The Complete Poetical Works of Henry Wadsworth Longfellow

About this eBook

Author

Longfellow, Henry Wadsworth, 1807-1882

Credits

Don Lainson and David Widger

Language

English

LoC Class

PS: Language and Literatures: American and Canadian literature

Subject

American poetry

Category

Text

eBook-No.

1365

Project Gutenberg

https://www.gutenberg.org/ebooks/1365

Release Date

June 1, 1998

Copyright

Public domain in the USA.

Contents

1. 1.THE COMPLETE POETICAL WORKS OF HENRY WADSWORTH LONGFELLOW
2. 2.Contents
3. 3.VOICES OF THE NIGHT — PRELUDE — HYMN TO THE NIGHT — A PSALM OF LIFE. — THE REAPER AND THE FLOWERS. — THE LIGHT OF STARS. — FOOTSTEPS OF ANGELS. — FLOWERS. — THE BELEAGUERED CITY. — MIDNIGHT MASS FOR THE DYING YEAR
4. 4.EARLIER POEMS — AN APRIL DAY — AUTUMN — WOODS IN WINTER. — HYMN OF THE MORAVIAN NUNS OF BETHLEHEM — SUNRISE ON THE HILLS — THE SPIRIT OF POETRY — BURIAL OF THE MINNISINK — L' ENVOI
5. 5.BALLADS AND OTHER POEMS — THE SKELETON IN ARMOR — THE WRECK OF THE HESPERUS — THE VILLAGE BLACKSMITH — ENDYMION — IT IS NOT ALWAYS MAY — THE RAINY DAY — GOD'S-ACRE. — TO THE RIVER CHARLES. — BLIND BARTIMEUS — THE GOBLET OF LIFE — MAIDENHOOD — EXCELSIOR
6. 6.POEMS ON SLAVERY. — TO WILLIAM E. CHANNING — THE SLAVE'S DREAM — THE GOOD PART THAT SHALL NOT BE TAKEN AWAY — THE SLAVE IN THE DISMAL SWAMP — THE SLAVE SINGING AT MIDNIGHT — THE WITNESSES — THE QUADROON GIRL — THE WARNING
7. 7.THE SPANISH STUDENT — DRAMATIS PERSONAE — ACT I. — SERENADE. — ACT II. — SCENE I. — PRECIOSA'S chamber. Morning. PRECIOSA and ANGELICA. — SCENE III. — The Prado. A long avenue of trees leading to the — SCENE IV. — PRECIOSA'S chamber. She is sitting, with a book in — SCENE V. — The COUNT OF LARA'S rooms. Enter the COUNT. — SCENE VIII. — The Theatre. The orchestra plays the cachucha. — SONG. — SCENE XI. — PRECIOSA'S bedchamber. Midnight. She is sleeping in — ACT III. — SONG. — SCENE VI. — A pass in the Guadarrama mountains. Early morning. — SONG. — SONG.
8. 8.THE BELFRY OF BRUGES AND OTHER POEMS — CARILLON — THE BELFRY OF BRUGES — A GLEAM OF SUNSHINE — THE ARSENAL AT SPRINGFIELD — NUREMBERG — THE NORMAN BARON — RAIN IN SUMMER — TO A CHILD — THE OCCULTATION OF ORION — THE BRIDGE — TO THE DRIVING CLOUD — SONGS — THE DAY IS DONE — AFTERNOON IN FEBRUARY — TO AN OLD DANISH SONG-BOOK — WALTER VON DER VOGELWEID — DRINKING SONG — THE OLD CLOCK ON THE STAIRS — THE ARROW AND THE SONG — SONNETS — MEZZO CAMMIN — THE EVENING STAR — AUTUMN — DANTE — CURFEW — I. — II.
9. 9.EVANGELINE — A TALE OF ACADIE — PART THE FIRST — I — II — III — IV — V — PART THE SECOND — I — II — III — IV — V
10. 10.THE SEASIDE AND THE FIRESIDE — DEDICATION — BY THE SEASIDE — THE BUILDING OF THE SHIP — SEAWEED — CHRYSAOR — THE SECRET OF THE SEA — TWILIGHT — SIR HUMPHREY GILBERT — THE LIGHTHOUSE — THE FIRE OF DRIFT-WOOD
11. 11.BY THE FIRESIDE — RESIGNATION — THE BUILDERS — SAND OF THE DESERT IN AN HOUR-GLASS — THE OPEN WINDOW — KING WITLAF'S DRINKING-HORN — GASPAR BECERRA — PEGASUS IN POUND — TEGNÉR'S DRAPA — SONNET ON MRS. KEMBLE'S READINGS FROM SHAKESPEARE — THE SINGERS — SUSPIRIA — HYMN FOR MY BROTHER'S ORDINATION
12. 12.THE SONG OF HIAWATHA — INTRODUCTION — I THE PEACE-PIPE — II The Four Winds — III HIAWATHA'S CHILDHOOD — IV HIAWATHA AND MUDJEKEEWIS — V HIAWATHA'S FASTING — VI HIAWATHA'S FRIENDS — VII HIAWATHA'S SAILING — VIII HIAWATHA'S FISHING — IX HIAWATHA AND THE PEARL-FEATHER — X HIAWATHA'S WOOING — XI HIAWATHA'S WEDDING-FEAST — XII THE SON OF THE EVENING STAR — XIII BLESSING THE CORNFIELDS — XIV PICTURE-WRITING — XV HIAWATHA'S LAMENTATION — XVI PAU-PUK-KEEWIS — XVII THE HUNTING OF PAU-PUK-KEEWIS — XVIII THE DEATH OF KWASIND — XIX THE GHOSTS — XX THE FAMINE — XXI THE WHITE MAN'S FOOT — XXII HIAWATHA'S DEPARTURE — NOTES THE SONG OF HIAWATHA. — VOCABULARY
13. 13.THE COURTSHIP OF MILES STANDISH — I MILES STANDISH — II LOVE AND FRIENDSHIP — III THE LOVER'S ERRAND — IV JOHN ALDEN — V THE SAILING OF THE MAYFLOWER — VI PRISCILLA — VII THE MARCH OF MILES STANDISH — VIII THE SPINNING-WHEEL — IX THE WEDDING-DAY
14. 14.BIRDS OF PASSAGE. — FLIGHT THE FIRST — BIRDS OF PASSAGE — PROMETHEUS OR THE POET'S FORETHOUGHT — EPIMETHEUS OR THE POET'S AFTERTHOUGHT — THE LADDER OF ST. AUGUSTINE — THE PHANTOM SHIP — THE WARDEN OF THE CINQUE PORTS — HAUNTED HOUSES — IN THE CHURCHYARD AT CAMBRIDGE — THE EMPEROR'S BIRD'S-NEST — THE TWO ANGELS — DAYLIGHT AND MOONLIGHT — THE JEWISH CEMETERY AT NEWPORT — OLIVER BASSELIN — VICTOR GALBRAITH — MY LOST YOUTH — THE ROPEWALK — THE GOLDEN MILE-STONE — CATAWBA WINE — SANTA FILOMENA — THE DISCOVERER OF THE NORTH CAPE — DAYBREAK — THE FIFTIETH BIRTHDAY OF AGASSIZ — CHILDREN — SANDALPHON — FLIGHT THE SECOND — THE CHILDREN'S HOUR — ENCELADUS — THE CUMBERLAND — SNOW-FLAKES — A DAY OF SUNSHINE — SOMETHING LEFT UNDONE — WEARINESS
15. 15.TALES OF A WAYSIDE INN — PART FIRST — PRELUDE — THE WAYSIDE INN — THE LANDLORD’S TALE. PAUL REVERE’S RIDE. — INTERLUDE. — THE STUDENT’S TALE THE FALCON OF SER FEDERIGO — INTERLUDE — THE SPANISH JEW’S TALE THE LEGEND OF RABBI BEN LEVI — INTERLUDE — THE SICILIAN’S TALE KING ROBERT OF SICILY — INTERLUDE — THE MUSICIAN’S TALE THE SAGA OF KING OLAF — I THE CHALLENGE OF THOR — II KING OLAF’S RETURN — III THORA OF RIMOL — IV QUEEN SIGRID THE HAUGHTY — V THE SKERRY OF SHRIEKS — VI THE WRAITH OF ODIN — VII IRON-BEARD — VIII GUDRUN — IX THANGBRAND THE PRIEST — X RAUD THE STRONG — XI BISHOP SIGURD AT SALTEN FIORD — XII KING OLAF'S CHRISTMAS — XIII THE BUILDING OF THE LONG SERPENT — XIV THE CREW OF THE LONG SERPENT — XV A LITTLE BIRD IN THE AIR — XVI QUEEN THYRI AND THE ANGELICA STALKS — XVII KING SVEND OF THE FORKED BEAR — XVIII KING OLAF AND EARL SIGVALD — XIX KING OLAF'S WAR-HORNS — XX EINAR TAMBERSKELVER — XXI KING OLAF'S DEATH-DRINK — XXII THE NUN OF NIDAROS — INTERLUDE — THE THEOLOGIAN'S TALE TORQUEMADA — INTERLUDE — THE POET'S TALE THE BIRDS OF KILLINGWORTH — FINALE — PART SECOND — PRELUDE — THE SICILIAN'S TALE THE BELL OF ATRI — INTERLUDE — THE SPANISH JEW'S TALE KAMBALU — INTERLUDE — THE STUDENT'S TALE THE COBBLER OF HAGENAU — INTERLUDE — THE MUSICIAN'S TALE THE BALLAD OF CARMILHAN — I — II — III — IV — INTERLUDE — THE POET'S TALE LADY WENTWORTH. — INTERLUDE. — THE THEOLOGIAN'S TALE THE LEGEND BEAUTIFUL — INTERLUDE. — THE STUDENT'S SECOND TALE THE BARON OF ST. CASTINE — FINALE — PART THIRD — PRELUDE — THE SPANISH JEW'S TALE AZRAEL — INTERLUDE. — THE POET'S TALE CHARLEMAGNE — INTERLUDE — THE STUDENT'S TALE EMMA AND EGINHARD — INTERLUDE — THE THEOLOGIAN'S TALE ELIZABETH — I — II — III — IV — INTERLUDE — THE SICILIAN'S TALE THE MONK OF CASAL-MAGGIORE — INTERLUDE — THE SPANISH JEW'S SECOND TALE SCANDERBEG — INTERLUDE — THE MUSICIAN'S TALE THE MOTHER'S GHOST — INTERLUDE — THE LANDLORD'S TALE THE RHYME OF SIR CHRISTOPHER — FINALE
16. 16.FLOWER-DE-LUCE — FLOWER-DE-LUCE — PALINGENESIS — THE BRIDGE OF CLOUD — HAWTHORNE — CHRISTMAS BELLS — THE WIND OVER THE CHIMNEY — THE BELLS OF LYNN — KILLED AT THE FORD. — GIOTTO'S TOWER — TO-MORROW — DIVINA COMMEDIA — I — II — III — IV — V — VI — NOËL.
17. 17.BIRDS OF PASSAGE — FLIGHT THE THIRD — FATA MORGANA — THE HAUNTED CHAMBER — THE MEETING — VOX POPULI — THE CASTLE-BUILDER — CHANGED — THE CHALLENGE — THE BROOK AND THE WAVE — AFTERMATH
18. 18.THE MASQUE OF PANDORA — I THE WORKSHOP OF HEPHÆSTUS — CHORUS OF THE GRACES — II OLYMPUS. — III TOWER OF PROMETHEUS ON MOUNT CAUCASUS — CHORUS OF THE FATES — IV THE AIR — V THE HOUSE OF EPIMETHEUS — VI IN THE GARDEN — VII THE HOUSE OF EPIMETHEUS — VIII IN THE GARDEN
19. 19.THE HANGING OF THE CRANE — I — II — III — IV — V — VI — VII
20. 20.MORITURI SALUTAMUS
21. 21.A BOOK OF SONNETS — THREE FRIENDS OF MINE — I — II — III — IV — V — CHAUCER — SHAKESPEARE — MILTON — KEATS — THE GALAXY — THE SOUND OF THE SEA — A SUMMER DAY BY THE SEA — THE TIDES — A SHADOW — A NAMELESS GRAVE — SLEEP — THE OLD BRIDGE AT FLORENCE — IL PONTE VECCHIO DI FIRENZE — NATURE — IN THE CHURCHYARD AT TARRYTOWN — ELIOT'S OAK — THE DESCENT OF THE MUSES — VENICE — THE POETS — PARKER CLEAVELAND — THE HARVEST MOON — TO THE RIVER RHONE — THE THREE SILENCES OF MOLINOS — THE TWO RIVERS — I — II — III — IV — BOSTON — ST. JOHN'S, CAMBRIDGE — MOODS — WOODSTOCK PARK — THE FOUR PRINCESSES AT WILNA — HOLIDAYS — WAPENTAKE — THE BROKEN OAR — THE CROSS OF SNOW
22. 22.BIRDS OF PASSAGE — FLIGHT THE FOURTH — CHARLES SUMNER — TRAVELS BY THE FIRESIDE — CADENABBIA — MONTE CASSINO — AMALFI — THE SERMON OF ST. FRANCIS — BELISARIUS — SONGO RIVER
23. 23.KERAMOS
24. 24.BIRDS OF PASSAGE — FLIGHT THE FIFTH — THE HERONS OF ELMWOOD — A DUTCH PICTURE — CASTLES IN SPAIN — VITTORIA COLONNA. — THE REVENGE OF RAIN-IN-THE-FACE — TO THE RIVER YVETTE — THE EMPEROR'S GLOVE — A BALLAD OF THE FRENCH FLEET — THE LEAP OF ROUSHAN BEG — HAROUN AL RASCHID — KING TRISANKU — A WRAITH IN THE MIST — THE THREE KINGS — SONG — THE WHITE CZAR — DELIA
25. 25.ULTIMA THULE — DEDICATION — POEMS — BAYARD TAYLOR — THE CHAMBER OVER THE GATE — FROM MY ARM-CHAIR — JUGURTHA — THE IRON PEN — ROBERT BURNS — HELEN OF TYRE — ELEGIAC — OLD ST. DAVID'S AT RADNOR — FOLK SONGS — THE SIFTING OF PETER — MAIDEN AND WEATHERCOCK — THE WINDMILL — THE TIDE RISES, THE TIDE FALLS — SONNETS — MY CATHEDRAL — THE BURIAL OF THE POET — NIGHT — L'ENVOI THE POET AND HIS SONGS
26. 26.IN THE HARBOR — BECALMED — THE POET'S CALENDAR — JANUARY — FEBRUARY — MARCH — APRIL — MAY — JUNE — JULY — AUGUST — SEPTEMBER — OCTOBER — NOVEMBER — DECEMBER — AUTUMN WITHIN — THE FOUR LAKES OF MADISON — VICTOR AND VANQUISHED — MOONLIGHT — THE CHILDREN'S CRUSADE — I — II — III — SUNDOWN — CHIMES — FOUR BY THE CLOCK. — AUF WIEDERSEHEN. — ELEGIAC VERSE — I — II — III — IV — V — VI — VII — VIII — IX — X — XI — XII — XIII — XIV — THE CITY AND THE SEA — MEMORIES — HERMES TRISMEGISTUS — TO THE AVON — PRESIDENT GARFIELD — MY BOOKS — MAD RIVER — POSSIBILITIES — DECORATION DAY — A FRAGMENT — LOSS AND GAIN — INSCRIPTION ON THE SHANKLIN FOUNTAIN — THE BELLS OF SAN BLAS
27. 27.FRAGMENTS
28. 28.CHRISTUS: A MYSTERY — INTROITUS — PART ONE THE DIVINE TRAGEDY — THE FIRST PASSOVER — I VOX CLAMANTIS — II MOUNT QUARANTANIA — I — II — III — III THE MARRIAGE IN CANA — IV IN THE CORNFIELDS — V NAZARETH — VI THE SEA OF GALILEE. — VII THE DEMONIAC OF GADARA — VIII TALITHA CUMI — IX THE TOWER OF MAGDALA — X THE HOUSE OF SIMON THE PHARISEE — THE SECOND PASSOVER. — I BEFORE THE GATES OF MACHAERUS — II HEROD'S BANQUET-HALL — III UNDER THE WALLS OF MACHAERUS — IV NICODEMUS AT NIGHT — V BLIND BARTIMEUS — VI JACOB'S WELL — VII THE COASTS OF CAESAREA PHILIPPI — VIII THE YOUNG RULER — IX AT BETHANY — X BORN BLIND — XI SIMON MAGUS AND HELEN OF TYRE — THE THIRD PASSOVER — I THE ENTRY INTO JERUSALEM — II SOLOMON'S PORCH — III LORD, IS IT I? — IV THE GARDEN OF GETHSEMANE — V THE PALACE OF CAIAPHAS — VI PONTIUS PILATE — VII BARABBAS IN PRISON — VIII ECCE HOMO — IX ACELDAMA — X THE THREE CROSSES — XI THE TWO MARIES — XI THE SEA OF GALILEE — EPILOGUE SYMBOLUM APOSTOLORUM — FIRST INTERLUDE THE ABBOT JOACHIM — PART TWO THE GOLDEN LEGEND — THE SPIRE OF STRASBURG CATHEDRAL — I THE CASTLE OF VAUTSBERG ON THE RHINE — COURT-YARD OF THE CASTLE — II A FARM IN THE ODENWALD — A ROOM IN THE FARM-HOUSE — ELSIE'S CHAMBER — THE CHAMBER OF GOTTLIEB AND URSULA — A VILLAGE CHURCH — A ROOM IN THE FARM-HOUSE — IN THE GARDEN — III A STREET IN STRASBURG — SQUARE IN FRONT OF THE CATHEDRAL — IN THE CATHEDRAL — THE NATIVITY A MIRACLE-PLAY — INTROITUS — I. HEAVEN. — II. MARY AT THE WELL — III. THE ANGELS OF THE SEVEN PLANETS, BEARING THE STAR OF BETHLEHEM — IV. THE WISE MEN OF THE EAST — V. THE FLIGHT INTO EGYPT — VI. THE SLAUGHTER OF THE INNOCENTS — VII. JESUS AT PLAY WITH HIS SCHOOLMATES — VIII. THE VILLAGE SCHOOL — IX. CROWNED WITH FLOWERS — EPILOGUE — IV THE ROAD TO HIRSCHAU — THE CONVENT OF HIRSCHAU IN THE BLACK FOREST. — THE SCRIPTORIUM — THE CLOISTERS — THE CHAPEL — THE REFECTORY — THE NEIGHBORING NUNNERY — V. A COVERED BRIDGE AT LUCERNE — THE DEVIL'S BRIDGE — THE ST. GOTHARD PASS — AT THE FOOT OF THE ALPS — THE INN AT GENOA — AT SEA — VI THE SCHOOL OF SALERNO — THE FARM-HOUSE IN THE ODENWALD — THE CASTLE OF VAUTSBERG ON THE RHINE — EPILOGUE THE TWO RECORDING ANGELS ASCENDING — SECOND INTERLUDE MARTIN LUTHER — PART THREE THE NEW ENGLAND TRAGEDIES — JOHN ENDICOTT — PROLOGUE. — ACT I. — ACT II. — SCENE I. — JOHN ENDICOTT's room. Early morning. — ACT III. — SCENE II. — A street. Enter JOHN ENDICOTT and UPSALL. — ACT IV. — ACT V. — GILES COREY OF THE SALEM FARMS — PROLOGUE. — ACT I. — ACT II — ACT III. — ACT IV — ACT V. — FINALE SAINT JOHN — JUDAS MACCABAEUS. — ACT I. — SCENE I. — ANTIOCHUS; JASON. — SCENE II. — ANTIOCHUS; JASON; THE SAMARITAN AMBASSADORS. — SCENE III. — ANTIOCHUS; JASON. — ACT II. — SCENE II. — THE MOTHER; ANTIOCHUS; SIRION, — ACT III. — SCENE II — JUDAS MACCABAEUS; JEWISH FUGITIVES. — SCENE III. — JUDAS MACCABAEUS; NICANOR. — SCENE IV. — JUDAS MACCABAEUS; CAPTAINS AND SOLDIERS. — ACT IV. — SCENE I. — JUDAS MACCABAEUS; CAPTAINS; JEWS. — SCENE II. — JUDAS MACCABAEUS; JASON; JEWS, — ACT V. — SCENE I. — ANTIOCHUS; PHILIP; ATTENDANTS. — SCENE II — ANTIOCHUS; PHILIP; A MESSENGER
29. 29.MICHAEL ANGELO — DEDICATION. — PART FIRST. — I. PROLOGUE AT ISCHIA — MONOLOGUE: THE LAST JUDGMENT — II. SAN SILVESTRO — III. CARDINAL IPPOLITO. — IV. BORGO DELLE VERGINE AT NAPLES — V. VITTORIA COLONNA — PART SECOND — I MONOLOGUE — II VITERBO — III MICHAEL ANGELO AND BENVENUTO CELLINI — IV FRA SEBASTIANO DEL PIOMBO — V PALAZZO BELVEDERE — VI PALAZZO CESARINI — PART THIRD — I MONOLOGUE — II VIGNA DI PAPA GIULIO — SCENE II. — III BINDO ALTOVITI — IV IN THE COLISEUM — V MACELLO DE' CORVI — VI MICHAEL ANGELO'S STUDIO — VII THE OAKS OF MONTE LUCA — VIII THE DEAD CHRIST.
30. 30.TRANSLATIONS — PRELUDE — FROM THE SPANISH COPLAS DE MANRIQUE — SONNETS — I THE GOOD SHEPHERD — II TO-MORROW — III THE NATIVE LAND — IV THE IMAGE OF GOD — V THE BROOK — ANCIENT SPANISH BALLADS. — I — II — III — VIDA DE SAN MILLAN — SAN MIGUEL, THE CONVENT — SONG — SANTA TERESA'S BOOK-MARK — FROM THE CANCIONEROS — I EYES SO TRISTFUL, EYES SO TRISTFUL — II SOME DAY, SOME DAY — III COME, O DEATH, SO SILENT FLYING — IV GLOVE OF BLACK IN WHITE HAND BARE — FROM THE SWEDISH AND DANISH — PASSAGES FROM FRITHIOF'S SAGA — I FRITHIOF'S HOMESTEAD — II A SLEDGE-RIDE ON THE ICE — III FRITHIOF'S TEMPTATION — IV FRITHIOF'S FAREWELL — THE CHILDREN OF THE LORD'S SUPPER — KING CHRISTIAN — THE ELECTED KNIGHT — CHILDHOOD — FROM THE GERMAN — THE HAPPIEST LAND — THE WAVE — THE DEAD — THE BIRD AND THE SHIP — WHITHER? — BEWARE! — SONG OF THE BELL — THE CASTLE BY THE SEA — THE BLACK KNIGHT — SONG OF THE SILENT LAND — THE LUCK OF EDENHALL — THE TWO LOCKS OF HAIR — THE HEMLOCK TREE. — ANNIE OF THARAW — THE STATUE OVER THE CATHEDRAL DOOR — THE LEGEND OF THE CROSSBILL — THE SEA HATH ITS PEARLS — POETIC APHORISMS — SILENT LOVE — BLESSED ARE THE DEAD — WANDERER'S NIGHT-SONGS — I — II — REMORSE — FORSAKEN. — ALLAH — FROM THE ANGLO-SAXON — THE GRAVE — BEOWULF'S EXPEDITION TO HEORT. — THE SOUL'S COMPLAINT AGAINST THE BODY — FROM THE FRENCH — SONG FROM THE PARADISE OF LOVE — SONG — THE RETURN OF SPRING — SPRING — THE CHILD ASLEEP — DEATH OF ARCHBISHOP TURPIN — THE BLIND GIRL OF CASTEL CUILLE — I — II — III — A CHRISTMAS CAROL — CONSOLATION — TO CARDINAL RICHELIEU — THE ANGEL AND THE CHILD — ON THE TERRACE OF THE AIGALADES — TO MY BROOKLET — BARRÉGES — WILL EVER THE DEAR DAYS COME BACK AGAIN? — AT LA CHAUDEAU — A QUIET LIFE. — THE WINE OF JURANÇON — FRIAR LUBIN — RONDEL — MY SECRET — FROM THE ITALIAN — THE CELESTIAL PILOT — THE TERRESTRIAL PARADISE — BEATRICE. — TO ITALY — SEVEN SONNETS AND A CANZONE — I THE ARTIST — II FIRE — III YOUTH AND AGE — IV OLD AGE — V TO VITTORIA COLONNA — VI TO VITTORIA COLONNA — VII DANTE — VIII CANZONE — THE NATURE OF LOVE — FROM THE PORTUGUESE — SONG — FROM EASTERN SOURCES — THE FUGITIVE — I — II — III — THE SIEGE OF KAZAN — THE BOY AND THE BROOK — TO THE STORK — FROM THE LATIN — VIRGIL'S FIRST ECLOGUE — OVID IN EXILE — TRISTIA, Book III., Elegy XII.

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