By CHARLES LAMB.
There lived in the city of Verona two young gentlemen,
whose names were Valentine and Protheus, between whom
a firm and uninterrupted friendship had long subsisted.
They pursued their studies together, and their hours of leisure
were always passed in each other’s company, except
when Protheus visited a lady he was in love with; and these
visits, and this passion of Protheus for the fair Julia, were
the only topics on which these two friends disagreed: for
Valentine, not being himself a lover, was sometimes a little
weary of hearing his friend forever talking of his Julia, and
then he would laugh at Protheus, and in pleasant terms
ridicule the passion of love, and declare that no such idle
fancies should ever enter his head, greatly preferring (as he
said) the free and happy life he lead, to the anxious hopes
and fears of the lover Protheus.
One morning Valentine came to Protheus, to tell him that
they must for a time be separated, for that he was going to
Milan. Protheus, unwilling to part with his friend, used
many arguments to prevail upon Valentine not to leave
him; but Valentine said, “Cease to persuade me, my loving
Protheus, I will not, like a sluggard, wear out my youth in
idleness at home. Home-keeping youths have ever homely
wits. If your affection were not chained to the sweet glances
of your honored Julia, I would entreat you to accompany
me, to see the wonders of the world abroad; but since
you are a lover, love on still, and may your love be prosperous!”
They parted with mutual expressions of unalterable
friendship. “Sweet Valentine, adieu!” said Protheus;
“think on me, when you see some rare object worthy of
notice in your travels, and wish me partaker of your happiness.”
Valentine began his journey that same day towards Milan;
and when his friend had left him, Protheus sat down
to write a letter to Julia, which he gave to her maid Lucetta
to deliver to her mistress. Julia loved Protheus as
well as he did her, but she was a lady of a noble spirit, and
she thought it did not become her maiden dignity too easily
to be won; therefore she affected to be insensible of his passion,
and gave him much uneasiness in the prosecution of
his suit. And when Lucetta offered the letter to Julia, she
would not receive it, and chid her maid for taking letters
from Protheus, and ordered her to leave the room. But she
so much wished to see what was written in the letter, that
she soon called in her maid again, and when Lucetta returned,
she said, “What o’clock is it?” Lucetta, who knew
her mistress more desired to see the letter than to know the
time of day, without answering her question, again offered
the rejected letter. Julia, angry that her maid should thus
take the liberty of seeming to know what she really wanted,
tore the letter in pieces, and threw it on the floor, ordering
her maid once more out of the room. As Lucetta was retiring,
she stopped to pick up the fragments of the torn letter;
but Julia, who meant not so to part with them, said, in
pretended anger, “Go, get you gone, and let the papers lie;
you would be fingering them to anger me.”
Julia then began to piece together as well as she could the
torn fragments. She first made out these words, “Love-wounded
Protheus;” and lamenting over these and such-like
loving words, which she made out though they were all
torn asunder, or she said, wounded (the expression “Love-wounded
Protheus,” giving her that idea), she talked to
these kind words, telling them she would lodge them in her
bosom as in a bed, till their wounds were healed, and that
she would kiss each several piece, to make amends. In this
manner she went on talking with a pretty lady-like childishness,
till finding herself unable to make out the whole,
and vexed at her own ingratitude in destroying such sweet
and loving words, as she called them, she wrote a much
kinder letter to Protheus than she had ever done before.
Protheus was greatly delighted at receiving this favorable
answer to his letter; and while he was reading it, he exclaimed,
“Sweet love, sweet lines, sweet life!” In the
midst of his raptures he was interrupted by his father.
“How now!” said the old gentleman, “what letter are you
reading there?” “My lord,” replied Protheus, “it is a letter
from my friend Valentine, at Milan.” “Lend me the
letter,” said his father; “let me see what news.” “There are
no news, my lord,” said Protheus, greatly alarmed, “but
that he writes how well beloved he is of the Duke of Milan,
who daily graces him with favors; and how he wishes me
with him, the partner of his fortune.” “And how stand
you affected to his wish?” asked the father. “As one relying
on your lordship’s will, and not depending on his
friendly wish,” said Protheus.
Now it had happened that Protheus’s father had just been
talking with a friend on this very subject: his friend had
said, he wondered his lordship suffered his son to spend his
youth at home, whilst most men were sending their sons to
seek preferment abroad; “some,” said he, “to the wars, to
try their fortunes there, and some to discover islands far
away, and some to study in foreign universities; and there
is his companion Valentine, he is gone to the Duke of Milan’s
court. Your son is fit for any of these things, and it
will be a great disadvantage to him in his riper age, not to
have traveled in his youth.”
Protheus’s father thought the advice of his friend was
very good, and upon Protheus telling him that Valentine
“wished him with him, the partner of his fortune,” he at
once determined to send his son to Milan; and without giving
Protheus any reason for this sudden resolution, it being
the usual habit of this positive old gentleman to command
his son, not reason with him, he said, “My will is the same
as Valentine’s wish:” and seeing his son look astonished,
he added, “Look not amazed, that I so suddenly resolve
you shall spend some time in the Duke of Milan’s court;
for what I will I will, and there is an end. To-morrow be
in readiness to go. Make no excuses, for I am peremptory.”
Protheus knew it was of no use to make objections to his
father, who never suffered him to dispute his will; and he
blamed himself for telling his father an untruth about
Julia’s letter, which had brought upon him the sad necessity
of leaving her.
Now that Julia found she was going to lose Protheus for so
long a time, she no longer pretended indifference; and they
bade each other a mournful farewell with many vows of love
and constancy. Protheus and Julia exchanged rings, which
they both promised to keep forever in remembrance of each
other; and thus, taking a sorrowful leave, Protheus set out
on his journey to Milan, the abode of his friend Valentine.
Valentine was in reality what Protheus had feigned to his
father, in high favor with the duke of Milan; and another
event had happened to him, of which Protheus did not
even dream, for Valentine had given up the freedom of which
he used so much to boast, and was become as passionate a
lover as Protheus. She who had wrought this wondrous
change in Valentine, was the lady Silvia, daughter of the
duke of Milan, and she also loved him; but they concealed
their love from the duke, because although he showed much
kindness to Valentine, and invited him every day to his
palace, yet he designed to marry his daughter to a young
courtier whose name was Thurio. Silvia despised this
Thurio, for he had none of the fine sense and excellent qualities
of Valentine.
These two rivals, Thurio and Valentine, were one day on
a visit to Silvia, and Valentine was entertaining Silvia with
turning everything Thurio said into ridicule, when the duke
himself entered the room, and told Valentine the welcome
news of his friend Protheus’s arrival. Valentine said, “If
I had wished a thing, it would have been to have seen him
here!” and then he highly praised Protheus to the duke,
saying, “My lord, though I have been a truant of my time,
yet hath my friend made use and fair advantage of his days,
and is complete in person and in mind, in all good grace to
grace a gentleman.” “Welcome him then according to his
worth,” said the duke; “Silvia, I speak to you, and you,
sir Thurio; for Valentine, I need not bid him do so.” They
were here interrupted by the entrance of Protheus, and Valentine
introduced him to Silvia, saying, “Sweet lady, entertain
him to be my fellow servant to your ladyship.”
When Valentine and Protheus had ended their visit, and
were alone together, Valentine said, “Now tell me how all
does from whence you came? How does your lady, and
how thrives your love?” Protheus replied, “My tales of
love used to weary you, I know you joy not in a love-discourse.”
“Ay, Protheus,” returned Valentine, “but that
life is altered now. I have done penance for condemning
love. For in revenge of my contempt of Love, Love has
chased sleep from my enthralled eyes. O gentle Protheus,
Love is a mighty lord, and hath so humbled me, that I confess
there is no woe like his correction, and no such joy on
earth as in his service. I now like no discourse except it be
of love. Now I can break my fast, dine, sup, and sleep,
upon the very name of love.”
This acknowledgment of the change which love had made
in the disposition of Valentine was a great triumph to his
friend Protheus. But “friend” Protheus must be called no
longer, for the same all-powerful deity, Love, of whom they
were speaking, (yea even while they were talking of the
change he had made in Valentine) was working in the heart
of Protheus; and he, who had till this time been a pattern
of true love and perfect friendship, was now, in one short
interview with Silvia, become a false friend and a faithless
lover; for at the first sight of Silvia, all his love for Julia
vanished away like a dream, nor did his long friendship for
Valentine deter him from endeavoring to supplant him in
her affections; and although, as it will always be, when
people of dispositions naturally good become unjust, he had
many scruples, before he determined to forsake Julia, and
become the rival of Valentine, yet he at length overcame
his sense of duty, and yielded himself up, almost without
remorse, to his new unhappy passion.
Valentine imparted to him in confidence the whole history
of his love, and how carefully they had concealed it
from the duke her father, and told him, that despairing of
ever being able to obtain his consent, he had prevailed upon
Silvia to leave her father’s palace that night, and go with
him to Mantua; then he showed Protheus a ladder of ropes,
by help of which he meant to assist Silvia to get out of one
of the windows of the palace, after it was dark.
Upon hearing this faithful recital of his friend’s dearest
secrets, it is hardly possible to be believed, but so it was,
that Protheus resolved to go to the duke and disclose
the whole to him. This false friend began his tale with
many artful speeches to the duke, such as that by the laws
of friendship he ought to conceal what he was going to reveal,
but that the gracious favor the duke had shown him,
and the duty he owed his grace, urged him to tell that,
which else no worldly good should draw from him; he
then told all he had heard from Valentine, not omitting the
ladder of ropes, and the manner in which Valentine meant
to conceal them under a long cloak.
The duke thought Protheus quite a miracle of integrity, in
that he preferred telling his friend’s intention rather than
he would conceal an unjust action, highly commended him,
and promised him not to let Valentine know from whom he
had learned this intelligence, but by some artifice to make
Valentine betray the secret himself. For this purpose the
duke awaited the coming of Valentine in the evening, whom
he soon saw hurrying toward the palace, and he perceived
somewhat was wrapped within his cloak, which he concluded
was the rope ladder.
The duke upon this stopped him, saying, “Whither away
so fast, Valentine?” “May it please your grace,” said Valentine,
“there is a messenger, that stays to bear my letters
to my friends, and I am going to deliver them.” Now this
falsehood of Valentine’s had no better success in the event
than the untruth Protheus told his father. “Be they of
much import,” said the duke. “No more, my lord,” said
Valentine, “than to tell my father I am well and happy at
your grace’s court.” “Nay, then,” said the duke, “no matter;
stay with me awhile. I wish your counsel about some
affairs that concern me nearly.” He then told Valentine
an artful story, as a prelude to draw his secret from him,
saying, that Valentine knew he wished to match his
daughter with Thurio, but that she was stubborn and disobedient
to his commands, “neither regarding,” said he
“that she is my child, nor fearing me as if I were her father.
And I may say to thee, that this pride of hers has drawn my
love from her. I had thought my age should have been
cherished by her child-like duty. I am now resolved to
take a wife, and turn her out to whomsoever will take her
in. Let her beauty be her wedding-dower, for me and my
possessions she esteems not.”
Valentine, wondering where all this would end, made answer.
“And what would your grace have me do in all
this?” “Why,” said the duke, “the lady I would wish to
marry is nice and coy, and does not much esteem my aged
eloquence. Besides, the fashion of courtship is much
changed since I was young; now I would willingly have
you to be my tutor to instruct me how I am to woo.” Valentine
gave him a general idea of the modes of courtship then
practiced by young men, when they wished to win a fair
lady’s love, such as presents, frequent visits, and the like.
The duke replied to this, that the lady did not refuse a
present which he sent her, and that she was so strictly kept
by her father, that no man might have access to her by day.
“Why then,” said Valentine, “you must visit her by night.”
“By night,” said the artful duke, who was now coming to
the drift of his discourse, “her doors are fast locked.”
Valentine then unfortunately proposed that the duke
should get into the lady’s chamber at night, by means of a
ladder of ropes, saying, he would procure him one fitting
for that purpose; and, in conclusion, advised him to conceal
this ladder of ropes under such a cloak as that which he
now wore. “Lend me your cloak,” said the duke, who had
feigned this long story on purpose to have a pretence to get
off the cloak; so, upon saying these words, he caught hold
of Valentine’s cloak, and throwing it back, he discovered
not only the ladder of ropes, but also a letter of Silvia’s
which he instantly opened and read; and this letter contained
a full account of their intended elopement. The
duke, after upbraiding Valentine for his ingratitude in thus
returning the favor he had shown him, by endeavoring to
steal away his daughter, banished him from the court and
city of Milan forever; and Valentine was forced to depart
that night, without even seeing Silvia.
While Protheus at Milan was thus injuring Valentine,
Julia at Verona was regretting the absence of Protheus, and
her regard for him at last so far overcame her sense of propriety,
that she resolved to leave Verona, and seek her lover
at Milan; and to secure herself from danger on the road,
she dressed her maid Lucetta and herself in men’s clothes,
and they set out in this disguise, and arrived at Milan soon
after Valentine was banished from that city, through the
treachery of Protheus.
Julia entered Milan about noon, and she took up her abode
at an inn; and her thoughts being all on her dear Protheus,
she entered into conversation with the inn-keeper, or host,
as he was called, thinking by that means to learn some
news of Protheus. The host was greatly pleased that this
handsome young gentleman (as he took her to be), who
from his appearance he concluded was of high rank, spoke
so familiarly to him; and being a good-natured man, he
was sorry to see him look so melancholy; and to amuse his
young guest he offered to take him to hear some fine music,
with which, he said, a gentleman that evening was going to
serenade his mistress.
The reason Julia looked so very melancholy was, that she
did not well know what Protheus would think of the imprudent
step she had taken; for she knew that he had loved her for
her noble maiden pride and dignity of character, and she
feared she should lower herself in his esteem; and this it
was that made her wear a sad and thoughtful countenance.
She gladly accepted the offer of the host to go with him,
and hear the music; for she secretly hoped she might meet
Protheus by the way. But when she came to the palace
whither the host conducted her, a very different effect was
produced to what the kind host intended; for there, to her
heart’s sorrow, she beheld her lover, the inconstant Protheus,
serenading the lady Silvia with music, and addressing
discourse of love and admiration to her. And Julia
overheard Silvia from a window talk with Protheus, and
reproach him for forsaking his own true lady, and for his
ingratitude to his friend Valentine; and then Silvia left
the window, not choosing to listen to his music and his fine
speeches; for she was a faithful lady to her banished Valentine,
and abhorred the ungenerous conduct of his false
friend Protheus.
Though Julia was in despair at what she had just witnessed,
yet did she still love the truant Protheus; and hearing
that he had lately parted with a servant, she contrived,
with the assistance of her host, the innkeeper, to hire herself
to Protheus as a page; and Protheus knew not she was
Julia, and he sent her with letters and presents to her rival
Silvia, and he even sent by her the very ring she gave him
as a parting gift at Verona.
When she went to that lady with the ring, she was most
glad to find that Silvia utterly rejected the suit of Protheus;
and Julia, or the page Sebastian, as she was called, entered
into conversation with Silvia about Protheus’s first love,
the forsaken lady Julia. She putting in (as one may say) a
good word for herself, said she knew Julia; as well she
might, being herself the Julia of whom she spoke: telling
how fondly Julia loved her master Protheus, and how his
unkind neglect would grieve her. And then she, with a
pretty equivocation, went on: “Julia is about my height,
and of my complexion, the color of her eyes and hair the
same as mine;” and indeed Julia looked a most beautiful
youth in her boy’s attire. Silvia was moved to pity this
lovely lady, who was so sadly forsaken by the man she
loved; and when Julia offered the ring which Protheus had
sent, refused it, saying, “The more shame for him that he
sends me that ring; I will not take it, for I have often heard
him say his Julia gave it to him. I love thee, gentle youth,
for pitying her, poor lady! Here is a purse; I give it you
for Julia’s sake.” These comfortable words coming from
her kind rival’s tongue cheered the drooping heart of the
disguised lady.
But to return to the banished Valentine, who scarce knew
which way to bend his course, being unwilling to return
home to his father a disgraced and banished man. As he
was wandering over a lonely forest, not far distant from
Milan, where he had left his heart’s dear treasure, the lady
Silvia, he was set upon by robbers, who demanded his
money. Valentine told them he was a man crossed by adversity,
that he was going into banishment, and that he had
no money, the clothes he had on being all his riches. The
robbers, hearing that he was a distressed man, and being
struck with his noble air and manly behavior, told him, if
he would live with them and be their chief, or captain, they
would put themselves under his command, but if he refused
to accept their offer they would kill him. Valentine, who
cared little what became of himself, said he would consent
to live with them and be their captain, provided they
did no outrage on women or poor passengers. Thus the
noble Valentine became, like Robin Hood, of whom we
read in ballads, a captain of robbers and outlawed banditti;
and in this situation he was found by Silvia, and in this
manner it came to pass:
Silvia, to avoid a marriage with Thurio, whom her father
insisted upon her no longer refusing, came at last to the resolution
of following Valentine to Mantua, at which place
she had heard her lover had taken refuge; but in this account
she was misinformed, for he still lived in the forest
among the robbers, bearing the name of their captain, but
taking no part in their depredations, and using the authority
which they had imposed upon him in no other way than
to show compassion to the travelers they robbed. Silvia
contrived to effect her escape from her father’s palace in
company with a worthy old gentleman, whose name was
Eglamour, whom she took along with her for protection on
the road. She had to pass through the forest where Valentine
and the banditti dwelt; and one of the robbers seized
on Silvia, and would also have taken Eglamour, but he escaped.
The robber who had taken Silvia, seeing the terror she
was in, bid her not to be alarmed, for that he was only going
to carry her to a cave where his captain lived, and that she
need not be afraid, for their captain had an honorable mind,
and always showed humanity to women. Silvia found little
comfort in hearing she was going to be carried as a prisoner
before the captain of a lawless banditti. “O Valentine,”
she cried, “this I endure for thee!” But as the robber
was conveying her to the cave of his captain, he was
stopped by Protheus, who, still attended by Julia in the disguise
of a page, having heard of the flight of Silvia, had
traced her steps to this forest. Protheus now rescued her
from the hands of the robber, but scarce had she time to
thank him for the service he had done her, before he began
to distress her afresh with his love suit; and while he was
rudely pressing her to consent to marry him, and his page
(the forlorn Julia) was standing beside them in great anxiety
of mind, fearing lest the great service which Protheus
had just done to Silvia should win her to show him some
favor, they were all strangely surprised with the sudden appearance
of Valentine, who having heard his robbers had
taken a lady prisoner, came to console and relieve her.
Protheus was courting Silvia, and he was so much ashamed
of being caught by his friend, that he was all at once seized
with penitence and remorse; and he expressed such a lively
sorrow for the injuries he had done to Valentine, that Valentine,
whose nature was noble and generous, even to a romantic
degree, not only forgave and restored him to his former
place in his friendship, but in a sudden flight of heroism
he said, “I freely do forgive you; and all the interest I
have in Silvia, I give it up to you.” Julia, who was standing
behind her master as a page, hearing this strange offer,
and fearing Protheus would not be able with this new found
virtue to refuse Silvia, fainted, and they were all employed
in recovering her; else would Silvia have been offended at
being thus made over to Protheus, though she could scarcely
think that Valentine would long persevere in this over-strained
and too generous act of friendship. When Julia
recovered from the fainting fit, she said, “I had forgotten,
my master ordered me to deliver this ring to Silvia.” Protheus,
looking upon the ring, saw that it was the one he
gave to Julia, in return for that which he received from her,
and which he had sent by the supposed page to Silvia.
“How is this?” said he, “this is Julia’s ring; how came you
by it, boy?” Julia answered, “Julia herself did give it me,
and Julia herself hath brought it hither.”
Protheus, now looking earnestly upon her, plainly perceived
that the page Sebastian was no other than the lady
Julia herself; and the proof she had given of her constancy
and true love so wrought in him, that his love for her returned
into his heart, and he took again his own dear lady,
and joyfully resigned all pretensions to the lady Silvia to
Valentine, who had so well deserved her.
Protheus and Valentine were expressing their happiness
in their reconciliation, and in the love of their faithful
ladies, when they were surprised with the sight of the Duke
of Milan and Thurio, who came there in pursuit of Silvia.
Thurio first approached, and attempted to seize Silvia, saying,
“Silvia is mine.” Upon this Valentine said to him in
a very spirited manner, “Thurio, keep back; if once again
you say that Silvia is yours, you shall embrace your death.
Here she stands; take but possession of her with a touch!
I dare you but to breathe upon my love.” Hearing this
threat, Thurio, who was a great coward, drew back, and
said he cared not for her, and that none but a fool would
fight for a girl who loved him not.
The duke, who was a very brave man himself, said now
in great anger, “The more base and degenerate in you to
take such means for her as you have done, and leave her on
such slight conditions.” Then turning to Valentine, he
said, “I do applaud your spirit, Valentine, and think you
worthy of an empress’s love. You shall have Silvia, for you
have well deserved her.” Valentine then with great humility
kissed the duke’s hand, and accepted the noble present
which he had made him of his daughter with becoming
thankfulness; taking occasion of this joyful minute to entreat
the good-humored duke to pardon the thieves with
whom he had associated in the forest, assuring him that
when reformed and restored to society, there would be found
among them many good, and fit for great employment, for
the most of them had been banished, like Valentine, for
state offences, rather than for any black crimes they had
been guilty of. To this the ready duke consented; and now
nothing remained but that Protheus, the false friend, was
ordained, by way of penance for his love-prompted faults,
to be present at the recital of the whole story of his loves
and falsehoods before the duke. And the shame of the recital
to his awakened conscience was judged sufficient punishment;
which being done, the lovers, all four, returned
back to Milan, and their nuptials were solemnized in presence
of the duke, with high triumphs and feasting.
A Scotch Prayer.—The following prayer was written
about 1804, at a time when Britain was threatened with a
French invasion, Napoleon having assumed full authority:
“God bless this house, and all that’s in this house, and
all within twa miles ilka side this house. O bless the cow,
and the meal, and the kail-yard, and the muckle town o’
Dumbarton.
“O God! bless the Scotch Greys that are lien’ in Hamilton
Barracks. They are brae chiels—they are not like the
English whalps, that dash their foot against a stone, and
damn the saul of the stone—as if a stone had a saul to be saved.
“O build a strong deak [dyke] between us and the muckle
French, but a far stranger one between us and the wild Irish.
“O Lord! preserve us frae a’ witches and warlocks, and a’
lang-nebbed beasties that gang threw the heather.
“O Lord! put a pair o’ branks about the king o’ France’s
neck—gie me the helter in my ain hand, that I may lead
him about when I like: for thy name’s sake. Amen.”

CONSTANT CHANGE IN WORDS.
By JOHN PEILE, M. A.
Words are subject to an incessant change. Substantives,
for example, are the names of things actually existing, or
of qualities of those things. When I say an oak, I mean
an oak and not a beech; goodness is not badness; and if
these things don’t change, how can the names which express
them change without causing utter confusion? Perhaps
variations so violent as these are not very common,
and yet both these changes have occurred in language. The
very same word which to the Greeks meant an oak, to the
Romans meant a beech, though an oak never yet changed
into a beech. Schlecht in German first of all meant
“straight.” Now the “straightness” of a visible object, such
as a line, is the most obvious metaphor by which to express
the moral idea of “straightforwardness” and simplicity of
heart and purpose, just as our common word right means
originally that which is straight, the Latin rectus. But
then simpleness may shade into the folly of the simpleton;
and lastly the fool in worldly wisdom may give his name
to the fool of whom Solomon spoke; and by some such process
as this schlecht in modern German means “bad” only.
After seeing this change of nouns, can we wonder that verbs
can vary their meaning by imperceptible degrees so much
that the first sense would be altogether unrecognizable unless
we had the history of the word recorded by its use in
successive writers?
Great changes of language are sometimes due to great
convulsions in history; as when the Roman civilization was
destroyed by nations comparatively uncivilized and the
language of the Romans remained modified in different
ways in the countries of which they were the lords no
longer. Such great changes do not often take place; yet
just as surely, though more slowly, a gradual change goes
on in the most peaceful times, of which you cannot have a
better example than in your own English. “Well,” you
say, “surely English has not changed much in the last three
hundred years. We can read Shakspere without any difficulty.”
That is saying a little too much; we are so familiar
with the best parts of Shakspere that perhaps we are hardly
conscious of the difference; the words have a well-known
sound, and if we are not students of language we may not
examine them very carefully. But open your Shakspere
almost at random and you will soon find out, if you really
consider, how much is now obsolete, how many words have
passed out of use or are used in a different sense. I have
opened on “Macbeth,” Act. i. Sec. 7, and there I find in Lady
Macbeth’s speech:—
“His two chamberlains
Will I with wine and wassail so convince
That memory, the warder of the brain,
Shall be a fume, and the receipt of reason
A limbec only.”
Now look at a few of the words here. (1) “Chamberlain,” as
we all know, etymologically a man of the chamber; it comes
from camera, a chamber, originally a vault; the root of this
is cam—to be bent or crooked, which is supposed to be the
origin of the name of our most crooked river. The old
sense of “chamberlain” has not quite died out of our recollection;
yet when we speak of the Lord Chamberlain—the
only person to whom the title is now applied—we don’t
think of a man whose business it is to guard his king’s sleep
when on a journey, or, generally, of a bed-room attendant,
but of one whose best known duty is the censorship of plays.
(2) “Wassail” is a word which we should expect to find
in a historical novel, but not to hear in every-day talk. We
feel pretty sure that it has something to do with good cheer,
but we may not know that it was originally a drinking of
health; that was was the imperative of the verb was “to
be,” which we have turned into an auxiliary verb to mark
past time; and the last syllable is our word hale—healthy,
which we have pretty well restricted to the description of
an elderly man, whom we call “hale for his years;” though
we are familiar with the word in corrupted form whole, which
we have in the Bible, “I have made a man every whit
whole on the Sabbath day.” (3) “Convince” has wavered
much in sense; we use it now simply for persuading a person,
but the primary meaning was “to overpower,” which
it has here; in the Bible phrase “Which of you convinceth
me of sin?” we have the same special sense of overcoming
by testimony, which convincere had in Latin.
So again (4) “Warder,” like “wassail” is a word with which
we are familiar from books, but which we should not ourselves
use without the appearance of affectation; we should use
the equivalent “guard.” We have here a couple of words
identical in meaning, just as we have wise and guise, warrant
and guarantee, wager and gaze, and others which explain
the riddle, such as war and French guerre, warren
and French garenne. It is well known that in all these the
w marks the Teutonic word introduced alike into England
by the Anglo-Saxons and into France by the Franks, which
the earlier inhabitants of France were unable to pronounce
without letting a g escape before it; and so they produced
the second form beginning with gu. Some of these second
forms were brought into England by the Normans, and existed
there by the side of the English word brought long before;
but as there was no distinction in sense, one form generally
fell into disuse, only to be revived for a special purpose, as
by Sir Walter Scott, to give a mediæval look to his poems.
(5) “Fume” meant smoke or steam. Shakspere used it metaphorically,
just as we might speak of a man’s reason being
clouded. Such a use of the word may have been familiar at
his time, but no such idea would now attach to it; if we use
it at all, we do so in the old simple sense, as the “fumes of
tobacco,” the same sense which the word bore at Rome and
in the far-away India more than twenty centuries ago;
while the Greeks turned it, by a different metaphor, to express
the steam of passion, and Plato in his famous analysis
distinguished the “thumoeides,” the spirited part of the
soul, from that part which reasons, and from that part which
desires. (6) “Receipt” seems to be used of a place, that
place where reason is found, just as we hear of Matthew in
the Bible “sitting at the receipt of custom.” (7) “Limbec”
has probably died out altogether. It is only the student of the
history of the English language who can guess that the word
is equivalent to alembic, which meant a still or retort, and
so is used here by Shakspere merely in the sense of an
empty vessel, that into which anything may be poured.
The word is Arabic; it was brought into England with
chemical study like alchemy itself, algebra, and many
others. Then by degrees people fancied that the a at the
beginning of the word was our article, though really the
first syllable al is the Arabic article; and thus lembic
or limbic was left. The article has often been a thief in
England. It has two forms an and a, and meant one, as
you may see in the old Scotch form, “ane high and michty
lord.” The shortened form a was naturally used before a
consonant, but when the word began with n, people did not
always see where to divide rightly. Thus a nadder turned
into an adder, a napron has become an apron, etc.; on the
other hand the eft (ewt) seems to have robbed the article in
its turn and become a newt.
Thus we have examined one passage, and have found in
its four lines seven words which are either not used now at
all or are used in a different sense. Yet, as we said, the
passage as a whole sounds simple enough when we read it
or hear it on the stage. We must admit then that the English
of to-day differs much from Shakspere’s English in the
meaning of its words.