The Complete Poems of Sir Thomas Moore Collected by Himself with Explanatory Notes

About this eBook

Author

Moore, Thomas, 1779-1852

Credits

E-text produced by Charles Aldarondo, Tiffany Vergon, Robert Connal, and the Online Distributed Proofreading Team

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

Poetry

Category

Text

eBook-No.

8187

Project Gutenberg

https://www.gutenberg.org/ebooks/8187

Release Date

May 1, 2005

Copyright

Public domain in the USA.

Contents

1. 1.THE COMPLETE POEMS OF SIR THOMAS MOORE
2. 2.WITH A BIOGRAPHICAL SKETCH — THOMAS MOORE — CONTENTS — ODES OF ANACREON
3. 3.TO — REMARKS ON ANACREON — ODES OF ANACREON — ODE I.[1] — ODE II. — ODE III.[1] — ODE IV.[1] — ODE V. — ODE VI.[1] — ODE VII. — ODE VIII.[1] — ODE IX. — ODE X.[1] — ODE XI.[1] — ODE XII. — ODE XIII. — ODE XIV.[1] — ODE XV.[1] — ODE XVI.[1] — ODE XVII. — ODE XVIII. — ODE XIX.[1] — ODE XX.[1] — ODE XXI.[1] — ODE XXII. — ODE XXIII. — ODE XXIV. — ODE XXV. — ODE XXVI. — ODE XXVII. — ODE XXVIII. — ODE XXIX. — ODE XXX.[1] — ODE XXXI.[1] — ODE XXXII.[1] — ODE XXXIII. — ODE XXXIV.[1] — ODE XXXV.[1] — ODE XXXVI.[1] — ODE XXXVII. — ODE XXXVIII. — ODE XXXIX. — ODE XL. — ODE XLI. — ODE XLII.[1] — ODE XLIII. — ODE XLIV.[1] — ODE XLV. — ODE XLVI.[1] — ODE XLVII. — ODE XLVIII. — ODE XLIX. — ODE L.[1] — ODE LI. — ODE LII.[1] — ODE LIII. — ODE. LIV.[1] — ODE LV.[1] — ODE LVI. — ODE LVII[1] — ODE LVIII. — ODE LIX. — ODE LX.[1] — ODE LXI.[1] — ODE LXII.[1] — ODE LXIII.[1] — ODE LXIV.[1] — ODE LXV.[1] — ODE LXVI.[1] — ODE LXVII. — ODE LXVIII. — ODE LXIX. — ODE LXX. — ODE LXXI. — ODE LXXII. — ODE LXXIII. — ODE LXXIV. — ODE LXXV. — ODE LXXVI. — ODE LXXVII. — ODE LXXVIII. — SONGS FROM THE GREEK ANTHOLOGY. — HERE AT THY TOMB. — SALE OF CUPID. — TO WEAVE A GARLAND FOR THE ROSE. — WHY DOES SHE SO LONG DELAY? — TWIN'ST THOU WITH LOFTY WREATH THY BROW? — WHEN THE SAD WORD. — MY MOPSA IS LITTLE. — STILL, LIKE DEW IN SILENCE FALLING. — UP, SAILOR BOY, 'TIS DAY. — IN MYRTLE WREATHS. — JUVENILE POEMS.
4. 4.TO JOSEPH ATKINSON, ESQ. — JUVENILE POEMS — FRAGMENTS OF COLLEGE EXERCISES. — VARIETY. — TO A BOY, WITH A WATCH, — SONG. — TO ……. — SONG. — SONG. — REUBEN AND ROSE. — DID NOT. — TO ……. — TO MRS. ……. — ANACREONTIC. — TO ……. — TO JULIA. — TO JULIA. — THE SHRINE. — TO A LADY, — TO JULIA. — TO ……. — NATURE'S LABELS. — TO JULIA — A REFLECTION AT SEA. — CLORIS AND FANNY. — THE SHIELD. — TO JULIA WEEPING. — DREAMS. — TO ROSA. — SONG. — THE SALE OF LOVES. — TO …. …. — TO …. …. — ON THE DEATH OF A LADY, — INCONSTANCY. — THE NATAL GENIUS. — ELEGIAC STANZAS. — TO THE LARGE AND BEAUTIFUL MISS……, — A DREAM. — TO ……. — ANACREONTIC. — TO JULIA. — HYMN OF A VIRGIN OF DELPHI, — SYMPATHY. — THE TEAR. — THE SNAKE. — TO ROSA. — ELEGIAC STANZAS. — LOVE AND MARRIAGE. — ANACREONTIC. — THE SURPRISE. — TO MISS ……. — THE WONDER. — LYING. — ANACREONTIC. — THE PHILOSOPHER ARISTIPPUS[1] — TO MRS,—-. — RONDEAU. — SONG. — TO ROSA. — WRITTEN IN A COMMONPLACE BOOK, CALLED "THE BOOK OF FOLLIES;" IN WHICH EVERY ONE THAT OPENED IT WAS TO CONTRIBUTE SOMETHING. — TO ROSA. — LIGHT SOUNDS THE HARP. — FROM THE GREEK OF MELEAGER. — SONG. — THE RESEMBLANCE. — FANNY, DEAREST. — THE RING. — TO THE INVISIBLE GIRL. — THE RING[1] — TO …. …. — WRITTEN IN THE BLANK LEAF OF A LADY'S COMMONPLACE BOOK. — TO MRS. BL——. — TO CARA, — TO CARA, — TO ……., 1801. — THE GENIUS OF HARMONY. — TO MRS. HENRY TIGHE, — FROM THE HIGH PRIEST OF APOLLO TO A VIRGIN OF DELPHI.[1] — FRAGMENT. — A NIGHT THOUGHT. — THE KISS. — SONG. — THE CATALOGUE. — IMITATION OF CATULLUS. — NONSENSE. — EPIGRAM. — ON A SQUINTING POETESS. — TO …. …. — TO ROSA. — TO PHILLIS. — TO A LADY. — SONG. — SONG.[1] — MORALITY. — THE TELL-TALE LYRE. — PEACE AND GLORY. — SONG. — LOVE AND REASON. — ASPASIA. — THE GRECIAN GIRL'S DREAM OF THE BLESSED ISLANDS.[1] — TO CLOE. — THE WREATH AND THE CHAIN. — TO …. …. — TO …….'S PICTURE. — FRAGMENT OF A MYTHOLOGICAL HYMN TO LOVE.[1] — TO HIS SERENE HIGHNESS THE DUKE OF MONTPENSIER ON HIS PORTRAIT OF THE LADY ADELAIDE FORBES. — THE FALL OF HEBE. — RINGS AND SEALS. — TO MISS SUSAN BECKFORD.[1] — IMPROMPTU, — A WARNING. — TO ……. — WOMAN. — TO ……. — A VISION OF PHILOSOPHY. — TO MRS. ……. — TO LADY HEATHCOTE, — THE DEVIL AMONG THE SCHOLARS, — POEMS RELATING TO AMERICA
5. 5.TO FRANCIS, EARL OF MOIRA.
6. 6.PREFACE.[1] — POEMS RELATING TO AMERICA. — TO LORD VISCOUNT STRANGFORD. — STANZAS. — TO THE FLYING-FISH.[1] — TO MISS MOORE. — A BALLAD. — TO THE MARCHIONESS DOWAGER OF DONEGALL. — TO GEORGE MORGAN, ESQ. OF NORFOLK, VIRGINIA. — LINES WRITTEN IN A STORM AT SEA. — ODES TO NEA; — A DREAM OF ANTIQUITY. — THE SNOW SPIRIT. — A STUDY FROM THE ANTIQUE. — TO JOSEPH ATKINSON, ESQ. — THE STEERMAN'S SONG, — TO THE FIRE-FLY.[1] — TO THE LORD VISCOUNT FORBES. — TO THOMAS HUME, ESQ., M. D. — LINES WRITTEN ON LEAVING PHILADELPHIA. — LINES WRITTEN AT THE COHOS, OR FALLS OF THE MOHAWK KIVER.[1] — SONG OF THE EVIL SPIRIT OF THE WOODS.[1] — TO THE HONORABLE W. R. SPENCER. — BALLAD STANZAS. — A CANADIAN BOAT SONG. — TO THE LADY CHARLOTTE RAWDON. — IMPROMPTU. — WRITTEN — TO THE BOSTON FRIGATE, ON LEAVING HALIFAX FOR ENGLAND,[1] — IRISH MELODIES
7. 7.DEDICATION
8. 8.PREFACE. — IRISH MELODIES — GO WHERE GLORY WAITS THEE. — WAR SONG. — ERIN! THE TEAR AND THE SMILE IN THINE EYES. — OH! BREATHE NOT HIS NAME. — WHEN HE, WHO ADORES THEE. — THE HARP THAT ONCE THRO' TARA'S HALLS. — FLY NOT YET. — OH! THINK NOT MY SPIRITS ARE ALWAYS AS LIGHT. — THO' THE LAST GLIMPSE OF ERIN WITH SORROW I SEE. — RICH AND RARE WERE THE GEMS SHE WORE.[1] — AS A BEAM O'ER THE FACE OF THE WATERS MAY GLOW. — THE MEETING OF THE WATERS.[1] — HOW DEAR TO ME THE HOUR. — TAKE BACK THE VIRGIN PAGE. — THE LEGACY. — HOW OFT HAS THE BANSHEE CRIED. — WE MAY ROAM THROUGH THIS WORLD. — EVELEEN'S BOWER. — LET ERIN REMEMBER THE DAYS OF OLD. — THE SONG OF FIONNUALA.[1] — COME, SEND ROUND THE WINE. — SUBLIME WAS THE WARNING. — BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS. — ERIN, OH ERIN. — DRINK TO HER. — OH! BLAME NOT THE BARD.[1] — WHILE GAZING ON THE MOON'S LIGHT. — ILL OMENS. — BEFORE THE BATTLE. — AFTER THE BATTLE. — 'TIS SWEET TO THINK. — THE IRISH PEASANT TO HIS MISTRESS.[1] — ON MUSIC. — IT IS NOT THE TEAR AT THIS MOMENT SHED.[1] — THE ORIGIN OF THE HARP. — LOVE'S YOUNG DREAM. — THE PRINCE'S DAY.[1] — WEEP ON, WEEP ON. — LESBIA HATH A BEAMING EYE. — I SAW THY FORM IN YOUTHFUL PRIME. — BY THAT LAKE, WHOSE GLOOMY SHORE.[1] — SHE IS FAR FROM THE LAND. — NAY, TELL ME NOT, DEAR. — AVENGING AND BRIGHT. — WHAT THE BEE IS TO THE FLOWERET. — HE. — LOVE AND THE NOVICE. — THIS LIFE IS ALL CHECKERED WITH PLEASURES AND WOES — OH THE SHAMROCK. — AT THE MID HOUR OF NIGHT — ONE BUMPER AT PARTING. — 'TIS THE LAST ROSE OF SUMMER. — THE YOUNG MAY MOON. — THE MINSTREL-BOY. — THE SONG OF O'RUARK, — OH! HAD WE SOME BRIGHT LITTLE ISLE OF OUR OWN. — FAREWELL!—BUT WHENEVER YOU WELCOME THE HOUR. — OH! DOUBT ME NOT. — YOU REMEMBER ELLEN. — I'D MOURN THE HOPES. — COME O'ER THE SEA. — HAS SORROW THY YOUNG DAYS SHADED. — NO, NOT MORE WELCOME. — WHEN FIRST I MET THEE. — WHILE HISTORY'S MUSE. — THE TIME I'VE LOST IN WOOING. — WHERE IS THE SLAVE. — COME, REST IN THIS BOSOM. — 'TIS GONE, AND FOR EVER. — I SAW FROM THE BEACH. — FILL THE BUMPER FAIR. — DEAR HARP OF MY COUNTRY. — MY GENTLE HARP. — IN THE MORNING OF LIFE. — AS SLOW OUR SHIP. — WHEN COLD IN THE EARTH. — REMEMBER THEE. — WREATH THE BOWL. — WHENE'ER I SEE THOSE SMILING EYES. — IF THOU'LT BE MINE. — TO LADIES' EYES. — FORGET NOT THE FIELD. — THEY MAY RAIL AT THIS LIFE. — OH FOR THE SWORDS OF FORMER TIME! — ST. SENANUS AND THE LADY. — ST. SENANUS.[1] — NE'ER ASK THE HOUR. — SAIL ON, SAIL ON. — THE PARALLEL. — DRINK OF THIS CUP. — THE FORTUNE-TELLER. — OH, YE DEAD! — O'DONOHUE'S MISTRESS. — ECHO. — OH BANQUET NOT. — THEE, THEE, ONLY THEE. — SHALL THE HARP THEN BE SILENT. — OH, THE SIGHT ENTRANCING. — SWEET INNISFALLEN. — 'TWAS ONE OF THOSE DREAMS.[1] — FAIREST! PUT ON AWHILE. — QUICK! WE HAVE BUT A SECOND. — AND DOTH NOT A MEETING LIKE THIS. — THE MOUNTAIN SPRITE. — AS VANQUISHED ERIN. — DESMOND'S SONG.[1] — THEY KNOW NOT MY HEART. — I WISH I WAS BY THAT DIM LAKE. — SHE SUNG OF LOVE. — SING—SING—MUSIC WAS GIVEN. — THO' HUMBLE THE BANQUET. — SING, SWEET HARP. — SONG OF THE BATTLE EVE. — THE WANDERING BARD. — ALONE IN CROWDS TO WANDER ON. — I'VE A SECRET TO TELL THEE. — SONG OF INNISFAIL. — THE NIGHT DANCE. — THERE ARE SOUNDS OF MIRTH. — OH, ARRANMORE, LOVED ARRANMORE. — LAY HIS SWORD BY HIS SIDE. — OH, COULD WE DO WITH THIS WORLD OF OURS. — THE WINE-CUP IS CIRCLING. — THE DREAM OF THOSE DAYS. — FROM THIS HOUR THE PLEDGE IS GIVEN. — SILENCE IS IN OUR FESTAL HALLS.[1] — NATIONAL AIRS
9. 9.ADVERTISEMENT. — T.M. — NATIONAL AIRS — A TEMPLE TO FRIENDSHIP. — FLOW ON, THOU SHINING RIVER. — ALL THAT'S BRIGHT MUST FADE. — SO WARMLY WE MET. — THOSE EVENING BELLS. — SHOULD THOSE FOND HOPES. — REASON, FOLLY, AND BEAUTY. — FARE THEE WELL, THOU LOVELY ONE! — DOST THOU REMEMBER. — OH, COME TO ME WHEN DAYLIGHT SETS. — OFT, IN THE STILLY NIGHT. — HARK! THE VESPER HYMN IS STEALING. — LOVE AND HOPE. — THERE COMES A TIME. — MY HARP HAS ONE UNCHANGING THEME. — OH, NO—NOT EVEN WHEN FIRST WE LOVED. — PEACE BE AROUND THEE. — COMMON SENSE AND GENIUS. — THEN, FARE THEE WELL. — GAYLY SOUNDS THE CASTANET. — LOVE IS A HUNTER-BOY. — COME, CHASE THAT STARTING TEAR AWAY. — JOYS OF YOUTH, HOW FLEETING! — HEAR ME BUT ONCE. — WHEN LOVE WAS A CHILD — SAY, WHAT SHALL BE OUR SPORT TO-DAY? — BRIGHT BE THY DREAMS. — GO, THEN—'TIS VAIN. — THE CRYSTAL-HUNTERS. — ROW GENTLY HERE. — OH, DAYS OF YOUTH. — WHEN FIRST THAT SMILE. — PEACE TO THE SLUMBERERS! — WHEN THOU SHALT WANDER. — WHO'LL BUY MY LOVE-KNOTS? — SEE, THE DAWN FROM HEAVEN. — NETS AND CAGES.[1] — WHEN THROUGH THE PIAZZETTA. — GO, NOW, AND DREAM. — TAKE HENCE THE BOWL. — FAREWELL, THERESA! — HOW OFT, WHEN WATCHING STARS. — WHEN THE FIRST SUMMER BEE. — THO' 'TIS ALL BUT A DREAM. — WHEN THE WINE-CUP IS SMILING. — WHERE SHALL WE BURY OUR SHAME? — NE'ER TALK OF WISDOM'S GLOOMY SCHOOLS. — HERE SLEEPS THE BARD. — DO NOT SAY THAT LIFE IS WANING. — THE GAZELLE. — NO—LEAVE MY HEART TO REST. — WHERE ARE THE VISIONS. — WIND THY HORN, MY HUNTER BOY. — OH, GUARD OUR AFFECTION. — SLUMBER, OH SLUMBER. — BRING THE BRIGHT GARLANDS HITHER. — IF IN LOVING, SINGING. — THOU LOVEST NO MORE. — WHEN ABROAD IN THE WORLD. — KEEP THOSE EYES STILL PURELY MINE. — HOPE COMES AGAIN. — O SAY, THOU BEST AND BRIGHTEST. — WHEN NIGHT BRINGS THE HOUR. — LIKE ONE WHO, DOOMED. — FEAR NOT THAT, WHILE AROUND THEE. — WHEN LOVE IS KIND. — THE GARLAND I SEND THEE. — HOW SHALL I WOO? — SPRING AND AUTUMN. — LOVE ALONE. — SACRED SONGS
10. 10.TO — SACRED SONGS — THOU ART, O GOD. — THE BIRD, LET LOOSE. — FALLEN IS THY THRONE. — WHO IS THE MAID? — THIS WORLD IS ALL A FLEETING SHOW. — OH THOU WHO DRY'ST THE MOURNER'S TEAR. — WEEP NOT FOR THOSE. — THE TURF SHALL BE MY FRAGRANT SHRINE. — SOUND THE LOUD TIMBREL. — GO, LET ME WEEP. — COME NOT, OH LORD. — WERE NOT THE SINFUL MARY'S TEARS. — AS DOWN IN THE SUNLESS RETREATS. — BUT WHO SHALL SEE. — ALMIGHTY GOD! — OH FAIR! OH PUREST! — ANGEL OF CHARITY. — BEHOLD THE SUN. — LORD, WHO SHALL BEAR THAT DAY. — OH, TEACH ME TO LOVE THEE. — WEEP, CHILDREN OF ISRAEL. — LIKE MORNING, WHEN HER EARLY BREEZE. — COME, YE DISCONSOLATE. — AWAKE, ARISE, THY LIGHT IS COME. — THERE IS A BLEAK DESERT. — SINCE FIRST THY WORD. — HARK! 'TIS THE BREEZE. — WHERE IS YOUR DWELLING, YE SAINTED? — HOW LIGHTLY MOUNTS THE MUSE'S WING. — GO FORTH TO THE MOUNT, — IS IT NOT SWEET TO THINK, HEREAFTER. — WAR AGAINST BABYLON. — A MELOLOGUE UPON NATIONAL MUSIC.
11. 11.ADVERTISEMENT. — MELOLOGUE — A SHORT STRAIN OF MUSIC FROM THE ORCHESTRA. — GREEK AIR — FLOURISH OF TRUMPETS. — SWISS AIR.—"RANZ DES VACHES." — SPANISH CHORUS. — SPANISH AIR.—"YA DESPERTO." — SET OF GLEES, — THE MEETING OF THE SHIPS. — HIP, HIP, HURRA! — HUSH, HUSH! — THE PARTING BEFORE THE BATTLE. — HE. — THE WATCHMAN. — WATCHMAN. — SAY, WHAT SHALL WE DANCE? — THE EVENING GUN. — LEGENDARY BALLADS.
12. 12.TO — LEGENDARY BALLADS — THE VOICE. — CUPID AND PSYCHE. — HERO AND LEANDER. — THE LEAF AND THE FOUNTAIN. — CEPHALUS AND PROCRIS. — YOUTH AND AGE. — THE DYING WARRIOR. — THE MAGIC MIRROR. — THE PILGRIM. — THE HIGH-BORN LADYE. — THE INDIAN BOAT. — THE STRANGER. — BALLADS, SONGS, ETC. — TO-DAY, DEAREST! IS OURS. — WHEN ON THE LIP THE SIGH DELAYS. — HERE, TAKE MY HEART. — OH, CALL IT BY SOME BETTER NAME. — POOR WOUNDED HEART — THE EAST INDIAN. — POOR BROKEN FLOWER. — THE PRETTY ROSE-TREE. — SHINE OUT, STARS! — THE YOUNG MULETEERS OF GRENADA. — TELL HER, OH, TELL HER. — NIGHTS OF MUSIC. — OUR FIRST YOUNG LOVE. — BLACK AND BLUE EYES. — DEAR FANNY. — FROM LIFE WITHOUT FREEDOM. — HERE'S THE BOWER. — I SAW THE MOON RISE CLEAR. — LOVE AND THE SUN-DIAL. — LOVE AND TIME. — LOVE'S LIGHT SUMMER-CLOUD. — LOVE, WANDERING THRO' THE GOLDEN MAZE. — MERRILY EVERY BOSOM BOUNDETH. — REMEMBER THE TIME. — OH, SOON RETURN. — LOVE THEE? — ONE DEAR SMILE. — YES, YES, WHEN THE BLOOM. — THE DAY OF LOVE. — LUSITANIAN WAR-SONG. — THE YOUNG ROSE. — WHEN MIDST THE GAY I MEET. — WHEN TWILIGHT DEWS. — YOUNG JESSICA. — HOW HAPPY, ONCE. — I LOVE BUT THEE. — LET JOY ALONE BE REMEMBERED NOW. — LOVE THEE, DEAREST? LOVE THEE? — MY HEART AND LUTE. — PEACE, PEACE TO HIM THAT'S GONE! — ROSE OF THE DESERT — 'TIS ALL FOR THEE. — THE SONG OF THE OLDEN TIME. — WAKE THEE, MY DEAR. — THE BOY OF THE ALPS. — FOR THEE ALONE. — HER LAST WORDS, AT PARTING. — LET'S TAKE THIS WORLD AS SOME WIDE SCENE. — LOVE'S VICTORY. — SONG OF HERCULES TO HIS DAUGHTER.[1] — THE DREAM OF HOME. — THEY TELL ME THOU'RT THE FAVORED GUEST. — THE YOUNG INDIAN MAID. — THE HOMEWARD MARCH. — WAKE UP, SWEET MELODY. — CALM BE THY SLEEP. — THE EXILE. — THE FANCY FAIR. — IF THOU WOULDST HAVE ME SING AND PLAY. — STILL WHEN DAYLIGHT. — THE SUMMER WEBS. — MIND NOT THO' DAYLIGHT. — THEY MET BUT ONCE. — WITH MOONLIGHT BEAMING. — CHILD'S SONG. — THE HALCYON HANGS O'ER OCEAN. — THE WORLD WAS HUSHT. — THE TWO LOVES. — THE LEGEND OF PUCK THE FAIRY. — BEAUTY AND SONG. — WHEN THOU ART NIGH. — SONG OF A HYPERBOREAN. — THOU BIDST ME SING. — CUPID ARMED. — ROUND THE WORLD GOES. — OH, DO NOT LOOK SO BRIGHT AND BLEST. — THE MUSICAL BOX. — WHEN TO SAD MUSIC SILENT YOU LISTEN. — THE LANGUAGE OF FLOWERS. — THE DAWN IS BREAKING O'ER US. — UNPUBLISHED SONGS. — ASK NOT IF STILL I LOVE. — DEAR? YES. — UNBIND THEE, LOVE. — THERE'S SOMETHING STRANGE. — NOT FROM THEE. — GUESS, GUESS. — WHEN LOVE, WHO RULED. — STILL THOU FLIEST. — THEN FIRST FROM LOVE. — HUSH, SWEET LUTE. — BRIGHT MOON. — LONG YEARS HAVE PAST. — DREAMING FOR EVER. — THO' LIGHTLY SOUNDS THE SONG I SING. — THE RUSSIAN LOVER. — A SELECTION FROM THE SONGS IN — BOAT GLEE. — CUPID'S LOTTERY. — MISCELLANEOUS POEMS. — OCCASIONAL EPILOGUE. — EXTRACT. — THE SYLPH'S BALL. — REMONSTRANCE. — MY BIRTH-DAY. — FANCY. — SONG. — TRANSLATIONS FROM CATULLUS. — CARM. 70. — CARM. II. — CARM. 29. — TIBULLUS TO SULPICIA. — IMITATION. — INVITATION TO DINNER. — VERSES TO THE POET CRABBE'S INKSTAND.[1] — TO CAROLINE, VISCOUNTESS VALLETORT. — A SPECULATION. — TO MY MOTHER. — LOVE AND HYMEN. — LINES ON THE ENTRY OF THE AUSTRIANS INTO NAPLES, 1821. — SCEPTICISM. — A JOKE VERSIFIED. — ON THE DEATH OF A FRIEND. — TO JAMES CORRY, ESQ. — FRAGMENT OF A CHARACTER. — WHAT SHALL I SING THEE? — COUNTRY DANCE AND QUADRILLE. — GAZEL. — LINES ON THE DEATH OF JOSEPH ATKINSON, ESQ., OF DUBLIN. — GENIUS AND CRITICISM. — TO LADY JERSEY. — TO THE SAME. — AT NIGHT.[1] — TO LADY HOLLAND. — EPILOGUE. — THE DAY-DREAM.[1] — SONG. — SONG OF THE POCO-CURANTE SOCIETY. — ANNE BOLEYN. — THE DREAM OF THE TWO SISTERS. — SOVEREIGN WOMAN. — COME, PLAY ME THAT SIMPLE AIR AGAIN. — POEMS FROM THE EPICUREAN — THE VALLEY OF THE NILE. — SONG OF THE TWO CUPBEARERS. — FIRST CUPBEARER. — SONG OF THE NUBIAN GIRL. — THE SUMMER FÊTE.
13. 13.TO THE HONORABLE MRS. NORTON. — THE SUMMER FÊTE — SONG. — SONG. — TRIO. — SONG. — WALTZ DUET. — SONG. — SONG AND TRIO. — SONG. — SONG. — SONG AND TRIO. — SONG. — EVENINGS IN GREECE — EVENINGS IN GREECE.
14. 14.FIRST EVENING. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG.
15. 15.SECOND EVENING. — SONG. — SONG. — CHORUS. — CHORUS. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — SONG. — ALCIPHRON: A FRAGMENT. — LETTER I. — LETTER II. — LETTER III. — LETTER IV. — LALLA ROOKH
16. 16.TO — LALLA ROOKH — THE VEILED PROPHET OF KHORASSAN.[24] — PARADISE AND THE PERI. — THE FIRE-WORSHIPPERS. — THE LIGHT OF THE HARAM. — THE LOVES OF THE ANGELS.
17. 17.PREFACE. — THE LOVES OF THE ANGELS — FIRST ANGEL'S STORY. — SECOND ANGEL'S STORY. — THIRD ANGEL'S STORY. — RHYMES ON THE ROAD. — RHYMES ON THE ROAD
18. 18.INTRODUCTORY RHYMES. — EXTRACT I. — EXTRACT II. — EXTRACT III. — EXTRACT IV. — EXTRACT V. — EXTRACT VI. — EXTRACT VII. — EXTRACT VIII. — EXTRACT IX. — EXTRACT X. — EXTRACT XI. — EXTRACT XII. — EXTRACT XIII.
19. 19.EXTRACT XIV. — EXTRACT XV. — EXTRACT XVI. — CORRUPTION,
20. 20.PREFACE. — CORRUPTION, — INTOLERANCE, — THE SCEPTIC,
21. 21.PREFACE. — THE SCEPTIC — TWOPENNY POST-BAG,
22. 22.DEDICATION. — MY DEAR WOOLRICHE,—
23. 23.PREFACE. — INTERCEPTED LETTERS, ETC. — LETTER I. — LETTER II. — LETTER III. — LETTER IV. — LETTER V. — LETTER VI. — LETTER VII. — LETTER VIII.
24. 24.LETTER IV. PAGE 584.
25. 25.LETTER VII. PAGE 588. — SATIRICAL AND HUMOROUS POEMS. — THE INSURRECTION OF THE PAPERS. — PARODY OF A CELEBRATED LETTER.[1] — ANACREONTIC — EXTRACTS — EPIGRAM. — KING CRACK[1] AND HIS IDOLS. — WHAT'S MY THOUGHT LIKE? — EPIGRAM. — WREATHS FOR THE MINISTERS. — EPIGRAM. — HORACE, ODE XI. LIB. II. — HORACE, ODE XXII. LIB. I. — THE NEW COSTUME OF THE MINISTERS. — CORRESPONDENCE BETWEEN A LADY AND GENTLEMAN, — OCCASIONAL ADDRESS — THE SALE OF THE TOOLS. — LITTLE MAN AND LITTLE SOUL. — REINFORCEMENTS FOR LORD WELLINGTON. — HORACE, ODE I. LIB. III. — HORACE, ODE XXXVIII. LIB. I. — TRANSLATED BY A TREASURY CLERK, WHILE WAITING DINNER FOR THE RIGHT HON. GEORGE ROBE. — IMPROMPTU. — LORD WELLINGTON AND THE MINISTERS. — TO SIR HUDSON LOWE. — AMATORY COLLOQUY BETWEEN BANK AND GOVERNMENT. — BANK. — DIALOGUE BETWEEN A SOVEREIGN AND A ONE POUND NOTE. — AN EXPOSTULATION TO LORD KING. — THE SINKING FUND CRIED. — ODE TO THE GODDESS CERES. — A HYMN OF WELCOME AFTER THE RECESS. — MEMORABILIA OF LAST WEEK. — ALL IN THE FAMILY WAY. — BALLAD FOR THE CAMBRIDGE ELECTION. — MR. ROGER DODSWORTH. — TO THE EDITOR OF THE TIMES. — COPY OF AN INTERCEPTED DESPATCH. — THE MILLENNIUM. — THE THREE DOCTORS. — EPITAPH ON A TUFT-HUNTER. — ODE TO A HAT. — NEWS FOR COUNTRY COUSINS. — A VISION. — THE PETITION OF THE ORANGEMEN OF IRELAND. — COTTON AND CORN. — THE CANONIZATION OF SAINT BUTTERWORTH. — AN INCANTATION. — A DREAM OF TURTLE. — THE DONKEY AND HIS PANNIERS. — ODE TO THE SUBLIME PORTE. — CORN AND CATHOLICS. — A CASE OF LIBEL. — LITERARY ADVERTISEMENT. — THE IRISH SLAVE.[1] — ODE TO FERDINAND. — HAT VERSUS WIG. — THE PERIWINKLES AND THE LOCUSTS. — NEW CREATION OF PEERS. — SPEECH ON THE UMBRELLA QUESTION.[1] — A PASTORAL BALLAD. — A LATE SCENE AT SWANAGE.[1] — WO! WO![1] — TOUT POUR LA TRIPE. — ENIGMA. — DOG-DAY REFLECTIONS. — THE "LIVING DOG" AND "THE DEAD LION." — ODE TO DON MIGUEL. — THOUGHTS ON THE PRESENT GOVERNMENT OF IRELAND. — THE LIMBO OF LOST REPUTATIONS. — HOW TO WRITE BY PROXY. — IMITATION OF THE INFERNO OF DANTE. — LAMENT FOR THE LOSS OF LORD BATHURST'S TAIL.[1] — THE CHERRIES. — STANZAS WRITTEN IN ANTICIPATION OF DEFEAT.[1] — ODE TO THE WOODS AND FORESTS. — STANZAS FROM THE BANKS OF THE SHANNON.[1] — THE ANNUAL PILL. — "IF" AND "PERHAPS."[1] — WRITE ON, WRITE ON. — SONG OF THE DEPARTING SPIRIT OF TITHE. — THE EUTHANASIA OF VAN. — TO THE REVEREND ——. — IRISH ANTIQUITIES. — A CURIOUS FACT. — NEW-FASHIONED ECHOES. — INCANTATION. — SCENE.— Penenden Plain. In the middle, a caldron boiling. Thunder.— Enter three Brunswickers . — HOW TO MAKE A GOOD POLITICIAN. — EPISTLE OF CONDOLENCE. — THE GHOST OF MILTIADES. — ALARMING INTELLIGENCE! — RESOLUTIONS — SIR ANDREW'S DREAM. — A BLUE LOVE SONG. — SUNDAY ETHICS. — AWFUL EVENT. — THE NUMBERING OF THE CLERGY. — A SAD CASE. — A DREAM OF HINDOSTAN.
26. 26.THE BRUNSWICK CLUB. — PROPOSALS FOR A GYNAECOCRACY. — TO THE EDITOR OF THE * * *. — LORD HENLEY AND ST. CECILIA — ADVERTISEMENT.[1] — MISSING. — THE DANCE OF BISHOPS; — DICK * * * * — A CORRECTED REPORT OF SOME LATE SPEECHES. — MORAL POSITIONS. — THE MAD TORY AND THE COMET. — FROM THE HON. HENRY ——, TO LADY EMMA ——. — TRIUMPH OF BIGOTRY. — TRANSLATION FROM THE GULL LANGUAGE. — NOTIONS ON REFORM. — TORY PLEDGES. — ST. JEROME ON EARTH. — ST. JEROME ON EARTH. — THOUGHTS ON TAR BARRELS. — THE CONSULTATION.[1] — TO THE REV. CHARLES OVERTON, — SCENE FROM A PLAY, ACTED AT OXFORD, CALLED "MATRICULATION."[1] — LATE TITHE CASE. — FOOLS' PARADISE. — THE RECTOR AND HIS CURATE; — PADDY'S METAMORPHOSIS. — COCKER, ON CHURCH REFORM. — LES HOMMES AUTOMATES. — HOW TO MAKE ONE'S SELF A PEER. — THE DUKE IS THE LAD. — EPISTLE — LINES ON THE DEPARTURE OF LORD CASTLEREAGH AND STEWART FOR THE CONTINENT.[1] — TO THE SHIP IN WHICH LORD CASTLEREAGH SAILED FOR THE CONTINENT. — SKETCH OF THE FIRST ACT OF A NEW ROMANTIC DRAMA. — ANIMAL MAGNETISM. — THE SONG OF THE BOX. — ANNOUNCEMENT OF A NEW THALABA. — RIVAL TOPICS.[1] — THE BOY STATESMAN. — LETTER — MUSINGS OF AN UNREFORMED PEER. — THE REVEREND PAMPHLETEER. — RECENT DIALOGUE. — THE WELLINGTON SPA. — A CHARACTERLESS — A GHOST STORY. — THOUGHTS ON THE LATE DESTRUCTIVE PROPOSITIONS OF THE TORIES.[1] — ANTICIPATED MEETING OF THE BRITISH ASSOCIATION IN THE YEAR 1836. — SONG OF THE CHURCH. — EPISTLE FROM HENRY OF EXETER TO JOHN OF TUAM. — SONG OF OLD PUCK. — POLICE REPORTS. — REFLECTIONS. — NEW GRAND EXHIBITION OF MODELS OF THE TWO HOUSES OF PARLIAMENT. — ANNOUNCEMENT OF A NEW GRAND ACCELERATION COMPANY FOR THE PROMOTION OF THE SPEED OF LITERATURE. — SOME ACCOUNT OF THE LATE DINNER TO DAN. — NEW HOSPITAL FOR SICK LITERATI. — RELIGION AND TRADE. — MUSINGS. — INTENDED TRIBUTE — GRAND DINNER OF TYPE AND CO. — CHURCH EXTENSION. — LATEST ACCOUNTS FROM OLYMPUS. — THE TRIUMPHS OF FARCE. — THOUGHTS ON PATRONS, PUFFS, AND OTHER MATTERS. — THOUGHTS ON MISCHIEF. — EPISTLE FROM CAPTAIN ROCK TO LORD LYNDHURST. — CAPTAIN ROCK IN LONDON. — POLITICAL AND SATIRICAL POEMS. — LINES ON THE DEATH OF MR. PERCEVAL. — TO THE EDITOR OF "THE MORNING CHRONICLE." — FUM AND HUM, THE TWO BIRDS OF ROYALTY. — LINES ON THE DEATH OF SHERIDAN. — EPISTLE FROM TOM CRIB TO BIG BEN.[1] — FABLES FOR THE HOLY ALLIANCE.
27. 27.DEDICATION.
28. 28.PREFACE. — FABLES FOR THE HOLY ALLIANCE.
29. 29.FABLE I. — FABLE II. — PROEM. — FABLE III. — FABLE IV. — PROEM. — FABLE V. — PROEM — FABLE VI. — PROEM. — FABLE VII. — PROEM. — FABLE VIII. — THE FUDGE FAMILY IN PARIS.
30. 30.PREFACE. — THE FUDGE FAMILY IN PARIS — LETTER I. — LETTER II. — LETTER III. — LETTER IV. — LETTER V. — LETTER VI. — LETTER VII. — LETTER VIII. — LETTER IX. — LETTER X. — LETTER XI. — LETTER XII. — THE FUDGES IN ENGLAND
31. 31.PREFACE. — THE FUDGES IN ENGLAND — LETTER I. — LETTER II. — LETTER III. — TO MY SHADOW; OR, WHY?—WHAT?—HOW? — LETTER IV. — LETTER V. — LETTER VI. — LETTER VII. — IRREGULAR ODE. — LETTER VIII. — LETTER IX. — LETTER X. — LETTER XI.

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