" was
headed: "Pretty Scandal in Peaceful Valley." Bat played "the human
interest" feature for all it was worth; also the trick of suspended
interest. It began by informing the public that a pretty scandal was
disturbing a certain Valley not a hundred miles from the Rim Rocks, the
essential details of which could not be given, would probably never
be printed, for obvious reasons. Then followed a solid paragraph of
nonsense verse inserted as prose; about a Ranger-man, Ranger-man,
running away, 'Cause pa-pah, dear pa-pah comes home for to-day; But his
Lincoln green coatie the Ranger forgot; And pa-pah, dear pa-pah came
home raging hot; The Ranger-man, Ranger-man was still on the run, For
pa-pah, dear pa-pah was out with a gun, He'd heaved up his war club and
jangled his spear, And swore by my halidom what doth that coat here,
etc., etc. Any school boy could have trolled off yards of the same
drivelling cleverness; and Eleanor's innocent telephone call was, of
course, lugged in.
There followed a garbled account of poor Calamity's errant days among
the miners of the Black Hills. The account had no reference to her
heroism in the early mining days, when she roved in man's attire over
the hills to rescue wounded miners from the Sioux. It set forth only
her blazoning sins; evidently on the assumption that carrion is
preferable to meat. And then tucked ingeniously into this account was
veiled mention of a rich sheepman, too well known to need naming, who
was evidently making reparation for the errors of his youth by
according to the mother as good treatment as the daughter under the
same roof. Not a name was mentioned except Calamity's. I trust it is
obvious to you that it was not libelous, because it was without malice.
In fact, if you want to know the ear marks of a handy man's "story,"
look out for the smart gentlemen in veiled references without any facts
which can be transfixed by either a pin or a handspike. When you find
the innuendo without the handhold of fact, lick your lips if you are
keen on carrion; for I promise that you have come on a morsel.
Bat did even better than the clever story dictated straight to the typo
in the composing room. Always in the West, there flit in and out what
we Westerners used to call "floaters," gentlemen (and ladies) who come
in on a pullman car and go out on a pullman car and sometimes venture
as far away from safety as a hotel rotunda, then syndicate their
impressions of the West, in the East, and gravely correct twenty year
Westerners with twenty minute impressions. I don't believe on the
whole, as Westerners, we like them very much; but obviously, one
doesn't kill a mosquito with a hammer.
Bat caught such a floater on the delayed transcontinental express. He
was seeing the West through a car window. The East will not see the
jocularity of that fact. The West will, though it may smile with a
twist. Bat's floater was working for a Chicago boomster, who had
issued a magazine to boom Western real estate, suburban lots seven
miles from a flat car, which was all there was of the city. For
exactly fifteen dollars (when the floater's impressions came out, I
made exact inquiries as to what Bat had paid him; and it seemed to me
that floater sold himself very cheap) the travelling impressionist took
over Bat's story of "the Pretty Scandal in Peaceful Valley" and
rehashed it with the name MacDonald given as Macdonel, and syndicated
the scandal against the Forest Service throughout the East.
The transcontinental express had made up lost time and came roaring in
just as the stage rattled up to the platform. MacDonald and Williams
stepped off the observation car. Eleanor shook hands.
"You know about the sheep?" she asked.
"Yes, we have your letter," answered MacDonald. "That's why we stayed
so long buying grazing ground in the Upper Pass."
"Here, boy." He bought an evening paper; and helped Eleanor inside the
stage. Then he mounted to the top with Williams. There were only
three other occupants in the stage, the lady of the lavender silks, the
gold teeth, and a workman, sodden drunk and drowsy, in the upper
corner. The lady of the lavender silks had a complexion that looked as
if it had been dipped in a fountain of perennial youth. She was
leaning over the evening paper which the undertaker plumes had
evidently shown her. The heat had not improved Eleanor's stiff linen
collar and the dust had certainly not added to the style of her kakhi
motor coat. It was not until afterwards she remembered how both the
heads flew apart from the evening paper the moment she entered the
stage.
"Have you had a pleasant day shopping, my dear?" It was the lavender
silk with the hard mouth actually breaking in a smile. It was the "my
dear" that struck Eleanor's ear as odd. The manner said plainly as
words could say "You weren't before; but you are now."
"Oh, it was rather hot," answered Eleanor quietly.
"Y're on the wrong soide. Y're in the sun. If y'll sit over b'side
off me, my dear gurl—"
Eleanor nearly exploded. 'Girl' was the limit: 'lady' would have been
worse; 'woman' was good enough for her; but, 'gurl.' It was the
manner, the proprietary manner, you are one of us now: what had
happened? She did not answer. She raised her eye lashes and looked
the speaker over from the undertaker's plumes and the gold teeth and
the ash colored V of skin to the clock-work stockings and high heeled
slippers. Then, the stage was stopping violently and her father
appeared on the rear steps at the door. She had never seen him look
so. His eyes were blazing. It was not until afterwards she remembered
how the lavender silks had crushed the evening paper all up and sat
upon it.
"There is a little girl up on the seat with the driver. You'll find it
pleasanter there going up the Valley."
She remembered afterwards, while her father gave her a hand up the
front wheel, a voice inside the stage exclaimed: "Say, thought they wuz
goin' to be fireworks. If Dan'd read that in th' paper 'bout me, he'd
a gone on awful."
"Oh, no, he's a thoroughbred all right, if it is part Indian."
Then her father and Williams had gone down inside the stage; and she
was left with the driver and a diminutive little bit of humanity, that
looked as if it had escaped from one of the rag shops of Shanty Town.
She wore a tawdry thing on her head with bright carmine ostrich plumes
that had lost their curl in the rain. A red plush cape was round her
shoulders; and Eleanor could hardly believe her eyes—she had not seen
them since she went through the East End of London—they were copper
toed boots.
"M' name is Meestress Leezie O'Finnigan. What's y'rs?" demanded the
little old face.
Eleanor didn't answer. She was trying to think what had changed the
driver's friendly manner. He had neither greeted her nor proffered the
reins. And now, oh, philosopher of the human heart, for each of us is
a philosopher inside, answer me: why did the driver, who was a bit of a
hero, and the lavender silk, who was an adventuress, and the gold
teeth, who was a slattern, neither pure nor simple, why did each and
all eagerly believe the evil, so vague it had not been stated, written
by an unknown blackmailer, in the face of the reputation of purity
sitting beside them?
"M' father uz down inside," continued the child. "He's sleep. We're
goin' t' live on th' Ridge. D' y' know what a Ridge iz? We're goin'
t' be waal-thy—m' father says so. He says we won't have a thing t' do
but sit toight an' whuttle un' sput, un' whuttle un' sput fur three
years, then the com'ny wull huv t' pay us what he asks. He says they
think they'll pay him off fur three hun'red; but he says he knows, he
does; un' he's goin' t' hold 'em up fur half. Unless they give him
half he'll tell—"
"What?" asked Eleanor, suddenly wakening up to the meaning of the
chatter. "What is your father?"
"He's trunk jes' now," said the child. Then she reached her face up to
Eleanor's confidentially. The little teeth were very unclean and the
breath was very garlicky, indeed. "He's goin' t' be a dummy," she
whispered with a gurgle of childish glee, "un' he says he'll easily
hold 'em up for twenty thousand without doin' a thing fur five years
but whuttle un' sput."
"A dummy? Oh," said Eleanor.
Even the driver relaxed enough to flick the tandem grays with his whip
and permit a twisted smile to play round the tobacco wad in his cheek.
They ate their late supper in the Ranch House by lamp light, her father
scarcely uttering a word, the evening paper still sticking out of his
coat pocket.
"I know this sheep affair has been a horrible, hideous loss," she said.
"Is that what's worrying you, father?"
MacDonald shoved back from the table.
"Pah, that's nothing," he said.
He stood waiting till the German cook had removed the dishes. Then he
drew the paper from his pocket.
"There's something here I'm sorry you'll have to know," he said. "You
won't understand how low the meaning of most of it is; but I'm sorry
they hit you to try and hurt me."
He threw himself down in a big leather chair. She took the paper
mechanically and sat on the arm of the chair to read. She read slowly
and deliberately to the end. Then she re-read both columns; and the
paper fell from her hands. She did not know it, but the same
suppressed fury was blazing in her face as she had seen on his at the
stage door.
"So that is what was doing when I went to the Senator's office this
afternoon to plead with him that things could not go on in the old
plundering way. That is what his man's visit meant here the other day
to express sympathy with you for the loss of the sheep? Now I
understand what the loafers at the station meant, and the driver's
unfriendliness, and those unclean women; and to think they framed it
all out of that innocent coat. You know, father, Mr. Wayland had
carried Fordie down from the Rim Rocks. We carried the body in
together."
"Where is Wayland?" asked MacDonald; and she poured out the full story
of all that had happened. I hope, gentle reader, you will please to
observe that if the father had viewed the facts of that recital through
the same tainted mind as Mr. Bat Brydges, a breach would have occurred
that neither time nor regret could have bridged. I confess when I see
breaches occur that wrench lives and break hearts through love
harboring suspicion, I don't think the love is very much worth the
name. You can't both have your plant grow, and keep tearing up the
roots to see if they are growing. You can't both throw mud in a spring
and drink out of a well of love undefiled. If love grows by what it
feeds on, so does suspicion. He did not once look up questioningly to
her eyes. Instead, he reached up and took hold of her hand. For the
first time in their lives, father and daughter came together.
"But there is one thing you are mistaken about, father. They did not
hit me, to hurt you. They hit me, to stop Dick Wayland."
"Why, what difference can you make to Wayland?"
She hid her face on his shoulder.
"I love him," she said.
When the German cook came in with the washed dishes, father and
daughter still sat in the big arm chair; and you may depend on it, that
flunky carried out to the ranch hands, guzzling over the evening paper
in the bunk house, a proper report of a heart broken father and a
repentant daughter; for when we look out on the world, do we see the
world at all; or do we see the shadows of our own inner souls cast out
on the passing things of life?