Surgical Instruments in Greek and Roman Times

 

The object of this book is to lay before the student of medical history an account of the various instruments with which the ancient Greek and Roman surgeons prosecuted their craft. It is self-evident that no clear conception of a surgical operation, ancient or modern, can be formed from a written description without some previous knowledge of the instruments intended to be used. Many interesting operations described in detail in the classical authors are rendered obscure or quite unintelligible from lack of this knowledge. The learned Adams gives an accurate translation of a long and involved chapter by Paulus Aegineta on the use of the vaginal speculum, but remarks that owing to our want of knowledge of the specula possessed by the ancients the chapter is unintelligible. Daremberg says it is impossible to say what was the shape of any of the cutting instruments mentioned by Hippocrates. The steady progress of archaeological discovery has gradually added find after find of surgical instruments, till now there is scarcely a museum with any considerable number of antique petits bronzes which does not number among its contents a few surgical instruments, and in the Naples Museum alone there are hundreds. In several cases we know even the name of the original possessor of these and the special branch of surgery which he practised. There are thus open to us materials which were not available to the men of learning to whom I have referred above, and the time seems opportune to undertake a systematic review of all the materials at our disposal, and attempt to reconstruct the surgical armamentarium of the ancients. Considering the importance of the subject, it is surprising that no such systematic attempt has previously been made. Indeed, comparatively little attention has been given to this department of archaeology. Literature bearing on it is comparatively scarce. What we have is entirely continental, and consists of a series of reports of different finds with attempts to indicate the uses of the instruments described. In addition to these reports and the actual instruments scattered over various museums, we have at our disposal the writings of the ancient authors themselves. In these a fair number of instruments are minutely described, while many others are named, and here and there points about their shape are mentioned in different places; and by piecing these particulars together and deducing other facts from the nature of the manipulations the instruments are employed in, we can describe in detail, with a tolerable amount of certainty, a surprisingly large number of instruments. It must be confessed that these ancient classics are rather difficult of access, surprisingly so considering that until a few decades ago they were reverenced as works of authority for medical practice; but the fact seems to be that our predecessors were largely content to draw their knowledge of these authors from mediaeval Latin translations. Part of one of the most interesting authors has never been published in the original Greek, and for our knowledge of it we are dependent on a sixteenth-century Latin translation, supplemented, it may be, by fugitive consultations of codices in libraries and museums.

Others of the Greek texts have not been reprinted since the sixteenth century, and bristle with the ingenious but at first perplexing shorthand contractions with which the Renaissance typographer imitated the Compendia of the manuscripts. These difficulties can be got over with patience, however, and the waste of gray matter necessary as a preliminary is not out of proportion to the results to be obtained. Even as a quarry for philological materials the medical classics are far from being worked out, and it is surprising how many words one meets with which are not to be found in the best Greek-English dictionaries.

The method pursued in the present investigation was to make a complete examination of the classical medical, surgical, anatomical, and pharmaceutical writings which have been preserved to us, copying out the portions in which an instrument was mentioned. These extracts were then rearranged in ledger form, each extract being classified under the heading of the instrument it referred to. Out of the enormous number of references thus obtained, those passages were selected which seemed to throw any light on the shape and size of the instrument to which they referred. Next, an examination was made of the reports of finds in various localities; as many specimens in various museums were examined as possible; and annotations of classical texts were searched for any further information they might give. The total information thus gained is so arranged that under the heading of each instrument will be found a series of selected extracts from different authors, with the deductions from them which it is possible to make regarding the appearance of the instrument, and an illustration is given of it from some ancient specimen where such is in existence. Failing actual ancient specimens, I have fallen back on mediaeval or ancient Arabian authors for illustration.

I have omitted a discussion of the many interesting mechanical contrivances for the reduction of deformities due to fracture and dislocation, and also of the splints, pads, and bandages for maintaining these injuries in position. These form such a well-defined group that they might fitly form the subject of a special monograph, and the illustrations required are of a different nature from those in the present volume. The majority of these contrivances will be found described in a chapter by Heliodorus preserved in Oribasius. I have omitted also all reference to the numerous forms of vessels in which the ancients prepared and stored their medicaments, with the exception of those which are intended for carrying on the person. Some of these merge into forms which are common to both drug and instrument cases, and it is impossible to separate them. It has been necessary also to include as far as possible the instruments involved in the preparation and application of medicaments, as most of these are either actually or potentially implements of minor surgery.

The volume opens with a short account of the ancient authors whose writings have any bearing on the subject in hand. At the end of the book will be found a bibliography of reports on finds, and a list of the most interesting instruments to be found in various museums. The latter makes no pretence of being a complete inventory, although it might serve as a skeleton for the construction of a more comprehensive list at some future date. The bibliography, on the other hand, is believed to be fairly complete. The bulk of the book consists of an attempt to reconstruct, in the manner described above, the different instruments used in classical times.

The books from which I have drawn most information are Brunner’s Die Spuren der römischen Ärzte auf dem Boden der Schweiz, Deneffe’s Étude sur la Trousse d’un Chirurgien Gallo-Romain du III^e Siècle, Adams’ translation of Paulus Aegineta, and the papers of Vulpes in the volume for 1851 of the Memorie della Regale Accademia Ercolanese di Archeologia.

During the five or six years which I have spent on this investigation I have unsparingly laid all my friends under contribution whenever opportunity occurred; but among those to whom I am particularly indebted I may mention Mr. M. G. Swallow of Baden, who has given me much assistance in working up the Swiss finds, Professor Alexander Ogston, under whom I spent many happy days as house-surgeon, and who has all along kept a fatherly eye on the progress of the work and encouraged me to proceed to the end with a task which at times seemed inclined to swamp me, Mr. R. C. Bosanquet, late director of the British Archaeological School at Athens, who procured for me photographs of the instruments in the Athens museum, and Mr. H. R. Nielsen of Hartlepool, who has been the companion of my wanderings among the continental museums. I have also to thank my father, John Milne, LL.D., for much help at many different points.

The expense of visiting the museums in the North of France and of obtaining photographs of the instruments in them has been borne by a grant from the Carnegie University Research Fund.

This monograph was presented as the thesis which forms part of the examination for the degree of M.D. of the University of Aberdeen, and it was successful in gaining ‘Highest Honours.’

Hartlepool,
April 19, 1907.

 

 

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CONTENTS

	PAGES
CHAPTER I
Introductory	1-9
Hippocrates—Celsus—Rufus of Ephesus—Aretaeus of Cappadocia—Galen—Oribasius—Soranus of Ephesus—Moschion—Caelius Aurelianus—Aetius—Pliny the Younger—Scribonius Largus—Marcellus Empiricus—Theodorus Priscianus—Alexander Trallianus—Paulus Aegineta—Hero of Alexandria—Christian Fathers—The Arabs—Paré—Scultetus—Heister.
CHAPTER II
Material, Execution, and Ornamentation	10-23
Steel and Iron—Bronze—Copper—Brass—Tin—Lead—Gold—Silver—Horn—Wood—Bone—Ivory—Stone—Execution and Ornamentation—Ringed Ornamentation—Inlaying—Plating—Patina—Finds of Instruments—Herculaneum and Pompeii—Find of Surgeon of Paris—Oculist Severus of Rheims—Oculist Sollemnis of Fonviel—Military Hospital at Baden—Surgeon of Cologne.
CHAPTER III
Knives	24-50
Cutting instruments—The scalpel handle—Typical form rectangular, with blunt dissector—Round—Octagonal—Mounting the blade—Varieties of blade—Classification—Straight blades with one cutting edge—Scalpel—Bistoury—Scarificator single or multiple—Razor type—Blunt-pointed bistoury—Ring knife for dismembering the foetus—Straight two-edged knives—Galen’s long dissecting knife—Phlebotome—Fleams—Katias—Spathion—Hemispathion—Polypus knife—Lithotomy knife—Knife for lithotomy invented by Meges—Perforator for foetal cranium—Probe-pointed bistoury with two edges—Curved bistoury—Crow-bill—Pterygium knife—Knife for plastic operation for entropion—Uvula knife—Tonsil knife—Fistula knife—Curved two-edged blades—Galen’s cartilage knife—Curved myrtle-leaf-shaped blade—Shears.
CHAPTER IV
Probes	51-89
Specilla or probe-like instruments—Definition of specillum—κοπάριον—μήλη—ὑπάλειπτρον—Materials—Bronze—Silver—Gold—Tin—Wood—Bristle—Flower-stalk—Specillum as sound—Combination of instruments on one shaft—Plain rods—Double olive—Spathomele or spatula-probe—Cyathiscomele or spoon-probe—Ear specillum—Probe with screw thread—Specillum vulnerarium—Handled needle—Ophthalmic probe—Rasping specillum—Trachoma curette (Blepharoxyston)—Styli and styloid specilla—Grooved director—Surgical needle—Dressing needle—Bodkin—Eyed probes—Ligula—Spoons for warming and pouring salves—Tongue depressor—Uterine sounds—Uterine dilators—Bifurcated probe—Y probe—Blunt dissector—Curved dissectors—Sharp hooks—Blunt hooks—Aneurism needle—Strigil—Spoon for applying liquid to uvula.
CHAPTER V
Forceps	90-100
Epilation—Polypus—Tumour vulsellum—Eyelid fixation forceps—Uvula (Staphylagra)—Forceps for applying caustic to uvula—Pharyngeal.
CHAPTER VI
Bleeding Cups, Clysters, etc.	101-115
Bleeding cups—Materials—Glass—Silver-Bronze—Shapes—Syringes—Principles—Rectal—Vaginal and uterine—Bladder—Nose—Sinus—Ear—Insufflator—Cannula for ascites and empyema—Leaden tubes to prevent contraction and adhesion—Calamus scriptorius—Quill.
CHAPTER VII
Cauteries	116-120
Cautery knife—Trident—Olivary—Gamma-shaped—Obol—Lunated—Nail—Tile—Button—Wedge—Needle—Cautery with tube—Wood—Moxa.
CHAPTER VIII
Bone and Tooth Instruments	121-142
Raspatory—Chisel—Gouge—Lenticular—Hammer—Block—Meningophylax—Drill—Drill with guard (Abaptista)—Saw—Trephine—Perforator for fistula lachrymalis—Bone elevator—Sequestrum forceps—Varix extractor—Blacksmith’s tongs—Tooth forceps—stump forceps—Tooth elevator—Tooth scalers—File—Forceps for extracting weapons—Periosteal elevator for the pericranium—Impellent—Arrow scoop.
CHAPTER IX
Bladder and Gynaecological Instruments	143-160
Catheter—Male—Female—Child—Bladder sounds—Lithotomy scoop—Forceps—Lithotrite—Speculum—Rectal—Vaginal—Trivalve—Quadrivalve—Traction hook—Decapitator—Cranioclast—Cephalotribe—Midwifery forceps—Uterine curette—Instrument for destroying foetus in utero—Apparatus for fumigating uterus and vagina—Vaginal pessaries.
CHAPTER X
Sutures, etc.	161-167
Sponge—Sutures—Serres fines—Band of Antyllus—Sieves and strainers—Mortar—Pestle—Whetstone.
CHAPTER XI
Étui, etc.	168-173
Portable outfit—Probe cases—Scalpel box—Ointment box—Boxes for collyrium sticks—Ointment slabs—Boxes for drugs.
APPENDIX
I. Inventory of Chief Instruments in various Museums	174-177
II. Bibliography	177-178

 

 

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INTRODUCTORY

 

The earliest classical writer on medical subjects is Hippocrates, who was born in 460 B. C. and who practised in Athens and other parts of Greece. The ‘Hippocratic Collection’ is well known to consist of works which are not all by Hippocrates himself; but as the pseudo-Hippocratic works all belong to the classical period they are all admissible as evidence for our purpose, and for the sake of brevity I shall throughout refer to them as if all were by Hippocrates. Many interesting instruments are named in the comparatively small collection of treatises which make up the admittedly genuine list of Hippocratic works, but, taking these along with the pseudo-Hippocratic works, the number of instruments named in the whole collection is surprisingly large, comprising as it does trephines, bone drills, probes, needles, tooth forceps, uvula forceps, bone elevators, uterine sounds, graduated dilators, cranioclasts, and others. After Hippocrates there is a break in the continuity of the literature, and for some hundreds of years Greek medicine is represented almost entirely by the Alexandrian Schools. The first printed edition of the Hippocratic works was a Latin translation printed at Rome in 1525, followed by the Aldine edition of the Greek text printed at Venice in the following year. Other editions are the edition of Föes (1595), Van der Linden (1665), Kühn (Leipzig, 1821). Later editions are the text with a French translation by Littré (10 vols., 1849-61), a scholarly edition by Ermerins with a Latin rendering (1859-64), and an excellent translation of the genuine works of Hippocrates by the world-famous Dr. Adams of Banchory (Sydenham Soc. Trans., 1849). The best edition, however, is the edition of Kuehlewein, begun in 1894 and at present in course of publication by Teubner, Leipzig. The later volumes have not yet appeared. For the portion of the text which is not contained in the first two volumes of Kuehlewein I have relied on the edition of Kühn for most of the readings, although occasionally those of Van der Linden or Föes are to be preferred. The references given are to the volumes and pages of Kühn’s edition, but in this edition indications are given of the corresponding localities in the other editions so that cross-references to these can easily be made. There seems to be a different arrangement in different editions of Föes, for Liddell and Scott say the references in their Lexicon are to the pages in Föes but they do not correspond in any way to the pagination of the edition before me (Frankfort, 1595).

Aulus Cornelius Celsus is the next writer we have. His system of medicine in eight books is a marvel of lucid arrangement, and his beautiful style makes it a pleasure to read any of his works. The seventh book gives a most interesting review of the surgery of the Alexandrian School. He describes many instruments in detail, although he names fewer special instruments than some of the Greek writers as the Latin language lends itself less well to the formation of compound words than the Greek does. To take one example only, Celsus has practically one word for all varieties of forceps—vulsella, while the Greeks use many compounds like hair forceps (τριχο-λαβίς), flesh forceps (σαρκο-λάβος), tooth forceps (ὀδοντάγρα), stump forceps (ῥιζάγρα). Indeed, in the case of the two latter words Celsus falls back on Greek to express himself. Celsus was first published in 1478. Another edition is that of Targa, 1769. The editions before me are those of Daremberg, published at Leipzig in 1859, and Védrènes (Paris, 1876). The latter contains illustrations of a considerable number of specimens from Italian and French museums.

Rufus of Ephesus (98-117 A. D.) has left little to interest us for our particular purpose, as he merely mentions, without describing, a few instruments, all of which are already known to us from other sources. The best edition is that of Daremberg, Paris, 1879. A Latin translation of his works will be found in Medicae Artis Principes (Stephanus).

Aretaeus of Cappadocia has left us a work on Acute and Chronic Diseases. He has few references to instruments, but such as they are they are interesting, as he names some which are given by no other author. He has a tantalizing allusion to a work by himself on surgery which has not been preserved. There is a fine edition of the text, with an English translation by Adams of Banchory, in the Transactions of the Sydenham Society.

Galen (130-200 A. D.) was a most voluminous writer, much of whose work remains and teems with matter of interest to us. Much information about instruments is to be gained from even his purely anatomical writings. The most accessible edition is that of Kühn (20 vols., Leipzig, 1821), but it is slipshod in the text, and even more so in the translation, which is in Latin.

Oribasius (325 A. D.) wrote an encyclopaedia of medicine, which is called Συναγωγαὶ Ἰατρικαί—Collecta Medicinalia, in seventy books, only about one third of which remain. This is the most interesting of his works from our point of view, but he has left also a synopsis of the encyclopaedia called Σύνοψις, and a sort of first aid manual called Εὐπόριστα. I have used the edition of Daremberg and Bussemaker (1851-76).

Soranus of Ephesus has left us a most valuable treatise on obstetrics and gynaecology, which, though written only for midwives, contains many interesting references to instruments such as the speculum, uterine sound, cephalotribe, decapitator, and embryo hook. He lived in the reign of Trajan. Some of the chapters, of which the Greek is lost, have been preserved to us by his abbreviator Moschion. I have used the edition of Rose published at Leipzig in 1882.

Moschion (fifth century) translated into Latin the gynaecological and obstetrical part of the works of Soranus for the benefit of midwives who could not speak Greek. This version is now lost, but we have a translation of it into Greek, made after the fall of the Western Empire and the development of the Greek-speaking Empire at Constantinople in the sixth century. There is an Edition of this by Gesner (Basle, 1566). Finally, this Greek version of Moschion was translated back into barbarous Latin at some early date, Barbour thinks by some member of the Schola Salernitana. This was published at Venice by Aldus in the sixteenth century, and Rose has prefaced his edition of Soranus with it. This work of Moschion is only of interest to us from the fact that he preserves to us the substance of some chapters of which the original in Soranus is wanting.

Caelius Aurelianus Siccensis, an African of the fourth or fifth century, translated the works of Soranus, both those on gynaecology and those on general diseases, and he preserves some of Soranus which we would not otherwise possess; but he writes in a barbarous Latin which, like the Latin of some other African writers on medical subjects, is calculated to cause great pain to any one not familiar with this particular style.

Aetius lived in the first half of the sixth century, and compiled a voluminous treatise on medicine in sixteen books. He worked entirely with scissors and paste, but the result is the preservation to us of a large number of extracts from writers whose works would otherwise have entirely disappeared, and his work is of great value for the study of instruments. In 1534 an Aldine Edition of the first eight books was published, and, though a translation of the whole work was published by Cornarius in 1533-42 in Latin, six of the last eight books were never published in the original Greek. This is unfortunate for us, as for our purpose the original is the only thing of any great value, Greek being, as I have already pointed out, a language richer in compounds than Latin is, and lending itself better to the coining of special names for special instruments. Not that the sixteenth-century translator is ever at a loss for a turn by which to express himself in Latin, but the turn, as often as not, is by periphrasis just at the very point when we would have liked a very exact equivalent for the Greek. The translation of the part of the work of which we have the Greek shows that we cannot entirely depend on some of these periphrases even where they appear definite, as in some cases an unwarrantable assumption is made about the form of an instrument. Thus λιθουλκῷ is translated ‘forcipe ad id facta’ because in Cornarius’s time the instrument used for extracting stone from the bladder was a forceps, whereas it is doubtful whether there was in the Roman period anything more than a scoop, and, therefore, we are not entitled to translate λιθουλκός by anything more definite than ‘stone extractor’, its etymological equivalent. Although, therefore, I have examined the latter eight books of Aetius in the Latin translation, and although they contain some of the most interesting information to be found in the whole work, I have been very chary about laying stress on any deductions drawn from the Latin translation only. It may be noted that there are two ways of referring to the different books in Aetius, according to whether the Greek text or the translation of Cornarius is meant. Cornarius arranged his version in four tetrabibli of four books each, whereas the Greek text is simply numbered from i-viii. ‘No vii.’ of the Greek text is, therefore, called by Cornarius ‘Tetr. ii. lib. iii.’ The eleventh book was published by Daremberg in his edition of Rufus (1879), and the twelfth book was published by Costomeris at Paris in 1892.

Pliny the Younger. Plinius Secundus (Rose, Leipzig, 1875). The writings of Pliny contain little information of any kind and are absolutely of no use for our purpose.

Scribonius Largus (45 A. D.). The edition I have examined is named ‘Scribonii Largi Compositiones’ and is edited by Helmreich, Leipzig, 1887. The work of Scribonius Largus is entirely pharmaceutical, but he gives many references to appliances by which medicaments were prepared in the surgery.

Marcellus Empiricus (300 A. D.) wrote a work on pharmacy, of large size but little value, and in a poor style. There are a few passages bearing on implements of minor surgery. A good deal is copied from Largus. Aldus published the text by Cornarius at Venice in his collection of Medici Antiqui (1547), republished by Stephanus (Medicae Artis Principes), 1567. The edition I have used is that of Helmreich (Leipzig, 1889).

Theodorus Priscianus, alias Octavius Horatianus, lived in the fourth century and has left a work, in three books, called Euporiston. It is a compilation in African Latin of extracts from Galen, Oribasius, &c. The style of the Latin is so barbarous that it really must be seen to be believed. There is a little information to be gathered about minor instruments. The edition I have used is that of Rose, Leipzig, 1894. To this edition are tacked on the medical remains of Vindicianus Afer, mere fragments without anything to interest us.

The works of Alexander Trallianus (526-605 A. D.) contain practically no surgery at all, although I have managed to extract a few references of minor interest.

The last of the eminent Greek writers is Paulus Aegineta, a writer who probably lived in the sixth and seventh centuries. This is getting rather late in the day, it is true, but to omit the works of Paulus, or Paul, as he is affectionately called by his admirers, would be to omit some of the most valuable knowledge of ancient medicine we possess. Paul, like most of his time, was a compiler, but he was a skilful one, and while he entirely depends on Galen, Archigenes, Soranus, &c. for his information, he has gathered up the best of the medical knowledge of his time in a little encyclopaedia whose artistic completeness and orderly arrangement are not surpassed by any work of a corresponding nature at the present day. The work is divided into seven books, the sixth of which deals with surgery and teems with information about instruments. Aldus published the entire Greek text at Venice in 1527. A fine English translation, with a most valuable commentary, was published by Adams of Banchory for the Sydenham Society in 1846. No one who reads it can wonder that Adams had a worldwide reputation for his knowledge of medical history. The important sixth book was published along with a translation in French by Briau at Paris in 1855.

I have obtained a description of two very important instruments from the works of Hero of Alexandria (285-222 B. C., ed. 1575). There are a few interesting references to instruments in the works of the early Christian fathers. Tertullian is the only one of these I can claim to have systematically searched, but in one of his sermons he refers to no less than four surgical instruments, one of which is not described by any other author.

It were a work of supererogation to recount the names of the other Greek and Roman writers whose works I have run through in a profitless search for references to instruments. Some of these, such as Dioscorides, are of great importance in themselves though valueless for our purpose. Others, such as many of the minor Greek writers contained in the collection by Ideler entitled Physici et Medici Graeci Minores (Berlin, 1841), and the minor Latin writers contained in the collection of Medici Antiqui Omnes (Aldus, 1547), are of little value of any kind.

Before the capture of Alexandria by Omar in 651, many Greek medical writings had been translated into Syrian. At a later date such of these as had escaped destruction were turned into Arabic by the scholars of Bagdad (Honain and his School), in the ninth century. These, introduced into Spain in the Middle Ages by the Moors, were again translated into Latin and supplied for many a day the greater part of the medical knowledge of Europe, until the study of the few Greek texts which had escaped destruction showed the true origin of Arabian medicine. It will thus be seen that there is some information, in fact a great deal, to be had from the study of the works of the Arabs, but the barbarous style of the Latin and the roundabout way in which the works have been preserved, having passed through translations of three different languages, preclude any very exact deductions being drawn from them. Some of these works are profusely illustrated with figures of instruments, but I have been careful not to fall back on any of the Arabs except to support deductions drawn from more direct sources.

The chief Arab writers of interest to us are:—Serapion (800), Rhases (882), and Ali Abbas (after 950), all of Honain’s School at Bagdad. The huge work of Avicenna (born 980), The Canon, was much used by the Arabs. It was published at Cordova, which became the Bagdad of the West after the Arabs crossed to Spain in 811.

The work of Albucasis (ob. 1106) was also published at Cordova, and contains much surgical information and has many illustrations of surgical instruments, but these must be used with due caution. I have used the edition published at Strasburg in 1532.

A word must be said of the later writers such as Paré (1509-90), Scultetus (1650), and Heister (1739). The works of these are profusely illustrated with instruments, some of which can plainly be seen to tally exactly with the descriptions of the classical authors. In other cases, although the names given to the instruments are those of classical times, it is, to say the least, doubtful whether they are of the same form as the ancient instruments whose names they bear. That was an age of great activity in the manufacture of new forms of surgical instruments, and we must accept with caution illustrations professing to indicate ancient forms of instruments. At the same time it is very interesting to note the large number of primitive arrangements which remained in use till nearly 1800. The enema syringe figured by Heister is exactly the same as we find described in the Hippocratic works—the bladder of an animal affixed to a tube—and many practitioners alive at the present day have seen the same simple arrangement in actual use.

 

 

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MATERIAL, EXECUTION, AND ORNAMENTATION

 

Steel and Iron.

The surgical instruments we meet with are, as a rule, of bronze. Not that the Greeks and Romans did not make many of their instruments of iron and steel, but the iron has mainly perished while more of the bronze has persisted. Long before the date of the earliest medical writings, Greece had passed into the iron age. The Homeric poems picture a civilization in the state of transition from a bronze to an iron period, and weapons such as sword, axe, and spear, are frequently described as made of iron. In the Iliad we even read of implements of agriculture made of iron, but it is ‘hard to work’ (πολύκμητος, Iliad vi. 48, Od. xxi. 10). However, by the time that Hippocrates wrote, it was in common use, and, if we had only the evidence of the Hippocratic writings to go by, we could see that it was in common use in the time of Hippocrates. Certain instruments, such as the cautery, are always spoken of as made of iron, in fact, the term for cautery is, as a rule, ‘the iron,’ and σίδηρος ὁ ὀξύς is a general term for ‘the knife’. The smelting of iron is even used as a simile by Hippocrates:

Again, he uses as a simile a speculative theory as to the way in which heating iron softens it and dipping it in water hardens it. He believes that this comes about by the fire depriving the iron of its nourishing substance, while the addition of water restores it.

This is the earliest reference to tempering steel by the Greeks with which I am acquainted. It is a curious commentary on the relative destruction of iron instruments compared with those of bronze, that cauteries, which are always described as made of iron and which must have existed in enormous numbers, are among the rarest surgical instruments found. We have a few cauteries of iron, however, and some knives and knife-blades and other instruments remain. Pots for ointments of certain kinds were made of iron, and we have actually two of these which had been the property of a Roman oculist whose full name is known. I have entered into this discussion because there seems to be a general tendency to underestimate the extent to which iron was employed by the Greeks and Romans. The quantity of scoria left by the primitive founders should alone be sufficient to teach us to how great an extent iron was in use. Wherever there was good iron in any of the Roman provinces, veritable mountains of scoria are found. The heaps of scoria left in the Forest of Dean by the Roman founders contained such a large percentage of iron still remaining that they were smelted over again in later times, and to do this occupied over twenty furnaces for a couple of centuries. Tolouse calculated that similar heaps in Gaul contained over 120,000 tons of scoria. If, however, we tend to underestimate the extent to which iron was in use among the Greeks and Romans, still more, I believe, do we tend to underrate the quantity and the quality of the steel available in those times. This comes about from the fact that in our day we require such enormous quantities of iron and steel that we have to employ iron ores of a very low quality. The greater part of the so-called steel of which battleships are made is got from a ferruginous mud with only 30 per cent. of iron, less than there was left in the scoria after the Roman founder had done with it. To the impurities already existing in this we add others, because the coal we use contains sulphur. It is getting rid of these impurities that makes the production of steel such a roundabout process with us. We forget that, with primitive methods but fine ores and a fuel devoid of sulphur, the production of steel of fine quality is as easy a process as the manufacture of iron, in fact the only difference between the method of procuring iron and steel under these circumstances is the length of time the process is allowed to go on. The ancient founders used the finest ores, often containing 75 per cent. of iron, and, working with charcoal fuel, which was nearly pure carbon, they could produce steel as easily as iron. The difference between steel and iron is that steel contains carbon, and, by allowing the ore to remain longer in contact with the charcoal, steel is formed, so that a founder setting out to make iron with a pure ore and a pure fuel like charcoal, may, if he is not careful, turn out steel of fine quality. This primitive method of making steel is still in vogue in India, Burma, Borneo, China, &c., and very fine qualities of steel are produced. The majority of the tools found in the earliest Greek colonies on the Nile—Naukratis and Daphnae—are of steel or iron, although those of the Egyptians among whom they were living (circa 600 B. C.) were of bronze. The classical medical writings themselves are sufficient evidence of the quality of the steel available in those times. Galen (ii. 683) says that the best quality of steel (which came from Norica) yielded a knife which neither blunted easily nor bent or chipped.

This shows that the Greek surgeon appreciated good steel, and what I have said will show that there was plenty of it to be had. Yet modern writers almost invariably speak of or describe even the cutting instruments of the ancients as made of iron. Greek and Latin have each only one word to indicate both steel and iron, but that is because, as I have shown, they prepared both in the same way. The ancient Hindoo Vedas say that cutting instruments were to be made of steel, well polished and sufficiently keen to divide a hair. For sharpening, a stone was to be used, and they were to be kept clean and wrapt in flannel and laid by in a box of sandalwood. Albucasis in mentioning steel always specifies Indian steel. Many of the Roman shears of steel retain their spring perfectly. As an illustration of the keenness of edge which can be put by simple methods upon steel of primitive manufacture, take the following account of the operations of an African barber of the Hausa tribe, as reported in an account by Professor R. W. Reid, Aberdeen, of a Hausa barber-doctor’s outfit presented to the Anthropological Museum of the University by Sir William MacGregor, Governor of Lagos. The description of the outfit is quoted from Sir William MacGregor, who says:

 

Bronze.

Although, as I have shown, iron and steel were largely used in the manufacture of instruments, fortunately for us bronze was the metal usually selected, for thus many instruments have withstood the lapse of time which would otherwise have been oxidized out of existence. Copper is much more easily got from ore than iron, and consequently it was the first to be used by man, and very early the advantage of combining it with tin to form bronze was found out. Bronze was used by the Egyptians 6,000 years ago, and the Phoenicians, who got it from them, passed it on to the whole of Europe. The quantity of tin in the bronze is very constantly about 7½ per cent.

The majority of the instruments which have been preserved to us are of bronze. Hippocrates (i. 58) says:

We have, however, a good many specimens of vessels which prove that physicians did not adhere to this advice. We know too that certain medicaments were intentionally stored in copper vessels. Scribonius says:

Pure copper was occasionally used for instruments, and of these we have a few remaining, and vessels and instruments of it are frequently mentioned: ‘Oportet autem moveri aquam ipsam rudicula vel spathomela aeris rubri’ (Marcellus, De Medicamentis, xiv. 44). Coins were frequently made of brass (ὀρείχαλκος, orichalcum, aurichalcum), a mixture of copper, tin, and zinc, and in Pompeii there have been found two scalpel handles of brass composed of 25 per cent. of zinc and 75 per cent. of copper. The copper was got mainly from Cyprus and Spain. A small amount, however, came from Africa and Asia.

 

Tin.

Tin came mainly from Britain. We have no instruments of tin preserved to us, but they are frequently referred to. Hippocrates mentions, over and over again, uterine sounds of tin, and he also speaks of sounds and eyed probes for rectal work, which were made of tin so that they might be flexible. Vessels of tin for storing medicaments in are spoken of by Largus: ‘Reponitur medicamentum fictili vel stagneo vase’ (cclxviii). In the Museum at Chesters (Chollerford) there is a tin weight for medicines.

 

Lead.

Leaden sounds and tubes for intra-uterine medication are frequently mentioned in the Hippocratic writings, and Celsus and Paul refer to leaden tubes for insertion in the rectum and vagina to prevent cicatricial contractions and adhesions after operations on these parts. The therapists also mention medicament jars of lead. There is one in the Capitoline Museum from the temple of Aesculapius in the forum.

 

Gold.

There is in the Museum at Stockholm a forceps of gold, but it is more than probable that this is a toilet article. I have a spatula-probe which had been overlaid with gold, and I have met with several others similarly treated. Theodorus Priscianus recommends a cautery of gold for stopping haemorrhage from the throat (Logicus, xxii). Avenzoar speaks of a golden probe for applying salve to the eye and for separating adhesion of the eye to the lid. Avicenna lets out the pustules of small-pox with a golden probe. Albucasis recommends burning the roots of hairs in trichiasis with a probe of gold. Mesue recommends a heated scalpel of gold to excise the tonsil. Hippocrates binds the teeth together in fracture of the jaw with a gold wire (iii. 174): cf. Paul, VI. xcii. In one of his dialogues Lucian satirizes a medical man who sought to conceal his ignorance by a display of a fine library, bleeding-cups of silver, and scalpel handles inlaid with gold—the devices of quacks, Lucian says, who did not know how to use the instruments when necessity arose.

 

Silver.

There is a forceps of silver in the Athens Museum, and another in the Museum at Kiel. Both are, however, possibly toilet articles. Paul condemns bleeding-cups of silver, as he says they burn, so it is evident that Lucian had grounds for his statement. In the Musée de Cinquantenaire, Brussels, there is in the section of ancient surgery a bronze instrument case from Pompeii which contained a silver spoon and probe combined, a plain probe, and a grooved director, all in silver. I have frequently met with ligulae of silver and also of copper overlaid with silver, and styli, which we shall see were used as implements of minor surgery, were frequently made of silver. Medicament boxes of silver are mentioned by Marcellus. Hippocrates describes a uterine syringe with a tube of silver. Albucasis mentions silver catheters.

A mixture of gold and silver, which was called electrum, was much used for coinage, and I have met with one or two ligulae of this metal. It was found mixed naturally in the mountain districts of Tmolus and Sipylus in Lydia, and it was also artificially produced by alloying the two metals.

 

Horn.

Hippocrates (iii. 331) speaks of a pessary of horn inserted into the rectum. It would seem that the tube of various syringes was often made of horn, as both Greek and Latin writers speak of the ‘horn’ of the syringe.

Scribonius Largus (Compositiones, vii) says:

 

Wood.

Galen speaks of sounds or directors of wood, and ointment spatulae of wood are very frequently mentioned in the therapeutic works, as are also boxes for storing ointments in.

 

Bone and Ivory.

Numbers of bone ligulae were found in a Roman hospital lately excavated at Baden.

In the Naples Museum there are two ointment spoons with carved bone handles. Needles such as Hippocrates and Celsus speak of for stitching bandages to fix them were very frequently made of bone and ivory. Knife handles of bone and ivory are common. A carved ivory medicament box with sliding lid will be fully described later. Scribonius Largus describes knives of bone and ivory for preparing plants for pharmaceutical purposes (Compositiones, lxxxiii). An ivory pestle was found with a surgeon’s outfit in Cologne.

 

Stone.

Medicaments were prepared on stone slabs, and the great majority of oculists’ seals were of stone.

 

Execution and Ornamentation.

The execution of the instruments is, as a rule, all that could be desired, and the weight and thickness are no more than is consistent with the requisite strength.

Hippocrates points out the necessity for this:—

The ornamentation is simple and effective. In the round instruments like the probes it consists usually of raised circular ornamentation, with or without a secondary ornamentation on the raised ringing. In others there are longitudinal or spiral grooves running along the instrument. In some cases the bronze is decorated with an inlay of silver damascening. This is rare in the instruments from Pompeii, though there are two probes with a spiral inlay in the Naples Museum. The majority of the instruments treated in this way have been found in the western provinces, and they are of later date than the Pompeian. The handles of some scalpels belonging to the third century are beautifully inlaid with silver. Lucian, as I have mentioned, speaks of scalpels inlaid with gold. In the Mainz Museum there is a medicament box on the lid of which is inlaid a snake coiled round a tree, the tree and the snake’s body being outlined in copper and the snake’s head in silver. So far no damascened instruments are reported from Greece. Damascening began in Europe apparently in the first century, and reached its height in the time of the Merovingian kings.

Examples of plated instruments are not uncommon. I have a spatula dissector thinly plated with gold, and I have met with several ligulae plated with silver. One of these was so thickly plated that on cutting into it the silver, which was deeply oxidized on the outside and was, therefore, quite black, showed also a layer of metallic silver still bright on section.

All the surgical instruments found in the provinces have an air de famille which would lead one to suppose that they had been manufactured in Italy, but this is not certain. The ointment slabs, however, are rarely of the stone of the country in which they are found. On the other hand, the orthographical faults on the oculists’ seals would indicate that they were cut in the provinces. Wherever possible two instruments are combined into one. Thus very few of the probes are simple instruments but carry a spatula, a scoop or spoon, an eye, or a hook, at the opposite end. Vulsella are more difficult to combine with other instruments, but here again we meet with combinations such as vulsella at one end and scoop, raspatory, or probe, at the other. The typical scalpel handle carries at the end opposite the blade a spatula for blunt dissection. We have needles at one end and probes, scalpel blades, &c., at the other end of a handle. This combination of two instruments in one is still in use in our day. We must notice the fact that the majority of instruments we know were all of metal, not folding into hollow handles of wood, bone, &c., as the instruments of a decade ago did, so that they were easily cleaned. In fact we shall see that where the scalpel and handle were not forged in one piece they were united by something very like our aseptic joint. Hippocrates insists on the importance of keeping everything in the surgery absolutely clean.

A few instruments bear the image of deities connected with medicine, or attributes of these. The figures of Aesculapius and his daughter Hygeia are found on medicament boxes, the former with the serpent entwining his staff, the latter feeding a serpent from a bowl. The serpent is sometimes found on a probe. A uterine dilator from Pompeii also carries it. A probe surmounted by a double serpent (caduceus form) was found in the Roman Hospital at Baden. Two scalpels in the Naples Museum carry on their ends the head of Minerva Medica. The quadrivalve speculum in the Naples Museum has each end of the crossbar tipped with a fine image of a ram’s head. There is also a medicine shovel with the same symbol. Illustrations of these instruments will be found later.

 

Preservation.

Some of the instruments of silver retain their brightness as when they were made, but under certain circumstances a considerable amount of oxidation takes place, and then they have a thick black coating. Very few bronze articles are found to have retained their colour. In volcanic districts the various sulphur compounds formed give rise to a beautiful patina of varying shades of green and blue, sometimes so evenly distributed as to resemble enamel. This, when fine, much enhances the value of the article.

Articles of iron are sometimes but little destroyed. It is surprising in how good condition the iron or steel may be. The bow of a shears is sometimes quite springy. In some cases a steel or iron article is often represented by a mass of oxide bearing some resemblance to the original. In others only a shapeless mass of oxide remains.

 

Finds of Instruments.

Finds of ancient surgical instruments, though not by any means common, are still sufficiently numerous for specimens to have found their way into most of our larger museums; and private collectors have here and there acquired considerable numbers. The most prolific source has been the excavations at Herculaneum and Pompeii, which have now been systematically pursued for nearly three hundred years, while the objects found have been deposited in the National Museum at Naples. In 1818 a physician’s house with a large number of surgical instruments was discovered in the Strada del Consulate of Pompeii, and two chemists’ shops have also been found with instruments in them. Besides these there is a large number of instruments from other finds in the two buried cities.

The custom of burying personal effects along with the ashes of a deceased person, which prevailed among the Romans from the second to the fourth century, has preserved to us a number of interesting finds. In 1880 M. Tolouse, a civil engineer in Paris, in executing some alterations in the neighbourhood of the Avenue Choisy, discovered the grave of a surgeon, containing a bronze pot full of surgical instruments. Among these were numerous forceps and vulsella, ointment tubes, bleeding cup, scalpel handles for blades of steel, probes, and spatulae. Sixty-six coins of the reigns of Tetricus I and II showed that the grave belonged to the end of the second or the beginning of the third century. The find was reported by M. Tolouse in a volume entitled Mes fouilles dans le sol du vieux Paris (Paris, 1888). In 1892 the find was fully described by Professor Deneffe of Ghent, in the Revue Archéologique, under the title ‘Notice descriptive sur une trousse de médecin au III^me siècle’, and reprinted, with photogravures, in 1893 in a monograph Étude sur la trousse d’un chirurgien Gallo-Romain du III^me siècle (Antwerp, 1893). It is convenient to refer to this find as that of the ‘Surgeon of Paris’. Another grave containing surgical instruments was found at Wancennes in the canton of Beauraing, Namur, in a cemetery of the first or second century. The instruments are now in the Archaeological Museum at Namur (Deneffe, op. cit., p. 35).

In 1854 there were discovered at Rheims the remnants of a wooden chest containing two little iron jars for ointments, several scalpel handles, a small drill, eight handles for needles, five hooks (two blunt and three sharp), two balances, various probes and spatulae, seven forceps, medicament box, a mortar, and a seal showing that the instruments had belonged to an oculist named Gaius Firmius Severus. The instruments are all of the most beautiful pattern and finish, several being finely inlaid with silver. Some coins of the reigns of Antoninus Pius and Marcus Aurelius showed that the interment belonged to the end of the third century.

These instruments, &c., are now in the Museum of St-Germain-en-Laye. The majority of these will be found described and figured later.

Find of Sextus Polleius Sollemnis, oculist of Fonviel, Saint-Privat-d’Allier. In levelling a heap of earth which had fallen from a cliff above as the result of a landslide, there were found at Fonviel in 1864 a number of bronze surgical instruments. The place where they were found is at the intersection of two old Roman roads, and the instruments had been buried in the grave of a Roman surgeon high up above the valley on the edge of a cliff. Eighteen coins of the reigns of Julia Augusta, Trajan, Hadrian, Commodus, Gordian, Philip, Valerian, and Gallus, showed that the interment had been made at the end of the third century. The instruments found included three scalpel handles, fragments of two forceps, and an oculist’s seal in stone showing that the grave was that of Sextus Polleius Sollemnis. Many more instruments had probably been buried originally. Those enumerated are now in the Museum of Le Puy-en-Velay. An account of this find, with illustrations, is to be found in the Annales de la Société d’Agriculture, Sciences, Arts et Commerce du Puy (tome xxvi. 1864-5). It is also described, along with the find of Gaius Firmius Severus, in a monograph by Deneffe, under the title of Les Oculistes Gallo-Romaine au III^me siècle (Antwerp, 1896).

One of the most prolific finds of late years has been the discovery of a Roman military hospital at Baden, the ancient Roman station of Aquae, or Vicus Aquensis. From time to time isolated discoveries of instruments had been made, including a catheter, a scalpel, and several varieties of probes, and in March, 1893, MM. Kellersberger and Meyer proceeded to excavate systematically the remains of some Roman buildings on their property. A large chamber 10·35 metres by 12·5, with walls 60 cm. thick, was discovered, and later others were discovered varying from 3 to 27 metres in length. There were in all fourteen rooms. Along the side of the building on which a Roman road ran, there were the remains of an imposing façade, running the whole length of the building. It had consisted of a portico with colonnades, the foundations of which were found at regular intervals. It is possible that some of the larger rooms had been subdivided into others by thin walls or partitions, for fragments of partitions of plaster with wood lathing were found.

A large number of objects—tiles, lamps, vases, pots, knives, spearheads, nails, glass, fibulae, beads, weavers’ weights, three amphorae a metre high—were found near the surface. Then, at a depth of two metres, surgical instruments began to be found. These included probes to the number of 120, unguent spoons in bone and bronze, a fragment of a catheter 13 cm. long, bronze boxes for powder, needles, earscoops, unguentaria, spatulae, a fragment of an étui for instruments, and cauteries. Many coins of the reigns of Claudius, Nero, Domitian, Vespasian, and Hadrian were found, showing that the hospital had been in use between 100 and 200 A. D. The objects mentioned are still the private property of MM. Kellersberger and Meyer. In 1905, by the kindness of these gentlemen, I was allowed to make a complete examination of the collection.

A case containing a surgeon’s outfit was found in the Luxemburgerstrasse, Cologne. It contained a phlebotome, a chisel, and some fragments of other instruments of steel, two forceps and two sharp hooks in bronze, and a small ivory pestle-like instrument. These are now in the Cologne Museum. This is a most interesting and important little find. The phlebotome is by far the best preserved and best authenticated example which we possess of this instrument. Probably the same may be said of the chisel as a purely surgical instrument.

 

 

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KNIVES

 

The surgical knife had, as a rule, the blade of steel and the handle of bronze. We find specimens all of steel or all of bronze but these are exceptional forms; and hence it happens that many more handles than blades have been preserved to us, as usually the blade has oxidized away leaving no trace of its shape. It will be well, therefore, to commence with the study of the handle.

The scalpel handle consists, as a rule, of a bar of bronze, which may be round, square, hexagonal, or trapezoidal in section. At one end there is a slot to receive the steel blade, varying in depth from 2 cm. in the larger, to 1 cm. in the smaller, instruments. The other end of the handle carried a leaf-shaped spatula to act as a blunt dissector. A groove is often formed near the end of the handle, or the end is raised into a cylindrical roll on each side, and this roll again is sometimes perforated with a hole.

It is generally believed that the blades were fixed in the handle by a binding thread or wire, and that the rolls and perforations were to give security to the mounting used. This detachable arrangement would allow of removal for cleaning, and also permit one handle to be used with several varieties of blade. A consideration of the slots in a large number of handles leads me to believe, however, that this was, to say the least, not the usual arrangement. The proportion of the depth of the slot to the size of the blade to be supported is in most cases not large enough to allow of a temporary mounting to fix the blade firmly, and I believe that most blades were either luted or brazed in permanently. These processes were well known to the ancients, and in fact we have them in evidence in other surgical instruments. Those bleeding-cups from Pompeii which carry rings on their summits have the top part brazed or soldered on. Galen (ii. 717) alludes to the blowpipe which goldsmiths used, and Paulus Aegineta has a chapter on the fluxes used by these artists. We frequently meet with ornaments fixed on boxes by means of solder.

On the other hand, the slot in some handles expands at its termination into a wider portion which would carry a cylindrical expansion on the other end of the blade. This form of blade could not be pulled outwards, and might well be fixed with a temporary mounting.

Different varieties of handles are shown in Plates I-III. Some are beautifully damascened with silver. These are mostly of the third century, but Sambon reports some damascened handles of the first century. A rare form is seen in a specimen in the Museum at Le Puy-en-Velay, where the handle is round and decorated with a spiral band of silver inlaid round it. It is from the find of the oculist Sollemnis (Pl. II, fig. 6).

A few variations from the characteristic combination of handle and spatula-shaped dissector occur. Thus we have a handle ending in a conical point (Pl. II, fig. 7), which Deneffe regards as a drill for perforating the nasal septum in cases of fistula lachrymalis. Archigenes describes this operation, and the handle was found in the grave of the oculist Severus. Along with it were found two other handles, which, instead of a spatula, had carried a steel needle (Pl. II, figs. 1, 2). The needles have disappeared of course, but there are the holes to receive them. In other cases the handle was round, and either quite plain or ornamented with raised rings. Some of these ended in a small round knob (Pl. V, fig. 2). Others carry the head of Minerva Medica like the spoon in Pl. XX, fig. 5. There are three of these handles in the Naples Museum. Rufus of Ephesus describes a lithotomy knife which had a scoop at the end of the handle with which to extract the stone. An example of this is seen in the box of scalpels from Athens (Pl. IV).

 

The Blade.

For the study of the different varieties of blade we have at our disposal first of all the specimens that have actually survived. Of these the largest number are to be seen in the Naples Museum, but a considerable number are to be found scattered over various museums. An ex voto tablet found on the site of the temple of Aesculapius on the Acropolis at Athens shows a box of scalpels, among which are some interesting forms (Pl. IV). The scalpels, it will be noted, are arranged head and tail alternately. A few varieties are actually described in detail in the classical authors, and, by piecing together other references to particular instruments and drawing inferences from the various uses to which we find them put, we are able to describe a surprisingly large number of forms. The sixteenth-century writers, such as Paré, and seventeenth-century writers, such as Scultetus, illustrate with great confidence many of the cutting instruments mentioned by ancient writers, but it is easy to show that in several instances they are wrong, and, therefore, I have drawn on them as little as possible.

As a basis of classification we may select the following points about the blade. The form may be straight or curved. There may be only one cutting edge or there may be two, and the point may be sharp or blunt. We shall examine combinations of these in the following order:

I.	Blade straight—
	(A) Cutting on one side only (a) sharp-pointed, (b) blunt-pointed.
	(B) Cutting on two edges (a) sharp-pointed, (b) blunt-pointed.
II.	Blade curved—
	(A) Cutting on one edge (a) sharp-pointed, (b) blunt-pointed.
	(B) Cutting on two edges, sharp-pointed.

 

I.	A (a) Straight blade cutting on one edge, sharp-pointed.
	1. Ordinary scalpel.
	2. Scalpel with tip turned back.
	3. Bellied scalpel.
	4. Scolopomachaerion.

 

Ordinary Scalpel.

The ordinary scalpel had apparently a straight, sharp-pointed blade. The word which Galen, Aetius, and Paulus Aegineta use to denote scalpel is σμίλη. Latin authors use scalpellus, the diminutive of scalper. From the etymology of these terms we can learn nothing as to the shape of the blade; they are merely general terms denoting a cutting blade of any kind—chisel, graving tool, knife, &c. The word Hippocrates uses, μάχαιρα or μαχαίριον, has a more definite meaning. It is from μάχαιρα, the old Lacedaemonian sword, a broad blade cutting on one edge, sharp-pointed, and straight or with the tip turned slightly backwards. Thus, even in Hippocratic times the scalpel was apparently much of the same shape as it is now. Good examples of the ordinary scalpel may be seen in Pl. V, figs. 1 and 2 from the British Museum. They are all of steel. A variety with the point turned back at the tip is seen in one of the scalpels in the scalpel box from the Acropolis (Pl. IV).

A more bellied form is seen in Pl. V, fig. 5, which is from the Naples Museum, and is all of bronze, handle and blade. At the Scientific Congress held at Naples in 1845 Vulpes showed this specimen, and described it as the lithotomy knife invented by Meges and mentioned by Celsus (VII. xxvi).

Later I shall discuss in detail the instrument of Meges, but I believe the instrument shown by Vulpes is only an ordinary scalpel with a somewhat bellied shape.

Hippocrates refers to a bellied scalpel in a well-known passage on empyema (ii. 258):

Στηθοειδής means rounded like the breast of a woman. Galen translates it in his lexicon τῷ σμιλίῳ ἰατρικῷ γαστρωδεῖ, ‘the bellied surgical knife.’ It is quite a serviceable instrument for several kinds of work, and it seems to have been a common form. Three out of the six scalpels depicted in the votive tablet from the Acropolis are of this form, and there are now in the Naples Museum four others of the same shape as the one described by Vulpes. These have blades of steel and handles of bronze. The figures of three of these (Pl. V, figs. 3-6), show the gradual evolution from a common scalpel into the bellied form. I have seen a scalpel with a blade similar to Pl. V, fig. 3 in use in Scotland for castrating piglings and calves.

 

Scarificator for wet cupping.

Paul (VI. xli) says that some have conceived for the purpose of scarifying before wet cupping an instrument compounded of three blades joined together in such a way that at one stroke three scarifications are made:

Paul says he prefers a single scalpel.

What the precise shape of scalpel used was we cannot say, but it would most likely be one of the bellied forms. Hippocrates, in his treatise De Medico, says that the lancets used in wet cupping should be rounded and not too narrow at the tip (καμπύλοις ἐξ ἄκρου μὴ λίην στενοῖς). Even if καμπύλος meant curved and not bellied it would not be certain that it was meant to cut on the convex side of the blade. The words of Hippocrates imply at any rate a blade with a rounded, not sharp point (i. 62).

 

Straight sharp-pointed bistoury.

Greek, σκολοπομαχαίριον, σκολόπιον; Latin, scalpellus.

The etymology of the term σκολοπομαχαίριον as applied to a cutting instrument sufficiently indicates its shape. It takes its name from its similarity to the beak of a snipe, which is long and slender[1]. We find it used by Galen (xi. 1011) for dissecting out warts, excising caruncles from the inner canthus, puncturing the foetal cranium in obstructed labour, &c.

In Aetius (IV. iv. 23) and Paulus Aegineta (VI. lxxiv) it is used for opening not only the foetal cranium but also the thorax and abdomen of the foetus in transverse presentations. Paul refers to it for opening the thorax in empyema (VI. xliv) and the abdomen in ascites (VI. l). In both cases the outer integument was incised with a scalpel and the deeper layer punctured with the bistoury. In opening the abdomen for ascites, by sliding the outer skin upwards before the peritoneal cut was made, a valvular opening was secured. Although many other interesting applications of this instrument are to be found, these instances will suffice to show that the uses to which the instrument was put agree with the supposition that it was of the shape indicated by the etymology of its name. A variant form of the same name is σκολόπιον which also occurs pretty often.

A large variety of this instrument is mentioned by Galen as devised by him for the dissection of the spinal cord. He says he uses a knife of the same shape as the scolopomachaerion, but larger and stouter and made of the best Norican steel, so as to neither blunt, bend, nor break easily (ii. 682).

 

I.	A (b) Straight blade cutting on one side, blunt-pointed.
	(α) Novacula or razor (Greek ξυρόν, diminutive ξύριον).
	(β) Blunt-pointed bistoury.
	(γ) Ring knife for dismembering foetus.

 

Razor.

Shaving and cutting the hair were looked upon as important means of treatment in several diseases. Oribasius (Med. Coll. xxv) has a chapter on this entitled περὶ κουρᾶς καὶ ξυρήσεως. ‘These things,’ he says, ‘have been introduced into medicine as a means of evacuation and as remedies in chronic diseases.’

Celsus makes frequent mention of shaving as a means of treatment. Of alopecia he says:

A large scalpel of this form from the Naples Museum is shown in Pl. VI, fig. 1. The handle is of the usual shape and is made of bronze. The blade is of steel. It measures 15 cm. all over, the blade being 2 cm. broad at the heel. The cutting border slopes backward to the back of the blade, which is in a straight line with the border of the handle. At the point the blade is 1·5 cm. broad. It may be noted that this instrument had much the same shape as the culter, but culter is not a term applied by any Latin author to a surgical instrument, nor is cultellus, although the sixteenth-century translators of Aetius and Paulus Aegineta very frequently use the latter term. Scultetus figures a scalpel of this form and sums up its uses well:

Another specimen also of this class, but with the blade so long in proportion to its width as to deserve the name of a blunt-pointed bistoury was excavated in a third-century graveyard at Stree, and is now in the Charleroi Museum. It is 14 cm. long by 1 cm. broad at the heel, widening gradually towards the point where it is 2 mm. broader than at the heel. The end of the blade is square (Pl. VI, fig. 2). An example of the domestic culter or cultellus is shown in Pl. VII, fig. 4. It is from a Roman camp at Sandy in Bedfordshire.

In the curious pseudo-Hippocratic treatise (i. 463) a knife to fix on the thumb and dismember a foetus in utero is mentioned:

An instrument answering to this description is still in use by veterinary surgeons (Pl. VII, fig. 1), but the forefinger, and not the thumb, is used. A scalpel blade is mounted on a ring and the forefinger is passed through the ring. Foals and calves are in this way easily dismembered in exactly the same way as is described by Hippocrates. The name of the instrument of Hippocrates would rather indicate that its blade was curved, but as the modern instrument has a probe point I have included it in this class. It is called by Tertullian the ‘ring knife’—‘cum annulo cultrato (var. lect. anulocultro) quo intus membra caeduntur anxio arbitrio’ (De Anima, 26).

 

I.	B (a) Straight blade cutting on two edges, sharp-pointed.
	(1) Galen’s ‘long’ dissecting knife.
	(2) Phlebotome.
	(3) Lithotome.
	(4) Polypus knife.

 

Galen’s knife for opening the vertebral canal.

In his description of the dissection of the spine Galen describes a large straight two-edged knife (ii. 682):

What Galen means by πρόμηκες when applied to an instrument he has himself explained in a note on the chapter by Hippocrates on the treatment of dislocation of the shoulder. He applies it to instruments long in proportion to their breadth (see p. 118). The knife referred to here is a large strong instrument, for it is intended for cutting through the lateral processes of the vertebrae.

 

Phlebotome.

Greek, φλεβοτόμον, τὸ (sc. σμιλίον), also φλεβοτόμος, ὁ (Galen). ὀξυβελές (sc. ὄργανον); Latin, phlebotomum (late), scalpellus.

Although venesection is one of the most frequently mentioned operations, and although the phlebotome is one of the most frequently named instruments, we have no passage giving even the most meagre description of this instrument. It is assumed that its appearance would be familiar to every one, since phlebotomy was so common. Celsus tells us that every one old and young was bled.

The operation continued just as frequent all through the Roman period, and the writings on venesection are very voluminous. Galen has three treatises on the subject. The operation was performed in exactly the same way as at the present day, and the lancet was apparently the same as that figured in modern instrument catalogues, viz. sharp-pointed, double-edged, and straight. A consideration of all the various operations to which the phlebotome was put bears this out. The following passage from Hippocrates shows that there were various sizes of the phlebotome:

The phlebotome appears to have been a convenient instrument for all sorts of operations besides phlebotomy, especially for the opening of abscesses and the puncture of cavities containing fluid, and for fine dissecting work. Paulus Aegineta mentions its application for the excision of fistula lachrymalis (VI. xxii), the removal of warts (VI. lxxxvii), slitting the prepuce in phimosis (VI. lv), incising the tunica vaginalis in excision of hydrocele sac (VI. lxii), opening abscesses (VI. xxvii), dissection of sebaceous cysts (VI. xiv). Galen (xiv. 787) mentions its use in dissecting open an imperforate vagina. Celsus has no special word for phlebotome. He always refers to it by the general term scalpellus. Theodorus Priscianus, whose Latin takes curious forms, gives us a transliteration of the Greek term:

Hippocrates in the famous passage on the surgical treatment of empyema (ii. 258) says:

Ὀξυβελής literally means sharp-pointed. The term occurs in the Iliad, e. g. applied to an arrow (iv. 126), but Galen in his Lexicon expressly states that Hippocrates by it means the phlebotome. In his treatment of empyema Paulus Aegineta uses not the phlebotome but a sharp curved bistoury; however, in opening the abdomen for ascites it is the phlebotome he recommends:

All these various applications of the phlebotome are consistent with the supposition that the phlebotome was the same as that figured in the catalogues of the present day. Heister says:

A bronze blade of this shape is shown in Pl. VII, fig. 3. It was found near Rome.

The identity in shape of the abscess knife and the phlebotome holds good to-day. The best example of the phlebotome is in the Cologne Museum. It was found in the Luxemburgerstrasse along with the other contents of a surgeon’s case. It is all of steel, with a square handle and blade of myrtle leaf shape (Pl. VII, fig. 2). There is in the Naples Museum an instrument which is of this shape, and Vulpes (Tav. VI, fig. 1) has described it as a lancet for bleeding. The instrument, however, is formed of a blade of silver set in a handle of bronze, so that it can scarcely be regarded as a cutting instrument (see Pl. XIX, fig. 2). I look upon it as an unguent spatula. There is, however, an instrument of bronze of phlebotome shape in the Naples Museum. It was found in the house of the physician in the Strada del Consulare of Pompeii, and it was described by Vulpes as an instrument for removing the eschar formed by a cautery, as it was found lying alongside a small trident-shaped cautery. It is doubtful whether the eschar formed by a cautery was removed at all, and it is still more doubtful whether Vulpes is justified in postulating a special instrument for doing so, and as this instrument is of phlebotome shape it is more likely to have been a phlebotome than anything else. It is of bronze, 8 cm. long and 9 mm. in the broadest part of the blade. The handle is neatly decorated with raised ring ornamentation.

The following account of the discovery of a phlebotome in excavating some graves along the line of the old Watling Street Road, in the neighbourhood of Wroxeter, is given by C. Roach Smith in the Gentleman’s Magazine (1862, pt. ii. p. 677):

J. Corbet Anderson, in The Roman City at Wroxeter, p. 92, says it was embedded in the remains of a case in which it had been carried, and he gives an illustration of it (Pl. VII, fig. 5). A similar object is classified as a surgical instrument in the Louvre, but both these articles are I believe detached mirror handles. The passage quoted from Hippocrates shows that the ordinary phlebotome was not guarded in this way. A phlebotome of the principle of the fleam is figured by Albucasis and the method of using it in dividing the frontal vein by striking it with a comb is described. There is also a similar instrument in the Naples Museum, from Pompeii, which is classed as a veterinary instrument (Pl. VIII, fig. 3). It is probable, however, that such an instrument was used by Roman physicians, as the offices of surgeon and veterinarian were often held by the same individual in Roman times. It is not unlikely that the method is referred to by Antyllus in the passage beginning—ποτὲ μὲν καταπείροντες ποτὲ δὲ ἀναπείροντες φλεβοτοῦμεν (Oribasius, Collect. VII. x).

This passage describing the technique of phlebotomy has given rise to great and voluminous discussion (see Daremberg’s Oribas. vol. ii. p. 776) from the fact that Antyllus goes on to state that we operate καταπείροντες—cutting inwards—in cases where the vessels are deep, and ἀναπείροντες—cutting outwards—where the vessels are superficial, and the advice has seemed to most commentators to be the reverse of what one would expect. The explanation seems to me to be simple. Superficial vessels are those which could be seen standing out on applying the fillet, and were to be divided by the method in vogue at the present day by transfixing the vessel through its middle and bringing the lancet outwards. The reason of this is that the danger of injuring important structures lying deep to the vein was well understood by the ancients. Thus Galen warns against wounding the nerve in phlebotomy of the median, the tendon of the biceps in phlebotomy of the scapulo-cephalic, the artery in dividing the basilic, and so on. But in opening deep-lying veins the method of transfixing was inapplicable, and the bone was cut boldly down upon till the issue of blood showed that the vein was opened. The deep vessels which were divided were those about the scalp, and as they had no important relations they were divided by cutting through everything overlying the bone, often with razor-shaped knives. Thus Paulus Aegineta (VI. vii) says: ‘When many deep vessels send a copious defluxion to the eyes we have recourse to the operation called Periscyphismus.’ This consisted in making a transverse incision down to the bone over the vertex from one temple to the other.

 

The ‘Katias.’

Κατιάς -ιάδος (ἡ) (Soranus, II. xviii); καθιάς (Paul, VI. lxxiv); κατιάδιον (τό) (Aetius, II. iii. 2); κατειάδιον (τό) (Aretaeus, Cur. Morb. Diut. i. 2).

In Soranus (Bib. II. xviii. par. 59, p. 359, ed. Rose) there occurs mention of an instrument for puncturing the membranes where they do not rupture spontaneously:

The Latin version of Moschion has:

However, we cannot accept this as conclusive evidence that the katias was the same as the phlebotome, as I have already pointed out that this version of Moschion is a late retranslation into Latin of a Greek translation of the original Moschion. While the meagre references to the katias point to its having been a similar instrument to the phlebotome, it is by no means certain that the instruments were identical. The next writer who notices the instrument is Aretaeus, who mentions it in the cure of headaches (Cur. Morb. Diut. i. 2):

In a note to his edition of Celsus, Lee says Aretaeus ‘invented an instrument having at the end a blade of grass, or made like a blade of grass, which was thrust into the nostrils to excite an haemorrhage in some affections of the head. This instrument is named κατειάδιον, from κατά and εἴα a blade of grass’.

I have shown, however, that Soranus, who wrote a century before Aretaeus, used the term, and a comparison of the various forms in which the word appears seems to me to point rather to a connexion with καθίημι, one meaning of which is ‘to let blood’. The next writer who mentions it is Aetius (II. iii. 2, and again II. iv. 14), where he refers to its use in opening quinsy, in a chapter copied from Leonidas:

Paul says that abscess of the womb is to be exposed with a speculum and opened with a scalpel or katias (σπαθίῳ ἢ κατιάδι). Paul also refers to it in perforating the foetal cranium in delivery obstructed through hydrocephaly (πολυπικῷ σπαθίῳ ἢ καθιάδι ἢ σκολοπομαχαιρίῳ) (VI. lxxiv).

These somewhat scanty materials, summed up, give us the following results. We find the instrument used for opening the chorion, opening abscess of the womb, perforating the foetal cranium, drawing blood from the inside of the nose, and opening abscess of the tonsil. It cannot have been a needle, as Adams and Cornarius translate it, as some of these applications (e. g. perforating the foetal cranium) could not have been performed with a needle. The uses to which the instrument was put correspond very closely to the uses of the phlebotome, and from this and from the etymological significance of the word I am inclined to think that if it is not identical with the phlebotome it is at least only a variety of that instrument, with a handle longer than usual in order to adapt it for uterine and intranasal operations.

 

Spathion and Hemispathion.

Greek, σπαθίον (diminutive of σπάθη), ἡμισπάθιον; Latin, spatha.

On several occasions a knife called σπαθίον is mentioned. Paul (VI. lxxiii) says of abscess of the womb:

Again, Paul (VI. lxxviii) says:

What the nature of the σπαθίον was, if indeed it was a distinct instrument and not a term for scalpels in general, we cannot definitely say. The etymology of the word would indicate a blade of the shape of a weaver’s spattle, the two edges running into one at the point. Heister (i. 651) and Rhodius (Commentar. in Scrib. Larg. p. 46) agree in making the spathion a large two-edged scalpel, as also does Scultetus, who says of it:

We shall see that one variety of spathion—that for detaching nasal polypus—was certainly of this shape.

Rhodius (loc. cit.) says the hemispathion is a small variety of the spathion.

An instrument in the Louvre has two blades of this shape at either end of a round handle ornamented with rolling grooves (Pl. VIII, fig. 8).

 

Polypus Knife.

Greek, πολυπικὸν σπαθίον, πολυποδικὸν σπαθίον; Latin, ferramentum acutum modo spathae factum.

Paulus Aegineta (VI. xxv) thus describes the excision of nasal polypus:

This description reminds us very forcibly of Celsus’s account of the operation:

These passages, especially that from Paul, show that like the majority of Roman instruments the polypus scalpel was a double instrument, with a sharp-pointed leaf-shaped blade at one end and a scoop at the other. The fact that it was able to work inside the nose shows that it could not have been of any great breadth. Paul says it was able to be used in the auditory canal.

This shows that it was less than a quarter of an inch broad at the most. It was used for several other purposes. Soranus refers to it for opening the foetal head in cranioclasis:—

Paul copies this (VI. lxxiv). Soranus also says it may be used for dividing the membranes where they delay in rupturing.

There are two instruments of steel which are of the form indicated above. One is in the Museum of Montauban (Tarne-et-Garonne). The other was found at Vieille-Toulouse and is shown in Pl. VIII, fig. 1.

 

Lithotomy Knife.

Greek, λιθοτόμον (τό); Latin, scalpellus.

In describing lithotomy Paul says:

Celsus, whose description of the operation is famous, gives us no more hint of the shape of the lithotomy knife than Paul does. He only says ‘multi hic scalpello usi sunt’, and as he uses ‘scalpellus’ to denote all sorts of different knives, we can draw no information from that term. We may note, however, that both Celsus and Paul describe the operation as being performed by fixing the stone by means of the left index finger inserted in the anus, and cutting down directly upon it with one stroke as in opening an abscess. Now this sort of incision was always performed by early surgeons with a two-edged scalpel sharp at the point, and a knife of this sort was used for lithotomy by the Arabian surgeons, and after them by European surgeons down to comparatively recent times. Heister, for instance, shows as a lithotomy knife a large knife, like a phlebotome in shape. It is most likely, therefore, that the Greeks and Romans used a knife of this shape also.

A passage in Rufus of Ephesus shows that in his time the lithotomy knife had the handle shaped like a hook to extract the stone after the perineal incision was made:

One of the knives in the scalpel box shown in Pl. IV has the handle of this curved shape.

Although Celsus gives us no information about the shape of the ordinary lithotomy knife, he goes on to describe in detail a special variety of lithotomy knife invented by Meges, a surgeon of whom he had a very high opinion. As this passage has given rise to much discussion I shall quote Celsus’s description in full:

Etangs in his edition of Celsus gives as his idea of the instrument described an instrument of the shape indicated in the accompanying diagram (Pl. VIII, fig. 6). Thus he makes the cutting edge a concave semicircle, and therefore we may dismiss his conjecture, for a cutting edge on this principle would never cut its way into the bladder in the manner described by Celsus.

Daremberg (Gaz. Med. de Paris, 1847, p. 163, &c.) conjectures an instrument which seems to me to be nearer the true interpretation (Pl. VIII, fig. 4). This instrument, with some modification, I would accept. The lunated handle figured by Daremberg is not strictly speaking what is meant by labrosum, and summa parte I take to refer to the back part of the blade, and not to the back part of the instrument as a whole. Rectum I take to indicate that the instrument was straight and not a curved bistoury. I conceive that the lithotomy knife of Meges was only a modification of the one in general use, and that in order to enable it to be held more firmly in the manner described by Celsus, Meges raised a lip on the handle at the heel of the blade, and in order to allow it to cut its way into the stone itself to some extent (which was his avowed object) he rounded the end of the blade, so that it might be rocked upon the stone without chipping as a pointed blade would do. I think the above explanation provides an instrument corresponding to a legitimate interpretation of the text and at the same time suited for the operation indicated (Pl. VIII, fig. 5).

 

Perforator for the foetal cranium.

Greek, ἐμβρυοτόμον.

A special instrument for perforating the foetal cranium is mentioned by Soranus (II. viii. p. 366):

The other authors who recommend this unpleasant operation use mostly the polypus-scalpel or the phlebotome, and hence we may conjecture that a straight two-edged blade was considered the most suitable. The embryotome figured by Albucasis is of this shape (Pl. VIII, fig. 7), as is also the cutting part of the perforators of more modern times—fortunately now obsolete.

 

Probe pointed blade with two cutting edges.

There is in the Orfila Museum, Paris, a fine little two-edged bistoury of bronze with a probe point (Pl. VIII, fig. 2). It is a relic of the Roman occupation of Egypt. Its use must remain a matter of conjecture as we have no written description of such an instrument. It is perhaps a fistula knife.

 

II A. (a) Curved bistoury—‘Crow Bill.’

Greek, ὀξυκόρακον σμίλιον.

In extirpating warts Paul (VI. lxxxvii) says we put them on the stretch with a vulsella and extirpate them radically with a scalpel shaped like a crow’s beak or a phlebotome (ὀξυκοράκῳ σμιλίῳ ἢ φλεβοτόμῳ ἐκ ιζῶν ἐξελεῖν). This undoubtedly refers to a curved scalpel, for the grappling hook was called κόραξ.

In Celsus the instrument appears under the term corvus. In describing the opening of the scrotal sac in the operation for the radical cure of hernia he says:

Vulpes (Tav. VII, 3 and 4) figures two curved bistouries from the Naples Museum. They have lost their tips. Both are of the same shape, but one has the blade slightly larger than the other. The handles are of bronze, the blades of steel. A good example is seen in the Athens scalpel box (Pl. IV).

A powerful variety so strongly curved as to resemble a small billhook was found in the Roman hospital at Baden (Pl. IX, fig. 5). The handle is of ivory, the blade is of steel, and there is a mounting of bronze.

 

Pterygium Knife.

Greek, πτερυγοτόμος, ὁ; Latin, scalpellus.

Paul (VI. xviii), quoting Aetius, II. iii. 60, says that there were two methods of curing pterygium. In the first the pterygium was raised by a small sharp hook, and a needle carrying a horsehair and a strong flaxen thread was passed under it. Tension being made on the thread by an assistant, the operator sawed off the pterygium towards the apex by means of the horsehair. The base of the pterygium was then severed with the scalpel for the plastic operation on entropion. The second method consisted in dissecting away the pterygium (stretched as aforesaid with a thread) with the instrument called the pterygotome (πτερυγοτόμῳ) care being taken not to injure the lids.

Aetius (II. iii. 74) says that adhesion of the sclerotic to the lid may be separated by means of the pterygotome. Paul (VI. xxii) in empyema of the lachrymal sac dissects out the part between the sac and the canthus with the pterygotome, and again in excision of polypus aurium he says it may be employed. These uses of the pterygotome point to its having been a sharp-pointed knife of a small size. Albucasis, who conveys entire the passage on pterygium from Paul, gives figures of both these instruments. The pterygotome which Albucasis depicts is a small, narrow, sharp-pointed scalpel (Pl. IX, fig. 2).

 

Knife for plastic operation on the eyelid.

Greek, ἀναρραφικὸν σμιλίον.

I have in describing the pterygotome given one instance of the use of the ‘scalpel for the plastic operation’, viz. to dissect away the base of a pterygium the rest of which had been separated off by means of sawing with a horsehair. The plastic operation for entropion seems to have been one which was very frequently required. We know that granular ophthalmia with trichiasis as a sequela was very rife. Aetius (quoting from Leonidas) and Paul give very nearly the same account of the operation to remedy the trichiasis. Paul says:

The use of the scalpel for the plastic operation, therefore, was to make an incision in the eyelid in such a way as to enclose a leaf-shaped area and to dissect off the skin surrounded by the incision. Albucasis figures it as a small but fairly broad blade with a rounded cutting tip (Pl. IX, fig. 3).

It must have been a small scalpel to suit the operation described, and to make the dissection indicated it must have been sharp-pointed. It is contrasted to some extent with the pterygotome by Paul, and we saw that the pterygotome was narrow and sharp-pointed. These various references to its use are in agreement with the supposition that it was of the shape figured by Albucasis. I have considered it here because the question of its shape is rather hypothetical, and therefore it seemed best to consider it close by its confrere the pterygotome. We may recall the fact that in the grave of the third-century oculist Severus several tiny scalpel handles were found. These were probably handles for these two ophthalmic scalpels, but unfortunately only a trace of the steel remains. Védrènes, in his edition of Celsus, figures an instrument from Pompeii of a shape which we are accustomed to associate with eye work (Pl. IX, fig. 6).

 

Uvula Knife.

Greek, σταφυλοτόμον.

This is a special scalpel for throat work, of whose shape we know nothing. It is mentioned by Paul as a special scalpel for excision of the uvula:

The knife figured by Albucasis as used for the purpose is a small curved bistoury (Pl. IX, fig. 4). We have no other means of determining its shape. I have placed it here because it was mentioned along with the ‘scalpel for the operation on the eyelid’.

 

Blade curved on the flat.—Tonsil Knife.

Greek, ἀγκυλοτόμον (ἀγκύλη, ‘bend of elbow,’ or ἀγκύλος, ‘crooked’).

This instrument is described by Paul (VI. xxx) in the operation for removing the tonsils:

This passage clearly proves that there were two scalpels of a set, each having opposite curvatures after the manner of our right and left vesicovaginal fistula knives.

 

Curved blade cutting on one side, blunt-pointed.—Fistula Knife.

Greek, συριγγοτόμον, from σῦριγξ, ‘a fistula.’

This was a falciform blade whose end was blunt, but the handle end was prolonged into a slender, rounded sound-like portion with a sharp point (Pl. IX, fig. 1). The narrow point was passed into a fistula, caught, and the whole instrument pulled outwards by means of it, thus dividing the overlying tissues with the falciform blade. This instrument remained in use till comparatively recent times. Heister figures a large number of varieties, and from him I have taken the figure shown, although it is also described and figured by Fabricius. The two following passages, taken in conjunction with each other, show that the classical instrument was of the form I have indicated. The first passage, from Galen, shows that the end of the blade was blunt, and that there was only one cutting side. The second, from Paul, shows that the blade was falciform and was operated in the manner I have stated. Galen (x. 415) says that in enlarging an abdominal wound we use a fistula knife (συριγγοτόμῳ). ‘But the scalpels which are two-edged or have a point are distinctly to be avoided’ (τὰ δ' ἀμφήκη τῶν μαχαιρίων ἢ κατὰ τὸ πέρας ὀξέα παντὶ τρόπῳ φευκτέα).

Secondly, Paul (VI. lxxviii) says:

Another passage in the same chapter indicates that some of the syringotomes had an eye in the instrument:

There was also a straight variety of the instrument (τὰ καλούμενα ὀρθὰ συριγγοτόμα, Paul, VI. lii).

 

Curved blade cutting on two edges.

A curved blade of a somewhat unusual type is described by Galen in discussing the dissection of the thorax (ii. 673). However, the description is unmistakably clear. He says:

A smaller variety for fine dissection is referred to in the same book (εἰς ὅπερ ἐστὶν ἐπιτηδειοτάτη μυρσίνη κυρτή, ii. 674).

 

Shears.

Greek, ψαλίς; Latin, forfex.

Oribasius treats of cutting the hair as a regular medical procedure, in a special chapter, περὶ κουρᾶς καὶ ξυρήσεως. Celsus also frequently refers to cutting the hair as a therapeutic measure. Possibly the ancients found difficulty in putting an edge sufficiently smooth for surgical purposes on their shears. We have a few references to the use of the shears for cutting tissues. Celsus, in the treatment of abdominal injury with protusion of omentum, says:

Again in the operation for the radical cure of hernia he says:

We have also two references in Paulus Aegineta. He says some of the moderns effect a cure of warty excrescences on the penis by a pair of shears (ψαλίδι, VI. lviii), and dealing with relaxation of the scrotum he says that Antyllus, having first transfixed the superfluous skin with three or four ligatures, cut off what was external to them with a pair of sharp-pointed shears or a scalpel (ψαλίδι ἐπάκμῳ ἢ σμίλῃ), and having secured the parts with sutures he effected healing with the treatment for recent wounds.

Shears are very common objects in museums. Some are of bronze and some are of steel. Judging from the relative numbers in which they have been preserved it would seem that the steel shears far outnumbered the bronze. In Pl. X, fig. 5 is shown a bronze pair from the Naples Museum, found in Pompeii.

 

 

---

PROBES

 

Greek, μήλη, κοπάριον, ὑπάλειπτρον, ὑπαλειπτρίς; Latin, specillum.

This is a very comprehensive class. The original specillum was no doubt a simple sound. Varro thus defines the specillum: ‘Quo oculos inunguimus quibus specimus specillum est. Graecis μήλη dicitur.’ Thus it meant a probe or sound.

μήλη is probably derived from μῆλον, an apple or fruit, from the olivary enlargement at the end of a sound.

The term ὑπάλειπτρον, which is frequently used by Hippocrates, originally meant an ointment spatula, being derived from ὑπαλείφω, to spread ointment. But the custom of combining two instruments on one shaft gradually led to the application of these terms, especially the term specillum, to denote a large variety of instruments.

The name κοπάριον is evidently derived from the resemblance of the probe to the pestle, which was such a frequent utensil in Greek homes. It is connected with κόπανον, ‘pestle,’ κοπανιστήριον, ‘mortar,’ and κοπανίζω, ‘bray,’ and κοπτάριον, a medicament pounded in a mortar (Dioscorides, iv. 190). The exact significance of the term κοπάριον is sometimes difficult to determine. It is easy to prove that in general it is merely a sound. Thus Paul (VI. lxxviii), in quoting a passage from Hippocrates, substitutes κοπάριον for the word μήλη, which Hippocrates uses to denote the sound used for exploring a fistula. Throughout this chapter, in which the word occurs ten times in all, Briau translates it by ‘manche du scalpel’, although the whole context shows that a probe is meant. Even where it is spoken of as an eyed probe (διὰ τετρημένου κοπαρίου) Briau translates it by ‘au moyen du manche percé d’un scalpel’, an expression which is meaningless to a surgeon. Briau evidently thinks it is derived from κόπτω, and at times it seems as if it might denote a cutting instrument. Thus Adams, in a note to Paul, VI. lxxvii, says, ‘if the κοπάριον, however, was the same as the μήλη or specillum it was evidently used for cutting with, as well as for cutting upon’, and on one occasion (Paul, VI. lxxx) he translates κοπάριον by ‘knife’. Liddell and Scott translate it as ‘a small knife’. A careful examination of those passages where it seems to indicate a cutting instrument will show, however, that only blunt dissection, which was frequently performed with the spatula end of a probe, is meant. I am quite convinced that the word κοπάριον is only a late Greek term for the earlier μήλη, and means essentially a sound, and not a knife. While on this subject we may note that throughout the codices and texts there is great confusion between words meaning probe and words meaning scalpel. The proper forms σμίλη, ‘scalpel,’ and μήλη, ‘probe,’ are distinct, but the inferior reading σμήλη is frequent in both codices and texts as a bastard, for σμίλη is often written σμήλη incorrectly, and μήλη often becomes σμήλη, just as μικρός is written σμικρός. Thus in Paul (VI. viii), where the author is describing the eversion of the eyelid by means of the olivary point of a probe (τῷ πυρῆνι τῆς μήλης), four codices and the Aldine and Basle texts read σμήλης, two codices read σμύλης, one reads μήλης, four μίλης, and Briau reads σμίλης. In a case like this only a knowledge of surgery can tell us whether a probe or scalpel is meant.

 

The Specillum as a Sound.

The ancients were fully aware of the value of the information to be gained by searching the recesses of a lesion with a rod of metal. Celsus (v. 28) says regarding fistulae:

These remarks show that with the probe the ancients had cultivated the tactus eruditus to a high degree, and the remarks of Aetius and Paul are equally to the point.

The tips of the probes which have survived vary considerably in size and shape. Some have a point which is almost sharp like a stylet; in others the natural thickness of the shaft is kept right to the tip, which is simply rounded off or there is an oval enlargement like that on our olivary probes and sounds. In rare cases the enlargement is globular. The oval enlargement was named by the Greeks πυρήν, which means ‘olive-kernel’. The sixteenth-century translators uniformly render this by ‘nucleus’, which is a convenient term to use, but it has no classical Latin authority. Indeed, there is no classical Latin equivalent used by medical authors. Theodorus Priscianus uses baca (sic), a berry, and bacula, little berry, and in the Additamenta (I. viii. 21, ed. Rose) he uses the transliteration pyrena meles. But this is African Latin.

A probe without enlargement at the tip was called ἀπυρηνομήλη or ἀπυρομήλη. The ear probe is frequently referred to as belonging to this class. These probes without nuclei were specially adapted for wrapping round with wool to apply medicaments, or wipe away discharge.

The size of the nucleus varied in different varieties of probe, but was pretty constant in each particular. It was largest in the probe known as the spathomele—a combination of spatula and probe which was in extremely common use for pharmaceutical purposes. The nucleus of this probe was such a well-known object that it is frequently referred to as a standard of size and shape. Galen (ii. 898) says:

Here Kühn translates πυρῆνα by ‘acuminatum capitulum specilli’, which is incorrect. It is an olivary enlargement, not sharp point. In Paul (VI. xc), we have the nucleus given at the measure of distance between the perforations by which a bone was surrounded preparatory to its excision by means of chisels: ‘the space between the perforations made by the drills should be the breadth of the nucleus of a probe’ (τὸ μῆκος πυρῆνος).

Aetius (III. i. 16) says in volvulus the sphincter ani is so contracted that the nucleus of a probe cannot be got in.

Paul (VI. xxi) says that in couching a cataract we must enter the couching needle a nucleus breadth from the iris.

Besides its use as a sound the nucleus was frequently used as a means of applying medicaments, either in the form of ointments or dry powder, to affected parts.

Paul (VI. ix) says that in the cases of entropion, where the ordinary plastic operation is objected to, an elliptical piece may be burnt out of the eyelid with caustic applied on the nucleus of a probe (πυρηνοσμήλης), and similarly after removal of sebaceous cysts from the lid, levigated salts may be applied on the nucleus (τὸν πυρῆνα τῆς μήλης).

Aetius (II. iv. 23), quoting from Galen, says that in caries of the teeth some wax may be warmed on the nucleus of a probe (πυρῆνος μήλης), and again (II. iv. 14) he directs us to use it for application of pomade to the face (πυρῆνι μήλης). It would seem that this, and not the exploration of wounds, was the original use to which the olivary-pointed probe was put, for in early Egyptian tombs small pestle-like probes are, as a rule, found accompanying the toilet pigment boxes which are so common. They are mostly made of wood (Pl. X, fig. 2). The kohl-stick was not unknown to Greek ladies. (See Eustathius, Comment. in Iliad.)

Hitherto I have spoken of the probe as if it were a single instrument; but, as a matter of fact, the ends of the shaft are usually fashioned to serve different purposes. Thus at one end there will be a probe, at the other a spatula, a spoon, or a hook. Some of these combinations have names of their own, and others are so frequently met with that they too seem to have been constant types.

It may simplify matters if we anticipate a little and remark that while the uses of the probes in actual surgery were the same as at the present day, in the minor surgery, consisting of the application of medicaments and toilet preparations, they were used in a slightly different manner. Semi-solids, like eyebrow pigment and eye ointments, were applied on olivary-pointed probes. Liquids, like ear and eye drops, were usually instilled by squeezing a ball of wool dipped in the liquid and placed round the middle of a probe, and letting it run off the point. Thus a common form of toilet instruments consists of a probe-like instrument with an olive at one end and a sharp stylet at the other. Ligulae with scoops were used to withdraw drops of fluid essences, &c. from unguentaria. Some of these ligulae run up to a foot and a half in length.

The specilla which remain to us are mostly made of bronze. A few are overlaid with gold and silver, and a few are solid gold or solid silver. We read, however, of specilla of lead, tin, copper, and wood, and of the use of a boar’s bristle or a stalk of garlic for searching fistulae.

I shall now proceed to classify and discuss these different varieties, premising, however, that no hard and fast line can be drawn between different types. They shade off into each other by imperceptible gradations, so that whatever system of classification we adopt bastard forms are sure to occur.

 

Double Simple Probe.

Greek, ἀπυρηνομήλη, ἀπυρομήλη; Latin, specillum.

The simplest form of specillum is a plain rod of metal rounded off at either end. These are not infrequently met with. I figure one from my collection. Its length is 14.5 cm., its diameter 2 mm. At either end it tapers rapidly off to a blunt point. At a distance of 3 cm. from one end is a raised ring (Pl. X, fig. 4). A similar probe in silver may be seen in the Musée de Cinquantenaire, Brussels. It was found with other probes in an étui. Pl. X, Fig. 3 shows a rather longer specimen from the Naples Museum. A variety with non-tapered ends is seen in Pl. X, fig. 1. It is also from the Naples Museum. Pl. XI, fig. 4 shows a probe, from my own collection, which carries the snake of Aesculapius at one end. One with a double snake (caduceus form) was found in the Roman Hospital at Baden (Pl. XI, fig. 2).

 

Specilla with two olivary ends.

Greek, διπύρηνος μήλη, ἀμφίσμιλος.

A slender sound with slight olivary enlargement at either end is very frequently mentioned under the name διπύρηνος μήλη by Galen. He also calls it ἀμφίσμιλος. Thus he says:

In dealing with fistulae Paul (VI. lxxvii) says:

Paul refers to its use as a cautery to destroy the roots of hairs after epilation (VI. xiv):

Here Briau reads πυρῆνα (an olivary point), but the balance of the evidence of the codices is in favour of διαπυρίνον, and the parallel to the passage quoted from Galen is so complete that I have no hesitation in adopting the reading given above.

I give an example of the dipyrene from my own collection. It is 11·2 cm. long. The shaft is unequally divided by a ringed fluting into two portions; 4·5 cm. and 6·7 cm. long respectively. The shorter portion of the shaft is plain, the longer is grooved longitudinally by eight grooves (Pl. XI, fig. 1). In many instances the dipyrene carried an eye in one of its olives. This variety is frequently mentioned. Thus Paul (VI. xxv) says, under treatment of nasal polypus:

Pl. XI, figs. 5 and 3 show single olive probes for the application of semi-solid medicaments. The former is from the outfit of the oculist of Rheims, in the Museum at St-Germain-en-Laye; the latter, more highly ornamented by spirally twisting the stem, is from my own collection.

 

Spathomele or Spatula probe.

Greek, ὑπάλειπτρον, σπαθομήλη; Latin, spathomele (Theodorus Priscianus), spathomela (Marcellus); German, Spatelsonde.

Almost every medical writer mentions the spathomele. It consists of a long shaft with an olivary point at one end and a spatula at the other. Galen (Lex.) calls the one στρόγγυλον μήλην, the other μήλη πλατεῖα. It was a pharmaceutical rather than a strictly surgical instrument. The olive end was used for stirring medicaments, the spatula for spreading them on the affected part or on lint. Galen (xiii. 466) says that certain applications are to be softened in the hand with rosaceum by means of the spathomele (μαλάξας ἐπὶ τῆς χειρὸς διὰ σπαθομήλης).

Marcellus frequently refers to it as used for stirring liquids in a vessel:

In xiv. 44 he mentions a spathomele of copper:

The following passage from Theodorus Priscianus refers to its use for applying ointment to an affected part:

Aetius (II. iv. 16) directs a particular medicament to be rubbed in and to be scraped off after a moderate space of time with a spathomele (τῇ σπαθομήλῃ).

The spathomele was used by painters for preparing and mixing their colours. The very large numbers in which they are found would indicate that their use was not confined to medical men.

Although the nucleus of the spathomele was too large to admit of its use as a probe for small lesions, it is evident that in exploring large cavities it must have been a valuable instrument. Galen (ii. 712) says:

Priscianus alludes to plugging the nares with it:

From Leonidas (Aetius, VI) we learn that it was used as a tongue depressor. He says:

The following passage from Galen shows that it was used as a substitute for the meningophylax (q. v.):

Soranus (xxvii) refers to its use as a cautery:

An interesting passage in Aetius shows that it was used as a dissector in opening up an occluded vagina:

This probably means blunt dissection only, as none of the spathomeles found have edges sharp enough to be actually cutting. Large numbers of this instrument have been found. It is the commonest surgical instrument in museums. It must be remembered, however, that not every spathomele is a surgical instrument strictly speaking, as pharmacopolists and even artists used exactly similar instruments.

The average length of twenty specimens measured by me was 16 cm. Of this the nucleus occupies 1·5 cm., the spatula 6 cm. The average diameter of the nucleus is 7·5 mm. The width of the spatula averages 15 mm., but the size and shape of the spatula both vary considerably.

The different varieties of shape will be better understood by a reference to the accompanying figures of actual specimens than from a written description. Pl. XII shows neatly formed specimens from various sources; the specimen shown in fig. 3 having ornamental grooves along the length of the shaft. Figs. 3 and 4, Pl. XIII show coarse, thick specimens, which are most likely to have been used for non-medical purposes. All have the characteristic oar-blade shape, though the outline varies greatly. In some the blade widens out at the end, so that the tip is broad and rounded. In others the blade slopes to a rounded point, or the point is quite acute. The edges of the blade are usually thick and blunt. In some specimens, however, the edges are thin, sharp, and almost suitable for use for cutting with. These are well adapted for use as blunt dissectors.

The shaft, as a rule, is plain, occasionally it is ornamented with longitudinal or spiral fluting. More rare is a silver band, inlaid in a spiral round the shaft. I have seen a few specimens which have been entirely plated with gold.

Hitherto I have taken no notice of spathomeles in which the spatulae are not flat. In many specimens, however, the blades are hollowed. For these it seems advisable to constitute a special class, which may be called the cyathiscomele class.

 

Cyathiscomele.

German, Löffelsonde.

Although this variety of the spathomele is not one which is specially mentioned by any classical writer, it is convenient to have a name by which we can denote that variety of the spathomele in which the blade is not flat.

It has the same large oval nucleus as the flat spathomele, and the same shaft, plain, or fluted, or overlaid with silver, but the spatula is replaced by a spoon, the outline of which shows the same variety of form as we met with in the spatula. The depth of the spoon varies greatly. Pl. XIV, fig. 3 shows an instrument in which the two lateral halves of the blade, instead of lying exactly in the same plane, meet in the midline at a slight angle so as to form a cavity obtusely angular on cross section, and gently rounded on longitudinal section:

Cross sec.
Long. sec.

Pl. XV, fig. 1 shows a similar arrangement, except that the cavity is more marked, and the tip instead of being sharp is rounded. In Pl. XIV, fig. 1 the cavity is so marked that a typical spoon is formed. This specimen is interesting as showing the ornamentation of the shaft by overlaying a spiral silver wire. It is from the Naples Museum, and it is figured by Vulpes. Other varieties are seen in Plates XIV, XV. Pl. XV, fig. 4 shows a very coarse, thick specimen. The scope of the cyathiscomele in medical art is evidently like the flat spathomele to act occasionally as a sound, but mainly to mix, measure, and apply medicaments. Some are adapted for use as curettes. But the large number in which this instrument occurs would of itself indicate that it was used for lay as well as medical purposes. Many are toilet articles. An interesting discovery of two typical specimens in the grave of a lady artist was made in Vendée in 1847. Among a number of colour pots and alabaster mortars for rubbing down and mixing colours was an étui similar to the typical cylindrical instrument case of the ancient surgeon, and in this were two spoon probes like the one shown in Pl. XIV, fig. 1. Evidently they were favourite instruments of the painter, and had been used by her for mixing and preparing her colours.[2]

The form of cyathiscomele, in which the two lateral halves of the scoop meet at an angle (Pl. XIV, fig. 1), has a tendency to split along the ridge in the middle of the scoop if roughly handled. One of these, to which this accident has happened, is in the Naples Museum (Pl. XV, fig. 3) and has an interesting history. In 1847 Vulpes described it as a guard for dividing the fraenum linguae, and successive writers have copied this ever since, and it is so described in the catalogue. As the photograph shows, it is only a spoon probe which had been trod on or otherwise damaged, and which had split down the centre, or rather near the centre, for the crack has deviated at its termination from the midline. The termination of the notch thus formed has quite a different appearance from the figure by Vulpes. The accident is not an uncommon one. There is in the Capitoline Museum an instrument to which precisely the same has happened, and I have a probe in my own possession which has split, and which with a little manipulation would make a beautiful duplicate of the one in the Naples Museum (Pl. XV, fig. 1). It is almost certain that the guard is quite a modern invention.

Many ancient writers point out the danger of wounding the vein, but none mention the guard. Thus Celsus says:

Paul says:

Aetius gives a similar account.

These writers, then, all take note of the possibility of wounding the vein, but give no clue that they knew of the utility of a cloven plate in preventing the accident. Further, the Arabs, timid operators all and fond of describing safeguards such as this, give no mention of it, although Albucasis, Rhases, Avicenna, and Haly Abbas all describe the operation. I can find no reference to the use of a guard for this purpose until quite recent times.

 

Ear specillum.

Greek, μηλωτίς, -ίδος, μηλωτρίς, ἀπυρομήλη, τῇ πυρῆνα μὴ ἐχούσῃ τούτεστι τῇ μηλωτρίδι (Galen, Lexicon); ὠτογλυφίς, μήλην ἐξωτίδα (Galen, Lexicon); Latin, oricularium specillum (Celsus); auriscalpium (Scrib. Largus); German, Ohrlöffel.

Of all the specilla this is one of the most frequently mentioned by name. It consists of a small narrow scoop at one end and a simple probe without olivary enlargement at the other. We shall discuss the scoop first. The following passage from Archigenes describes it (Galen, xii. 652):

Again Galen (loc. cit.) and Paul (VI. xxiv) say that in cases where foreign bodies cannot be got out of the ear by more simple methods, we must incise behind the ear and remove them by means of the ear scoop. The removal of foreign bodies from the ear by means of this instrument is very frequently referred to and shows that the scoop was small. Celsus says (VI. vii):

In VI. vii he says:

Celsus also recommends it for extracting a calculus from the meatus urinarius (VII. xxvi):

Aetius (III. v) also describes removal of urethral calculus in this way.

The following passage from Paul (VI. xl) on venesection shows that in cases where the band of Antyllus could not be applied, the back of the ear scoop was pressed on the proximal end of the vein, in order to obstruct the flow of blood and cause it to discharge by the opening made with the phlebotome:

Adams evidently misunderstood this passage. He translates it ‘with the concave part of a scalpel’, which is meaningless. This use of the scoop will also explain an otherwise obscure passage in Hippocrates (iii. 678). He says:

Of the use of the ear scoop as a curette we have several instances. Thus Aetius (II. iii. 81) recommends it for curetting the interior of a chalazion, and again (II. iii. 84), cf. Galen, Comp. Med. vii. 2. The scoop was also used for applying medicaments, especially to the eye. Liquid applications were poured from it, semi-solid were applied with the back of it (averso specillo). This use of the back of the scoop has often been misunderstood. The natural translation of the phrase averso specillo is ‘with the probe turned away’, i. e. the back of the probe. Scultetus, however (Tab. VIII. vii), considers that it refers to a spatula probe, and says it means the probe turned end for end. Other translators adopt this meaning. Deneffe (Les Oculistes Gallo Romains, p. 108), e. g., says:

Scribonius Largus puts the true meaning of the phrase beyond doubt. He directs us, after the application of caustic to haemorrhoids, to endeavour to get them to fall off by the back of an ear scoop, which part the Greeks called the spoon (‘auriscalpio averso quam partem κυαθίσκον Graeci vocant’).

Marcellus copies this passage from Scribonius, but alters it. He says: ‘de specilli latitudine illinendae sunt’ (xxxi. 6, p. 329).

I shall now proceed to give a few instances of this use of the back of the scoop in minor surgical manipulations.

In ancyloblepharon Celsus says the eyelids are to be separated with the back of the scoop.

Igitur aversum specillum inserendum, diducendaeque eo palpebrae sunt (VII. vii. 6).

The back of the scoop was used as a retractor for delicate structures. In radical cure of hernia Celsus directs us to keep the bowel from prolapsing by means of it:

In the cure of varicocele it is used to replace the veins in position:

In sloughing ulcer of the bladder it is used to separate the lips of the perineal wound:

We shall next proceed to discuss the other end of the ear specillum. This was a simple probe. It had no nucleus. In his Lexicon Galen defines it thus:

Not only was its tip not expanded into a nucleus, it was actually sharp. Galen (xiv. 787) treating of fistula in ano, says in non-perforating fistulae we perforate all the sound flesh with the sharp end of an ear probe (τῷ ὀξεῖ τῆς μηλωτίδος). The chief use of an ear probe in aural work was to instil liquids into the ear. A large ball of wool saturated with the liquid was wrapped round the middle of the probe, and on squeezing this the liquid ran down and dropped into the meatus. There are many mediaeval illustrations showing the ear probe used in this fashion. Sometimes, however, we read of the tip of the probe being wrapped in a small ball of wool, which was dipped in some sticky substance to extract foreign bodies from the ear. Galen (xii. 689) says foreign bodies may be removed thus by a probe dipped in resin.

The ear probe seems to have been much used for probing wounds and fistulae when a very slender instrument was required. Galen (ii. 581), in describing the torcular Herophili, says:

In his chapter on the extraction of weapons (VI. lxxxviii) Paul says:

As a cautery it was used to destroy the roots of hairs, which had been removed for trichiasis. Paul says:

In fistula in ano Paul says it may be used as a director to cut upon.

Illustrations of two ear probes are given. What I regard as the type is seen in Pl. XV, fig. 5, which shows an instrument from the Roman Hospital at Baden. Typical specimens are not by any means common. Pl. XV, fig. 2 shows another variety from my own collection.

 

Screw Probes.

On probes for wrapping round with wool we frequently raise a screw thread to enable the wool to adhere better. This useful contrivance was also known to the ancients. I give a figure of one in my possession. It was found in the Roman Camp at Sandy (Pl. XXI, fig. 5). It measures 9·7 cm. in length and is 1·5 mm. thick. The screwed portion occupies 7 mm. of one end. The other end is plain. The little instrument is well adapted for treating small cavities, such as an ear or a carious tooth by wrapping round the screw portion with wool and dipping in medicaments.

 

Ear specillum for wounds.

Greek, τραυματικὴ μήλη; Latin, specillum vulnerarium.

There was a special variety of ear specillum which was adapted for wounds. Paul (VI. lxxxviii) says:

This was probably an instrument on the same principle as the ear probe, i. e. a combined probe and scoop, but on a larger scale. Possibly it may have had a slight olivary enlargement. That it was large we learn from Galen’s Lexicon, where μήλην ἰσχυράν is stated to mean τὴν τραυματικὴν μήλην. It will easily be seen that the specillum vulnerarium has considerable affinity with the other class of spoon probes which I constituted, viz. the class of cyathiscomeles—for these had a scoop at one end—and this being specially intended for wounds most likely had a certain amount of olivary enlargement at its tip, but smaller than the olive of a cyathiscomele, which was too large for ordinary wounds. The typical ear specilla and the typical cyathiscomeles both form well defined groups, but between these innumerable gradations occur among the specimens extant. For practical purposes it is convenient to class all these intermediate forms as specilla vulneraria.

 

Handled Needles.

In the find of the oculist Severus were no less than nine handles for needles. Of these, six were merely cylinders of bronze, expanded slightly at one end and perforated at the other with a small hole for a needle. They were from 72 to 40 mm. long and 7 to 5 mm. in diameter. Two were hexagonal, four were round (Pl. XXI, figs. 2, 4, Pl. XVI, figs. 3, 4, 5, 6). Two others had the same holes for needles at one end, but at the other they were pierced with a slot, 10 mm. deep, for the insertion of a knife blade. One was 60 x 7 mm., the other 53 x 5 mm. (Pl. II, figs. 1, 2). Another, perforated at one end as before, carried at the other an olive-pointed probe. It was 8 cm. in length, and of this 3·5 cm. consisted of a hexagonal handle 3·5 cm. in diameter. The remainder was cylindrical, and it terminated in a probe point with a slight olivary enlargement (Pl. XVI, fig. 2). In all cases the needles had evidently been made of steel and had entirely disappeared.

We have many allusions to the use of handled needles in ophthalmic work. In describing the couching of cataract Celsus says:

Sextus Platonicus (Med. ex Animalibus) says that cataract is depressed with a specillum.

A full description of the operation is given by Paul:

It will be seen from Paul’s vivid description that the couching instrument consisted of a handle with a nucleus at one end, to measure off the spot at which to perforate, and a needle at the other. We saw that the outfit of the oculist Severus contained one such instrument (Pl. XVI, fig. 2). The same combination is not infrequently met with. In the Museum at Aarau there are four from the station at Vindonissa. I have one in my collection which is interesting as showing a screw thread for fitting on a cover to protect the needle (Pl. XVI, fig. 7). It was found in Bedfordshire. It reminds one very strongly of the couching needle figured by Paré. Other handled needles were used in eye work as cauteries. Of trichiasis Celsus says (VII. vii):

 

Ophthalmic Probe.

Greek, ὀφθαλμικὴ μήλη.

In Hippocrates (ii. 100) we find an ophthalmic probe mentioned.

Galen in his Lexicon explains that μῆλαι τρεῖς τῷ πλατεῖ means τῷ κυαθίσκῳ ὀφθαλμικῆς μήλης. This is the only mention which we have of a special ophthalmic probe with scoop. In applying medicaments to the eye with a probe whenever any variety of probe is mentioned it is always the ear specillum which is named. It seems most likely that either the ear specillum or some variety of it is referred to here. It may have had a nucleus for applying medicaments at one end and a scoop at the other.

 

Rasping Specillum.

Greek, βλεφαρόξυστον; Latin, specillum asperatum (Celsus).

A special burred specillum, for curetting the granular lids so common as a result of the ophthalmia which is endemic in most Eastern countries, and which was rampant in ancient Greece and Rome, is described by Celsus and also by Paul. Celsus says:

Paul says:

Heister (vol. i. tab. xvi. p. 591) figures the blepharoxyston as a spoon-shaped instrument burred on the convex side. There is in the Orfila Museum, Paris, an instrument of similar form. It consists of a handle with an olivary point at one end, and at the other a plate with transverse ridges. This agrees well enough with what we know of the classical instrument. It was found in Herculaneum. (Pl. XVI, fig. 1).

 

Styli and Styloid Specilla.

Greek, γράφιον, γραφεῖον, γραφίς; Latin, stylus or stilus.

The difficulty of deciding as to whether any particular instrument is a surgical or a domestic article is often well illustrated by styloid instruments. In the British Museum several types of instrument will be found classed among surgical instruments, and a series of exactly similar articles will be found repeated among the styli used for inscribing and erasing characters on wax tablets. As even the writing stylus was occasionally used for surgical manipulations we are justified in looking on all styloid instruments as potentially implements of minor surgery. The claims of any doubtful instrument to be considered as once having been one of a surgeon’s tools must be decided on such grounds as the circumstances of its discovery.

Galen (xii. 865) says teeth may be extracted with the stylus (γραφείῳ ἀνάλαβε) or with the finger.

Hippocrates (i. 46) thus describes the method of extraction of the secundines:

The writing stylus, then, from the fact of its being at hand and of suitable shape was occasionally, perhaps often, used as a surgical instrument.

I give a figure of a stylus in silver, beautifully oxidized, which was found at York while making excavations there in constructing the railway (Pl. XVII, fig. 3).

Pl. XVII, fig. 6 shows an instrument which is figured by Vulpes (op. cit.) as a specillum. Personally, I think its highly ornamented form shows that it is rather a domestic article, but, as no information is available as to the surroundings among which it was found, we can only say that its shape fits it equally well either for writing or minor surgical manipulations.

 

Grooved Director.

Although we have no actual description of a grooved director, we have many manipulations described in which such an instrument would be used nowadays. For example, in describing the treatment of fistulae Celsus says:

It is interesting to find that we have at least one grooved director extant to prove that this instrument was known to the Romans. It is in the Section of Surgical Antiquities of the Musée de Cinquantenaire, Brussels, and it was discovered, along with several other surgical instruments, in a surgeon’s case of the usual cylindrical form.

It is 15 cm. long, 2 mm. in diameter. A deep groove runs for 6 cm. from one end. The other end terminates in a small button. It is of silver, as also were the other contents of the case. It is possible that grooved specilla may have been in quite common use, but may have been made of wood or tin, and have therefore not survived; because we learn from Galen’s Manual of Dissection that probes which were used as directors in dissecting work were generally of wood, such as boxwood, so that they might not chip the scalpel (ii. 711).

 

Surgical Needle (three cornered).

Before discussing the eyed probes it will be well to clear the way by disposing of the needles, and of these, as the most easily defined class, it will be best to take the surgical needles first. We have innumerable references to the surgical needle though we have no actual description of it. There must have been many different sizes of it, for the manipulations vary greatly in magnitude. I shall content myself with giving two quotations describing respectively one of the largest and one of the smallest of these. Both passages are from Celsus. He thus describes the operation of suturing the abdominal parietes:

In the next case, where Celsus describes the treatment of staphyloma of the cornea, a very small needle must have been used:

Now for suturing tissues, and more especially tissues of such toughness and thickness as the abdominal parietes, a round needle is absolutely of no use. A surgical needle not only requires to have cutting edges, as our three-cornered needles have, but these edges need to be in good condition to work well. Three-cornered surgical needles were in use from very early times. They are fully described in the Vedas of the Hindoos (Wise, Hindoo System of Medicine, p. 171). A few three-cornered needles of Roman origin have been found, although they are rare. Those which exist are of bronze. Probably the majority were of steel, and of these none have survived. I give a photograph of a three-cornered needle from my collection (Pl. XVII, fig. 4). It is imperfect at the point. It measures 7·2 cm. in length, and the sides are each 2 mm. in breadth. It is important to emphasize the fact that only needles with cutting edges are to be looked on as surgical, because it is not unusual to find needles, which are round and of large calibre, described as surgical, although they are quite unfitted for surgical work. Such is the one figured by Vulpes (op. cit.).

Needles of this kind are sometimes found, as this one was, among surgical instruments. But they are not surgical needles in the sense that they are intended for suturing tissues. They are for fixing bandages. I shall describe them in the next section.

 

Round Needles and Bodkins.

Hippocrates tells us that bandages for fixing dressings and splints on a fractured limb ought to be finished off by stitching with a thread (iii. 55), and Celsus repeats the advice:

The round sewing needle was therefore part of the recognized outfit of the surgeon, and numbers have been found associated with surgical instruments. Apart from this association with other instruments it is quite impossible to distinguish them from domestic needles. The same may be said of bodkins, as these too occur in surgical finds, and are also quite indistinguishable from the domestic articles for embroidering. Pl. XVII, fig. 2 shows a bronze needle from Roman London. A similar one from Pompeii, now in the Naples Museum, is given by Vulpes as a surgical needle, owing to the fact that it was found along with surgical instruments; but it is evident that it is only a needle for sewing bandages, &c.

Other types of needles and bodkins are found in bronze, but many also are of bone and ivory. Even the latter are quite serviceable, and in spite of their being comparatively thick will stitch compact cloth easily. An ivory needle from Roman London is shown in Pl. XVII, fig. 5.

 

Eyed Probes.

We have frequent references to eyed probes, and we also possess a considerable number of different types. In dealing with the dipyrene I quoted a passage to show that it sometimes carried an eye in one of its olives. Hippocrates refers to an eyed probe of tin. In treating of fistula he directs us to take a rod of tin having one end pierced with an eye (μήλην κασσιτερίνην ἐπ' ἄκρου τετρημένην), and having put one end of a twisted piece of lint through the eye put the probe into the fistula, get the end of the specillum, bend it and hold the thread with the finger and withdraw the ends. Paul quotes this passage (VI. lxxvii), but alters the wording slightly:

Again in polypus naris (ii. 243) Hippocrates directs us to cut a sponge to the shape of a ball and tie the ball round with thread, and make it hard and of such a size as to fill the nose. To the sponge tie a thread of four pieces, each a cubit long, and make one thread of them. Put the end through a fine tin rod having an eye at the end. Push the rod bent at an acute angle into the mouth, and catch the end of the thread under the palate and pull it through, propping it with another hoof-like probe, and extract the polypus. Pl. XVII, fig. 1 shows an eyed probe from the Baden Hospital. Its shape is exactly the same as a lead probe figured by Paré for the insertion of the apolinose.

An example of a scoop at one end and an eyed probe at the other was found at Augst, and is now in the Museum at Basle (Brunner, loc. cit., Taf. I, fig. 14). It is 16 cm. long, of which the spoon, slightly defective at its tip, occupies 3 cm. About 2 cm. from its tip, which is fine, there is an elongated eye, 5 mm. in length.

Various other combinations are met with.

 

Ligula type of Specillum.

Greek, κυαθίσκος; Latin, ligula.

Ligulae are found in enormous numbers and in very great variety. They are toilet articles for extracting from tubes and boxes ointment, the various salves, balsams, and powders which entered into the mysteries of the Roman lady’s toilet. The ligula is therefore not strictly speaking a surgical instrument, but as it was used by the laity, and no doubt also by physicians, for making applications to affected as well as to unaffected parts, and as it is often found associated with surgical instruments, it is advisable to bring it within the scope of this investigation. It is also convenient to do so, because some varieties approach so closely in form to the true surgical specilla that it is often difficult to decide which class to place a particular specimen in. In doubtful cases it is well to remember that the specillum is most usually a combination of two instruments on one shaft. Brunner (loc. cit.) figures a number of ligulae from the Swiss museums. These he names specilla oricularia, although admitting that they are only domestic articles. I have shown, however, that the specillum oricularium is a well-defined combination of scoop and probe.

Plate XVIII shows a variety of ligulae from various sources, some simple, some combined instruments. Figs. 4, 5, 8 are most typical forms. Some of this simple type are two feet in length. They are often overlaid with gold. Fig. 7 shows a ligula which has so been treated. It carries a small fork on which to poise a pellet of semi-solid medicament.

 

Spoons for measuring, preparing, and pouring medicaments.

A type of spoon not uncommonly met with has a round bowl about 2 cm. in diameter, and a handle of about 10 cm. long. Usually they are of bronze; but occasionally they are of silver, and a considerable number in bone were found in the Roman Hospital at Baden. They are for measuring medicaments, heating them, and removing them from unguentaria, &c. They are often found alongside the glass unguentaria which contained the salves. They were also used for religious purposes.

Similar spoons with pointed handles are common in finds of domestic articles. The sharp end is for extracting shellfish, &c. A larger variety of the unguent spoon has a spout to assist in pouring the contents. This variety is rather rare.

Pl. XIX, fig. 4 is from the British Museum. The bowl is 2.5 cm. in diameter and the handle is 15 cm. long. The handle is round, and it has a small ringed ornamentation at its end and one close to the bowl. The bottom has been thinned out with heat, and there is a small perforation visible in it. A similar spoon was found in the grave of the Paris surgeon. Traces of medicament remain on it. This type is probably intended for warming salves and pouring them into the eye and other affected parts. Another variety is seen in Pl. XIX, fig. 1. This specimen is in the Naples Museum, and was found along with the spatula shown in Pl. XIX, fig. 2. The handles of each are of bronze, the scoop and spatula parts are of silver. Vulpes describes these as a lancet for drawing blood and a spoon for collecting and examining the same. It is impossible to regard an instrument of silver as a cutting instrument. These are for mixing and spreading medicaments. A large spoon of a peculiar shape from the Naples Museum is seen in Pl. XIX, fig. 3. It is of silver. The handle, which is of ivory, is ornamented with spiral carving, and the end bears a ram’s head. Another interesting little shovel from the same museum is of bronze, and carries the head of Minerva Medica on the end of the handle (Pl. XX, fig. 5). We may here include the large double spatulae of the type shown in Pl. XX, fig. 1, which represents a specimen from Naples. A similar one was found in the outfit of the Paris surgeon, and Scultetus shows precisely similar instruments in use in his time for applying the stiffening to the bandages, &c. for setting fractures. The Romans probably used theirs for a similar purpose.

 

Tongue Depressor.

Greek, γλωσσοκάτοχος.

To open a quinsy Aetius says (II. iv. 45):

In excision of the tonsil Paul (VI. xxx) bids us seat the patient in the sun and depress the tongue with a tongue depressor (γλωσσοκατόχῳ).

Pl. XX, fig. 6 shows one of six bronze tongue depressors, burnished like small mirrors, from the Lépine collection (Védrènes, Celse).

 

Uterine Sound.

The uterine sound is frequently mentioned by Hippocrates for correcting malpositions of the uterus, and dilating and applying medicaments to the interior of the cervix. After falling into disuse in the middle ages it was reintroduced by Sir J. Y. Simpson, only to disappear once more almost entirely from sight.

I have already referred to Galen’s statement that the non-pregnant os is of such a size that it will just admit an olive-pointed probe (p. 54).

Hippocrates (ii. 836) directs us to treat hysteria by dilating the cervix, first with an ointment probe and then with the finger.

Soranus (II. x) describes plugging for uterine haemorrhage by means of the sound:

Hippocrates (iii. 34) alludes to applying medicament to the internal os with the sound:

If pus collect in the uterus post partum, or after abortion or from any other cause, it is good practice to pass a sound (μήλην ὑπαλειπτρίδα) into the cervix (i. 471). In another place we are directed to draw off gas in the uterus by fomenting the whole body and the uterus with vinegar and water, warmed specilla being afterwards inserted (μήλας διαπύρους ἐμβάλλοντα).

Again we find the sound applied to correct malposition of the uterus (iii. 140):

In all these cases there is no special instrument designated as being used for a uterine sound, only the spathomele (ὑπάλειπτρον) and the olivary probe named. With both of these we have met before. However, I have thought it of historical interest to cast these passages together. It will also clear the way for the discussion of other instruments, whose use is entirely reserved for the purpose of dilation of the cervix.

A more questionable use of the sound is referred to by many authors. During the Empire the death of the foetus was frequently procured both by abortifacients and instruments. Frequent references to the use of drugs for this purpose may be found in the lay writers such as Juvenal and Suetonius (Domitian), and the later medical authors do not hesitate to describe the composition of abortifacient pessaries. It will be remembered that the Hippocratic oath specially forbids this practice.

 

Uterine Dilators—Solid, graduated wooden.

Greek, διαστομωτρίς, μήλην τὴν διαστέλλουσαν—τὸν διαστολέα (Galen, Lexicon).

Besides the ordinary probes, which we have just seen that Hippocrates used occasionally for dilating the os, we have frequent mention made of a special variety of dilators which, although they are called μήλη by Hippocrates, are not, strictly speaking, probes or sounds, but a graduated set of dilators of wood, tin, or lead. They correspond, in fact, to our Hegar’s dilators.

Hippocrates describes these dilators (ii. 799). The patient is to have fumigations for five or six days till the cervix is softened. After these fumigations, dilators (προσθέτων) made of pieces of very smooth slipping pinewood are to be introduced into the cervix. There were six of these. Each was six finger breadths (4·2 in.) in length. They ended in a point, and each succeeding rod was larger than the preceding one; the largest being of the diameter and shape of the index finger, being smaller at one extremity than the other. They should be as round as possible and with no splinters. Before being introduced they were smeared with oil. First the point was gradually introduced by rotating the dilator and pushing it simultaneously till it entered for a distance of four finger breadths (2·8 in.). After the first rod was introduced it was withdrawn and replaced by a larger one. During the after treatment a leaden tube filled with mutton fat was left in the uterus at night, while through the day one of the pine dilators was used. Pl. XX, fig. 2 shows a specimen from Pompeii, which Védrènes regards as a uterine dilator. It is hollow, and is ornamented to resemble the head and body of a snake.

 

Metal Dilators mounted on handles of wood.

Hippocrates (i. 473) mentions a variety of dilator made of tin or lead, and hollow behind for mounting on a wooden handle:

This evidently refers to a portable set of dilators, each capable of fitting on a common handle, like Fritsch’s, Peaslee’s, or Lawson Tait’s of modern times.

 

Bifurcated Probe.

Greek, μήλη δικροῦς, χηλή.

In treating of polypus naris Hippocrates directs us to take a sponge and tie it into a hard ball, and attach a four ply thread to it. Next to pass the end of this thread by means of an eyed probe of tin till it is caught at the back of the mouth, and drawing it out of the mouth to place a bifurcated probe under the palate, and using this as a fulcrum pull until the polypus is extracted (De Morbis, ii. 243: ἔπειτα χηλὴν ὑποθεὶς ὑπὸ τὸν γαργαρεῶνα ἀντερείδων ἕλκειν ἔστ' ἂν ἐξειρύσῃς τὸν πώλυπον). In Galen’s Lexicon we find χηλή explained as meaning a notched probe, split like a hoof at the point (μήλην δικροῦν, κατὰ τὸ ἀκρὸν ἐκτετμημένην ἐμφερῶς χηλῇ). And again under the heading δικροῦν he gives τὸ οἷον δίκρανον, ὅπερ καὶ δισχιδὲς ὀνομάζουσι τὸ δὲ αὐτὸ καὶ δηλοῖ, ‘what they call cloven and also cleft.’ The same word also means the notch of an arrow. In De Morbis (ii. 245), Hippocrates describes another method of extracting polypus with the same instrument. Taking a piece of stringy gut (χορδήν) and making a loop on it pass the end through the loop, thus making a second larger one, i. e. a noose. Pass the end of the gut through the nose into the mouth with a tin probe. Pull the loop into the nose and adjust it round the polypus with a notched probe (μήλῃ τῇ ἐντετμημένῃ), and when this is done pull on the gut, using the notched probe as a fulcrum.

There must have been one form of bifurcated probe with a rounded end bearing a notch like an arrow. This is the only form of cleft probe which it would be safe to use in the back of the throat in the manner described by Hippocrates. We know, however, of other forms of bifurcated probes. Celsus describes a bifurcated retractor used for the extraction of weapons buried in the flesh:

Variant readings are V and Λ. The Aldine edition has ψ. The reading I have adopted is Daremberg’s; but whichever is correct matters little, as all indicate a bifurcated instrument, except the Aldine, which would indicate a three-pronged one. There are several bifurcated specilla in the British Museum (Pl. XXII). One in the Orfila Museum, Paris, of slender construction, carries a hook at the other end. It is from Herculaneum (Pl. XXI, fig. 1). A plain variety is shown in Pl. XXI, fig. 6. The specimen shown in Pl. XXI, fig. 3 is interesting as showing a possible fallacy. It has considerable affinity to the Roman netting-needle, and may not be a probe at all. The typical netting-needle has, however, blunt points, and the planes in which the forks lie are at right angles to each other.

 

Blunt Dissectors.

In his chapter on Angiology (or Division of the Temporal Blood Vessels) for headache and ophthalmia (VI. v), Paul mentions the use of dissectors:

The typical scalpel handle ends in a leaf-shaped dissector, and Celsus always describes blunt dissection as being performed with the manubriolus of the scalpel. We have, however, a few dissecting manubrioli as separate instruments not designed to carry scalpel blades. Three were found together in the grave of the surgeon of Paris. There are also two in the museum of St-Germain-en-Laye, and one in the Museum at Mainz. We may take as types two from the find of the oculist Severus in the St-Germain-en-Laye Museum (Pl. XX, figs. 3, 4). They consist of elongated leaf-shaped blades carried on hexagonal handles, and are exactly similar in appearance to a scalpel handle, except that they do not carry a slot for the insertion of a blade.

 

Curved Dissectors.

Greek, ὑδροκηλικὸν κοπάριον.

On the cure of hydrocele Paul (VI. lxii) says:

Treating of the excision of varices (VI. lxxxii) he says:

A curved dissector from the find of the oculist Severus, now in the Museum of St-Germain-en-Laye, has a neatly ornamented handle with a small hook at one end, and at the other it curves first backward and then forward to join a small leaf-shaped dissector 3 cm. long and 1 cm. in its greatest breadth (Pl. XXIII, fig. 2).

 

Sharp Hooks.

Greek, ἄγκιστρον, ἀγκυρομήλη; Latin, hamus, hamulus acutus.

Hooks blunt and sharp are frequently mentioned in both Greek and Latin literature, and served the same purposes as we use them for; the blunt for dissecting and raising blood-vessels like the modern aneurism needle, the sharp for seizing and raising small pieces of tissue for excision, and for fixing and retracting the edges of wounds. We are fortunate also in possessing many fine specimens of both sharp and blunt hooks in museums, &c. In the Naples Museum alone there are upwards of forty examples of hooks. Of pterygium Celsus says:

Aetius also mentions this use of the sharp hook:

Paul also says:

The method of excision of the tonsil described by Celsus, Aetius, and Paul is to bring the tonsil into view by dragging on it with a sharp hook and then amputating it. Thus Paul says:

In contraction of the vulva, Paul says:

Similarly Celsus (VII. xxviii) says:

In dissection, many of the manipulations which we perform with the dissecting forceps were performed by the ancients with sharp hooks. Pl. XXIV, figs. 1-5 represent specimens from various sources; some simple, others combined with another implement.

 

Blunt Hooks.

Greek, τυφλάγκιστρον; Latin, hamus retusus.

Aetius (Tet. III. i. 13) says:

In Aetius (Tet. II. iii) we see the blunt hook used in the same way as we use an aneurism needle, except that the ligature is not introduced with it, but with another needle. He says we transfix the lips of the incisions with two hooks and gradually dissecting with the scalpel we free the vessel from the underlying fascia. Then with a blunt hook (τυφλάγκιστρον) placed under the vessel we raise it up from the depth, and beneath it when raised we place a two ply thread by means of a needle, and doubly tie and cut between.

Paul says:

The ‘eyed hook’ is mentioned by Galen in describing the dissection of the spinal cord:

A small variety of the blunt hook is mentioned by Celsus, Galen, and Paul.

Of the extraction of foreign bodies from the ear Celsus says:

Paul says that if stones of fruits, &c. fall into the ear they must be extracted with an ear scoop, a hook, or a forceps.

Both types of blunt hook are represented by extant specimens; see Pl. XXIII, figs. 3, 4. These remind us of our aneurism needles, and it is interesting to note that Galen (ut supra) speaks of an ‘eyed hook’. The instruments shown in Pl. XXIII, figs. 2, 4 we might look on either as curved retractors or dissectors as they are half sharp. Pl. XXV, fig. 2 shows a hook of crotchet-hook type combined with a scoop. It is from Herculaneum.

 

The Strigil.

Greek, ξύστρα. Latin, strigil.

It seems to have been a common method of applying remedies to the auditory canal to warm them in a strigil and pour them in with it. Galen frequently mentions this. In Med. Sec. Loc. (xii. 622) he says:

Celsus (VI. vii. l) says:

Marcellus (IX. l) says:

Scribonius Largus (xxxix) says:

The strigil varied much in size and shape. A common form was a sickle-shaped instrument, the circular part being hollow and semicircular on section, and admirably adapted for warming and pouring oil and other medicaments into the ear as above described. Pl. XXV, fig. 1 shows a small strigil from my collection.

 

Spoon for applying astringent liquids to the uvula.

Greek, σταφυλεπάρτης.

In his description of the medical treatment of diseases of the mouth Paul (III. xxvi) says:

It is evident that it is quite a different instrument from the staphylocaustus (q. v.), which we are specially told had more than one hollow and was a grasping instrument like a forceps. The present instrument is for applying liquids, and was apparently of the form of a spoon. Fabricius describes and figures such an instrument. It is a small round spoon with a long handle.

 

 

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FORCEPS

 

Epilation Forceps.

Greek, τριχολαβίς, τριχολάβιον (== τριχολαβίδιον); Latin, vulsella.

The removal of the hair from the face for cosmetic purposes is a custom which has come down to us from prehistoric times, and seems to have been very prevalent among all primitive races. In the bronze age the method by which this was accomplished seems to have been to fix the hairs with a broad jawed forceps and cut them off close to the skin by means of a knife or ‘razor’. Thus did primitive men ‘shave’, and very often in early bronze age graves in Scandinavia and in the Swiss lake-dwelling excavations these forceps and razors are found together. No doubt also epilation proper was practised occasionally, but the majority of the prehistoric forceps are not for epilation but for fixing the hairs to allow the knife to divide them close to the skin. At a later time, with the more common use of steel, the Greeks and Romans shaved as we do, and epilation proper was practised for removing superfluous hairs from the face and also to remove trichiasis. Aristophanes, a contemporary of Hippocrates (Ran. 516, Lys. 89, 151), Persius (iv. 37) and Juvenal (vii. 114) refer to the depilation of the pubes as being common among certain classes, and the early Christian Fathers deplore the practice. See also the remarks of Suetonius on the conduct of Domitian (xxii). Prosper Alpinus, who visited Egypt in the sixteenth century and wrote an interesting book on the state of medicine in that country, found the custom still prevalent among the Egyptian women, and thus explains the object with which it was practised (Medicina Aegyptiorum, cap. III. xv):

The custom survived in France and Italy in the sixteenth century.

Epilation as a purely surgical operation was frequently necessary for the trichiasis consequent on the granular ophthalmia which was so common among the Romans. Paul (VI. xiii) says:

The numbers of toilet epilation forceps which have been found are enormous. Moreover, forceps of exactly similar form were in use in every household as accessories of the lamp for raising and snuffing the wick, and artisans used them also for the finer manipulations of their crafts; so that by far the largest number of forceps of this type are not surgical instruments, but household implements. However, we have plenty of specimens from purely surgical finds.

Of the surgical instruments all forms agree in having no teeth. The simplest form consists of a strip of metal bent on itself straight as in Pl. XXVI, fig. 3, or with the jaws turned inwards, as in Pl. XXVI, fig. 5. These are often pocket forceps. A ‘pocket-companion’, consisting of a toilet forceps, an ear-pick and a nail-cleaner, such as is seen in Pl. XXVI, fig. 4, is a common object in museums, such as the Guildhall Museum, where this object is. A variety of epilation forceps with rounded legs is seen in Pl. XXVI, fig. 2. Several of these have been obtained from purely surgical finds. Others are formed by sawing a bar of bronze up its centre, as in the specimen shown in Pl. XXVI, fig. 1, which is 13 cm. 4 mm. long, and with jaws 10 mm. broad. It is from the Naples Museum.

This is the form most typical of the surgical epilation forceps. Several of this type were found in the grave of the oculist Gaius F. Severus at Rheims (Pl. XXVI, fig. 6). They are very large powerful instruments, from 15 to 16 cm. long, and with jaws 7 to 8 mm. in breadth (Deneffe, Oc. du 3^e siècle, ii. 1-8). This form was no doubt used as a dissecting forceps or tumour vulsellum as well as for epilation, but the typical tumour forceps was toothed, and it is convenient to classify all those of the untoothed type as epilation forceps.

Other epilation forceps, which are however more likely to be toilet articles, have the jaws of extreme breadth, as in Pl. XXVII, fig. 3 from the Mainz Museum. It has a sliding catch. They are evidently intended to remove a considerable number of hairs at once, or to fix them while they were cut with razor or shears.

It is certain, however, that in addition to these broader forceps a variety with quite narrow blades was used, as Paul (VI. xxiv) tells us that stones, &c. may be removed from the ear with epilation forceps (τριχολαβίῳ), and again in fracture of the nose Paul (VI. xxiv) says that splinters of detached bone are to be removed with these forceps. We have several forceps of this type. There are in the Naples Museum three, one from Pompeii, two from Herculaneum (Deneffe). One from my own collection is shown in Pl. XXVI, fig. 2. The points are narrow and rounded.

A very interesting form is seen in Pl. XXVII, fig. 4, which shows a forceps in the Thorwaldsen Museum, Copenhagen. It is 12 cm. long, of which 6 cm. of the upper end are solid and round. The remainder of the length is occupied by the blades of the forceps, each 5 mm. broad, except for 12 mm. at the extremity, where it expands into a leaf-shaped portion, 10 mm. broad in its broader part. These leaf-shaped expansions oppose each other accurately, and on the narrow part of the blade above them there slides a rectangular catch which serves to clamp the blades and fix them like the jaws of a vice.

The surgical epilation forceps is, as we have seen, usually a simple instrument. Occasionally we meet with a forceps combined with some other instrument. These are, as a rule, toilet articles. A pocket ear-scoop and epilation forceps combined was found in Paris. Precisely similar articles of steel may be bought in chemists’ shops to-day. Another has a small unguent spatula combined with a forceps, while others carry olivary probes. There are several of these in the St-Germain-en-Laye Museum (Pl. XXVII, figs. 5, 2). One from Melos, in the Athens Museum, has a porte-caustique.

 

Polypus Forceps.

Greek, πολυποξύστης.

Galen (Med. Sec. Loc. xii. 685) alludes to the method of extraction of polypus from the nose by means of a forceps (ἔπειτα λαβιδίῳ ἐξαίρει), and from what Paul says it would seem that there was a special polypus instrument, consisting of a forceps at one end and a rugine at the other. After describing extraction by means of a knife and scoop he says:

Ξυστήριον means a small rugine, but stretching and twisting can only be done with a forceps. Rare as the combination of an antique forceps with another instrument is, we have one example of the combination of a rugine and a forceps, and, as it is admirably adapted for the extraction of nasal polypus, I think we are quite justified in considering it to be the instrument indicated by Paul. This instrument was found in the grave of the Paris surgeon. It is elegantly formed and is of one piece of bronze sawn down the middle. The upper part is surmounted by a rugine strongly curved, pointed at the tip and cutting on one edge. The rugine measures 3 cm. in length, and 5 mm. in breadth (Deneffe, Tr. d’un Chir., pl. v, fig. 1) (Pl. XXVII, fig. 1).

 

Tumour Vulsellum (Myzon).

Greek, μύδιον, μύγδιον, σαρκολαβίς, σαρκολάβος; Latin, myzon, sarcolabon, vulsella.

The form vulsellum has got so well established by usage in modern medical writings that it would seem pedantic to write ‘vulsella forceps’, but so far as I am aware it is not a form which has any classical authority. The classical usage is vulsella, -ae, feminine. I shall follow custom and use the modern term when using it as an English word.

The myzon, or tumour forceps, was a toothed instrument of the dissecting forceps type. Ducange says it takes its name from the shells which are called μυτίλοι, vulgo μύδια (mussels). It was used whenever it was desired to make traction on any object—such as a tumour—to excise it, or to raise and fix a piece of skin. Aetius (xvi. 106) says:

Paul gives pretty much the same instructions (VI. lxx):

Aetius (xvi. 107) also says:

Cf. also Paul, VI. lxxi and again Aetius (iv. ii. 3).

Again Aetius says:

In the corresponding passage in Paul (VI. xvii) another name for the vulsellum is used, viz. σαρκολάβος:—‘granuloma of the inner canthus we seize with vulsella and excise’ (σαρκολάβῳ). In treating of epulis he again uses the same term: ‘Epulis we seize with vulsella and excise’ (σαρκολάβῳ).

In Moschion (II. xxx), in the chapter ‘De Haemorrhoidibus quae in matrice nascuntur’, we find a Latin transliteration of the two terms μύδιον and σαρκολάβος side by side:

Here, in all probability, Soranus, from whom Moschion is copying, has simply used μύδιον, and the added ‘vel sarcolabo’ is simply a gloss, for the terms μύδιον and σαρκολάβος are synonymous. However this part of Soranus is lost. Extant specimens of the vulsellum are common. A simple variety is formed by folding a plate of bronze on itself, as in Pl. XXVIII, fig. 1, which shows a specimen in the British Museum. The jaws are finely toothed.

More usually the myzon is formed by sawing a plate of bronze partly along its midline as in Pl. XXIX, fig. 2, which is taken from the find of the oculist Severus.

An interesting variation is seen in the specimen shown in Pl. XXVIII, fig. 3 which is from my own collection. The line of junction of the jaws instead of being in the median plane is sloping. The object of this arrangement is not quite clear. A small variety of the vulsellum is referred to by Aetius:

We have one or two of these instruments. They remind one of fixation forceps. I illustrate one in Pl. XXIX, fig. 3. It is from the Mainz Museum. There are four similar ones in the Frankfort Historical Museum. The specimen shown in Pl. XXVIII, fig. 2, from the Naples Museum, is interesting as being stamped with the name of the maker, Acachcolus.

We have now to consider an interesting variation produced by extending the extremity of the blade to one side so as to increase the width of the blade (coudée type). This is a rare type.

Pl. XXIX, fig. 1 represents one of two from the find of the surgeon of Paris. It is 17 cm. long, and the legs of the forceps are 8 mm. wide. The jaws debouch to one side at an obtuse angle for a distance of 2 cm. and end in a fairly sharp point. The jaw is thus increased to 2 cm. in breadth. They are finely toothed. They are concave internally and convex externally. The other forceps was 14·5 cm. long and 8 mm. wide. The Museum at Naples has a forceps of this type, but having a sliding ring to fix the jaws after they have been applied (Pl. XXIX, fig. 4).

This angled type of forceps may be the one referred to by Paul in his description of the plastic operation on the eyelid for trichiasis (VI. viii), when he directs us to raise the redundant skin of the lid with a fixation forceps and cut it off with a scalpel (βλεφαροκατόχῳ μυδίῳ, τοῦτ' ἔστι πρὸς τὴν περιφέρειαν τοῦ βλεφάρου ἐσχατισμένῳ ἀνατείναντες τὸ περιττὸν δέρμα, σμιλίῳ ἀποκόπτουσι). It may be noted that this coudée type of forceps has considerable affinity with the type of forceps presently to be described for strangling haemorrhoids and the relaxed uvula, the only essential difference being that the blades are not crossed here.

 

Uvula Forceps.

Greek, σταφυλάγρα.

In Aetius (II. iv. 12) we have an interesting description of the amputation of the uvula by first crushing it in a forceps so as to prevent haemorrhage and then cutting it off:

The σταφυλάγρα therefore corresponds in its action to a pile-crusher. This instrument I believe to be represented by the type of forceps shown in Pl. XXX, fig. 1. It is in the British Museum. The two branches of the forceps cross like scissor blades, and at their ends the jaws are formed in such a way as to project forwards and enclose a cavity 1 cm. deep and 18 mm. long. Over all the forceps is 18 cm. long. The jaws are finely toothed. There is in the same museum another instrument similar in all respects except that it is 1 cm. shorter, and that in each blade, which is 16 mm. long (Pl. XXX, fig. 2), there is a small hole near the proximal end. A posterior view of a similar instrument is seen in Pl. XXXI, fig. 1. It is from the find of the surgeon of Paris. A similar specimen is in the Mainz Museum.

Pl. XXXII, fig. 3 shows a smaller specimen from the Naples Museum. It is 11 cm. in length. A large powerful variety with a different arrangement of the handles is seen in Pl. XXXI, fig. 2 from a specimen in the Antiquarian Museum at Basle. It is 20 cm. long.

A forceps which I take to be a staphylagra occurs on the coins of Atrax in Thessaly (circa 400 B. C.). The forceps stands alongside a bleeding cup.

The object of the holes in several of the specimens is to permit the insertion of a cord to bind the jaws firmly together, and thus keep up the strangulation of the part for some time, as Aetius directs. The application of a ligature in this way would, of course, not be possible while the instrument was applied to the uvula, but the following passage from Leonidas (Paul, vi. 79) shows that the uvula crusher was also used to clamp piles in the same way:

In such a case the application of a cord to clamp the jaws together would be a distinct convenience. The short variety is more suitable for external operations, as for haemorrhoids; the long variety for manipulations in the throat.

Hippocrates mentions the uvula crusher as one of the instruments necessary for the outfit of the physician (i. 63).

 

Forceps for applying Caustic to Uvula.

Greek, σταφυλοκαύστης.

A remarkable variety of forceps, of which there is only one extant specimen (which is in the Vienna Museum) is shown in Pl. XXXII, fig. 2. It is formed of two branches which cross and are fixed by a rivet near the middle of the instrument. The jaws are 3·5 cm. long, concave internally, and fit accurately together, enclosing an oval cavity 1 cm. in diameter. This forceps is, I believe, the one which Paul describes as used for destroying the uvula with caustic. He says (VI. xxi) that if from timidity the patient decline excision of the uvula, we are to take the caustic used for operations on the eyelids, or some such caustic, and fill with it the hollows of the caustic holder for the uvula (τοῦ σταφυλοκαύστου τὰς κοιλότητας), and directing the patient to gape wide, and getting the tongue pressed down with a tongue depressor, we open the instrument sufficiently and grasp with it as much of the uvula as we cut off in the other operation. The medicament must neither be of too liquid consistence, lest it run down from the uvula and burn the adjoining parts, nor very hard, that it may quickly act on the uvula. And if from one application the uvula becomes black this will be sufficient, but if not, we must use it again. In VI. lxxix he says that some, filling the hollows of the staphylocaustes (τὰς κοιλίας σταφυλοκαύστου) with caustic, burn off haemorrhoids in the same way as they do the uvula. An interesting use of this instrument is mentioned by the same author in the chapter above referred to, while describing the method of treating haemorrhoids by the ligature:

It would seem then that, just as there was a long instrument for crushing the uvula and a short one for crushing haemorrhoids, there were corresponding instruments for cauterizing these parts, probably differing from each other only in the length of the handle.

The passage above quoted has given much trouble to the scribes and commentators apparently from a lack of knowledge of the instrument referred to. About a third of the codices omit τῷ αἱμορροϊδοκαύστῃ, and Cornarius and Dalechamps reject the words τῷ αἱμορροϊδοκαύστῃ ἢ τῷ σταφυλοκαύστῃ as superfluous and interpolated. Apparently they were unaware that both instruments were forceps of similar principle but different lengths, and quite suitable for putting a haemorrhoid on the stretch. The reason why these instruments are preferred, for this purpose, to the staphylagra is apparently that not being toothed like the latter instrument they would be both less painful and less likely to cause bleeding.

 

Pharyngeal Forceps.

Greek, ὁ ἀκανθοβόλος.

Paul (VI. xxxii) describes a forceps for removing foreign bodies from the pharynx:

This is the only reference to the acanthobolus I have met with, and it gives us no information as to the appearance of the instrument. It is noteworthy, however, that Paul in his chapter on the removal of spiny bodies from the pharynx is copying Aetius, and the instrument Aetius names is an epilation forceps. He says ‘bones stick near the tonsil or back of the pharynx and can be seen, and if a considerable part projects out of the tonsil it can be removed with an epilation forceps (τριχολαβίῳ)’. A forceps of the epilation type, but angled in its length, is figured by Védrènes. It was found in Pompeii. This forceps is eminently suitable for pharyngeal work (Pl. XXXII, fig. 1). Albucasis figures an acanthobolus with an up-and-down, not lateral, movement.

 

 

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BLEEDING CUPS, CLYSTERS, ETC.

 

Bleeding Cups.

Greek, σικύα, κύαθος; Latin, cucurbitula.

The extraction of blood by means of cups has been practised from remote antiquity. The Hindoo Vedas mention it, and it is interesting to note that one of the methods was to apply a gourd with fire in it, for both the Latin cucurbitula and Greek σικύα signify a gourd. The usual theory as to its action was that in a diseased part there was a vicious πνεῦμα which required removal.

Celsus (II. xi) thus describes the different kinds of cups:

Paul says:

From Oribasius (Med. Coll. VII. xvi) we learn that sometimes the lips were flat (ἐπίπεδα τὰ χείλεα) and sometimes concave (σεσιμωμένα τὰ χείλεα). This does not, however, mean that the border was guttered, but that the whole lip instead of lying in one plane was arched.

From a passage in Aretaeus we learn that one reason for the cup being bellied out above was that there was oil floating free in the instrument, which might otherwise escape and scald the patient. Aretaeus says:

Antyllus says there are three materials of which cups are made, glass, horn, and bronze. He rejects the silver ones because they heat too readily. The bronze are the ones most commonly used. Glass is used where we wish to mark the quantity of blood extracted. Horn ones are useful about the head, where bronze ones would be difficult to remove, and also in the case of nervous persons who dread the flame. Bronze and glass cups may be used without flame like horn ones if a hole is bored in the summit and the air sucked out, and the finger or a piece of wax is applied immediately (Oribasius, Collect. VII. xvi).

Aristotle in his Poetics discusses various tricks and arts of authors and among these he mentions the riddle of which he gives as an example: ἄνδρ' εἶδον πυρὶ χαλκὸν ἐπ' ἀνέρι κολλήσαντα ‘I saw a man who had glued on a man bronze by means of fire’ the reference being to a bronze cupping-vessel (see also Mayor’s note to Juvenal xiv. 58). The cups mentioned by Hippocrates are also of bronze. The earliest written references are thus to bronze cups worked by fire. Ethnological research would indicate, however, that horns worked by suction represent the more primitive form.

A good number of cups have come down to us. There are fourteen in the Naples Museum. There are two prevalent or usual types, one conical, and the other flatter and more rounded. The largest cup known is in the Athens Museum. Attached to it had been a chain 20 cm. long to hang it up by. It is 16 cm. in height, and was found in a tomb at Tanagra. This cup with its chain and attachment is shown in Pl. XXXIII.

In the British Museum there is one of bronze, 4 inches high and of the elongated conical shape. It was found in Corfu (Pl. XXXIV). One in Naples of similar shape has a ring attached to its summit as the Athens specimen had (Pl. XXXV).

There are four very small cups in the museum at Mainz. These are 2·5 to 3 cm. in height and 3 to 3·5 cm. in diameter. Two of these are shown in Pl. XXXVI, figs. 1, 3.

There are ten cups of glass in the Athens museum. They are of the general shape of the Mainz cups, but vary in height from 4 cm. to 6·8 cm. and in the Scottish National Museum of Antiquities there are two cupping-horns which correspond to the description of Celsus. They were brought from Shetland, where they were in use until comparatively recent times. Prosper Alpinus, who visited Egypt in the sixteenth century and wrote a book on the state of medicine in that country, found these cupping-horns in use there, and he gives drawings of the instruments he saw (Pl. XXXVII, fig. 1). The horns used were those of young bulls, highly polished and with a small hole at the tip, by which the air was extracted by suction. To close this a small tab of parchment was taken into the mouth, and moistened and affixed by the tongue. The Egyptians also used cupping-vessels of glass, specially shaped and worked by suction. Pl. XXXVI, fig. 2 shows the shape illustrated by Prosper Alpinus. The method of using fire with cups was not known to the Egyptians at the time when Alpinus wrote (De Med. Aegyptiorum, ed. 1541, lib. ii. ch. xii. p. 139).

Horn cups worked by suction are spoken of in the Hindoo Vedas.

It is interesting to find that these horn cupping-vessels are still in use in some parts of Africa, and one, the property of a Hausa barber-surgeon, was presented to the Aberdeen Anatomical Museum by Sir William Macgregor (Proc. Aberdeen Anat. Soc. 1900-2).

An interesting form of cup is described by Hero of Alexandria (B. C. 285-222). Hero’s description is quite intelligible, although it would be difficult to give an accurate translation that would be readily understood. I shall content myself with summarising his account. The figure (Pl. XXXVII, fig. 2) shows a cup of ordinary flattened form, divided into two by a diaphragm. Two tubes pass through the fundus, one passing through the diaphragm, the other not. Each of these tubes is fitted with another which is open at its inner end, but closed at its outer end and provided with a small crossbar to rotate it. Each of these sets of tubes is perforated by small openings. In the case of the short tube these are outside the cup, in the case of the long tube they are inside the cup, in the chamber shut off by the diaphragm. By rotating the pistons these openings can be placed in apposition or not at will, thus forming valves. Open valve A by placing the holes in apposition. Close valve B by turning the holes away from each other. The inner chamber of the cup is now shut off except for the small hole A. Apply the mouth to the valve A and suck the air out of the chamber. Close valve A. Apply the cup to the affected part. Open valve B and the negative pressure draws on the affected part. The advantage of this arrangement is that the affected part is not directly sucked upon by the mouth, and the instrument is therefore more pleasant for the operator to use. Bleeding cups occur on the coins of Epidaurus (300 B. C.), Atrax (400 B. C.) and Aegale (200 B. C.).

 

Clysters.

The ancients made frequent use of injections into the various orifices of the body. The apparatus used was a bladder or skin of an animal fixed to a tube. This form of instrument remained in use till the beginning of the nineteenth century, although the elaborate enema syringe, on the principle of the force pump, had been in use since the fifteenth century at least. The following passage from Heister (anno 1739) is interesting as showing exactly the method of its manipulation:

The rectal apparatus is called by Galen κλυστήρ, the uterine μητρεγχύτης, and the bladder injector is called καθετήρ. In x. 328 we find all these three terms used in one paragraph:

The different varieties of injection apparatus which are specially named are as follows:

 

Rectal Clyster.

Early Egyptian writings refer to rectal enemas: numerous prescriptions, including several for nutrient enemas, are given.

Oribasius gives us many interesting particulars about enemas (Collect. VIII. xxiv). The amount necessary is less for men than for women. In any case the largest amount is three heminae (τρεῖς κότυλοι), the smallest one hemina (a small half pint). In dysentery and other cases where the parts would be easily hurt, and where a prompt evacuation was required, cannulae with the opening placed in the side were used. Cannulae with the opening in the end of the instrument were used where a large evacuation was desired to be brought down from the higher parts. To destroy ascarides, cannulae with a circle of small holes placed laterally were used.

From ch. xxxii we learn that the injection pipe varied in length also, for Oribasius says that in making injections into the rectum for affections of the bladder (e. g. to excite expulsion of urine in cases of retention), the tube (τὸ κέρας τοῦ κλυστῆρος) ought to be short.

In the case of nutrient enemas Mnesitheus says the tube ought to be extremely long, and in admitting an injection one ought to keep up compression of the empty part of the clyster because it often happens that the injection returns from the rectum unless this is done (Oribas. viii).

Hippocrates (ii. 276) mentions inflation of the rectum with air by an enema in cases of ileus. A bladder is to be attached to a tube and the air injected with this. It is then to be removed and a clyster injected.

In the excavations of the Roman Hospital at Baden there was found the tube of a clyster in bronze. It is cast in one piece of stout bronze (Pl. XXXVIII, fig. 2).

 

Vaginal and Intrauterine Clysters.

Greek, μητρεγχύτης.

It is difficult to separate ancient descriptions of injections into the vagina from those into the uterus, for the terms for the two parts are frequently interchangeable. It is undoubted, however, that actual intrauterine injections were made. Hippocrates (iii. 17) says:

The description quoted already from Heister will help to make clear the description of the manipulation. There is in the Naples Museum (No. 78,235) an injection tube of bronze answering to the description given. It is 13 cm. long, and it has at the end a small opening, while on the side, not far from the tip, eight small holes are arranged in two superposed rings (Pl. XXXVIII, fig. 1).

There is a similar but slightly smaller instrument in the same museum.

 

Bladder Clyster.

Greek, εὐθύτρητος καθετήρ.

There are frequent references to injection of the bladder. Although from some passages it is clear that the injection really reached the bladder, it is probable that at other times, under the heading of ‘Injection of the Bladder’, only irrigation of the urethra is meant, just as sometimes by irrigation of the uterus only vaginal douching is meant. Irrigation was practised by means of a bladder fixed to the end of a catheter. Galen (x. 328), however, calls the bladder syringe εὐθύτρητος καθετήρ, which may indicate that the eye was in the tip and not in the side, as in the ordinary catheter, for a catheter with a straight bore would not reach the male bladder.

Paul (VI. lix) says:

It is highly improbable that with an ear syringe the injection would have passed the triangular ligament and have actually reached the bladder in the male; but the use of the ear syringe may refer to irrigation of the female bladder, and then an ear syringe would suffice.

 

Blacksmith’s Bellows.

Greek, φῦσα.

In cases of volvulus, Hippocrates bids us insert a purgative suppository and administer an enema. If these means are not successful:

 

Nasal Syringe.

Greek, ῥινεγχύτης; Latin, rhinenchytes.

A special nasal syringe with a double tube is mentioned by Aretaeus (ed. Adams, vol. ii. 459). The medicament is made into liquid form and is injected by means of a nasal pipe. The instrument consists of two pipes united together by one outlet so that we can inject by both at one time, for to inject each nostril separately is a thing which could not be borne.

Galen also mentions a nasal syringe (ῥινεγχύτης), though he does not describe it (xi. 125).

Scribonius Largus also mentions it:

 

Aspiration Syringe and Sinus Irrigator.

Greek, πυουλκός.

Galen (xi. 125) says:

This passage shows that the pyulcus differed in principle from the syringe formed by fixing a bladder on a tube. Hero (De Spiritalibus, c. 57) shows that it was a syringe formed of a cylinder of metal with a well-fitting plunger.

Hero says:

Note that Hero’s description does not tally with the drawings which accompany the edition of his works which we possess (Pl. XXXVIII, figs. 3, 4, 5). These show an instrument with a piston formed by a plug at the end of a rod, whereas Hero says the piston is to be formed of a second tube fitting inside the first. This is interesting, because it is much easier to get a well-fitting piston in this way than in the other; and this principle has been reverted to in many of our best hypodermic syringes and in some of the best air pumps, such as Edwards’s.

 

Ear Syringe.

Greek, ὠτεγχύτης, ὠτικὸς κλυστήρ; Latin, oricularius clyster.

The ear syringe is very frequently referred to by both Greek and Latin writers; in fact, Celsus uses the term so often to denote a syringe for a large variety of uses that it is evident that it is almost a general term for any small syringe.

In addition to its use in washing out the ear in cases of foreign bodies, impacted cerumen, &c. he uses it to wash out the foreskin in balanitis, to syringe fistulae, to wash out the bladder through a lithotomy wound, &c.

In cases of foreign bodies in the ear he says:

Aetius and Paul tell us it was used to wash out the vagina, and Paul says it might be used to make injections into the bladder. Oribasius says:

From a consideration of the various uses to which this instrument was put, and from the fact that it is contrasted at times (e. g. in Paul, VI. lix) with syringes formed by adding a bladder to a tube, I am of the opinion that this instrument, like the pyulcus, was a syringe of the form of a metal cylinder with a plunger like the ear syringe of to-day, and used, as the ear syringe was a few years ago, for flushing sinuses and irrigating wounds, and as a handy instrument for all general purposes of the kind. This is borne out by the fact that the ear syringe, described in detail by Albucasis (p. 157), is a cylinder of bronze or silver, wide above and narrowed to a point with a small opening in it and with a well-fitting plunger wrapped with a little cotton at one end. His figure, though quite intelligible, is too conventionalised to give any additional information.

 

Insufflator for Powder.

Insufflation in powder form was a common method of applying medicaments to the throat and nose. All writers mention this, but the fullest description of the tube used is given by Oribasius, who says (Collect. xii):

Alexander Trallianus (IV. viii) describes the insufflation of the woolly hairs of the platanus to stop epistaxis, and Aretaeus mentions the insufflation of sternutatories (459, vol. ii), and again (408, vol. ii) he says medicines may be blown into the pharynx by a reed, or quill, or wide long tube (καλάμῳ ἢ πτίλῳ ἢ καυλῷ παχεῖ καὶ ἐπιμήκει).

A fine example of a bronze insufflator was discovered among the instruments of the surgeon of Paris. It is 15½ cm. in length, and 5 mm. in diameter. It is formed by a plate of bronze bent round and soldered. It terminates in a little elliptical shovel slightly cup-shaped, of which the transverse diameter is 3 cm. and the longitudinal 3 mm.; it had originally been overlaid with gold (Pl. XL, fig. 4).

 

Cannulae for draining Ascites and Empyema.

Celsus describes the cannula for draining ascites (VII. xv):

The following passage from Paul shows that the tip was bevelled off like a writing pen:

Two instruments answering to the above description are to be seen in the museum on the Capitol at Rome.

Another, answering more closely to the description of Celsus, is to be seen at Naples (Pl. XXXIX, fig. 2). It consists of a bronze tube, 9 cm. in length, 7 mm. wide at one end, narrowing to 4 mm. at the other end, which is bevelled off as described by Paul. Surrounding the tube and 2·5 cm. from the bevelled tip is a ring 2·5 cm. in diameter.

A more elaborate form of the cannula for ascites is seen in another specimen, also in the Naples Museum (Pl. XXXIX, fig. 3). A tube 6·5 mm. in diameter and 39·2 cm. long, has one end rounded and closed, except for a small hole in its tip and another in the side near the first. The other end carries a circular plate 2·5 cm. in diameter. Near the middle of the tube there is a slightly raised projection as if to carry a circular disc. Inside the cannula is fixed by oxidation an obturator, which carries on its end a small handle fixed on in T-fashion. Scoutetten described this to the Royal Academy of Medicine of Paris as a trocar and cannula, but the formation of the end is not such that the instrument could have pierced its own way through. It is rather an instrument which could be inserted in an incision made by a scalpel, and which could be closed after the abstraction of a certain amount of fluid—the obturator acting as an improvement on the pledget of wool described by Celsus—but otherwise inserted like the previous example. A tube on similar principles to the ascites cannula was employed in empyema (Hippocrates, ii. 259):

 

Tubes to prevent Contractions and Adhesions.

Greek, μοτὸς μολυβοῦς; Latin, plumbea fistula.

After operations on the nose, rectum, vagina, &c. it was usual to insert a tube of lead, bronze, or tin, to prevent contraction or adhesion and also to convey medicaments.

Celsus says that after the operation for occlusion of the vagina a tube of lead is to be inserted during cicatrization:

A similar tube is recommended by Celsus and Paul for insertion after operations on the rectum and vagina. Hippocrates (ii. 244) and Paul (VI. xxv) direct a leaden tube to be inserted in the nostril after the abstraction of nasal polypus.

After dilation of the cervix uteri a hollow tube was put in to keep it open. The tube was also filled with medicaments which were intended to have a beneficial effect on the interior of the uterus. The fullest description of this is given by Hippocrates (ii. 799). After describing the dilation of the womb with graduated dilators, he says:

This leaden dilator is referred to over and over again by Hippocrates. There are in the Naples Museum three of these metal tubes. They are of bronze. One is 18 cm. long, 14 mm. wide at one end, narrowing gradually to 6 mm. at the point (Pl. XXXIX, fig. 1).

 

Calamus Scriptorius.

Greek, γραφικὸς κάλαμος; Latin, calamus scriptorius.

The writing pen reed is frequently referred to as an implement of minor surgery.

Alexander Trallianus (IV. viii) says that a calamus scriptorius whose joints have been removed may be used as an insufflator. Celsus (VII. v) says that when a weapon buried in the flesh has barbs too strong to be broken with forceps they may be shielded with split writing reeds, and the weapon thus withdrawn:

Paul says ‘Some apply a tube (καλαμίσκον) round about the barbs’ (VI. lxxxviii).

Celsus (III) mentions a narrow tube of this sort for drinking water through in cases of nocturnal thirst.

Paul (VI. xxiv and III. xxiii) says that foreign bodies may be sucked from the ear with a reed.

 

Quill.

Greek, πτίλον.

Galen (x. 1011) says that warts may be extracted by means of quills of feathers.

Paul quotes this (VI. lxxxvii):

Aretaeus says a quill may be used for blowing powder into the pharynx (408, vol. ii).

 

 

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CAUTERIES

 

Cautery.

Greek, καυτήριον, καυτήρ, καυτηρίδιον σιδήρεον; Latin, Ferrum candens.

The cautery was employed to an almost incredible extent in ancient times, and surgeons expended much ingenuity in devising different forms of this instrument. A considerable number of these shapes are definitely mentioned. The cautery is nearly always spoken of as made of iron. Bronze becomes too soft to act well as a cautery, so that even the earliest references to the cautery in the authentic Hippocratic writings refer to cauteries as ‘the irons’ (σιδήρια). It is true, of course, that in special cases bronze was used—and Priscianus recommends a cautery of gold or silver for stopping haemorrhage from the throat (Logicus, xxii)—but iron was the usual thing, and in spite of the enormous numbers of cauteries which must have existed only a very few have come down to us, as the iron has perished. The cautery was employed for almost every possible purpose, as a ‘counter-irritant’, as a haemostatic, as a bloodless knife, as a means of destroying tumours, &c.

The following passage is interesting as showing its application in two of these capacities (Aet. IV. iv. 45):

 

Cautery Knife.

Greek, ξυράφιον.

Paul on several occasions mentions the use of the cautery knife. In radical cure of hydrocele, as an alternative to the excision of the sac by the knife, he explains how it may be done with the cautery, and says, ‘Afterwards, when the whole is laid bare, we stretch it with hooks and remove it with a sword-shaped cautery (μαχαιρωτῷ καυτῆρι)’ (VI. lxii).

Galen, speaking of cancer, says, ‘Some use heated razor blades (ξυραφίοις), at once cutting and burning’ (xiv. 786).

 

Trident Cautery.

For forming issues over the spleen Paul (VI. xlviii) says:

Vulpes describes an instrument of bronze which he considers to be a trident-shaped cautery. It was found along side an instrument which I take to be a phlebotome. If it is for the purpose described above by Paul it is unusual in being of bronze, and it must have lost a good part of its teeth.

 

Olivary Cautery.

Greek, πυρηνοειδὲς καυτήριον.

Malignant polypus of the nose is removed, says Paul (VI. xxv), with olivary pointed cauteries (πυρηνοειδὲς καυτήριον); and again, quoting Leonidas, he says empyema may be opened in the same way (VI. xliv).

The special cautery which was used for ‘aegilops’ (fistula lachrymalis) was probably an olivary pointed cautery, as the cautery recommended by both Scultetus and Paré for this is an olivary pointed one. Paul (VI. xxii) says, ‘Some after excision of the flesh use a perforator, and make a passage for the fluid or matter to the nose, but we are content with burning alone, using the cauteries for fistula lachrymalis (αἰγιλωπικοῖς καυτηρίοις) and burning down till a lamina of bone exfoliates.’

 

Gamma-shaped Cautery.

Paul (VI. lxii), describing the radical cure of hernia, says:

 

Obol Cautery.

In the treatise on haemorrhoids (iii. 340) Hippocrates says:

 

Lunated Cautery.

Greek, μηνοειδὲς καυτήριον.

Paul says in cases of sloughing of the prepuce we must cut it off, and if there be haemorrhage we must use lunated cauteries (μηνοειδέσι καυτηρίοις). They both stop the haemorrhage and prevent the spreading of the sore (VI. lvii).

 

Nail, Tile and Button Cautery.

Treating of bubonocele, Paul says (VI. lxvi):

Cauteries of nail shape are also referred to by Hippocrates in the treatment of recurrent dislocation of the shoulder:

Galen has a long note in explanation of this term:

In the Naples Museum there are three tile-shaped cauteries, one of iron and two of bronze. One of the latter is shown in Pl. XL, fig. 1.

 

Wedge-shaped Cautery.

Hippocrates (iii. 223) says that the oblique veins of the head are to be burned with wedge-shaped cauteries (σφηνίσκοισι σιδηρίοισι).

 

Needle Cautery.

Celsus (VII. viii) says:

Treating of trichiasis he says (VII. vii. 8):

This indicates a needle beaten out into the shape of one of our spuds for removing foreign bodies from the eye. The needle handles from the find of the oculist Severus are well adapted for this work, but are dealt with elsewhere (p. 69).

 

Cautery guarded by a Tube.

In the treatise on haemorrhoids (iii. 345) Hippocrates says:

Again, in the treatment of polypus of the nose, he says:

Celsus says this tube may be a calamus or a tube of pottery:

 

Wood dipped in boiling Oil.

Hippocrates, in diseases of the liver, says that cauterization may be performed with boxwood spindles dipped in boiling oil (πυξίνοισιν ἀτράκτοισι βάπτων ἐς ἔλαιον ζέον) (ii. 482). Aetius (XII. iii) says that the root of the birthwort (aristolochia) may be used in the same way.

 

Ignited Fungi, &c.

In the passage in Hippocrates on cauterizing for disease of the liver, Hippocrates, as an alternative to the hot iron, says that eschars may be produced by fungi. This must mean that they were set on fire like the old moxa.

This is probably what is meant by Paul when, in treating of cauterizing over the stomach, he says (VI. xlix):

Aetius (II. iii. 91) says iscae are the medullary wood of the walnut tree.

In Hippocrates (ii. 482) the word μύκης, a fungus, is used—ἢ μύκησιν ὀκτὼ ἐσχάρας καῦσαι (or with fungi burn eight scars).

 

 

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BONE AND TOOTH INSTRUMENTS

 

Raspatory.

Greek, ξυστήρ; Latin, scalper excisorius, scalper medicinalis.

The raspatory or rugine consists of a blade of varying shape fixed at right angles to the shaft, and it is operated by pulling instead of by being driven forwards by striking or pushing. Although no ancient raspatory has been preserved to us we are quite familiar with the instrument, as it has been in continuous use throughout ancient and mediaeval times, and it is in use at the present day. The raspatory is the instrument upon which Hippocrates relies for eradicating fissured and contused bone in injury to the skull:

From Galen we learn that there were different sizes and shapes of the raspatory (x. 445):

Paul refers to a small raspatory (ξυστήριον) for use as a tooth scaler (q. v.). All the mediaeval writers figure numerous shapes of raspatories—many more than we use to-day, but all on the same principle as ours.

 

Chisel.

Greek, ἐκκοπεύς; Latin, scalper, scalprum planum.

The flat chisel is referred to by Celsus in his description of the levelling of an elevation on one side of a depressed fracture of the cranium:

Numerous references occur in other authors. There is a fine example of a flat chisel in the Cologne Museum (Pl. XLI, fig. 2). It is all of steel, and delicately ornamented with spiral indentations. This interesting little instrument was found in the surgeon’s outfit already described, and is one of the best authenticated instruments—as regards its having been the property of a surgeon—we possess. The chisel figured by Vulpes, consisting of a cylindrical bronze handle and a flat blade, is, I believe, a variety of scalpel.

We have many interesting references to the use of the chisel in bone work. It was used as an osteotome to divide the bone in distorted union:

In the removal of supernumerary digits we are to cut away the flesh all round, and either chop the bone through with a chisel (τῷ ἐκκοπεῖ), or remove it by sawing (Paul, VI. xliii). In using the chisel as an osteotome one chisel was often placed behind the bone to steady it while it was being struck by another in front. This method of applying two chisels, which is only described by the Greek authors, is always referred to by the phrase ἐκκοπέων ἀντιθέτων.

The following passage from Galen fully describes the manipulation (ii. 687):

The following passage from Paul shows the chisel used for a similar purpose:

The phrase δι' ἐκκοπέων ἀντιθέτων, which Paul uses in describing the treatment of a fistula leading to carious bone, is translated by Briau—‘à l’aide de tenailles tranchantes’. It does seem here, and occasionally in other passages, as if the phrase might suggest ‘cutting forceps’, but we have no knowledge of such an instrument being used by surgeons in classical times, and the passages from Paul and Galen show that only two chisels are meant. We may compare the passage on extraction of the foetus in Paul (VI. lxxiv), where he directs a second hook to be fixed on opposite the first (καὶ ἀντίθετον τούτῳ δεύτερον).

 

Gouge.

Greek, κυκλίσκος, κοιλισκωτὸς ἐκκοπεύς, κυκλισκωτὸς ἐκκοπεύς, σκυλισκωτὸς ἐκκοπεύς; Latin, scalper excisorius.

The Greek writers frequently refer to the gouge. Celsus never does so by any special name, although it is evident that many of the manipulations he describes as being performed by the ‘scalper’, his general term for chisels of all kinds, could only be performed with gouges and not with flat chisels. The gouge was a favourite instrument of Galen’s, especially in injury to the skull. With it he removed pieces of fractured bone from the skull. He also used it to groove a path for the vertical cutting instrument called the lenticular (q. v.). He calls it a ‘hollow chisel’ (τῶν κοίλων ἐκκοπέων οὓς καὶ κυκλίσκους ὀνομάζουσιν, x. 445).

Paul (VI. xc) says:

The gouge is still familiar to us.

 

Lenticular.

Greek, φακωτός.

The lenticular of the ancients was a vertical chisel cutting on one edge and struck on the other by a hammer, while the end carried a rounded button, which being smooth did not injure the brain (Pl. XL, fig. 4). It takes its name from the lentil-like (φακωτός) shape of the button. Galen had a high appreciation of it, and gives a full description of its principle (x. 445), which is transcribed by Paul (VI. xc):

Wherefore he says:

The earliest illustration of the lenticular I have been able to obtain is that given by Vidus Vidius (Pl. XL, fig. 2). It evidently is the same instrument as that described by Galen.

 

Hammer.

Greek, σφῦρα; Latin, malleolus.

I have already quoted passages where the hammer is referred to as being used in cranial surgery. Paul says: ‘When you apply the flat part of the lenticular to the meninges divide the skull by striking with a small hammer,’ and again in using gouges, ‘strike gently with hammer (σφῦρα) to avoid concussion of the head’ (VII. xc).

Paul and Celsus describe a method of extracting foreign bodies from the ear by laying the patient on a board and striking the under side with a mallet. Paré mentions a hammer made of lead, and Fabricius describes one padded with leather, but neither of these is described by the ancients. There is, however, a Roman hammer of lead from the excavation at Uriconium in the Shrewsbury Museum.

 

Block.

Greek, ἐπίκοπον, a butcher’s block.

The ancients frequently amputated parts by placing them on a block and striking them with a chisel. The mediaeval surgeons amputated parts as large as the forearm in this way, but the Greeks all describe amputation by knife and saw. We have reference to the ‘block’ in Greek literature, however. In describing the plastic removal of a portion of the scrotum Paul (VI. lxvii) says:

Galen uses the same word in the eighth book of his work on Practical Anatomy—apologizing somewhat for calling the article used by anatomists and surgeons by the undignified term of butcher’s block:

 

Meningophylax.

Greek, μηνιγγοφύλαξ; Latin, membranae custos.

The meningophylax was a small plate, which was inserted under a bone which was being cut in order to protect underlying structures. ‘In cutting or sawing the bone,’ says Paul (VI. lxxvii), ‘when any vital parts are situated below, such as the pleura, spinal marrow, or the like, we must use the instrument called the meningophylax for protecting them (μηνιγγοφύλακα).’

Celsus thus describes it (VIII. iii):

Pl. XL, fig. 3 shows a figure of the meningophylax from Vidius.

 

Drill.

Greek, τρύπανον; Latin, terebra, terebella.

There are, says Celsus, two kinds of drills. The first like those used by artisans and driven by a thong, the second with a guard to prevent the instrument from sinking too deeply into the bone. The drill was used in excising a piece of the skull where the diseased portion was larger than could be comprehended by the modiolus of a trephine. The part to be removed was surrounded by perforations with the drill and the intervening spaces were divided with chisels or raspatories. Celsus says:

Paul says:

Aretaeus (ed. Adams, p. 467) says that exposed bones are to be surrounded with perforations by means of the drill and thus reduced (τερέτρῳ χρὴ περικόπτειν τὰ γυμνά).

The boring parts of drills are not unfrequently found. The most ancient illustrations known to me of drills driven by thongs are in the work by Vidus Vidius (Chirurgia e Graeco in Lat. Conversa, V. Vidio. Florent. interprete c. nonn. eiusd. commentariis. Lutec. Paris., 1544).

Vidius shows three arrangements for driving these drills with thongs: the first method consists simply of a thong attached to the shaft of the drill (Pl. XLII, fig. 4); the second consists of a bow with the string of the bow wound once round the shaft (Pl. XLII, fig. 5); and the third consists of a crosspiece with a hole in the centre of it through which the shaft passes, and having strings from the end of the crosspiece to the top of the shaft (Pl. XLII, fig. 3). Primitive arrangements truly, yet all three methods of producing rotary motion are to be seen in use at the present day, and be it known that some of the most delicate boring performed by the hand of man at the present day is done with drills turned by the thong stretched across a bow. The latest developments in mechanical devices for drilling have failed to displace thong-driven drills for boring the holes in which the wheel spindles of the best hand-made chronometers move, and the spindles themselves are turned in chucks rotated not by belts in continuous rotary motion, but in alternating motion by means of a thong stretched across a bow. A bow of cane with a strong but fine thread, one turn of which is taken round the drill, is drawn backwards and forwards and rotates the drill with marvellous rapidity and accuracy. The bows used by watchmakers average about a foot along the string. Similar drills are used by engineers in turning out small work. The form with the crosspiece may be seen in use by travelling crockery menders, who drill holes in broken pottery and clamp the pieces with rivets. A turn or two of the string is made round the shaft, and the point of the drill being adjusted on the spot to be bored the crosspiece is gently pressed down by the first and third fingers, causing the shaft to rotate. When the thong has nearly uncoiled itself the pressure is slightly removed, the momentum causes the shaft to overrun and coil the thong in the opposite direction to which it originally was. The crosspiece is again depressed and the alternating rotation goes on without intermission, and the drill bores through the pottery. The travelling crockery mender is, in the northern towns of England, not an unusual sight squatting at work on the kerb. On the continent the ‘Rastelbinder’ is a regular domestic institution. Not only crockery but glass is readily drilled by these means, and one who has seen the rapidity with which these drills rotate can readily understand the necessity for the advice given both by Hippocrates and Celsus to frequently remove the drill and dip it in cold water, in case sufficient heat be generated by the friction to cause subsequent exfoliation of the neighbouring bone.

The remaining method of producing rotation by means of a string fixed to the shaft can be seen in use by boatmen when clearing water out of a boat with a mop, The mop is laid over the side of the boat. A few turns of a rope fixed to the shaft are made round it and the rope being pulled the shaft rotates. The momentum generated causes the shaft to overrun and the rope to coil itself in the reverse way to the original. This is repeated till the speed generated causes the water to fly off the mop by centrifugal motion.

The fire drill of the ancient Egyptians was turned by a bow, and it is interesting in connexion with the advice of Hippocrates to avoid generating too much heat in drilling the skull, and also because it helps to explain the construction of the instruments of Vidius. A sketch of an ancient fire drill found by Flinders Petrie (Ten Years Digging in Egypt) shows that the head of the drill was separate and the points were also removable.

 

Drill with Guard.

Greek, τρύπανον ἀβάπτιστον; Latin, terebra abaptista.

This is the second variety of drills described by Celsus. It had a collar which prevented it from sinking beyond a certain depth, so that in excising a piece of bone from the skull, which was the object for which it was used, there was little danger of its doing injury to the brain or its membranes:

Further on in the same passage Celsus states that they were to be frequently removed and dipped in water lest too great heat should be generated, so that they were evidently driven at a rapid rate with a thong like the other drills. They are not mentioned by Hippocrates, but Galen (x. 445) describes them:

Paul (VI. xc) says:

The illustrations of drills given from Vidius (Pl. XLII) are really abaptista.

 

Saw.

Greek, πρίων, μαχαιρωτὸς πρίων (as if from μαχαιρόω); Latin, serrula.

The saw is very frequently mentioned in the description of operation on bone. Celsus (VII. xxxiii), in describing the amputation of a gangrenous limb, says:

And Paul says that in amputating a gangrenous limb the flesh ought to be retracted with a band lest it be torn by the saw. Saws were also used in cranial surgery. Hippocrates frequently mentions a saw (πρίων) in this connexion, but it is evident that he means the trephine, as he describes its circular motion. Paul, however, makes it quite clear that he means flat cranial saws, for he mentions both saws and trephines in one paragraph:

Pl. XLI, fig. 3 shows a surgical saw from the British Museum (No. 2,328). It is of bronze, and measures 112 mm. long, 3 cm. broad at one end, narrowing to 23 mm. at the other. There are surgical saws of steel in the Naples Museum. Many of the saws extant are for use as ‘frame’ saws. Others have the saw portion continuous with the handle, like a knife. Galen (xviii. 331) mentions these ‘knife-shaped’ saws: ‘For in this way each does not become so exactly smooth as with sword-shaped saws (μαχαιρωτῶν πριόνων).’ There is an example of this form of saw in the Guildhall Museum, London.

 

Trephine.

Greek, τρύπανον, πρίων, πρίων χαρακτός, χοινικίς, ὀρθοπρίων; Latin, modiolus.

The ancient trephine is referred to by Hippocrates, who mentions a saw (πρίων and πρίων χαρακτός) having a circular motion (iii. 374):

And again:

In injuries to the head in young people (iii. 371) he mentions a small trephine (σμικρὸν τρύπανον), so that apparently several sizes were available. Hippocrates, we have seen, uses the words πρίων and πρίων χαρακτός to denote the trephine. Galen always uses χοινικίς, but in his Lexicon he gives two other words, viz. ὀρθοπρίονι and περητηρίῳ, ostensibly from the works of Hippocrates:

These terms do not, however, occur in any extant Hippocratic writings, unless, as seems possible to me, the latter term περητηρίῳ be a var. lect. for the obscure word τρυγλητηρίῳ applied to τρύπανον in ii. 470 in the description of trephining a hole through a rib to drain an empyema. Galen held the trephine in little esteem. It must have been difficult to manufacture a satisfactory instrument of bronze. In x. 448 he says: ‘Some people, shall I call them rather cautious or rather timid, have used trephines’ (χοινικίσιν); and Paul, in a passage I have already quoted, says: ‘The mode of operating with saws and trephines is condemned by moderns as a bad one.’

The term χοινικίς is derived from χοινίκη and χνόη, the nave of a wheel. The Latin term for the trephine, modiolus, has the same meaning. Celsus graphically describes the trephine and the method of its application. From him we learn how the ancients solved the problem of the centre-pin, which is necessary until the toothed portion has begun to bite. In modern trephines this difficulty is got over by withdrawing the pin up the centre of the shaft. In mediaeval trephines it was solved by providing two instruments, a male and a female, the male with centre-pin being used till a circular track had been cut by the toothed ring, the female without pin being then used. In the time of Celsus the centre-pin was removable, being taken out after the instrument had begun to bite. From Celsus too we learn that the trephine was driven by a thong.

Celsus and Hippocrates both remark that, as in the case of the drill, it is necessary to dip the trephine in cold water at intervals in order to cool it, lest heat sufficient to injure the surrounding bone be generated. The thong manipulated by a bow would seem to be the method most applicable to an instrument like the trephine, which has a large boring radius, as slower motion is more easily produced by this arrangement than by one consisting of a cross-piece with thongs. Celsus says:

 

Perforator for Fistula Lachrymalis.

Greek, λεπτὸν τρύπανον.

Galen (xii. 821) says that Archigenes in cases of fistula lachrymalis perforated the nasal bone with a small drill (λεπτὸν τρύπανον), and Paul (VI. xxii) says:

Some, after excision of the flesh, use a perforator (τρύπανον) and make a passage for the fluid or matter to the nose.

Albucasis figures a drill for this purpose which he says had a triangular iron point and a conical wooden handle.

In the find of instruments of the third-century oculist Severus is a drill which Deneffe regards as intended for this purpose. It is 6 cm. in length and 7 mm. on each of its four sides. One end is pointed, the other has a slit for a knife-blade. It is beautifully damascened with silver (Pl. II, fig. 7).

 

Bone Lever.

Greek, μοχλίσκος, ἀναβολεύς.

Instruments for levering fractured bones into position are described in several places. Hippocrates (iii. 117) says:

In a note to this passage Galen (xviii. 593) says:

Paul (VI. cvi) gives us some additional information:

There are two bone levers in the Naples Museum, both of bronze. Pl. XLI, fig. 1 shows one of them (No. 78,012). It is 15·5 cm. in length, and with its ends flattened, and curved, and pointed, as described by Paul. The other instrument is of similar shape, but is somewhat less in size. The concave surface at one end is smooth, at the other ridged like a file.

It may be remarked, that though the similarity in form to the instruments figured by Paré as in use in his time for levering up depressed bones shows that these are undoubtedly bone levers, it is quite possible, from what Galen says, that they may also have been used for levering out teeth. The smooth end also corresponds to the description of the meningophylax, so that it is possible it may have been used in that capacity also.

 

Bone Forceps.

Greek, ὀστάγρα.

Galen (x. 450) says, in comminuted fracture of the skull we must make a way for the lenticular with the bone forceps (διὰ τῆς ὀστάγρας); and in depressed fracture Paul (VI. xc) says:

Soranus (lxiv. p. 366) says that in impaction of the foetal cranium the head may be opened with a sharp instrument and the pieces of the skull removed with tooth or bone forceps (ὀδοντάγρας ἢ ὀστάγρας). Aetius copies this (IV. iv. 24) and so does Paul (VI. lxxiv).

An excellent specimen of the sequestrum forceps was found in the house of the physician at Pompeii, and is now in the Museum at Naples (No. 78,029). It is formed of two crossed branches moving on a pivot. The handles are square, the jaws are curved, and have across the inside of them parallel grooves which oppose each other accurately (Pl. XLIII). It is classed in the catalogue as an instrument for crushing calculus of the bladder. This is, however, not a manipulation which is described by the ancients. The only case in which splitting of calculi is referred to is in Celsus, and then a chisel is used.

 

Varix Extractor.

An instrument, apparently a forceps, for extracting varicose veins in segments is mentioned by Galen:

Celsus (VII. xxxi) directs us to expose the vein and raise it by a blunt hook at intervals of four finger breadths, and divide the vein at one hook and pull the vein out at the next place. Galen, however, indicates that there was a special instrument for the purpose, and this can scarcely have been anything else than a forceps of some kind. The operation must have been excessively painful. Pliny (xi. 104) remarks that C. Marius was the only man who had undergone it in the upright position.

 

Blacksmith’s Tongs.

Latin, vulsella quali fabri utuntur.

For replacing a protruding bone in a case of compound fracture Celsus (VIII. x) says that a forceps such as smiths use may be employed:

The blacksmith’s tongs is very frequently represented in ancient art. Pl. XLII, fig. 2 shows a forceps from Roman London in the Guildhall Museum.

 

Tooth and Stump Forceps.

Greek, ὀδοντάγρα, ῥιζάγρα.

The ancients regarded tooth extraction as an operation to be avoided wherever possible. Caelius Aurelianus says death had followed in some cases, and that in the temple of Apollo at Delos there hung a tooth forceps of lead as a reminder for operators to exert little force in tooth extraction (Pass. Tard. II. iv). Scribonius Largus (Comp. liii) is equally pessimistic:

Celsus (VII. xii) says extraction may result in injury to the temples and eyes, and fracture or dislocation of the jaw may occur. He recommends therefore to free the tooth all round down to the socket, then to shake it repeatedly till it has been thoroughly loosened, and remove it with fingers or forceps. If the tooth be hollow, it should be plugged with lint or lead to prevent it breaking under the forceps. The tooth should be pulled out straight, lest the alveolus be broken. Stumps are to be removed with the forceps which the Greeks call ῥιζάγρα. Paulus Aegineta (VI. xxvii) bids us scarify down to the socket and loosen the tooth gradually by shaking with a tooth extractor (ὀδοντάγρα) and extract it. Supernumerary teeth are, if fast, to be rasped down with a graving tool; if loose, to be extracted with tooth forceps (διὰ τῆς ὀδοντάγρας). There is no ancient forceps which can with certainty be set down as a tooth forceps, although some have looked upon the Pompeian forceps (see p. 135) as a tooth extractor. Although its shape is not otherwise unsuitable for this purpose its jaws are not particularly well adapted for seizing a tooth, as they are not hollowed inside. It may be noted that the tooth forceps was evidently a ‘universal’, as no special variety is ever mentioned beyond the two I have given—‘tooth’ and ‘stump’. Whatever the shape of the Graeco-Roman forceps was it seems to have been a handy instrument for many different manipulations. Soranus (ii. 63) says that in impaction of the foetal cranium we may open the head and remove the bones with a bone forceps or a tooth forceps (ὀστάγρας ἢ ὀδοντάγρας). Paul (VI. xc) says that in fracture of the skull the fragment is to be surrounded with perforations by the drill and finally separated with chisels, the chips being removed with the fingers or with tooth forceps, bone forceps, &c. (ὀδοντάγρα ἢ ὀστάγρα). Again in ch. lxxxviii he says that if the shaft of a weapon imbedded in the flesh be broken off, the weapon may be extracted with a tooth forceps or a stump forceps (ὀδοντάγρας ἢ ῥιζάγρας).

 

Tooth Elevator.

In a note on a passage in Hippocrates describing the lever for replacing the protruding end of a fractured bone, Galen mentions an instrument for levering teeth. He says the instruments for levering the bone are of the same size as the instrument for levering teeth (xviii. 593). As we know from Paul (VI. cvi) that these bone levers were seven or eight finger breadths in length, we may take this as the length of the tooth elevator.

 

Tooth Scalers.

Greek, ξυστήριον, σμιλίον, σμιλιώτον (sc. ὄργανον); Latin, scalper medicinalis.

Paul (VI. xxviii) mentions a small raspatory used for removing tartar from teeth:

Scribonius Largus (Comp. liii) mentions an excavator:

Marcellus conveys this passage entire (De Med. xii).

Paul (VI. xii) says supernumerary teeth may be cut down with excavators (τῶν σμιλιωτῶν).

 

File.

Greek, ῥινάριον, ῥίνη, ῥινίον; Latin, lima, limula.

In compound fracture with protrusion of bone Celsus says:

The application of the raspatory to smooth the bone after the use of the file shows that it must have been more of the nature of a rasp than a file which was used for bones. Scribonius Largus speaks of a wood file or rasp used in reducing a hart’s horn to powder (Comp. cxli):

Files were largely used in dental work. All the surgeons state that where a tooth projects above its fellows it should be filed down; Galen says that for this purpose he has invented an olivary pointed file of steel: σιδήριον ἐποίησα ῥινίον πυρηνοειδές (xiv. 871).

Aetius copies Galen’s chapter word for word (II. iv. 30). Paul (VI. xxviii) says the file (ῥινάριον) may be used to remove tartar from teeth.

There are several files of steel in the Naples Museum which are classed among the surgical instruments. Many Roman files of steel which have been found in London are now in the Guildhall Museum. Some of these have transverse edges like our own files. Other extant specimens have coarse frets on them, like our wood rasps. Pl. XLII. fig. 1 shows one in the Guildhall collection, which is of the rasp variety.

 

Forceps for extracting Weapons.

Greek, βελουλκόν (sc. ὄργανον).

Paul has a most interesting chapter on the extraction of weapons, and in it he mentions a special instrument for extracting weapons, evidently a forceps:

It is true that etymologically we are only entitled to translate βελουλκοῦ by ‘weapon-extractor’, but its association with the other two forceps shows pretty conclusively that a forceps is meant, and Celsus says weapons are to be extracted with the forceps under similar conditions. In the picture of Aeneas wounded, found in a house at Stabiae and now in the Naples Museum, the surgeon, Iapix, is engaged in extracting a weapon from the wound in the thigh of the hero. The instrument he is using is a long forceps with crossed legs (Pl. XLIV).

 

Periosteal Elevator for the Pericranium.

Greek, ὑποσπαθιστήρ, σπαθιστήρ.

The hypospathister was an elevator for separating the pericranium from the calvarium. It gave the name to a formidable operation in which it was used, viz. hypospathismus. This operation is described by Galen, Aetius, and Paul, by the latter (VI. vi) best of all. Paul is the only one who mentions the instrument by name. The operation consisted in making three vertical incisions, one down each side of the forehead and one down the centre. Next the skin was raised along with the pericranium from the whole of the front of the forehead with the hypospathister (ὑποσπαθιστήρ), and the vessels lying in the raised flaps were subcutaneously divided by a knife passed under them, with its back to the skull. The elevator by which the pericranium was separated is called by Paul ὑποσπαθιστήρ. The operation is mentioned by Epiphanius, a bishop of Alexandria in the fourth century, by whom the instrument is referred to as σπαθιστήρ.

 

Impellent.

Greek, διωστήρ.

In his chapter on the extraction of weapons, one of the most remarkable chapters in the whole of his works, Paul mentions an impellent for forcing an arrow head through a part so as to extract it at the side opposite to that by which it went in.

Impellents formed an important part of the armamentarium of the surgeon, at least down to the time of Scultetus, and in his works and in those of Albucasis and Paré there are numerous figures of these instruments. None of these quite agree with the idea of the instrument which one gathers from Paul’s description. It would seem to have been a very simple affair, probably a plain rod of metal pointed at one end and hollowed at the other, the pointed end being introduced into the socket of an arrow where it possessed one, the hollow end being fitted over the tip of the tang in cases where the arrow was tanged.

 

Arrow Scoop.

Greek, κυαθίσκος Διοκλεῖος.

A scoop for extracting arrow heads is thus described by Celsus (VII. v):

This description seems very definite until we attempt to reconstruct the instrument, when it becomes evident that more than one construction may be put on some parts of it. Pl. XLV, fig. 4, shows the instrument as conceived by me.

 

 

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BLADDER AND GYNAECOLOGICAL INSTRUMENTS

 

Catheter.

The catheter is very frequently referred to. Galen (xiv. 787) thus describes it:

This method of preparing the catheter and the reasons for so doing are discussed at somewhat greater length in the following selection from Paul (VI. xix):

It is occasionally, in cases of cancer of the prostate, of service to adopt this proceeding to prevent the eye of the catheter from getting blocked before the bladder is entered, but it is strange that Galen should have fallen into the mistake of thinking that it is necessary to set up a syphon action, as he was well aware of the expulsive power possessed by the bladder; in fact, his explanation of the physiology of urination is almost up to date.

Celsus gives a good description of the catheter both male and female (VII. xxvi):

There are fine specimens of the catheter, both male and female, in the Naples Museum. The male catheter is from the ‘House of the Physician’ in Pompeii. It is 24 cm. in length and is about the size of a No. 11 English. It has two gentle curves, so that it closely resembles the instrument reintroduced by Petit in the eighteenth century. See Pl. XLV, fig. 1. A catheter of similar shape, but broken in three pieces, was found by some workmen at Baden in the Seventies. They were given by Dr. Wagner, of Baden, to Mr. Atkinson, M.P., London, and are possibly now in some English collection (Brunner, op. cit. p. 42).

In the excavation of the Roman Military Hospital at Baden, 1893, a fragment of a catheter was found, and is now in the possession of M. Kellersberger. It consists of the curved part of a catheter, and it is 13 cm. long and about the size of a No. 10 English. The curve is considerably greater than that of the Naples specimen (Un Hôpital Militaire Romain, planche ix).

The female catheter in the Naples Museum is 0·98 m. long, and of the same diameter as the male one. It is straight (Pl. XLV, fig. 2).

 

Bladder Sounds.

Had the ancients solid bladder sounds? They must have been well aware of the characteristic grating sensation conveyed to the skilled hand on striking a stone with a metal instrument, for we have several references in the classics to the manœuvre of pushing back, by means of a catheter, a stone impacted in the urethra. Rufus of Ephesus (Περὶ λιθιώσης κύστεως) says of impacted urethral calculus: ‘Those that are stuck fast push back with the catheter if you prefer not to do lithotomy’ (ἐρείδοντας οὖν εἰ μὴ θέλοις τέμνειν ἀπῶσαι τῷ αὐλίσκῳ). Soranus (II. xviii) says if a stone is the cause of dystocia we must push it out of the neck of the bladder into the bladder with a catheter (καθετήρ). The word Rufus uses puts it beyond doubt that a hollow tube is meant, or we might have argued that καθετήρ did not necessarily mean a hollow tube, since Hippocrates uses it in the sense of a uterine plug (ii. 830). Yet strange to say, the sensation conveyed to the hand and ear on striking a stone with a metal instrument is nowhere definitely given as a cardinal symptom by a classical writer.

Rufus describes the symptoms of vesical calculus at length and finishes with instructions for searching the bladder. The word he uses (μήλωσις) at first sight seems to indicate that this was done with a sound, but it turns out to be bimanual rectal examination only which he describes. The use of the sound as a staff in lithotomy, or as a dilator of a strictured urethra, was not known to the ancients, and thus we have no evidence from the literature that a solid bougie existed. Some instruments have come down to us, however, which seem undoubted solid bladder sounds. There are three sounds of bronze in the Naples Museum, which have the identical appearance of our modern bladder sounds. It might be argued that these have not quite the shape of the catheter described by the ancients, but there is an instrument in the Mainz Museum against which even this objection cannot be brought. It is a solid sound of the double curvature described by Celsus, and is identical in shape with the catheter from the Pompeian surgeon’s house (Pl. XLV, fig. 3).

 

Lithotomy Scoop.

Greek, λιθουλκός; Latin, uncus, ferramentum quo in sectione calculus protrahitur.

Celsus thus describes the extraction of calculus through a perineal incision by means of a lithotomy scoop:

The above passage gives a very complete account of the lithotomy scoop. The only thing it leaves undecided is the breadth. Was it a broad, spoon-like scoop, or was it a hook-like instrument? That the latter was the case is proved by the following passage also from Celsus (VII. xxvi):

This shows that the scoop must have been quite a narrow instrument, or it could not have passed into the urethra. It must have had very much the same appearance as the modern ‘Ferguson’s Scoop’. We have two extant specimens of the ancient lithotomy scoop in the Naples Museum, one of which is shown in Pl. IV; and in the marble ex voto tablet in the Athens Museum, to which I have already referred, there is a representation of a manubriolus curved so as to serve as a lithotomy scoop (Pl. XLVI, fig. 2). Rufus of Ephesus mentions this form of scalpel handle.

 

Lithotomy Forceps.

Was there a forceps for extracting calculus from the bladder? The sixteenth-century translation of Aetius (IV. iv. 94) by Cornarius has the following passage, under the treatment of calculus in the female:

The original Greek of this part of Aetius has not yet been published, but from a pretty intimate knowledge of Cornarius’s methods I have a strong suspicion that ‘calcularium forcipem’ may be a free translation of λιθουλκός, as in the following passage in Paul:

Adams translates λιθουλκός by ‘forceps for extracting stone’, but this is not quite a justifiable translation. The instruments whose names end in -ουλκός, and which are derived from ἕλκω, are certainly in many instances forceps, e. g. βελουλκός, a forceps for extracting weapons, but in other cases they are as certainly not. I need only refer to ἐμβρυουλκός, which is conclusively described as a hook for extracting the dead foetus. Thus while it is possible that the λιθουλκός may have been a forceps, the etymology of the word does not entitle us to translate by any term more definite than ‘stone extractor’. Galen (xiv. 787) uses the word λιθολάβος, which has a more definite meaning. The majority of words compounded of -λάβος means some variety of forceps, e. g. σαρκολάβος, tumour vulsellum. The etymological evidence thus leaves the matter open, with a slight balance in favour of there having been a forceps. I should have had no hesitation in translating λιθολάβος to mean a forceps, had it not been that Celsus evidently had no cognizance of a stone forceps. Galen, however, lived after Celsus, and we may note that the Arabians used such an instrument. Albucasis says that if the stone does not start out it must be seized with a forceps or a hook, and failing removal by these means it is to be broken up with forceps. One forceps in the Naples Museum, from the house of the physician, seems to be suited for the operation (Pl. XLVI, fig. 3). The handles are short in proportion to the blades, and it seems better suited to grasp some substance inside the bow than between the jaws. The unfinished condition of the tips of the handles indicates that they had been inserted into handles of wood.

 

Lithotrite.

Latin, ferramentum.

A sort of chisel by which a calculus was split is thus described by Celsus:

The above paragraph really gives us all the information we possess about the instrument. It is evidently a slender chisel. A passage in Aretaeus (Morb. Chron. ii. 9) is held by some to refer to lithotripsy (digital). The reading, however, is dubious.

 

Rectal Speculum.

Greek, ἑδροδιαστολεύς, μικρὸν διόπτριον, κατοπτήρ.

The earliest mention of the rectal speculum is to be found in the treatise on fistula by Hippocrates:

Again, a little further on, he mentions its use in the treatment of piles; and Paul (VI. lxxviii) says:

There is a rectal speculum in the Naples Museum (No. 78,031). It is a two-bladed instrument, working with a hinge in the middle. It is O·15 m. in length, and the greatest stretch of the blades is O·07 m. It represents an instrument used to dilate the vagina as well as the rectum, and got its name ‘small dilator’ in contradistinction to the other vaginal speculum, which we shall see was worked by a screw, and was called the speculum magnum. The rectal speculum was also called κατοπτήρ, in contradistinction to the vaginal speculum which was called διόπτρα. In Galen’s Lexicon they are explained as follows:

Pl. XLVI, fig. 1 shows one of two similar rectal specula from Pompeii (Naples Museum).

 

Vaginal Speculum.

Greek, διόπτρα; Latin, speculum magnum matricis (late).

Soranus is the first author who makes mention of the speculum specially made for the vagina. The original Greek of this chapter of Soranus is lost, but we have a Latin translation of it preserved to us by Moschion. The heading of this chapter in Soranus, which was No. xxxiv, was Περὶ διοπτρισμοῦ. I shall give part of this chapter from Moschion:

We have also preserved by Paul a chapter by Archigenes on abscess of the womb (VI. lxxiii), in which the different parts of the speculum are again named, and from it also we learn that there were different sizes of the instrument proportioned to suit different ages. The patient having been fixed in the lithotomy position in the manner described by Soranus:

We have little difficulty in recognizing among the instruments found in Pompeii three of the vaginal specula referred to in these passages. All are excellent specimens of the instrument maker’s skill. They are in the Naples Museum. The first discovered (No. 78,030) was found in the house of the physician at Pompeii. The blades are at right angles to the instrument (Pl. XLVII), and when closed form a tube the size of the thumb. On turning the screw a cross-bar forces the two upper blades outwards, till sufficient dilation is got for operative purposes. The diameter of the tube at its maximum of expansion is 0·09 m. The whole instrument is 0·23 m. long. Another instrument on a similar principle but with a quadrivalve priapiscus was discovered in 1882 (Pl. XLIX). It is 0·315 m. long. It is now fixed by oxidation, so that the blades cannot be moved. On turning the screw the lower blades could be drawn downwards, at the same time separating slightly, while the upper blades diverged also (No. 113,264 Naples Mus.). Lately a third, similar to that shown in Pl. XLVII, has been found in Pompeii. Note that the screw in the three-bladed instrument is a left-handed one. That in the four-bladed instrument is right-handed. This causes right-handed motion to open the instrument in either case. There is, however, an instrument similar to these trivalve instruments in the museum at Athens. It differs in having the screw right-handed (Pl. XLVIII). Mr. Bosanquet, late of the British Institute of Archaeology at Athens, was kind enough to procure me a photograph of this instrument, but he tells me that there is no satisfactory account of its provenance and its authenticity is doubtful. It seems possible that it is a copy of one of the Naples specimens by some one who has omitted to observe that the screw in these is left-handed.

 

Traction Hook for Embryo.

Greek, ἐμβρυουλκός; Latin, uncus.

Celsus has an interesting chapter on the removal of the foetus in difficult labour. He says (VII. xxix):

The following passage in Soranus shows that it was customary also to insert a second hook opposite the first and to make traction on both at the same time:

Aetius (IV. iv. 23) and Paul (VI. lxxiv) copy this.

Hippocrates (ii. 701) bids us break up the head with a cephalotribe in such a way as not to splinter the bones, and remove the bones with bone forceps; or, a traction hook (τῷ ἑλκυστῆρι) being inserted near the clavicle so as to hold, make traction but not much at once, but little by little, withdrawing and again inserting it.

There are three traction hooks from Pompeii in the Naples Museum. One of these is given in Pl. L, fig. 1. They are of steel, with handles of bronze. Hooks on the same principle, and differing in appearance very little from the Pompeian hooks, are still used by veterinary surgeons.

 

Decapitator.

Of transverse presentations, Celsus says:

Decapitation has now given way before Caesarean section; but the decapitator, little altered since the days of Celsus, still finds a place in surgical instrument catalogues.

Paul and Aetius both mention division at the neck, but do not describe a special instrument. A ring knife for dismembering the foetus has already been discussed among the cutting instruments; but this seems to be a different variety with a handle, which it is convenient to discuss in proximity to the embryo hook. Pl. L, fig. 2 shows a knife on this principle in the Bibliothèque Nationale.

 

Cranioclast.

Greek, πίεστρον, ἐμβρυοθλάστης, θλάστης;

The cranioclast is mentioned by Hippocrates (ii. 701).

The nature of the cranioclast is pretty well indicated by this passage, and in Galen’s Lexicon we find πιέστρῳ defined as τῷ ἐμβρυοθλάστῃ καλουμένῳ. I give drawings from Albucasis of a ‘forceps to crush the child’s head’ (Pl. LI, fig. 3).

 

Cephalotribe.

Whether or not the instrument last described was used also for the operation of cephalotripsy, or whether there was a special instrument, we cannot say, but it is certain that the operation of crushing the head and delivering the child without removing the bones was practised. In Aetius (IV. iv. 23) cephalotripsy is thus described:

Though there is an essential difference between the operations of cephalotripsy and cranioclasie there is no essential difference between the instruments necessary for carrying out the same, and it is possible that the instrument used may be the same as the last. The cephalotribe figured by Albucasis is not essentially different from his cranioclast (see Pl. LI, fig. 4).

 

Midwifery Forceps.

Had the Greeks and Romans a forceps for extracting the child alive? Probably not. We have no mention of any such instrument by Soranus or Paul, both accomplished obstetricians, nor can any description of such an instrument be found in the voluminous pseudo-Hippocratic works on women. Adams, in a note to Paul, III. lxxvi, says that though the Roman and Greek writers do not mention the forceps, Avicenna does so, and he says that a forceps was dug up in the house of an obstetrix at Pompeii bearing a considerable resemblance to the modern forceps. The only passage I have met with in the slightest degree supporting the notion that the ancients ever delivered the child alive with instruments is one in the pseudo-Hippocratic treatise De Superfoetatione, where we are told that:

We are not entitled to translate μηχαναῖς by ‘instruments’, because it may mean any mechanical aid such as a fillet, or even assistance with the fingers of the accoucheur; but, even granting that it refers to instruments, it might mean no more than, e. g., the embryo hooks already described. With them, terrible as they were, the child must frequently have been born alive, though mutilated. A child would have had a far better chance of being born alive with them than with the murderously toothed forceps of Albucasis (Pl. XLI, figs. 3, 4), with which probably no child could have been born alive. As regards the statement that Avicenna knew of the forceps, his directions are that the fillet is to be applied, and, if that fail, the forceps is to be put on and the child extracted with it. If that fail, the child is to be extracted by incision, as in the case of a dead foetus. This passage, says Adams, puts it beyond doubt that the Arabians were acquainted with the method of extracting the child alive with the forceps.

This is, however, not quite correct. A full consideration of Avicenna’s words seems to me to lead to the conclusion that he is describing no more than extraction with a craniotomy forceps. If the forceps fail the child is to be extracted by incision, as in the case of a foetus already dead (and decomposed so that the forceps would not hold).

As regards Adams’ statement that a forceps like ours was dug up in Pompeii one may ask, ‘Where is that forceps now?’ It is certainly not in the Naples Museum, where all the finds from Herculaneum and Pompeii have been stored since the excavations were commenced. Adams has probably been misled by some notice of the ‘Pompeian forceps’ (Pl. XLIII), which many consider adapted for removing the cranial bones when the child’s head is broken up in cephalotripsy. It is, however, a sequestrum forceps.

 

Uterine Curette.

Hippocrates (ed. Van der Linden, vol. ii, p. 394) says:

ξύστρα may of course mean the strigil, and some forms of strigil, such as the one shown in Pl. XXV, fig. 1, are not ill adapted for the purpose.

 

Instrument for destroying foetus in utero.

Greek, ἐμβρυοσφάκτης; Latin, aeneum spiculum.

Apart from the destruction of the foetus in criminal abortion, which was so common at Rome in the time of the Empire, we have mention of an instrument for legitimately producing the death of the foetus from humane motives before forced delivery. It is mentioned by Tertullian in his sermon De Anima, and the passage is so interesting that I give it in full. It is, moreover, an example of the unexpected places in which information regarding the surgery of the ancients crops up. Tertullian is arguing that the foetus is alive in utero, and does not, as others hold, simply take on life in the act of birth, and to support his conclusions he uses the following argument:

We have here apparently a different instrument from the embryotome, which we saw was a form of knife. This is a pointed spike-shaped instrument. It must have had much the shape of one of the huge bodkins in the Naples Museum (Pl. LI, fig. 1).

 

Apparatus for fumigating the Uterus and Vagina.

Fumigation formed an important part of the treatment of all varieties of disease of the uterus and vagina. The notion that the uterus was an animal within the body which could wander about on its own initiative and which was attracted by pleasant smells and repelled by disagreeable smells, was responsible for much of the treatment of gynaecological diseases by the ancients. To make a fumigation, Hippocrates directs us to take a vessel which holds about four gallons (δύο ἑκτέας), and fit a lid to it so that no vapour can escape from it. Pierce a hole in the lid, and into this aperture force a reed about a cubit in length so that the vapour cannot escape along the outside of the reed. The cover is then fixed on the vessel with clay. Dig a hole about two feet deep and sufficiently large to receive the vessel, and burn wood until the sides of the hole become very hot. After this remove the wood and larger pieces of charcoal which have most flame, but leave the ashes and cinders. When the vessel is placed in position, and the vapour begins to issue out, if it is too hot wait for some time; if, however, it be of the proper temperature the reed should be introduced into the uterine orifice and the fumigation made. Oribasius, quoting Antyllus (Coll. X. xix) varies the treatment somewhat by placing a vessel similarly prepared underneath an obstetrical chair, which had an opening in the seat, allowing a leaden pipe connected with the tube of the fumigating vessel to be passed into the vagina.

A fumigating apparatus of a more portable nature is mentioned by Soranus (xxiii) who tells us that Strato, a pupil of Erasistratus, used to place in a small vessel of silver or bronze, closed by a cover of tin, herbs of various kinds, and, having adjusted a small tube to the vessel, the mouth of the tube was placed in the vagina, and the vessel was then gently heated. Soranus admits that severe burning might follow this practice if unskilfully used.

 

Pessaries.

Greek, βάλανος, πεσσόν, πεσσός; Latin, pessum, pessus, pessulum.

Pessaries are frequently mentioned. They are usually bags filled with medicaments and not mechanical supports. However, in ii. 824, Hippocrates says that prolapse of the womb is to be reduced and the half of a pomegranate is to be introduced into the vagina. Soranus says that in prolapse Diocles was accustomed to introduce into the vagina a pomegranate soaked in vinegar. He also says that a large ball of wool may be introduced after reduction, and Aetius, Oribasius, and Paul copy him.

Hippocrates (iii. 331) says that in cases of fistula in ano, after the introduction of a medicated plug of lint, a pessary of horn is to be inserted (βάλανον ἐνθεὶς κερατίνην). This would appear to be partly to distend the rectum, but partly also most likely to carry medicament, like the leaden tubes full of medicaments which were inserted into the uterus.

A pessary of bronze was found in Pompeii (Pl. LI, fig. 2), and is described by Ceci. It is hollow and has a plate perforated with holes (evidently for stitching it on a band, to fix it round the body). Heister figures a similar instrument. It is impossible to say whether this specimen was intended for rectal or vaginal use.

 

 

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SUTURES, ETC.

 

Sponge.

Greek, σπόγγος; Latin, spongia.

Sponges were used for many purposes. Paul (VII. iii) says they should be fresh and still preserve the smell of the sea. They were applied with water, wine, or oxycrate to agglutinate wounds, and also soaked in asphalt and set fire to and applied to wounds to stop haemorrhage.

Galen (De Simp. xi) says he has seen haemorrhage stopped by applying a sponge dipped in asphalt to a bleeding wound and setting fire to it, and leaving the unburnt part to cover the wound. Celsus says a sponge dipped in oil and vinegar or cold water relieves gouty swellings. He also recommends a sponge dipped in vinegar or cold water for stopping haemorrhage.

Dioscorides says that fistulae may be dilated with sponge tents.

Scribonius Largus says that in epistaxis the nose may be plugged with sponge:

Soranus (xli) says haemorrhage from the uterus may be stopped with a sponge tent:

 

Sutures.

Celsus (V. xxvi) says sutures should be of soft thread not overtwisted that they may be the more easy on the part: ‘Ex acia molli non nimis torta quo mitius corpori insidat’. They were made of flax. The apolinose described by Hippocrates (iii. 132) is directed to be made of crude flax (ὠμολίνου), the strands of which were stronger than those of dressed lint. This also is what Paul used for the deligation of arteries.

Galen alludes to sutures of wool, and Paulus Aegineta in the operation for ectropion says:

We have no mention of catgut being used for this purpose, though that substance was early known to the Greeks. The Homeric harp was strung with catgut. In fact χορδή, the term for harp-string, simply means intestines. Paul used a woman’s hair in a needle to transplant hairs in trichiasis (VI. xiii). Horsehair was used to raise a pterygium in Paul VI. xviii, but it is not mentioned as being used for suturing wounds.

 

Serres Fines.

Greek, ἀγκτήρ; Latin, fibula.

Celsus (V. xxvi) in describing the closing of wounds says:

We have here contrasted two methods of closing a wound, and the conclusion is readily arrived at that sutures in the first case and some metal contrivance in the second are intended. Celsus goes on to say, however:

A consideration of various passages in which the Greek authors use the term leaves a distinct impression on one’s mind that a metal clasp is intended. Thus Paul (VI. cvii), in treating of compound fractures, says that if a large portion of the bone is laid bare we use fibulae and sutures (ἀγκτῆρσι καὶ ῥαφαῖς). It must be confessed, however, that the words of Celsus render it difficult for us to assert with certainty that fibulae were metal clasps, and we find ancient commentators in equal difficulty. Fallopius and Fabricius d’ Aquapendente think fibulae mean interrupted sutures. Guido de Cauliac thinks they mean metal clasps. There is just the possibility that a contrivance like our harelip pin with a figure of eight thread may be indicated. This would satisfy both sides of the question. If fibulae were metal clasps, however, we have several varieties of ancient fibulae that might have been used for closing wounds. That most suited for the purpose in hand seems to me to be one consisting of a small bar terminating in two hooks. Several of these from Roman London are in the Guildhall Museum (Pl. LII, figs. 5, 6, 7). They represent a useful form of ‘clip’ still in use by cyclists, and they could be applied to wounds to act on the principle of Malgaigne’s hooks for the patella. A modicum of support for this view may be derived from the fact that whereas Galen, from whom the above passage on compound fractures is quoted by Paul, uses the word ἀγκτῆρσι, the codices of Paul almost unanimously have ἀγκίστροις. Fourteen out of fifteen give the latter rendering.

 

Band of Antyllus.

In the interesting dissertation which Oribasius gives on the subject of phlebotomy (Med. Collect. vii) he states that Antyllus directs us to apply a ligature of two fingers’ breadth round the arm when going to let blood at the elbow. He says that they are mistaken who affirm that the same effect may be produced by applying the band below, for the veins will not then swell even if the arm be fomented. When going to bleed at the ankle the ligature is to be applied at the knee. When the blood does not flow well he advises us to slacken the bandage if too tight. This is the famous ‘band of Antyllus’.

It is mentioned also in the pseudo-Hippocratic treatise on Ulcers (iii. 328):

Paul also mentions the band, including one round the neck when the veins of the forehead are to be opened for ophthalmia. So far as we know the fillet was nothing more than a plain strip of linen or some such material, but Deneffe, commenting on two bronze fibulae which were found in the grave of the surgeon of Paris, conjectures that they may have been used to fix the fillet in venesection. I give figures of these after Deneffe, but it seems to me that these buckles are more likely to have belonged to the straps of a portable instrument-case of canvas or leather which had disappeared. One is a neat little heptagonal fibula, 2·8 cm. in its widest part, with a tongue 27 mm. long (Pl. LII, fig. 2). The other fibula is in the form of a penannular ring, formed by a two-headed serpent curved on itself so that the two heads look at each other, separated from each other by a space of a few millimetres (Pl. LII, fig. 8). Opposite the heads there is a small rectangular opening to receive the end of the strap. There is no tongue. It may have been fixed by a metal bar attached to the other end of the strap.

 

Sieves and Strainers.

Greek, ἠθμός, κυρτίς; Latin, cribrum.

Scribonius Largus mentions sieves of different sizes. In ch. xc a small one is mentioned:

In other places larger sizes are mentioned:

Marcellus (De Medicamentis, xxxiii. 9) says:

There are large numbers of sieves and strainers in bronze and earthenware in the Naples Museum.

Paul (VII. xx) says oil of sesame is to be prepared from sesame pounded, softened, and pressed in a strainer with screws (διὰ κυρτίδων τῶν κοχλιῶν). The word κυρτίς literally means a basket or wicker eel-trap. Here it must mean a strainer.

 

Mortar and Pestle.

Greek, ἰγδίον, mortar: δοῖδυξ, pestle; Latin, mortarium, pilum.

In the find of the oculist Severus is a bronze dish which Deneffe regards as a mortar. It is 8 cm. in diameter and 3·5 deep, and rests on a base of 3 cm. diameter, so that it sits firmly. Marcellus (De Medic. i) mentions a mortar of marble:

He also mentions one of wood:

Scrib. Larg. speaks of pestles of wood:

In Paul we have a mortar of lead and a leaden pestle mentioned several times:

Galen (De Simpl. x) speaks of bronze mortars:

Paul mentions a mortar of marble. A small mortar of bronze was found amongst the instruments of the surgeon of Paris. Another small one from my own collection is shown in Pl. LII, fig. 3. The excavation of the temple of Aesculapius in the forum has brought to light a large number of mortars of marble. They are mostly about six or seven inches in diameter, but are much deeper in proportion than our modern mortars are. The spathomele and other olivary probes were no doubt often used as small pestles.

 

Whetstone.

Greek, ἀκόνη; Latin, cos.

We saw that several of the slabs on which ointments were prepared had evidently been used for sharpening knives, and whetstones are often found of varying degrees of roughness from sandstone to fine argillaceous smooth stones. Paul (VII. iii) says:

It is uncertain what the Naxian whetstone was, but it was considered the best variety of whetstone. It is mentioned in Pindar. From the fact that emery is found in Naxos one might conclude that the Naxian whetstone was of emery, but a few lines before the passage quoted from Paul he has already mentioned the emery:

Galen makes the Naxian stone a variety of ostracites which was apparently marble formed of shells. One of the marble ointment tablets had, we saw, been used as a whetstone, but the whetstones for which Naxos was famous must, if not emery, have been some variety of shale or slate. It seems contrasted to some extent with the ‘oilstone’, i. e. whetstone which required oil. This was a clay slate (see Pliny, H. N. xxxvi. 47).

There are several whetstones from Stabiae in the Naples Museum which are classed among surgical implements. Whetstones are common objects in the finds from any Roman settlement, but they are not ground to regular shapes as our whetstones are. They usually consist of fine sandy schistaceous shale.

 

 

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ÉTUI, ETC.

 

Portable Outfit.

After describing the larger apparatus necessary for the equipment of the surgery, Hippocrates mentions a portable equipment for use on journeys:

The component parts of this portable outfit so far known to us are as follows:

The scalpels of different shapes seem to have been carried in boxes, probably wooden, which opened in two halves like a modern mathematical instrument box. In these the scalpels lay head and tail, separated from each other by small fixed partitions. A box of scalpels of this kind is represented in a marble votive tablet which was found on the Acropolis on the site of the Temple of Aesculapius. A similar box with different instruments is seen in a donarium in the Capitoline Museum. The probes and forceps were carried in cylindrical cases like those in which the scribes carried their pens. A good many of these have come down to us. From the fact that in the grave of the surgeon of Paris there were found two buckles, it is probable that there had been buried along with the instruments a case of leather or some such perishable material, which had been used to contain instruments, but which had disappeared when the grave was opened. There have also been found boxes of various shapes for containing medicaments, cylindrical boxes for drugs in sticks, boxes divided into little partitions for drugs in semi-solid form, and other boxes for powders.

 

Portable Probe Cases.

The spatulae, sounds, hooks, and forceps were carried about in a cylindrical case of bronze. Several of these étui have been found containing instruments. They average 18 cm. in length and 1·5 cm. in diameter. The lid lifts off. One in the museum at Lausanne was found in a Roman conduit at Bosséaz and contained a cyathiscomele of the usual type (Bonstetten, Recueil des Antiqq. Suisses, pl. xii, figs. 11 and 12). A case exactly similar to the above containing a cyathiscomele and a toothed vulsellum was found in the Rhine Valley. Another case of the same kind was found at Bregenz. It contained a long ligula, a spathomele, a cyathiscomele, and a double olivary probe.

In the Naples Museum are four of these cases, three of which were found in Pompeii and one in Herculaneum. One of these is a plain cylindrical case 18 cm. long and 1·5 in diameter. It contained instruments (Pl. LIII, fig. 1). Another case is ornamented with raised rings. It was found in the House of the Physician, and contained six specilla of different kinds and a vulsellum. A third is of similar size and shape, but it is considerably destroyed by oxidation, and it is adherent to a rectangular slab of black stone which had been used for mixing medicaments. Through the cracks in the case there may be seen the probes which it contains. The case from Herculaneum is a plain cylindrical case 19 cm. long and 2 cm. in diameter.

Lately, several other cases have been found in Italy which are placed in the Naples Museum. One in a fragmentary condition showing its contents is seen in Pl. LIII, fig. 2.

In the Musée de Cinquantenaire, Brussels, there is one of these cases which was brought by M. Ravenstein from Italy. It contained three instruments all of silver, a cyathiscomele, a grooved director, and a plain double-ended stylet. It is 18 cm. long and 1·5 in diameter.

A fragment of a similar case was found in the Roman Hospital at Baden.

 

Box for Scalpels.

Among the ruins of the Temple of Aesculapius on the top of the Acropolis at Athens there was found a marble donarium or votive tablet, which represents a box of scalpels flanked by a pair of bleeding-cups.

The box reminds one of a modern box for mathematical instruments, being divided into a top and bottom half, each of which contains instruments separated from each other by small blocks. There are three instruments in each half and they are arranged head and tail. Five are scalpels of different shapes; the sixth has a curved cutting instrument at one end and at the other a lithotomy scoop. The size of each half of the box is 9 × 18 cm. outside measurement, and 7 × 16·5 cm. inside. See Pl. IV.

A similar box is seen in a marble tablet in the Capitoline Museum at Rome. Here the instruments are different.

 

Ointment Boxes.

Among the instruments of the surgeon of Paris was a box which Deneffe regards as a portable unguentarium. Unlike the medicament boxes it is not divided into compartments and the lid lifts off instead of sliding in grooves. It is 83 mm. long, 45 wide, and 35 deep. A line running round the middle of the box divides it into two equal parts and shows the division between cover and box. On the top is a little ring attached by a little pyramidal eminence 1·5 cm. high by which the cover was lifted off. Several circular ointment boxes, some containing medicaments, are to be seen in the Naples Museum.

 

Collyrium Boxes.

A large number of cylindrical boxes containing sticks of medicament have been found in Pompeii. In the find of the oculist of Rheims there were five cylindrical boxes, all of the same size and shape. They were 14 cm. long and 12 mm. in diameter. The covers are 35 mm. high. In them were the remains of sticks of collyria which they had contained. The term collyrium includes in classical writings not only liquid but also solid applications. Collyria were often moulded into sticks for portability, and liquefied with water, wine, white of egg, &c., as required. These boxes which have come down to us are exactly similar to the case shown in Pl. LIII, but they are on a smaller scale.

 

Slabs for preparation of Ointment.

In the Roman provinces small rectangular slabs are occasionally found which have evidently been used for rubbing medicaments upon. Some have also their edges worn by the sharpening of scalpels. As they are rarely of the stone of the country in which they are found they have evidently been manufactured in Italy and carried by their owners on their travels. They are rather rare. There are two in the museum at Naples. One was discovered in Herculaneum which is 13 cm. long and 8 cm. broad. A cylindrical instrument case is adherent to it. The edges are bevelled on its upper surface. One of similar size and shape, but made of white marble, was found in the grave of the surgeon of Paris. It shows by the hollowing out of one of its edges that it has been used for sharpening scalpels.

There are two in the Archaeological Museum at Namur. They are of black marble. They measure 11 cm. by 7·5, but a bevelling of ·75 cm. all round reduced the top surface to 9·5 cm. by 6. One of these was found along with surgical instruments in a second-century cemetery at Wancennes near Namur.

There is one of a dark-coloured stone in the museum at Chesters, Northumberland. A small specimen of my own is shown in Pl. LII, fig. 4. Similar small slabs, engraved with oculists’ names and the names of drugs to serve as seals, have been found in considerable numbers, but these oculists’ seals have already an extensive literature of their own.

 

Boxes for Drugs.

A considerable number of medicament boxes have been found. They are usually of bronze, rectangular and of a convenient size and weight for carrying in the pocket. In size they average 12 cm. in length by 7·5 in breadth and 2 in height. As a rule they are divided into four or more small divisions by partitions. Those reported are as follows:

There are two in the Royal Antiquarian Museum at Berlin. Of these, one was found in the Rhenish country between Neuss and Xanten. It is of bronze. Inlaid with silver on its sliding cover is the figure of Aesculapius standing in a small temple.

The second, of similar construction and appearance, was brought by Friedlander from Naples and presented by him to the museum.

A third, in the museum at Mainz, was found in the Rhine while dredging near the town. It is of bronze, 10 cm. long, 8 wide, 2 in height. It weighs 123 grammes. The sliding lid is decorated with the snake of Aesculapius, twisted round the stem of a laurel tree. The tree and the body of the snake are formed by inlaying copper in the bronze. The outline of the head of the snake and the scales of the body are of silver. On withdrawing the lid the interior is seen to be divided into four compartments each shut by a little hinged lid, which may be lifted by means of a little ring. Two of these compartments are 6 cm. by 3, the two others are 4 cm. by 3.

In the Naples Museum there are three of these boxes. They are all of bronze and divided into compartments. One is divided into five compartments. It is 18 cm. long by 8 wide and 2 deep. Of the compartments three are 8 cm. by 2 and two are 5 cm. by 3. There is at the upper end of the box a small handle by which to carry it. Another box is 13 cm. by 7·5. On removing the lid it is seen to be divided into six compartments, two of which have hinged lids of their own, like the Mainz box. These compartments still contain medicaments (Pl. LIV).

The third of the Naples boxes is of an unusual type. It is 12·5 cm. by 7·5, but it is 3 cm. high and is divided into an upper and a lower division each 1·5 cm. deep. Each division has a sliding lid of its own. The upper division is separated into four compartments, two of which are 7 cm. by 2 and two are 4 cm. by 2. The lower stage occupies the whole area of the box.

A medicament box of a unique character was in use in a chapel as a reliquary till its original use was pointed out. It is of ivory, and carved on its sliding lid is a representation of Aesculapius and his daughter Hygeia. Aesculapius carries in his left hand a staff, round which is coiled a snake, and in his right a pine cone. Hygeia carries a snake in her right hand, and in her left a bowl from which she feeds the snake. The execution of the design shows the box to belong to the third century. The box is divided into eleven compartments. It is now in the Castle Valeria at Sitten.

 

 

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I. INVENTORY OF CHIEF INSTRUMENTS IN VARIOUS MUSEUMS

English Museums.

The British Museum contains the following (Case ii. B):

Bleeding cup (No. 2313); collyrium spoon with spout (two, Nos. 2314-5); staphylagra (two, Nos. 2316-7); hook, sharp (No. 2318); ditto blunt, i. e. retractor (No. 2319); forceps (No. 2320); two-pronged retractors (Nos. 2322-6); scarifier (No. 2327); knife, steel (No. 2321); scalpel handles (Nos. 2331-9); spathomeles; cyathiscomeles; spatulae; ligulae; ear specilla; aneurism needle (No. 2372); epilation forceps (narrow), ditto (broad), ditto ditto with catch.

The Guildhall Museum contains a good few instruments found in London, amongst others a considerable number of ear specilla, vulsella, lancets, and numberless instruments common to both domestic and surgical use, such as strigils, ligulae, styli, and needles. The Celtic cutting instruments are of interest for comparison. This collection is in many ways one of the most interesting we have in England.

The museum at Shrewsbury contains several surgical instruments from the ancient Roman city of Uriconium on which Wroxeter now stands. The most interesting is a bleeding lancet. There are also styli and an ointment slab and the seal of an oculist.

The museum at Chesters, Northumberland, containing finds from the Roman camps at Cilurnum, Procolitia, Borcovicus, and other sites on the Roman Wall, contains amongst other things hooks, spatulae, bougie, a triangular medicine weight of tin, forceps, needles of bone and bronze, borers, knife blades, ear specilla, steelyard, counterpoises, many in the form of snakes and therefore, perhaps, for pharmaceutical purposes, the serpent being the symbol of Aesculapius.

 

Museums in France.

Saint-Germain-en-Laye. Outfit of Severus, viz. two iron pitchers, four bowls, mortar, two balances, seven forceps, one spathomele, scalpel handle, ditto damascened, spatulae (two), two knife-and-needle handles, four needle handles, olive-and-needle, scalpel-handle-and-borer, three sharp hooks, blunt and sharp hook, small blunt hook, seal. Also four scalpel handles, forty forceps, four pocket companions with forceps, fifty bodkins and needles, thirty-three ligulae, fourteen spathomeles, thirty cyathiscomeles, twelve olivary probes.

Le Puy-en-Velay. Outfit of Sollemnis, viz. two knife-handles, ditto damascened, amulet, fragments of two forceps, seal, spathomele.

Paris. Private museum of M. Tolouse. Instruments from the grave of the Surgeon of Paris—Large bronze bowl which contained:

1, Marble slab for preparing ointments; 2, amulet of black obsidian; 3, bronze ointment box with silver damascening; 4, 5, 6, 7, 8, five cylindrical boxes for collyrium sticks; 9, 10, two buckles; 11, pharyngeal insufflator; 12, collyrium spoon; 13, 14, 15, three spathomeles; 16, 17, probes; 18, polypus forceps and scoop; 19, 20, epilation forceps; 21, 22, vulsella (toothed); 23, staphylagra; 24, 25, coudé vulsella; 26, spathomele of elegant form; 27, bleeding cup; 28, three-pronged fork.

Louvre Museum. Double curette, cyathiscomele, ear probe, stylet with large olivary point, forceps with olivary point.

Cluniac Museum. Scoop probe, scalpel.

Orfila Museum. All from Herculaneum. Ligula, ear scoop, two raspatories, hook and scoop, scalpel, fork and hook, curette and hook, bodkin.

Montauban Museum. (Tarn-et-Garonne.) Large surgical needle, cyathiscomeles (four), spathomele (one), scoop and spatula (steel), epilation forceps (one), four ear specilla, round spatula, bistoury handle, all from Cosa.

Rouen. Four epilation forceps, one small forceps with locking arrangement, one forceps with narrow rounded legs, one fine-toothed forceps, twelve cyathiscomeles, three needles and bodkins, twenty styloid instruments, three ligulae.

Amiens. Round scalpel handle with spiral lines, one large epilation forceps, one spud and probe, one blunt hook, one styloid probe, two spathomeles, six cyathiscomeles.

 

Museums in Belgium.

Namur. Find of Surgeon of Wancennes, including ointment slab (Deneffe).

Brussels. Mus. de Ravenstein alias Cinquantenaire. Étui with silver specilla brought from Italy by M. Ravenstein; three specilla; scalpels.

Charleroi. Fine bistoury.

 

Museums in Germany.

Mainz (Germano-Roman Museum). Spatula-probe, medicine box, staphylagra, four bleeding-cups.

Frankfort (Historical Museum). Four epilation forceps with sliding catch, two ligulae.

Kiel. Forceps of silver.

Cologne. Chisel, two forceps, pestle, phlebotome.

 

Museums in Austria.

Vienna. Staphylocaustus.

 

Museums in Greece.

Athens. Six knives (four from tomb in Milos, two from tomb in Tanagra); forceps and porte-caustic, large cup and chain (Tanagra); ex-voto tablet from Acropolis, representing box of scalpels and two cups, twenty-four spathomeles, one trivalve vaginal speculum.

 

Museums in Denmark.

Copenhagen (Thorwaldsen). Two epilation forceps, one ditto with leaf shaped ends and catch, three spoon probes, one spatula probe.

 

Museums in Switzerland.

The instruments from the Roman hospital at Baden, now in the Baden Museum, have already been summarized (page 22). Instruments in other museums in Switzerland are:

Basel Augst. (Augusta Rauracorum). Uvula forceps, probe, spoon-probe.

Avenches. Broken uvula forceps, two vulsella, spatula of bronze plated with silver, probes, needle.

Yverdon. Probes.

Bern. Two probes from Hermance, forceps and spatula probe from Tiefenau.

Lausanne. Spoon probe from Bosséaz and Allaz. Étui for probes, seal for medicament pots, vulsella.

Sierre. Four spoon probes, spatula probe, large needle.

Schaffhausen. Probe from Schleitheim.

Zürich (Landesmuseum). A. Fifteen specilla (spathomeles) all with a sharp-edged long and narrow spoon at one end and at the other an elongated knob; length 130-160 mm.; seven from Galgenbuck in Albisrieden, seven from Windisch, one from Upper Italy. B. Small bronze instrument probably for extracting weapons from wounds; present length 110 mm. (Naples). C. Probably a spatula for applying plaster (Athens). D. Ear spoons (three) of bone, 80-130 mm. long (two from Rome, one from Athens). E. Small bronze spatula, 125 mm. (Athens). F. Similar one of bone, 110 mm. (Windisch). G. Rod pointed at both ends, 155 mm. long (Zürich). H. Bronze rod with a depression 30 mm. long in the middle, 225 mm. long (Windisch).

 

Museums in Italy.

Naples. Bleeding-cups (fourteen), spoons with bone handles (two), lancet and spoon, shears (bronze), fleams (veterinary), cannulae for ascites (two), bone elevators (two), catheter (one male, one female), bone forceps, specula uteri, trivalve and quadrivalve, speculum ani, toothed forceps, cauteries (three), needles, tongue tie guard, enema tube, probes, whetstones, étui, scalpels, medicament boxes, balances, ointment slabs.

Rome, Capitoline Museum. Curved double olivary probe, four spathomeles, four cyathiscomeles, thirty-six forceps toothed and plain, bodkins (four) eight cm. in length, three ear specilla, four ascites tubes, large scalpel, votive tablet with box of instruments.

Rome, Lateran Museum. Votive tablet representing forceps and other instruments.

Milan. Many knife blades, two bodkins, spathomele, two ligulae, scoop and curette, olive and stylet.

 

II. BIBLIOGRAPHY

Choulant.—De rebus Pompeianis ad medicinam facientibus. Leipzig, 1823.

Kuehn.—De instrumentis chirurgicis veteribus cognitis et nuper effossis. Leipzig, 1823.

In 1846-7 Benedetto Vulpes made a series of communications to the Royal Academy of Archaeology at Herculaneum as follows:—

(1) Illustrazione di un forcipe Ercolanese a branche curve. (March 3, 1846.)

(2) Memoria concernente la interpretazione dell’ uso di un forcipe Ercolanese di bronzo con le estremità delle branche a semi-cucchiai dentellati: la illustrazione di due cannelli di bronzo anche trovati in Ercolano, de’ quali servivansi gli antichi per cavar l’acqua dall’ addomine degl’ idropici: l’indicamento di tre cannelli Pompejani di bronzo. (April 28, 1846.)

(3) Illustrazione degli specilli e di altri strumenti chirurgici affini trovati negli scavi di Ercolano e di Pompei. (September 15, 1846.)

(4) Descrizione dello speculum magnum matricis e dello speculum ani. (November 24, 1846.)

(5) Delle pinzette, degli ametti, degli aghi chirurgici e del tridente scavati en Ercolano e in Pompeii. (December 1, 1846.)

(6) Illustrazione degli strumenti chirurgici di ferro trovati in Ercolano e in Pompeii. (January 19, 1847.)

In March, 1846, Quaranta made a communication to the same Society entitled ‘Osservazioni sopra nu forcipe Pompeiano’, in which he expressed a different opinion from that held by Vulpes, and pointed out that the forceps described by the latter in his first communication was found in Pompeii. This is the famous forceps which is always referred to as the ‘Pompeian Forceps’.

These valuable papers of Vulpes and Quaranta were published in vol. vii of the Memorie della Regale Academia Ercolanese di Archeologia. These articles are profusely illustrated. In 1847 Vulpes gathered these papers together, and with some slight alterations published them under the title of ‘Illustrazione di tutti gli instrumenti chirurgici scavati in Ercolano e in Pompeii’.

At the time when Vulpes wrote there were in the Museum among other things 45 probes of various kinds, upwards of 90 forceps, 13 bleeding-cups of bronze, and 16 scalpels.

Vacher.—Les instruments de chirurgie à Herculanum et Pompeï. (Gazette Médicale, 1867, xxii. pp. 491-94.)

Scoutetten.—Histoire des instruments de chirurgie trouvés à Herculanum et à Pompeï. (France Médicale, Paris, 1867, xiv. p. 483.)

Overbeck.—Pompeji, 1884, p. 461.

Museo Borbonico, Vol. xiv. Pl. 35, Vol. xv. Pl. 23.

Ceci.—Piccoli bronzi del Museo Nazionale di Napoli.

Neugebauer.—Warsaw Medical Transactions, 1882.

Neugebauer.—Über Pincetten alter Völker. (Korrespondenzblatt der Deutschen Anthropologischen Gesellschaft, 1884, No. 11.)

Haeser.—Lehrbuch der Geschichte der Medicin, 1875, p. 499.

Guhl and Kohner.—Life of the Greeks and Romans, 1862, p. 296.

Monaco.—Guide Général du Musée National de Naples. (Naples, 1900.)

Monaco.—Les monuments du Musée National de Naples.

Monaco.—Specimens of domestic articles from the Naples Museum (Naples, n.d.).

Lindenschmidt.—Die Altertümer unserer heidnischen Vorzeit, Bd. iv. Heft iii.

Anzeiger für schweizerische Geschichte and Altertumskunde, Jahrgang 1857, No. 3.

Ulrich.—Jahrbücher des Vereins für Altertumsfreunde in den Rheinländen, xiv. 1849.

Ulrich.—Catalogue of the Collection of the Antiquarian Society of Zürich (now placed in the Landesmuseum). Pt. I. Roman and Pre-Roman, by R. Ulrich, Conservator. (Published by Ulrich & Co., 1890, p. 140, pl. 1037.)

Brunner.—Die Spuren der römischen Aerzte auf dem Boden der Schweiz. (Zürich, 1894.)

Anonymous.—Un hôpital militaire romain. Zürich. (A sketchy pamphlet published as an advertisement by the town of Baden.)

Mitteilungen der Antiquarischen Gesellschaft, Zürich.—References of interest occur in the following volumes: vol. vii, Meyer, Geschichte der XI. und XXI. Legion; vol. ix, Mommsen, Die Schweiz in römischer Zeit (15); vol. xii, Die römischen Ansiedelungen in der Ostschweiz (19. M. B.); vol. xiv, Bochat, Recherches sur les antiquités d’Yverdon; vol. xvi, Römische Alterthümer aus Vindonissa; Römische Ansiedelungen in der Ostschweiz, ii; vol. xvi, Bursian, Aventicum Helvetiorum, Mosaikbild von Orbe.

Tolouse.—Recherches historiques et archéologiques sur divers points du vieux Paris (Mémoires de la Société Dunkerkoise pour l’encouragement des Sciences, des Lettres et des Arts, 1885).

Haeser.—Lehrbuch der Geschichte der Medicin, 1875.

Freind.—History of Physick from the time of Galen to the beginning of the Sixteenth Century, 1725.

Daremberg.—Histoire des sciences médicales, 1870.

McKay.—History of ancient Gynaecology, 1901.

Lambros.—Περὶ σικυῶν καὶ σικυάσεως παρὰ τοῖς ἀρχαίοις. Athens, 1895. An exhaustive monograph with many illustrations of ancient cups.

 

 

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I. INDEX OF SUBJECTS

Abaptista, 129.

Abortion, artificial, 81.

Acanthobolus, 100.

Aesculapius, 19, 172.

Aetius, 4.

Albucasis, 8.

Alexander Trallianus, 6.

Ali Abbas, 8.

Amputation, 125, 130.

Antyllus, band of, 36, 164.

Aretaeus, 3.

Arrow scoop of Diocles, 142.

Ascites cannula, 112.

Aspiration syringe, 109.

Avicenna, 8.


Bellied scalpel, 27.

Bellows, 108.

Bistoury, blunt-pointed, 30.
curved, 43, 48.
probe-pointed, 43.
sharp-pointed, 28.

Blacksmith’s bellows, 108.
tongs, 136.

Bladder calculus, 145, 146.
sound, 145.

Blepharoxyston, 71.

Block, 125.

Blowpipe, 25.

Bodkin, 76, 158.

Bone, 17.
forceps, 135.
lever, 133.

Bougie, 145.

Bow drill, 127.

Box, collyrium, 170.
drug, 172.
ointment, 170.
scalpel, 170.

Boxwood cautery, 120.

Brass, 14.

Bronze, 14.

Buckle, 164.


Caelius Aurelianus, 4.

Calculus, bladder, 40, 135, 145, 146.
urethral, 64, 145, 147.

Cannula for ascites and empyema, 112.
for rectum and vagina, 113.

Case, instrument, 164, 168, 169, 170.

Cataract needle, 69.

Catgut, 162.

Catheter, 143.

Caustic forceps for haemorrhoids and uvula, 99.
spoon, 89.

Cautery, 116.

Celsus, 2.

Cephalotribe, 155.

Chair, obstetrical, 159.

Chisel, 122.

Clyster, 105.

Copper, 14, 58.

Couching needle, 69.

Cranioclast, 154.

Craniotome, 43.

Crowbill, 43.

Crusher, pile and uvula, 97.

Cupping vessel, 101.

Curette, 62, 65.
uterine, 157.

Curved bistoury, 43, 48.

Cuttlefish bone, 72.

Cyathiscomele, 61.


Damascening, 17, 25, 133, 172.

Decapitator, 154.

Deities, 19, 172.

Depilation, 90.

Dilator, rectal, 149.
uterine, 81.
vaginal, 150.

Diocles, scoop of, 142.

Dioscorides, 7.

Dipyrene, 56.

Director, grooved, 73.

Dissector, 60, 84, 85.

Donarium, 26, 147, 168, 170.

Douche, aural, 110.
bladder, 108.
rectal, 106.
uterine, 107.
vaginal, 107.

Drill, 126.
with guard, 129.


Ear probe, 63, 68.
syringe, 110.

Electrum, 16.

Elevator, bone, 133.
periosteal, 140.
tooth, 72, 134, 138.

Embryo hook, 152.
killer, 157.

Embryotome, 43.

Empyema, 27, 33, 112, 117, 132.
of lachrymal sac, 44.

Enema, 106.

Entropion, 55.

Epilation forceps, 90.

Étui, 168.

Excavator, dental, 138.


Fibula, 162, 164.

File, 139.

Fillet, 36, 156, 164.

Finds, 20.

Fistula knife, 47.

Forceps, blacksmith’s, 136.
bone, 135.
coudée, 96.
epilation, 90.
for applying caustic to piles and uvula, 98.
for crushing foetal cranium, 154.
for crushing piles and uvula, 97.
lithotomy, 147.
midwifery, 155.
pharyngeal, 100.
polypus, 93.
Pompeian, 135.
stump, 136.
tooth, 135, 136, 140.
tumour, 94.
uvula, 97.
varix, 135.
weapon, 139.
with sliding catch, 92, 96.

Fraenum guard, 62.

Fumigation, uterine, 158.

Fungi as cautery, 120.


Galen, 3.

Gold, 15.

Gouge, 123.

Granular lids, curette for, 71.

Grooved director, 73.


Haemorrhoids, crusher for, 98.
forceps for applying caustic to, 99.

Hammer, 125.

Handled needles, 69.

Haussa surgeon, 13.

Heister, 8.

Hemispathion, 38.

Hernia, 49, 118.

Hero of Alexandria, 7, 104, 109.

Hippocrates, 1.

Honain, 8.

Hook, blunt, 87.
eyed, 88.
lithotomy. 146.
sharp, 85.
traction, 152.

Horn, 16.

Hospital at Baden, 22.

Hygeia, 19, 173.

Hypospathister, 140.


Impellent, 141.

Inlaying, 17, 25, 133, 172.

Iron, 10.

Iscae, 120.

Ivory, 17, 76, 173.


Katias, 36.

Knife, 24.


Labour difficult, 31, 43, 135, 137, 152, 154, 155, 157.

Lancet, 28, 32.

Lead, 15, 166.

Lenticular, 124.

Lever, bone, 133.

Ligula, 77.

Lithotomy forceps, 147.
knife, 40.
scoop, 25, 41, 146.

Lithotripsy, 149.

Lithotrite, 148.

Löffelsonde, 61.

Long dissecting knife of Galen, 31.


Marcellus, 6.

Meges, lithotomy knife of, 27, 41.

Meningophylax, 126, 135.

Minerva Medica, 19, 25, 79.

Mirror handle, 35.

Mortar, 165.

Moschion, 4.

Mounting scalpel blade, 24.

Myzon, 94.


Nasal insufflator, 111.

Needle, 69, 74, 75.
knife, 36.
netting, 84.


Obstetrical chair, 159.

Octavianus Horatianus, 6.

Oculist, 21.

Oilstone, 167.

Ointment box, 170.
slab, 171.

Ophthalmic needle, 69.
probe, 71.
scalpel, 44.

Oribasius, 3.

Ornamentation, 17.

Osteotome, 122.


Painter, 59, 62.

Paré, 8.

Paris, surgeon of, 20.

Patina, 19.

Paulus Aegineta, 6.

Perforator for foetal cranium, 43.
for lachrymal fistula, 133.

Periosteal elevator, 140.

Periscyphismus, 36.

Pessary, 159.

Pestle, 166.

Pharyngeal forceps, 100.

Phlebotome, 32.

Pile crusher, 98.

Plating, 18, 56, 61, 112.

Pocket companion, 92.

Polypus forceps, 93.
knife, 39.

Pompeian forceps, 135.

Portable outfit, 168.

Primitive shaving, 13.

Probe, 51.

Probe pointed bistoury, 43.

Pterygotome, 44.

Pumice, 71.

Pyulcus, 109.


Quill, 111, 115.


Ram’s head, 19, 79.

Rasp, 139.

Raspatory, 121, 138.

Razor, 29.

Rectal tube, 113.

Reed, 114, 120.

Retractor, 83.

Rhases, 8.

Ring knife, 31, 157.

Rufus of Ephesus, 3.

Rugine, 94, 121.


Saw, 130.

Scaler, dental, 138.

Scalpel, 24.

Scarfication lancet, 28.

Scolopomachaerion, 28.

Scoop of Diocles, 142.
lithotomy, 27, 146.

Screw probe, 68.

Scribonius Largus, 6.

Scultetus, 8.

Seal of oculist, 171.

Sequestrum forceps, 135.

Serpent, 18, 164, 172.

Serres fines, 162.

Shaving, 29, 90.

Shears, 49.

Sieve, 165.

Silver, 16.

Sinus irrigator, 109.
knife, 47.

Smelting iron, 10.

Solder, 25.

Soranus, 3.

Sound, 51.
bladder, 145.
uterine, 79.

Spathion, 38.

Spathomele, 58.

Spatula probe, 58.
double, 79.

Specillum, 51.

Speculum, rectal, 149.
vaginal, 150, 158.

Spiral ornamentation, 17, 61.

Sponge, 161.

Spoon of probe, 61, 63, 71, 77.
for pouring collyria, 78.

Steel, 10.

Stone, 17.

Strainer, 165.

Strigil, 88, 157.

Stump forceps, 136.

Stylet for destroying foetus, 157.

Stylus, 72.

Sutures, 161.

Syphon, 143.

Syringe, aspiration, 109.
aural, 110.
nasal, 109.

Syringotome, 47.


Tempering steel, 10.

Tents, sponge, 161.

Theodorus Priscianus, 6.

Tin, 15.

Tongs, smith’s, 136.

Tongue depressor, 59, 79.
tie guard, 62.

Tonsil knife, 47.

Tooth elevator, 134, 138.
excavator, 138.
file, 139.
forceps, 136.
powder, 167.
scaler, 138.

Traction hook, 152, 157.

Trephine, 131.

Tube for ascites and empyema, 112.
for drinking by, 115.

Tube for guarding cautery, 120.
for preventing adhesion, 113
for removing warts, 115.


Unguent spatula, 58, 7

Uterine curette, 157.
dilator, 81.
douche, 107.
prolapse, 159.
sound, 54, 60, 79.
tube, 113.

Uvula, forceps for cauterizing, 98.
forceps for crushing, 97.
knife, 46.
spoon for cauterizing, 89.


Vaginal douche, 107.
fumigation, 158.
medicament tube, 113.
pessary, 159.

Varix extractor, 135.

Vindicianus Afer, 6.

Vulsellum, 94.


Weapon, extraction of, 68, 83, 114, 127, 138, 139, 141.
forceps, 139.

Wood, 16.


Y-shaped retractor, 83.

 

II. LATIN INDEX

Abaptista, 129.

Acus, 69, 74.

Anuloculter, 81, 157.

Asperatum specillum, 71.

Auriscalpium, 68.

Aversum specillum, 65.


Baca, 58.

Bacula, 53.


Calamus scriptorius, 114.

Clyster, 105.

Corvus, 44.

Cos, 166.

Cribrum, 165.

Cucurbitula, 101.

Cultellus, 30.

Culter, 30.


Ferramentum acutum in modo spathae factum, 39.
crassitudinis modicae prima parte tenui, 148.
cuius tertiam digiti partem, &c., 112.
factum ad similitudinem Graecae litterae Y, 84.
quo in sectione calculus protrahitur, 146.
quod a similitudine corvum vocant, 44.
rectum in summa parte labrosum, &c., 41.

Ferrum candens, 116.

Fibula, 162.

Ficulneum folium, 71.

Fistula aenea, 112.

Fistula fictilis, 120.
plumbea, 112.

Flebotomum, 33.

Forfex, 49.


Hamulus, 85.

Hamus, 85, 87.


Ligula, 77.

Lima, 139.

Limula, 139.


Malleolus, 125.

Membranae custos, 126.

Meningophylax, 126.

Modiolus, 131.

Mortarium, 165.


Novacula, 30.

Nucleus, 53.


Organon, 150.


Pessulum, 159.

Pessum, 159.

Pessus, 159.

Phlebotomum, 37.

Pilum, 165.


Rhinenchytes, 16, 109.

Rudicula, 58.


Sarcolabos, 95.

Scalpellus vel scalpellum, 27, 40.

Scalper, 121, 122, 123, 138.

Scalprum, 121, 122.

Serrula, 130.

Spathomela, 58.

Specillum, 51.

Speculum magnum, 150.

Spiculum aeneum, 157.

Spongia, 161.

Stilus, 72.

Strigilis, 88.

Stylus, 72.


Terebella, 126.

Terebra, 126.


Uncus, 146, 152, 154.


Vulsella, 90, 94, 136.

 

III. GREEK INDEX

ἀβάπτιστος, 129.

ἄγκιστρον, 85.

ἀγκτήρ, 162.

ἀγκυλοτόμος, 47.

ἀγκυρομήλη, 85.

αἱμορροϊδοκαύστης, 99.

ἀκανθοβόλος, 100.

ἀκόνη, 166.

ἀμφίσμιλος, 56.

ἀναβολεύς, 133.

ἀναρραφικός, 45.

ἀντίθετος, 123.

ἀπυρομήλη, 63.

ἄτρακτος, 120.

αὐλίσκος, 145.


βάλανος, 159.

βελουλκόν, 139.

βλεφαροκάτοχος, 97.

βλεφαρόξυστον, 71.


γαμμοειδής, 118.

γαστρώδης, 28.

γλωσσοκάτοχος, 79.

γραφεῖον, 72.

γραφικός, 114.

γράφιον, 72.

γραφίς, 72.


διαπύρηνος, 56.

διαστελλούσας, 81.

διαστολεύς, 81.

διαστομωτρίς, 81.

δικροῦς, 83.

διόπτρα, 151.

διόπτριον, 149.

διοπτρισμός, 150.

διωστήρ, 141.

δοῖδυξ, 165.


ἑδροδιαστολεύς, 149.

ἐκκοπεύς, 122.

ἐλαιακόνη, 167.

ἐμβρυοθλάστης, 154.

ἐμβρυοσφάκτης, 157.

ἐμβρυοτόμον, 43.

ἐμβρυουλκός, 152.

ἐξωτίς, 63.

ἐπίκοπον, 125.


ἠθμός, 165.

ἡλωτός, 118.

ἡμισπάθιον, 38.


θλάστης, 154.


ἰγδίον, 165.

ἴσκαι, 120.


καθετήρ, 105, 145.

καθιάς, 36.

καλαμίσκος, 112.

κάλαμος, 114.

κατειάδιον, 36.

κατιάδιον, 36.

κατοπτήρ, 149.

καυτήρ, 116.

καυτηρίδιον, 116.

καυτήριον, 116.

κιρσουλκός, 136.

κλυστήρ, 105.

κοιλισκωτός, 123.

κότυλος, 106.

κυαθίσκος, 64, 77, 142.

κύαθος, 101.

κυκλίσκος, 123.

κυκλισκωτός, 123.

κυρτίς, 165.


λιθοτόμον, 40.

λιθουλκός, 5, 147.


μάχαιρα, 27.

μαχαίριον, 27.

μαχαιρίς, 27.

μήλη
διαστέλλουσα, 81.
δικροῦς, 83.
ἐντετμημένη, 83.
ἐξωτίς, 63.
ἰσχυρά, 69.
ὀφθαλμική, 71.
τραυματική, 68.

μηλωτίς, 63.

μηλωτρίς, 63.

μηνιγγοφύλαξ, 126.

μηνοειδής, 118.

μητρεγχύτης, 107.

μοτός, 113.

μοχλίσκος, 133.

μύδιον, 94.

μυδιόσκελλον, 96.

μύκης, 120.


ξυράφιον, 117.

ξυστήρ, 121.

ξυστήριον, 94, 121, 138.

ξύστρα, 88, 157.


ὀδοντάγρα, 136.

ὄνυξ, 31.

ὀξυβελής, 32.

ὀξυκόρακος, 43.

ὀρείχαλκος, 14.

ὀρθοπρίων, 131.

ὀστάγρα, 135.

ὀφθαλμικός, 71.


πεσσόν, 159.

πεσσός, 159.

πίεστρον, 154.

πλινθωτός, 118.

πολύκμητος, 10.

πολυπικός, 39.

πολυποδικός, 39.

πολυποξύστης, 94.

πρίων, 130.

προμήκης, 119.

πρόσθετον, 82.

πτερυγοτόμος, 44.

πτίλον, 111, 115.

πυουλκός, 109.

πυρήν, 53.

πυρηνοσμήλη, 55.


ῥινάριον, 139.

ῥινεγχύτης, 109.

ῥίνη, 139.

ῥινίον, 139.


σαρκολάβος, 94.

σίδηρος, 10.

σικύα, 101.

σκολόπιον, 28.

σκολοπομαχαίριον, 28.

σκυλισκωτός, 123.

σμήλη, 52.

σμιλάριον, 38.

σμίλη, 27, 52.

σμιλίον, 45.

σμιλιωτός, 138.

σμύρις, 167.

σπαθίον, 38.

σπαθιστήρ, 140.

σπόγγος, 161.

σταφυλάγρα, 97.

σταφυλεπάρτης, 89.

σταφυλοκαύστης, 98.

σταφυλοτόμον, 46.

στηθοειδής, 27.

συριγγοτόμον, 47.

σῦριγξ, 47, 120.

σφηνίσκος, 119.

σφῦρα, 125.


τέρετρον, 127.

τραυματικός, 68.

τρίαινα, 117.

τριχολάβιον, 90.

τριχολαβίς, 90.

τρύπανον, 126.

τυφλάγκιστρον, 87.


ὑδροκηλικός, 85.

ὑπαλειπτρίς, 51.

ὑπάλειπτρον, 51.

ὑποσπαθιστήρ, 140.


φακωτός, 118.

φαλακρός, 118.

φλεβοτόμον, 32.

φλεβοτόμος, 32.

φῦσα, 108.


χαρακτός, 131.

χηλή, 83.

χοινικίς, 131.


ψαλίς, 49.


ὠτεγχύτης, 110.

ὠτικός, 110.

ὠτογλυφίς, 63.

 

 

OXFORD
PRINTED AT THE CLARENDON PRESS
BY HORACE HART, M.A.
PRINTER TO THE UNIVERSITY

 

 

---

 

Plate I

Size of originals.		Museum.
1. 7cm,5		British
2. 6cm		"
3. 9cm,5		"

 

 

Plate II

Size of originals.		Museum.
1. 5cm,2		Saint-Germain
2. 6cm		"
3. 10cm		"
4. 11cm,5		"
5. 10cm,5		"
6. 8cm,7		Puy-en-Velay
7. 6cm		Saint-Germain

 

 

Plate III

Size of originals.		Museum.
1. 7cm,5		British
2. 8cm,5		"
3. 12cm,2		Author’s

 

 

Plate IV

Size of originals.		Museum.
43 x 33cm		Athens

 

 

Plate V

Size of originals.		Museum.
1. 14cm,3		British
2. 12cm,3		"
3. 17cm		Naples
4. 15cm,5		"
5. 17cm		"
6. 18cm		"

 

 

Plate VI

Size of originals.		Museum.
1. 15cm		Naples
2. 14cm		Charleroi

 

 

Plate VII

Size of originals.		Museum.
1.		Modern catalogue
2. 9cm,5		Cologne
3. 7cm,8		Author’s
4. 10cm,7		"
5. 11cm		Shrewsbury
6. 7		After Heister.

 

 

Plate VIII

Size of originals.		Museum.
1. 15cm		Montauban
2. 13cm,5		Bibliothèque Nationale
3. 12cm		Naples
4, 5, 6.		Hypothetical
7.		After Albucasis
8. 14cm		Orfila

 

 

Plate IX

Size of originals.		Museum.
1.		After Heister
2, 3, 4.		"Albucasis
5. 10cm		Baden
6. 7cm		After Védrènes

 

 

Plate X

Size of originals.		Museum.
1. 15cm,7		Naples
2. 6cm,5		Thorwaldsen
3. 17cm,6		Naples
4. 13cm,5		Author’s
5. 10cm		Naples

 

 

Plate XI

Size of originals.		Museum.
1. 11cm,2		Author’s
2. 8cm		Baden
3. 10cm,2		Author’s
4. 18cm		Author’s
5. 12cm		Saint-Germain

 

 

Plate XII

Size of originals.		Museum.
1. 14cm,5		Naples
2. 18cm		Author’s
3. 17cm,2		Author’s
4. 18cm		Athens

 

 

Plate XIII

Size of originals.		Museum.
1. 18cm,5		Naples
2. 16cm		Mainz
3. 17cm		Athens
4. 20cm		Author’s

 

 

Plate XIV

Size of originals.		Museum.
1. 17cm		Naples
2. 11cm		Author’s
3. 15cm,8		"
4. 15cm,5		Mainz
5. 12cm		Author’s

 

 

Plate XV

Size of originals.		Museum.
1. 17cm,2		Author’s
2. 13cm		"
3. 16cm		Naples
4. 14cm		Author’s
5. 13cm,8		Baden

 

 

Plate XVI

Size of originals.		Museum.
1. 15cm,3		After Védrènes
2. 8cm,7		Saint-Germain
3. 6cm		"
4. 7cm		"
5. 7cm		"
6. 6cm		"
7. 12cm,7		Author’s

 

 

Plate XVII

Size of originals.		Museum.
1. 11cm,5		Baden
2. 12cm,5		Author’s
3. 14cm		"
4. 7cm		"
5. 10cm,5		"
6. 12cm,5		Naples

 

 

Plate XVIII

Size of originals.		Museum.
1. 11cm,2		Author’s
2. 10cm,8		"
3. 18cm,4		"
4. 20cm		"
5. 10cm,5		"
6. 10cm,5		"
7. 14cm		"
8. 16cm,7		"

 

 

Plate XIX

Size of originals.		Museum.
1. 7cm,8		Naples
2. 12cm,2		"
3. 14cm,2		"
4. 17cm,5		British

 

 

Plate XX

Size of originals.		Museum.
1. 17cm,5		Naples
2. 11cm,4		After Védrènes
3. 12cm		Saint-Germain
4. 12cm		"
5. 7cm,5		Naples
6. 11cm,5		After Védrènes

 

 

Plate XXI

Size of originals.		Museum.
1. 15cm		After Védrènes
2. 6cm		Saint-Germain
3. 18cm,2		Author’s
4. 4cm		Saint-Germain
5. 8cm		Author’s
6. 10cm,2		"

 

 

Plate XXII

Size of originals.		Museum.
1. 12cm		British
2. 7cm,5		"
3. 13cm,2		"
4. 14cm		"
5. 10cm		"

 

 

Plate XXIII

Size of originals.		Museum.
1. 14cm,2		Author’s
2. 16cm,8		Saint-Germain
3. 12cm,8		British
4. 5cm,6		Saint-Germain

 

 

Plate XXIV

Size of originals.		Museum.
1. 14cm,8		Saint-Germain
2. 11cm,5		"
3. 10cm,8		"
4. 15cm,5		Author’s
5. 17cm		Naples

 

 

Plate XXV

Size of originals.		Museum.
1. 21cm		Author’s
2. 13cm,3		After Védrènes

 

 

Plate XXVI

Size of originals.		Museum.
1. 17cm		Naples
2. 9cm,5		Author’s
3. 8cm		Naples
4. 6cm		Guildhall
5. 6cm,9		Author’s
6. 15cm		Naples

 

 

Plate XXVII

Size of originals.		Museum.
1. 15cm,5		Toulouse
2. 4cm,8		Saint-Germain
3. 5cm,5		Mainz
4. 11cm,8		Thorwaldsen
5. 11cm,8		Saint-Germain

 

 

Plate XXVIII

Size of originals.		Museum.
1. 12cm,4		British
2. 10cm,5		Naples
3. 12cm		Author’s

 

 

Plate XXIX

Size of originals.		Museum.
1. 17cm		Toulouse
2. 5cm,8		Saint-Germain
3. 5cm		Mainz
4. 10cm		Naples

 

 

Plate XXX

Size of originals.		Museum.
1. 19cm		British
2. 18cm		"

 

 

Plate XXXI

Size of originals.		Museum.
1. 19cm		Toulouse
2. 20cm,2		Basle

 

 

Plate XXXII

Size of originals.		Museum.
1. 15cm,2		After Védrènes
2. 12cm,5		Vienna
3. 11cm		Naples

 

 

Plate XXXIII

Size of originals.		Museum.
14cm,5		Athens

 

 

Plate XXXIV

Size of originals.		Museum.
10cm,2		British

 

 

Plate XXXV

Size of originals.		Museum.
15cm		Naples

 

 

Plate XXXVI

Size of originals.		Museum.
1. 2cm,8		Mainz
2.		After Alpinus
3. 3cm		Mainz

 

 

Plate XXXVII

1. After Alpinus

2."Hero

3."Heister

 

 

Plate XXXVIII

Size of originals.		Museum.
1. 13cm		Naples
2. 5cm,5		Baden
3, 4, 5.		After Hero

 

 

Plate XXXIX

Size of originals.		Museum.
1. 17cm		Naples
2. 9cm		"
3. 12cm		"

 

 

Plate XL

Size of originals.		Museum.
1. 25cm		Naples
2, 3.		After Vidius
4. 15cm,5		Toulouse

 

 

Plate XLI

Size of originals.		Museum.
1. 15cm,5		Naples
2. 8cm,5		Cologne
3. 11cm		British

 

 

Plate XLII

Size of originals.		Museum.
1. 18cm		Guildhall
2. 15cm		"
3, 4, 5.		After Vidius

 

 

Plate XLIII

Size of originals.		Museum.
21cm		Naples

 

 

Plate XLIV

 

 

Plate XLV

Size of originals.		Museum.
1. 26cm,5		Naples
2. 20cm		"
3. 15cm		Mainz
4.		Hypothetical

 

 

Plate XLVI

Size of originals.		Museum.
1. 15cm		Naples
2. 11cm,5		"
3. 11cm,5		"

 

 

Plate XLVII

Size of originals.		Museum.
23cm		Naples

 

 

Plate XLVIII

Size of originals.		Museum.
23cm		Athens

 

 

Plate XLIX

Size of originals.		Museum.
31cm,5		Naples

 

 

Plate L

Size of originals.		Museum.
1. 17cm		Naples
2. 15cm,3		After Védrènes

 

 

Plate LI

Size of originals.		Museum.
1. 21cm		Naples
2. 3cm,3		After Védrènes
3, 4.		"Albucasis

 

 

Plate LII

Size of originals.		Museum.
1. 6cm		Cologne
2. 3cm		Toulouse
3. 2cm × 4cm,2		Author’s
4. 4cm,4 × 2cm,5		"
5. 5cm		Guildhall
6. 4cm		"
7. 7cm		"
8. 3cm,6		"

 

 

Plate LIII

Size of originals.		Museum.
1. 18cm		Naples
2. 17cm		"

 

 

Plate LIV

Size of originals.		Museum.
13cm × 7cm,5		Naples

 

 

---

Footnotes:

[1] So says Briau (Paul D’Egine, p. 97), but it seems more likely to be derived from σκόλοψ ‘a spike’.

[2] Blümner, Technologie und Terminologie der Gewerbe und Künste bei Griechen und Römern, vol. iii. p. 458.