The Contrast

About this eBook

Author

Tyler, Royall, 1757-1826

Credits

Produced by Judith Boss

Language

English

LoC Class

PS: Language and Literatures: American and Canadian literature

Subject

American drama (Comedy)

Category

Text

eBook-No.

554

Project Gutenberg

https://www.gutenberg.org/ebooks/554

Release Date

June 1, 1996

Copyright

Public domain in the USA.

Contents

1. 1.Untitled
2. 2.INTRODUCTION. — THE CONTRAST — A COMEDY; IN FIVE ACTS: — THE CONTRAST — (BEING THE FIRST ESSAY OF *AMERICAN* GENIUS IN DRAMATIC ART) — IS MOST RESPECTFULLY DEDICATED — BY — PROLOGUE — SERVANTS — ACT I. — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — SERVANT. — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — SCENE II. — SONG. — I. — II. — III. — IV. — MARIA — VAN ROUGH — MARIA — VAN ROUGH — MARIA — VAN ROUGH — MARIA — VAN ROUGH — MARIA — VAN ROUGH — MARIA — VAN ROUGH — MARIA — VAN ROUGH — MARIA — VAN ROUGH — VAN ROUGH — END OF THE FIRST ACT. — ACT II. SCENE I. — LETITIA — CHARLOTTE — LETITIA — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — CHARLOTTE — MANLY — CHARLOTTE — CHARLOTTE — MANLY — MANLY — CHARLOTTE — MANLY — CHARLOTTE — MANLY — CHARLOTTE — LETITIA — CHARLOTTE — MANLY — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — LETITIA — CHARLOTTE — MANLY — CHARLOTTE — MANLY — CHARLOTTE — MANLY — CHARLOTTE — MANLY — MANLY — CHARLOTTE — MANLY — CHARLOTTE — CHARLOTTE — SCENE II. The Mall. — JESSAMY — JONATHAN — JESSAMY — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — END OF THE SECOND ACT.
3. 3.ACT III. SCENE I. — JESSAMY — JESSAMY — DIMPLE — JESSAMY — DIMPLE — JESSAMY — DIMPLE — DIMPLE — JESSAMY — JENNY — JESSAMY — JENNY — JESSAMY — JENNY — JESSAMY — JESSAMY — JENNY — JESSAMY — JENNY — JESSAMY — JESSAMY — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JESSAMY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JESSAMY — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JENNY — JONATHAN — JENNY — JONATHAN — JONATHAN — JENNY — JONATHAN — JENNY — JONATHAN — JENNY — JENNY — JONATHAN — SCENE II. The Mall. — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — DIMPLE — MANLY — DIMPLE — MANLY — MANLY — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — END OF THE THIRD ACT. — ACT IV. SCENE I. — CHARLOTTE — MARIA — CHARLOTTE — CHARLOTTE — MARIA — CHARLOTTE — MARIA — CHARLOTTE — MARIA — CHARLOTTE — MARIA — CHARLOTTE — MARIA — CHARLOTTE — MARIA — CHARLOTTE — MARIA — CHARLOTTE — CHARLOTTE — MARIA — CHARLOTTE — LETITIA — MARIA — LETITIA — CHARLOTTE — MARIA — DIMPLE — CHARLOTTE — MARIA — MANLY — CHARLOTTE — MANLY — CHARLOTTE — MARIA — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — MARIA — CHARLOTTE — MANLY — DIMPLE — MANLY — CHARLOTTE — DIMPLE — MARIA — CHARLOTTE — MANLY — CHARLOTTE — MANLY — MARIA — CHARLOTTE — DIMPLE — LETITIA — DIMPLE — LETITIA — DIMPLE — CHARLOTTE — DIMPLE — DIMPLE — CHARLOTTE
4. 4.SCENE II. — MANLY — MARIA — MANLY — MARIA — MANLY — MARIA — MANLY — MARIA — MANLY — MARIA — MANLY — END OF THE FOURTH ACT. — ACT V. SCENE I. — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JONATHAN — JESSAMY — JONATHAN — JEREMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY — JONATHAN — JESSAMY
5. 5.SCENE II. — MANLY — LETITIA — DIMPLE — LETITIA — DIMPLE — LETITIA — DIMPLE — LETITIA — DIMPLE — LETITIA — DIMPLE — LETITIA — DIMPLE — LETITIA — DIMPLE — DIMPLE — LETITIA — CHARLOTTE — LETITIA — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — CHARLOTTE — DIMPLE — MANLY — VAN ROUGH — DIMPLE — JONATHAN — MANLY — MANLY — VAN ROUGH — DIMPLE — VAN ROUGH — LETITIA — JONATHAN — LETITIA — JONATHAN — DIMPLE — VAN ROUGH — DIMPLE — MANLY — DIMPLE — MANLY — DIMPLE — DIMPLE — MARIA — VAN ROUGH — MANLY — VAN ROUGH — MANLY — MARIA — VAN ROUGH — MANLY — VAN ROUGH — MARIA — CHARLOTTE — MARIA — MANLY — CHARLOTTE — MANLY — THE END.
6. 6.NOTES.

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