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The Complete Poetical Works of Samuel Taylor Coleridge (2 of 2)

The Complete Poetical Works of Samuel Taylor Coleridge (2 of 2)

by Samuel Taylor Coleridge

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About this eBook

Author
Coleridge, Samuel Taylor, 1772-1834
Title
The Complete Poetical Works of Samuel Taylor Coleridge. Vol 2 (of 2)
Credits
Produced by Jonathan Ingram, Michael Zeug, Lisa Reigel, and the Online Distributed Proofreading Team at www.pgdp.net
Language
English
LoC Class
PR: Language and Literatures: English literature
Subject
English poetry -- 19th century
Category
Text
Project Gutenberg
eBook-No. 29092
Release Date
June 11, 2009
Copyright
Public domain in the USA.

Contents

  1. 1.THE — COMPLETE POETICAL WORKS — OF — SAMUEL TAYLOR COLERIDGE — INCLUDING — POEMS AND VERSIONS OF POEMS NOW — PUBLISHED FOR THE FIRST TIME — EDITED — WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES — BY
  2. 2.ERNEST HARTLEY COLERIDGE — OXFORD AT THE CLARENDON PRESS 1912
  3. 3.CONTENTS OF VOL. II
  4. 4.DRAMATIC WORKS
  5. 5.THE FALL OF ROBESPIERRE [495:1] — AN HISTORIC DRAMA — FOOTNOTES:
  6. 6.ACT I — Scene — The Thuilleries. — FOOTNOTES:
  7. 7.ACT II — Scene — The Convention.
  8. 8.ACT III — Scene continues.
  9. 9.OSORIO — A TRAGEDY [518:1] — DRAMATIS PERSONAE — FOOTNOTES: — LINENOTES:
  10. 10.ACT THE FIRST [519:1] — FOOTNOTES: — LINENOTES:
  11. 11.ACT THE SECOND — LINENOTES: — Scene II.
  12. 12.ACT THE THIRD — FOOTNOTES: — LINENOTES: — ACT III.
  13. 13.ACT THE FOURTH — FOOTNOTES: — LINENOTES: — Scene II — Scene III
  14. 14.ACT THE FIFTH — Scene the First. — The Sea Shore. — Scene. — A Dungeon. — FOOTNOTES: — LINENOTES:
  15. 15.THE PICCOLOMINI [598:1] — OR, THE FIRST PART OF WALLENSTEIN — A DRAMA — TRANSLATED FROM THE GERMAN OF SCHILLER — PREFACE TO THE FIRST EDITION — FOOTNOTES:
  16. 16.THE PICCOLOMINI [600:1]
  17. 17.ACT I — Scene I — FOOTNOTES: — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES: — Scene III — LINENOTES: — Scene IV — FOOTNOTES: — LINENOTES: — Scene V — LINENOTES: — Scene VI — LINENOTES: — Scene VII — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — LINENOTES: — Scene X — FOOTNOTES: — LINENOTES: — Scene XI — FOOTNOTES: — LINENOTES: — Scene XII — FOOTNOTES: — LINENOTES:
  18. 18.ACT II — Scene I — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES: — Scene III — FOOTNOTES: — LINENOTES: — Scene IV — FOOTNOTES: — LINENOTES: — Scene V — FOOTNOTES: — LINENOTES: — Scene VI — FOOTNOTES: — LINENOTES: — Scene VII — FOOTNOTES: — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — Scene X — Scene XI — LINENOTES: — Scene XII — FOOTNOTES: — LINENOTES: — Scene XIII — LINENOTES: — Scene XIV — LINENOTES:
  19. 19.ACT III — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES:
  20. 20.ACT IV — Scene I — LINENOTES: — Scene II — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — FOOTNOTES: — LINENOTES: — Scene VI — LINENOTES: — Scene VII — FOOTNOTES: — LINENOTES:
  21. 21.ACT V — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — FOOTNOTES: — LINENOTES: — Scene VI — LINENOTES:
  22. 22.THE DEATH OF WALLENSTEIN — A TRAGEDY — IN FIVE ACTS — PREFACE OF THE TRANSLATOR — TO THE FIRST EDITION — LINENOTES: — DRAMATIS PERSONAE
  23. 23.THE DEATH OF WALLENSTEIN
  24. 24.ACT I — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — Scene VI — LINENOTES: — Scene VII — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — Scene X — LINENOTES: — Scene XI — Scene XII — LINENOTES:
  25. 25.ACT II — Scene I — LINENOTES: — Scene II — Scene III — FOOTNOTES: — LINENOTES: — Scene IV — Scene V — LINENOTES: — Scene VI — FOOTNOTES: — LINENOTES: — Scene VII — Scene VIII — LINENOTES: — Scene IX — LINENOTES: — Scene X — Scene XI — LINENOTES:
  26. 26.ACT III — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — Scene V — LINENOTES: — Scene VI — LINENOTES: — Scene VII — LINENOTES: — Scene VIII — FOOTNOTES: — LINENOTES: — Scene IX — LINENOTES:
  27. 27.ACT IV — Scene I — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — LINENOTES: — Scene VI — FOOTNOTES: — LINENOTES:
  28. 28.ACT V — Scene I — FOOTNOTES: — LINENOTES: — Scene II — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — Scene VI — Scene VII — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — LINENOTES: — Scene X — LINENOTES:
  29. 29.REMORSE [812:1]
  30. 30.PREFACE — FOOTNOTES:
  31. 31.PROLOGUE — FOOTNOTES:
  32. 32.EPILOGUE
  33. 33.REMORSE [819:1] — A TRAGEDY IN FIVE ACTS [819:2] — DRAMATIS PERSONAE — FOOTNOTES:
  34. 34.ACT I — Scene I — FOOTNOTES: — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES:
  35. 35.ACT II — Scene I — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES:
  36. 36.ACT III — Scene I — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES:
  37. 37.ACT IV — Scene I — FOOTNOTES: — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES: — Scene III — LINENOTES:
  38. 38.ACT V — Scene I — LINENOTES:
  39. 39.APPENDIX
  40. 40.ZAPOLYA [883:1] — A CHRISTMAS TALE IN TWO PARTS [883:2] — ADVERTISEMENT — FOOTNOTES: — LINENOTES:
  41. 41.THE PRELUDE, ENTITLED 'THE USURPER'S FORTUNE' — CHARACTERS — Scene I — LINENOTES:
  42. 42.THE SEQUEL, ENTITLED 'THE USURPER'S FATE' — ADDITIONAL CHARACTERS
  43. 43.USURPATION ENDED; OR, SHE COMES AGAIN
  44. 44.ACT I — Scene I — FOOTNOTES: — LINENOTES:
  45. 45.ACT II — Scene I — LINENOTES:
  46. 46.ACT III — Scene I — LINENOTES:
  47. 47.ACT IV — Scene I — LINENOTES:
  48. 48.EPIGRAMS [951:1] — 1 — EPIGRAM — AN APOLOGY FOR SPENCERS — 2 — EPIGRAM — ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE — 3 — EPIGRAM — ON AN AMOROUS DOCTOR — 4 — EPIGRAM — 5 — ON DEPUTY —— — 6 — [EPIGRAM] — 7 — ON MR. ROSS, USUALLY COGNOMINATED NOSY [953:1] — 8 — [EPIGRAM] — 9 — [EPIGRAM] — 10 — [ANOTHER VERSION] — 11 — ON AN INSIGNIFICANT [954:1] — 12 — [EPIGRAM] — 13 — ON A SLANDERER — 14 — LINES IN A GERMAN STUDENT'S ALBUM — 15 — [HIPPONA] — 16 — ON A READER OF HIS OWN VERSES — 17 — ON A REPORT OF A MINISTER'S DEATH WRITTEN IN GERMANY — LINENOTES: — 18 — [DEAR BROTHER JEM] — 19 — JOB'S LUCK — LINENOTES: — 20 — ON THE SICKNESS OF A GREAT MINISTER — 21 — [TO A VIRTUOUS OECONOMIST] — Wernicke — 22 — [L'ENFANT PRODIGUE] — 23 — ON SIR RUBICUND NASO — A COURT ALDERMAN AND WHISPERER OF SECRETS — 24 — TO MR. PYE — 25 — [NINETY-EIGHT] — 26 — OCCASIONED BY THE FORMER — LINENOTES: — 27 — [A LIAR BY PROFESSION] — 28 — TO A PROUD PARENT — 29 — RUFA — 30 — ON A VOLUNTEER SINGER — 31 — OCCASIONED BY THE LAST — LINENOTES: — 32 — EPITAPH ON MAJOR DIEMAN — 33 — ON THE ABOVE — 34 — EPITAPH — ON A BAD MAN — ANOTHER VERSION — Obiit Saturday, Sept. 10, 1830. — 35 — TO A CERTAIN MODERN NARCISSUS — 36 — TO A CRITIC — WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE. — 37 — ALWAYS AUDIBLE — 38 — PONDERE NON NUMERO — 39 — THE COMPLIMENT QUALIFIED — 40 — 41 — 42 — 43 — 44 — TO ONE WHO PUBLISHED [964:1] IN PRINT — WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE — 45 — 46 — 47 — TO A VAIN YOUNG LADY — 48 — A HINT TO PREMIERS AND FIRST CONSULS — FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS — 49 — 50 — FOR A HOUSE-DOG'S COLLAR — 51 — 52 — EPITAPH ON A MERCENARY MISER — 53 — A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND — 54 — Μωροσοφία OR WISDOM IN FOLLY — 55 — 56 — FROM AN OLD GERMAN POET — 57 — ON THE CURIOUS CIRCUMSTANCE, — THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE — 58 — SPOTS IN THE SUN — 59 — 60 — TO MY CANDLE — THE FAREWELL EPIGRAM — 61 — EPITAPH — ON HIMSELF — 62 — THE TASTE OF THE TIMES — 63 — ON PITT AND FOX — 64 — 65 — COMPARATIVE BREVITY OF GREEK AND ENGLISH — 66 — EPIGRAM ON THE SECRECY OF A CERTAIN LADY — 67 — MOTTO — FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'— June 29, 1814. — ANOTHER VERSION — 68 — 69 — MODERN CRITICS — 70 — WRITTEN IN AN ALBUM — 71 — TO A LADY WHO REQUESTED ME TO WRITE A POEM UPON NOTHING — 72 — SENTIMENTAL — 73 — 74 — AUTHORS AND PUBLISHERS — 75 — THE ALTERNATIVE — 76 — 77 — INSCRIPTION FOR A TIME-PIECE — 78 — ON THE MOST VERACIOUS ANECDOTIST, AND SMALL-TALK MAN, THOMAS HILL, ESQ. [974:1] — 79 — 80 — EPITAPH OF THE PRESENT YEAR ON THE MONUMENT OF THOMAS FULLER — FOOTNOTES:
  49. 49.JEUX D'ESPRIT — 1 — MY GODMOTHER'S BEARD [976:1] — LINENOTES: — 2 — LINES TO THOMAS POOLE — 3 — TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR. — 4 — TO T. POOLE — AN INVITATION — 5 — SONG — TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE. — 6 — DRINKING versus THINKING — OR, A SONG AGAINST THE NEW PHILOSOPHY — 7 — THE WILLS OF THE WISP — A SAPPHIC — 8 — TO CAPTAIN FINDLAY — 9 — ON DONNE'S POEM 'TO A FLEA' — 10 — [EX LIBRIS S. T. C.] [981:1] — 11 — ΕΓΩΕΝΚΑΙΠΑΝ — 12 — THE BRIDGE STREET COMMITTEE — 13 — NONSENSE SAPPHICS [983:1] — 14 — TO SUSAN STEELE ON RECEIVING THE PURSE — EXTRUMPERY LINES — 15 — ASSOCIATION OF IDEAS [984:1] — 16 — VERSES TRIVOCULAR — 17 — CHOLERA CURED BEFORE-HAND — LINENOTES: — 18 — TO BABY BATES — 19 — TO A CHILD [987:1] — FOOTNOTES:
  50. 50.FRAGMENTS FROM A NOTEBOOK [988:1] — 1 — 2 — 3 — 4 — 5 — 6 — 7 — LINENOTES: — 8 — 9 — 10 — 11 — 12 — 13 — 14 — 15 — 16 — 17 — A DUNGEON — LINENOTES: — 18 — 19 — 20 — 21 — 22 — 23 — 24 — 25 — 26 — 27 — 28 — 29 — 30 — 31 — 32 — 33 — 34 — LINENOTES: — 35 — 36 — LINENOTES: — 37 — 38 — 39 — HYMNS—MOON — 40 — 41 — 42 — 43 — 44 — 45 — 46 — 47 — 48 — 49 — FOOTNOTES:
  51. 51.FRAGMENTS [996:1] — 1 — 2 — 3 — OVER MY COTTAGE — 4 — 5 — 6 — 7 — 8 — [THE NIGHT-MARE DEATH IN LIFE] — 9 — 10 — A BECK IN WINTER [998:1] — 11 — 12 — 13 — 14 — 15 — 16 — 17 — [NOT A CRITIC—BUT A JUDGE] — 18 — 19 — [DE PROFUNDIS CLAMAVI] — 20 — 21 — 22 — 23 — 24 — 25 — 26 — 27 — 28 — 29 — FRAGMENT OF AN ODE ON NAPOLEON — 30 — 31 — Another Version — 32 — 33 — EPIGRAM ON KEPLER — FROM THE GERMAN — LINENOTES: — 34 — 35 — 36 — 37 — 38 — 39 — 40 — [ARS POETICA] — 41 — TRANSLATION OF THE FIRST STROPHE OF PINDAR'S SECOND OLYMPIC — 42 — 43 — TRANSLATION OF A FRAGMENT OF HERACLITUS [1007:1] — 44 — 45 — IMITATED FROM ARISTOPHANES — 46 — 47 — TO EDWARD IRVING — 48 — [LUTHER—DE DÆMONIBUS] — 49 — THE NETHERLANDS — 50 — ELISA [1009:1] — TRANSLATED FROM CLAUDIAN — ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF — 51 — PROFUSE KINDNESS — 52 — 53 — NAPOLEON — 54 — 55 — 56 — 57 — 58 — 59 — 60 — THE THREE SORTS OF FRIENDS — 61 — 62 — BO-PEEP AND I SPY— — 63 — A SIMILE — 64 — BARON GUELPH OF ADELSTAN. A FRAGMENT — FOOTNOTES:
  52. 52.METRICAL EXPERIMENTS [1014:1] — 1 — AN EXPERIMENT FOR A METRE — 2 — TROCHAICS — 3 — THE PROPER UNMODIFIED DOCHMIUS — 4 — IAMBICS — 5 — NONSENSE — 6 — A PLAINTIVE MOVEMENT — [11´ 4` 11´ 4` | 10´ 6` 4´ 10`] — 7 — AN EXPERIMENT FOR A METRE — 8 — NONSENSE VERSES — [AN EXPERIMENT FOR A METRE] — 9 — NONSENSE — [AN EXPERIMENT FOR A METRE] — 10 — EXPERIMENTS IN METRE — 11 — 12 — 13 — A METRICAL ACCIDENT — NOTES BY PROFESSOR SAINTSBURY — FOOTNOTES:
  53. 53.APPENDIX I — FIRST DRAFTS, EARLY VERSIONS, ETC. — A — Effusion 35 — Effusion , p. 96. (1797.) — FOOTNOTES: — LINENOTES: — B — RECOLLECTION [1023:1] — FOOTNOTES: — C — THE DESTINY OF NATIONS — [ Draft I ] — [ Draft II ] — LINENOTES: — [ Draft III ] — D — Passages in Southey's Joan of Arc ( First Edition , 1796) contributed by S. T. Coleridge [1027:1] . — FOOTNOTES: — LINENOTES:
  54. 54.E — THE RIME OF THE ANCYENT MARINERE, [1030:1] IN SEVEN PARTS. — I. — II. — III. — IV. — V. — VI. — VII. — FOOTNOTES: — LINENOTES:
  55. 55.F — THE RAVEN
  56. 56.G — LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT [1049:1] — (1) — (2) — LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT — (3) — FOOTNOTES:
  57. 57.H — INTRODUCTION TO THE TALE OF THE DARK LADIE [1052:1] — 1 — 2 — 3 — 4 — 5 — 6 — 7 — 8 — 9 — 10 — 11 — 12 — 13 — 14 — 15 — 16 — 17 — 18 — 19 — 20 — 21 — 22 — 23 — 24 — 25 — 26 — 27 — 28 — 29 — 30 — 31 — 32 — 33 — FOOTNOTES: — LINENOTES:
  58. 58.THE TRIUMPH OF LOYALTY. [1060:1] — AN HISTORIC DRAMA — IN — FIVE ACTS. — FOOTNOTES:
  59. 59.DRAMATIS PERSONÆ.
  60. 60.THE TRIUMPH OF LOYALTY — ACT I — LINENOTES:
  61. 61.J — CHAMOUNY; THE HOUR BEFORE SUNRISE — A Hymn
  62. 62.K — DEJECTION: AN ODE [1076:1] — LINENOTES: — DEJECTION: — AN ODE, WRITTEN APRIL 4, 1802. — I — II — III — IV — VIII — IX — FOOTNOTES: — LINENOTES:
  63. 63.L — TO W. WORDSWORTH [1081:1] — FOOTNOTES: — LINENOTES:
  64. 64.M — YOUTH AND AGE — MS. I — Aria Spontanea — MS. II — 1 — 2
  65. 65.N — LOVE'S APPARITION AND EVANISHMENT [1087:1] — [FIRST DRAFT] — FOOTNOTES:
  66. 66.O — TWO VERSIONS OF THE EPITAPH [1088:1] — 1 — 2 — FOOTNOTES:
  67. 67.P — [ Habent sua Fata—Poetae ] [1089:2] — FOOTNOTES:
  68. 68.Q — TO JOHN THELWALL [1090:1] — FOOTNOTES:
  69. 69.R [1090:2] — FOOTNOTES:
  70. 70.ALLEGORIC VISION [1091:1] — FOOTNOTES: — LINENOTES:
  71. 71.APPENDIX III
  72. 72.APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER' [1097:1] — FOOTNOTES: — LINENOTES:
  73. 73.APPENDIX IV — PROSE VERSIONS OF POEMS, ETC.
  74. 74.A — QUESTIONS AND ANSWERS IN THE COURT OF LOVE
  75. 75.B — PROSE VERSION OF GLYCINE'S SONG IN ZAPOLYA — 1 — 2 — 3 — 4
  76. 76.C — FOOTNOTES:
  77. 77.D
  78. 78.E — DEDICATION [1113:1] — Ode on the Departing Year, 1796, pp. [3]-4. — To Thomas Poole, of Stowey. — FOOTNOTES:
  79. 79.F — Preface to the MS. of Osorio .
  80. 80.APPENDIX V — ADAPTATIONS
  81. 81.1 — FULKE GREVILLE. LORD BROOKE — Motto To 'A Lay Sermon' , 1817
  82. 82.2 — Sonnet XCIV [Coelica]
  83. 83.3 — Of Humane Learning — Stanza CLX
  84. 84.4 — SIR JOHN DAVIES — On the Immortality of the Soul
  85. 85.5 — DONNE — Eclogue. 'On Unworthy Wisdom'
  86. 86.6 — Letter To Sir Henry Goodyere
  87. 87.7 — BEN JONSON — A Nymph's Passion — Mutual Passion — Altered and Modernized From an Old Poet
  88. 88.8 — Underwoods — No. VI. The Hour-Glass. — The Hour-Glass
  89. 89.9 — The Poetaster. Act I, Scene 1.
  90. 90.10 — SAMUEL DANIEL — Epistle To Sir Thomas Egerton, Knight
  91. 91.11 — Musophilus — Stanza cxlvii.
  92. 92.12 — Stanzas xxvii, xxix, xxx.
  93. 93.13 — CHRISTOPHER HARVEY — The Synagogue — THE NATIVITY OR CHRISTMAS DAY.
  94. 94.14 — MARK AKENSIDE — Blank Verse Inscriptions — No. III.
  95. 95.15 — W. L. BOWLES
  96. 96.16 — NAPOLEON
  97. 97.APPENDIX VI — ORIGINALS OF TRANSLATIONS
  98. 98.A — MILESISCHES MÄHRCHEN
  99. 99.B — SCHILLER — Der Epische Hexameter — Das Distichon
  100. 100.C — STOLBERG — On A Cataract
  101. 101.D — STOLBERG — Bei Wilhelm Tells Geburtsstätte im Kanton Uri
  102. 102.E — SCHILLER — Dithyrambe
  103. 103.F — GOETHE
  104. 104.G — FRANÇOIS-ANTOINE-EUGÈNE DE PLANARD — ' Batelier, dit Lisette '
  105. 105.H — Des Knaben Wunderhorn
  106. 106.I — STOLBERG
  107. 107.J — LESSING — Die Namen.
  108. 108.K — STOLBERG — Hymne an die Erde.
  109. 109.L — FRIEDERIKE BRUN — Chamouny beym Sonnenaufgange
  110. 110.M — Alla sua Amica
  111. 111.N
  112. 112.O — THE MADMAN AND THE LETHARGIST
  113. 113.P — MADRIGALI DEL SIGNOR CAVALIER GUARINI — DIALOGO
  114. 114.Q — STOLBERG
  115. 115.BIBLIOGRAPHY — OF THE — POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE — 1794-1834 — I — II — PREFACE — Notes attached to a first draft of the Preface to the First Edition [ MS. R ] — To Earl Stanhope — CONTENTS — III — [ A Sheet Of Sonnets. ] — [INTRODUCTION] — [SONNETS] — IV — V — CONTENTS — PREFACE TO THE FIRST EDITION — PREFACE TO THE SECOND EDITION — INTRODUCTION TO THE SONNETS — ADVERTISEMENT — VI — VII — VIII — IX — X — XI — XII — XIII — XIV — PREFACE — CONTENTS — XV — קינת ישרון — XVI — XVII — XVIII — XIX — XX — PREFACE — CONTENTS — XXI — PREFACE — XXII — XXIII — XXIV — XXV — XXVI — CONTENTS — XXVII — XXVIII — XXIX — XXX — XXXI — XXXII — XXXIII — XXXIV — ADVERTISEMENT — PREFACE TO THE PRESENT EDITION [1852] — XXXV — CONTENTS — XXXVI — XXXVII — XXXVIII — XXXIX — ADVERTISEMENT — APPENDIX — XL — XLI — XLII — XLIII — XLIV — XLV — XLVI — XLVII — XLVIII — XLIX — L — LI — LII — LIII — LIV — FOOTNOTES:
  116. 116.BIBLIOGRAPHICAL APPENDIX — No. I — POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS — No. II — EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS — No. III — POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS — No. IV
  117. 117.INDEX OF FIRST LINES
  118. 118.TRANSCRIBER'S NOTES:

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