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The Complete Poetical Works of Samuel Taylor Coleridge, (1 and 2)

The Complete Poetical Works of Samuel Taylor Coleridge, (1 and 2)

by Samuel Taylor Coleridge

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About this eBook

Author
Coleridge, Samuel Taylor, 1772-1834
Title
The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2
Credits
Produced by Jonathan Ingram, Michael Zeug, Lisa Reigel, and the Online Distributed Proofreading Team at www.pgdp.net
Language
English
LoC Class
PR: Language and Literatures: English literature
Subject
English poetry -- 19th century
Category
Text
Project Gutenberg
eBook-No. 29090
Release Date
June 11, 2009
Copyright
Public domain in the USA.

Contents

  1. 1.THE — COMPLETE POETICAL WORKS — OF — SAMUEL TAYLOR COLERIDGE — INCLUDING — POEMS AND VERSIONS OF POEMS NOW — PUBLISHED FOR THE FIRST TIME — EDITED — WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES — BY
  2. 2.ERNEST HARTLEY COLERIDGE — OXFORD AT THE CLARENDON PRESS 1912
  3. 3.PREFACE
  4. 4.CONTENTS OF THE TWO VOLUMES
  5. 5.ABBREVIATIONS
  6. 6.ERRATA — POETICAL WORKS
  7. 7.POEMS
  8. 8.EASTER HOLIDAYS [1:1] — FOOTNOTES:
  9. 9.DURA NAVIS [2:1] — FOOTNOTES:
  10. 10.NIL PEJUS EST CAELIBE VITÂ [4:1] — [IN CHRIST'S HOSPITAL BOOK] — FOOTNOTES:
  11. 11.SONNET [5:1] — TO THE AUTUMNAL MOON — FOOTNOTES: — LINENOTES:
  12. 12.ANTHEM [5:2] — FOR THE CHILDREN OF CHRIST'S HOSPITAL — FOOTNOTES: — LINENOTES:
  13. 13.JULIA [6:1] — [IN CHRIST'S HOSPITAL BOOK] — FOOTNOTES: — LINENOTES:
  14. 14.QUAE NOCENT DOCENT [7:1] — [IN CHRIST'S HOSPITAL BOOK] — FOOTNOTES:
  15. 15.THE NOSE [8:1] — FOOTNOTES: — LINENOTES:
  16. 16.TO THE MUSE [9:1] — FOOTNOTES: — LINENOTES:
  17. 17.DESTRUCTION OF THE BASTILE [10:1] — FOOTNOTES: — LINENOTES:
  18. 18.LIFE [11:1] — FOOTNOTES: — LINENOTES:
  19. 19.PROGRESS OF VICE [12:1] — FOOTNOTES: — LINENOTES:
  20. 20.MONODY ON THE DEATH OF CHATTERTON [13:1] — [FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790] — FOOTNOTES: — LINENOTES:
  21. 21.AN INVOCATION [16:1] — FOOTNOTES:
  22. 22.ANNA AND HARLAND [16:2] — FOOTNOTES: — LINENOTES:
  23. 23.TO THE EVENING STAR [16:3] — FOOTNOTES:
  24. 24.PAIN [17:1] — FOOTNOTES: — LINENOTES:
  25. 25.ON A LADY WEEPING [17:2] — IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS
  26. 26.MONODY ON A TEA-KETTLE [18:1] — FOOTNOTES: — LINENOTES:
  27. 27.GENEVIEVE [19:1] — FOOTNOTES: — LINENOTES:
  28. 28.ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE [20:1] — FOOTNOTES: — LINENOTES:
  29. 29.ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER [21:1] — FOOTNOTES:
  30. 30.A MATHEMATICAL PROBLEM [21:2] — FOOTNOTES: — LINENOTES:
  31. 31.HONOUR [24:1] — FOOTNOTES: — LINENOTES:
  32. 32.ON IMITATION [26:1] — FOOTNOTES:
  33. 33.INSIDE THE COACH [26:2] — FOOTNOTES: — LINENOTES:
  34. 34.DEVONSHIRE ROADS [27:1] — FOOTNOTES: — LINENOTES:
  35. 35.MUSIC [28:1] — FOOTNOTES: — LINENOTES:
  36. 36.SONNET [29:1] — ON QUITTING SCHOOL FOR COLLEGE — FOOTNOTES: — LINENOTES:
  37. 37.ABSENCE [29:2] — A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE — FOOTNOTES: — LINENOTES:
  38. 38.HAPPINESS [30:1] — FOOTNOTES: — LINENOTES:
  39. 39.A WISH [33:1] — WRITTEN IN JESUS WOOD, FEB. 10, 1792 — FOOTNOTES:
  40. 40.AN ODE IN THE MANNER OF ANACREON [33:2] — FOOTNOTES:
  41. 41.TO DISAPPOINTMENT [34:1] — FOOTNOTES:
  42. 42.A FRAGMENT FOUND IN A LECTURE-ROOM [35:1] — FOOTNOTES: — LINENOTES:
  43. 43.ODE [35:2] — FOOTNOTES: — LINENOTES:
  44. 44.A LOVER'S COMPLAINT TO HIS MISTRESS [36:1] — WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND IN THE EAST INDIES — FOOTNOTES:
  45. 45.WITH FIELDING'S 'AMELIA' [37:1] — FOOTNOTES: — LINENOTES:
  46. 46.WRITTEN AFTER A WALK BEFORE SUPPER [37:3] — FOOTNOTES: — LINENOTES:
  47. 47.IMITATED FROM OSSIAN [38:1] — FOOTNOTES: — LINENOTES:
  48. 48.THE COMPLAINT OF NINATHÓMA [39:1] — FROM THE SAME — FOOTNOTES: — LINENOTES:
  49. 49.SONGS OF THE PIXIES [40:1] — FOOTNOTES: — LINENOTES:
  50. 50.THE ROSE [45:1] — FOOTNOTES: — LINENOTES:
  51. 51.KISSES [46:2] — FOOTNOTES: — LINENOTES:
  52. 52.THE GENTLE LOOK [47:1] — FOOTNOTES: — LINENOTES:
  53. 53.SONNET [48:2] — TO THE RIVER OTTER — FOOTNOTES: — LINENOTES: — First Draft
  54. 54.AN EFFUSION AT EVENING — WRITTEN IN AUGUST, 1792
  55. 55.LINES [51:1] — ON AN AUTUMNAL EVENING — FOOTNOTES: — LINENOTES:
  56. 56.TO FORTUNE [54:1] — To Fortune — FOOTNOTES:
  57. 57.PERSPIRATION. A TRAVELLING ECLOGUE [56:1] — FOOTNOTES:
  58. 58.[AVE, ATQUE VALE!] [56:2] — FOOTNOTES:
  59. 59.ON BALA HILL [56:3] — FOOTNOTES: — LINENOTES:
  60. 60.LINES [57:1] — WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS' — FOOTNOTES: — LINENOTES:
  61. 61.IMITATED FROM THE WELSH [58:1] — FOOTNOTES: — LINENOTES:
  62. 62.LINES [58:2] — TO A BEAUTIFUL SPRING IN A VILLAGE — FOOTNOTES: — LINENOTES:
  63. 63.IMITATIONS AD LYRAM [59:1] — (CASIMIR, BOOK II. ODE 3) — FOOTNOTES: — LINENOTES:
  64. 64.TO LESBIA [60:2] — FOOTNOTES: — LINENOTES:
  65. 65.THE DEATH OF THE STARLING [61:1] — FOOTNOTES: — LINENOTES:
  66. 66.MORIENS SUPERSTITI [61:2] — FOOTNOTES:
  67. 67.MORIENTI SUPERSTES
  68. 68.THE SIGH [62:1] — FOOTNOTES: — LINENOTES:
  69. 69.THE KISS [63:1] — FOOTNOTES: — LINENOTES:
  70. 70.TO A YOUNG LADY [64:1] — WITH A POEM ON THE FRENCH REVOLUTION — FOOTNOTES: — LINENOTES:
  71. 71.TRANSLATION [66:1] — OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM' [KAL. OCT. MDCCXC] — FOOTNOTES:
  72. 72.TO MISS BRUNTON [67:1] — WITH THE PRECEDING TRANSLATION — FOOTNOTES:
  73. 73.EPITAPH ON AN INFANT [68:1] — FOOTNOTES:
  74. 74.PANTISOCRACY [68:2] — FOOTNOTES: — LINENOTES:
  75. 75.ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA [69:1] — FOOTNOTES:
  76. 76.ELEGY [69:2] — IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.] — FOOTNOTES: — LINENOTES:
  77. 77.THE FADED FLOWER [70:1] — FOOTNOTES:
  78. 78.THE OUTCAST [71:1] — FOOTNOTES: — LINENOTES:
  79. 79.DOMESTIC PEACE [71:2] — [FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210] — FOOTNOTES: — LINENOTES:
  80. 80.ON A DISCOVERY MADE TOO LATE [72:1] — FOOTNOTES: — LINENOTES:
  81. 81.TO THE AUTHOR OF 'THE ROBBERS' [72:2] — FOOTNOTES: — LINENOTES:
  82. 82.MELANCHOLY [73:1] — A FRAGMENT — FOOTNOTES: — LINENOTES:
  83. 83.TO A YOUNG ASS [74:2] — ITS MOTHER BEING TETHERED NEAR IT — FOOTNOTES: — LINENOTES:
  84. 84.LINES ON A FRIEND [76:1] — WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS — FOOTNOTES: — LINENOTES:
  85. 85.TO A FRIEND [78:1] — [ Charles Lamb ] — TOGETHER WITH AN UNFINISHED POEM — FOOTNOTES: — LINENOTES:
  86. 86.SONNETS ON EMINENT CHARACTERS — CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794 AND JANUARY 1795
  87. 87.I [79:2] — TO THE HONOURABLE MR. ERSKINE — FOOTNOTES: — LINENOTES:
  88. 88.II [80:1] — BURKE — FOOTNOTES: — LINENOTES:
  89. 89.III [81:1] — PRIESTLEY — FOOTNOTES: — LINENOTES:
  90. 90.IV [82:1] — LA FAYETTE — FOOTNOTES: — LINENOTES:
  91. 91.V [82:3] — KOSKIUSKO — FOOTNOTES: — LINENOTES:
  92. 92.VI [83:1] — PITT — FOOTNOTES: — LINENOTES:
  93. 93.VII [84:1] — TO THE REV. W. L. BOWLES [84:2] — [FIRST VERSION, PRINTED IN 'MORNING CHRONICLE', DECEMBER 26, 1794] — FOOTNOTES: — LINENOTES: — [SECOND VERSION] [85:1] — FOOTNOTES: — LINENOTES:
  94. 94.VIII [85:2] — MRS. SIDDONS — FOOTNOTES: — LINENOTES:
  95. 95.IX — TO WILLIAM GODWIN [86:1] — AUTHOR OF 'POLITICAL JUSTICE' — FOOTNOTES:
  96. 96.X [87:1] — TO ROBERT SOUTHEY — OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT', AND OTHER POEMS — FOOTNOTES:
  97. 97.XI [87:2] — TO RICHARD BRINSLEY SHERIDAN, ESQ. — FOOTNOTES: — LINENOTES:
  98. 98.TO LORD STANHOPE [89:1] — ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS — ['MORNING CHRONICLE,' JAN. 31, 1795] — FOOTNOTES:
  99. 99.TO EARL STANHOPE [89:2] — FOOTNOTES: — LINENOTES:
  100. 100.LINES [90:2] — TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER — FOOTNOTES: — LINENOTES:
  101. 101.TO AN INFANT [91:1] — FOOTNOTES: — LINENOTES:
  102. 102.TO THE REV. W. J. HORT [92:1] — WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE — FOOTNOTES: — LINENOTES:
  103. 103.PITY [93:1] — FOOTNOTES: — LINENOTES:
  104. 104.TO THE NIGHTINGALE [93:2] — FOOTNOTES: — LINENOTES:
  105. 105.LINES [94:1] — COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795 — FOOTNOTES: — LINENOTES:
  106. 106.LINES IN THE MANNER OF SPENSER [94:2] — FOOTNOTES: — LINENOTES:
  107. 107.THE HOUR WHEN WE SHALL MEET AGAIN [96:1] — FOOTNOTES: — LINENOTES:
  108. 108.LINES [96:2] — WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL — FOOTNOTES: — LINENOTES:
  109. 109.THE EOLIAN HARP [100:1] — COMPOSED AT CLEVEDON, SOMERSETSHIRE — FOOTNOTES: — LINENOTES:
  110. 110.TO THE AUTHOR OF POEMS [102:2] — [ Joseph Cottle ] — PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795 — FOOTNOTES: — LINENOTES:
  111. 111.THE SILVER THIMBLE [104:1] — THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE — FOOTNOTES: — LINENOTES:
  112. 112.REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT [106:1] — FOOTNOTES: — LINENOTES:
  113. 113.RELIGIOUS MUSINGS [108:1] — A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794 — FOOTNOTES: — LINENOTES:
  114. 114.MONODY ON THE DEATH OF CHATTERTON [125:1] — FOOTNOTES: — LINENOTES:
  115. 115.THE DESTINY OF NATIONS [131:1] — A VISION — FOOTNOTES: — LINENOTES:
  116. 116.VER PERPETUUM [148:1] — FRAGMENT — From an unpublished poem. — FOOTNOTES:
  117. 117.ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796 [148:2] — FOOTNOTES: — LINENOTES:
  118. 118.TO A PRIMROSE [149:2] — THE FIRST SEEN IN THE SEASON — FOOTNOTES: — LINENOTES:
  119. 119.VERSES [150:1] — ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION — FOOTNOTES: — LINENOTES:
  120. 120.ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE [152:1] — [PRINCE AND PRINCESS OF WALES] — FOOTNOTES: — LINENOTES:
  121. 121.SONNET [152:2] — ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON — FOOTNOTES: — LINENOTES:
  122. 122.SONNET [153:1] — COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796 — FOOTNOTES: — LINENOTES:
  123. 123.SONNET [154:2] — TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME — FOOTNOTES: — LINENOTES:
  124. 124.SONNET [155:1] — [TO CHARLES LLOYD] — FOOTNOTES:
  125. 125.TO A YOUNG FRIEND [155:2] — ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR — Composed in 1796 — FOOTNOTES: — LINENOTES:
  126. 126.ADDRESSED TO A YOUNG MAN OF FORTUNE [157:1] [ C. Lloyd ] — WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY — FOOTNOTES: — LINENOTES:
  127. 127.TO A FRIEND [158:1] — [ Charles Lamb ] — WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY — FOOTNOTES: — LINENOTES:
  128. 128.ODE TO THE DEPARTING YEAR [160:1] — FOOTNOTES: — LINENOTES:
  129. 129.THE RAVEN [169:1] — A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS — FOOTNOTES: — LINENOTES:
  130. 130.TO AN UNFORTUNATE WOMAN AT THE THEATRE [171:1] — FOOTNOTES: — LINENOTES:
  131. 131.TO AN UNFORTUNATE WOMAN [172:1] — WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE — FOOTNOTES: — LINENOTES:
  132. 132.TO THE REV. GEORGE COLERIDGE [173:1] — OF OTTERY ST. MARY, DEVON — FOOTNOTES: — LINENOTES:
  133. 133.ON THE CHRISTENING OF A FRIEND'S CHILD [176:1] — FOOTNOTES:
  134. 134.TRANSLATION [177:1] — OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH — FOOTNOTES: — LINENOTES:
  135. 135.THIS LIME-TREE BOWER MY PRISON [178:1] — [ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON] — FOOTNOTES: — LINENOTES:
  136. 136.THE FOSTER-MOTHER'S TALE [182:1] — A DRAMATIC FRAGMENT — FOOTNOTES: — LINENOTES:
  137. 137.THE DUNGEON [185:1] — FOOTNOTES: — LINENOTES:
  138. 138.THE RIME OF THE ANCIENT MARINER [186:1] — IN SEVEN PARTS — ARGUMENT — FOOTNOTES: — LINENOTES:
  139. 139.SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS [209:1] — [SIGNED 'NEHEMIAH HIGGINBOTTOM'] — FOOTNOTES: — LINENOTES:
  140. 140.PARLIAMENTARY OSCILLATORS [211:1] — FOOTNOTES: — LINENOTES:
  141. 141.CHRISTABEL [213:1] — PREFACE — FOOTNOTES: — LINENOTES:
  142. 142.LINES TO W. L. [236:1] — WHILE HE SANG A SONG TO PURCELL'S MUSIC — FOOTNOTES: — LINENOTES:
  143. 143.FIRE, FAMINE, AND SLAUGHTER [237:1] — A WAR ECLOGUE — FOOTNOTES: — LINENOTES:
  144. 144.FROST AT MIDNIGHT [240:1] — FOOTNOTES: — LINENOTES:
  145. 145.FRANCE: AN ODE [243:1] — FOOTNOTES: — LINENOTES:
  146. 146.THE OLD MAN OF THE ALPS [248:1] — FOOTNOTES:
  147. 147.TO A YOUNG LADY [252:1] — [ Miss Lavinia Poole ] — ON HER RECOVERY FROM A FEVER — FOOTNOTES: — LINENOTES:
  148. 148.LEWTI [253:1] — OR THE CIRCASSIAN LOVE-CHAUNT — FOOTNOTES: — LINENOTES:
  149. 149.FEARS IN SOLITUDE [256:1] — WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION — FOOTNOTES: — LINENOTES:
  150. 150.THE NIGHTINGALE [264:1] — A CONVERSATION POEM, APRIL, 1798 — FOOTNOTES: — LINENOTES:
  151. 151.THE THREE GRAVES [267:1] — A FRAGMENT OF A SEXTON'S TALE — FOOTNOTES: — LINENOTES:
  152. 152.THE WANDERINGS OF CAIN [285:1] — PREFATORY NOTE
  153. 153.THE WANDERINGS OF CAIN — CANTO II — FOOTNOTES: — LINENOTES:
  154. 154.TO —— [292:1] — FOOTNOTES: — LINENOTES:
  155. 155.THE BALLAD OF THE DARK LADIÉ [293:1] — A FRAGMENT — FOOTNOTES: — LINENOTES:
  156. 156.KUBLA KHAN [295:1] : — Or, A Vision in a Dream. A Fragment.
  157. 157.KUBLA KHAN — FOOTNOTES: — LINENOTES:
  158. 158.RECANTATION [299:1] — ILLUSTRATED IN THE STORY OF THE MAD OX — FOOTNOTES: — LINENOTES:
  159. 159.HEXAMETERS [304:1] — FOOTNOTES: — LINENOTES:
  160. 160.TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL — FOOTNOTES: — LINENOTES:
  161. 161.CATULLIAN HENDECASYLLABLES [307:1] — FOOTNOTES: — LINENOTES:
  162. 162.THE HOMERIC HEXAMETER [307:2] — DESCRIBED AND EXEMPLIFIED — FOOTNOTES:
  163. 163.THE OVIDIAN ELEGIAC METRE — DESCRIBED AND EXEMPLIFIED
  164. 164.ON A CATARACT [308:1] — FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE — FOOTNOTES: — LINENOTES:
  165. 165.TELL'S BIRTH-PLACE [309:1] — IMITATED FROM STOLBERG — FOOTNOTES: — LINENOTES:
  166. 166.THE VISIT OF THE GODS [310:1] — IMITATED FROM SCHILLER — FOOTNOTES:
  167. 167.FROM THE GERMAN [311:1] — FOOTNOTES:
  168. 168.WATER BALLAD [311:2] — [FROM THE FRENCH] — FOOTNOTES:
  169. 169.ON AN INFANT [312:1] — WHICH DIED BEFORE BAPTISM — FOOTNOTES: — LINENOTES:
  170. 170.SOMETHING CHILDISH, BUT VERY NATURAL [313:1] — WRITTEN IN GERMANY — FOOTNOTES: — LINENOTES:
  171. 171.HOME-SICK [314:1] — WRITTEN IN GERMANY — FOOTNOTES: — LINENOTES:
  172. 172.LINES [315:1] — WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST — FOOTNOTES: — LINENOTES:
  173. 173.THE BRITISH STRIPLING'S WAR-SONG [317:1] — IMITATED FROM STOLBERG — FOOTNOTES: — LINENOTES:
  174. 174.NAMES [318:1] — [FROM LESSING] — FOOTNOTES: — LINENOTES:
  175. 175.THE DEVIL'S THOUGHTS [319:1] — FOOTNOTES: — LINENOTES:
  176. 176.LINES COMPOSED IN A CONCERT-ROOM [324:1] — FOOTNOTES: — LINENOTES:
  177. 177.WESTPHALIAN SONG [326:1] — FOOTNOTES:
  178. 178.HEXAMETERS [326:2] — PARAPHRASE OF PSALM XLVI — FOOTNOTES:
  179. 179.HYMN TO THE EARTH [327:1] — [IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE ] — HEXAMETERS — FOOTNOTES: — LINENOTES:
  180. 180.MAHOMET [329:1] — FOOTNOTES:
  181. 181.LOVE [330:1] — FOOTNOTES: — LINENOTES:
  182. 182.ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE [335:1] — ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER MOUNT GOTHARD' — FOOTNOTES: — LINENOTES:
  183. 183.A CHRISTMAS CAROL [338:1] — FOOTNOTES: — LINENOTES:
  184. 184.TALLEYRAND TO LORD GRENVILLE [340:1] — A METRICAL EPISTLE — FOOTNOTES: — LINENOTES:
  185. 185.APOLOGIA PRO VITA SUA [345:1] — FOOTNOTES: — LINENOTES:
  186. 186.THE KEEPSAKE [345:2] — FOOTNOTES: — LINENOTES:
  187. 187.A THOUGHT SUGGESTED BY A VIEW [347:1] — OF SADDLEBACK IN CUMBERLAND — FOOTNOTES: — LINENOTES:
  188. 188.THE MAD MONK [347:2] — FOOTNOTES: — LINENOTES:
  189. 189.INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH [349:1] — FOOTNOTES:
  190. 190.A STRANGER MINSTREL [350:1] — WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH — FOOTNOTES: — LINENOTES:
  191. 191.ALCAEUS TO SAPPHO [353:1] — FOOTNOTES:
  192. 192.THE TWO ROUND SPACES ON THE TOMBSTONE [353:2] — FOOTNOTES: — LINENOTES:
  193. 193.THE SNOW-DROP [356:1] — FOOTNOTES: — LINENOTES:
  194. 194.ON REVISITING THE SEA-SHORE [359:1] — AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE — FOOTNOTES: — LINENOTES:
  195. 195.ODE TO TRANQUILLITY [360:1] — FOOTNOTES: — LINENOTES:
  196. 196.TO ASRA [361:1] — FOOTNOTES:
  197. 197.THE SECOND BIRTH [362:1] — FOOTNOTES:
  198. 198.LOVE'S SANCTUARY [362:2] — FOOTNOTES:
  199. 199.DEJECTION: AN ODE [362:3] — [WRITTEN APRIL 4, 1802] — FOOTNOTES: — LINENOTES:
  200. 200.THE PICTURE [369:1] — OR THE LOVER'S RESOLUTION — FOOTNOTES: — LINENOTES:
  201. 201.TO MATILDA BETHAM FROM A STRANGER [374:1] — FOOTNOTES: — LINENOTES:
  202. 202.HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI [376:2] — FOOTNOTES: — LINENOTES:
  203. 203.THE GOOD, GREAT MAN [381:1] — REPLY TO THE ABOVE — FOOTNOTES: — LINENOTES:
  204. 204.INSCRIPTION FOR A FOUNTAIN ON A HEATH [381:2] — FOOTNOTES: — LINENOTES:
  205. 205.AN ODE TO THE RAIN [382:2] — COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN — FOOTNOTES: — LINENOTES:
  206. 206.A DAY-DREAM [385:1] — FOOTNOTES: — LINENOTES:
  207. 207.ANSWER TO A CHILD'S QUESTION [386:1] — FOOTNOTES: — LINENOTES:
  208. 208.THE DAY-DREAM [386:2] — FROM AN EMIGRANT TO HIS ABSENT WIFE — FOOTNOTES: — LINENOTES:
  209. 209.THE HAPPY HUSBAND [388:1] — A FRAGMENT — FOOTNOTES: — LINENOTES:
  210. 210.THE PAINS OF SLEEP [389:1] — FOOTNOTES: — LINENOTES:
  211. 211.THE EXCHANGE [391:1] — FOOTNOTES: — LINENOTES:
  212. 212.AD VILMUM AXIOLOGUM [391:2] — [TO WILLIAM WORDSWORTH] — FOOTNOTES: — LINENOTES:
  213. 213.AN EXILE [392:1] — FOOTNOTES:
  214. 214.SONNET [392:2] — [TRANSLATED FROM MARINI] — FOOTNOTES:
  215. 215.PHANTOM [393:1] — FOOTNOTES:
  216. 216.A SUNSET [393:2] — FOOTNOTES: — LINENOTES:
  217. 217.WHAT IS LIFE? [394:1] — FOOTNOTES: — LINENOTES:
  218. 218.THE BLOSSOMING OF THE SOLITARY DATE-TREE [395:1] — A LAMENT — FOOTNOTES: — LINENOTES:
  219. 219.SEPARATION [397:1] — FOOTNOTES:
  220. 220.THE RASH CONJURER [399:1] — FOOTNOTES:
  221. 221.A CHILD'S EVENING PRAYER [401:1] — FOOTNOTES: — LINENOTES:
  222. 222.METRICAL FEET [401:2] — LESSON FOR A BOY — FOOTNOTES: — LINENOTES:
  223. 223.FAREWELL TO LOVE [402:1] — FOOTNOTES: — LINENOTES:
  224. 224.TO WILLIAM WORDSWORTH [403:1] — COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND — FOOTNOTES: — LINENOTES:
  225. 225.AN ANGEL VISITANT [409:1] — FOOTNOTES:
  226. 226.RECOLLECTIONS OF LOVE [409:2] — FOOTNOTES:
  227. 227.TO TWO SISTERS [410:1] — [ Mary Morgan and Charlotte Brent ] — A WANDERER'S FAREWELL — FOOTNOTES:
  228. 228.PSYCHE [412:1] — FOOTNOTES: — LINENOTES:
  229. 229.A TOMBLESS EPITAPH [413:1] — FOOTNOTES: — LINENOTES:
  230. 230.FOR A MARKET-CLOCK [414:1] — (IMPROMPTU) — FOOTNOTES:
  231. 231.THE MADMAN AND THE LETHARGIST [414:2] — AN EXAMPLE — FOOTNOTES:
  232. 232.THE VISIONARY HOPE [416:1] — FOOTNOTES: — LINENOTES:
  233. 233.EPITAPH ON AN INFANT [417:1] — FOOTNOTES: — LINENOTES:
  234. 234.THE VIRGIN'S CRADLE-HYMN [417:2] — COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC VILLAGE IN GERMANY — FOOTNOTES: — LINENOTES:
  235. 235.TO A LADY [418:1] — OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS — FOOTNOTES: — LINENOTES:
  236. 236.REASON FOR LOVE'S BLINDNESS [418:2] — FOOTNOTES: — LINENOTES:
  237. 237.THE SUICIDE'S ARGUMENT [419:1] — FOOTNOTES: — LINENOTES:
  238. 238.TIME, REAL AND IMAGINARY [419:2] — AN ALLEGORY — FOOTNOTES:
  239. 239.AN INVOCATION [420:1] — From remorse — [Act iii , Scene i. ll. 69-82.] — FOOTNOTES: — LINENOTES:
  240. 240.THE NIGHT-SCENE [421:1] — A DRAMATIC FRAGMENT — FOOTNOTES: — LINENOTES:
  241. 241.A HYMN [423:1] — FOOTNOTES:
  242. 242.TO A LADY [424:1] — WITH FALCONER'S SHIPWRECK — FOOTNOTES: — LINENOTES:
  243. 243.HUMAN LIFE [425:1] — —ON THE DENIAL OF IMMORTALITY — FOOTNOTES: — LINENOTES:
  244. 244.SONG [426:1] — FROM ZAPOLYA — FOOTNOTES: — LINENOTES:
  245. 245.HUNTING SONG [427:1] — FROM ZAPOLYA — FOOTNOTES: — LINENOTES:
  246. 246.FAITH, HOPE, AND CHARITY [427:2] — FROM THE ITALIAN OF GUARINI — FOOTNOTES:
  247. 247.TO NATURE [429:1] — FOOTNOTES:
  248. 248.LIMBO [429:2] — FOOTNOTES: — LINENOTES:
  249. 249.NE PLUS ULTRA [431:1] — FOOTNOTES:
  250. 250.THE KNIGHT'S TOMB [432:1] — FOOTNOTES:
  251. 251.ON DONNE'S POETRY [433:1] — FOOTNOTES:
  252. 252.ISRAEL'S LAMENT [433:2] — FOOTNOTES: — LINENOTES:
  253. 253.FANCY IN NUBIBUS [435:1] — OR THE POET IN THE CLOUDS — FOOTNOTES: — LINENOTES:
  254. 254.THE TEARS OF A GRATEFUL PEOPLE [436:1] — FOOTNOTES:
  255. 255.YOUTH AND AGE [439:1] — FOOTNOTES: — LINENOTES:
  256. 256.THE REPROOF AND REPLY [441:1] — FOOTNOTES: — LINENOTES:
  257. 257.FIRST ADVENT OF LOVE [443:2] — FOOTNOTES: — LINENOTES:
  258. 258.THE DELINQUENT TRAVELLERS [443:3] — FOOTNOTES:
  259. 259.WORK WITHOUT HOPE [447:1] — LINES COMPOSED 21ST FEBRUARY 1825 — FOOTNOTES: — LINENOTES:
  260. 260.SANCTI DOMINICI PALLIUM [448:1] — A DIALOGUE BETWEEN POET AND FRIEND — FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825) — FOOTNOTES: — LINENOTES:
  261. 261.SONG [450:2] — FOOTNOTES: — LINENOTES:
  262. 262.A CHARACTER [451:1] — FOOTNOTES: — LINENOTES:
  263. 263.THE TWO FOUNTS [454:1] — STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN — FOOTNOTES: — LINENOTES:
  264. 264.CONSTANCY TO AN IDEAL OBJECT [455:1] — FOOTNOTES: — LINENOTES:
  265. 265.THE PANG MORE SHARP THAN ALL [457:1] — AN ALLEGORY — FOOTNOTES:
  266. 266.DUTY SURVIVING SELF-LOVE [459:1] — THE ONLY SURE FRIEND OF DECLINING LIFE — A SOLILOQUY — FOOTNOTES: — LINENOTES:
  267. 267.HOMELESS [460:1] — FOOTNOTES: — LINENOTES:
  268. 268.LINES [460:2] — SUGGESTED BY THE LAST WORDS OF BERENGARIUS — OB. ANNO DOM. 1088 — FOOTNOTES: — LINENOTES:
  269. 269.EPITAPHIUM TESTAMENTARIUM [462:1] — FOOTNOTES: — LINENOTES:
  270. 270.THE IMPROVISATORE [462:3] — OR, 'JOHN ANDERSON, MY JO, JOHN' — FOOTNOTES:
  271. 271.TO MARY PRIDHAM [468:1] — [AFTERWARDS MRS. DERWENT COLERIDGE] — FOOTNOTES: — LINENOTES:
  272. 272.ALICE DU CLOS [469:1] — OR THE FORKED TONGUE — A BALLAD — FOOTNOTES: — LINENOTES:
  273. 273.LOVE'S BURIAL-PLACE [475:1] — FOOTNOTES: — LINENOTES:
  274. 274.LINES [476:1] — TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW — FOOTNOTES: — LINENOTES:
  275. 275.COLOGNE [477:1] — FOOTNOTES:
  276. 276.ON MY JOYFUL DEPARTURE [477:5] — FROM THE SAME CITY — FOOTNOTES:
  277. 277.THE GARDEN OF BOCCACCIO [478:1] — FOOTNOTES: — LINENOTES:
  278. 278.LOVE, HOPE, AND PATIENCE IN EDUCATION [481:1] — FOOTNOTES: — LINENOTES:
  279. 279.TO MISS A. T. [482:1] — FOOTNOTES:
  280. 280.LINES [483:1] — WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND — FOOTNOTES: — LINENOTES:
  281. 281.SONG, ex improviso [483:2] — ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY — FOOTNOTES: — LINENOTES:
  282. 282.LOVE AND FRIENDSHIP OPPOSITE [484:1] — FOOTNOTES: — LINENOTES:
  283. 283.NOT AT HOME [484:2] — FOOTNOTES:
  284. 284.PHANTOM OR FACT [484:3] — A DIALOGUE IN VERSE — FOOTNOTES:
  285. 285.DESIRE [485:1] — FOOTNOTES: — LINENOTES:
  286. 286.CHARITY IN THOUGHT [486:1] — FOOTNOTES:
  287. 287.HUMILITY THE MOTHER OF CHARITY [486:2] — FOOTNOTES:
  288. 288.[COELI ENARRANT] [486:3] — FOOTNOTES:
  289. 289.REASON [487:1] — FOOTNOTES:
  290. 290.SELF-KNOWLEDGE [487:2] — FOOTNOTES: — LINENOTES:
  291. 291.FORBEARANCE [488:1] — FOOTNOTES: — LINENOTES:
  292. 292.LOVE'S APPARITION AND EVANISHMENT [488:3] — AN ALLEGORIC ROMANCE — FOOTNOTES: — LINENOTES:
  293. 293.TO THE YOUNG ARTIST [490:1] — KAYSER OF KASERWERTH — FOOTNOTES:
  294. 294.MY BAPTISMAL BIRTH-DAY [490:2] — FOOTNOTES: — LINENOTES:
  295. 295.EPITAPH [491:1] — FOOTNOTES: — LINENOTES: — THE — COMPLETE POETICAL WORKS — OF — SAMUEL TAYLOR COLERIDGE — INCLUDING — POEMS AND VERSIONS OF POEMS NOW — PUBLISHED FOR THE FIRST TIME — EDITED — WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES — BY
  296. 296.ERNEST HARTLEY COLERIDGE — OXFORD AT THE CLARENDON PRESS 1912
  297. 297.CONTENTS OF VOL. II
  298. 298.DRAMATIC WORKS
  299. 299.THE FALL OF ROBESPIERRE [495:1] — AN HISTORIC DRAMA — FOOTNOTES:
  300. 300.ACT I — Scene — The Thuilleries. — FOOTNOTES:
  301. 301.ACT II — Scene — The Convention.
  302. 302.ACT III — Scene continues.
  303. 303.OSORIO — A TRAGEDY [518:1] — DRAMATIS PERSONAE — FOOTNOTES: — LINENOTES:
  304. 304.ACT THE FIRST [519:1] — FOOTNOTES: — LINENOTES:
  305. 305.ACT THE SECOND — LINENOTES: — Scene II.
  306. 306.ACT THE THIRD — FOOTNOTES: — LINENOTES: — ACT III.
  307. 307.ACT THE FOURTH — FOOTNOTES: — LINENOTES: — Scene II — Scene III
  308. 308.ACT THE FIFTH — Scene the First. — The Sea Shore. — Scene. — A Dungeon. — FOOTNOTES: — LINENOTES:
  309. 309.THE PICCOLOMINI [598:1] — OR, THE FIRST PART OF WALLENSTEIN — A DRAMA — TRANSLATED FROM THE GERMAN OF SCHILLER — PREFACE TO THE FIRST EDITION — FOOTNOTES:
  310. 310.THE PICCOLOMINI [600:1]
  311. 311.ACT I — Scene I — FOOTNOTES: — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES: — Scene III — LINENOTES: — Scene IV — FOOTNOTES: — LINENOTES: — Scene V — LINENOTES: — Scene VI — LINENOTES: — Scene VII — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — LINENOTES: — Scene X — FOOTNOTES: — LINENOTES: — Scene XI — FOOTNOTES: — LINENOTES: — Scene XII — FOOTNOTES: — LINENOTES:
  312. 312.ACT II — Scene I — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES: — Scene III — FOOTNOTES: — LINENOTES: — Scene IV — FOOTNOTES: — LINENOTES: — Scene V — FOOTNOTES: — LINENOTES: — Scene VI — FOOTNOTES: — LINENOTES: — Scene VII — FOOTNOTES: — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — Scene X — Scene XI — LINENOTES: — Scene XII — FOOTNOTES: — LINENOTES: — Scene XIII — LINENOTES: — Scene XIV — LINENOTES:
  313. 313.ACT III — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES:
  314. 314.ACT IV — Scene I — LINENOTES: — Scene II — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — FOOTNOTES: — LINENOTES: — Scene VI — LINENOTES: — Scene VII — FOOTNOTES: — LINENOTES:
  315. 315.ACT V — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — FOOTNOTES: — LINENOTES: — Scene VI — LINENOTES:
  316. 316.THE DEATH OF WALLENSTEIN — A TRAGEDY — IN FIVE ACTS — PREFACE OF THE TRANSLATOR — TO THE FIRST EDITION — LINENOTES: — DRAMATIS PERSONAE
  317. 317.THE DEATH OF WALLENSTEIN
  318. 318.ACT I — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — Scene VI — LINENOTES: — Scene VII — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — Scene X — LINENOTES: — Scene XI — Scene XII — LINENOTES:
  319. 319.ACT II — Scene I — LINENOTES: — Scene II — Scene III — FOOTNOTES: — LINENOTES: — Scene IV — Scene V — LINENOTES: — Scene VI — FOOTNOTES: — LINENOTES: — Scene VII — Scene VIII — LINENOTES: — Scene IX — LINENOTES: — Scene X — Scene XI — LINENOTES:
  320. 320.ACT III — Scene I — LINENOTES: — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — Scene V — LINENOTES: — Scene VI — LINENOTES: — Scene VII — LINENOTES: — Scene VIII — FOOTNOTES: — LINENOTES: — Scene IX — LINENOTES:
  321. 321.ACT IV — Scene I — Scene II — LINENOTES: — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — LINENOTES: — Scene VI — FOOTNOTES: — LINENOTES:
  322. 322.ACT V — Scene I — FOOTNOTES: — LINENOTES: — Scene II — Scene III — LINENOTES: — Scene IV — LINENOTES: — Scene V — Scene VI — Scene VII — LINENOTES: — Scene VIII — LINENOTES: — Scene IX — LINENOTES: — Scene X — LINENOTES:
  323. 323.REMORSE [812:1]
  324. 324.PREFACE — FOOTNOTES:
  325. 325.PROLOGUE — FOOTNOTES:
  326. 326.EPILOGUE
  327. 327.REMORSE [819:1] — A TRAGEDY IN FIVE ACTS [819:2] — DRAMATIS PERSONAE — FOOTNOTES:
  328. 328.ACT I — Scene I — FOOTNOTES: — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES:
  329. 329.ACT II — Scene I — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES:
  330. 330.ACT III — Scene I — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES:
  331. 331.ACT IV — Scene I — FOOTNOTES: — LINENOTES: — Scene II — FOOTNOTES: — LINENOTES: — Scene III — LINENOTES:
  332. 332.ACT V — Scene I — LINENOTES:
  333. 333.APPENDIX
  334. 334.ZAPOLYA [883:1] — A CHRISTMAS TALE IN TWO PARTS [883:2] — ADVERTISEMENT — FOOTNOTES: — LINENOTES:
  335. 335.THE PRELUDE, ENTITLED 'THE USURPER'S FORTUNE' — CHARACTERS — Scene I — LINENOTES:
  336. 336.THE SEQUEL, ENTITLED 'THE USURPER'S FATE' — ADDITIONAL CHARACTERS
  337. 337.USURPATION ENDED; OR, SHE COMES AGAIN
  338. 338.ACT I — Scene I — FOOTNOTES: — LINENOTES:
  339. 339.ACT II — Scene I — LINENOTES:
  340. 340.ACT III — Scene I — LINENOTES:
  341. 341.ACT IV — Scene I — LINENOTES:
  342. 342.EPIGRAMS [951:1] — 1 — EPIGRAM — AN APOLOGY FOR SPENCERS — 2 — EPIGRAM — ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE — 3 — EPIGRAM — ON AN AMOROUS DOCTOR — 4 — EPIGRAM — 5 — ON DEPUTY —— — 6 — [EPIGRAM] — 7 — ON MR. ROSS, USUALLY COGNOMINATED NOSY [953:1] — 8 — [EPIGRAM] — 9 — [EPIGRAM] — 10 — [ANOTHER VERSION] — 11 — ON AN INSIGNIFICANT [954:1] — 12 — [EPIGRAM] — 13 — ON A SLANDERER — 14 — LINES IN A GERMAN STUDENT'S ALBUM — 15 — [HIPPONA] — 16 — ON A READER OF HIS OWN VERSES — 17 — ON A REPORT OF A MINISTER'S DEATH WRITTEN IN GERMANY — LINENOTES: — 18 — [DEAR BROTHER JEM] — 19 — JOB'S LUCK — LINENOTES: — 20 — ON THE SICKNESS OF A GREAT MINISTER — 21 — [TO A VIRTUOUS OECONOMIST] — Wernicke — 22 — [L'ENFANT PRODIGUE] — 23 — ON SIR RUBICUND NASO — A COURT ALDERMAN AND WHISPERER OF SECRETS — 24 — TO MR. PYE — 25 — [NINETY-EIGHT] — 26 — OCCASIONED BY THE FORMER — LINENOTES: — 27 — [A LIAR BY PROFESSION] — 28 — TO A PROUD PARENT — 29 — RUFA — 30 — ON A VOLUNTEER SINGER — 31 — OCCASIONED BY THE LAST — LINENOTES: — 32 — EPITAPH ON MAJOR DIEMAN — 33 — ON THE ABOVE — 34 — EPITAPH — ON A BAD MAN — ANOTHER VERSION — Obiit Saturday, Sept. 10, 1830. — 35 — TO A CERTAIN MODERN NARCISSUS — 36 — TO A CRITIC — WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE. — 37 — ALWAYS AUDIBLE — 38 — PONDERE NON NUMERO — 39 — THE COMPLIMENT QUALIFIED — 40 — 41 — 42 — 43 — 44 — TO ONE WHO PUBLISHED [964:1] IN PRINT — WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE — 45 — 46 — 47 — TO A VAIN YOUNG LADY — 48 — A HINT TO PREMIERS AND FIRST CONSULS — FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS — 49 — 50 — FOR A HOUSE-DOG'S COLLAR — 51 — 52 — EPITAPH ON A MERCENARY MISER — 53 — A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND — 54 — Μωροσοφία OR WISDOM IN FOLLY — 55 — 56 — FROM AN OLD GERMAN POET — 57 — ON THE CURIOUS CIRCUMSTANCE, — THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE — 58 — SPOTS IN THE SUN — 59 — 60 — TO MY CANDLE — THE FAREWELL EPIGRAM — 61 — EPITAPH — ON HIMSELF — 62 — THE TASTE OF THE TIMES — 63 — ON PITT AND FOX — 64 — 65 — COMPARATIVE BREVITY OF GREEK AND ENGLISH — 66 — EPIGRAM ON THE SECRECY OF A CERTAIN LADY — 67 — MOTTO — FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'— June 29, 1814. — ANOTHER VERSION — 68 — 69 — MODERN CRITICS — 70 — WRITTEN IN AN ALBUM — 71 — TO A LADY WHO REQUESTED ME TO WRITE A POEM UPON NOTHING — 72 — SENTIMENTAL — 73 — 74 — AUTHORS AND PUBLISHERS — 75 — THE ALTERNATIVE — 76 — 77 — INSCRIPTION FOR A TIME-PIECE — 78 — ON THE MOST VERACIOUS ANECDOTIST, AND SMALL-TALK MAN, THOMAS HILL, ESQ. [974:1] — 79 — 80 — EPITAPH OF THE PRESENT YEAR ON THE MONUMENT OF THOMAS FULLER — FOOTNOTES:
  343. 343.JEUX D'ESPRIT — 1 — MY GODMOTHER'S BEARD [976:1] — LINENOTES: — 2 — LINES TO THOMAS POOLE — 3 — TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR. — 4 — TO T. POOLE — AN INVITATION — 5 — SONG — TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE. — 6 — DRINKING versus THINKING — OR, A SONG AGAINST THE NEW PHILOSOPHY — 7 — THE WILLS OF THE WISP — A SAPPHIC — 8 — TO CAPTAIN FINDLAY — 9 — ON DONNE'S POEM 'TO A FLEA' — 10 — [EX LIBRIS S. T. C.] [981:1] — 11 — ΕΓΩΕΝΚΑΙΠΑΝ — 12 — THE BRIDGE STREET COMMITTEE — 13 — NONSENSE SAPPHICS [983:1] — 14 — TO SUSAN STEELE ON RECEIVING THE PURSE — EXTRUMPERY LINES — 15 — ASSOCIATION OF IDEAS [984:1] — 16 — VERSES TRIVOCULAR — 17 — CHOLERA CURED BEFORE-HAND — LINENOTES: — 18 — TO BABY BATES — 19 — TO A CHILD [987:1] — FOOTNOTES:
  344. 344.FRAGMENTS FROM A NOTEBOOK [988:1] — 1 — 2 — 3 — 4 — 5 — 6 — 7 — LINENOTES: — 8 — 9 — 10 — 11 — 12 — 13 — 14 — 15 — 16 — 17 — A DUNGEON — LINENOTES: — 18 — 19 — 20 — 21 — 22 — 23 — 24 — 25 — 26 — 27 — 28 — 29 — 30 — 31 — 32 — 33 — 34 — LINENOTES: — 35 — 36 — LINENOTES: — 37 — 38 — 39 — HYMNS—MOON — 40 — 41 — 42 — 43 — 44 — 45 — 46 — 47 — 48 — 49 — FOOTNOTES:
  345. 345.FRAGMENTS [996:1] — 1 — 2 — 3 — OVER MY COTTAGE — 4 — 5 — 6 — 7 — 8 — [THE NIGHT-MARE DEATH IN LIFE] — 9 — 10 — A BECK IN WINTER [998:1] — 11 — 12 — 13 — 14 — 15 — 16 — 17 — [NOT A CRITIC—BUT A JUDGE] — 18 — 19 — [DE PROFUNDIS CLAMAVI] — 20 — 21 — 22 — 23 — 24 — 25 — 26 — 27 — 28 — 29 — FRAGMENT OF AN ODE ON NAPOLEON — 30 — 31 — Another Version — 32 — 33 — EPIGRAM ON KEPLER — FROM THE GERMAN — LINENOTES: — 34 — 35 — 36 — 37 — 38 — 39 — 40 — [ARS POETICA] — 41 — TRANSLATION OF THE FIRST STROPHE OF PINDAR'S SECOND OLYMPIC — 42 — 43 — TRANSLATION OF A FRAGMENT OF HERACLITUS [1007:1] — 44 — 45 — IMITATED FROM ARISTOPHANES — 46 — 47 — TO EDWARD IRVING — 48 — [LUTHER—DE DÆMONIBUS] — 49 — THE NETHERLANDS — 50 — ELISA [1009:1] — TRANSLATED FROM CLAUDIAN — ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF — 51 — PROFUSE KINDNESS — 52 — 53 — NAPOLEON — 54 — 55 — 56 — 57 — 58 — 59 — 60 — THE THREE SORTS OF FRIENDS — 61 — 62 — BO-PEEP AND I SPY— — 63 — A SIMILE — 64 — BARON GUELPH OF ADELSTAN. A FRAGMENT — FOOTNOTES:
  346. 346.METRICAL EXPERIMENTS [1014:1] — 1 — AN EXPERIMENT FOR A METRE — 2 — TROCHAICS — 3 — THE PROPER UNMODIFIED DOCHMIUS — 4 — IAMBICS — 5 — NONSENSE — 6 — A PLAINTIVE MOVEMENT — [11´ 4` 11´ 4` | 10´ 6` 4´ 10`] — 7 — AN EXPERIMENT FOR A METRE — 8 — NONSENSE VERSES — [AN EXPERIMENT FOR A METRE] — 9 — NONSENSE — [AN EXPERIMENT FOR A METRE] — 10 — EXPERIMENTS IN METRE — 11 — 12 — 13 — A METRICAL ACCIDENT — NOTES BY PROFESSOR SAINTSBURY — FOOTNOTES:
  347. 347.APPENDIX I — FIRST DRAFTS, EARLY VERSIONS, ETC. — A — Effusion 35 — Effusion , p. 96. (1797.) — FOOTNOTES: — LINENOTES: — B — RECOLLECTION [1023:1] — FOOTNOTES: — C — THE DESTINY OF NATIONS — [ Draft I ] — [ Draft II ] — LINENOTES: — [ Draft III ] — D — Passages in Southey's Joan of Arc ( First Edition , 1796) contributed by S. T. Coleridge [1027:1] . — FOOTNOTES: — LINENOTES:
  348. 348.E — THE RIME OF THE ANCYENT MARINERE, [1030:1] IN SEVEN PARTS. — I. — II. — III. — IV. — V. — VI. — VII. — FOOTNOTES: — LINENOTES:
  349. 349.F — THE RAVEN
  350. 350.G — LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT [1049:1] — (1) — (2) — LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT — (3) — FOOTNOTES:
  351. 351.H — INTRODUCTION TO THE TALE OF THE DARK LADIE [1052:1] — 1 — 2 — 3 — 4 — 5 — 6 — 7 — 8 — 9 — 10 — 11 — 12 — 13 — 14 — 15 — 16 — 17 — 18 — 19 — 20 — 21 — 22 — 23 — 24 — 25 — 26 — 27 — 28 — 29 — 30 — 31 — 32 — 33 — FOOTNOTES: — LINENOTES:
  352. 352.THE TRIUMPH OF LOYALTY. [1060:1] — AN HISTORIC DRAMA — IN — FIVE ACTS. — FOOTNOTES:
  353. 353.DRAMATIS PERSONÆ.
  354. 354.THE TRIUMPH OF LOYALTY — ACT I — LINENOTES:
  355. 355.J — CHAMOUNY; THE HOUR BEFORE SUNRISE — A Hymn
  356. 356.K — DEJECTION: AN ODE [1076:1] — LINENOTES: — DEJECTION: — AN ODE, WRITTEN APRIL 4, 1802. — I — II — III — IV — VIII — IX — FOOTNOTES: — LINENOTES:
  357. 357.L — TO W. WORDSWORTH [1081:1] — FOOTNOTES: — LINENOTES:
  358. 358.M — YOUTH AND AGE — MS. I — Aria Spontanea — MS. II — 1 — 2
  359. 359.N — LOVE'S APPARITION AND EVANISHMENT [1087:1] — [FIRST DRAFT] — FOOTNOTES:
  360. 360.O — TWO VERSIONS OF THE EPITAPH [1088:1] — 1 — 2 — FOOTNOTES:
  361. 361.P — [ Habent sua Fata—Poetae ] [1089:2] — FOOTNOTES:
  362. 362.Q — TO JOHN THELWALL [1090:1] — FOOTNOTES:
  363. 363.R [1090:2] — FOOTNOTES:
  364. 364.ALLEGORIC VISION [1091:1] — FOOTNOTES: — LINENOTES:
  365. 365.APPENDIX III
  366. 366.APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER' [1097:1] — FOOTNOTES: — LINENOTES:
  367. 367.APPENDIX IV — PROSE VERSIONS OF POEMS, ETC.
  368. 368.A — QUESTIONS AND ANSWERS IN THE COURT OF LOVE
  369. 369.B — PROSE VERSION OF GLYCINE'S SONG IN ZAPOLYA — 1 — 2 — 3 — 4
  370. 370.C — FOOTNOTES:
  371. 371.D
  372. 372.E — DEDICATION [1113:1] — Ode on the Departing Year, 1796, pp. [3]-4. — To Thomas Poole, of Stowey. — FOOTNOTES:
  373. 373.F — Preface to the MS. of Osorio .
  374. 374.APPENDIX V — ADAPTATIONS
  375. 375.1 — FULKE GREVILLE. LORD BROOKE — Motto To 'A Lay Sermon' , 1817
  376. 376.2 — Sonnet XCIV [Coelica]
  377. 377.3 — Of Humane Learning — Stanza CLX
  378. 378.4 — SIR JOHN DAVIES — On the Immortality of the Soul
  379. 379.5 — DONNE — Eclogue. 'On Unworthy Wisdom'
  380. 380.6 — Letter To Sir Henry Goodyere
  381. 381.7 — BEN JONSON — A Nymph's Passion — Mutual Passion — Altered and Modernized From an Old Poet
  382. 382.8 — Underwoods — No. VI. The Hour-Glass. — The Hour-Glass
  383. 383.9 — The Poetaster. Act I, Scene 1.
  384. 384.10 — SAMUEL DANIEL — Epistle To Sir Thomas Egerton, Knight
  385. 385.11 — Musophilus — Stanza cxlvii.
  386. 386.12 — Stanzas xxvii, xxix, xxx.
  387. 387.13 — CHRISTOPHER HARVEY — The Synagogue — THE NATIVITY OR CHRISTMAS DAY.
  388. 388.14 — MARK AKENSIDE — Blank Verse Inscriptions — No. III.
  389. 389.15 — W. L. BOWLES
  390. 390.16 — NAPOLEON
  391. 391.APPENDIX VI — ORIGINALS OF TRANSLATIONS
  392. 392.A — MILESISCHES MÄHRCHEN
  393. 393.B — SCHILLER — Der Epische Hexameter — Das Distichon
  394. 394.C — STOLBERG — On A Cataract
  395. 395.D — STOLBERG — Bei Wilhelm Tells Geburtsstätte im Kanton Uri
  396. 396.E — SCHILLER — Dithyrambe
  397. 397.F — GOETHE
  398. 398.G — FRANÇOIS-ANTOINE-EUGÈNE DE PLANARD — ' Batelier, dit Lisette '
  399. 399.H — Des Knaben Wunderhorn
  400. 400.I — STOLBERG
  401. 401.J — LESSING — Die Namen.
  402. 402.K — STOLBERG — Hymne an die Erde.
  403. 403.L — FRIEDERIKE BRUN — Chamouny beym Sonnenaufgange
  404. 404.M — Alla sua Amica
  405. 405.N
  406. 406.O — THE MADMAN AND THE LETHARGIST
  407. 407.P — MADRIGALI DEL SIGNOR CAVALIER GUARINI — DIALOGO
  408. 408.Q — STOLBERG
  409. 409.BIBLIOGRAPHY — OF THE — POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE — 1794-1834 — I — II — PREFACE — Notes attached to a first draft of the Preface to the First Edition [ MS. R ] — To Earl Stanhope — CONTENTS — III — [ A Sheet Of Sonnets. ] — [INTRODUCTION] — [SONNETS] — IV — V — CONTENTS — PREFACE TO THE FIRST EDITION — PREFACE TO THE SECOND EDITION — INTRODUCTION TO THE SONNETS — ADVERTISEMENT — VI — VII — VIII — IX — X — XI — XII — XIII — XIV — PREFACE — CONTENTS — XV — קינת ישרון — XVI — XVII — XVIII — XIX — XX — PREFACE — CONTENTS — XXI — PREFACE — XXII — XXIII — XXIV — XXV — XXVI — CONTENTS — XXVII — XXVIII — XXIX — XXX — XXXI — XXXII — XXXIII — XXXIV — ADVERTISEMENT — PREFACE TO THE PRESENT EDITION [1852] — XXXV — CONTENTS — XXXVI — XXXVII — XXXVIII — XXXIX — ADVERTISEMENT — APPENDIX — XL — XLI — XLII — XLIII — XLIV — XLV — XLVI — XLVII — XLVIII — XLIX — L — LI — LII — LIII — LIV — FOOTNOTES:
  410. 410.BIBLIOGRAPHICAL APPENDIX — No. I — POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS — No. II — EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS — No. III — POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS — No. IV
  411. 411.INDEX OF FIRST LINES
  412. 412.TRANSCRIBER'S NOTES:

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