The Collected Works of William Hazlitt Vol. 1

About this eBook

Author

Hazlitt, William, 1778-1830

Title

The collected works of William Hazlitt, Vol. 01 (of 12)

Credits

Produced by Richard Tonsing and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

English essays -- 19th century

Category

Text

Project Gutenberg

eBook-No. 55932

Release Date

November 11, 2017

Copyright

Public domain in the USA.

Contents

1. 1.THE COLLECTED WORKS OF WILLIAM HAZLITT
2. 2.CONTENTS
3. 3.INTRODUCTION — I — II — III — IV — V — VI
4. 4.EDITORS’ PREFACE
5. 5.THE ROUND TABLE — BIBLIOGRAPHICAL NOTE — ADVERTISEMENT TO THE EDITION OF 1817 — CONTENTS — No. 1. ] ON THE LOVE OF LIFE [ Jan. 15, 1815. — No. 2. ] ON CLASSICAL EDUCATION [ Feb. 12, 1815. — No. 3. ] ON THE TATLER [ March 5, 1815. — No. 4. ] ON MODERN COMEDY [ Aug. 20, 1815. — No. 5. ] ON MR. KEAN’S IAGO [ July 24, 1814. — No. 6. ] ON THE LOVE OF THE COUNTRY [ Nov. 27, 1814. — No. 7. ] ON POSTHUMOUS FAME,—WHETHER SHAKSPEARE WAS INFLUENCED BY A LOVE OF IT? [ May 22, 1814. — No. 8. ] ON HOGARTH’S MARRIAGE A-LA-MODE [ June 5, 1814. — No. 9. ] THE SUBJECT CONTINUED [ June 19, 1814. — No. 10. ] ON MILTON’S LYCIDAS [ Aug. 6, 1815. — No. 11. ] ON MILTON’S VERSIFICATION [ Aug. 20, 1815. — No. 12. ] ON MANNER [ Aug. 27, 1815. [ Sep. 3, 1815. — No. 13. ] ON THE TENDENCY OF SECTS [ Sep. 10, 1815. — No. 14. ] ON JOHN BUNCLE [ Sept. 17, 1815. — No. 15. ] ON THE CAUSES OF METHODISM [ Oct. 22, 1815. — No. 16. ] ON THE MIDSUMMER NIGHT’S DREAM [ Nov. 26, 1815. — No. 17. ] ON THE BEGGAR’S OPERA [ June 18, 1815. — No. 18. ] ON PATRIOTISM.—A FRAGMENT [ Jan. 5, 1814. — No. 19. ] ON BEAUTY [ Feb. 4, 1816. — No. 20. ] ON IMITATION [ Feb. 18, 1816. — No. 21. ] ON GUSTO [ May 26, 1816. — No. 22. ] ON PEDANTRY [ March 3, 1816. — No. 23. ] THE SAME SUBJECT CONTINUED [ March 10, 1816. — No. 24. ] ON THE CHARACTER OF ROUSSEAU [ April 14, 1816. — No. 25. ] ON DIFFERENT SORTS OF FAME [ April 21, 1816. — No. 26. ] CHARACTER OF JOHN BULL [ May 19, 1816. — No. 27. ] ON GOOD-NATURE [ June 9, 1816. — No. 28. ] ON THE CHARACTER OF MILTON’S EVE [ July 21, 1816. — No. 29. ] OBSERVATIONS ON MR. WORDSWORTH’S POEM THE EXCURSION [ Aug. 21, 28, 1814. — No. 30. ] THE SAME SUBJECT CONTINUED [ Oct. 2, 1814. — No. 31. ] CHARACTER OF THE LATE MR. PITT [61] — No. 32. ] ON RELIGIOUS HYPOCRISY [ Oct. 9, 1814. — No. 33. ] ON THE LITERARY CHARACTER [ Oct. 28, 1813. — No. 34. ] ON COMMON-PLACE CRITICS [ Nov. 24, 1816. — No. 35. ] ON THE CATALOGUE RAISONNÉ OF THE BRITISH INSTITUTION [ Nov. 10, 1816. — No. 36. ] THE SAME SUBJECT CONTINUED [ Nov. 10, 17, 1816. — No. 37. ] ON POETICAL VERSATILITY [ Dec. 22, 1816. — No. 38. ] ON ACTORS AND ACTING [ Jan. 5, 1817. — No. 39. ] ON THE SAME [ Jan. 5, 1817. — No. 40. ] WHY THE ARTS ARE NOT PROGRESSIVE?—A FRAGMENT [ Jan. 11, 15; Sep. 11, 1814.
6. 6.CHARACTERS OF SHAKESPEAR’S PLAYS — BIBLIOGRAPHICAL NOTE — CONTENTS — PREFACE — CYMBELINE — MACBETH — JULIUS CÆSAR — OTHELLO — TIMON OF ATHENS — CORIOLANUS — TROILUS AND CRESSIDA — ANTONY AND CLEOPATRA — HAMLET — THE TEMPEST — THE MIDSUMMER NIGHT’S DREAM — ROMEO AND JULIET — LEAR — RICHARD II. — HENRY IV IN TWO PARTS — HENRY V. — HENRY VI. IN THREE PARTS — RICHARD III. — HENRY VIII. — KING JOHN — TWELFTH NIGHT; OR, WHAT YOU WILL — THE TWO GENTLEMEN OF VERONA — THE MERCHANT OF VENICE — THE WINTER’S TALE — ALL’S WELL THAT ENDS WELL — LOVE’S LABOUR’S LOST — MUCH ADO ABOUT NOTHING — AS YOU LIKE IT — THE TAMING OF THE SHREW — MEASURE FOR MEASURE — THE MERRY WIVES OF WINDSOR — THE COMEDY OF ERRORS — DOUBTFUL PLAYS OF SHAKESPEAR — POEMS AND SONNETS — CONSTANCY — LOVE’S CONSOLATION — NOVELTY — LIFE’S DECAY
7. 7.A LETTER TO WILLIAM GIFFORD, ESQ.
8. 8.NOTES — THE ROUND TABLE — ON THE LOVE OF LIFE — ON CLASSICAL EDUCATION — ON THE TATLER — ON MODERN COMEDY — ON MR. KEAN’S IAGO — ON THE LOVE OF THE COUNTRY — ON POSTHUMOUS FAME — ON HOGARTH’S ‘ MARRIAGE À LA MODE ’ — THE SUBJECT CONTINUED — ON MILTON’S LYCIDAS — ON MILTON’S VERSIFICATION — ON MANNER — ON THE TENDENCY OF SECTS — ON JOHN BUNCLE — ON THE CAUSES OF METHODISM — ON THE MIDSUMMER NIGHT’S DREAM — THE BEGGAR’S OPERA — ON PATRIOTISM—A FRAGMENT — ON BEAUTY — ON IMITATION — ON GUSTO — ON PEDANTRY — THE SAME SUBJECT CONTINUED — ON THE CHARACTER OF ROUSSEAU — ON DIFFERENT SORTS OF FAME — CHARACTER OF JOHN BULL — ON GOOD NATURE — ON THE CHARACTER OF MILTON’S EVE — OBSERVATIONS ON MR. WORDSWORTH’S POEM ‘THE EXCURSION’ — THE SAME SUBJECT CONTINUED — CHARACTER OF THE LATE MR. PITT — ON RELIGIOUS HYPOCRISY — ON THE LITERARY CHARACTER — ON COMMON-PLACE CRITICS — ON THE CATALOGUE RAISONNÉ OF THE BRITISH INSTITUTION — THE SAME SUBJECT CONTINUED — ON POETICAL VERSATILITY — ON ACTORS AND ACTING — THE SAME SUBJECT CONTINUED — WHY THE ARTS ARE NOT PROGRESSIVE: A FRAGMENT — CHARACTERS OF SHAKESPEAR’S PLAYS — CYMBELINE — MACBETH — JULIUS CÆSAR — OTHELLO — TIMON OF ATHENS — CORIOLANUS — TROILUS AND CRESSIDA — ANTONY AND CLEOPATRA — HAMLET — THE TEMPEST — THE MIDSUMMER NIGHT’S DREAM — ROMEO AND JULIET — LEAR — RICHARD II. — HENRY IV. — HENRY V. — HENRY VI. — RICHARD III. — HENRY VIII. — KING JOHN — TWELFTH NIGHT — THE TWO GENTLEMEN OF VERONA — THE MERCHANT OF VENICE — THE WINTER’S TALE — ALL’S WELL THAT ENDS WELL — LOVE’S LABOUR’S LOST — MUCH ADO ABOUT NOTHING — AS YOU LIKE IT — THE TAMING OF THE SHREW — MEASURE FOR MEASURE — THE MERRY WIVES OF WINDSOR — THE COMEDY OF ERRORS — DOUBTFUL PLAYS OF SHAKESPEAR — POEMS AND SONNETS — A LETTER TO WILLIAM GIFFORD, ESQ.
9. 9.TRANSCRIBER’S NOTES

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