"Hilbrough has sent for me," said Millard to Philip
Gouverneur, who was sitting so as to draw his small form
into the easy-chair as he smoked by the open fire in the
newspaper room at the Terrapin Club. Millard, who
had never liked tobacco, was pretending to smoke a cigarette
because smoking seemed to him the right thing to
do. He had no taste for any more desperate vice, and
tobacco smoke served to take the gloss off a character
which seemed too highly finished for artistic effect.
"Hilbrough"—Charley smiled as he recalled it—"always
gets uneasy when he's talking to me. He takes
his foot off the chair and puts it on the floor. Then he
throws himself forward on the table with his elbows outward,
and then he straightens up. He's a jolly kind of
man, though, and a good banker. But his wife—she is
the daughter of a Yankee school-teacher that taught in
Brooklyn till he died—is a vigorous little woman. She
hasn't come to New York to live quietly. She's been
head and front of her set in Brooklyn, and the Lord
knows what she won't undertake now that Hilbrough's
getting rich very fast. I haven't seen her yet, but I
rather like her in advance. She didn't try to trap me
into an acquaintance, but sent me word that she wanted
advice. There's a woman who knows what she wants,
and goes for it with a clear head. But what can I do for
her? She'll be wanting to give a tea or a ball before she
has acquaintances enough. It's awfully ticklish making
such people understand that they must go slow and take
what they can get to begin with."
"Why," said Gouverneur, "you can tell her to take
the religious or moral reform dodge, and invite all the
friends of some cause to meet some distinguished leader
of that cause. Bishop Whipple, if she could capture
him, would bring all the Friends of the Red Man, just as
Miss Willard or Mrs. Livermore would fetch the temperance
and woman-suffrage people. You remember the
converted Hindu princess they had over here last winter?
Between her rank, and her piety, and her coming from
the antipodes, and her heathen antecedents, she drew
beautifully. Fine woman, too. Even my mother forgave
her for not having a drop of Dutch or Revolutionary
blood in her veins, and we all liked her very much.
Give Mrs. Hilbrough that tip."
Millard shook his head, and smiled. He had the appreciative
smile of a man with a genius for listening,
which is a better, because a rarer, contribution to conversation
than good speech. Philip, crouched in his chair
with his face averted from the electric lights, went on:
"Well, then you know there is the literary dodge.
Have papers read, not enough to bore people too deeply,
but to bore them just enough to give those who attend
an impression of intellectuality. Have discussions of literary
questions, seasoned with stewed terrapin, and decorated
with dress coats and external anatomy gowns.
Those who go to such places flatter themselves that they
are getting into literary circles and improving their
minds, especially if a popular magazinist or the son of
some great author can be persuaded to read one of his
rejected articles or to make a few remarks now and then.
Then there is the musical dodge on the drawing-room
scale, or by wholesale, like the Seidl Society, for example.
One is able by this means to promote a beautiful art
and increase one's social conspicuousness at the same
time. Then there is the distinguished-foreigner dodge,
give a reception in honor of—"
"Hang it, Philip; I'll tell Mrs. Hilbrough to send for
you," said Millard, laughing as he got up and threw his
cigarette into the grate. "I don't like to interrupt your
lecture, but it's eleven o'clock, and I'm going home.
Good-night."
Philip sat there alone and listened to the rain against
the windows, and smoked until his cigar went out. The
mere turning of things over in his mind, and tacking
witty labels to them, afforded so much amusement that
inactivity and revery were his favorite indulgences.
Mrs. Hilbrough gave a good deal of thought to her
dinner on the next evening after the conversation between
Philip Gouverneur and Millard. To have it elegant,
and yet not to appear vulgar by making too much
fuss over a dinner en famille, taxed her thought and
taste. Half an hour before dinner she met her husband
with a perturbed face.
"It's too bad that Phillida Callender should have come
this evening. That's just the way with an indefinite
invitation. Poor girl, I've been asking her to come any
evening, and now she has hit on the only one in the year
on which I would rather she should have stayed at home."
"I'm sure Phillida is nice enough for anybody," said
Hilbrough, sturdily. "I don't see how she interferes
with your plan."
"Well, Mr. Millard'll think I've asked her specially to
help entertain him, and Phillida is so peculiar. She's
nobody in particular, socially, and it will seem an unskillful
thing to have asked her—and then she has ideas.
Young girls with notions of their own are—well—you
know."
"Yes, I know, home-made ideas are a little out of
fashion," laughed Hilbrough. "But I'll bet he likes her.
Millard isn't a fool if he does part his hair in the middle
and carry his cane balanced in his fingers like a pair of
steelyards."
"If he takes me to dinner, you must follow with Phillida.
Give your left arm—"
"I'll feel like a fool escorting Phillida—"
"But you must if Mr. Millard escorts me."
Hilbrough could have cursed Millard. He hated what
he called "flummery." Why couldn't people walk to
the table without hooking themselves together, and why
couldn't they eat their food without nonsense? But he
showed his vexation in a characteristic way by laughing
inwardly at his wife and Millard, and most of all at
himself for an old fool.
Phillida Callender was the daughter of a Presbyterian
minister who had gone as missionary to one of the Oriental
countries. After years of life in the East, Mr. Callender
had returned to America on account of his wife's
health, and had settled in Brooklyn. If illusions of his
youth had been dispelled in the attempt to convert Orientals
to a belief in the Shorter Catechism he never confessed
it, even to himself, and he cherished the notion
that he would some day return to his missionary vocation.
The family had an income from the rent of a house in
New York that had been inherited by Mrs. Callender,
and the husband received considerable sums for supplying
the pulpits of vacant churches. He had occupied the
pulpit of the church that the Hilbroughs attended during
the whole time of Dr. North's journey to the Holy Land,
and had thus come into a half-pastoral relation to the
Hilbrough family. Mr. Callender sickened and died;
the fragile wife and two daughters were left to plan their
lives without him. The sudden shock and the new draft
upon Mrs. Callender's energies had completed her restoration
to a tolerable degree of health and activity. Between
the elder daughter, whom the father had fancifully
named Phillida, from the leafy grove in which stood the
house where she was born, and Mrs. Hilbrough there had
grown up a friendship in spite of the difference in age
and temperament—a friendship that had survived the
shock of prosperity. Lately the Callenders had found it
prudent to remove to their house situate in the region
near Second Avenue below Fourteenth Street, a quarter
which, having once been fashionable, abides now in the
merest twilight of its former grandeur. The letting of
the upper rooms of the house was a main source of income.
Born in Siam, bred in a family pervaded with religious
and propagandist ideas, and having led a half-recluse
life, Phillida Callender did not seem to Mrs. Hilbrough
just the sort of person to entertain a man of the
world.
When dinner was announced Millard did give Mrs.
Hilbrough his arm, and Phillida was startled and amused,
when Mr. Hilbrough, after pausing an instant to remember
which of his stout arms he was to offer, presented his
left elbow. Despite much internal levity and external
clumsiness, Hilbrough played his rôle to the satisfaction
of his anxious wife, and Phillida looked at him inquiringly
after she was seated as though to discover what
transformation had taken place in him.
Millard could not but feel curious about the fine-looking,
dark young woman opposite him. But with his
unfailing sense of propriety he gave the major part of
his attention to the elder lady, and, without uttering one
word of flattery, he contrived, by listening well, and by
an almost undivided attention to her when he spoke, to
make Mrs. Hilbrough very content with herself, her dinner,
and her guest. This is the sort of politeness not
acquired in dancing-school nor learned in books of decorum;
it is art, and of all the fine arts perhaps the one
that gives the most substantial pleasure to human beings
in general. Even Hilbrough was pleased with Millard's
appreciation of Mrs. Hilbrough; to think well of Jenny
was an evidence of sound judgment, like the making of a
prudent investment.
Meantime Millard somewhat furtively observed Miss
Callender. From the small contributions she made to
the table-talk, she seemed, to him, rather out of the common
run. Those little touches of inflection and gesture,
which one woman in society picks up from another, and
which are the most evanescent bubbles of fashion, were
wanting in her, and this convinced him that she was not
accustomed to see much of the world. On the other
hand, there was no lack of refinement either in speech or
manner. That disagreeable quality in the voice which in
an American woman is often the most easily perceptible
note of underbreeding was not there. Her speech was
correct without effort, as of one accustomed to hear good
English from infancy; her voice in conversation was an
alto, with something sympathetic in its vibration, as
though a powerful emotional nature lay dormant under
the calm exterior. Millard was not the person to formulate
this, but with very little direct conversation he perceived
that she was outside the category to which he was
accustomed, and that her personality might prove interesting,
if one had an opportunity of knowing it. He
reasoned that with such a voice she ought to be fond of
music.
"Have you heard much of Wagner, Miss Callender?"
he said when there was a pause in the conversation. He
felt before he had finished the question that it was a false
beginning, and he was helped to this perception by a
movement of uneasiness on the part of Mrs. Hilbrough,
who was afraid that Phillida's disqualifications might be
too plainly revealed. But if Mrs. Hilbrough was rendered
uneasy by the question, Phillida was not. She
turned her dark eyes upon Millard, and smiled with
genuine amusement as she answered:
"I have heard but one opera in my life, Mr. Millard,
and that was not Wagner's."
"Miss Callender," said Mrs. Hilbrough, quickly, "is
one who has sacrificed social opportunities to her care for
an invalid mother—a great sacrifice to one at her time of
life."
"I don't think I have sacrificed much," answered
Phillida with a trace of embarrassment. "My social
opportunities could not have been many at best, and I
would rather have led,"—she hesitated a moment,—"I
don't know but I would rather have led my quiet life
than—the other."
In her effort to say this so as neither to boast of her
own pursuits nor to condemn those of others, Miss Callender's
color was a little heightened. Millard was sorry
that his innocent question had led the conversation into
channels so personal. Mrs. Hilbrough was inwardly vexed
that Phillida should be so frank, and express views so
opposed to those of good society.
"You find Brooklyn a pleasant place to live, no
doubt," said Millard, taking it for granted that Phillida
was from Brooklyn, because of her friendship for the
Hilbroughs.
"I liked it when we lived there. I like New
York very well. My relatives all live on this side
of East River, and so I am rather more at home
here."
"Then you don't find New York lonesome," said
Millard, with a falling cadence, seeking to drop the conversation.
"Oh, no! I live near Stuyvesant Square, and I have
an aunt in Washington Square of whom I am very
fond."
"I am often at the Gouverneurs, on the north side of
the Square. I like Washington Square very much," said
Millard, getting on solid ground again.
"We visit at the same house. Mrs. Gouverneur is my
aunt," said Phillida.
Millard was a little stunned at this announcement.
But his habitual tact kept him from disclosing his surprise
at finding Miss Callender's affiliations better than
he could have imagined. He only said with unaffected
pleasure in his voice:
"The Gouverneurs are the best of people and my best
friends."
Mr. Hilbrough looked in amusement at his wife, who
was manifestly pleased to find that in Phillida she was
entertaining an angel unawares. Millard's passion for
personal details came to his relief.
"Mrs. Gouverneur," he said, "had a brother and two
sisters. You must be the daughter of one of her sisters.
One lives, or used to live, in San Francisco, and the other
married a missionary."
"I am the missionary's daughter," said Phillida.
Millard felt impelled to redeem his default by saying
something to Miss Callender about the antiquity and excellence
of her mother's family. If he had been less
skillful than he was he might have given way to this
impulse; but with the knack of a conversational artist
he contrived in talking chiefly to Mrs. Hilbrough to lead
the conversation to Miss Callender's distinguished great-grandfather
of the Revolutionary period, who was supposed
to shed an ever-brightening luster all the way down
the line of his family, and Millard added some traditional
anecdotes of other ancestors of her family on the mother's
side who had played a conspicuous part in the commercial
or civic history of New York. All of which was
flattering to Miss Callender, the more that it seemed to
be uttered in the way of general conversation and with no
particular reference to her.
Hilbrough listened with much interest to this very
creditable account of Phillida's illustrious descent, and
longed for the time when he should have the fun of reminding
his wife that he had held the opinion from the
beginning that Phillida Callender was good enough for
anybody.
Mrs. Hilbrough took Phillida and left the table, Mr.
Hilbrough rising as the ladies passed out, as he had been
instructed. When he and Millard had resumed their
seats the cigars were brought, but when Millard saw that
his host did not smoke he did not see why he should
punish himself with a cigar and a tête-à-tête with Hilbrough,
whom he could see any day at the bank. So by
agreement the sitting was soon cut short, and the gentlemen
followed the ladies to the drawing-room. Mrs. Hilbrough
had planned a conversation with Millard about
her reception while Phillida should be left to talk with
Mr. Hilbrough. But Phillida's position had been changed
during dinner. Mrs. Hilbrough found a new card in her
hand. She drew Miss Callender into the talk about the
reception, leaving her husband to excuse himself, and
to climb the stairs to the third floor, as was his wont,
to see that the children had gone to bed well and
were not quarreling, and to have a few cheery words
with Jack and the smaller ones before they went to
sleep. Receptions were nothing to him: the beds on
the third floor contained the greater part of the
world.
Millard was relieved to find that Mrs. Hilbrough proposed
nothing more ambitious than an evening reception.
He commended her for beginning in new surroundings
in this way.
"You see, Mrs. Hilbrough," he said, "a reception
seems to me more flexible than a ball. It is, in a sense,
more democratic. There are many good people—people
of some position—who do not care to attend a ball, who
would be out of place at a ball, indeed, which should be a
very fashionable assembly. The party with dancing can
come after."
This commendation had an effect opposite to that intended.
Mrs. Hilbrough hadn't thought of a ball, and
she now suspected that she was going wrong. In proposing
a reception she was imitating Mrs. Masters, and
she had fancied herself doing the most proper thing of
all. To have a reception called democratic, and treated
as something comparatively easy of achievement, disturbed
her.
"If you think a reception is not the thing, Mr. Millard,
I will follow your advice. You see I only know
Brooklyn, and if a reception is going to compromise our
position in the future I wish you would tell me. I am
afraid I can hardly accomplish even that."
But Millard again said that a reception was a very
proper thing to begin with. By degrees he drew out a
statement of Mrs. Hilbrough's resources for a reception,
and he could not conceal from her the fact that they
seemed too small, for numerousness is rather indispensable
to this species of entertainment. A reception is in its
essence entertainment by wholesale.
"If you could give a reception in honor of somebody,"
he suggested, remembering Philip Gouverneur's
suggestion, "it might serve to attract many beyond your
own circle, and—and—give you a reason for asking people
whom—you know but slightly, if at all."
But Mrs. Hilbrough did not know any proper person
to honor with a reception. Her embarrassment was considerable
at finding herself so poorly provided with ways
and means, and she was slowly coming to the conclusion
that she must wait another winter, or take other means
of widening her acquaintance. A plan had occurred to
Millard by which he could help her out of the difficulty.
But as it involved considerable trouble and risk on his
part, he rejected it. There was no reason why he should
go too far in helping the Hilbroughs. It was not a case
for self-sacrifice.
Hilbrough, in the nursery, had found the youngest
little girl suffering with a slight cold,—nothing more
than a case of infantile sniffles,—but Hilbrough's affection
had magnified it into incipient croup or pneumonia, and,
after a fruitless search for the vial of tolu and squills, he
dispatched the maid to call Mrs. Hilbrough.
When they were left alone, Millard turned to Phillida,
who had shown nearly as much disappointment over the
possible postponement of Mrs. Hilbrough's project as the
projector herself.
"You are deeply interested in this affair, too, Miss
Callender," he said.
"I don't care much for such things myself, but I
should dislike to see Mrs. Hilbrough disappointed," answered
Phillida. "She has been such a good friend to
me, and in time of the greatest trouble she was such a
friend to my family, and especially"—she hesitated—"to
my father, who died two years ago, that I am interested
in whatever concerns her happiness or even her pleasure."
Somehow this changed the color of the enterprise in
the eyes of Charles Millard. The personality of Miss
Callender was interesting to him, and besides she was
Mrs. Gouverneur's niece. It seemed worth while gratifying
Mrs. Hilbrough at considerable cost if it would give
pleasure to this peculiar young lady.
"Well, with such a certificate of Mrs. Hilbrough's
qualities," said Millard, after a pause, "we must strain a
point and get up this reception for her. We must be
good to the good. We can carry this through together,
you and I, Miss Callender," he said.
"What can I do?" asked Phillida, opening her large,
dark eyes with innocent surprise. "I know nobody."
"You can get Mrs. Gouverneur's countenance, perhaps.
That will be a great deal for Mrs. Hilbrough hereafter."
"Perhaps I can get it, with your help, Mr. Millard.
My aunt is good hearted, but she has queer notions. She
has a great opinion of the social importance of her
family." And Mrs. Gouverneur's niece laughed in a way
which went to show that she treated with some levity her
aunt's estimate of the value of ancestry.
"One couldn't avoid being proud of such forefathers,"
answered Millard.
"Perhaps she will help if I ask her. She is very
obliging to me—I belong to the royal family too, you
know," she said archly.
"Together we can get her to lend her influence to
Mrs. Hilbrough," said Millard, "or at least to attend the
reception. And I think I know how the whole thing can
be managed."
"I am so glad, and so much obliged to you, Mr. Millard,"
said Phillida, a gleam of enthusiastic feeling, almost
childlike, suddenly showing itself through the grave exterior.
This little revelation of the self shut within the
disciplined self without puzzled Millard and piqued the
curiosity he felt to understand what manner of young
girl this was, habitually so self-mastered, and apparently
so full of unknown power or of unawakened sensibilities.
An apprehension of potencies undeveloped in Miss Callender
gave her new acquaintance the feeling of an explorer
who stands on the margin of a land virgin and
unknown, eager to discover what is beyond his sight.
For Millard's main interest in life lay in the study of the
personalities about him, and here was one the like of
which he had never seen. The social naturalist had
lighted on a new genus.
Mrs. Hilbrough returned with her husband, and Millard
explained to her that a certain Baron von Pohlsen, a
famous archæologist, was at that time in Mexico studying
the remains of Aztec civilization with the view of enriching
the pages of his great work on the "Culturgeschichte"
of the ancient Americans. He was to return by way of
New York, where his money had been remitted to the
Bank of Manhadoes, and he had been socially consigned
to Mr. Millard by a friend in Dresden. Pohlsen was
obliged to observe some economy in traveling, and had
asked Millard to find him a good boarding-house. If
Mrs. Hilbrough cared to receive the Baron as a guest for
a fortnight, Millard would advise him to accept the invitation,
and, as far as possible, would relieve Mr. Hilbrough
of his share of the burden by taking the Baron
about. This would furnish Mrs. Hilbrough with a good
excuse for giving a reception to the nobleman, and then,
without any appearance of pushing, she could invite people
far afield.
It was not in the nature of things that a woman in
Mrs. Hilbrough's position should refuse to entertain a
baron. She saw many incidental advantages in the plan,
not the least of which was that Mr. Millard would be a
familiar in the house during the Baron's stay. Hilbrough
acquiesced with a rueful sense that he should be clumsy
enough at entertaining a foreigner and a man of title.
Mrs. Hilbrough thanked Millard heartily for his obliging
kindness, but what he cared most for was that Miss Callender's
serious face shone with pleasure and gratitude.
Having accepted another invitation for the evening,
Millard took his leave soon after ten o'clock, proposing
to come at a later time to help Mrs. Hilbrough—"and
Miss Callender, I hope," he added with a bow to Phillida—to
make up the list. Having but two blocks to go, he
declined, in favor of Miss Callender, the Hilbrough carriage,
which stood ready at the door.
The close carriage, with only Phillida for occupant,
rattled down Fifth Avenue to Madison Square, and along
Broadway to Union Square, then over eastward by Fourteenth
street, until after a turn or two it waked the echoes
rudely in a quiet cross street, stopping at length before a
three-story house somewhat antique and a little broader
than its neighbors. Phillida closed and bolted the outer
doors, and then opened one of the inner ones with a
night-key, and made her way to what had been the back
parlor of the house. In that densification of population
which proceeds so incessantly on Manhattan Island this
old house, like many another, was modernly compelled to
hold more people than it had been meant for in the halcyon
days when Second Avenue was a fashionable thoroughfare.
The second floor of the house had been let,
without board, to a gentleman and his wife, and the
rooms above to single gentlemen. The parlor floor and
the basement were made to accommodate the mother and
her two daughters with their single servant. The simple,
old back parlor, with no division but a screen, had two
beds for mother and daughters, while the well-lighted
extension made them a sitting room in pleasant weather.
Mrs. Callender clung to one luxury persistently—there
was always a grate fire in the back parlor on cold evenings.
To this back parlor came Phillida with a disagreeable
sense that Mrs. Hilbrough's retreating carriage was rousing
the quiet neighborhood as the sleepy and impatient
coachman banged his way over the pavement, the hummocky
irregularities of which saved this thoroughfare
from all traffic that could avoid it; for only the drivers
of reckless butcher carts, and one or two shouting milkmen,
habitually braved its perils.
Phillida, as she approached the old-fashioned mahogany
door of the back parlor, in the dim light shed by
the half-turned-down gas jet at the other end of the hall,
raised her hand to the knob; but it eluded her, for the
door was opened from within by some one who stood
behind it. Then the head of a girl of seventeen with
long, loose blond tresses peered around the edge of the
door as Phillida entered.
"Come in, Philly, and tell us all about it," was the
greeting she got from her sister, clad in a red wrapper
covering her night-dress, and shod with worsted bedroom
slippers. "Mama wanted me to go to bed; but I knew
you'd have something interesting to tell about the Hilbroughs,
and so I stuck it out and kept mama company
while she did the mending. Come now, Philly, tell me
everything all at once."
The mother sat by the drop-light mending a stocking,
and she looked up at Phillida with a gentle, brightening
expression of pleasure—that silent welcome of affection
for which the daughters always looked on entering.
"What, mama, not in bed yet?" exclaimed Phillida,
as she laid off her outer garments, and proceeded to bend
over and kiss her mother, trying to take away her work
at the same time. "Come now, you ought to be in bed;
and, besides, this old stocking of mine is darned all over
already, and ought to be thrown away."
"Ah, Phillida," said her mother with a sweet, entreating
voice, holding fast to the stocking all the time, "if it
gives me pleasure let me do it. If I like to save old
things I'm sure it's no harm."
"But you ought to have been in bed at nine o'clock,"
said Phillida, her hold on the stocking weakening perceptibly
under the spell of her mother's irresistible
entreaty.
"It will take but a minute more if you will let me
alone," was all the mother said as Phillida released the
work, and the elaborate darning went on.
"There's a good deal more darn than stocking to that
now," said the younger sister. "It's a work of genius.
I'll tell you, Phillida: we'll take it to the picture framer's
to-morrow and have it put under glass, and then we'll get
a prize for it as a specimen of fancy work at the American
Institute Fair. But now tell me, what did you have
for dinner? How many courses were there? Was there
anybody else there? What sort of china have they got?
Do they keep a butler? How does Mr. Hilbrough take
to the new fixings? And, oh, say! are they going to give
any parties? And—"
"Give me a chance, Frisky, and I'll answer you," said
Phillida, who began at the beginning and told all that she
could think of, even to describing the doilies and finger-bowls.
"You said there was a gentleman there. Who was
he?" said Agatha, the younger.
"That Mr. Millard that Cousin Phil is so fond of.
He is at Aunt Harriet's often on Sunday evenings. He's
a good looking young man, dressed with the greatest
neatness, and is very polite to everybody in an easy
way."
"Did he talk with you?"
"Not at first. He paid as much attention to Mrs.
Hilbrough as he could have paid to a queen; treating her
with a great deal of deference. You could see that she
was pleased. Just think, he asked me if I liked Wagner's
music."
"How did you get out of it?"
"I didn't get out of it at all. I just told him I had
never heard anything of Wagner's. But when he found
that I was Mrs. Gouverneur's niece it made things all
right with him, and he made as handsome a speech about
my great-grandfather and all the rest as Aunt Harriet
could have done herself."
"Wasn't Mrs. Hilbrough surprised to hear that you
were somebody?"
"I don't know."
"Well, don't you think she was?"
"May be so."
"Didn't she seem pleased?"
"I think she was relieved, for my confession that I
hadn't heard many operas bothered her."
"You said Mr. Millard was polite. How was he
polite?"
"He made you feel that he liked you, and admired
you; I can't tell you how. He didn't say a single flattering
word to me, but when he promised to meet Mrs.
Hilbrough again, to arrange about the people she is to
have at the reception, he bowed to me and said, 'And
Miss Callender, I hope.'"
"I'll tell you what, Phillida, I'll bet he took a fancy
to you."
"Nonsense, Agatha Callender; don't talk such stuff.
He's been for years in society, and knows all the fine
people in New York."
"Nonsense, yourself, Phillida; you're better than any
of the fine ladies in New York. Mr. Millard isn't good
enough for you. But I just know he was taken with
you."
"Do you think I'm going to have my head turned by
bows and fine speeches that have been made to five hundred
other women?"
"There never was any other woman in New York as
fine as you, Phillida."
"Not among your acquaintance, and in your opinion,
my dear, seeing you hardly know any other young woman
but me."
"I know more than you think I do. If you had any
common sense, Phillida, you'd make the most of Aunt
Harriet, and marry some man that would furnish you
with a horse and a carriage of your own. But you won't.
You're just a goosey. You spend your time on the
urchins down in Mackerelville. The consequence is
you'll never get married, and I shall have you on my
hands an old maid who never improved her opportunities."
"What stuff!" laughed Phillida.
"You've got a fine figure—a splendid figure," proceeded
the younger, "and a face that is sweet and charming,
if I do say it. It's a dreadful waste of woman. You
wrap your talent in a Sunday-school lesson-paper and
bury it down in Mackerelville."
At this point Mrs. Callender put away her elaborate
hand-finished stocking, saying softly:
"Agatha, why do you tease Phillida so?"
"Because she's such a goose," said the younger sister,
stubbornly.
Twenty minutes later Agatha, looking from her bedside
in the dark corner of the room, saw her sister kneeling
by a chair near the fireside. The sight of Phillida at
prayer always awed her. Agatha herself was accustomed
to say, before jumping into bed, a conventional little
prayer, very inclusive as to subjects embraced, and very
thin in texture, but Phillida's prayers were different.
Agatha regarded the form of her sister, well developed
and yet delicately graceful, now more graceful than ever
as she knelt in her long night-dress, her two hands folded
naturally the one across the other, and her head bowed.
As she arranged the bed, Agatha followed mentally what
she imagined to be the tenor of the prayer—she fancied
that Phillida was praying to be saved from vanity and
worldliness; she knew that each of the little urchins in
the mission Sunday-school class was prayed for by name.
She turned away a moment, and then caught sight of
Phillida as she unclasped her hands and rested them on
the chair. Agatha knew that when Phillida changed her
position at the close of her prayer it was to recite, as she
always did, the "Now I lay me," which was associated in
her mind, as in Agatha's, with an oriental environment, a
swarthy nurse in waist-cloth and shoulder scarf, and, more
than all, was linked with her earliest memories of the revered
father at whose knees the children were accustomed
to repeat it. When Phillida rose to her feet in that state
of exaltation which prayer brings to one who has a natural
genius for devotion, the now penitent and awe-stricken
Agatha went to her sister, put her arms about her neck,
and leaned her head upon her shoulder, saying softly:
"You dear, good Phillida!"