The Complete Poetical Works of Percy Bysshe Shelley — Complete

About this eBook

Author

Shelley, Percy Bysshe, 1792-1822

Credits

Produced by Sue Asscher

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

English poetry

Category

Text

eBook-No.

4800

Project Gutenberg

https://www.gutenberg.org/ebooks/4800

Release Date

December 1, 2003

Copyright

Public domain in the USA.

Contents

1. 1.POETICAL WORKS — OXFORD EDITION. — PREFACE. — PREFACE BY MRS. SHELLEY — POSTSCRIPT IN SECOND EDITION OF 1839. — PREFACE BY MRS. SHELLEY. — THE DAEMON OF THE WORLD. — ALASTOR: OR, THE SPIRIT OF SOLITUDE. — ALASTOR: OR, THE SPIRIT OF SOLITUDE. — NOTE ON ALASTOR, BY MRS. SHELLEY. — THE REVOLT OF ISLAM. — DEDICATION. — CANTO 1. — CANTO 2. — CANTO 3. — CANTO 4. — CANTO 5. — CANTO 6. — CANTO 7. — CANTO 8. — CANTO 9. — CANTO 10. — CANTO 11. — CANTO 12. — NOTE ON THE “REVOLT OF ISLAM”, BY MRS. SHELLEY. — PRINCE ATHANASE. — PART 2. — FRAGMENT 2. — FRAGMENT 3. — FRAGMENT 4. — FRAGMENT 5. — FRAGMENT 6. — ANOTHER FRAGMENT (A) — ANOTHER FRAGMENT (B) — ROSALIND AND HELEN. — ROSALIND, HELEN, AND HER CHILD. — NOTE BY MRS. SHELLEY. — JULIAN AND MADDALO. — CANCELLED FRAGMENTS OF JULIAN AND MADDALO. — NOTE BY MRS. SHELLEY. — PROMETHEUS UNBOUND. — PREFACE. — DRAMATIS PERSONAE. — ACT 1. — ACT 2. — ACT 3. — ACT 4. — CANCELLED FRAGMENTS OF “PROMETHEUS UNBOUND”. — NOTE ON “PROMETHEUS UNBOUND”, BY MRS. SHELLEY. — THE CENCI. — DEDICATION, TO LEIGH HUNT, ESQ. — THE CENCI. — THE CENCI: A TRAGEDY IN FIVE ACTS. — DRAMATIS PERSONAE: — ACT 1. — ACT 2. — ACT 3. — ACT 4. — ACT 5. — NOTE ON THE CENCI, BY MRS. SHELLEY. — THE MASK OF ANARCHY. — NOTE ON THE MASK OF ANARCHY, BY MRS. SHELLEY. — PETER BELL THE THIRD. — PROLOGUE. — PART 1. — PART 2. — PART 3. — PART 4. — PART 5. — PART 6. — PART 7. — NOTE ON PETER BELL THE THIRD, BY MRS. SHELLEY. — LETTER TO MARIA GISBORNE. — THE WITCH OF ATLAS. — TO MARY (ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST). — THE WITCH OF ATLAS. — NOTE ON THE WITCH OF ATLAS, BY MRS. SHELLEY. — OEDIPUS TYRANNUS — ACT 2. — NOTE ON OEDIPUS TYRANNUS, BY MRS. SHELLEY. — EPIPSYCHIDION. — EPIPSYCHIDION. — FRAGMENTS CONNECTED WITH EPIPSYCHIDION. — THREE EARLY DRAFTS OF THE PREFACE. — PREFACE 2. — PREFACE 3. — PASSAGES OF THE POEM, OR CONNECTED THEREWITH. — ADONAIS. — ADONAIS. — CANCELLED PASSAGES OF ADONAIS. — PASSAGES OF THE POEM. — HELLAS — TO HIS EXCELLENCY — PREFACE. — PROLOGUE TO HELLAS. — HELLAS. — NOTES. — FRAGMENTS OF AN UNFINISHED DRAMA. — SCENE.—BEFORE THE CAVERN OF THE INDIAN ENCHANTRESS. — CHARLES THE FIRST. — SCENE 2: A CHAMBER IN WHITEHALL. ENTER THE KING, QUEEN, LAUD, LORD STRAFFORD, LORD COTTINGTON, AND OTHER LORDS; ARCHY; ALSO ST. JOHN, WITH SOME GENTLEMEN OF THE INNS OF COURT. — SCENE 3: THE STAR CHAMBER. LAUD, JUXON, STRAFFORD, AND OTHERS, AS JUDGES. PRYNNE AS A PRISONER, AND THEN BASTWICK. — SCENE 4: HAMPDEN, PYM, CROMWELL, HIS DAUGHTER, AND YOUNG SIR HARRY VANE. — SCENE 5: — THE TRIUMPH OF LIFE. — CANCELLED OPENING OF THE TRIUMPH OF LIFE. — THE COMPLETE — CONTENTS. — EARLY POEMS [1814, 1815]: — EARLY POEMS [1814, 1815]. — STANZA, WRITTEN AT BRACKNELL. — STANZAS.—APRIL, 1814. — TO HARRIET. — TO MARY WOLLSTONECRAFT GODWIN. — MUTABILITY. — ON DEATH. — A SUMMER EVENING CHURCHYARD. — TO —. — TO WORDSWORTH. — FEELINGS OF A REPUBLICAN ON THE FALL OF BONAPARTE. — LINES. — NOTE ON THE EARLY POEMS, BY MRS. SHELLEY. — POEMS WRITTEN IN 1816. — THE SUNSET. — HYMN TO INTELLECTUAL BEAUTY. — MONT BLANC. — CANCELLED PASSAGE OF MONT BLANC. — FRAGMENT: HOME. — FRAGMENT OF A GHOST STORY. — NOTE ON POEMS OF 1816, BY MRS. SHELLEY. — POEMS WRITTEN IN 1817. — MARIANNE’S DREAM. — TO CONSTANTIA, SINGING. — STANZAS 1 AND 2. — FRAGMENT: TO ONE SINGING. — A FRAGMENT: TO MUSIC. — ANOTHER FRAGMENT: TO MUSIC. — ‘MIGHTY EAGLE’. — TO THE LORD CHANCELLOR. — TO WILLIAM SHELLEY. — FROM THE ORIGINAL DRAFT OF THE POEM TO WILLIAM SHELLEY. — ON FANNY GODWIN. — LINES. — DEATH. — OTHO. — FRAGMENTS SUPPOSED TO BE PARTS OF OTHO. — ‘O THAT A CHARIOT OF CLOUD WERE MINE’. — FRAGMENT: TO A FRIEND RELEASED FROM PRISON. — FRAGMENT: SATAN BROKEN LOOSE. — FRAGMENT: “IGNICULUS DESIDERII”. — FRAGMENT: “AMOR AETERNUS”. — FRAGMENT: THOUGHTS COME AND GO IN SOLITUDE. — A HATE-SONG. — LINES TO A CRITIC. — OZYMANDIAS. — NOTE ON POEMS OF 1817, BY MRS. SHELLEY. — POEMS WRITTEN IN 1818. — TO THE NILE. — PASSAGE OF THE APENNINES. — THE PAST. — TO MARY —. — ON A FADED VIOLET. — LINES WRITTEN AMONG THE EUGANEAN HILLS. — SCENE FROM ‘TASSO’. — SONG FOR ‘TASSO’. — INVOCATION TO MISERY. — STANZAS WRITTEN IN DEJECTION, NEAR NAPLES. — THE WOODMAN AND THE NIGHTINGALE. — SONNET. — FRAGMENT: TO BYRON. — FRAGMENT: APOSTROPHE TO SILENCE. — FRAGMENT: THE LAKE’S MARGIN. — FRAGMENT: ‘MY HEAD IS WILD WITH WEEPING’. — FRAGMENT: THE VINE-SHROUD. — NOTE ON POEMS OF 1818, BY MRS. SHELLEY. — POEMS WRITTEN IN 1819. — LINES WRITTEN DURING THE CASTLEREAGH ADMINISTRATION. — SONG TO THE MEN OF ENGLAND. — SIMILES FOR TWO POLITICAL CHARACTERS OF 1819. — FRAGMENT: TO THE PEOPLE OF ENGLAND. — A NEW NATIONAL ANTHEM. — SONNET: ENGLAND IN 1819. — AN ODE, WRITTEN OCTOBER, 1819, BEFORE THE SPANIARDS HAD RECOVERED THEIR LIBERTY. — CANCELLED STANZA. — ODE TO HEAVEN. — CANCELLED FRAGMENTS OF THE ODE TO HEAVEN. — ODE TO THE WEST WIND. — AN EXHORTATION. — THE INDIAN SERENADE. — CANCELLED PASSAGE. — TO SOPHIA [MISS STACEY]. — TO WILLIAM SHELLEY. — TO WILLIAM SHELLEY. — TO MARY SHELLEY. — TO MARY SHELLEY. — ON THE MEDUSA OF LEONARDO DA VINCI IN THE FLORENTINE GALLERY. — LOVE’S PHILOSOPHY. — FRAGMENT: ‘FOLLOW TO THE DEEP WOOD’S WEEDS’. — THE BIRTH OF PLEASURE. — FRAGMENT: LOVE THE UNIVERSE TO-DAY. — FRAGMENT: ‘A GENTLE STORY OF TWO LOVERS YOUNG’. — FRAGMENT: LOVE’S TENDER ATMOSPHERE. — FRAGMENT: WEDDED SOULS. — FRAGMENT: ‘IS IT THAT IN SOME BRIGHTER SPHERE’. — FRAGMENT: SUFFICIENT UNTO THE DAY. — FRAGMENT: ‘YE GENTLE VISITATIONS OF CALM THOUGHT’. — FRAGMENT: MUSIC AND SWEET POETRY. — FRAGMENT: THE SEPULCHRE OF MEMORY. — FRAGMENT: ‘WHEN A LOVER CLASPS HIS FAIREST’. — FRAGMENT: ‘WAKE THE SERPENT NOT’. — FRAGMENT: RAIN. — FRAGMENT: A TALE UNTOLD. — FRAGMENT: TO ITALY. — FRAGMENT: WINE OF THE FAIRIES. — FRAGMENT: A ROMAN’S CHAMBER. — FRAGMENT: ROME AND NATURE. — VARIATION OF THE SONG OF THE MOON. — CANCELLED STANZA OF THE MASK OF ANARCHY. — NOTE ON POEMS OF 1819, BY MRS. SHELLEY. — POEMS WRITTEN IN 1820. — THE SENSITIVE PLANT. — PART 2. — CANCELLED PASSAGE. — A VISION OF THE SEA. — THE CLOUD. — TO A SKYLARK. — ODE TO LIBERTY. — CANCELLED PASSAGE OF THE ODE TO LIBERTY. — TO —. — ARETHUSA. — SONG OF PROSERPINE WHILE GATHERING FLOWERS ON THE PLAIN OF ENNA. — HYMN OF APOLLO. — HYMN OF PAN. — THE QUESTION. — THE TWO SPIRITS: AN ALLEGORY. — ODE TO NAPLES. — AUTUMN: A DIRGE. — THE WANING MOON. — TO THE MOON. — DEATH. — LIBERTY. — SUMMER AND WINTER. — THE TOWER OF FAMINE. — AN ALLEGORY. — THE WORLD’S WANDERERS. — SONNET. — LINES TO A REVIEWER. — FRAGMENT OF A SATIRE ON SATIRE. — GOOD-NIGHT. — BUONA NOTTE. — ORPHEUS. — FIORDISPINA. — TIME LONG PAST. — FRAGMENT: THE DESERTS OF DIM SLEEP. — FRAGMENT: ‘THE VIEWLESS AND INVISIBLE CONSEQUENCE’. — FRAGMENT: A SERPENT-FACE. — FRAGMENT: DEATH IN LIFE. — FRAGMENT: ‘SUCH HOPE, AS IS THE SICK DESPAIR OF GOOD’. — FRAGMENT: ‘ALAS! THIS IS NOT WHAT I THOUGHT LIFE WAS’. — FRAGMENT: MILTON’S SPIRIT. — FRAGMENT: ‘UNRISEN SPLENDOUR OF THE BRIGHTEST SUN’. — FRAGMENT: PATER OMNIPOTENS. — FRAGMENT: TO THE MIND OF MAN. — NOTE ON POEMS OF 1820, BY MRS. SHELLEY. — POEMS WRITTEN IN 1821. — DIRGE FOR THE YEAR. — TO NIGHT. — TIME. — LINES. — FROM THE ARABIC: AN IMITATION. — TO EMILIA VIVIANI. — THE FUGITIVES. — TO —. — SONG. — MUTABILITY. — LINES WRITTEN ON HEARING THE NEWS OF THE DEATH OF NAPOLEON. — SONNET: POLITICAL GREATNESS. — THE AZIOLA. — A LAMENT. — REMEMBRANCE. — TO EDWARD WILLIAMS. — TO —. — TO —. — A BRIDAL SONG. — EPITHALAMIUM. — ANOTHER VERSION OF THE SAME. — LOVE, HOPE, DESIRE, AND FEAR. — FRAGMENTS WRITTEN FOR HELLAS. — FRAGMENT: ‘I WOULD NOT BE A KING’. — GINEVRA. — EVENING: PONTE AL MARE, PISA — THE BOAT ON THE SERCHIO. — MUSIC. — SONNET TO BYRON. — FRAGMENT: ‘METHOUGHT I WAS A BILLOW IN THE CROWD’. — TO-MORROW. — STANZA. — FRAGMENT: A WANDERER. — FRAGMENT: LIFE ROUNDED WITH SLEEP. — FRAGMENT: ‘I FAINT, I PERISH WITH MY LOVE!‘. — FRAGMENT: THE LADY OF THE SOUTH. — FRAGMENT: ZEPHYRUS THE AWAKENER. — FRAGMENT: RAIN. — FRAGMENT: ‘WHEN SOFT WINDS AND SUNNY SKIES’. — FRAGMENT: ‘AND THAT I WALK THUS PROUDLY CROWNED’. — FRAGMENT: ‘THE RUDE WIND IS SINGING’. — FRAGMENT: ‘GREAT SPIRIT’. — FRAGMENT: ‘O THOU IMMORTAL DEITY’. — FRAGMENT: THE FALSE LAUREL AND THE TRUE. — FRAGMENT: MAY THE LIMNER. — FRAGMENT: BEAUTY’S HALO. — FRAGMENT: ‘THE DEATH KNELL IS RINGING’. — FRAGMENT: ‘I STOOD UPON A HEAVEN-CLEAVING TURRET’. — NOTE ON POEMS OF 1821, BY MRS. SHELLEY. — POEMS WRITTEN IN 1822. — THE ZUCCA. — THE MAGNETIC LADY TO HER PATIENT. — LINES: ‘WHEN THE LAMP IS SHATTERED’. — TO JANE: THE INVITATION. — TO JANE: THE RECOLLECTION. — THE PINE FOREST OF THE CASCINE NEAR PISA. — WITH A GUITAR, TO JANE. — TO JANE: ‘THE KEEN STARS WERE TWINKLING’. — A DIRGE. — LINES WRITTEN IN THE BAY OF LERICI. — LINES: ‘WE MEET NOT AS WE PARTED’. — THE ISLE. — FRAGMENT: TO THE MOON. — EPITAPH. — NOTE ON POEMS OF 1822, BY MRS. SHELLEY. — THE COMPLETE — CONTENTS. — TRANSLATIONS. — EDITOR’S NOTES. — BIBLIOGRAPHICAL LIST OF EDITIONS. — INDEX OF FIRST LINES. — TRANSLATIONS. — HYMN TO MERCURY. — HOMER’S HYMN TO CASTOR AND POLLUX. — HOMER’S HYMN TO THE MOON. — HOMER’S HYMN TO THE SUN. — HOMER’S HYMN TO THE EARTH: MOTHER OF ALL. — HOMER’S HYMN TO MINERVA. — HOMER’S HYMN TO VENUS. — THE CYCLOPS. — EPIGRAMS. — 1.—TO STELLA. — 2.—KISSING HELENA. — 3.—SPIRIT OF PLATO. — 4.—CIRCUMSTANCE. — FRAGMENT OF THE ELEGY ON THE DEATH OF ADONIS. — FRAGMENT OF THE ELEGY ON THE DEATH OF BION. — FROM THE GREEK OF MOSCHUS. — PAN, ECHO, AND THE SATYR. — FROM VERGIL’S TENTH ECLOGUE. — THE SAME. — FROM VERGIL’S FOURTH GEORGIC. — SONNET. — THE FIRST CANZONE OF THE CONVITO. — MATILDA GATHERING FLOWERS. — FRAGMENT. — UGOLINO. — SONNET. — SCENES FROM THE MAGICO PRODIGIOSO. — SCENE 2. — SCENE 3. — STANZAS FROM CALDERON’S CISMA DE INGLATERRA. — SCENES FROM THE FAUST OF GOETHE. — SCENE 2.—MAY-DAY NIGHT. — JUVENILIA. — QUEEN MAB. — TO HARRIET *****. — QUEEN MAB. — NOTES ON QUEEN MAB. — SHELLEY’S NOTES. — NOTE ON QUEEN MAB, BY MRS. SHELLEY. — FRAGMENT: OMENS. — EPITAPHIUM. — IN HOROLOGIUM. — A DIALOGUE. — TO THE MOONBEAM. — THE SOLITARY. — TO DEATH. — LOVE’S ROSE. — EYES: A FRAGMENT. — ORIGINAL POETRY BY VICTOR AND CAZIRE. — 3. SONG. — 4. SONG. — 5. SONG. — 6. SONG. — 7. SONG. — 8. SONG. — 9. SONG. — 10. THE IRISHMAN’S SONG. — 11. SONG. — 12. SONG. — 13. SONG. — 14. SAINT EDMOND’S EVE. — 15. REVENGE. — 16. GHASTA OR, THE AVENGING DEMON!!! — 17. FRAGMENT, OR THE TRIUMPH OF CONSCIENCE. — POEMS FROM ST. IRVYNE, OR, THE ROSICRUCIAN. — 1.—VICTORIA. — 2.—ON THE DARK HEIGHT OF JURA. — 3.—SISTER ROSA: A BALLAD. — 4.—ST. IRVYNE’S TOWER. — 5.—BEREAVEMENT. — 6.—THE DROWNED LOVER. — POSTHUMOUS FRAGMENTS OF MARGARET MCHOLSON. — WAR. — FRAGMENT: SUPPOSED TO BE AN EPITHALAMIUM OF FRANCIS RAVAILLAC AND CHARLOTTE CORDAY. — DESPAIR. — FRAGMENT. — THE SPECTRAL HORSEMAN. — MELODY TO A SCENE OF FORMER TIMES. — STANZA FROM A TRANSLATION OF THE MARSEILLAISE HYMN. — BIGOTRY’S VICTIM. — ON AN ICICLE THAT CLUNG TO THE GRASS OF A GRAVE. — LOVE. — ON A FETE AT CARLTON HOUSE: FRAGMENT. — TO A STAR. — TO MARY WHO DIED IN THIS OPINION. — A TALE OF SOCIETY AS IT IS: FROM FACTS, 1811. — TO THE REPUBLICANS OF NORTH AMERICA. — TO IRELAND. — ON ROBERT EMMET’S GRAVE. — THE RETROSPECT: CWM ELAN, 1812. — FRAGMENT OF A SONNET. — TO HARRIET. — SONNET. — SONNET. — THE DEVIL’S WALK. — FRAGMENT OF A SONNET. — ON LEAVING LONDON FOR WALES. — THE WANDERING JEW’S SOLILOQUY. — EVENING. — TO IANTHE. — SONG FROM THE WANDERING JEW. — FRAGMENT FROM THE WANDERING JEW. — TO THE QUEEN OF MY HEART. — NOTES ON THE TEXT AND ITS PUNCTUATION. — PROMETHEUS UNBOUND. — THE MASK OF ANARCHY. — A LIST OF THE PRINCIPAL EDITIONS OF SHELLEY’S POETICAL WORKS, — INDEX OF FIRST LINES.

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