1.
But a wise poet should behave
Like one who gives a splendid feast;
And so if he is wise should he
Seek the spectators to delight,
So that each one, when he departs,
May think that he has drunk and eaten
Exactly what he'd most have wish'd;
Not that there should have been but one
Dish for all sorts of appetites,
Or but one kind of writing for all tastes.
These, my good friend Timocrates, are the words of Astydamas the
tragedian, in his satyric drama of Hercules. Come, let us now proceed
to mention what is consistent with what we have said before, to show
how great an eater Hercules was. And this is a point in his character
mentioned by nearly all poets and historians. Epicharmus, in his
Busiris, says—
For if you were to see him eat, you would
Be frighten'd e'en to death; his jaws do creak,
His throat with long deep-sounding thunder rolls,
His large teeth rattle, and his dog-teeth crash,
His nostrils hiss, his ears with hunger tremble.
And Ion, in his Omphale, having mentioned his voracity, adds—
And then, excited by th' applause, he rose
And swallow'd all the logs and burning coals.
ULYSSES.
But Ion borrowed all this from Pindar, who said[36]—
*
*
*
* *
And they say that he was a man of such excessive voracity, that they
gave him the cormorant, amongst birds which should be sacred to him,
which is called the ox-eater, on account of its voracity.
2. And Hercules is represented as having entered into a contest
with Lepreus in respect of their mutual powers of eating, Lepreus
having been the challenger: however, Hercules gained the victory. But
Zenodotus, in the second book of his Epitomes, says that Lepreus was
the son of Caucon, who was the son of Neptune and Astydamia; and that
he ordered Hercules to be thrown into prison, when he demanded of
Augeas the reward which was due to him for his labours. But Hercules,
when he had completed his labours, came to the house of Caucon, and at
the entreaty of Astydamia, he became reconciled to Lepreus. And after
this Lepreus contended with Hercules in throwing the quoit, and in
drawing water, and also as to which would eat a bull with the greatest
rapidity; and in all these things he was defeated. And after that he
armed himself, and challenged Hercules to single combat, and was slain
in the battle. But Matris, in his panegyric on Hercules, says, that
Hercules was also challenged by Lepreus to a contest as to who could
drink most, and that Lepreus was again defeated. And the Chian orator,
Caucalus, the brother of Theopompus the historian, relates the same
story in his panegyric on Hercules.
3. Homer, too, represents Ulysses as a great eater, and a very
voracious man, when he says—
What histories of toil I could declare,
But still long-wearied nature wants repair.
Spent with fatigue and shrunk with pining fast,
My craving bowels still require repast;
Howe'er the noble suffering mind may grieve
Its load of anguish, and disdain to live,
Necessity demands our daily bread;
Hunger is insolent and will be fed.
For in these lines his gluttony appears prodigious, when it induces him
on so unseasonable an occasion to utter apophthegms about his stomach.
For he ought, if he had been ever so hungry, to have endured it, or at
all events to have been moderate in his food. But this last passage
shows the extreme voracity and gluttony of the man—
For all my mind is overwhelm'd with care,
But hunger is the worst of griefs to bear;
Still does my stomach bid me eat and drink,
Lest on my sorrows I too deeply think.
Food makes me all my sufferings forget,
And fear not those which may surround me yet.
For even the notorious Sardanapalus would hardly have ventured to give
utterance to such sentiments as those. Moreover, when Ulysses was an
old man—
Voraciously he endless dishes ate,
And quaff'd unceasing cups of wine. . . .
4. But Theagenes of Thasos, the athlete, ate a bull single-handed, as
Posidippus tells us in his Epigrams.
And as I'd undertaken, I did eat
A Thracian bull. My own poor native land
Of Thasos could not have purvey'd a meal
Sufficient for the hunger of Theagenes.
I ate all I could get, then ask'd for more.
And, therefore, here you see, I stand in brass,
Holding my right hand forth; put something in it.
And Milo of Crotona, as Theodorus of Hierapolis tells us in his book
upon Games, ate twenty minæ[37] weight of meat, and an equal quantity of
bread, and drank three choes[38] of wine. And once at Olympia he took
a four year old bull on his shoulders, and carried it all round the
course, and after that he killed it and cut it up, and ate it all up
by himself in one day. And Titormus the Ætolian had a contest with him
as to which could eat an ox with the greatest speed, as Alexander the
Ætolian relates. But Phylarchus, in the third book of his Histories,
says that Milo, while lying down before the altar of Jupiter, ate a
bull, on which account Dorieus the poet made the following epigram on
him:—
VORACITY OF CERTAIN PERSONS.
Milo could lift enormous weights from earth,
A heifer four years old, at Jove's high feast,
And on his shoulders the huge beast he bore,
As it had been a young and little lamb,
All round the wondering crowd of standers by.
But he did still a greater feat than this,
Before the altar of Olympian Jove;
For there he bore aloft an untamed bull
In the procession, then he cut it up,
And by himself ate every bit of it.
But Astydamas the Milesian, having gained the victory at Olympia three
times in the pancratium, being once invited to supper by Ariobarzanes
the Persian, when he had come, offered to eat everything that had been
prepared for the whole party, and did eat it. And when, Theodorus
relates, the Persian entreated him to do something suitable to his
enormous strength, he broke off a large brazen ornament in the shape of
a lentil from the couch and crushed it in his hand. And when he died,
and when his body was burnt, one urn would not contain his bones, and
scarcely two could do so. And they say that the dinner which he ate by
himself at Ariobarzanes's table had been prepared for nine persons.
5. And there is nothing unnatural in such men as those being very
voracious; for all the men who practise athletic exercises, learn with
these gymnastic exercises also to eat a great deal. On which account
Euripides says, in the first edition of his Autolycus—
For when there are ten thousand ills in Greece,
There's none that's worse than the whole race of athletes.
For, first of all, they learn not to live well,
Nor could they do so; for could any man
Being a slave to his own jaws and appetite
Acquire wealth beyond his father's riches?
How could a man like that increase his substance?
Nor yet can they put up with poverty,
Or e'er accommodate themselves to fortune;
And so being unaccustom'd to good habits,
They quickly fall into severe distress.—
In youth they walk about in fine attire,
And think themselves a credit to the city;
But when old age in all its bitterness
O'ertakes their steps, they roam about the streets,
Like ragged cloaks whose nap is all worn off.
And much I blame the present fashions, too,
Which now in Greece prevail; where many a feast
Is made to pay great honour to such men,
And to show false respect to vain amusements.
For though a man may wrestle well, or run,
Or throw a quoit, or strike a heavy blow,
Still where's the good his country can expect
From all his victories and crowns and prizes?
Will they fight with their country's enemies
With quoit in hand? Or will their speed assist
To make the hostile bands retreat before them?
When men stand face to face with th' hostile sword
They think no more of all these fooleries.
'Twere better to adorn good men and wise
With these victorious wreaths; they are the due
Of those who govern states with wisdom sound,
And practise justice, faith, and temperance;
Who by their prudent language ward off evils,
Banishing wars and factions. These are the men,
Who're not alone a grace and ornament
To their own land, but to the whole of Greece.
6. Now Euripides took all this from the Elegies of Xenophanes the
Colophonian, who has spoken in this way—
But if a man, in speed of foot victorious,
Or in the contests of the pentathlum,
Where is the sacred grove of Jupiter,
Near to the sacred streamlets of Olympia;
Or as a wrestler, or exchanging blows
And painful struggles as a hardy boxer,
Or in the terrible pancratium,
He surely is a noble citizen,
And well he does deserve the honours due
Of a front seat at games and festivals,
And at the public cost to be maintain'd;
And to receive a public gift of honour,
Which shall become an heirloom to his children.
And such shall be his honours, even if
He wins by horses, not by his own strength.
And still I think he does not equal me;
For wisdom far exceeds in real value
The bodily strength of man, or horses' speed;
But the mob judges of such things at random;
Though 'tis not right to prefer strength to sense:
For though a man may a good boxer be,
Or pentathlete, or never-conquer'd wrestler,
Or if he vanquish all in speed of foot—
Which is the most important of all contests—
Still for all this his city will enjoy
No better laws through his great strength or speed;
And 'tis small cause for any lasting joy,
That one of all her citizens should gain
A prize on Pisa's banks; for such achievements
Fill not the country's granaries with corn.
And Xenophanes contends at great length, and with great earnestness and
variety of argument, in favour of the superior advantage of his own
wisdom, running down athletic exercises as useless and unprofitable.
And Achæus the Eretrian, speaking of the good constitution of the
athletes, says—
VORACITY OF CERTAIN PERSONS.
For naked they did wave their glistening arms,
And move along exulting in their youth,
Their valiant shoulders swelling in their prime
Of health and strength; while they anoint with oil
Their chests and feet and limbs abundantly,
As being used to luxury at home.
7. But Heraclitus, in his Entertainer of Strangers, says that there was
a woman named Helena, who ate more than any other woman ever did. And
Posidippus, in his Epigrams, says that Phuromachus was a great eater,
on whom he wrote this epigram:—
This lowly ditch now holds Phuromachus,
Who used to swallow everything he saw,
Like a fierce carrion crow who roams all night.
Now here he lies wrapp'd in a ragged cloak.
But, O Athenian, whoe'er you are,
Anoint this tomb and crown it with a wreath,
If ever in old times he feasted with you.
At last he came sans teeth, with eyes worn out,
And livid swollen eyelids; clothed in skins,
With but one single cruse, and that scarce full;
For from the gay Lenæan games he came,
Descending humbly to Calliope.
But Amarantus of Alexandria, in his treatise on the Stage, says that
Herodorus, the Megarian trumpeter, was a man three cubits and a half
in height; and that he had great strength in his chest, and that he
could eat six chœnixes[39] of bread, and twenty litræ of meat, of
whatever sort was provided for him, and that he could drink two choes
of wine; and that he could play on two trumpets at once; and that it
was his habit to sleep on only a lion's skin, and when playing on the
trumpet he made a vast noise. Accordingly, when Demetrius, the son of
Antigonus, was besieging Argos, and when his troops could not bring
the helepolis against the walls on account of its weight, he, giving
the signal with his two trumpets at once, by the great volume of sound
which he poured forth, instigated the soldiers to move forward the
engine with great zeal and earnestness; and he gained the prize in
all the games ten times; and he used to eat sitting down, as Nestor
tells us in his Theatrical Reminiscences. And there was a woman,
too, who played on the trumpet, whose name was Aglais, the daughter
of Megacles, who, in the first great procession which took place in
Alexandria, played a processional piece of music; having a head-dress
of false hair on, and a crest upon her head, as Posidippus proves by
his epigrams on her. And she, too, could eat twelve litræ of meat and
four chœnixes of bread, and drink a choeus of wine, at one sitting.
8. There was, besides, a man of the name of Lityerses, a bastard son
of Midas, the king of Celænæ in Phrygia, a man of a savage and fierce
aspect, and an enormous glutton; and he is mentioned by Sositheus the
tragic poet, in his play called Daphnis or Lityersa; where he says—
He'll eat three asses' panniers, freight and all,
Three times in one brief day; and what he calls
A measure of wine is a ten-amphoræ cask;
And this he drinks all at a single draught.
And the man mentioned by Pherecrates, or Strattis, whichever was the
author of the play called The Good Men, was much such another; the
author says—
A. I scarcely in one day, unless I'm forced,
Can eat two bushels and a half of food.
B. A most unhappy man! how have you lost
Your appetite, so as now to be content
With the scant rations of one ship of war?
And Xanthus, in his Account of Lydia, says that Cambles, who was
the king of the Lydians, was a great eater and drinker, and also an
exceeding epicure; and accordingly, that he one night cut up his own
wife into joints and ate her; and then, in the morning, finding the
hand of his wife still sticking in his mouth, he slew himself, as
his act began to get notorious. And we have already mentioned Thys,
the king of the Paphlagonians, saying that he too was a man of vast
appetite, quoting Theopompus, who speaks of him in the thirty-fifth
book of his History; and Archilochus, in his Tetrameters, has accused
Charilas of the same fault, as the comic poets have attacked Cleonymus
and Pisander. And Phœnicides mentions Chærippus in his Phylarchus in
the following terms—
And next to them I place Chærippus third;
He, as you know, will without ceasing eat
As long as any one will give him food,
Or till he bursts,—such stowage vast has he,
Like any house.
VORACITY OF MITHRIDATES.
9. And Nicolaus the Peripatetic, in the hundred and third book of his
History, says that Mithridates, the king of Pontus, once proposed
a contest in great eating and great drinking (and the prize was a
talent of silver), and that he himself gained the victory in both; but
he yielded the prize to the man who was judged to be second to him,
namely, Calomodrys, the athlete of Cyzicus. And Timocreon the Rhodian,
a poet, and an athlete who had gained the victory in the pentathlum,
ate and drank a great deal, as the epigram on his tomb shows—
Much did I eat, much did I drink, and much
Did I abuse all men; now here I lie;—
My name Timocreon, my country Rhodes.
And Thrasymachus of Chalcedon, in one his Prefaces, says that Timocreon
came to the great king of Persia, and being entertained by him, did
eat an immense quantity of food; and when the king asked him, What he
would do on the strength of it? he said that he would beat a great many
Persians; and the next day, having vanquished a great many, one after
another, taking them one by one, after this, he beat the air with his
hands; and when they asked him what he wanted, he said that he had
all those blows left in him if any one was inclined to come on. And
Clearchus, in the fifth book of his Lives, says, that Cantibaris the
Persian, whenever his jaws were weary with eating, had his slaves to
pour food into his mouth, which he kept open as if they were pouring
it into an empty vessel. But Hellanicus, in the first book of his
Deucalionea, says that Erysichthon, the son of Myrmidon, being a man
perfectly insatiable in respect of food, was called Æthon. And Polemo,
in the first book of his Treatise addressed to Timæus, says that among
the Sicilians there was a temple consecrated to gluttony, and an image
of Ceres Sito;[40] near which, also, there was a statue of
Himalis,[41]
as there is at Delphi one of Hermuchus,[42] and as at Scolum, in
Boeotia, there are statues of Megalartus[43] and Megalomazus.
10. And Alcman the poet records himself to have been a great eater, in
his third book of Odes, when he says—
And presently I will bestow
On you a large round dish well fill'd;
And even now 'tis on the fire,
Full of pulse-broth, which e'en the glutton
Alcman would like to feast on warm,
After the wintry solstice sets in;
For he for dainties does not care,
But loves the common people's dishes,
As long as they are full enough.
And in his fifth book he also displays his love of eating, speaking
thus—
God has bestow'd on man three various seasons,
The summer, and the winter, and the autumn;
And a fourth too, the spring, when men can dance,
But scarce are able to get much to eat.
And Anaxilas the comic poet, speaking in his play called Chrysochous of
a man named Ctesias, says—
You now have nearly all things, save the art
Of Ctesias himself; for wise men say,
That he does recognise nought but the beginning
Of a rich banquet, and denies the end.
And in his Rich Men he says—
A. Others may also burst when fed too well
Not Ctesias alone.—
B. What should hinder it?
A. For he, as wise men say, loves the beginning
Of any feast, but ne'er can make an end of it.
And in his play called The Graces he includes a man called Cranaus in
his list of great eaters; saying—
Men do not come and ask at random now,
Does Cranaus eat less than Ctesias?
Or do they both keep constantly devouring?
And Philetærus, in his Atalante, says—
If it were needful, I could run more stadia
Than e'er were run by Sotades; I surpass
E'en Taureas himself in these my labours;
And out-run Ctesias himself in eating.
And Anaxippus, in his Thunderbolt, says—
A. For now I see Damippus here approaching
From the palæstra.
B. What! that man of stone?
VORACITY OF THE BŒOTIANS.
Him whom your friends e'en now, from his great strength,
Surname the Thunderbolt?
A. Most probably;
For I think he will overturn all tables
Which he once strikes with his consuming jaw.
And in these lines the comic poet shows that it was from this man that
he had given his play the title of The Thunderbolt. And Theophilus, in
his Epidaurus, says—
There was a Mantinean centurion,
Atrestides his name; who of all men
That ever lived could eat the greatest quantity.
And, in his Pancratiast, he introduces the athlete as eating a great
deal, where he says—
A. Of boil'd meat about three minæ weight.
B. Now mention something else.
A. A fine pig's face;
A ham; four pettitoes;—
B. Oh, Hercules!
A. Three calves' feet, and one hen.
B. Oh, Phoebus, oh!
What else?
A. Two minæ weight of figs: that's all.
B. And how much did you drink?
A. Twelve measures only
Of unmix'd wine.
B. Oh, Bacchus! oh, Sabazius!
11. And whole nations also have been ridiculed by the comic poets for
their gluttony; as the Bœotians, for instance. Accordingly, Eubulus
says, in his Antiopa—
We are courageous men to toil and eat,
And to endure sharp pain; the Attic race
Is quick and eloquent, and they eat little;
But the Bœotians eat enormously.
And in his Europa he says—
Go now and build up the Bœotian city,
Where the men eat all day and never tire.
And in his Ionian he says—
He is so thorough a Bœotian
In all his manners, that, like them, 'tis said
He's never tired nor content with eating.
And in his Cercopes he says—
And after that I came to Thebes, where men
Spend the whole night in feasts and revelry;
And each man has a privy at his doors,
Which is a great boon to an o'er-fed man;
For men who have got a long way to go,
And who eat much and bite their weary lips,
Are some of the most ludicrous of sights.
And in his Mysians he represents some one as making the following
speech to Hercules—
You leaving, as you say, the Theban plain,
Where valiant men sit eating all the day,
Being all throat, and close beside the privy.
Diphilus, in his Bœotian, says—
That man can eat, beginning before dawn,
Or come again and eat till the following day.
Mnesimachus, in his Busiris, says—
. . . . . . . For I am a Bœotian,
Who do not eat much else, except these things.
Alexis, in his Trophonius, says—
And now that you may not be found out thus,
And spoken of as men of Boeotia,
By those whose wont it is to run you down,
As men unequall'd in creating noise,
And knowing nothing else save how to eat
And drink unceasingly the whole night long;
Strip yourselves quick, and all prepare for action.
And Achæus, in his Contests, says—
A. Are you now speaking to the spectators here,
Or to the body of competitors?
B. To those who eat much, as men training do.
A. Whence do the strangers come from?
B. They're Bœotians.
And very likely it is because of all this that Eratosthenes, in his
Epistles, says, that Pempelus, when he was asked, "What sort of people
the Bœotians appeared to him?" answered, "That they only spoke just as
vessels might be expected to speak, if they had a voice, of how much
each of them could hold." And Polybius of Megalopolis, in the twentieth
book of his Histories, says that "the Bœotians, having gained great
glory at the battle of Leuctra, after that relaxed their courage
again, and turned to feasting and drunkenness, and to making parties
for eating among friends; and many of them, even of those who had
children, spent the greater part of their substance on their feasts; so
that there were a great number of Bœotians who had more invitations
to supper than there were days in the month. On which account the
Megarians, hating such a system as that, abandoned their alliance, and
joined themselves to the Achæans.
VORACITY OF THE TEMPERANCE.
12. The people of Pharsalus also are ridiculed by the comic poets as
being enormous eaters; accordingly Mnesimachus, in his Philip, says—
A. Has any man of the Pharsalians come,
That he may eat up e'en our very tables?
B. There's no one come at all.
A. So much the better;
Perhaps they have all gone somewhere else to eat
Some city of Achaïa ready roasted.
And that it was a general imputation on all the Thessalians, that they
were great eaters, Crates tells us in his Lamia, saying—
Great words three cubits long,
Cut into huge Thessalian slices thus:—
and he by this alludes to the Thessalians as cutting their meat into
overgrown pieces. And Philetærus, in his Lampbearers, says also—
And a huge piece of pork, enough to break
One's arm, cut in the coarse Thessalian fashion.
They used to speak also of a Thessalian mouthful, as something
enormous. Hermippus says in his Fates—
But Jupiter, considering nought of this,
Wink'd, and made up a huge Thessalian mouthful.
And such great bits of meat Aristophanes, in his Men Frying, calls
Capanic, saying—
What is all this
To the great Lydian and Thessalian banquets?
And presently he says—
More splendid (καπανικώτερα) far than the Thessalian;
meaning big enough to load a wagon. For the Thessalians use the word
καπάνη as equivalent to ἀπήνη. Xenarchus, in his
Scythians, says—
A. They kept to seven Capanæ for the games
At Pisa.
B. What do you mean?
A. In Thessaly
They call their carts Capanæ.
B. I understand.
13. And Hecatæus says that the Egyptians were great bread-eaters,
eating loaves of rye, called κυλλήστιες, and bruising barley
to extract a drink from it; and on this account Alexis, in his treatise
on Contentment, says that Bocchoris and his father Neochabis were
contented with a moderate quantity of food; as Lycon of Iasus relates
in his treatise on Pythagoras. But he did not abstain from animal food,
as Aristoxenus tells us; and Apollodorus the Arithmetician says, that
he even sacrificed a hecatomb when he found out that in a right-angled
triangle, the square of the side subtending the right angle is equal to
the squares of the two sides containing it—
When the illustrious Pythagoras
Discover'd that renowned problem which
He celebrated with a hecatomb.
But Pythagoras was a very sparing drinker, and lived in a most frugal
manner, so that he often contented himself with honey by itself. And
nearly the same thing is told us of Aristides, and of Epaminondas, and
of Phocion, and of Phormio, the generals. But Manius Curius, the Roman
general, lived on turnips all his life; and once, when the Sabines
sent him a large sum of gold, he said he had no need of gold while he
ate such food as that. And this story is recorded by Megacles in his
treatise on Illustrious Men.
14. And there are many people who approve of moderate meals, as Alexis
tells us in his Woman in Love—
But I am content with what is necessary,
And hate superfluous things; for in excess
There is not pleasure, but extravagance.
And in his Liar he says—
I hate excess; for those who practise it
Have only more expense, but not more pleasure.
And in his Foster Brothers he says—
How sweet all kinds of moderation are!
I now am going away, not empty, but
In a most comfortable state,—for wise
Mnesitheus tells us that 'tis always right
T' avoid extravagance in everything.
MENEDEMUS.
And Ariston the philosopher, in the second book of his Amatory
Similitudes, says that Polemo, the Academic philosopher, used to exhort
those who were going to a supper, to consider how they might make their
party pleasant, not only for the present evening, but also for the
morrow. And Timotheus, the son of Conon, being once taken by Plato from
a very sumptuous and princely entertainment to one held at the Academy,
and being there feasted in a simple and scholar-like manner, said
that those who supped with Plato would be well the next day also. But
Hegesander, in his Commentaries, says that on the next day Timotheus,
meeting with Plato, said, "You, O Plato, sup well, more with reference
to the next day than to the present one!" But Pyrrho the Elean, when
on one occasion one of his acquaintances received him with a very
sumptuous entertainment, as he himself relates, said, "I will for the
future not come to you if you receive me in this manner; that I may
avoid being grieved by seeing you go to a great expense for which there
is no necessity, and that you, too, may not come to distress by being
overwhelmed by such expenses; for it is much better for us to delight
one another by our mutual companionship and conversation, than by the
great variety of dishes which we set before one another, of which our
servants consume the greater part."
15. But Antigonus of Carystus, in his Life of Menedemus, relating the
way in which the banquets of that philosopher are managed, says, that
he used to dine with one or two companions at most; and that all the
rest of his guests used to come after they had supped. For in fact,
Menedemus's supper and dinner were only one meal, and after that was
over they called in all who chose to come; and if any of them, as would
be the case, came before the time, they would walk up and down before
the doors, and inquire of the servants who came out what was being now
served up, and how far on the dinner had proceeded. And if they heard
that it was only the vegetables or the cured fish that was being served
up, they went away; but if they were told that the meat was put on the
table, then they went into the room which had been prepared for that
purpose. And in the summer a rush mat was spread over each couch, and
in the winter a fleece. But every one was expected to bring his own
pillow; and the cup, which was brought round to each person, did not
hold more than one cotyla. And the dessert was lupins or beans as a
general rule; but sometimes some fruits, such as were in season, were
brought in; in summer, pears or pomegranates; and in spring, pulse; and
in winter, figs. And we have a witness as to these things, Lycophron
the Chalcidian, who wrote a satyric drama entitled Menedemus, in which
Silenus says to the satyrs—
O cursed sons of a most excellent father,
I, as you see, have quite a fancy for you:
For, by the gods I swear, that not in Caria,
Nor in fair Rhodes, nor royal Lydia,
Have I e'er eaten so superb a supper;
Phoebus Apollo! what a feast it was.
And a little further on, he says—
And the boy brought us round a scanty cup
Of wine that might be worth five pence a bottle—
Awfully flat; and then that cursed thing,
That hang-dog lupin, danced upon the board,
A fitting meal for parasites and beggars.
And presently afterwards, he says that philosophical disquisitions were
carried on during the entertainment—
And for dessert,
We had some learned conversation.
It is also related that those who met in this way very often kept on
conversing to such a time that "the bird which calls the morn still
caught them talking, and they were not yet satisfied."
16. But Arcesilaus, when giving a supper to some people, when the bread
fell short, and his slave made him a sign that there were no loaves
left, burst out laughing, and clapped his hands; and said, "What a
feast we have here, my friends! We forgot to buy loaves enough; run
now, my boy:"—and this he said, laughing; and all the guests who were
present burst out laughing, and great amusement and entertainment were
excited, so that the very want of bread was a great seasoning to the
feast. And at another time, Arcesilaus ordered Apelles, one of his
friends, to strain some wine; and when he, not being used to doing so,
shook some of the wine and spilt some, so that the wine appeared much
thicker than usual, he laughed, and said, "But I told a man to strain
the wine who has never seen anything good any more than I myself have;
so do you now get up, Aridices; and do you go away and tap the casks
that are outside." And this good-humour of his so pleased and excited
the mirth of those present, that they were all filled with joy.
PRAISE OF TEMPERANCE.
17. But those of the present day who give entertainments, especially
the inhabitants of the beautiful Alexandria, cry out,
and make a noise, and curse the cupbearer, the steward, and cook; and
the slaves are all crying, being beaten with fists and driven about in
every direction. And not only do the guests who are invited sup with
great discomfort and annoyance, but even if there is any sacrifice
going on, the god himself would veil his face and go away, leaving not
only the house, but even the entire city, in which such things take
place. For it is absurd for a man, proclaiming that people should all
confine themselves to words of good omen, to curse his wife and his
children; and such a man as that would say to the guests—
And now then let us hasten to the feast,
That we may plan the movements of the war;—
for such a man's house—
Is redolent of frankincense,
And pæans too, and groans at the same time.
Now, when all this had been said, one of the guests who were present
said,—We ought, then, when we consider these things, to guard against
indulging our appetites too much;
For a frugal supper breeds no drunkenness,
as Amphis says, in his Pan: nor does it produce insolence or insulting
conduct; as Alexis testifies in his Ulysses Weaving, where he says—
For many a banquet which endures too long,
And many and daily feasts, are wont t' engender
Insult and mockery; and those kind of jests
Give far more pain than they do raise amusement.
For such are the first ground of evil-speaking;
And if you once begin t' attack your neighbour,
You quickly do receive back all you bring,
And then abuse and quarrels surely follow;
Then blows and drunken riot. For this is
The natural course of things, and needs no prophet.
18. And Mnesimachus, in his Philip, on account of the immoderate
indulgence in suppers of people of his time, introduces an
entertainment which professes to be a preparation for war, and which
really is what that admirable writer Xenophon calls a workshop of war.
And he speaks thus—
Know you now with what men you must fight?
With us, who sup upon well-sharpen'd swords,
And swallow lighted firebrands for dainties:
And then, for our dessert, our slaves bring in,
After the first course, Cretan bows and arrows;
And, 'stead of vetches, broken heads of spears,
And fragments of well-batter'd shields and breastplates;
And at our feet lie slings, and stones, and bows,
And on our heads are wreaths of catapults.
And Phoenix the Colophonian says—
A cask of wine shall be our sword—a cup
Shall be our spear—our hair shall arrows be;
Goblets shall be our enemies—wine our horses—
Ointments and perfumes our war-cry fierce.
And in the Parasite, Alexis, speaking of some very voracious person,
says—
And all the younger men do call him parasite,
Using a gentler name; but he cares not.
And Telephus in speechless silence sits,
Making but signs to those who ask him questions;
So that the inviter often offers prayers
To the great Samothracian gods o' the sea,
To cease their blowing, and to grant a calm;
For that young man's a storm to all his friends.
And Diphilus, in his Hercules, speaking of some similar kind of person,
says—
Do you not now behold me drunk and merry,
Well fill'd with wine, and all inflamed with anger?
Have not I just devour'd a dozen cakes,
Every one larger than a good-sized shield?
On which account, Bion of the Borysthenes said, cleverly enough, that
"A man ought not to derive his pleasures from the table, but from
meditation;" and Euripides says—
I pleased my palate with a frugal meal;
signifying that the pleasure derived from eating and drinking is
chiefly limited to the mouth. And Æschylus, in his Phineus, says—
And many a most deceitful meal they snatch'd
Away from hungry jaws, in haste t' enjoy
The first delight of the too eager palate.
And in his Sthenebœa, Euripides speaks of frugality thus—
A life at sea is a much troubled life,
Not reinforced with pleasures of the table,
But like a stable on the shore. The sea itself
Is a moist mother, not a nurse on land;
'Tis her we plough; from this our food, procured
With nets and traps, comes daily home to us.
19. For the belly is a great evil to man; concerning which Alexis
speaks, in his Men Dying together—
STILPO.
And hence you well may see how great an evil
The belly is to man; what lessons strange
It teaches, and what deeds it forces on us.
If there were any power which could take
This part alone from out our bodies, then
No one would any more do injury
Or insult to his neighbour. But from this
Flow all the ills that harass human life.
And Diphilus, in his Parasite, says—
Well did that wise Euripides oft speak,
And this does seem his wisest word of all—
"But want compels me and my wretched belly;"
For there is nought more wretched than the belly:
And into that you pour whate'er you have,
Which you do not in any other vessel.
Loaves you perhaps may in a wallet carry,—
Not soup, or else you'll spoil it. So again,
You put cakes in a basket, but not pulse;
And wine into a bladder, but not crabs:
But into this accursed belly, men
Put every sort of inconsistent thing.
I add no more; since it is plain enough
That all men's errors are produced by it.
And Crates the Cynic, as Sosicrates tells us in his Successions,
reproached Demetrius Phalereus for sending him a wallet of bread with
a flagon of wine. "I wish," said he, "that the fountains bore bread."
And Stilpo did not think himself guilty of intemperance when, having
eaten garlic, he went to sleep in the temple of the Mother of the Gods;
but all who eat of that food were forbidden even to enter into it. But
when the goddess appeared to him in his sleep, and said, "O Stilpo, do
you, though you are a philosopher, transgress the law?" he thought that
he made answer to her (still being asleep), "Do you give me something
better to eat, and I will not eat garlic."
20. After this, Ulpian said,—Since we have feasted
(δεδείπναμεν) . . . . . . . . . And Alexis, in his Curis, has used this
expression, where he says—
Since we have long since supp'd (δεδείπναμεν);
and so has Eubulus, in his Procris—
But we have not yet supp'd (δεδείπναμεν);
and in another passage he says—
A man who ought long since to have had supper (δεδειπναναι).
And Antiphanes, in his Leonidas, says—
He will be here before we've finish'd supper (δεδειπνάναι).
And Aristophanes, in his Proagon, says—
It's time for me to go now to my master,
For by this time I think they all have supp'd (δεδειπνάναι).
And in his Danaides he says—
You now are insulting me in a drunken manner
Before you've supp'd (δεδειπνάναι).
And Plato, in his Sophist, and Epicrates of Ambracia (and this last is
a poet of the middle comedy), in his Amazons, says—
For these men seem to me to have had their supper (δεδειπνάναι)
In capital season.
And, on the same principle, Aristophanes has given us the form ἠρίσταμεν,
in his Men Frying—
We've drank our fill, my men, and well have dined (ἠπίσταμεν).
And Hermippus, in his Soldiers, says—
To dine (ἀριστάναι), and come to this man's house.
And Theopompus, in his Callæschrus, says—
We've dined (ἠρίσταμεν);—for I must this discourse cut short.
But, in his Politician, Antipho has used the word καταριστᾶν, saying—
When any one has all consumed in dinners (κατηρίστηκεν)
His own estate, and that of all his family.
And Amphis has used the word παραδεδειπνημένος, in his
Vagabond, saying—
The boys who long ago have lost their dinner (παραδεδειπνημένοι).
21. "Let us, then, now," as Plato says in his Philebus, "pray to the
gods, and pour libations to them, whether it be Bacchus, or Vulcan, or
whoever else of the gods it may be, who has had the honour of having
our cups mixed for his sake. For there are two fountains by us, as
if we were cupbearers to mix the wine: and a person might compare a
fountain of pleasure to honey; but the fountain of wisdom, which is a
sober and wine-eschewing spring, to that of some hard but wholesome
water, which we must be very earnest to mix as well as possible." It
is, then, time for us now to drink wine; and let some one of the slaves
bring us goblets from the sideboard, for I see here a great variety of
beautiful and variously-ornamented drinking-cups. Accordingly, when a
large cup had been given to him, he said,—But, O boy, draw out and
pour into my cup a liquor with not quite so much water in it; not like
the man in the comic poet Antiphanes, who, in the Twins, says—
MIXING WINE.
He took and brought me an enormous cup,
And I pour'd into it unmixed wine,
Not to the honour of a boy, but all
My cups, and they were numberless, I quaff'd
To all the gods and goddesses of heaven.
Then, after them, I drank twice as much more
To the great goddess and the noble king.
So do you now, O boy, pour me out something stronger; for I do not
prescribe to you the exact number of cyathi.[44] But I will show you
that the words κύαθος and ἀκρατέστερον (wine with
less water in it) are both used: and then, too, I will give you a
lecture about cupbearers.
22. But, first of all, I will speak about the habit of drinking strong
drinks, with reference to which we find the word ζωρότερον.
Antiphanes, in his Milanion, says—
I think this man does drink the cup of health,
Making his cupbearer shun too much water (ζωροτέρῳ χρώμενον οἰνοχόῳ).
And in his Lampon he says—
My friend Iapyx, mix it somewhat stronger (εὐζωρέστερον).
And Ephippus, in his Ephebi, says—
He gave him in each hand a brimming flagon,
Mixing in strong wine (ζωρότερον), in Homer's fashion.
And you find some people say that the expression in Homer—
Take care and give less water (ζωρότερον κέραιρε),
does not mean that there is to be less water, but that the draught is
to be hot; urging that ζωρὸς is derived from
ζωτικὸς (giving life), and from ζέσις (boiling);—for that, as there
were companions present, it would have been absurd to begin mixing the
cups of wine over again. But some say that the word is to be understood
as equivalent to εὔκρατον (well-mixed); just as we find the form
δεξιτερὸν used instead of δεξιόν. And some say that, since the year is
called ὧρος, and since the particle ζα indicates magnitude or number,
ζῶρος means merely what has been made many years. And Diphilus, in his
Pederastæ, says—
Pour me now out a cup of wine to drink;
Give it, by Jove! εὐζωρότερον than that;
For wat'ry things are ruinous to the stomach.
And Theophrastus, in his treatise on Drinking, says that ζωρότερον
means mixed; quoting the following lines of Empedocles;—
And soon the things which formerly they learnt
Immortal were, did mortal now become,
And things unmix'd before became now mix'd (ζωρὰ,)
Changing their previous ways and habits all.
23. And Plato has used the word κύαθος in the sense of a ladle, in his
Phaon, where he says—
Taking up thus the ladle (κύαθος) in their mouths.
And in his Ambassadors he says—
He stole the ladles (κύαθοι) every time he could.
And Archippus, in his Fishes, says—
I bought a ladle (κύαθος) there from Dæsias.
And there is a similar use of the word in the Peace of Aristophanes:—
All having fought till they had got black eyes,
Lying all on the ground around the κύαθοι;
for black eyes are reduced by having κύαθοι (cupping glasses) applied
to them. Xenophon also speaks of the κύαθος in the first book of his
Cyropædia; and so does Cratinus; and, besides, so does Aristophanes
in many places, and Eubulus in his Orthanna; and Pherecrates, in his
Triflers, has spoken of a κύαθος made of silver. But Timon, in the
second book of his History of the Silli, has called κύαθοι, ἀρύσαναι;
speaking thus:—
And ἀρύσαναι, hard to fill with wine;
naming them so from the verb ἀρύομαι, to draw. And they are called
also ἀρυστῆρες and ἀρίστιχοι. Simonides says—
CUPBEARERS.
And no one gave me even one ἀρυστὴρ
Of the mere dregs and lees.
And Aristophanes, in his Wasps, says—
For I had these ἀρύστιχοι near me.
And Phrynichus, in his Weeding Women, says—
(A cup) κύλικ᾽ ἀρύστιχον:
and from this comes the word ἀρύταινα. They also called this vessel
ἔφηβος, as Xenophanes did in his Relationship; and Polybius, in the
ninth book of his Histories, says that there is a certain river called
the Cyathus, near Arsinoe, a city in Ætolia.
24. But the word ἀκρατέστερον, meaning the same as ζωρότερον, is used
by Hyperides in his oration against Demosthenes; where he writes
thus—“If any one drank any wine of much strength (ἀκρατέστερον),
it grieved you.” And a similar form is ἀνιαρέστερον, and also the
expression in the Heliades of Æschylus—
ἀφθονέστερον λίβα.
And Epicharmus, in his Pyrrha, has the word εὐωνέστερον (cheaper); and
Hyperides, in his Oration against Demades, has used the expression—
ῥαδιεστέραν τὴν πόλιν.
And as for the word κεραννύω (to mix), that is used by Plato in his
Philebus—“Let us, O Protarchus, pray to the gods, and mingle cups
(κεραννύωμεν) to pour libations to them.” And Alcæus, in his Sacred
Marriage, says—
They mix the cups (κεραννύουσιν) and drink them.
And Hyperides, in his Delian Oration, says—“And the Greeks mix
(κεραννύουσι) the Panionian goblet all together."
And among the ancients they were the most nobly born youths who acted
as cupbearers; as, for instance, the son of Menelaus:—
And the king's noble son pour'd out the wine.
And Euripides the poet, when he was a boy, acted as cupbearer.
Accordingly, Theophrastus, in his treatise on Drinking, says—"But
I hear that Euripides the poet also acted as a cupbearer at Athens,
among those who are called the dancers: and these men were they who
used to dance around the temple of the Delian Apollo, being some of the
noblest of the Athenians, and they were clothed in garments of the
Theræans. And this is that Apollo in whose honour they celebrate the
Thargelian festival; and a writing concerning them is kept at Phylæ, in
the Daphnephorium." And Hieronymus the Rhodian gives the same account,
who was a disciple of Aristotle, and that too in a book of his entitled
a Treatise on Drunkenness. And the beautiful Sappho often praises her
brother Larichus, as having acted as cupbearer to the Mitylenæans in
the Prytaneum. And among the Romans, the most nobly born of the youths
perform this office in the public sacrifices, imitating the Æolians in
everything, as even in the tones of their voices.
25. And so great was the luxury of the ancients in respect of their
sumptuous meals, that they not only had cupbearers, but also men whom
they called œnoptæ (inspectors of wines). At all events, the office of
œnoptæ is a regular office among the Athenians; and it is mentioned by
Eupolis, in his play called The Cities, in the following lines—
And men whom heretofore you'd not have thought
Fit e'en to make œnoptæ of, we now
See made commanders. But oh, city, city!
How much your fortune does out-run your sense.
And these œnoptæ superintended the arrangement of banquets,
taking care that the guests should drink on equal terms. But it was
an office of no great dignity, as Philinus the orator tells us, in
his debate on the Croconidæ. And he tells us, too, that the
œnoptæ were three in number, and that they also provided the
guests with lamps and wicks. And some people called them "eyes;" but
among the Ephesians, the youths who acted as cupbearers at the festival
of Neptune were called "bulls," as Amerias tells us. And the people of
the Hellespont call the cupbearer ἐπεγχύτης,
or the pourer out; and they call carving, which we call
κρεωνομία, κρεωδαισία, as Demetrius of
Scepsis tells us, in the twenty-sixth book of his Arrangement of the
Trojan Forces. And some say that the nymph Harmonia acted as cupbearer
to the gods; as Capito the epic poet relates (and he was a native of
Alexandria by birth), in the second book of his Love Poems. But Alcæus
also represents Mercury as their cupbearer; as also does Sappho, who
says—
And with ambrosia was a goblet mix'd,
And Mercury pour'd it out to all the gods.
DRINKING.
26. But the ancients used to call the men who discharged this office,
heralds (κήρυκες). Homer says—
Meanwhile the heralds through the crowded town
Bring the rich wine and destined victims down.
Idæus's arms the golden goblets prest,
Who thus the venerable king addrest.
And a few lines further on he says—
On either side a sacred herald stands;
The wine they mix, and on each monarch's hands
Pour the full urn.
But Clidemus says that the cooks used to be called heralds. And some
people have represented Hebe as acting as cupbearer to the gods,
perhaps because their banquets were called Hebeteria. And Ptolemy, the
son of Agesarchus, speaks of a damsel named Cleino as the cupbearer
of Ptolemy the king, who was surnamed Philadelphus, mentioning her
in the third book of his History of Philopator. But Polybius, in the
fourteenth book of his History, adds that there are statues of her in
Alexandria, in many parts of the city, clad in a tunic alone, holding a
cup in her hand.
27. And so, after this conversation, Ulpian drinking a goblet of wine,
said—
I drink this cup, a pledge of friendship dear,
To all my kinsmen, naming them.
And while he was still drinking, one of those who were present quoted
the rest of the passage—
When I have drunk, I'll say
The rest; for I am choked: but now drink this.
And Ulpian, when he had drunk it up, said,—Clearchus has these lines
in his Harp-Player; but I, as is said in the Wool-spinners of Amphis,
recommend—
Let the boy wait on all with frequent goblets.
And again—
You fill for me, and I will give you drink;
So shall the almond with the almond play:
as Xenarchus says, in his Twins. And accordingly, when some of the
guests asked for more wine, and others wished to have it mixed
half-and-half, and when some one mentioned that Archippus, in the
second edition of his Amphitryon, said—
Wretch, who has mix'd for you this half-and-half?
and that Cratinus had said—
Giving him half-and-half; but I'm undone;
every one seemed to agree to speak of the way of mixing wine among the
ancients.
28. And when some one mentioned that Menander, in his Hero, said—
Here is a measure of well-temper'd wine;
Take it, and drink it up;—
Democritus said—Hesiod, my friends, recommends men
To pour three parts of water in the cup,
And let the fourth part be the vinous juice.
And, perhaps, it was on account of Hesiod that Anaxilas said, in his
Nereus,—
And this is much more pleasant; for I'd never
Have drunk one part of wine to three of water.
And Alexis, in his Nurse, recommends even a more moderate mixture than
this—
See, here is wine. Shall I, then, give to Criton
Equal proportions? This is better far,
One part of wine to four of limpid water:
Perhaps you'll call that weak; but still, when you
Have drunk your fill of this, you'll find your head
Clear for discussion,—and the drink lasts longer.
And Diocles, in his Bees, says—
A. In what proportions should the wine be mix'd?
B. Four parts of water to two parts of wine.
And this mixture, as it is not that in ordinary use, put the questioner
in mind of the well-known proverb,—
Drink waters three or five; but never four.
What they mean is, You had better take two parts wine with five of
water, or one of wine to three of water. But, concerning this mixture,
Ion the poet, in his book on Chios, says that Palamedes the soothsayer
discovered and prophesied to the Greeks, that they would have a
favourable voyage if they drank one portion of wine to three of water.
But they, applying themselves to their drink very vigorously, took two
pints of wine to five of water;—accordingly Nicochares in his Amymone,
playing on the name, says—
Here, you Œnomaus,—here, you two and five,—
Let you and I now have a drink together.
And he said nearly the same in his Lemnian Women: and Ameipsias, in his
Men Playing the Cottabus, says—
THE PROPORTIONS OF MIXED WINE.
But I (it is Bacchus who is represented as speaking) am five
and two to all of you.
And Eupolis says, in his Goats,—
Hail, my friend Bacchus, are you two to five?
And Hermippus says, in his Gods,—
A. Then, when we drink, or when we thirsty are,
We pray our wine may be in due proportion.
B. I do not bring it from a roguish wine-vault,
Meaning to mock you: this which I do bring
Is, as before, the proper two and five.
29. But in Anacreon we find one measure of wine to two of water spoken
of—
Come, my boy, and bring to me
Such a cup as I may drink
At one easy draught: pour in
Ten cyathi of water pure,
And five of richest Chian wine;
That I may drink, from fear removed,
And free from drunken insolence.
And going on presently, he calls the drinking of unmixed wine, a
Scythian draught—
Come hither, now, and let us not
Give way to vulgar shouts and noise,
Indulging in the Scythian draughts
While o'er our wine; but let us drink,
Singing well-omen'd, pious hymns.
And the Lacedæmonians, according to the statement of Herodotus, in
his sixth book, say that Cleomenes the king, having lived among the
Scythians, and got the habit of drinking unmixed wine, became perfectly
mad from his habit of drunkenness. And the Lacedæmonians themselves,
when they take it into their heads to drink hard, say that they are
Episcythising. Accordingly, Chamæleon of Heraclea, in his book on
Drunkenness, writes thus concerning them:—"Since the Lacedæmonians say
also, that Cleomenes the Spartan became mad from having lived among the
Scythians, and there learnt to drink unmixed wine; on which account,
when they take a fancy to drink unmixed wine they desire their slaves
to pour out in the Scythian fashion." And Achæus, in his Æthon, a
satyric drama, represents the Satyrs as indignant at being compelled to
drink their wine watered, and as saying—
Was the whole Achelous in this wine?
But even then this race would not cease drinking,
For this is all a Scythian's happiness.
30. But the habit of pouring libations of pure wine, as Theophrastus
says, in his treatise on Drinking, was not ancient; but originally
libations were what is given to the Gods, and the cottabus, what was
devoted to the object of one's love. For men practised throwing the
cottabus with great care, it being originally a Sicilian sport, as
Anacreon the Teian says—
Throwing, with his well-bent arm
The Sicilian cottabus.
On which account those songs of the ancient poets, which are called
scolia, are full of mention of the cottabus.[45]
I mean, for instance, such a scolion as Pindar composed—
And rightly I adore the Graces,
Nymphs of Venus and of Love,
While drinking with a loving heart
This sounding cottabus I pour
To Agathon, my heart's delight.
And they also consecrated to those of their friends who were dead, all
that portion of their victuals which fell from their tables. On which
account Euripides says of Sthenobœa, when she thinks that Bellerophon
is dead—
Nothing escaped her from her hand which fell,
But in a moment she did couple it
With the loved name of the Corinthian stranger.
31. But the ancients were not in the habit of getting drunk. But
Pittacus recommended Periander of Priene not to get drunk, nor to
become too much addicted to feasting, "so that," says he, "it may not
be discovered what sort of a person you really are, and that you are
not what you pretend to be."—
DRINKING.
For brass may be a mirror for the face,—
Wine for the mind.
On which account they were wise men who invented the proverb, "Wine has
no rudder." Accordingly, Xenophon the son of Gryllus, (when once at the
table of Dionysius the tyrant of Sicily, the cupbearer was compelling
the guests to drink,) addressed the tyrant himself by name, and said,
"Why, O Dionysius, does not also the confectioner, who is a skilful man
in his way, and one who understands a great many different recipes for
dressing things, compel us also, when we are at a banquet, to eat even
when we do not wish to; but why, on the contrary, does he spread the
table for us in an orderly manner, in silence?" And Sophocles, in one
of his Satyric dramas, says—
To be compell'd to drink is quite as hard
As to be forced to bear with thirst.
From which also is derived the saying—
Wine makes an old man dance against his will.
And Sthenelus the poet said very well—
Wine can bring e'en the wise to acts of folly.
And Phocylides says—
It should be a rule for all wine-bibbing people
Not to let the jug limp round the board like a cripple,
But gaily to chat while enjoying their tipple:
and to this day this custom prevails among some of the Greeks. But
since they have begun to be luxurious and have got effeminate they have
given up their chairs and taken to couches; and having taken indolence
and laziness for their allies, they have indulged in drinking in an
immoderate and disorderly manner; the very way in which the tables were
laid contributing, as I imagine, to luxury.
32. And it is on this account that Hesiod, in his Eoæ, has said—
What joys and also what exceeding pains
Has Bacchus given to mortal men who drink,
Indulging in excess: for to such men
Wine is an insolent master, binding fast
Their feet and hands, their tongues and intellects,
With chains unspeakable, unnoticeable;
And tender sleep loves on their eyes to fall.
And Theognis says—
I come like wine, the sweetest drink of men,—
I am not sober, nor yet very drunk;
But he who goes to great excess in drink
Is no more master of his mind or senses;
Then he talks unintelligible nonsense.
Which seems to sober men a shameful thing;
But he, when drunk, is not ashamed of anything,
E'en though at other times a modest man
And gentle-minded. Mind you this, my friend,
And don't indulge in drinking to excess,
But rise from table ere the wine begins
To take effect; nor let your appetite
Reduce you to become its daily slave.
But Anacharsis the philosopher, wishing to exhibit the power of
the vine to the king of the Scythians, and showing him some of its
branches, said that if the Greeks did not prune it every year it would
by this time have reached to Scythia.
DRINKING.
33. But those men do not act wisely who represent and describe Bacchus
in their statues or pictures, and who also lead him through the middle
of the market-place on a waggon, as if he were drunk; for, by so doing,
they show the beholders that wine is stronger than the god. And I do
not think that even a good and wise man could stand this. And if they
have represented him in this state because he first showed us the
use of wine, it is plain that for the same reason they should always
represent Ceres as reaping corn or eating bread. And I should say that
Æschylus himself erred in this particular; for he was the first person
(and not Euripides, as some people say,) who introduced the appearance
of drunken people into a tragedy. For in his Cabiri he introduces Jason
drunk. But the fact is, that the practices which the tragedian himself
used to indulge in, he attributed to his heroes: at all events he used
to write his tragedies when he was drunk; on which account Sophocles
used to reproach him, and say to him, "O Æschylus,[46]
even if you do what you ought, at all events you do so without knowing
it;" as Chamæleon tells us, in his treatise on Æschylus. And they
are ignorant people who say that Epicharmus was the first person who
introduced a drunken man on the stage, and after him Crates, in his
Neighbours. And Alcæus the lyric poet, and Aristophanes the comic poet,
used to write their poems when they were drunk. And many other men have
fought with great gallantry in war when they were drunk. But among the
Epizephyrian Locrians, if any one drank untempered wine, except by the
express command of his physician for the sake of his health, he was
liable to be punished with death, in accordance with a law to that
effect passed by Zaleucus.
And among the people of Massilia there was a law that the women should
drink water only. And Theophrastus says, that to this day that is the
law at Miletus. And among the Romans no slave ever drank wine, nor
any free woman, nor any youth born of free parents till he was thirty
years of age. And Anacreon is very ridiculous for having referred all
his poems to the subject of drunkenness; for, owing to this, he is
found fault with as having in his poems wholly abandoned himself to
effeminacy and luxury, as the multitude are not aware that while he
wrote he was a sober and virtuous man, who pretended to be a drunkard,
when there was no necessity at all for his doing so.
34. And men who are ignorant of the power of wine, say that Bacchus is
the cause of madness to men; in saying which they abuse wine in a very
senseless manner. On which account Melanippides says—
All men have detested water
Who did not before have wine;
And though some have enjoy'd their cups,
Others have turn'd to ravings wild.
And Aristotle, in his treatise on Drinking, says, "If the wine be
moderately boiled, then when it is drunk, it is less apt to intoxicate;
for, as some of its power has been boiled away, it has become weaker."
And he also says, "Old men become drunk more quickly on account of
the small quantity of natural warmth which there is in them, and also
of the weak-genius get drunk very quickly, on account of the great
quantity of natural warmth that there is in them; for, in consequence,
they are easily subdued by the warmth proceeding from the wine which is
added to their natural warmth. And some of the brute beasts are also
capable of becoming intoxicated; such as pigs when they are filled with
the husks of pressed grapes; and the whole race of crows, and of dogs,
when they have eaten of the herb called œnussa: and the monkey and the
elephant get intoxicated if they drink wine; on which account they hunt
monkeys and crows when the former have been made drunk with wine, and
the latter with œnussa.
But to drink unceasingly—
as Crobylus says, in his Woman who deserted her Husband—
Can have
No pleasure in it, surely; how should it,
When it deprives a living man of power
To think as he should think? and yet is thought
The greatest blessing that is given to man.
And Alexis, in the revised edition of his Phrygian, says—
If now men only did their headaches get
Before they get so drunk, I'm sure that no one
Would ever drink more than a moderate quantity:
But now we hope t' escape the penalty
Of our intemperance, and so discard
Restraint, and drink unmixed cups of wine.
And Aristotle says, that the wine called the Samagorean wine was so
strong that more than forty men were made drunk with a pint and a half
of it after it had been mixed with water.
35. Democritus having said this, and having drunk, said,—Now if any
one can gainsay any of these statements let him come forward: and then
he shall be told, as Evenus says—
That may be your opinion; this is mine.
But I, since I have now made this digression about the mixtures of the
ancients, will resume the thread of my original discourse where I let
it drop; considering what was said by Alcæus the lyric poet. For he
speaks, somewhere or other, in this way—
Pour out, in just proportion, one and two.
DRINKING.
For in these words some people do not think that he is alluding to
the mixture of wine and water at all; but that, being a moderate and
temperate man, he would not drink
more than one cyathus of pure wine, or perhaps, at the most, two. And
this is the interpretation given to the passage by Chamæleon of Pontus,
who was ignorant how fond of wine Alcæus had been. For this poet will
be found to have been in the habit of drinking at every season and in
every imaginable condition of affairs. In winter he speaks thus—
Now the storm begins to lower,
And Jove descends in heavy snow,
And streams of water stand congeal'd
In cruel ice: let's drive away
The wintry cold, and heap up fire,
And mingle with unsparing hand
The honied cup, and wreathe our brows
With fragrant garlands of the season.
And in summer, he writes—
Now it behoves a man to soak his lungs
In most cool wine; for the fierce dogstar rages,
And all things thirst with the excessive heat.
And in spring, he says—
Now does the flowery spring return,
And shed its gifts all o'er the land;
and he continues—
Come then, my boy, and quickly pour
A cup of luscious Lesbian wine.
And in his misfortunes he sings—
One must not give one's thoughts up wholly
To evil fortune; for by grieving
We shall not do ourselves much good.
Come to me, Bacchus; you are ever
The best of remedies, who bring
Us wine and joyous drunkenness.
And in his hours of joy he says—
Now is the time to get well drunk,
Now e'en in spite of self to drink,
Since Myrsilus is dead at last.
And, giving some general advice, he says—
Never plant any tree before the vine.
How, then, could a man who was so very devoted to drinking be a sober
man, and be content with one or two cups of wine? At all events, his
very poem, says Seleucus, testifies against those people who receive
the line in this sense. For he says, in the whole passage—
Let us now drink,—why put we out the light?
Our day is but a finger: bring large cups,
Fill'd with the purple juice of various grapes;
For the great son of Semele and Jove
Gave wine to men to drive away their cares.
Pour on, in just proportion, one and two,
And let one goblet chase another quickly
Out of my head.
In which words he plainly enough intimates that his meaning is, that
one cup of wine is to be mixed with two of water.
36. But Anacreon likes his liquors stronger still; as is shown by the
verses in which he says—
Let the cup well be clean'd, then let it hold
Five measures water, three of rosy wine.
And Philetærus, in his Tereus, speaks of two measures of water to three
of wine. And he speaks thus,—
I seem to have drunk two measures now of water,
And only three of wine.
And Pherecrates, in his Corianno, speaks even of two measures of water
to four of wine, and says—
A. Throw that away, my dear; the fellow has
Given you such a watery mixture.
B. Nay rather, 'tis mere water and nought else.
A. What have you done?—in what proportions,
You cursed man, have you this goblet mix'd?
B. I've put two waters only in, my mother.
A. And how much wine?
B. Four parts of wine, I swear.
A. You're fit to serve as cupbearer to the frogs.
And Ephippus, in his Circe, says—
A. You will find it a much more prudent mixture,
To take three parts of one, and four of th' other.
B. That's but a watery mixture, three to four.
A. Would you, then, quite unmix'd your wine prefer?
B. How say you?
37. And Timocles speaks of half-and-half in his Conisalus,—
And I'll attack you straight with half-and-half,
And make you tell me all the truth at once.
And Alexis, in his Dorcis, or the Caressing Woman, says—
I drink now cups brimming with love to you,
Mixed in fair proportions, half and half.
And Xenarchus, or Timocles, in his Purple, says—
By Bacchus, how you drink down half-and-half!
And Sophilus, in his Dagger, says,—
And wine was given in unceasing flow,
Mix'd half and half; and yet, unsatisfied,
They ask'd for larger and for stronger cups.
WINE.
And Alexis, in his play entitled The Usurer, or Liar, says—
A. Don't give him wine quite drown'd in water, now;—
Dost understand me? Half and half, or nearly:
That's well.
B. A noble drink: where was the land
That raised this noble Bacchus? by its flavour,
I think he came from Thasos.
A. Sure 'tis just
That foreigners should foreign wines enjoy,
And that the natives should drink native produce.
And again, in his Supposititious Son, he says—
He drank and never drew his breath, as one
Would quaff rich wine, mix'd half and half with care.
And Menander, in his Brethren—
Some one cried out to mingle eight and twelve,
Till he with rivalry subdued the other (κατέσεισε).
And the verb κατασείω was especially used of those who fell
down from drinking, taking its metaphor from the shaking down fruit
from the tree.
And Alexis, in his Man cut off, says—
He was no master of the feast at all,
But a mere hangman, Chæreas his name;
And when he'd drunk full twenty cups of wine,
Mix'd half-and-half, he ask'd for more, and stronger.
38. And Diodorus of Sinope, in his Female Flute-player, says—
When any one, O Crito, drinks ten cups,
Consider, I do beg you, whether he
Who never once allows the wine to pass
Is in a fit state for discussion.
And it was not without some wit that Lysander the Spartan, as
Hegesander relates in his Commentaries, when some vintners sold wine
which had been much watered in his camp, ordered some one to supply it
properly tempered, that his men might buy it with less water in it. And
Alexis has said something which comes to nearly the same thing, in his
Æsop; thus—
A. That is a good idea of yours, O Solon,
And cleverly imagined, which you have
Adopted in your city.
S. What is that?
A. You don't let men drink neat wine at their feasts.
S. Why, if I did, 'twould not be very easy
For men to get it, when the innkeepers
Water it ere it comes out of the waggon.
No doubt they do not do so to make money,
But only out of prudent care for those
Who buy the liquor; so that they may have
Their heads from every pang of headache free.
This now is, as you see, a Grecian drink;
So that men, drinking cups of moderate strength,
May chat and gossip cheerfully with each other:
For too much water is more like a bath
Than like a wine-cup; and the wine-cooler
Mix'd with the cask, my friend, is death itself.
39. "But to drink to the degree of drunkenness," says Plato, in his
sixth book of the Laws, is neither becoming anywhere—except perhaps
in the days of festival of the god who gave men wine for their
banquets,—nor is it wholesome: and, above all, a man ought to guard
against such a thing who has any thoughts of marriage; for at such a
time, above all other times, both bride and bridegroom ought to be in
full possession of their faculties; when they are entering upon what
is no small change in the circumstances of their life; and also they
ought to be influenced by anxiety that their offspring shall be the
offspring of parents in the fullest possible possession of all their
faculties; for it is very uncertain what day or what night will be
the originating cause of it." And in the first book of his Laws he
says—"But respecting drunkenness it may be a question, whether we
ought to give way to it as the Lydians do, and the Persians, and the
Carthaginians, and the Celtæ, and the Spaniards, and the Thracians,
and other nations like them; or whether like you, O Lacedæmonians, one
ought wholly to abstain from it. But the Scythians and the Thracians,
who indulge altogether in drinking unmixed wine, both the women and all
the men, and who spill it all over their clothes, think that they are
maintaining a very honourable practice, and one that tends to their
happiness. And the Persians indulge to a great extent in other modes
of luxury which you reject; but still they practise them with more
moderation than the Scythians and Thracians.
40. And a great many of the guests were drinking, and putting lumps of
meal into their wine, a custom which Hegesander of Delphi mentions.
Accordingly Epinicus, when Mnesiptolemus had given a recitation of his
history, in which it was written how Seleucus had used meal in his
wine, having written a drama entitled Mnesiptolemus, and having turned
him into ridicule, as the comic poets do, and using his own words about
that sort of drink, represents him as saying:—
LACEDÆMONIAN FASHIONS.
Once I beheld the noble king Seleucus,
One summer's day, drinking with mighty pleasure
Some wine with meal steep'd in it. (So I took
A note of it, and show'd it to a crowd,
Although it was an unimportant thing,
Yet still my genius could make it serious.)
He took some fine old Thasian wine, and eke
Some of the liquor which the Attic bee
Distils who culls the sweets from every flower;
And that he mingled in a marble cup,
And mix'd the liquor with fair Ceres' corn,
And took the draught, a respite from the heat.
And the same writer tells us that in the Therades islands men mash
lentils and pease into meal, instead of ordinary corn, and put that
into the wine, and that this drink is said to be better than that in
which the meal is mixed.
41. Now it was not the fashion among the Lacedæmonians to practise the
system of pledging healths at their banquets, nor to salute one another
with mutual greetings and caresses at their feasts. And Critias shows
us this in his Elegies:—
And this is an old fashion, well establish'd,
And sanction'd by the laws of noble Sparta,
That all should drink from one well-fill'd cup;
And that no healths should then be drunk to any one,
Naming the tender object: also that
The cup should not go round towards the right.
The Lydian goblets . . . . . .
*
*
*
*
And to drink healths with skill and well-turn'd phrase,
Naming the person whom one means to pledge.
For, after draughts like this, the tongue gets loose,
And turns to most unseemly conversation;
They make the body weak; they throw a mist
Over the eyes; and make forgetfulness
Eat recollection out of the full heart.
The mind no longer stands on solid ground;
The slaves are all corrupted by licentiousness,
And sad extravagance eats up the house.
But those wise youths whom Lacedæmon breeds
Drink only what may stimulate their souls
To deeds of daring in th' adventurous war,
And rouse the tongue to wit and moderate mirth.
Such draughts are wholesome both for mind and body,
And not injurious to the pocket either:
Good, too, for deeds of love; authors of sleep,
That wholesome harbour after toil and care:
Good, too, for health—that best of goddesses
Who mortal man befriend: and likewise good
For piety's best neigbour temperance.
And presently afterwards he goes on—
For fierce, immoderate draughts of heady wine
Give momentary pleasure, but engender
A long-enduring pain which follows it.
But men at Sparta love a mode of life
Which is more equal; they but eat and drink
That which is wholesome, so that they may be
Fit to endure hard pains, and do great deeds.
Nor have they stated days in all the year,
When it is lawful to indulge too much.
42. And a man who is always ready for wine is called φίλοινος. But
he is called φιλοπότης who is always ready to drink anything; and he
is called φιλοκωθωνιστὴς who drinks to the degree of drunkenness. And
of all heroes, the greatest drinker is Nestor, who lived three times
as long as other men; for he evidently used to stick to his wine more
closely than other people, and even than Agamemnon himself, whom
Achilles upbraids as a man given to much drinking. But Nestor, even
when a most important battle was impending, could not keep away from
drinking. Accordingly Homer says—
But not the genial feast or flowing bowl
Gould charm the cares of Nestor's watchful soul.
And he is the only hero whose drinking-cup he has described, as he has
the shield of Achilles; for he went to the war with his goblet just as
he did with that shield, the fame of which Hector says had reached to
heaven. And a man would not be very wrong who called that cup of his
the Goblet of Mars, like the Cæneus of Antiphanes, in which it is said—
The hero stood and brandish'd Mars's cup,
Like great Timotheus, and his polish'd spear.
And indeed it was on account of his fondness for drinking that Nestor,
in the games instituted in honour of Patroclus, received a drinking-cup
as a present from Achilles; not but what Achilles also gave a cup
to the competitor who was defeated: for victory does not commonly
attend hard drinkers, on account of their usual inactivity; or perhaps
it is owing to their thirst that boxers usually fail, from being
fatigued with holding out their hands too long. But Eumelus receives
a breastplate after having run a course with great danger, and having
been torn, the breastplate being a serviceable piece of defensive
armour.
THIRST.
43. But there is nothing more covetous than thirst; on which account
the poet has called Argos thirsty, or rather causing great thirst, as
having been much desired on account of the length of time the person
of whom he is speaking had been absent from it. For thirst engenders
in all men a violent desire for abundant enjoyment; on which account
Sophocles says—
Though you were to unfold unnumber'd treasures
Of wisdom to a thirsty man, you'd find
You pleased him less than if you gave him drink.
And Archilochus says—
I wish to fight with you, as much as e'er
A thirsty man desired to quench his thirst.
And one of the tragic poets has said—
I bid you check your hand which thirsts for blood.
And Anacreon says—
For you are kind to every stranger,
So let me drink and quench my thirst.
And Xenophon, in the third book of his Cyropædia, represents Cyrus as
speaking in this manner:—"I thirst to gratify you." And Plato, in
his Polity, says—"But if, as I imagine, any city which is governed
by a democracy, thirsting for its liberty, should have evil-disposed
cupbearers to wait upon it, and should be intoxicated to an improper
degree with unmixed wine . . . ."
44. Proteas the Macedonian was also a very great drinker, as Ephippus
tells us in his treatise on the Funeral of Alexander and Hephæstion:
and he had an admirable constitution, and he had practised drinking to
a great degree. Accordingly, Alexander, having once asked for a cup
containing two choes, and having drank from it, pledged Proteas; and
he, having taken it, and having sung the praises of the king a great
deal, drank it in such a manner as to be applauded by every one. And
presently Proteas asked for the same cup again, and again he drank
and pledged the king. And Alexander, having taken the cup, drank it
off in a princely manner, but he could not stand it, but leaned back
on the pillow, letting the cup fall from his hands; and after this
he fell sick and died, Bacchus, as it is said, being angry with him
because he had besieged his native city of Thebes. And Alexander
drank a great deal too, so that he once, after a drunken bout, slept
without interruption two days and two nights. And this is shown in his
Journals, which were compiled by Eumenes the Cardian, and Diodotus the
Erythræan. But Menander, in his Flatterer, says—
A. My good friend, Struthias, I thrice have drunk
A golden cup in Cappadocia,
Containing ten full cotylæ of wine.
St. Why, then you drank more than king Alexander.
A. At all events not less, I swear by Pallas.
St. A wondrous feat.
But Nicobule, or whoever it was who wrote the books attributed to her,
says that "Alexander, once supping with Medeus the Thessalian, when
there were twenty people present at the party, pledged every one of the
guests, receiving a similar pledge from all of them, and then, rising
up from the party, he presently went off to sleep." And Callisthenes
the Sophist, as Lynceus the Samian says in his Commentaries, and
Aristobulus and Chares in their Histories, when in a banquet given by
Alexander, a cup of unmixed wine came to him, rejected it; and when
some one said to him, Why do you not drink? "I do not wish," said he,
"after having drunk the cup of Alexander, to stand in need of the cup
of Æsculapius."
45. But Darius, who destroyed the Magi, had an inscription written
on his tomb,—"I was able to drink a great deal of wine, and to bear
it well." And Ctesias says, that among the Indians it is not lawful
for the king to get drunk; but among the Persians it is permitted to
the king to get drunk one day in the year,—the day, namely, on which
they sacrifice to Mithras. And Duris writes thus, with respect to this
circumstance, in the seventh book of his Histories:—"The king gets
drunk and dances the Persian dance on that festival only which is
celebrated by the Persians in honour of Mithras; but no one else does
so in all Asia; but all abstain during this day from dancing at all.
For the Persians learn to dance as they learn to ride; and they think
that the motion originated by this sort of exercise contains in it a
good kind of practice tending to the strength of the body.
PHILIP OF MACEDON.
But Alexander used to get so drunk, as Carystius of Pergamus relates
in his Historic Commentaries, that he used even to celebrate banquets
in a chariot drawn by asses; and the Persian kings too, says he did
the same thing. And perhaps it was owing to this that he had so little
inclination for amatory pleasures; for Aristotle, in his Problems of
Natural History, says, that the powers of men who drink to any great
excess are much weakened. And Hieronymus, in his Letters, says, that
Theophrastus says, that Alexander was not much of a man for women;
and accordingly, when Olympias had given him Callixene, a Thessalian
courtesan, for a mistress, who was a most beautiful woman, (and all
this was done with the consent of Philip, for they were afraid that he
was quite impotent,) she was constantly obliged to ask him herself to
do his duty by her.
46. And Philip, the father of Alexander, was a man very fond of
drinking, as Theopompus relates in the twenty-sixth book of his
History. And in another part of his History he writes, "Philip was a
man of violent temper and fond of courting dangers, partly by nature,
and partly too from drinking; for he was a very hard drinker, and
very often he would attack the enemy while he was drunk." And in his
fifty-third book, speaking of the things that took place at Chæronea,
and relating how he invited to supper the ambassadors of the Athenians
who were present there, he says, "But Philip, when they had gone away,
immediately sent for some of his companions, and bade the slaves summon
the female flute-players, and Aristonicus the harp-player, and Durion
the flute-player, and all the rest who were accustomed to drink with
him; for Philip always took people of that sort about with him, and
he had also invented for himself many instruments for banquets and
drinking-parties; for being very fond of drinking and a man intemperate
in his manners, he used to keep a good many buffoons and musicians and
professed jesters about him. And when he had spent the whole night
in drinking, and had got very drunk and violent, he then dismissed
all the rest, and when it was day-break proceeded in a riotous manner
to the ambassadors of the Athenians. And Carystius in his Historical
Commentaries says, that Philip, when he intended to get drunk, spoke in
this way: "Now we may drink; for it is quite sufficient if Antipater is
sober." And once, when he was playing at dice, and some one told him
that Antipater was coming, he hesitated a moment, and then thrust the
board under the couch.
47. And Theopompus gives a regular catalogue of men fond of drinking
and addicted to drunkenness; and among them he mentions the younger
Dionysius, the tyrant of Sicily, whose eyes were a good deal injured
by wine. And Aristotle, in his Polity of the Syracusans, says that
he sometimes was drunk for three months at a time together, owing to
which he had got somewhat weak in the eyes. And Theophrastus says
that his companions also, who were flatterers of the supreme power,
pretended not to see well, and to be led by the hand by Dionysius, and
not to be able to see the meat that was served up before them, nor the
cups of wine, on which account they got the name of Dionysiocolaces,
or flatterers of Dionysius. Nysæus also, who was tyrant of Syracuse,
drank a great deal, and so did Apollocrates; and these men were the
sons of the former Dionysius, as Theopompus tells us in the fortieth
and forty-first books of his History; and he writes thus about Nysæus:
"Nysæus, who was afterwards tyrant of Syracuse, when he was taken for
the purpose of being put to death, and knew that he had only a few
months to live, spent them wholly in eating and drinking." And in his
thirty-ninth book he says: "Apollocrates, the son of Dionysius the
tyrant, was an intemperate man, and addicted to drinking; and some
of his flatterers worked upon him so as to alienate him as much as
possible from his father." And he says that Hipparinus, the son of
Dionysius, who behaved like a tyrant when drunk, was put to death.
And about Nysæus he writes as follows: "Nysæus, the son of the elder
Dionysius, having made himself master of Syracuse, got a four-horse
chariot, and put on an embroidered robe, and devoted himself to
gluttony and hard drinking, and to insulting boys and ravishing women,
and to all other acts which are consistent with such conduct. And he
passed his life in this manner." And in his forty-fifth book the same
historian, speaking of Timolaus the Theban, says: "For though there
have been a great many men who have been intemperate in their daily
life, and in their drinking, I do not believe that there has ever
been any one who was concerned in state affairs, more intemperate,
or a greater glutton, or a more complete slave to his pleasures than
Timolaus, whom I
have mentioned." And in his twenty-third book, speaking of Charidemus
of Oreum, whom the Athenians made a citizen, he says: "For it was
notorious that he spent every day in the greatest intemperance, and
in such a manner that he was always drinking and getting drunk, and
endeavouring to seduce free-born women; and he carried his intemperance
to such a height that he ventured to beg a young boy, who was very
beautiful and elegant, from the senate of the Olynthians, who had
happened to be taken prisoner in the company of Derdas the Macedonian."
ARCADION.
48. A man of the name of Arcadion, too, was a very great drinker,
(but it is uncertain whether this is the same man who was at enmity
with Philip,) as the epigram shows which Polemo has preserved in his
treatise on the Inscriptions existing in different Cities—
This is the monument of that great drinker,
Arcadion; and his two loving sons,
Dorcon and Charmylus, have placed it here,
At this the entrance of his native city:
And know, traveller, the man did die
From drinking strong wine in too large a cup.
And the inscription over some man of the name of Erasixenus says that
he also drank a great deal.
Twice was this cup, full of the strongest wine,
Drain'd by the thirsty Erasixenus,
And then in turn it carried him away.
Alcetas the Macedonian also used to drink a great deal, as Aristos
the Salaminian relates; and so did Diotimus the Athenian: and he was
the man who was surnamed the Funnel. For he put a funnel into his
mouth, and would then drink without ceasing while the wine was being
poured into it, according to the account of Polemo. And it has been
already mentioned that Cleomenes the Lacedæmonian was a great drinker
of unmixed wine; and that in consequence of his drunkenness he cut
himself to pieces with a sword, is related by Herodotus. And Alcæus
the poet also was very fond of drinking, as I have already mentioned.
And Baton of Sinope, in his essay on Ion the poet, says that Ion was
a man fond of drinking and amorous to excess; and he himself, too, in
his Elegies, confesses that he loved Chrysilla the Corinthian, the
daughter of Teleas, with whom Teleclides, in his Hesiods, says that the
Olympian[47]
Pericles also was in love. And Xenarchus the Rhodian, on
account of the excessive way in which he used to drink, was surnamed
"The Nine-gallon Cask;" and Euphorion the Epic poet mentions him in his
Chiliades.
49. And Chares the Mitylenæan, in his History of Alexander, speaking
of Calanus the Indian philosopher, and saying that he threw himself
on a funeral pile that had been raised, and so died, says also that
Alexander instituted some gymnastic games at his tomb, and also a
musical contest of panegyrics on him.—"And he instituted," says
Chares, "because of the great fondness of the Indians for wine, a
contest as to who should drink the greatest quantity of unmixed wine;
and the prize was a talent for the first, and thirty minæ for the
second, and ten minæ for the third. And of those who entered for the
prize and drank the wine, thirty-five died at once by reason of the
cold; and a little afterwards six more died in their tents. And he who
drank the greatest quantity and won the prize, drank four choes of
unmixed wine, and received the talent; and he lived four days after
it; and he was called the Champion." And Timæus says that "Dionysius
the tyrant gave, at the festival of the Choes, to the first man who
should drink a choeus, a golden crown as a prize:" and he says also
that "Xenocrates the philosopher was the first person who drank it;
and that he, taking the golden crown, and departing, offered it up to
the Mercury who was placed in his vestibule, on which statue he was
always accustomed on every occasion to offer up the garlands of flowers
which he had, every evening as he returned home; and he was much
admired for this conduct." And Phanodemus says, that the festival of
the Choes was established at Athens by Demophoon the king, when he was
desirous to receive Orestes in hospitality on his arrival at Athens.
And that, as he did not like him to come to the temples, or to share
in the libations offered to the gods, before his trial was decided,
he ordered all the temples to be shut, and a choeus of wine to be set
before everybody, saying that a cheesecake should be given as a prize
to the first person who drank it up. And he bade them, when they had
finished drinking, not to offer up the garlands, with which they had
been crowned, in the temples, because they had been under the same roof
with Orestes; but he desired each man to place his garland round his
own cup, and so to bring them to the priestess at the temple which is
in the Marshes, and
after that to perform the rest of the sacred ceremonies in the temple.
And from thence it was that this festival got the name of the Choes.
But on the day of the festival of the Choes, it is customary for the
Athenians to send presents and pay to the sophists, who also themselves
invite their acquaintances to a banquet, as Eubulides the dialectician
shows us in his drama entitled the Revellers, where he says—
DIONYSIUS.
You're acting like a sophist now, you wretch,
And long for the pay-giving feast of Choes.
*
*
*
*
50. But Antigonus the Carystian, in his essay on the Life of Dionysius
of Heraclea, who was called the Turncoat, says that Dionysius, when he
was feasting with his slaves at the festival of the Choes, and was not
able, by reason of his old age, to avail himself of the courtesan whom
they brought him, turned round and said to those who were feasting with
him—
I cannot now, so let another take her.
But Dionysius, as Nicias of Nicæa tells us in his Successions, had
been from the time he was a boy very furious in the indulgence of
his amorous propensities; and he used to go to all the common women
promiscuously. And once, when walking with some of his acquaintances,
when he came near the house where the girls are kept, and where,
having been there the day before, he had left some money owing, as he
happened to have some with him then, he put out his hand and paid it
in the presence of all of them. And Anacharsis the Scythian, when a
prize for drinking was proposed at the table of Periander, demanded the
prize, because he was the first man to be drunk of all the guests who
were present; as if to get to the end were the goal to be aimed at,
and the victory to be achieved in drinking as in running a race. But
Lacydes and Timon the philosophers, being invited to an entertainment
which was to last two days, by one of their friends, and wishing to
adapt themselves to the rest of the guests, drank with great eagerness.
And accordingly, in the first day, Lacydes went away first, as soon
as he was quite satiated with drink. And Timon, seeing him as he was
departing, said—
Now have we gain'd immortal praise and fame,
Since we have slain great Hector. . . .
But on the next day Timon went away first because he could not drink
up the goblet in which he had been pledged, and Lacydes seeing him
departing, said—
Wretched are they who dare encounter me.
51. And Herodotus, in his second book, relates that Mycerinus the
Egyptian, having been told by the soothsayers that he was fated to
live but a short time, used to light a great number of lamps when
night arrived, and spend all his time in drinking and luxury, relaxing
neither by day nor by night; and when he withdrew into the marshes
and into the groves, or wherever he heard that there were meetings of
young people to amuse themselves, he always got drunk. And Herodotus
tells us that Amasis also, who was another of the Egyptian kings, was
a very hard drinker indeed. And Hermeas the Methymnæan, in the third
book of his History of Sicily, says that Nicoteles the Corinthian was a
man greatly addicted to drinking. And Phænias the Eresian, in the book
entitled, The Slaying of Tyrants out of Revenge, says that Scopas the
son of Creon, and the grandson of the former Scopas, was throughout
his whole life very fond of drinking; and that he used to return from
banquets at which he had been present, sitting on a throne, and carried
by four palanquin-bearers, and in that way he used to enter his house.
And Phylarchus, in the sixth book of his Histories, says that Antiochus
the king was a man very fond of wine; and that he used to get drunk,
and then go to sleep for a long time, and then, as evening came on, he
would wake up, and drink again. And it was very seldom, says he, that
he transacted the affairs of his kingdom when he was sober, but much
more frequently when he was drunk; on which account there were two
men about him who managed all the real business of the state as they
pleased, namely Aristos and Themiso, Cyprians by birth, and brothers;
and they were both on terms of the greatest intimacy with Antiochus.
52. And Antiochus the king, who was surnamed Epiphanes, was also a
great drinker,—the one, I mean, who had been a hostage among the
Romans, whom Ptolemy Euergetes mentions in the third book of his
Commentaries, and also in the fifth; saying that he turned to Indian
revellings and drunkenness, and spent a vast quantity of money in those
practices; and for the rest of the money which he had at hand, he spent
ANTIOCHUS EPIPHANES.
a part of it in his daily revels, and the rest he would scatter about,
standing in the public streets, and saying, "Let whoever chance gives
it to, take it:" and then, throwing the money about, he would depart.
And very often, having a plaited garland of roses on his head, and
wearing a golden embroidered robe, he would walk about alone, having
stones under his arm, which he would throw at those of his friends who
were following him. And he used to bathe also in the public baths,
anointed all over with perfumes; and, on one occasion, some private
individual, seeing him, said, "You are a happy man, O king; you smell
in a most costly manner:" and he, being much pleased, said, "I will
give you as much as you can desire of this perfume." And so he ordered
an ewer containing more than two choes of thick perfumed unguent to
be poured over his head; so that the multitude of the poorer people
who were about all collected to gather up what was spilt; and, as the
place was made very slippery by it, Antiochus himself slipped and fell,
laughing a great deal, and most of the bathers did the same.
But Polybius, in the twenty-sixth book of his Histories, calls this
man Epimanes (mad), and not Epiphanes (illustrious), on account of his
actions. "For he not only used to go to entertainments of the common
citizens, but he also would drink with any strangers who happened to be
sojourning in the city, and even with those of the meanest class. And
if," says Polybius, "he heard that any of the younger men were making a
feast anywhere whatever, he would come with an earthen bowl, and with
music, so that the greater part of the feasters fled away alarmed at
his unexpected appearance. And very often he would put off his royal
robes, and take a common cloak, and in that dress go round the market."
53. And in the thirty-first book of his Histories, the same Polybius
tells us "that when Antiochus was celebrating some public games at
Antioch, he invited all the Greeks and any of the multitude who
chose to come to the spectacle. And when a great many people came,
he anointed them all in the gymnasia with ointment of saffron, and
cinnamon, and nard, and amaracus, and lilies, out of golden vessels:
and then, inviting them all to a feast, he filled sometimes a thousand
and sometimes fifteen hundred triclinia with the most expensive
preparations; and he himself personally attended to waiting on the
guests. For, standing at the entrance, he introduced some, and others
he placed upon the couches; and he himself marshalled the servants who
brought in the different courses; and, walking about among the guests,
at times he sat down in one place, and at times he lay down in another.
And sometimes he would put down what he was eating, and at other times
he would lay down his cup, and jump up, and change his place, and go
all round the party, standing up himself, and pledging different people
at different times; and then, mingling with the musicians, he would be
brought in by the actors, entirely covered up, and laid down on the
ground, as if he had been one of the actors himself; and then, when
the music gave the signal, the king would leap up, and dance and sport
among the actors, so that they were all ashamed. To such absurdities
does a want of education, when joined with drunkenness, reduce
miserable men." And his namesake, the Antiochus who carried on war in
Media against Arsaces, was very fond of drinking; as Posidonius of
Apamea relates in the sixteenth book of his History. Accordingly, when
he was slain, he says that Arsaces, when he buried him, said—"Your
courage and your drunkenness have ruined you, O Antiochus; for you
hoped that, in your great cups, you would be able to drink up the
kingdom of Arsaces."
54. But the Antiochus who was surnamed the Great, who was subdued by
the Romans (as Polybius relates in his twentieth book), having arrived
at Chalcis, in Euboea, celebrated a marriage when he was fifty years
of age; and after he had undertaken two most enormous and important
affairs, namely, the liberation of the Greeks (as he himself professed)
and the war against the Romans. At all events, he, being smitten with
love for a damsel of Chalcis, was very anxious to marry her at the very
time that he was engaged in this war, being a man very fond of drinking
and delighting in drunkenness. And she was the daughter of Cleophanes,
one of the nobles, and superior to all the maidens of her country
in beauty. Accordingly, he celebrated his marriage in Chalcis, and
remained there all the winter, not once giving the smallest thought to
the important affairs which he had in hand. And he gave the damsel the
name of Euboea. Accordingly, being defeated
DEMETRIUS.
in the war, he fled to Ephesus, with his newly-married bride. And
in the second book, the same Polybius relates that Agron, the king
of the Illyrians, being delighted at having gained a victory over
the haughty Ætolians, being a man much addicted to drinking, and to
drunkenness, and banqueting, fell ill of a pleurisy, and died. And the
same historian says, in his twenty-ninth book, that Genthion, the king
of the Illyrians, on account of his great fondness for drinking, did a
great many intemperate things during his life, being incessantly drunk,
both night and day; and having murdered Pleuratus, his brother, who was
about to marry the daughter of Menunius, he married the damsel himself,
and treated his subjects with great cruelty. And he says, in the
thirty-third book of his History, that Demetrius, when he fled after
having been a hostage at Rome, and became king of the Syrians, became a
great drinker, and was drunk the greater part of the day. And he also,
in his thirty-second book, says that Orophernes, who was for a short
time king of Cappadocia, disregarded all the customs of his country,
and introduced the artificial luxury of the Ionians.
55. On which account, that divinest of writers, Plato, lays down
admirable laws in his second book—"That boys, till they are eighteen
years of age, should absolutely never taste wine at all; for that it is
not well to heap fire on fire: that men up to thirty years of age may
drink wine in moderation; and that the young man should wholly abstain
from much wine and from drunkenness. But that a man, when he arrives at
forty years of age, may feast in large banquets, and invoke the other
gods, and especially Bacchus, to the feasts and amusements of the older
men; since he it is who has given men this means of indulgence, as an
ally against the austerity of old age, for which wine was the best
medicine; so that, owing to it, we grow young again, and forget our
moroseness." And then he proceeds to say—"But there is a report and
story told that this god was once deprived of his mind and senses by
his mother-in-law, Juno; on which account he sent Bacchic frenzy, and
all sorts of frantic rage, among men, out of revenge for the treatment
which he had experienced; on which account also he gave wine to men."
56. But Phalæus, in his Epigrams, makes mention of a woman, whose name
was Cleo, as having been a very hard drinker—
Cleo bestow'd this splendid gift on Bacchus,
The tunic, fringed with gold and saffron hues,
Which long she wore herself; so great she was
At feasts and revelry: there was no man
Who could at all contend with her in drinking.
And it is a well-known fact that all the race of women is fond of
drinking. And it was not without some wit that Xenarchus introduces, in
his Pentathlum, a woman swearing this most horrible oath:—
May it be granted me to pass from life
Drinking abundant draughts of wine, while you,
My darling daughter, live and prosper here.
But among the Romans, as Polybius says, in his sixth book, it was
forbidden to women to drink wine at all. However, they drink what is
called Passum; and that is made of raisins, and when drank is very like
the sweet Ægosthenite and Cretan wine, on which account men use it
when oppressed by excessive thirst. And it is impossible for a woman
to drink wine without being detected: for, first of all, she has not
the key of the cellar; and, in the next place, she is bound to kiss her
relations, and those of her husband, down to cousins, and to do this
every day when she first sees them; and besides this, she is forced to
be on her best behaviour, as it is quite uncertain whom she may chance
to meet; for if she has merely tasted wine, it needs no informer, but
is sure to betray itself."
And Alcimus the Sicilian, in that book of his which is entitled the
Italian History, says that all the women in Italy avoid drinking wine
on this account: "When Hercules was in the district of the Crotoniatæ,
he one day was very thirsty, and came to a certain house by the wayside
and asked for something to drink; and it happened that the wife of the
master of the house had privily opened a cask of wine, and therefore
she said to her husband that it would be a shameful thing for him to
open this cask for a stranger; and so she bade him give Hercules some
water. But Hercules, who was standing at the door, and heard all this,
praised her husband very much, but advised him to go indoors himself
and look at the cask. And when he had gone in, he found that the cask
had become petrified. And this fact is proved by the conduct of the
women of the country, among whom it is reckoned disgraceful, to this
day, to drink wine, on account of the above-mentioned reason."
FEMALE DRINKERS.
57. And what sort of women those among the Greeks are who get drunk,
Antiphanes tells us, in his Female Darter; where he says—
There is a certain neighbouring victualler,
And he, whenever I arrive, being thirsty,
Is th' only man who knows the proper way
In which to mix my wine; and makes it not
Too full of water, nor too strong and heady:
I recollect that once when I was drinking . . . . .
And, in his Woman Initiated, (and it is women who are conversing,) he
writes—
A. Would you now like, my dearest friend, to drink?
B. No doubt I should.
A. Well come, then, take a cup;
For they do say the first three cups one takes
All tend to th' honour of the heavenly gods.
And Alexis, in his Female Dancer, says—
A. But women are quite sure to be content
If they have only wine enough to drink.
B. But, by the heavenly twins, we now shall have
As much as we can wish; and it shall be
Sweet, and not griping,—rich, well-season'd wine,
Exceeding old.
A. I like this aged sphinx;
For hear how now she talks to me in riddles.
And so on. And, in his Jupiter the Mourner, he mentions a certain woman
named Zopyra, and says—
Zopyra, that wine-cask.
Antiphanes, in his Female Bacchanalians—
But since this now is not the case, I'm sure
He is a wretched man who ever marries
Except among the Scythians; for their country
Is the sole land which does not bear the vine.
And Xenarchus, in his Pentathlum, says—
I write a woman's oath in mighty wine.
58. Plato, in his Phaon, relating how many things happen to women
because of wine, says—
Come now, ye women, long ago have I
Pray'd that this wine may thus become your folly;
For you don't think, as the old proverb goes,
That there is any wisdom at a vintner's.
For if you now desire to see Phaon,
You first must all these solemn rites perform.
First, as the nurse of youths, I must receive
A vigorous cheesecake, and a pregnant mealcake,
And sixteen thrushes whole, well smear'd with honey,
Twelve hares, all taken when the moon was full;
But all the other things may be got cheaply.
Now listen. Three half-measures of fine onions;
These for Orthanna. For Conisalus
And his two mates, a plate of myrtleberries,
Pluck'd with the hand: for the great Gods above
Dislike the smell of lamps. . . . . . . . .
. . . . . . for the dogs and huntsmen.
A drachma for Lordon; for Cybdasus,
Three obols; for the mighty hero Celes,
Some hides and incense. Now if you bring
These things, you'll certainly obtain admittance;
But if you don't, you'll knock in vain, and long
In vain to enter, and get nothing by it.
And Axionicus says, in his Philinna—
Just trust a woman to drink only water.
59. And whole nations are mentioned as addicted to drunkenness.
Accordingly, Bæton, the measurer of distances for Alexander, in his
book which is entitled Stations of the March of Alexander, and Amyntas
also, in his Stations, says that the nation of the Tapyri is so fond
of wine that they never use any other unguent than that. And Ctesias
tells the same story, in his book Concerning the Revenues in Asia. And
he says that they are a most just people. And Harmodius of Lepreum, in
his treatise on the Laws in force among the people of Phigalea, says
that the Phigaleans are addicted to drinking, being neighbours of the
Messenians, and being also a people much accustomed to travelling.
And Phylarchus, in his sixth book, says that the Byzantians are so
exceedingly fond of wine, that they live in the wine-shops and let
out their own houses and their wives also to strangers: and that they
cannot bear to hear the sound of a trumpet even in their sleep. On
which account once, when they were attacked by the enemy, and could not
endure the labour of defending their walls, Leonidas, their general,
ordered the innkeepers' booths to be erected as tents upon the walls,
and even then it was with difficulty that they were stopped from
deserting, as Damon tells us, in his book on Byzantium. But Menander,
in his play called the Woman carrying the Mysterious sacred Vessels of
Minerva, or the Female Flute-player, says—
Byzantium makes all the merchants drunk.
On your account we drank the whole night long,
And right strong wine too, as it seems to me,—
At least I got up with four heads, I think.
THE ILLYRIANS.
And the Argives too are ridiculed by the comic poets as addicted to
drunkenness; and so are the Tirynthians by Ephippus, in his Busiris.
And he introduces Hercules as saying—
A. For how in the name of all the gods at once,
Do you not know me, the Tirynthian Argive?
That race fights all its battles when 'tis drunk.
B. And that is why they always run away.
And Eubulus, in his Man Glued, says that the Milesians are very
insolent when they are drunk. And Polemo, in his treatise on the
Inscriptions to be found in Cities, speaking of the Eleans, produces
this epigram:—
Elis is always drunk, and always lying:
As is each single house, so is the city.
60. And Theopompus, in his twenty-second book, speaking of the
Chalcidians in Thrace, says: "For they disregarded all the most
excellent habits, rushing readily with great eagerness to drinking and
laziness, and every sort of intemperance. And all the Thracians are
addicted to drinking; on which account Callimachus says—
For he could hardly bear the Thracian way
Of drinking monstrous goblets at one draught;
And always did prefer a smaller cup."
And, in his fiftieth book, Theopompus makes this statement about the
Methymnæans: "And they live on the most sumptuous kind of food, lying
down and drinking—and never doing anything at all worthy of the
expense that they went to. So Cleomenes the tyrant stopped all this;
he who also ordered the female pimps, who were accustomed to seduce
free-born women, and also three or four of the most nobly born of those
who had been induced to prostitute themselves, to be sewn in sacks
and thrown into the sea." And Hermippus, in his account of the Seven
Wise Men, says Periander did the same thing. But in the second book
of his History of the Exploits of Philip he says, "The Illyrians both
eat and drink in a sitting posture; and they take their wives to their
entertainments; and it is reckoned a decorous custom for the women to
pledge the guests who are present. And they lead home their husbands
from their drinking-parties; and they all live plainly, and when they
drink, they girdle their stomach with broad girdles, and at first they
do so moderately; but when they drink more vehemently, then they keep
contracting their belt. And the Ariæans," says he, "have three hundred
thousand slaves whom they call prospelatæ, and who correspond to the
Helots; and they get drunk every day, and make large entertainments,
and are very intemperate in their eating and drinking. On which account
the Celtæ when making war upon them, knowing their intemperance,
ordered all the soldiers to prepare as superb a feast as possible in
the tent, and to put in the food some medicinal herbs which had the
power to gripe and purge the bowels exceedingly. And when this had been
done . . . . And so some of them were taken by the Celtæ and put to death,
and some threw themselves into the rivers, being unable to endure the
pains which they were suffering in their stomachs."
61. Now, after Democritus had uttered all this long uninterrupted
discourse, Pontianus said that wine was the metropolis of all these
evils; and it was owing to this that drunkenness, and madness, and all
sorts of debauchery took place; and that those people who were too much
addicted to it were not unappropriately called rowers of cups, by that
Dionysius who is surnamed the Brazen, in his Elegies, where he says—
And those who bring their wine in Bacchus' rowing,
Sailors through feasts, and rowers of large cups.
And concerning this class of men, (for it is not extinct,) Alexis, in
his Curia, speaking of some one who drunk to excess, says—
This then my son is such in disposition
As you have just beheld him. An Œnopion,
Or Maron, or Capelus, or Timoclees,
For he's a drunkard, nothing more nor less.
And for the other, what can I call him?
A lump of earth, a plough, an earth-born man.
So getting drunk is a bad thing, my good friends; and the same Alexis
says, with great cleverness, to those who swallow wine in this way, in
his Opora, (and the play is called after a courtesan of that name,)—
Are you then full of such a quantity
Of unmix'd wine, and yet avoid to vomit?
And in his Ring he says—
Is not, then, drunkenness the greatest evil,
And most injurious to the human race?
EVILS OF DRUNKENNESS.
And in his Steward he says—
For much wine is the cause of many crimes.
And Crobylus, in his Female Deserter, says—
What pleasure, prithee tell me, can there be
In getting always drunk? in, while still living,
Yourself depriving thus of all your senses;
The greatest good which nature e'er has given?
Therefore it is not right to get drunk; for "A city which has been
governed by a democracy," says Plato, in the eighth book of his Polity,
"when it has thirsted for freedom, if it meets with bad cupbearers
to help it, and if, drinking of the desired draught too deeply, it
becomes intoxicated, then punishes its magistrates if they are not very
gentle indeed, and if they do not allow it a great deal of licence,
blaming them as wicked and oligarchical; and those people who obey
the magistrates it insults." And, in the sixth book of his Laws, he
says—"A city ought to be like a well-mixed goblet, in which the wine
which is poured in rages; but being restrained by the opposite and
sober deity, enters into a good partnership with it, and so produces a
good and moderate drink."
62. For profligate debauchery is engendered by drunkenness. On which
account Antiphanes, in his Arcadia, says—
For it, O father, never can become
A sober man to seek debauchery,
Nor yet to serious cares to give his mind,
When it is rather time to drink and feast.
But he that cherishes superhuman thoughts,
Trusting to small and miserable riches,
Shall at some future time himself discover
That he is only like his fellow-men,
If he looks, like a doctor, at the tokens,
And sees which way his veins go, up or down,
On which the life of mortal man depends.
And, in his Æolus, mentioning with indignation the evil deeds which
those who are great drinkers do, he says—
Macareus, when smitten with unholy love
For one of his own sisters, for a while
Repress'd the evil thought, and check'd himself;
But after some short time he wine admitted
To be his general, under whose sole lead
Audacity takes the place of prudent counsel,
And so by night his purpose he accomplish'd.
And well, therefore, did Aristophanes term wine the milk of Venus,
saying—
And wine, the milk of Venus, sweet to drink;
because men, after having drunk too much of it, have often conceived a
desire for illicit amours.
63. But Hegesander the Delphian speaks of some men as ἔξοινοι;
by which term he means, overtaken with wine; speaking thus:—"Comeon
and Rhodophon being two of the ministers who managed the affairs of
Rhodes, were both drunk; and Comeon attacking Rhodophon as a gambler,
said—
O you old man, the crew of youthful gamblers
Beyond a doubt are pressing hard upon you.
And Rhodophon reproached him with his passion for women, and with
his incontinence, abstaining from no sort of abuse." And Theopompus,
in the sixteenth book of his Histories, speaking of another Rhodian,
says—"When Hegesilochus had become perfectly useless, partly from
drunkenness and gambling, and when he had utterly lost all credit among
the Rhodians, and when instead his whole course of life was found
fault with by his own companions and by the rest of the citizens." . . . . .
Then he goes on to speak of the oligarchy which he established with
his friends, saying—"And they violated a great number of nobly-born
women, wives of the first men in the state; and they corrupted no small
number of boys and young men; and they carried their profligacy to such
a height that they even ventured to play with one another at dice for
the free-born women, and they made a bargain which of the nobly-born
matrons he who threw the lowest number on the dice should bring to
the winner for the purpose of being ravished; allowing no exception
at all; but the loser was bound to bring her to the place appointed,
in whatever way he could, using persuasion, or even force if that was
necessary. And some of the other Rhodians also played at dice in this
fashion; but the most frequent and open of all the players in this way
was Hegesilochus, who aspired to become the governor of the city."
EVILS OF DRUNKENNESS.
And Antheas the Lindian, who claimed to be considered a relation
of Cleobulus the philosopher, as Philodemus reports, in his treatise
on the Sminthians in Rhodes, being an oldish man, and very rich,
and being also an accomplished poet, celebrated the festivals in
honour of Bacchus all his life, wearing a dress such as is worn by
the votaries of Bacchus, and maintaining a troop of fellow-revellers.
And he was constantly leading revels both day and night; and he was
the first man who invented that kind of poetry which depends upon
compound words, which Asopodorus the Phliasian afterwards employed in
his conversational Iambics. And he too used to write comedies and many
other pieces in the same style of poetry, which he used to recite to
his phallus-bearers.
64. When Ulpian had heard all this he said,—Tell me, my good
Pontianus, says he, in what author does the word πάροινος
occur? And he replied—
You will undo me with your questions . .
(as the excellent Agatho says)—
. . . . and your new fashion,
Always talking at an unseasonable time.
But since it is decided that we are to be responsible to you for every
word, Antiphanes, in his Lydian, has said—
A Colchian man drunken and quarrelsome (πάροινος).
But you are not yet satisfied about your πάροινοι, and
drunkards; nor do you consider that Eumenes the king of Pergamus, the
nephew of Philetærus, who had formerly been king of Pergamus, died of
drunkenness, as Ctesicles relates, in the third book of his Times. But,
however, Perseus, whose power was put down by the Romans, did not die
in that way; for he did not imitate his father Philip in anything; for
he was not eager about women, nor was he fond of wine; but when at a
feast he was not only moderate himself, but all his friends who were
with him were so too, as Polybius relates, in his twenty-sixth book.
But you, O Ulpian, are a most immoderate drinker yourself (ἀῤῥυθμοπότης),
as Timon the Phliasian calls it. For so he called
those men who drink a great quantity of unmixed wine, in the second
book of his Silli—
Or that great ox-goad, harder than Lycurgus's,
Who smote the ἀῤῥυθμόποται of Bacchus,
And threw their cups and brimming ladles down.
For I do not call you simply ποτικὸς, or fond of drinking; and
this last is a word which Alcæus has used, in his Ganymede. And that
a habit of getting drunk deceives our eyesight, Anacharsis has shown
plainly enough, in what he says where he shows that mistaken opinions
are taken up by drunken men. For a fellow-drinker of his once, seeing
his wife at a banquet, said, "O Anacharsis, you have married an ugly
woman." And he replied, "Indeed I think so too, but however now, give
me, O boy, a cup of stronger wine, that I may make her out beautiful."
65. After this Ulpian, pledging one of his companions, said,—But, my
dear friend, according to Antiphanes, who says, in his Countryman—
A. Shut now your eyes, and drink it all at once.
B. 'Tis a great undertaking.
A. Not for one
Who has experience in mighty draughts.
Drink then, my friend; and—
A. Let us not always drink
(as the same Antiphanes says, in his Wounded Man,)
Full cups, but let some reason and discussion
Come in between, and some short pretty songs;
Let some sweet strophes sound. There is no work,
Or only one at least, I tell you true,
In which some variation is not pleasant.
B. Give me, then, now at once, I beg you, wine,
Strengthening the limbs (ἀρκεσίγυιον), as says Euripides—
A. Aye, did Euripides use such a word?
B. No doubt—who else?
A. It may have been Philoxenus,
'Tis all the same; my friend, you now convict me,
Or seek to do so, for one syllable.
And he said,—But who has ever used this form πῖθι̣? And
Ulpian replied,—Why, you are all in the dark, my friend, from having
drunk such a quantity of wine. You have it in Cratinus, in his
Ulysses,—
Take now this cup, and when you've taken, drink it (πῖθι),
And then ask me my name.
And Antiphanes, in his Mystic, says—
A. Still drink (πῖθι), I bid you.
B. I'll obey you, then,
For certainly a goblet's figure is
A most seductive shape, and fairly worthy
The glory of a festival. We have—
Have not we? (for it is not long ago)—
Drunk out of cruets of vile earthenware.
May the Gods now, my child, give happiness
And all good fortune to the clever workman
For the fair shape that he bestow'd on thee.
FORMS OF ΠΙΝΩ.
And Diphilus, in his Bath, says—
Fill the cup full, and hide the mortal part,
The goblet made by man, with godlike wine:
Drink (πῖθι); these are gifts, my father, given us
By the good Jove, who thus protects companionship.
And Ameipsias, in his Sling, says—
When you have stirr'd the sea-hare, take and drink (πῖθι).
And Menander, in his Female Flute-player, says—
Away with you; have you ne'er drunk, O Sosilas?
Drink (πῖθι) now, I beg, for you are wondrous mad.
66. And in the future tense of πίνω, we should not read πιοῦμαι, but
πιόμαι without the υ, lengthening the ι. And this is the way the future
is formed in that line of Homer—
(πιόμεν᾽ ἐκ βοτάνης) Drank after feeding.
And Aristophanes, in his Knights, says—
He ne'er shall drink (πίεται) of the same cup with me:
and in another place he says—
Thou shalt this day drink (πίει) the most bitter wine;
though this might, perhaps, come from πιοῦμαι. Sometimes,
however, they shorten the ι, as Plato does, in his Women
Returning from Sacrifice—
Nor he who drinks up (ἐκπίεται) all her property:
and in his Syrphax he says—
And ye shall drink (πίεσθε) much water.
And Menander uses the word πῖε as a dissyllable, in his
Dagger—
A. Drink (πῖε).
B. I will compel this wretch,
This sacrilegious wretch, to drink (πιεῖν) it first:
and the expression τῆ πίε, take and drink, and πῖνε, drink. So do you,
my friend, drink; and as Alexis says, in his Twins,—
Pledge you (πρόπιθι) this man, that he may pledge another.
And let it be a cup of comradeship, which Anaceron calls ἐπίστιος.
For that great lyric poet says—
And do not chatter like the wave
Of the loud brawling sea, with that
Ever-loquacious Gastrodora,
Drinking the cup ἐπίστιος.
But the name which we give it is ἀνίσων.
67. But do not you be afraid to drink; nor will you be in any danger
of falling on your hinder parts; for the people who drink what
Simonides calls—
Wine, the brave router of all melancholy,
can never suffer such a mischance as that. But as Aristotle says, in
his book on Drunkenness, they who have drunk beer, which they call
πῖνος, fall on their backs. For he says, “But there is a peculiarity
in the effects of the drink made from barley, which they call πῖνος,
for they who get drunk on other intoxicating liquors fall on all parts
of their body; they fall on the left side, on the right side, on their
faces, and on their backs. But it is only those who get drunk on beer
who fall on their backs, and lie with their faces upwards.” But the
wine which is made of barley is by some called βρύτος, as Sophocles
says, in his Triptolemus—
And not to drink the earthy beer (βρύτον).
And Archilochus says—
And she did vomit wine as any Thracian
Might vomit beer (βρύτον), and played the wanton stooping.
And Æschylus, also, mentions this drink, in his Lycurgus—
And after this he drank his beer (βρύτον), and much
And loudly bragg'd in that most valiant house.
But Hellanicus, in his Origins, says that beer is made also out of
roots, and he writes thus:—"But they drink beer (βρύτον) made of roots,
as the Thracians drink it made of barley." And Hecatæus,
in the second book of his Description of the World, speaking of the
Egyptians, and saying that they are great bread-eaters, adds, "They
bruise barley so as to make a drink of it." And, in his Voyage round
Europe, he says that "the Pæonians drink beer made of barley,
and a liquor called παραβίη, made of millet and conyza. And they
anoint themselves," adds he, "with oil made of milk." And this is
enough to say on these topics.
68.
But in our time dear to the thyrsus-bearers
Is rosy wine, and greatest of all gods
Is Bacchus.
As Ion the Chian says, in his Elegies—
For this is pretext fit for many a song;
The great assemblies of th' united Greeks,
The feasts of kings, do from this gift proceed,
Since first the vine, with hoary bunches laden,
Push'd from beneath the ground its fertile shoots,
Clasping the poplar in its firm embrace,
And from its buds burst forth a numerous race,
ΓΡΙΦΟΙ.
Crashing, as one upon the other press'd;
But when the noise has ceased they yield their juice,
Divinest nectar, which to mortal men
Is ever the sole remedy for care,
And common cause of joy and cheerfulness.
Parent of feasts, and laughter, and the dance,
Wine shows the disposition of the good,
And strengthens all their noble qualities.
Hail! then, O Bacchus, president of feasts,
Dear to all men who love the wreathed flowers;
Give us, kind God, an age of happiness,
To drink, and play, and cherish just designs.
But Amphis, in his Philadelphi, praising the life of those who are fond
of drinking, says:—
For many causes do I think our life,
The life of those who drink, a happy one;
And happier far than yours, whose wisdom all
Lies in a stern and solemn-looking brow.
For that slow prudence which is always busy
In settling small affairs, which with minuteness,
And vain solicitude, keeps hunting trifles,
Fears boldly to advance in things of weight;
But our mind, not too fond of scrutinising
Th' exact result of every trifling measure,
Is ever for prompt deeds of spirit ready.
69. And when Ulpian was about to add something to this Æmilianus
said,—It is time for us, my friends, to inquire in some degree about
γρῖφοι, that we may leave our cups for a little while, not indeed in
the spirit of that work which is entitled the Grammatical Tragedy of
Callias the Athenian: but let us first inquire what is the definition
of what we call a γρῖφος . . . . And we may omit what Cleobulina of Lindus
has proposed in her Epigrams; for our companion, Diotimus of Olympia,
has discussed that point sufficiently; but we must consider how the
comic poets have mentioned it, and what punishment those who have
failed to solve it have undergone. And Laurentius said,—Clearchus
the Solensian defines the word thus: "Γρῖφος," says he, "is a
sportive problem, in which we are bidden to seek out, by the exertion
of our intellect and powers of investigation, what is proposed to us,
which has been uttered for the sake of some honour or some penalty."
And in his discussion on these griphi, the same Clearchus asserts that
"there are seven kinds of griphi. In the letter, when we say that there
is a certain name of a fish or plant, beginning with α. And
similarly, when he who proposes the griphus desires us to mention
some name in which some particular letter is or is not. Such are
those which are called sigma-less griphi; on which account Pindar has
composed an ode on the ς, as if some griphus had been proposed to
him as a subject for a lyric poem. Then griphi are said to be in the
syllable, when we are desired to recite some verse which begins with
the syllable βα, as with βασιλεὺς, for instance, or which ends with
ναξ, as Καλλιάναξ, or some in which the syllables Λεων take the lead,
as Λεωνίδης, or on the other hand close the sentence, as Θρασυλέων.
They are in the name, when we utter simple or compound names of two
syllables, by which some tragic figure, or on the other hand some
humble one, is indicated; or some names which have no connexion with
anything divine, as Κλεώνυμος, or which have some such connexion, as
Διονύσιος: and this, too, whether the connexion be with one God or
with more, as ῾Eρμαφρόδιτος; or whether the name begins with Jupiter,
as Διοκλῆς, or with Mercury, as Ὲρμόδωρος; or whether it ends, as it
perhaps may, with νῖκος. And then they who were desired to say such
and such things, and could not, had to drain the cup.” And Clearchus
defined the word in this way. And now you, my good friend Ulpian, may
inquire what the cup to be drained is.
70. But concerning these griphi, Antiphanes says, in his Cnoethis, or
the Pot-bellied Man—
A. I thought before that those who while at meals
Bade me solve griphi, were the silliest triflers,
Talking mere nonsense. And when any one
Was bade to say what a man bore and bore not,
I laugh'd and thought it utter childishness;
And did not think that truth did lie beneath,
But reckon'd them as traps for the unwary.
But now, indeed, I see there is some truth in them;
For we, ten men, contribute now for supper,
But no one of them all bears what he brings,
So here's a case where he who bears bears not,
And this is just the meaning of a griphus.
So surely this may fairly be excused;
But others play tricks with the things themselves,
Paying no money, as, for instance, Philip.
B. A wise and fortunate man, by Jove, is he.
And in his Aphrodisian he says—
ΓΡΙΦΟΙ.
A. Suppose I want to say now "dish" to you,
Shall I say "dish," or shall I rather say,
A hollow-bodied vessel, made of earth,
Form'd by the potter's wheel in rapid swing,
Baked in another mansion of its mother,
Which holds within its net the tender milk-fed
Offspring of new-born flocks untimely choked?
B. By Hercules, you'll kill me straight if you
Do not in plain words say a "dish of meat."
A. 'Tis well. And shall I speak to you of drops
Flowing from bleating goats, and well compounded
With streams proceeding from the yellow bee,
Sitting on a broad receptacle provided
By the chaste virgin born of holy Ceres,
And now luxuriating beneath a host
Of countless finely-wrought integuments;
Or shall I say "a cheesecake?"
B. Prithee say
A cheesecake.
A. Shall I speak of rosy sweat
From Bacchic spring?
B. I'd rather you'd say wine.
A. Or shall I speak of dusky dewy drops?
B. No such long paraphrase,—say plainly, water.
A. Or shall I praise the cassia-breathing fragrance
That scents the air?
B. No, call it myrrh,—forbear
Those sad long-winded sentences, those long
And roundabout periphrases; it seems
To me by far too great a labour thus
To dwell on matters which are small themselves,
And only great in such immense descriptions.
71. And Alexis, in his Sleep, proposes a griphus of this kind—
A. It is not mortal, nor immortal either,
But as it were compounded of the two,
So that it neither lives the life of man,
Nor yet of God, but is incessantly
New born again, and then again deprived
Of this its present life; invisible,
Yet it is known and recognised by all.
B. You always do delight, O lady, in riddles.
A. No, I am speaking plain and simple things.
B. What child then is there which has such a nature?
A. 'Tis sleep, my girl, victor of human toils.
And Eubulus, in his Sphingocarion, proposes griphi of this kind,
himself afterwards giving the solution of them—
A. There is a thing which speaks, yet has no tongue;
A female of the same name as the male;
The steward of the winds, which it holds fast;
Rough, and yet sometimes smooth; full of dark voices
Scarce to be understood by learned men;
Producing harmony after harmony;
'Tis one thing, and yet many; e'en if wounded
'Tis still invulnerable and unhurt.
B. What can that be?
A. Why, don't you know, Callistratus?
It is a bellows.
B. You are joking now.
A. No; don't it speak, although it has no tongue?
Has it not but one name with many people?
Is't not unhurt, though with a wound i' the centre?
Is it not sometimes rough, and sometimes smooth?
Is it not, too, a guardian of much wind?
Again:—
There is an animal with a locust's eye,
With a sharp mouth, and double deathful head;
A mighty warrior, who slays a race
Of unborn children.
('Tis the Egyptian ichneumon.)
For he does seize upon the crocodile's eggs,
And, ere the latent offspring is quite form'd,
Breaks and destroys them: he's a double head,
For he can sting with one end, and bite with th' other.
Again:—
I know a thing which, while it's young, is heavy,
But when it's old, though void of wings, can fly
With lightest motion, out of sight o' th' earth.
This is thistledown. For it—
While it is young, stands solid in its seed,
But when it loses that, is light and flies,
Blown about every way by playful children.
Listen, now, to this one—
There is an image all whose upper part
Is its foundation, while the lower part
Is open; bored all through from head to feet;
'Tis sharp, and brings forth men in threefold way,
Some of whom gain the lot of life, some lose it:
All have it; but I bid them all beware.
And you yourselves may decide here, that he means the box into which
the votes are thrown, so that we may not borrow everything from Eubulus.
ΓΡΙΦΟΙ.
72. And Antiphanes, in his Problem, says—
A. A man who threw his net o'er many fish,
Though full of hope, after much toil and cost,
Caught only one small perch. And 'twas a cestreus,
Deceived itself, who brought this perch within,
For the perch followeth the blacktail gladly.
B. A cestreus, blacktail, perch, and man, and net,—
I don't know what you mean; there's no sense in it.
A. Wait while I clearly now explain myself:
There is a man who giving all he has,
When giving it, knows not to whom he gives it,
Nor knows he has the things he does not need.
B. Giving, not giving, having, and not having,—
I do not understand one word of this.
A. These were the very words of this same griphus.
For what you know you do not just now know,
What you have given, or what you have instead.
This was the meaning.
B. Well, I should be glad
To give you too a griphus.
A. Well, let's have it.
B. A pinna and a mullet, two fish, both
Endued with voices, had a conversation,
And talk'd of many things; but did not say
What they were talking of, nor whom they thought
They were addressing; for they both did fail
In seeing who it was to whom they talk'd.
And so, while they kept talking to each other,
The goddess Ceres came and both destroy'd.
73. And in his play called Sappho, Antiphanes represents the poetess
herself as proposing griphi, which we may call riddles, in this manner:
and then some one else is represented as solving them. For she says—
S. There is a female thing which holds her young
Safely beneath her bosom; they, though mute,
Cease not to utter a loud-sounding voice
Across the swelling sea, and o'er the land,
Speaking to every mortal that they choose;
But those who present are can nothing hear,
Still they have some sensation of faint sound.
And some one, solving this riddle, says—
B. The female thing you speak of is a city;
The children whom it nourishes, orators;
They, crying out, bring from across the sea,
From Asia and from Thrace, all sorts of presents:
The people still is near them while they feed on it,
And pour reproaches ceaselessly around,
While it nor hears nor sees aught that they do.
S. But how, my father, tell me, in God's name,
Can you e'er say an orator is mute,
Unless, indeed, he's been three times convicted?
B. And yet I thought that I did understand
The riddle rightly. Tell me then yourself.
And so then he introduces Sappho herself solving the riddle, thus—
S. The female thing you speak of is a letter,
The young she bears about her is the writing:
They're mute themselves, yet speak to those afar off
Whene'er they please. And yet a bystander,
However near he may be, hears no sound
From him who has received and reads the letter.
74. And Diphilus, in his Theseus, says that there were once three
Samian damsels, who, on the day of the festival of Adonis, used to
delight themselves in solving riddles at their feasts. And that when
some one had proposed to them this riddle, "What is the strongest of
all things?" one said iron, and alleged the following reasons for her
opinion, because that is the instrument with which men dig and cut, and
that is the material which they use for all purposes. And when she had
been applauded, the second damsel said that a blacksmith exerted much
greater strength, for that he, when he was at work, bent this strong
iron, and softened it, and used it for whatever purposes he chose. And
the third said, they were both wrong, and that love was the strongest
thing of all, for that love could subdue a blacksmith.
And Achæus the Eretrian, though he is usually a very clear poet as
respects the structure of his poems, sometimes makes his language
obscure, and says many things in an enigmatical style; as, for
instance, in his Iris, which is a satyric play. For he says, "A cruet
of litharge full of ointment was suspended from a Spartan tablet,
written upon and twisted on a double stick;" meaning to say a white
strap, from which a silver cruet was suspended; and he has spoken of
a Spartan written tablet when he merely meant the Spartan scytale.
And that the Lacedæmonians put a white strap, on which they wrote
whatever they wished, around the scytale, we are told plainly enough by
Apollonius Rhodius, in his Treatise on Archilochus. And Stesichorus, in
his Helen, speaks of a footpan of litharge; and Ion, in his Phoenix or
Cæneus, calls the birdlime the sweat of the oak, saying—
The sweat of oaks, and a long leafy branch
Cut from a bush supports me, and a thread
Drawn from Egyptian linen, clever snare
To catch the flying birds.
RIDDLES.
75. And Hermippus says, that Theodectes of Phaselus, in
his book on the Pupils of Isocrates, was a wonderfully clever man at
discovering any riddles that might be proposed to him, and that he too
could propose riddles to others with great acuteness. As that riddle
about shade, for instance;—for he said that there was a nature which
is greatest at its birth and at its decease, and least when at its
height. And he speaks thus:—
Of all the things the genial earth produces,
Or the deep sea, there is no single one,
Nor any man or other animal
Whose growth at all can correspond to this:
For when it first is born its size is greatest;
At middle age 'tis scarcely visible,
So small it's grown; but when 'tis old and hastens
Nigh to its end, it then becomes again
Greater than all the objects that surround it.
And in the Œdipus, which is a tragedy, he speaks of night and day in
the following riddle:—
There are two sisters, one of whom brings forth
The other, and in turn becomes its daughter.
And Callisthenes, in his Greek History, tells the following story,
that "when the Arcadians were besieging Cromnus, (and that is a small
town near Megalopolis,) Hippodamus the Lacedæmonian, being one of
the besieged persons, gave a message to the herald who came to them
from the Lacedæmonians, showing the condition in which they were by
a riddle, and he bade him tell his mother—'to be sure and release
within the next ten days the little woman who was bound in the temple
of Apollo; as it would not be possible to release her if they let those
days elapse.' And by this message he plainly enough intimated what he
was desirous to have understood; for the little woman meant is Famine,
of which there was a picture in the temple of Apollo, near the throne
of Apollo, and it was represented under a woman's form; so it was
evident to every one that those who were besieged could hold out only
ten days more because of famine. So the Lacedæmonians, understanding
the meaning of what had been said, brought succour with great speed to
the men in Cromnus."
76. There are also many other riddles, such as this:—
I saw a man who by the means of fire
Was glueing brass unto another man
So closely that they two became like brothers.
And this expression means the application of a cupping-glass. And a
similar one is that of Panarces, mentioned by Clearchus, in his Essay
on Griphi, that "A man who is not a man, with a stone which was not a
stone, struck a bird which was not a bird, sitting on a tree which was
not a tree." For the things alluded to here are a eunuch, a piece of
pumice-stone, a bat, and a narthex
[48]. And Plato, in the fifth book
of his Laws,
[49] alludes to this riddle, where he says, that those
philosophers who occupy themselves about minute arts, are like those
who, at banquets, doubt what to eat, and resemble too the boys' riddle
about the stone thrown by the eunuch, and about the bat, and about the
place from which they say that the eunuch struck down the bat, and the
engine with which he did it.
77. And of this sort also are those enigmatical sayings of Pythagoras,
as Demetrius of Byzantium says, in the fourth book of his treatise on
Poets, where, for instance, he says, "A man should not eat his heart;"
meaning, "a man should cultivate cheerfulness." "One should not stir
the fire with a sword;" meaning, "one should not provoke an angry man;"
for anger is fire, and quarrelsomeness is a sword. "One should not
step over a yoke;" meaning, "one should avoid and hate all kinds of
covetousness, but seek equality." "One should not travel along the high
road;" meaning, "one should not follow the opinions of the multitude,
(for the common people approve of whatever they take in their heads
without any fixed principle,) but one should rather go on the straight
road, using sense as one's guide." "One should not sit down upon a
bushel;" meaning, "one should not be content with merely considering
what is sufficient for the present day, but one should always have an
eye to the future" * * * * * * * * *[50] "For death is the boundary and
limit of life;" and this saying is meant to forbid us approaching the
subject with anxiety and grief.
ΓΡΙΦΟΙ.
78. And Dromeas the Coan used to play at riddles in
much the same way as Theodectes, according to the statement of
Clearchus: and so did Aristonymus, the player on the harp, without any
vocal accompaniment: and so did that Cleon who was surnamed Mimaulus,
who was the best actor of Italian mimes that ever appeared on the
stage without a mask. For in the style of play which I have mentioned
already, he was superior even to Nymphodorus. And Ischomachus the
herald was an imitator of his, who used to give his representations in
the middle of a crowd, and after he had become celebrated, he altered
his style and used to act mimes at the jugglers' shows. And the riddles
which these men used to propose were of the following kind:—A clown
once had eaten too much, and was very unwell, and when the physician
asked him whether he had eaten to vomit, No, said he, but I ate to my
stomach. And another was,—A poor woman had a pain in her stomach,
and when the physician asked her whether she had anything[51] in her
stomach, How should I, said she, when I have eaten nothing for three
days?
And the writings of Aristonymus were full of pompous expressions: and
Sosiphanes the poet said to Cephisocles the actor, reproaching him as
a man fond of long words, "I would throw a stone at your loins, if I
were not afraid of wetting the bystanders." But the logical griphus is
the oldest kind, and the one most suited to the natural character of
such enigmatical language. "What do we all teach when we do not know it
ourselves?" and, "What is the same nowhere and everywhere?" and also,
"What is the same in the heavens and on the earth and in the sea?"
But this is a riddle arising from an identity of name; for there is a
bear, and a serpent, and an eagle, and a dog, both in the heavens and
on the earth and in the sea. And the other riddle means Time; for that
is the same to all people and everywhere, because it has not its nature
depending on one place. And the first riddle means "How to live:" for
though no one knows this himself, he teaches his neighbour.
79. And Callias the Athenian, whom we were discussing just now, and
who was a little before Strattis in point of time, wrote a play which
he called Grammatical Science; and the plot of it was as follows. The
prologue consists of the elements, and the actor should recite it,
dividing it into paragraphs, and making the termination in the manner
of a dramatic catastrophe, into "Alpha, beta, gamma, delta, eta, theta.
For ει is sacred to the God; iota, cappa, lambda, mu, nu, xu,
the diphthong ou, pi, rho, sigma, tau, the present υ, phi,
chi, which is next to psi, all down to omega." And the chorus consisted
of women, in pairs, made of two elements taken together, composed in
metre and lyrical odes in this fashion;—"Beta alpha ba, beta ei be,
beta eta be, beta iota bi, beta ou bo, beta upsilon bu, beta omega
bo." And then, again, in the antistrophe of the ode and of the metre,
"Gamma alpha, gamma ei, gamma eta, gamma iota, gamma omicron, gamma
upsilon, gamma omega." And in the same way he dealt with all other
syllables—all which have the same melody and the same metre in the
antistrophes. So that people not only suspect that Euripides drew all
his Medea from this drama, but they think that it is perfectly plain
that he drew the system of his choruses from it. And they say that
Sophocles, after he had heard this drama, endeavoured to divide his
poem in respect of the metre, and did it thus, in the Œdipus,—
I shall not grieve myself nor you,
Being convicted of this action.
On which account, all the rest admitted the system of antistrophes from
his example, as it should seem, into their tragedies. Then, after this
chorus, Callias introduces another speech of vowels, in this manner:
(and this also the reciter must divide into paragraphs in the same way
as the previous portions, in order that that delivery may be preserved
which the author originally intended)—
Alpha alone, O woman; then one should
Say Ει alone in the second place: next,
Still by itself you will say, thirdly, Eta;
Fourth, still alone, Iota; fifthly, Ou.
In the sixth place, Upsilon by itself.
The last of all the seven vowels is
The slow-paced Omega. The seven vowels
In seven verses; and when you've recited
All these, then go and ponder by yourself.
80. Callias was also the first man who taught the elements of learning
by iambics, in a licentious sort of language, described in the
following manner—
EURIPIDES.
For I'm in labour, ladies; but from shame,
I will, my dear, in separate lines and letters,
Tell you the name of the child. There is a line
Upright and long; and from the middle of it
There juts forth on each side a little one,
With upward look: and next a circle comes,
On two short feet supported.
And afterwards, following this example, as any one may suspect,
Mæandrius the prose writer, turning away a little from the usual
pronunciation in his descriptions, wrote those things which are found
in his Precepts, in a less polished style than the above-mentioned
Callias. And Euripides appears to have followed the same model when he
composed those verses, in his Theseus, in which the elements of writing
are described. But the character is an illiterate shepherd, who is
showing that the name of Theseus is inscribed in the place in this way—
For I indeed do nothing know of letters,
But I will tell you all their shapes, and give
Clear indications by which you may judge.
There is a circle, round as though 't had been
Work'd in a lathe, and in its centre space
It has a visible sign. Then the second
Has first of all two lines, and these are parted
By one which cuts them both across the middle.
The third's a curly figure, wreathed round.
The fourth contains one line which mounts right up,
And in a transverse course three others hang
From its right side. The letter which comes fifth
Admits of no such easy explanation;
For there are two diverging lines above,
Which meet in one united line below.
The letter which comes last is like the third.
[So as to make Θ Ε Σ Ε Υ Σ]
And Agathon the tragic poet has composed a similar passage, in his
Telephus; for there also some illiterate man explains the way of
spelling Theseus thus:—
The letter which comes first is like a circle,
Divided by a navel in the middle;
Then come two upright lines well join'd together;
The third is something like a Scythian bow:
Next comes a trident placed upon its side;
And two lines branching from one lower stem:
The last again the same is as the third.
And Theodectes of Phaselus introduces an illiterate clown, who also
represents the name of Theseus in his own way—
The letter which comes first a circle is,
With one soft eye; then come two upright lines
Of equal and exact proportions,
United by one middle transverse line;
The third is like a wreathed curl of hair;
The next a trident lying on its side;
The fifth two lines of equal length above,
Which below join together in one base;
The sixth, as I have said before, a curl.
And Sophocles has said something like this, in his Amphiaraus, which is
a satyric drama, where he introduces an actor dancing in unison with
his explanation of the letters.
81. But Neoptolemus the Parian, in his treatise on Inscriptions, says
that this inscription is engraved on the tomb of Thrasymachus the
sophist at Chalcedon—
My name is Theta, ro, alpha, and san,
Upsilon, mu, alpha, chi, ou, san again:
Chalcedon was my home, wisdom my trade.
And there is a poem of this kind upon Pan, by Castorion the Solensian,
as Clearchus says: every foot[52]
consists of one entire word, and so every line has its feet in
pairs, so that they may either precede or follow each other; as for
instance—
σὲ τὸν βόλοις νιφοκτύποις δυσχείμερον
ναίονθ᾽ ἕδος, θηρονόμε πὰν, χθόν᾽ ᾿αρκάδων,
κλήσω γραφῇ τῇδ᾽ ἐν σοφῇ, πάγκψειτ᾽ ἔπη
συνθεὶς, ἄναξ, δύσγνωστα μὴ σοφοῖς κλύειν,
μουσοπόλε θὴρ, κηρόχυτον ὅς μείλιγμ᾽ ἱεῖς.
[Which may be translated thus—
O thou that dwellest on the lofty plain,
Stormy with deep loud-sounding falls of snow,
Th' Arcadian land,—lord of the forest kinds,
Thee, mighty Pan, will I invoke in this
Sagacious writing, carefully compounding
Words difficult for ignorant men to know,
Or rightly understand. Hail, friend o' the Muse,
Who pourest forth sweet sounds from waxen flute.]
And so on in the same manner. And in whatever order you place each
of these pairs of feet it will give the same metre; as you may, for
instance, transpose the first line, and instead of—
σὲ, τὸν βόλοις νιφοκτύποις δυσχείμερον,
you may read it—
νιφοκτύποις σὲ τὸν βόλοις δυσχείμερον.
ΓΡΙΦΟΙ.
You may also remark that each pair of feet consists of ten[53] letters;
and you may produce the same effect not in this way, but in a different
one, so as to have many ways of putting one line; for instead you may
read—
μέτρον φράσον μοι, τῶν ποδῶν μέτρον λαβών:
or this way—
λαβὼν μέτρον μοι τῶν ποδῶν, μέτρον φράσον.
[And you may take this line too—]
οὐ βούλομαι γὰρ τῶν ποδῶν μέτρον λαβεῖν,
[and transpose it thus—]
λαβεῖν μέτρον γὰρ τῶν ποδῶν οὐ βούλομαι.
82. But Pindar, with reference to the ode which was composed without a
σ in it, as the same Clearchus tells us, as if some griphus
had been proposed to him to be expressed in a lyric ode,—as many were
offended because they considered it impossible to abstain from the
σ, and because they did not approve of the way in which the
idea was executed, uttered this sentence—
Before long series of songs were heard,
And the ill-sounding san from out men's mouths.
And we may make use of this observation in opposition to those who
pronounce the sigma-less ode of Lasus of Hermione to be spurious, which
is entitled The Centaurs. And the ode which was composed by Lasus to
the Ceres in Hermione, has not a σ in it, as Heraclides of
Pontus says, in the third book of his treatise on Music, which begins—
I sing of Ceres and her daughter fair,
The bride of Clymenus.
83. And there are great numbers of other griphi. Here is one—
In a conspicuous land I had my birth,
The briny ocean girds my country round,
My mother is the daughter fair of Number.
By the conspicuous land (φανερὰ) he means Delos (as δῆλος is
synonymous with φανερὸς), and that is an island surrounded by the sea.
And the mother meant is Latona, who is the daughter of Coius, and
the Macedonians use κοῖος as synonymous with ἀριθμός. And the one on
barley-water (πτυσάνη)—
Mix the juice of peel'd barley, and then drink it.
And the name πτισάνη is derived from the verbs πτίσσω, to
pound, and ἄνω, to bruise. There is also the one
on the snail, which is quoted in the Definitions of Teucer—
An animal destitute of feet and spine
And bone, whose back is clad with horny shell,
With long, projecting, and retreating eyes.
And Antiphanes, in the Man who admires himself, says—
Coagulated, tender-bodied milk.
Dost understand me not? I mean new cheese.
And Anaxandrides, in his Ugly Woman, says—
He's lately cut it up; then he confined
The long, unbroken portions of the body
In earthen vases, wrought in crackling fire,—
A phrase, my men, invented by Timotheus,
Who meant to say in dishes.
And Timocles, in his Heroes, says—
A. And when the nurse of life was taken away,
Fierce hunger's foe, sweet friendship's guardian,
Physician of voracious hunger, which
Men call the table . . . .
B. How you tire yourself,
When you might say "the table" in a word.
And Plato, in his Adonis, saying that an oracle was given to Cinyras
concerning his son Adonis, reports it in these words—
O Cinyras, king of hairy Cyprians,
Your son is far the fairest of all men,
And the most admirable: but two deities
Lay hands upon him; one is driven on
By secret courses, and the other drives.
He means Venus and Bacchus; for both of them loved Adonis. And the
enigma of the Sphinx is reported by Asclepiades, in his essay on the
Subjects on which Tragedies have been written, to have been such as
this—
There is upon the earth an animal
With two feet, and with four, and eke with three,
And with one voice; and it alone, of all
The things which move on earth, or in the heavens,
Or o'er the boundless sea, doth change its nature;
But when its feet are of the greatest number,
Then is its speed the slowest, and strength least.
84. And there are also some sayings partaking of the character of
griphi, composed by Simonides, as is reported by Chamæleon of Heraclea,
in his treatise on the Life and Writings of Simonides—
ENIGMATICAL SAYINGS.
The father of a kid which roves for food,
And a sad fish, had their heads near together;
And when they had received beneath their eyelids
The son of Night, they did not choose to cherish
The bull-slaying servant of the sovereign Bacchus.
But some say that these verses were inscribed on some one of the
ancient offerings which were dedicated at Chalcis; and that on it were
represented the figures of a goat and a dolphin; to which animals
allusion is made in the above lines. And others say that a dolphin and
a goat were embossed in that part of a psaltery where the strings are
put in, and that they are what is meant here; and that the bull-slaying
servant of Bacchus is the dithyrambic. And others say that the ox which
is sacrificed to Bacchus in the town of Iulis is struck with an axe by
some one of the young men: and that the festival being near, the axe
had been sent to a forge, and Simonides, being then a young man, went
to the smith to fetch it; and that when he found the man asleep, and
his bellows and his tongs lying loosely about with their fore parts
touching one another, he then came back, and told the before-mentioned
problem to his friends. For the father of a kid he called the bellows,
and the sad fish the tongs (which is called καρκῖνος, or the crab).
The son of Night is sleep, and the bull-slaying servant of
Bacchus is the axe. And Simonides composed also another epigram which
causes perplexity to those who are ignorant of history—
I say that he who does not like to win
The grasshopper's prize, will give a mighty feast
To the Panopeiadean Epeus.
And it is said, that when he was sojourning at Carthea he used to train
choruses; and that the place where these exercises took place was in
the upper part of the city, near the temple of Apollo, a long way from
the sea; so that all the rest of the citizens, and Simonides himself,
went down to get water, to a place where there was a fountain; and that
an ass, whose name was Epeus, used to carry the water up for them; and
they gave him this name, because there was a fable that Epeus himself
used to do this; and there was also represented in a picture, in the
temple of Apollo, the Trojan fable, in which Epeus is represented as
drawing water for the Atridæ; as Stesichorus also relates—
For the great daughter of Jove pitied him
Bearing incessant water for the kings.
And as this was the case, they say that it was a burden imposed on
every member of the choruses who was not present at the appointed
time, that he should give the ass a chœnix of barley; and that this
is stated by the same poet; and that what is meant by not liking
to win the grasshopper's prize, is not liking to sing; and that by
Panopeiadean is meant the ass, and the mighty feast is the chœnix of
barley.
85. And of the same kind is the epigram of Theognis the poet,—
For a sea-corpse has call'd me now back home,
Which, though dead, speaketh with a living mouth.
Where he means the cockle. And we may consider of the same character
those sentences in which we use words which resemble men's names, as—
λαβὼν ἀριστόνικον ἐν μάχῃ κράτος:
He gain'd in battle a glorious victory;
where ἀριστόνικος sounds like the name of a man, Aristonicus.
And there is also that riddle which is so frequently repeated—
Five men came to one place in vessels ten,
And fought with stones, but might not lift a stone,
And died of thirst while water reach'd their chins.
86. And what punishment had the Athenians who could not solve this
riddle when proposed to them, if it was only to drink a bowl of mixed
wine, as Clearchus has stated in his Definition? And, in the first
book of his treatise on Proverbs, he writes thus—"The investigation
of riddles is not unconnected with philosophy; for the ancients used
to make a display of their erudition by such things; for they used
at their entertainments to ask questions, not such as the men of the
present day ask one another, as to what sort of amorous enjoyment is
the most delicious, or what kind of fish is nicest, or what is most in
season at the moment; or again, what fish is best to eat at the time of
Arcturus, or what after the rising of the Pleiades, or of the Dog-star.
And then they offer kisses as prizes for those who gain the victory in
such questions; such as are hateful to men of liberal sentiments; and
as a punishment for those who are defeated they enjoin them to drink
sheer wine; which they drink more willingly than the cup of health. For
these things are well adapted to any one who has devoted his attention
to the writings of Philænis and Archestratus, or who has studied the
books called Gastrologies.
CAPPING VERSES.
They preferred such plays as these;—when the first person had recited
a verse, the others were bound to quote the verse following; or if
any one had quoted a sentence from some poet, the rest were bound to
produce a sentence from some other poet expressing the same sentiments.
After that, every one was bound to repeat an iambic. And then, each
person was to repeat a line of such and such a number of syllables
precisely; and so on with everything that related to any acquaintance
with letters and syllables. And in a similar manner they would be bound
to repeat the names of all the commanders in the army which attacked
Troy, or of all the Trojan leaders: or to tell the name of some city
in Asia beginning with a given letter; and then the next person was to
tell the name of a city in Europe: and then they were to go through
the rest according as they were desired to give the names of Grecian
or barbarian cities; so that this sport, not being an inconsiderate
one, was a sort of exhibition of the ability and learning of each
individual. And the prizes given were a garland and applause, things by
which love for one another is especially sweetened."
87. This, then, was what Clearchus said; and the things which he says
one ought to propose, are, I imagine, such as these. For one person to
quote a line in Homer beginning with Alpha, and ending with the same
letter, such as—
Ἀγχοῦ δ᾽ ἱσταμένη ἔπεα πτερόεντα προσηύδα.
Ἀλλ᾽ ἄγε νῦν μάστιγα καὶ ἡνία σιγαλόεντα.
Ἀσπίδας εὐκύκλους λαισήαϊ τε πτερόεντα.
And, again, they quoted iambics on a similar principle—
Ἀγαθὸς ἀνὴρ λέγοιτ᾽ ἄν, ὁ φέρων τ᾽ ἀγαθά
.
Ἀγαθὸς ἂν εἴη καὶ ὁ φέρων καλῶς κακά.
Or lines in Homer beginning and ending with ε, as—
Εὗρε λυκάονος υἷον ἀμύμονά τε κρατερόν τε.
Ἐν πόλει ὑμετέρῃ ἐπεὶ οὐκ ἔμελλον ἔγωγε.
And iambics on the same principle—
Εὐκαταφρόνητός ἐστι πενία, δέρκυλε:
Ἐπὶ τοῖς παροῦσι τὸν βίον διάπλεκε.
And lines of Homer beginning and ending with η, as—
Ἠ μὲν ἄπ᾽ ὥς εἰποῦσ᾽ ἀπέβη γλαυκῶπις ᾿αθήνη:
Ἠ δ᾽ ἐν γούνασι πίπτε διώνης δῖ ᾿αφροδίτη.
And iambics—
Ἠ τῶν φίλων σοι πίστις ἔστω κεκριμένη.
Lines in Homer beginning and ending with ι, as—
Ἰλίου ἐξαπολοίατ᾽ ἀκήδεστοι καὶ ἄφαντοι:
Ἰππόλοχος δέ μ᾽ ἔτικτε καὶ ἐκ τοῦ φημὶ γενέσθαι.
Beginning and ending with σ, as—
Συμπάντων δαναῶν, οὐδ᾽ ἢν ᾿αγαμέμνονα εἴπῃς.
And iambics as—
Σοφος ἐστιν ὁ φέρων τἀπὸ τῆς τύχης καλῶς.
And beginning and ending with ω, as—
Ὠς δ᾽ ὅτ᾽ ἀπ᾽ οὐλύμπου νέφος ἔρχεται οὐρανὸν εἴσω.
And iambics as—
Ὠρθωμένην πρὸς ἅπαντα τὴν ψύχην ἔχω.
Sometimes too, it is well to propound lines without a sigma, as—
Πάντ᾽ ἐθέλω δόμεναι, καὶ ἔτ᾽ οἴκοθεν ἄλλ᾽ ἐπιθεῖναι:
and again, to quote lines of Homer, of which the first syllable when
connected with the last, will make some name, such as—
ἌΙας δ᾽ ἐκ Σαλαμῖνος ἄγεν δύο καὶ δεκα νῆΑΣ:
φΥΛείδης ὃν τίκτε Διῒ φίλος ἵπποτα φυλεΥΣ.
Ἰητὴρ δ᾽ ἀγαθὸς Ποδαλείριος ἠδὲ ΜάχαΩΝ.
There are also other lines in Homer expressing the names of vessels
from the first and last syllable, such as—
ὈΛψυμένων Δαναῶν ὀλοφύρεται ἐν φρεσὶ θυΜΟΣ,
which makes Ὄλμος, a mortar;
ΜΥθεῖται κατὰ μοῖραν ἅπερ κ᾽ οἴοιτο καὶ ἄλΛΟΣ,
which makes Μύλος, a millstone;
ΛΥγρός ἐὼν μή πού τι κακὸν καὶ μεῖζον ἐπαύΡῌ,
which makes λύρη, a lyre.
And other lines, the first and last syllables of which give some
eatable, as—
ἈΡγυρόπεζα Θέτις θυγατὴρ ἁλίοιο γέρονΤΟΣ,
which makes ἄρτος, bread;
ΜΗτι σὺ ταῦτα ἕκαστα διείρεο, μὴ δὲ μετάλΛΑ,
which makes μῆλα, apples.
88. And since we have made a pretty long digression about griphi, we
must now say what punishment those people underwent who failed to solve
the griphus which was proposed to them. They drank brine mingled with
their drink, and were bound to drink the whole cup up at one draught;
as Antiphanes shows in his Ganymede, where he says—
ΓΡΙΦΟΙ.
A. Alas me! what perplexing things you say,
O master, and what numerous things you ask me.
B. But now I will speak plainly: if you know
One circumstance about the rape of the child,
You must reveal it quick, before you're hang'd.
A. Are you then asking me a riddle, master,
Bidding me tell you all about the rape
Of the child? What's the meaning of your words?
B. Here, some one, bring me out a halter quickly.
A. What for?
B. Perhaps you'll say you do not know.
A. Will you then punish me with that? Oh don't!
You'd better make me drink a cup of brine.
B. Know you then how you ought to drink that up?
A. Indeed I do.
B. How?
A. So as to make you pledge me.
B. No, but first put your hands behind your back,
Then drink it at a draught, not drawing breath.
So when the Deipnosophists had said all this about the griphi, since it
has taken us till evening to recollect all they said, we will put off
the discussion about cups till to-morrow. For as Metagenes says in his
Philothytes—
I'll change my speech, by way of episode,
So as to treat the theatre with many
New dishes rich with various seasonings;
taking the discussion about cups next.
BOOK XI.
1.
Come now, where shall our conversation rise?
as Cephisodorus the comic poet says, my good friend Timocrates; for
when we were all met together at a convenient season, and with serious
minds, to discuss the goblets, Ulpian, while every one was sitting
still, and before any one began to speak at all, said,—At the court
of Adrastus, my friends, the chief men of the nation sup while sitting
down. But Polyidus, while sacrificing on the road, detained Peteos as
he was passing by, and while lying on the grass, strewing some leaves
which he had broken off on the ground by way of a table, set before him
some part of the victim which he had sacrificed. And when Autolycus had
come to the rich people of Ithaca, and while he was sitting down, (for
the men of that time ate their meals while sitting down,) the nurse
took Ulysses, (as the poet says—
His course to Ithaca the hero sped
When first the product of Laertes' bed
Was new disclosed to birth; the banquet ends
When Euryclea from the queen descends,
And to his fond embrace the babe commends:)
and placed him on his knees, not near his knees. So let us not waste
time now, but let us lie down, that Plutarch may lead the way in the
lecture which he promised us on the subject of goblets, and that he may
pledge us all in bumpers.
2.But I imagine that Simonides of Amorgos is the first poet who has
spoken of drinking-cups (ποτήρια) by name in his iambics, thus—
The cups away did lead him from the table.
And the author of the poem called the Alcmæonis says—
He placed the corpses lowly on the shore
On a broad couch of leaves; and by their side
A dainty feast he spread, and brimming cups,
And garlands on their noble temples wreathed.
And the word ποτήριον comes from πόσις, drink, as the Attic word ἔκπωμα
also does; but they form the word with ω, as they also say ὑδροπωτέω,
to drink water, and οἰνοπωτέω, to drink wine. Aristophanes, in his
Knights, says—
A stupid serpent drinking deep of blood (αἱματοπώτης).
But he also says in the same play—
Much then did Bacis use the cup (ποτήριον).
And Pherecrates, in his Tyranny, says—
One is better than a thousand cups (ποτήρια).
And Anacreon said—
I am become a wine-bibber (οἰνοπώτης).
And the verb occurs also in the same poet, for he says οἰνοποτάζων.
And Sappho, in her second Ode, says—
And many countless cups (ποτήρια), O beauteous Iphis.
And Alcæus says—
And from the cups (ποτηρία) . . . . . .
And in Achaia Ceres is honoured under the title of Δημήτηρ ποτηριοφόρος,
in the territories of the Antheans, as Autocrates
informs us in the second book of his History of Achaia.
CUPS.
3. And I think it right that you should inquire, before we begin
to make a catalogue of the cups of which this sideboard (κυλικεῖον)
is full,—(for that name is given to the cupboard where the
cups are kept, by Aristophanes, in his Farmers—
As a cloth is placed in front of a sideboard (κυλικεῖον);
and the same word occurs also in Anaxandrides in his Melilotus; and
Eubulus in his Leda says—
As if he had been offering a libation,
He's broken all the goblets in the sideboard (κυλικεῖον).
And in his Female Singer he says—
And he found out the use of sideboards (κυλικεῖα) for us.
And in his Semele or Bacchus he says—
Hermes the son of Maia, polish'd well
Upon the sideboard . . . . .
And the younger Cratinus, in his Chiron, says—
But, after many years, I now have come
Home from my enemies; and scarce have found
Relations who would own me, or companions
Of the same tribe or borough. I enroll'd
My name among a club of cup-collectors (κυλικεῖον):
Jupiter is the guardian of my doors—
Protector of my tribe. I pay my taxes.)
4. It is worth while, I say, to inquire whether the ancients drank out
of large cups. For Dicæarchus the Messenian, the pupil of Aristotle,
in his Essay on Alcæus, says that they used small cups, and that they
drank their wine mixed with a good deal of water. But Chamæleon of
Heraclea, in his essay on Drunkenness, (if I only recollect his words
correctly,) says—"But if those who are in power and who are rich
prefer this drunkenness to other pleasures, it is no great wonder,
for as they have no other pleasure superior to this, nor more easy to
obtain, they naturally fly to wine: on which account it has become
customary among the nobles to use large drinking-cups. For this is not
at all an ancient custom among the Greeks; but one that has been lately
adopted, and imported from the barbarians. For they, being destitute
of education, rush eagerly to much wine, and provide themselves with
all kinds of superfluous delicacies. But in the various countries of
Greece, we neither find in pictures nor in poems any trace of any
cups of large size being made, except indeed in the heroic times. For
the cup which is called ῥυτὸν they attributed only to the
heroes, which fact will appear a perplexing one to some people; unless
indeed any one should choose to say that this custom was introduced
because of the fierceness of the appearance of these demigods. For
they think the heroes irascible and quarrelsome, and more so by night
than by day. In order, then, that they may appear to be so, not
in consequence of their natural disposition, but because of their
propensity for drinking, they represent them as drinking out of large
cups. And it appears to me not to have been a bad idea on the part of
those people who said that a large cup was a silver well."
In all this Chamæleon appears to be ignorant that it is not a small
cup which in Homer is given to the Cyclops by Ulysses; for if it had
been a small one, he would not have been so overcome with drunkenness
after drinking it three times only, when he was a man of such a
monstrous size. There were therefore large cups at that time; unless
any one chooses to impute it to the strength of the wine, which Homer
himself has mentioned, or to the little practice which the Cyclops had
in drinking, since his usual beverage was milk; or perhaps it was a
barbaric cup, since it was a big one, forming perhaps a part of the
plunder of the Cicones. What then are we to say about Nestor's cup,
which a young man would scarcely have had strength enough to carry,
but which the aged Nestor lifted without any labour; concerning which
identical cup Plutarch shall give us some information. However, it is
time now to lie down at table.
5. And when they had all laid themselves down;—But, said Plutarch,
according to the Phliasian poet Pratinas—
Not ploughing ready-furrow'd ground,
But, seeking for a goblet,
I come to speak about the cups (κυλικηγορήσων)
Nor indeed am I one of those κυλίκρανοι whom Hermippus, the
comic poet, ridicules in his iambics, where he says—
I've come now to the vineyard of the Cylicranes,
And seen Heraclea, a beauteous city.
CUPS.
But these are Heracleans who live at the foot of Mount Œta, as
Nicander of Thyatira says; saying that they are so named from a certain
Cylix, a Lydian by birth, who was one of the comrades of Hercules. And
they are mentioned also by Scythinus the Teian, in his work entitled
The History,
where he says, "Hercules, having taking Eurytus and his son, put them
to death for exacting tribute from the people of Euboea. And he laid
waste the territory of the Cylicranes for behaving like robbers; and
there he built a city called Heraclea of Trachis." And Polemo, in the
first of his books, addressed to Adæus and Antigonus, speaks thus—"But
the inhabitants of the Heraclea which is at the foot of Mount Œta,
and of Trachis, are partly some Cylicranes who came with Hercules from
Lydia, and partly Athamanes, some of whose towns remain to this day.
And the people of Heraclea did not admit them to any of the privileges
of citizenship, considering them only as foreigners sojourning amongst
them; and they were called Cylicranes, because they had the figure of a
cup (κύλιξ) branded on their shoulders."
6. I am aware, too, that Hellanicus says, in his treatise on the Names
of Races, that "Some of the Libyan nomades have no other possessions
than a cup, and a sword, and a ewer, and they have small houses made
of the stalks of asphodel, merely just to serve as a shade, and they
even carry them about with them wherever they go." There is also a
spot amongst the Illyrians, which has been celebrated by many people,
which is called Κύλικες, near to which is the tomb of Cadmus
and Harmonia, as Phylarchus relates in the twenty-second book of his
Histories. And Polemo, in his book on Morychus, says that at Syracuse,
on the highest spot of the part called the Island, there is an altar
near the temple of Olympia, outside the walls, from which he says
that people when putting to sea carry a goblet with them, keeping it
until they get to such a distance that the shield in the temple of
Minerva cannot be seen; and then they let it fall into the sea, being
an earthenware cup, putting into it flowers and honeycombs, and uncut
frankincense, and all sorts of other spices besides.
7. And since I now see your banquet, as Xenophanes the Colophonian
says, full of all kinds of pleasure—
For now the floor and all men's hands are clean,
And all the cups, and since the feasters' brows
Are wreathed with garlands, while the slaves around
Bring fragrant perfume in well-suited dishes;
And in the middle stands the joyful bowl,
And wine's at hand, which ne'er deserts the guests
Who know its worth, in earthen jars well kept,
Well flavour'd, fragrant with the sweet fresh flowers;
And in the midst the frankincense sends forth
Its holy perfume; and the water's cold,
And sweet, and pure; and golden bread's at hand,
And duly honour'd tables, groaning under
Their weight of cheese and honey;—then an altar,
Placed in the centre, all with flow'rs is crown'd.
And song and feasting occupies the house,
And dancing, and all sorts of revelry:—
Therefore it does become right-minded men
First with well-omen'd words and pious prayers
To hymn the praises of the Gods; and so,
With pure libations and well-order'd vows,
To win from them the power to act with justice—
For this comes from the favour of the Gods;
And you may drink as much as shall not hinder
You from returning home without assistance,
Unless, indeed, you're very old: and he
Deserves to be above his fellows lauded
Who drinks and then says good and witty things,
Such as his memory and taste suggests,—
Who lays down rules, and tells fine tales of virtue;
Not raking up the old Titanic fables,
Wars of the Giants, or the Lapithæ,
Figments of ancient times, mere pleasing trifles,
Full of no solid good; but always speaking
Things that may lead to right ideas of God.
8. And the exquisite Anacreon says—
I do not love the man who, 'midst his cups,
Says nothing but old tales of war and strife,
But him who gives its honour due to mirth,
Praising the Muses and the bright-faced Venus.
And Ion of Chios says—
Hail, our great king, our saviour, and our father!
And let the cupbearers now mix us wine
In silver jugs: and let the golden bowl
Pour forth its pure libations on the ground,
While duly honouring the mighty Jove.
First of the Gods, and first in all our hearts,
We pour libations to Alcmena's son,
And to the queen herself,—to Procles too,
And the invincible chiefs of Perseus' line.
Thus let us drink and sport; and let the song
Make the night cheerful; let the glad guests dance;
And do thou willingly preside among us:
But let the man who's a fair wife at home
Drink far more lustily than those less happy.
Those also who were called the seven wise men used to make drinking
parties; "for wine comforts the natural moroseness of old age," as
Theophrastus says, in his treatise on Drunkenness.
DRINKING PLEDGES.
9. On which account, when we are met together in these Dionysiac
conversaziones, no one, as is said in the Tarentines of Alexis—
No one can find a just pretence to grudge us
Our harmless pleasure, since we never injure
One of our neighbours. Know you not, my friend,
That what is called life is but a name,
Well soften'd down (to make it palatable),
For human fate? And whether any one
Thinks that I'm right or wrong in what I say,
I cannot change a word; for well I know,
And long have I consider'd the whole matter,
That all th' affairs of men are full of madness,
And we who live are only sojourners,
Like men who go to some great festival,
Starting from death and darkness to a pastime,
And to this light which we behold before us.
But he who laughs and drinks most cheerfully,
And most enjoys the charming gifts of Venus,
And most attends on feasts and festivals,
He goes through life, and then departs most happily.
And, in the words of the beautiful Sappho,—
Come, O Venus, hither come,
Bringing us thy goblets fair,
Mingled with the merry feast;
And pour out sparkling wine, I pray,
To your and my companions gay.
10. And we may add to all this, that different cities have peculiar
fashions of drinking and pledging one another; as Critias mentions,
in his Constitution of the Lacedæmonians, where he says—"The Chian
and the Thasian drink out of large cups, passing them on towards the
right hand; and the Athenian also passes the wine round towards the
right, but drinks out of small cups. But the Thessalian uses large
cups, pledging whoever he pleases, without reference to where he may
be; but among the Lacedæmonians, every one drinks out of his own cup,
and a slave, acting as cupbearer, fills up again the cup when each has
drained it." And Anaxandrides also mentions the fashion of passing
the cup round towards the right hand, in his Countrymen, speaking as
follows:—
A. In what way are you now prepared to drink?
Tell me, I pray.
B. In what way are we now
Prepared to drink? Why any way you please.
A. Shall we then now, my father, tell the guests
To push the wine to the right?
B. What! to the right?
That would be just as though this were a funeral.
[54]
11. But we may decline entering on the subject of goblets of
earthenware; for Ctesias says—"Among the Persians, that man only uses
an earthenware who is dishonoured by the king." And Choerilus the epic
poet says—
Here in my hands I hold a wretched piece
Of earthen goblet, broken all around,
Sad relic of a band of merry feasters;
And often the fierce gale of wanton Bacchus
Dashes such wrecks with insult on the shore.
But I am well aware that earthenware cups are often very pleasant, as
those which are imported among us from Coptus; for they are made of
earth which is mixed up with spices. And Aristotle, in his treatise on
Drunkenness, says—"The cups which are called Rhodiacan are brought
into drinking-parties, because of the pleasure which they afford, and
also because, when they are warmed, they deprive the wine of some of
its intoxicating properties; for they are filled with myrrh and rushes,
and other things of the same sort, put into water and then boiled;
and when this mixture is put into the wine, the drinkers are less apt
to become intoxicated." And in another place he says—"The Rhodiacan
cups consist of myrrh, flowery rushes, saffron, balsam, spikenard, and
cinnamon, all boiled together; and when some of this compound is added
to the wine, it has such effect in preventing intoxication, that it
even diminishes the amorous propensities, checking the breath in some
degree."
ATHENIAN BANQUETS.
12. We ought not, then, to drink madly, looking at the multitude of
these beautiful cups, made as they are with every sort of various art,
in various countries. "But the common people," says Chrysippus, in the
introduction to his treatise on what is Good and Evil, "apply the term
madly to a great number of things; and so they call a desire for women
γυναικομανία, a fondness for quails ὀρτυγομανία; and some also call
those who are very anxious for fame δοξομανεῖς; just as they call those
who are fond of women γυναικομανεῖς, and those who are fond of birds
ὀρνιθομανεῖς: all these nouns having the same notion of a propensity
to the degree of madness. So that there is nothing inconsistent in
other feelings and circumstances having this name applied to them; as
a person who is very fond of delicacies, and who is properly called
φίλοψος and ὀψοφάγος, may be called ὀψομανής; and a man very fond of
wine maybe called οἰνομανής; and so in similar instances. And there is
nothing unreasonable in attributing madness to such people, since they
carry their errors to a very mad pitch, and wander a great distance
from the real truth.
13. Let us, then, as was the custom among the Athenians, drink
our wine while listening to these jesters and buffoons, and to other
artists of the same kind. And Philochorus speaks of this kind of people
in these terms—"The Athenians, in the festivals of Bacchus,
originally used to go to the spectacle after they had dined and drunk
their wine; and they used to witness the games with garlands on their
heads. But during the whole time that the games were going on, wine
was continually being offered to them, and sweetmeats were constantly
being brought round; and when the choruses entered, they were offered
wine; and also when the exhibition was over, and they were departing,
wine was offered to them again. And Pherecrates the comic poet bears
witness to all these things, and to the fact that down to his own time
the spectators were never left without refreshment." And Phanodemus
says—"At the temple of Bacchus, which is in the Marshes (ἐν
Λίμναις), the Athenians bring wine, and mix it out of the cask for
the god, and then drink of it themselves; on which account Bacchus is
also called Λιμναῖος,because the wine was first drunk at that festival
mixed with water. On which account the fountains were called Nymphs and
the Nurses of Bacchus, because the water being mingled with the wine
increases the quantity of the wine.
Accordingly, men being delighted with this mixture, celebrated Bacchus
in their songs, dancing and invoking him under the names of Euanthes,
and Dithyrambus, and Baccheutes, and Bromius." And Theophrastus, in his
treatise on Drunkenness, says—"The nymphs are really the nurses of
Bacchus; for the vines, when cut, pour forth a great deal of moisture,
and after their own nature weep." On which account Euripides says that
one of the Horses of the Sun is
Æthops, who with his fervent heat doth ripen
Th' autumnal vines of sweetly flow'ring Bacchus,
From which men also call wine Æthops (αἴθοπα οἶνον).
And Ulysses gave
Twelve large vessels of unmix'd red wine,
Mellifluous, undecaying, and divine,
Which now (some ages from his race conceal'd)
The hoary sire in gratitude reveal'd.
Such was the wine, to quench whose fervent steam
Scarce twenty measures from the living stream
To cool one cup sufficed; the goblet crown'd,
Breathed aromatic fragrancies around.
[55]
And Timotheus, in his Cyclops, says—
He fill'd one cup, of well-turn'd iv'ry made,
With dark ambrosial drops of foaming wine;
And twenty measures of the sober stream
He poured in, and with the blood of Bacchus
Mingled fresh tears, shed by the weeping nymphs.
14. And I know, my messmates, of some men who were proud, not so much
of their wealth in money as of the possession of many cups of silver
and gold; one of whom is Pytheas the Arcadian, of the town of Phigalea,
who, even when dying, did not hesitate to enjoin his servants to
inscribe the following verses on his tomb:—
This is the tomb of Pytheas, a man
Both wise and good, the fortunate possessor
Of a most countless number of fine cups,
Of silver made, and gold, and brilliant amber.
These were his treasures, and of them he had
A store, surpassing all who lived before him.
And Harmodius the Lepreatian mentions this fact in his treatise on
the Laws and Customs subsisting in Phigalea. And Xenophon, in the
eighth book of his Cyropædia, speaking of the Persians, writes as
follows—"And also they pride themselves exceedingly on the possession
of as many goblets as possible; and even if they have acquired them
by notorious malpractices, they are not at all ashamed of so doing;
for injustice and covetousness are carried on to a great degree among
them." But Œdipus cursed his sons on account of some drinking-cups (as
the author of the Cyclic poem called the Thebaïs says), because they set
before him a goblet which he had forbidden; speaking as follows:—
DRINKING-CUPS.
But the divine, the golden-hair'd hero,
Great Polynices, set before his father first
A silver table, beautifully wrought,
Whilome the property of th' immortal Cadmus;
And then he fill'd a beauteous golden cup
Up to the brim with sweet and fragrant wine;
But Œdipus, when with angry eyes he saw
The ornaments belonging to his sire
Now set before him, felt a mighty rage,
Which glow'd within his breast, and straightway pour'd
The bitterest curses forth on both his sons,
(Nor were they by the Fury all unheard,)
Praying that they might never share in peace
The treasures of their father, but for ever
With one another strive in arms and war.
15. And Cæcilius the orator who came from Cale Acte, in his treatise
on History, says that Agathocles the Great, when displaying his golden
drinking-cups to his companions, said that he had got all these from
the earthenware cups which he had previously made. And in Sophocles,
in the Larissæans, Acrisius had a great many drinking-cups; where the
tragedian speaks as follows:—
And he proclaims to strangers from all quarters
A mighty contest, promising among them
Goblets well wrought in brass, and beauteous vases
Inlaid with gold, and silver drinking-cups,
Full twice threescore in number, fair to see.
And Posidonius, in the twenty-sixth book of his Histories, says that
Lysimachus the Babylonian, having invited Himerus to a banquet (who
was tyrant not only over the people of Babylon, but also over the
citizens of Seleucia), with three hundred of his companions, after
the tables were removed, gave every one of the three hundred a silver
cup, weighing four minæ; and when he had made a libation, he pledged
them all at once, and gave them the cups to carry away with them. And
Anticlides the Athenian, in the sixteenth book of his Returns, speaking
of Gra, who, with other kings, first led a colony into the island of
Lesbos, and saying that those colonists had received an answer from
the oracle, bidding them, while sailing, throw a virgin into the sea,
as an offering to Neptune, proceeds as follows:—"And some people,
who treat of the history and affairs of Methymna, relate a fable
about the virgin who was thrown into the sea; and say that one of the
leaders was in love with her, whose name was Enalus, and that he dived
down, wishing to save the damsel; and that then both of them, being
hidden by the waves, disappeared. But that in the course of time, when
Methymna had now become populous, Enalus appeared again, and related
what had happened, and how it had happened: and said that the damsel
was still abiding among the Nereids, and that he himself had become the
superintendent of Neptune's horses; but that a great wave having been
cast on the shore, he had swam with it, and so come to land: and he had
in his hand a goblet made of gold, of such wondrous workmanship that
the golden goblets which they had, when compared with his, looked no
better than brass."
16. And in former times the possession of drinking-cups was reckoned a
very honourable thing. Accordingly, Achilles had a very superb cup as a
sort of heirloom:—
But, mindful of the gods, Achilles went
To the rich coffer in his shady tent,
(There lay the presents of the royal dame;)
From thence he took a bowl of antique frame,
Which never man had stain'd with ruddy wine,
Nor raised in offerings to the pow'rs divine,
But Peleus' son; and Peleus' son to none
Had raised in offerings but to Jove alone.
[56]
And Priam, when offering ransom for his son, amid all his most
beautiful treasures especially offers a very exquisitely wrought cup.
And Jupiter himself, on the occasion of the birth of Hercules, thinks
a drinking-cup a gift worthy to be given to Alcmena; which he, having
likened himself to Amphitryon, presents to her:—
And she received the gift, and on the bowl
Admiring gazed with much delighted soul.
And Stesichorus says that the sun sails over the whole ocean in a bowl;
in which also Hercules passed over the sea, on the occasion of his
going to fetch the cows of Geryon. We are acquainted, too, with the cup
of Bathycles the Arcadian, which Bathycles left behind him as a prize
of wisdom to him who should be pronounced the best of those who were
called the wise men.
DRINKING-CUPS.
And a great many people have handled the cup of Nestor;
for many have written books about it. And drinking-cups were favourites
even among the Gods; at all events—
They pledged each other in their golden cups.
[57]
But it is a mark of a gentleman to be moderate in his use of wine, not
drinking too greedily, nor drinking large draughts without drawing
one's breath, after the fashion of the Thracians; but to mingle
conversation with his cups, as a sort of wholesome medicine.
17. And the ancients affixed a great value to such goblets as had
any story engraved upon them; and in the art of engraving cups in
this manner, a high reputation was enjoyed by Cimon and Athenocles.
They used also drinking-cups inlaid with precious stones. And
Menander, somewhere or other, speaks of drinking-cups turned by the
turning-lathe, and chased; and Antiphanes says—
And others drain with eager lips the cup,
Full of the juice of ancient wine, o'ershadow'd
With sparkling foam,—the golden-wrought rich cup,
Which circled round they raised: one long, deep draught
They drain, and raise the bottom to the skies.
And Nicomachus says to some one—
O you, who . . . . . and vomit golden . . . .
And Philippides says—
Could you but see the well-prepared cups,
All made of gold, my Trophimus; by heaven,
They are magnificent! I stood amazed
When I beheld them first. Then there were also
Large silver cups, and jugs larger than I.
And Parmenio, in his letter to Alexander, summing up the spoils of
the Persians, says, "The weight of goblets of gold is seventy-three
Babylonian talents, and fifty-two minæ.[58]
The weight of goblets inlaid with precious stones, is fifty-six
Babylonian talents, and thirty-four minæ."
18. And the custom was, to put the water into the cup first, and the
wine afterwards. Accordingly, Xenophanes says—
And never let a man a goblet take,
And first pour in the wine; but let the water
Come first, and after that, then add the wine.
And Anacreon says—
Bring me water—bring me wine,
Quick, O boy; and bring, besides,
Garlands, rich with varied flowers;
And fill the cup, that I may not
Engage in hopeless strife with love.
And before either of them Hesiod had said—
Pour in three measures of the limpid stream,
Pure from an everflowing spring; and then
Add a fourth cup of sacred rosy wine.
And Theophrastus says—"The ancient fashion of the mixture of wine was
quite opposite to the way in which it is managed at the present day;
for they were not accustomed to pour the water on the wine, but the
wine on the water, in order, when drinking, not to have their liquor
too strong, and in order also, when they had drunk to satiety, to
have less desire for more. And they also consumed a good deal of this
liquor, mixed as it was, in the game of the cottabus."
19. Now of carvers of goblets the following men had a high
reputation,—Athenocles, Crates, Stratonicus, Myrmecides the Milesian,
Callicrates the Lacedæmonian, and Mys; by which last artist we have
seen a Heraclean cup, having most beautifully wrought on it the capture
of Troy, and bearing also this inscription—
The sketch was by Parrhasius;—by Mys
The workmanship; and now I represent
The lofty Troy, which great Achilles took.
20. Now among the Cretans, the epithet κλεινὸς, illustrious,
is often given to the objects of one's affection. And it is a matter
of great desire among them to carry off beautiful boys; and among them
it is considered discreditable to a beautiful boy not to have a lover.
And the name given to the boys who are carried off in that manner is παρασταθέντες.
And they give to the boy who has been carried
off a robe, and an ox, and a drinking-cup. And the robe they wear even
when they are become old, in order to show that they have been κλεινοί.
21. You see that when men drink, they then are rich;
They do whate'er they please,—they gain their actions,
They're happy themselves, and they assist their friends.
DRINKING-CUPS.
For amusing oneself with wine exalts, and cherishes, and elevates the
mind, since it inflames and arouses the soul, and fills it with lofty
thoughts, as Pindar says—
When the sad, laborious cares
Flee from the weary hearts of men,
And in the wide, expansive ocean
Of golden wealth we all set sail,
Floating towards the treacherous shore.
E'en he who is poor, is rich when he
Has fill'd his soul with rosy wine;
And he who's rich . . . . .
And then he goes on—
becomes elated
Beneath the glad dominion of the vine.
22. There is a kind of drinking-cup also called ancyla, or curved; a
kind especially useful for the play of the cottabus. Cratinus says—
'Tis death to drink of wine when water's mix'd:
But she took equal shares, two choes full
Of unmix'd wine, in a large ancyla:
And calling on her dear Corinthian lover
By name, threw in his honour a cottabus.
And Bacchylides says—
When she does throw to the youths a cottabus
From her ancyla, stretching her white arm forth.
And it is with reference to this ancyla that we understand the
expression of Æschylus—
The cottabus of th' ancyla (ἀγκυλήτους κοττάβους).
Spears are also called ἀγκύλητα, or curved; and also μεσάγκυλα, held
by a string in the middle. There is also the expression ἀπ᾽ ἀγκύλης,
which means, from the right hand. And the cup is called ἀγκύλη, from
the fact that the right hand is curved, in throwing the cottabus from
it. For it was a matter to which great attention was paid by the ancients—
namely, that of throwing the cottabus dexterously and gracefully. And
men in general prided themselves more on their dexterity in this than
in throwing the javelin skilfully. And this got its name from the
manner in which the hand was brandished in throwing the cottabus, when
they threw it elegantly and dexterously into the cottabium. And they
also built rooms especially designed for this sport.
23. In Timachides there is also a kind of drinking-cup mentioned,
called the æacis.
There is another kind also, called the ἄκατος,or boat, being shaped
like a boat. Epicrates sayss—
Throw down th' acatia,
(using here the diminutive form,)
and take instead
The larger goblets; and the old woman lead
Straight to the cup; . . . the younger maiden . . . .
. . . . . . . fill it; have your oar
All ready, loose the cables, bend the sails.
Among the Cyprians there is also a kind of cup called the aotus, as
Pamphilus tells us: and Philetas says, this is a cup which has no ears
(ὤτους).
There is also a kind of cup called aroclum, which is mentioned by
Nicander the Colophonian.
24. The cup called ἄλεισον, is the same as that called δέπας. Homer,
in his Odyssey, speaking of Pisistratus, says—
In a rich golden cup he pour'd the wine;
[59]
and proceeding, he says, in the same manner—
To each a portion of the feast he bore,
And held the golden goblet (ἄλεισον) foaming o'er;
and presently afterwards he says—
And gave the goblet (δέπας) to Ulysses' son.
And, accordingly, Asclepiades the Myrlean says—"The δέπας appears
to me to have been much of the same shape as the φιάλη. For men make
libations with it. Accordingly, Homer says, δέπαϛ—
The cup which Peleus' son
Had raised in offerings to Jove alone.
And it is called δέπας, either because it is given to all (δίδοται πᾶσι) who wish to make libations, or who wish to drink; or because it
has two ears (δύο ὦπας), for ὦπες must be the same as ὦτα. And it has
the name of ἄλεισον, either from being very smooth (ἄγαν λεῖον), or
because the liquor is collected (ἁλίζεται) in it. And that it had two
ears is plain—
High in his hands he rear'd the golden bowl
By both its ears.
DRINKING-CUPS.
But when he applies the word ἀμφικύπελλον to it, he means nothing more
than ἀμφίκυρτον curved on both sides.” But Silenus interprets the word
ἀμφικύπελλον to mean devoid of ears, while others say that ἀμφὶ here is
equivalent to περὶ, and that it means a cup which you may put to your
mouth all round, at any part of it. But Parthenius says that it
means that the ears are curved (περικεκυρτῶσθαι), for that is
synonymous with κυρτός. But Anicetus says that the κύπελλον is a
kind of cup (φίαλη), and that the word ἀμφικύπελλον is equivalent to
ὑπερφίαλον, that is to say, superb and magnificent; unless, indeed,
any one chooses to interpret the word ἄλεισον as something very highly
ornamented, and therefore not at all smooth (α, λεῖον). And Pisander
says, Hercules gave Telamon a cup (ἄλεισον) as the prize of his
preeminent valour in the expedition against Troy.
25. There is also a kind of cup called the horn of Amalthea, and
another called ἐνιαυτὸς, or the year.
There is also a kind of cup made of wood, called ἄμφωτις,
which Philetas says that the countrymen use, who milk their cattle into
it, and then drink the milk.
There is also a kind of drinking called ἄμυστις, when any one drinks a
long draught without taking breath and without winking (μὴ μύσαντα).
And they give the same name to the goblets from which it is easy to
drink in this manner. And they also use a verb (ἐκμυστίζω) for drinking
without taking breath, as Plato the comic poet says—
And opening a fair cask of fragrant wine,
He pours it straight into the hollow cup;
And then he drank it sheer and not disturb'd,
And drain'd it at one draught (ἐξεμύστισε).
And they also drank the ἄμυστις draught to an accompaniment of
music; the melody being measured out according to the quickness of the
time; as Ameipsias says—
Gentle musician, let that dulcet strain
Proceed; and, while I drink this luscious draught,
Play you a tune; then you shall drink yourself.
For mortal man has no great wants on earth,
Except to love and eat;—and you're too stingy.
26. There is also a kind of cup called Antigonis, from the name of king
Antigonus: like the Seleucis from king Seleucus; and the Prusis, from
king Prusias.
There is also a kind of cup known in Crete, and called anaphæa, which
they use for hot drinks.
There is also a kind of cup called aryballus. This kind of cup is wider
at the bottom, and contracted at top like a purse when it is drawn
together; and, indeed, some people call purses ἀρύβαλλοι,
from their resemblance to this kind of cup. Aristophanes says, in his
Knights—
He pour'd upon his head
Ambrosia from a holy cup (ἀρύβαλλος).
And the aryballus is not very different from the arystichus, being
derived from the verbs ἀρύτω and βάλλω;
they also call a jug ἄρυστις.
Sophocles says—
You are most accursed of all women,
Who come to supper with your ἀρύστεις.
There is also a city of the Ionians called arystis.
There is another kind of cup called argyris, which is not necessarily
made of silver. Anaxilas says—
And drinking out of golden argyrides.
27. Then batiacium, labronius, tragelaphus, pristis, are all names of
different kinds of cups. The batiaca is a Persian goblet. And among the
letters of the great Alexander to the Satraps of Asia there is inserted
one letter in which the following passage occurs:—"There are three
batiacæ of silver-gilt, and a hundred and seventy-six silver condya;
and of these last thirty-three are gilt. There is also one silver
tigisites, and thirty-two silver-gilt mystri. There is one silver
vegetable dish, and one highly wrought wine-stand of silver ornamented
in a barbaric style. There are other small cups from every country,
and of every kind of fashion, to the number of twenty-nine: and other
small-sized cups called rhyta, adbatia, and Lycurgi, all gilt, and
incense-burners and spoons."
There is a cup used by the Alexandrians named bessa, wider in the lower
parts, and narrow above.
28. There is also a kind of cup called baucalis: and this, too, is
chiefly used in Alexandria, as Sopater the parodist says—
A baucalis, with four rings mark'd on it.
And in another passage he says—
'Tis sweet for men to drink (καταβαυκαλίσαι)
Cups of the juice by bees afforded,
At early dawn, when parch'd by thirst,
Caused by too much wine overnight.
DRINKING-CUPS.
And the men in Alexandria, it is said, have a way of working crystal,
forming it often into various shapes of goblets, and imitating in this
material every sort of earthenware cup which is imported from any
possible country. And they say that Lysippus the statuary, wishing to
gratify Cassander, when he was founding the colony of Cassandria, and
when he
conceived the ambition of inventing some peculiar kind of utensil in
earthenware, on account of the extraordinary quantity of Mendean wine
which was exported from the city, took a great deal of pains with that
study, and brought Cassander a great number of cups of every imaginable
fashion, all made of earthenware, and taking a part of the pattern of
each, thus made one goblet of a design of his own.
29. There is also a kind of cup called bicus. Xenophon, in
the first book of his Anabasis, says:—
"And Cyrus sent him a number of goblets (βίκους) of wine half full;
and it is a cup of a flat shallow shape, like a φιάλη, according to the
description given of it by Pollux the Parian.
There is another kind of cup called the bombylius; a sort of Rhodian
Thericlean cup; concerning the shape of which Socrates says,—"Those
who drink out of the phiale as much as they please will very soon give
over; but those who drink out of a bombylius drink by small drops."
There is also an animal of the same name.
There is also a kind of drinking-cup called the bromias, in form like
the larger kind of scyphus.
30. There is another kind called the lettered cup, having writing
engraved round it. Alexis says—
A. Shall I describe to you the appearance first
O' the cup you speak of? Know, then, it was round;
Exceeding small; old, sadly broken too
About the ears; and all around the brim
Were carved letters.
B. Were there those nineteen
Engraved in gold,—To Jupiter the Saviour?
[60]
A. Those, and no others.
And we have seen a lettered cup of this kind lying at Capua in
Campania, in the temple of Diana; covered with writing taken from the
poems of Homer, and beautifully engraved; having the verses inlaid
in golden characters, like the drinking-cup of Nestor. And Achæus
the tragic poet, in his Omphale, himself also represents the Satyrs
speaking in the following manner about a lettered drinking-cup—
And the god's cup long since has call'd me,
Showing this writing,—delta, then iota,
The third letter was omega, then nu,
Then u came next, and after that a sigma
And omicron were not deficient.
But in this passage we want the final υ which ought to have
ended the word. Since all the ancients used the omicron not only with
the power which it has now, but also when they meant to indicate the
diphthong ου they wrote it by ο only. And they did
the same when they wished to write the vowel ε, whether it is
sounded by itself, or when they wish to indicate the diphthong ει
by the addition of iota. And accordingly, in the above-cited
verses, the Satyrs wrote the final syllable of the genitive case
Διονύσου with ο only; as being short to engrave: so
that we are in these lines to understand the final upsilon, so as to
make the whole word Διονύσου. And the Dorians called sigma
san; for the musicians, as Aristoxenus often tells us, used to avoid
saying sigma whenever they could, because it was a hard-sounding
letter, and unsuited to the flute; but they were fond of using the
letter rho, because of the ease of pronouncing it. And the horses
which have the letter Σ branded on them, they call samphoras.
Aristophanes, in his Clouds, says—
Neither you, nor the carriage-horse, nor samphoras.
And Pindar says—
Before long series of songs were heard,
And the ill-sounding san from out men's mouths.
And Eubulus also, in his Neottis, speaks of a lettered cup as being
called by that identical name, saying—
A. Above all things I hate a letter'd cup,
Since he, my son, the time he went away,
Had such a cup with him.
B. There are many like it.
31. There is a kind of cup also called gyala. Philetas, in his
Miscellanies, says that the Megarians call their cups gyalæ. And
Parthenius, the pupil of Dionysius, in the first book of his
Discussions upon Words found in the Historians, says—"The gyala is a
kind of drinking-cup, as Marsyas the priest of Hercules writes, where
he says, 'Whenever the king comes into the city, a man meets him having
a cup (γυάλην) full of wine; and the king takes it, and pours
a libation from it.'"
DRINKING-CUPS.
32. There is another sort of cup called the deinus. And that this is
the name of a cup we are assured by Dionysius of Sinope, in his Female
Saviour, where he gives a catalogue of the names of cups, and mentions
this among them, speaking as follows—
And as for all the kinds of drinking-cups,
Lady, all fair to see,—dicotyli,
Tricotyli besides, the mighty deinus,
Which holds an entire measure, and the cymbion,
The scyphus and the rhytum; on all these
The old woman keeps her eyes, and minds nought else.
And Cleanthes the philosopher, in his book on Interpretation, says,
that the cups called the Thericlean, and that called the Deinias, are
both named from the original makers of them. And Seleucus, saying that
the deinus is a kind of cup, quotes some lines of Stratis, from his
Medea—
Dost know, O Creon, what the upper part
Of your head doth resemble? I can tell you:
'Tis like a deinus turned upside down.
And Archedicus, in his Man in Error, introducing a servant speaking of
some courtesans, says—
A. I lately introduced a hook-nosed woman,
Her name Nicostrata; but surnamed also
Scotodeina, since (at least that is the story)
She stole a silver deinus in the dark.
B. A terrible thing (δεινὸν), by Jove; a terrible thing!
The deinus is also the name of a kind of dance, as Apollophanes tells
us in his Dalis, where he says—
A strange thing (δεινὸν) is this deinus and calathiscus.
And Telesilla the Argive calls a threshing-floor also δεῖνος.
And the Cyrenæans give the same name to a foot-tub, as Philetas tells
us in his Attic Miscellanies.
33. There is also a kind of drinking-cup called δέπαστρον.
Silenus and Clitarchus, in their Dialects, say that this is a name
given to drinking-cups among the Clitorians; but Antimachus the
Colophonian, in the fifth book of his Thebais, says—
And carefully they all commands obey'd
Which wise Adrastus laid on them. They took
A silver goblet, and they pour'd therein
Water, and honey pure, compounding deftly;
And quickly then they all distributed
The cups (δέπαστπα) among the princes of the Greeks,
Who there were feasting; and from a golden jug
They pour'd them wine for due libations.
And in another place he says—
Let others bring the bowl of solid silver,
Or golden cups (δέπαστρα), which in my halls are stored.
And immediately afterwards he says—
And golden cups (δέπαστρα), and a pure untouch'd vessel
Of honey sweet, which will be best for him.
34. There is also a kind of cup called δακτυλωτὸν, with
finger-like handles; and it is called so by Ion, in the Agamemnon—
And you shall have a gift worth running for,
A finger-handled cup, not touch'd by fire,
The mighty prize once given by Pelias,
And by swift Castor won.
But by this expression Epigenes understands merely having two ears,
into which a person could put his fingers on each side. Others, again,
explain it as meaning, having figures like fingers engraved all round
it; or having small projections like the Sidonian cups;—or, again,
some interpret the word as meaning merely smooth. But when he says,
untouched by fire, that has the same meaning as Homer's phrase—
ἄπυρον κατέθηκε λέβητα,
meaning a caldron fit for the reception of cold water, or suitable for
drinking cold drinks out of. But by this expression some understand
a horn; and about the Molossian district the oxen are said to have
enormous horns; and the way in which they are made into cups is
explained by Theopompus: and it is very likely that Pelias may have had
cups made of these horns; and Iolcos is near the Molossian district,
and it was at Iolcos that these contests spoken of were exhibited by
Pelias.—"But," says Didymus, in his Explanation of the play here
spoken of, "it is better to say that Ion misunderstood Homer's words,
where he says—
And for the fifth he gave a double bowl,
Which fire had never touch'd;
for he fancied that this meant a drinking-cup, while it was in reality
a large flat vessel made of brass in the form of a caldron, suitable to
receive cold water. And he has spoken of the dactylotus cup, as if it
were a goblet that had a hollow place all round the inside of it, so
as to be taken hold of inside by the fingers of the drinkers. And some
say that the cup which has never been touched by fire means a cup of
horn; for that that is not worked by the agency of fire. And perhaps a
man might call a φιάλη a drinking-cup by a metaphorical use
of the word." But Philemon, in his treatise on Attic Nouns and Attic
Dialects, under the word καλπὶς says, "The dactylotus cup is
the same as the two-headed cup into which a person can insert his
fingers on both sides. But some say that
it is one which has figures in the shape of fingers carved all round
it."
DRINKING-CUPS.
35. There is also the elephant; and this was the name of a kind of cup,
as we are told by Damoxenus, in the Man who laments himself—
A. If that is not enough, here is the boy
Bringing the elephant.
B. In God's name tell me,
What beast is that?
A. 'Tis a mighty cup,
Pregnant with double springs of rosy wine,
And able to contain three ample measures:
The work of Alcon. When I was at Cypseli,
Adæus pledged me in this self-same cup.
And Epinicus also mentions this cup, in his Supposititious Damsels; and
I will quote his testimony when I come to speak of the rhytum.
36. There is another kind of cup called the Ephebus. And Philemon the
Athenian, in his treatise on Attic Nouns and Attic Dialects, says that
this cup is also called the embasicoitas; but Stephanus the comic poet,
in his Friend of the Lacedæmonians, says—
Sos. The king then pledged him in a certain village.
B. A wondrous thing. What can you mean? Is this
A kind of goblet?
Sos. No; I mean a village
Near Thyria.
B. Why, my whole thoughts were borne
Off to the Rhodian cups, O Sosia,
And to those heavy bowls they call ephebi.
37. There are also some cups which are called ἡδυποτίδες.
"These," says Lynceus the Samian, "were made by the Rhodians in
emulation of the Thericlean goblets which were in use at Athens. But
as the Athenians, on account of the great weight of metal employed
in them, only made this shape for the use of the richer classes,
the Rhodians made theirs so light that they were able to put these
ornaments within the reach even of the poor. And Epigenes mentions
them, in his Heroine, in these words—
A psycter, and a cyathus, and cymbia,
Four rhyta, and three hedypotides,
A silver strainer, too.
And Semus, in the fifth book of his Delias, says that there is among
the offerings at Delos a golden hedypotis, the gift of Echenica, a
woman of the country, whom he mentions also, in his eighth book. And
Cratinus the younger says, using the diminutive form,—
And Archephon had twelve ἡδυπότια.
38. There was another kind of cup called the Herculeum. Pisander, in
the second book of his Herculead, says that the cup in which Hercules
sailed across the ocean belonged to the Sun; and that Hercules received
it from Oceanus for that purpose. But, perhaps, as the hero was fond of
large cups, the poets and historians jesting because of the great size
of this one, invented the fable of his having gone to sea in a cup.
But Panyasis, in the first book of his Herculead, says that Hercules
obtained the cup of the Sun from Nereus, and sailed even to Erythea in
it. And we have said before that Hercules was one of the inordinate
drinkers. And that the sun was borne on towards his setting in a cup,
Stesichorus tells us, where he says—
And then the Sun, great Hyperion's offspring,
Embarked in his golden cup, that he
Might cross the ocean's wide expanse, and come
To the deep foundations of immortal Night;
To his fond mother, and his virgin bride,
And his dear children. And the son of Jove
Came to the grove
Shaded with laurels and with bays.
And Antimachus speaks thus—
And then the most illustrious Erythea
Sent the Sun forth in a convenient cup.
And Æschylus, in his Daughters of the Sun, says—
There in the west is found the golden cup,
Great Vulcan's work, your father's property,
In which he's borne along his rapid course
O'er the dark waters of the boundless sea.
When, his work done, he flies before dark Night,
Borne on her black-horsed chariot.
39. And Mimnermus, in his Nannus, says that the Sun when asleep is
borne round to the east, lying on a golden bed which was made for this
express purpose by Vulcan; by which enigmatical statement hie indicates
the hollow form of the cup; and he speaks thus—
DRINKING-CUPS.
For the Sun labours every day, nor ever
Do he or his fleet steeds know pleasing rest
From that bright hour when the rosy Morn,
Leaving her ocean-bed, mounts up to heaven.
For all across the sea, a lovely bed
Of precious gold, the work of Vulcan's hands,
Conveys the god; passing on rapid wings
Along the water, while he sleeps therein,
From the bright region of th' Hesperides,
To th' Ethiopian shore, where his swift car
And fiery horses wait within their stalls
Till bright Aurora comes again and opes
Her rosy portals. Then Hyperion's son
Ascends again his swift untiring car.
But Theolytus, in the second book of his Annals, says that the Sun
crosses the sea in a cup, and that the first person who invented this
statement was the author of the poem called the Battle of the Titans.
And Pherecydes, in the third book of his Histories, having previously
spoken about the ocean, adds—"But Hercules drew his bow against him,
as if he meant to shoot him: and the Sun bade him desist, and so he,
being afraid, did desist. And in return for his forbearance, the Sun
gave him the golden cup in which he himself used to travel with his
horses when he has set, going all night across the ocean to the east,
where he again rises. And so then Hercules went in this cup to Erythea.
And when he was at sea, Oceanus, to tempt him, appeared to him in
visible form, tossing his cup about in the waves; and he then was on
the point of shooting Oceanus; but Oceanus being frightened desired him
to forbear."
40. There is also a cup of the name of ethanion. Hellanicus, in his
account of the History and Manners of the Egyptians, writes thus—"In
the houses of the Egyptians are found a brazen φιάλη, and a brazen
κύαθος, and a brazen ἠθάνιον."
There is another kind called hemitomus; a sort of cup in use among the
Athenians, so called from its shape; and it is mentioned by Pamphilus,
in his Dialects.
41. Then there is the cup called the thericlean cup; this kind is
depressed at the sides, sufficiently deep, having short ears, as being
of the class of cup called κύλιξ.[61] And, perhaps, it is out
of a thericlean cup that Alexis, in his Hesione, represents Hercules to
be drinking, when he speaks thus—
And when he had, though scarcely, come t' himself,
He begg'd a cup of wine (κύλικα), and when he'd got it,
He drank down frequent draughts, and drain'd it well;
And, as the proverb says, the man sometimes
Is quite a bladder, and sometimes a sack.
And that the thericlean cup belongs to the class κύλιξ is plainly
stated by Theophrastus, in his History of Plants. For speaking of the
turpentine-tree, be says—“And thericlean cups (κύλικες θηρίκλειοι)
are turned of this wood, in such a manner that no one can distinguish
them from earthenware ones." And Thericles the Corinthian is said to
have been the first maker of this kind of cup, and he was a potter
originally, and it is after him that they have their name; and he lived
about the same time as Aristophanes the comic poet. And Theopompus
speaks of this cup, in his Nemea, where he says—
A. Come hither you, you faithful child of Thericles,
You noble shape, and what name shall we give you
Are you a looking-glass of nature? If
You were but full, then I could wish for nothing
Beyond your presence. Come then—
B. How I hate you,
You old Theolyta.
A. Old dost thou call me, friend?
B. What can I call you else? but hither come,
Let me embrace you; come to your fellow-servant:
Is it not so?
A. . . . . . . . . . . . . . . you try me.
B. See here I pledge you in fair friendship's cup.
A. And when you've drunk your fill, then hand the cup
Over to me the first.
But Cleanthes, in his treatise on Interpretation, says—"And as for all
these inventions, and whatever others there are of the same kind, such
as the thericlean cup, the deinias, the iphicratis, it is quite plain
that these, by their very names, indicate their inventors. And the same
appears to be the case even now. And if they fail to do so, the name
must have changed its meaning a little. But, as has been said before,
one cannot in every case trust to a name." But others state that the
thericlean cup has its name from the skins of wild beasts
(θηρίων) being carved on it. And Pamphilus of Alexandria says that
it is so called from the fact of Bacchus disturbing the beasts (τοὺς
θῆρας) by pouring libations out of these cups over them.
DRINKING-CUPS.
42. And Antiphanes mentions this kind of cup, in his Similitudes,
saying—
And when they had done supper, (for I wish
To put all things that happen'd in the interval
Together,) then the thericlean cup
Of Jove the Saviour was introduced,
Full of the luscious drops which o'er the sea
Came from the isle of the delicious drinks,
The sea-girt Lesbos, full, and foaming up,
And each one in his right hand gladly seized it.
And Eubulus, in his Dolon, says—
I never drain'd a cup more carefully,
For I did make the earthen cask more clean
Than Thericles did make his well-turn'd cups
E'en in his youth.
And, in his Dice-players, he says—
And then they drain'd the valiant cup yclept
The thericlean; foaming o'er the brim,
With Lacedæmonian lip, loud sounding
As if 'twere full of pebbles, dark in colour,
A beauteous circle, with a narrow bottom,
Sparkling and brilliant, beautifully wash'd,
All crown'd with ivy; and the while they call'd
On the great name of Jove the Saviour.
And Ararus, or Eubulus, whichever it was who was the author of the
Campylion, says—
O potter's earth, you whom great Thericles
Once fashion'd, widening out the circling depth
Of your large hollow sides; right well must you
Have known the natures and the hearts of women,
That they are not well pleased with scanty cups.
And Alexis, in his Horseman, says—
There is, besides, a thericlean cup,
Having a golden wreath of ivy round it,
Carved on it, not appended.
And in his Little Horse he says—
He drank a thericlean cup of unmix'd wine,
Right full, and foaming o'er the brim.
43. But Timæus, in the twenty-eighth book of his History, calls the cup
thericlea, writing thus:—"There was a man of the name of Polyxenus who
was appointed one of the ambassadors from Tauromenium, and he returned
having received several other presents from Nicodemus, and also a
cup of the kind called thericlea." And Adæus, in his treatise on
Descriptions, considers that the thericleum and the carchesium are the
same. But that they are different is plainly shown by Callixenus, who,
in his Account of Alexandria and its customs, says—"And some people
marched in the procession, bearing thericlea (and he uses the masculine
form θηρικλείους), and others bearing carchesia.” And what kind of
cup the carchesium was, shall be explained in due time. There is also
another kind called the thericlean bowl (θηρίκλειος κρατὴρ), which is
mentioned by Alexis, in his Cycnus—
And in the midst a thericlean bowl
Resplendent stood; full of old clear white wine,
And foaming to the brim. I took it empty,
And wiped it round, and made it shine, and placed it
Firm on its base, and crown'd it round with branches
Of Bacchus' favourite ivy.
Menander also has used the form θηρίκλειος as feminine,
in his Fanatic Woman, when he says—
And being moderately drunk, he took
nd drain'd the thericleum (τὴν θηρίκλειον).
And in his Begging Priest he says—
Drinking a thericleum of three pints.
And Dioxippus, in his Miser, says—
A. I want now the large thericlean cup (τῆς θηρικλείου τῆς μεγάλης).
B. I know it well.
A. Likewise the Rhodian cups;
For when I've pour'd the liquor into them,
I always seem to drink it with most pleasure.
And Polemo, in the first book of his treatise on the Acropolis at
Athens, has used the word in the neuter gender, saying— "Neoptolemus
offered up some golden thericlean cups (τὰ θηρίκλεια) wrought
on foundations of wood."
44. And Apollodorus of Gela, in his Philadelphia or the Man who killed
himself by Starvation, says—
Then there were robes of fine embroidery,
And silver plate, and very skilful chasers
Who ornament the thericlean cups,
And many other noble bowls besides.
And Aristophon, in his Philonides, says—
DRINKING-CUPS.
Therefore my master very lately took
The well-turn'd orb of a thericlean cup,
Full foaming to the brim with luscious wine,
Mix'd half-and-half, a most luxurious draught,
And gave it me as a reward for virtue;
I think because of my tried honesty;
And then, by steeping me completely in it,
He set me free.
And Theophilus, in his Boeotia, says—
He mixes beautifully a large cup
Of earthenware, of thericlean fashion,
Holding four pints, and foaming o'er the brim;
Not Autocles himself, by earth I swear,
Could in his hand more gracefully have borne it.
And, in his Proetides, he says—
And bring a thericlean cup, which holds
More than four pints, and 's sacred to good fortune.
There is also a cup called the Isthmian cup: and Pamphilus, in his
treatise on Names, says that this is a name given to a certain kind of
cup by the inhabitants of Cyprus.
45. There is also a kind of vessel called cadus; which Simmias states
to be a kind of cup, quoting this verse of Anacreon—
I breakfasted on one small piece of cheesecake,
And drank a cadus full of wine.
And Epigenes, in his Little Monument, says—
A. Craters, and cadi, olkia, and crunea.
B. Are these crunea?
A. To be sure these are,
Luteria, too. But why need I name each?
For you yourself shall see them.
B. Do you say
That the great monarch's son, Pixodarus,
Has come to this our land?
And Hedylus, in his Epigrams, says—
Let us then drink; perhaps among our cups
We may on some new wise and merry plan
With all good fortune light. Come, soak me well
In cups (κάδοις) of Chian wine, and say to me,
"Come, sport and drink, good Hedylus;" I hate
To live an empty life, debarr'd from wine.
And in another place he says—
From morn till night, and then from night till morn,
The thirsty Pasisocles sits and drinks,
In monstrous goblets (κάδοις), holding quite four quarts,
And then departs whatever way he pleases.
But midst his cups he sports more mirthfully,
And is much stronger than Sicelides.
How his wit sparkles! Follow his example,
And ever as you write, my friend, drink too.
But Clitarchus, in his treatise on Dialects, says that the Ionians
call an earthenware cask κάδος. And Herodotus, in his third book,
speaks of a cask (κάδος) of palm wine.
46. There is also the καδίσκος. Philemon, in his treatise
before mentioned, says that this too is a species of cup. And it is a
vessel in which they place the Ctesian Jupiters, as Anticlides says,
in his Book on Omens, where he writes,—"The statuettes of Jupiter
Ctesius ought to be erected in this manner. One ought to place a new
cadiscus with two ears . . . . —and crown the ears with white wool; and on
the right shoulder, and on the forehead . . . . and put on it what you find
there, and pour ambrosia over it. But ambrosia is compounded of pure
water, and oil, and all kinds of fruits; and these you must pour over."
Stratis the comic poet also mentions the cadiscus, in his Lemnomeda,
where he says—
The wine of Mercury, which some draw forth
From a large jug, and some from a cadiscus,
Mix'd with pure water, half-and-half.
47. There is also the cantharus. Now, that this is the name of a kind
of boat is well known. And that there is a kind of cup also called by
this name we find from Ameipsias, in his Men Playing at the Cottabus,
or Madness, where he says—
Bring here the vinegar cruets, and canthari.
And Alexis, in his Creation (the sentence refers to some one drinking
in a wine-shop), says—
And then I saw Hermaiscus turning over
One of these mighty canthari, and near him
There lay a blanket, and his well-fill'd wallet.
And Eubulus, who often mentions this cup by name, in his Pamphilus,
says—
But I (for opposite the house there was
A wine-shop recently establish'd)
There watch'd the damsel's nurse; and bade the vintner
Mix me a measure of wine worth an obol,
And set before me a full-sized cantharus.
And in another place he says—
How dry and empty is this cantharus!
And again, in another place—
Soon as she took it, she did drink it up,—
How much d'ye think? a most enormous draught;
And drain'd the cantharus completely dry.
DRINKING-CUPS.
And Xenarchus, in his Priapus, says this—
Pour, boy, no longer in the silver tankard,
But let us have again recourse to the deep.
Pour, boy, I bid you, in the cantharus,
Pour quick, by Jove, aye, by the Cantharus,
[62] pour.
And Epigenes, in his Heroine, says—
But now they do no longer canthari make,
At least not large ones; but small shallow cups
Are come in fashion, and they call them neater,
As if they drank the cups, and not the wine.
48. And Sosicrates, in his Philadelphi, says—
A gentle breeze mocking the curling waves,
Sciron's fair daughter, gently on its course
Brought with a noiseless foot the cantharus;
where cantharus evidently means a boat.
And Phrynichus, in his Revellers, says—
And then Chærestratus, in his own abode,
Working with modest zeal, did weep each day
A hundred canthari well fill'd with wine.
And Nicostratus, in his Calumniator, says—
A. Is it a ship of twenty banks of oars,
Or a swan, or a cantharus? For when
I have learnt that, I then shall be prepared
Myself t' encounter everything.
B. It is
A cycnocantharus, an animal
Compounded carefully of each.
And Menander, in his Captain of a Ship, says—
A. Leaving the salt depths of the Ægean sea,
Theophilus has come to us, O Strato.
How seasonably now do I say your son
Is in a prosperous and good condition,
And so's that golden cantharus.
B. What cantharus?
A. Your vessel.
And a few lines afterwards he says—
B. You say my ship is safe?
A. Indeed I do,
That gallant ship which Callicles did build,
And which the Thurian Euphranor steer'd.
And Polemo, in his treatise on Painters, addressed to Antigonus,
says—"At Athens, at the marriage of Pirithous, Hippeus made a wine
jug and goblet of stone, inlaying its edges with gold. And he provided
also couches of pinewood placed on the ground, adorned with coverlets
of every sort, and for drinking-cups there were canthari made of
earthenware. And moreover, the lamp which was suspended from the roof,
had a number of lights all kept distinct from one another. And that
this kind of cup got its name originally from Cantharus a potter, who
invented it, Philetærus tells us in his Achilles—
Peleus?—but Peleus
[63] is a potter's name,
The name of some dry wither'd lamp-maker,
Known too as Cantharus, exceeding poor,
Far other than a king, by Jove.
And that cantharus is also the name of a piece of female ornament, we
may gather from Antiphanes in his Boeotia.
49. There is also a kind of cup called carchesium. Callixenus the
Rhodian, in his History of the Affairs and Customs of Alexandria, says
that it is a cup of an oblong shape, slightly contracted in the middle,
having ears which reach down to the bottom. And indeed, the carchesium
is a tolerably oblong cup, and perhaps it has its name from its being
stretched upwards. But the carchesium is an extremely old description
of cup; if at least it is true that Jupiter, when he had gained the
affections of Alcmena, gave her one as a love gift, as Pherecydes
relates in his second book, and Herodorus of Heraclea tells the same
story. But Asclepiades the Myrlean says that this cup derives its name
from some one of the parts of the equipment of a ship. For the lower
part of the mast is called the pterna, which goes down into the socket;
and the middle of the mast is called the neck; and towards the upper
part it is called carchesium. And the carchesium has yards running out
on each side, and in it there is placed what is called the breastplate,
being four-cornered on all sides, except just at the bottom and at the
top. Both of which extend a little outwards in a straight line. And
above the breastplate is a part which is called the distaff, running up
to a great height, and being sharp-pointed. And Sappho also speaks of
the carchesia, where she says—
DRINKING-CUPS.
And they all had well-fill'd carchesia,
And out of them they pour'd libations, wishing
All manner of good fortune to the bridegroom.
And Sophocles, in his Tyro, says—
And they were at the table in the middle,
Between the dishes and carchesia;
saying that the dragons came up to the table, and took up a position
between the meats and the carchesia, or cups of wine. For it was the
fashion among the ancients to place upon the table goblets containing
mixed wine; as Homer also represents the tables in his time. And the
carchesium was named so from having on it rough masses like millet
(κεγχροειδὴς), and the α is
by enallage instead of ε, καρχήσιον for
κερχήσιον. On which account Homer calls those who are overcome by
thirst καρχαλέους. And Charon of Lampsacus, in his Annals, says that
among the Lacedæmonians there is still shown the very same cup which
was given by Jupiter to Alcmena, when he took upon himself the likeness
of Amphitryon.
There is another kind of cup called calpium, a sort of Erythræan
goblet, as Pamphilus says; and I imagine it is the same as the one
called scaphium.
50. There is another kind of cup called celebe. And this description of
drinking-cup is mentioned by Anacreon, where he says—
Come, O boy, and bring me now
A celebe, that I may drink
A long deep draught, and draw no breath.
It will ten measures of water hold,
And five of mighty Chian wine.
But it is uncertain what description of cup it is, or whether every
cup is not called celebe, because one pours libations into it (ἀπὸ τοῦ
χέειν λοιβὴν),or from one's pouring libations (λείβειν). And the verb
λείβω is applied habitually to every sort of liquid, from which also
the word λέβης is derived. But Silenus and Clitarchus say that celebe
is a name given to drinking-cups by the Æolians. But Pamphilus says
that the celebe is the same cup which is also called thermopotis, a
cup to drink warm water from. And Nicander the Colophonian, in his
Dialects, says that the celebe is a vessel used by the shepherds in
which they preserve honey. For Antimachus the Colophonian, in the
fifth book of his Thebais, says—
He bade the heralds bear to them a bladder
Fill'd with dark wine, and the most choice of all,
The celebea in his house which lay,
Fill'd with pure honey.
And in a subsequent passage he says—
But taking up a mighty celebeum
In both his hands, well fill'd with richest honey,
Which in great store he had most excellent.
And again he says—
And golden cups of wine, and then besides,
A celebeum yet untouch'd by man,
Full of pure honey, his most choice of treasures.
And in this passage he very evidently speaks of the celebeum as some
kind of vessel distinct from a drinking-cup, since he has already
mentioned drinking-cups under the title of δέπαστρα. And
Theocritus the Syracusan, in his Female Witches, says—
And crown this celebeum with the wool,
Well dyed in scarlet, of the fleecy sheep.
And Euphorion says—
Or whether you from any other stream
Have fill'd your celebe with limpid water.
And Anacreon says—
And the attendant pour'd forth luscious wine,
Holding a celebe of goodly size.
But Dionysius, surnamed the Slender, explaining the poem of
Theodoridas, which is addressed to Love, says that celebe is a name
given to a kind of upstanding cup, something like the prusias and the
thericleum.
51. There is also the horn. It is said that the first men drank out of
the horns of oxen; from which circumstance Bacchus often figured with
horns on his head, and is moreover called a bull by many of the poets.
And at Cyzicus there is a statue of him with a bull's head. But that
men drank out of horns (κερατα) is plain from the fact that to
this very day, when men mix water with wine, they say that they κερασαι
(mix it). And the vessel in which the wine is mixed is called κρατηρ,
from the fact of the water being mingled (συγκιρνασθαι) in it, as if
the word were κερατηρ, from the drink being poured εις το κερας (into
the horn); and even to this day the fashion of making horns into cups
continues: but some people call these cups rhyta. And many
of the poets represent the ancients as drinking out of horns. Pindar,
speaking of the Centaurs, says—
DRINKING-HORNS.
After those monsters fierce
Learnt the invincible strength of luscious wine;
Then with a sudden fury,
With mighty hands they threw the snow-white milk
Down from the board,
And of their own accord
Drank away their senses in the silver-mounted horns.
And Xenophon, in the seventh book of his Anabasis, giving an account of
the banquet which was given by the Thracian Seuthes, writes thus: "But
when Xenophon, with his companions, arrived at Seuthes's palace, first
of all they embraced one another, and then, according to the Thracian
fashion, they were presented with horns of wine." And in his sixth book
he says, when he is speaking of the Paphlagonians, "And they supped
lying on couches made of leaves, and they drank out of cups made of
horn." And Æschylus, in his Perrhæbi, represents the Perrhæbi as using
horns for cups, in the following lines:—
With silver-mounted horns,
Fitted with mouthpieces of rich-wrought gold.
And Sophocles, in his Pandora, says—
And when a man has drain'd the golden cup,
She, pressing it beneath her tender arm,
Returns it to him full.
And Hermippus, in his Fates, says—
Do you now know the thing you ought to do?
Give not that cup to me; but from this horn
Give me but once more now to drink a draught.
And Lycurgus the orator, in his Oration against Demades, says that
Philip the king pledged those men whom he loved in a horn. And
Theopompus, in the second book of his history of the Affairs and
Actions of Philip, says that the kings of the Pæonians, as the oxen
in their countries have enormous horns, so large as to contain three
or four choes of wine, make drinking-cups of them, covering over the
brims with silver or with gold. And Philoxenus of Cythera, in his poem
entitled The Supper, says—
He then the sacred drink of nectar quaff'd
From the gold-mounted brims of th' ample horns,
And then they all did drink awhile.
And the Athenians made also silver goblets in the shape of horns,
and drank out of them. And one may ascertain that by seeing the
articles mentioned in writing among the list of confiscated goods on
the pillar which lies in the Acropolis, which contains the sacred
offerings—"There is also a silver horn drinking-cup, very solid."
52. There is also the cernus. This is a vessel made of earthenware,
having many little cup-like figures fastened to it, in which are white
poppies, wheat-ears, grains of barley, peas, pulse, vetches, and
lentils. And he who carries it, like the man who carries the mystic
fan, eats of these things, as Ammonius relates in the third book of his
treatise on Altars and Sacrifices.
53. There is also the cup called the cissybium. This is a cup with but
one handle, as Philemon says. And Neoptolemus the Parian, in the third
book of his Dialects, says that this word is used by Euripides in the
Andromache, to signify a cup made of (κίσσινον)—
And all the crowd of shepherds flock'd together,
One hearing a huge ivy bowl of milk,
Refreshing medicine of weary toil;
Another brought the juice o' the purple vine.
For, says he, the cissybium is mentioned in a rustic assembly, where it
is most natural that the cups should be made of wood. But Clitarchus
says that the Æolians called the cup which is elsewhere called scyphus,
cissybium. And Marsyas says that it is a wooden cup, the same as the κύπελλον.
But Eumolpus says that it is a species of cup which
perhaps (says he) was originally made of the wood of the ivy. But
Nicander the Colophonian, in the first book of his History of Ætolia,
writes thus:—"In the sacred festival of Jupiter Didymæus they pour
libations from leaves of ivy (κισσοῦ), from which circumstance the
ancient cups are called cissybia. Homer says—
Holding a cup (κισσύβιον) of dark rich-colour'd wine.
And Asclepiades the Myrlean, in his essay on the cup called
Nestoris, says, "No one of the men in the city or of the men of
moderate fortune used to use the σκύφος or the κισσύβιον, but only the
swineherds and the shepherds, and the men in the fields. Polyphemus
used the cissybium, and Eumæus the other kind." But Callimachus
seems to make a blunder in the use of these names, speaking of an
intimate friend of his
who was entertained with him at a banquet by Pollis the Athenian, for
he says—
DRINKING-CUPS.
For he abhorr'd to drink at one long draught
Th' amystis loved in Thrace, not drawing breath:
And soberly preferr'd a small cissybium:
And when for the third time the cup (ἄλεισον) went round,
I thus address'd him . . . . . .
For, as he here calls the same cup both κισσύβιον and ἄλεισον, he
does not preserve the accurate distinction between the names. And
any one may conjecture that the κισσύβιον was originally made by the
shepherds out of the wood of the ivy (κισσός). But some derive it from
the verb χεύμαι, used in the same sense as χωρέω, to contain; as it
occurs in the following line:—
This threshold shall contain (χείσεται) them both.
And the hole of the serpent is also called χείη, as containing the
animal; and they also give the name of κήθιον, that is, χήτιον, to the
box which holds the dice. And Dionysius of Samos, in his treatise on
the Cyclic Poets, calls the cup which Homer calls κισσύβιον, κύμβιον,
writing thus—"And Ulysses, when he saw him acting thus, having filled a
κύμβιον with wine, gave it to him to drink."
54. There is also the ciborium. Hegesander the Delphian says that
Euphorion the poet, when supping with the Prytanis, when the Prytanis
exhibited to him some ciboria, which appeared to be made in a most
exquisite and costly manner, . . . . . . . . And when the cup had gone round
pretty often, he, having drunk very hard and being intoxicated, took
one of the ciboria and defiled it. And Didymus says that it is a kind
of drinking-cup; and perhaps it may be the same as that which is called
scyphium, which derives its name from being contracted to a narrow
space at the bottom, like the Egyptian ciboria.
55. There is also the condu, an Asiatic cup. Menander, in his play
entitled the Flatterer, says—
Then, too, there is in Cappadocia,
O Struthion, a noble golden cup,
Call'd condu, holding ten full cotylæ.
And Hipparchus says, in his Men Saved,—
A. Why do you so attend to this one soldier?
He has no silver anywhere, I know well;
But at the most one small embroider'd carpet,
(And that is quite enough for him,) on which
Some Persian figures and preposterous shapes
Of Persian griffins, and such beasts, are work'd.
B. Away with you, you wretch.
A. And then he has
A condu, a wine-cooler, and a cymbium.
And Nicomachus, in the first book of his treatise on the
Egyptian Festivals, says—"But the condu is a Persian cup;
and it was first introduced by Hermippus the astrologer. [64] . . . . . . . . . . . . . on
which account libations are poured out of it." But Pancrates, in the
first book of his Conchoreis, says—
But he first pour'd libations to the gods
From a large silver condu; then he rose,
And straight departed by another road.
There is also the cononius. Ister, the pupil of Callimachus, in the
first book of his History of Ptolemais, the city in Egypt, writes
thus:—"A pair of cups, called cononii, and a pair of thericlean cups
with golden covers.
56. There is also the cotylus. The cotylus is a cup with one handle,
which is also mentioned by Alcæus. But Diodorus, in his book addressed
to Lycophoron, says that this cup is greatly used by the Sicyonians and
Tarentines, and that it is like a deep luterium, and sometimes it has
an ear. And Ion the Chian also mentions it, speaking of "a cotylus full
of wine." And Hermippus, in his Gods, says—
He brought a cotylus first, a pledge for his neighbours.
And Plato, in his Jupiter Afflicted, says—
He brings a cotylus.
Aristophanes also, in his Babylonians, mentions the cotylus; and
Eubulus, in his Ulysses, or the Panoptæ, says—
And then the priest utt'ring well-omen'd prayers,
Stood in the midst, and in a gorgeous dress,
Pour'd a libation from the cotylus.
DRINKING-CUPS.
And Pamphilus says that it is a kind of cup, and peculiar to Bacchus.
But Polemo, in his treatise on the Fleece of the Sheep sacrificed to
Jupiter, says—"And after this he celebrates a sacrifice, and takes the
sacred fleece out of its shrine, and distributes it among all those who
have borne the cernus in the procession: and this is a vessel made of
earthenware, having a number of little cups glued to it; and in these
little
cups there is put sage, and white poppies, and ears of wheat, and
grains of barley, and peas, and pulse, and rye, and lentils, and beans,
and vetches, and bruised figs, and chaff, and oil, and honey, and milk,
and wine, and pieces of unwashed sheep's-wool. And he who has carried
this cernus eats of all these things, like the man who has carried the
mystic fan."
57. There is also the cotyle. Aristophanes, in his Cocalus, says—
And other women, more advanced in age,
Into their stomachs pour'd, without restraint,
From good-sized cotylæ, dark Thasian wine,
The whole contents of a large earthen jar,
Urged by their mighty love for the dark wine.
And Silenus, and Clitarchus, and also Zenodotus, say that it is a kind
of κύλιξ, and say—
And all around the corpse the black blood flow'd,
As if pour'd out from some full cotyle.
And again—
There is many a slip
'Twixt the cup (κοτύλης) and the lip.
And Simaristus says that it is a very small-sized cup which is called
by this name; and Diodorus says that the poet has here called the cup
by the name of cotyle, which is by others called cotylus, as where we
find—
πύρνον (bread) καὶ κοτύλην;
and that it is not of the class κύλιξ, for that it has no
handles, but that it is very like a deep luterium, and a kind of
drinking cup (ποτηρίου); and that it is the same as that which
by the Ætolians, and by some tribes of the Ionians, is called cotylus,
which is like those which have been already described, except that it
has only one ear: and Crates mentions it in his Sports, and Hermippus
in his Gods. But the Athenians give the name of κοτύλη to a
certain measure. Thucydides says—"They gave to each of them provisions
for eight months, at the rate of a cotyla of water and two cotylæ of
corn a-day." Aristophanes, in his Proagon, says—
And having bought three chœnixes of meal,
All but one cotyla, he accounts for twenty.
But Apollodorus says that it is a kind of cup, deep and hollow; and
he says—"The ancients used to call everything that was hollow
κοτύλη, as, for instance, the hollow of the hand; on which account we
find the expression κοτολήρυτον αἷμα meaning,
blood in such quantities that it could be taken up in the hand. And
there was a game called ἐγκοτύλη, in which those who are
defeated make their hands hollow, and then take hold of the knees of
those who have won the game and carry them." And Diodorus, in his
Italian Dialects, and Heraclitus (as Pamphilus says), relate that
the cotyla is also called hemina, quoting the following passage of
Epicharmus:—
And then to drink a double measure,
Two heminæ of tepid water full.
And Sophron says—
Turn up the hemina, O boy.
But Pherecrates calls it a cotylisca, in his Corianno, saying—
The cotylisca? By no means.
And Aristophanes, in his Acharnians, uses a still more diminutive form,
and says—
A cotyliscium (κοτυλίσκιον) with a broken lip.
And even the hollow of the hip is called κοτύλη; and the excrescences
on the feelers of the polypus are, by a slight extension of the word,
called κοτυληδών. And Æschylus, in his Edonians, has called cymbals
also κότυλαι, saying—
And he makes music with his brazen κότυλαι.
But Marsyas says that the bone of the hip is also called ἄλεισον and
κύλιξ. And the sacred bowl of Bacchus is called κοτυλίσκος; and so are
those goblets which the initiated use for their libations; as Nicander
of Thyatira says, adducing the following passage from the Clouds of
Aristophanes:—
Nor will I crown the cotyliscus.
And Simmias interprets the word κοτύλη by ἄλεισον.
DRINKING-CUPS.
58. There is also the cottabis. Harmodius of Lepreum, in his treatise
on the Laws and Customs of Phigalea, going through the entertainments
peculiar to different countries, writes as follows:—"When they have
performed all these purificatory ceremonies, a small draught is
offered to each person to drink in a cottabis of earthenware; and he
who offers it says, 'May you sup well.'" But Hegesander the Delphian,
in his Commentaries (the beginning of which is "In the best Form
of Government"), says—"That which is called the cottabus has been
introduced into entertainments, the Sicilians (as Dicæarchus relates)
having been the first people to introduce it. And such great fondness
was exhibited
for this amusement, that men even introduced into entertainments
contests, which were called cottabian games; and then cups of the
form which appeared to be most suitable for such an exercise were
made, called cottabides. And besides all this, rooms were built of
a round figure, in order that all, the cottabus being placed in the
middle, might contest the victory, all being at an equal distance, and
in similar situations. For they vied with one another, not only in
throwing their liquor at the mark, but also in doing everything with
elegance; for a man was bound to lean on his left elbow, and, making a
circuit with his right hand, to throw his drops (τὴν λάταγα)
over gently—for that was the name which they gave to the liquor which
fell from the cup: so that some prided themselves more on playing
elegantly at the cottabus than others did on their skill with the
javelin."
59. There is also the cratanium. But perhaps this is the same cup,
under an ancient name, as that which is now called the craneum:
accordingly, Polemo (or whoever it is who wrote the treatise on the
Manners and Customs of the Greeks), speaking of the temple of the
Metapontines which is at Olympia, writes as follows:—"The temple of
the Metapontines, in which there are a hundred and thirty-two silver
phialæ, and two silver wine-jars, and a silver apothystanium, and three
gilt phialæ. The temple of the Byzantians, in which there is a figure
of Triton, made of cypress-wood, holding a silver cratanium, a silver
siren, two silver carchesia, a silver culix, a golden wine-jar, and two
horns. But in the old temple of Juno, there are thirty silver phialæ,
two silver cratania, a silver dish, a golden apothystanium, a golden
crater (the offering of the Cyrenæans), and a silver batiacium."
There is also the crounea. Epigenes, in his Monument, says—
A. Crateres, cadi, holcia, crounea,
B. Are these crounea?
A. Yes, indeed these are.
There is the cyathis also. This is a vessel with a great resemblance to
the cotyla. Sophron, in his play entitled the Buffoon, represents the
women who profess to exhibit the goddess as present, as saying—
Three sovereign antidotes for poison
Are buried in a single cyathis.
60. Then there is the κύλιξ. Pherecrates, in his Slave-Tutor,
says—
Now wash the κύλιξ out; I'll give you then
Some wine to drink: put o'er the cup a strainer,
And then pour in some wine.
But the κύλιξ is a drinking-cup made of earthenware, and it is so
called from being made circular (ἀπὸ τοῦ κυλίεσθαι) by the potter's
wheel; from which also the κυλικεῖον, the place in which the cups are
stored up, gets its name, even when the cups put away in it are made
of silver. There is also the verb κυλικηγορέω, derived from the same
source, when any one makes an harangue over his cups But the Athenians
also call a medicine chest κυλικὶς, because it is made round in a
turning-lathe. And the κύλικες, both at Argos and at Athens, were in
great repute; and Pindar mentions the Attic κύλικες in the following
lines—
O Thrasybulus, now I send
This pair of pleasantly-meant odes
As an after-supper entertainment for you.
May it, I pray, be pleasing
To all the guests, and may it be a spur
To draw on cups of wine,
And richly-fill'd Athenian κύλικες.
61. But the Argive κύλικες appear to have been of a different
shape from the Athenian ones. At all events, they tapered towards a
point at the brims, as Simonides of Amorgos says—
But this is taper-brimm'd (φοξίχειλος),
that is to say, drawn up to a point towards the top; such as those
which are called ἄμβικες. For they use the word φοξὸς in this sense, as Homer
does when speaking of Thersites—
His head was sharp at top.
And the word is equivalent to φαοξὸς,—it being perceived to be sharp
(ὀξὺς) in the part where the eyes (τὰ φάη) are.
And very exquisitely wrought κύλικες are made at Naucratis,
the native place of our companion Athenæus. For some are in the form
of phialæ, not made in a lathe, but formed by hand, and having four
handles, and being widened considerably towards the bottom: (and there
are a great many potters at Naucratis, from whom the gate nearest to
the potteries (κεραμείων) is called the Ceramic gate:) and
they are dyed in such a manner as to appear like silver. The
Chian κύλικες also are highly extolled, which Hermippus
mentions in his Soldiers—
DRINKING-CUPS.
And a Chian κύλιξ hung on a peg aloft.
But Glaucon, in his Dialects, says that the inhabitants of Cyprus call
the cotyle culix. And Hipponax, in his Synonymes, writes thus—"The
aleisum, the poterium, the cupellum, the amphotis, the scyphus, the
culix, the cothon, the carchesium, the phiale." Alcmæon, instead of
κύλικες, has lengthened the word, and written κυλιχνίδες, in these
lines—
But it is best to bring, as soon as possible,
Dark wine, and one large common bowl for all,
And some κυλιχνίδες besides
And Alcæus says—
Let us at once sit down and drink our wine,
Why do we wait for lights? Our day is but
A finger's span. Bring forth large goblets (κύλιχναι) now
Of various sorts. For the kind liberal son
Of Jove and Semele gave rosy wine,
Which bids us all forget our griefs and cares;
So pour it forth, and mix in due proportion.
And in his tenth Ode he says—
Drops of wine (λάταγες) fly from Teian culichnæ,
showing, by this expression, that the κύλικες of Teos were exceedingly
beautiful.
62. Pherecrates also says, in his Corianno—
A. For I am coming almost boil'd away
From the hot bath; my throat is parch'd and dry;
Give me some wine. I vow my mouth and all
My jaws are sticky with the heat.
B. Shall I
Then take the κυλίσκη, O damsel, now?
A. By no means, 'tis so small; and all my bile
Has been stirr'd up since I did drink from it,
Not long ago, some medicine. Take this cup
Of mine, 'tis larger, and fill that for me.
And that the women were in the habit of using large cups, Pherecrates
himself expressly tells us in his Tyranny, where he says—
And then they bade the potter to prepare
Some goblets for the men, of broader shape,
Having no walls, but only a foundation,
And scarcely holding more than a mere shell.
More like to tasting cups; but for themselves
They order good deep κύλικες, good-sized,
Downright wine-carrying transports, wide and round,
Of delicate substance, swelling in the middle.
A crafty order: for with prudent foresight
They were providing how, without much notice,
They might procure the largest quantity
Of wine to drink themselves; and then when we
Reproach them that 'tis they who've drunk up everything,
They heap abuse on us, and swear that they,
Poor injured dears, have only drunk one cup,
Though their one's larger than a thousand common cups.
63. Then there are cymbia. These are a small hollow kind of cup,
according to Simaristus. But Dorotheus says, "The cymbium is a kind
of deep cup, upright, having no pedestal and no handles." But Ptolemy
the father of Aristonicus calls them "curved goblets." And Nicander
of Thyatira says that Theopompus, in his Mede, called a cup without
handles cymbium. Philemon, in his Vision, says—
But when fair Rhode came and shook above you
A cymbium full of mighty unmix'd wine.
But Dionysius of Samos, in the sixth book of his treatise on the Cyclic
Poets, thinks that the κισσύβιον and the κύμβιον are the same. For he says that
Ulysses, having filled a cymbium with
unmixed wine, gave it to the Cyclops. But the cup mentioned in Homer,
as having been given to him by Ulysses, is a good-sized cissybium;
for if it had been a small cup, he, who was so enormous a monster,
would not have been so quickly overcome by drunkenness, when he had
only drunk it three times. And Demosthenes mentions the cymbium in his
oration against Midias, saying that he was accompanied by rhyta and
cymbia: and in his orations against Euergus and Mnesibulus. But Didymus
the grammarian says that is a cup of an oblong shape, and narrow in
figure, very like the shape of a boat. And Anaxandrides, in his Clowns,
says—
Perhaps large cups (ποτήρια) immoderately drain'd,
And cymbia full of strong unmixed wine,
Have bow'd your heads, and check'd your usual spirit.
And Alexis, in his Knight, says—
A. Had then those cymbia the faces of damsels
Carved on them in pure gold?
B. Indeed they had.
A. Wretched am I, and wholly lost . . . .
DRINKING-CUPS.
64. But Eratosthenes, in his letter addressed to Ageton the
Lacedæmonian, says, that the cymbium is a vessel of the shape of the
cyathus, writing thus—"But these men marvel how a man who had not got
a cyathus, but only a cymbium, had, besides that, also a phiale. Now it
seems to me, that he had one for the use of men, but the other for the
purpose of doing honour to the Gods. And at that time they never used
the cyathus nor the cotyla. For they used to employ, in the sacrifices
of the Gods, a crater, not made of silver nor inlaid with precious
stones, but made of Coliad clay. And as often as they replenished this,
pouring a libation to the Gods out of the phiale, they then poured out
wine to all the company in order, bailing out the newly-mixed wine in
a cymbium, as they do now among us at the phiditia. And if ever they
wished to drink more, they also placed on the table beside them the
cups called cotyli, which are the most beautiful of all cups, and the
most convenient to drink out of. And these, too, were all made of the
same earthenware." But when Ephippus says, in his Ephebi—
Chæremon brings no culices to supper,
Nor did Euripides with cymbia fight,
he does not mean the tragic poet, but some namesake of his, who was
either very fond of wine, or who had an evil reputation on some other
account, as Antiochus of Alexandria says, in his treatise on the Poets,
who are ridiculed by the comic writers of the Middle Comedy. For the
circumstance of cymbia being introduced into entertainments, and being
used to fight with in drunken quarrels, bears on each point. And
Anaxandrides mentions him in his Nereids—
Give him a choeus then of wine, O messmate,
And let him bring his cymbium, and be
A second Euripides to-day.
And Ephippus, in his Similitudes, or Obeliaphori, says—
But it were well to learn the plays of Bacchus,
And all the verses which Demophoon
Made upon Cotys; and, at supper-time,
To spout the eclogues of the wise Theorus.
*
*
*
*
*
*
And let Euripides, that banquet-hunter,
Bring me his cymbia.
And that the κύμβη is the name of a boat too we are shown by Sophocles,
who, in his Andromeda, says—
Come you on horseback hither, or in a boat (κύμβαισι)?
And Apollodorus, in his Paphians, says there is a kind of drinking-cup
called κύμβα.
65. Then there is the κύπελλον. Now, is this the same as the ἄλεισον
and the δέπας, and different from them only in name?
Then rising, all with goblets (κυπέλλοις) in their hands,
The peers and leaders of the Achaian bands
Hail'd their return.
Or was their form different also? For this kind has not the character
of the amphicupellum, as the depas and aleison have, but is only of
a curved form. For the κύπελλον is so called from its curved shape,
as also is the ἀμφικύπελλον. Or is it so called as being in shape
like a milk-pail (πέλλα), only contracted a little, so as to have an
additional curve? And the word ἀμφικύπελλα is equivalent to ἀμφίκυρτα,
being so called from its handles, because they are of a curved shape.
For the poet calls this cup—
Golden, two-handled.
But Antimachus, in the fifth book of his Thebais, says—
And heralds, going round among the chiefs,
Gave each a golden cup (κύπελλον) with labour wrought.
And Silenus says, the κύπελλα are a kind of cup resembling the σκύφα,
as Nicander the Colophonian says—
The swineherd gave a goblet (κύπελλον) full to each.
And Eumolpus says that it is a kind of cup, so called from its being
of a curved shape (κυφόν). But Simaristus says that this
is a name given by the Cyprians to a cup with two handles, and by
the Cretans to a kind of cup with two handles, and to another with
four. And Philetas says that the Syracusans give the name of κύπελλον
to the fragments of barley-cakes and loaves which are left on
the tables.
There is also the κύμβη. Philemon, in his Attic Dialect, calls it “a
species of κύλιξ.” And Apollodorus, in his treatise on Etymologies,
says, that the Paphians call a drinking-cup κύμβα.
DRINKING-CUPS
66. Then there is the κωθων, which is mentioned by Xenophon,
in the first book of his Cyropædia. But Critias, in his Constitution of
the Lacedæmonians, writes as follows—"And other small things besides
which belong to human life; such as the Lacedæmonian shoes, which are
the best, and the Lacedæmonian garments, which are the most pleasant to
wear, and the most useful. There is also the Lacedæmonian
κωθων, which is a kind of drinking-cup most convenient when
one is on an expedition, and the most easily carried in a knapsack.
And the reason why it is so peculiarly well-suited to a soldier is,
because a soldier often is forced to drink water which is not very
clean; and, in the first place, this cup is not one in which it can be
very easily seen what one is drinking; and, secondly, as its brim is
rather curved inwards, it is likely to retain what is not quite clean
in it." And Polemo, in his work addressed to Adæus and Antigonus, says
that the Lacedæmonians used to use vessels made of earthenware; and
proceeds to say further—"And this was a very common practice among the
ancients, such as is now adopted in some of the Greek tribes. At Argos,
for instance, in the public banquets, and in Lacedæmon, they drink out
of cups made of earthenware at the festivals, and in the feasts in
honour of victory, and at the marriage-feasts of their maidens. But
at other banquets and at their Phiditia[66]
they use small casks." And Archilochus also mentions the cothon as a
kind of cup, in his Elegies, where he says—
But come now, with your cothon in your hand,
Move o'er the benches of the speedy ship,
And lift the covers from the hollow casks,
And drain the rosy wine down to the dregs;
For while we're keeping such a guard as this,
We shan't be able to forego our wine;
as if the κύλιξ were here called κώθων.
Aristophanes, in his Knights, says—
They leapt into th' horse-transports gallantly,
Buying cothones; but some bought instead
Garlic and onions.
And Heniochus, in his Gorgons, says—
Let a man give me wine to drink at once,
Taking that capital servant of the throat,
The ample cothon,—fire-wrought, and round,
Broad-ear'd, wide-mouth'd.
And Theopompus, in his Female Soldiers, says—
Shall I, then, drink from out a wryneck'd cothon,
Breaking my own neck in the hard attempt?
And Alexis, in his Spinners, says—
And then he hurl'd a four-pint cothon at me,
An ancient piece of plate, an heirloom too.
And it is from this cup that they call those who drink a great deal of
unmixed wine (ὐκράτον)ἀκρτοκώθωνες, as Hyperides
does in his oration against Demosthenes. But Callixenus, in the
fourth book of his History of Alexandria, giving an account of the
procession of Ptolemy Philadelphus, and giving a catalogue of a number
of drinking-cups, adds these words: "And two cothons, each holding two
measures of wine."
67. But with respect to drinking, (which from the name of this kind of
cup is sometimes called in the verb κωθωνίζομαι, and in the
substantive κωθωνισμὸς,) that occasional drinking is good
for the health is stated by Mnesitheus the Athenian physician, in his
letter on the subject of Drinking (κωθωνισμὸς), where he
speaks as follows: "It happens that those who drink a great quantity of
unmixed wine at banquets often receive great injury from so doing, both
in their bodies and minds; but still occasional hard drinking (κωθωνιζεσθαι)
for some days appears to me to produce a certain
purging of the body and a certain relaxation of the mind. For there are
some little roughnesses on the surface, arising from daily banquets;
now for getting rid of these there is no easier channel than the wine.
But of all modes of purging, that which is caused by hard drinking
is the most advantageous; for then the body is as it were washed out
by the wine; for the wine is both liquid and heating: but the wine
which we secrete is harsh; accordingly, fullers use it as a cleanser
when they are cleaning garments. But when you are drinking hard, you
should guard against three things,—against drinking bad wine, against
drinking unmixed wine, and against eating sweetmeats while you are
drinking. And when you have had enough, then do not go to sleep, until
you have had a vomit, moderate or copious as the case may be; and when
you have vomited, then go to sleep after having taken a slight bath.
And if you are not able to empty yourself sufficiently, then you must
take a more copious bath, and lie down in the bath in exceedingly warm
water." But Polemo, in the fifth book of his treatise addressed to
Antigonus and Adæus, says—"Bacchus being full grown, sitting
on a rock, and on his left hand a satyr, bald, holding in his right
hand a cothon of striped colours, with one handle."
DRINKING-CUPS
68. There is also the labronia. This is a species of Persian
drinking-cup, so named from the eagerness (λαβρότης) with
which people drink: and its shape is wide, and its size large, and it
has large handles. Menander, in his Fisherman, says—
We are abundantly well off at this time
For golden cylinders; and all those robes
From Persia, all those quaintly carved works,
Are now within, and richly-chased goblets,
Figures and faces variously carved,
Tragelaphi and labronia.
And in his Philadelphi he says—
And now the drinking of healths began, and now
Labroniæ, inlaid with precious stones,
Were set upon the board; and slaves stood round
With Persian fly-flappers.
And Hipparchus, in his Thais, says—
But this labronius is an omen now.
O Hercules! it is a cup which weighs
Of standard gold more than two hundred pieces.
Just think, my friend, of this superb labronius.
And Diphilus, in his Pithraustes, giving a catalogue of other kinds of
cups, says—
A. The tragelaphus, and likewise the pristis,
The batiace, and labronius too.
B. These seem to me to be the names of slaves.
A. By no means; they are all the names of cups;
And this labronius is worth twenty pieces.
And Didymus says that it resembles the bombylium and the batiacium.
69. There is also the lacæna. And this is a kind of cup so called
either from the potter, as the Attic vessels usually are, or from the
form which is usual in that district, on the same principle as the
thericlean cups derive their name. Aristophanes, in his Daitaleis,
says—
He gladly shared the Sybaritic feasts,
And drank the Chian wine from out the cups
Called the lacænæ, with a cheerful look.
70. Then there is the lepaste. Some mark this word λεπαστη with an
acute accent on the last syllable, like καλή; but some mark the
penultima with an acute, as μεγάλη. And this kind of cup derived its
name from those who spend a great deal of money on their drinking and
intemperance, whom men call λάφυκται. Aristophanes, in his Peace,
says—
What will you do, then, when you've drunk
One single lepaste full of new wine?
And it is from this word λεπαστὴ that the verb λάπτω comes, which
means to swallow all at once, having a meaning just opposite to the
bombylium; for the same author says, somewhere or other,—
You've drunk up all my blood, O king, my master!
which is as much as to say, you have utterly drained me. And in his
Gerytades he says—
But there was then a festival: a slave
Went round, and brought us all a lepaste,
And pour'd in wine dark as the deep-blue sea;
but the poet means here to indicate the depth of the cup. And
Antiphanes, in his Æsculapius, says—
He took an agèd woman, who had been
A long time ill, sick of a ling'ring fever,
And bruising some small root, and putting it
Into a noble-sized lepaste there,
He made her drink it all, to cure her sickness.
Philyllius, in his Auge, says—
For she was always in the company
Of young men, who did nothing else but drink;
And with a lot of aged women too,
Who always do delight in good-sized cups.
And Theopompus says in his Pamphila—
A sponge, a dish, a feather; and, besides,
A stout lepaste, which, when full, they drain
To the Good Deity, raising loud his praises,
As chirps a grasshopper upon a tree.
And in his Mede he says—
Callimachus, 'tis stated, once did charm
The Grecian heroes by some promised gain,
When he was seeking for their aid and friendship.
The only thing he fail'd in was th' attempt
To gain the poor, thin-bodied Rhadamanthus
Lysander with a cothon, ere he gave him
A full lepaste.
But Amerias says that the ladle with which the wine is poured into
the cups is called lepaste; but Aristophanes and Apollodorus say that
it is a sort of cup of the class κύλιξ. Pherecrates, in his
Crapatalli, says—
DRINKING-CUPS.
If there was one of the spectators thirsty,
He would a full lepaste seize, and drain
The whole contents.
But Nicander the Colophonian says that "the Dolopians give the name of
λεπαστὴ to the κύλιξ; but Lycophron, in the ninth book of his treatise
on Comedy, quoting this passage of Pherecrates, himself also asserts
the lepaste to be kind of κύλιξ; but Moschus, in his Interpretation of
Rhodiat Words, says that it is an earthenware vessel resembling those
which are called ptomatides, but flatter and wider: but Artemidorus,
the pupil of Aristophanes, says that it is some sort of drinking-cup.
And Apollophanes, in his Cretans, says—
And the lepasta, fill'd with fragrant wine,
Shall fill me with delight the livelong day.
And Theopompus says in his Pamphila—
A stout lepaste, which, well-fill'd with wine,
They drain in honour of the Happy Deity,
Rousing the village with their noise and clamour.
But Nicander of Thyatira says it is a larger kind of κύλιξ,
quoting the expressions of Teleclides out of his Prytanes—
To drink sweet wine from a sweet-smelling lepaste.
And Hermippus, in his Fates, says—
If anything should happen to me when
I've drain'd this promising lepaste, then
I give my whole possessions unto Bacchus.
71. There is also the loibasium. This, too, is a κύλιξ, as
Clearchus and Nicander of Thyatira say; with which they pour libations
of oil over the sacred offerings and victims.
Spondeum is the name given to the cup out of which they pour libations
of wine. And he says that the spondea are also called loibides, by
Antimachus of Colophon.
Then we have the lesbium. This also is a kind of cup, as Hedylus proves
in his Epigrams, where he says—
Callistion, contending against men
In drinking, ('tis a marvellous thing, but true,)
When fasting, drank three whole choeis of wine;
And now her cup, fashion'd of purple glass,
Adorn'd with bands fragrant of luscious wine,
She offers here to you, O Paphian queen.
Preserve this first, that so your walls may bear
The spoils of all the love excited so.
There is also the luterium. Epigenes, in his Tomb, where he gives a
catalogue of cups of different kinds, says—
Crateres, cadi, holcia, cruneia—
Are they cruneia? aye, and luteria.
But why need I each separate article
Enumerate? for you yourself shall see them.
72. There is also the Lyciurges. The things which are so called are
some kinds of phialæ, which derive their name from Lycon who made them,
just as the Cononii are the cups made by Conon. Now, Demosthenes, in
his Oration for the Crown, mentions Lycon; and he does so again, in
his oration against Timotheus for an assault, where he says—"Two
lyciurgeis phialæ." And in his speech against Timotheus he also
says—"He gives Phormion, with the money, also two lyciurgeis phialæ
to put away." And Didymus the grammarian says that these are cups made
by Lycius. And this Lycius was a Bœotian by birth, of the town of
Eleutheræ, a son of Myron the sculptor, as Polemo relates in the first
book of his treatise on the Acropolis of Athens; but the grammarian
is ignorant that one could never find such a formation of a word as
that derived from proper names, but only from cities or nations. For
Aristophanes, in his Peace, says—
The vessel is a Nαξιονργὴς cantharus;
that is to say, made at Naxos.
And Critias, in his Constitution of the Lacedæmonians, has the
expressions, κλίνη μιλησιουργὴς, and again, δίφρος λησιουργής: and
κλινὴ χιουργὴς, and τράπεξα ρηνιοεργής: made at Miletus, or Chios, or
Rhenea. And Herodotus, in his seventh book, speaks of “two spears,
λυκοεργέες.” But perhaps we ought to read λυκιοεργέες in Herodotus as
we do in Demosthenes, so as to understand by the word things made in
Lycia.
73. There is also the mele. This is a name given to some cups which are
mentioned by Anaxippus in his Well, where he says—
And you, Syriscus, now this mele take,
And bring it to her tomb—do you understand?
Then pour a due libation.
There is also the metaniptrum. This is the kind of cup which is offered
after dinner, when men have washed their hands. Antiphanes, in his
Lamp, says—
The metaniptrum of the Fortunate God;
Feasting, libations, and applause . . .
DRINKING-CUPS.
And Diphilus, in his Sappho, says—
Archilochus, receive this metaniptris,
The brimming cup of Jupiter the Saviour.
But some people say that this is rather the name of the draught itself
which was given to the guests after they had washed their hands; as,
for instance, Seleucus says in his Dialects. But Callias, in his
Cyclops, says—
Receive this metaniptris of Hygeia.
And Philetærus, in his Æsculapius, says—
He raised aloft a mighty metaniptris,
Brimfull of wine, in equal portions mix'd,
Repeating all the time Hygeia's name.
And Philoxenus the Dithyrambic poet, in his ode entitled the Supper,
pledging some one after they have washed their hands, says—
Do you, my friend, receive
This metaniptris full of wine,
The sweetly dewy gift of Bacchus.
Bromius gives this placid joy,
To lead all men to happiness.
And Antiphanes, in his Torch, says—
Our table shall now be this barley-cake,
And then this metaniptrum of Good Fortune . . . . .
Nicostratus, in his Woman returning Love, says—
Pour over him the metaniptrum of health.
74. Then there is the mastus. Apollodorus the Cyrenæan, as Pamphilus
says, states that this is a name given to drinking-cups by the Paphians.
There are also the mathalides. Blæsus, in his Saturn, says—
Pour out for us now seven mathalides
Full of sweet wine.
And Pamphilus says, “Perhaps this is a kind of cup, or is it only a
measure like the cyathus” But Diodorus calls it a cup of the κύλιξ
class.
75. There is also the manes, which is a species of cup. Nicon, in his
Harp-player, says—
And some seasonably then exclaim'd,
My fellow-countryman, I drink to you;
And in his hand he held an earthenware manes,
Of ample size, well able to contain
Five cotylæ of wine; and I received it.
And both Didymus and Pamphilus have quoted these iambics. But that is
also called manes which stands upon the cottabus, on which they throw
the drops of wine in that game, which Sophocles, in his Salmoneus,
called the brazen head, saying—
This is a contest, and a noise of kisses;
I give a prize to him who gains the victory
In elegantly throwing the cottabus,
And striking with just aim the brazen head.
And Antiphanes, in his Birthday of Venus, says—
A. I then will show you how: whoever throws
The cottabus direct against the scale (
πλάστιγξ),
So as to make it fall—
B. What scale? Do you
Mean this small dish which here is placed above?
A. That is the scale—he is the conqueror.
B. How shall a man know this?
A. Why, if he throw
So as to reach it barely, it will fall
Upon the manes,
[65]
and there'll be great noise.
B. Does manes, then, watch o'er the cottabus,
As if he were a slave?
And Hermippus says in his Fates—
You'll see, says he, a cottabus rod,
Wallowing round among the chaff;
But the manes hears no drops,—
And you the wretched scale may see
Lying by the garden gate,
And thrown away among the rubbish.
76. There is the Nestoris also. Now concerning the shape of the cup of
Nestor, the poet speaks thus—
Next her white hand a spacious goblet brings,
A goblet sacred to the Pylian kings
From eldest times; the massy, sculptured vase,
Glittering with golden studs, four handles grace,
And curling vines, around each handle roll'd,
Support two turtle-doves emboss'd in gold.
On two firm bases stood the mighty bowl,
Lest the topweight should make it loosely roll:
A massy weight, yet heaved with ease by him,
Though all too great for men of lesser limb.
Now with reference to this passage a question is raised, what is the
meaning of "glittering with golden studs:"—and again, what is meant by
"the massy, sculptured vase four handles grace." For Asclepiades the
Myrlean, in his treatise on the Nestoris, says that the other cups have
two handles.
DRINKING-CUPS.
And again, how could any one give a representation of turtle-doves
feeding around each of the handles? How also can he say, "On two
firm bases stood the mighty bowl?" And this also is a very peculiar
statement that he makes, that he could heave it with ease, "though all
too great for men of lesser limb." Now Asclepiades proposes all these
difficulties, and especially raises the question about the studs, as to
how we are to understand that they were fastened on. Now some say that
golden studs must be fastened on a silver goblet from the outside, on
the principles of embossing, as is mentioned in the case of the sceptre
of Achilles—
He spoke,—and, furious, hurl'd against the ground
His sceptre, starr'd with golden studs around;
for it is plain here that the studs were let into the sceptre, as
clubs are strengthened with iron nails. He also says of the sword of
Agamemnon—
A radiant baldric, o'er his shoulder tied,
Sustain'd the sword that glitter'd at his side:
Gold were the studs—a silver sheath encased
The shining blade.
But Apelles the engraver, he says, showed us on some articles of
Corinthian workmanship the way in which studs were put on. For there
was a small projection raised up by the chisel, to form, as it were,
the heads of the nails. And these studs are said by the poet to be
fixed in, not because they are on the outside and are fixed by nails,
but because they resemble nails driven through, and project a little on
the outside, being above the rest of the surface.
77. And with respect to the handles, they tell us that this cup had
indeed two handles above, like other cups; but that it had also two
more on the middle of its convex surface, one on each side, of small
size, resembling the Corinthian water-ewers. But Apelles explained
the system of the four handles very artistically in the following
manner. He said, that from one root, as it were, which is attached
to the bottom of the cup, there are diverging lines extending along
each handle, at no great distance from each other: and these reach
up to the brim of the cup, and even rise a little above it, and are
at the greatest distance from each other at the point where they are
furthest from the vessel itself; but at the lower extremity, where
they join the rim, they are again united. And in this way there are
four handles; but this kind of ornament is not seen in every cup, but
only on some, and especially on those which are called seleucides. But
with respect to the question raised about the two bases, how it can be
said, "On two firm bases stood the mighty bowl," some people explain
that line thus:—that some cups have one bottom, the natural one, being
wrought at the same time as, and of one piece with, the whole cup;
as for instance, those which are called cymbia, and the phialæ, and
others of the same shape as the phialæ. But some have two bottoms; as
for instance, the egg-shaped cups called ooscyphia, and those called
cantharia, and the seleucides, and the carchesia, and others of this
kind. For they say that one of these bottoms is wrought of the same
piece as the entire cup, and the other is attached to it, being sharp
at the upper part, and broader towards the lower end, as a support for
the cup; and this cup of Nestor's, they say, was of this fashion. But
the poet may have represented this cup as having two bottoms; the one,
that is to say, bearing the whole weight of the cup, and having an
elevation proportionate to the height, in accordance with its greater
circumference; and the other bottom might be smaller in circumference,
so as to be contained within the circumference of the larger circle,
where the natural bottom of the cup becomes sharper; so that the whole
cup should be supported on two bases.
But Dionysius the Thracian is said to have made the cup called
Nestor's, at Rhodes, all his pupils contributing silver for the work;
of which Promethidas of Heraclea, explaining the way in which it was
made on the system of Dionysius, says that it is a cup having its
handles made side by side, as the ships with two prows have their prows
made; and that turtle-doves are represented sitting on the handles;
and that two small sticks, as it were, are placed under the cup as a
support to it, running transversely across in a longitudinal direction,
and that these are the two bottoms meant by Homer. And we may to this
day see a cup of that fashion at Capua, a city of Campania, consecrated
to Diana; and the Capuans assert that that is the identical cup which
belonged to Nestor. And it is a silver cup, having on it the lines of
Homer engraved in golden characters.
DRINKING-CUPS.
78. "But I," said the Myrlean, "have this to say about
the cup:—the ancients, who first brought men over to a more civilized
system of life, believing that the world was spherical, and taking
their ideas of form from the visible forms of the sun and moon which
they beheld, and adapting these figures to their own use in the daily
concerns of life, thought it right to make all their vessels and other
articles of furniture resemble, in shape at least, the heaven which
surrounds everything: on which account they made tables round; and so
also they made the tripods which they dedicated to the Gods, and they
also made their cakes round and marked with stars, which they also call
moons. And this is the origin of their giving bread the name of ἄρτος,
because of all figures the circle is the one which is the most complete
(ἀπήρτισται), and it is a perfect figure. And accordingly they made a
drinking-cup, being that which receives moist nourishment, circular,
in imitation of the shape of the world. But the cup of Nestor has
something peculiar about it, for it has stars on it, which the poet
compares to studs, because the stars are as round as the studs,
and are, as it were, fixed in the heaven; as also Aratus says of
them—
There do they shine in heaven,—ornaments
Fix'd there for ever as the night comes round.
But the poet has expressed this very beautifully, attaching the golden
studs to the main body of the silver cup, and so indicating the nature
of the stars and of the heaven by the colour of the ornaments. For the
heaven is like silver, and the stars resemble gold from their fiery
colour.
79. "So after the poet had represented the cup of Nestor as studded
with stars, he then proceeds on to the most brilliant of the fixed
stars, by contemplating which men form their conjectures of what is to
happen to them in their lives. I mean the Pleiades. For when he says
δύο δὲ πελειάδες were placed in gold around each handle, he does not
mean the birds called πελειάδες, that is to say, turtle-doves; and
those who think that he does use πελειάδες here as synonymous with
περιστεραὶ are wrong. For Aristotle says expressly that the πελειὰς
is one bird, and the περιστερὰ another. But the poet calls that
constellation πελειάδες which at present w call πλειάδες; by the rising
of which men regulate their swing and their reaping, and the beginning
of their raising their crops, and their collection of them; as Hesiod
says:—
When the seven daughters of the Libyan king
Rise in the heavens, then begin to mow;
And when they hide their heads, then plough the ground.
And Aratus says—
Their size is small, their light but moderate,
Yet are they famous over all the world;
At early dawn and late at eve they roll,
Jove regulating all their tranquil motions;
He has ordain'd them to give signs to men,
When winter, and when summer too begins,—
What is the time for ploughing, what for sowing.
And accordingly it is with great appropriateness that the poet has
represented the Pleiades, who indicate the time of the generation and
approach to perfection of the fruits of the earth, as forming parts of
the ornaments of the cup of that wise prince Nestor. For this vessel
was intended to contain any kind of food, whether solid or liquid; on
which account he also says that the turtle-doves bring ambrosia to
Jupiter:—
No bird of air, nor dove of trembling wing,
That bears ambrosia to th' ethereal king,
But shuns these rocks.
For we must not think here that it is really the birds called
turtle-doves which bring ambrosia to Jupiter, which is the opinion of
many; for that were inconsistent with the majesty of Jupiter; but the
daughters of Atlas, turned into the constellation of Pleiades or doves.
For it is natural enough that they who indicate the appropriate seasons
to the human race should also bring ambrosia to Jupiter, on which
account also he distinguishes between them and other birds, saying—
No bird of air, nor dove of trembling wing;
and that he considers the Pleiades as the most famous of all fixed
stars is plain, from his having placed them in the first rank when
giving a list of other constellations:—
There earth, there heaven, there ocean he design'd,—
Th' unwearied sun, the moon completely round,—
The starry lights, that heaven's high convex crown'd,—
The Pleiades, Hyads, with the Northern Team,
And great Orion's more refulgent beam;
To which, around the axle of the sky,
The Bear, revolving, points his golden eye;
Still shines exalted on th' ethereal plain,
Nor bathes his blazing forehead in the main,—
The Bear, whom trusting rustics call the Wain.
THE PLEIADES.
"But people in general have been deceived by fancying the πελειάδες
here spoken of to be birds, first of all from the poetical form of the
word, because of the insertion of the letter ε; and secondly, because
they have taken the word τρήρωνες, 'trembling,' as an epithet only of
doves; since, owing to its weakness, that is a very cautious bird; and
when he calls it τρήρων, this word is derived from τρέω, and τρέω is
the same as εὐλαβέομαι, to be cautious. But still there is a good deal
of reason in attributing the same characteristic also to the Pleiades:
for the fable is, that they are always fleeing from Orion, since their
mother Pleione is constantly pursued by Orion.
80. "And the variation of the name, so that the Pleiades are called
both πέλειαι and πελειάδες, occurs in many poets. First of all, Myro
the Byzantian admirably caught the feeling of the Homeric poems,
saying in her poem entitled Memory, that the Pleiades convey ambrosia
to Jupiter. But Crates the critic, endeavouring to appropriate to
himself the credit due to her, produces that assertion as his own.
Simonides also has called the Pleiades Πελειάδες, in the following
lines:—
And may great Mercury, whose protecting pow'r
Watches o'er contests, Maia's mighty son,
Grant you success. But Atlas was the sire
Of seven dark-hair'd daughters, beautiful,
Surpassing all the maidens upon earth,
And now in heaven they're call'd Peleiades.
Here he distinctly calls the Pleiades Πελειάδες, for they it
was who were the daughters of Atlas; as Pindar says—
And it is natural
That great Orion should advance
Not far from the seven Pleiades, at the tail (ὀρίας).
For, in the arrangement of the stars, Orion is not far from the
Pleiades; from which circumstance has arisen the fable about them, that
they, with their mother Pleione, are always fleeing from Orion. But
when he calls the Pleiades ὄριαι here, he means οὔριαι, only he has
left out the v, because the Pleiades are close to the tail of the Bull.
And Æschylus has spoken still more plainly, playing on their name on
account of the resemblance of its sound, where he says—
The seven celebrated daughters of
The mighty Atlas, much bewail'd with tears
Their father's heaven-supporting toil; where they
Now take the form of night-appearing visions,
The wingless Peleiades.
For he calls them here wingless on account of the similarity of the
sound of their name to that of the birds Ππελειάδες. And Myro
herself also speaks in the same manner—
The mighty Jove was nourish'd long in Crete,
Nor yet had any of the heav'nly beings
E'er recognised their king; meanwhile he grew
In all his limbs; and him the trembling doves
Cherish'd, while hidden in the holy cave,
Bringing him, from the distant streams of ocean,
Divine ambrosia: and a mighty eagle,
Incessant drawing with his curved beak
Nectar from out the rock, triumphant brought
The son of Saturn's necessary drink.
Him, when the God of mighty voice had cast
His father Saturn from his unjust throne,
He made immortal, and in heaven placed.
And so, too, did he give the trembling doves (πελειάσιν)
Deserved honour; they who are to men
Winters and summer's surest harbingers.
And Simmias, in his Gorgo, says—
The swiftest ministers of air came near,
The quivering peleiades.
And Posidippus, in his Asopia, says—
Nor do the evening cool πέλειαι set.
But Lamprocles the Dithyrambic poet has also expressly and poetically
said that the word πελειάδες is in every sense synonymous with
περιστεραὶ, in the following lines—
And now you have your home in heaven,
Showing your title with the winged doves.
And the author of the poem called Astronomy, which is attributed to
Hesiod, always calls the Pleiades Πελειάδες, saying—
Which mortals call Peleiades.
And in another place he says—
And now the Peleiades of winter set.
And in another passage we find—
Then the Peleiades do hide their heads;
so that there is nothing at all improbable in the idea of Homer having
lengthened the name Πλειάδες by poetic licence into Πελειάδες.
MEANING OF PARTICULAR WORDS.
81. "Since, then, it is demonstrated that it is the Pleiades
who were embossed on the goblet, we must understand that two were
affixed to each handle, whether we choose to fancy that the damsels
were represented under the form of birds or under human form;—at all
events they were studded with stars: and as for the expression, "Around
each there were golden peleiades," we are not to understand that as
meaning around each separate one; for that would make eight in number:
but as each of the handles was divided into two sections, and as these
again were united towards the bottom, the poet has the word ἕκαστος,
speaking as if there were four sections of handles; but if he had
said ἑκάτερον, that would have applied to the fact of their again
becoming united at the highest point which they respectively reach. And
accordingly, when he says—
And curling vines, around each handle roll'd,
Bear two Peleiades emboss'd in gold;
On two firm bases stood the mighty bowl;
we are by that to understand one Peleias to. each section of the
handles. And he has called them δοιὰς, as being united to one another
and grown together as it were. For the word δοιοὶ, δοιαὶ,
signifies simply the number two, as in the passage—
Two tripods (δοιοὺς δὲ τρίποδας), and ten golden talents;
and again—
Two attendants (δοιοὶ θεράπογτες):
and it also at times intimates a natural connexion subsisting between
the two things spoken of, as well as that they are two in number; as in
these lines:—
There grew two (δοιοὶ) olives, closest of the grove,
With roots entwined and branches interwove,
Alike their leaves, but not alike they smiled
With sister fruits,—one fertile, one was wild:—
and accordingly this calculation will give altogether four Peleiades
upon the handles.
82. "And, then, when he adds this—
And curling vines, around each handle roll'd,
Bear two Peleiades emboss'd in gold:
On two firm bases stood the mighty bowl;
we are to understand not two actual separate bases, nor indeed
ought we to read ὑποπυθμένες as two words, like Dionysius the Thracian,
but we ought to read it as one word, υποπυθμενες,
in order to
understand it with reference to the Peleiades, that there were four
Peleiades on the handles, and two more ὑποπυθμένες, which is equivalent
to ὑπὸ τῷ πυθμένι, that is to say, under the pedestal, as if the word
were ὑποπυθμένιοι. So that the goblet is supported by two Peleiades which
lie under the bottom, and in that way there are altogether six Pleiades
in all, since that is the number which are seen, though they are said
to be seven in number, as Aratus says—
They are indeed declared by mortal man
To be in number seven; yet no more
Than six have e'er been seen by mortal eyes.
Not that a star can e'er have disappear'd
Unnoticed from the pure expanse of heaven
Since we have heard of its existence; but
The number has been stated carelessly,
And therefore they are usually call'd seven.
Accordingly, what is seen in the stars the poet has very suitably
described among the ornaments made on the occasion. And many fancy that
the poet is here referring to Jupiter, when he says—
No bird of air, nor dove of trembling wing,
That bears ambrosia to th' ethereal king,
But shuns these rocks. In vain she cuts the skies,
They fearful meet, and crush her as she flies.
Meaning in reality, that one of the Pleiades was destroyed by the
sharpness of the rocks and their smooth edge, and that another is
substituted in her place by Jupiter for the sake of keeping the number
undiminished. Expressing by the enigmatical figures of speech common to
poets, that, though there are only six Pleiades seen, still their real
number is not actually diminished; but there are said to be seven in
number, and also the names of the seven are distinctly given.
83. But as for those people who contend that there is no
appropriateness in embossing the Pleiades on this cup, as they are
rather indicative of dry food, we must state that this kind of cup
is calculated to receive both solid and liquid food; for κυκεὼν[67] is made in it; and this is a kind of potion, having mixed in
it cheese and meal; and the poet tells us
that both these ingredients are stirred up (κυκωμένα) together
and so drunk:—
MEANING OF PARTICULAR WORDS.
The draught prescribed fair Hecamede prepares,
Arsinous' daughter, graced with golden hairs
(Whom to his aged arms a royal slave
Greece, as the prize of Nestor's wisdom, gave):
A table first with azure feet she placed,
Whose ample orb a brazen charger graced;
Honey, new press'd, the sacred flour of wheat,
And wholesome garlic crown'd the savoury treat.
Next her white hand a spacious goblet brings,
A goblet sacred to the Pylian kings;
Temper'd in this, the nymph of form divine
Pours a large portion of the Pramnian wine;
With goats'-milk cheese a flavorous taste bestows,
And last with flour the smiling surface strows.
This for the wounded prince the dame prepares;
The cordial beverage reverend Nestor shares.
84. And as for the lines—
A massy weight, yet heav'd with ease by him,
Though all too great for men of smaller limb;
we are not to understand this as referring only to Machaon and Nestor,
as some people think, who refer ὃς to Machaon, taking it as
if it were ὁ, and say,
Ἀλλ᾽ δ̓ς μὲν μογέων ἀποκινήσασκε τραπέζης,—
thinking that "heaved with ease by him" is said of Machaon, as he was
the person for whom the cup has been mixed, as he had been wounded; but
we shall show hereafter that Machaon is never represented in Homer as
wounded. But these men do not perceive, that when Homer says ἄλλος, he
is not speaking of Machaon and Nestor alone (for these two are drinking
of the cup), for in that case he would have said ἕτερος. For ἕτερος is
the proper word for the other of two, as in this line—
οἴσετε δ᾽ ἄρν᾽ ἕτερον λευκὸν, ἑτέρην δὲ μέλαιναν,—
And bring two lambs, one male, with snow-white fleece,
The other black, who shall the breed increase.
Besides, Homer never uses ὁς for the demonstrative pronoun
ὁ; but, on the contrary, he sometimes uses the demonstrative
ὁ for the relative ὁς, as in the line—
ἒνθα δὲ σὶσυφος ἒσκεν ὃ κέρδιστος γὲνετ᾽ ἀνδρῶν,—
There Sisyphus, who of all men that lived
Was the most crafty, held his safe abode.
"But still, in this line, τις is wanting, for the sentence,
when complete, should run—
ᾶλλος μέν τις μογέων ἀποκινήσασκε τραπέζης
πλεῖον ἐὸν, νέστωρ δ᾽ ὁ γέρων ἀμογητὶ ἄειρεν:
so that the meaning would be, that there is no man who could lift the
cup up from the table without an effort, but that Nestor raised it
easily, without any labour or distress. For the cup is described as
having been large in size, and very heavy in weight; which however
Nestor, being very fond of drinking, was easily able to lift, from his
constant practice.
85. "But Sosibius, the solver of questions, quoting the lines—
ἄλλος μὲν μογέων ἀποκινήσασκε τραπέζης
πλεῖον ἐόν: νέστωρ δ᾽ ζ γέρων ἀμογητὶᾶειρεν,
writes on this expression—'Now, the poet has been often reproached for
making that the rest of the men could only lift this cup by a great
effort, but that Nestor alone could do so without any extraordinary
exertion. For it appeared unreasonable, that when Diomede and Ajax, and
even Achilles too were present, Nestor should be represented as more
vigorous than they, when he was so far advanced in years. But though
these accusations are brought against him, we may release the poet from
them by transposing the order. For in that hexameter—
πλεῖον ἐὸν, Νέστωρ δ᾽ ὁ γέρων ἀμογητὶ ἄειρεν,
if we take γέρων out of the middle, we shall unite that to the
beginning of the preceding line, after ἄλλος μὲν, and then we shall
connect the words as before—
ἄλλος μὲν γέρων μογέων ἀποκινήσασκε τραπέζης
πλεῖον ἐὸν, ὁ δὲ νέστωρ ἀπονητὶ ἄειρεν.
Now then, when the words are arranged in this way, Nestor only appears
to be represented as the only one of the old men who could lift the cup
without an extraordinary effort.'
DRINKING-CUPS.
"These are the observations of that admirable solver of difficulties,
Sosibius. But Ptolemy Philadelphus the king jested upon him with some
wit, on account of this and other much talked-of solutions. For as
Sosibius received a royal stipend, Ptolemy, sending for his treasurers,
desired them, when Sosibius came to demand his stipend, to tell him
that he had received it already. And when, not long after, he did come
and ask for his money, they said they had given it to him already, and
said no more. But he, going to the king,
accused the treasurers. And Ptolemy sent for them, and ordered them to
come with their books, in which were the lists of those who received
those stipends. And when they had arrived, the king took the books into
his hands, and looking into them himself, also asserted that Sosibius
had received his money; making it out in this way:—These names were
set down,—Soter, Sosigenes, Bion, Apollon, Dion; and the king, looking
on these names, said—My excellent solver of difficulties, if you take
Σω from Σωτὴρ,
and σι from Σωσιγένης,
and the first syllable βι from
Βίων and the last syllable from
Ἀπόλλωνος, you will find, on your own
principles, that you have received your stipend. And you are caught in
this way, not owing to the actions of others, but by your own feathers,
as the incomparable Æschylus says, since you yourself are always
occupied about solutions of difficulties which are foreign to the
subject in hand."
86. There is the holmus also. This, too, is a drinking-cup, made in the
fashion of a horn. Menesthenes, in the fourth book of his Politics,
writes thus—"A twisted albatanes and a golden holmus. But the holmus
is a cup wrought after the fashion of a horn, about a cubit in height."
87. There is also the oxybaphum. Now common usage gives this name to
the cruet that holds the vinegar; but it is also the name of a cup; and
it is mentioned by Cratinus, in his Putina, in this way:—
How can a man now make him leave off this
Excessive drinking? I can tell a way;
For I will break his jugs and measures all,
And crush his casks as with a thunderbolt,
And all his other vessels which serve to drink:
Nor shall he have a single oxybaphum left,
Fit to hold wine.
But that the oxybaphum is a kind of small κύλιξ, made of
earthenware, Antiphanes proves plainly enough, in his Mystis, in the
following words.[68] There is a wine-bibbing old
woman praising a large cup, and disparaging the oxybaphum as small. So
when some one says to her—
Do you, then, drink;
she answers—
There I will obey you.
And, by the gods, the figure of the cup
Is quite inviting, worthy of the fame
Of this high festival; for have we not—
Have we not, and not long ago, I say,
Drunk out of earthenware oxybapha?
But may the gods, my son, give many blessings
To him who made this cup—a noble cup,
As to its beauty and its good capacity.
And also in the Babylonians of Aristophanes we hear of the oxybaphum as
a drinking-cup, when Bacchus speaks of the demagogues at Athens, saying
that they demanded of him two oxybapha when he was going away to trial.
For we cannot think that they asked him for anything but cups. And the
oxybaphum, which is put before the people who play at the cottabus,
into which they pour their drops of wine, can be nothing else but a
flat cup. Eubulus also, in his Mylothris, mentions the oxybaphum as a
cup—
And besides, I measure out for drinking
An oxybaphum all round; and then he swore
The wine was nothing but pure vinegar,
And that the vinegar was wine, at least
Superior to the other.
88. There is the oinisteria too. The young men, when they are going to
cut their hair, says Pamphilus, fill a large cup with wine, and bring
it to Hercules; and they call this cup an oinisteria. And when they
have poured a libation, they give it to the assembled people to drink.
There is the ollix also. Pamphilus, in his Attic Words, describes this
as a wooden cup.
89. There is also the panathenaicum. Posidonius the philosopher, in the
thirty-sixth book of his History, mentions some cups called by this
name, speaking thus—"There were also cups made of an onyx, and also of
several precious stones joined together, holding about two cotylæ. And
very large cups, called panathenaica, some holding two choes, and some
even larger."
DRINKING-CUPS.
There is the proaron too. This was a wooden cup, into
which the Athenians used to pour mixed wine. "In hollow proara," says
Pamphilus.
90. Then there is the pelica. Callistratus, in his Commentary on the
Thracian Women of Cratinus, calls this a κύλιξ. But Crates,
in the second book of his treatise on the Attic Dialect, writes
thus:—"Choes, as we have already said, were called pelicæ. But the
form of this vessel was at first like that of the panathenaica, when it
was called pelica; but afterwards it was made of the same shape as the
œnochoe, such as those are which are put on the table at festivals,
which they formerly used to call olpæ, using them for infusing the
wine, as Ion the Chian, in his Sons of Eurytus, says—
You make a noise, intemperately drawing
Superfluous wine from the large casks with olpæ.
But now a vessel of that sort, which has been consecrated in some
fashion or other, is placed on the table at festivals alone. And that
which comes into every-day use has been altered in form, being now
generally made like a ladle, and we call it choeus." But Clitarchus
says that the Corinthians, and Byzantians, and Cyprians call an
oil-cruet, which is usually called lecythus, olpa; and the Thessalians
call it prochous. But Seleucus says that the Bœotians call a κύλιξ
pelichna; but Euphronius, in his Commentaries, says that they
give this name to a choeus.
91. There is the pella. This is a vessel resembling the scyphus, having
a wider bottom, into which men used to milk the cattle. Homer says—
Thick as beneath some shepherd's thatch'd abode,
The pails πέλλαι high foaming with a milky flood,
The buzzing flies, a persevering train,
Incessant swarm, and chased, return again.
But Hipponax calls this pellis; saying,—
Drinking from pellides; for there was not
A culix there,—the slave had fallen down,
And broken it to pieces;
showing, I imagine, very plainly that the pellis was not a
drinking-cup, but that on this occasion they used it as one, from want
of a regular culix. And in another place he says—
And they at different times from out the pella
Did drink; and then again Arete pledged them.
But Phoenix the Colophonian, in his Iambics, interprets this word as
identical with the phiala; saying,—
For Thales,—honestest of all the citizens,
And, as they say, by far the best of men
Who at that time were living upon earth,—
Took up a golden pellis.
And in another part he says—
And with one hand he pours from out the pellis,
Weak as he was in all his limbs and fingers,
A sharp libation of sour vinegar,
Trembling, like age, by Boreas much shaken.
But Clitarchus, in his Dialects, says that the Thessalians and Æolians
call the milk-pail pelleter; but that it is a drinking-cup which they
call pella. But Philetas, in his Miscellanies, says that the Bœotians
give the name of pelleter to a culix.
92. There is also the pentaploa. Philochorus mentions this, in the
second book of his treatise on Attic Affairs. But Aristodemus, in the
third book of his Commentary on Pindar, says that on the third day of
the Scira, games are celebrated at Athens, in which the young men run
races; and that they run, holding in their hands a branch of the vine
loaded with fruit, which is called oschus. And they run from the temple
of Bacchus to the temple of Minerva Sciras; and he who has gained
the victory takes a cup of the species called pentaplous, and feasts
with the rest of the runners. But the cup is called pentaplous, as
containing five (πέντε) ingredients; inasmuch as it has in it
wine, and honey, and cheese, and meal, and a little oil.
There is the petachnum. This is a cup of a flat shape, which is
mentioned by Alexis, in his Dropidas; and the passage has been already
cited. And Aristophanes also mentions it in his Dramas, where he says—
And every one indoors drinks out of petachna.
93. There is the plemochoe, too. This is an earthenware vessel, shaped
like a top, not very steady; and some people call it the cotyliscus, as
Pamphilus tells us. But they use it at Eleusis on the last day of the
Mysteries, which day they call Plemochoai, from the cups. And on this
day they fill two plemochoæ, and place one looking towards the east,
and the other looking towards the west, saying over them a mystic form
of words; and the author of the Pirithous names them (whoever he was,
whether Critias the tyrant, or Euripides), saying,—
That with well-omen'd words we now may pour
These plemochoæ into the gulf below.
DRINKING-CUPS.
There is a vessel, too, called the pristis; and that this is a species
of cup has been already stated in the discussion on the batiacium.
94. There is the prochytes, too. This is a kind of drinking-cup, as
Simaristus says, in the fourth book of his Synonymes. But Ion the
Chian, in his Elegies, says—
But let the cupbearing maidens fill for us
A crater with their silver prochytæ;
and Philetas, in his Miscellanies, says it is a wooden vessel, from
which the countrymen drink: and Alexander also mentions it in his
Tigon. And Xenophon, in the eighth book of his Cyropædia, calls some
kinds of culices, prochoides, writing thus (and it is of the Persians
that he is speaking):—"But it was a custom among them not to bring
prochoides into their banquets, evidently because they think that not
drinking too much is good both for the body and the mind. And even
now the custom prevails that they do not bring them; but they drink
such a quantity of wine that, instead of carrying in their cups, they
themselves are carried out, when they can no longer go out themselves
in an upright attitude."
There is also the Prusias; and it has been already said that this is an
upright kind of cup, and that it derived its name from Prusias king of
Bithynia, who was a man very notorious for his luxury and effeminacy;
as is mentioned by Nicander the Chalcedonian, in the fourth book of his
History of the Events of the Life of Prusias.
95. There are also rheonta; for this was a name given to some cups: and
Astydamas mentions them in his Mercury, speaking thus:—
First of all were two silver craters large,
And fifty phialæ, and ten cymbia,
And twelve rheonta, two of which were gold,
The others silver;—of the gold ones, one
Was like a griffin, one like Pegasus.
There is also the rhysis. This is called a golden phiala by Theodorus;
and Cratinus, in his Laws, says—"Pouring a libation from a rhysis."
96. There is also the Rhodias. Diphilus, in his Stormer of Walls (but
Callimachus calls the play The Eunuch), speaks thus—
And they intend to drink more plenteously
Than rhodiaca or rhyta can supply.
Dioxippus, too, mentions this cup, in his Miser; and so does Aristotle,
in his treatise on Drunkenness; and so also does Lynceus the Samian, in
his Letters.
97. There is also the rhytum—ῥυτόν. The υ is short,
and the word has an acute accent on the last syllable. Demosthenes, in
his speech against Midias, speaks of "rhyta, and cymbia, and phialæ."
But Diphilus, in his Eunuch, or The Soldier, (and this play is a new
edition of his Stormer of Walls,) says—
And they intend to drink more plenteously
Than rhodiaca or rhyta can supply.
And Epinicus, in his Supposititious Damsels, says—
A. And of the large-sized rhyta three are here;
To-day one will be forced to drink more steadily,
By the clepsydra.
B. This, I think, will act
Both ways.
A. Why, 'tis an elephant!
B. Yes, he
Is bringing round his elephants.
A. A rhytus,
Holding two choes, such as e'en an elephant
Could hardly drink; but I have drunk it often.
B. Yes, for you're very like an elephant.
A. There is besides another kind of cup,
Its name a trireme; this, too, holds one choeus.
And, speaking of the rhytum, he says—
A. Bellerophon, on Pegasus's back,
Fought and subdued the fire-breathing Chimæra.
B. Well, take this cup.
But formerly a drinking-horn was also called a rhytum; and it appears
that this kind of vessel was first made by Ptolemy Philadelphus the
king, to be carried by the statues of Arsinoe: for in her right hand
she bears a vessel of this kind, full of all the fruits of the season;
by which the makers of it designed to show that this horn is richer
than the horn of Amalthea. And it is mentioned by Theocles, in his
Ithyphallics, thus—
For all the journeymen to-day
Have sacrificed Soteria;
And in their company I've drunk this cup,
And now I go to my dear king.
DRINKING-CUPS.
But Dionysius of Sinope, in his Female Saviour, giving a list of some
cups, has also mentioned the rhytus, as I have said
before; but Hedylus, in his Epigrams, mentioning the rhytum made by
Ctesibius the engineer or machinist, speaks thus—
Come hither, all ye drinkers of sheer wine,—
Come, and within this shrine behold this rhytus,
The cup of fair Arsinoe Zephyritis,
The true Egyptian Besa, which pours forth
Shrill sounds, what time its stream is open'd wide,—
No sound of war; but from its golden mouth
It gives a signal for delight and feasting,
Such as the Nile, the king of flowing rivers,
Pours as its melody from its holy shrines,
Dear to the priests of sacred mysteries.
But honour this invention of Ctesibius,
And come, O youths, to fair Arsinoe's temple.
But Theophrastus, in his treatise on Drunkenness, says that the cup
called the rhytum is given to heroes alone. Dorotheus the Sidonian,
says that the rhyta resemble horns, but are perforated at both ends,
and men drink of them at the bottom as they send forth a gentle stream;
and that it derives its name from the liquor flowing from them (ἀπὸ τῆς ῥύσεως).
98. There is the sannacra too. Crates, in the fifth book of his
treatise on the Attic Dialect, says that it is a drinking-cup which
bears this name, but it is a Persian cup. But Philemon, in his Widow,
mentioning the batiacia, and jesting on the ridiculousness of the name,
says—
The sannacra, and hippotragelaphi,
And batiacia, and sannacia.
There is also the Seleuci; and we have already stated that this cup
derives its name from king Seleucus; Apollodorus the Athenian having
made the same statement. But Polemo, in the first chapter of his
treatise addressed to Adæus, says these goblets are very like one
another, the Seleucis, the Rhodias, and the Antigonis.
Then, there is the scallium. This is a small cup (κυλίκον), with
which the Æolians pour libations, as Philetas tells us, in his
Miscellanies.
99. There is also the scyphus. Now some people form the genitive of
this word σκύθος with a ς invariably; but they are mistaken: for
sometimes σκύθος is masculine, like λύχνος, and then we form its
genitive case without ς but when σκύθος is neuter, then we must decline
with the ς, σκύθος σκύθους,
like τεῖχος τείχους. But the Attic writers
use the nominative case in both the masculine and neuter
genders. And Hesiod, in the second book of his Melampodia, writes the
word with a π, σκύπθοσ—
To him came Mares, a swift messenger,
Straight from his house; he fill'd a silver cup (σκύθος),
And brought it in his hand, and gave it to the king.
And in another place he says—
And then the prophet in his right hand took
The chain that held the bull; and on his back
Iphiclus laid his hand: and following then,
Holding a cup (σκύπθος) in one hand, in the other
Raising a staff, brave Phylacus advanced,
And, standing amid the servants, thus he spoke.
And in the same manner Anaximander in his Heroology speaks, where
he says, "But Amphitryon, when he had divided the booty among his
allies, and having the cup (σκύπθος) which he had selected
for himself, . . ." And in another place he says—"But Neptune gives his
σκύπθος to Teleboas his own son, and Teleboas to Pteselaus;
and he when he received it sailed away." And in the same manner
Anacreon has said—
But I, in my right hand holding
A σκύπθος full of wine,
Drank to the health of the white-crested Erxion.
(And in this last line he uses the verb ἐξέπινον instead of προέεπινον
For properly speaking προπίνω means to give to some one else to drink
before yourself. And so Ulysses, in Homer,—
Gave to Arete first the well-fill'd cup.
And in the Iliad he says—
And first he fill'd a mighty cup of wine,
Then pledg'd the hero, Peleus' son divine;
for they used, when they had filled their cups, to pledge one another
with a friendly address.) Panyasis, in the third book of his Heraclea,
says—
This wine he pour'd into an ample bowl,
Radiant with gold, and then with frequent draughts
He drain'd the flowing cup.
Euripides, in his Eurystheus, uses the word in the masculine gender—
And a long cup (σκύφος τε μακρός).
And so does Achæus, in his Omphale—
The goblet of the god invites me (ὁ δὲ σκύθος με τοῦ θεοῦ ῾Ἀλεἶ).
DRINKING-CUPS.
And Simonides too, speaking of a cup with handles, says, οὐατόεντα
σκύφον. But Ion, in his Omphale, says—
There is no wine in the cup (οἶνος οὐκ ἔνι ἐν τῷ σκύφεἰ),
forming σκύφει regularly from σκύφος, as a neuter noun. And in the same
way Epicharmus, in his Cyclops, says—
Come, pour the wine into the cup (ἐς τὸ σκύφος).
And Alexis, in his Leucadia, says—
And with his aged lips he drank
A mighty cup μέγα σκύφος of fragrant wine.
And Epigenes, in his Bacchea, says—
I rejoiced when I received τὸ σκύφος.
And Phædimus, in the first book of his Heraclea, says—
A mighty cup (εὐρὺ σκύφος) of well-grain'd timber framed,
And fill'd with honied wine.
And also in Homer, Aristophanes the Byzantian writes—
But having filled a cup σκύφος, he gave it him,
Having himself drunk from the same.
But Aristarchus in this line writes σκύφον, not σκύφος.
But Asclepiades the Myrlean, in his treatise on the Nestoris, says that
none of those who lived in the city, and none of the men of moderate
property, used the scyphus (τῷ σκύφει) and the cissybium; but
only the swineherds, and shepherds, and men in the fields, as Eumæus,
for instance,
Gave him the cup (σκύφος) from which he drank himself,
Well fill'd with wine.
And Alcman says—
And often on the highest mountain tops,
When some most tuneful festival of song
Is held in honour of the Gods, you hold
A golden vessel,—a fine, ample cup σκύφον̓,
Such as the shepherds, pasturing their flocks
On the high hills, delight in, . . . . . . . .
. . . . . . . . . . . . have made cheese
Most delicate and white to look upon.
And Æschylus, in his Perrhæbians, says—
Where are my many gifts and warlike spoils,—
Where are my gold and silver cups (σκυφώματα)̣?
And Stesichorus calls the cup on the board of Pholus the Centaur
σκύφειον δέπας, using σκύφειον
as synonymous to σκυφοειδές. And he
says, when speaking of Hercules—
And taking a huge scyphus-shaped cup (σκύπφειον δέπας),
Holding three measures, to his lips he raised it,
Full of rich wine, which Pholus wisely mix'd
And gave him; and at one good draught he drank it.
And Archippus, in his Amphitryon, has used the word in the neuter
gender.
100. But as for the word λάγυνον, they say that that is the name of
a measure among the Greeks, as also are the words χοὸς and κοτύλη.
And they say that the λάγυνον contains twelve Attic κότυλαι. And at
Patræ they say that there is a regular measure called ἡ λάγυνος. But
Nicostratus, in his Hecate, has used the word in the masculine gender,
ὁ λάγυνος, where he says—
A. And yet among the flagons into which
We pour'd the wine out of the casks, now tell me
What is the measure some of them contain (πηλίκοι τινές̣)?
B. They hold three choes each.
And again he says—
Bring us the full flagon (τὸν μεστὸν λάγυνον).
And, in the play entitled The Couch, he says—
And this most odious flagon's (λάγυνος οὗτος) full of vinegar.
Diphilus, in his People Saved, says—
I have an empty flagon, my good woman,
And a full wallet.
And Lynceus the Samian, in his letter to Diagoras, says,—"At the time
that you sojourned in Samos, O Diagoras, I know that you often came to
banquets at my house, at which a flagon was placed by each man, and
filled with wine, so as to allow every one to drink at his pleasure."
And Aristotle, in his Constitution of the Thessalians, says that the
word is used by the Thessalians in the feminine gender, as ἡ λάγυνος.
And Rhianus the epic poet, in his Epigrams, says—
This flagon (ἥδε λάγυνος), O Archinus, seems to hold
One half of pitch from pines, one half of wine;
And I have never met a leaner kid:
And he who sent these dainties to us now,
Hippocrates, has done a friendly deed,
And well deserves to meet with praise from all men.
But Diphilus, in his Brothers, has used the word in the neuter gender—
O conduct worthy of a housebreaker
Or felon, thus to take a flagon now
Under one's arm, and so go round the inns;
And then to sell it, while, as at a picnic,
One single vintner doth remain behind,
Defrauded by his wine-merchant.
DRINKING-CUPS.
And the line in the Geryonis of Stesichorus—
A measure of three flagons (ἔμμετρον ὡς τριλάγυνον̓),
leaves it quite uncertain under what gender the word is to be classed
as far as respects that line. But Eratosthenes says that the words
πέτασος and στάμνος are also used as feminine nouns
by some authors.
101. But the name σκύφος is derived from σκαφὶς, a
little boat. And this likewise is a round vessel made of wood, intended
to receive milk, or whey; as it is said in Homer—
Capacious chargers all around were laid,
Full pails (σκαφίδες), and vessels of the milking trade.
Unless, indeed, σκύφος is quasi σκύθος, because
the Scythians were in the habit of drinking more than was decent.
But Hieronymus the Rhodian, in his treatise on Drunkenness, says to
get drunk is called σκυθίζω; for that θ is a
cognate letter to φ. But at subsequent times scyphi were
made of earthenware and of silver, in imitation of the wooden ones.
And the first makers of cups of this kind were the Bœotians, who
obtained a high reputation for their manufacture; because Hercules
originally used these cups in his expeditions. On which account they
are called Heracleotici by some people. And they are different from
other cups; for they have on their handles what is called the chain of
Hercules. And Bacchylides mentions the Bœotian scyphi in these words,
(addressing his discourse to Castor and Pollux, and invoking their
attendance at a banquet)—
Here there are no mighty joints
Of oxen slain,—no golden plate,
No purple rich embroidery;
But there is a cheerful mind,
And a sweetly-sounding Muse,
And plenty of delicious wine,
In cups of Theban workmanship (Βοιωτίοισιν ἐν σκύφοισιν̓).
And next to the Bœotian scyphi, those which had the highest reputation
were the Rhodian ones, of the workmanship of Damocrates. And the next
to them were the Syracusan cups. But the σκύφος is called
by the Epirotes λυρτὸς, as Seleucus reports; and by the
Methymnæans it is called σκύθος, as Parmeno says, in his book
on Dialects. And Dercyllidas the Lacedæmonian was nicknamed
Σκύθος, as Ephorus relates in his eighteenth book, where he speaks as
follows:—"The Lacedæmonians sent Dercyllidas into Asia in the place of
Thymbron, having heard that the barbarians were in the habit of doing
everything by deceit and trick; on which account they sent Dercyllidas,
thinking that he was the least likely of all men to be taken in;
for he was not at all of a Lacedæmonian and simple disposition, but
exceedingly cunning and fierce; on which account the Lacedæmonians
themselves used to call him Σκύθον."
102. There is the tabaitas also. Amyntas, in the first book of his
treatise on the Stations of Asia, speaking of what is called aerial
honey, writes as follows:—"They gather it with the leaves, and store
it up, making it up in the same manner as the Syrian cakes of fruit,
but some make it into balls; and when they are about to use it for
food, they break pieces off these cakes into wooden cups, which they
call tabaitæ, and soak them, and then strain them off and drink the
liquor; and the drink is very like diluted honey, but this is much the
sweeter of the two."
There is also the tragelaphus. And this is the name given to some cups,
as Alexis mentions, in his Coniates—
Cymbia, phialæ, tragelaphi, culices.
And Eubulus, in his Man Glued on, says—
But there are five phialæ, and two tragelaphi.
And Menander, in his Fisherman, says—
Tragelaphi, labronii.
And Antiphanes, in his Chrysis, says—
And for this rich and sordid bridegroom now,
Who owns so many talents, slaves, and stewards,
And pairs of horses, camels, coverlets,—
Such loads of silver plate, such phialæ,
Triremes, tragelaphi, carchesia,
Milkpails of solid gold, vessels of all sorts;
For all the gluttons and the epicures
Call casks brimful of wine mere simple milkpails.
There is also the trireme. And that trireme is the name of a species of
drinking-cup Epicurus has shown, in his Supposititious Damsels; and the
passage which is a proof of this has been already quoted.
There is also the hystiacum, which is some sort of drinking-cup.
Rhinthon, in his Hercules, says—
DRINKING-CUPS.
You swallow'd, in one small hystiacum,
A cheesecake of pure meal, and groats, and flour.
103. There is the phiale too. Homer, when he says—
He placed a phiale upon the board,
By both hands to be raised (ἀμφίθετον), untouch'd by fire;
and again, when he says—
A golden phiale, and doubled fat;
is not speaking of a drinking-cup, but of a brazen vessel of a flat
shape like a caldron, having perhaps two handles, one on each side. But
Parthenius the pupil of Dionysius understands by ἀμφίθετον a
phiale without any bottom. But Apollodorus the Athenian, in his short
essay on the Crater, says that it means a cup which cannot be firmly
placed and steadied on its bottom, but only on its mouth. But some
say, that just as the word ἀμφιφορεὺς is used for a cup
which can be lifted by its handles on both sides, the same is meant
by the expression ἀμφίθετος φιάλη. But Aristarchus says
that it means a cup which can be placed on either end, on its mouth or
on its bottom. But Dionysius the Thracian says that the word ἀμφίθετος
means round, running round (ἀμφιθέων) in a
circular form. And Asclepiades the Myrlean says,—"The word φιάλη,
by a change of letters, becomes πιάλη, a cup which
contains enough to drink (πιεῖν ἅλις); for it is larger than
the ποτήριον. But when Homer calls it also ἀπύρωτος,
he means either that it was wrought without fire, or never put on the
fire. On which account he calls a kettle which may be
put on the fire ἐμπυριβήτης, and one which is not so used ἄπυρος. And
when he says—
An ample charger, of unsullied frame,
With flowers high wrought, not blacken'd yet by flame,
he perhaps means one intended to receive cold water. So that the
phiale would in that case resemble a flat brazen vessel, holding cold
water. But when he calls it ἀμφίθετος, can we understand that it has
two bases, one on each side; or is ἀμφὶ here to be taken as equivalent
to περὶ, and then again is περὶ to be taken
as equivalent to περιττὸν,
so that in fact all that is meant by the epithet is beautifully made;
since θεῖναι was often used by the ancients for 'to make?' It may also
mean, ' being capable of being placed either on its bottom or upon its
mouth;' and such a placing of cups is an Ionian [p. 802] and an ancient
fashion. And even now the Massilians often adopt it, and set their
goblets down on their mouths."
104. But as Cratinus has said, in his Female Runaways—
Receive from me these round-bottom'd phialæ,
Eratosthenes, in the eleventh book of his treatise on Comedy, says
that Lycophron did not understand the meaning of the word (βαλανειόμφαλος),
for that the word ὀμφαλὸς, as applied to
a phiale, and the word θόλος, as applied to a bath, were
nearly similar in meaning; and that, in the word, allusion is neatly
enough made to the umbilical form. But Apion and Diodorus say, "There
are some kinds of phialæ of which the boss is similar to a strainer."
But Asclepiades the Myrlean, in his Essays on Cratinus, says—
"βαλανειόμφαλοι are the phialæ called, because their bosses and the
vaulted roofs of the baths are much alike." And Didymus, saying the
same thing, cites the words of Lycophron, which run thus:—"From the
bosses in the women's baths, out of which they ladle the water in
small cups." But Timarchus, in the fourth book of his Essay on the
Mercury of Eratosthenes, says,—"Any one may suppose that this word
contains a secret allusion in it, because most of the baths at Athens,
being circular in their shape, and in all their furniture, have slight
projections in the middle, on which a brazen boss is placed. Ion, in
his Omphale, says—
Go quick, O damsels; hither bring the cups,
And the mesomphali;—
and by μεσόμφαλοι here, he means the same things as those which
Cratinus calls βαλανειόμφαλοι, where he says—
Receive from me these round-bottom'd phialæ.
And Theopompus, in his Althæa, said—
She took a golden round-bottom'd (μεσόμφαλον) phiale,
Brimful of wine; to which Telestes gave
The name of acatos;
as Telestes had called the phiale an acatos, or boat. But Pherecrates,
or whoever the poet was who composed the Persæ, which are attributed to
him, says, in that play—
Garlands to all, and well-boss'd chrysides (ὀμφαλωταὶ χρυσίδες).
105. But the Athenians call silver phialæ ἀργυρίδες, and
golden ones they call χρυσίδες. And Pherecrates mentions the
silver phiale in the following words in his Persæ—
DRINKING-CUPS.
Here, you sir; where are you now carrying
That silver phiale (τὴν ἀργυρίδα τηνδί)?
And Cratinus mentions the golden one in his Laws—
Making libations with a golden phiale (χρυσίδἰ),
He gave the serpents drink.
And Hermippus, in his Cercopes, says—
He first completely drain'd an ample cup,
Golden (χρυσίδα) and round, then carried it away.
There was also a kind of cup called the βαλανωτὴ phiale, under
the bottom of which were placed golden feet. And Teneus says, that
among the offerings at Delos there was a brazen palm-tree, the offering
of the Naxians, and some golden phialæ, to which he gives the epithet
καρυωταί. But Anaxandrides calls cups of this fashion the
phialæ of Mars. But the Æolians call the phiale an aracis.
106. There is also the phthoïs; these are wide-shaped phialæ with
bosses. Eupolis says—
He pledged the guests in phthoïdes,
writing the dative plural φθοῖσι; but it ought to have an acute on the
last syllable; like καρσὶ, παισὶ, φθειρσί.
There is the philotesia also. This is a kind of κύλιξ, in
which they pledged one another out of friendship, as Pamphilus says.
And Demosthenes says, "And he pledged him in the philotesia." And
Alexis says—
We, in our private and public capacity,
Do pledge you now in this philotesian culix.
But, besides being the name of a cup, a company feasting together was
also called φιλοτήσιον. Aristophanes says—
Now does the shadow of the descending sun
Mark seven feet: 'tis time for supper now,
And the philotesian company invites me.
But it was from the system of pledging one another at these banquets
that the cup got the name of philotesia—as in the Lysistrata—
O thou Persuasion, mistress of my soul!
And you, O philotesian cup of wine.
There are also chonni. Among the Gortynians this is the name given to a
species of cup resembling the thericleum, made of brass, which Hermonax
says is given by lovers to the objects of their affection.
There are also Chalcidic goblets, having their name and reputation
perhaps from Chalcis in Thrace.
107. There are also χυτρίδες; Alexis, in his Supposititious
Child, says—
I, seeking to do honour to the king,
To Ptolemy and to his sister, took
Four χυτρίδια of strong, untemper'd wine,
And drank them at a draught, with as much pleasure
As any one ever swallow'd half-and-half:
And, for the sake of this agreement, why
Should I not now feast in this splendid light?
But Herodotus, in the fifth book of his History, says "that the Argives
and Æginetans made a law that no one should ever use any Attic vessel
of any kind in their sacrifices, not even if made of earthenware;
but that for the future every one should drink out of the χυτρίδες
of the country." And Meleager the Cynic, in his Symposium,
writes as follows—"And in the meantime he proposed a deep pledge to
his health, twelve deep χυτρίδια full of wine."
108. There is also the ψυγεὺς or ψυκτήρ. Plato, in
his Symposium, says,—"But, O boy, bring, said he, that psycter hither
(for he had seen one which held more than eight cotylæ). Accordingly,
when he had filled it, first of all he drank it himself, and then
he ordered it to be filled again for Socrates . . . . . as Archebulus was
attempting to be prolix, the boy, pouring the wine out at a very
seasonable time, overturned the psycter." And Alexis, in his Colonist,
says—
A psygeus, holding three full cotylæ.
And Dioxippus, in his Miser, says—
And from Olympicus he then received
Six thericlean cups, and then two psycters.
And Menander, in his play entitled The Brazier's Shop, says—
And, as the present fashion is, they shouted
For more untemper'd wine; and some one took
A mighty psycter, giving them to drink,
And so destroy'd them wretchedly.
And Epigenes, in his Heroine, giving a list of many cups, among them
mentions the psygeus thus—
Now take the boys, and make them hither bring
The thericlean and the Rhodian cups;
But bring yourself the psycter and the cyathus,
Some cymbia too.
And Strattis, in his Psychastæ—
DRINKING-CUPS.
And one man having stolen a psycter,
And his companion, who has taken away
A brazen cyathus, both lie perplex'd,
Looking for a chœnix and a cotylis.
But Alexis, in his Hippiscus, uses the diminutive form, and calls it a
ψυκτηρίδιον, saying—
I went to see my friend while at his inn,
And there I met a dark-complexion'd man,
And told my slaves, for I brought two from home,
To put in sight the well-clean'd drinking-cups:
There was a silver cyathus, and cups
Weighing two drachmas each; a cymbium,
Whose weight was four; a ψυκτηρίδιον,
Weighing two obols, thinner than Philippides.
109. But Heracleon of Ephesus says, “The cup which we call ψυγεὺς some
name the ψυκτηρία, but the Attic writers make jokes upon the ψυγεὺς, as
being a foreign name.” Euphorion, in his Woman Restoring, says—
But when they call a ψυγεὺς a ψυκτηρία,
And σεύτλιον τεῦλα, and the φακῆ φακεὺς,
What can one do? For I rightly said,
Give me, I pray, Pyrgothemis, some change
For this your language, as for foreign money.
And Antiphanes, in his Knights, says—
How then are we to live? Our bedclothes are
A saddlecloth, and our well-fitting hat
Only a psycter. What would you have more?
Here is the very Amalthean horn.
And in the Carna he declares plainly that, when pouring out wine, they
used the psycter for a cyathus. For after he had said—
And putting on the board a tripod and cask,
And psycter too, he gets drunk on the wine;
in the passage following, he represents his man as saying—
So will the drink be fiercer: therefore now,
If any one should say it is not fit
T' indulge in wine at present, just leave out
This cask, and this one single drinking-cup,
And carry all the rest away at once.
But Dionysius the pupil of Tryphon, in his treatise on Names,
says—"The ancients used to call the psygeus dinus." But Nicander of
Thyatira says, that woods and shady places dedicated to the gods are
also called ψυκτῆρες, as being places where one may cool
oneself (ἀναψύξαι). Æschylus, in his Young Men, says—
And gentle airs, in the cool, shady places (ψυκτηρίοις);
and Euripides, in his Phaethon, says—
The trees, affording a cool shade (ψυκτήρια),
Shall now embrace him in their loving arms;
and the author of the poem called Ægimius, whether it really was
Hesiod, or only Cecrops of Miletus, says—
There shall my cool shade (ψυκτήριον) be, O king of men.
110. There is also the oidos. This was the name of a drinking-cup, as
we are told by Tryphon, in his Onomasticon; a cup given to him who sang
the scolia—as Antiphanes shows in his Doubles—
A. What will there be, then, for the gods?
B. Why, nothing,
Unless now some one mixes wine for them.
A. Stop; take this ᾠδὸς, and abandon all
Those other worn-out fashions; sing no more
Of Telamon, or Pæon, or Harmodius.
There are also the ooscyphia. Now respecting the shape of these cups,
Asclepiades the Myrlean, in his Essay on the Nestoris, says that it
has two bottoms, one of them wrought on to the bowl of the cup, and of
the same piece with it; but the other attached to it, beginning with a
sharp point, and ending in a broad bottom, on which the cup stands.
There is also the ὠὸν, or egg-cup. Dinon, in the third book of
his Affairs of Persia, speaks as follows:—There is also a bread called
potibazis, made of barley and roasted wheat; and a crown of cypress
leaves; and wine tempered in a golden oon, from which the king himself
drinks."
111. Plutarch having said this, and being applauded by every one,
asked for a phiala, from which he made a libation to the Muses, and
to Mnemosyne their mother, and drank the health of every one present,
saying,—As if any one, taking a cup in his hand, being a rich man,
were to make a present of it, foaming over with the juice of the
vine;"—and drinking not only to the young bridegroom, but also to all
his friends; and he gave the cup to the boy, desiring him to carry it
round to every one, saying that this was the proper meaning of the
phrase κύκλῳ πίνειν, reciting the verses of Menander in his
Perinthian Woman—
And the old woman did not leave untouch'd
One single cup, but drank of all that came.
And again, in his Fanatical Woman, he says—
DRINKING-CUPS.
And then again she carries round to all
A cup of unmix'd wine.
And Euripides, in his Cretan Women, says—
Farewell all other things, as long
As cups of wine go freely round.
And then, when Leonidas the grammarian demanded a larger cup, and
said,—Let us drink hard (κρατηρίζωμεν), my friends, (for that
was the word which Lysanias the Cyrenean says that Herodorus used to
apply to drinking-parties, when he says, "But when they had finished
the sacrifice they turned to the banquet, and to craters, and prayers,
and pæans;" and the poet, who was the author of the poem called the
Buffoons—a play which Duris says that the wise Plato always had in his
hands—says, somewhere, ἐκεκρατηρίχημες, for "we had drunk;")
But now, in the name of the gods, said Pontianus, you are drinking in
a manner which is scarcely becoming, out of large cups, having that
most delightful and witty author Xenophon before your eyes, who in his
Banquet says,—"But Socrates, in his turn, said, But it seems to me
now, O men, that we ought to drink hard. For wine, in reality, while
it moistens the spirit, lulls the griefs to sleep as mandragora does
men; but it awakens all cheerful feelings, as oil does fire. And it
appears to me that the bodies of men are liable to the same influences
which affect the bodies of those things which grow in the ground; for
the very plants, when God gives them too much to drink, cannot hold up
their heads, nor can they expand at their proper seasons. But when they
drink just as much as is good for them, and no more, then they grow in
an upright attitude, and flourish, and come in a flourishing state to
produce fruit. And so, too, in our case, if we take too much drink all
at once, our bodies and our minds rapidly get disordered, and we cannot
even breathe correctly, much less speak. But if our slaves bedew us (to
use Gorgias-like language) in small quantities with small cups, then
we are not compelled to be intoxicated by the wine; but being gently
induced, we proceed to a merry and cheerful temperament."
112. Now, any one who considers these expressions of the accomplished
Xenophon, may understand how it was that the brilliant Plato displayed
such jealousy of him. But perhaps the fact may partly be because these
men did from the very
beginning feel a spirit of rivalry towards one
another, each being aware of his own powers; and perhaps they began
very early to contend for the preeminence, as we may conjecture not
only from what they have both written about Cyrus, but also from other
writings of theirs on similar subjects. For they have both written a
piece called the Banquet; and in these two pieces, one of them turns
out the female flute-players, and the other introduces them; and one,
as has been already said, refuses to drink out of large cups, but the
other represents Socrates as drinking out of a psycter till morning.
And in his treatise concerning the Soul, Plato, reckoning up all who
were present, does not make even the slightest mention of Xenophon.
And concerning Cyrus, the one says that from his earliest youth he was
trained up in all the national practices of his country; but Plato, as
if in the express spirit of contradiction, says, in the third book of
his Laws,—"But with respect to Cyrus, I consider that, as to other
things, he was indeed a skilful and careful general, but that he had
never had the very least particle of a proper education, and that he
had never turned his mind the least in the world to the administration
of affairs. But he appears from his earliest youth to have been engaged
in war, and to have given his children to his wives to bring up." And
again, Xenophon, who joined Cyrus with the Ten Thousand Greeks, in his
expedition into Persia, and who was thoroughly acquainted with the
treachery of Meno the Thessalian, and knew that he was the cause of the
murder of Clearchus by Tissaphernes, and who knew also the disposition
of the man, how morose and debauched he was,—has given us a full
account of everything concerning him. But the exquisite Plato, who all
but says, "All this is not true," goes through a long panegyric on him,
who was incessantly calumniating every one else. And in his Polity, he
banishes Homer from his city, and all poetry of the theatrical kind;
and yet he himself wrote dialogues in a theatrical style,—a manner of
writing of which he himself was not the inventor; for Alexamenus the
Teian had, before him, invented this style of dialogue, as Nicias of
Nicæa and Sotion both agree in relating. And Aristotle, in his treatise
on Poets, writes thus:—"Let us not then call those Mimes, as they
are called, of Sophron, which are written in metre, Discourses and
Imitations; or those Dialogues of Alexamenus
of Teos, which were written before the Socratic Dialogues;"—Aristotle,
the most learned of all men, stating here most expressly that
Alexamenus composed his Dialogues before Plato. And Plato also
calumniates Thrasymachus of Chalcedon, saying that he was a sophist in
a way consistent with his name.[69] And he also attacks Hippias, and
Gorgias, and Parmenides; and in one dialogue, called Protagoras, he
attacks a great many;—a man who in his Republic has said, "When, as I
think, a city which has been governed by a democracy, feels a thirst
for liberty, and meets with bad cupbearers, and so it gets intoxicated
by too untempered a draught . . . ."
PLATO.
113. And it is said also, that Gorgias himself, when he read the
dialogue to which Plato has given his name, said to his friends, "How
well Plato knows how to write iambics!" And Hermippus, in his book on
Gorgias, says,—"When Gorgias was sojourning at Athens, after he had
offered up at Delphi the golden image of himself which is there now,
and when Plato said when he had seen it, The beautiful and golden
Gorgias is come among us, Gorgias replied, This is indeed a fine young
Archilochus whom Athens has now brought forth." But others say that
Gorgias, having read the dialogue of Plato, said to the bystanders
that he had never said any of the things there attributed to him, and
had never heard any such things said by Plato. And they say that Phædo
also said the same when he had read the treatise on the Soul, on which
account it was well said by Timon, respecting him,—
"How that learned Plato invented fictitious marvels!"
For their respective ages will scarcely admit of the Socrates of Plato
ever having really had a conference with Parmenides, so as to have
addressed him and to have been addressed by him in such language. And
what is worst of all is, that he has said, though there was not the
slightest occasion for making any such assertion, that Zeno had been
beloved by Parmenides, who was his fellow-citizen. Nor, indeed, is
it possible that Phædrus should have lived in the time of Socrates,
much less that he should have been beloved by him. Nor, again, is it
possible that Paralus and Xanthippus, the sons of Pericles, who died
of the plague, should have conversed with Protagoras when he came
the second time to
Athens, as they had died before. And we might
mention many other particulars respecting his works to show how wholly
fictitious his Dialogues are.
114. But that Plato was ill-natured to everybody is plain from what
he says in his dialogue entitled Ion; in which first of all he
abuses all the poets, and then all those who have been promoted to
the highest dignities by the people, such as Phanosthenes of Andros,
and Apollodorus of Cyzicus, and also Heraclides of Clazomenæ. And in
his Menon he abuses those who have been the greatest men among the
Athenians—Aristides and Themistocles; and he extols Meno, who betrayed
the Greeks. But in his Euthydemus he attacks this same Meno and his
brother Dionysiodorus, and calls them men slow to learn any good
thing, and contentious people, reproaching them with their flight from
Chios, which was their native place, from which they went and settled
in Thurii. And, in his essay on Manly Courage, he attacks Melesias,
the son of that Thucydides who headed the opposite party to Pericles,
and Lysimachus, the son of Aristides the Just, saying that they both
fell far short of their fathers' virtues. And as to what he said about
Alcibiades, in his Banquet, that is not fit to be produced to light;
nor is what he says in the first of the Dialogues which go by his
name. For the second Alcibiades is said by some people to be the work
of Xenophon; as also the Halcyon is said to be the work of Leon the
Academician, as Nicias of Nicæa says. Now, the things which he has said
against Alcibiades I will pass over; but I cannot forbear to mention
his calling the Athenian people a random judge, guided only by outward
appearance. And he praises the Lacedæmonians, and extols also the
Persians, who are the enemies of all the Greeks.
And he calls Cleinias the brother of Alcibiades a madman; and the sons
of Pericles he makes out to be fools; and Meidias he calls a man fit
for nothing but killing quails; and of the people of the Athenians he
says, that it wears a fair mask, but that one ought to strip the mask
off, and look at it then; for he says that it will then be seen that
it is only clothed with a specious appearance of a beauty which is not
genuine.
PLATO.
115. But in the Cimon he does not abstain from accusing
Themistocles, and Alcibiades, and Myronides, and even Cimon himself;
and his Crito contains an invective against Sophocles; and his Gorgias
contains an invective not only against the man from whom it is named,
but also against Archelaus, king of Macedon, whom he reproaches not
only with his ignoble birth, but also with having killed his master.
And this is the very same Plato whom Speusippus represents as having,
while he professed to be a great friend of Archelaus, assisted Philip
to get possession of the kingdom. At all events, Carystius of Pergamus,
in his Historical Commentaries, writes as follows:—"Speusippus,
hearing that Philip used calumnious language respecting Plato, wrote
something of this sort in his letter to him: 'Just as if men did not
know that Philip originally obtained the kingdom by the assistance
of Plato.' For Plato sent Euphræus of Oreum to Perdiccas, who
persuaded him to apportion a certain district to Philip; and so he,
maintaining a force in that country, when Perdiccas died, having all
his forces in a state of preparation, seized the supreme power." But
whether all this is true or not, God knows.
But his fine Protagoras, besides that it contains attacks on many poets
and wise men, also shows up the life of Callias with much greater
severity than Eupolis does in his Flatterers. And in his Menexenus, not
only is Hippias the Elean turned into ridicule, but also Antipho the
Rhamnusian, and Lamprus the musician. And the day would fail me, if I
were inclined to go through the names of all those who have been abused
by that wise man. Nor indeed do I praise Antisthenes; for he, having
abused many men, did not abstain even from Plato himself, but, having
given him the odious name of Sathon, he then published a dialogue under
this name.
116. But Hegesander the Delphian, in his Commentaries, speaking
about the universal ill-nature of Plato towards everybody, writes
as follows:—"After the death of Socrates, when a great many of his
friends, being present at a banquet, were very much out of spirits,
Plato, being present, taking the cup, exhorted them not to despond,
as he himself was well able to lead the school; and, so saying, he
pledged Apollodorus: and he said, 'I would rather have taken the
cup of poison from Socrates than that pledge of wine from you.' For
Plato was considered to be an envious man, and to have a disposition
which was far from praiseworthy; for he ridiculed Aristippus when he
went to visit Dionysius, though he himself had three times sailed to
Sicily,—once for the purpose of investigating the torrents of lava
which flow from Mount Ætna, when he lived with the elder Dionysius,
and was in danger from his displeasure; and twice he went to visit the
younger Dionysius."
And again, though Æschines was a poor man, and had but one pupil,
Xenocrates, he seduced him from him; and he was also detected in
instigating the commencement of a prosecution against Phædo, which,
if successful, would have reduced him to slavery; and altogether he
displayed the feelings of a stepmother towards all the pupils of
Socrates. On which account, Socrates, making a not very unreasonable
conjecture respecting him, said in the presence of several persons
that he had had a dream, in which he thought he had seen the following
vision. "For I thought," said he, "that Plato had become a crow, and
leaped on my head, and began to scratch my bald place, and to take a
firm hold, and so to look about him. I think, therefore," said he,
"that you, O Plato, will say a good many things which are false about
my head." And Plato, besides his ill-nature, was very ambitious and
vainglorious; and he said, "My last tunic, my desire of glory, I lay
aside in death itself—in my will, and in my funeral procession, and
in my burial;" as Dioscorides relates in his Memorabilia. And as for
his desire of founding cities and making laws, who will not say that
these are very ambitious feelings? And this is plain from what he says
in the Timæus—"I have the same feelings towards my constitution that a
painter would have towards his works; for as he would wish to see them
possessed of the power of motion and action, so too do I wish to see
the citizens whom I here describe."
117. But concerning the things which he has said in his Dialogues, what
can any one say? For the doctrine respecting the soul, which he makes
out to be immortal, even after it is separated from the body, and after
the dissolution of this latter, was first mentioned by Homer; for he
has said, that the soul of Patroclus—
Fled to the shades below,
Lamenting its untimely fate, and leaving
Its vigour and its youth.
PLATO.
If, then, any one were to say that this is also the argument of
Plato, still I do not see what good we have got from him; for if any
one were to agree that the souls of those who are dead do migrate into
other natures, and do mount up to some higher and purer district, as
partaking of its lightness, still what should we get by that theory?
For, as we have neither any recollection of where we formerly were, nor
any perception whether we really existed at all, what do we get by such
an immortality as that?
And as to the book of the Laws composed by him, and the Polity which
was written before the Laws, what good have they done us? And yet
he ought (as Lycurgus did the Lacedæmonians, and as Solon did the
Athenians, and Zaleucus the Thurians), if they were excellent, to have
persuaded some of the Greeks to adopt them. For a law (as Aristotle
says) is a form of words decided on by the common agreement of a city,
pointing out how one ought to do everything. And how can we consider
Plato's conduct anything but ridiculous; since, when there were already
three Athenian lawgivers who had a great name,—Draco, and Plato
himself, and Solon,—the citizens abide by the laws of the other two,
but ridicule those of Plato? And the case of the Polity is the same.
Even if his Constitution is the best of all possible constitutions,
yet, if it does not persuade us to adopt it, what are we the better for
it? Plato, then, appears to have written his laws, not for men who have
any real existence, but rather for a set of men invented by himself; so
that one has to look for people who will use them. But it would have
been better for him to write such things as he could persuade men of;
and not to act like people who only pray, but rather like those who
seize hold of what offers itself to them.
118. However, to say no more on this point, if any one were to go
through his Timæus and his Gorgias, and his other dialogues of the
same character, in which he discusses the different subjects of
education, and subjects of natural philosophy, and several other
circumstances,—even when considered in this light, he is not to be
admired on this account; for one may find these same topics handled
by others, either better than by him, or at all events not worse. For
Theopompus the Chian, in his book Against the School of Plato, says—
"We shall find the greater part of his Dialogues useless and false, and
a still greater number borrowed from other people; as some of them
come from the school of Aristippus, and some from that of Antisthenes,
and a great many from that of Bryson of Heraclea." And as to the
disquisitions which he enters into about man, we also seek in his
arguments for what we do not find. But what we do find are banquets,
and conversations about love, and other very unseemly harangues, which
he composed with great contempt for those who were to read them, as
the greater part of his pupils were of a tyrannical and calumnious
disposition.
119. For Euphræus, when he was sojourning with king Perdiccas in
Macedonia, was not less a king than the other, being a man of a
depraved and calumnious disposition, who managed all the companionship
of the king in so cold a manner, that no one was allowed to partake
of his entertainments unless he knew something about geometry or
philosophy; on which account, after Philip obtained the government,
Parmenio, having caught him in Oreum, put him to death; as Carystius
relates in his Historical Commentaries. And Callippus the Athenian, who
was himself a pupil of Plato, having been a companion and fellow-pupil
of Dion, and having travelled with him to Syracuse, when he saw that
Dion was attempting to make himself master of the kingdom, slew him;
and afterwards, attempting to usurp the supreme power himself, was
slain too. And Euagon of Lampsacus (as Eurypylus says, and Dicæocles
of Cnidus, in the ninety-first book of his Commentaries, and also
Demochares the orator, in his argument in defence of Sophocles, against
Philo), having lent his native city money on the security of its
Acropolis, and being afterwards unable to recover it, endeavoured to
seize on the tyranny, until the Lampsacenes attacked him, and repaid
him the money, and drove him out of the city. And Timæus of Cyzicus
(as the same Demochares relates), having given largesses of money and
corn to his fellow-citizens, and being on this account believed by the
Cyzicenes to be an excellent man, after having waited a little time,
attempted to overturn the constitution with the assistance of Aridæus;
and being brought to trial and convicted, and branded with infamy, he
remained in the city to an extreme old age, being always, however,
considered dishonoured and infamous.
PLATO.
And such now are some of the Academicians, who live in
a scandalous and infamous manner. For they, having by impious and
unnatural means acquired vast wealth by trickery, are at present highly
thought of; as Chæron of Pellene, who was not only a pupil of Plato,
but of Xenocrates also. And he too, having usurped the supreme power
in his country, and having exercised it with great severity, not only
banished the most virtuous men in the city, but also gave the property
of the masters to their slaves, and gave their wives also to them,
compelling them to receive them as their husbands; having got all these
admirable ideas from that excellent Polity and those illegal Laws of
Plato.
120. On which account Ephippus the comic poet, in his Shipwrecked Man,
has turned into ridicule Plato himself, and some of his acquaintances,
as being sycophants for money, showing that they used to dress in a
most costly manner, and that they paid more attention to the elegance
of their persons than even the most extravagant people among us. And he
speaks as follows—
Then some ingenious young man rising up,
Some pupil of the New Academy,
Brought up at Plato's feet and those of Bryso,
That bold, contentious, covetous philosopher,—
And urged by strong necessity, and able,
By means of his small-wages-seeking art,
To speak before th' assembly, in a manner
Not altogether bad; having his hair
Carefully trimm'd with a new-sharpen'd razor,
And letting down his beard in graceful fall,
Putting his well-shod foot in his neat slipper,
Binding his ancles in the equal folds
Of his well-fitting hose, and well protected
Across the chest with the breastplate of his cloak,
And leaning, in a posture dignified,
Upon his staff; said, as it seems to me,
With mouthing emphasis, the following speech,
More like a stranger than a citizen,—
"Men of the land of wise Athenians."
And here let us put an end to this part of the discussion, my friend
Timocrates. And we will next proceed to speak of those who have been
notorious for their luxury.
LONDON:
R. CLAY, PRINTER, BREAD STREET HILL.
Transcriber's Notes.
1. Silently corrected simple spelling, grammar, and typographical
errors.
2. Retained anachronistic and non-standard spellings as
printed.
3. The last chapter (BOOK VII) of Volume I. is repeated as the
first chapter of this Volume (Volume II). The repetition has not been deleted.
4. Greek words may not display correctly in all browsers. Hovering the cursor
over a Greek word will cause a popup transliteration of the word.
5. Rows of asterisks represents either an ellipsis in a poetry quotation
or a place where the original Greek text was too corrupt to be read by
the translator. Other ellipses match the original.