As the most beautiful woman of her day, Madame Récamier is widely known;
as the friend of Châteaubriand and De Staël, she is scarcely less so. An
historic as well as literary interest is attached to her name; for she
lived throughout the most momentous and exciting period of modern times.
Her relations with influential and illustrious men of successive
revolutions were intimate and confidential; and though the rôle she
played was but negative, the influence she exerted has closely connected
her with the political history of her country.
But interesting as her life is from this point of view, in its social
aspect it has a deeper significance. It is the life of a beautiful
woman,—and so varied and romantic, so fruitful in incident and rich in
experience, that it excites curiosity and invites speculation. It is a
life difficult, if not impossible, to understand. Herein lies its
peculiar and engrossing fascination. It is a curious web to unravel, a
riddle to solve, a problem at once stimulating and baffling. Like the
history of the times, it is full of puzzling contradictions and striking
contrasts. The daughter of a provincial notary, Madame Récamier was the
honored associate of princes. A married woman, she was a wife only in
name. A beauty and a belle, she was as much admired by her own as by the
other sex. A coquette, she changed passionate lovers into lifelong
friends. Accepting the open and exclusive homage of married men, she
continued on the best of terms with their wives. One day the mistress of
every luxury that wealth can command,—the next a bankrupt's wife. One
year the reigning "Queen of Society,"—the next a suspected exile. As
much flattered and courted when she was poor as while she was rich. Just
as fascinating when old and blind as while young and beautiful. Loss of
fortune brought no loss of power,—decline of beauty, no decrease of
admiration. Modelled by artists, flattered by princes, adored by women,
eulogized by men of genius, courted by men of letters,—the beloved of
the chivalric Augustus of Prussia, and the selfish, dreamy
Châteaubriand,—with the high-toned Montmorencys for her friends, and
the simple-minded Ballanche for her slave. Such were some of the
triumphs, such some of the contrasts in the life of this remarkable
woman.
It is hard to conceive of a more brilliant career, or of one more
calculated from its singularity to give rise to contradictory
impressions. This natural perplexity is much increased by the character
of Madame Récamier's memoirs, published in 1859, ten years after her
death. They are from the pen of Madame Lenormant, the niece of Monsieur
Récamier, and the adopted daughter of his wife. To her Madame Récamier
bequeathed her papers, with the request that she should write the
narrative of her life. Madame Lenormant had a delicate and difficult
task to execute. The life she was to portray was strictly a social one.
It was closely interwoven with the lives of other persons still living
or lately dead. She owed heavy obligations to both. It is, therefore,
not surprising, if her narrative is at times broken and obscure, and she
a too partial biographer. Not that Madame Lenormant can be called
untrustworthy. She cannot be accused of misrepresenting facts, but she
does what is almost as bad,—she partially states them. Her vague
allusions and half-and-half statements excite curiosity without
gratifying it. We also crave to know more than she tells us of the
heart-history of this woman who so captivated the world,—to see her
sometimes in the silence of solitude, alone with her own thoughts,—to
gain an insight into the inner, that we may more perfectly comprehend
the outward life which so perplexes and confounds. Instead of all this,
we have drawing-room interviews with the object of our interest. We see
her chiefly as she appeared in society. We have to be content with what
others say of her, in lieu of what she might say for herself. We hear of
her conquests, her social triumphs, we listen to panegyrics, but are
seldom admitted behind the scenes to judge for ourselves of what is gold
and what is tinsel. We, moreover, seek in vain for those unconscious
revelations so precious in divining character. The few letters of Madame
Récamier that are published have little or no significance. She was not
fond of writing, still she corresponded regularly with several of her
friends; but her correspondence, it seems, has not been obtained by her
biographer. The best insight we get, therefore, into the emotional part
of her nature is from indirect allusions in letters addressed to her,
and from conclusions drawn from her course of conduct in particular
cases. Some of the incidents of her life are so dramatic, that, if fully
and faithfully told, they would of themselves reveal the true character
of the woman, but as it is we have but little help from them. It is
impossible to resist the conviction that Madame Lenormant would not
hesitate to suppress any circumstances that might cast a shadow on the
memory of her aunt. It is true that she occasionally relates facts
tending to injure Madame Récamier, but it is plain to be seen that she
herself is totally unconscious of the nature and tendency of these
disclosures. Upon the publication of her book, these indiscretions
excited the displeasure of Madame Récamier's warm personal friends. One
of them, Madame Möhl, by birth an Englishwoman, undertook her defence.
This lady corrects a few slight inaccuracies of the "Souvenirs," and
since she cannot controvert its more important facts, she attempts to
explain them. Her sketch[A] of Madame Récamier is pleasant, from its
personal recollections, but far inferior to one by Sainte-Beuve,[B]
which is eminently significant. Neither, as sources of information, can
supply the place of the more voluminous and explicit "Souvenirs." It is
a little singular that this work has not been translated into English,
for, in spite of its lack of method, its diffuseness and
disproportionate developments, it is very attractive and interesting. It
is also highly valuable for its large collection of letters from
distinguished people. In the sketch we propose to make of Madame
Récamier's life, we shall rely mainly upon it for our facts, giving in
connection our own view of her character and career.
The beauty which first won celebrity for Madame Récamier was hers by
inheritance. Her father was a remarkably handsome man, but a person of
narrow capacity, who owed his advancement in life solely to the
exertions of his more capable wife. Madame Bernard was a beautiful
blonde. She was lively and spirituelle, coquettish and designing.
Through her influence with Calonne, minister under Louis XVI., Monsieur
Bernard was made Receveur des Finances. Upon this appointment, in
1784, they came to Paris, leaving their only child, Juliette, then seven
years old, at Lyons, in the care of an aunt, though she was soon
afterward placed in a convent, where she remained three years. Monsieur
and Madame Bernard's style of living in Paris was both elegant and
generous. Their house became the resort of the Lyonnese, and also of
literary men,—the latter being especially courted by Madame Bernard.
But, though seemingly given up to a life of gayety and pleasure, she did
not neglect her own interests. Her cleverness was of the Becky-Sharp
order. She knew how to turn the admiration she excited to her own
advantage. Having a faculty for business, she engaged in successful
speculations and amassed a fortune, which she carried safely through the
Reign of Terror. This is the more remarkable as Monsieur Bernard was a
known Royalist. He and his family and his wife's friends escaped not
only death, but also persecution; and Madame Lenormant attributes this
rare good-fortune to the agency of the infamous Barrère. Barrère's
cruelty was equalled only by his profligacy, his cunning by his
selfishness. Macaulay said of him, that "he approached nearer than any
person mentioned in history or fiction, whether man or devil, to the
idea of consummate and total depravity"; and everybody must remember the
famous comparison by which he illustrated Barrère's faculty of lying.
But even taking a much milder view of Barrère's character, it is a
matter of history by what terms the unfortunate victims of the
Revolution purchased of him their own lives and those of their friends,
and it is certain that his friendship and protection were no honor to
any woman. This view of their intimacy is confirmed by Madame Möhl. In
speaking of a rumor current in Madame Récamier's lifetime, which
reflected severely upon her mother, she says that Madame Bernard's
reputation had nothing to lose by this story, and mentions the favors
she received at the hands both of Calonne and Barrère.
Juliette Bernard was ten years old when she joined her parents in Paris,
where she was placed under the care of masters. She played with skill on
the harp and piano, and being passionately fond of music, it became her
solace and amusement at an advanced age. In her youth dancing was
equally a passion with her. The grace with which she executed the
shawl-dance suggested to Madame de Staël the dance-scene in "Corinne."
It is said that great care was bestowed upon her education; but as it is
also stated that long hours were passed at the toilette, that she was
the pet of all her mother's friends, who, as proud of her daughter's
beauty as she was of her own, took her constantly to the theatre and
public assemblies, little time could have been devoted to systematic
instruction. There is no mention made throughout her life of any
favorite studies or favorite books, and she was, moreover, married at
fifteen.
Monsieur Récamier was forty-four years old when he proposed for the hand
of Juliette Bernard. She accepted him without either reluctance or
distrust. Much sympathy has been lavished upon Madame Récamier on
account of this marriage, and her extreme youth is urged as an excuse
for this false step of her life. Still she did not take it blindly. Her
mother thought it her duty to lay before her all the objections to a
union where there existed such a disparity of age. No undue influence
was exerted, therefore, in favor of the marriage. Nor was Mademoiselle
Bernard as unsophisticated as French girls usually are at that age. Her
childhood had not been passed in seclusion. Since she was ten years old
she had been constantly in the society of men of letters and men of the
world. Under such influences girls ripen early, and in marrying Monsieur
Récamier she at least realized all her expectations. She did not look
for mutual affection; she expected to find in him a generous and
indulgent protector, and this anticipation was not disappointed. If she
discovered too late that she had other and greater needs, she was deeply
to be pitied, but the responsibility of the step must remain with her.
Madame Lenormant says of the union,—"It was simply an apparent one.
Madame Récamier was a wife only in name. This fact is astonishing. But I
am not bound to explain it, only to attest its truth, which all of
Madame Récamier's friends can confirm. Monsieur Récamier's relations to
his wife were strictly of a paternal character. He treated the young and
innocent child who bore his name as a daughter whose beauty charmed him
and whose celebrity flattered his vanity."
As an explanation of these singular relations, Madame Möhl states that
it was the general belief of Madame Récamier's contemporaries that she
was the own daughter of Monsieur Récamier, whom the unsettled state of
the times had induced him to marry; but there is not a shadow of
evidence in support of this hypothesis,—though, to make it more
probable, Madame Möhl adds, that "Madame Lenormant rather confirms than
contradicts this rumor." In this she is strangely mistaken. Madame
Lenormant does not allude to the report at all. Still she tacitly
contradicts it. Her account of Monsieur Récamier's course with regard to
the divorce proposed between him and his wife is of itself a sufficient
refutation of this idle story.
Monsieur Récamier was a tall, vigorous, handsome man, of easy, agreeable
manners. Perfectly polite, he was deficient in dignity, and preferred
the society of his inferiors to that of his equals. He wrote and spoke
Spanish with fluency, had some knowledge of Latin, and was fond of
quoting Horace and Virgil. "It would be difficult to find," says his
niece, "a heart more generous than his, more easily moved, and yet more
volatile. Let a friend need his time, his money, his advice, it was
immediately at his service; but let that same friend be taken away by
death, he would scarcely give two days to regret: 'Encore un tiroir
fermé', he would say, and there would end his sensibility. Always ready
to give and willing to serve, he was a good companion, and benevolent
and gay in his temper. He carried his optimism to excess, and was always
content with everybody and everything. He had fine natural abilities,
and the gift of expression, being a good story-teller." He was married
in 1793, the most gloomy period of the Reign of Terror, and went every
day to see the executions, wishing, he said, to familiarize himself with
the fate he had every reason to fear would be his own.
The first four years of her marriage were passed by Madame Récamier in
retirement, but when the government was settled under the Consulate she
mingled freely and gayly in society. This was probably the happiest
period of her life. Her husband was at the height of financial
prosperity, and lavished every luxury upon his beautiful wife. Both
their country-seat at Clichy and their town-house in the Rue Mont Blanc
were models of elegant taste. Large dinner-parties and balls were given
at the latter, but all the intimate friends went to Clichy, where Madame
Récamier chiefly resided with her mother. Her husband only dined there,
driving in to Paris every night. She was very fond of flowers, and
filled her rooms with them. At that time floral decorations were a
novelty, and another attraction was added to the charms of Clichy. Not
only there, but in society, Madame Récamier reigned a queen. She had
been pronounced by acclamation "the most beautiful," and she enjoyed her
triumphs with all the gayety and freshness of youth. Madame Lenormant
asserts that she was unconscious of her beauty, and yet, with an amusing
inconsistency, she adds that Madame Récamier always dressed in white and
wore pearls in preference to other jewels, that the dazzling whiteness
of her skin might eclipse their softness and purity. It was, in fact,
impossible to be unconscious of a beauty so ravishing that it
intoxicated all beholders. At the theatre, at the promenade, at public
assemblies, she was followed by admiring throngs.
"She was sensible," writes one who knew her well, "of every look, every
word of admiration,—the exclamation of a child or a woman of the
people, equally with the declaration of a prince. In crowds from the
side of her elegant carriage, which advanced slowly, she thanked each
for his admiration by a motion of the head and a smile."
As an instance of the effect she produced, Madame Lenormant gives the
testimony of a contemporary, Madame Regnauld de Saint-Jean d'Angely,
who, talking over her own beauty and that of other women of her youth,
named Madame Récamier. "Others," she said, "were more truly beautiful,
but none produced so much effect. I was in a drawing-room where I
charmed and captivated all eyes. Madame Récamier entered. The brilliancy
of her eyes, which were not, however, very large, the inconceivable
whiteness of her shoulders, crushed and eclipsed everybody. She was
resplendent. At the end of a moment, however, the true amateurs returned
to me."
It was not her own countrymen alone who raved about her beauty. The
sober-minded English people were quite as much impressed. When she
visited England during the short peace of Amiens, she created intense
excitement. The journals recorded her movements, and on one occasion in
Kensington Gardens the crowd was so great that she narrowly escaped
being crushed. At the Opera she was obliged to steal away early to avoid
a similar annoyance, and then barely succeeded in reaching her carriage.
Châteaubriand tells us that her portrait, engraved by Bartolozzi, and
spread throughout England, was carried thence to the isles of Greece.
Ballanche, remarking on this circumstance, said that it was "beauty
returning to the land of its birth."
Years after, when the allied sovereigns were in Paris, and Madame
Récamier thirty-eight years old, the effect of her beauty was just as
striking. Madame de Krüdener, celebrated for her mysticism and the power
she exerted over the Emperor Alexander, then held nightly reunions,
beginning with prayer and ending in a more worldly fashion. Madame
Récamier's entrance always caused distraction, and Madame de Krüdener
commissioned Benjamin Constant to write and beseech her to be less
charming. As this piquant note will lose its flavor by translation, we
give it in the original.
"Je m'acquitte avec un peu d'embarras d'une commission que Mme. de
Krüdener vient de me donner. Elle vous supplie de venir la moins belle
que vous pourrez. Elle dit que vous éblouissez tout le monde, et que par
là toutes les âmes sont troublées, et toutes les attentions impossibles.
Vous ne pouvez pas déposer votre charme, mais ne le rehaussez pas."
Madame Récamier's personal appearance at eighteen is thus described by
her niece:—
"A figure flexible and elegant; neck and shoulders admirably formed and
proportioned; a well-poised head; a small, rosy mouth, pearly teeth,
charming arms, though a little small, and black hair that curled
naturally. A nose delicate and regular, but bien français, and an
incomparable brilliancy of complexion. A countenance full of candor, and
sometimes beaming with mischief, which the expression of goodness
rendered irresistibly lovely. There was a shade of indolence and pride
in her gestures, and what Saint Simon said of the Duchess of Burgundy is
equally applicable to her: 'Her step was that of a goddess on the
clouds.'"
Madame Récamier retained her beauty longer than is usual even with
Frenchwomen, nor did she seek to repair it by any artificial means. "She
did not struggle," says Sainte-Beuve, "she resigned herself gracefully
to the first touch of Time. She understood, that, for one who had
enjoyed such success as a beauty, to seem yet beautiful was to make no
pretensions. A friend who had not seen her for many years complimented
her upon her looks. 'Ah, my dear friend,' she replied, 'it is useless
for me to deceive myself. From the moment I noticed that the little
Savoyards in the street no longer turned to look at me, I comprehended
that all was over.'" There is pathos in this simple acknowledgment, this
quiet renunciation. Was it the result of secret struggles which taught
her that all regret was vain, and that to contrast the present with the
past was but a useless and torturing thing for a woman?
But at the time of which we write Madame Récamier had no sad realities
to ponder. She was surrounded by admirers, with the liberty which French
society accords to married women, and the freedom of heart of a young
girl. She was still content to be simply admired. She understood neither
the world nor her own heart. Her life was too gay for reflection, nor
had the time arrived for it: "all analysis comes late." It is not until
we have in a measure ceased to be actors, and have accepted the more
passive rôle of spectators, that we begin to reflect upon ourselves
and upon life. And Madame Récamier had not tired of herself, or of the
world. She was too young to be heart-weary, and she knew nothing yet of
the burdens and perplexities of life. All her wishes were gratified
before they were fairly expressed, and she had neither anxieties nor
cares.
Her first vexation came with her first lover. It was in the spring of
1799 that Madame Récamier met Lucien Bonaparte at a dinner. He was then
twenty-four, and she twenty-two. He asked permission to visit her at
Clichy, and made his appearance there the next day. He first wrote to
her, declaring his love, under the name of Romeo, and she, taking
advantage of the subterfuge, returned his letter in the presence of
other friends, with a compliment on its cleverness, while she advised
him not to waste his ability on works of imagination, when it could be
so much better employed in politics. Lucien was not thus to be repulsed.
He then addressed her in his own name, and she showed the letters to her
husband, and asked his advice. Monsieur Récamier was more politic than
indignant. His wife wished to forbid Lucien the house, but he feared
that such extreme measures toward the brother of the First Consul might
compromise, if not ruin, his bank. He therefore advised her neither to
encourage nor repulse him. Lucien continued his attentions for a
year,—the absurd emphasis of his manners at times amusing Madame
Récamier, while at others his violence excited her fears. At last,
becoming conscious that he was making himself ridiculous, he gave up the
pursuit in despair. Some time after he had discontinued his visits he
sent a friend to demand his letters; but Madame Récamier refused to give
them up. He sent a second time, adding menace to persuasion; but she was
firm in her refusal. It was rumored that Lucien was a favored lover, and
he was anxious to be so considered. His own letters were the strongest
proof to the contrary, and as such they were kept and guarded by Madame
Récamier. But the unpleasant gossip to which his attentions gave rise
was a source of great annoyance to her. If it was her first vexation, it
was not the only one of the same kind. Madame Lenormant makes no
allusion, to any other, but in the lately published correspondence of
Madame de Staël[C] we find among the letters to Madame Récamier one
which consoles her under what was probably a somewhat similar trouble.
"I hear from Monsieur Hochet that you have a chagrin. I hope by the time
you have read this letter it will have passed away.... There is nothing
to dread but truth and material persecution; beyond these two things
enemies can do absolutely nothing. And what an enemy! only a
contemptible woman who is jealous of your beauty and purity united."
It was at a fête given by Lucien that Madame Récamier had her first
and only interview with the First Consul. On entering the drawing-room,
she mistook him for his brother Joseph, and bowed to him. He returned
her salutation with empressement mingled with surprise. Looking at her
closely, he spoke to Fouché, who leaned over her chair and whispered,
"The First Consul finds you charming." When Lucien approached, Napoleon,
who was no stranger to his brother's passion, said aloud, "And I, too,
would like to go to Clichy!" When dinner was announced, he rose and left
the room alone, without offering his arm to any lady. As Madame Récamier
passed out, Eliza (Madame Bacciocchi), who did the honors in the absence
of Madame Lucien, who was indisposed, requested her to take the seat
next to the First Consul. Madame Récamier did not understand her, and
seated herself at a little distance, and on Cambacères, the Second
Consul, occupying the seat by her side, Napoleon exclaimed, "Ah, ah,
citoyen consul, auprès de la plus belle!" He ate very little and very
fast, and at the end of half an hour left the table abruptly, and
returned to the drawing-room. He afterward asked Madame Récamier why she
had not sat next to him at dinner. "I should not have presumed," she
said. "It was your place," he replied; and his sister added, "That was
what I said to you before dinner." A concert following, Napoleon stood
alone by the piano, but, not fancying the instrumental part of the
performance, at the end of a piece by Jadin, he struck on the piano and
cried, "Garat! Garat!" who then sang a scene from "Orpheus." Music
always profoundly moved Madame Récamier, but whenever she raised her
eyes she found those of the Consul fixed upon her with so much intensity
that she became uncomfortable. After the concert, he came to her and
said, "You are very fond of music, Madame," and would probably have
continued the conversation, had not Lucien interrupted. Madame Récamier
confessed that she was prepossessed by Napoleon at this interview. She
was evidently gratified by his attentions, scanty and slight as they
seem to us. Indeed, his whole conduct during the dinner and concert was
decidedly discourteous, if not positively rude. Madame Lenormant
attributes Napoleon's subsequent attempt to attach Madame Récamier to
his court to the strong impression she made upon him at this interview,
and gives Fouché as her authority. Still, if this were the case, it is
rather strange that Napoleon did not follow up the acquaintance more
speedily. It was not until five years afterwards that he made the
overtures to which Madame Lenormant refers,—and then Madame Récamier
had long been in the ranks of the Opposition. It was Napoleon's policy
to conciliate, if possible, his political opponents. He had succeeded in
gaining over Bernadotte, of whose intrigues against him Madame Récamier
had been the confidante, and he concluded that she also could be as
easily won. He accordingly sent Fouché to her, who, after several
preliminary visits, proposed that she should apply for a position at
court. As Madame Récamier did not heed his suggestions, he spoke more
openly. "He protested that the place would give her entire liberty, and
then, seizing with finesse upon the inducements most powerful with a
generous spirit, he dwelt upon the eminent services she might render to
the oppressed of all classes, and also the good influence so attractive
a woman would exert over the mind of the Emperor. 'He has not yet,' he
added, 'found a woman worthy of him, and no one knows what the love of
Napoleon would be, if he attached himself to a pure person,—assuredly
she would obtain a power over him which would be entirely beneficent.'"
If Madame Récamier listened with politic calmness to these disgraceful
overtures, she gave Fouché no encouragement. But he was not easily
discouraged. He planned another interview with her at the house of the
Princess Caroline, who added her persuasions to his. The conversation
turning on Talma, who was then performing at the French theatre, the
Princess put her box, which was opposite the Emperor's, at Madame
Récamier's disposal; she used it twice, and each time the Emperor was
present, and kept his glass so constantly in her direction that it was
generally remarked, and it was reported that she was on the eve of high
favor. Upon further persistence on the part of Fouché, Madame Récamier
gave him a decided refusal. He was vehemently indignant, and left Clichy
never to return thither. In the St. Helena Memorial, Napoleon attributes
Madame Récamier's rejection of his overtures to personal resentment on
account of her father. In 1800 Monsieur Bernard had been appointed
Administrateur des Postes; being implicated in a Royalist conspiracy,
he was imprisoned, but finally set at liberty through the intercession
of Bernadotte. Napoleon believed that Madame Récamier resented her
father's removal from office, but she was too thankful at his release
from prison to expect any further favors. Her dislike of the Emperor
was caused by his treatment of her friends, more particularly of the one
dearest to her, Madame de Staël.
The friendship between these women was highly honorable to both, though
the sacrifices were chiefly on Madame Récamier's side. She espoused
Madame de Staël's cause with zeal and earnestness; and when the latter
was banished forty leagues from Paris, she found an asylum with her.
Among the few fragments of autobiography preserved by Madame Lenormant
is this account of the first interview between the friends.
"One day, which I count an epoch in my life, Monsieur Récamier arrived
at Clichy with a lady whom he did not introduce, but whom he left alone
with me while he joined some other persons in the park. This lady came
about the sale and purchase of a house. Her dress was peculiar. She wore
a morning-robe, and a little dress-hat decorated with flowers. I took
her for a foreigner, and was struck with the beauty of her eyes and of
her expression. I cannot analyze my sensations, but it is certain I was
more occupied in divining who she was than in paying her the usual
courtesies, when she said to me, with a lively and penetrating grace,
that she was truly enchanted to know me; that her father, Monsieur
Necker.... At these words, I recognized Madame de Staël! I did not hear
the rest of her sentence. I blushed. My embarrassment was extreme. I had
just read with enthusiasm her letters on Rousseau, and I expressed what
I felt more by my looks than by my words. She intimidated and attracted
me at the same time. I saw at once that she was a perfectly natural
person, of a superior nature. She, on her side, fixed upon me her great
black eyes, but with a curiosity full of benevolence, and paid me
compliments which would have seemed too exaggerated, had they not
appeared to escape her, thus giving to her words an irresistible
seduction. My embarrassment did me no injury. She understood it, and
expressed a wish to see more of me on her return to Paris, as she was
then on the eve of starting for Coppet. She was at that time only an
apparition in my life, but the impression was a lively one. I thought
only of Madame de Staël, I was so much affected by her strong and ardent
nature."
The sweet serenity of Madame Récamier's nature soothed the more restless
and tumultuous spirit of her friend. The unaffected veneration, too, of
one so beautiful touched and gratified the woman of genius. Still, this
intimacy was not unmixed with bitterness for Madame de Staël. But it
troubled only her own heart, not the common friendship. She continually
contrasted Madame Récamier's beauty with her own plain appearance, her
friend's power of fascination with her own lesser faculty of
interesting, and she repeatedly declared that Madame Récamier was the
most enviable of human beings. But in comparing the lives of the two, as
they now appear to us, Madame de Staël seems the more fortunate. If her
married life was uncongenial, she had children to love and cherish, to
whom she was fondly attached. Madame Récamier was far more isolated.
Years had made her entirely independent of her husband, and she had no
children upon whom to lavish the wealth of her affection. Her mother's
death left her comparatively alone in the world, for she had neither
brother nor sister, and her father seems to have had but little hold on
her heart, all her love being lavished on her mother. She had a host of
friends, it is true, but the closest friendship is but a poor substitute
for the natural ties of affection. Both these women sighed for what they
had not. The one yearned for love, the other for the liberty of loving.
Madame Récamier was dependent for her enjoyments on society, while
Madame de Staël had rich and manifold resources within herself, which no
caprice of friends could materially affect, and no reverse of fortune
impair. Her poetic imagination and creative thought were inexhaustible
treasures. Solitude could never be irksome to her. Her genius brought
with it an inestimable blessing. It gave her a purpose in
life,—consequently she was never in want of occupation; and if at
intervals she bitterly felt that heart-loneliness which Mrs. Browning
has so touchingly expressed in verse,—
"'My father!'—thou hast knowledge, only thou!
How dreary 't is for women to sit still
On winter nights by solitary fires,
And hear the nations praising them far off,
Too far! ay, praising our quick sense of love,
Our very heart of passionate womanhood,
Which could not beat so in the verse without
Being present also in the unkissed lips,
And eyes undried because there's none to ask
The reason they grew moist,"—
in the excitement and ardor of composition such feelings slumbered,
while in the honest and pure satisfaction of work well done they were
for the time extinguished. Madame Récamier, though beautiful and
beloved, had no such precious compensations. She depended for her
happiness upon her friends, and they who rely upon others for their
chief enjoyments must meet with bitter and deep disappointments. Madame
Récamier had great triumphs which secured to her moments of rapture.
When the crowd worshipped her beauty, she probably experienced the same
delirium of joy, the same momentary exultation, that a prima donna
feels when called before an excited and enthusiastic audience. But
satiety and chagrin surely follow such triumphs, and she lived to feel
their hollowness.
In a letter to her adopted daughter, she says,—"I hope you will be more
happy than I have been"; and she confessed to Sainte-Beuve, that more
than once in her most brilliant days, in the midst of fêtes where she
reigned a queen, she disengaged herself from the crowd surrounding her
and retired to weep in solitude. Surely so sad a woman was not to be
envied.
Another friend of Madame Récamier's youth, whose friendship in a marked
degree influenced her life, was Matthieu de Montmorency. He was
seventeen years older than she, and may with emphasis be termed her best
friend. A devout Roman Catholic, he awakened and strengthened her
religious convictions, and constantly warned her of the perils
surrounding her. Much as he evidently admired and loved her, he did not
hesitate to utter unwelcome truths. Vicomte, afterward Duc de
Montmorency, belonged to one of the oldest families of France, but,
espousing the Revolutionary cause, he was the first to propose the
abolition of the privileges of the nobility. He was married early in
life to a woman without beauty, to whom he was profoundly indifferent,
and soon separated from her, though from family motives the tie was
renewed in after-years. In his youth he had been gay and dissipated; but
the death of a favorite brother, who fell a victim to the Revolution,
changed and sobered him. From an over-sensibility, he believed himself
to be the cause of his brother's death on account of the part he had
taken in hastening the Revolution, and he strove to atone for this
mistake, as well as for his youthful follies, by a life of austerity and
piety. While his letters testify his great affection for Madame
Récamier, they are entirely free from those lover-like protestations and
declarations of eternal fidelity so characterise of her other masculine
correspondents. He always addressed her as "amiable amis", and his
nearest approach to gallantry is the expression of a hope that "in
prayer their thoughts had often mingled, and might continue so to do."
He ends a long letter of religious counsel with this grave warning:—"Do
what is good and amiable, what will not rend the heart or leave any
regrets behind. But in the name of God renounce all that is unworthy of
you, and which under no circumstances can ever render you happy."
Adrien de Montmorency, Duke of Laval, if not so near and dear a friend,
was quite as devoted an admirer of Madame Récamier as his cousin
Matthieu. His son also wore her chains, and frequently marred the
pleasure of his father's visits by his presence. In reference to the
family's devotion, Adrien wrote to her,—"My son is fascinated by you,
and you know that I am so also. It is the fate of the Montmorencys,—
"'Ils ne mouraient pas tous, mais tout étaient frappés.'"
Adrien was a man of wit, and he had more ability than Matthieu. "Of all
your admirers," writes Madame de Staël, in a letter given in
Châteaubriand's Memoirs, "you know that I prefer Adrien de Montmorency.
I have just received one of his letters, which is remarkable for wit and
grace, and I believe in the durability of his affections,
notwithstanding the charm of his manners. Besides, this word durability
is becoming in me, who have but a secondary place in his heart. But you
are the heroine of all those sentiments out of which grow tragedies and
romances."
Other admirers succeeded the Montmorencys. The masked balls, fashionable
under the Empire, were occasions for fresh conquests. Madame Récamier
attended them regularly under the protection of an elder brother of her
husband, and had many piquant adventures. Prince Metternich was devoted
to her one season, and when Lent put an end to festivity, he visited her
privately in the morning, that he might not incur the Emperor's
displeasure. Napoleon's animosity had now become marked and positive. On
one occasion, when three of his ministers met accidentally at her house,
he heard of it, and asked petulantly how long since had the council been
held at Madame Récamier's? He was especially jealous of foreign
ministers, and treated with so much haughtiness any who frequented her
salon, that, as a matter of prudence, they saw her only in society or
visited her by stealth. The Duke of Mecklenburg, whom she met at one of
the masked balls, was extremely anxious to keep up her acquaintance. She
declined the honor, alleging the Emperor's jealousy as reason for her
refusal. He persuaded her, however, to grant him an interview, and she
appointed an evening when she did not generally receive visitors.
Stealing into the house in an undignified manner, the Duke was collared
by the concierge, who mistook him for a thief. This ill-fortune did
not deter him, however, from visiting her frequently. Years after, he
wrote,—"Among the precious souvenirs which I owe to you is one I
particularly cherish. It is the eminently noble and generous course you
pursued toward me, when Napoleon had said openly, in the salon of the
Empress Josephine, that he 'should regard as his personal enemy any
foreigner who frequented the salon of Madame Récamier.'"
Madame Récamier was to feel yet more severely the effects of the
Emperor's displeasure. In the autumn of 1806 the banking-house of
Monsieur Récamier became embarrassed, through financial disorders in
Spain. Their difficulties would have been temporary, had the Bank of
France granted them a loan on good security. This favor was refused, and
the house failed. While the decision of the bank was yet uncertain,
Monsieur Récamier confided to his wife the desperate state of his
affairs, and deputed her to do, the next day, the honors of a large
dinner-party, which could not be postponed, lest suspicion should be
excited. He went into the country, completely overwhelmed, and awaited
there the result of his application. Madame Récamier forced herself to
appear as usual. No one suspected the agony of her mind. She afterwards
said that she felt the whole evening as though she were a prey to some
horrible nightmare. In contrasting the conduct of the husband and wife,
Madame Lenormant is scarcely just to the former. Acutely as Madame
Récamier dreaded the impending ruin, it could not be to her what it was
to her husband. A fearful responsibility rested upon him. The failure of
his house was not only disaster and possible dishonor, but the ruin of
thousands who had confided in him. A strong intellect might well be
bowed down under the apprehension of such a catastrophe. Women, too, are
proverbially calmer in such emergencies than men. To them it simply
means sacrifice, but to men it is infinitely more than that.
When the blow fell, Monsieur Récamier met it manfully. He gave up
everything to his creditors, who had so much confidence in his integrity
that they put him at the head of the settlement of liquidation. Madame
Récamier was equally honorable. She sold all her jewels. They disposed
of their plate, and offered the house in the Rue Mont Blanc for sale. As
a purchaser could not immediately be found, they removed to the
ground-floor and let the other stories. This reverse of fortune involved
more than personal sacrifices. Madame Récamier was both generous and
charitable, and had dispensed her benefits with an open hand. She had,
with the aid of friends, founded a school for orphans, and had numerous
claims upon her bounty. To be restricted in her charities must have been
a sore trial. Further mortifications she was spared, for she was treated
with greater deference than ever. Her friends redoubled their
attentions, her door was besieged by callers, who vied with each other
in showing sympathy and respect. Junot was one of her firmest friends at
this crisis. Witnessing, in Paris, the attentions she received, he spoke
of them to the Emperor, when he rejoined him in Germany. He was checked
by Napoleon, who pettishly remarked that they could not have paid more
homage to the widow of a marshal of France fallen on the field of
battle.
Junot was not the only general of the Emperor who was concerned at her
reverse of fortune. Bernadotte, whom Sainte-Beuve numbers among her
lovers, and whose letters confirm this idea, wrote to her from Germany,
expressing his sympathy. Madame de Staël was sensibly afflicted. "Dear
Juliette," she writes, "we have enjoyed the luxury which surrounded you.
Your fortune has been ours, and I feel ruined because you are no longer
rich."
Another anxiety now weighed heavily upon Madame Récamier. Her mother's
health had long been failing, and the misfortunes of her son-in-law were
more than her shattered constitution could bear. She died six months
after the failure, leaving her fortune to her daughter, though her
husband was still living. To the last she was devoted to dress and
society. Throughout her illness she insisted upon being becomingly
dressed every day, and supported to a couch, where she received her
friends for several hours.
After Madame Bernard's death, her daughter passed six months in
retirement, but, her grief affecting her health, she was induced by
Madame de Staël to visit her at Coppet. Here she met the exiled Prince
Augustus of Prussia, nephew of Frederick the Great. We find in the
"Seaforth Papers," lately published in England, an allusion to this
Prince, who visited London in the train of the allied sovereigns in
1814. A lady writes, "All the ladies are desperately in love with
him,—his eyes are so fine, his moustaches so black, and his teeth so
white." Madame Lenormant describes him as extremely handsome, brave,
chivalric, and loyal. He was twenty-four when he fell passionately in
love with Madame de Staël's beautiful guest, to whom he at once proposed
a divorce and marriage. We give Madame Lenormant's account of his
attachment.
"Three months passed in the enchantments of a passion by which Madame
Récamier was profoundly touched, if she did not share it. Everything
conspired to favor Prince Augustus. The imagination of Madame de Staël,
easily seduced by anything poetical and singular, made her an eloquent
auxiliary of the Prince. The place itself, those beautiful shores of
Lake Geneva, peopled by romantic phantoms, had a tendency to bewilder
the judgment. Madame Récamier was moved. For a moment she welcomed an
offer of marriage which was not only a proof of the passion, but of the
esteem of a prince of a royal house, deeply impressed by the weight of
its own prerogatives and the greatness of its rank. Vows were exchanged.
The tie which united the beautiful Juliette to Monsieur Récamier was one
which the Catholic Church itself proclaimed null. Yielding to the
sentiment with which she inspired the Prince, Juliette wrote to Monsieur
Récamier, requesting the rupture of their union. He replied that he
would consent to a divorce, if it was her wish, but he made an appeal to
her feelings. He recalled the affection he had shown her from childhood.
He even expressed regret at having respected her susceptibilities and
repugnances, thus preventing a closer bond of union, which would have
made all thoughts of a separation impossible. Finally he requested,
that, if Madame Récamier persisted in her project, the divorce should
not take place in Paris, but out of France, where he would join her to
arrange matters."
This letter had the desired effect. Madame Récamier concluded not to
abandon her husband, and returned to Paris, but without undeceiving the
Prince, who started for Berlin. According to her biographer, Madame
Récamier trusted that absence would soften the disappointment she had in
store for him; but, if this was the case, the means she took to
accomplish it were very inadequate. She sent him her portrait soon after
her return to Paris, which the Prince acknowledged in a letter, of which
the following is an extract:—
"April 24th, 1808.
"I hope that my letter of the 31st has already been received. I
could only very feebly express to you the happiness I felt on the
receipt of your last, but it will give you some idea of my
sensations when reading it, and in receiving your portrait. For
whole hours I looked at this enchanting picture, dreaming of a
happiness which must surpass the most delicious reveries of
imagination. What fate can be compared to that of the man whom you
love?"
When Madame Récamier subsequently wrote to him more candidly, the Prince
was astonished. "Your letter was a thunderbolt," he replied; but he
would not accept her decision, and claimed the right of seeing her
again. Three years passed in uncertainty, and in 1811 Madame Récamier
consented to meet him at Schaffhausen; but she did not fulfil her
engagement, giving the sentence of exile which had just been passed upon
her as an excuse. The Prince, after waiting in vain, wrote indignantly
to Madame de Staël, "I hope I am now cured of a foolish love, which I
have nourished for four years." But when the news of her exile reached
him, he wrote to her expressing his sympathy, but at the same time
reproaching her for her breach of faith. "After four years of absence I
hoped to see you again, and this exile seemed to furnish you with a
pretext for coming to Switzerland. But you have cruelly deceived me. I
cannot conceive, if you could not or would not see me, why you did not
condescend to tell me so, and I might have been spared a useless journey
of three hundred leagues."
Madame Récamier's conduct to the Prince, even viewed in the light of her
biographer's representations, is scarcely justifiable. Madame Möhl
attempts to defend her. She alleges, that, at the time Prince Augustus
was paying his addresses to her, he had contracted a left-handed
marriage at Berlin. Even if this story be true, there is no evidence
that Madame Récamier was then acquainted with the fact, and if she had
been, there was only the more reason for breaking with the Prince at
once, instead of keeping him so long alternating between hope and
despair. In speaking of him to Madame Möhl, Madame Récamier said that he
was desperately in love, but he was very gallant and had many other
fancies. The impression she made upon him, however, seems to have been
lasting. Three months before his death, in 1845, he wrote to her that
the ring she had given him should follow him to the tomb, and her
portrait, painted by Gérard, was, at his death, returned to her by his
orders. Either the Prince had two portraits of Madame Récamier, or else
Madame Lenormant's statements are contradictory. She says that her aunt
sent him her portrait soon after her return to Paris, and the date of
the Prince's letter acknowledging the favor confirms this statement. It
is afterward asserted that Madame Récamier gave him her portrait in
exchange for one of Madame de Staël, painted by Gérard, as Corinne.
The next important event in Madame Récamier's life is her exile, caused
by a visit she paid Madame de Staël when the surveillance exercised over
the latter by the government had become more rigorous. Montmorency had
been already exiled for the same offence. But, disregarding this
warning, Madame Récamier persisted in going to Coppet, and though she
only remained one night there, she was exiled forty leagues from Paris.
She bore her exile with dignity. She would not solicit a recall, and she
forbade those of her friends, who, like Junot, were on familiar terms
with the Emperor, to mention her name in his presence. She doubtless
felt all its deprivations, even more keenly than Madame de Staël, though
she made no complaints. Her means were narrow, as she does not appear to
have been in the full possession of her mother's fortune until after the
Restoration. She had lived, with scarcely an interruption, a life of
society; now she was thrown on her own resources, with little except
music to cheer and enliven her. It was not only the loss of Paris that
exiles under the Empire had to endure. They were subjected to an
annoying surveillance by the police, and even the friends who paid them
any attention became objects of suspicion.
The first eight months of her exile Madame Récamier passed at Chalons.
She had for companionship a little niece of her husband's, whom she had
previously adopted. At the suggestion of Madame de Staël, she removed to
Lyons, where Monsieur Récamier had many influential relatives. Here she
formed an intimacy with a companion in misfortune, the high-spirited
Duchess of Chevreuse, whose proud refusal to enter into the service of
the captive Spanish Queen was the cause of her exile. "I can be a
prisoner," she replied, when the offer was made to her, "but I will
never be a jailer."
Though the society of friends offered Madame Récamier many diversions,
she was often a prey to melancholy. The Duchess D'Abrantes, who saw her
here, casually mentions her dejection in her Memoirs, and Châteaubriand
says that the separation from Madame de Staël weighed heavily upon her
spirits. He also alludes to a coolness between the friends, caused by
Madame de Staël's marriage with Monsieur de Rocca. The desire to keep
this connection secret induced Madame de Staël to write to her friend,
declining a proposed visit from her, on the plea that she was about to
leave Switzerland. Châteaubriand asserts that Madame Récamier felt this
slight severely, but Madame Lenormant makes no allusion to the
circumstance.
At Lyons Madame Récamier met the author, Monsieur Ballanche. He was
presented to her by Camille Jordan, and, in the words of her biographer,
"from that moment Monsieur Ballanche belonged to Madame Récamier." He
was the least exacting of any of her friends. All he asked was to devote
his life to her, and to be allowed to worship her. His friends called
her his Beatrice. As he was an extremely awkward and ugly man, the two
might have been termed with equal propriety "Beauty and the Beast."
Monsieur Ballanche's face had been frightfully disfigured by an
operation, and though his friends thought that his fine eyes and
expression redeemed his appearance, he was, to strangers, particularly
unprepossessing. He was, moreover, very absent-minded. When he joined
Madame Récamier at Rome, she noticed, during an evening walk with him,
that he had no hat. In reply to her questions, he quietly said, "Oh,
yes, he had left it at Alexandria." He had, in fact, forgotten it; and
it never occurred to him to replace it by another. Madame Lenormant
relates an anecdote of his second interview with Madame Récamier, which
is illustrative of his simplicity.
"He found her alone, working on embroidery. The conversation at first
languished, but soon became interesting,—for, though Monsieur Ballanche
had no chit-chat, he talked extremely well on subjects which interested
him, such as philosophy, morals, politics, and literature.
Unfortunately, his shoes had an odor about them which was very
disagreeable to Madame Récamier. It finally made her faint, and,
overcoming with difficulty the embarrassment she felt in speaking of so
prosaic an annoyance, she timidly avowed to him that the smell of his
shoes was unpleasant. Monsieur Ballanche apologized, humbly regretting
that she had not spoken before, and then went out of the room. He
returned in a few moments without his shoes, resumed his seat, and
continued the conversation. Other persons came in, and noticing him in
this situation, he said, by way of explanation, 'The smell of my shoes
annoyed Madame Récamier, so I left them in the antechamber.'"
After the death of his father, Monsieur Ballanche left Lyons, and passed
the rest of his life in the society of her whom he worshipped with so
single-minded a devotion.
Madame Récamier subsequently left Lyons for Italy, and the next new
admirer whose attentions we have to chronicle is Canova. During her stay
in Rome he wrote a note to her every morning, and the heat of the city
growing excessive, he invited her to share his lodgings at Albano.
Taking with her her niece and waiting-maid, she became his guest for two
months. A Roman artist painted a picture of this retreat, with Madame
Récamier sitting near a window, reading. Canova sent the picture to her
in 1816. When she left Rome for a short absence, Canova modelled two
busts of her from memory, in the hope of giving her a pleasant
surprise,—one with the hair simply arranged, the other with a veil.
Madame Récamier was not pleased, and her annoyance did not escape the
penetrating eye of the artist. She tried in vain to efface the
unfavorable impression he had received, but he only half forgave her. He
added a crown of olives to the one with the veil, and when she asked him
about it, he replied, "It did not please you, so I made a Beatrice of
it."
Madame Récamier left Rome for Naples when Napoleon's power was on the
decline. The sovereigns Murat and Caroline Bonaparte treated her with
marked distinction, especially the Queen, who was not only gracious, but
confidential. Madame Récamier was with Caroline the day that Murat
pledged himself to the allied cause. He returned to the palace in great
agitation, and, stating the case to her without telling her that he had
already made his decision, asked what course he ought to pursue. She
replied, "You are a Frenchman, Sire. It is to France that you owe
allegiance." Murat turned pale, and, throwing open the window, showed
her the English fleet entering the harbor, and exclaimed, "I am, then, a
traitor!" He threw himself on a couch, burst into tears, covering his
face with his hands. Madame Récamier's candor did not affect their
friendly relations. When the Queen acted as Regent in the absence of her
husband, she signed the pardon of a condemned criminal at her request,
and, upon her return to Rome, wrote, begging her to come back to Naples.
She did so, though her stay was necessarily short. Paris was again open
to her by the overthrow of Napoleon, and she hastened to rejoin her
friends. Still she was not unmindful of the princess who had shown her
such marks of friendship. She did many kind services for her in Paris,
and after the execution of Murat, when Caroline lived in obscurity as
the Countess of Lipona, she paid her a visit, which cheered the
neglected woman whose prosperity had been of such short duration.
The Restoration was the beginning of a new era in the life of Madame
Récamier, one even more brilliant and animated, if not so thoughtlessly
gay as that of her youth. Her husband had, in a measure, retrieved his
fallen fortunes. She was in possession of her mother's property, able to
have a box at the Opera, and to keep her carriage, which was a
necessity, as she never walked in the street. Her exile had made her
more famous, while her joy at being restored to Paris and her friends
lent another charm to the seduction of her manners. Her association with
the Montmorencys, who were in high favor with the new court, increased
her political influence. She held nightly receptions after the Opera,
and her salon was neutral ground, the resort of persons of all
parties. Paris was full of foreigners of distinction, who were curious
to know a person of so much celebrity, and they swelled the ranks of her
admirers. Among them was the Duke of Wellington, who, if Madame
Récamier's vanity did not mislead her, was willing and anxious to wear
her chains. But she never forgave his boastful speech after the Battle
of Waterloo. Remembering her personal dislike of the Emperor, and
forgetting that she was a Frenchwoman, he said to her, on his return to
Paris, "Je l'ai bien battu." The next time he called he was not
admitted. The Duke complained to Madame de Staël, and when he next met
Madame Récamier in society treated her with coldness, and devoted
himself to a young English lady. They rarely met afterward, though the
Duke came once to the Abbaye-aux-Bois.
Madame Récamier had at this time a much more earnest admirer in Benjamin
Constant. As common friends of Madame de Staël, they had been acquainted
for years, and had played together in private theatricals at Coppet.
Still it was not until 1814, when Madame Récamier had an interview with
him in regard to the affairs of the King and Queen of Naples, that the
relations between them assumed a serious aspect. He left her at the end
of this interview violently enamored. According to Madame Lenormant,
Benjamin Constant had not the slightest encouragement to justify his
madness, but it is clear from other testimony that Madame Récamier was
not free from blame in respect to him. Sainte-Beuve hints that the
subject is unpleasant, and summarily dismisses it; and Madame Möhl, ever
ready to defend Madame Récamier, acknowledges that in this case she was
to blame, and that Madame Récamier thought so herself, and wished
Constant's letters to be published after her death, in order to justify
him. She adds, that it was a mistake not to publish them, as their
suppression has given occasion for surmises utterly false. There is
nothing in the "Souvenirs" to explain either the vague hints of
Sainte-Beuve or the obscure allusions of Madame Möhl; and the
biographical sketches of Constant throw no light upon the subject: they
are chiefly narratives of his political career.
If we except Châteaubriand, who was more loved than loving, Benjamin
Constant stands last on the list of Madame Récamier's conquests; for,
after the author of "Atala" and of the "Genius of Christianity" crossed
her path, we hear of no more flirtations, no more despairing lovers.
Châteaubriand and Madame Récamier first met, familiarly, at the
death-bed of Madame de Staël, whose loss they mutually deplored. It was
not, however, until the next year, 1818, when Madame Récamier had
retired to the Abbaye-aux-Bois, that the acquaintance ripened into
intimacy. A second reverse of fortune was the cause of this retirement,
to which we shall briefly refer before entering upon the more
complicated subject of this friendship.
New and unfortunate speculations on the part of Monsieur Récamier had
not only left him penniless, but had to some extent involved his wife's
fortune, which she had confided to him. In this emergency, Madame
Récamier acted with her usual promptitude and decision. She had two
objects in view in her plans for the future,—economy, and a separation
from her husband. An asylum in the Abbaye-aux-Bois secured to her both
advantages. She established her husband and father in the vicinity of
the Convent, and they with Ballanche dined with her every day. From
Monsieur Récamier she exacted a promise to engage in no more
speculations, while she supplied his wants. "She anticipated his needs
with a filial affection, and until the last studied to make his life
mild and pleasant,—a singularly easy task on account of his optimism."
Monsieur Récamier had need to be a philosopher. The nominal husband of a
beautiful woman, with whom he had shared his prosperity, he had not only
to bear her indifference, but to see her form friendships and make plans
from which he was excluded. When his misfortunes left him a dependent
upon her bounty, he was a mere cipher in her household,—kindly treated,
but with a kindness that savored more of toleration than affection.
Monsieur Récamier died at the advanced age of eighty. Shortly before his
death, his wife obtained permission from the Convent to remove him to
the Abbaye, where he was tenderly cared for by her in his last moments.
The retirement forced upon Madame Récamier by her husband's reverses was
far from being seclusion. "La petite cellule" as Châteaubriand called
her retreat, was as much frequented as her brilliant salons in Paris
had been, and she was even more highly considered. Châteaubriand visited
her regularly at three o'clock; they passed an hour alone, when other
persons favored by him were admitted. In the evening her door was open
to all. She no longer mingled in society, people came to her, and
nothing could be more delightful than her receptions. All parties and
all ranks met there, and her salon gradually became a literary centre
and focus. Delphine Gay (Madame Émile de Girardin) recited her first
verses there, Rachel declaimed there, and Lamartine's "Méditations" were
read and applauded there before publication. Among distinguished
strangers who sought admittance to the Abbaye, we notice the names of
Humboldt, Sir Humphry Davy, and Maria Edgeworth. De Tocqueville,
Monsieur Ampére, and Sainte-Beuve were frequent visitors. Peace and
serenity reigned there, for Madame Récamier softened asperities and
healed dissensions by the mere magnetism of her presence. "It was
Eurydice," said Sainte-Beuve, "playing the part of Orpheus." But while
she was the presiding genius of this varied and brilliant society,
Châteaubriand was the controlling spirit. Everybody deferred to him, if
not for his sake, then for the sake of her whose greatest happiness was
to see him pleased and amused.
Madame Récamier has frequently been called cold and heartless. English
reviewers have doubted whether she was capable of any warm, deep
attachment. Sainte-Beuve even, with all his insight, believed that the
desire to be loved had satisfied her heart, and that she herself had
never loved. But he formed this opinion before the publication of Madame
Récamier's memoirs. Châteaubriand's letters, together with other
corroborating facts, warrant a totally different conclusion. It is very
evident that Madame Récamier loved Châteaubriand with all the strength
of a reticent and constant nature. That he was the only man she did
love, we think is also clear. Prince Augustus captivated her for a time,
but her conduct toward him, in contrast with that toward Châteaubriand,
proves that her heart had not then been touched. The one she treated
with caprice and coldness, the other with unvarying consideration and
tenderness. There is no reason to conclude that the Prince ever made her
unhappy, while it is certain that Châteaubriand made her miserable, and
a mere friendship, however deep, does not render a woman wretched. This
attachment not only shaped and colored the remainder of Madame
Récamier's life, but it threatened at one time to completely subvert all
other interests. She who was so equable, such a perfect mistress of
herself, so careful to give every one due meed of attention, became
fitful and indifferent. Her friends saw the change with alarm, and
Montmorency remonstrated bitterly with her. "I was extremely troubled
and ashamed," he writes, "at the sudden change in your manner toward
others and myself. Ah, Madame, the evil that your best friends have been
dreading has made rapid progress in a few weeks! Does not this thought
make you tremble? Ah, turn, while yet there is time, to Him who gives
strength to them who pray for it! He can cure all, repair all. God and a
generous heart are all-sufficient. I implore Him, from the bottom of my
heart, to sustain and enlighten you."
Ballanche, equally concerned and jealous, strove to interest her in
literature, and urged her to translate Petrarch. Madame Récamier
speedily recovered herself. She listened graciously to the admonitions
of Montmorency, and she consented to undertake Petrarch, but made little
progress in the work. Still, as far as her feelings for Châteaubriand
were concerned, the efforts of her friends were in vain. He occupied the
first place in her affections, and she regulated her time and pursuits
to please and accommodate him, though for a long time he but poorly
repaid her devotion. He admired and perhaps loved her, as well as he was
capable of loving anybody but himself, but it was not until
disappointments had sobered him that he fully appreciated her worth. At
the time their intimacy commenced he was the pet and favorite of the
whole French nation. "The Genius of Christianity" had been received with
acclamations by a people just recovering from the wild skepticism of the
Revolution. The reaction had taken place, the Goddess of Reason was
dethroned, and the burning words and vivid eloquence of Châteaubriand
appealed at once to the heart and the imagination of his countrymen.
They did not criticise, they only admired. Politically he was also a
rising man. The world, or at least the French world, expected great
things from the writer of the pamphlet, "De Buonaparte et des Bourbons."
His manners were courtly and distinguished, and women especially
flattered and courted him. Their attentions fostered his natural vanity,
and his fancy, if not his heart, wandered from Madame Récamier, and she
knew it. The tables were turned: she who had been so passionately
beloved was now to feel some of the pangs she had all her life been
unconsciously inflicting. Wounded and jealous, she stooped to
reproaches. The following extracts from letters addressed to her by
Châteaubriand while he was ambassador at London clearly betray the state
of her mind.
"I will not ask you again for an explanation, since you will not
give it. I have written you by the last courier a letter which
ought to content you, if you still love me."
"Do not delude yourself with the idea that you can fly from me. I
will seek you everywhere. But if I go to the Congress, it will be
an occasion to put you to the proof. I shall see then if you keep
your promises."
"Allons,—I much prefer to understand your folly than to read
mysterious and angry notes. I comprehend now, or at least I think
I do. It is apparently that woman of whom the friend of the Queen
of Sweden has spoken to you. But, tell me, have I the means to
prevent Vernet, Mademoiselle Levert, who writes me declarations,
and thirty artistes, men and women, from coming to England in
order to get money? And if I have been culpable, do you think that
such fancies can do you the least injury, or take from you
anything which I have given you? You have been told a thousand
falsehoods. Herein I recognize my friends. But tranquillize
yourself: the lady leaves, and will never return to England. But
perhaps you would like me to remain here on that account: a very
useless precaution; for, whatever happens, Congress or no
Congress, I cannot live so long separated from you, and am
determined to see you at any cost."
The letters from which we quote are very characteristic of their author.
While protesting eternal fidelity, and declaring his intention to
renounce the world and live but for Madame Récamier, he begs her at the
same time to use all her influence to get him sent to the approaching
Congress at Vienna as one of the French representatives,—an appointment
which would necessarily separate him still longer from her. "Songez au
Congrès" is the refrain to all his poetical expressions of attachment.
It is to be hoped that Madame Récamier did not perceive the
inconsistency of which he was totally unconscious. Though Châteaubriand
was perpetually analyzing himself and his emotions, no man had less
self-knowledge. He was too much absorbed by his "self-study,
self-wonder, and self-worship," as one of his critics styles his
egotism, to be clear-sighted. He had generous impulses, but no uniform
generosity of heart; and while glorying in the few ostentatious
sacrifices he made to pet ideas, he had no perception of the nature of
self-sacrifice. Much, therefore, as he was gratified at the devotion of
a woman of Madame Récamier's position and influence, he did not value it
sufficiently to make any sacrifices to secure it, and consequently she
was continually annoyed and distressed. Her life was also embittered by
his political differences with Mathieu de Montmorency, to whom, by means
which can scarcely be deemed honorable, he had succeeded as Minister of
Foreign Affairs. The confidential friend of both parties, her position
was a very difficult one; but she was equal to the emergency. She
satisfied each, without being false to, or unmindful of, the interests
of either.
But her relations to Châteaubriand were fast becoming intolerable, and
she resolved to break her chains and leave Paris. He regarded this
resolution as a mere threat. "No," he wrote, "you have not bid farewell
to all earthly joys. If you go, you will return." She did go, however,
taking with her Ballanche and her adopted daughter, whose delicate
health was the ostensible cause of her departure. What it cost her to
leave Paris may well be conjectured, and nothing is more indicative of
her power of self-control than this voluntary withdrawal from a
companionship which fascinated while it tortured her. Châteaubriand sent
letters after her full of protestations and upbraidings; but after a
while he wrote less frequently, and for a year they ceased to
correspond. To a friend who urged her to return Madame Récamier
wrote,—"If I return at present to Paris, I shall again meet with the
agitations that induced me to leave it. If Monsieur Châteaubriand were
unhappy on my account, I should be grieved; if he were not, I should
have another trouble, which I am determined henceforth to avoid. I find
here diversion in art, and a support in religion which shall shelter me
from all these storms. It is painful to me to remain absent six months
longer from my friends; but it is better to make this sacrifice, and I
confess to you that I feel it to be necessary."
There was much to make a stay in Italy attractive to Madame Récamier, if
she could have forgotten Châteaubriand, Her old admirer, the Duc de
Laval, was ambassador at Rome, and put his horses and servants at her
disposal. She renewed her acquaintance with the celebrated Duchess of
Devonshire, (Lady Elizabeth Foster,) whose career was quite as singular
as her own, while it was more open to reproach. The Duchess was a
liberal patron of the fine arts, and the devoted friend of Cardinal
Gonsalvi, from the shock of whose death she never recovered. Madame
Récamier also found at Rome the Duchess of Saint-Leu, whom she had
slightly known when she was Queen of Holland. For political reasons it
was unwise for them to visit openly, so they contrived private and
romantic interviews. Their friendship seems to have been close and
sincere. Subsequently, Madame Récamier was able, through her political
influence, to serve Hortense in many ways. She also took an interest in
her son Louis Napoleon, and visited him in prison after his
unsuccessful attempt at Strasbourg, which kindness he afterwards
acknowledged in several notes preserved by Madame Lenormant.
But while accepting all the diversions offered her by the pleasant
society at, Rome, Madame Récamier was not unmindful of Châteaubriand.
She ordered from the artist Tenerani a bas-relief, the subject to be
taken from Châteaubriand's poem of "The Martyrs." She wrote constantly
to her friends in Paris for intelligence respecting him, and watched his
course from afar with interest and anxiety. It was not one to
tranquillize her. He had quarrelled with the President of the Council,
Villèle; and being also personally disliked by the King, he was
peremptorily dismissed, and he bore this disgrace with neither dignity
nor composure. Turning his pen against the government, he did as much by
his persistent savage opposition, clothed as it was in the language of
superb invective, to bring about the final overthrow of the elder
Bourbon dynasty, as either the stupid arrogance of Charles X. or the
dogged tyranny of Polignac. Yet no man was more concerned and disgusted
than he was at the result of the Revolution of 1830. So far true to his
convictions, he refused office under Louis Philippe, priding himself
greatly on his allegiance to the exiled princes, when neither his
loyalty nor his services could be of any use. The truth is, that, though
Châteaubriand was fond of meddling and making a noise, he had none of
the fundamental qualities of a statesman. By the inspiration of his
genius, he could seize the right moment for making a telling speech, or
he could promulgate in a pamphlet a striking truth, calculated to
electrify and convince. But he could not be calmly deliberate. Always
enthusiastic, he was never temperate. He was the slave of his
partialities and prejudices. Harriet Martineau, who for keen analysis
and nice discrimination of character has few equals among historians,
characterizes him as "the wordy Châteaubriand," and Guizot says of him,
"It was his illusion to think himself the equal of the most consummate
statesmen, and his soul was filled with bitterness because men would not
admit him to be the rival of Napoleon as well as of Milton." It was this
bitterness with which Madame Récamier had to contend, for his literary
successes did not console him for his political disappointments, and his
temper, never very equable, was now more variable and uncertain.
After an absence of eighteen months she returned to Paris. She apprised
Châteaubriand of her arrival by a note. He came immediately to see her,
and was rapturous with delight. No word of reproach passed between them,
and he fell at once into his old habits. From this time his behavior was
respectful and devoted. Absence and his disappointments had taught him
the inestimable value of such a friend. She daily became more and more
necessary to him. After his resignation of the Roman embassy in 1829,
which had been secured to him through her instrumentality, he no longer
engaged actively in politics, and, deprived of the stimulus of ambition,
he looked to her for excitement. She encouraged his literary exertions,
drew him out from his fits of depression, and soothed his wounded
self-love. This was no light task; for Châteaubriand's self-complacency
was not of that imperturbable sort which, however intolerable to others,
has at least the merit of keeping its possessor content and tranquil.
With him it partook more of the nature of egotism than of self-conceit,
and it therefore made him always restless and continually dissatisfied.
But no effort was too great for Madame Récamier's devotion. Her friends
looked upon her sacrifices with feelings of mingled regret and
admiration, but she herself was unconscious of them. They were simply a
labor of love; and much as her tranquillity must have been disturbed at
times by the caprices and exactions of this moody, melancholy man, she
was probably happy in being allowed to sacrifice herself. Of the
success of her efforts Sainte-Beuve thus gracefully speaks:—"Madame de
Maintenon was never more ingenious in amusing Louis XIV. than Madame
Récamier in interesting Châteaubriand. 'I have always remarked,' said
Boileau, on returning from Versailles, 'that, when the conversation does
not turn on himself, the King directly gets tired, and is either ready
to yawn or to go away.' Every great poet, when he is growing old, is a
little like Louis XIV. in this respect. Madame Récamier had each day a
thousand pleasant contrivances to excite and flatter him. She assembled
from all quarters friends for him,—new admirers. She chained us all to
the feet of her idol with links of gold."
One of her most successful efforts in amusing him was the reading of
"Les Mémoires d'Outre-Tombe" to a select and admiring audience at the
Abbaye. He first read them in private to Madame Récamier, who passed
judgment upon them, and they were then read aloud by M. Charles
Lenormant. This device worked like a charm; everybody applauded, and the
author was content. The personal interest attached to the chief parties
concerned, no doubt, made these readings very delightful. But it would
now be impossible for any reader to be enthusiastic about the Memoirs
themselves. Out of France it would be difficult to find a more
egotistical piece of self-portraiture. Châteaubriand is not quite so
ostentatious in his egotism as the Prince de Ligne, who headed the
chapters in his "Mémoires et Mélanges," "De moi pendant le jour," "De
moi pendant la nuit," "De moi encore," "Mémoirs pour mon cœur"; still
he parades himself on every possible occasion, and not always to his own
advantage. His conduct in passing himself off as a single man in an
English family who were kind to him during his exile, thereby engaging
the daughter's affections, is entirely inexcusable. That a person of
Madame Récamier's good judgment did not perceive the discredit that must
attach to such revelations is only to be accounted for by supposing her
blind to Châteaubriand's follies. But with all her partiality, it is
still surprising that she should have given her sanction to his
deliberate and cold analysis of the character of his parents, and his
equally heartless and selfish reflections on his marriage.
Châteaubriand married simply to please his sisters, feeling that he "had
none of the qualifications of a husband," and for years he seemed
entirely oblivious of his wife's existence. After he gave up his
wandering life, and became distinguished, he treated her with more
consideration. Madame de Châteaubriand was a pretty, delicate woman, of
quick natural intelligence. M. Danielo, Châteaubriand's secretary, has
written an interesting sketch of her, which is affixed to her husband's
memoirs. She was a person of eccentric habits, but of a warm heart and
lively sensibilities, and was devoted to her religious duties and the
Infirmary of Maria Theresa. She professed a great contempt for
literature, and asserted that she had never read a line of her husband's
works; but this was regarded as an affectation. Madame de Châteaubriand
was not an amiable person, but very frank and sincere. She often
reproached herself for her faults and love of contradiction. Though she
appears to have loved her husband, she was not blind to his weaknesses,
and he was afraid of her sallies. So vain and sensitive a man could not
feel comfortable in the society of a woman of her keen penetration, and
her wit was not always tempered by discretion. Madame Récamier gained by
the contrast. She believed in him, and "there are few things so
pleasant," says a writer in Fraser, "as to have a woman at hand that
believes in you." Madame Récamier's insight never disturbed
Châteaubriand, for it was of the heart, not of the intellect. It was not
a critical analysis that probes and dissects, but a sympathy that
cheered and tranquillized. There could be but little in common between
two such women, though they were on friendly terms; and when
Châteaubriand left his wife in Paris, he always commended her to Madame
Récamier's care. On one occasion he writes,—"I must again request you
to go and see Madame de Châteaubriand, who complains that she has not
seen you. What would you have? Since you have become associated in my
life, it is necessary to share it fully."
There is nothing to indicate Madame Récamier's sentiments toward the
wife of her friend, except a significant passage in one of
Châteaubriand's letters:—"Your judgments are very severe on the Rue du
Bac.[D] But think of the difference of habit. If you look upon her
occupations as trifles, she may on her side think the same with regard
to yours. It is only necessary to change the point of view."
Madame de Châteaubriand died in February, 1847, from the effects of
dieting. A few months after her death her husband offered himself in
marriage to Madame Récamier, who rejected him. "Why should we marry?"
she said. "There can be no impropriety in my taking care of you at our
age. If you find solitude oppressive, I am willing to live with you. The
world, I am confident, will do justice to the purity of our friendship,
and sanction all my efforts to render your old age comfortable and
happy. If we were younger, I would not hesitate,—I would accept with
joy the right to consecrate my life to you. Tears and blindness have
given me that right. Let us change nothing."
We have heard this refusal of Madame Récamier's urged as a proof that
she did not love Châteaubriand; but when we consider their respective
ages at the time, this objection has little weight. Châteaubriand was
seventy-nine; Madame Récamier seventy. The former was tottering on the
brink of the grave. He had lost the use of his limbs, and his mind was
visibly failing. Madame Récamier was keenly sensible of the decay of his
faculties, though she succeeded so well in concealing the fact from
others that few of the habitual visitors at the Abbaye recognized its
extent. The reason she gave to her friends for refusing him was
undoubtedly the true one. She said that his daily visit to her was his
only diversion, and he would lose that, if she married him.
The record of these last years of Madame Récamier's life is
inexpressibly touching, telling as it does of self-denial, patient
suffering, and silent devotion. To avert the blindness which was
gradually stealing upon her, she submitted to an operation, which might
have been successful, had she obeyed the injunctions of her physicians.
But Ballanche lay dying in the opposite house, and, true to the noble
instincts of her heart, she could not let the friend who had loved her
so long and well die alone. She crossed the street, and took her place
by his bedside, thus sealing her own fate, for all hopes of recovering
her sight were lost. Her health also was extremely delicate; but, much
as she needed quiet and repose, she kept up her relations with society
and held her receptions for Châteaubriand's sake. But both their lives
were fast approaching to a close. Châteaubriand died on the 4th of July,
1848. For some time before his death he was speechless, but kept his
dying eyes fixed upon Madame Récamier. She could not see him, and this
dark, dreary silence filled her soul with despair.
Madame Récamier shed no tears over her loss, and uttered no
lamentations. She received the condolences of her friends with
gratitude, and strove to interest herself in their pursuits. But a
deadly paleness, which never left her, spread over her face, and "the
sad smile on her lips was heart-breaking." Sightless and sad, it was
time for her to die. Madame de Staël and Montmorency, the friends of her
youth, had long since departed. Ballanche was gone, and now
Châteaubriand. She survived the latter only eleven months. Stricken with
cholera the following summer, her illness was short, but severe, and her
last words to Madame Lenormant, who bent over her, were, "Nous nous
reverrons,—nous nous reverrons."
So impalpable was the attraction that brought the world to the feet of
Madame Récamier that it is interesting to analyze it. It did not lie in
her beauty and wealth alone; for she lost the one, while time blighted
the other. Nor was it due to power of will; for she was not great
intellectually. And had she been a person of strong convictions, she
would never have been so universally popular. As it was, she pleased
equally persons of every shade of opinion and principle. Her instinctive
coquetry can partly account for her sway over men, but not over women.
What, then, was the secret of her influence? It lay in the subtile power
of a marvellous tact. This tact had its roots deep in her nature. It was
part and parcel of herself, the distinguishing trait in a rare
combination of qualities. Though nurtured and ripened by experience, it
was not the offspring of art. It was an effect, not a cause,—not simply
the result of an intense desire to please, regulated by a fine intuitive
perception, but of higher, finer characteristics, such as natural
sweetness of temper, kindness of heart, and forgetfulness of self. Her
successes were the triumph of impulse rather than of design. In order to
please she did not study character, she divined it. Keenly alive to
outward influences, and losing in part her own personality when coming
in contact with that of others, she readily adapted herself to their
moods,—and her apprehension was quick, if not profound. It is always
gratifying to feel one's self understood, and every person who talked
with Madame Récamier enjoyed this pleasant consciousness. No one felt a
humiliating sense of inferiority in her presence, and this was owing as
much to the character of her intellect as to her tact. Partial friends
detected genius in her conversation and letters, and tried to excite her
to literary effort; but other and stronger evidence forces us to look
upon such praise as mere delicate flattery. A woman more beautiful than
gifted was far more likely to be gratified by a compliment to her
intellect than to her personal charms, as Madame de Staël was more
delighted at an allusion to the beauty of her neck and arms than to the
merits of "L'Allemagne" or "Corinne." But if Madame Récamier did not
possess genius, she had unerring instincts which stood her in lieu of
it, and her mind, if not original, was appreciative. The genuine
admiration she felt for her literary friends stimulated as well as
gratified them. She drew them out, and, dazzled by their own brilliancy,
they gave her credit for thoughts which were in reality their own. To
this faculty of intelligent appreciation was joined another still more
captivating. She was a good listener. "Bien écouter c'est presque
répondre," quotes Jean Paul from Marivaux, and Sainte-Beuve said of
Madame Récamier that she listened "avec séduction." She was also an
extremely indulgent and charitable person, and was severe neither on the
faults nor on the foibles of others. "No one knew so well as she how to
spread balm on the wounds that are never acknowledged, how to calm and
exorcise the bitterness of rivalry or literary animosity. For moral
chagrins and imaginary sorrows, which are so intense in some natures,
she was, par excellence, the Sister of Charity." The repose of her
manner made this sympathy more effective. Hers was not a stormy nature,
but calm and equable. If she had emotion to master, it was mastered in
secret, and not a ripple on the surface betrayed the agitation beneath.
She had no nervous likes or dislikes, no changeful humors, few unequal
moods. She did not sparkle and then die out. The fire was always kindled
on the hearth, the lamp serenely burning. Some women charm by their
mutability; she attracted by her uniformity. But in her uniformity there
was no monotony. Like the continuous murmur of a brook, it gladdened as
well as soothed.
It was probably these sweet womanly qualities, together with the
meekness with which she bore her honors, that endeared her to her
feminine friends. All her life had been a series of triumphs, which were
not won by any conscious effort on her part, but were spontaneous gifts
of fortune,—
"As though a shower of fairy wreaths
Had fallen upon her from the sky."
Yet her manner was entirely free from pretension or self-assertion.
It is not one of the least remarkable things about Madame Récamier, that
one who had been so petted from childhood, so exposed to pernicious
influences, should have continued unspoiled by adulation, uncorrupted by
example. The gay life she led was calculated to make her selfish and
arrogant, yet she was to an eminent degree self-sacrificing and gentle.
Constant in her affections, she never lost a friend through waywardness,
or alienated any by indifference. It has been prettily said of her, that
she brought the art of friendship to perfection. Coquettish she
was,—seldom capricious. Her coquetry was owing more to an instinctive
desire to please than to any systematic attempt to swell the list of her
conquests. She had received the gift of fascination at her birth: and
can a woman be fascinating who has not a touch of coquetry? It was as
natural in Madame Récamier to charm as it was to breathe. It was a
necessity of her nature, which her unnatural position developed and
fostered to a reprehensible extent. But while she permitted herself to
be loved, and rejoiced in the consciousness of this power, she never
carried her flirtations so far as to lose her own self-respect or the
respect of her admirers. She was ever dignified and circumspect, though
gracious and captivating. To most of her lovers, therefore, she was more
a goddess whom they worshipped than a woman whom they loved. Ballanche
compared her to the solitary phœnix, nourished by perfumes, and
living in the purest regions of the air,—
"Who sings to the last his own death-lay,
And in music and perfume dies away."
It is a singular fact, that the men who began by loving her passionately
usually ended by becoming her true friends. Still there were exceptions
to this rule, exceptions which her biographer does not care to dwell
upon, but which the more candid Sainte-Beuve acknowledges, giving as his
authority Madame Récamier, who was fond of talking over the past with
her new friends. "'C'est une manière,' disait-elle, 'de mettre du
passé devant l'amitié.'" The subtile and piquant critic cannot resist
saying, in regard to these reminiscences, that "elle se souvenait avec
goût." Still, pleasant as her recollections were, she often looked back
self-reproachfully upon passages of her youth; and Sainte-Beuve, though
he calls her coquetry "une coquetterie angelique," recognizes it as a
blemish. "She, who was so good, brought sorrow to many hearts, not only
to indignant and soured men, but to poor feminine rivals, whom she
sacrificed and wounded without knowing it. It is the dark side of her
life, which she lived to comprehend."
This "dark side" suggests itself. It is impossible to read the record of
Madame Récamier's conquests without thinking of women slighted and
neglected for her sake. The greater number of her admirers were married
men. That their wives did not hate this all-conquering woman is strange
indeed; that they witnessed her triumphs unmoved is scarcely credible.
For, while French society allows great laxity in such matters, and a
domestic husband, as we understand the term, is a rarity, still French
wives, we imagine, differ very little from other women in wishing to be
considered a first object. Public desertion is rarely relished even
where there is no affection to be wounded, for it is not necessary to
love to be jealous. But whatever heart-aches and jealousies were caused
by Madame Récamier's conquests, they do not appear on the surface. In
her voluminous correspondence we find tender letters from husbands side
by side with friendly notes from their wives. Her biographer parades the
latter with some ostentation, as a proof of the friendship these women
entertained for Madame Récamier. That they respected her is evident;
that they loved her is not so apparent. Mere complimentary notes prove
but little. He must be but a superficial judge of life who draws decided
conclusions simply from appearances. Madame Lucien Bonaparte might
invite Madame Récamier to her fêtes; but the consciousness that all
her world knew that her husband was épris with her beautiful guest did
not tend to make her cordial at heart. Madame Moreau, young and lovely,
might visit her intimately, and even cherish friendship for her; but she
could scarcely be an indifferent spectator, when the great General
demanded a white ribbon from her friend's dress as a favor, and
afterward wrote to her that he had worn it in every battle, and that it
had been the talisman that led him on to victory. Nor is it probable
that Madame de Montmorency and Madame de Châteaubriand, unloved wives,
saw without a pang another woman possess the influence which they
exerted in vain. But, if they suffered, it was in secret; and, moreover,
they did justice to the character of their rival. Madame Récamier's
reputation was compromised neither in their eyes nor in the eyes of the
world. Society is seldom just to any woman whose career in life is
exceptional; but to her it was not only just, but indulgent. When we
reflect upon her peculiar position, so exposed to injurious suspicions,
the doubtful reputation of some of her associates, the character for
gallantry possessed by many of her avowed admirers, it seems scarcely
possible that she should have escaped calumny. The few scandals caused
by some of her early indiscretions were soon dissipated, and she lived
down all unpleasant rumors. She, indeed, seemed to possess some
talisman, as potent as the magic ring that bewitched King Charlemagne,
by whose spell she disarmed envy and silenced detraction. This attaching
power she exercised on every person who came within the sphere of her
influence. Even the gossiping Duchess D'Abrantes has only words of
respectful admiration for her. The preconceived prejudices of Madame
Swetchine, whom Miss Muloch numbers among her "Good Women," vanished at
a first interview. She wrote to her,—"I found myself a captive before I
dreamt of defending myself. I yielded at once to that penetrating and
undefinable charm which you exert even over those persons to whom you
are indifferent." Madame de Genlis, equally prejudiced, was alike
subdued. She made Madame Récamier the heroine of a novel, and addressed
letters to her full of affectionate admiration and extravagant flattery.
"You are one of the phenomena of the age," she writes, "and certainly
the most amiable.... You can look back upon the past without remorse. At
any age this is the most beautiful of privileges, but at our time of
life it is invaluable." Madame Lenormant, even more enthusiastic, calls
her a saint, which she certainly was not, but a gracious woman of the
world. Some acts of her life it is impossible to defend. They tarnish
the lustre of an otherwise irreproachable career. Still, when we think
of the low tone of morals prevalent in her youth, together with her many
and great temptations, it is surprising that she should have preserved
her purity of heart, and earned the respect and love of the best and
wisest of her contemporaries. No woman has ever received more universal
and uniform homage, or has been more deeply lamented. Her death left a
void in French society that has never been filled. The salon, which,
from its origin in the seventeenth century, was so vital an element in
Paris life, no longer exists. That of the Hôtel de Rambouillet was the
first; that of the Abbaye-aux-Bois the last. "On se réunit encore, on
donne des fêtes splendides, on ne cause plus."